Aquí no hay quien viva - 3x12 - Érase una grieta - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Aquí no hay quien viva - 3x12 - Érase una grieta - HD 1080 - Aquellas Maravillosas Series en Dailymotion

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00:01:00My sister says that at first they gave a little bit of information, but after three months they stop crying.

00:01:03At three months? Now I'm the one joining in the tears.

00:01:06He has fallen silent.

00:01:07He has fallen silent.

00:01:08Here, hurry, let's go to bed.

00:01:12But who the hell knocks on the door at four in the morning?

00:01:18Of course, who else would it be?

00:01:19Mauri, could you ask the child to be quiet? We're standing right next to each other and you wouldn't believe how loud he is.

00:01:23We're retired and don't have to get up early, but it sucks.

00:01:25Ma'am, you had just stopped talking. If only someone hadn't rung my doorbell.

00:01:28You don't take precautions. And after nine months, this is what happens.

00:01:33Shell, you who were in my artificial nation.

00:01:35All the more reason. You should always wear a condom.

00:01:38This child is angry because you haven't given him a name yet.

00:01:41It's the only thing I need to finish the bib.

00:01:45He has fallen asleep.

00:01:47Come on, go ahead, let's dream about Arturo Fernández.

00:01:53I can't believe it.

00:01:58Hello.

00:01:59I have many dreams.

00:02:00Me too, I swear. Please don't ring my doorbell again.

00:02:03Dale.

00:02:11Mauri, we can't go on like this.

00:02:13I think the best thing is for me to go to Rosa's house.

00:02:16She has two bedrooms.

00:02:17You're not going to Rosa's house, you're not moving from here.

00:02:18No, you're not moving from here.

00:02:20The only thing I need to do is renovate the apartment.

00:02:22I'm going to make a special room for the child.

00:02:25Soundproof.

00:02:25Are you going to undertake renovations?

00:02:27And do you think the neighbors are going to let you?

00:02:28Man, just put up two partitions.

00:02:30I think I'll go with Rosa.

00:02:31Know?

00:02:34The hands are the same.

00:02:36Equal.

00:02:37Equal.

00:02:37What thing?

00:02:43But what are these ladies doing, running up and down?

00:02:45It's four in the morning.

00:02:47Dad, will you stay still now?

00:02:49Yes, it's bed, damn it.

00:02:50Why haven't you broken up with Belén?

00:02:51That she has left me.

00:02:52Do you hear me when I talk to you?

00:02:54Well, make up with her now.

00:02:55If I did the wrong, if it was my fault.

00:02:56Forgive me, if everything's already been invented, damn it.

00:02:59I'll talk to Belén tomorrow.

00:03:00What are you going to say?

00:03:01That it can't be fixed.

00:03:02We did a test in Telva and there was no answer for us.

00:03:04That was it.

00:03:05He knows it, he answers it.

00:03:07What about me?

00:03:07I've been married to your mother for 35 years.

00:03:10Hey?

00:03:11Before, there was no divorce, only suicide.

00:03:13Okay, we'll shut up now because I have to get up early tomorrow, okay?

00:03:17Don't hug me, damn it.

00:03:18Forgive me, it's just a habit.

00:03:19I'm buying a stuffed animal tomorrow.

00:03:20I think one more person was missing from the bed.

00:03:25No one can live here, here, here.

00:03:28Not here, not here.

00:03:30Every day is like this.

00:03:32I couldn't imagine it when I came here.

00:03:34I was just looking for some peace.

00:03:36I wake up every day in the middle of a hurricane.

00:03:39No one can live here, here, here.

00:03:41Not here, not here.

00:03:43No, no, no.

00:03:44No one can live here, here, here.

00:03:46Not here, not here.

00:03:47No no.

00:03:48The house of rumba begins.

00:03:49I can't find the goalkeeper.

00:03:52The neighbors watch and listen to each other.

00:03:55I can't stand being in this place.

00:03:57It's if the children have all my neighbors.

00:03:59If not, come to my apartment.

00:04:00Come to the neighborhood, cousin, I want to show you around.

00:04:02Where clowns cry, thieves rob us.

00:04:04And the stones are overcome by something to tell.

00:04:07Put it in a cocktail shaker.

00:04:11Tuéreo, an earthquake and a volcano.

00:04:14Yeah.

00:04:20No one can live here, here, here, here.

00:04:22Not here, not here.

00:04:25No one can live here, here, here, here.

00:04:38No one can live here, here, here.

00:04:41No one can live here, here, here, here.

00:04:43No.

00:04:46That's all I needed.

00:04:48A meeting with the dream I have.

00:04:50Ma'am, if the child cries, it's not my fault.

00:04:52If you have it, you have to dip the pacifier in chinchón and he'll stay calm.

00:04:56Mr. Juan, how do you change your forehead's appearance?

00:04:58Of course, after so many years of seeing him in profile.

00:04:59I feel strange too, Emilio, but we have to be strong.

00:05:02Can someone tell me what this meeting is for?

00:05:05Maury has called us together to decide on the name of the child.

00:05:08But why do you make things up?

00:05:09I like Leonardo.

00:05:11Which Leonardo?

00:05:12Agustín, who is getting lost.

00:05:16Attention, the incoming president is entering.

00:05:18Turn off your mobile phones and check that Doña Concha is asleep, it's nothing serious.

00:05:22Shell!

00:05:24Sausage!

00:05:24Robocop is ready whenever he wants.

00:05:26Well, first of all, I want to thank Juan who, despite having lost the elections decisively,

00:05:32continue to lend your hall for holding meetings.

00:05:35There's nothing to be thankful for.

00:05:37I am willing to exercise a constructive and responsible opposition.

00:05:40Because I firmly believe in democracy and open dialogue, without restrictions.

00:05:44Okay, okay.

00:05:45First item on the agenda.

00:05:47Porter's salary increase...

00:05:50You put this there.

00:05:51It's a very hot topic, extremely relevant right now.

00:05:54Votes in favor.

00:05:56Nothing, there's no way.

00:05:59Second point.

00:06:00Our neighbor Mauricio reports that the renovation work on his apartment will begin tomorrow.

00:06:05I protest.

00:06:06According to Article 4 of the statutes, which I recommend the president read,

00:06:10Any type of work carried out on the property must be notified six weeks in advance.

00:06:14presenting a copy of the project signed by an architect.

00:06:17Yes, Juan, but nobody does that.

00:06:18I'm not going to make a room for the child, it's just putting up a wall out of thin air.

00:06:21They said the same thing in Berlin.

00:06:23And look at the mess they made.

00:06:24I think that since it's a minor work, it's not a big deal.

00:06:28I protest.

00:06:28I remind you that in case the work causes structural damage,

00:06:31The repair costs are the responsibility of all the neighbors.

00:06:34But what structural damage? I'm going to put up a partition, not remove it.

00:06:37My brother says it for the good of all of us.

00:06:39This house is like the one in the Three Little Pigs.

00:06:41The wolf comes, blows a little and falls down.

00:06:43The crazy woman is right, I sometimes hear the building creaking.

00:06:47Concha, those are your knees.

00:06:49But what else?

00:06:50I'm the first one who's going to renovate my house.

00:06:52Lucía, when she came, she did it too.

00:06:53Hey, no, no, don't drag me into this.

00:06:55Okay, let's vote.

00:06:56I protest.

00:06:56These matters are not put to a vote.

00:06:58They are simply disavowed and the decision is communicated in writing to the interested party.

00:07:01So, what do we do?

00:07:02I protest.

00:07:03The president is unaware of the procedure.

00:07:04I challenge the Board.

00:07:05Juan, please, you're making my head spin like a drum.

00:07:09Be quiet, Mr. Cuesta!

00:07:11Shut up!

00:07:12Emilio, let it be recorded that I am being deprived of my right to express myself.

00:07:15Which minutes?

00:07:15Let's talk about this issue once and for all, because it's never been discussed here before.

00:07:18What do you mean there's no record?

00:07:19I protest.

00:07:19Hey Juan, relax, you sound like a mess.

00:07:21Debate whatever you like, but if I were you, I'd go to bed early tonight.

00:07:24because the bricklayers will be here tomorrow at eight o'clock.

00:07:26Hey, we haven't given you permission.

00:07:29Think it through carefully and reflect, because doing it the wrong way is worse.

00:07:32Andrés, say something to him.

00:07:34And what do you want me to do?

00:07:35If it's their house, what's it to you?

00:07:37If that's really the case.

00:07:38Hey, beautiful, it's just that you live on the third floor, but we have to put up with all the noise.

00:07:43And you don't know how to put the ladder up.

00:07:45And I don't clean, okay? I'll put that in the minutes.

00:07:47And the workers say unpleasant things to you.

00:07:50Vicenta, that was 40 years ago and they saw you from behind.

00:07:53Oh! In the end we forgot to put the child's name.

00:07:56I believe it has been more than demonstrated that this president lacks the necessary authority to hold office.

00:08:00Therefore, I demand his resignation and the urgent calling of elections.

00:08:03Come on, have a little bit of respect, the opposition is speaking.

00:08:06Very good, Juan. You've created a tense atmosphere, which is what's important. That's what wears you down.

00:08:10And Juan.

00:08:11Thank you, Miguel.

00:08:18Do you want to stop climbing here? Your son and I have already stopped.

00:08:21Well, but that doesn't have to affect our friendship, right?

00:08:24Hello, I've come to get my things.

00:08:26What things?

00:08:27Oh, you mean the one with the mustache?

00:08:29I've been living here, and I'm sure you must have left me something, right?

00:08:31Yes, there were hairs in the bathtub, but I've already picked them up.

00:08:34Belén, let's handle this breakup like adults.

00:08:36You don't hurt me anymore, you've lost me, accept it.

00:08:38I've come to terms with it so much that I've stopped taking the pill.

00:08:41We took one before the effects wore off.

00:08:43One as a farewell, like an apotheosis.

00:08:44But you're an idiot.

00:08:46Okay, give each other a quick kiss, damn it, otherwise I'll be looking.

00:08:48And you stop mooching.

00:08:49Dad, we're going through your vao.

00:08:51But hey, if you can't fit it in the box, it's wet.

00:08:56Belén, I have found the man of my life.

00:08:58It was just like in the movies.

00:09:00Our eyes met, time stood still, and my heart spoke.

00:09:04It's him.

00:09:04My search is over.

00:09:06Alicia, did someone put something in your drink?

00:09:08Bethlehem, this is love.

00:09:09We've been talking all night and he hasn't tried to sleep with me.

00:09:11I want to marry him, grow old with him, and have children with him.

00:09:15Stop, stop, stop, stop.

00:09:16Oh, Mom's here.

00:09:18What do you mean, Mom?

00:09:19I've invited her to spend a week.

00:09:21We had been very distant lately.

