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00:27Sous-titrage MFP.
00:30Sous-titrage MFP.
01:00Sous-titrage MFP.
01:19You never met a kid you didn't want to hit.
01:22Yeah. Only because I knew my big brother had my back.
01:26Except for that one time.
01:28You let those Korean punks give me a beatdown.
01:31Yeah, I was trying to teach you a lesson.
01:34Not that you ever listened to a word I said.
01:39So I gotta talk to you about something.
01:41About your other son.
01:44What'd he do now?
01:49Survival of the fittest.
01:51That is my father's dogma.
01:54He's a nominal Catholic.
01:55His real religion is Darwinism.
01:57Hmm.
01:58The self-made man.
01:59Yeah, he was an orphan who supported himself and his half-brother by working on a dairy farm.
02:04Shoveled cow shit every day before school.
02:07Never let us forget it.
02:09And for all his kicking and screaming, I pulled my father into the future.
02:13Got him to take a couple of big swings and I grew the business tenfold.
02:17A year from now, I will have redrawn the skyline.
02:21The largest multi-use project this city's seen in a generation.
02:26That's my legacy.
02:28But not your father's.
02:30Progeny.
02:31That's what drives him.
02:33Generations of little Jarvis's just carrying his genes into the future.
02:37You never wanted kids?
02:39More people to hate you when you're dead?
02:41No thanks.
02:42Making something worth leaving behind?
02:44That's as close as any of us get to immortality.
02:47Wait, isn't that why you write?
02:51I don't know about that.
02:53I think I write to, uh, to make sense of what I, I don't understand.
03:01How's that going?
03:03We were talking about you and your father.
03:07Right.
03:09When do you think I'll get to meet him?
03:12Look, he's, he's a big character in your story.
03:15I've got some questions.
03:19He won't talk to you.
03:20He said that?
03:21I know my father.
03:25You haven't told him, have you?
03:28About the book.
03:33Why not?
03:37Do you know how my mother died?
03:40Ovarian cancer.
03:41When you were two.
03:42She had cervical stenosis.
03:45A dozen miscarriages before she had Marty.
03:50I mean, the pregnancy nearly killed her, um, and the doctor said never again.
03:54But my father wanted more and he wasn't about to adopt.
03:56So five miscarriages later, she had me hemorrhaged so badly, she almost bled out on the table.
04:04Emergency hysterectomy, that's how they found the cancer.
04:06So, dad was left with the two of us.
04:10Until Marty OD'd at 31.
04:12And when my father finally got it through his head that I wasn't going to have children,
04:16he went out and got himself another Mrs. Jarvis.
04:19Spent half a mil for IVF until he got two more sons.
04:25And they turn eight on Sunday.
04:29My father's legacy is his own business, but he doesn't get to control mine.
04:35By denying him grandchildren, was that a power move?
04:40A big middle finger?
04:42It's got nothing to do with him.
04:45I'd love them too much.
04:48Is that even possible?
04:51You tell me.
05:26You're late.
05:29Where's Gold?
05:30Rick's showing him around the house.
05:31I told him I needed a few more minutes alone with you.
05:37Something wrong?
05:38Oh, you tell me.
05:40Because I am curious.
05:42When are you going to tell me about this book, Nile, before or after it was published?
05:47I wasn't aware I needed a permission slip.
05:51The whole point of moving out of Manhattan was to keep you off of page six,
05:55at least until Jarvis Yards is finished.
05:57And you have gone out of your way to invite more scrutiny.
06:01Your plan for me to go into exile isn't working.
06:05If anything, it's backfiring because I need to control the narrative.
06:08Oh?
06:08And what makes you so sure that you can control Agatha Wiggs?
06:11The same thing that makes you so sure I can't.
06:13It's a mistake.
06:14Well, then let's just agree to disagree.
06:19Yeah.
06:24Hello, Nile.
06:25Councilman?
06:27I thought I was going to need breadcrumbs to find my way back here.
