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00:00:28¡Gracias!
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00:01:59Just wait until you meet Sid.
00:02:01I can wait.
00:02:05We live that long.
00:02:09Say, look at all the couples.
00:02:13Pick out any pair that looks happy.
00:02:16Then ask the husband if he's ever chased.
00:02:18I can't ask personal questions of strangers.
00:02:22Bet you a hundred bucks.
00:02:24Oh, it's a bet?
00:02:25Yeah.
00:02:26Well, let's do it.
00:02:29Excuse us, but we're...
00:02:32We're taking a gallop pole.
00:02:36Married.
00:02:37We assume that you're both happily married.
00:02:42Oh, divinely.
00:02:52Oh.
00:02:54Thank you.
00:03:00They're both happily married, but not to each other.
00:03:09How's my turn?
00:03:11Oh, I beg your pardon.
00:03:12Do you mind if I ask you a personal question?
00:03:15No.
00:03:16Happily married, of course.
00:03:18Of course.
00:03:20Before you were married, uh, did you ever chase?
00:03:24Why, you rat.
00:03:27Oh, you want to play, eh?
00:03:29Oh, please don't do this.
00:03:31Get out of here.
00:03:31Get out of here.
00:03:33Oh, you don't do this.
00:03:35Bring it up.
00:03:36Bring it up.
00:03:36Stop it.
00:03:37Stop it.
00:03:37Stop it.
00:03:42I beg your pardon.
00:03:43I beg...
00:03:43I never give anything to beggars.
00:03:46Young man, you have probably splintered my sacroiliac.
00:03:49Say nothing, you chichis.
00:03:51I've been bumping into things all night.
00:03:53That is no excuse.
00:03:55When's your birthday?
00:03:57May 12th, but I never expect presents, really.
00:04:01May...
00:04:01Two...
00:04:01Well, it's a very fortunate thing we're strangers.
00:04:05Our numbers clash.
00:04:06Young man, you spell trouble for me.
00:04:13I-I didn't get what you said.
00:04:16Your vibrations.
00:04:17Your vibrations.
00:04:18Young man, I hope I shall never have the pleasure of meeting you again.
00:04:22Oh, thank you, thank you.
00:04:34Why don't you go away?
00:04:36New York, crowded, isn't it?
00:04:37May the 12th.
00:04:43See?
00:04:48Chi-Chi doesn't like you either.
00:04:50That's funny.
00:04:51I usually get along better with dogs than with anybody.
00:04:56I'll place to check your hat.
00:04:58Too bad your head wasn't in it.
00:04:59Now, look here.
00:04:59I don't know you and you don't know me.
00:05:02We'll be out of here in a few minutes.
00:05:03Even if I was born on May 12th.
00:05:17Stop playing with those buttons.
00:05:22There, now.
00:05:23You've broken it.
00:05:24I did nothing of the sort.
00:05:25Don't tell me I saw you do it.
00:05:27Young man, you're bad luck to me.
00:05:28This elevator will be under water while you're in it.
00:05:30Is that so?
00:05:31Then there's only one thing for me to do.
00:05:34Now, what are you doing?
00:05:35Taking a hint.
00:05:45Help!
00:05:46Help!
00:05:47Help!
00:05:48Help!
00:05:49Help!
00:05:49Help!
00:05:50Help!
00:05:50Help!
00:05:51Help!
00:05:53Help!
00:05:54Help!
00:05:54Help!
00:05:54Help!
00:05:54Help!
00:05:54Help!
00:05:55Help!
00:05:55Help!
00:05:55Help!
00:05:56Help!
00:05:57Help!
00:05:58Help!
00:05:59Help!
00:06:11Oh, Cynthia.
00:06:13Steve, ¿qué haces? ¿Tambiando a la calle?
00:06:17Sí, yo...
00:06:18Oh, I...
00:06:19Bueno, es un buen hobby.
00:06:21Al menos se mantiene en la abierta.
00:06:23Oh, Cynthia.
00:06:25¿Te gustó?
00:06:26Es solo vino y no puedo esperar a probar.
00:06:29Oh, Cynthia.
00:06:31Oh, darling.
00:06:34Can't you say anything but, oh, Cynthia?
00:06:37Oh, I forgot.
00:06:38You shouldn't be seeing me in this.
00:06:40I never want to see anything else.
00:06:42But it's bad luck.
00:06:43I have to go and change it.
00:06:45Oh, say, darling, by the way, what happened to Lucky?
00:06:48Who?
00:06:49Lucky, you know, the best man.
00:06:50Oh, well, he got delayed a little.
00:06:52Oh, I see.
00:06:52Where's your aunt?
00:06:53Oh, she went for a drive, but she'll be right back.
00:06:56Oh, there she is.
00:06:57Now, darling, go and open the door for her, will you?
00:06:59Hope to make a hit with her.
00:07:00Oh, you will.
00:07:01She'll love you.
00:07:08Oh, Cynthia.
00:07:08Oh, Cynthia.
00:07:12Oh, Aunt Kitty.
00:07:14What's the matter?
00:07:15That.
00:07:16That man.
00:07:17Oh, yes, yes.
00:07:17That's Steve.
00:07:18You've been wanting to meet him.
00:07:19This is my Aunt Kitty.
00:07:21Well, uh, what's the matter with everybody?
00:07:24Is that the man you're going to marry?
00:07:25Oh, yes.
00:07:27Well, what are you staring at?
00:07:29Has he got two heads?
00:07:31He knocked me down the street.
00:07:32He broke the elevator.
00:07:34He abandoned me between floors.
00:07:36And he was born on May the 12th.
00:07:37Is that your idea of making a good impression?
00:07:40Oh, I don't feel well.
00:07:42Ah, ah, ah.
00:07:43Chi-chi.
00:07:44Now, he's sitting on Chi-chi.
00:07:48Dog murderer.
00:07:49I didn't even see the mutt.
00:07:51Incidentally, why don't you run around with something your own size?
00:07:53Cynthia, get my things.
00:07:55I can't stay in this house another moment.
00:07:57Oh, now, Aunt Kitty, don't get yourself in a snit.
00:08:00Steve will go.
00:08:00Couldn't we perhaps be a little more reasonable about this?
00:08:03It's just a silly accident after all.
00:08:06Cynthia, get that man out of this house this minute.
00:08:09Come on, that man.
00:08:10An exit is indicated.
00:08:13I've never seen anybody make a more interesting impression.
00:08:16Well, it is what I feel.
00:08:17Oh, Cynthia.
00:08:20What's the matter with her?
00:08:21Oh, nothing, darling.
00:08:22She's just getting on.
00:08:23But you know, when a woman reaches 40, right?
00:08:2540?
00:08:25I'll bet you 50, she'll never see 60 again.
00:08:28Is that so?
00:08:30Never attempt to see or communicate with my niece again.
00:08:33The marriage is off.
00:08:34Definitely off.
00:08:36Oh, Aunt Kitty.
00:08:37Hey, Aunt Kitty, I didn't...
00:08:38Oh!
00:08:41Oh, Cynthia.
00:08:43It's off.
00:08:44You bet your life it's off.
00:08:46Definitely off.
00:08:52Striking an officer, eh?
00:08:53Oh, I assure you, Your Honor, it was an accident.
00:08:57Does that look like an accident?
00:09:00Disgraceful.
00:09:01How do you plead?
00:09:02Guilty, of course.
00:09:03Of course?
00:09:04Do you realize you're in for a fine?
00:09:06And a large one?
00:09:07Oh, you can make it as large as you like.
00:09:09It won't come out of my pocket.
00:09:10It'll come out of somebody's.
00:09:12Certainly.
00:09:12Insurance companies.
00:09:15Queer kind of insurance.
00:09:16Not at all.
00:09:17My company will insure anything from teapots to televisions.
00:09:21Hey, what about the charge here?
00:09:22Quiet.
00:09:24I bet there's one thing you've never insured.
00:09:27Bet you might find the risk.
00:09:28What about the black eye?
00:09:29Order.
00:09:31I'm running for superior court in the coming elections.
00:09:34Could you cover the risk of re-election?
00:09:37Re-election?
00:09:39Confidentially.
00:09:39What are your chances?
00:09:40Confidentially.
00:09:41I must finish.
00:09:42Fine.
00:09:43I'll insure you for twice your salary.
00:09:45Just a little matter of putting your autograph on the unbotted line.
00:09:47Right there.
00:09:47I never did see such goings-on.
00:09:49Is this a court or a bargain counter?
00:09:51Order.
00:09:52Well, thanks very much for dropping in.
00:09:54Oh, not at all.
00:09:55You can mail me the check tomorrow.
00:09:57Congratulations.
00:09:58See you in superior court.
00:10:03Hey, Judge McCracken, do you realize what you've done?
00:10:05You let him go without a fine.
00:10:07Ahem.
00:10:08Sentence suspended.
00:10:11What's your occupation?
00:10:13Politician.
00:10:14Ninety days.
00:10:18I, my darling Cynthia,
00:10:21I could not sleep a wink last night
00:10:23because of my unfortunate behavior.
00:10:29My lovely Cynthia,
00:10:32due to a series
00:10:34of unhappy
00:10:36coincidences.
00:10:37Now, that's just...
00:10:39My dearest girl,
00:10:40is it my fault that you have a loony ant?
00:10:42Sounds bad.
00:10:43Say, what'd she feed you last night?
00:10:45Ant poison.
00:10:46Oh, Aunt Kitty, eh?
00:10:48Well, how'd you do?
00:10:49I didn't do.
00:10:49I went.
00:10:50Oh, I did all right.
00:10:51That reminds me.
00:10:52Don't forget to vote for a judge named McCracken.
00:10:54Oh, will you shut up?
00:10:55My marriage is practically on the rocks.
00:10:57Oh, if I could only be sure.
00:11:00Be sure?
00:11:01Insure.
00:11:01Oh, I'm not interested in your screwy policies.
00:11:07That's wonderful.
00:11:08Well, that's marvelous.
00:11:10Why didn't I think of that before?
00:11:12Think of what?
00:11:13Love insurance.
00:11:13Love insurance.
00:11:14Oh, now I know you're crazy.
00:11:16How love?
00:11:17Do you want to be sure you'll marry Cynthia?
00:11:18Well, what do you think I'm yapping about?
00:11:19All right, take out a policy.
00:11:21Love insurance.
00:11:21Love insurance.
00:11:22I don't get it.
00:11:23Look, you'd be willing to lay 10 to 1 on a horse, would you?
00:11:26Oh, look, a policy is no bet, and Cynthia is not a horse.
