- il y a 19 heures
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00:54Oh!
01:00He was largely dismissed by his peers.
01:02Why, after all, would any living organism pursue its own demise?
01:07But Freud's theory proved more resilient than its detractors.
01:12Because who among us hasn't felt that urge?
01:15We say yes to one more drink.
01:18We strike a match and run a finger through the flame.
01:21We edge closer.
01:23Tempt fate.
01:24We flirt with death to prove we're truly alive.
01:28And if we can't stop,
01:31then that small fire we lit might just burn the whole house down.
01:35With us still inside.
01:40Jesus Christ!
01:42Can I take this off?
01:44It's hot as shit!
01:54Simon says.
01:56Simone.
01:58Oh.
01:58Isaac calls you Simon.
02:02These the encrypted files you need cracked?
02:05Yeah.
02:06The FBI's got people for this.
02:08Not half as good as me, but good enough.
02:11So, why are you here?
02:15This isn't bureau business.
02:17This is, uh...
02:20It's personal.
02:26I don't take cash or crypto.
02:29But at some point,
02:31I will ask you to return the favor.
02:35And you'll do it with no questions asked.
02:38What kind of favor?
02:40Do we understand each other?
02:47Wait here.
02:49How long is this going to take?
02:51As long as it takes.
02:53Yes.
02:54Yes.
03:08I don't want to take.
03:10I don't want to take.
03:12I don't want to take.
03:13I don't want to take.
03:15I don't want to take.
03:16I don't want to take.
03:17I don't want to take.
03:17I don't want to take.
03:17I don't want to take.
03:17I don't want to take.
03:18I don't want to take.
03:19I don't want to take.
03:20I don't want to take.
03:23I don't want to take.
03:24I don't want to take.
03:29Bonjour.
03:30Sorry de vous abandonner à la fête de l'honneur.
03:32J'ai dû mettre des fires.
03:36Vous avez l'écriture.
03:38Oui, bien, j'espère que vous avez trouvé un bon matériel.
03:42Vous avez raison sur votre père.
03:44Je ne dis pas que je vous précieux.
03:45Peut-être que la prochaine fois, nous pouvons tenter une conversation réelle.
03:50Donc, vous avez mentionné la situation avec votre ex dans le show d'honneur ?
03:53Vous avez raison. C'est une idée dure.
03:55Elle va mourir.
03:57C'est vrai ?
03:58C'est ce que vous voulez, c'est ?
04:02Je suis juste concerné la possibilité de percevoir.
04:06Oui, oui, non c'est pas d'honneur, je comprends ça.
04:09Ne t'es pas, elle va mettre sur moi.
04:12Je ne veux pas vous mettre dans une position awkward.
04:15C'est pas Nina.
04:17Alors, ok.
04:19Merci d'avoir compris.
04:20Donc, c'est un ami de quatre, c'est ?
04:30On ne dit pas que toi, c'est pas super.
04:34Ne dis pas que toi tu es juste d'amor de moi.
04:34Pas tout ce n'est toujours pour toi, Niall.
04:36Non ?
05:11Hello ?
05:13Agatha Wiggs ?
05:14Who is this ?
05:16Ellis Boyd, I'm the Ingram's attorney. Madison's parents.
05:21Uh, oh, um, thank you for calling me back. I am, I'm free all afternoon.
05:28Glad to hear. Their address is 929 West 75th Street between Columbus and the Park.
05:34Can you be there by one ?
05:49Nina ?
05:50Yeah, hi.
05:52Come on up.
05:59Hey !
06:01I'm so glad you called. There's something I've been wanting to show you. Come in.
06:09Can I get you some, uh, coffee or water ?
06:13No, thank you though.
06:15Uh, well, it's not quite finished yet, so I didn't bring it out for the art walk. But, uh, here.
06:26It's new. And I think it might be my favorite one.
06:33It's powerful, Shelley.
06:36Really ?
06:38Really.
06:41I'm glad, because I- I was hoping you would include it in the show. I'd have it finished, but
06:44then, of course.