06:30Once again, thank you for coming out to see us on such short notice.
06:34And I hope I'm not rushing you, but I've got a Parks Commission hearing in about an hour.
06:39It's okay, Phineas.
06:41We're done talking.
06:43Right, Dad?
06:47Why don't we sit over here?
06:57You know, Benita is just...
07:00She came out of nowhere.
07:02Community organizing, grassroots, all that crap.
07:06By the time Patel started taking her campaign seriously, it was too late.
07:09How did this even happen?
07:10I thought Phase 2 was supposed to be an automatic approval.
07:13Look, no one on the committee has been a greater advocate for Jarvis Yards than me.
07:17No one has supported your political career more than us.
07:20That's not what I asked you.
07:24Benitez is leaning on some of the more vulnerable committee members.
07:27Apparently, she's getting some traction by exploiting Nile's situation.
07:32And from what I'm hearing, she's already managed to flip Tiernan and Olshansky.
07:36Shit.
07:37Now, we've still got the votes to shut her down, all right?
07:40Margin will be tighter than I'd like it to be, but we'll be fine.
07:44Good.
07:45We're counting on you to hold the line, Phineas.
08:10Welcome.
08:21These paintings are wonderful.
08:23The scale and the color work.
08:27Thanks.
08:29Was Alice Neel an influence or Lucian Freud?
08:35Um, mostly my son.
08:39He used to spend hours coloring with his crayons, and, um, Burnt Sienna was his favorite.
08:46Nina Jarvis.
08:48Shelley Morris.
08:49Pleasure.
08:50So are you a, um, collector?
08:53Yes.
08:54Well, mostly an occupational hazard.
08:56I'm a gallerist.
08:57I own the J-Con gallery in Chelsea.
09:00Oh.
09:01You're that Nina Jarvis.
09:04Yeah.
09:04Married to that Nile Jarvis.
09:09Don't worry.
09:10I'm used to the look.
09:12Well, I...
09:14I love the J-Con.
09:15I, um...
09:18I saw the Winogred show there last year.
09:20I was blown away.
09:22Oh, yeah.
09:23Her career took off after that.
09:25And, of course, once it did, the Gosian swooped in and grabbed her.
09:31Well, it's, uh...
09:33It's heartening that you're still scouting around open studios.
09:38I have to confess, um...
09:40I actually came here because of you.
09:47Me?
09:48I saw one of your earlier paintings, and I wanted to see what you were working on now.
09:54You did?
09:55Where?
09:56I, I just...
09:57There's...
09:57There's not a lot of my work out there.
09:59I saw it at Aggie's house.
10:01We're neighbors.
10:02My husband and I just moved in a couple weeks ago.
10:06Wait, so you, you and Aggie are friends?
10:09Um, friendly.
10:10We just met.
10:11But, but I was over there briefly, and I saw one of your paintings, the one in the living room,
10:16which is stunning, by the way.
10:18Um, did Aggie ask you to come here?
10:22What?
10:22No.
10:23Nothing like that.
10:24No, I noticed it hanging, and, and I was really taken by it.
10:28And I just asked, Aggie, if you had representation, that's all.
10:31And I was curious to see how your work has evolved.
10:39Okay.
10:41Well, um, would you care for some boxed wine?
10:45Mm.
10:46What vintage?
10:47Oh, it's a very rare 2024 Hoboken varietal.
10:52Yeah.
11:03Hi.
11:05Hey.
11:07Hey.
11:18It's just, uh, a temperate place.
11:22How long have you been here?
11:25Six years.
11:26I was, I was living with my, um, my ex before that, and Murray Hill, and things kind of unraveled.
11:35Epically.
11:37Was that before or after the Jarvis case?
11:40Oh.
11:42Yeah.
11:42You can, uh, you can add my marriage to the list of casualties.
11:46Do you want a beer?
11:50Well, um, thank you for meeting me.
11:53Well, like I said, there's not much I can do.
