- hace 2 días
Categoría
📺
TVTranscripción
00:00:27Subscribe to the channel!
00:00:55Subscribe to the channel!
00:01:00Channel 19 just painted theirs and we're not going to be left behind.
00:01:03Well, painting. They've created a work of art in an ochre tone that makes it look beautiful when the last rays of sunlight hit it.
00:01:08The sunset light shines on the facade, highlighting the nineteenth-century style of the engraved openings.
00:01:13Come on, damn it, don't beat around the bush! Just tell us what we have to pay.
00:01:17That's what I'm getting at. I've taken the liberty of requesting a quote...
00:01:20Very expensive! Sausage!
00:01:21But do you want to let him speak?
00:01:22He's due for it!
00:01:24Painting the facade costs 7,200 euros, which means a special assessment of 1,200 euros per apartment.
00:01:30Okay, so how much is a million?
00:01:32Two hundred thousand?
00:01:33Well, I don't know, considering it's an expense that has to be made every 20 years, it's not really
00:01:36so expensive.
00:01:36There goes that rich girl rubbing her money in our faces.
00:01:38If you think it's cheap, why don't you pay for it all yourself?
00:01:41Excuse me, I was just giving my opinion.
00:01:43Then you can give it to me at home.
00:01:44Besides, why would the facade need to be painted?
00:01:47They say beauty is on the inside.
00:01:49Why don't we just install a working elevator, for example?
00:01:52That.
00:01:52Because here we don't spend money on useful things.
00:01:54No, no, no, not the elevator. I'm fine with myself and the facade.
00:01:56Let them stain from the portal outwards.
00:01:57Yes, that's all there is to it.
00:01:58That's what needs to be done, period.
00:02:00Come on, let's vote.
00:02:01I think we would all like this building of ours to look as it deserves during the upcoming festivities.
00:02:06patron saint of our neighborhood, Saint Thomas Aquinas.
00:02:09Aquinas, Aquinas.
00:02:12Emilio, the jokes are for the bar.
00:02:13Uh, sorry, I was...
00:02:15Let's see, votes in favor of painting the facade.
00:02:18At least let something look nice.
00:02:20Well, yes, you have to start somewhere.
00:02:22One, two, three, all.
00:02:25But damn, what happened? Everyone agrees.
00:02:27Concha, is this the first time you've voted in favor?
00:02:29I am pleased to see that you, who own two apartments, are willing to pay.
00:02:33No, I'm going to pay for the upstairs apartment.
00:02:35I've already sold mine.
00:02:37Tomorrow I'm going to a notary to sign.
00:02:39What do you mean you've already sold it?
00:02:40Yes, they give me 42 million and 10 million under the table.
00:02:44I'm moving to a semi-detached house that I bought with my son.
00:02:47Like a terraced house?
00:02:48Yes, it has a swimming pool and a built-in barbecue.
00:02:52I will invite you to sunbathe.
00:02:54I don't believe it, Juan.
00:02:55That means her son is sending her to a nursing home and has told her it's a villa.
00:02:58Well, Concha, before the sale, let the new owner know that he has to pay this special assessment.
00:03:01Yes, yes, of course, absolutely.
00:03:03I'll let you know.
00:03:05Here, here, here, nobody lives.
00:03:07Not here, not here.
00:03:10Every day is like this.
00:03:12I couldn't imagine it when I came here.
00:03:14I was just looking for some peace.
00:03:16I wake up every day in the middle of a hurricane.
00:03:19Here, here, here, nobody lives.
00:03:21Not here, not here.
00:03:23Here, here, here, nobody lives.
00:03:26Not here, not here.
00:03:27The house above me is collapsing.
00:03:30I can't find the goalkeeper.
00:03:32My neighbors are watching and listening to me.
00:03:35I can't stand it.
00:03:36In this place.
00:03:37They see me as a copal incense burner.
00:03:41Trenos, terremoto y un botán.
00:03:47And you'll have this ladder.
00:03:51Here, here, here, nobody lives.
00:03:53Not here, not here.
00:03:55Here, here, here, nobody lives.
00:03:58Not here, not here.
00:04:00Here, here, here, nobody lives.
00:04:07Hey, they must have screwed this on properly, right?
00:04:09I'm always down here cleaning.
00:04:10And how long will it take them to paint the facade?
00:04:12Let's not start off by being too forward, okay?
00:04:13They want this done right, don't they?
00:04:15Well, yes.
00:04:15Well, it took Michelangelo four years to paint the Sistine Chapel.
00:04:19But then look how it turned out.
00:04:20Well, it's not the same.
00:04:21Four years.
00:04:22The Pope had to pay quite a price, didn't he?
00:04:24Come on, damn it.
00:04:26But what is this thing they've put here?
00:04:28Listen, nobody told us they were going to put up scaffolding.
00:04:30And how do you want them to paint, Vicenta?
00:04:32We called Spiderman, but he told us he only installs satellite dishes.
00:04:35Well, if that gentleman is busy, we'll call another one.
00:04:38Poor thing, what a shame.
00:04:39Well, ma'am, I hope you have a good time at the nursing home.
00:04:42It's a chalet.
00:04:44And come back whenever you want, okay?
00:04:45We're all here for whatever you need.
00:04:47Of course I plan to come back every day.
00:04:49You're so wrong if you think I'm going to let you do whatever you want.
00:04:53Concha, are you really leaving us?
00:04:56Come on, don't be silly, he told you he's coming every day.
00:04:59Yes, but it's not the same anymore.
00:05:01Well, he can't say who bought the apartment anymore, can he?
00:05:03I'm saying this so I'm prepared.
00:05:04It is a married couple with two children.
00:05:06They're coming this afternoon.
00:05:08Ah, a family.
00:05:08That's ok.
00:05:09And they're also about your age.
00:05:12Oh, young people, Juan.
00:05:13Finally I'm going to have a friend, which is what I need.
00:05:16Well, I'm off, I've arranged to choose the garden furniture.
00:05:22See you tomorrow.
00:05:23Be careful around the pool, okay?
00:05:25Don't slip on the ladder and break something.
00:05:27Because at his age, bones no longer heal properly.
00:05:29What a joker, Paloma.
00:05:31Yes, he goes to a chalet and takes the bathroom curtain with him.
00:05:34Words are unnecessary.
00:05:35Well, the important thing now is that some new neighbors are arriving.
00:05:37And I earnestly ask that for once we try to be nice.
00:05:40and let us extend a warm and cordial welcome to them.
00:05:43Another move, what a pain.
00:05:44You'll see how they break something of ours.
00:05:46We are going to create a welcoming committee.
00:05:49In which we will all be.
00:05:52So I ask for your sympathy.
00:05:54Emilio, go buy some balloons.
00:05:56Some balloons?
00:05:57So that?
00:05:58Look, Belén, you can't go on like this.
00:05:59You have to make a decision.
00:06:01We're going to use the scientific method that never fails.
00:06:03Good and bad things about Carlos.
00:06:05Good and bad things about Emilio.
00:06:06This is the system I use when I have these kinds of doubts.
00:06:09I need more columns, but it doesn't matter.
00:06:11It's the same thing.
00:06:12Okay, fine, let's get started.
00:06:13Come on.
00:06:13Good things about Carlos.
00:06:15He has money.
00:06:16Okay, more things.
00:06:17He has a convertible.
00:06:19He has a motorcycle.
00:06:20He has a house in Mallorca.
00:06:21Oh, yes.
00:06:22Gold Visa.
00:06:23Okay, fine, fine, fine.
00:06:24But let's focus on personality, shall we?
00:06:27He is very attentive, very sensitive.
00:06:29He's always looking out for you.
00:06:30Yeah.
00:06:30But we weren't talking about the good things.
00:06:32Alicia, those are good things.
00:06:34Ah.
00:06:35Well, the most important thing.
00:06:36How is he in bed?
00:06:37Alright.
00:06:38Weak.
00:06:38And what do you know?
00:06:39I don't know, I was dating him.
00:06:41Well, he told me it was your fault, that you were very boring in bed.
00:06:44That I was boring in bed?
00:06:45Yes, yes, yes.
00:06:45That's true, Roberto told me the same thing.
00:06:47As?
00:06:50It's a joke.
00:06:52Quite a sense of humor, huh?
00:06:53You are inspired.
00:06:55Well, Carlos has money.
00:06:57Why talk about it anymore?
00:06:58Good things about Emilio.
00:07:02Okay, let's start with the bad news.
00:07:03Yes, better.
00:07:04Physically strange.
00:07:05Queer.
00:07:05Well, weird, not weird.
00:07:07I mean, it's exotic, isn't it?
00:07:11It has that exotic side.
00:07:13Interested.
00:07:14Ball.
00:07:14Rat.
00:07:15Sexist.
00:07:15Lazy.
00:07:16Annoying.
00:07:16Okay, fine, fine.
00:07:17The bell rings and that's it.
00:07:18Seven correct answers.
00:07:20Hey, we're trying to help you.
00:07:22Now you just have to evaluate the results.
00:07:24Let's see.
00:07:27Hey...
00:07:28Hey...
00:07:28This is a tie, isn't it?
00:07:30Is...
00:07:30Clear.
00:07:31Draw?
00:07:32Well, look, Belén is already back with Emilio and don't drive us crazy.
00:07:35Yes, but sometimes I miss Carlos.
00:07:37I'm leaving.
00:07:38I'll tell you what I would do.
00:07:40I was going to marry Carlos and sleep with Emilio.
00:07:42Sure, and on Sundays we go to the movies three times.
00:07:44Okay, thank you very much.
00:07:45You have solved my problem.
00:07:46That's what friends are for.
00:07:47And I'm not boring in bed.
00:07:49No.
00:07:51Fernando.
00:07:52Fernando, good news.
00:07:54I'm coming from the newsroom.
00:07:55They loved the article.
00:07:56And they're going to give me a column in the Sunday paper.
00:07:58I need to take one of those small photos for the header.
00:08:01Well, the photo is big, but then they make it small.
00:08:03What should I do for the photo?
00:08:05Do I smile or do I look serious?
00:08:06I don't know, Maury.
00:08:07It's that if I get serious I might seem pedantic, but if I smile I might seem frivolous.
00:08:11I don't know what.
00:08:11Look, I had thought of a more enigmatic gesture, like a threshold.
00:08:14So.
00:08:14Look, look, look.
00:08:17What do you think?
00:08:18Great gesture.
00:08:19It encourages reading.
00:08:20What's happening?
00:08:20Are you in a bad mood again?
00:08:21And how do you want me to be?
00:08:22I've been unemployed for three months.
00:08:24The house is falling down on me.
00:08:25Well, go to the market, we need fruit.
00:08:26No, I can't go on like this, okay?
00:08:27Today I've been putting the CDs in alphabetical order.
00:08:30Why, Fernando, did you think of them as musical genres?
00:08:32I woke up this morning.
00:08:33I got dressed, got in the car and suddenly I said to myself.
00:08:36Where to go?
00:08:37I don't know, maybe go to your sister's house, you haven't seen her in a long time, right?
00:08:40Since you were in the car.
00:08:42He's working, everyone's working, except me.
00:08:46Haven't I called anyone?
00:08:47No.
00:08:49That offer you had?
00:08:50Nothing.
00:08:51Nothing happened.
00:08:52No.
00:08:53Hey, what about that friend?
00:08:54He no longer works there.
00:08:55He doesn't work there.
00:08:57Did you send the resumes with photos?
00:08:58No.
00:08:59That's the problem.
00:08:59You're very handsome, Fernando.
00:09:01You need to send a photo.
00:09:02There are many business executives who are gay.
00:09:04Here we go again with the gay stuff.
00:09:05But don't you realize that because of this whole story I'm now unemployed?
00:09:08No, just calm down, okay?
00:09:09Yes, yes, sorry.
