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00:30Okay, I'll take these three.
00:32And this one too.
00:33And you? Did she take that one from me yesterday?
00:34Be quiet!
00:36Mauri, have I made you a VIP customer card?
00:38Can I give you a discount?
00:38No, but come on, you're a VIP customer.
00:41Ah, that's great.
00:42See you later.
00:43Poor thing, he's going through such a bad time
00:45since Fernando left.
00:46It seemed like nothing to me,
00:46I'm being rented the movies six at a time.
00:48I wish you would all break up with each other.
00:50What's wrong, Emilio?
00:51That?
00:51What happened to the wallet last night?
00:53Did you get wet or not?
00:54It's pathetic.
00:55I've been dating her for a week.
00:56And I haven't even given her a peck on the lips.
00:57So what?
01:00Well, we've been to the cinema, for a walk, out to dinner,
01:02We've already shaken hands.
01:03And then he gets home and calls me on the phone.
01:05Pio, you're not dating that woman, are you?
01:06You're wasting your time.
01:07Paquito, what we have is something deep,
01:08We are getting to know each other.
01:09That's why you have to sleep with her
01:11before I meet you.
01:12No, dude, seriously, be careful
01:13because you're going to land there in the zone.
01:15Which area?
01:15The area.
01:16I don't know what the area is.
01:17The friends' zone.
01:18When an aunt has been around for a long time
01:19dating an aunt
01:20And nothing happens,
01:21They become friends.
01:22And then, forget about it.
01:23Oh, can that happen?
01:24Look, Paco, he lives in that area.
01:30Yes, you have to pass it, and now.
01:31This is a countdown, huh?
01:32Well, I'll see how I manage.
01:34Damn, you guys stress me out
01:35And I don't know why I'm talking to you.
02:00Not here, not here.
02:02The house above me is collapsing.
02:04I can't find the goalkeeper.
02:06My neighbors are watching and listening to me.
02:08I can't stand it.
02:09In this place,
02:11I have a cup holder,
02:15a thunderclap, an earthquake, and a volcano.
02:20And you'll have this ladder.
02:24No one can live here, here, here.
02:27Not here, not here.
02:29No one can live here, here, here.
02:31Not here, not here.
02:34No one can live here, here, here.
02:40Emilio, what do you mean Andrés isn't going to pay the community fees?
02:42What exactly did he tell you?
02:43Well, I was in a hurry
02:44and that I should stop by his store
02:46that he was going to give me a discount on sports shoes.
02:47Juan, paying the community
02:49Nobody gets delayed, okay?
02:50That has to be sacred.
02:51But it's normal.
02:53With that face she has,
02:54How can they respect him?
02:56Go away, Mr. Cuesta.
02:58Go away!
02:59Come on, get out of here now.
03:00Don't you have anything better to do?
03:01Why insult my husband?
03:02No, the truth is no.
03:03Well, that man isn't going to pay the community fees.
03:06Me neither.
03:07Juan, people are turning on you.
03:10because of this windbag.
03:11And I'm not going to allow that.
03:13Honey, let's look into the situation.
03:14A strategy needs to be drawn up.
03:16Yes, well, you'll see the strategy.
03:19Hey neighbors.
03:21How's everything going?
03:22Listen to my husband
03:23He has something to tell you.
03:24Uh, right.
03:26Andrés, this causes us deep dismay.
03:28the fact that you don't pay us
03:30your monthly fee.
03:31For the sake of peaceful coexistence
03:32and of proper economic functioning
03:35in this community of ours,
03:36I would beg you...
03:37In summary,
03:38that must be paid properly.
03:40The transfer order has been given.
03:42The thing is, I just changed banks.
03:44And that leads to its process.
03:46Do you know what's going on?
03:47This is a small community
03:49And if a neighbor doesn't pay,
03:50Well, that's a setback.
03:52For example,
03:52Emilio cannot collect his salary.
03:55Holy shit, this is serious, huh?
03:56This is a setback bordering on a real bummer.
03:58Look, here's the only problem
03:59It's because we don't know each other yet.
04:01Why don't you come over for dinner tonight?
04:03No, I just can't tonight.
04:04Don't worry, Emilio.
04:05We can do it without you.
04:07Is ten o'clock convenient for you?
04:09Yes, yes, I think so.
04:10You'll see how I cook.
04:13And why did you say yes to him?
04:14Without consulting me?
04:15Because diplomatic life must be exhausted.
04:17But I have nothing to wear.
04:19Okay, let's see if I have time.
04:20mend a skirt.
04:22Mr. John,
04:22the fact that they didn't pay me my salary
04:23That's one of those strategies, isn't it?
04:26Well, without money, let's see.
04:27Where do I take Rocío now?
04:30What a mess this has made for me
04:30this deadbeat.
04:37Belén, I've heard.
04:38Say one thing
04:39You're going to be blown away.
04:41Do you know why, Emilio?
04:42Does he/she ignore you anymore?
04:44Because he's dating someone else.
04:45What are you saying?
04:46Although it's incredible,
04:47Besides you, there are other women
04:48who want to go out with him.
04:49She's fallen in love with the wallet.
04:51Of course, as you see every day.
04:53The goalkeeper and the wallet.
04:54Don't tell me it's not cute.
04:56Alicia, you really like to invent things, don't you?
04:58What's happening?
04:58Are you really bored?
04:59No, Paco told me.
05:01She's been dating for a week
05:02And they walk hand in hand
05:03through the park.
05:05Emilio holding hands,
05:06Come on,
05:06Emilio doesn't do that.
05:08Sure, because of yours
05:09It was an animalistic relationship.
05:10There was no love there, nothing.
05:11That was pure sex,
05:13the need,
05:13vice for vice's sake.
05:15What are you saying?
05:15What are you saying?
05:17And besides, everyone loves each other.
05:18as he pleases.
05:19Well, I've already told you
05:19who is with someone else.
05:20If you don't believe it,
05:21goes down at 12,
05:22which is more or less at the time
05:23the other one arrives
05:24to lay out the cards.
05:25Well, I don't plan to go down.
05:27First, because I don't believe it.
05:29And secondly, because I have my dignity.
05:31I don't chase after men.
05:33They are men
05:34those who come behind me.
05:45I'm not going down.
05:48Emilio,
05:50Can we talk for a moment?
05:51Well, now
05:52It's a little inconvenient for me.
05:54That's what I've been told
05:55one thing that...
05:55Well, I don't know
05:56Who's going around saying it?
05:57who's going around with the wallet.
05:59That's intense, isn't it?
05:59The things people come up with.
06:01Belén, show some respect to Rocío
06:02I'm very much in love with her, you know?
06:06Emilio is pathetic.
06:08In other words, you're making it up
06:09a girlfriend to make me jealous.
06:10Look, you and I
06:11We can still be friends.
06:12Well, or start to be.
06:14Oh, I hope it doesn't work, Emilio.
06:15Leave it now.
06:16Okay, I forgive you.
06:17What time shall we meet tonight?
06:18Hello, Emilio.
06:20Hello, Rocío.
06:20How are you?
06:22Good, very good.
06:24Shall we go out tonight?
06:25Yes of course.
06:26Also, I've looked at the wallet
06:27And we still have two more movies.
06:28that we haven't seen.
06:29Okay, but tonight
06:30I'll treat you.
06:30Yes, yes, better,
06:32because it was there...
06:33Oh, look, sorry.
06:35Rocío and Belén,
06:36a neighbor from the third floor.
06:37Oh, Belén López Vázquez?
06:38Yeah.
06:39You hardly ever get messages, huh?
06:40You never give me work.
06:42No.
06:45Did Emilio tell you?
06:45that we've been dating?
06:47No, it's just that it's still only
06:48We've talked about important things.
06:50Besides, I wouldn't call that going out.
06:52Sorry, I'm leaving.
06:53See?
06:53That was our problem,
06:54The thing is, she's very self-deceiving.
06:55I'm very deceived!
06:57Well, uh...
06:58Here, you read the cards today.
06:59I'm really busy.
07:00Yes of course.
07:02Hey, can I come by your house to pick you up?
07:03No, no, I'll come by.
07:04I know the way.
07:05Okay.
07:06Until tonight.
07:08Do you see it?
07:09It makes my life easier.
07:11not like you.
07:12Emilio, don't be offended,
07:13But you left me for her.
07:15Belén, I hope you too
07:16you fall in love someday,
07:17Because it's the most beautiful thing.
07:18that can happen to you.
07:18You are...
07:20Asshole!
07:21Look, if you want, I
07:22I do what makes me angry,
07:23But I can't get it to work.
07:23I'm in love.
07:25Look at the cards
07:26and they smell like them.
07:27Look.
07:32Go on, darling.
07:33I don't want to go.
07:35I feel like it tonight
07:35stay lying here
07:36watching the movie I made.
07:37Yes, but Mauri
07:38no one has invited you for a drink
07:39And it makes me sad.
07:40Since he left,
07:40Fernando is very lonely.
07:41Just go.
07:42You are not alone.
07:43Yes, but no one has been invited.
07:44to both of them.
07:44It will look like you don't want to go.
07:45I just don't want to go, damn it.
07:47We all have problems.
07:48Why does he have to go
07:48Telling people about it?
07:49Tell him to call the radio station.
07:50Don't be insensitive.
07:51Okay, put yourself in their shoes.
07:52What would you do?
