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00:00:28Subscribe to the channel!
00:00:30Please!
00:00:31Take it, we're made for each other.
00:00:33Sex makes life look different.
00:00:36Excuse me, but I don't need sex to live.
00:00:38You say that because you haven't tried it.
00:00:40Yes, I have tried it!
00:00:41But it was done badly.
00:00:42I'll give you a demonstration with no obligation.
00:00:44like vacuum cleaner salesmen.
00:00:47So, what do you think? Do you like them?
00:00:49A caricature costs 10 euros.
00:00:51This is a botched job!
00:00:52I'm not like that!
00:00:53Mine, however, has a little dot.
00:00:55That's Lucia, damn it.
00:00:57This is yours.
00:00:58I knew it turned out really cool.
00:01:00If you had painted a portrait of us like the veins,
00:01:02with Valentina at my feet...
00:01:04That's why you should be paying us.
00:01:07We want image rights.
00:01:08But what does it say?
00:01:09Come on, give me back the cartoons.
00:01:11No way.
00:01:12I don't want this circulating out there.
00:01:14Well, yours is the one that looks most like it.
00:01:17And you, Mauri, what about you?
00:01:18Come on, I'll give it to you for 8 euros.
00:01:20I don't have anywhere to hang it.
00:01:22The bedroom is impossible, the living room is full
00:01:24And the child's room too, because we don't have one.
00:01:26I could only put it in the kitchen and the bathroom
00:01:28And I find that very respectful of your art.
00:01:29I'll leave you now, I'm very busy.
00:01:32Hey, are you selling cartoons to the neighbors?
00:01:34What's happening?
00:01:35Picasso also started out drawing in the street.
00:01:37They won't pay me for them,
00:01:38But the proof that the neighbors
00:01:38They don't like my drawings.
00:01:39They keep them.
00:01:40Oh, what a blunder.
00:01:45Okay, fine, have fun.
00:01:47Everything is going great for you, and terribly for me.
00:01:49Do you know how long it's been since I've had sex?
00:01:51Well, the same as me, Roberto,
00:01:52And it's not that serious.
00:01:53Vicenta, neither of them has gotten wet.
00:01:55Okay, ma'am, let's turn off the radio.
00:01:58Because you're saying there's a bed.
00:01:59You don't see it unless you're out and about.
00:02:01No, but if you need a job
00:02:02I'll find you a spot.
00:02:03No, thank you very much.
00:02:04I don't need your charity.
00:02:06Hey, why don't you post your drawings?
00:02:08at the restaurant?
00:02:09That's very popular now.
00:02:10Excellent.
00:02:11I hadn't thought of that.
00:02:13Would you do that for me?
00:02:14Well, yes, one can think about it.
00:02:17Those things add class, Lucia.
00:02:19Your business needs a more fashionable touch.
00:02:21Clear.
00:02:22This is how I present my new collection
00:02:23about children's stories.
00:02:24I'll bring you the drawings this afternoon.
00:02:26Okay.
00:02:26Thank you.
00:02:29Where could you have come up with them?
00:02:30bathroom ideas
00:02:31Like everyone else?
00:02:32Oh, what do I know, this is it.
00:02:33Here, here, here
00:02:35There's no one living there.
00:02:36Not here, not here.
00:02:38Every day is like this.
00:02:40I couldn't imagine it when I came here.
00:02:43I was just looking for some peace.
00:02:45I wake up every day in the middle of a hurricane.
00:02:47Here, here, here
00:02:48There's no one living there.
00:02:50Not here, not here.
00:02:51No, no, no.
00:02:52Here, here, here
00:02:53There's no one living there.
00:02:54Not here, not here.
00:02:55No no.
00:02:56That over-start collapses.
00:02:58I can't find the goalkeeper.
00:03:01The neighbors parade by and listen to me.
00:03:03I can't stand being in this place.
00:03:05In other words, not all my neighbors have this here.
00:03:07If not, come here, my son.
00:03:08Come to the bathroom, cousin, I love you and show me.
00:03:10Where clowns cry, thieves rob us.
00:03:12And the stones are overcome by something to trust in.
00:03:15Put it in a cocktail shaker.
00:03:19It was during an earthquake and a mudslide.
00:03:23Yeah.
00:03:24And you'll have this ladder.
00:03:28Here, here, here
00:03:30There's no one living there.
00:03:31Not here, not here.
00:03:33Here, here, here
00:03:34There's no one living there.
00:03:35Every day is like this.
00:03:37I couldn't imagine it when I came here.
00:03:39I was just looking for some peace.
00:03:42And I wake up your little friend in the south.
00:03:44Here, here, here
00:03:46There's no one living there.
00:03:47Here, here, here
00:03:48There's no one living there.
00:03:49Here, here, here
00:03:50There's no one living there.
00:03:52No.
00:03:54Well, that's it.
00:03:57Yes, I recommend
00:03:58They should start thinking about changing the pulley.
00:04:00the engine gears
00:04:01and the tracks of the box
00:04:02that touch at the height of the second.
00:04:05See you soon.
00:04:06See you soon?
00:04:07Mr. Juan, this elevator
00:04:09It's for lovers
00:04:09From water sports, huh?
00:04:10I used to make a garbage room for him
00:04:12or some homeless person rented it to him.
00:04:13Ma'am, really,
00:04:14I don't believe in those things.
00:04:15I see you having a lot of success in your endeavors.
00:04:17Go on.
00:04:17You love children,
00:04:18You're going to have three
00:04:19and the heart line
00:04:20You have it very deep.
00:04:22It's obvious you're a woman.
00:04:23of a single man
00:04:24and that he loves you very much.
00:04:26Yes, thank you very much.
00:04:27Good luck, beautiful.
00:04:28Child,
00:04:29I'll read your palm, darling.
00:04:31And who is that?
00:04:32I don't know,
00:04:33But I wouldn't have three kids in a million years.
00:04:34Emilio,
00:04:35we cannot allow
00:04:35that this kind of charlatan
00:04:36wander around the door
00:04:37of this community of ours,
00:04:39promoting the underground economy
00:04:40which does so much damage to the country.
00:04:41Of course not,
00:04:42It's a disgrace.
00:04:45Emilio.
00:04:47Ah, let her throw it out.
00:04:48And on top of that, he made me take the fall.
00:04:51Come on, ma'am,
00:04:52clearing the sidewalk.
00:04:53Okay, kid,
00:04:54Let me read your palm.
00:04:55No, no, no.
00:04:56Go read at the library.
00:04:57that's free.
00:04:57Come on, ma'am, move along.
00:05:00You know what I'm saying?
00:05:02That's bad luck for you.
00:05:03And for all your loved ones.
00:05:04And may misfortune follow you.
00:05:05wherever you go.
00:05:06But what are you saying?
00:05:07Get out of here.
00:05:08Emilio,
00:05:09that I've put an evil eye on you.
00:05:11Well, you've screwed up, mate.
00:05:12because the one in the park is good.
00:05:13But that doesn't work, does it?
00:05:15To whom I love you
00:05:15I'll throw one in
00:05:16and he hasn't returned
00:05:16to sell a supplement.
00:05:17You don't pay attention to him, Emilio.
00:05:18They are nothing more than cheap superstitions
00:05:20that lack
00:05:20of any scientific basis.
00:05:22That.
00:05:22Come on,
00:05:23Charlie's Angels,
00:05:24from mission to purchase.
00:05:24Hey, so what's up?
00:05:25With the heating on?
00:05:26Should we put it on or not?
00:05:28He wants to freeze us.
00:05:29like Welding Ney.
00:05:30But, Emilio,
00:05:31It hasn't turned on yet.
00:05:32the heating.
00:05:32But he told me the other day
00:05:33that we would hold out until...
00:05:35I'll turn it on right now.
00:05:39Listen,
00:05:39The horns
00:05:40for the concerts
00:05:40Iron Maiden?
00:05:41Ladies, please,
00:05:42I can't believe it
00:05:42at this point
00:05:43still think
00:05:44that those things exist.
00:05:46They exist, they exist.
00:05:51Mr. John,
00:05:52can come for a moment.
00:05:53I just don't know
00:05:53What's wrong with the boiler?
00:05:54Don't you see how it exists, huh?
00:05:55This one has already screwed us up.
00:05:58Sorry.
00:06:01Tropical paradises.
00:06:03Fuck,
00:06:04You have to write this
00:06:04with how cold it is.
00:06:08Good morning.
00:06:09Good morning.
00:06:15I'm so glad you're happy now.
00:06:17Hey?
00:06:17Because after a week
00:06:18without speaking to me
00:06:18I was starting to think
00:06:19that you're angry with me.
00:06:21First you make me go through
00:06:22by your girlfriend
00:06:23And now it turns out
00:06:23that I sleep with you.
00:06:24In summary,
00:06:25that I'm cheating on you
00:06:26with a married uncle
00:06:27whose wife
00:06:28I'm supposedly a friend
00:06:28and also while pregnant.
00:06:30And what was I complaining about?
00:06:30Why couldn't he get a date?
00:06:31If I'm the building's whore.
00:06:32It was when Alba appeared
00:06:34Diego got very nervous
00:06:35and said the first thing
00:06:35that came to mind.
00:06:36No, Maury, no.
00:06:37Our friendship is one thing
00:06:38and another having to go to
00:06:39Gerachani for life.
00:06:40Or do you talk to her?
00:06:41Or I'll tell him.
00:06:41No, we'll tell you.
00:06:43In other words, he tells him so.
00:06:43who is the one who has to tell him.
00:06:45Just give it time.
00:06:4624 hours.
00:06:47To the.
00:06:47If she hasn't told Alba by tomorrow
00:06:49who is with you
00:06:50I'm telling you.
00:06:51Okay, okay.
00:06:51I talk to him.
00:06:52And ask Emilio
00:06:53What the hell is wrong with the heating?
00:06:54Okay, but don't get angry.
00:06:55that then goes to the child.
00:06:59My darling.
00:07:01The Canary Islands are a paradise.
00:07:03Really,
00:07:03I don't know what we're doing here anymore.
00:07:05Dude, tell Mom the truth.
00:07:06Aren't you ashamed?
00:07:06Are you traveling for free at their expense?
00:07:08No, the truth is no.
00:07:12Alex, son!
00:07:15You look so healthy!
00:07:16Well, it's just that in Poland
00:07:17at this time of year
00:07:18You wouldn't believe how hard it hits.
00:07:19So, how's it going?
00:07:20Have you met your father?
00:07:22It turns out he emigrated
00:07:23and now lives in New York.
00:07:24And of course, I don't have any money.
00:07:25to go and meet him.
00:07:26Alex, I've given you my last name.
00:07:29You know you will always be my son.
00:07:31Yes, Dad,
00:07:32But these things
00:07:32they stay inside you
00:07:33and they torture you
00:07:34because they torture you.
00:07:35Well, we'll see.
00:07:37Let's see what can be done.
00:07:38Come on, let's go.
00:07:39Here I take you.
00:07:41Here.
00:07:42Thank you, Dad.
00:07:42Mother,
00:07:43The sooner we decide
00:07:44I can get the ticket cheaper.
00:07:47Okay, very good.
00:07:50You've got a nerve.
00:07:51that you step on it.
00:07:52Illegitimate son,
00:07:53What can we do?
00:07:55Juanito,
00:07:55What's wrong with the heating?
00:07:57Isabel and I
00:07:58We were about to stay in bed.
00:08:00Right, darling?
00:08:01Andrés, please.
00:08:02Oh, woman,
00:08:03There is trust.
00:08:04We are a happy couple.
00:08:06We can see you, we can see you.
00:08:07I'm taking her out to dinner tonight.
00:08:09to the place where we met.
00:08:10It was the first time
00:08:12we left without paying
00:08:13And since then...