00:09:10You are a good professional.
00:09:12You have talent.
00:09:13You have to end up calling someone.
00:09:15Telephone.
00:09:16Telephone.
00:09:16Telephone.
00:09:18Yeah.
00:09:20Yes, this is it.
00:09:21No, tell me about the offer, I'm your representative.
00:09:24Who is it?
00:09:25No, look, that's very little money, but that amount wouldn't even buy Fernando a suit.
00:09:28But what are you saying? Let me speak.
00:09:30No, no, let me do it, I'm going to make more money.
00:09:31Let me.
00:09:32They give him a company car.
00:09:33Company car.
00:09:35Yes, hello, I'm Fernando Navarro.
00:09:36Tell me.
00:09:38She's your mother.
00:09:40It was to cheer you up.
00:09:44Hello darling.
00:09:46Hey, I've been talking to my mom and it turns out she asked me...
00:09:49Roberto, do you think I'm boring in bed?
00:09:50What are you saying?
00:09:51Don't listen to Emilio, he makes everything up.
00:09:53No, Emilio didn't tell me.
00:09:55Oh, so who told you that nonsense?
00:09:57So, you do think I'm boring.
00:09:59No, man, no, no, you're not boring.
00:10:02You are romantic, tender, discreet.
00:10:04I like it.
00:10:05It's eco-friendly sex, without noise pollution.
00:10:07And what would you like, for it to be more scandalous?
00:10:09Well, not scandalous, but sometimes I mistake you for the bed springs.
00:10:12What do you mean, with the bed springs?
00:10:16Funny, well you're not at your best either.
00:10:18But nothing happens.
00:10:20At first we all want to impress, but then it's impossible to keep up.
00:10:24Lucia, we've been dating for three years and living together for six months.
00:10:27Things are calming down.
00:10:28I've been talking to my colleagues and they're all experiencing the same thing.
00:10:30So you also talk about it with your colleagues?
00:10:32No, they talk, I just listen.
00:10:34Yes, like learning by listening.
00:10:36Okay, let's see, Roberto, is there anyone you haven't talked to about our sex life?
00:10:40Yes, with you.
00:10:41But hey, everything's fine, right?
00:10:42No, no, no, not everything is alright.
00:10:43Let's go to bed.
00:10:44Now?
00:10:45Yes, let's see who's the boring one.
00:10:47No, no, no, no, no, no, wait a moment, I want to tell you something.
00:10:49Well, when we finish, if we ever do.
00:10:51Come on.
00:10:51Hey.
00:10:52You'll find out, man.
00:10:53No, no, no, no.
00:10:56This is what I wanted to tell you, my grandmother is here.
00:10:59Hello, ma'am, what's up?
00:11:01My skirt got wrinkled.
00:11:03Don't worry, Yaya, we'll iron it for you now.
00:11:06We'll be right back.
00:11:08What's your grandmother doing here?
00:11:10My parents, who have gone away for a romantic weekend, have saddled me with her.
00:11:13And on top of that, you have to be on call for her 24 hours a day.
00:11:16Okay, Roberto, don't worry, it's okay, we'll sort it out.
00:11:18No, damn it, they haven't even asked me.
00:11:20They've got some nerve.
00:11:21Where is the woman going to sleep, here on the sofa?
00:11:23No, poor thing.
00:11:24I sleep on the sofa.
00:11:25She sleeps in the room with you.
00:11:27As?
00:11:28So, I'm going to sleep in the same room as your grandmother.
00:11:31Come on, it's ideal for rekindling passion.
00:11:37Okay, we're ready.
00:11:38Everyone has their own balloon.
00:11:40Wow, what a photo we have!
00:11:41Let's see if they come quickly.
00:11:42Yes, because we've been here for three-quarters of an hour.
00:11:44Haven't they said what time they're coming?
00:11:46Maybe they saw us and walked right past.
00:11:48This is humiliating.
00:11:49I need to pee.
00:11:50Give me the cake, go there, to the goal.
00:11:52No, wait, now my house is going to be a public restroom.
00:11:54Here they come, here they come!
00:11:55Everyone smile!
00:11:56Come on, come on, come on!
00:12:02What is this?
00:12:03Andrés, don't tell me it's here.
00:12:04Yes, the 21st is here.
00:12:07Damn, it looks like a Berlanga film.
00:12:09What are they doing there?
00:12:10What do they want?
00:12:11Read the sign, honey.
00:12:13It's a welcome.
00:12:14Let's not start seeing everything in a negative light, okay?
00:12:18Hello, neighbors.
00:12:19Why don't they just leave already?
00:12:21I can wipe this stupid grin off my face.
00:12:23Woman, give them time.
00:12:24They are excited.
00:12:26So, which neighbors do this?
00:12:27Nobody.
00:12:28I'm outta here.
00:12:29Natalia, come here.
00:12:30Yes, that's it, me too.
00:12:31No, no, no.
00:12:32You stay.
00:12:33José Miguel.
00:12:34I'm still waiting for you to explain why we've been seized.
00:12:37Hey, Dad, there's no garage here.
00:12:38What am I going to do with the motorcycle?
00:12:39Sell it, son, it will come in very handy for us.
00:12:41And you, please, smile a little.
00:12:43The neighbors are waiting for us.
00:12:49How depressing to leave a villa to come here.
00:12:53Come on, come on.
00:12:53One, one, two, and three.
00:12:55Welcome!
00:12:56We haven't had enough rehearsals, Mr. Juan.
00:12:59Good afternoon.
00:12:59Juan Cuesta, president of the community.
00:13:02Hello, Juan Cuesta, president of the community.
00:13:04Which floor was it?
00:13:05It's the second B, my love.
00:13:08Please excuse her, moving stresses her out a lot.
00:13:10Juan Cuesta, president of the community.
00:13:12Andrés Guerra, businessman, delighted.
00:13:15Sports: War, countryside, beach and mountains.
00:13:17This is my son Alex.
00:13:19And this is the other one.
00:13:20Pablo, my name is Pablo.
00:13:21Hey, what's up? Are there no women here?
00:13:23I am Paloma, the president.
00:13:25Fashion designer.
00:13:26Yes, he takes the hem of the child's uniform.
00:13:28I said I'm a designer.
00:13:29Of course, and I'm Marisa.
00:13:31Tom Model International.
00:13:34Take the welcome balloon
00:13:35And goodbye, close my tobacco shop.
00:13:38Thank you very much, huh?
00:13:39Thank you for this lovely welcome.
00:13:41They don't do this in all communities, do they?
00:13:44Tomaros, I've made a welcome cake.
00:13:46Hey, did I make this cake?
00:13:47And this is Vicenta, very nice too,
00:13:50But it's a bit over there.
00:13:51What are you saying?
00:13:52Well, Andrés, as president of the community,
00:13:54My wish is that you feel at home
00:13:55from the very first moment.
00:13:56So, if we can do something
00:13:58so that you feel better.
00:13:59Oh, of course.
00:14:00Look, take a box from the trunk
00:14:02And you're the goalkeeper, right?
00:14:04Well, man, it depends on what for.
00:14:06Come on, get another box
00:14:07We'll upload this in a jiffy.
00:14:09What a joy when they told me
00:14:10Let's go to the house of the Lord.
00:14:12I help too.
00:14:12if I have nothing to do now.
00:14:14Well, the storage room is spacious.
00:14:16But where is the floor, Mom?
00:14:18This is the floor.
00:14:20Alex.
00:14:20Ah, how are we going to put
00:14:22Are all the things from the chalet here?
00:14:23Please, look, son,
00:14:25Don't overwhelm me, okay?
00:14:27Mom, where is my room?
00:14:28At the back, on the left.
00:14:30And Alex's?
00:14:31At the back, on the left.
00:14:34You're going to have to fight us.
00:14:35for the good room,
00:14:36because there is no good room.
00:14:41No problem.
00:14:41I'll see if there's any water.
00:14:43and I take a pill.
00:14:46What's happening?
00:14:46Is it very small?
00:14:47No, it's welcoming.
00:14:49Thank you very much, huh?
00:14:51You didn't have to bother.
00:14:53No, no, no,
00:14:53Yes, we're delighted.
00:14:54A little exercise never hurts.
00:14:56There's nothing left in the trunk.
00:14:58No, this was the last straw.
00:14:59Where should I put it?
00:15:00Vicenta, pretty one,
00:15:01But if that's the wheel
00:15:02spare car.
00:15:03Oh, really?
00:15:03So why am I uploading it?
00:15:05That's a good question.
00:15:06Take it, Emilio,
00:15:07Take her down to the car,
00:15:08that weighs a lot.
00:15:09Oh, what?
00:15:09And now I've been left holding the bag.
00:15:10Well, I have a bad back
00:15:11as if it were charging.
00:15:12Vicenta, I would like to talk
00:15:13Just a moment
00:15:13with our new neighbor.
00:15:15Yes, of course, please.
00:15:20Alone, of course.
00:15:23I get it,
00:15:25I got it.
00:15:28Andrew,
00:15:29You've got me down.
00:15:29for whatever you want.
00:15:31Oh, what I've said!
00:15:32Come on, I'm getting close.
00:15:33to hear your wife.
00:15:35I could think that I...
00:15:37Leave.
00:15:40To the woman, huh?
00:15:42Give it time.
00:15:44Well, Andrés,
00:15:45What I wanted to tell you
00:15:46I understand.
00:15:47that you're all involved now,
00:15:48but I would beg you
00:15:49as soon as possible
00:15:49pay me
00:15:50to the amount of the assessment.
00:15:52What does it spill?
00:15:53The facade spill,
00:15:54that we are painting it.
00:15:55He hasn't told you anything, shell.
00:15:57No, he hasn't told me.
00:15:59nobody anything.
00:16:00How much is that spill?
00:16:021,200 euros.
00:16:03Fuck,
00:16:04Now that's a welcome!
00:16:05But I don't have
00:16:06that pays.
00:16:07Now you are the owner
00:16:09And if a good one is the spillover,
00:16:10according to the law...
00:16:11Don't mess with me.
00:16:12with the law.
00:16:13No, no, no, no.
00:16:14If I don't...
00:16:14No, I'm with lawyers.
00:16:15so far.
00:16:16And 1,200 euros,
00:16:18As you can imagine,
00:16:19I'm not going to pay.
00:16:20Yes, that's all I'm telling you.
00:16:21If you don't pay
00:16:22You're putting me in a difficult position.
00:16:23because you have to pay
00:16:24to the painters
00:16:25And of course...
00:16:25Well, then, he's calling for it.
00:16:26to a meeting,
00:16:27You call Concha
00:16:28and we cleared everything up.
00:16:30But all in good fun, right, Juan?
00:16:32That you and I
00:16:32We're going to be very good friends.
00:16:34Yes, yes, of course.
00:16:35We've connected, huh?
00:16:37We've connected.
00:16:39You can tell, right?
00:16:40I notice it, I notice it.
00:16:41That's what's important.
00:16:43Wow!
00:16:50Man, Bethlehem,
00:16:51I wanted to go talk to you.
00:16:52And where are you going with that?
00:16:53Here, take it for a moment.
00:16:54So that?
00:16:55Please take it for a moment.
00:16:58Look, now you're Bethlehem,
00:17:00wheel.
00:17:02You're an idiot.
00:17:04You have not stained me.
00:17:05Hey, it was a joke.
00:17:06Wait, damn it,
00:17:06I want to talk to you.
00:17:07What's happening?
00:17:07What do you want?
00:17:08No, look,
00:17:08I was thinking that...
00:17:09No, Emilio, no.
00:17:10I'm not going out with you.
00:17:11Neither with you, nor with Carlos,
00:17:12nor with any other man.
00:17:13You didn't buy a vibrator, did you?
00:17:14That's like cell phones.
00:17:15They are not yet known
00:17:16the side effects.