11:55Did you have any luck at all?
11:56Well, he works for Nassau County.
11:58PD owed me a favor.
12:00Slid me a copy of Phoenix's case file.
12:03Don't get too excited.
12:05Not much there.
12:08Knock yourself out.
12:17Let's get you dry.
12:19Wash, wash, wash.
12:29Hey, hey, hey.
12:32Hey, hey, hey.
12:44Come on.
12:45Come on.
12:55You told my father about the book.
12:58Why are you stirring up trouble?
13:01I knew you wouldn't tell him yourself.
13:03I was planning to.
13:06Then what's the problem?
13:08The problem is this arrangement isn't working for me.
13:13Talk to your father.
13:15He's the one who put me here.
13:16And I indulged him because I felt sorry for you.
13:19You're a charity case, honestly.
13:21I mean, who else would hire you?
13:23I guess he didn't convince you to drop the book.
13:25It's not his call.
13:27It's my decision.
13:29And I know what I'm doing.
13:31Hmm.
13:33And I'm sure you know Agatha Wages is talking to the FBI.
13:37Hmm?
13:38Yeah.
13:39Your old pal, Brian Abbott.
13:42Don't worry.
13:43I didn't tell your dad.
13:47The part I left out.
13:49Not to protect you, to protect him.
13:55My brother's heart attack, that was all you, Niall.
13:58Hmm?
14:00I'm here to make sure you don't give him another one.
14:03I will do whatever I have to do to protect him.
14:07You didn't know that already.
14:09You do now.
14:11Come on.
14:12Come on.
14:13Come on.
15:08What water does to the body.
15:10That's it?
15:12I'm awfully short.
15:13Well, we're not all writers.
15:16So they're not even considering foul play?
15:19There's no reason to.
15:20I mean, your name pops up a few times.
15:22Me?
15:23Yeah.
15:24Yeah.
15:24Yeah, you threatened him in the past.
15:26Jesus.
15:27It doesn't matter.
15:28Because nothing here suggests this is anything but a suicide, and that is how police are treating it.
15:33Except they still haven't found him.
15:35Just like Madison Jarvis, which he left a note to, right?
15:40I mean, it's just a few words.
15:43Niall could have copied Teddy's writing, right?
15:45Or forced him to write it.
15:49Look at that.
15:51Look at that handwriting.
15:52Doesn't it look a little wobbly to you?
15:54Like his hand was shaking?
16:00There's no mention of Niall anywhere.
16:02There's no connection between them.
16:04The only connection between them is you.
16:06His wife was out of town that night.
16:08He was on his own.
16:09What, you think that's a coincidence?
16:11He could have been outside of Roberto's waiting for Teddy.
16:14He's recognizable.
16:15Yeah, he could have been a lot of places, right?
16:17But we have no way of knowing.
16:20Or maybe we do.
16:24Um, okay.
16:26He has, he has, like, this ring.
16:29Um, it's like a Fitbit on steroids.
16:33It's, it, um, it tracks everything.
16:35His metrics, his bodily functions,
16:37so he can optimize whatever the fuck he's trying to optimize.
16:40I don't understand.
16:41Okay.
16:42Here.
16:43In your 2012 GQ profile, you called yourself a biohacker.
16:48We all get the same 24 hours.
16:50How much of it we waste is up to each of us.
16:52You see this?
16:53So this records all my vitals.
16:55Sleep quality, hormones, adrenals.
16:57My run this morning.
17:01So the...
17:06So this tracks where I peaked, where I flagged, um, glucose levels, cardiac metrics.
17:12It's a constant stream of data for radical optimization.
17:14It, it tracks everything, including your geolocation.
17:18Well, I doubt he's going to turn that on if he's just going to commit a crime.
17:21He wouldn't have had to.
17:22It, it activates when your heart rate's above 90.
17:25It, it's automatic.
17:25Anytime it thinks you're exercising.