00:08:14And what about you, Juan?
00:08:15How's your spirits?
00:08:16Great.
00:08:17The boiler is broken,
00:08:18The elevator is not working.
00:08:19The community has no budget
00:08:20And our goalkeeper is the jinx.
00:08:22Oh well,
00:08:23I am left with the consolation
00:08:24to see my neighbors happy.
00:08:25Have a good time.
00:08:29That's wrong, isn't it?
00:08:31No way?
00:08:32I think he looks fine.
00:08:33Celibacy is becoming increasingly common
00:08:34He's making it more expensive
00:08:36of Franciscan.
00:08:37Hey,
00:08:38your friend Yolanda,
00:08:39the yoga one,
00:08:39She hasn't just gotten divorced.
00:08:41Andrew,
00:08:42Don't even think about it.
00:08:43Call her,
00:08:44We organized a dinner party at home.
00:08:45and let's see what happens.
00:08:46No,
00:08:47that Yolanda is going through
00:08:48a very critical stage.
00:08:49She's depressed.
00:08:50She's unleashed,
00:08:51one man goes per week,
00:08:52Yoga has been incorporated into the Kama Sutra.
00:08:53That's it,
00:08:54Just what Juan needs.
00:08:55No?
00:08:56But why don't you want to help him?
00:08:59Has something happened to you?
00:09:01But we had dinner early,
00:09:02because I have to get up early tomorrow.
00:09:06Really, Ancha,
00:09:07It's a shame you're leaving already.
00:09:08You haven't been with us for very long.
00:09:10Already,
00:09:11But I've found
00:09:11an apartment
00:09:12and I'm going to live with a friend.
00:09:13Oh,
00:09:14I spent three years here
00:09:16beautiful with Alicia.
00:09:17Well,
00:09:18that we won't bother you anymore,
00:09:20what if Emilio and I
00:09:20We have to study,
00:09:21We already arranged to meet at my house.
00:09:23No,
00:09:23I mean,
00:09:25come here
00:09:25And that way you keep me company.
00:09:28Well,
00:09:28Well, nothing.
00:09:29see you later.
00:09:30Hey,
00:09:30Call me from time to time,
00:09:31So we'll have a coffee or something.
00:09:33Okay,
00:09:33I'll call you.
00:09:37Arantxa has left.
00:09:38Excellent,
00:09:39No?
00:09:39Yeah.
00:09:42But,
00:09:42what's the matter?
00:09:44I'm late,
00:09:45my period hasn't started.
00:09:46Oh,
00:09:47My God,
00:09:47What if you said it, Emilio?
00:09:48No way?
00:09:49I am 30 years old,
00:09:51waitress job
00:09:51And I'm going to have a child
00:09:52with the goalkeeper.
00:09:53I would call my parents
00:09:54to give him the news,
00:09:56But I don't talk to them.
00:09:59Everything is disgusting.
00:10:01Peaceful,
00:10:02peaceful,
00:10:03Nativity scene,
00:10:03which is surely a false alarm,
00:10:05Hey?
00:10:05And also, don't be unfair.
00:10:06think that there are always people
00:10:07much worse than you.
00:10:08Carlos,
00:10:09please,
00:10:09Leave me alone.
00:10:10Alice,
00:10:11For example.
00:10:11I just don't understand
00:10:12Why do you want to break up with me?
00:10:13if I drive you crazy.
00:10:14I said it without thinking.
00:10:15There it is,
00:10:15You said it without thinking
00:10:16Because it comes from within you.
00:10:17Alicia is a very bad actress,
00:10:18That has to be love.
00:10:19Look,
00:10:19I understand that all of life
00:10:20have treated you
00:10:21like a woman object,
00:10:22But I am different.
00:10:23I don't care about looks.
00:10:25I am someone
00:10:25that he's going to love you
00:10:26Because of the way you are,
00:10:27who will always be with you,
00:10:28by your side,
00:10:29taking care of you.
00:10:30A travel companion.
00:10:32Think about it.
00:10:40Well, I don't know.
00:10:41What do you find so funny?
00:10:42You both went out with him.
00:10:44Alice,
00:10:45when I think
00:10:46that my life is shit,
00:10:47I'm looking at yours.
00:10:49So you know
00:10:50that I've done a casting
00:10:51for a movie
00:10:52And it turned out amazing.
00:10:54And do you have a phrase?
00:10:55Or do you just spend your time shaking your ass?
00:10:56I am the co-star,
00:10:58a nurse
00:10:59who has a romance
00:11:00with the husband
00:11:00of the injured girl
00:11:01nonconformist,
00:11:02but it's also complicated
00:11:04with a plastic surgeon
00:11:04who gives you a price
00:11:05in liposuction.
00:11:06He's a character
00:11:07very complex.
00:11:08And do you have scenes?
00:11:09naked?
00:11:10Nine,
00:11:11but perfectly justified.
00:11:12Come on,
00:11:13because the script asks for it.
00:11:16To clarify a point,
00:11:17that if you just want sex
00:11:18I adapt too.
00:11:23He's the casting director.
00:11:27Yeah?
00:11:28What are you going to expect?
00:11:28to the next ice age
00:11:29to turn on the boiler?
00:11:30At this rate, my son
00:11:31instead of with umbilical cord
00:11:32He's going to be born with a scarf.
00:11:33Sorry,
00:11:33My brother already gave the order,
00:11:35but if the boiler
00:11:36Another one breaks it...
00:11:36I haven't done anything.
00:11:38What do you mean, no?
00:11:39Ashen.
00:11:39Let's not confuse things.
00:11:41This has been
00:11:41a regrettable accident
00:11:42which has nothing to do with
00:11:43with Emilio's evil eye.
00:11:44What evil eye?
00:11:44If the boiler has broken down,
00:11:46the rules,
00:11:46that I pay to the community
00:11:47for something.
00:11:48If I pay for it...
00:11:49The technician's tide.
00:11:50The problem is that we ended up
00:11:51to use special funds
00:11:53to fix the elevator.
00:11:55Juan,
00:11:56That should be announced.
00:11:57Don't complain,
00:11:58that way you lower your cartridge belt.
00:11:59How exciting!
00:12:00We now have an elevator.
00:12:03Yeah,
00:12:03There are a lot of complaints here.
00:12:04from all over the world,
00:12:05But when Mr. Juan
00:12:05He does things well,
00:12:07nobody...
00:12:11Oh,
00:12:12Well, it works wonderfully.
00:12:13It was bad luck.
00:12:14The man has touched him.
00:12:15No,
00:12:16But you've looked at it.
00:12:17Let's see,
00:12:17This is nothing more than a chain
00:12:18of misfortunes
00:12:19which coincidentally
00:12:20They revolve around Emilio.
00:12:21Juan,
00:12:22Go inside.
00:12:23Don't expose yourself to bad luck,
00:12:24that you're playing tennis tomorrow
00:12:25with the director
00:12:26Let's see if you're going to win.
00:12:27Well,
00:12:27That's enough.
00:12:28Don't close yourselves off
00:12:28with poor Emilio.
00:12:29Thank you,
00:12:30Mauri.
00:12:30Careful.
00:12:31They've caught me.
00:12:32They caught me.
00:12:33So that?
00:12:33For the movie,
00:12:34Emilio.
00:12:35The role of the nurse
00:12:35This is my first sentence.
00:12:36in the movies.
00:12:37Don't touch me!
00:12:38I'm going to the test!
00:12:39from the aviary!
00:12:44This is still
00:12:45that chain
00:12:46of misfortunes,
00:12:46No?
00:12:47Fuck,
00:12:47Emilio,
00:12:48You're jinxed.
00:12:50But let me...
00:12:58I'm sorry,
00:12:59Mariano,
00:12:59but I've only done
00:12:59food for two.
00:13:00You could think a little
00:13:01in Emilio,
00:13:02No?
00:13:02What have you done?
00:13:03A little broth?
00:13:04Listen,
00:13:04go to a soup kitchen,
00:13:05at the town hall
00:13:06They give away free food.
00:13:07Already,
00:13:07But you have to queue.
00:13:11Emilio,
00:13:11Tell your father
00:13:12that he doesn't have so much nerve.
00:13:13Leave it,
00:13:13I'm not hungry,
00:13:14I've been given the evil eye
00:13:15And I'm unlucky.
00:13:16Case closed.
00:13:17I'm just starting out
00:13:17unemployment.
00:13:18What do you mean you're jinxed?
00:13:19What are you saying?
00:13:19Yes,
00:13:19that an old woman has done to me
00:13:20an evil eye
00:13:21and everything I touch now
00:13:21it becomes a spill.
00:13:22Don't tell me
00:13:23You believe that nonsense.
00:13:27And you,
00:13:28Why are you getting involved?
00:13:28with a witch?
00:13:29But what do I know?
00:13:30if you didn't have
00:13:30no identification or anything.
00:13:31Well,
00:13:31You're going to have to go
00:13:32somewhere
00:13:32to have that taken away from you,
00:13:33Hey?
00:13:33Clear,
00:13:33the asshole,
00:13:34No?
00:13:34Because it's the evil eye.
00:13:35Well, I don't know,
00:13:36but in the kitchen
00:13:36Don't get involved
00:13:37that the microwave
00:13:38It's new.
00:13:38Dad,
00:13:39What do I do now?
00:13:39Look right here.
00:13:41Focus.
00:13:42So that?
00:13:43Pussy,
00:13:43Let's see if you can bend it
00:13:44And we're going to the TV.
00:13:49Well,
00:13:49hello good.
00:13:49It is possible to know
00:13:50where do you know?
00:13:51I'm hysterical.
00:13:51I've already had three coffees.
00:13:52I don't know what to do
00:13:53reading obituaries.
00:13:54Well,
00:13:54forgive me,
00:13:54I was arguing with Alba,
00:13:55But things are going well.
00:13:56Hey?
00:13:56Has he forgiven you?
00:13:57No,
00:13:57not yet,
00:13:58But today he only called me.
00:13:59four times a son of a bitch.
00:14:00I think we fixed it.
00:14:01But why are you so insistent?
00:14:02in saving your marriage
00:14:02What if Alba isn't going to do anything for you?
00:14:03Why not?
00:14:04Because he doesn't have a penis.
00:14:08Forgive me,
00:14:08But Alba is a woman
00:14:09very attractive.
00:14:10Are you sleeping with her?
00:14:10No,
00:14:11Don't tell me.
00:14:12I went to bed.
00:14:13Now it's getting harder and harder.
00:14:14I've been here for a week
00:14:15sleeping in the living room.
00:14:16And how hard,
00:14:17Hey?
00:14:18Hey,
00:14:18Give me an ultimatum.
00:14:19Do you tell your wife the truth?
00:14:20Or will she tell him tomorrow?
00:14:22Don't mess with me.
00:14:25Well,
00:14:26He might not believe it.
00:14:26I can tell you that Bea
00:14:27She's completely crazy.
00:14:28because of jealousy and that...
00:14:29Look,
00:14:29Don't waste any more of my time.
00:14:31Who do you want?
00:14:31Your wife or me?
00:14:32To both of them.
00:14:33Are...
00:14:33If you tell me again
00:14:34the two different loves
00:14:35I'll throw the coffee at your head.
00:14:36Mauri,
00:14:36I want to be with you.
00:14:37So,
00:14:37What game are you playing?
00:14:38Do you think being gay is so terrible?
00:14:40Do you want to spend your whole life
00:14:41pretending to be someone you're not?
00:14:42No,
00:14:43I just need a little bit of time.
00:14:45Well, I can't wait for you.
00:14:46Well,
00:14:46Okay.
00:14:47Okay?
00:14:48Alright,
00:14:49There's no going back now.
00:14:50I plan to tell Alba everything.