06:45Um, that's actually the reason I called. Um, I didn't want to do it over the phone. Um.
06:51The truth is, I was so taken with your work that I- I got ahead of myself, and I
06:58didn't think through the implications.
07:02I should have spoken to my husband first.
07:05I'm not following.
07:06The book that Aggie is writing about my husband, it is more complicated than I realized, um, as far as
07:14a potential conflict of interest.
07:20Um, I've been divorced from Aggie for- for two years. I- our financial interests are completely separate. I
07:27mean, we're- we're barely in each other's lives.
07:29That won't matter.
07:30Matter to who ?
07:32Niall, for one, um, he's afraid that some people might think that I'm showing your work to influence the book.
07:41Are you?
07:42No. No, of course not.
07:45But that's not the point.
07:46Honestly, it's for your sake as much as anything else.
07:50You deserve a debut that's all about you.
07:53Without the distraction from-
07:54This is Aggie, isn't it?
07:56Excuse me?
07:59She told you not to show my work?
08:01No.
08:02No, no.
08:04I told you my husband, he had concerns.
08:07And he shared them with me.
08:10And...
08:10Honestly, I've thought about this from every angle.
08:16I'm really sorry.
08:18I just don't think it's a good idea.
08:20Not now.
08:22Once the book comes out, and some time passes, we can revisit this.
08:27Sure.
08:28In the meantime, I wanted to introduce you to another gallerist, Libby May.
08:33She's a rising star.
08:44How's it going, Bev?
08:46It's been a while.
08:47It's good to see you, Mr. Jarvis.
08:48You too.
08:49Gummy bear?
08:50I really shouldn't.
08:51My dentist just fixed a crown.
08:53So chew it on the other side.
08:54They're really good.
08:55And yes, my hands are clean.
08:57You're late now.
08:58I had to drop Nina off in Brooklyn.
09:00These crisis comms people bill 3,000 an hour per person.
09:04They brought eight people.
09:05Do the math.
09:06How come you didn't go with the Camdar Group?
09:08They said they couldn't field a top shelf team on such short notice.
09:12What about Salzman Adler?
09:13Booked until January.
09:14Apparently, the crisis comm business is thriving.
09:17You believe either of them?
09:18Not for a fucking second.
09:20They're all rats fleeing a sinking ship.
09:23So?
09:23Who did you go with?
09:25The Montgomery Group.
09:26Never heard of them.
09:27They're new.
09:29Westbrook used them when he ran for governor.
09:31Westbrook lost?
09:32Yeah, but he came close.
09:34Which is pretty impressive when you consider.
09:36He was photographed with his cock in a male prostitute's mouth
09:39four months before the election.
09:41He credits these guys with helping him weather the squall.
09:47Hello, Esme Noor.
09:49Miles Jarvis.
09:50Of course, I know.
09:52Hope you do a better job for us than you did for Westbrook.
09:56Let's get started.
09:58Before I introduce you to my team,
10:00I just want to thank you for trusting the Montgomery Group.
10:02to help you navigate this unfortunate and unfair situation.
10:08We'll start with an overview of our process,
10:09which can get a little dry,
10:11so I thank you in advance for hanging in there.
10:28Hey, Shelly.
10:29What the fuck is wrong with you?
10:31You say you care about me, really?
10:33Whatever you told Nina Jarvis, it worked.
10:35Okay?
10:35The show's off.
10:36No, hold on.
10:37I didn't...
10:38I didn't say anything.
10:39Bullshit!
10:40At least have the decency not to lie to me!
10:42I'm not an idiot!
10:43Okay, look.
10:45You have to understand.
10:46It's...
10:47It's more complicated...
10:48Unbelievable.
10:49Would you please just listen to me?
10:50Fuck you, Aggie.
10:52She...
10:52Shelly?
10:58You're calling...
10:59Oh, fuck.
11:08Shelly, we need to talk about this.
11:13At least let me explain.
11:16Seriously?
11:18That was a life-changing opportunity for me.
11:21You torpedoed it.
11:22Honestly, I...
11:23I can't.