00:17:17I haven't bought anything.
00:17:18But if also
00:17:18I don't want to go out with you anymore.
00:17:20And then
00:17:20What are we talking about?
00:17:21No, I was just thinking
00:17:22if I can come up later for a while
00:17:23And we give each other a little love, right?
00:17:24Ah, yes, that's right.
00:17:25No problem.
00:17:26But as soon as we finish,
00:17:27You're leaving.
00:17:28No, if you don't mind.
00:17:28I'll stay up there
00:17:29to discuss the best moments
00:17:30as in Garci's program.
00:17:31Okay, are you going to go up or not?
00:17:33Yes.
00:17:33Well, that's it.
00:17:34Okay then.
00:17:35So much fuss, just powder it, whatever.
00:17:39Okay, so what do I do with the wheel now?
00:17:40What if I don't have the car keys?
00:17:41Hello, Emilio.
00:17:42Well, the one we were missing.
00:17:43I would like to have a few words
00:17:44alone with you.
00:17:45But come on,
00:17:46Finish what you're doing.
00:17:47No, no, but if I
00:17:48I'm not doing anything.
00:17:49So, what do you do with a wheel?
00:17:51Man, I'm buying
00:17:51a sports car at the newsstand
00:17:53and with the first fascicle
00:17:53You're giving away the spare tire
00:17:55and the radio antenna.
00:17:56Okay, let's go to the goal.
00:17:57we need to talk
00:17:58man to man in private.
00:18:00Hey, what's up?
00:18:00You're scaring me.
00:18:06Well, Belén can't decide.
00:18:07between you and me.
00:18:08It is an inexplicable fact,
00:18:09But it's a fact.
00:18:10Science will study it in due course.
00:18:11So let's fix it
00:18:12This is just you and me, alone.
00:18:14Carlos, this is already happening to me.
00:18:14They provided it to me in the thousand
00:18:15But I don't like this kind of stuff.
00:18:16It doesn't suit me.
00:18:16I don't...
00:18:17Don't be an animal.
00:18:19You are an obstacle
00:18:19in my relationship with Belén.
00:18:20So the best thing to do will be
00:18:21that you stop watching her.
00:18:22Well, all the best to you.
00:18:23Because I'm telling you now
00:18:24I don't give a fuck about it.
00:18:25And we are where we were.
00:18:26How much do you want?
00:18:27What do you mean, how much do I want?
00:18:28How much do you want
00:18:28for stopping seeing her.
00:18:29Give me a number.
00:18:31You're offering me money
00:18:32for moving away from Bethlehem.
00:18:33You're putting a price on it
00:18:33to our love.
00:18:35Three thousand euros.
00:18:36No, no, no, no, no.
00:18:37Six thousand.
00:18:37Did I say it without thinking?
00:18:38Five thousand and that's my final offer.
00:18:40Four thousand five hundred
00:18:40And that's all there is to it.
00:18:41But that's less.
00:18:42Well, five thousand then.
00:18:43You're confusing me.
00:18:45Hey, we're talking
00:18:46In euros, eh?
00:18:47Not in pesetas.
00:18:50I don't want to come back
00:18:50Let's see about Belén.
00:18:51We are?
00:18:53Well, I won't be able to.
00:18:54stop watching her
00:18:55because he lives in the building.
00:18:56You know what I mean.
00:18:57With Belén, it's hello and goodbye.
00:18:59Okay, okay, yes, calm down.
00:19:00Hello and goodbye.
00:19:02Bye bye.
00:19:04Well, this too
00:19:05It's been good, huh?
00:19:07Yes my love.
00:19:08No, no, no, take it away, take it away, take it away,
00:19:10Move aside, I'm leaving.
00:19:11Take it, no, take it away, take it away, take it away.
00:19:12Okay, okay, okay.
00:19:13Go away.
00:19:14You see, it's as far as I'm concerned.
00:19:15But if I have
00:19:15lots of things to do.
00:19:16What do you have to do?
00:19:17At this hour, please?
00:19:18Well, for goalkeeper stuff.
00:19:19that you don't understand.
00:19:22Hala.
00:19:24Bye bye.
00:19:26Hey, take out the trash
00:19:27at least.
00:19:28Honey, we shouldn't mix them
00:19:29work with pleasure.
00:19:30Hey?
00:19:32I just can't stand him.
00:19:34Let's see,
00:19:34Yes, I understand perfectly.
00:19:36If I don't want him to understand me,
00:19:37All I want is
00:19:37He needs to pay me.
00:19:38Yes, yes.
00:19:39I told him very clearly.
00:19:4050% in advance.
00:19:4150% and not 10%, right?
00:19:43That I've had to buy
00:19:44the materials from my pocket.
00:19:45But where has that ever been seen?
00:19:47Listen, I guarantee you
00:19:47that this is a community
00:19:49completely solvent.
00:19:50Emilio.
00:19:51Hey, sorry,
00:19:52If it's this one who's...
00:19:53making nervous.
00:19:54Don't eat your sandwich there.
00:19:55I'm getting crumbs.
00:19:56And then come the pigeons
00:19:57and they make a mess of everything.
00:19:58Man, that...
00:19:59Look, we have a meeting tomorrow.
00:20:01and all the neighbors
00:20:01They're going to pay me
00:20:02your aliquot part
00:20:03of the previously stipulated amount.
00:20:05But what does it say?
00:20:06I get paid here,
00:20:07What's going on? Are they not paying me?
00:20:08I'm telling him yes,
00:20:10He'll have it tomorrow.
00:20:11I hope it's my turn soon.
00:20:12the primitive
00:20:12and I stop swallowing
00:20:13Because what I swallow...
00:20:15You, help me, damn it.
00:20:16Sorry, but I don't know
00:20:17where did you see the ad?
00:20:18But I don't do it.
00:20:19that type of service.
00:20:21No no,
00:20:22That's not it either.
00:20:22I am a lawyer,
00:20:23not a gigolo.
00:20:24This is amazing.
00:20:27Oh well.
00:20:30Fernando,
00:20:31in order to maintain
00:20:31the building's aesthetics
00:20:32I would beg
00:20:33that you will not put up posters
00:20:34on the facade
00:20:35and especially not of this type.
00:20:36I respect your hobbies
00:20:37But then the neighbors
00:20:39They complain, and of course.
00:20:40Yes, but who
00:20:40Did you put this here?
00:20:41It was Mauri.
00:20:42He placed them
00:20:42throughout the neighborhood.
00:20:43Mauri.
00:20:55Can we know?
00:20:56what is this?
00:20:57Hey, many times
00:20:58traditional methods
00:20:59They are the ones that work best.
00:21:00That's how he found
00:21:01my sister and her dog.
00:21:02Has anyone called you?
00:21:02Yes, about 15 people.
00:21:04Do you see it?
00:21:04But all of them to ask me
00:21:05sexual favors.
00:21:06As?
00:21:06But I did hire a lawyer.
00:21:07Yes, gay lawyer available.
00:21:09very discreet
00:21:10and very handsome.
00:21:11Demonstrable experience.
00:21:12Great skills.
00:21:13You will be satisfied
00:21:14with my work.
00:21:15What does this sound like to you?
00:21:17People are very sick, huh.
00:21:19He immediately looks for her
00:21:19the double meaning in everything.
00:21:20How repressed.
00:21:22Furthermore, it is not necessary
00:21:23that you get me a job
00:21:24because I've found one.
00:21:26Oh, really?
00:21:26Where?
00:21:27As?
00:21:27How much?
00:21:27Tell me something.
00:21:28It's a one-year contract
00:21:29and that's 8,500 euros
00:21:31net per month.
00:21:32Fuck!
00:21:33Yes, more diets,
00:21:34car, mobile phone,
00:21:35notebook computer,
00:21:36Who are you calling?
00:21:37Nobody.
00:21:37I'm converting it to pesetas.
00:21:38One million four hundred?
00:21:40But what?
00:21:40Is that a law firm?
00:21:41Johnson & Johnson.
00:21:42But didn't shampoo do that?
00:21:43No, it's a law firm.
00:21:45Doesn't that sound familiar?
00:21:46That's the only drawback.
00:21:49that the office is in London.
00:21:51Oh well, it doesn't matter.
00:21:51It's the same, it doesn't matter.
00:21:53In London?
00:21:54Like in London?
00:21:54Which London?
00:21:55The one with the guards
00:21:56with the furry hat
00:21:57And the cars on the left?
00:21:58Yeah, that one.
00:21:59Well, you're going to have to register as a resident.
00:22:00A lot to go to work, isn't it?
00:22:02They pay for a house for us.
00:22:03We would have to go live there.
00:22:04Okay, if you want to come with me.
00:22:06Of course, man.
00:22:08So what would you start with?
00:22:09By summer, already for Christmas?
00:22:10The plane leaves the day after tomorrow.
00:22:12But they pay for it.
00:22:13and we flew business class.
00:22:14Well, then...
00:22:15Yeah.
00:22:15Nothing, listen,
00:22:16to London.
00:22:18Yeah?
00:22:18Yeah.
00:22:20Damn, thank you so much.
00:22:21The only thing I,
00:22:22I speak in French.
00:22:23Very little English.
00:22:24Well, it's okay.
00:22:25If you, you're not talking to me
00:22:26by the elbows.
00:22:27Okay, fine, whatever.
00:22:28Hey, let's go on an adventure.
00:22:31Damn, but it makes you happy,
00:22:32oh really.
00:22:32Phew.
00:22:34A lot.
00:22:34Excellent.
00:22:37Isabel.
00:22:39Isabel, this box is yours.
00:22:42Come see what you do with this.
00:22:44Oh, please,
00:22:44Give me a break.
00:22:45I'm going through a crisis.
00:22:47We are all in crisis.
00:22:49This is a move.
00:22:50Do you want a passionflower pill?
00:22:52No.
00:22:52I'd have a whisky
00:22:54If only I knew which box it was in.
00:22:55Dad,
00:22:56We have a slight problem
00:22:57of space in our suite.
00:22:59Pablo,
00:22:59Don't be sarcastic with me.
00:23:01We've got it, right?
00:23:02Oh, please,
00:23:04Give him the keys to the storage room
00:23:05and that he keeps adding things.
00:23:07But which storage room?
00:23:08Oh, God.
00:23:10Hey, I'm already hungry.
00:23:12What are we having for dinner?
00:23:12Tell Dolores
00:23:13have her prepare something for us.
00:23:15That would be good, Dad.
00:23:16But we no longer have service.
00:23:18Isabel,
00:23:18Why don't we order a pizza?
00:23:20Because it doesn't fit.
00:23:20Yeah.
00:23:23Children,
00:23:24I want to talk to you.
00:23:27It's obvious
00:23:28that we are not going through
00:23:29for our best moment.
00:23:31Jump, jump.
00:23:32But don't worry, okay?
00:23:33The economy is cyclical.
00:23:35I'll be back soon
00:23:36to be on top.
00:23:37I've always wanted
00:23:38give you the best.
00:23:39Don't worry, Dad.
00:23:40As long as you don't end up in jail...
00:23:41Take advantage of this experience
00:23:43of life, huh?
00:23:44In difficult times
00:23:45That's when you learn the most.
00:23:47Well, I have a feeling we're going
00:23:47to learn a lot.
00:23:48Now, above all,
00:23:50We have to take care of Mom.
00:23:51Yes, she's a little depressed.
00:23:53Oh, really?
00:23:54Oh no, I was saying it.
00:23:55because until the store
00:23:57start giving money
00:23:58It's the only fixed salary.
00:23:59that enters the house.
00:24:01But come on,
00:24:01If she is depressed,
00:24:02Of course, all the more reason.
00:24:04Echinacea,
00:24:06fucus,
00:24:07lecithin,
00:24:07passionflower,
00:24:08glucomannan,
00:24:09butcher's broom,
00:24:11horsetail,
00:24:12hop...