07:53if I were to leave
07:53to work abroad?
07:54Today I'm going to see the movie.
07:55Okay, fine.
07:56Okay, goodbye.
07:56I'm leaving on my own.
07:57Sure, see you later.
08:02Fuck.
08:03I don't know how you manage it,
08:04but in the end
08:05It always makes me feel guilty.
08:06Okay, fine.
08:07If it's just for a little while,
08:08We had a little wine
08:09and we keep him company.
08:09In short, you can rent the movie
08:11at the video store.
08:12No way?
08:12He has them all, Mauri.
08:13Well, you ask her for it, perfect.
08:15You'll see, we'll get it.
08:16have a great time.
08:17Also, Mauri is very funny.
08:22Look, Juan,
08:22All I'm telling you is...
08:23We just can't
08:24Let your guard down, huh?
08:25We need to be focused
08:26because he talks a lot
08:27And well, anyone can get involved.
08:29We are the presidents
08:31and we have to be
08:32on our site.
08:33Of course.
08:33This is an official visit.
08:35With great tact,
08:36But I'm going to tell Andrés
08:37that if he maintains that attitude
08:38He's going to have a serious problem
08:39with me.
08:40That's it, that's it.
08:41Oh, and don't drink, okay?
08:42You're softening up.
08:45Children,
08:46We're going out for dinner.
08:47with the new ones.
08:48Man, finally
08:49Someone's inviting us to dinner, right?
08:50Take advantage of the fact that you still have time
08:51They know us.
08:52Hey, we
08:53We have many friends.
08:54What we don't have
08:54It's time.
08:55Mom, talk to the fishmonger
08:56It's not about having a social life.
08:57Come on, let's go,
08:58that we arrived late.
08:59Juan, this summer
09:00Both have been hospitalized
09:01to a camp
09:01or wherever, huh?
09:02I want to pass
09:03a quiet vacation.
09:04For God's sake, I beg you.
09:05Yes, we can already see that.
09:06And the child?
09:07The child is there all day
09:08on the sofa.
09:09He needs to exercise.
09:13Then they will fix
09:14when we get in
09:14in a nursing home.
09:15Yes, we need to start saving, okay?
09:17That's all I'm asking of you
09:19It's about being nice
09:20and nice,
09:21especially with Paloma,
09:23which is the one that cuts
09:24Here's the cod.
09:24It's just that I
09:25This woman transmits to me
09:26negative energy.
09:26Damn, Isabel,
09:28It's not a battery,
09:28She's a neighbor.
09:29Okay, so what do I talk to her about?
09:31Well, I'm leaving.
09:32Have a good time, okay?
09:32Less than echinacea
09:33and colon cleanses
09:34of whatever you want.
09:36Dad, I'm leaving.
09:37to drug the park.
09:38Yes, okay, son, yes.
09:39I don't know, well tell him
09:40You look so beautiful.
09:41It's like he doesn't listen to me.
09:42Andrés, Pablo.
09:43What are you saying?
09:43What do you want?
09:45Never mind, just leave it.
09:46But what's wrong with him?
09:47This child?
09:47You understand.
09:49Hello.
09:51Don't worry.
09:52See?
09:53I'm more likeable now.
09:55Hello.
09:57But, Paloma,
09:58You look amazing.
09:59Well, that's the first thing.
10:00that I have found.
10:02Have you seen how you looked
10:03To this woman, darling?
10:05Of course, I don't want to.
10:06call him a lot
10:07so as not to overwhelm him,
10:08But if I call him little
10:09It's going to look like I'm
10:09delighted to be here alone
10:10And I'm not.
10:12You from the outside
10:13Do I look good?
10:13But I'm having a hard time,
10:14But bad, bad.
10:16Well, it's not noticeable at all.
10:17Hey?
10:17Really, Mauri,
10:18But nothing,
10:18We've already discussed it.
10:19Right, Roberto?
10:21Hey?
10:22No no,
10:22I don't want any more wine, thank you.
10:24The thing is, I've never lived alone.
10:26It's horrible.
10:27I'm making rice.
10:27And it works out for two.
10:29Everything on me expires
10:29in the freezer.
10:30And that's even though now
10:31I'm eating more,
10:32I've gained two kilos.
10:33Oh, look at my skin!
10:34from washing your hands,
10:35Because, of course,
10:35with how little it gets dirty
10:36I'm not going to put the dishes out.
10:37Yeah.
10:39But the worst part of all
10:40It is silence.
10:41It's because you get involved
10:42there in bed
10:43at night
10:43And everything reminds you
10:46that you don't have a partner.
10:47Two pillows,
10:48two small tables,
10:48two small lamps.
10:51I'm going to you
10:52And I get emotional.
10:53But woman,
10:53Take it,
10:54Take her hand.
10:55Women,
10:55Don't hold back.
10:55No no,
10:56if that's already happening
10:56We're leaving.
10:57Yeah.
10:58Yes, yes,
10:58We're leaving because
10:58We don't want to bother you.
10:59No, no, no,
11:01I'm going to open for you
11:02another bottle.
11:02No no,
11:03really,
11:03We've already drunk too much.
11:04Yes, yes.
11:05Look, look,
11:05That's it, that's it.
11:06that's it.
11:06Stop by the house
11:07whenever you want.
11:08I'm sure you don't want to
11:08another little glass.
11:10I'll open it in a moment.
11:11No, Mauri.
11:16This Rioja
11:16The owner brings it to me.
11:17from the winery
11:18unlabeled
11:19or anything.
11:19If you ask for it
11:20in a restaurant
11:21They charge you 50 euros.
11:24They let me have it.
11:25by 10.
11:25Do you want me to ask you?
11:26a box?
11:27No.
11:28If we
11:29We're not big wine drinkers.
11:30No.
11:30We already mixed it.
11:31with soda.
11:31Yeah.
11:32I'm still amazed
11:33Paloma looks so beautiful.
11:35Eye!
11:35And pregnant, huh?
11:37What happens
11:37It's that little guy
11:38I haven't lost it.
11:39No, really.
11:40Hey,
11:40what changes
11:41that's when you fish
11:41a bit.
11:42Yeah,
11:43It's that the clothes
11:43It's passion
11:44from my wife.
11:45Yeah,
11:45But I go to the stores
11:46and I see nothing
11:47that I like.
11:47It's difficult.
11:48find that clothing
11:49What do you wear?
11:50Clear,
11:51That's why I have
11:51my own fashion line.
11:53I have all the designs
11:54and as soon as we gather
11:55money
11:56We're setting up the boutique.
11:57Right, Juan?
11:58Yeah,
11:58It's a project
11:59that we have
11:59but for the future.
12:01What about the future?
12:02I love the idea.
12:04What name have you thought of?
12:05Paloma Urban Fashion.
12:08Paloma Urban Fashion.
12:10Phew.
12:11Phew.
12:12Abbreviated
12:13which is what's in style now.
12:14Sounds good,
12:15Look.
12:16Puff woman,
12:17Puff jeans,
12:18It is very international.
12:19Coke,
12:20Nike,
12:21Phew,
12:21one could say
12:22in any language.
12:23I see it,
12:24I see it.
12:25Of course.
12:26Phew.
12:26It's true,
12:27Juan,
12:27We hadn't thought of that.
12:31Hello?
12:32Fernando,
12:32it's me.
12:33Mauri,
12:33what do you want?
12:34I was sleeping.
12:35Already,
12:36But it's eleven o'clock.
12:37Hey,
12:38Fernando,
12:38Don't be British,
12:39Hey?
12:39Gibraltar is Spanish.
12:40What's the matter?
12:42Do you want to tell me something?
12:43Have you been drinking?
12:44Are you depressed?
12:44All three things at once.
12:46Look,
12:47Fernando,
12:47I feel so alone
12:49and I'm not getting better
12:50And I'm not going to get better.
12:51I had thought that
12:52Since you're outside
12:54could search
12:55a roommate
12:56and so on
12:56We share expenses.
12:58A roommate?
12:59Well,
13:00a colleague,
13:00if you don't get jealous.
13:02But let's see,
13:02But how are you going to share a flat?
13:04What if there's only one room?
13:05Already,
13:06But I've seen
13:06some beautiful sofa beds.
13:08Clear.
13:08And when I go
13:09A weekend what?
13:10Well,
13:10I'm still waiting
13:11come,
13:12Hey?
13:12Look,
13:13Do whatever you want,
13:14But it's also my home.
13:14And it doesn't make me special.
13:15the illusion
13:16Don't put anyone there.
13:17Okay,
13:17Leave it,
13:17We'll talk about it tomorrow.
13:19handsome,
13:19that you have an awakening.
13:20Good night.
13:21Kiss.
13:23How has he gotten?
13:28Well, I want a roommate.
13:29We need to get started now.
13:31Hey?
13:31This smells like a scam.
13:33But for that
13:33Now there's a big money shortage.
13:34No?
13:35No way.
13:35What is needed
13:36They are contacts
13:37And I have them.
13:38You next year
13:39You're parading
13:40in Cibeles
13:41and in Gaudí.
13:42But it's an illusion.
13:43that it has,
13:43nothing else.
13:44Come on,
13:44It doesn't even qualify as a project.
13:46How much money
13:47Do you have any savings?
13:48Well, 12,000 euros.
13:50They're there at the bank
13:51dying of laughter
13:52because they don't produce anything.