00:14:52Of course,
00:14:53man,
00:14:54Tell him.
00:14:55Sorry,
00:14:55Are you very interested?
00:14:56our conversation?
00:14:57Much more than this.
00:14:59And why don't you sell?
00:15:00The exclusive?
00:15:04No,
00:15:04Andrew,
00:15:05Don't insist.
00:15:05I don't have the body
00:15:06for blind dates.
00:15:07But,
00:15:07why not?
00:15:08Isabel and I want to help you.
00:15:10But Isabel agrees.
00:15:11Clear,
00:15:12if she is the one who called Yolanda.
00:15:14Oh,
00:15:14Yeah?
00:15:15Well, I'm going to go after all.
00:15:16You'll see what a woman.
00:15:18Have you seen the Playboy girls?
00:15:19At the kiosk.
00:15:20But why do they put it right next to it?
00:15:21from art history journals.
00:15:23Well, Yolanda is like that,
00:15:24but in three dimensions.
00:15:26Oh really?
00:15:27And he's had his ribs removed.
00:15:28buoyant,
00:15:29I won't say any more.
00:15:30Ah.
00:15:31And is that a good thing?
00:15:32Think.
00:15:32Why would a woman take off her clothes?
00:15:34The bouncy ribs?
00:15:36Ah,
00:15:37Yeah,
00:15:37clear.
00:15:39Juan,
00:15:39Shall we begin, or what?
00:15:41Yeah.
00:15:42Let's see what excuse I can come up with.
00:15:43Now to my sister.
00:15:44We'll be waiting for you at ten.
00:15:45Aren't you coming to the meeting?
00:15:46No,
00:15:47I have to wash the car.
00:15:50Mr. John,
00:15:51if he's not impatient
00:15:51the street vendor.
00:15:52Hey,
00:15:52Do you know why it's removed?
00:15:53a woman's ribs
00:15:54floating?
00:15:55I don't know.
00:15:56To go for a run to the bathroom?
00:15:57It has to be for something else.
00:15:58Well,
00:15:58come on,
00:15:59come on,
00:15:59Come on...
00:16:04Please,
00:16:04Turn off your mobile phones
00:16:05and don't smoke.
00:16:06To speak,
00:16:07They raise their hand to me.
00:16:07Why does he have to say it?
00:16:09Looking at me?
00:16:10I'm not looking at you,
00:16:10I look at them all.
00:16:12Oh well,
00:16:12What's going on?
00:16:13Emilio is a jinx.
00:16:14They've put the evil eye on him.
00:16:15Well,
00:16:16It is undeniable that this of ours
00:16:17community faces
00:16:18to a problem
00:16:18difficult to explain.
00:16:20No,
00:16:20No,
00:16:20No,
00:16:20No,
00:16:20not difficult at all.
00:16:21That boiler is a thousand years old.
00:16:22We approved a special assessment,
00:16:23It gets changed, period.
00:16:24So that?
00:16:25So that he can touch it
00:16:26and ruin it again.
00:16:27This girl always looks so cute.
00:16:29Oh well,
00:16:29Let's see,
00:16:30What's this about Emilio being a jinx?
00:16:31Yes,
00:16:31which is proven.
00:16:33It's happening to all of us.
00:16:34bad things.
00:16:35To us
00:16:36We've been caught
00:16:37stealing at the supermarket.
00:16:38Valentin has left him
00:16:39to his girlfriend.
00:16:40Andrés has applied for a loan
00:16:41And they gave it to him.
00:16:43Emilio,
00:16:43It's obvious
00:16:43Something's going on here.
00:16:45So while you get over
00:16:46this bitter ordeal
00:16:47haven't you considered
00:16:48spend a few days
00:16:49with your family
00:16:50or take a trip.
00:16:51He gets on a plane
00:16:51and smash it.
00:16:52Well,
00:16:52Let them do it.
00:16:53giving the way of St. James.
00:16:54Why don't we fire him?
00:16:55Which is easier.
00:16:56Ah, yes,
00:16:56I'm going to start handing things out.
00:16:57evil eye for everyone.
00:16:58Emilio,
00:16:59Don't use your powers
00:17:00And I ask you please.
00:17:01We're not going to burn him alive.
00:17:03Fortunately
00:17:03Many years have passed.
00:17:04from the dark times
00:17:06of the Inquisition.
00:17:06Shell,
00:17:07Why don't you tell us?
00:17:07Anything from that era?
00:17:09Let's see,
00:17:09I propose,
00:17:09Why isn't it being investigated?
00:17:10to that lady
00:17:11of the evil eye
00:17:11And what about cleaning it for the poor guy?
00:17:12Yeah,
00:17:13Yeah,
00:17:13That's very nice.
00:17:13But I'm broke.
00:17:14Taking into account
00:17:15the seriousness of the situation
00:17:16I propose
00:17:16a preventative spill
00:17:17to obtain the funds
00:17:18necessary for said cure.
00:17:20Votes in favor.
00:17:20Yeah.
00:17:22And if it doesn't work
00:17:23We poured it on.
00:17:24But let's try
00:17:25a spill
00:17:25to remove the evil eye.
00:17:27Approved by majority vote.
00:17:28You have said before
00:17:29that the divine one is
00:17:30He's usually found in a park.
00:17:31Is it very far away?
00:17:32No,
00:17:32right here.
00:17:33Two cigarettes.
00:17:34And in meters,
00:17:34please?
00:17:34Oh,
00:17:35I don't know what to tell you anymore.
00:17:48Lucia,
00:17:50We have a few problems
00:17:51with Roberto's exhibition.
00:17:52What's happening?
00:17:53Listen,
00:17:54This is disrespectful.
00:17:55It's offensive.
00:17:56Don't they realize
00:17:56Do children see this?
00:17:58No way, woman,
00:17:59But if this incites them
00:18:00to reading.
00:18:01You'll see how now
00:18:02His son is reading the book.
00:18:03I want to see the manager.
00:18:05Carlos,
00:18:06It's for you.
00:18:10But,
00:18:10For God's sake,
00:18:11This is not a sex shop.
00:18:12How can I play?
00:18:13these paintings
00:18:13in my restaurant?
00:18:15Are you censoring me?
00:18:16It's a current view
00:18:17of the stories
00:18:18of all time.
00:18:18Roberto,
00:18:19the little pieces
00:18:20They're having an orgy.
00:18:21Of course,
00:18:22think,
00:18:22What did they do all day?
00:18:23inside a cabin
00:18:24in the middle of the mountains?
00:18:25No, no, no,
00:18:25They weren't involved
00:18:26in a cabin,
00:18:27They were fleeing from the wolf because...
00:18:28Well, look,
00:18:28please,
00:18:29Get them out of here.
00:18:30That's it,
00:18:30Say it,
00:18:30You don't like my paintings,
00:18:32no problem.
00:18:33Well, I'll take them, period.
00:18:34But, Roberto,
00:18:35That's really not it.
00:18:35They've already closed us down
00:18:36once the restaurant
00:18:37and it has cost us a lot
00:18:38that they would return to us
00:18:38to grant the license.
00:18:39Specifically,
00:18:40six thousand euros in bribes
00:18:41that I've had to pay for.
00:18:42Why don't you add something else...
00:18:44Well, less so...
00:18:46You're asking me
00:18:47that betrays
00:18:47my artistic principles.
00:18:49No,
00:18:49I'm telling you
00:18:50that you stop interpreting
00:18:51already the stories
00:18:51and do something more modern,
00:18:53more aesthetically pleasing,
00:18:53more avant-garde,
00:18:54And don't bring any filth here.
00:18:56Okay,
00:18:56what do you want?
00:18:57Modern art?
00:18:58Well, I'll bring you modern art,
00:18:59I don't care anymore.
00:19:00I paint everything.
00:19:00Can I stay?
00:19:01with Peter Pan's?
00:19:03It's just that my first fantasies
00:19:04erotic
00:19:05They went with a bell.
00:19:07I was dreaming
00:19:08who grabbed her
00:19:08and we left
00:19:10flying there
00:19:11and with a kick...
00:19:14Kids' stuff.
00:19:17Hey, is this Alice Belén?
00:19:19Look,
00:19:19I don't know,
00:19:20This is a joke.
00:19:24Alice,
00:19:24You can't go
00:19:25with crutches
00:19:26and move your ass at the same time.
00:19:27And take off your boot
00:19:28that you're going to break
00:19:28the other leg.
00:19:29Bring it.
00:19:29What bothers you
00:19:30even with crutches
00:19:31be sexier than you.
00:19:33Look,
00:19:34See?
00:19:35It's not that difficult.
00:19:37Nativity scene,
00:19:37you too?
00:19:38No, man,
00:19:38No,
00:19:38If this is from Alice in Wonderland
00:19:39that has been done
00:19:40a sprained foot.
00:19:41Because of you
00:19:41I will no longer be
00:19:41the nurse from the movie.
00:19:42Well,
00:19:43But maybe
00:19:43It catches you in the image
00:19:44in an orthopedic store.
00:19:46I'm going now,
00:19:47You should do the same.
00:19:51Thank you for opening the door for me.
00:19:52Oh,
00:19:52sorry.
00:19:57Dear,
00:19:57I love you very much,
00:19:58but
00:19:59you wouldn't mind
00:20:00go to sleep
00:20:00to the goal tonight.
00:20:01What are you saying?
00:20:02If this is with love
00:20:02The safety is removed.
00:20:03I've looked
00:20:04on the internet
00:20:05And it says that the evil eye
00:20:06It is transmitted through
00:20:07of sexual relations.
00:20:08Maybe not,
00:20:09You're taking the pill.
00:20:10The pill.
00:20:12I'm running late.
00:20:14How is it a delay?
00:20:14Don't mess with me.
00:20:15I should have
00:20:16lowered the period
00:20:16five days ago
00:20:17and it hasn't gone down.
00:20:18Maybe I haven't taken the...
00:20:19Look,
00:20:19I'll kill that old woman.
00:20:20Hey?
00:20:20Well,
00:20:21But you didn't want to have children.
00:20:22Yeah,
00:20:22But not now.
00:20:23You're going to come out with three heads.
00:20:24Well,
00:20:24don't worry,
00:20:25that maybe
00:20:25It's a false alarm.
00:20:26Well,
00:20:27It's better to sleep on the bottom.
00:20:27otherwise
00:20:28You're not a fool.
00:20:29Yeah.
00:20:40But Mom,
00:20:40Juan Cuesta has a blind date.
00:20:42We can't miss that.
00:20:43Really?
00:20:44For once
00:20:44What would we like to have for dinner as a family?
00:20:45Come on,
00:20:46please,
00:20:46And here we go.
00:20:47Hey,
00:20:47also in our house.
00:20:48If we haven't made plans with anyone,
00:20:49What do we do for these three hours?
00:20:50You are not young and rebellious.
00:20:51I'm sure you can think of something.
00:20:55Hey,
00:20:55And what about my trip to New York?
00:20:56How's it going?
00:20:59Juan needed a date,
00:21:00It was falling apart.
00:21:02You should have seen
00:21:03How her face has changed
00:21:04when I told him.
00:21:05Already,
00:21:05I guess so.
00:21:08This thing about helping others
00:21:09It makes me feel like a better person.
00:21:11That's what's beautiful about it for me too.
00:21:12of these things.
00:21:14Pussy,
00:21:15Juan,
00:21:15You're going all out,
00:21:16Hey?
00:21:17Not going all out,
00:21:18just one.
00:21:19So,
00:21:20with a sense of humor.
00:21:21That's what makes us fall in love.
00:21:22to women.
00:21:23Oh, really?
00:21:23That's how I made you fall in love.
00:21:25Seven embargoes
00:21:26in ten years,
00:21:26It's hilarious.