00:09:22This year I resolved to be a better person and suddenly everything is going well for me.

00:09:25Everything flows.

00:09:26See?

00:09:27If we have to be better people, give me the show.

00:09:30Hello, princess.

00:09:33Look, Mommy, you're Bethlehem.

00:09:34Hello.

00:09:35Nice to meet you.

00:09:35You take me to the room.

00:09:36Damn, it's Victoria Peña, the pioneer of the unveiling.

00:09:40Yeah.

00:09:42We were modernizing Spain.

00:09:44I've also done a lot of Shakespeare.

00:09:45I must have made countless trips to France to admire his acting technique.

00:09:52Dad, we're leaving, we have nothing to do here.

00:09:54Well, wait a bit, it's not that clear.

00:09:56Hey, you're the famous goalkeeper.

00:09:58The one who left his bride standing at the altar and slept with Belén in her wedding dress

00:10:02position.

00:10:02I'm completely hooked on your story.

00:10:04Mom, I'm telling you this so we can laugh together, otherwise it loses its humor.

00:10:07Well, that's the end of the story, the soap opera is over.

00:10:09Now I'm going to focus on my career.

00:10:11What career?

00:10:12Whichever one.

00:10:13Out, out.

00:10:14Out, jurisdiction.

00:10:15A little dojo, huh?

00:10:19Hey, it's cuter than you told me.

00:10:23Pam, pam, pam, pam.

00:10:28Juan, I appreciate the little gift, but not the idea of getting married again.

00:10:32I even find it a bit tacky.

00:10:33I don't want to end up like Elizabeth Taylor.

00:10:35No, it's not a ring.

00:10:36Open it.

00:10:41An apartment in Torrevieja, Alicante.

00:10:43It's the key to this house.

00:10:44Since we no longer have to hide from anyone, we can start a life together.

00:10:48Ah, I see.

00:10:49And does it have to be here?

00:10:50Clear.

00:10:51You rent out your apartment or you leave it to your children.

00:10:53I'll rent it, I'll rent it.

00:10:54But why don't we just drop everything and run away?

00:10:58I had always been excited about this idea of going down to buy cigarettes and not coming back for 20 years.

00:11:02But I don't smoke.

00:11:03That's the thing, we can't.

00:11:04We have responsibilities.

00:11:05My son is still young.

00:11:06That's why.

00:11:08Hey, Dad, did you take the house keys for me?

00:11:10Yes, I'll make you a copy.

00:11:12Hello.

00:11:15Isabel, I thought you wanted to start a new life with me.

00:11:19But it's not going to be new.

00:11:21We are bringing together the remains of two families.

00:11:23This is a sentimental junkyard.

00:11:25Wait, what about me last year in a junkyard?

00:11:26I got a rearview mirror for half price that even came with one of those little blind spot monitors.

00:11:31But what about your sister? What are we going to do?

00:11:33Because I'm with Nieves...

00:11:34No, no, as soon as I tell him, he'll leave.

00:11:36He already has a wonderful house and has completed his cycle here.

00:11:39Now that you're here, she'll want to get on with her life.

00:11:42With your what?

00:11:43But does it have that?

00:11:44José Miguel, this is an adult conversation.

00:11:46It's just that when you speak in a low voice, I get curious.

00:11:48She talks about my normal environment and I tune out.

00:11:50Don't worry, Ibel, about your things.

00:11:52I'm going to tell Nieves today that you're coming to live here with me.

00:11:55I wouldn't miss that for the world.

00:11:56José Miguel, a day without going out.

00:11:58Wait, let me find a slot in my schedule.

00:12:00You have to be tough on him, don't hold back.

00:12:02Yes, yes.

00:12:06Thank you for welcoming me, Roberto.

00:12:08Well, we can manage just fine here, the two of us.

00:12:11No, no, no, no.

00:12:12Everything for you, I'm moving downstairs.

00:12:13I'm back with Lucia and she's dying to live with me again.

00:12:16Then, perfect.

00:12:17I'll set up my office here, okay?

00:12:19Yes, this place is great for thinking.

00:12:21What am I doing with my life?

00:12:22How did I get here?

00:12:23Where can I pee?

00:12:24You're using your head.

00:12:26Okay, fine.

00:12:27See you later.

00:12:28See you later.

00:12:31It's very bright, isn't it?

00:12:32Dad, why do you have to leave home if Mom has left with others?

00:12:35Because I have my dignity and even if I were capable of swallowing it, which I am, the apartment is in his name.

00:12:42That's right, eh?

00:12:43Let your mother know that I too am going to rebuild my love life.

00:12:47Welcome to the attic, Mr. President.

00:12:49I've brought you a cake.

00:12:51Yes, you won't have any problems with that.

00:12:53The intern is here.

00:12:57I'm just asking you to let me take refuge here for a few days.

00:12:59Ever since I hooked up with Alba Nochevieja, she hasn't left me alone.

00:13:01It's like...

00:13:04See?

00:13:04It's torture.

00:13:06Look, he's standing guard at the front door.

00:13:08I told the butler, let the dog go.

00:13:09But they have become friends.

00:13:10And he plays at throwing the car air freshener at her.

00:13:12To the dog, not the butler.

00:13:14In short, it's a disaster.

00:13:14Please, please, please.

00:13:16Why don't you talk to her and tell her it's over?

00:13:18No, no, no.

00:13:19I'll disappear and he'll get tired of it.

00:13:22Okay, fine, Carlos.

00:13:23You can stay a few days, as far as I'm concerned.

00:13:24But if it's another one of your absurd strategies...

00:13:27No, no, no.

00:13:28Sit down.

00:13:32Look, I've realized how exhausting it is that...

00:13:34I'm good for you.

00:13:35So I apologize and...

00:13:37Because of how annoying I've been...

00:13:39And I swear, I swear I will never try anything with you again.

00:13:42Friends?

00:13:43Damn, Carlos.

00:13:45I had been waiting for this moment for so long.

00:13:48Stay.

00:13:48But I assure you that the sofa is extremely uncomfortable.

00:13:50Oh, don't worry.

00:13:51I enter a zen state and my mind rests apart from what is stuck in the body.

00:13:54That's ok.

00:13:56I'm here now.

00:13:57Oh, but, but, but, where are you going with all this?

00:14:00Damn, time to get settled in, huh?

00:14:01How did we get back?

00:14:02Okay, no, no, no.

00:14:03We're back, Roberto.

00:14:04We exchanged, well, a few silly Christmas kisses.

00:14:07Well, they weren't that stupid.

00:14:08They were clearly little kisses from moving.

00:14:10But don't you realize that it's much nicer to go little by little, huh?

00:14:13We're getting the magic back.

00:14:15Ah, okay, okay, okay.

00:14:17Magic.

00:14:17Yeah.

00:14:18Okay, so are we dating or not?

00:14:20Because with so much romanticism I get distracted.

00:14:22Sorry.

00:14:23Hello.

00:14:23Regarding wardrobes, what is the placement criterion?

00:14:26It doesn't matter, wherever you are.

00:14:27Okay.

00:14:28And this has completely thrown me off.

00:14:30Carlos, who has asked me to let him stay here for a few days because he is harassing Alba.

00:14:32Ah, magic is awesome.

00:14:34Now this asshole shows up every hour.

00:14:36Roberto, let's not start, okay?

00:14:37During all this time you will have matured a little.

00:14:39Yes, yes, yes, yes, that's right, that's right.

00:14:41Okay, then, little by little.

00:14:43Yes, little by little.

00:14:45Call me later, okay?

00:14:47Okay.

00:14:48Bye bye.

00:14:49See you later.

00:14:53Let's go, don't mess with me.

00:15:04He tells me to take it one step at a time, that if magic...

00:15:07And I find Carlos inside the house, who is going to spend a few days.

00:15:09Dude, well, go sleep with Andrés Guerra.

00:15:11Dude, don't let them bully you, okay?

00:15:12You have to mark your territory, like lions in the jungle.

00:15:15So what do I do?

00:15:15Should I become a doormat?

00:15:16No, because then you aim wrong and I have to clean it up.

00:15:18Let's see, why is Carlos getting involved there?

00:15:20Because he wants something to talk about.

00:15:21He will take advantage of any moment to attack.

00:15:22When Lucia is naked in the shower,

00:15:24or when she's sleeping in her underwear in bed.

00:15:26Paquito, be quiet, the child is at a very bad age.

00:15:29Dude, don't be a loser, you're giving him a huge advantage.

00:15:31This one lifts it up for us.

00:15:32What do you mean, "it lifts us up"?

00:15:33Do you see it?

00:15:34How to be on a very bad side?

00:15:35No, no, no, no, look, no, I'm over insecurities.

00:15:37I have to prove to Lucia that she has loved me.

00:15:39I'm not jealous, I trust her completely.

00:15:41But if it causes problems, it's fine.

00:15:43Do as I do.

00:15:44Belén left me and I'm better than ever now.

00:15:46Freedom to do whatever you want, without a schedule, without...

00:15:51I've missed her a lot, even her lentils.

00:15:54I need to talk to her.

00:15:55Hey, stay still, stay still, stay still, stay still.

00:15:57Don't get dragged in.

00:15:58Yes, I'm crawling, I'm crawling, I want to come back and change.

00:16:01The pressure is very strong, it's collapsing.

00:16:04Paco, this movie doesn't give it to you.

00:16:06The disc is scratched, it skips.

00:16:07Damn, it's covered in fingerprints.

00:16:09DVDs have to be purchased because of the shipping cost.

00:16:11Hey, those aren't my footprints, okay?

00:16:12Well, send it to the police and have them analyze it.

00:16:15You don't need to take it out on them either; they're not to blame for anything.

00:16:17He's a little nervous because the people doing the renovations abandoned the project at the last minute.

00:16:20These people don't care about that at all.

00:16:22Hey, if you want, I can do the work for you at a good price.

00:16:25You?

00:16:25Yes, I used to work in construction.

00:16:27Well, a film director has to know about everything.

00:16:29Look, look, this is my parents' house.

00:16:32See? I did the whole renovation myself, you know?

00:16:35Carpentry, masonry, electrical installation...

00:16:37Well, it's not very good.

00:16:38And when could you start tomorrow?

00:16:41And this afternoon? Is it necessary?

00:16:42Yeah?

00:16:43See? Problem solved, so you're not worrying about anything.

00:16:45Oh, that's great.

00:16:46Well, come by now and I'll explain, it's just two silly things.

00:16:49Okay.

00:16:49I'll wait for you.

00:16:52But what reform are you going to make?

00:16:53If the closest you've ever been to a toolbox is playing Super Mario.

00:16:56Damn, I really need the money.

00:16:58Father, it won't be that difficult, will it?

00:17:00This is your family.

00:17:02Jocho, sign her up for a movie.

00:17:04Hey, the Zas gets damaged a lot, huh?