13:53Man,
13:53yield,
13:54They yield.
13:55With less than half
13:57We're kicking off the campaign
13:58marketing.
13:58Oh, really?
13:59Pigeon,
13:59That money is for paying
14:00the driver's license
14:01to Natalia.
14:02But how many times
14:03Do you think he's going to fail?
14:04The girl?
14:05Pigeon,
14:06You make dresses
14:07and I'll sell them.
14:08Let's make a toast.
14:10By Paloma Urban Fashion,
14:12by Puff.
14:12Long live Puff!
14:13Phew!
14:15By Puff!
14:18I just don't understand it.
14:19And we're going to try
14:20charge 137 euros
14:21of the community
14:22And now it turns out
14:22that we're going to give him 6,000.
14:24It's an investment, Juan.
14:25We have to get started,
14:26that you don't listen.
14:27But didn't you say
14:28Was Andrés obligatory?
14:29Well,
14:29Well, I was wrong.
14:30That man has vision.
14:31Well, I don't...
14:33I don't see it.
14:34What do you want?
14:34Should I give up on my dreams?
14:36No no,
14:36Oh my God.
14:37I have my dreams too.
14:38Me at this point
14:39I already wanted to be a director
14:40from school.
14:40And look at me,
14:41I'm still sucking up on breaks,
14:42receiving blows from the ball
14:43and enduring the mockery
14:45of the children
14:45that you don't know
14:46at nine years old
14:46how cruel they can be.
14:48Dreams are overrated.
14:50It's a trap of the subconscious.
14:51Freud said so.
14:52I don't care.
14:53Whatever that man says.
14:54As a designer
14:55I am a diamond in the rough.
14:56And if God has given me this gift,
14:58I have to take advantage of it, Juan.
14:59Come on,
15:00We've turned off the light, okay?
15:01You shut up!
15:03Trust me, darling.
15:05Look,
15:06Paloma Urban Fashion.
15:08Phew!
15:09Say it, Juan, say it.
15:11Phew!
15:12Oh!
15:12Doesn't that sound good?
15:13That's it.
15:15We're going to make a fortune!
15:18And what about yesterday at the movies?
15:20There,
15:21On the attack, right?
15:21You kissed her.
15:22No way?
15:22If the movie was any good.
15:24In the end, even I cried.
15:25The protagonist goes
15:25And he dies, damn it.
15:26Well, it totally killed the mood for me.
15:27But did you take her?
15:28Or didn't you take her home?
15:29Yes, I took her home.
15:30AND?
15:32Nothing, not there either.
15:33If he told me
15:34that was going to happen.
15:35I closed my eyes
15:35to give her a kiss
15:36and when I opened them
15:37I was already in the elevator.
15:38Well,
15:38It always comes in handy
15:39meeting someone in the mail.
15:40Sorry, man.
15:41You're in the zone.
15:42He can only be her friend now.
15:43Well, but I still have time,
15:44No?
15:44I'm inviting you tonight
15:45home for dinner
15:46first course,
15:47second course
15:47And for dessert, Emilio.
15:48Oh, oh!
15:49With that attitude, yes.
15:50But let him drink,
15:51above all, that he drinks.
15:52Oh, and turn off the light.
15:53Put some candles on.
15:54Ah, I like that,
15:55a romantic thing.
15:56No, yes, I'm saying it.
15:57so that he can't see your house properly.
15:58Hey, man,
15:58And with your father
15:59What are you going to do?
15:59Are you going to hide it from him?
16:00Under the bed?
16:01Holy shit, my father.
16:03Dad!
16:05Son, come here.
16:06Admire the skill
16:07that your father is taking
16:08making weathervanes.
16:09Look, Dad,
16:10I want to have dinner tonight.
16:11here with Rocío,
16:11So you have to find yourself
16:12another place to sleep.
16:13Yes of course,
16:14How are you going to hook up with him?
16:15Come on, come on.
16:15Hey, no, Dad,
16:16I'm serious, okay?
16:17Look, I'm very sorry,
16:18But I can't
16:23So you're throwing me out on the street.
16:25You haven't seen
16:25never that ad of his
16:26and I never would.
16:27Yes, yes, yes,
16:28Of course I've seen it,
16:29But it refers to dogs,
16:30No to freeloading parents.
16:31Emilio,
16:31This is a treacherous backstabbing.
16:33You know I don't have
16:34where to go.
16:34Damn, I'll call Mom then.
16:35Maybe it will let you
16:36that you go back to her.
16:37Milk,
16:37I prefer to live
16:38under a bridge.
16:39Well, look,
16:39Whatever you want,
16:40But you can't stay here.
16:41Well, then
16:41Don't be surprised
16:42without going to be the paridecos
16:43that has appeared
16:43a frozen old man
16:44in a seedy doorway.
16:46Don't make me feel bad,
16:48Besides, what the hell is frozen?
16:49if it's springtime.
16:49But I get cold very easily,
16:51So if you want
16:52that I leave,
16:53He's already looking for a place for me.
16:58Let's see where the hell
16:59I'll put this one in now.
17:01It's because it's the first time
17:02that I'm going to share
17:03the apartment with someone
17:03and I'd like to do it to you
17:04some questions
17:05Well, to get to know each other better.
17:07I love it
17:08coexistence,
17:09can be done
17:09so many things together,
17:11For example,
17:11We can watch TV,
17:13go shopping,
17:14listen to music.
17:16At your house
17:16Smoking will be allowed, right?
17:18Because I have to smoke.
17:20It's not that I like it,
17:21No way, not at all, okay?
17:23It's because if I leave a fat guy.
17:26A lot.
17:28Don't worry
17:29because my boyfriend
17:30He's almost never going to be home.
17:31Well, maybe
17:32He's coming for dinner sometime.
17:33But come on,
17:34time to sleep
17:34He's never going to stay.
17:35Well, maybe
17:36someday, just like that,
17:38But come on,
17:38that he doesn't bother anyone.
17:40Isn't that right, Cuchi?
17:44Sort the disks,
17:45clean together
17:46the bathroom,
17:47hang the clothes,
17:48exchange recipes,
17:50give us messages.
17:51The only thing you remove
17:52curtains,
17:53carpets,
17:53cushions,
17:54It's that the sacks
17:55They're killing me.
17:57They are everywhere.
17:58That shirt
17:59that you wear
17:59It's full.
18:01You have to wear Lycra.
18:03with television,
18:07of the hour
18:07and to listen to music,
18:09of the hour
18:09and the time
18:10record coupons
18:10with my friends.
18:11You're going to leave
18:12and leave
18:12this coupon
18:13And you don't read.
18:16Drink coffee,
18:17make popcorn,
18:18taking care of ourselves
18:19when we are sick,
18:20take walks
18:21through the countryside,
18:22because of you
18:22Do you like the countryside?
18:23No?
18:24A lot.
18:28Here is the bill.
18:3137 euros
18:31for two coffees.
18:32No no,
18:3318 cafes,
18:33two infusions,
18:34four reeds
18:35and three tubes
18:35orange
18:36natural.
18:37I bet he hasn't paid
18:38none?
18:40I bet you don't!
18:45Look at this machine!
18:46Juan!
18:46Isn't it gorgeous!
18:47And she came out lying down,
18:49Hey?
18:49I got it for you
18:50half price,
18:521,200 euros.
18:53Fuck,
18:54And that's half?
18:55Andrés says
18:55which is the same
18:56that have Vitorio
18:57and Luquino
18:57in his workshop.
18:58What it cost me
18:59bring him six of these
19:00scent.
19:01But they are not
19:01from Seville.
19:02Yeah,
19:03but they wanted them
19:04scent.
19:04Juan,
19:05What are you telling me for?
19:06And these fabrics?
19:07Well, these fabrics
19:08They are for dresses,
19:09Juan.
19:09What would it be for?
19:09I guess this
19:10included
19:10in the 6,000 euros.
19:11No, man,
19:12No.
19:13These are expenses
19:13infrastructure
19:14and raw materials.
19:16They've already done it to us.
19:17our first order.
19:1850 garments
19:19for next week.
19:21We need to hire people
19:22who can help me sew,
19:22Hey, Juan?
19:23I can't do it alone.
19:24I think we are
19:25rushing a little
19:26With all this, huh?
19:27José Miguel, son,
19:28Don't you have
19:29no little friend
19:30who wants to sew
19:30for one euro a day?
19:31Paloma, for God's sake,
19:32That's child exploitation.
19:34Oh, really?
19:34And put them to work.
19:35Puzzles, right?
19:36What nonsense, Juan!
19:37Well, you tell me.
19:38who we hired.
19:42He's in love.
19:45He has never loved me.
19:47I thought she was using him.
19:49But it was him.
19:50the one who used me.
19:51Yes, that's true.
19:52It's just sad.
19:54Are you friends?
19:56Calm down, Belén.
19:57Calm down, yes, yes.
19:58It's definitely nothing serious.
19:59Look, you know
19:59What did Roberto tell me?
20:00They've gone twice
20:01to the movies,
20:02but nothing has happened.
20:04Oh, no?
20:06So still
20:06Are they not going out?
20:07Of course not.
20:09Well, that's the advantage.
20:10going out with Emilio,
20:11that no one is going to take it away from you.
20:12Yeah.
20:14Lucia.
20:14Yeah.
20:15Where is the ice bucket?
20:16So that?
20:17Emilio asked me for it.