00:24:13Ah!
00:24:14I'm missing the spirulina.
00:24:17Hello!
00:24:18Hi how are things?
00:24:20How's the mess going?
00:24:21about the move?
00:24:22So many things, huh?
00:24:23Do you come from a big house?
00:24:25Yeah.
00:24:27Hey, look,
00:24:28We need to get organized.
00:24:29about the ropes.
00:24:30I put some tweezers on.
00:24:31colored
00:24:31so you know
00:24:32which one is your piece
00:24:33And what is mine?
00:24:35Hey, would you mind?
00:24:35come to my house too
00:24:36to clean
00:24:37a couple of hours a day?
00:24:38Hey?
00:24:38You're the maid, aren't you?
00:24:39How is the maid?
00:24:40How much do they pay you?
00:24:42Eight euros an hour.
00:24:43No, no, sorry, sorry.
00:24:44I am the owner.
00:24:45I am the woman
00:24:46from the president.
00:24:47Come on!
00:24:48I am the president!
00:24:50Oh, well,
00:24:52Sorry, I made a mistake.
00:24:56Don't get confused,
00:24:58pretty.
00:24:59Well.
00:25:09Uh, do you need
00:25:10Is that okay?
00:25:12I'm not sleepy.
00:25:13Yes, but it's very late.
00:25:14Hey?
00:25:14And you need to rest.
00:25:16Well,
00:25:17I'm going to the sofa.
00:25:19All good?
00:25:19Yeah.
00:25:20Very good honey.
00:25:22Good night my love.
00:25:23You guys look great, huh?
00:25:25Don't go overboard, okay?
00:25:26See you tomorrow.
00:25:28See you tomorrow.
00:25:28Nothing.
00:25:30Should we turn off the light?
00:25:35Welcome to our program
00:25:38night chair.
00:25:39Yeah,
00:25:39We turned off the light.
00:25:41Hello,
00:25:42good night.
00:25:42Look,
00:25:43I am Benacio,
00:25:44am...
00:25:44Cotuto.
00:25:46But how could I have
00:25:47Mistaken for the maid?
00:25:48Well,
00:25:49nothing's wrong,
00:25:49Don't overthink it.
00:25:51No, if it turns out to be true now
00:25:52that I look like a maid.
00:25:54I need to buy some clothes.
00:25:56Juan,
00:25:56because it's not hair.
00:25:57Dear,
00:25:58You don't need to.
00:25:59You look great.
00:26:00Love blinds you,
00:26:01Juan.
00:26:01You are not objective.
00:26:02I would like
00:26:03even if it weighed 120 kilos.
00:26:04Man,
00:26:05neither...
00:26:06If I don't say
00:26:07that you don't take care of yourself.
00:26:08That's why,
00:26:09I'm going to buy some clothes.
00:26:10Who does she think she is?
00:26:11But you didn't want to
00:26:12a friend.
00:26:13Of course she wants a friend,
00:26:14But it's started very badly.
00:26:16And how are things with him?
00:26:18Okay, okay.
00:26:19Well,
00:26:19There's a small problem
00:26:20with the spill,
00:26:21But she told me
00:26:22Andrés, who...
00:26:22What's happening?
00:26:23They don't want to pay.
00:26:23They think they're so clever.
00:26:24No, no, no.
00:26:25Apparently
00:26:25Concha did not inform them properly.
00:26:27and well,
00:26:28Well, that needs to be clarified.
00:26:29tomorrow at the meeting.
00:26:30Beware of these,
00:26:30Hey, Juan?
00:26:31Watch out for these
00:26:31who are penniless,
00:26:32Hey?
00:26:32That have been
00:26:33to sell the chalet.
00:26:34Who knows what scams they have.
00:26:36Well,
00:26:36Let's get ahead of ourselves.
00:26:37Let's see
00:26:38What happens tomorrow, huh?
00:26:39No deadbeats here, eh, Juan?
00:26:40No deadbeats here.
00:26:44What are you doing?
00:26:45What's wrong with him?
00:26:46to this little nipple?
00:26:48No, Juan,
00:26:48You know that the night
00:26:49before a meeting
00:26:50We can't, darling.
00:26:51We need to gather our strength.
00:26:54That whiting
00:26:55It's not fresh.
00:26:56I told you
00:26:57Don't put it on me.
00:27:01She sings really well
00:27:03that boy.
00:27:06No, no.
00:27:08There's no room
00:27:09now a dog.
00:27:11No.
00:27:13I nail the rope.
00:27:14No no.
00:27:16There is nothing.
00:27:19That's it, that's it, that's it, that's it.
00:27:23Roberto.
00:27:24Roberto, darling.
00:27:25Yeah.
00:27:25What's happening?
00:27:27Is Grandma okay?
00:27:28Yes, that's great.
00:27:29There with his things.
00:27:30Okay, fine.
00:27:31Let's take advantage
00:27:32a bit.
00:27:33Hey?
00:27:34No, no, no, no.
00:27:35No, no.
00:27:36No, no, no, Lucia.
00:27:37Let's see if he'll hear us.
00:27:37Don't worry
00:27:38I am very boring.
00:27:39Hey, hey, please.
00:27:40No, no, no.
00:27:41That I with my grandmother
00:27:41I can't concentrate at home.
00:27:42Roberto, if you're dreaming
00:27:43He doesn't understand anything.
00:27:44Come on, he's going to throw the dogfish.
00:27:45Hey, don't grab me there.
00:27:46Do not touch.
00:27:47No.
00:27:49Yes, I do.
00:27:51Normal.
00:27:51What it speaks of.
00:27:53Calm down, okay, okay.
00:27:54Now I'll give it to you
00:27:55a little water.
00:27:56Fuck.
00:27:57Come on, to the room, okay?
00:27:59Please.
00:28:00So that?
00:28:02Okay, stay still, stay still.
00:28:03Let's see if you realize it, Dad.
00:28:06To six UFOs.
00:28:08Dolby, his room.
00:28:11DTS, your offer.
00:28:14Twitter.
00:28:15So, does this have a CD or not?
00:28:17Paquito, you take a look, man.
00:28:19What's wrong with you?
00:28:19Hey Ale, you're so cool.
00:28:20He's got me completely screwed.
00:28:22Hey?
00:28:22That?
00:28:23No, what you have to do
00:28:24It's buying a DVD
00:28:25Let's see if you can rent me some movies.
00:28:26But where are you going, kid?
00:28:27If you don't have money
00:28:28to buy you that equipment.
00:28:30But how can that be?
00:28:30Yes, I got Carlos out of it
00:28:31five thousand euros.
00:28:32Look.
00:28:33Careful, careful,
00:28:34That's how the numbers will be erased.
00:28:35But how did you get this money?
00:28:37He wants me to stop seeing Belén.
00:28:38And of course, he had to bribe me.
00:28:40Having me as a rival
00:28:40It's very bad, Paquito.
00:28:42But weren't you in love with Belén?
00:28:43Yes, so what does that have to do with anything?
00:28:44So how can you stop watching it?
00:28:46But I'm not going to stop watching it.
00:28:47Look, if this idiot
00:28:48wants to give me money,
00:28:48Well, give it to me then.
00:28:49But Emilio,
00:28:49that you've made a deal.
00:28:50But I didn't sign.
00:28:51no contract,
00:28:52Words are carried away by the wind.
00:28:53And I keep the money.
00:28:54on my account.
00:28:55Well, while Carlos
00:28:56Don't let her see you with her...
00:28:57Sure, there it is, there it is.
00:28:58As long as he doesn't find out,
00:28:59I see Bethlehem for a little while,
00:29:01I'll be here for a little while,
00:29:01a little while over there.
00:29:02Okay, I'm leaving.
00:29:05Emilio, Emilio,
00:29:06Take advantage and save a little.
00:29:07Don't spend it.
00:29:08No, no, no, no,
00:29:08But if this goes directly to the bank.
00:29:09Well, maybe
00:29:10I'm treating myself, that's all.
00:29:11But come on,
00:29:12No, no,
00:29:13You need to have brains
00:29:13for finance.
00:29:14Come on.
00:29:17You'll see.
00:29:19Okay, that's right.
00:29:20Yeah, so I see you
00:29:21at the airport at 8.30.
00:29:23Great.
00:29:25You are very kind.
00:29:26Okay, bye, see you then.
00:29:28Awesome.
00:29:29Were you talking to someone?
00:29:30Or were you just messing with me?
00:29:32No, I was getting
00:29:33according to the assistant manager
00:29:35to organize our arrival.
00:29:37He seems nice, huh?
00:29:38His name is Trevor.
00:29:39Trevor.
00:29:42Fernanda, I was thinking,
00:29:44Well, just listening to you talk,
00:29:45I have the same thing
00:29:47a small problem
00:29:48with the language.
00:29:49Which?
00:29:50Because I don't know how to speak it,
00:29:51basically.
00:29:51What are you saying?
00:29:52Have you been going for a lot of years?
00:29:53to teach at an academy?
00:29:54Yes, but they were kitchen utensils.
00:29:55I didn't dare say anything to you
00:29:57in case you thought it was really bad.
00:29:58But let's see,
00:29:59What level are you at?
00:30:01What can you say in English?
00:30:02Me, the basics.
00:30:04Clinton, Beck,
00:30:05Antasio, Stop,
00:30:06Burger, Gin, Tonic,
00:30:07Food in, Parking,
00:30:08West Side Story,
00:30:09Europe is living a celebration.
00:30:11Do you think that with those words
00:30:12Can anything meaningful be said?
00:30:14Yes, no, it's okay.
00:30:15To live in a place
00:30:16You don't need to master
00:30:17completely the language.
00:30:18Look, Bush,
00:30:18president of the government.
00:30:20Fernando, I speak English
00:30:20I can only communicate
00:30:22through gestures.
00:30:22I'm going to look like Mr. Bean.
00:30:23No?
00:30:24Just relax, look.
00:30:25Yes, you know how to speak English.
00:30:26Yeah.
00:30:26The thing is, you suffer.
00:30:27the classic Spanish blockade.
00:30:30Let's do one thing
00:30:30So you can see yourself letting go, huh?
00:30:32From now on
00:30:33You and I are going to talk
00:30:34English only.
00:30:35Ah, well, we're going to talk very little.
00:30:36In other words, you're going to talk to yourself.
00:30:38In English, please.
00:30:39No,
00:30:40This is nonsense.
00:30:40that it's not going to work.
00:30:41I don't understand you.
00:30:43You have to speak in English.
00:30:44Come on, try.
00:30:46Fuck.
00:31:04Do you like the new handles?
00:31:05Sorry.
00:31:07Damn, you could have pulled it off
00:31:08to work in Zalote.
00:31:09It is also an island
00:31:10and it's full of tourists.
00:31:11I love you, honey bunny.
00:31:12Okay, damn it, honey bunny.
00:31:16Well, we
00:31:17we are building ourselves
00:31:18a chalet.
00:31:19We already have the plot of land,
00:31:20the project and everything.
00:31:21We're just waiting.
00:31:22the building permit.
00:31:23What are you building?
00:31:25Excuse me, beautiful,
00:31:26But I'm talking
00:31:26With my friend, huh?
00:31:27Watch out for this one, okay?
00:31:28What is a dick?
00:31:29And it's the one that causes the most problems.
00:31:30As you will see, Paloma
00:31:31It is not characterized
00:31:32for their good upbringing
00:31:32because I might call
00:31:33the gossip, that's what she is,
00:31:34But that would be beneath me.
00:31:36What did you call me?
00:31:36What did you call me?
00:31:37Look, Paloma,
00:31:37that you always start.
00:31:38Haven't you heard it?
00:31:39Well, here it is, and that's it.
00:31:40Don't start like you always do,
00:31:41please.