00:17:06Paco, you'd better find someone to help you, because you're going to get yourself into a mess.

00:17:11Belén, are you home?

00:17:13I come in peace, and that's how we talk things out, okay?

00:17:15Sorry, it's not there.

00:17:17What's happening?

00:17:18Have you come to fix any plugs?

00:17:21Uh, yes, I mean, no, no, no.

00:17:23Okay, I'll be back later.

00:17:24No, sit down.

00:17:26It will be about to arrive.

00:17:27She went shopping.

00:17:29Oh, I have to clean the mailboxes inside.

00:17:31Alicia isn't here either, is she?

00:17:32She's gone with her boyfriend.

00:17:34Are we alone?

00:17:35Do you want a margarita?

00:17:37Uh, no, thank you very much.

00:17:39I'm on duty, and if you're going to be a nuisance, don't drive.

00:17:41I mean, if he drinks, maybe you were doing actress things and he interrupted you.

00:17:46Take.

00:17:49Emilio, do you want advice from someone who has had many romantic relationships?

00:17:54Do you know Obregón?

00:17:56I was referring to myself.

00:17:58Don't suffer, for love.

00:18:00We young people have to enjoy life.

00:18:03There are many women to meet, many.

00:18:05Yes, yes, yes, I heard that we each get seven.

00:18:08But there must be some bastard out there who kept thirteen and the one he had left over was

00:18:11Benen.

00:18:12And on top of that, she dumps me.

00:18:13If you're a goalkeeper, you're very limited.

00:18:15I don't understand why.

00:18:16I find it a very erotic profession.

00:18:20You've gotten yourself dirty.

00:18:21Oh, sorry, sorry.

00:18:23I'll clean it myself, I have a super absorbent cloth here.

00:18:29Well, everyone should clean up their own mess.

00:18:31I'll come back later for the cleaning cloth.

00:18:35We'll talk about this another time.

00:18:39He's very cute.

00:18:41What a shame about you.

00:18:45I don't know if you know that this is abandonment of the home.

00:18:47We could report you.

00:18:48We are not prepared to live without a mother.

00:18:50We are very young.

00:18:51But it's every twenty-something's dream.

00:18:53Besides, it's not that serious.

00:18:55Yes, I'll be right here.

00:18:56Yes, that's what E.T. said, and nobody has seen him since.

00:18:58Dude, it's been ages since I got over it.

00:19:00So you're going to leave us here alone?

00:19:02But no, how am I going to do that?

00:19:03I'll rent the apartment and you guys can fend for yourselves, that's a great way to mature.

00:19:07Children need a little push before they give you one.

00:19:11Bye bye.

00:19:15Okay, let's not panic.

00:19:17Renting an apartment is never easy.

00:19:19For now, this is ours.

00:19:20Let's enjoy ourselves.

00:19:21Yes, we have to cook, because Dad used to do it.

00:19:24You have to wash and iron, that's what Mom used to do.

00:19:26It needs cleaning, which I used to do.

00:19:29I don't know, but we don't.

00:19:30Well, we're not ready for this, Alex.

00:19:32Can you tell me how we're going to survive?

00:19:35Hey, Grandma was already very ill, wasn't she?

00:19:37We could go to the residence and check it out, maybe.

00:19:39Well, it was an idea.

00:19:41He loves us so much.

00:19:45I'm going to a concert, don't wait up for me.

00:19:47Dad is going to kick Auntie Nieves out of the house.

00:19:49Well, they'll perform again if they're on tour.

00:19:51I'm not going to fire her.

00:19:52I'm simply going to tell her that Isabel is going to live with us.

00:19:55It's a somewhat delicate situation.

00:19:57Please, I ask you not to intervene.

00:19:58In other words, if there's trouble, we'll separate.

00:20:03Help me, please.

00:20:03No, not that, that's my meditation painting.

00:20:05I'll take it.

00:20:06A painting for meditation?

00:20:07Yeah.

00:20:08A mandala.

00:20:09If you stare at it, it helps you clear your mind.

00:20:12And isn't TV better for that?

00:20:16How are you?

00:20:16Has she already left, Nieves?

00:20:18No, no, I was just about to tell him.

00:20:20It's a formality.

00:20:20I have tried various options to choose the appropriate tone depending on the mood I am in.

00:20:25Listen, straightening the sheets isn't making the bed.

00:20:28Juan, tell them something, I'm exhausted.

00:20:31Wait, it's okay.

00:20:32Nieves, we have some news for you.

00:20:34Isabel is going to live in this house permanently.

00:20:37Oh, that's great.

00:20:39But you should have warned me so we could get organized.

00:20:42José Miguel, you're going to sleep on the sofa until we buy a folding bed.

00:20:45That?

00:20:46Come on, let me make room for you in the closet.

00:20:49You know, I was thinking you might just go back to your house, which is as spacious as

00:20:52well connected.

00:20:53I sold it, didn't I tell you?

00:20:56No, that's something I didn't know.

00:20:59You'll see how great it's going to be for everyone here.

00:21:01Do you remember Conocho Basta?

00:21:03What a joy to have at home.

00:21:04I hope they release that series on DVD.

00:21:06Well, it seems he took it very well.

00:21:08What I haven't understood is when he's leaving.

00:21:10No, I don't think he's going anywhere.

00:21:12Look, Isabel, you just haven't gotten the message.

00:21:15She has a little patience, which I work on.

00:21:17Kids, sister-in-law, this can't go right.

00:21:19Come on, sit down.

00:21:21Here, look at the mandala.

00:21:23Clear your mind.

00:21:24Hey, Dad, we'll draw lots about the sofa, right?

00:21:26José Miguel, please don't overwhelm me.

00:21:29We brought out the champagne to celebrate.

00:21:42No, no, no, no, no, no, but what is this man doing here?

00:21:44What would I do, right?

00:21:45Well, if he's an expert, about 70 to a laborer's job.

00:21:47Besides the child's room, they might even make one for him.

00:21:50Now that I need help, don't worry, I'll take care of it.

00:21:52Mauri, I don't mess around with lentils, okay?

00:21:54Let's see, what do they look like they're throwing?

00:21:55No, no, no, no, we mustn't throw anything away.

00:21:57I want a partition here and another one here, with its door, and that's it.

00:22:00Recessed chimney or exposed brick?

00:22:03What are you saying?

00:22:03No, it's a joke, construction worker humor, you'll get it soon enough.

00:22:06Well, just leave it in our hands, don't worry, we're professionals.

00:22:09Okay, I'm going to run some errands and I'll come back and see how everything's going, alright?

00:22:16Hey, can I leave now?

00:22:18Yes, yes.

00:22:19Yes, man, yes, this is cement, brick, bang, and paint.

00:22:23But first we'll have to put the cast on, right?

00:22:25Yes, yes, yes, plaster, plaster.

00:22:26And that first?

00:22:27Of course, man, if all this goes with everything.

00:22:28Come on, don't worry about anything, come on.

00:22:31You've finally dared.

00:22:33We were trying to be nice, threatening you politely, and you, well, I don't care.

00:22:38I'm telling you this for the last time, I do whatever I want in my own house.

00:22:41I'm going to tell you how you should decorate your living room, and you'll see how much material there is to cover.

00:22:45What would you do as a gay person?

00:22:47I would like to put the sofa at the back and paint it in a more modern style, with a textured finish.

00:22:51Ah, textured paint is modern.

00:22:54Look, I don't care.

00:22:55I don't care if they build a loft.

00:22:56But why should I go in back?

00:22:58The Beatles sang that.

00:23:00All you need is loft.

00:23:02And what do you think?

00:23:04React.

00:23:05That you are the president.

00:23:07Well, if all the neighbors agree, we can report Mauri to the court.

00:23:12Look, leave the judges alone, they have a lot on their plate.

00:23:15Preemptive attack.

00:23:16Think about it for a bit.

00:23:18Water and power outages.

00:23:21Silicone in the lock.

00:23:23Neighborhood guerrilla.

00:23:24If that's already been invented.

00:23:26Look, you live above.

00:23:27You turn on the bathroom tap and you ruin Mauri's entire ceiling.

00:23:30Don't you want works?

00:23:31Well, here are some works.

00:23:32Paloma used to do that to us.

00:23:34Bad people, bad people.

00:23:36Ladies, don't talk nonsense.

00:23:38I am the president of this community and I do not intend to deviate from the strictest legality.

00:23:45Permission.

00:23:46Have you heard it?

00:23:48If he already speaks the same way as the other one.

00:23:50If it cannot be delegated.

00:23:52Okay, let's get down to business.

00:23:55It's so nice to be working with my hands again.

00:23:58Intellectual work was killing me.

00:24:00Hey, how's this cement thing going?

00:24:02But you didn't tell me that you had worked as a laborer.

00:24:04Yes, in a human agent, in a shopping mall.

00:24:07But they ate me right away.

00:24:09The shepherd's mate of the balls.

00:24:10Mariano, I have taken responsibility.

00:24:12So what do we do now?

00:24:13Should we call the teleworker?

00:24:14Okay, calm down.

00:24:15The instructions will be on the back, like in instant soup.

00:24:18Sure, maybe you have to put it in the microwave.

00:24:23And throughout life, water is added to this.

00:24:26It is removed and bricked.

00:24:28But what does he do?

00:24:29Will the entire floor be ruined?

00:24:30But I wasn't going to change it.

00:24:32He hasn't said anything to me.

00:24:33Well, it's okay.

00:24:34We changed it for him.

00:24:35If we're going to eat it, it's very little.

00:24:36Well, see if there are any beers in the fridge.

00:24:39I'm exhausted.

00:24:41Why did I ever get myself into this mess?

00:24:47Am I jealous?

00:24:48No, I'm not jealous.

00:24:50Lucia is living with a friend.

00:24:51An ex.

00:24:52A suck-up who's just waiting for his moment.

00:24:55Hi how are things?

00:24:56Is Lucia there?

00:24:57Yes, yes, it happens.

00:24:58We're watching a movie.

00:25:01Ah, that's great.

00:25:02There on the sofa, all warm and cozy.

00:25:04Hello darling.

00:25:05Have you seen the empire and the senses?

00:25:06It's amazing.

00:25:08Well, it's a beautiful reflection on sex and death.

00:25:10Yes, sex and death.

00:25:12Two concepts that go hand in hand.

00:25:14Hey Lucia, look, I was thinking that if you want we can go for a walk

00:25:17and then dinner at a trendy restaurant that was recommended to me.

00:25:19Yes? Which one?

00:25:20One.

00:25:21It's a surprise.

00:25:21Yes, yes, yes, yes, yes.

00:25:22Come on, come on.

00:25:23You don't expect me to get dressed right away for San Juan.

00:25:26Well, that's great.

00:25:27I'm having dinner, huh?