00:11:29But this policy would be a bet.
00:11:32I'm willing to lay a 10 to 1 on your marriage.
00:11:33You marry Cynthia, you lose the bet, the premium.
00:11:36Oh, if I don't marry Cynthia, no amount of money in the world
00:11:39will ever make up for her loss.
00:11:40I promise you, you'll get the girl, not the money.
00:11:44Look, have I ever lost a bet before?
00:11:46Did I ever have to pay off on a policy?
00:11:50You say, that's right.
00:11:51You never did, did you?
00:11:53No.
00:11:54You've always been lucky, lucky.
00:11:55Yes.
00:11:56Give me something to sign.
00:11:57I want to make it legal.
00:11:58All right.
00:11:58Well, that's wonderful.
00:11:59Lucky.
00:12:00Wonderful.
00:12:01Is Mr. Steve Hopper in?
00:12:03Yes, there's a gentleman with him at the moment.
00:12:05Well, there'll be a lady with him before you can say you're hootie.
00:12:12Ouch.
00:12:15Well, got to get back to the office.
00:12:17Oh, I hate to let you go, Lucky.
00:12:18You make me feel so, so lucky.
00:12:20Why not?
00:12:21You're practically a married man.
00:12:22Incidentally, I think that's your phone ringing.
00:12:24It might be.
00:12:25Cynthia.
00:12:25Cynthia!
00:12:26I thought it was my ears ringing.
00:12:31Hey, sure.
00:12:35Hello?
00:12:36Oh, Cynthia.
00:12:38Oh, that's sweet of you, Steve.
00:12:39But after all, you know, this isn't Mother's Day.
00:12:42Darling, if you send any more flowers, we'll have to move out.
00:12:45Oh, that's all right.
00:12:46You're welcome.
00:12:51I'm sorry, Mrs. General.
00:12:53Mr. Hopper is out.
00:12:54Well, I'll just come in and wait.
00:12:55I'm sorry, I cannot allow you to come in.
00:12:58But please, Mrs. Fitzgerald.
00:13:01Oh, darling, you want to play.
00:13:04Ow!
00:13:05Ooh!
00:13:09You're just more than welcome.
00:13:12Oh, I can hardly wait until this evening.
00:13:15Is that so?
00:13:16Oh, hello, Mickey.
00:13:18Honing the big moment?
00:13:19Oh, no, no, not at all.
00:13:20I'm just, uh, just talking to my laundry.
00:13:23Oh, well, don't let me interrupt.
00:13:26Uh, hello.
00:13:27Now, wait a minute, darling.
00:13:29Uh, I've got Aunt Kitty all soothed and ready to talk to you.
00:13:32Now, just a minute.
00:13:34Aunt Kitty!
00:13:35Uh, hello.
00:13:36I guess that'll, that'll be all for today.
00:13:38That'll take care of...
00:13:40Look.
00:13:42No, Aunt Kitty is perfectly reconciled to our being married,
00:13:44and she'll soon love you just as much as I do.
00:13:50No, no, please.
00:13:54Well, I don't think that, uh, today I'll have time to go over the list with you.
00:14:01Well, look, this, this thing can't, this, this thing can't go on forever, you know.
00:14:07Everything I've been sending out hasn't been coming back.
00:14:10Yeah, look.
00:14:14Uh, fully five pairs of socks are missing, uh, a dozen handkerchiefs, three towels.
00:14:19Five, three, twelve.
00:14:22What are you counting for?
00:14:23The man you're engaged to is a May 12th lunatic and a dangerous one of that.
00:14:28Scum!
00:14:29Hello?
00:14:30Hello?
00:14:32Sort of hung up.
00:14:34Funny people, those laundries.
00:14:35She has a very pretty voice, your laundry.
00:14:37Yes, she has.
00:14:38How do you know?
00:14:40A man who leads a double life shouldn't have two telephones.
00:14:44Mickey, I got a lot of things to do today.
00:14:47Listen, I'm not leading a double life anymore.
00:14:49Well, I mean, it's double only in the sense that from Saturday on I won't be single.
00:14:52I'll be double.
00:14:53I mean, I'm going to get married.
00:14:54Poor Stevie, always the dreamer.
00:14:57You will not be married on Saturday.
00:14:59Because I love you.
00:15:01And I'm going to keep on loving you until I don't love you any longer.
00:15:04And if you marry anybody, it'll be me.
00:15:05Because if you don't marry me, you'll have too many broken legs to marry anybody else.
00:15:13So you can just get your laundry back on the phone and tell her she's all washed up.
00:15:26Oh, hello, Dad.
00:15:27Hello, son.
00:15:28Oh, hello, Doc.
00:15:29I sold so many policies, I finally convinced myself.
00:15:32Take a look at that.
00:15:33That'll step up your liver.
00:15:34There's nothing to matter with your father's liver.
00:15:35He'll pass a hundred percent.
00:15:36Oh, a hundred thousand dollars.
00:15:39Say, there's nothing like having a go-getter for a son, eh, Doctor?
00:15:43That's right, Mr. Moore.
00:15:45Oh, what kind of a policy is it?
00:15:47Love insurance.
00:15:48Life insurance.
00:15:49That's good.
00:15:49Congratulations.
00:15:50Oh, Dad, not life insurance.
00:15:51It's something new.
00:15:52Love insurance.
00:15:54Yeah.
00:15:55Love.
00:15:56Love.
00:15:57Did you say love?
00:15:59L-O-V-E.
00:16:01That's right.
00:16:01Love insurance.
00:16:03Did you ever hear such stupidity, such imbecility, such idiocy, such blithering gift?
00:16:08Love insurance.
00:16:09Love is a beautiful thing, Mr. Moore.
00:16:11Well, I can't accept you as an authority.
00:16:14How much is the policy for?
00:16:16Oh, uh, just a million.
00:16:18Just a million?
00:16:19Mr. Moore, I can hear your office.
00:16:21Hide me.
00:16:21What are you trying to do to me, Jim?
00:16:24Break me?
00:16:24Why, it's lunacy.
00:16:26It's amnesy.
00:16:27I can't stand it.
00:16:28It's plain suicide.
00:16:30No firm would take this policy.
00:16:33But, Dad, we already have.
00:16:35It's all signed.
00:16:36There's practically no risk.
00:16:38No risk!
00:16:39Sorry, Mr. Moore, but your blood pressure's way up.
00:16:41We won't be able to pass you for a policy.
00:16:44Thanks to you and your blasted love insurance.
00:16:46Get out of here.
00:16:47Take it with you.
00:16:48To a bank.
00:16:49To a pawn shop.
00:16:51Huck it.
00:16:52Underwrite it.
00:16:53Pick yourself another victim.
00:16:58I can't take all of it, but if I come in for half-save, that'll kind of make me partners
00:17:02with your own man, huh?
00:17:03Sure you'd be partners.
00:17:04That's great.
00:17:06Yeah, yeah, yeah.
00:17:07What is this?
00:17:08Now, look, don't bother me for a while, huh?
00:17:09Yes, sir.
00:17:10Might surprise a lot of folks who think all I can do is run a joint like this if I
00:17:13went in for insurance.
00:17:15Roscoe, you'd blow him over.
00:17:16Is this okay, boss?
00:17:17What do you got?
00:17:17I don't know.
00:17:17Look, look.
00:17:19Now, let me alone for a minute, will you?
00:17:21Another drink, Mr. Roscoe?
00:17:22No, no.
00:17:23If I want a drink, I'll call you.
00:17:24Now, let me alone.
00:17:25Yes, sir.
00:17:26Kind of crazy, though, to risk a million on Steve Harper getting hitched.
00:17:29Oh, he's really got it bad this time.
00:17:31I've invited them here tonight for you to let them over, sir.
00:17:33Okay, that's great.
00:17:34Now, I'll scrutinize them personally.
00:17:36And if I'm sold, what do I do?
00:17:37All you have to do is sign a little piece of paper.
00:17:39I mean, hey.
00:17:40Now, what's the matter?
00:17:41Oh, it's gone, my wallet.
00:17:43Yeah?
00:17:44Oh, say, on the way in, did you pass a kind of a tall guy in a dinner coat?
00:17:47Yeah.
00:17:48Yeah, standing there with him was there a little short, stout guy?
00:17:51Yeah.
00:17:51That's what I thought.
00:17:52It's about time you met up with the boys.
00:17:54Oh.
00:17:55Come on, Costello.
00:17:56Okay, Abbott.
00:17:57All right, get away from there, Costello.
00:17:59What's the matter with you?
00:18:00Why did you do that?
00:18:02Oh, I'm a bad boy.
00:18:05Will you please go away?
00:18:06You've done enough damage for one day.
00:18:07I want to play.
00:18:08How much you want to bet?
00:18:09Ten dollars.
00:18:09Ten dollars?
00:18:10It's a bet.
00:18:10Okay.
00:18:10I'll bet ten dollars.
00:18:11Ten dollars for you.
00:18:12Come over here.
00:18:12That's the idea.
00:18:13Now, you're talking.
00:18:14I never knew you gambled.
00:18:14Come over here.
00:18:15Now, wait a minute.
00:18:15What are you doing?
00:18:16I'll just make a change.
00:18:17I'll make the change.
00:18:17Keep the money down there.
00:18:18Ten more.
00:18:19Ten more to you.
00:18:20Now, look, now, just a minute.
00:18:21Don't steal it.
00:18:22Win it honestly.
00:18:22Put it down there.
00:18:23No, I mean put it there and leave it there.
00:18:25That's it.
00:18:26Give me that bill.
00:18:26Give me your hand.
00:18:27Put it in my hand like that and leave it there.
00:18:29Try it, kid.
00:18:30What are you doing?
00:18:31I want to play.
00:18:32You got any more money?
00:18:33Oh, yeah.
00:18:33I got a lot of money.
00:18:34Let me see.
00:18:34Play it.
00:18:35Let me see it.
00:18:36Well, hundred dollar bills.
00:18:37Get a load of that.
00:18:38Hundred dollar bill.
00:18:38Five hundred dollar bill.
00:18:39Five hundred dollar bill.
00:18:39Five hundred dollar bill.
00:18:39Not a hundred.
00:18:40Hundreds.
00:18:40Not a hundred.
00:18:41They're all hundreds.
00:18:42What was that?
00:18:43Somebody put a buck in here.
00:18:44Oh, behave yourself.
00:18:45I bet ten dollars.
00:18:46Ten dollars?
00:18:46Why, certainly.
00:18:47Now, wait a minute.