11:23Hey, come on.
11:24Come on.
11:25That's not what...
11:26God forbid I enjoy the tiniest bit of professional success for once.
11:30You know I want you to succeed.
11:32No, you don't, though.
11:33You really don't.
11:34You have no idea how many times I've given you the benefit of the doubt with my friends,
11:38with my family.
11:40Ten years of my life, I took a backseat to your fucking career, and we're not even married anymore, and
11:44I'm still doing it.
11:45That's not fair.
11:45Not fair!
11:46We made choices together.
11:48I was supporting us.
11:49Oh, right, right, right.
11:50And if my work wasn't making money, then it was just a hobby.
11:52Did I ever force you to stop painting?
11:55No.
11:55No, you wanted a baby.
11:57We both did.
11:59That doesn't mean I wanted to give up everything else.
12:01Oh, Jesus Christ.
12:02But your work was what's important.
12:04Your work was real.
12:05Shelly, I support you.
12:07I've always supported you.
12:08But I shouldn't do.
12:09You just sabotaged my one chance at...
12:11I'm protecting you from Nina Jarvis and her husband.
12:15They're fucking dangerous.
12:16Oh, my God.
12:17You need to leave.
12:18Niall Jarvis might be an actual murderer.
12:22You're writing a book about because you know it will sell.
12:24That's not why I'm doing this.
12:26No?
12:26No, I'm doing it because I think he killed Teddy Fennig.
12:30What?
12:32I know how that sounds.
12:34I do.
12:35Especially coming from me.
12:37But I don't think it was a suicide.
12:40I'm telling you, I was with Niall the day before he disappeared.
12:43And I told him about Teddy, about the accident and Cooper.
12:48And I think Niall might have done something.
12:51That is what I'm trying to find out.
12:53I can't...
12:57I can't...
12:58I can't...
12:59I can't...
13:01I can't...
13:03If anyone killed Teddy...
13:05It was you.
13:09He made a mistake, a horrible mistake, but you made sure he'd never forgive himself.
13:18And rather than ask yourself what that means or how that feels, you need to find someone to blame.
13:25It's what you do.
13:28Always.
13:29You'd rather invent a murder than look in the goddamn mirror.
13:35You don't care about Teddy.
13:37Or Niall.
13:40Or me.
13:42You want a bestseller.
13:45That's all you want.
13:47That's all you've ever wanted.
13:51You need to go.
13:54I mean it. We're done.
13:56Shirley.
13:57No, go!
14:39We only need to flip one vote to secure the council's approval.
14:42And based on our analysis, the two council members most likely to switch votes are Haas and Mathers.
14:47Just show me my yes.
14:50Michael Morgan, who joined us recently from McKinsey, will walk you through Haas' profile.
14:55Michael?
14:56Thanks, Esme.
14:58So, Lionel Haas is serving his second term on the council.
15:01He's a former public school teacher.
15:03Ugly divorce.
15:04Shares custody of his seven-year-old son, although Haas is the primary caregiver.
15:07Late last year, the son was diagnosed with a rare carcinoma.
15:11He's being treated at Mount Sinai, although Haas is trying to get him into a trial at Sloan Kettering.
15:15So, we have a clean emotional asking.
15:18Waste of time.
15:21So, excuse me?
15:25Waste of time? How much clearer do you need me to be?
15:28Maybe we should let Michael finish. He's been working up a profile on Haas for the last 24 hours.
15:33I've known Haas for five years, Mathers for seven.
15:36I know them both well enough to know you won't get any traction with either of them.
15:41If you don't mind my asking, what makes you so sure?
15:43You're trying to convince the sheep instead of the shepherd.
15:46It's been staring me in the face since Phineas Gold told us to fuck off.
15:51Why it's taken me so long to realize it, I, um...
15:54Yeah.
15:55We need to focus on Olivia Benitez.
16:00Benitez?
16:01Yeah.
16:02There's no way she backtracks after publicly condemning the project.
16:06It's a cry for attention directed at me.
16:09Olivia Benitez is a true believer.
16:11She's an opportunist.