00:21:29A little wine?
00:21:30Yeah,
00:21:30please.
00:21:33Thank you so much.
00:21:35It wasn't necessary
00:21:35that you played matchmaker,
00:21:36I can manage on my own.
00:21:37I know,
00:21:38You look delighted
00:21:39of having dates.
00:21:40What do you want me to do?
00:21:41You are with Andrés
00:21:42And you are happy,
00:21:43Because you are happy,
00:21:44No?
00:21:45Go.
00:21:46Juanito,
00:21:47You'll see
00:21:47What a woman!
00:21:48What curves.
00:21:51Hello,
00:21:51I'm Carla.
00:21:52Sorry,
00:21:53You're mistaken.
00:21:53No,
00:21:54It's Carla,
00:21:55my yoga partner.
00:21:57I left him
00:21:57a message to Yolanda
00:21:58and he didn't give it back to me
00:21:59And I said,
00:21:59Well, Carla too,
00:22:00which is adorable.
00:22:01Are you single?
00:22:02Come for dinner.
00:22:03Well, I've almost done it.
00:22:04if you don't come
00:22:04because I'm detoxing
00:22:05with the sage syrup.
00:22:07I'm going to get it done
00:22:08a colon cleanse.
00:22:09Ah,
00:22:10very good.
00:22:11Let me introduce you to Andrés,
00:22:12my husband.
00:22:12Hello.
00:22:13Hello.
00:22:13And to Juan,
00:22:14who is eager to meet you.
00:22:16Hello.
00:22:16Well,
00:22:17I'm going to serve the wine
00:22:18that we're going to need.
00:22:20And if you have a little glass
00:22:21for the syrup,
00:22:22That's how I toast too.
00:22:26Isabel,
00:22:26What happened?
00:22:27Well, wait,
00:22:28Let me tell you
00:22:28their problems
00:22:29with the coccyx.
00:22:30You'll see
00:22:31We had such a great time.
00:22:32Yeah,
00:22:32especially you.
00:22:36Hello,
00:22:37We need to talk.
00:22:38Dawn,
00:22:39I was about to leave.
00:22:42to take out the trash.
00:22:43It's just that here
00:22:44As soon as you put in a pin
00:22:44on the landing
00:22:45you don't know anymore
00:22:45When are you coming back?
00:22:46Don't worry,
00:22:46It will only be a moment.
00:22:48I need to go to the bathroom.
00:22:49Yeah,
00:22:49clear,
00:22:49at the back on the left.
00:22:50That's the advantage.
00:22:51of such a small house
00:22:52that you can't go wrong.
00:22:53But here he is now.
00:22:55Two.
00:22:58Diego,
00:22:58Have you told him yet?
00:22:59Your wife?
00:23:00Pussy,
00:23:01Why is he here?
00:23:02Ah,
00:23:02And what do I know?
00:23:04Mauri,
00:23:05Can you come here for a moment?
00:23:07Yeah,
00:23:08I'll call you later.
00:23:11Don't tell me
00:23:11if the paper has run out.
00:23:15Come here.
00:23:17We're going to get revenge.
00:23:18of them.
00:23:19My dear daughter,
00:23:20But what are you doing?
00:23:21I know you like me.
00:23:22I notice
00:23:23when a man
00:23:23He looks at me with desire.
00:23:25Well, get checked out
00:23:25the sixth sense
00:23:26because the...
00:23:29Come on...
00:23:29because we're all grown up now.
00:23:31Let's talk,
00:23:31Grab your clothes
00:23:32and get dressed.
00:23:32No no,
00:23:33if I haven't brought anything,
00:23:33I only have the coat
00:23:34and the boots.
00:23:35Wait,
00:23:36that I lend you
00:23:36Bea's blur.
00:23:37No!
00:23:38You stay right there.
00:23:39I'll bring it myself.
00:23:44What's happening?
00:23:45Don't you find me attractive?
00:23:46Of course, Alba,
00:23:48But this is not the case.
00:23:49An eye for an eye
00:23:50in the end everyone is blind.
00:23:51Come,
00:23:52Sit down.
00:23:52Look,
00:23:54What you have to do
00:23:54It's talking to Diego,
00:23:56Hey?
00:23:56And let him tell you
00:23:58that's sure
00:23:58who has a lot to tell you.
00:24:00What's happening?
00:24:01Do you know anything?
00:24:02that I don't know?
00:24:03It's best if he tells you himself.
00:24:04Bea's child is hers.
00:24:05No,
00:24:06It's mine,
00:24:06It's mine,
00:24:07checked.
00:24:09Dawn,
00:24:10You talk to him,
00:24:10with love and understanding.
00:24:12These are very difficult times.
00:24:13for both of us.
00:24:15Fuck,
00:24:15I look like a priest.
00:24:16You're right.
00:24:17If you have forgiven Bea,
00:24:18I can forgive Diego too.
00:24:20Man,
00:24:20forgive him either,
00:24:21that he's done a really bad thing to you.
00:24:22You are married.
00:24:23My thing with Bea
00:24:24It's a little adventure,
00:24:25with a child involved,
00:24:26but a little adventure.
00:24:26Well, the relationship is more...
00:24:28open.
00:24:30Forgive me for what happened before.
00:24:31in the room.
00:24:32I'm having a really hard time.
00:24:34Peaceful.
00:24:35Me too.
00:24:37Clear,
00:24:38if you insist on going to see shooting movies
00:24:40and the child doesn't see you in peace,
00:24:45so...
00:24:45Bea,
00:24:46goes,
00:24:46Let's go to my house
00:24:47that we will be more at ease.
00:24:48Don't wait,
00:24:49that this is not what it seems.
00:24:50I'm sorry, Bea,
00:24:51Where were they given?
00:24:52But don't tell him that.
00:24:53Now,
00:24:54You don't have to feel guilty.
00:24:56We can do it calmly.
00:24:57Dawn,
00:24:57no.
00:24:58Oh,
00:24:59You don't find me attractive.
00:25:01Oh,
00:25:01the Virgin.
00:25:03I'm jinxed,
00:25:04but really jinxed,
00:25:04Hey?
00:25:04Now it turns out that Belén is late.
00:25:06Well,
00:25:06She's not very smart.
00:25:07But if you love each other...
00:25:08Philippines,
00:25:08who might be pregnant.
00:25:09Go on,
00:25:10that has made you want to catch you.
00:25:11Hey,
00:25:11uncle,
00:25:11But you haven't learned anything.
00:25:12of the council of wise men.
00:25:14Lucia has taken away my drawings
00:25:16from the restaurant.
00:25:17He says my art is for perverts.
00:25:18Man,
00:25:19It helps you understand your universe.
00:25:20Now she wants paintings in a modern style.
00:25:22I am offended.
00:25:23Pussy,
00:25:23I am an artist.
00:25:24Roberto,
00:25:24You can't be a true artist
00:25:26if one has not suffered in life.
00:25:27Paquito,
00:25:27then your movies
00:25:28They're going to be works of art.
00:25:30Van Gogh cut off one of her ears,
00:25:31Modigliani's wife
00:25:33He died of tuberculosis.
00:25:34Toulouse-Lautrec was yours,
00:25:35Manet had syphilis.
00:25:36What's your problem?
00:25:37Not having happened
00:25:38from the fifth screen
00:25:39from Final Fantasy.
00:25:40Hey,
00:25:40I suffer a lot,
00:25:41if that's what you want to do
00:25:42It is contemporary art,
00:25:44I'll help you.
00:25:44You?
00:25:45What do you have in the fridge?
00:25:47I'm thinking of copying this,
00:25:48But it does sing a little,
00:25:49No?
00:25:50Don't overcomplicate things,
00:25:51if it's not needed now
00:25:52to be Velázquez,
00:25:52remove.
00:25:55Trunk!
00:25:55Nothing's wrong.
00:25:57Look.
00:26:00That's it.
00:26:01If painting isn't the difficult part,
00:26:02is finding its name,
00:26:04This is called
00:26:05photosynthesis.
00:26:06Let's see,
00:26:07Leave it to me.
00:26:12Careful.
00:26:20Loneliness.
00:26:21There it is,
00:26:22uncle,
00:26:22You nailed it.
00:26:23Clear,
00:26:24Pussy,
00:26:24modern art.
00:26:25Let's give it our all
00:26:25that we get 20 or 30.
00:26:55Lookit.
00:27:19Subscribe to the channel!
00:27:27Ah, damn it, take your feet away!
00:27:28Damn, you look like you have ice cubes.
00:27:32Go over there, come on.
00:27:39Here, here.
00:27:40On this portal.
00:27:42Look, I fell on that step.
00:27:44And my ordeal began.
00:27:46Well.
00:27:48I had a great time.
00:27:49Yes, me too.
00:27:54Would you like to go up?
00:27:56No.
00:27:56I mean, yes, I would love to.
00:27:58But I have an assessment exam first thing tomorrow morning.
00:28:00And I need to be sharp to intercept chops.
00:28:03Furthermore, I think it's better if we take it slow.
00:28:06Ah, you're traditional.
00:28:08Very, very, very traditional.
00:28:11Well, then he'll call us.
00:28:14Yes, that's it.
00:28:15They'll talk.
00:28:15Good night.
00:28:23Bye bye.
00:28:23Juan.
00:28:28Juan.
00:28:29Juan.
00:28:29Juan is waiting for the coat.
00:28:31Juan.
00:28:32He, he...
00:28:33Wait, hold back your tailbone.
00:28:35Yes, I'll call you, yes.
00:28:43Ah, man, sorry about the mess last night.
00:28:46I don't know what Isabel was thinking
00:28:48Yolanda must have let him down, so he grabbed the first thing he found.
00:28:51No, on the contrary, you tell him thank you very much.
00:28:53She introduced me to a wonderful woman, I'm delighted.
00:28:55You drank a lot, didn't you?
00:28:56No way! Carla is an intelligent, fun, and very athletic girl
00:29:00She went for a jog before going up to her apartment.
00:29:01But was there trouble?
00:29:02Was there a problem?
00:29:04She's a handful in bed
00:29:06There's no need to remove his floating ribs.
00:29:08Juanito, you're no Adonis
00:29:10But I think you can aim higher.
00:29:12Tell her, Isabel, that I'm very happy.
00:29:13And I see a lot of future in that relationship.
00:29:15Okay, okay, I'll tell him.
00:29:18Hey, are you mixing medications?
00:29:30There it is, Mr. Juan, is that it?
00:29:32Well, I've already accompanied you this far.
00:29:33From now on it's my responsibility.
00:29:35Dad!
00:29:36Look, well, I'll get a good price, huh?
00:29:39We only have 200 euros
00:29:40But you're not coming with me.
00:29:41Come on, don't back down
00:29:43Maybe the Christmas lottery jackpot won't blow.
00:29:50Hello good morning
00:29:51Juan Cuesta, president of the community
00:29:54You are a successful man
00:29:55And not only in the professional sphere
00:29:56You have a very sinuous heart line
00:30:00You recently suffered a loss, didn't you?
00:30:02Yeah
00:30:02My wife...
00:30:03But don't worry, I see more women.
00:30:05How many?
00:30:06Mr. Juan, we've come to sort out my problem.
00:30:08Ah, yes, look, we came to ask you
00:30:11May He free our goalkeeper from the evil eye that was cast upon him
00:30:14And that is having disastrous consequences for all the residents
00:30:17I didn't want to offend the crazy people
00:30:19When I watched Snow White, I always went with the witch.
00:30:21I can cure you of the evil eye
00:30:22But the remedy is expensive.
00:30:23How expensive
00:30:24Man, we have 200 euros
00:30:26Arrives?
00:30:28Arrives!
00:30:29Oh, you're being a spoiled brat, son!
