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00:02:59No one lives here, here, here.
00:03:01Not here, not here
00:03:04No one lives here, here, here.
00:03:08I couldn't imagine it when I came here
00:03:10I was just looking for some peace.
00:03:12And I wake up his little one on the chop
00:03:15No one lives here, here, here.
00:03:17No one lives here, here, here.
00:03:20No one lives here, here, here.
00:03:22No
00:03:25I'm going for a walk
00:03:27Have you made the bed?
00:03:28No, Dad told me he'll do it himself.
00:03:30Here we are
00:03:31Yes, that way I also work my lower back a little.
00:03:34And I need money.
00:03:36How much?
00:03:37Well, I can manage with 100 euros
00:03:39And what do you need so much money for?
00:03:41I am a teenager subjected to a lot of advertising pressure.
00:03:44Oh, I won't be coming back for lunch later.
00:03:45Well, I'll go to the cinema and grab a drink.
00:03:47I don't know what time I'll be back, see you later
00:03:49What do you mean you didn't know what time you'd be back?
00:03:50Juan, please
00:03:51José Miguel, come here for a moment
00:03:57Pacho, don't go overboard, it's obvious.
00:03:59Do you think it's normal to be blackmailing your father?
00:04:02You really went for the herbs, it's great!
00:04:04Out, out, out
00:04:04Juan, if you speak so quietly
00:04:09I won't be able to integrate into this family
00:04:12That's it, I've already told him that this is over.
00:04:13What did you think?
00:04:15Your children are getting out of hand
00:04:17I'm telling you this as a sister.
00:04:18You let Natalia go on a trip with God knows who
00:04:21And the child does whatever he wants
00:04:23How can you let him get away with so much?
00:04:25It is a new American teaching technique
00:04:27The latest in child psychopedagogy
00:04:29Give your children everything they ask for.
00:04:30It's focused on not ending your days in a nursing home, basically
00:04:34Well, it doesn't work
00:04:35Haven't you noticed that José Miguel doesn't have any friends his own age?
00:04:39Well, no, it's true
00:04:40He's always at the video store
00:04:42Talking to those scumbags who pollute it for us
00:04:45For God's sake, John
00:04:46If you sang in the parish choir when you were 12 years old
00:04:48And you played marbles
00:04:50Well, but that information will stay between us.
00:04:52If you are very busy
00:04:53Well, I'll take care of spending more time with the child.
00:04:56I'm going to organize your leisure time
00:04:57You will see that soon I will straighten it out for you
00:05:09How are you, my girl?
00:05:11Dad
00:05:12My daughter, congratulations
00:05:14Because?
00:05:14I've found out everything
00:05:16Hello
00:05:16Hello
00:05:17Well, you've finally started to rebuild your life
00:05:19You've left Roberto
00:05:20Yeah
00:05:20And now you're going back to the company
00:05:21Dad, no, please don't start, okay?
00:05:23I'm not coming back, I really am.
00:05:24But how can that be?
00:05:25Look, I've been talking to Miguel, the one from the bank.
00:05:27And you're on your last legs, darling.
00:05:28We have no money left in the account.
00:05:30Okay, but why are they telling you my balance?
00:05:32Okay, look, I'll give you whatever you ask for.
00:05:33Do you want 5,000 euros?
00:05:34I am Alicia Sam
00:05:35Hello
00:05:36Model and actress
00:05:37If you'd like, I can be the face of your company.
00:05:39Alicia is a builder
00:05:40That's why a sexy girl with a garotilla
00:05:43Dad, dad, dad
00:05:44Come, come, come here, come
00:05:46Don't get angry, really.
00:05:47But you haven't understood anything.
00:05:49I don't want to be the boss's little girl for the rest of my life.
00:05:51But that bad thing can go very far
00:05:53Look, bus
00:05:53I need a job that makes me happy, that motivates me.
00:05:56Don't you understand?
00:05:57I'm thinking of opening a restaurant
00:05:59A restaurant?
00:06:00Yeah
00:06:02Look, daughter, don't be offended
00:06:03But I don't know, I don't see you as capable.
00:06:04Well, I remind you that I have a master's degree in business administration
00:06:06Yes, yes, I know.
00:06:08Yes, I paid for it
00:06:08Yeah
00:06:09Look, daughter
00:06:09Having a company is not just about having a master's degree
00:06:11You need character, discipline, and connections.
00:06:14And above all, you need money
00:06:15Well, I have the money
00:06:16I have the contacts and I have the place
00:06:18Oh, and you're invited to the opening.
00:06:19It's this Friday
00:06:20Well, then, I'll be there.