17:28Grabbing Teddy off the street.
17:29Something tells me he might have broken a sweat.
17:32All of this data is on his laptop.
17:34There must be some way to hack it.
17:36Don't, don't you have people who do that?
17:38Not without a warrant.
17:39Well, how long would that take?
17:41There's never going to be a warrant, Aggie.
17:43I, I don't know, I don't know how much clearer I need to be.
17:51Then maybe I can do it.
17:53While I'm there interviewing him.
17:55When he goes to take a pee or, or, or a call or something.
17:59Nothing you found would be admissible in court.
18:02But it would tell us if he was there.
18:03It would be something.
18:04Okay.
18:08I can get him to his laptop.
18:10I know his password.
18:12What?
18:12I've been paying attention when he opens his phone, his computer.
18:17I, I know it.
18:24I think you might be crazier than me.
18:28Look, there is some part of you that thinks I'm right,
18:30or you wouldn't still be talking to me.
18:36There's a digital forensics analyst I can ask.
18:39Do you trust him?
18:45Holy shit.
18:48Now I need to answer.
18:50Hey, put it on, put it on speaker.
18:56Hello?
18:58Hey neighbor, where are you?
19:01I'm writing.
19:02Why?
19:02Are you?
19:04I was just knocking on your door.
19:07Uh, no, I'm, I'm in the city.
19:09I, uh, I'm at the public library.
19:11I, I, I just left.
19:13I can meet you at Jarvis Yards in 30 minutes.
19:17Something I want to show you.
19:18Uh, now?
19:19It's nine o'clock.
19:21You said you just left.
19:25Well, what is it?
19:27It's a surprise.
19:31Can I wait until tomorrow?
19:33Actually, I can't.
19:34Meet me to the south entrance.
19:35Well, at least give me some idea what this is about.
19:39Niall?
19:43You are not seriously going to meet him.
19:46I have to, right?
19:51You don't have a gun like a bar, do you?
19:54I'm joking.
19:56It's a joke.
19:58I'll be fine.
20:03I'll call you afterwards, okay?
20:06Wait, wait.
20:11I'll come with you.
20:13What?
20:14You're not going alone.
20:15Well, I've been alone with him before.
20:17What do you think he's going to do?
20:19You're going to take your own car.
20:20I will follow you.
20:22I'll wait nearby so if something's off,
20:24or even if you get a bad feeling, you...
20:27Don't call my phone.
20:29I've got a burner phone around here somewhere.
20:33I'll give you the number.
21:01I'll give you the number.
21:26You're late.
21:27I thought maybe you'd stood me up.
21:30So, what is it you want me to see?
22:00I'll give you the number.
22:19Sous-titrage Société Radio-Canada
22:41Sous-titrage Société Radio-Canada
23:12Let's go.
23:50Come closer.
23:52Sous-titrage Société Radio-Canada
24:14Sometimes when I'm standing up here, I get this irrational urge just to step off the edge.
24:20The French coined a term for it, la pelle du vide, the call of the void.
24:26It's not a suicidal compulsion, exactly.
24:30It's just that uncanny impulse.
24:33It's common.
24:35It's a widespread phenomenon.
24:37You want to know my theory?
24:39What's that?
24:40We'd rather jump than fall.
24:44Or be pushed.
24:48Are you talking to the FBI, Aggie?
24:53Sorry, excuse me?
24:55Are you talking to someone in the FBI about me?
25:05Yes.
25:08Brian Abbott.
25:12He investigated you for financial crimes for nearly two years before Madison went missing.
25:19And when she did, he made it his mission to pin it on me with no evidence.
25:23No support from the Bureau.
25:25Exactly.
25:25Anyone that obsessed with Niall Jarvis is someone I should talk to, don't you think?
25:31You should have asked me first.
25:32Oh, so every time I interview a source, I'm supposed to clear it with you?
25:37That's not how I work.
25:43You know what, Aggie?
25:48I don't think this book is such a good idea anymore.