00:25:28What are you on about?

00:25:29You're a wimp.

00:25:30What's wrong with you?

00:25:31What do you think you are?

00:25:31Am I an idiot?

00:25:32There, playing the sensitive friend, let's see what you're up to.

00:25:34I see you coming, kid.

00:25:35When you go, I come.

00:25:36Like Chenoa?

00:25:38Ah, come on, now seriously, Roberto.

00:25:40Lucia and I are just friends, and if she's happy with you, I'm delighted.

00:25:43Are you provoking me?

00:25:44You're provoking me, aren't you?

00:25:45But what do you want me to say, kid?

00:25:47Come on, relax a little.

00:25:48Would you like something to drink?

00:25:49If I want something to drink, I'll get it myself, because I know where things are.

00:25:51Don't believe it.

00:25:52I made some changes, but it didn't make sense.

00:25:54Wasn't it logical?

00:25:55I bet you wouldn't say that to me in the street.

00:25:56I'm coming out now!

00:25:58Bastard.

00:25:59Okay, then let's go.

00:26:01Hey, do you want to take my car?

00:26:02I'm feeling very romantic, with six ballad compilations on my charger.

00:26:07Come on.

00:26:07No, we'll just take a taxi, don't worry.

00:26:10Yes, yes, yes, can we have it?

00:26:11I'm driving.

00:26:12No, no, but a convertible, in winter.

00:26:15Plus, it messes up your hair.

00:26:16Okay, then you put your hair in a ponytail, darling.

00:26:18Well, you'll have to tell me where the handsome guy takes you.

00:26:20Oh, you idiot.

00:26:21Come on.

00:26:22Come on.

00:26:33José Miguel, do you want to stop playing around and eat it already?

00:26:35It's because I prepared it with great enthusiasm.

00:26:37I don't even know what it is.

00:26:38Me neither, but I'm betting it's edible.

00:26:40Dad, you eat it, you're the one who's in love.

00:26:42Juan, this is torture for the children.

00:26:44Nieves, please, you also do your part.

00:26:46Further?

00:26:47If I am here displaced, humiliated and yet with a smile, suffering in silence.

00:26:51Like the one for hemorrhoids?

00:26:53Equal.

00:26:54Juan, if you want me to leave, tell me now.

00:26:56It breaks my heart.

00:26:57No, no, that's not it.

00:26:58This apartment is small and...

00:26:59Shh!

00:27:00That everyone is eating.

00:27:02Oh!

00:27:02But you're still like this.

00:27:04The second course is going to get fried.

00:27:05I want to raise my glass.

00:27:06In honor of Isabel, the newest member of our family, who has been so thoughtful in preparing...

00:27:11Hey, what's that white thing floating around?

00:27:13Tofu.

00:27:14Measure it with the seaweed.

00:27:16It gives it a lot of flavor.

00:27:16Seaweed, are we eating that stuff that sticks to your feet at the beach?

00:27:19We're more into steak and potatoes here, but don't worry.

00:27:22You'll get the hang of it eventually.

00:27:24And what is the second one?

00:27:25Vegetable burger.

00:27:26See?

00:27:27You guys really like that.

00:27:28Vegetable burger.

00:27:29It is a contradiction in itself.

00:27:31Okay, enough with the complaining, man.

00:27:32Nobody wants to eat this.

00:27:34But Isabel did it with all the love in the world.

00:27:36Wow!

00:27:36Add salt and hold your breath.

00:27:40If we like it, can I prepare something else?

00:27:42It's not necessary.

00:27:43These are new flavors from around the world.

00:27:45This is culture.

00:27:47Hey, don't you know how to make macaroni and tomato sauce without any weird stuff?

00:27:50I know how to make them, but now she's your mother.

00:28:01Okay, what are you going to order?

00:28:03Oh girl, I don't know.

00:28:05Lately, every meal is a torment.

00:28:07But you don't know Fijadén.

00:28:10Fixadén.

00:28:13If your dentures are causing you stress, Fijadén is the answer.

00:28:18It also bonds ceramics, glass, and rubber.

00:28:21Fix your gaze and bite.

00:28:25This could relaunch my career.

00:28:28Total, total.

00:28:29That's a very socially conscious ad that addresses the issues women your age face.

00:28:33Oh no, no. I don't have dentures.

00:28:35Oh, no?

00:28:35No.

00:28:36Well, what interpretation? I had believed it.

00:28:38There's another, longer version with a steak, and I look better in it.

00:28:41But it's only for theaters.

00:28:44Oh, honey, how's it going with your new boyfriend?

00:28:47Oh, how lovely.

00:28:48Alicia, can we talk for a moment?

00:28:53Oh, this thing called being in love is intense.

00:28:55I finally understand Laura Pausini's songs.

00:28:57Hey, you invite your mother to spend a few days and I'm the one who's with her.

00:29:00Something's wrong here.

00:29:01I absolutely love this. I love it so much.

00:29:03Ali, do you want to see my ad?

00:29:05Wait, Mom, I'm talking.

00:29:06Yes, yes, yes. She's a very special person. So special that she's trying to seduce Emilio.

00:29:11My mother?

00:29:13Do you know who that lady sitting over there is?

00:29:16She was in Almería with Clint Eastwood. She was going to direct The Bridges of Madison County, but she was engaged to...

00:29:21the one that arrives late.

00:29:22Okay, fine, whatever you say. But tell your mother not to make things worse.

00:29:26You're being paranoid. Forget about Emilio already. Get out of that rut.

00:29:29Love is simple, Belén. There is no pain in love.

00:29:33Well, that's all I needed. Tinker Bell fluttering around.

00:29:36I'll introduce you to Ricardo tomorrow. When you see us together, you'll understand everything.

00:29:39Well, tell her I'm watching her.

00:29:41Okay, fine. Go with her, I'm going to bed.

00:29:44Come on, give me a friendly kiss.

00:29:46Get the hell out of here!

00:29:49Yes, Alicia's mother has made a pass at me.

00:29:52And why has Bethlehem arrived if she's not going to rape me right there?

00:29:53Damn, if he likes you, he likes me.

00:29:55But what's it like? Is it good?

00:29:57Paquito, you have no respect for anything, she's a proper lady.

00:29:59I said yes, she's gorgeous, right? Victoria Peña, the goddess of unveiling.

00:30:03No, well, that doesn't ring a bell.

00:30:04Damn, and you're the film expert?

00:30:06Less Tarantino and more sozores.

00:30:08Damn, local culture.

00:30:09Emilio is perfect for her. Take advantage of it, damn it, yeah, the vibe.

00:30:12If Belén gets jealous, it's because she still loves you.

00:30:14Sure, and if not, I already have a 50-year-old girlfriend.

00:30:16It's very well thought out.

00:30:17Damn, because it's your only chance to get her back.

00:30:19Do you want to get it back like that or not?

00:30:20Okay, but we'll have to evaluate all the riches, right?

00:30:22Okay, wait.

00:30:24Welcome to the planet of videos.

00:30:26If you want to talk to orders, press...

00:30:28Paco, it's Mauri.

00:30:29Can you come upstairs for a moment?

00:30:30Yes, yes, yes, yes. Okay.

00:30:33See, Mauri, let's go up?

00:30:35You've probably already seen the play.

00:30:36Cocoludo, we're going to get paid.

00:30:40Man, she was the queen of the unveiling.

00:30:42And what she had, she kept.

00:30:48But can you explain to me what this is?

00:30:50This?

00:30:52What is this?

00:30:53Mauri, who is not finished.

00:30:54Does it need more plaster?

00:30:55Does it lack many things, for example, being straight?

00:30:57Yes, it's straight.

00:30:58Hey man, please stand here, Diego.

00:31:00You see it as straight.

00:31:01Are you laughing?

00:31:02No way, dude.

00:31:03This is a disgrace.

00:31:04I'm going to drink some water.

00:31:05Mauri, you are being victimized by your ignorance.

00:31:08The buildings take five years to settle.

00:31:11For as long as God knows it.

00:31:13Whether we like it or not.

00:31:14And straight lines do not exist in nature.

00:31:17Okay, okay, it's perfectly straight.

00:31:18And what about all these gaps and the missing piece up to the ceiling?

00:31:22Ventilation, chef, by law.

00:31:23Look, Mauri, I'll bring you the color sample tomorrow.

00:31:25No, tomorrow I want two perfect partitions here.

00:31:28Straight, smooth, plastered and painted the same color as the rest of the walls.

00:31:31And without ventilation.

00:31:33Did you understand me?

00:31:33Yes, yes.

00:31:34Okay?

00:31:34Okay, fine.

00:31:36Here, let him see.

00:31:39Hello, how is the child?

00:31:40How has he gotten?

00:31:41The normal one is called reform shock.

00:31:44The eye is slow to accept visual changes.

00:31:46That is why they wanted to tear down the infidel tower.

00:31:49The luxury play ends tomorrow.

00:31:51Hey, about the advance for materials.

00:31:53Yes, no, but you come back tomorrow and we'll choose the decorations together, okay?

00:31:56Come on, a little kiss.

00:31:59But why does everything have to be so difficult in this life, Diego?

00:32:02Why so much pain?

00:32:03Okay, don't worry.

00:32:03If this is nonsense, don't despair.

00:32:05What do you mean, don't make me despair?

00:32:06If this is the Wailing Wall.

00:32:07Do you think they'll finish it by tomorrow?

00:32:09For their own good.

00:32:15Are the little warriors coming out or not?

00:32:18Standing for so long is really bad.

00:32:20Do varicose veins appear?

00:32:21In short, one more won't even make a difference.

00:32:23I don't see this plan working.

00:32:24Will Isabel be angry if we flood her bathroom?

00:32:26No, not if it's not her turn, if the water is going down.

00:32:28What if it's diverted and instead of going to Mauri, the humidity doesn't reach us?

00:32:32What have you been thinking about today, huh?

00:32:34Hello.

00:32:35Hello.

00:32:37Instead of going out, why don't we take advantage of the situation and have the party at home?

00:32:40Sure, so we have to clean more.

00:32:42Have you put the washing machine on?

00:32:43Yes, damn it, don't be so anxious.

00:32:45Good night.

00:32:46Good night.

00:32:47How are you?

00:32:48Here, on patrol.

00:32:49Hey, aren't you guys interested in a part-time cleaning job?

00:32:52Alex.

00:32:53What's happening?

00:32:54Integration of our seniors.

00:32:56Have a good time!

00:32:59Pablo has a better ass than his father.

00:33:01Marisa.

00:33:02What is it?

00:33:03Leakage command.

00:33:04Let's go inside.

00:33:18Local hydrological plan.

00:33:21Water for all.

00:33:23What are you doing?

00:33:24Since we were here, gossip.

00:33:26Grab some bandages, we've run out.

00:33:33Vicenta, test passed.