00:31:44Look what I'm telling you
00:31:45I came alone.
00:31:47Let's see,
00:31:47Can we start the meeting?
00:31:49Well, I don't know,
00:31:49Ask your wife.
00:31:51I don't see what you have
00:31:52good atmosphere.
00:31:53Yes, yes,
00:31:53We are like one big family.
00:31:55Well,
00:31:55The first thing we're going to do
00:31:56is to welcome
00:31:57to our new neighbors
00:31:58Isabel and Andrés,
00:32:00which I hope they don't give us
00:32:01much war.
00:32:03Did you get it?
00:32:06That's his last name,
00:32:07War.
00:32:09Ah, that's great, Mr. Juan.
00:32:10And after this moment
00:32:11of hilarious comedy,
00:32:13Could you get down to business?
00:32:14Yes, yes.
00:32:15Good,
00:32:15first and only item on the agenda.
00:32:17Collection of the amount
00:32:18full amount of the spill
00:32:19of 1,200 euros
00:32:20in the concept of painting
00:32:21and conditioning
00:32:22general view of the facade.
00:32:23Let's see,
00:32:24checks in hand
00:32:25I'm just passing by, it goes.
00:32:26No,
00:32:26no checks,
00:32:27I brought cash
00:32:28because I had some cash at home.
00:32:30But,
00:32:30Do you know what he's brought?
00:32:32I'll tell you about it.
00:32:33Let's see if everything is there.
00:32:34I think everything is there.
00:32:35Mr. Juan,
00:32:35We need to trust people.
00:32:36Tell us about it,
00:32:37I've told you.
00:32:38Fuck,
00:32:38But that's this peseta.
00:32:41understood,
00:32:42can be changed
00:32:42at the Bank of Spain.
00:32:44Yeah.
00:32:44I would like to clarify
00:32:46as soon as possible
00:32:47that the spill of the second B
00:32:48she must pay it
00:32:49to the previous owner,
00:32:51Doña Concepción,
00:32:52who didn't tell us anything
00:32:53at the time of sale.
00:32:55Who is Doña Concepción?
00:32:57Concha, coño.
00:32:58What's happening?
00:32:59Forgive me,
00:32:59forgive me,
00:33:00But I warned you.
00:33:01You have a bad memory.
00:33:03Lady,
00:33:04Excuse me,
00:33:04But he didn't tell us anything.
00:33:05Man,
00:33:05usually it is the buyer
00:33:06the one who has to speak
00:33:07with the president
00:33:08to see if the floor
00:33:08It is free of charges.
00:33:09Male,
00:33:10Juan,
00:33:10Why didn't you tell me?
00:33:11How am I going to warn you?
00:33:12Did I not know you?
00:33:13But I also told him
00:33:14to the president
00:33:15that he would warn you,
00:33:16But it's a disaster.
00:33:18No, no, no, no,
00:33:18No, incorrect.
00:33:19That's not the case.
00:33:20You didn't say anything to him.
00:33:21to my husband,
00:33:21Don't lie, okay?
00:33:22And why are you?
00:33:23You've become a shell
00:33:24Concepción is so beautiful!
00:33:25I don't care.
00:33:26who told him what,
00:33:27whom,
00:33:27I mean,
00:33:28I neither know nor care.
00:33:29Let's try to focus a little.
00:33:30Who has to take care of it?
00:33:31of that spillover?
00:33:31In theory,
00:33:32the current owner.
00:33:33I don't feel it,
00:33:34But I'm not going to pay.
00:33:35that money.
00:33:35Until this is clarified,
00:33:37I think that's the most practical thing.
00:33:38It's that I'm going ahead
00:33:39the community.
00:33:40Yes of course,
00:33:41And I'll clean your floor.
00:33:42in the afternoons.
00:33:43Well, if he doesn't pay,
00:33:44Neither do we.
00:33:45Well, that's it then.
00:33:46We didn't paint the facade.
00:33:47Come on, let's go.
00:33:48To the meeting at the jousts, eh?
00:33:50Screw the currency.
00:33:52Well,
00:33:52You'll do it later, Emilio.
00:33:54But he hasn't told me
00:33:54Let them count them.
00:33:55Okay, let's see,
00:33:56It's already late.
00:33:57to back down.
00:33:58We are painting the facade.
00:33:59Can you explain this to me?
00:34:00How are we going to pay?
00:34:01to the painters?
00:34:02What do you mean they're not going to pay us?
00:34:04But listen, this
00:34:04It's a private meeting.
00:34:05For owners only.
00:34:07Manolo!
00:34:08Pick it up,
00:34:08that they don't pay us.
00:34:09No no,
00:34:09Wait a moment.
00:34:10We are deliberating.
00:34:11It's just a momentary controversy.
00:34:13Yes, yes, whatever you want.
00:34:14Send the check,
00:34:15that we'll be back.
00:34:16But, Juan,
00:34:16They cannot leave.
00:34:17that are not yet finished.
00:34:19Go away, Mr. Cuesta!
00:34:21Go away!
00:34:22How ugly!
00:34:22But in this house
00:34:23Nothing normal ever, huh?
00:34:26This is wonderful.
00:34:28Who would invent
00:34:28the remote control?
00:34:29Well, some lazy bum like you, Dad.
00:34:31Look,
00:34:32with all this stuff you've bought,
00:34:33I allow you
00:34:34until I run out
00:34:34that respect.
00:34:35Dad, I'm going to make you
00:34:36a photo with the new mobile phone.
00:34:37Come on, smile.
00:34:38Oh, leave me alone, damn it!
00:34:39Damn, that's so little!
00:34:39Leave me alone, damn it!
00:34:40Emilio, what did you buy?
00:34:41A little treat,
00:34:42because I never buy anything.
00:34:43And the mobile phone?
00:34:46It came with the TV,
00:34:47Yes, it came with the TV.
00:34:48And the jackets?
00:34:48And the sneakers?
00:34:49Yes, everything is there.
00:34:50heavily discounted.
00:34:51Weren't you going directly
00:34:52to the bank?
00:34:53Yes, but along the way
00:34:54There are many shops.
00:34:55Look, José,
00:34:56Don't mess with my head, okay?
00:34:57That.
00:35:02Where are you going?
00:35:03were you following me the whole time?
00:35:04I'm stuck here.
00:35:05Come on.
00:35:05Okay, dude!
00:35:06Okay!
00:35:06Hey,
00:35:08Belén López Vázquez?
00:35:09Yeah.
00:35:09Who sent this to you?
00:35:10Ah, I don't know.
00:35:11Okay, then bring it.
00:35:12I'll give it to him now.
00:35:12No, no, no, no.
00:35:13It's simply impossible.
00:35:14She has to sign here.
00:35:15Well, here comes the third one
00:35:16and the defender is broken
00:35:17And the stairs are real.
00:35:19Okay.
00:35:20I'll leave it here for you, okay?
00:35:21Thank you.
00:35:22Okay, see you later.
00:35:24What are you doing, dude?
00:35:26You're Carlos, that bastard.
00:35:28clear.
00:35:29Let's see what he's put on it.
00:35:40How beautiful, damn.
00:35:42He's going to like this.
00:35:44Here, tell me.
00:35:45I'm going to get a pen.
00:35:46But you're going to copy it.
00:35:47No way.
00:35:48Oh my God, they're beautiful.
00:35:51I honestly didn't expect it
00:35:52this detail about you.
00:35:53There are many things about me
00:35:54which you still don't know, darling.
00:35:56Hey,
00:35:57And where did you get it from?
00:35:58that's so beautiful
00:35:59What did you put on the card?
00:36:00From nowhere.
00:36:01It's just that when one
00:36:02He is truly in love.
00:36:03because the words come out
00:36:04from the heart.
00:36:05But it must have cost you.
00:36:07a paste.
00:36:08Yes, that's true.
00:36:09that they have given me
00:36:09a curious stick.
00:36:10Now we're not going to deceive anyone.
00:36:11But come on,
00:36:12that right now
00:36:12We played another one
00:36:13And it's worth it to me.
00:36:16It's obvious
00:36:17that you're a romantic.
00:36:19Yeah?
00:36:21No, we can't talk now.
00:36:23Be quiet.
00:36:26What do you mean you're at the door?
00:36:28But what are you doing at the door?
00:36:31Hang on a minute.
00:36:33Carlos,
00:36:33that is at the door.
00:36:34Well, now I
00:36:35then calmly
00:36:36leave
00:36:37that you will have many things
00:36:38who to talk to
00:36:38And here I am, to tell the truth.
00:36:39I'm just not good enough.
00:36:40No, look,
00:36:41We are three adults
00:36:42So we're leaving
00:36:43to sit down and talk
00:36:43quietly
00:36:44And I'm going to tell him
00:36:45that to me the one who really
00:36:47I like you.
00:36:48And that's it, man.
00:36:50Yes, what can I say?
00:36:51Don't tell him that, okay?
00:36:52You're going to hurt him
00:36:53and you can also create
00:36:54a trauma.
00:36:55You tell him better
00:36:55that you are right now
00:36:56got into a mess
00:36:56and that you don't want to be with anyone.
00:36:58But you
00:36:58since when
00:36:58you care
00:36:59Carlos's feelings?
00:37:00I'm becoming more and more sensitive,
00:37:01Valencia,
00:37:01that you are changing me.
00:37:04But where are you going?
00:37:05I'll be here for a little while.
00:37:06to the scaffolding
00:37:06thinking of you
00:37:07and in this beautiful thing
00:37:07What is happening to us?
00:37:09Oh, damn it,
00:37:10How high this is!
00:37:11Emilio,
00:37:11It's very strange.
00:37:12He's crazy.
00:37:13I have vertigo.
00:37:14So why are you going out?
00:37:15Well, to defeat him.
00:37:16No, look, no, look,
00:37:17no, look, no, look, no, look.
00:37:20My God.
00:37:21No,
00:37:22now that I've decided on him
00:37:23You'll see how he kills himself.
00:37:28Hello.
00:37:29Hello, princess.
00:37:30No, no, no, no, no, no, no.
00:37:31Wait, wait, wait.
00:37:32Did you like the flowers?
00:37:34What flowers?
00:37:35Those?
00:37:39But he'll be a bastard.
00:37:41Hey, what if you don't like it?
00:37:42They can be changed.
00:37:43There were some forget-me-nots.
00:37:43No, no, no, no,
00:37:44Yes, yes, they are beautiful.
00:37:46Oh, Bethlehem.
00:37:47We have so many things
00:37:48to talk about,
00:37:49so much time to make up.
00:37:50Yes, yes.
00:37:51I have so much love to give you.
00:37:52Come on, have a coffee.
00:37:53No, no, no.
00:37:55I need time.
00:37:56Haven't you showered?
00:37:57No, no, time.
00:37:57I'll wait for you.
00:37:58Time, time in general,
00:37:59You know?
00:37:59Time.
00:38:00I'm going through something right now.
00:38:02for a period that...
00:38:03Is that the rule?
00:38:03Will you let me finish?
00:38:04Oh, forgive me.
00:38:06That...
00:38:07Look, I just...
00:38:08Look, I don't want to hurt you.
00:38:10No, but the one I like
00:38:12It's Emilio.
00:38:15Good.
00:38:17Okay, it was a mistake, but it was okay.
00:38:19It hurts, because it hurts.
00:38:23But I will respect you.
00:38:26Now I'm going to tell you something.
00:38:28Emilio doesn't love you
00:38:29And you'll realize it very soon.
00:38:32And then you'll come to me begging.
00:38:34And if not, it doesn't matter.
00:38:35because I will come to beg you
00:38:37And love will triumph.
00:38:40Bye bye.
00:38:44Okay, where's the one with the flowers?
00:38:47Hey, Juan!
00:38:48Come in, come in!
00:38:49Andrés, I am dismayed.