00:18:48I had a ten dollar bill here a minute ago.
00:18:49Have you got two tens for a five?
00:18:51Yeah.
00:18:51There we are now.
00:18:52There's your ten.
00:18:56Come on.
00:18:56Come on.
00:18:57What's the matter with you?
00:18:58Something wrong?
00:18:59Yeah, fifteen dollars went south.
00:19:00What do you mean?
00:19:01You gave me a lot of fast talk.
00:19:02You see, I got two tens for a five and I give it to you.
00:19:03Oh, you did.
00:19:04Wise guy.
00:19:05Okay, here's your five.
00:19:06Give me back my two tens.
00:19:07That's better.
00:19:07Now, get out of here.
00:19:08Okay.
00:19:09All right.
00:19:09Now, you want to bet ten more to you.
00:19:10That's the idea.
00:19:11How about you, friend?
00:19:13Hiya, boss.
00:19:15Here's two tens.
00:19:15Give me a five.
00:19:20You did it to me.
00:19:23And he did it to me, too.
00:19:24Oh, certainly.
00:19:25What are you doing?
00:19:26I don't know what I'm doing, but whatever I'm doing, I'm doing wrong.
00:19:28Well, here, I'll straighten you out.
00:19:29Here, I'll bet you two hundred dollars.
00:19:30Okay.
00:19:31Now, take a number.
00:19:32Any number at all from one to ten.
00:19:33Four.
00:19:34No, number five.
00:19:35But you were close.
00:19:36You're getting hot.
00:19:36You're getting hot.
00:19:38Want to make a wager, boss?
00:19:40Why not?
00:19:40The bankroll.
00:19:41The whole works.
00:19:42Now, you take a number.
00:19:43Any number at all from one to ten.
00:19:46Seven.
00:19:50Oh, please.
00:19:51Boss, I'll bet you five hundred dollars.
00:19:53Uh-huh.
00:19:53Now, you take a number from one to ten.
00:19:55Seven.
00:19:56No, number eight.
00:19:57I had eight.
00:19:57You weren't even playing.
00:19:58Now, listen to you monks.
00:19:59Cut out this nonsense and give him back his stuff.
00:20:01You heard the boss.
00:20:02Give the man back his stuff.
00:20:04Come on.
00:20:13Is it in there?
00:20:14Yes, this is it.
00:20:16Wait a minute.
00:20:17Wait a minute.
00:20:18This is my wallet.
00:20:20I was mining it for you.
00:20:21Mining it for me.
00:20:22Now, listen, you ten-cent thief.
00:20:24No more of this stealing.
00:20:25We've gone legitimate.
00:20:26You heard the boss.
00:20:27No more stealing.
00:20:28We've gone legitimate.
00:20:29But wait a minute.
00:20:31What are you doing with my wallet in there?
00:20:33What's the idea of this?
00:20:35Why do you do things like this?
00:20:37Oh, I'm a bad boy.
00:20:41Darling, if you have Aunt Kitty all soothed now,
00:20:44why didn't you come along with us?
00:20:45Oh, the address here added up to something fatal.
00:20:47Oh, really?
00:20:49The boss wants to see you.
00:20:51All right with you, darling?
00:20:52Of course.
00:20:53Well, if Jim comes along, be very nice to him.
00:20:54You'll know him by his long, gray beard.
00:20:56How does he wear it?
00:20:57Braided?
00:21:00What does Roscoe want to see me about?
00:21:03Love.
00:21:29Your lipstick, mademoiselle.
00:21:30Oh, thank you, Captain.
00:21:32And would you get me a very dry martini, please?
00:21:34Oh, certainly.
00:21:35A very dry martini, please.
00:21:36And no olive.
00:21:37And no olive.
00:21:40Oh, it's not that I'm snobbish or anything,
00:21:43but mightn't you get fired?
00:21:45I don't think so.
00:21:46I'm invaluable here.
00:21:47Oh, well, it's nice to be appreciated.
00:21:49They know a good man when they see one.
00:21:51Do they know a fresh one when they see one?
00:21:52Oh, everything's fresh here.
00:21:53Even the service.
00:21:54Oh, you've met.
00:21:55Isn't she wonderful, Jim?
00:21:57Jim?
00:21:57Well, I thought he was a waiter.
00:21:59I thought she was a knockout.
00:22:01Well, this is an occasion to celebrate.
00:22:03Best friend meets girl.
00:22:05Did I do justice to both of you?
00:22:06Well, he's taller.
00:22:09She's pretty.
00:22:09I'm very happy to meet you.
00:22:12From Mr. Roscoe.
00:22:14There you are.
00:22:20Bad news?
00:22:20Oh, no.
00:22:22Just a little business.
00:22:23Well, here's to Saturday.
00:22:27Saturday.
00:22:31Saturday.
00:22:36What's the trouble, Steve?
00:22:38Nothing.
00:22:38Pardon me, please.
00:22:40What's the matter with him?
00:22:41Nothing, nothing.
00:22:42About your Aunt Kitty,
00:22:43what did she say the number this place added up to?
00:22:51I don't like the look in your eye.
00:22:53That's too bad.
00:22:54We'll see how Steve likes it.
00:22:55You better be quiet.
00:22:56I'll have the flying squad
00:22:57bounce you right out on your ear.
00:23:01Okay, you win.
00:23:03You don't mind if I just speak
00:23:05to the band leader for a minute?
00:23:06He's a friend of mine.
00:23:07No, but just for a minute.
00:23:09Thanks, Jim.
00:23:10I won't forget this.
00:23:11Thanks.
00:23:13Thanks.
00:23:19Uh, just collected a bet on the bounce.
00:23:22Oh, and the bounce is right.
00:23:23Ladies and gentlemen,
00:23:24we have a surprise for you.
00:23:26A well-known and popular little star
00:23:27has volunteered to sing
00:23:28one of her numbers for us.
00:23:29Miss Mickey Fitzgerald.
00:23:36Remind me not to find you so attractive
00:23:43Remind me that the world is full of men
00:23:48When I start to miss you
00:23:52To touch your hand
00:23:54To kiss you
00:23:57Remind me
00:23:59To count to ten
00:24:01I had a feeling when I met you
00:24:06You'd drive me crazy if I'd let you
00:24:11But all my efforts to forget you
00:24:18Remind me I'm in love again
00:24:24I get my heart well in hand
00:24:28And I'm certain
00:24:30That I could take you
00:24:33Or leave you alone
00:24:35But you begin
00:24:38That of yours?
00:24:39Mine?
00:24:40Well, I thought you knew her
00:24:41Oh, I never saw her before
00:24:43In all my life
00:24:44Oh, no, mine, mine
00:24:45I have a will made of steel, my friend
00:24:48But when it seems about to bend
00:24:54Remind me
00:24:55Not to find you so attractive
00:25:00Remind me
00:25:02That the world is full of men
00:25:05When I start to miss you
00:25:09To touch your hand
00:25:12To touch your hand
00:25:12To kiss you
00:25:15Remind me
00:25:17To count to ten
00:25:19I had the feeling when I met you
00:25:25You'd drive me
00:25:27You'd drive me crazy if I'd let you
00:25:31But all my efforts to forget you
00:25:39Remind me I'm in love again
00:25:59Great, isn't she?
00:26:02I think she's coming over to talk to you, Lucky
00:26:12He's restless, isn't he?
00:26:15Who?
00:26:16Him
00:26:16Oh, yes
00:26:17He is
00:26:18You know, you're the cutest old trick
00:26:24I just love your singing
00:26:25And I can scream like a wounded buffalo, too
00:26:27Oh, no, you won't
00:26:28You probably will be chopped
00:26:28Listen, son
00:26:29I love him
00:26:30And she's not going to marry him
00:26:31Because I'm going to marry him
00:26:32Over your dead body
00:26:33Don't you tell me to shush
00:26:35I'll show you how loud I can yell
00:26:36If you think
00:26:36Okay, get her
00:26:43Lucky, Cynthia's sore
00:26:44I'll take care of Cynthia
00:26:45Duck
00:26:46Oh, duck
00:26:46Oh
00:26:53Got a nickel?
00:26:57Oh, uh, hello
00:26:59What goes on around here, anyway, Jim?
00:27:01Red ants or something?
00:27:02Oh, just some natural interruptions, sir
00:27:03Nothing important, really
00:27:04I know, but where's Steve?
00:27:10Thank you for a very lovely evening
00:27:13I have to go home now
00:27:14And instruct the telephone company
00:27:15To disconnect my phone
00:27:16I know, but Steve
00:27:17Kick him goodbye for me
00:27:29What is this, the Lincoln Highway?
00:27:31Quiet
00:27:31Hey, hey, wait a minute
00:27:34What goes on here?
00:27:36Oh, it's just a temporary setback, that's all
00:27:38Yeah, well, if anything goes wrong with that marriage
00:27:40What will happen to you will be kind of bad
00:27:42And it won't be temporary
00:27:44Yes, sir
00:27:45And it won't be temporary with you boys
00:27:47If you let that guy get out of your sight
00:27:48Because you've got a new job now
00:27:50You're frottin' for Cupid
00:27:56Hmm, Cupid
00:27:58What are you laughing at?
00:27:59You heard the boss
00:28:00And stop smoking
00:28:01No smoking in the air
00:28:02Who's smoking?
00:28:03You are
00:28:03What makes you think I'm smoking?
00:28:04You have a cigar in your mouth
00:28:05I got my shoes on, but I'm not walking
00:28:07Oh, come on
00:28:22Steve
00:28:23What do you know about carbon monoxide?
00:28:25We won't need it
00:28:26We're leaving for San Marcos at 4 o'clock
00:28:27What's San Marcos?
00:28:28The tropics, South America
00:28:29We have to catch you both this afternoon
00:28:30There's no time to lose
00:28:31Hurry, come on
00:28:32Well, why?
00:28:33You're dope, she's going
00:28:34Who said the ass?
00:28:35Oh, she won't talk to me
00:28:37She hates me
00:28:37She'll never forgive me after last night
00:28:39She's got to
00:28:40You'll get around her on the boat
00:28:41How can we get around anybody on the boat?
00:28:43We haven't any tickets, have we?