00:30:30You're the Ronaldinho of finance
00:30:32Could you give me an invoice?
00:30:33That's how I include it in the community expenses
00:30:35This is only for extreme cases like yours
00:30:37As soon as you drink it
00:30:39Your luck and the luck of those around you will change
00:30:41But what does that entail?
00:30:42If it's a palazzo of cologne
00:30:43It carries a lot of things
00:30:44The formula is secret.
00:30:46It doesn't matter, I'll drink it.
00:30:49Hey?
00:30:49Haven't you paid me for the hand job?
00:30:51He just gave her 200 euros
00:30:52You know what I'm saying?
00:30:54What bad luck for you!
00:30:55Okay, okay, okay
00:30:58Come on
00:31:00Hey, how many women look at me?
00:31:02None of you
00:31:04But if going by hand isn't worth it
00:31:05It's not necessary
00:31:11Well, Mauri, what's with you and my family?
00:31:13First you hook up with my brother
00:31:14Then with my sister-in-law
00:31:15If you'd like, I can introduce you to my father.
00:31:16That he is divorced
00:31:17Well, I'm saying it was her.
00:31:19If I was here
00:31:20No, not at all.
00:31:21I prefer not to know anything
00:31:21But how am I going to sleep with a woman?
00:31:23Girls, please
00:31:24Okay, but then
00:31:25What was I doing with my bathrobe on?
00:31:26Covering himself up, he came in naked
00:31:28What, my sister-in-law, who's so posh, came here naked to sleep with you?
00:31:30Come on, hunger
00:31:31Well, I'd have the designer lingerie in the wash.
00:31:33How should I know?
00:31:33Mauri, this is getting out of hand, huh?
00:31:36What do you mean, did he get into your bed?
00:31:37We're not in the mood for prank calls.
00:31:39Yes, your wife came to Basic Instinct wearing a coat and boots without panties.
00:31:43She got into my bed and called me, crying out for revenge and showing me a piece of her buttocks.
00:31:46By the way, you have a little bit of cellulite.
00:31:47Well, this is amazing, isn't it?
00:31:49That's all I needed.
00:31:49No, that's all I needed.
00:31:50What's happening?
00:31:50Are you jealous?
00:31:51No, I'm angry.
00:31:52What kind of wife takes being cheated on like that, man?
00:31:55Where are we headed?
00:31:56Well, divorce is definitely on the cards, Diego.
00:31:57I see this as a very bad solution.
00:31:59Well, I see it as very easy.
00:31:59What you need to do is talk to Alba and tell her the truth.
00:32:01But I've already told Mauri that I'm going to do it.
00:32:03Well, wait, that's what he says
00:32:04What's wrong? Don't you believe I'm capable?
00:32:07I'll tell him here tonight, man.
00:32:09In front of all of you
00:32:10No, not in front of me, please.
00:32:11All I ask of you is that...
00:32:13Let's not drag you into this
00:32:14That
00:32:15Well, I think it would be better if I told him in private.
00:32:17I'm here with her tonight, it's 10 o'clock sharp
00:32:20Here
00:32:22Well, that's great, we already have plans for tonight
00:32:24Yes, a great plan!
00:32:27I don't know what this lady has given me, but I'm getting terrible stomach cramps.
00:32:32Yeah
00:32:33Emilio, false alarm, I've gotten sick
00:32:36Mr. John, Beren has gotten her period.
00:32:38Ah, congratulations!
00:32:41Juan, letter from the town hall
00:32:43Oops, didn't I tell you to stay away from the coffee?
00:32:46It's definitely a fine
00:32:48We have been granted the grant I applied for two years ago
00:32:51To rehabilitate the building
00:32:52How much, how much?
00:32:5312,000 euros
00:32:54Wow, that's good news!
00:32:56You stay still there
00:32:57Hey, I'm cured now, okay?
00:32:58They gave it to me, they gave it to me
00:33:00I've been given the role of the accident-prone nonconformist
00:33:03I am the protagonist
00:33:04But you weren't the nurse
00:33:06It was, but Penelope has been offered Alien 5
00:33:08He's back in Hollywood
00:33:08And because the casting director adores me
00:33:11Oh, this paper smells like Goya
00:33:13And now the jinx brings good luck
00:33:16Come here
00:33:17What are you doing now?
00:33:18If we win the lottery, we'll give you a 2% raise.
00:33:25Does Roberto seriously expect someone to pay 50 euros for that thing?
00:33:29They are dreadful
00:33:30Man, man, man
00:33:31In the art world, you never know.
00:33:32Hey, what do I do with this?
00:33:34What's wrong? Do you want to buy it?
00:33:35That's too bad, I've been told to remove it because it really upsets his stomach.
00:33:39How's it going? How's it going?
00:33:43Fabulous
00:33:44Don't tell me they've bought an autumn treat
00:33:47I knew it
00:33:48Have any more been sold?
00:33:50Look, Roberto, that's precisely what I wanted to talk to you about.
00:33:53Then we talked about percentages
00:33:54Before I begin, I want to thank you.
00:33:56With whatever it is, I'll live here all month and pay the rent.
00:33:58But we're halfway through
00:34:00Yes, I already owe two months' worth of payments.
00:34:01Besides, that way I can buy more material because they'll want more paintings, right?
00:34:05Man, look
00:34:05Yes, yes, there's no problem.
00:34:07I knew I had talent.
00:34:10Thank you for trusting me
00:34:12I want you to know one thing
00:34:13You are more than my ex
00:34:15You are my friend
00:34:19Okay, what did you want to tell me?
00:34:21Well, that...
00:34:22That anguish has been sold and a woman without a shadow on the beach
00:34:25What's been sold? What are you saying?
00:34:27Yes, yes, yes, yes, yes, the man from number twelve
00:34:30The French executive?
00:34:32Of course, if I am a universal artist
00:34:34Besides, the French are sensitive people.
00:34:37They invented the croissant
00:34:39I'll give you the money at home, okay? You don't mind?
00:34:41Yes, yes, yes, yes, yes
00:34:42I'm off to work, I'm feeling inspired
00:34:44See you
00:34:47I'm thinking of buying one.
00:34:48Let's see if they're any good.
00:34:53How are you?
00:34:56With Juan, a success, right?
00:34:57I've already been told that you've connected
00:34:59I don't know, I'm getting my hopes up too much
00:35:01Then it's going to get worse
00:35:02Last night the cushion gave me hives
00:35:03Let the emergency room end
00:35:04Don't worry, Juan is a sweetheart.
00:35:07Pity
00:35:07That he has a wife
00:35:09But you knew that, didn't you?
00:35:11Yes, but he told me he's in a coma.
00:35:13She wakes up at any moment
00:35:14They are often the ones from social security.
00:35:16Anything to free up a bed
00:35:19What was I going to say?
00:35:21And how was the sex?
00:35:22No, it's not very traditional yet.
00:35:24But there was tension in the car
00:35:26Because we had seatbelts
00:35:27Security posts
00:35:29Do you know what they say?
00:35:30Bald men in bed, right?
00:35:31That don't leave hair
00:35:32No, they're machines
00:35:35Hello
00:35:36Sorry for the delay
00:35:37What are you doing here?
00:35:38The guest is coming to class.
00:35:39Yes, I said
00:35:40Let's see if I can get to Nirvana
00:35:42I've been told it's very nice there.
00:35:43Well, I didn't know you liked yoga.
00:35:45Carla is revealing a lot of things to me.
00:35:47But many
00:35:50Come on
00:35:50Let's begin the class
00:35:52With the sun salutation
00:35:58We inspire
00:36:02We expired
00:36:05Natalia, at 12 o'clock
00:36:07I want you home, okay?
00:36:08Morning or night?
00:36:09At night
00:36:10Hello
00:36:11What's up, artist?
00:36:12My brother already told me
00:36:13That you now dedicate yourself to painting
00:36:14Yeah
00:36:15And I'm doing very well.
00:36:16At some point I had to exploit my talent, of course.
00:36:19Well
00:36:19So, maybe you could do a portrait of me, huh?
00:36:21No, it's just that portraiture doesn't work
00:36:23Me, being realistic
00:36:24I only paint nudes
00:36:27Okay
00:36:27When do you want me to go up?
00:36:28Hey?
00:36:29I don't know
00:36:30Whenever you want
00:36:31Tomorrow will be a good time for you.
00:36:32Yes, yes, yes
00:36:33This works for me.
00:36:33Come on, I have a lot of work to do.
00:36:35But I'll make room for you, yes.
00:36:36Okay
00:36:36See you tomorrow then
00:36:38Okay
00:36:40You're good, aren't you?
00:36:42It will be worth it
00:36:42Yes, yes, yes, yes
00:36:44It's worth it, yes
00:36:50Juan, can you tell me where you are?
00:36:55What did four of us guess correctly in the lottery?
00:36:58I don't care
00:36:59I'm at the massage therapist
00:37:00I wrote to the yoga class
00:37:01And I've had a minor lower back problem
00:37:04Careful, careful
00:37:04This goalkeeper is a lucky charm.
00:37:06If I rub the ticket on his back any more
00:37:08We got all six right.
00:37:09A little looser, perhaps?
00:37:11Yeah
00:37:11Thank you
00:37:12I'm going down now to get more tickets
00:37:14There's a boat tomorrow.
00:37:15Okay
00:37:15I'll be home right away
00:37:17I'm right here
00:37:17Hey
00:37:18Not a word from anyone about this, okay?
00:37:20Emilio, just for us.
00:37:22Yes, yes, just for you two
00:37:24This girl still doesn't tune in to Radiopatio
00:37:26So what's the decision?
00:37:28Is Emilio a jinx or does he bring good luck?
00:37:30Come on, we have to get ahead of the trouble.
00:37:34Oh, back injuries are really bad, huh?
00:37:36I'm telling you.
00:37:37I've had scoliosis since I was little.
00:37:39They signed me up for swimming to correct it.
00:37:41I ordered some mushrooms
00:37:42Look at doing the plow pose
00:37:44The first day
00:37:45But you told me that nothing was wrong.
00:37:46Well
00:37:46That's it, okay?
00:37:48I'm going to wash my hands
00:37:49Thank you very much, Carla
00:37:50I'm much better.
00:37:54Well, you all look great, don't you?
00:37:56When's the wedding?
00:37:57Oh
00:37:58Paloma won't be able to sign the papers for you.
00:38:00That's enough.
00:38:01Carla, I don't like her
00:38:02Nothing
00:38:04What do you mean, no?
00:38:05So why are you dating her?
00:38:06Are you a fool, an idiot, or a masochist?
00:38:08I wanted to get revenge on you and make you jealous
00:38:10But now I have to break up with her
00:38:12Let's see what I can tell you.
00:38:14You're really twisted, aren't you?
00:38:16And what about you?
00:38:17Didn't you have any weirder friends?
00:38:18A
00:38:19But she doesn't leave the house because of the germs.
00:38:21I called her, but no
00:38:22Isabel, we can't go on like this.
00:38:23We are adults now
00:38:24Everyone has to get on with their life.
00:38:26And we have to accept it
00:38:28Fuck off
00:38:32I knew it
00:38:33I knew you were going to hurt me
00:38:35No, no, no
00:38:36That Carla
00:38:36Don't jump to conclusions
00:38:38No no
00:38:39Andrés will draw the conclusions.
00:38:40I'm going to tell you right now.
00:38:41Hey, we weren't kissing, okay?
00:38:43Your viewing angle wasn't ideal.
00:38:45Carla, Carla
00:38:46We are friends
00:38:47Friends?
00:38:48You are manipulators
00:38:49You two are involved
00:38:51And you used me
00:38:52As an excuse
00:38:55Look, my hands are already sweating
00:38:57And I just washed them
00:38:59Please sort it out with her.