20:18She has an intimate dinner
20:19with the wallet.
20:20It seems that it is
20:21on the big night.
20:26What did I say?
20:27But you
20:28What are you on about?
20:28Matchmakers for life?
20:29We were advising
20:30to a friend.
20:30How did this happen to us?
20:31Thinking of Bethlehem?
20:35I mentioned it.
20:36Wow!
20:36But if you said
20:37that he would throw it at her
20:37as soon as possible?
20:41I even remember
20:41that when we started
20:42We went out
20:43a month of doing nothing.
20:44Did you see?
20:45Wow!
20:45A month without me getting my hands dirty.
20:46Okay, let's see.
20:47I've caught on
20:47the holidays in between.
20:49Furthermore, this girl
20:50is suffering.
20:50Please,
20:51Let's stop talking about me.
20:52Well, I'm not saying anything.
20:53But just so you know
20:53that you are the ones to blame
20:54of having destroyed
20:55This couple.
20:55I'm not going to rent you out.
20:56a movie in life.
20:58But what if you no longer have video?
20:59It's true.
21:01I don't have a boyfriend.
21:03I don't have a video.
21:05My life is shit.
21:10You'll be happy, won't you?
21:11But they got along terribly.
21:13We didn't love you very much!
21:15But look,
21:16You're already doing something
21:17To stop this, huh?
21:18Because, like Emilio
21:19He hooked up with that aunt
21:20You're all going to be to blame.
21:21Let's go, Alicia.
21:27So what do we do now?
21:28What are these two for?
21:29Don't get confused?
21:30Wow, dude, a month!
21:33Be quiet and think.
21:35Hello, look.
21:37My boy.
21:37Don't laugh,
21:38The poor guy is really caught out.
21:40Hi, Alex.
21:41Hi how are things?
21:43Hi how are things?
21:43Hello good.
21:44Hey, I haven't been able to call you
21:45because I've been very busy.
21:46Don't worry,
21:47Me neither, if I'm...
21:48How's it going? How's everything?
21:49Good, good, good.
21:50Hey, I'm off like a shot.
21:51that I arrive late to class.
21:52No, go away, go away, sir.
21:57He looks really caught out, huh?
21:58Come on, he's got a face.
21:59of having a terrible time.
22:01Yes, I told you.
22:02These kids fall in love with you and...
22:08Mauri.
22:10Hi how are things?
22:11Have you found it yet?
22:11roommate?
22:12No.
22:13I think it's going to be
22:14much more complicated
22:15What I thought, you know.
22:16Well, wait, wait.
22:16Hang on a minute
22:17I have a candidate.
22:18Oh, well, then give me
22:18your phone number
22:19And if that's the case, I'll call him, okay?
22:20No, no, but I have him here.
22:22Grab the suitcase, damn it.
22:23What do you mean you have it there?
22:25Mauri, Mauri.
22:27Look, it's just that my father
22:28needs a home
22:29And I think you're leaving
22:30Hey buddy, back there, very good.
22:31Yes, but I think
22:33which is not exactly
22:34partner profile
22:35of the apartment I was looking for.
22:36Yes, man, yes.
22:37You'll see,
22:37yes to my father
22:37You end up growing fond of it
22:39over time.
22:40No, yes, I don't doubt it,
22:42But in the end...
22:44Leave him alone, son.
22:45Yes, I understand.
22:46which is not pleasant
22:47living with an elderly person
22:48like me.
22:49Hey, that's not it.
22:50And neither will you.
22:51He's getting old, huh?
22:52Also, right here
22:53There are some nuns
22:54which I believe will be able to
22:55feed.
22:56Dad, if only I
22:56I can't follow you anymore
22:57maintaining
22:57because they have detained me
22:58The salary, huh?
22:59I know, son, I know.
23:00Don't worry.
23:02Give me a suitcase.
23:03You're not leaving
23:03nowhere.
23:04The moment is coming with me.
23:05Of course, damn it,
23:05Try it for a few days
23:06no commitments
23:07And this is like
23:07returnable containers.
23:08When you catch up
23:09Bring it to me
23:09And that's it.
23:10Who do you think you are?
23:11I am like a vase
23:12that I might leave
23:12changing location
23:13just like that.
23:14No, Dad,
23:14The vases look nice.
23:15Come on, let's go.
23:15pull up.
23:18Hey, one thing,
23:19Does your father require
23:20some kind of care
23:21especially?
23:21I don't know, a pill,
23:22a treatment, something.
23:23No, no, no,
23:23What?
23:24Look, you water this
23:24twice a week
23:25And that's it.
23:26Well, then,
23:27Let's see how it goes.
23:28Okay.
23:30I'm coming back.
23:30One less problem.
23:31Damn, that's how nice it is.
23:32Gay people are so sensitive.
23:37Damn, this is a house
23:38and it's not ass
23:39who has gotten my son into this.
23:40Oh, she's pretty.
23:41Did I decorate it?
23:42Very good taste, yes sir,
23:43of having traveled
23:44and studied like me.
23:46And my bedroom,
23:47very bright.
23:48Hey,
23:49And where do you sleep?
23:50No, you see,
23:51That's my room.
23:52And mine?
23:53You for the moment
23:54He will sleep on the sofa.
23:55No problem,
23:56my wife used to order me around
23:57to the sofa every other day.
23:59You already know,
23:59couples thing.
24:02And where do I put this?
24:04My suits,
24:06well,
24:06where they were,
24:07I thought they looked pretty good.
24:12Three euros
24:12And this is my final offer.
24:14I'd pay less.
24:15eight euros per hour
24:16I'm not moving.
24:16I'd be delighted.
24:17I do it for free.
24:18Vicenta,
24:19Pussy,
24:19Don't sink me
24:20that we are negotiating.
24:21Come on,
24:22I don't sew for doves
24:23Not even drunk.
24:25I mean,
24:25I'm feeling a bit tipsy.
24:27But you know how to sew
24:28and things like that.
24:28I certainly think so.
24:30All the little Americans
24:30from Valentin
24:31I'll make them for you.
24:31And all her underwear
24:33She has it embroidered
24:34with his name
24:34cross stitch.
24:35In case I go on a hike.
24:37I don't sew much,
24:38But I can model
24:39because I have the measurements
24:40perfect.
24:4160,
24:4260,
24:4260.
24:43I don't fit in.
24:43if the macramé
24:44I'm very good at them.
24:45Go on,
24:45come on.
24:46Yeah.
24:46They're not going to pay you.
24:48They're crooks.
24:51How dangerous!
24:52It's ignorance.
24:58This one is dirty.
25:02But why
25:03Do I have to speak?
25:04Would I have to go to university?
25:08Hey, Cosemi.
25:10Hey!
25:10Hey!
25:11What's happening?
25:12Have you seen
25:12How am I putting this?
25:13Hey, Emilio,
25:14Look, we've been...
25:15thinking more carefully
25:16in your own business
25:17with the wallet
25:17and the same
25:18You're rushing things.
25:19because you almost know us.
25:21Yes, maybe you think
25:23that you only want it
25:23take to bed.
25:24But then
25:25What did we agree on?
25:25Because you're driving me crazy.
25:26But weren't I...
25:27entering the zone
25:28of friends
25:28and I was running out
25:29The time?
25:30That's true,
25:31but we hadn't had
25:32taking into account the...
25:34the famous greenhouse effect.
25:36What the hell is that now?
25:38Explain it to him yourself,
25:39Come on, Paco.
25:40Hey...
25:40Yes, yes,
25:41Yeah, man,
25:42Yes, the...
25:42he...
25:43Well, look,
25:44two
25:45the best
25:46The hotter...
25:48That's it, that's it.
25:49The more you ignore her,
25:51The more he'll want you, the more he'll want you.
25:52Okay, let's see if you can figure this out.
25:53Because you're confusing me,
25:54Hey?
25:54So, what do I do?
25:55Should I kiss her or not?
25:56Am I in the area?
25:56Or am I not in the area?
25:57No, Emilio,
25:58There's no need to rush.
25:59Does she get affectionate?
26:00Not you.
26:00No.
26:01What does she want to give you?
26:01A little kiss?
26:02Not you.
26:02That she wants
26:03sleep with you?
26:04No.
26:05Even if you're dying to.
26:06No.
26:07Today you have arranged to meet
26:08For dinner, right?
26:09Yeah.
26:09Cancel the appointment.
26:11What are you saying?
26:11If you have assembled
26:12all that romantic stuff,
26:13I bought the candles,
26:14I ordered the pizza,
26:15I've cleaned and everything.
26:16No, no, no.
26:16This is the night,
26:17I'll kiss her today.
26:17No, no, Emilio,
26:18Remember Bethlehem.
26:19You slept with her
26:20on the first try
26:20And look how you've ended up.
26:21To women
26:22They like difficult men.
26:23Look, just let me go
26:24the little tip
26:25that you have me
26:25to the tip of the turnip.
26:26Come on,
26:27Get out of here.
26:27No no.
26:28Neither no nor yes.
26:29No, no, no, no.
26:31Emilio, it's for you.
26:34So what do we do now?
26:36Switch to plan B.
26:37We have to ruin the date.
26:39Let's go.
26:41Let's go.
26:45Look, Bethlehem,
26:46the best way to overcome
26:47a breakup
26:48They are friends.
26:49Of course.
26:50You'll see
26:50how we take
26:51a small glass
26:51and it passes quickly.