00:28:44Don't argue
00:28:45I'll get them
00:28:45Look, look
00:28:46I'll get packed
00:28:47And go ahead and see the old man
00:28:48Pack a pier
00:28:48Meet you at the bag of three
00:28:49I mean a pack of three
00:28:50And meet you at the bag of three
00:28:51I mean
00:28:51I'll meet you at three
00:28:53Hey, Thompson
00:28:54Yes
00:28:54Don't get excited
00:28:55Get a bag
00:28:56And pack the pier at three
00:28:58We're sailing at 4 o'clock
00:28:59Hurry up
00:29:00Oh, Cynthia
00:29:01I love you
00:29:07Cupid
00:29:07Stupid
00:29:08Stupid
00:29:09Come on, the stairs
00:29:17Mr. Harper is out
00:29:22Quite sure of that?
00:29:24Well, I mean, he's almost out
00:29:26He's leaving town this afternoon
00:29:28We'll see
00:29:34Make me
00:29:39Don't be frightened, dear
00:29:41I just came to say goodbye
00:29:43Because I
00:29:44I'm going out of your life forever
00:29:47Oh, well, I hope you have a pleasant trip
00:29:49Well, I see you're leaving town, eh?
00:29:51Yeah, I'm in an awful hurry, Mickey
00:29:53You know, Stevie, darling
00:29:54Even if we are partying
00:29:56I'll always worry about you
00:29:57You know that
00:29:58Thanks
00:29:58I wouldn't want you to catch cold or anything
00:30:00So promise me you'll take your warm overcoat
00:30:02Oh, it's very hot down there
00:30:03Won't need it
00:30:04Oh, but the nights are always chilly
00:30:05In San Marcos?
00:30:07No
00:30:09Well, I guess you go your way
00:30:11And I go my way
00:30:13Yes
00:30:15I go your way
00:30:16And you go
00:30:17I go
00:30:18How's about a farewell snort?
00:30:20Well, the boat sails in an hour
00:30:22It'll have to be just one
00:30:23Oh, just one, Stevie Weeby
00:30:25Yeah, all right
00:30:31Can you see?
00:30:32I'm okay
00:30:33I'm okay
00:30:35I'm okay
00:30:48Good
00:30:58Oh, sí.
00:30:59I'm sorry I have to leave so soon.
00:31:01Oh, no worries about that.
00:31:15Five minutes before, where is that guy?
00:31:18Maybe he's over my hotel suit.
00:31:19Trostello.
00:31:20Not your suit, your suede.
00:31:22You're cute too, Abbott.
00:31:24I like you.
00:31:25Hey, Mary, stop, stop.
00:31:26Will you please, no time for that.
00:31:27I can't even get him on the phone.
00:31:28Oh, must be out of order.
00:31:30You get out of the tax stand, wait there.
00:31:31You get in the cabin with the hotel and see if he's left yet.
00:31:33Get going!
00:31:34All right, all right.
00:31:35Come here, where are you going?
00:31:37Come here, over this way.
00:31:39And it's a low grounder, back of third base.
00:31:41Ballgame!
00:31:42There's the throne, and Dizzy Dean is safe at first base.
00:31:45Dizzy Dean on first base.
00:31:46Do you like ballgame?
00:31:46I love it.
00:31:47Come here.
00:31:48You know, don't say a word to Roscoe.
00:31:49You know I have a ball team of my own.
00:31:51You have?
00:31:51Sure.
00:31:52But you know, they give these ballplayers nowadays very peculiar names.
00:31:54Funny names.
00:31:55Nicknames, you know, like Dizzy Dean and...
00:31:56His brother Daffy.
00:31:57Daffy Dean.
00:31:58What's the fella's names on the team?
00:31:59Well, now, let's see.
00:32:00We have who's on first, what's on second, I don't know who's on third.
00:32:03That's what I want to find out.
00:32:04I'm saying who's on first, what's on second, I don't know who's on third.
00:32:07Are you the manager?
00:32:07Yes.
00:32:08You know the fella's names?
00:32:09Well, I should.
00:32:09Well, who's on first?
00:32:10Yes.
00:32:10I mean the fella's name.
00:32:11Who?
00:32:12The first baseman.
00:32:12Who is on first?
00:32:14That's what I want to find out.
00:32:15That's what I'm telling you, man.
00:32:16You got a first baseman?
00:32:17Certainly.
00:32:18Who's playing there?
00:32:19Yes.
00:32:19I mean the fella's name.
00:32:20Yes, who?
00:32:21On first base.
00:32:22That's the man's name.
00:32:23That's whose name?
00:32:23Yes.
00:32:25Have you got a contract with the first baseman?
00:32:27Well, naturally.
00:32:27Who signed the contract?
00:32:28Well, now, you wouldn't expect anybody else to sign it.
00:32:31But who?
00:32:31Yes.
00:32:33When you pay off the first baseman every month, who gets the money?
00:32:36Every dollar of it.
00:32:38He does.
00:32:38Yes.
00:32:39Every buck.
00:32:40Every buck.
00:32:41He gets every buck.
00:32:46Mm-hmm.
00:32:47Look, all I'm trying to find out is what is the fella's name on first base.
00:32:50Oh, now, wait a minute.
00:32:51Let's straighten that out.
00:32:52What is on second?
00:32:52I'm not asking you who's on second.
00:32:54Who is on first?
00:32:54I don't know.
00:32:55Oh, he's on third.
00:32:56Now, we're not talking about...
00:32:57How did I get on third base?
00:32:58You mentioned his name.
00:32:59I mentioned his name.
00:32:59Yes.
00:33:00If I mention the third baseman's name, who do I say is on third?
00:33:02Oh, no.
00:33:03Who's on first?
00:33:03Never mind first.
00:33:05I want to know what's the fella's name on third base.
00:33:07But what's on second?
00:33:08Who's on second?
00:33:08Who's on first?
00:33:09I don't know.
00:33:10He's on third.
00:33:11There I go.
00:33:12Back on third base again.
00:33:13Well, I can't help that.
00:33:13Let's you and I stay on third base.
00:33:15Don't go off.
00:33:15Well, what is it you want to know?
00:33:17Who is playing third base?
00:33:18Why do you insist on putting who on third base?
00:33:20Now, who am I putting on third base?
00:33:22Yes, but we don't want him there.
00:33:23You don't want who there?
00:33:23No.
00:33:24So what's the guy's name belongs there?
00:33:25What belongs on second?
00:33:27Who belongs on second?
00:33:27Who is on first?
00:33:28I don't know.
00:33:29Third base.
00:33:30Third base.
00:33:31Now I'm back on third base again.
00:33:32Well, I can't help that.
00:33:33You got a pitcher on the team?
00:33:35Naturally.
00:33:35What's the pitcher's name?
00:33:37No, what is on second?
00:33:38Who's on second?
00:33:39Who's on first?
00:33:40I don't know.
00:33:40Third base.
00:33:42Look, I'm going to catch it too, you know.
00:33:43What do you mean?
00:33:43I'm going to catch it.
00:33:44But what about you?
00:33:44I'll catch it on your team.
00:33:45Go.
00:33:46The heavy hitter gets up.
00:33:47So?
00:33:47He bunts the ball.
00:33:48Me being a good catcher, all right, I want to throw the ball to first base,
00:33:50so I pick up the ball and throw it to who?
00:33:52Now that's the first thing you said right.
00:33:54That's the first thing I said right.
00:33:55No.
00:33:57I don't even know what I'm talking about.
00:34:02Look, all I want to know is when I pick up the ball, I throw it to first base, who
00:34:05gets it?
00:34:06Right, right, absolutely right.
00:34:07Naturally, if you throw the ball to first base, who is bound to get it?
00:34:11I don't know.
00:34:11Third base.
00:34:18Third base.
00:34:26What time is it?
00:34:28Well, it's about half past two.
00:34:30Half past?
00:34:31Oh, I really ought to be going.
00:34:32It's wonderful how you hold your drinks.
00:34:34Oh, liquor never affects me.
00:34:46Hey, who do you think you are?
00:34:47Humphrey Bogart?
00:34:48Oh, Humphrey Bogart.
00:34:50Can I have your autograph?
00:34:52Quiet, that's the boss.
00:34:53Quiet, Mug.
00:34:53I'll ship this case of scotch down to San Marco.
00:34:56Get her out of here.
00:34:56Listen, I go where I like, when I like.
00:34:58Get her out of town.
00:34:59Where to, boss?
00:35:00Kansas City, a nice, dry, cool place.
00:35:03You heard what the boss said.
00:35:04Come on.
00:35:04Hey, I will punch you right in the nose.
00:35:08You're going to punch me right in the nose?
00:35:09That's right.
00:35:09Not around it.
00:35:10No.
00:35:10Right in it.
00:35:11Yeah.
00:35:12A tough kid.
00:35:13Tuffy.
00:35:13Feel that.
00:35:15Not there, here.
00:35:16Oh.
00:35:19Feel that.
00:35:19Go ahead.
00:35:20That's enough.
00:35:21Let go.
00:35:22All right.
00:35:22All right.
00:35:23All right.
00:35:23Let go.
00:35:24Come on.
00:35:25Come on.
00:35:25Get her out of town.
00:35:26OK, boss.
00:35:27Get out of the way.
00:35:28Come on.
00:35:28You heard the boss.
00:35:29Hey, you let go of me.
00:35:29Come on out of here.
00:35:31Come on.
00:35:31Get out of here.
00:35:32I won't go.
00:35:33Get out.
00:35:33Open the door.
00:35:34I can't.
00:35:34I got my hands full.
00:35:35Come on out.
00:35:36Get out of here.
00:35:46Get out of here.
00:35:46No soap, sir.
00:35:47The lady refuses to see you.
00:35:48She says she'll remain in her cabin as long as you're on board.
00:35:51What does she want me to do?
00:35:52Jump overboard?
00:35:53Has she made some suggestions, sir?
00:35:56That's all right.
00:35:57I'll wait here.
00:35:58I sent another note in with a T.
00:36:00Possibly if you glance in, sir, you'll see that your efforts are hopeless.
00:36:02You mean that's her cabin there?
00:36:04Yes, sir.
00:36:05Why didn't you tell me before?
00:36:06You didn't ask me, sir.
00:36:10Well, that's fine, Stuart, but he forgot the salted almonds.
00:36:13Sorry, madam.
00:36:14I'll bring them.
00:36:15Oh, and Stuart, will you tell Mr. Moore to climb a tree?
00:36:18Yes, ma'am.
00:36:30You and your kids?
00:36:32What?
00:36:32I mean, can you play it?
00:36:34Oh, sure.
00:36:34Good.
00:36:35Thanks.
00:36:37You and your kids.
00:36:42Sorry, sir, but the young lady said to-
00:36:44Go climb a tree, I know.
00:36:44Thank you very much.