00:39:00Fix it, fix it
00:39:01What a mess
00:39:07Carla, wait
00:39:08Carla
00:39:09Carla
00:39:10You don't need to take things out of here
00:39:12Do you know why I'm 43 and single?
00:39:15It's an interesting debate.
00:39:16Because all men are bastards
00:39:18Correct
00:39:19Now let me explain
00:39:20You were kissing Isabel
00:39:21Poor Andrew
00:39:23No, no, no
00:39:23I have a lot of trust in her.
00:39:25And I wanted to practice a little for our first kiss
00:39:27Because I'm a bit out of practice right now.
00:39:29And I wanted it to be something special.
00:39:31I'm just really nervous
00:39:33I like you a lot
00:39:34What did you say?
00:39:35I'm very nervous.
00:39:36Not the other thing.
00:39:36I like you a lot
00:39:42Oh
00:39:44Oh
00:39:45See?
00:39:46It's very easy
00:39:47You just have to let yourself go with it
00:39:49I can't take the pill
00:39:51It turns out beautifully.
00:39:52Peaceful
00:39:52Everything in its own time.
00:39:54Well
00:39:55I'll call you later
00:39:59Goodbye thief
00:40:17Bye
00:40:17Will you leave me alone?
00:40:19But dude
00:40:19What are you on about?
00:40:20Enlightened by life?
00:40:21Yes
00:40:21I'm like the bald guy from the Christmas lottery.
00:40:23Now I'm sharing the luck.
00:40:25Hey?
00:40:26Who said he was a loser?
00:40:27I
00:40:27Yeah?
00:40:28Well, look
00:40:29I have sold three paintings
00:40:31One of them to a French executive
00:40:33Since the tourists get drunk on sangria
00:40:34And they'll buy anything.
00:40:36And which ones are they bought?
00:40:37Autumn whim
00:40:37Anguish and a woman without a shadow on the beach
00:40:39I'm a genius
00:40:40Uh, one moment
00:40:41What a whim of autumn and anguish I painted them
00:40:43Yes, but the names are mine.
00:40:44What does it sell?
00:40:45Oh, you're not going to give me any money.
00:40:46You're my disciple, man
00:40:47You're still learning
00:40:48Roberto, I bless you
00:40:49May art be with you.
00:40:50But what are you doing?
00:40:51Oh, and Natalia has commissioned a painting from me.
00:40:53Tomorrow I'm going to spend time naked
00:40:55No
00:40:57Emilio!
00:40:58We want your luck too.
00:41:00Ma'am, they're going to spend it on me
00:41:02And I have exams soon.
00:41:03But let's see
00:41:04Didn't they say I was a jinx?
00:41:05Yes, but Niven passed a lottery ticket over his shoulder.
00:41:07And he has four correct answers.
00:41:09Run your hand over my knee
00:41:10Let's see if you can cure my arthritis.
00:41:12Yes, that's what I'm thinking about.
00:41:13As long as a man touches you
00:41:14Do anything
00:41:15Get out of here, get out of here, get out of here
00:41:17But Emilio!
00:41:18Where are you going?
00:41:19Are you coming to bingo with us?
00:41:21Hey, don't tire me out.
00:41:22I bought a Christmas lottery ticket
00:41:24Come on, turn around
00:41:24Doña Nieves, I'm exhausted
00:41:26I'm going to bed
00:41:26Come here, Emilio
00:41:27We all pay Emilio
00:41:29It needs to be shared
00:41:30Nieves, we come first
00:41:32This looks like a fish market
00:41:34Well, we're gathered here
00:41:36To clarify, as civilized people
00:41:38We are what is happening between us
00:41:41No, it's perfectly clear.
00:41:42I don't contribute enough to Diego.
00:41:44And here is a person
00:41:46That he has not hesitated to give it to him
00:41:47And you couldn't think of anything else?
00:41:48Why get into Mauri's bed?
00:41:50Yes, I reject myself.
00:41:51It's pathetic
00:41:52But I didn't reject you because I didn't like you, Alba
00:41:54Because I'm gay
00:41:56And I am a lesbian
00:41:57And I'm not with Bea.
00:41:58But with Mauri
00:41:59And I've discovered that I like men
00:42:03That?
00:42:04Let's start from the beginning.
00:42:05Alba, I am gay
00:42:07And I'm a lesbian
00:42:08And I'm with Mauri.
00:42:09And I've discovered that I like men
00:42:13That?
00:42:14We're not making any progress, huh?
00:42:15I would try something else.
00:42:16Look, darling
00:42:17I know that might surprise you.
00:42:18That's how it starts
00:42:19But we've only been married a very short time.
00:42:21And this is what I want you to know
00:42:22It's nobody's fault
00:42:23These things happen
00:42:24And I couldn't keep hiding it from you any longer.
00:42:25For a longer time
00:42:29Honey, you're going to be here for a long time
00:42:30So I get scared
00:42:32Son of a bitch!
00:42:33Son of a bitch!
00:42:34You've had me fooled all this time!
00:42:36The only thing I wanted
00:42:37It was about taking my husband away from me.
00:42:38It's like the best
00:42:39He should have said it at home.
00:42:40Okay, Alba, okay, calm down.
00:42:41Okay, okay.
00:42:42Okay, okay.
00:42:43That's it, that's it
00:42:44Very good
00:42:45No problem
00:42:47No problem
00:42:48The world isn't ending
00:42:51Well, nothing.
00:42:52May you be very happy.
00:42:53And may you have a large family
00:42:55Now that you can finally adopt
00:42:57Oh, what nonsense!
00:42:59If you already have the other one for that
00:43:02You see, sky-saviors
00:43:03And we don't have to end up badly.
00:43:04You shut up
00:43:05Fagot
00:43:12Well, it hasn't gone badly.
00:43:13No, actually he's taken it quite well
00:43:16I have something here
00:43:18Let's see
00:43:19Yes, a little bit of blood
00:43:20That he's given me the whole ring
00:43:21Mauricio, you shouldn't get involved with married people.
00:43:23Do you want some ice?
00:43:24With whisky, please
00:43:30Carlos, can you tell me what this means?
00:43:32The fact that?
00:43:32Do you think I'm so superficial that I'd go out with you just because you gave me some flowers?
00:43:35Don't you like them?
00:43:37Jewels, Carlos, think
00:43:40What do you think?
00:43:41It's a family jewel
00:43:42Oh, really?
00:43:43Yes, my father paid for it.
00:43:44But I chose her.
00:43:45It is a replica of the one that Brad Pitt gave to Jennifer Aniston
00:43:49We're going out
00:43:50Yeah
00:43:50But without anything obvious, right?
00:43:51Okay, let's go to the movies.
00:43:53My head hurts
00:43:53My head hurts
00:43:55But I really wanted to hear that again, please.
00:43:59No, no, no
00:43:59I'll bring it to you, my love
00:44:04Yeah?
00:44:05Hello?
00:44:06Yes, yes, yes, yes, whenever you want
00:44:08Who is it?
00:44:09The film director
00:44:11Okay
00:44:11Perfect, I'll be there.
00:44:13Bye
00:44:14He wants to have lunch with me tomorrow to get to know me better.
00:44:18But how am I going to sleep with him with this job?
00:44:20I have to take it off
00:44:21A question
00:44:22Aren't we dating?
00:44:24Yeah
00:44:24AND?
00:44:25Another question
00:44:26People usually sleep with the director to get a role
00:44:29But you already have it.
00:44:30Carlos, if you don't accept my profession, we can't go out together.
00:44:33Are you telling me that all actresses sleep with the director?
00:44:36No, man, no, not all of them.
00:44:37Only a privileged few
00:44:38At the beginning of your career you need a little push
00:44:41And that's no exaggeration.
00:44:42It's a way of closing the contract, I didn't invent it.
00:44:44Look, let's do one thing
00:44:46I'm going to be your manager
00:44:47So tomorrow I'm going to the lunch and we'll sort it out there.
00:44:50Good idea
00:44:50That will give me cachet
00:44:53Honey, remember, the head
00:44:56Ah, okay, then we'll leave it for tomorrow.
00:45:02Emilio!
00:45:02Open the door!
00:45:04Ladies, please go back home
00:45:05It's not the time to be causing a scene on the stairs
00:45:07What you want is to keep the enlightened one for yourself
00:45:09Sausage!
00:45:10And why would you want to receive anything at your age?
00:45:13If you're not going to enjoy it
00:45:14And you? Because that sour face you have is something no one can take away.
00:45:17Juan, I speak to them politely and look how they respond.
00:45:22Listen, either you leave here now or I'm calling the police
00:45:24Tell her to leave, you idiot
00:45:26I'll lower your rent.
00:45:29Melen, you see? How am I no longer coffee?
00:45:31What do you mean, no? All our neighbors are banging on the door.
00:45:33Now that's a real dinner, what a disgrace!
00:45:36And why don't you go down to the goal?
00:45:37Well, me, because I don't have a DVD player.
00:45:39Okay, a little bit of please, I've already closed, okay?
00:45:41I'll be handing out luck tomorrow.
00:45:42I'm the first to admit that it gets used up.
00:45:44Let me rub the coupon in your face.
00:45:46Oh, ma'am, you're hurting me!
00:45:47Oh, let him go!
00:45:49Look, Marisa, I have a relic
00:45:51Mr. Juan, someone pulled my hair
00:45:53That's enough, everyone to bed
00:45:54Tomorrow at nine o'clock, neighborhood meeting
00:45:56Damn, what an early start!
00:46:04No, a Roberto would never wear those colors.
00:46:06Not a Roberto, but a José Miguel, yes
00:46:08A José Miguel?
00:46:10That sounds awful, you're going to have to come up with a pseudonym
00:46:12Hey man, success has changed you
00:46:14You weren't like this before.
00:46:15With you I'm creatively drowning
00:46:17I want to continue my solo career
00:46:19Oh, really?
00:46:19Well, you're finished, kid.
00:46:20Without me you are nothing.
00:46:21We'll see.
00:46:22Let's see who sells the most paintings at the restaurant tomorrow.
00:46:25There, there!
00:46:25Bite, bite!
00:46:33Hello
00:46:35What are you doing here?
00:46:37I was interested in buying some paintings from you.
00:46:39Investment plan
00:46:40I want to start my small Thyssen collection
00:46:42With the success of the exhibition
00:46:43They've gone up a little in price
00:46:44Well, I'm sure we can understand each other.
00:46:47Fixed
00:46:50How cold and how sleepy, for God's sake!
00:46:51It may already be important
00:46:52This is the planning I've created using six colors.
00:46:55And in which I have tried to be as fair as possible
00:46:57From nine to ten
00:46:58Emilio will accompany me to validate the lottery ticket.
00:47:01Just like the lottery
00:47:01And why do you have to take it first?
00:47:04Because he is the president
00:47:05Excuse me, let's see
00:47:06It's just to get my bearings
00:47:07I'm not a person at this hour.
00:47:09We're talking about who Emilio spends his day with.
00:47:11If the dick doesn't want her turn
00:47:12It happens to us who are below.
00:47:14This is going like clockwork.
00:47:15Do the hands of a clock go backwards?
00:47:17That's all she needed, dyslexic
00:47:19Note that my commission as a talisman is 10%.
00:47:22All of this is very beautiful.
00:47:23But meanwhile, the stairs sweep themselves
00:47:25There's no one doing those tasks anymore.
00:47:26Emilio is now much more profitable for the community in this.
00:47:29Cleaning the trash cans also wears me out a lot
00:47:31Don't overdo it
00:47:32If it's true that Emilio brings good luck
00:47:34Because it has to be shared
00:47:35Let's all go to the casino
00:47:36What is the fastest?
00:47:38Of course, in a casino, if you play smart, you always win.