26:53Or maybe we should just go home
26:54and we do something else.
26:55No, no, no, no.
26:56Peaceful.
26:57If this is over.
26:58You'll see.
27:00What, Emilio?
27:01A romantic dinner, right?
27:03Nativity scene,
27:03I'm a little worried
27:04because I see you
27:04that you are suffering a lot.
27:06That I am suffering?
27:08He says I'm suffering.
27:11Look, Emilio,
27:12what you can do with your life
27:13Whatever you want.
27:14It's up to you if you think so.
27:15that thing you're dating
27:16He's better than me.
27:17What do you mean by that?
27:18What do you have to say about Rocío?
27:19No, no, I'm not doing anything.
27:20But come on,
27:20that I have seen security guards
27:22much more feminine than her.
27:23Sorry,
27:24But Rocío is very pretty,
27:25much more than you
27:25and that these two.
27:26Yes, yes, yes.
27:27No, no, no,
27:28She's a real beauty.
27:29Yes, yes.
27:29Come on,
27:30The other day when I saw her I thought
27:31And what will this girl do?
27:32working at post office
27:33when she could be modeling
27:34in New York?
27:35Because I don't push her away.
27:36Yes, yes.
27:37Hello.
27:38Nothing, just talking here
27:39with the neighbors
27:39who go out partying.
27:40Have a great time, okay?
27:42Look, come in.
27:42You'll see how beautiful it is.
27:43has set the table.
27:44See you later.
27:45See you later.
27:45Bye bye.
27:46And watch out for that goal!
27:48that is so romantic
27:49that you end up doing anything.
27:50I'm telling you.
27:51Nativity scene,
27:51a little bit of please,
27:52It doesn't get messed up.
27:54Well,
27:55at least not.
27:56How to fool a uniform, huh?
27:59It's not that I've reached my level,
28:00But the girl, come on,
28:01She has a good body.
28:03But the important thing
28:04It's about seeing how you've reacted, Belén.
28:05The truth,
28:06we are very proud
28:07to see you so whole.
28:08Come on, let's go.
28:09Come on, come on, come on, come on.
28:13Peaceful.
28:15Peaceful,
28:15yes, yes,
28:16He's getting over it, huh?
28:17Already,
28:17She's already crying
28:18Otherwise, right?
28:19It's a cry
28:20of overcoming it.
28:21I don't know,
28:22I don't understand that.
28:23How can I not cry?
28:24Come on, auntie.
28:25Shall we go?
28:27Come on, let's go.
28:30Fuck,
28:31This was delicious.
28:32How do you cook?
28:34Hey,
28:34what's it called
28:34What did I eat?
28:35Duck breast
28:36with caramelized onion
28:37on a bed of watercress.
28:38Does the title look like it?
28:39from a movie about almodómas?
28:41No no,
28:41I'm sorry,
28:41But it's just that I
28:42tobacco smoke
28:43It really bothers me, you know?
28:44Don't worry,
28:44while you're holding this,
28:45I light a cigarette
28:46on the sofa.
28:48That's the key
28:48of coexistence.
28:49Each
28:50your space.
28:51I have cooked,
28:52I thought that
28:53You were going to do the dishes.
28:55Are you serving dinner?
28:56What do you want me to cut off?
28:57Digestion with water.
28:58You leave that there,
28:59that tomorrow, tomorrow...
29:00No, I can't leave
29:01go to bed leaving this there.
29:03Yes, man,
29:04Leave it like that,
29:05You'll see.
29:06how immediately
29:06You get used to it.
29:07I'll get used to it
29:08to the restrooms,
29:09to the bathrooms.
29:12Reach into the car
29:13and I find a lettuce.
29:15And it didn't have a return address or anything.
29:16Of course, when I saw it
29:17a dozen eggs
29:18and a loaf of bread,
29:19I realized
29:19that I had been wrong.
29:20A lady
29:21that he had made a mistake
29:22shopping cart
29:23He didn't want to give it back to me.
29:25Emilio, what's wrong?
29:26No, no, no,
29:27that I was thinking
29:28to your liking
29:28that I am always with you.
29:31Yeah,
29:31the truth is that
29:32We've connected, huh?
29:33And we've become friends.
29:35Well,
29:36Not that we're really friends, huh?
29:37I actually,
29:38You'll see,
29:39What I wanted to tell you...
29:39Emilio.
29:41Oh, sorry.
29:42I'll come back another time.
29:43Man,
29:43What do you think?
29:44I don't know,
29:44just to tell you
29:45that I just received
29:45the new porn movies of the month.
29:47Isn't there a Thai one?
29:48who has a talent
29:49and does some things
29:50with a ping-pong ball?
29:51Uh, excuse me a moment
29:52that I was going to have here
29:52a violent start
29:53with my friend.
29:54Hey?
29:55But, Paquito,
29:56Can you tell me what he does?
29:57You told me to support you
29:58informed of the latest news.
29:59Why won't it clean you?
30:00a little while at the video store
30:01And leave me alone,
30:02Hey?
30:04Well, Rocío,
30:05that thing you were telling me
30:06from friends,
30:07the truth is that
30:08I'm a little worried.
30:09But why, Emilio?
30:10It's not a bad thing, is it?
30:11No, no, no,
30:11If being friends is okay,
30:13But friendship
30:14It has shortcomings.
30:16Emilio!
30:16What I do?
30:17That?
30:18Hey!
30:18Hello.
30:19Leave me the copy
30:19of the house keys
30:20that have stayed inside me.
30:21But you took it from me.
30:22and you.
30:22Ah, that's right.
30:24Well, I'll stay here then.
30:25waiting for Lucia
30:25who has gone out partying.
30:27Just a second.
30:28Look, Roberto.
30:30I'll be right back, man.
30:32Roberto,
30:32here the only goalkeeper
30:33out of the 24 hours there are,
30:34It's the one at the door,
30:35It's from the buttons.
30:36So if you want
30:37You're waiting for her out there.
30:38Are you going to shit yourself?
30:39at the next meeting?
30:40Yes, Roberto, yes.
30:42Wow!
30:43It's noticeable here
30:43People like you, huh?
30:44Do they need you?
30:45Yes, yes, yes, but don't worry
30:47that they won't bother us anymore.
30:48Hey, Emilio!
30:48I can't believe it,
30:49What do you want now?
30:50My mother's falling out
30:51a josé to the patio.
30:52Okay, well, tell him that's it.
30:52I'll give it to you tomorrow, go ahead.
30:53If you don't give it to me,
30:54She's going down.
30:55Okay, see you later.
30:56Wait, wait, come on, wait.
30:57Wait, I'll give it to your mother
30:58make sure the tweezers are properly positioned
30:59or buy a dryer
31:00or a rocket.
31:02Hey, pizza!
31:03How lucky you are!
31:04Because?
31:05Like my parents
31:06They have no money,
31:07We can never ask for one.
31:08What is a desire,
31:09When he/she grows up he/she will become
31:14Man, yes, you're going to like it.
31:15Sit down.
31:17José Miguel,
31:18There's nothing in the yard.
31:20But what does he do?
31:21Well, he's eating, look at him.
31:24How hilarious!
31:25Yes, yes, yes.
31:26Eat, eat, father,
31:26Let's see if it bursts.
31:27Eat, eat, eat.
31:28Ah, food!
31:30It's good, huh?
31:39Uh, uh.
31:48Hey, hey, hey!
31:50Oh, oh, oh!
31:52Oh, uh!
31:55Ah, ah!
31:56Hey, hey, hey!
31:58Oh, oh, oh!
32:25Subscribe to the channel!
32:30Hey, hey, hey, not here.
32:59First the chalet.
33:00And tell him, Andrés, that I'll have another 20 skirts finished for him by tomorrow.
33:03Hey, I want to go to the movies tonight.
33:05You shut up and sew, you drunkard.
33:07What a controller!
33:16Hello.
33:17I have the fabric your husband asked for.
33:19Love from Buscan.
33:20That?
33:21I'm not here.
33:21No, don't worry, it's the neighbor.
33:23Ah, I'm coming.
33:24He gets nervous when visitors arrive.
33:27Because it's in such high demand.
33:28Clear.
33:30How are you, Juan?
33:31I was just about to talk to you.
33:33Yes, I know, we're a little late.
33:34But my wife told me that she's bringing the other 20 skirts first thing tomorrow.
33:38No, no, don't worry, this is more than enough.
33:40Well, in fact, everything is unnecessary.
33:43As?
33:44I'm going to be honest with you, Juanito.
33:46Very few items have been sold.
33:48How many?
33:48None.
33:49But you hadn't distributed it to a bunch of stores.
33:51Yes, yes, three.
33:52The thing is, people are obsessed with brands and find it hard to buy such... such modern clothes.
33:59And there's no way to get rid of it?
34:01Not even abroad.
34:03Well, if we give it to Caritas...
34:06What are you saying, Andrés?
34:07Has all the money we invested been lost?
34:09You don't lose it.
34:10And eventually, this ends up being sold.
34:12Just give me time.
34:13All I ask is that you tell Paloma to slow down production a little.
34:18And how do I tell that Paloma?
34:19She's so excited.
34:21Okay, so what?
34:22How's Emilio doing with his wallet?
34:24Nothing, nothing has happened.
34:25Since he ruined the date, she arrives, reads the cards, and leaves.