00:38:51This spill incident
00:38:53is endangering
00:38:54the harmony of our community.
00:38:56So I would beg you
00:38:57strongly
00:38:57that you pay your share.
00:38:59Relax, Juan,
00:38:59that occurred to me
00:39:00a better idea.
00:39:01How much money do you have?
00:39:03right now
00:39:04to paint the facade?
00:39:05What we have paid
00:39:06the rest of the neighbors,
00:39:07800,000 pesetas.
00:39:09Ample.
00:39:10You give me 500,000.
00:39:12I call my brother-in-law,
00:39:13who is a painter,
00:39:14And tomorrow this will finish us off.
00:39:16You tell the neighbors
00:39:17I've already paid you.
00:39:18the spill
00:39:19and nobody finds out.
00:39:20Andrew,
00:39:21But that's an irregularity.
00:39:22manifests.
00:39:23And the other 300,000
00:39:24that are extra for you
00:39:25And for your things, damn it.
00:39:27Do you want the president?
00:39:29No, no, no,
00:39:29I don't see it.
00:39:30That money belongs to the community.
00:39:32Look, Juanito,
00:39:34Can I call you Juanito?
00:39:35Man, I prefer Juan.
00:39:37Juan, no problem.
00:39:39Look, with this
00:39:39I don't gain anything.
00:39:40You, on the other hand,
00:39:41You have all the neighbors
00:39:42against
00:39:43and the facade
00:39:44half-painted.
00:39:45I don't know, kid,
00:39:46I see it clearly.
00:39:48Well, it's an emergency.
00:39:50If you guarantee me
00:39:51that your brother-in-law...
00:39:52I guarantee you everything, man.
00:39:53but if the most expensive
00:39:54It's the scaffolding
00:39:55And we've got it set up.
00:39:56But he's taking it tomorrow.
00:39:57in the afternoon.
00:39:58Ample.
00:39:59My brother-in-law works quickly.
00:40:00He has three
00:40:01without dripping paper.
00:40:03Or they paint like crazy.
00:40:05Or we call the police.
00:40:07Well, it's not that either.
00:40:08Look,
00:40:10You bring me the money
00:40:11this afternoon
00:40:11that you're going to be left
00:40:12like God
00:40:13with the neighbors.
00:40:14Well, Andrés,
00:40:15But let this remain
00:40:15between you and me
00:40:16that it not become public,
00:40:17Oh my God.
00:40:18Hey, but anyway,
00:40:19You're square,
00:40:20Hey, you bastard?
00:40:21You go to the gym, right?
00:40:23No, no, not to the gym.
00:40:24I like to take care of myself.
00:40:26So we agreed
00:40:27in what way...
00:40:27Ah, cash,
00:40:29Yes, yes, yes.
00:40:29I'll bring it to you now.
00:40:32But you're so great, Juanito.
00:40:34You and I are going to understand each other.
00:40:44Okay, tell me,
00:40:45What do you think, honestly?
00:40:47I don't like it.
00:40:48But how could you not like it?
00:40:49after all the trouble I've had.
00:40:50Mom, it's just that from
00:40:51of a certain age
00:40:51I think it's nonsense.
00:40:52spending money on clothes.
00:40:53That's rude, isn't it?
00:40:54And while you're in this house...
00:40:56Yes, you're going to look very beautiful.
00:40:57Do you see it?
00:40:58What would it have cost you to be honest?
00:40:59from the beginning?
00:41:00Humility, Natalia,
00:41:01that all of our breasts sag.
00:41:05How are you, Juan?
00:41:06Do they pay or not?
00:41:07Have you put them in their place?
00:41:08Man, of course.
00:41:09Just enough pulses for me.
00:41:11Tomorrow it ends
00:41:12to paint the facade.
00:41:13Hooray, my president!
00:41:14Look, do you like this skirt?
00:41:16What did I buy?
00:41:16I bet it's not Maruja's!
00:41:17No, no, it's very good.
00:41:18Hey, I'm going to the bank for a minute.
00:41:20that I need to verify
00:41:20some things.
00:41:21Check it, Juan, check it.
00:41:24Well, I'm missing the matching bag.
00:41:26Right?
00:41:27Man, fundamental.
00:41:31Hello, you'll see what's coming.
00:41:33Okay, okay, put this on.
00:41:34Oh.
00:41:35My hair is going to get messed up.
00:41:36No way, no way, no way.
00:41:37Yes, she looks very pretty.
00:41:38Lucia, what are you doing?
00:41:39That I bought
00:41:40Bisbal's new album.
00:41:41You'll see, she's going to love it.
00:41:44Hello, enjoy yourselves, okay?
00:41:45Come on, we have 57 minutes.
00:41:47It's a little high.
00:41:51I've turned the volume all the way up,
00:41:53So we can do
00:41:53all the noise we want.
00:41:54But why don't we wait?
00:41:56Is it better for him to leave?
00:41:57It's only two days.
00:42:01You're right, it's been too long.
00:42:05What happened?
00:42:08Yes, yes!
00:42:12I need to go to the bathroom.
00:42:23Come on, don't mess with me.
00:42:25The new mini hi-fi system.
00:42:26Of course you can come and see me.
00:42:28By plane, Mom.
00:42:30Then don't come.
00:42:32They don't see...
00:42:32Hey, I'm hanging up on you.
00:42:33Thatcher has arrived.
00:42:34Hello, sweetheart.
00:42:36Oh, wow, wow.
00:42:37I think we are going to do more suitcases, eh?
00:42:39Yes.
00:42:40Phew.
00:42:41One thing, Fernando,
00:42:42I mean...
00:42:43I find all of this
00:42:43a little rushed,
00:42:44Because we're leaving tomorrow, right?
00:42:45What are we going to do with the house?
00:42:46In English, please.
00:42:48Fuck.
00:42:50Fuck.
00:42:53House here.
00:42:54We're London.
00:42:56Okay, problem.
00:42:58No people here.
00:43:00No money.
00:43:01Yeah, well, what do you mean?
00:43:03We're going to rent it to them, damn it.
00:43:04To rent.
00:43:05The right verb is to rent.
00:43:06He knows everything.
00:43:08The one from that damned man in Spain, huh?
00:43:09I can hear you.
00:43:10I can hear you.
00:43:12Look at that lying down, son.
00:43:13I'm going to bend you.
00:43:14I'm burning with sadness.
00:43:16But if something on this motorcycle has seized up,
00:43:17Why doesn't he throw it?
00:43:18Okay, let's start again.
00:43:20What are you doing?
00:43:20Stop turning it on and off,
00:43:21that you're going to take care of it.
00:43:23Learn to take care of things.
00:43:24Emilio,
00:43:25Can we talk for a moment alone?
00:43:26Hey, Dad,
00:43:27Go to the bathroom for a moment,
00:43:27I need to talk to Belén.
00:43:28And I can hear you from the bathroom too.
00:43:30Where do you think we live?
00:43:31To Moncloa.
00:43:32Emilio,
00:43:32Can you tell me why you're giving me flowers?
00:43:34that aren't yours?
00:43:35Nativity scene,
00:43:36But if the important thing is the detail,
00:43:37What difference does it make that I bought them?
00:43:38But how can you be so cheeky?
00:43:40Look, let's see,
00:43:40What kind of beach bars are we all, my son?
00:43:42Plasma TV,
00:43:43Nativity scene,
00:43:43Dolby's 11th round,
00:43:44that video game gadget,
00:43:46the bomb.
00:43:47But where did you get the money?
00:43:49to buy all this?
00:43:49Well, that's it.
00:43:50that I've been saving.
00:43:51Very good,
00:43:52Seriously?
00:43:53Pussy,
00:43:53that I've been saving
00:43:53and also,
00:43:54Why do I have to give explanations to you now?
00:43:55It's not like we're married.
00:43:57Well,
00:43:57But we're dating, right?
00:43:58Be quiet and don't shout.
00:44:00And furthermore,
00:44:00Don't go around talking about this.
00:44:02Hey?
00:44:02What's happening?
00:44:03Did you sell the exclusive?
00:44:04If you don't have to come down here,
00:44:05I'll take care of uploading it.
00:44:06Look,
00:44:07Go outside now.
00:44:07when nobody sees you.
00:44:08Now.
00:44:10But you're an idiot,
00:44:11Do you think you can treat me like this?
00:44:13This is what it is
00:44:13And don't overwhelm me.
00:44:16My son,
00:44:16You're getting better with women every day.
00:44:18But I went a bit too far, didn't I?
00:44:20No, damn it,
00:44:20He likes it.
00:44:21Hey,
00:44:22Make Me a Man by Teresa
00:44:23if you play another game.
00:44:25Okay, fine.
00:44:26What am I supposed to do for a year in London?
00:44:27Do you want to tell me?
00:44:28I'm going to die of boredom.
00:44:29Well, tell Fernando
00:44:30that you don't want to go.
00:44:31No, no, no,
00:44:32I don't want him to go alone,
00:44:33who is very handsome.
00:44:35Besides,
00:44:35London is very liberal.
00:44:37Well,
00:44:37Well then, tell him to stay.
00:44:38that he resign from his job.
00:44:39No no,
00:44:39He's so excited,
00:44:41no, no, no.
00:44:41I don't want her to stay here because of me.
00:44:43I'm going to feel guilty for the rest of my life.
00:44:44Besides,
00:44:45every time you argue
00:44:45He can throw it in your face.
00:44:47No,
00:44:47He's going to throw it in your face.
00:44:48Well,
00:44:48Well then, don't stress.
00:44:49because whatever you decide
00:44:50You'll regret it.
00:44:51Really,
00:44:51I love asking for advice, huh?
00:44:52Emilio is acting very strangely.
00:44:54Don't you realize?
00:44:56No, no, no,
00:44:56I mean,
00:44:57more than usual.
00:44:58He's suddenly very affectionate,
00:45:00Then he ignores me.
00:45:01It's just that he has mood swings
00:45:02very strange.
00:45:03Well,
00:45:04and it's being bought
00:45:04a lot of very expensive things
00:45:06and he won't tell me
00:45:07where does he get the money?
00:45:08I wonder if he's involved with drugs.
00:45:12Hey, no,
00:45:13How could Emilio be doing drugs?
00:45:14if it changes every time
00:45:15that he needs to take an aspirin.
00:45:17Peaceful,
00:45:17Maybe he doesn't do drugs.
00:45:19He only traffics.
00:45:20Oh ok,
00:45:20It's a camel,
00:45:21I feel much calmer now.
00:45:22Well, you keep an eye on him.
00:45:23because when people
00:45:24He's starting to get money
00:45:24and it doesn't tell you
00:45:25Where does she get it from...
00:45:26Look,
00:45:27Didn't you want a boyfriend with money?
00:45:28Well, there you have it.
00:45:29It's not funny.
00:45:30It's true,
00:45:30It's not funny.
00:45:31We were talking about my problem,
00:45:32What should I do?
00:45:32Hey,
00:45:33Have you seen the new kid?
00:45:34from second B?
00:45:36It's amazing.
00:45:37Oh, really?
00:45:38Yeah,
00:45:38But it's for me,
00:45:39that you three have boyfriends.
00:45:40Already,
00:45:41but mine is always
00:45:41with her grandmother.
00:45:42Yeah,
00:45:42And mine is going to London.
00:45:43And mine is a camel.
00:45:44Fuck,
00:45:44What competition I've got.
00:45:46suddenly.
00:45:47Well,
00:45:47Since I see you're not going to...
00:45:48to offer no solution,
00:45:49I'm going to have another drink.
00:45:50That,
00:45:50that in London alcohol
00:45:51It's extremely expensive.
00:46:05Alice,
00:46:06We're making fools of ourselves
00:46:07as usual.
00:46:08I have myself under control,
00:46:09We're going to work at this time.
00:46:10Okay,
00:46:11And if it comes out,
00:46:11What do we do?