16:13You dangle something more tasty in front of her she can crow about on...
16:17TikTok.
16:19She'll flip.
16:20I disagree.
16:21Supporting Jarvis Yards would be a capitulation to a power structure she has spent her career trying to dismantle.
16:27Yeah.
16:28Go on.
16:29All her self-righteous virtue signaling is just political theater.
16:34She wants something.
16:36We just have to figure out what it is.
17:00The customer you're trying to reach is not available.
17:04Please record your message.
17:05Hey, I'm just checking in again.
17:08Uh, to see if you got anything off Niall's laptop.
17:12Um...
17:13I just wanted to let you know that I'm about to meet Madison's parents.
17:16Which, frankly, I'm surprised they agreed to.
17:19But, uh...
17:21Uh, yeah.
17:22Uh, call me when you get this.
17:41Hi there.
17:42I'm Agatha Wiggs.
17:44Sorry I'm a few minutes late.
17:45James Ingram.
17:46This is my wife, Mariah.
17:49Please come in.
17:53I'm sorry our attorney didn't get back to you sooner.
17:56Oh.
17:57Well, thank you for seeing me.
17:58Well, honestly, we went back and forth about whether we should even respond.
18:02Uh...
18:03Of course.
18:04I know this...
18:05This can't be easy.
18:08I'm going out.
18:12It's our son, Christopher.
18:15He, uh, sister, we're very close.
18:17And whenever this gets dredged up, you know, he...
18:19He doesn't do well with it.
18:21I put our coffee in the living room.
18:25There's cream and sugar.
18:27Oh, black is fine.
18:29James.
18:34Miss Wiggs, grieving our daughter is hard enough without the public attention.
18:40It's why we avoided speaking to the press.
18:43Thank you for making the exception with me.
18:47Before we get started?
18:50You told our attorney that Niall had, uh, consented to this book.
18:56Yes.
18:57He's agreed to talk to me.
19:00Why?
19:03Um...
19:03Well, he respects my work.
19:06Uh...
19:07He wants to set the record straight.
19:09Why would he trust you to do that?
19:12Is it because you believe he's innocent?
19:15Mrs. Ingram, I promise you, my obligation is to the truth.
19:19I...
19:20I agreed to no conditions whatsoever.
19:22So, whatever you...
19:23You say to me about Niall...
19:24I have no loyalty.
19:26I think you misunderstand.
19:29The only reason we're doing this is because Niall vouched for you.
19:37You...
19:38You...
19:39You spoke to Niall.
19:40We...
19:41You sound surprised.
19:43I...
19:45I just wasn't aware you were, uh, in contact with him.
19:48Or...
19:49Or...
19:49How you might feel about him.
19:52How we feel.
19:54We feel awful about the way those vultures in the press...
19:58Hounded him.
19:59The way they hound him still.
20:01They...
20:01Just keep circling and circling.
20:03They won't be satisfied until he...
20:08Poor Niall has had to...
20:10Bear the lies and the rumors.
20:12It...
20:12It's been a kind of hell.
20:15I...
20:16Pulled a few things from Madison's life.
20:18I thought you might want to see.
20:38I've only got a few minutes.
20:40I talked to Abbott.
20:42Agatha Wiggs reached out about a book.
20:43He talked to her once on background, that's it.
20:46You're sure?
20:46He wouldn't lie to me.
20:51I'm his supervisor, but we're also friends.
20:54Friends?
20:56Yeah.
20:57Are we done?
20:59I hope so.
21:00What are you so worried about at this point?
21:03It's a closed case.
21:04Everyone at the bureau knows that Madison's death was a suicide.
21:07Except they haven't.
21:08He accepts the case is closed.
21:11Some people don't care about the truth.
21:13They just believe what they want to believe.
21:15That's what we're trying to manage.
21:18Do you keep an eye on Abbott until I tell you otherwise?
21:32Hmm.
21:34Hmm.
21:46She's beautiful.
21:51Yeah.
21:52She was a birder.
21:54She knew them all.