34:28I stayed until they said goodbye.
34:29You should have seen Emilio's face.
34:31But was there a kiss or not?
34:33Yes, man, I kissed myself.
34:34Well, you have the field clear again.
34:36Are you happy?
34:37Nothing, nothing has happened.
34:38Ever since he ruined her date...
34:39But we'll be getting involved where we don't belong.
34:42Maybe this girl really likes him.
34:44Or maybe not, it was to open a new line of debate.
34:48Wow, that's great!
34:49Hey, but what about this movie, Annie Hall?
34:51How are you?
34:52Man, it's a gathering of bastards without borders.
34:54Emilio, we don't know what you're talking about.
34:56You are sentimental terrorists.
34:58You are against love.
34:59And you're the ringleader, you're Bethlehem Laden.
35:01What are you saying?
35:02But how wrong I've been about you.
35:03But how could I have been so blind?
35:04Just when I fall in love, you want to ruin me.
35:06Emilio, don't fool yourself.
35:07With all the times you've met up with that girl.
35:08If you haven't done anything, it's because he's not interested.
35:10Yes, yes, come on, an expert is telling you this.
35:12Maybe he just wants you to go to the movies for free.
35:14Yes, yes, nothing has happened yet.
35:15But tonight I have a romantic plan to kiss her.
35:17And none of you are going to ruin it for me because I plan to take her to a hotel.
35:20Come on, it's not the height of romanticism.
35:22And instead of giving her a rose, what are you going to do?
35:24Give it a contour?
35:25Clear.
35:25The problem with you is that you're not in love,
35:27because you all see it through the lens of sex.
35:28Hey, what does she think about you taking her to a hotel?
35:30Well, he doesn't think anything because it's a surprise.
35:32Let's see if I can find one with a cheap jacuzzi, man.
35:37But didn't you tell me they weren't together?
35:39So what's the decision?
35:39Are they there or not?
35:41No, no, no, no, they're not there.
35:42Well, he's going to take her to a hotel.
35:44And I've never been taken to a hotel.
35:47And at least with a jacuzzi.
35:49No, don't worry about it.
35:50It's a bluff.
35:51It's a bluff.
35:52How is he going to take her to a hotel if he doesn't have a penny?
35:53And I'm sure the other one, when she sees that he's putting her under immense pressure,
35:56He starts running.
35:57And if she doesn't run away, we'll take care of it ourselves.
35:59Sure, don't worry.
36:00Don't worry, Belén, nothing's wrong.
36:03Thank you.
36:04Who knows, you know?
36:06Maybe they're going to talk.
36:09What is this?
36:10Who put this here?
36:11They are lace-ups.
36:13It was just a bit bland.
36:14I'm the one with the ideas here, okay?
36:16The workforce doesn't think.
36:18Hey, how are you, Juan?
36:19How's business?
36:20Okay, good.
36:21Business is going well.
36:22It's been slow to get going, but now things seem to be moving forward.
36:25Well, tonight I'm starting with the men's line, okay?
36:28And if necessary, I won't sleep.
36:29And neither are these.
36:30It's not a good idea to saturate the market, is it?
36:32Elite brands produce little.
36:34So we take out the cologne, the fragrance, or the puff.
36:37This has to be sold in France.
36:38Oh, look, Juan.
36:39Look how pretty the puffy girl looks.
36:42Yes, my dear mom.
36:43I'm delighted.
36:44I told her that if she put it on, she could come back at both.
36:46As?
36:46See you later.
36:48Oh, I'm happy, Juan.
36:49This has given me life, huh?
36:51I feel so good that I've even forgotten I'm pregnant.
36:53Damn, the kid.
36:54I've forgotten about it.
36:55Did you leave this out?
36:57I don't think they'll steal it, but let's go, just in case.
36:59But what are these clothes doing here?
37:01They're coming to pick her up now.
37:02They're putting the letters "Puff" on the sides of the van.
37:05Ah, Juan, promotion.
37:08It was definitely Andrés' idea.
37:10Yes, like everything else.
37:16Hello.
37:17Oh, hello.
37:33Hey, don't you think we should go to the movies or something first?
37:36Hey, don't tell anyone about this, okay?
37:39No, don't worry.
37:40They weren't going to believe me anyway, you know?
37:48Okay, see you later.
37:49What did you say your name was?
37:50I haven't told you.
37:53And then they say that going down the stairs is healthier.
37:56Mauri is delighted with me.
37:57And you should see how well she cooks.
37:59Now I'm completely sure that you're not gay.
38:02Because her cooking is awful.
38:04I'll forgive you for what you said because it's not a blood tie, okay?
38:07Well, I'm going upstairs to buy that little plant, Mauri.
38:09I'm going to look for her at the place.
38:10Hey, Dad, you've never done anything like this for me.
38:12And you with me, you won't mess with me?
38:14Hello, President.
38:16Emilio, we need to talk.
38:17Yes, Mr. Juan, because precisely, if you don't mind, I didn't want to ask for an advance.
38:21Well, a preview.
38:21No salary.
38:22Emilio, I've already told you that until the full community fees are collected
38:26The expenses cannot be paid.
38:27Yes, but I need the money for a hotel.
38:29Oh no, no, no, no.
38:30Unnecessary luxuries?
38:31No.
38:31But it's for my mother, whose house burned down and she has nowhere to stay.
38:35But whatever, leave it.
38:36I'll give him some cardboard boxes I have in there and he can go sleep by the door.
38:39a bank.
38:39No, no, no, take it.
38:41It's a real drama.
38:43But, Mr. Juan, this is not enough for me.
38:45So, which hotel do you want to take her to?
38:47Because the doctor said it's better to use a jacuzzi, because he has a bad back.
38:50With the jets and all, it's going to be very good for him.
38:53Well, I can't give you any more.
38:54Thank you very much, Mr. Juan.
38:56I'll tell my mother to make her a torrija.
38:58And now he is doing the favor of calling all the neighbors to an extraordinary and secret meeting.
39:02But if it's a secret, I can't tell anyone.
39:03Secret only for my wife.
39:05At eight o'clock at Marisa and Vicenta's house.
39:08Well, since it's going up, you can't tell him.
39:11Okay, I'm coming.
39:12That?
39:14That?
39:15What is this thing stuck to the pizza?
39:19Ah, it's a sock.
39:23Honey, I'm home now.
39:25Look, Mariano, we need to talk very seriously.
39:27This cannot continue.
39:29I mean, I come in here and the world comes crashing down on me.
39:31I'm getting depressed, come on.
39:32I don't fit into this ecosystem that you have created here.
39:35If he doesn't comply with basic rules of coexistence, I'm going to have to ask him to leave my place.
39:39home.
39:39No, I know.
39:41I'm just a poor old man full of Mary Janes.
39:43No, don't start with the pity stuff, I'm begging you, okay?
39:46Hey, do you realize this is our first crisis?
39:48But we will overcome it and it will bring us closer together.
39:51Who will unite us?
39:52What I'm telling you is to take your suitcase, whatever you call it, and get out of my sight.
39:55home.
39:56Okay, okay.
39:57The last thing I would do is bother anyone.
39:59Here's a little plant I bought for you because you've been so good to me.
40:03I'm going to pick this up a bit.
40:09Okay, last chance, alright?
40:11Next time you'll know, okay?
40:12Give me a hug.
40:14With what affection do you treat me?
40:16You are not a roommate.
40:18Are you...
40:19You're like the child he never had.
40:21And what about the medium?
40:22You'll see if he's my son.
40:25Hey, I'm hungry.
40:30I want you to know that you can organize them together at our house whenever you want.
40:35We love being hosts.
40:38Speak for yourself, because what you're giving them is my dinner.
40:40And what did you want me to get them to snack on?
40:42Well then, damn it, let's get started.
40:44Okay, a little silence, the president is going to briefly explain why we are here.
40:49And I emphasize "briefly" because I have a date.
40:51Alright, give it your all.
40:52Okay, what's broken and how much do we have to pay?
40:53No, no, no, nothing has broken.
40:55As you may know, our dear neighbor Andrés and my wife have embarked on a high-fashion business project
41:00sewing.
41:00And we have had the courtesy to present to you, in strict exclusivity, the first collection of Paloma Urban Fashion.
41:07Emilio, please proceed.
41:08Okay, let's see if I've understood.
41:10So, you've called this meeting to sell us your wife's dirty laundry.
41:12Correct.
41:13It's a modern line for today's woman.
41:15No, wait a moment, take a look.
41:17I remind you that they are at factory price.
41:19Don't you have to give a gift?
41:20Buy something, for God's sake.
41:22Don't worry.
41:23If they don't want to buy, then they don't have to.
41:25They're practically flying off the shelves in the stores.
41:28Or not?
41:30I regret to inform you that Paloma Urban Fashion has filed for bankruptcy.
41:34But which payments are you going to suspend?
41:35If you haven't seen a penny from me.
41:37Where is my salary?
41:38Sausage!
41:39Wait a minute, I'm a victim too, you know?
41:41The only one who's seen money here is Mr. Guerra, who, by the way, could explain this to us.
41:45What has he done with the 6,000 euros that I gave him for promotion and marketing expenses?
41:48Well, promotion and marketing, if you want I can explain it to you, you won't understand it.
41:53Well, now that everything's cleared up, I'm off. They're pretty good at arguing on their own, aren't they?
41:57Okay, okay.