00:46:12Hide.
00:46:14You shouldn't pretend
00:46:15orgasms,
00:46:16TRUE?
00:46:16That's terrible.
00:46:18Hello.
00:46:18Hello.
00:46:19How are you?
00:46:20Good.
00:46:23Tremendous,
00:46:23Hey?
00:46:24And he's definitely not gay.
00:46:26Alice,
00:46:28He's not going to work.
00:46:29He's going to class.
00:46:30What are you saying?
00:46:31And will she be my age?
00:46:31Yeah,
00:46:32She will have it someday.
00:46:33But not at this time.
00:46:35Please.
00:46:36If he's a little yogurt.
00:46:38Don't start
00:46:38with your envy,
00:46:39Hey?
00:46:40What are you envious of?
00:46:40Nativity scene,
00:46:41that we know each other.
00:46:48Pussy,
00:46:49Pussy,
00:46:50This is great!
00:46:50uncle.
00:46:51It gives me a break.
00:46:52But, damn it,
00:46:52But if this is the best
00:46:53What is available for allergies?
00:46:54Hey,
00:46:54Don't gassing my Ganabino and without
00:46:56who goes to a pastor.
00:46:57Hey, Dad,
00:46:57that you carry here
00:46:58three months of coronation
00:46:59nonstop
00:46:59And I haven't said anything to you,
00:47:00Hey?
00:47:00I give you my fatherly love.
00:47:02How much is that worth?
00:47:03Yours is worthless.
00:47:05Emilio,
00:47:05You're hurting me.
00:47:07Pussy,
00:47:07I've already lost a life.
00:47:09But, dude,
00:47:09This is awesome!
00:47:11male.
00:47:11I've tried a lot of things,
00:47:12But with this.
00:47:13Well,
00:47:14This is enough.
00:47:14And you, whenever you want.
00:47:15You come and ask me for it.
00:47:16Yes, yes,
00:47:16I'll stop by for more.
00:47:17Come on, man,
00:47:18see you later.
00:47:18Come on, Paco.
00:47:20Look at him,
00:47:20He's so happy.
00:47:21Drugstore,
00:47:22Emilio is a camel.
00:47:23I need to talk to her.
00:47:25Hello.
00:47:26Hello,
00:47:26go ahead.
00:47:29Emilio,
00:47:29how are you?
00:47:29Has anyone come?
00:47:30Ah, yes,
00:47:31The postman has arrived
00:47:31and a representative
00:47:32poison for Paloma.
00:47:33No, man,
00:47:33No,
00:47:33Andrés' brother-in-law,
00:47:34the painters.
00:47:35Oh, no, no,
00:47:35No,
00:47:36Nobody has come this way
00:47:36still.
00:47:37Okay,
00:47:38nothing,
00:47:39don't worry,
00:47:39German,
00:47:39don't worry.
00:47:40No problem.
00:47:42Here we are.
00:47:43Hey,
00:47:44Andrew,
00:47:44who checks the time
00:47:45What if your brother-in-law doesn't...
00:47:46Yes, yes,
00:47:47if I was talking to him.
00:47:48It's because it has had
00:47:49a problem with the van,
00:47:50It failed the MOT test.
00:47:51And the man is very responsible.
00:47:53He says we should go
00:47:54giving us
00:47:55the first layer.
00:47:56As?
00:47:57He told me
00:47:58that he comes in the afternoon,
00:47:59that the important
00:48:00It is the second layer,
00:48:01Hey?
00:48:01That's the pretty one,
00:48:02She gives it to him.
00:48:04But Mr. Juan,
00:48:04How can we not go
00:48:05we go up
00:48:05To paint the scaffolding?
00:48:07I have vertigo.
00:48:07No problem,
00:48:08You paint the first floor
00:48:09and when you finish
00:48:10You continue with the ground floor.
00:48:12Come on,
00:48:13quick
00:48:13and in silence,
00:48:14Don't let them find out
00:48:15the neighbors.
00:48:16A man,
00:48:16a roller.
00:48:18Well,
00:48:18but the second layer
00:48:19He gives it to him, doesn't he?
00:48:19Yes, man,
00:48:21It won't let me down
00:48:22my brother-in-law.
00:48:23Ah,
00:48:23and then we'll have
00:48:23that do accounts.
00:48:24Of course,
00:48:25man,
00:48:25Come on.
00:48:27Take.
00:48:28Take,
00:48:29Mr. Juan,
00:48:29so that later they can say
00:48:30that you don't paint
00:48:31nothing in this building,
00:48:32Hey?
00:48:32No,
00:48:41It won't let me down.
00:48:43No,
00:48:46No,
00:48:47No,
00:48:48No,
00:48:48No,
00:48:49No,
00:48:49No,
00:49:01No.
00:49:12The flight is at 7:30.
00:49:14So, they should be ready by 5:00.
00:49:18Do you want to eat here or at the airport?
00:49:20Fernando, I'd like to speak with you in Spanish for a moment.
00:49:23In English, please.
00:49:24No, no, listen to me, it's important, I'm serious, okay?
00:49:27Yes, I know, but you have to speak in English.
00:49:29In other words, it's not going to improve your skill.
00:49:31I'm not sure.
00:49:32I want to go to London, okay?
00:49:36But how can you say no? You told me yes.
00:49:38Because it all happened so suddenly, Fernando, and you were so excited and...
00:49:44And I didn't think about it.
00:49:46Already.
00:49:48And now have you thought about it?
00:49:50Well, yes, a little more and...
00:49:53I just don't think I feel like it.
00:49:57But I don't want to be separated from you either.
00:50:00Hey, Fernando...
00:50:02I don't know what to do.
00:50:05And you're telling me this now.
00:50:06I've tried...
00:50:07You've explained it a thousand times, but you just don't listen to me.
00:50:09Fernando, you're going to work thousands of hours, but what am I doing there?
00:50:14I don't speak the language, I don't see my friends, I don't see my parents, I don't see the sunlight
00:50:18because I've been here the whole time.
00:50:19They drive the wrong way, they're going to run me over, for sure.
00:50:21Besides, why would we go to England if Beckham is already here?
00:50:25Well, because it's the opportunity of a lifetime and I'm supposed to take advantage of it, right?
00:50:28Okay, okay. We agree on that.
00:50:35Okay, so you can tell me what we should do.
00:50:37Why don't you stay?
00:50:38No.
00:50:39Open up, no, no, you can't ask me that.
00:50:41Fernando, listen to me, no, listen to me, listen to me.
00:50:42You only have a job there, I have my life here.
00:50:44Okay, okay, don't get too dramatic, okay?
00:50:46It's not that big of a deal.
00:50:47Do you realize how selfish you are?
00:50:48No, no, do you realize how selfish you are?
00:50:53Look, the plane leaves in three hours, so you have to decide.
00:51:00It depends on you.
00:51:01Or from you.
00:51:03Fuck.
00:51:07Hello?
00:51:09Oh yes, indeed!
00:51:10Come on, we don't have to worry about your grandmother anymore.
00:51:14What have you done to him?
00:51:15So I bought 30 bingo cards and left them at the bingo hall.
00:51:18What can I do?
00:51:19Nothing!
00:51:20No, no, no, no, no, no, no.
00:51:21I have to take her home.
00:51:22My parents argued and came back early.
00:51:24Where is?
00:51:25Well, she's made friends with the ones downstairs.
00:51:27Well, actually, I introduced them to you.
00:51:29But there's a sudden friendship, I mean, they've been together all day.
00:51:32But how could you leave my grandmother with those two crazy women?
00:51:35Oh, look, Roberto, really, I can't take it anymore.
00:51:37It's not just about sex anymore, although that's part of it too.
00:51:40But this is hell, darling, I haven't slept for two days.
00:51:43When she goes to bed she turns on the radio and when she finally manages to turn it off she starts to dream in her voice
00:51:46high.
00:51:47Everything that doesn't speak while awake, speaks while asleep.
00:51:50I need to relax for a while.
00:51:54No, no, no, no, no, no, no, no, I'm not calm, I have to go find her.
00:51:58But don't worry, he'll be watching TV and playing cards.
00:52:02Look, look how she drinks, Amparo is one of my own.
00:52:07Marisa, don't add any more.
00:52:09It's nice and cool, isn't it?
00:52:11Look, another round, it's on me.
00:52:13Okay, fine.
00:52:15A cigarette?
00:52:16Okay, so are we playing or not? This is a joke.
00:52:19Hello.
00:52:21I've come to get my grandmother, we have to go.
00:52:23Well, your grandmother isn't going to take her anywhere.
00:52:27Okay, okay, are you alright?
00:52:30Okay, okay, hey, look at me, say something to me.
00:52:33How are you like your grandfather?
00:52:37Does he have a vacant stare?
00:52:39No, no, Roberto, when I brought her here she was already like this, you know?
00:52:41I warned him that drinking at this time of day is not good.
00:52:43But why are you giving Anís? He's on medication.
00:52:46Nothing's wrong, man, I'm telling you.
00:52:47Okay, come on, honey, just get some fresh air and that's it, it'll pass, come on, let's go.
00:52:51What, is she going to calm down now? I have to take her to my parents' house and she's drunk.
00:52:54Lucia, she's drunk, or don't you realize it?
00:52:57How do I explain this to my mother?
00:52:58But no, no, Roberto, it's not that noticeable, to be honest.
00:53:00Can't you tell?
00:53:01Well, it could be a voltage drop.
00:53:05Yeah.
00:53:05That's it.
00:53:06Two.
00:53:06Thank you so much for taking such good care of my grandmother.
00:53:08Hey, not me.
00:53:08Well, that's it, huh?
00:53:09Here are some friends for whatever you need.
00:53:11Should we give him a quick shower and see if that helps?
00:53:13I don't want to get my hair wet.
00:53:15Take the cigarette away from him, it's making me nervous.
00:53:17Marisa, if you start drinking and you don't realize it.
00:53:20Don't I realize?
00:53:22The ones I've caught by keeping up with him.
00:53:24Damn, amparo.
00:53:25Look, all I'm saying is that if they could leave the scaffolding up for a little while longer,
00:53:29We already take care of it...
00:53:35If the city kills human kindness, Mr. Juan.
00:53:38My brother-in-law says he can't paint without scaffolding.
00:53:42Well, that's it.
00:53:43At least I tried.
00:53:44Thanks, guys.
00:53:45Hey, give me back the three thousand euros from the community fees, I'll take care of my responsibility to the neighbors.
00:53:50Juan, don't sacrifice yourself prematurely.
00:53:52Look at the wall.
00:53:53It's almost over.
00:53:54What difference does one layer make over two?
00:53:56Of course, Superman would take one.
00:53:57Of course, we don't need scaffolding.
00:53:59Look, I have climbing equipment, harnesses and things like that in the shop.
00:54:04I have sponsored high mountain expeditions.
00:54:07What do you think is at the top of Mount Everest?
00:54:09Snow?
00:54:11A Garraí sports pennant, waving at 20,000 meters altitude.
00:54:17I'll bring the rope and the harness.
00:54:19We rappelled down from the rooftop and painted the remaining section.
00:54:24If it's just a moment.
00:54:26I see a flaw in this plan, Mr. Juan.
00:54:28Emilio.
00:54:30How are you feeling about your adventurous spirit?
00:54:32Me, just barely, why?
00:54:36Can't.
00:54:37I can't, Mr. Juan.
00:54:37Can't.
00:54:38Paint, Emilio.
00:54:39Pint.
00:54:40No, to the other side.
00:54:42Open your eyes, damn it!
00:54:43I've gotten dizzy.
00:54:44I felt dizzy.
00:54:45Lift me up, I'm fainting.
00:54:47Lift me up, lift me up, this one won't work.
00:54:52Juan, this is something you and I need to take care of.
00:54:55This is not stabilizing.