00:33:34Let's go.

00:33:35What are you doing?

00:33:36Poor boys, they are alone.

00:33:38I'm making them an omelet.

00:33:39But they don't need to know we've been here.

00:33:41If they're not going to find out, we'll leave it like that, anonymously.

00:33:44Come on, you'll finish it at home.

00:33:46Come on, we have to get in here in half an hour.

00:33:49Well, Carlos's car isn't running so well either.

00:33:51With that kind of shock absorption, all the bumps go to the spine.

00:33:53Did you see how people were looking at us in the street?

00:33:55Normal.

00:33:55It is a provocation to the most disadvantaged.

00:33:58This is how the French Revolution began.

00:33:59Well, we had a good dinner, didn't we?

00:34:00And the seat heating is terrible.

00:34:02That kills sperm by the handful.

00:34:04This kid is going to be in trouble, you'll see.

00:34:06Roberto, you're being a little silly.

00:34:07Can you tell me what's going on with you and Carlos?

00:34:08Not to me, it's just a comment.

00:34:09Roberto.

00:34:10Hey, nothing's wrong with me, really.

00:34:12Okay, fine, yes.

00:34:13I'm a little jealous.

00:34:14But I have admitted it.

00:34:15That's harder than hell.

00:34:16Carlos is a friend.

00:34:17Yes, a friend, a friend.

00:34:18Well, and so she can stay here at home for a few days

00:34:20It doesn't mean that anything is going to happen between us.

00:34:22Yes, yes, I know, I know, I know.

00:34:24Okay, well then, don't see ghosts where there aren't any.

00:34:31Look, look at the mess that son of a bitch has made for when you get back.

00:34:34Tell me if that's not enough to make me want to kill him.

00:34:35But if this is for you.

00:34:37I thought that after the romantic dinner

00:34:39Maybe you wanted to be alone.

00:34:41So I'm going to take a walk and I won't bother you anymore.

00:34:44Thank you very much, Carlos.

00:34:45But where are you going at this hour?

00:34:46Nowhere, for God's sake.

00:34:48Damn, dude, that was a really nice gesture.

00:34:49But don't worry, if Lucía and I take things slowly,

00:34:52There's no rush.

00:34:53I'd better go, I'll leave you here in a good mood.

00:34:55No, no, it really doesn't matter.

00:34:56If there's a really bohemian karaoke bar, the one I like to go to...

00:34:58Hey, no, no, no, no.

00:34:59I'm leaving.

00:35:01Damn, that was a nice touch, man.

00:35:03It has arrived.

00:35:04Well.

00:35:07Yes, it really was very nice, Carlos.

00:35:09Do you want me to help you clean up?

00:35:10No, no, no, no.

00:35:11You go to sleep and I'll take care of it.

00:35:13And I'm going to put this in the fridge

00:35:14Let's see if you're up for it tomorrow.

00:35:23Hey mate, it's cold coming in.

00:35:25What are you doing?

00:35:25I want to know what's going on down there.

00:35:27I'm going to take pictures of him with my phone.

00:35:29Oh, and how are you going to press the button?

00:35:34You're wrong, aren't you?

00:35:35And how do you want me to be?

00:35:37That guy plays the victim and ends up softening up Lucia.

00:35:39Nobody does that kind of stupid stuff if they don't want sex.

00:35:41If she wants to sleep with him, she's going to sleep with him.

00:35:44There's nothing you can do.

00:35:45Yes I can, yes I can.

00:35:47Hey, stop, stop, stop, stop.

00:35:48I can't think about these things.

00:35:50How will Lucia and Carlos get involved?

00:35:51And how could Isabel get involved with Juan Cuesta?

00:35:54Good night.

00:36:00Well, it seems the moment has finally arrived.

00:36:04This is like a wedding night.

00:36:05Yes, the only thing is that the bathroom in the industrial suite

00:36:07It's a little overwhelmed.

00:36:10But hasn't Natalia come out yet?

00:36:11Natalia!

00:36:12Yes, yes, yes, it's out, but Nieves has slipped in.

00:36:14who is waxing her legs in winter and is single.

00:36:17Because?

00:36:17Well, I don't know.

00:36:19But I need to brush my teeth

00:36:20Because otherwise, I can't sleep, or make love, or anything.

00:36:22Nieves, you have a long way to go.

00:36:24The wax is heating up.

00:36:26Well, the brush isn't absolutely essential, is it?

00:36:29Just relax.

00:36:30Right now, it's just you and me.

00:36:35Dad, Natalia is watching TV and doesn't want to go to bed.

00:36:37I need the sofa to sleep.

00:36:39José Miguel, for God's sake, call out before entering.

00:36:40Ah, so you were going to...

00:36:42Damn, that's intense.

00:36:43Tell your sister to go to bed.

00:36:46Where were we?

00:36:47It was just you and me.

00:36:49Dad, I want to watch TV.

00:36:51Tell him to let me have the sofa.

00:36:52What are you saying?

00:36:53Look, I don't sleep with Aunt Nieves.

00:36:54Dreams speak.

00:36:55Just do what you do when she's awake.

00:36:56Don't listen to her.

00:36:57Natalia, for God's sake, record it.

00:36:58And you can watch it calmly tomorrow.

00:37:00It's time to sleep now.

00:37:01Yes, it depends on who you're talking about.

00:37:05I'm going to have to put a lock on, for God's sake.

00:37:07Juan, get the children under control.

00:37:09that I am no longer his mother,

00:37:10But I end up taking my shoe off.

00:37:12Hey beautiful, are you missing a lot in the bathroom?

00:37:14Who's going to make breakfast tomorrow, Isabel or me?

00:37:16So what does that matter now?

00:37:17I need to set my alarm.

00:37:18We need to get organized.

00:37:20I'll wax and we'll make a calendar in a moment.

00:37:23I'm very sorry.

00:37:24This is not for me.

00:37:25I'm going home.

00:37:26No, no, no, please.

00:37:28Isabel, wait.

00:37:29Wait.

00:37:32No, no, I don't expect it.

00:37:34Because I'm starting to miss things

00:37:36that I used to miss.

00:37:38This is just a joke, huh?

00:37:39Let's see, the first moments

00:37:41They're always difficult, Isabel.

00:37:42This is like a family on set right now.

00:37:44Yes, yes, the project is very nice, Juan.

00:37:47But here, there isn't room for everyone.

00:37:50Clear.

00:37:50Being crammed together is just plain silly.

00:37:53If we have another vacant apartment next door,

00:37:55We knocked down the partition wall in your room

00:37:56and we put them together...

00:37:57Sorry.

00:37:58Don't you love each other that much?

00:37:59Well, we have a great apartment with plenty of space left.

00:38:01With two doors, like upscale houses.

00:38:03We can even bring Dad home from the nursing home.

00:38:06No, no, because if we knock down the partitions

00:38:08It's to have more space.

00:38:10All.

00:38:10Let's see, let's see, let's see, a little coherence.

00:38:12How are we going to get into reforms?

00:38:14Have I strongly opposed Mauri's work?

00:38:16I'm being eaten alive.

00:38:17It's a political execution.

00:38:18Hey, I can't perform like this.

00:38:19I'm not involved in the third evaluation.

00:38:21José Miguel, please.

00:38:22But it's just removing four bricks.

00:38:24Nobody has to know.

00:38:26What do you mean, no?

00:38:26And the noise, and the workers, and the rubble.

00:38:28You leave it to me.

00:38:29180 square meters of house.

00:38:31We're going to do it.

00:38:34And what about me having my own little bathroom?

00:38:56What are you doing?

00:38:58Nothing.

00:38:59It's raining in the bedroom.

00:39:08We're going to have to do the roof too, huh?

00:39:12You have dampness.

00:39:12But we've already got the hang of this little bubble gadget, right?

00:39:15It's coming out very straight.

00:39:16This was Andrés, the thug.

00:39:17that since becoming president of the community he travels by bus.

00:39:20And close that up, it brings you very bad luck.

00:39:22Hey, also when it dries,

00:39:23You might say they are mysterious faces.

00:39:25A cousin of mine did it in Belmez and you wouldn't believe it.

00:39:28Well, maybe a pipe has burst.

00:39:32Paquito, we're going to make a lot of money in this apartment.

00:39:35But how could it have been me, Mauri?

00:39:37If I'm living in the attic.

00:39:39Children, you can't be left alone.

00:39:41If we've just arrived,

00:39:42We found the bathroom taps running.

00:39:44The faucets?

00:39:45Did you break into my house?

00:39:47It must have been the children trying to get your attention.

00:39:50They are asking for affection.

00:39:51Was it you?

00:39:52Oh dear, oh dear, my nonsense is burning.

00:39:55Mauri, it was nobody.

00:39:57Hey, in these old houses you start doing some renovations

00:40:00and it happens in accidents.

00:40:02Well, be careful, because you know what they're saying.

00:40:03that misfortunes never come alone.

00:40:05And the community pays me for this.

00:40:06I demand the creation of a commission of inquiry

00:40:08that clarifies the origin and causes of this incident.

00:40:11And I request the appearance of the president.

00:40:13So instead of being such a pain,

00:40:15Could you help a little?

00:40:16Yeah.

00:40:17Juan, the child's music teachers are here.

00:40:20Teachers of what?

00:40:21Come on, let's go home, it has to start now.

00:40:23Hey, you can't play instruments here, okay?

00:40:26The child is a prodigy

00:40:27and will study whatever we want.

00:40:29He's going to be a great musician, like Luis Combs.

00:40:31So what do we do now?

00:40:33Shall we open the taps of the pussy?

00:40:35If we get overwhelmed with work.

00:40:38Ladies, if you enter people's homes,

00:40:40They could go to jail.

00:40:42Pinocchio has gone and I'm going to go.

00:40:47Nibes!

00:40:48Can you tell me?

00:40:49We slipped them in right under their noses.

00:40:51They haven't even smelled it.

00:40:51These things really turn me on.

00:40:53Nibes?

00:40:53Because I have a lot at stake.

00:40:55Well, I had class.

00:40:56Let's see if he gets some sleep.

00:40:57No, you're sick today, we need you.

00:40:59I'll give you a note tomorrow.

00:41:01Awesome.

00:41:02Ma'am, what if we have to throw it away?

00:41:03Hey, slow down, slow down.

00:41:04Can you tell me how we're going to disguise the noise?

00:41:07Don't worry, everything's been thought out.

00:41:09Take the girl's radio cassette player.

00:41:10Come on, this way.

00:41:12I'll provide the music.

00:41:14And you guys tease me with the orchestral flourishes.

00:41:18Like aerobics.

00:41:20Hey?

00:41:21I'll set the pace.

00:41:24An essay.

00:41:25Juan, press play.

00:41:27No, not that one.

00:41:28The fourth one.