00:47:41Then it's best not to go.
00:47:42And what money are we playing with, sweetheart?
00:47:44The grass is with the monkey
00:47:45Since ginseng has not been taken
00:47:46Which?
00:47:47The grant
00:47:48The two million
00:47:49Which grant?
00:47:50No, no, no
00:47:51The grant is for replacing the boiler.
00:47:52And that's what it's going to be for.
00:47:53If this is investing
00:47:54We played roulette with Emilio
00:47:56And with what we earn
00:47:57We're installing an elevator and marble.
00:47:58And a jacuzzi in every house
00:48:00Damn, of course
00:48:01A jacuzzi
00:48:02Quality of life
00:48:03How are you going to gamble away the grant?
00:48:05Please
00:48:05That's public money.
00:48:06And where does it come from?
00:48:07From our taxes
00:48:08That's what you pay in taxes.
00:48:10I tell you that in just a few tries
00:48:12Those 12,000 euros
00:48:13We multiply them by 10
00:48:15You vote in favor
00:48:17Approved
00:48:18I don't even know why we're here, Mauri
00:48:20Well, to exercise our democratic right
00:48:21That they don't give a damn about us
00:48:23Tonight at the casino
00:48:24We have to dress elegantly, right?
00:48:26So get dressed up
00:48:26Or at least try.
00:48:28I bless you all
00:48:31For me, the Goya
00:48:32The best new director
00:48:33It's not important at all.
00:48:34In fact
00:48:35I left it in the taxi
00:48:40I thought the film was wonderful.
00:48:42Really
00:48:43Well, and me too
00:48:44I burst into tears.
00:48:45But it was terrifying.
00:48:48That's why
00:48:49From anguish
00:48:50From anguish
00:48:51Tears were streaming down my face.
00:48:52Oh, really?
00:48:53Whenever you want
00:48:54Are you coming to my house?
00:48:55And I'll show you the director's cut
00:48:58Clear
00:48:58Whenever you want
00:49:00They call me
00:49:01I'll be right back
00:49:05What a relief, huh?
00:49:07He's clearly gay.
00:49:08You're not going to have to sleep with him
00:49:09No
00:49:11You're going to have to go to bed.
00:49:13Hey?
00:49:14Haven't you seen the way he's looking at you?
00:49:16He wants to take you home
00:49:16And put on the director's cut.
00:49:18I read between the lines
00:49:20Look, Alicia
00:49:20At the time
00:49:21I already checked
00:49:22That kind of thing isn't for me.
00:49:22Carlos, you told me
00:49:23That you would do anything for me
00:49:25That you were my travel companion
00:49:26But this transfer
00:49:27It was not planned
00:49:28Hey, for me
00:49:29My career is very important
00:49:30And I can't miss this opportunity.
00:49:33Who do you think you are?
00:49:33I like seeing my boyfriend
00:49:34And my manager having to do this for me?
00:49:36The producer
00:49:37He wants to meet you
00:49:39Hey, one at a time
00:49:41Okay, I'll leave you two alone.
00:49:42I want to start preparing for the role as soon as possible.
00:49:44But what if filming doesn't start for another six months?
00:49:47Ah, yes
00:49:48Are you having a drink?
00:49:49And speaking of my contract
00:49:50See you tomorrow
00:49:52Bye
00:49:53Well
00:49:55A little more sake?
00:49:56No
00:49:58Well
00:49:58Yeah
00:50:00All the way up
00:50:05Hey, Diego
00:50:05Don't answer my phone
00:50:06Do you know anything?
00:50:07He has not yet shown any signs of life
00:50:08This is really weird, isn't it?
00:50:09Look what time it is
00:50:10Let's see if Alba murdered him.
00:50:11He cut it into small pieces
00:50:12And she's dissolving it with acid in the bathtub
00:50:14Mauri, please, don't say stupid things
00:50:15Look, it's a good idea
00:50:16By the time I argue with Alicia
00:50:18Oh, oh
00:50:21How are you?
00:50:22How has everything been going?
00:50:23Good
00:50:23Well
00:50:24He wouldn't let me into the house
00:50:25I had to sleep in the car
00:50:26Barely
00:50:26And then he threw my laptop out the window
00:50:28Clear
00:50:29Since it's a seventh floor
00:50:30Well, imagine the state it's in now.
00:50:31And then I saw black smoke coming from the terrace
00:50:34So, it must be burning my clothes or something.
00:50:36But anyway, otherwise
00:50:37Well, a normal, ordinary break-up
00:50:38The important thing is that you did what you had to do.
00:50:40Or not
00:50:41Maybe it's the biggest mistake of his life, Mauri
00:50:43No
00:50:44I was right
00:50:46Oh, what joy!
00:50:47A gay brother
00:50:48So, what?
00:50:49What are you going to do?
00:50:49How are you going to organize yourselves?
00:50:50Oh, no, no, no
00:50:51Don't worry about me, please.
00:50:52I know I'll pick up my things this afternoon.
00:50:54And I'm going to my sister's house
00:50:55And so you are together
00:50:55No, woman
00:50:56That you can't stand your nephews
00:50:58No, no, really
00:50:58I don't mind.
00:50:59No, it's just that I've already rushed things once.
00:51:01And I'm not going to make the same mistake.
00:51:02I'm going to rent a great bachelor pad.
00:51:05And you and I will calmly see how it goes
00:51:07What's happening to us?
00:51:08Ah, but we're not going to live together.
00:51:10Mauri, please, take it one step at a time, okay?
00:51:12Okay, okay
00:51:12You're right
00:51:13Little by little
00:51:14That's right.
00:51:14And until you find something
00:51:16Where are you going to live?
00:51:19From my house?
00:51:21You don't mind, do you?
00:51:23No no
00:51:24No, no, no, no
00:51:25If you would be so kind, sir
00:51:26This way, please
00:51:27Bring the luggage, sir.
00:51:28Well, with the opposite
00:51:30And will he be staying for a long time?
00:51:32As little as possible
00:51:33That, but
00:51:34Because we're short on beds.
00:51:36Well, Mauri
00:51:37It seems that for once you've succeeded.
00:51:39Something related to your love life
00:51:41Wait, don't celebrate too soon.
00:51:47For me, the limit is the first one.
00:51:48Let's see why they don't go down
00:51:49Again
00:51:49I've been told they were getting beautiful
00:51:51And this is going to last a long time.
00:51:52We went ahead
00:51:53That's how we pick up the pieces
00:51:55Be careful with your bag.
00:51:56They carry a lot of money
00:51:57As if to take it away from this
00:52:04What about the ladies?
00:52:05Are they going down or not?
00:52:06If you can't get them out of the house
00:52:08They think they're going to the Oscars
00:52:10Hey, haven't you called Carla?
00:52:12To accompany you?
00:52:13What, Carla?
00:52:14Yes, I'll keep giving birth to you, good luck
00:52:15Don't tell me you got lucky
00:52:16Don't bring that up.
00:52:17I have a major problem.
00:52:19Well, leave her alone, man.
00:52:20Don't overcomplicate things
00:52:21Look, it's just not
00:52:22It's not that easy.
00:52:23It's very difficult for me to say
00:52:24Not to a woman
00:52:25Clear
00:52:25Now I understand why she got married
00:52:26With Mrs. Paloma
00:52:27That was love.
00:52:28Ah
00:52:29I'm not breaking up with anyone.
00:52:30Since I was 19 years old
00:52:31And she left me
00:52:32Which is always more comfortable
00:52:33Well, there are some clichés.
00:52:35They come in very handy
00:52:36It's not your fault
00:52:38It's me
00:52:38That I have a lot of affection for.
00:52:40But I'm not in love.
00:52:41Oh, you're so boring in bed
00:52:43He'll slap you.
00:52:43But you finish sooner
00:52:44I have to break up with her
00:52:45Yes, but already
00:52:46Well, look at her
00:52:47Here it is
00:52:48Hello, Juan
00:52:49Hi, Carla
00:52:50What are you doing here?
00:52:51I'm going to get the car.
00:52:52I'll be right back
00:52:53I went to the dermatologist
00:52:54I want him to look at a mole on me.
00:52:55And since it's right here next door
00:52:56Well...
00:52:57Wow, how elegant!
00:52:57Where are you going?
00:52:59To a funeral
00:52:59And your wife?
00:53:00No, no, Emilio
00:53:01In other words, his father
00:53:02He's dead
00:53:03His father
00:53:03A tragedy
00:53:04Very sorry
00:53:06We're sunk
00:53:07Do you want me to accompany you?
00:53:08No, because it's going to be something intimate.
00:53:10Only the family
00:53:11And president of the community
00:53:13Son
00:53:14I'm in for the party
00:53:15Are we going or what?
00:53:16Yes, Dad
00:53:16Okay, we're leaving now.
00:53:18He is Mariano
00:53:18My father
00:53:19Dad, I'd like you to meet Carla.
00:53:20Ah, hello
00:53:22Please move
00:53:22That little bow tie
00:53:23We're going to a funeral
00:53:24Who tastes?
00:53:26My father
00:53:26May he rest in peace.
00:53:28Ah
00:53:29Well, nothing much.
00:53:29Let's see if you can give me a grandson
00:53:31But what if Juan has two children?
00:53:32Yes, but those are already lost.
00:53:34Okay, okay
00:53:34Take off that bow tie, okay?
00:53:36I won't repeat myself.
00:53:38What are you laughing at, Juan?
00:53:39Are you kidding me?
00:53:41Carla, enough with the lies
00:53:42Look
00:53:42We have to leave it
00:53:46It's back, Leide
00:53:46But it's not your fault
00:53:48That and me
00:53:48I already have a lot of affection.
00:53:49But I'm not in love.
00:53:50Not from me?
00:53:51But Isabel did, right?
00:53:52Andrés, what are you going to do?
00:53:53And give it to him
00:53:54We can still be friends.
00:53:55No, I already have a dog.
00:54:02Attention
00:54:03The viral sensation of the Spanish championship
00:54:04Drag queen
00:54:06Sorry for the delay
00:54:07But these until they come out
00:54:09Chopper paint
00:54:09Come on
00:54:10We're going to make money
00:54:11Come on, let's go
00:54:20Can
00:54:21Yes, yes, yes
00:54:23Come in, come in
00:54:23This place is depressing.
00:54:25I love
00:54:26Okay, so how do we do it?
00:54:28Uh, well no, I don't know
00:54:29You lie down there in the...
00:54:31Careful
00:54:32Yes, yes
00:54:33Uh, well, nothing much
00:54:35I have to...
00:54:36You lie down in bed now.
00:54:38And I, well...
00:54:39I don't know, just wear whatever you want.
00:54:41I don't know, I already give it to him
00:54:44Okay
00:54:44Uh, what was I going to tell you?
00:54:48I've put in a heater
00:54:49Just in case
00:54:51Don't worry
00:54:52I don't get cold easily
00:54:53Ah, okay.
00:54:54Well then, I'm going to close the door.
00:54:56So that there is no current
00:55:01But what are you doing here?
00:55:03Nothing
00:55:03Oh, I've brought you the latest news about UberX
00:55:06They are very interesting.
00:55:06Come on, get out
00:55:07Hey, we'll talk later, you and I.
00:55:10Hey, loser, I've painted more pictures.
00:55:12I'm going to the restaurant
00:55:13You'll see what you do
00:55:14Uh, no, no, no, no, you wait
00:55:17Sure, be ready if you want to snag the good spots.
00:55:19But where are you going?
00:55:20Are you going to leave me here?
00:55:21Hey, Josemi
00:55:22I've reserved the entrance wall, you know.
00:55:25Oh well
00:55:27Hey, if you want, I'll pinch you.
00:55:29Okay
00:55:29Oh really?