00:36:48In all my lonely life, I never guessed
00:36:55That I'd be blessed with one like you
00:37:03My poor, unworthy heart is so impressed
00:37:11It's too enormous to be true
00:37:20Stronger than the ocean
00:37:24You and your kiss
00:37:29Splendored as the sun at noon
00:37:34Seamans, pardon
00:37:37Tendored as a love song
00:37:41You and your kiss
00:37:44Just imagine one for me
00:37:50With such a luxury
00:37:53What can I exchange for you and your kiss?
00:38:01Just a heart and nothing more
00:38:10In my most fantastic dream
00:38:16I stood here like this
00:38:21I stood here like this
00:38:25Waiting for you and your kiss
00:38:40Well, that's one way to get a lady out in the open
00:38:42I meant every word of it
00:38:44Speaking for Steve, of course
00:38:46Well, if you're speaking for Steve, you can talk to yourself
00:38:48Cynthia, please
00:38:49You made a terrible mistake last night
00:38:50You mean, I saw a terrible mistake last night
00:38:53Oh, you certainly did
00:38:54You see, Nikki isn't Steve's girlfriend
00:38:56She's, she's mine
00:38:57Does that make a community property?
00:39:00Oh, phone booth?
00:39:01Mm-hmm
00:39:02Well, you see
00:39:03Nikki has a very peculiar drawback
00:39:05She's even been to doctors about it
00:39:07Whenever she gets near a man
00:39:08She simply has to kiss him
00:39:10She must be nice to go around with
00:39:12She's a terrible problem
00:39:13Practically, uh, psychopathic
00:39:15Practically polygamous
00:39:17Well, why do you bother with a girl like that?
00:39:20I sometimes wonder myself
00:39:21Uh, so you see
00:39:23Steve is an innocent victim
00:39:24Well, I still don't see
00:39:26Why he didn't come and tell me himself
00:39:27Well, there seemed to be something wrong with your phone
00:39:31And had off-the-hook trouble
00:39:34So you won't let a silly misunderstanding like that
00:39:36Interfere with your marriage?
00:39:38Well, Lucky
00:39:39You seem to feel very strongly about it
00:39:41Oh, I do
00:39:42You and Steve are simply made for each other
00:39:45So you will forgive him, won't you?
00:39:48All right, John Alden, you win
00:39:50Mr. Moore
00:39:51Mr. Moore
00:39:54Radiogram's there
00:39:54Thank you
00:39:58Excuse me
00:39:59Oh, yes, you go right ahead
00:40:13Bad news?
00:40:15Oh, no, good news
00:40:17Uh, Steve is flying down to San Marcos
00:40:19Oh, wonderful, let me see
00:40:21Oh, it slipped out of my fingers
00:40:26Hope Chichi come to Mama
00:40:29Hope Chichi come to Mama
00:40:31Oh, that's a good boy
00:40:33Oh, my God
00:40:51Chichi
00:40:53Chichi
00:40:54Chichi
00:40:54Chichi
00:40:54Oh, you saved him
00:40:56Young man, you're a hero
00:40:57You are a hero
00:40:59También no lo amable por un milímetro.
00:41:02¿No, de dónde?
00:41:03Ahora hay otro hombre.
00:41:05¿Qué es su nombre?
00:41:06¿Jim Moore?
00:41:08Ah, no me importa.
00:41:12Él le gusta humanos y además es un 7.
00:41:14Si te hayan algo para alguien, ¿no?
00:41:16Para un 8-man.
00:41:17Bueno, cuando te olvidas, tú hablas a Steve.
00:41:20Y tú luchas a Steve.
00:41:21Por eso es por qué vamos a San Lucas.
00:41:23No, garlan, nosotros nos vamos a San Lucas
00:41:25para que se pueda marcar a Steve en esta semana.
00:41:28You're nuts, madame.
00:41:30I certainly am.
00:41:50Greetings on your beloved return to our pleasure dorms.
00:41:54Here in San Marcos our cheap industry is low and our cheap export is happiness.
00:41:59Senor Escobar, still the same cute old horse thief.
00:42:05More and more I feel that this ain't Kansas City.
00:42:08You shouldn't have let her buy the tickets.
00:42:10Don't be so suspicious, boys.
00:42:12I just took the longest way around so I could spend more time with you, angels.
00:42:16Now be good, boys, and tell me a joke.
00:42:17Well, I don't know any jokes.
00:42:18I know one.
00:42:19You know what?
00:42:20I wrote it myself.
00:42:20All behaviors, sir.
00:42:21Brand new story. Nobody ever heard it before.
00:42:23You wrote it?
00:42:23Yeah.
00:42:24And it's brand new?
00:42:24Yeah, she'll like it. You'll get a kick out of it.
00:42:26Is it funny?
00:42:26Yeah. The only thing is I don't need you to help me.
00:42:28I tell it all by myself.
00:42:30Brand new joke.
00:42:30Yeah, it's all about a whale, a ship, and Jonah.
00:42:32And it's brand new.
00:42:33It's funny. Don't worry. She'll laugh.
00:42:35Now, once upon a time there was a whale.
00:42:36What kind of a whale?
00:42:37And this whale, a plain everyday whale.
00:42:39All right.
00:42:40How do I know what kind of whale?
00:42:41What do you think I hang around with him?
00:42:42I don't know.
00:42:43What do you think I do? Belong to a whale gang?
00:42:45A whale, that's all.
00:42:51What ocean?
00:42:52An ocean.
00:42:53An ocean?
00:42:54A plain everyday ocean.
00:42:56It's a...
00:42:56Pick out an ocean. What do I care?
00:42:58That's immaterial of me, Ed.
00:42:59Okay, the immaterial ocean.
00:43:01Oh, what kind of a story is this?
00:43:02Now, the whale was in the ocean sea, and he was minding his own bitters,
00:43:05but he was following a ship.
00:43:06What ship?
00:43:06And this ship was...
00:43:09A ship that swims in the water.
00:43:12You mean a swim ship?
00:43:13Yeah.
00:43:14Now, the whale was following a swim ship, and he...
00:43:16Who ever heard of a swim ship?
00:43:18I don't know. You're telling me.
00:43:19Well, what are you? Let me tell a story. Stop interrupting me.
00:43:22Keep your mouth shut, will you?
00:43:23Go ahead.
00:43:24Now, the ship was following the whale.
00:43:26The what?
00:43:27Now I got the ship following the whale.
00:43:28The whale was following the ship.
00:43:30The whale was following the ship because he was hungry.
00:43:31Naturally.
00:43:32Now, Captain Jonah was a captain of the boat, see?
00:43:35And he didn't want the whale to capsize the boat,
00:43:36so it threw the whale over a barrel of apples.
00:43:38What kind of apples?
00:43:40Just...
00:43:41Erks him, isn't he?
00:43:42What kind of apples?
00:43:43Apples that grow on a tree.
00:43:44Well, there's all kinds of apples.
00:43:46There's Baldwin apples.
00:43:47There's Frost apples.
00:43:48Crab apples!
00:43:49All right.
00:43:50Excuse me.
00:43:51Now, he threw him over a barrel of crab apples,
00:43:53and the whale was still hungry,
00:43:54so then Captain Jonah threw him over a stool.
00:43:56What kind of stool?
00:43:56Who said that?
00:43:57I did. That's in case you ask.
00:43:58Three-legged camp stool, it was.
00:44:01Precisely speaking.
00:44:02Now, Captain Jonah, see, after he did that,
00:44:03the whale was still hungry.
00:44:04Then Captain Jonah figured,
00:44:05the only way I could save the boat and my passengers
00:44:07is to sacrifice myself.
00:44:08And he did.
00:44:09He threw a beautiful jackknife dive right into the mouth of the whale.
00:44:13Now, the whale, he kept the Jonah,
00:44:15he ate the apples and he ate the stool,
00:44:16and then the whale swam away.
00:44:17Wait a minute. Look.
00:44:18How much more of this story have you got to tell?
00:44:20Just another second.
00:44:21Now, what do you keep interrupting me for?
00:44:22Oh, all right. Go ahead.
00:44:23Ah, biffle-diffle!
00:44:25Here, here, here.
00:44:26Now, you made me say a bad word.
00:44:27Please.
00:44:28I'm sorry.
00:44:29All right. Go ahead.
00:44:30Now, three years later, they caught that very same whale,
00:44:32they cut him open, and what do you think they found?
00:44:35Now, you get ready to laugh.
00:44:36Uh, wait a minute. Just one more interruption.
00:44:39Uh, you're not trying to insult this little girl's intelligence
00:44:42by getting away with that old story about the time they caught the whale,
00:44:45and they cut him open, and there they found Jonah seated on that stool
00:44:48selling those apples three for a nickel, are you?
00:44:51That's, that's not the...
00:44:52No, it couldn't be that story.
00:44:54No, no, no. It couldn't be that.
00:44:55I mean, every little schoolboy knows that story.
00:44:57But you go ahead and tell us.
00:44:59Uh, what do they find when they cut the whale open?
00:45:02Come on.
00:45:04What do they find when they cut the...
00:45:07They don't laugh. After all, I enjoy a hearty laugh as well as you do,
00:45:10and if it's funny, we'll both enjoy a hearty laugh.
00:45:20Ah, senorita, there's no danger in bullfighting,
00:45:23but there is much in the glance from the lovely woman's eyes.
00:45:25Oh, that's a very gallant remark, senor.
00:45:28What can a man say with so much beauty before him?
00:45:31Isn't Rodolfo wonderful?
00:45:33Just wait till you see him in his cute little toreador suit.
00:45:37I can wait.
00:45:41Uh, my car, I should say our car is here, senorita.
00:45:44What do you mean, our car?
00:45:45I, Rudolfo, am showing the town for senorita.
00:45:48And I, Cynthia Merrick, am looking forward to it.
00:45:50And I, Kitty Marblehead, should take Chichi down to the briny.
00:45:53Don't you think you should take a bullfighter along?
00:45:57Uh, uh...
00:45:58Oh, oh, yes, yes, of course.
00:46:00And he only adds seven.
00:46:02Won't you come with us, Rudolfo?
00:46:03But I would all fucking nuts win.
00:46:04That's what would make it interesting.
00:46:07But...
00:46:07Isn't Jim a simply charming fellow?
00:46:10All I can say, senora, is I wish he were a bull.
00:46:20Hey, that looks like Jim and that Merrick dame.
00:46:23It sure did.
00:46:24Well, nonsense.
00:46:24It's only the sun in your eyes.
00:46:26Is that what it is?
00:46:26Sure.
00:46:27Come on, boys.
00:46:28Come on.