41:58It was a surprise, but I'm going to tell you.
42:01We're going to walk the runway at fashion week with all the big designers.
42:05How to walk the runway?
42:07As soon as the public sees these clothes in the media, they buy them; the things don't exist until...
42:12that don't appear on TV.
42:14But how are you going to get Puff to parade there?
42:17That's done at the fairgrounds, and I have contacts there.
42:21Oh, really?
42:21Who do you know?
42:22To the security guard.
42:28It's also bad luck that we ran out of gas here in such an inhospitable place.
42:32Do you want me to help you push for a while?
42:33No, no, no, yes, I'm doing well.
42:35Look, a hotel.
42:38Hey, why don't we go in there and ask?
42:39Let's see if they can give us a hand.
42:41Well, if we have no other option, I know you can't trust machines.
42:45Is this all over?
42:46No.
42:53Look at her, how embarrassing.
42:55They haven't even kissed and she's already going to a hotel with him.
42:57Well, I'm from one of those places that has done similar things.
43:00He was a footballer, he doesn't count.
43:01Yes, but I was on a second-division team.
43:03They were in promotion positions.
43:04Okay, fine, Alicia, let's go.
43:06He was also very handsome.
43:07Yes, very handsome.
43:12Hello good evening.
43:13Do you have gasoline?
43:14No, but come on, there's a gas station 300 meters away, I know that...
43:17Fuck me.
43:18Hey, do you have any rooms available?
43:20Ah, yes, of course, we have plenty of that.
43:26As soon as they give me an ID card, they can...
43:29Yes, yes, yes, yes, of course.
43:30That's going to be the moment.
43:31Here you go.
43:37Emilio Delgado Martínez.
43:39Yeah.
43:40Yeah.
43:40Well, nothing, it's just that you already have a reservation for tonight.
43:43Well, that's great, isn't it?
43:45What a coincidence.
43:46You could be a little more discreet too, couldn't you?
43:47But seriously, Emilio, what do you think you are?
43:50Am I stupid?
43:51So, you brought me here to sleep with me.
43:53But, woman, how could you even think such a thing?
43:56Well, if that's not why you brought me here, I'm leaving, okay?
43:58Yes, yes, I do have some condoms in my jacket and I also bought these flowers.
44:02Come on, run, let's go.
44:04Room 203.
44:06Let me speak, okay?
44:07Give me your midwife, okay?
44:08But, but...
44:09Hello.
44:10Hello good evening.
44:11Hey, you gave a room to a couple, right?
44:13Yes, yes.
44:14If you would be so kind, we would really appreciate it if you could tell us which room is next door.
44:17Yeah.
44:17Well, I'd love to, but she's busy.
44:20Sure?
44:22Yes, yes, sure.
44:23But something can be done, right?
44:26Well, no, no, look, I can't do anything.
44:28I think that...
44:29Stay still, be quiet now.
44:31You see, we've come here to celebrate something.
44:35One very important thing and...
44:37And well, yes, you give us the room next door.
44:41Well, maybe you could bring us up a bottle of champagne later.
44:43Yes, yes.
44:44Okay, well, yes.
44:45If you want, of course.
44:46Yes of course.
44:47Come on, I'll ask the director...
44:48I'll ask him and come right back.
44:50But come on, if he tells me no, I'm capable of setting off a firestorm.
44:53Okay, I'll be right back, okay?
44:59The 203, damn it, with the goody-two-shoes.
45:04Do you hear anything?
45:05No way?
45:06It's very far away.
45:11What are you doing?
45:19Good evening, room service.
45:20We need to do a check, okay?
45:22It'll only be a moment.
45:24Good evening, we're done here, okay?
45:38Would you mind lowering your voices a little?
45:40No, no, we can't hear it.
45:41Okay, okay, okay, okay.
45:46They're not doing anything.
45:47No?
45:49Or maybe so.
45:54This man is going to find out.
45:56Alicia, what are you going to do?
45:58What do you think?
46:00This jerk is going to cheat on my best friend.
46:02Wait, wait, Alice.
46:03Poor thing, are you falling in love with this girl?
46:05No, Lucia, you can't just go through life ignoring people like that.
46:08But who are you talking about, Auntie or Belén?
46:10What are you saying?
46:11Since Alex is doing the same thing...
46:13Excuse me, but Alex isn't ignoring me.
46:14Okay, sorry, accept that the young guy is ignoring you.
46:17Hey, don't go around acting like a perfect lady, you have your own issues too.
46:20But seriously, you're so rude.
46:22At least I don't have to be chasing after any guy.
46:24Normal.
46:24What is that you have?
46:25A boyfriend or a lapdog?
46:26Let's see, what do you have to say about Roberto?
46:28Me, Roberto?
46:29What's going on here?
46:30But you go again, again.
46:31A little bit of please, I'm busy, okay?
46:33Emilio, wait a moment, we're having a discussion, man.
46:35And why does it have to be here?
46:36This is an abuse, isn't it?
46:37Look, kid, what's wrong?
46:38Well, I'm like Pantoja, I always have paparazzi at my door.
46:41You have absolutely no shame.
46:43Be careful how far you've come.
46:47Okay, let's see how you tell Belén this.
46:49Okay, how do we both tell them?
46:50Girls, girls, I've brought the champagne and the keys to a suite.
46:54Well, I'm sorry, but you've come very late, haven't you?
46:56We're finished.
46:57Right, darling?
46:59Let's go.
47:06But what does he do?
47:07Oh, what is that sofa that's ruining my back?
47:11But don't worry, I'm not used to sleeping with my son.
47:14Yes, but not me.
47:15Nothing's wrong.
47:16As long as we respect each other, the key to coexistence is respect.
47:20Listen, I'm sorry, but I'm incapable of sleeping with a stranger, okay?
47:22What do you need?
47:23Should we get married?
47:26Okay, that's fine.
47:27Stick close to the edge and we'll see what we do tomorrow.
47:30Look how cold my feet are.
47:32Please don't do that.
47:33Oh, please.
47:35That?
47:37I know that with you everything is different, Rocío.
47:39I feel something here like the first time I rode a roller coaster.
47:43Well, not like the first one, because I vomited the first time, like the second one.
47:46But I had a great time, you know?
47:50What time should it be?
47:51Let's see.
47:52I don't know.
47:53Yes, it's very late, I have to go.
47:55Where to?
47:55But weren't we going to spend the night together?
47:57I'm sorry, Emilio, but I can't.
47:58What, are you like Cinderella?
47:59Are you going to turn into a pumpkin or something?
48:01Emilio, take me home, please.
48:02But what if I can't, if the motorcycle is broken?
48:04Come on, man, I saw you turn off the gas tap with your foot.
48:06If all my brothers have motorcycles, Emilio.
48:08I didn't know you had siblings.
48:09You can see how we don't know each other very well.
48:10It would be better if we stayed here tonight, then, talking.
48:13Emilio, please take me home.
48:14Come on, get dressed.
48:16If the room came with breakfast.
48:19Damn, I'm going to call reception.
48:21Let's see if they can put it on a tape for me.
48:26Okay, so is the plan clear now?
48:28What plan?
48:29What have we been doing here all morning?
48:33We arrived at the fairgrounds at 7.
48:35At 7:05 my contact opens the back door of the building for us.
48:40We have one minute to walk down this corridor and get to the footbridge.
48:45Correct.
48:45And once there, between 7:08 p.m. and 7:12 p.m.,
48:49We took advantage of a gap between parades to sneak in.
48:52Remember, we only have two minutes to parade.
48:55But what we're going to do is a clandestine parade.
48:57Luckily he caught them quickly.
48:58This is like the uninvited guests at the bullfights.
49:01The goal is to get in the newspapers.
49:03The question is in which section.
49:05Everyone's going to talk about the pub.
49:07We have to do this for your wife.
49:09By the way, nobody should let anything slip.
49:11Paloma has no reason to suspect any of this.
49:19How did the king of the house sleep?
49:22Not as well as you.
49:24When he wasn't snoring, he was moving around.
49:26When he wasn't moving, he snored.
49:29Then there was a time when he was snoring and moving at the same time.
49:31That's when I've had the best time.
49:33Look, I've made you breakfast.
49:35What is this?
49:37Nouvelle Cocine.
49:38A recipe from a great book you have there.
49:41But what has he done to my kitchen?
49:44Look, Mariano, I'm sorry, but you can't stay any longer.
49:46Drink that before it gets cold, damn it.
49:48I'm serious.
49:49Out of my house.
49:50Mauri, you're hurting me after all the trouble I've had adapting to living with you.
49:55Adapt?
49:55Adapt an egg?
49:56Because you have a lot of quirks and I've been very tolerant.
49:59I'm the one who has given the most in these relationships.
50:01Look, what I'm telling you is to disappear from my house, and disappear now.
50:04I'm not leaving.
50:06But how can that be?
50:07Get out right now.
50:09But what are you doing?
50:11Open the door right now!
50:12I don't feel like it?
50:13This is amazing, but this is incredible, amazing.
50:16I'm coming, I'm coming.
50:18Yeah.
50:19Hi Mauri, it's me.
50:20How are you?
50:20How are you handling it?
50:22Okay, okay.
50:23I'm handling it well.
50:24Hey, look, I've been thinking that if it's going to help you, the best thing would be for you to find a partner.
50:28floor.
50:29No, no, it's not necessary anymore.