00:55:30No
00:55:34Good night
00:55:35Gentlemen, good evening
00:55:37Good night
00:55:39Good night
00:55:41Good night
00:55:44Guys, welcome to paradise
00:55:52I'm nervous, I've never been inside a casino before.
00:55:53This is like the Heifer United games, but way cooler
00:55:56Can you tell me where you were? We already have the records.
00:55:59Have you changed everything?
00:56:00If this is done, we have Emilio.
00:56:02We were at the Blackjack and a Japanese guy tried to pick me up
00:56:06Richer!
00:56:07I'm going to order a drink
00:56:09I'm going to the slot machines, there's a soundtrack there.
00:56:12Marisa
00:56:13Me too
00:56:14But they'll be like the ones from the bar.
00:56:16Please don't waste them.
00:56:18This seems to be a matter of insertion.
00:56:20Come on, let's play roulette.
00:56:21Emilio chooses the numbers and we bet.
00:56:23And as soon as we earn 100,000 euros, we'll take it home, okay?
00:56:26Is that clear? Think about it.
00:56:27Go ahead, teacher
00:56:28Yes, come on, let's go there
00:56:32We are like the foxes that lie behind those who play.
00:56:38Eighteen, red, even and missing
00:56:44Hello, we've come to play
00:56:45No, Juanito, that's quite clear.
00:56:48Come on, where do we bet?
00:56:50Well, I don't know, let's bet a little, enter the square and that way we're sure to get hit, right?
00:56:53Choose a number
00:56:55Uh, 17 is fine
00:56:57Don't you have it in red?
00:56:58No, that one is always black.
00:56:59Game, gentlemen
00:57:01Do you remember a number?
00:57:02The 36
00:57:03Sure?
00:57:04No, no, no, no, the 17th, yes
00:57:0636 or 17?
00:57:08The 21st
00:57:08Well, put more chips in, man.
00:57:10No, no, no, no, let's take it one step at a time
00:57:11That's it.
00:57:13Yeah?
00:57:14Which Carla?
00:57:17Ah, Andrés, turn off your phone, we're focused on what we're doing.
00:57:1921
00:57:20Red and...
00:57:21Andrés, we've won, we've won!
00:57:23Hey, but what was I talking about?
00:57:24Stop using cell phones, man
00:57:25Enjoy the moment, Andrés
00:57:27He's a genius!
00:57:28It's arrived!
00:57:29Congratulations
00:57:30What the hell?
00:57:31Stay put, don't touch, okay?
00:57:32Damn, some of them are so twisted.
00:57:34Can you believe that Carla told me
00:57:36Did you leave her because you're involved with Isabel?
00:57:44Oh, you poor thing.
00:57:45With so much medication, the side effects
00:57:48You have to read the leaflets.
00:57:49What do you see, Emilio?
00:57:50What do you see?
00:57:51The 10th
00:58:00Carlos
00:58:00One portion of tuna carpaccio and some croquettes
00:58:02Okay
00:58:03It's just that here everyone comes to work whenever they feel like it.
00:58:06This looks like Congress
00:58:09Weren't you on sick leave?
00:58:10Look, they just called to tell me I'm not doing the movie
00:58:13Can you tell me what you've done to the director?
00:58:14Well, what you told me
00:58:15We went to her house, we were on the sofa and I kissed her
00:58:17AND?
00:58:18Well, his wife and his 4-year-old daughter caught us.
00:58:20And the mother-in-law who were coming from the cinema
00:58:21Because obviously he wasn't gay.
00:58:24Maybe I can fix it
00:58:25I'll call you and sleep with him
00:58:27Alice
00:58:29Incredible as it may seem
00:58:30There are people who get jobs without resorting to sex
00:58:33It's clear we have nothing to do with each other
00:58:35We're finished.
00:58:42Hello, hello, I'm Carlos
00:58:43Hey, you had earrings and a necklace that matched the ring.
00:58:48Yes, you put it on Dad's account
00:58:52Okay, thanks
00:59:03So what happens now?
00:59:07Well, he's stupid.
00:59:08How does he sell paintings?
00:59:09Well, I bought them all myself because I felt sorry for them.
00:59:11Oh dear, oh dear, Marisa and Vicenta called him, and they're sick.
00:59:14But deep down it's called "bitch that swallows us"
00:59:16Well, these ladies have some nerve!
00:59:18No, not here.
00:59:20Why not?
00:59:20Because there's no good light here
00:59:22This is not the right place to view my work
00:59:24Roberto, what's wrong?
00:59:25Why are you moving my painting?
00:59:26Then nothing that doesn't sell
00:59:27Miguel, José Miguel, come here
00:59:28But if you don't arrive
00:59:30May I?
00:59:31Okay, what is this?
00:59:32Manager, please
00:59:33Less steak and more art
00:59:35Stop making a fool of yourself
00:59:37You should thank me for putting it in your restaurant
00:59:39I could be on Google, Jaime.
00:59:40Yes, as a security guard.
00:59:42Do you know what's wrong with you?
00:59:43You can't stand that he's more successful than you.
00:59:45And on top of that, he'll want to come back to me, you know.
00:59:47Roberto, if you price the paintings at 600 euros
00:59:49You're not going to sell a single one.
00:59:50That's why Carlos bought me seven
00:59:52So, in investment plan
00:59:53Look, I'm sorry, but nobody wants your paintings
00:59:55What do you mean, no? What do you mean, no?
00:59:56And what about yesterday's French executive?
00:59:58I am the French executive
00:59:59I bought all the paintings because I felt sorry for you.
01:00:01Okay, okay, okay, okay
01:00:03What a country of envious people
01:00:04Of course, that's why Julio Iglesias lives in Miami
01:00:06Okay, so can I take this out of the kitchen or what?
01:00:09A full house of wine boxes
01:00:10And there's no room.
01:00:11There is no room
01:00:14I'm sorry honey
01:00:14I bought them for you so you could make it to the end of the month
01:00:17Just so you know
01:00:17I don't live off anyone's charity.
01:00:19Here, your money
01:00:20I don't want your money
01:00:21Well, anyway I don't carry it with me
01:00:23But I've already given it to you.
01:00:24Don't you have to give it back to me?
01:00:26The same in four or five centuries
01:00:27These paintings are worth something
01:00:29Hey, I'd definitely prefer you give it back to me.
01:00:31But what do you say?
01:00:32She bought them for me as a favor.
01:00:33Why did you want to?
01:00:35Are you coming?
01:00:36Hey, the pasta's split, right?
01:00:38Has it never been the case that things are done for the love of art?
01:00:40Well no
01:00:41But why be the only one who always loses money?
01:00:43Because the male has it.
01:00:48A slot machine is equal to your name
01:00:50It only gives you something when it's hot.
01:00:53This is more fun than sex
01:00:55But what do you know?
01:00:56I'm more hooked than Coronado is on yogurt.
01:00:59Hey girls!
01:01:00How's it going?
01:01:01Here, giving it some fiber to see if it loosens up
01:01:03And you?
01:01:05Very good
01:01:06We're losing everything, aren't we?
01:01:08If they can't be left alone
01:01:10Marisa, let's go
01:01:11No, if I leave it now, the next sucker will get it.
01:01:15Fuck the subsidy, fuck the boiler
01:01:17You go get the palpable papers ready.
01:01:19If you don't know how to play
01:01:21Maybe luck is like deodorant
01:01:23That abandons you when you least expect it
01:01:24Yes, yes, yes, sir
01:01:25What is Gafi?
01:01:26Since he touched Emilio, he hasn't done a single thing right.
01:01:29Stay calm
01:01:30I did it right away.
01:01:32Hello
01:01:33I noticed he was looking at me
01:01:35Will you buy me a drink?
01:01:37Yeah
01:01:38Holy shit
01:01:39Come on, come on, come on
01:01:40Let's play games, gentlemen
01:01:42Clear path, Emilio
01:01:43Relax, okay?
01:01:44Visualize
01:01:45Now I can only see myself at the employment office.
01:01:47And how many people are in the queue?
01:01:51Fourteen
01:01:51That's the number
01:01:52Okay then
01:01:53What we have left
01:01:54At fourteen
01:01:55That's it.
01:01:56But it would be quite a coincidence if it came out on fourteen.
01:01:58There are many more
01:01:59Vicenta, please
01:02:00Anyway, the best part is participating, right?
01:02:03Fourteen, fourteen, fourteen
01:02:13Seventeen
01:02:14Black and...
01:02:14I clarified what I said before.
01:02:15Seventeen
01:02:16Ours
01:02:17His bet was on fourteen, sir
01:02:19I don't know this man at all.
01:02:21And I've bet on seventeen
01:02:22If you have any complaints
01:02:23The play is captured in the video
01:02:25No, no, no
01:02:26No, no, no
01:02:26No, no, no
01:02:28We've been waiting for it for two years.
01:02:29Hey bro, what are they throwing at us?
01:02:31I told you it wasn't a good idea.
01:02:32Gambling money
01:02:33But if you voted in favor
01:02:35For not listening to me
01:02:36I am very old
01:02:37Marisa, we're leaving.
01:02:39We have lost everything
01:02:40Damn, what a disaster
01:02:48This is what heaven must sound like when you enter
01:02:51My God, what a plumbiazo!
01:02:54What a plumbiazo
01:02:59One bump on the head for the whole casino
01:03:02Eighteen thousand euros
01:03:04The casino special has raised the idea
01:03:06What an injustice!
01:03:07I get sick.
01:03:08But has he said yet what he's going to do with the money?
01:03:10Yes, I do.
01:03:11We haven't seen it
01:03:12She took a taxi alone
01:03:13He didn't wait for us
01:03:14I'm worried
01:03:15My father hasn't returned either.
01:03:16He must have had a good night
01:03:18Marisa is a reasonable woman
01:03:19And he knows the needs very well.
01:03:21From this our community
01:03:21I trust that he will finance the boiler
01:03:23After all
01:03:24With its low percentage of body fat
01:03:26It has to be the one who's feeling the coldest.
01:03:28I think not anymore.
01:03:29What's happening?
01:03:31What a beautiful night, huh?
01:03:33Have you already spent all the money?
01:03:34In a laughing coat?
01:03:35No, I went to a Star Wars casting call.
01:03:38Okay, see you later
01:03:39And you don't plan to do anything for your neighbors?
01:03:42Yes, man
01:03:43The Chinese store has a sale on radiators.
01:03:47Haven't you remembered me?
01:03:49Yes, that's why you haven't bought anything.
01:03:50What are you laughing at?
01:03:52No, it's just that I was remembering that crazy woman's call.
01:03:55Isabel and you
01:03:58It's just so great
01:04:00Yes, we're going home, love.
01:04:05Okay, so what about me?
01:04:06I'm a jinx, I bring good luck
01:04:07I'm a jinx that brings good luck
01:04:09This is an identity crisis
01:04:10Emilio, that doesn't exist.
01:04:11Yes, it exists
01:04:12The problem is that it's a nuisance.
01:04:14They are vestiges of superstitions
01:04:15And ancestral beliefs
01:04:16Rooted in the collective unconscious
01:04:18I think Mariso was the one who hit the nail on the head with this.
01:04:20Life is a lottery, a lottery
01:04:22Alright?
01:04:23Good night
01:04:24Dad, can you tell me where you came from?
01:04:26Don't worry, we're still friends.
01:04:27But the divine one was wrong, the liver
01:04:30What are you saying?
01:04:30If he was a man
01:04:31Well, don't think there's that much difference.
01:04:33Between your mother and that man
01:04:34You're always talking badly about Mom.
01:04:36With all the good things it has given you
01:04:37Me? What?
01:04:37Well, I, for example
01:04:39Your Honor, no further questions
01:04:40No more questions, go on, lie down, lie down
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