00:46:29Ah!
00:46:31Greetings to our...
00:46:32Thank you very much.
00:46:33I'm looking for a man called Steve Harper.
00:46:35Greetings to our pleasure dorms.
00:46:36And I...
00:46:36That's enough, brother.
00:46:37Has he arrived yet?
00:46:38Very soon.
00:46:39He's to be married on Saturday.
00:46:40Not while I'm here.
00:46:42Thank you very much.
00:46:43I'm looking for a man called Steve Harper.
00:46:55Ah!
00:46:55Greetings to our pleasure dorms.
00:46:57Thank you.
00:46:57I'm in a hurry.
00:46:58Yeah, but you have just arrived and you must be greeted then.
00:47:00No.
00:47:00No.
00:47:05Well, I'm awfully sorry.
00:47:11May 12th again.
00:47:12Yes, sir.
00:47:13Come on.
00:47:13It was Goal.
00:47:13Let's go.
00:47:15Whatever.
00:47:18I want to go to the chair.
00:47:19I won't be tych out.
00:47:19Give me a defendi.
00:47:21No!
00:47:21Ah!
00:47:22Ah!
00:47:22Ah!
00:47:23Ah!
00:47:23Ah!
00:47:29Ah!
00:47:33The last day!
00:47:34Ah!
00:47:41Oh!
00:47:41Oh!
00:47:41Ah!
00:48:04¡Suscríbete al canal!
00:48:26¡Suscríbete al canal!
00:49:07¡Suscríbete al canal!
00:49:38¡Suscríbete al canal!
00:49:41¡Suscríbete al canal!
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00:51:02¡Lucky! ¡Lucky!
00:51:05¡Oh, ahí estás!
00:51:06Yo he estado combiando toda la ciudad para ti.
00:51:08¡Oh, no te vayas bien, darling!
00:51:11¡So te vayas!
00:51:12Bueno, ¿tienes un buen viaje?
00:51:13¡Oh, bien, bien!
00:51:15¿Qué es eso?
00:51:16¡Ah, bien!
00:51:16¡Darling!
00:51:17¡Para algo!
00:51:18¿Para qué?
00:51:19Por lo que?
00:51:20Por lo que la chica de la chica de la chica de la chica de la chica de la chica.
00:51:23¿Cómo es eso?
00:51:24¡Ah, bien!
00:51:24Bueno, te expliqué a la chica de la chica de la chica de la chica de la chica de la
00:51:26chica.
00:51:26¡Ah, bien!
00:51:27¡Ah, bien!
00:51:28¡Ah, bien!
00:51:29Nice of it.
00:51:30¡Ah, it takes a pal to be a pal!
00:51:34If, if, if, eh, he made you believe,
00:51:36I mean, if he got you to forgive me,
00:51:37then I oughta be grateful, wouldn't anything, eh, Buddy?
00:51:42¿What are you doing that at the hotel for?
00:51:44I, I didn't see anybody doing that at the hotel.
00:51:46Oh.
00:51:46Well, if, if, if somebody wasn't doing that to the hotel, then I'm crazy.
00:51:50Well, I think I'll leave Romeo alone with his Juliet.
00:51:53Oh no, I gota talk to you.
00:51:54You mean,
00:51:55you came a thousand miles just to talk to him?
00:51:58Sí.
00:51:59Bueno, a una buena relación.
00:52:03¿Qué pasa con ella?
00:52:04Como una bradera,
00:52:05eres tan inspirador como un donado.
00:52:08Listen, yo quería que te quedes aquí.
00:52:09Micky es aquí, en el hotel.
00:52:11Micky es aquí?
00:52:12Sí.
00:52:14¿Qué vamos a hacer si ella se quedó a Cynthia?
00:52:18Micky.
00:52:19Micky.
00:52:21¿Qué te parece que te preocupa?
00:52:22You know, Steve,
00:52:23yo creo que esa chica es en la vida de ti.
00:52:25¿Cynthia?
00:52:26No, Micky.
00:52:27Why, to follow you all the way here.
00:52:28What devotion.
00:52:29Who, Cynthia's?
00:52:30No, Micky.
00:52:31You know,
00:52:32you're headed for the biggest mistake in your life.
00:52:34With Micky?
00:52:35No, Cynthia.
00:52:37Must be the change in climate, I know.
00:52:39Excuse me, please, senor Moore,
00:52:40but a telegram have arrived for you.
00:52:42Open it, please.
00:52:43You want me to read it?
00:52:44Yes, go ahead.
00:52:47She's from the papa again.
00:52:48For love of heaven,
00:52:50see that knot is tied.
00:52:52Firm won't survive paying off.
00:52:55I won't survive Roscoe.
00:52:57Counting on you to save me.
00:52:59Sign, Dad.
00:53:00Hmm.
00:53:01Very pretty, you father wires, eh?
00:53:03Cynthia, Jim.
00:53:05Mickey, Mickey, Mickey.
00:53:06Mickey, Cynthia.
00:53:07Jim, you've got me all confused just now.
00:53:10You're confused?
00:53:11I'm all mixed up between Mickey and Cynthia.
00:53:15How can you get mixed up?
00:53:16I mean, she's the most beautiful girl in the world.
00:53:18Mickey.
00:53:18Oh, Cynthia.
00:53:19And what a disposition.
00:53:20It's lovely.
00:53:21Mickey?
00:53:21No, Cynthia.
00:53:22You'd be making a terrible mistake.
00:53:25But Cynthia.
00:53:25No, Mickey.
00:53:27I guess I need a good night's sleep.
00:53:29Mickey, Cynthia, Cynthia.
00:53:30I don't know.
00:53:34If only Jim and Steve weren't such good friends.
00:53:38If only I'd never met either one of them.
00:53:40Well, this all was Rodolfo, without the F, of course.
00:53:44That's so cheap-cheeky.
00:53:57May I come in?
00:53:58Well, there's a rumor to the effect that you are in,
00:54:01but there's a way around that.
00:54:03Won't you sit down?
00:54:05Sit up yourself.
00:54:06Thank you.
00:54:09Well, now I understand the thumb waving.
00:54:11Do you remember me?
00:54:12Oh, yes.
00:54:13Yes, I remember you very well.
00:54:15The last time I saw you,
00:54:16you were wearing a very becoming telephone booth,
00:54:19trimmed with Steve.
00:54:20Oh, my little Stevie.
00:54:23You mean you're a little lucky, don't you?
00:54:26I mean, you're Jim's girl.
00:54:28Oh, no.
00:54:30Steve's.
00:54:30Uh, you wouldn't by any chance be sleepwalking, would you?
00:54:34Oh, no.
00:54:35I just dreamed myself across this balcony just to show you this.
00:54:43You see, Jim has insured your marriage to Steve for a million dollars.
00:54:47Oh, no, that's impossible.
00:54:49But true, I hooked it from Stevie myself in person.
00:55:00So, you see, Jim's out a million dollars if you don't marry Stevie.
00:55:04Kind of a dirty trick to play on the lady, huh?
00:55:10They need us trick of the week.
00:55:12Oh, but they're not going to get away with it.
00:55:15Not with little Cynthia, they're not.
00:55:17I'll get even with those two if it's the last thing I ever do.
00:55:23Are you with me?
00:55:24So long as I get Stevie.
00:55:25Don't worry, you can have him.
00:55:26You can have both of them on a platter garnished with parsley.
00:55:29What are you going to do?
00:55:30I'm going to give them a dose of their own love insurance.
00:55:33You don't have to wear out the carpet, Lucky.
00:55:35What are we going to do?
00:55:36Don't get rid of her.
00:55:37Send her back to New York.
00:55:39Who, Cynthia?
00:55:40No, Mickey!
00:55:41You don't have to yell at me.
00:55:45Hello?
00:55:46Hello, darling.
00:55:47I was just thinking about you.
00:55:50Hello, darling.
00:55:51Cynthia.
00:55:53About the bullfight tomorrow, I was wondering if you'd get an extra ticket.
00:55:56It's for a perfectly darling little girl who just dropped in for a chat with me.
00:56:00You know, she's that sweet little friend of Jim's, Mickey Fitzgerald.
00:56:04Mickey?
00:56:05You're talking to Cynthia, you dope.
00:56:07So is Mickey.
00:56:08She's in Cynthia's room.
00:56:09What?
00:56:10Oh, yes.
00:56:10He'll be more than delighted.
00:56:12She's invited her to the bullfight.
00:56:16All right, darling.
00:56:18Good night.
00:56:19Pleasant dreams.
00:56:21And I hope you chill.
00:56:23What are we going to do now, Lucky?
00:56:25Oh, we're rowing.
00:56:27And don't call me Lucky!
00:56:29Everything's okay, boys.
00:56:31Yeah.
00:56:31We got Mickey locked in the room.
00:56:32Yeah, babe.
00:56:34She's in Cynthia's room!
00:56:53That's enough.
00:56:54A fine mess you got us in.
00:56:56You're fired.
00:56:57All right, then I'm fired.
00:56:58You're fired.
00:56:59I quit.
00:56:59Give me my money.
00:57:00Give me my money.
00:57:00What money?
00:57:01What money?
00:57:01The money you owe me for my salary.
00:57:03All right, all right.
00:57:03Don't get excited.
00:57:04I'm supposed to get a dollar a day, you know.
00:57:05I work for you one year.
00:57:06That's 365 days equals 365 hours.
00:57:08Give me that 365 hours and I'll get out.
00:57:11I'll have the case.
00:57:11Now, wait a minute.
00:57:12Not so fast.
00:57:13How many hours a day did you work?
00:57:14Eight hours a day.
00:57:15And how many hours are there in a day?
00:57:17Don't try to put anything off on me, will you, Abbott?
00:57:20What do you mean?
00:57:20Look, there's 24 hours in a day, all but February, which has 28.
00:57:25All right, that's right.
00:57:2524 hours in a day.
00:57:27And you only work eight hours a day?
00:57:29Then you only work a third of each day.
00:57:31Now, a third of 365 is approximately $121.
00:57:36So you actually only have $121 coming to you?
00:57:38Yeah.
00:57:40$121!
00:57:41That's right.
00:57:42Well, give me the $121.
00:57:43Uh, Abbott, you didn't work Sundays, did you?
00:57:46No.
00:57:46No, and there's 52 Sundays in a year.
00:57:48So we'll lead up 52 from $121, leaving $69 coming to you.
00:57:54Well, give me the $69.
00:57:55Uh, Abbott!
00:57:56Watch with the buck!
00:57:58Wait a minute, just a minute.