25:54Yeah, maybe you're right.
25:59You don't want me talking to your father.
26:01You don't want me talking to Abbott.
26:02So, what's the point?
26:05What about Madison's parents?
26:06Am I not supposed to talk to them either?
26:09You say you're misunderstood, but who's going to believe anything I write if I only talk to you?
26:18Although, considering how high my editor is on this project, she might tell me to write it anyway.
26:24The unauthorized version.
26:26Talk to everyone but you.
26:30You're pretty ballsy for someone negotiating a hundred stories up in the air.
26:36It's not like you'd hurt me.
26:38Would you, Niall?
26:51I want editorial control.
26:54That'll never happen.
26:57Even if my publisher agreed, which he won't.
27:02It would destroy any credibility I have.
27:04Then how do I know it's not a hit job?
27:06Because a hit job is boring.
27:10I'm better than that.
27:13Are you?
27:16I'll let you read the first hundred pages, okay?
27:20Off the record.
27:21No one can know that.
27:22What if I have notes?
27:23I'll take them under advisement.
27:27How's that?
27:30Okay.
27:34I'm still in.
27:37For now.
27:42Oh.
27:44What are you doing tomorrow?
27:46You said you wanted a full picture.
27:48Come to my brother's birthday party.
27:49You meet the whole gang in their natural habitat.
27:52Take a shot at my father yourself.
27:56Okay.
28:00Okay.
28:07Fuck.
28:10You okay?
28:13What happened?
28:15He knows I'm talking to you.
28:18What?
28:20He took me up 24 floors.
28:24And for a second, I really thought he might push me off.
28:29and then he asked me point blank if I was talking to you.
28:31He knows.
28:34Oh.
28:36Fuck.
28:36I have no idea.
28:42So, what did you tell him?
28:45He said it was, you know, research for the book.
28:48Okay.
28:49Okay.
28:49Did he buy that?
28:51Yeah, he seemed to.
28:53He's suspicious, clearly.
28:55He threatened to back out.
28:56I mean, he still might.
29:00So, how'd you leave it?
29:04He invited me to a kid's birthday party.
29:08His, um, twin half-brothers,
29:12Martin Jarvis' estate.
29:14They were renting an elephant, apparently.
29:24Yeah.
29:28Is Nile going to this party?
29:31Yeah.
29:33And Nina.
29:35Yeah, why?
29:40Maybe that's an opening.
29:43An opening for what?
29:45For us.
29:58No, listen to me.
29:59Felicity cannot go to the park without her EpiPen.
30:02She's gonna be fine.
30:03No, Frank, she will not be fine.
30:05Well, I don't know what to tell you because it's not here.
30:07Look in the back of the drawer again.
30:08I did.
30:08Twice.
30:09Jesse, can you check it again, please?
30:11I am telling you.
30:17Yep.
30:18I found it.
30:20Thank you.
30:20I'll pick up the kids after dinner, okay?
30:26Christina, isn't the Mendelssohn briefing supposed to be happening now?
30:28It was canceled.
30:29Brian called in sick.
30:32Yeah, I gotta go.
31:00Sous-titrage MFP.
31:29Sous-titrage MFP.
32:00Sous-titrage MFP.
32:02Sous-titrage MFP.
32:32Sous-titrage MFP.
32:54Lila wanted it for the boys.
32:56I'm not wearing safari gear to an eight-year-old's birthday party.
33:00They're your brothers.
33:01They're my half-brothers.
33:06You're still failing.
33:07You wanted one thing.
33:08You couldn't just show up.
33:10You're very...
33:19Hey.
33:19You coming?
33:20As soon as I finish walking him.
33:22I'll see you there.
33:22Great.
33:26Great.
33:26They're my...
33:55I'm sorry.
33:55They're my brothers.
33:56They're my brothers.
33:56Come on.
33:58Come on, good doggies.
34:02Good doggies, come on.
34:07Good doggies.
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