00:41:33Pickaxe, mallet.

00:41:35And pickaxe, pickaxe, mallet.

00:41:38See how easy that is?

00:41:39Come on, you lead them, I'll peel the wicked bean.

00:41:42Come on.

00:41:43Okay, listen carefully, please.

00:41:46Now.

00:41:47Pickaxe, mallet.

00:41:49Pickaxe, pickaxe, mallet.

00:41:51Pickaxe, mallet.

00:41:53Peak, peak.

00:41:54Eighth notes.

00:41:56Pickaxe, mallet.

00:41:57Pickaxe, pickaxe, mallet.

00:42:00Pickaxe, mallet.

00:42:02Pickaxe, pickaxe, mallet.

00:42:04Pickaxe, mallet.

00:42:07Oh, good morning.

00:42:08Oh, I woke you up with the noise.

00:42:11No, no, no, no, no, no, it was the cost, they must have put in a terabyte, well, I

00:42:14What do I know?

00:42:15Hey Carlos, what's all this about?

00:42:16Well, since we've never woken up together, I didn't know you had breakfast.

00:42:21So I've opted for a small buffet.

00:42:23Hey man, drink your juice, otherwise the vitamins will disappear.

00:42:26You?

00:42:26I've already had breakfast.

00:42:27I got up a little earlier to see if I could clean up a bit and stuff, and now I'm going to the

00:42:31buys.

00:42:32Do you need anything?

00:42:32No, no, Carlos, really, you don't need to treat me so well.

00:42:36Thank you very much, but no...

00:42:37But I'm already happy.

00:42:38So, I don't have to take advantage of these days.

00:42:41Yes, yes, you don't know how many times I've dreamed of living with you like this.

00:42:44And I've always known you were the woman of my life, but come on, I never imagined it would be like this

00:42:48friend.

00:42:49Hey, but come on, just between you and me...

00:42:51No, no, no, no, no, nothing, nothing, calm down.

00:42:54It's much better that way.

00:42:55Yes, I, I love you so much that I don't need anything else.

00:42:58Well, if you remember anything you need, I'm on my mobile.

00:43:01Okay.

00:43:07I told Roberto we're taking things slowly, but now that I'm living with Carlos, well, I

00:43:11I've realized it's heaven.

00:43:12She takes care of me, cleans my house, cooks for me, and has told me that she only wants us to be friends.

00:43:16He didn't try to kiss me, he's a different Carlos.

00:43:18I don't know what to do.

00:43:19But what are you trying to tell us? That you like it now?

00:43:21No, no, no, no. What happens is that now I compare him to Roberto, and of course, I see Roberto

00:43:26more selfish, more childish, more...

00:43:27It's not my turn to make the bed today.

00:43:29Come on, Carlos is no longer Carlos and Roberto is still Roberto.

00:43:32If I could take the best from each one...

00:43:34Yeah.

00:43:34But which of the two makes it harder for you to breathe?

00:43:36Hey?

00:43:36No, it's not that Alice isn't Alice either.

00:43:38Just listen to me.

00:43:39At our age, we need to be practical.

00:43:41If Carlos treats you like a queen, and he's even slightly skilled at oral sex, what more could we want from men?

00:43:45Yes, but it's Carlos Belén.

00:43:48Imagine, I'm starting to see him as even more attractive and all.

00:43:51Lucia, don't close yourself off to love.

00:43:53Do you hear it? It's like that all day.

00:43:54Hey, how are things with Emilio?

00:43:56Ah, very good, very good, yes. I think she has a lovely relationship with Alicia's mother.

00:44:00And so on.

00:44:01What are you saying?

00:44:03I loved that trip to the hardware store.

00:44:06Yes, I had to buy a size 7 drill bit and I thought, maybe he'd like to come with me.

00:44:12Hello.

00:44:13Well, if you want we can meet tomorrow, I have to bleed the boiler and it's quite a job.

00:44:17Sure, call me.

00:44:19Okay, see you later. Goodbye, Belén.

00:44:25Mom, what are you doing? Are you flirting with the goalkeeper?

00:44:28He's throwing them away, he's throwing them away.

00:44:30Oh, please! I'm just trying to be nice.

00:44:33If it's him, poor thing.

00:44:35He has ended his relationship with Belén and is fascinated by me.

00:44:39How naturally do they call you ugly in this family?

00:44:42Yes, it's like living with two Alices. I'm going to talk to the doorman.

00:44:46Okay, Alicia, so what do you think, Carlos or Roberto?

00:44:49Listen to your heart.

00:44:51Yes, yes, yes. I'm going to get an EKG and I'll bring it to you now, okay?

00:44:59It was fantastic. If you could have seen Belén's face when she saw me come in with her mother...

00:45:03Alice,

00:45:04She was deformed by jealousy, dislocated.

00:45:06Yes, yes, yes, yes, yes. It was only right to show how well you do it.

00:45:09I have to get Carlos out of there somehow.

00:45:13Do you know how to get a snake out of its burrow?

00:45:15No.

00:45:16With a weasel.

00:45:17Oh, and who is the weasel?

00:45:18Alba! Hello, I'm Roberto, your brother-in-law.

00:45:21You were looking for Carlos, weren't you?

00:45:23I bet you don't know where it is!

00:45:25It's truly astonishing how twisted a person can become for a woman.

00:45:28And what about you? Huh?

00:45:30Are you after Alicia's mother just to make me jealous?

00:45:32Excuse me, but she's the one who desires me. I feel like a sex object, and that's beautiful.

00:45:36That woman can teach me many things.

00:45:38Yes, like going through menopause, for example.

00:45:40We have so little class. What a shame.

00:45:43Look, it's Vicky.

00:45:45Vicky?

00:45:46Hi gorgeous.

00:45:47Emilio, why wait until tomorrow? See you tonight.

00:45:50Huh? No, no, no, no. But the boiler needs to be bled during the day because it makes so much noise.

00:45:55Forget about the boiler. I'll go to the gatehouse.

00:45:58What did she tell you?

00:45:59What are you going to say to me? What do you want from me? There's going to be sex here tonight, Belén.

00:46:02Emilio, for God's sake, what could your mother be?

00:46:04No way. I'll show you a picture later.

00:46:06But seriously, you dump me first and then you get jealous. You're out of your mind.

00:46:09What, I'm jealous? Look, Emilio, do whatever you want.

00:46:13Listen, since I see you're drowning in pain, I'm going to give you one last chance to come back.

00:46:16We'll be back at one, we'll be back at two.

00:46:18Go to hell!

00:46:19Well, think about it.

00:46:21But think about it quickly, because something big is coming my way.

00:46:23Emilio, give me the key to the first one.

00:46:25So that?

00:46:28Why am I asking? I mean, there's the box.

00:46:30Of course, if I'm going to have to start charging for this service separately.

00:46:35Bauri, are you crazy? We can't just walk into a house like that.

00:46:38What do you mean, no? What about them?

00:46:39They're professionals, but they're going to catch us out.

00:46:41Of course, if the ladies are agents 077, they have a license to raid.

00:46:44They're not going in, can't you see they've gone to bingo?

00:46:48It's steeped in community crime and I don't know where it's going to lead us, huh?

00:46:51I'll make them sink into misery.

00:46:54Well, anything you break that's actually a favor to them, because...

00:46:56What is this?

00:46:57Come on, get out of here, damn it, don't leave a trace.

00:46:58What should I do to them? What should I do to them?

00:47:01Man, look at this delicious little thing.

00:47:03Come here, darling, come here.

00:47:04Come.

00:47:08The music was playing all day long!

00:47:11I'm going to call the police.

00:47:12We're very old, for God's sake.

00:47:14But what's stopping you from lowering it a little?

00:47:16I just don't understand it.

00:47:17The child is absorbing musical styles.

00:47:20He needs to develop his hearing.

00:47:21If we lower the volume, orchestral nuances are lost.

00:47:24If José Miguel is about to finish class and it's only one day, since he's a genius...

00:47:28Okay, see you later, okay?

00:47:29But what bad people there are in this building.

00:47:33Mr. President, cut off their electricity!

00:47:35Already.

00:47:35But how am I going to do that?

00:47:37This is not a staircase, this is the Gaza Strip.

00:47:39And you all stay put, okay?

00:47:41I can't find Valentín anywhere.

00:47:43It has disappeared.

00:47:45Thank you, sir.

00:47:46I have to go on my knees to buy tobacco.

00:47:48Marisa, I'm serious.

00:47:50Manolo dumped me, but your dog dumped you.

00:47:53I don't understand.

00:47:53How could he leave if everything was closed?

00:47:55This smells like a kidnapping to me, dude.

00:48:03No way, the situation is already unsustainable.

00:48:05The neighbors...

00:48:06Which one is already done!

00:48:06They're finished.

00:48:07Look at this amazing bedroom!

00:48:09Come on, you guys, get the paint.

00:48:11Let's see, please, that it's growing.

00:48:12You'll see what a great back you can pull off.

00:48:14You can download all of this in five trips.

00:48:16Oh, and if anyone asks, you have your school books with you.

00:48:19Mom, couldn't you have chosen another day to do construction work?

00:48:21You know the hangover we have.

00:48:22So now we don't need to leave home anymore, right?

00:48:25Well, we'll see for now.

00:48:26These two beds are in my room and mine is made of latex.

00:48:28Are you bringing her here?

00:48:29No, be careful.

00:48:30That room is for me, because I need my own space too.

00:48:33Yes of course.

00:48:33That's where we fit in.

00:48:34Well, I'll take the other room, with a separate entrance so as not to disturb anyone.

00:48:39No, I need the room for yoga.

00:48:41And why are you going to keep it?

00:48:42Well, I don't know, because the apartment is in my name, for example.

00:48:45So why did we knock down the partition wall?

00:48:47One small thing, you're in charge of the dirty laundry.

00:48:49Juan, if I'm going to be treated like a maid, I'm going back to my house, which was very nice.

00:48:54alone.

00:48:55But you hadn't sold it.

00:48:56And if you were so happy on your own, what are you doing here?

00:48:59Oh, he's looking for me, eh! He's looking for me!

00:49:02Let's see, let's see, let's see, let's see, we'll see how we manage.

00:49:05Let's not complicate things, if we've already achieved the hardest part.

00:49:08We completed the work in record time and without anyone noticing.

00:49:13But how did that turn out?

00:49:15What's going on? Do you have a neighbor doing construction work?

00:49:17Mauri, but he's in the first one.

00:49:18But what? Well, I don't know what she's done, but she's really messed things up.

00:49:20My God.

00:49:21Okay, don't worry, don't worry, I'll talk to the president.

00:49:23Yeah?

00:49:24Is this clear? Do we need to communicate this now?

00:49:25No, no, no, of course, sorry, it's just that I'm not used to living with someone with more responsibilities.