00:57:59You only worked a half a day on Saturday.
00:58:01Am I right?
00:58:01Here it comes.
00:58:02Now, wait a minute.
00:58:03You only worked a half a day on Saturday.
00:58:05That's all, just half a day.
00:58:06Okay, now there's 52 Saturdays in a year.
00:58:08Now, half of 52 is, uh, 26.
00:58:11So we'll deduct 26 from 69, uh, leaving $43 coming to you.
00:58:16You sure of that?
00:58:17I'm positive.
00:58:18I mean, I don't want you to cheat yourself.
00:58:19Well, that's mighty thoughtful of you to look out for my interest.
00:58:22I might as well look out for yours.
00:58:24You already killed mine, so give me that $43.
00:58:27Uh, Abbott!
00:58:28Just a minute.
00:58:29You took a vacation, didn't you?
00:58:31Yeah.
00:58:31Two weeks.
00:58:32Two weeks.
00:58:33That's, uh, 14 days.
00:58:34Now, a dollar a day, that's $14.
00:58:36So we'll deduct 14 from 43, leaving, uh, the sum of $29 coming.
00:58:42The sum of?
00:58:42The sum of.
00:58:43If I get some of it, I'll be lucky.
00:58:45Well, now, wait.
00:58:46Give me the $29.
00:58:47But!
00:58:47But!
00:58:47Now I know it as good as you do.
00:58:49Wait a minute.
00:58:50Just don't get excited.
00:58:51You took time out for lunch, didn't you?
00:58:53Oh, no, Abbott.
00:58:54Not that.
00:58:55Please don't take that away from me.
00:58:57Yes.
00:58:57One little hour a day.
00:58:59That's all I took.
00:58:59One hour a day?
00:59:00I didn't eat much.
00:59:01Now, wait a minute.
00:59:02One little bit hour.
00:59:03That's right.
00:59:04That's right.
00:59:05One hour a day, 365 days.
00:59:07That's 365 hours.
00:59:09That comes to about 15 days, I take it.
00:59:12You might as well take it.
00:59:13You've been taking everything else.
00:59:15So?
00:59:1515 from $29 is $14.
00:59:17But!
00:59:18Now I know it better than you do.
00:59:20Wait a minute.
00:59:20Wait a minute.
00:59:21I'm glad I thought of this.
00:59:23Do you know there's 13 holidays in a year that you didn't work?
00:59:25This is going to cost plenty, too.
00:59:27Wait a minute.
00:59:27Just a minute.
00:59:28You didn't work those 13 days.
00:59:30No.
00:59:30Well, you had $14 coming to you.
00:59:32So we'll deduct $13 from the $14, leaving the exact sum of $1 coming to you.
00:59:37How do you like that?
00:59:38I'm supposed to get $365, and I wind up with a buck!
00:59:42Oh, grazie, signor!
00:59:49It was a fine time to take a nap.
01:00:13Ah, now we have Rodolfo.
01:00:15And now we have the sport of ex-kings.
01:00:18And if anybody faints, we have ex-nurses.
01:00:21Oh, but Aunt Kitty, nobody's going to faint.
01:00:22We're all having too much fun, aren't we, Steve, darling?
01:00:25Oh, yeah.
01:00:26Oh, yes.
01:00:26It's a riot.
01:00:29Oh, Mickey, why don't you put your head on Jim's shoulder?
01:00:32I'm sure you can see much better if you did.
01:00:34Oh, no.
01:00:35She doesn't want to put her head on my shoulder.
01:00:36Oh, yes, I do.
01:00:38Oh, now, Lucky, don't be shy with Mickey and me.
01:00:40We both understand all about love, don't we, Mickey?
01:00:43And how?
01:00:46Oh, Lucky, what a wonderful shoulder you have.
01:00:50I can't see if she's going to sit like I'm...
01:00:53Why, Steve, I believe you're actually jealous.
01:00:56Isn't it wonderful, Mickey, what these two boys will do for each other?
01:00:59Isn't it a wonderful friendship?
01:01:01Oh, where's the bull?
01:01:03Why, darling, there's plenty of it around here, don't you think so?
01:01:07Oh, don't move your shoulder, Lucky.
01:01:09Oh, it's so heavily.
01:01:10Oh, there he is.
01:01:14Oh, isn't he cute in his darling little suit?
01:01:18Oh, the bull?
01:01:26It's for the senorita.
01:01:32Oh, no, you mustn't do that.
01:01:34That means he's dedicating the bull to Cynthia.
01:01:37Doesn't it, senor Escobar?
01:01:38But of a certainty, it is almost a declaration of love.
01:01:41Oh.
01:01:42Well, I'm glad there's nothing personal about it.
01:01:47Hasn't he the most beautiful legs you've ever seen?
01:01:50Oh, the bull?
01:01:52Oh, there is a man.
01:01:55Now, look here, Mickey.
01:01:56Um, that's Cynthia.
01:01:57Mickey's here.
01:01:58Yes, you boys are a little confused, I'm afraid.
01:02:01But there's one thing I'm certain of.
01:02:04Rudolfo is divine.
01:02:06Oh, I don't know.
01:02:07I think Jim has a cuter nose.
01:02:09Do you?
01:02:10Let me see, Jim.
01:02:11Come on, Lucky.
01:02:12Show Cynthia your nose.
01:02:14Yes, come on.
01:02:14Stop it, will you?
01:02:15Why should he show you his nose?
01:02:17Isn't it sweet the way they stick together?
01:02:20Yes.
01:02:25Oh, what a pretty bull.
01:02:44Oh, it's so exciting.
01:02:47You know, Steve, it's so much fun being engaged.
01:02:50I don't think we'll get married tomorrow.
01:02:53Why not?
01:03:09You know, I think you'd be much happier if you waited until you got to New York for the wedding.
01:03:14Why are you so interested in when we get married?
01:03:17Why, Stevie, you know, I've always been interested in when we get married.
01:03:27Oh, did nobody feel a drop of rain?
01:03:38Now, wait a minute, Addick.
01:03:40If I'm going to stay and watch over a girl, I want my old job back.
01:03:43All right, but not for the same money.
01:03:45Okay.
01:03:46All right.
01:03:46What money?
01:03:48You?
01:03:48Yeah.
01:03:49The good human man.
01:03:50No, no.
01:03:51Tamales.
01:03:51Hot dogs.
01:03:52And those inch, those inch, the good hot dogs.
01:03:55Hey, you, hey.
01:03:56Come here.
01:03:59What's the matter with you?
01:04:00Here you go.
01:04:01What for you?
01:04:01Hot dog.
01:04:02Give me a hot dog, too.
01:04:03What time's the floor show starting?
01:04:05Just quiet, please, quiet.
01:04:06No floor show, huh?
01:04:07No floor show.
01:04:07Oh, thanks a lot, Ken.
01:04:08Here you are.
01:04:09Hey, old boy.
01:04:10No, I don't eat mustard, Ken.
01:04:12Mustard goes with the hot dog.
01:04:13Yeah, well, not with mine.
01:04:14I eat it plain.
01:04:15Mustard was made for the hot dog.
01:04:16Look, I don't care what it's made for.
01:04:17I'm not going to eat it.
01:04:18I don't like it.
01:04:19Oh, well, that's different.
01:04:19Do I have to eat something I don't like?
01:04:20No, I didn't know that.
01:04:21I mean, after all, I don't want to go around eating something that's going to make me sick.
01:04:23Well, I didn't know that.
01:04:24Mustard makes me sick.
01:04:25Well, then you shouldn't eat it.
01:04:26I mean, after all, I'm a happy kid.
01:04:27I got a lot to live for.
01:04:28I know that, Lou.
01:04:28I don't want to walk around the street sick.
01:04:30All right, now, don't care.
01:04:30If I eat mustard and I walk around the street sick, I can't get a job, what happens to my
01:04:34wife and kids?
01:04:34What do you mean?
01:04:35Yeah, I got a wife and two children.
01:04:36What about it?
01:04:37My kids wind up in the orphan asylum.
01:04:38Oh, behavior.
01:04:39You're a fine guy sending my kids to an orphan asylum.
01:04:42Who's sending who where?
01:04:43What do my kids ever do to you?
01:04:44Nothing at all.
01:04:44What right you got to put them away in the orphan asylum?
01:04:46You know what you're saying?
01:04:47After all, I'm able to support them children.
01:04:48You got no right to put them away.
01:04:50Don't get excited.
01:04:51Come on, get my kids out of the orphan asylum.
01:04:53Now, wait a minute.
01:04:54What started all this?
01:04:55Mustard.
01:04:56Well, I mean it, sir, if you want it.
01:04:57Well, you can take it away.
01:04:58I don't want it.
01:04:59Listen, what I'm trying to convey to you is that the hot dog and the mustard go together.
01:05:03Let them go together.
01:05:04I don't want to spoil any romance.
01:05:05Oh, talk same.
01:05:06Come on.
01:05:07I don't like it.
01:05:07So you don't like it?
01:05:08I like Worcestershire, sheeshorch.
01:05:10You what?
01:05:11Worcestershire, sheeshorch.
01:05:14Worcestershire, sheeshorch, sheeshorch.
01:05:16You can't even say it.
01:05:16But you don't like mustard?
01:05:18No, I don't care.
01:05:18Give me a reason.
01:05:19Who are you that you shouldn't like mustard?
01:05:21What are you, some big shot or something too big a guy to like mustard?
01:05:24What did mustard ever do for me?
01:05:26I'll be happy.
01:05:27Why should I throw myself out on account of mustard?
01:05:29Mustard any better than I am?
01:05:30Go on, pick your friends.
01:05:32Who do you want?
01:05:32Me or mustard?
01:05:33Now, wait a minute.
01:05:33Go ahead.
01:05:34Take mustard.
01:05:34Just a minute, just a minute.
01:05:35Do you know where mustard comes from?
01:05:37I know they don't scrape it off a mustard plaster.
01:05:38Certainly not.
01:05:39They manufacture mustard.
01:05:40Do you know they spend millions of dollars every year to put up factories just to manufacture mustard?
01:05:44Do you know those factories employ thousands and thousands of men just to manufacture mustard?
01:05:49Do you know those men take care of thousands of families and homes all on account of mustard?
01:05:54And you, just because you don't like mustard, what do you want them to do?
01:05:56Close those factories down and put all those people out of work?
01:05:58Wait a minute.
01:05:59Do you mean to stand there and tell me just because I don't eat mustard, I'm closing down the mustard
01:06:02factories?
01:06:03Now, wait a minute.