00:54:56I can't get it to stabilize.
00:54:57I'm losing control.
00:54:59But why does it move so much?
00:55:01Relax, Juan.
00:55:02Take advantage of the movement.
00:55:04Hey, is it normal for the harness to dig so much into the groin area?
00:55:07Man, it has to be tight.
00:55:08It's for your safety.
00:55:09Well, I don't know if I'll be able to paint under these conditions, you know?
00:55:15What was that?
00:55:16No, nothing, nothing.
00:55:17It was nothing.
00:55:18But hurry.
00:55:20Oops!
00:55:20But, Juan, can you tell me what you're doing?
00:55:22Honey, it's not the right time.
00:55:24Get down from there, man, you're going to be a father.
00:55:26Paloma, just a second, we'll be done in a minute, okay?
00:55:29And where are the painters?
00:55:30I'll explain it to you later.
00:55:31Just watch how you get paint all over your shirt, you'll see.
00:55:34Yes, the jar has the lid on and I'm unable to open it.
00:55:37Use your mouth to help you.
00:55:38We spend more time in the supermarket than at home.
00:55:41They should send the email there.
00:55:44I had to buy something and I don't remember.
00:55:47What was it? What was it?
00:55:52Ham, George.
00:55:54But why are you going anywhere?
00:55:56A man must be aware of his limitations.
00:55:58And in our family we have many.
00:56:00Look, Dad, leave me alone now, it's already passing, okay?
00:56:02Emilio.
00:56:03Okay, and now the other one.
00:56:04What do you want?
00:56:05Can you tell me what you gave Paco this morning?
00:56:08I?
00:56:08An allergy spray for someone who's having a terrible time with grasses and pollen?
00:56:12Yes of course.
00:56:13Emilio, don't lie to me anymore, I know everything.
00:56:15I've already found out about the mess you're in.
00:56:17Who told you that?
00:56:18That doesn't matter.
00:56:19Well, look, Belén, I can explain it to you.
00:56:21There was a lot of money involved, and of course...
00:56:23You're dealing drugs, aren't you?
00:56:25Hey?
00:56:26Emilio, don't deceive me.
00:56:28Tell me the truth.
00:56:29Well, yes, that's it, but don't worry.
00:56:31They're soft drugs, glue, valerian, thyme, and that kind of stuff.
00:56:35Do you think I'm stupid?
00:56:36Where did you get the money to buy all that?
00:56:38Look, Belén, we're not going to talk about that now, okay?
00:56:41Emilio, can you tell me what you're doing with Belén?
00:56:43Or if we're going to play it.
00:56:45Carlos, please wait outside while we talk.
00:56:47Oh, but are you still watching both?
00:56:49Hey, look at me, Carlos, this isn't what it seems, huh?
00:56:51I can explain it to you, I just couldn't help it.
00:56:53Well, it's my fault for having trusted you.
00:56:54Uh, I know I should have told you, but I just didn't dare.
00:56:57Will you be able to forgive me?
00:56:58The truth is, I didn't expect this from you.
00:56:59You have caused harm.
00:57:00But, but let's see, who's dating whom here?
00:57:02Look, Belén, this guy is a disgrace.
00:57:04I gave him money so he would leave us alone, and he hasn't kept his word.
00:57:07As?
00:57:08Emilio, have you accepted money in exchange for not seeing me?
00:57:10Well, but I haven't done it, it's nice here.
00:57:13How much?
00:57:14That?
00:57:14How much did he give you?
00:57:15Uh, five thousand euros.
00:57:17And do you think our love is worth five thousand euros?
00:57:19That's not much, is it?
00:57:20I should have asked Huma.
00:57:21You should have rejected it immediately.
00:57:24Moron!
00:57:24See, that's how you realize the mistake you were making.
00:57:26And you shut up, okay?
00:57:27Shut up, you're the one who bribed him.
00:57:29But I gave him money out of love.
00:57:30And I also got it out of love, so that when we have children...
00:57:32You can buy him the books for school.
00:57:34Look, you're a couple of idiots.
00:57:35Look, do me a favor, okay?
00:57:37Just forget about me.
00:57:39Your dad is a snake, a cunt.
00:57:40Come on, your little ideas have sunk me too.
00:57:43Other.
00:57:44But why do they all leave me?
00:57:45I just don't understand it.
00:57:46Why don't you have a fucking clue about women?
00:57:48Look, Dad, since you're getting on my nerves, I'm sending you to a nursing home, okay?
00:57:50I still have some money.
00:57:52Now you have to give it back to me?
00:57:54Oh, really?
00:57:54Well, we're going to have a problem.
00:57:56If I'm okay, it was a silly blow.
00:57:58I thought that bun was useless to you.
00:58:00And it turns out he saved your life, damn it.
00:58:02Hey, please get down from there, okay?
00:58:04You can't hang on the facade.
00:58:07No, no, I'm the first one who wants to get off.
00:58:08But I don't know where Andrés is.
00:58:10Andrew!
00:58:11Yes, just a moment.
00:58:13I'm on the phone.
00:58:15It's the new neighbor who's moved in, the one who's gotten us all into trouble.
00:58:17That's the one they have to take.
00:58:19Who knows what trouble he's in.
00:58:21Well, I'm very sorry, but we're going to have to sanction them.
00:58:23Oh, why us?
00:58:24Because they are painting without the proper permits.
00:58:27And they are endangering the safety of pedestrians.
00:58:29No, no, no, I wasn't painting, okay?
00:58:31I am protesting against indiscriminate hunting.
00:58:34of whales, rorquals and cetaceans in general.
00:58:37Okay, okay, chew your gum properly, okay?
00:58:39I swallowed it.
00:58:41What's happening?
00:58:42Spider-Man.
00:58:43Nothing, my father, as always.
00:58:45On the edge of the impossible.
00:58:46But I'm really fine.
00:58:48An ambulance wasn't needed.
00:58:50No, no, it's not for you.
00:58:51You stay home quietly now, okay?
00:58:52Don't mess with me.
00:58:54See you later.
00:58:54Juan, come down.
00:58:55They're serious, they're going to fine us.
00:58:57Hey?
00:59:02Well, that's it.
00:59:03Are we here yet?
00:59:05Do you have the luggage tickets?
00:59:06Yes, yes, they stuck them on my ticket.
00:59:09Hey, thanks for joining me.
00:59:12No, goodbyes at airports are very romantic.
00:59:14They remind me of Casablanca.
00:59:16Take.
00:59:19I think we've done our best, don't you?
00:59:21We'll both be fine and...
00:59:23And now with the internet, long-distance relationships are becoming easier to manage.
00:59:26I swear this is the last time I'm telling you.
00:59:28Don't go.
00:59:29Mauri, but...
00:59:30Yes, I'll be right here.
00:59:31Damn, we look like E.T. and Elliot.
00:59:35Mauri, I promise I'll come to see you once a month.
00:59:37How exciting, you're going to be like menstruation.
00:59:41Don't go inside, you'll start crying and make a scene.
00:59:55I love you.
00:59:56That's enough, okay.
01:00:03Excuse me, but what are you carrying here?
01:00:05I'm not saying anything, but it's violent, isn't it?
01:00:07He has a criminal record.
01:00:08Okay?
01:00:10Okay, if I put him in there, it's because I don't want him to leave.
01:00:12Look, don't do these things to me, I was already terrified.
01:00:16Okay, I'll call you when I arrive.
01:00:20Capital, capital.
01:00:21Sorry.
01:00:22Which one will come out?
01:00:24Capital.
01:00:25Please deposit metal objects here.
01:00:27Capital.
01:00:33Damn, listen, you can't take this in the cabin either.
01:00:36Already.
01:00:37Mauri, have you put anything else in me?
01:00:38No, I think that was all.
01:00:40Give me another kiss.
01:00:42Excuse me, please forgive me.
01:00:43This is all very well, but I'm getting a long queue.
01:00:46Bye bye.
01:00:51Yeah, man, right?
01:00:54I'll call you when I get there, okay?
01:00:56Okay.
01:00:57I love you.
01:00:59Me too?
01:00:59Will you move aside now, man?
01:01:01That's so annoying, damn it.
01:01:03Listen, it was a very beautiful moment.
01:01:04Precious.
01:01:06Just like the White House.
01:01:08Listen, it was a very beautiful moment.
01:01:38Look, it's not that I don't have the money.
01:01:41I have the 3,000 euros.
01:01:43Then you return them.
01:01:44It's because it's currently reversed.
01:01:46Since my brother-in-law gets paid for 30 days, I said,
01:01:49We're going to earn some interest on this money.
01:01:51It can't be left standing still.
01:01:53Okay, okay, okay, okay, okay, okay, Juan, please.
01:01:56But let's see, Andrés, where is that money?
01:02:00In some special funds that exist in Andorra
01:02:02that give you 22% in one month.
01:02:05The problem is that if we take it out earlier,
01:02:07Well, it has a cancellation fee of 500 euros.
01:02:10And that's a shame.
01:02:12Well, you'll see.
01:02:13Well, they're going to give us 22%.
01:02:16But don't listen to him, he's just pulling our leg.
01:02:19Look, it's normal to be restless, right?
01:02:22Until now you haven't had a manager
01:02:23that applies modern financial techniques
01:02:25in your community.
01:02:27But I tell you that I've been doing this for over 20 years
01:02:30with an impeccable business track record.
01:02:33Unless you consult the tax authorities, of course.
01:02:36Dear.
01:02:37Report it, Juan.
01:02:37This man is being reported right now.
01:02:39And that's all there is to it.
01:02:40Paloma, let's try to avoid it.
01:02:42Look, if you don't have the 3,000 euros in a month
01:02:45plus 600 in interest,
01:02:47I pay for them out of my own pocket.
01:02:49Otherwise, we'll get along just fine.
01:02:55Here, take some war sports t-shirts.
01:02:59Come on.
01:03:01I like this guy.
01:03:03So, what sizes did they give you?
01:03:16That's it.
01:03:17Operation already drunk, completed with relative success.
01:03:20How are you?
01:03:20Have your parents noticed?
01:03:23Everything was going great until he vomited on the carpet.
01:03:26Come here, darling.
01:03:28We have unfinished business.
01:03:30Yes, right now.
01:03:32I take off my shoes.
01:03:34I take off my socks.
01:03:37I take off my pants.
01:03:45And I'm going to watch TV in the living room.
01:03:56If only the grandma would exhaust anyone.
01:04:01Well, that's all.
01:04:02But you really have to take it.
01:04:05I've grown fond of her.
01:04:06He kept me great company.
01:04:08Dad, do you have me?
01:04:09It's not the same.
01:04:10Leave.
01:04:12Oh, thank you so much for destroying the love of my life.
01:04:14See you around.
01:04:15That's about right, man.
01:04:16Oh, look, just relax, damn it, everything's going to be alright.
01:04:18But I don't care.
01:04:20Yes, I'm tired of relationships, women, love, and everything.
01:04:24I'm on my own, but I'm calm.
01:04:26And now all I want is to spend more time with my father, right?
01:04:28Hey, don't mess with me.
01:04:29What did I do to deserve this?
01:04:30Come on, give me a cigarette.
01:04:31Look, what you need to do is call Belén, damn it, and fix it.
01:04:34No, man, no, no.
01:04:35I'm tired of so much going up and down Bethlehem.
01:04:37What I need now is to turn the page and fall in love with someone else, damn it.
01:04:40And not give up on life.
01:04:41Who are you going to fall in love with if you spend all day here?
01:04:44Well, Dad, someone will show up eventually, right?
01:04:45Already.
01:04:50I am two sons of a bitch who...
01:04:54Love is coming knocking at your door!
01:04:56No, you're going to knock on my door, because I'm not going to let you in.
01:04:59Tingdon!
01:04:59Who is it?
01:05:00I am love!
Comentarios