50:30I'm getting used to being alone.
50:32I said I'm not leaving and I'm not leaving.
50:34I have a thousand rights.
50:35Who is that?
50:37No, it's just that I have the window open and the noise from the patio comes in.
50:39He wants to shut up already, for God's sake.
50:41Nobody's going to silence me here in my house.
50:43Mauri, what's going on there?
50:45It's Mariano, Emilio's father, who has holed up in our room and doesn't want to come out.
50:49But who let him in?
50:50Well, he's my new roommate.
50:52Well, now he's a squatter, because he doesn't want to leave.
50:54Call the police right now.
50:56Yeah.
50:57I have a hostage!
50:58But what? What is he doing?
51:00Hey!
51:02Wait, he's got Versace now.
51:04This man is unwell, isn't he?
51:05That?
51:06Don't pay any attention to him.
51:07Call the police.
51:08See how I can't be alone?
51:10Okay, then we've agreed that you'll tell him.
51:12No, no, no, no.
51:13That's where we left off.
51:15Amorro.
51:15Oh my God, we're going to sink it.
51:17Hello!
51:18Look what we've brought you!
51:20Chocolate, ice cream, gummy bears, paludú, regalí, hookchitos.
51:23Pifa, palunitas!
51:27What's happening?
51:28Emilio's messed up his wallet, hasn't he?
51:31No, no, no, no.
51:32Okay, okay, let's see.
51:34We follow him and we have what could be considered a reasonable doubt, a conjecture throwing
51:40I suspect, but oh well...
51:41Yes, he's hooked up with her.
51:42Men are shit.
51:46He's not reacting.
51:47She's been very harsh with her.
51:54No, no, yes.
51:55Yes I'm fine.
51:56I'm fine.
51:57No, if I just wanted to know the truth, then to face it, right?
52:01But hey, if they want to be together, then let them be together.
52:04Nothing, let them get married, have children, catch eight venereal diseases, let them
52:10become unemployed and lose their hair due to stress.
52:12Both.
52:14Well, and the children too.
52:16That's my girl.
52:18Well, since I can see you're much better, I'll be going.
52:20I've got a parade coming up.
52:22No, no, no, but aunt, what...
52:23Hey, we have to take advantage of these opportunities.
52:25Besides, you should stay, you're much better at cheering.
52:33Well, then...
52:36Are you sure you're okay?
53:07Ah, hello, Chechu, we're here.
53:09Stay put, okay?
53:10Don't peek out yet.
53:11I didn't open the door, okay?
53:13No, no.
53:14Don't worry.
53:15Go on, give the kid 50 euros, I promised them to him.
53:18Juan, Juan, where is our dressing room?
53:20There's no time, Paloma, they've overtaken us, we're next.
53:22Oh, don't tell me.
53:23Oh, what disorganization, what a disgrace.
53:26Relax, we'll complain later, now the models better get ready.
53:29I won't forgive you for this.
53:31Dad, this is humiliating.
53:32We're the worst.
53:33Juan, these skirts are wrinkled, why did we have to get dressed at home?
53:36I just don't understand it.
53:37I'm peeing myself.
53:39Hey, I'll close the show, because I'm the only professional.
53:41Ah, yes, but then you step aside, huh, sweetheart.
53:43Because I have to go out and say hello, since I'm the designer.
53:46How's your father?
53:47Did you have your gallbladder removed?
53:48Well.
53:49So, how's it going?
53:50Okay, okay.
53:51Well, man, I'm glad.
53:52But do you really think I've kept them locked up all their lives? Don't you see how absurd this is?
53:55Yourself.
53:56I have the bed, I have the shower, and this rabbit that provides me with enough to survive for four days.
54:00If Versace eats anything, I swear...
54:02Ah, they're here, thank goodness.
54:03Thank goodness, thank goodness, thank goodness it's going to eat you.
54:06Come in, I'm in a mess.
54:07Hello, are you Mariano Delgado?
54:09As?
54:09We have a distress call from an elderly man regarding alleged mistreatment.
54:12The aggressor is a certain Mauricio Hidalgo.
54:15Is that you?
54:15Yes, but I haven't made anyone laugh yet.
54:17Where is he hiding it?
54:18But I didn't hide him; he locked himself in my room.
54:21Let's see.
54:21Let's see, let's see, let's see.
54:25Police, please get out of there.
54:28Don't be afraid.
54:29Tell us what happened.
54:30Well, she got furious because I snored a little and had to sleep in
54:34the sofa.
54:35Come on, it was just a couple's argument.
54:38Listen, this gentleman is not my partner, my partner is in London.
54:40Yes, so you're cheating on him.
54:42Me, with this gentleman.
54:45But please, besides, I hardly know him.
54:47So what is he doing living in his house?
54:48Because we share an apartment, well, we share an apartment.
54:51In a one-bedroom house?
54:53Already.
54:55Come on, let's go.
54:55Let them sort it out among themselves.
54:57Yes, wait a minute, but they're not going to take it.
54:59If there is no complaint, we can't do anything.
55:01Oh, well, I'll report him.
55:02And why is he going to report him?
55:04Have you seen how she's got me in the living room?
55:06Good afternoon.
55:13Well, you're out of your mind.
55:15I understand you with more nerve than I've ever known in my life.
55:17Mauri, I can't be in a place where I'm not wanted.
55:19I'll send my son to get my things.
55:21Bye bye.
55:22Yes, goodbye.
55:22Bye bye.
55:30Bye bye.
55:32Come on, now it's our turn.
55:33But they haven't introduced us.
55:34It doesn't matter, just go, Paloma, just go.
55:36I just lit the cigarette.
55:42Hello, I am from the Pond Mestor organization.
55:46As?
55:47Put it on, damn it.
55:49My colleague will now give you 50 euros.
55:51Ladies and gentlemen, we are pleased to present the Spring-Summer collection from Paloma Urban Fashion.
56:00Ladies and gentlemen, phew!
56:05Phew!
56:08Phew!
56:18Phew!
56:21We can't do anything to change the course that has passed for both of us.
56:32Thank you, thank you, thank you very much.
56:36Juan, why aren't you applauding me?
56:38Juan.
56:39Ma'am, stop making a fool of yourself.
56:41How ridiculous!
56:41I am a rising star in Spanish fashion.
56:43I'm here as a guest.
56:45No, they can't be here.
56:46Oops!
56:46Juan, say something to him!
56:47Dear, I'll explain later.
56:49Excuse me, please.
56:50Where is Andrés?
56:50Please.
56:51Sorry, the service is available, the mother.
56:53The service there.
56:53Okay.
56:59Well, in the end they liked it.
57:07Yes, man, damn, he's been on TV.
57:09Okay, you see, my parents were a little impaired.
57:13Nothing had been sold yet.
57:15Why are you lying to me, Juan?
57:16Because you were so excited.
57:18Honey, I know I haven't been able to give you the life you want, and of course...
57:21Oh, I'm such a failure.
57:23We've made fools of ourselves and on top of that we've lost a lot of money.
57:26I don't know if it's the best time, but we haven't been paid yet.
57:30Me neither.
57:31You will get paid when there are profits.
57:32In other words, in life.
57:34If you want, Valerian, I have it at home.
57:36Thank you.
57:38Look, here comes the visionary.
57:41A complete success, huh?
57:43We've been on all the news programs.
57:45What do you say?
57:46What did I promise you?
57:47The parade was going to be on television and we were on every channel.
57:51And what did they say?
57:52That's the least of it.
57:53The important thing is that we are entering the market.
57:57So, I can continue designing.
57:59Well, first let's see if we can sell what we already have, which is a lot.
58:02Well, he'll succeed, Juanito.
58:04Time will tell.
58:05And you, distrusting him.
58:07We need to let the people who know what they're doing do their jobs, Juan.
58:10Yes, yes, yes.
58:10Come on, let's go to bed, darling.
58:12Yes, but we're not doing anything because I'm dead, okay?
58:14Dad, deep down I'm glad you're back.
58:17I'm so happy I want to share it with you.
58:19I feel like I'm suffocating in this house.
58:21We need space.
58:22You have to learn to enjoy the little things in life.
58:24They're so small.
58:26If you saw Mauri's bed, so clean, so soft.
58:29I think you were ironing the sheets.
58:30That says it all.
58:32Dad, you're bitter.
58:33Why don't you call your mom and see if it cheers you up a bit?
58:35Oh, you've ruined my sleep.
58:37Well, that's better.
58:37That's how we talk about our things, like a father and son.
58:40Do you already know that I'm in love?
58:43Well, a woman changes your life.
58:45That weakness you have, love will take that away.
58:48I'm happy now even when I'm scrubbing the front door.
58:50Look, it's improved my complexion.
58:52I have more hair.
58:53My eyes are turning blue.
58:55Hey, are you going to shut up?
58:56Well, it's better than gynecomastia, better than vitamin C.
58:59I wake up with energy.
59:01This morning I read a poem by Becker and I understood it.
59:03Nothing, she just won't shut up.
59:05Well, I'm also going to recite a little bit for you because I've learned it, right?
59:08He says, "I saw her this morning and she looked at me."
59:12That's not Becker.
59:13That's not Becker.
59:13But let me finish it, how can it be nothing?
59:15The canoe's recadelerón.
59:16Okay, turn on the light, it's going to be the blue of the eyes.
59:18Yeah, shit, I'm not going to turn it on.
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