00:49:29Well, Roberto would do something in a case like that too.

00:49:31Yes, well, it was a poster.

00:49:33Carlos, sit down, come here, we need to talk for a moment.

00:49:35Do you want me to leave?

00:49:36No, no, no, no, let me explain.

00:49:39Look, there are times when you've dated someone and it would never, ever cross your mind to go back.

00:49:44go out with her,

00:49:45Well, because you've moved on, you want to meet new people, but one day you come into contact with that person again.

00:49:50And you start to discover a series of things that were there and you hadn't noticed them.

00:49:54And you start to feel a series of other things that throw you off, and well, I don't know if you understand me.

00:50:01Of course, go ahead.

00:50:03If Roberto is going to make you very happy, he's the one for you.

00:50:06Okay, and now I'm going to talk to the president.

00:50:10I haven't explained myself well.

00:50:12Mauri, you didn't have to get involved in renovations, and I'm fine at Rosa's house.

00:50:15You'll be better off here.

00:50:16You'll see what a terrible room I've prepared for...

00:50:19Let's see if we can give it a good coat of fur for once, shall we?

00:50:21Yeah.

00:50:22Rosa got blocked.

00:50:22I don't like.

00:50:23What have you done with Valentín?

00:50:25You wouldn't have dared to kidnap my dog.

00:50:27Don't tell me you've lost it.

00:50:29Of course, they let him loose and he might have been run over.

00:50:33They either euthanize him at the pound or experiment on him with some vaccine.

00:50:36Good luck, huh?

00:50:37Hey!

00:50:38What a bastard!

00:50:40Has the dog been stolen?

00:50:42He's in the bedroom eating your slippers.

00:50:44Now it's really happening.

00:50:45Two straight, smooth partitions painted in the same tone as the living room.

00:50:50An aesthetic decision that is as wrong as it is respectable.

00:50:53That's all very well.

00:50:54But he doesn't notice that something is missing.

00:50:56Yes, charge.

00:50:57But we artists don't like to talk about money.

00:50:59Can you tell me where the door is?

00:51:02Damn, Paco's painting himself inside.

00:51:04Do you see how something was missing?

00:51:05The client told me that if the client is guided by me, it's not my fault.

00:51:09Okay, okay, okay, okay, okay, okay, okay, okay.

00:51:11Mauri, this is a joke, right?

00:51:12But what planet are you from?

00:51:13Which sect do you belong to that makes a room without a door?

00:51:16No, I think it's absurd too, but it looks good in a pyramid shape.

00:51:19Look, I think I'd better go back to Rosa's house and...

00:51:21No, no, no, you go in there with the kid and play with the dog.

00:51:23This place has everything it needs.

00:51:24If it doesn't have a door.

00:51:25You are already opening a hole for the other one to come out.

00:51:28Yes, because I'm finished now, okay?

00:51:29I'm getting dizzy from the paint.

00:51:31Well, I'm taking the bait, okay?

00:51:32But this is a different budget.

00:51:34Until you pay me what you owe me.

00:51:35And on top of that, he wants me to pay him.

00:51:37This is amazing.

00:51:38Come on, go open it.

00:51:40But, Mauri, what have you done?

00:51:41Lucia has a huge crack in her bedroom.

00:51:44He's kidnapped Valentín!

00:51:47Valentine!

00:51:47But how am I going to make a crack in the third one if I've only made one room?

00:51:50If you don't have a door.

00:51:51I know.

00:51:52He won't want it.

00:51:53If you start being late with payments, I won't lift a finger.

00:51:56I'll leave you there, and neither will you.

00:51:57Paco.

00:51:58Please make way.

00:51:59Hey, there's a human being walled up in there.

00:52:02Dizzying!

00:52:02And have they kidnapped Paco too?

00:52:05Mr. President, the gay movement is out of control.

00:52:07No, no.

00:52:08Let's see, let's see.

00:52:09This thing with Paco is my fault, but the third one is impossible.

00:52:12Lucia, I haven't moved the structure.

00:52:14Well, you're the only one doing construction work on the building.

00:52:16Hello.

00:52:18Hello.

00:52:20Okay, the school books.

00:52:22Wow, those are bricks.

00:52:24No, it's not what it seems.

00:52:30I categorically deny that we are doing any work on my home.

00:52:34The child has back problems and the doctor has recommended that he lift weights to strengthen his lower back muscles.

00:52:39Nothing else.

00:52:40Do you expect us to believe that?

00:52:41It's just absurd, come on.

00:52:42It's idiotic.

00:52:43Let's see if we'll have to submit a medical certificate now.

00:52:46It pains me that my fellow neighbors, after 13 years of honest management,

00:52:50They accuse me of doing construction work on my house without having the proper permit.

00:52:53And everything was perfect and just like God...

00:52:54What color should I paint the adaptation?

00:52:56Like the one on that floor or like the one across the street?

00:52:59What kind of sense of humor do these musicians have?

00:53:02Clear!

00:53:03You have joined the two floors.

00:53:04That's why the crack has appeared.

00:53:06Sausage!

00:53:06Have they ever pulled a pack donkey?

00:53:07No, no, no.

00:53:08It wasn't a cargo carrier.

00:53:10I don't think so.

00:53:11It's Andrés' fault; he should have realized it.

00:53:14He doesn't have the instincts of a president.

00:53:16I, I, I, I, I don't believe it.

00:53:18Urgent meeting in half an hour, okay?

00:53:20Yeah!

00:53:20That Mauri has kidnapped Valentín.

00:53:22I want a search warrant.

00:53:28I'm telling you that your mother has arranged to meet Emilio at the gatehouse tonight.

00:53:32Melen, you're wrong, huh?

00:53:33And what about you?

00:53:33Are you tidying up the living room?

00:53:35Yes, I want Ricardo to find everything beautiful.

00:53:37Well, the kitchen is a mess.

00:53:39Oh my God!

00:53:41How do you clean that?

00:53:42I'm going to take out the trash.

00:53:43I'll be right back.

00:53:43How beautiful the trash is going down!

00:53:45Whatever I wear...

00:53:47Do you want me to help you?

00:53:48No!

00:53:48Well, the easiest thing would be for me to go for a walk later to get away for a bit.

00:53:51Mom, Ricardo is about to arrive.

00:53:53Of course, I'm looking forward to meeting you.

00:53:55Okay, see you later.

00:53:58And where are you going?

00:53:59What's coming, Ricardo?

00:54:00I'm going to explain the recycling issue to your mother, who might not know about it.

00:54:03Well, envy eats away at you, huh?

00:54:04Yes, yes.

00:54:15Come!

00:54:24Belén doesn't come down.

00:54:25I'm going to abort the mission.

00:54:26No?

00:54:26If you can get out of this thread.

00:54:28What's stopping you from getting along well with my story?

00:54:30Dad, you're very ill.

00:54:31I am playing with the feelings of two women.

00:54:33Come on, the kid's not a ghost.

00:54:35Technique, Cyrano.

00:54:36You turn off the light.

00:54:37You get under the bed.

00:54:38And you don't start saying nice things.

00:54:40I'll provide the body.

00:54:43Quality guaranteed.

00:54:44Dad, don't talk nonsense.

00:54:45But how are we going to do that?

00:54:47You have a mustache, he's going to notice.

00:54:48Well, I'll shave.

00:54:49I would do anything for my child.

00:54:51Hey?

00:54:51I didn't sleep with your mother to bring you into the world.

00:54:54That was truly a miracle of life.

00:54:57Hello good evening.

00:54:58Too late.

00:54:59Let's do our best.

00:55:06But what are you doing here?

00:55:07Shh!

00:55:09You're quite sarcastic, aren't you?

00:55:10Leave me without you.

00:55:11So this is where you live.

00:55:13Uh, yes, yes, yes.

00:55:14It's a bit depressing.

00:55:15I think maybe we should go out for dinner.

00:55:17No, I love it.

00:55:18It's dirty.

00:55:19It's erotic.

00:55:21Yes, we are made for each other.

00:55:23Understand it.

00:55:24I am your fantasy and you are mine.

00:55:27Yes, well...

00:55:27You don't know that women make love with their minds.

00:55:31The brain is the most powerful sex organ.

00:55:34Okay, okay, okay.

00:55:34Well, we can imagine if it's prettier.

00:55:36Come on, come here.

00:55:37Come here, sit down.

00:55:40I understand that all of this is a dream for you.

00:55:43Yes, yes, yes, yes.

00:55:44And it's a shame not to be able to complete this.

00:55:45But I'm a Clint Eastwood fan.

00:55:47And since I know you've been with him, well, of course, I could never measure up to you.

00:55:51Dirty Harry.

00:55:51It's practically impossible.

00:55:53So I prefer that this dream remain a dream.

00:55:56Are you a romantic?

00:55:57Yeah.

00:56:00Son of a bitch!

00:56:01I am Victoria Peña.

00:56:02I am not rejected.

00:56:05Of course not.

00:56:05Come here.

00:56:06What do you see here?

00:56:07Please get out of the way.

00:56:10What happened, Don Juan?

00:56:11Did Mrs. Inés get angry with you?

00:56:13You don't understand.

00:56:14What we have is a romantic thing.

00:56:15An impossible love.

00:56:16Impossible because you didn't like it.

00:56:18You're still head over heels for me.

00:56:19Do you like me?

00:56:20Do you like me?

00:56:21Do you like me?

00:56:21And what were you doing back there, you jealous little powerhouse?

00:56:23You're the one who's crazy about me.

00:56:24What are you saying?

00:56:25Yes, you are sorry.

00:56:26You no longer know what to do to get back without crawling.

00:56:28It was the mistake of your life.

00:56:29No, the biggest mistake of my life was getting involved with you.

00:56:32What a shitty relationship.

00:56:33But you still don't even know why you left me.

00:56:35What, I don't know?

00:56:36No!

00:56:36What, I don't know?

00:56:37No!

00:56:38Yes, I do know.

00:56:39But I'm not going to tell you.

00:56:40You have to realize it yourself.

00:56:42Yes, darling.

00:56:43I'm sorry.

00:56:43It's my fault.

00:56:44Everything is sorted now.

00:56:45No, Emilio.

00:56:46Don't get confused, okay?

00:56:48We're not going out.

00:56:49We've cut.

00:56:50Yes, Belén.

00:56:51That we have cut.

00:56:52Emilio, I'm serious.

00:56:54Hey, one little thing.

00:56:55What you told me about you having stopped taking the pill is a lie, isn't it?

00:56:59Host.

00:57:03Mom, come out, Ricardo's here.

00:57:05Leave her alone, darling.

00:57:06Don't bother her.

00:57:07I'll meet her another day.

00:57:09Excuse me, I was just getting comfortable.

00:57:12Make me a tonic water.

00:57:13With gin, the way I like it.

00:57:16So you're the famous Ricardo.