21:56She'd walk through Central Park and just from a warble or a chirp or a flash of color between the
22:03leaves, she'd point, Northern Perula, yellow warbler.
22:08That's quite an unusual hobby.
22:12How did you get into it?
22:14A therapist suggested she find something concrete and outward facing to focus her restlessness.
22:23Burning helped, along with medication.
22:27When she took it.
22:32I loved my daughter.
22:36But she was capricious, willful.
22:40She was bipolar.
22:43I, I, I didn't realize.
22:45Well, it was no one's business.
22:47I'm only telling you now, for Niles' sake, to give you some context.
22:52When was she diagnosed?
22:54In her mid-teens.
22:56And after all the specialists and the psychiatrists, what good did it do her?
23:01At a certain point, you have to take responsibility for your choices, your life, and Madison had so much anger.
23:10At whom?
23:12At the world.
23:13At us.
23:14Me, mostly.
23:15Well, don't say that.
23:16No, but it's true.
23:18The cruelest irony is that Niall made Madison the happiest she'd ever been.
23:31She was practically glowing that day.
23:34They both were.
23:38Madison wasn't an easy person to love.
23:41Believe me.
23:48Niall saved her life, you know.
23:52She attempted suicide two years before she succeeded.
23:57Niall found her in the bath, her belly full of pills.
24:01By the time Niall got her to the hospital, she turned blue.
24:06He tried so hard.
24:10We all did.
24:12But it was never enough.
24:13Nothing was ever enough.
24:18I'm curious if you have any insights or even just a theory why they never found her body.
24:25She didn't want to be found.
24:27That's why.
24:28So you think it was hostile?
24:30Well, isn't it?
24:32Denying your parents' closure.
24:35Maybe she just wanted to spare us the trauma of finding her.
24:39She left a note, didn't she?
24:44I thought you might want to see it, so I made a copy for you.
24:47It's here.
25:15And you're...
25:18You're certain it's authentic?
25:20Absolutely.
25:21Three different forensic experts confirmed.
25:24The handwriting is Madison's.
25:26There's no forgery.
25:28No question.
25:32You keep it if it's useful.
25:35We just hope the truth will put an end to these crazy conspiracy theories.
25:40Because every time someone writes something, it feels like they're killing her all over again.
25:59You'd rather invent a murder than look in the goddamn mirror.
26:24I need... I need a bathroom!
26:30Hey!
26:33Open this door or I'm going to take a piss to the floor.
26:55It's too late.
26:57Come with me.
27:12So?
27:14Niall Jarvis?
27:17Yeah.
27:19None of the files you grabbed was his fitness app.
27:23But I did find a heavily encrypted link to a private network.
27:37You know him?
27:41When was this recorded?
27:43It wasn't.
27:44This is a live feed.
27:52Can you trace where he is?
27:55No way.
27:56He's running through multiple VPNs, so it's untraceable.
27:59OpSec is flawless.
28:01I copied the decrypted link and pasted it to the drive so you can show it to your people.
28:07You are bringing this to the bureau, right?
28:10That's right.
28:11I can't get better.
28:13Hey!
28:23It's too late.
28:24Great, and you're playing.
28:24Have you seen any other kind of things?
28:24I'mご飯.
28:26I'm telling you.
28:26No.
28:27Go ahead.
28:27Oh, dear.
28:27Ah!
28:28I think it's okay.
28:31No.
28:31Hey!
28:31All right!
28:34All right.
28:40I'll leave you in a minute.
28:40My god!
28:50Oh, hey !
28:52Hey, hey, hey !
28:53Je sais, je suis désolée.
28:55Je suis désolée, bébé.
28:57Oui, oui, oui.
28:59Tu dois juste marcher.
29:01Oui, c'est pas ta faute.
29:03Oh, bébé.
29:17Hey, j'ai commencé à se tromper.
29:19J'ai appelé.
29:21Tu as l'as vu dans les files ?
29:23Oui.
29:25Donc tu as l'appel de sa fitness ?
29:30Tu es là ?
29:34Il n'y avait rien.
29:37N'y a rien.