01:06:03Are you trying to tell me that those thousands of people are making one little jar of mustard just for
01:06:07me?
01:06:08Oh, I'll explain that.
01:06:08If they are, you can tell them not to make any more because I'm not going to eat it.
01:06:11Oh, right.
01:06:11Forget about it.
01:06:12You can lay them off.
01:06:13Sure.
01:06:13Who am I to support thousands?
01:06:15Oh, why stand here and argue with you?
01:06:17You said it.
01:06:51Your dream is the same as my dream.
01:07:00Your future is mine when I dream.
01:07:08I want heaven with you, and you want heaven with me.
01:07:19We each want part of the same romance.
01:07:28I'm longing for the things that you long for, too.
01:07:37We'll make the most impossible things come true.
01:07:45True dreamers, you and I, there's no sky to hide for hearts like ours to fly, too.
01:08:00Your way is the same as my way.
01:08:11We travel along love's highway.
01:08:20Your dream is the same as my dream.
01:08:33Oh, part of the same romance.
01:09:06Everybody here gives me a pain in the neck.
01:09:11Your dream is the same as my dream.
01:09:20Your future is mine when I dream.
01:09:27I want heaven with you, and you want heaven with me.
01:09:38We each want half of the same romance.
01:09:48I'm longing for the things that you long for, too.
01:09:56We'll make the most impossible things come true.
01:10:04To dreamers, you and I, there's no sky too high for hearts like ours to fly, too.
01:10:19My dream is the same as my dream.
01:10:20I, there's no sky too high for you.
01:10:20I want heaven with you, too.
01:10:22My dream is the same as mine.
01:10:24Your way is the same as my way.
01:10:41My dream is the same as mine.
01:10:49Your way is the same as my way.
01:11:12Come on, Rodolfo.
01:11:15Let's get out of this darn moonlight.
01:11:21Where are you going?
01:11:22To look for Steve.
01:11:34Hello, hello. Operator, operator.
01:11:36Operator.
01:11:38What about my New York call?
01:11:39Do I have to wait all night?
01:11:41Hello, hello.
01:11:43Oh, hello, Dad.
01:11:44Hello.
01:11:46What?
01:11:47I can't hear you.
01:11:48Wait a minute.
01:11:53Hello. Now.
01:11:55Listen, Dad. A terrible thing has happened.
01:11:57I've fallen in love.
01:11:58Good. What's so terrible about that?
01:12:01Dad, you haven't heard who the girl is.
01:12:03I don't care. If you like her, I like her.
01:12:06So congratulations and all that sort of thing.
01:12:08But listen, Dad. This just isn't any girl.
01:12:10This girl is the girl who's the girl that's the girl that...
01:12:13Well, what I mean is she's the girl...
01:12:15I get it. She's a girl.
01:12:17Well, stop yapping you $20 a minute.
01:12:19We can't afford it.
01:12:20I say we can't afford it.
01:12:22We're broke. We're busted.
01:12:24There was a jewel robbery at Great Neck,
01:12:26a bank holdup in Brooklyn,
01:12:28some very unusual weather in California,
01:12:30and a skunk at Mrs. Worthington's lawn party.
01:12:32And they used to call me lucky.
01:12:35But that's peanuts compared to that million-dollar wedding you're on now.
01:12:39How's it coming along?
01:12:40Is she marrying him tomorrow?
01:12:43Yep.
01:12:45She's marrying him tomorrow.
01:13:05She's marrying him tomorrow.
01:13:22Wrong number.
01:13:28What's the matter with you?
01:13:30Don't say anything about the wedding.
01:13:31What happened?
01:13:31A spy.
01:13:32Where?
01:13:32In the next room.
01:13:35Oh, behave. Come here.
01:13:36No, no.
01:13:36Come here. Come on.
01:13:38Come on.
01:13:38Come here a minute.
01:13:39I want to see me.
01:13:40Wait a minute.
01:13:40Here, here.
01:13:41I'm bashful.
01:13:42Wait a minute.
01:13:42It's you. It's you.
01:13:43It's you.
01:13:43Don't get excited.
01:13:44There you are.
01:13:45Oh, hello.
01:13:46You going to the wedding?
01:13:47Certainly you're going to the wedding the same as the boss told you.
01:13:50Don't mention the word boss.
01:13:51I tell you, I don't care about the boss anymore.
01:13:54I want to meet the boss.
01:13:55I don't want to tell him a thing or two.
01:13:57I want to meet him face to face.
01:13:59I want to...
01:14:00What do you want?
01:14:01I want my mama.
01:14:03All right. All right. All right.
01:14:04Now, what about it?
01:14:05What about it?
01:14:05Yeah, what about it?
01:14:06What about what?
01:14:07What about what what?
01:14:08That's what I say.
01:14:09What do you say?
01:14:10What about it?
01:14:11What about this wedding?
01:14:13Oh, wedding.
01:14:14Marriage.
01:14:15Congratulations, Abbott.
01:14:15I'm not getting married.
01:14:17No?
01:14:17Mm-hmm.
01:14:18Congratulations, boss.
01:14:18Boss, give that to him.
01:14:19What about the wedding between Steve and Cynthia?
01:14:22Is it going to happen by noon today?
01:14:23Why, boss, that's taking place now.
01:14:25Yeah?
01:14:25Certainly.
01:14:26Well, let's get out of here.
01:14:27Yeah, come on.
01:14:35Don't interrupt me.
01:14:36I am thinking of love.
01:14:38But, senor, we must know when to start the farandola.
01:14:41The farandola, our national dance.
01:14:43When I shoot the gun, the wedding is over,
01:14:44and the farandola will come in.
01:14:51Got the ring?
01:14:53Yes, I've got it.
01:14:55Oh, pretty.
01:14:56You look very Mickey, but I mean, Mickey...
01:14:59Well, congratulations, boys.
01:15:01I never saw a more ghastly-looking pair.
01:15:05Bueno.
01:15:15Shall we commence?
01:15:17No, senor Escobar.
01:15:18I'm sorry to have caused you all this trouble,
01:15:20but the wedding is off.
01:15:22You see, I've just made the very interesting discovery
01:15:24that both the groom and the best man
01:15:26are a couple of first-class heels.
01:15:29What did I tell you?
01:15:30You told me.
01:15:31Oh, and I'm so sorry.
01:15:32Oh, don't waste any sympathy,
01:15:33because, you see, instead of marrying me,
01:15:35heel number one gets a million dollars
01:15:37from heel number two.
01:15:39So, goodbye.
01:15:41Good luck.
01:15:43Have fun.
01:15:44Just a minute, baby.
01:15:46Put them up, folks.
01:15:47Put them up.
01:15:47I got a lot of money invested in this wedding.
01:15:51So, get going.
01:15:54Isn't there a man in the room?
01:15:55If you marry them, senor Escobar,
01:15:58I will kill you.
01:16:00Yeah, but the man has a pistol,
01:16:01and he must consider his point.
01:16:02Yeah, me and Costello want to go on living, too.
01:16:04Who invited those dreadful people?
01:16:07I did.
01:16:08I said, marry him.
01:16:11By the power invested in me,
01:16:13as mayor of San Marcos,
01:16:14I don't Alvarado Sepúlveda...
01:16:15Oh, cut out that Chinese cheddar
01:16:17and go on with this wedding.
01:16:19Do you, Stephen Harper,
01:16:20take this lady to be your lawful wedded wife?
01:16:22Yeah, well, it's a little sudden,
01:16:24but should I?
01:16:26What?
01:16:27Do you, Stephen Harper...
01:16:28I said, tell him.
01:16:30Yeah, I guess maybe I do.
01:16:32It's very nice of you.
01:16:34Do you, Cynthia Merrick,
01:16:35take this man to be your lawful wedded husbands?
01:16:41Tired, boss?
01:16:44Come on, let's get out of here.
01:16:46I'm not going to go until I get good and ready.
01:16:48I'm ready.
01:16:49Come on, then.
01:16:50The bottom door!
01:17:10Jim!
01:17:12A little service here, please.
01:17:14Yeah, but you are not the bride.
01:17:16With a gun, I am.
01:17:18As the mayor of San Marcos,
01:17:20I don't know about the Sepúlveda Cienega,
01:17:22San Vicente Labrea, Figaroa Escobar...
01:17:24This is getting a little heavy for you.
01:17:26Just a moment.
01:17:28Try that.
01:17:30Shoot, Escobar, or we will.
01:17:34From the busy harbor
01:17:38To the quiet hilltop
01:17:41See the purple harbor
01:17:45There be with a white
01:17:49It's the purple treasure
01:17:52Singing in the sunshine
01:17:56Work becomes a pleasure
01:18:00Life becomes divine
01:18:03Oh, that's the day
01:18:05It's okay, will you listen to me for a minute?
01:18:07No, I won't listen to you.
01:18:08There's no possible way
01:18:09You can whitewash yourself
01:18:10Or your loathsome love insurance.
01:18:12I got that silly idea
01:18:12Before I met you
01:18:13And I regretted it every minute
01:18:14Because I fell madly in love with you.
01:18:16What is this now, alibi insurance?
01:18:17I hate insurance!
01:18:19Her cheek is glowing
01:18:21Her eyes are pleading
01:18:25The song is growing
01:18:28Heart cream can't be a spy
01:18:31Heart by a show that's never gone
01:18:34Heart cream can't be a spy
01:18:36It's not a lie
01:18:38It's great, what's real
01:18:40That's that, the soul
01:18:42It's great, the cat's that
01:18:44The gate that runs cold
01:18:45To get its away
01:18:47I want my mama
01:18:49It's great, the cat's that
01:18:51The cat's that
01:18:52The cat's that
01:18:52The cat's that
01:18:53The cat's that
01:19:06The cat's that
01:19:09Put that переplanders
01:19:10Put that girl down
01:19:13¡Suscríbete al canal!
01:19:43Hey, that guy's got a great voice. I wonder who he is.
01:20:02Oh, no!
01:20:40¡Suscríbete al canal!
01:20:52¡Suscríbete al canal!
01:20:55¡Suscríbete al canal!
01:21:15¡Suscríbete al canal!
01:21:19¡Suscríbete al canal!
01:21:39¡Suscríbete al canal!
01:21:42¡Suscríbete al canal!
01:22:13¡Suscríbete al canal!
01:22:16¡Suscríbete al canal!
01:22:17¡Suscríbete al canal!
01:22:28¡Suscríbete al canal!
01:22:31¡Suscríbete al canal!
01:22:32¡Suscríbete al canal!
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