00:57:19You're as handsome as I imagined.

00:57:21Well, I didn't imagine you, yes.

00:57:22Yes, they look like sisters.

00:57:24It happens to us a lot.

00:57:25Sit down.

00:57:26And what do you do for a living?

00:57:28I am a researcher.

00:57:29I work in a laboratory.

00:57:30Oh, yes?

00:57:32Well, it's a very erotic profession.

00:57:38But, daughter, please.

00:57:39We were just talking.

00:57:42You've never forgiven me for being prettier than you.

00:57:46Thank you.

00:57:49Don't worry.

00:57:50I'll go with you to the meeting and that mess will be fixed first thing tomorrow.

00:57:54Carlos, I don't want to go to the meeting.

00:58:02We can protest in writing.

00:58:08Guys, look who found me at the entrance.

00:58:11Attack, attack.

00:58:12So, what's wrong now, Carlos?

00:58:13What do you want?

00:58:15Alba, I've told you categorically that we're over.

00:58:18So stop harassing me.

00:58:20But how can he harass you?

00:58:21But you're the one who's harassing me.

00:58:23The other day he was chasing me around a shopping mall.

00:58:26No no.

00:58:27I was doing some Christmas shopping and we met on the seventh floor.

00:58:30But agreeing doesn't mean following along.

00:58:31If Alba wasn't harassing you, why did you lie to me?

00:58:33Come on, Agatha Christie, make a connection.

00:58:35Were you pretending to hook up with me?

00:58:37But it can always be like this.

00:58:39Things work out as friends, you've even kissed me.

00:58:42Did he kiss you?

00:58:44Let's go outside.

00:58:46Sorry?

00:58:46You and I are going to settle an outstanding issue that we've had for many years.

00:58:49Okay, very good.

00:58:51But I'm warning you, kid, I'm doing capoeira.

00:58:52Hey, hey, don't be a kid.

00:58:54I know this isn't a school playground.

00:58:55No, Lucia, I am maturing.

00:58:56But what has fully matured...

00:58:58Roberto!

00:59:03What are you doing, are you being an idiot?

00:59:05Hey, watch out for the table.

00:59:07No, I came here for a reason.

00:59:10Mom, mom, mom!

00:59:13Yes, I have Valentín.

00:59:14What's happening?

00:59:15These three ladies turned on the taps in your house with your complicity.

00:59:18So until the community fixes my roof, I'm not giving the dog back.

00:59:21And she's grown very fond of me.

00:59:23Monster!

00:59:23But, Mauri, is that a kidnapping?

00:59:25We're going crazy!

00:59:27No, they're crazy.

00:59:28And we're all going to end up crazy.

00:59:29This house is like the hotel of the radiance.

00:59:31Juan, I'm scared.

00:59:33This one's going for the axe.

00:59:34This model of government is in crisis.

00:59:35I propose a motion of censure now.

00:59:37Okay, next item on the agenda.

00:59:39The house could collapse on us.

00:59:41It costs money, I paid for everything.

00:59:43There are no cracks at the top.

00:59:44Andrés made it up.

00:59:46It is state terrorism.

00:59:47Okay, let's take a look at the crack and clear things up.

00:59:50We're all very nervous.

00:59:52Everyone to the posh girl's house.

00:59:53Let's see if he bought anything later.

00:59:54But all I'm asking is that we all contribute a little...

01:00:00Andrés, what's wrong?

01:00:02Andrew!

01:00:03He has been poisoned.

01:00:05They've put something in the water.

01:00:07That's a heart attack!

01:00:08Ma'am, don't talk nonsense.

01:00:10That's a fainting spell.

01:00:11Since it's at the Cuesta's house, they'll have to deal with the mess.

01:00:14No, no, no.

01:00:15The legs are in a common area.

01:00:16But please, call an ambulance.

01:00:19Oh my God!

01:00:22Now you will be still!

01:00:24Send several!

01:00:26There's something going on!

01:00:27Look, the staircase isn't the place for squiggly lines, because the wood sticks together.

01:00:34Are you crazy?

01:00:39This girl always looks so cute!

01:00:41Come on, let's see how this ends.

01:00:44Be careful with the lamps!

01:00:45Those tulip-shaped lampshades aren't made anymore!

01:00:50Vicenta, please!

01:01:00Don't you see you're making fools of yourselves?

01:01:02You're already on the portal, man!

01:01:03Why do you find it so hard to go outside?

01:01:05Jump over me!

01:01:06Please jump over me!

01:01:06No, jump over me!

01:01:08Jump over me!

01:01:08Or so, Lidio Cruz!

01:01:10You came up with a bad idea!

01:01:11Come on, let's go through the door!

01:01:14Andrew!

01:01:16But what's going on here?

01:01:17Let's not play with the cubes.

01:01:19Emilio, there was a neighborhood meeting.

01:01:21Can you tell me what you were doing?

01:01:24But again?

01:01:25If it was her who caught me betraying her.

01:01:28Bea, but everything's already organized, why are you leaving?

01:01:30No, not at all.

01:01:31You've got the guy from the video store sandwiched in,

01:01:33The neighbors' dog was kidnapped.

01:01:34the ceiling is falling to pieces

01:01:35and the community is in the midst of a civil war.

01:01:37Well, if you see everything in a negative light, of course.

01:01:39The rich kid, isn't he?

01:01:40Hey Mauri, how's this being a father thing going?

01:01:42Nice, isn't it?

01:01:42Because I'm the same...

01:01:43No, Emilio!

01:01:44Hey, don't tell me it's you and Belén.

01:01:46The reverse gear that hasn't engaged, Mr. Juan.

01:01:48No!

01:02:06I don't know, this bastard

01:02:07He hasn't left you the keys to the cigarette machine.

01:02:10Hey, we were looking for an elegy, weren't we?

01:02:12Yeah.

01:02:12You're going to give Paco a break at the video store!

01:02:15Enjoy it, because men are fighting over you.

01:02:17Enjoy.

01:02:18You two are idiots.

01:02:19Look, I don't want to see you again.

01:02:20I'm selling the apartment tomorrow.

01:02:21For how much?

01:02:22Okay, okay.

01:02:24Okay, okay, huh?

01:02:25Okay, okay.

01:02:26Okay.

01:02:27Come on.

01:02:27Okay, yes.

01:02:28Come on, come on.

01:02:30Fuck.

01:02:31Stop it, damn it.

01:02:32That's enough, isn't it?

01:02:33You're right.

01:02:34This isn't getting us anywhere.

01:02:35Friends.

01:02:36Come on, friends.

01:02:38Nothing, by hand.

01:02:39Come here, you bastard.

01:02:48Hey, girl, are you sure that one of these two is the man of your life?

01:02:51It's just that I have too much free time.

01:02:52I have to start working 14 hours a day.

01:02:55Let's go.

01:02:59Oh dear, oh dear, oh dear.

01:03:01What an animal you are.

01:03:09Come on, you could have finished the box too.

01:03:11Treatments are not left half-finished.

01:03:12What's happening?

01:03:13Now it's my fault?

01:03:15What do they want?

01:03:16Hello good evening.

01:03:17Look, we wanted a RU486.

01:03:19The fact that?

01:03:20One of these morning-after pills.

01:03:22What's happening?

01:03:23Have they had unprotected sex?

01:03:25No, it's just that Nuria climbed up and got cold.

01:03:27Let's wash our faces before serving people.

01:03:29Emilio, didn't we have a little problem with the condom?

01:03:32With what?

01:03:33With a condom, damn it.

01:03:34Wasn't it one of those finite, super sensation ones?

01:03:36Yes, you can't imagine the feeling when we saw it broken.

01:03:38Well, I'm sorry, I can't give you the pill.

01:03:40You will need to go to a family planning center.

01:03:43And that's why I asked us the whole story.

01:03:45Gossip!

01:03:46Emilio, can you tell me what we do now?

01:03:48Didn't you say our relationship wasn't going anywhere?

01:03:50Well, look, maybe we've already set her on the right path.

01:03:52Come on, let's go, what are we doing here?

01:03:54Get out of here!

01:03:55Get out of here, you cold.

01:03:57I don't even know why I'm getting involved with you or anything.

01:04:00But you can find out what it has.

01:04:02We don't know, we've stabilized him.

01:04:04Andrew!

01:04:05Andrés, don't go!

01:04:06And they can't stabilize her either.

01:04:08Vicente, please let me take it.

01:04:10If they need blood, I volunteer!

01:04:12That ours is no good, that it's expired.

01:04:15We cross our fingers that it's nothing.

01:04:17Oh, I want to, but the best ones always leave.

01:04:19This one survives.

01:04:20You'll be happy, won't you?

01:04:21In the end, what had to happen, happened: a tragedy.

01:04:24We just can't live together peacefully, can we?

01:04:26Because you always have to be messing with other people's lives.

01:04:28I'm throwing in the towel, I'm leaving here, it's over, I'm going to sell the apartment.

01:04:31No way, and she's the only one who pays her community fees on time.

01:04:33Do you see what you've accomplished?

01:04:34No, do you see what you've achieved?

01:04:35Lucía is right.

01:04:37There has to be a before and after this.

01:04:39It's not that difficult to get along.

01:04:40It's just a matter of goodwill.

01:04:43Vicenta, take this and forgive me.

01:04:44See?

01:04:45This is the spirit.

01:04:46Look, I can't live like this.

01:04:48You guys might like it, but it stresses me out a lot.

01:04:50The best thing would be for me to sell the apartment and move somewhere else.

01:04:52Juan, another one is leaving.

01:04:53No need, Mauri.

01:04:55We will pay for the roof damage.

01:04:57I think we've gone a little too far.

01:04:59Of course, it's because the insurance doctor stuffs us with pills and...

01:05:02We also commit to fixing it immediately

01:05:05both the load-bearing wall and the crack in Lucia's house.

01:05:08Of course, Juan.

01:05:09Today is a special day for this community.

01:05:11On cordiality, we will build a better future.

01:05:14Come on, everyone, a hug.

01:05:15Thank you.

01:05:16Ah, it's not that big of a deal.

01:05:18Mariano, stay put, you're not the owner.

01:05:20And neither are you.

01:05:23Well, after this emotional moment, I, as acting president...

01:05:28But which acting president?

01:05:30If this needs to be voted on.

01:05:32My brother is the only one qualified to form a crisis cabinet.

01:05:36If you want, you can put the hypothetical on the wall you're tearing down.

01:05:39Okay, okay, let's take it one step at a time.

01:05:41Valentine!

01:05:41What have you eaten?

01:05:42Is he on the loose?

01:05:44Vicente, clean that up, please.

01:05:46Well, I'm going upstairs to join Paco.

01:05:48Valentine!

Aquí no hay quien viva - 3x12 - Érase una grieta - HD 1080

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