29:41N'y a rien.
29:42Non, je n'ai pas à l'aider.
29:43Il était à l'aider par 10.
29:49C'est ma faute.
29:52Pour être en train de faire ça.
29:53Nous nous sommes même pas ensemble.
29:55Et je...
29:57Je mets ces idées dans ta tête.
29:59C'est parti.
30:47C'est parti.
30:59All of us, drawn to monsters.
31:05Enthralled by the fantasy that any of us brave enough to sling a stone can slay Goliath.
31:12We play the hero, the savior, valiant and righteous.
31:23So we hunt the beasts that prey upon us, convinced our act of violence will be the thing that keeps
31:30us safe.
31:32But does it, in the end?
31:38And once Goliath is vanquished, the dragon slain, deep down we know the real threat remains within us.
31:50Ever-present, itching for release.
32:01Itching.
32:02Itching.
32:06Itching.
32:09Itching.
32:30The truth is, we need our villains.
32:35Alive and well.
32:36Because without them, we're left to face ourselves.
32:41Itching.
32:43Itching.
32:50Itching.
32:57Itching.
32:58Itching.
33:09Itching.
33:13Itching.
33:15Itching.
33:15Itching.
33:19Itching.
33:29Itching.
33:30You brought company.
33:32My chief of staff, Elijah Garrity.
33:35Hi there.
33:40Qu'est-ce que tu veux?
33:44Nous avons ce bâtiment, ce qu'est-ce que vous connaissez, mais nos plans de développer ce space sont maintenant
33:52créés grâce à la régulation de la région de la ville.
34:02Asbestos.
34:02Don't worry, trace amounts, sub 0.5%, barely detectable, well below the level requiring remediation in every municipality in this
34:14country, except New York City.
34:19What are we doing here, Mr. Jarvis, other than getting exposed to asbestos?
34:25You survived the New York public school system, didn't you?
34:28Wow. Funny.
34:31Look, we both know I'm just a useful boogeyman that you're using to rile up the crowd, and granted, it
34:37is working.
34:38I appreciate your instincts. I mean, taking me down is an opening gambit. Brilliant. What do you really want, long
34:45-term?
34:46Because you're smart, you're ambitious, but progressive wells, they run dry quickly. Five bucks at a time.
34:54Your point being?
34:56It's my point being to the city.
34:58If Olivia approves your zoning plans for Jarvis Yard's.
35:02It's a win-win.
35:04You spin this whole thing like it's your idea.
35:07Olivia Benitez, the young upstart who extracted her pound of flesh from the big bad Jarvis family to alleviate the
35:13affordable housing crisis.
35:16Throw in some green space.
35:18You make the rounds on MSNBC.
35:20You bring in your mainstream libs, the ones you still need to convince you're not just some naive ideologue, but
35:27that you're here to make some moves.
35:30My vote isn't for sale.
35:36Being a radical, it gets your attention.
35:39Showing you're a pragmatist, that gets you donors.
35:41The kind you need to level up, run for Congress, mayor, maybe even someday governor.
35:48You're young, and you're talented.
35:51And I believe you're playing the long game, even if you don't even know that yet.
35:56Take the win.
36:04What do you think?
36:06What do you think?
36:12I think we're done here.
36:41Fuck.
36:48So what does she say?
36:50Does she go for it?
36:50Uh, I got her attention, but, um...
36:54But, but what?
36:55Yeah.
36:55She says she's not for sale.
36:58Huh.
36:59So, no.
37:03Alright.
37:04I'll find another way for her to change her mind.
37:07You don't take the carrot, you use the stick.
37:10Right.
37:13Right.
37:34Turn around.
37:35Turn around.
37:42What the fuck is wrong with you?
37:44Turn around!
37:47Hands on your head.
37:53This is private property, Agent Abbott.
37:56So, unless you have a warrant, it is trespassing.
38:02I can tell you where she is.
38:06Madison.
38:07I mean...
38:08What did you say?
38:11I mean...
38:13What the fuck is wrong with you?
38:24Oh, shit.
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