00:06:23My love, despite everything, you know you are my daughter and that I love you very much
00:06:25When you recover from this setback, you know where your office is.
00:06:28Don't worry, Dad, I won't need it.
00:06:29Okay, give me a little kiss, won't you?
00:06:31Yes, yes, of course.
00:06:32And give Mom a kiss from me.
00:06:34Let's see if he lets us.
00:06:38Lucia, Friday is the day after tomorrow.
00:06:40A lot of bluffing, isn't it?
00:06:42And one small detail
00:06:43Where are you going to get the money?
00:06:45Sorry
00:06:46Can?
00:06:51Alicia, I'd like to introduce you to my new partner
00:06:54As?
00:06:59Belén, I'm going to university
00:07:01Wait, wait, wait
00:07:02I'll make you a sandwich so you don't have to spend money there.
00:07:04Did you bring all the books?
00:07:05Of course, don't look at me, I look like the Hunchback of Notre Dame
00:07:07I'm going to buy you one of those with wheels so you don't hurt your back.
00:07:10Oh, wait
00:07:11That?
00:07:12A little juice, a little juice
00:07:13Let's see, I can't reach it, bring it
00:07:14Take
00:07:15Bring it, bring it
00:07:16Let's see, let's see, let's see, let's see
00:07:17Look at me
00:07:18That?
00:07:19Emilio, what hair!
00:07:20Not like that, not in class, like that
00:07:22Hey, you're being a bit of a pain, aren't you?
00:07:24Hey, turn off your cell phone and make some friends, okay?
00:07:28Belén, are you teasing me?
00:07:29Yeah
00:07:30Well, stop hesitating and start looking for a job.
00:07:32What do you have to do?
00:07:34Pussy
00:07:35See?
00:07:36You've made me bitter.
00:07:38Asshole!
00:07:43Isabel, please, can you come here for a moment?
00:07:45I want to convey my concern about the deterioration of the rear area of the entrance.
00:07:49Yes, yes, of course.
00:07:54It's nothing to be alarmed about, but things at my house are getting very bad.
00:07:58I saw you this morning
00:07:59Through the window
00:08:00You looked so sexy having breakfast in those pajamas
00:08:03Isabel, this, this has to end
00:08:06My son is blackmailing me
00:08:07And I'm going to get myself into trouble with Nieves.
00:08:09Furthermore, I feel very guilty.
00:08:11I am a married man
00:08:12And I am also a married woman
00:08:14Who do you think you are?
00:08:14Have I gotten over my anger?
00:08:17Okay, fine.
00:08:18Let's stay calm
00:08:18Let's not hurt each other.
00:08:19It's not our fault
00:08:20But these things happen.
00:08:21I haven't...
00:08:23Come on, Paloma's absence is noticeable
00:08:25Well, the truth is that I hadn't seen Paloma for a long time either...
00:08:28Yes, yes, yes
00:08:28But yes, it's normal.
00:08:29And you, then, have felt strongly attracted to me
00:08:32That's understandable.
00:08:33In my opinion, without a doubt
00:08:33In my case, look
00:08:35It's been a shame
00:08:36That's what I say
00:08:37As a punishment
00:08:38Yes, it happens to me all the time.
00:08:39When I feel sorry for a man, I feel attracted to him.
00:08:41Like Mother Teresa
00:08:42I like the homeless
00:08:44And I suddenly saw you all alone
00:08:46With those wild children
00:08:48A neurotic sister
00:08:49And at an age that's already a bit difficult to rebuild your love life
00:08:53With that face you have
00:08:55Well, the point is that it attracts you.
00:08:56A lot
00:08:56Well, that's it
00:08:57Because there is no love.
00:09:00Well, I don't know.
00:09:01Look, I propose that we do things right.
00:09:03A night of passion in a secluded little hotel
00:09:06We unleashed our instincts
00:09:08And here peace, and after glory
00:09:10Votes in favor
00:09:12And what excuse should I give Andrés?
00:09:14How should I know?
00:09:14I don't even know what I'm going to say to Nieves.
00:09:17I'll arrange the hotel for tomorrow.
00:09:19Meanwhile, we'll try to appear normal.
00:09:22Mr. Juan
00:09:23Do you see it?
00:09:23The silicone on these windows is in a deplorable state.
00:09:26OK
00:09:27I'm going to take a break from the previous meeting.
00:09:30Mr. Juan, I'm going to university.
00:09:32I'll tell you how my first day went.
00:09:34Just a moment, Emilio
00:09:37You are going to be absent from your job
00:09:38I assume you've arranged a replacement.
00:09:41Ah, of course.
00:09:42There you have it
00:09:43I don't see this.
00:09:45This is a stain on my resume.
00:09:47Are you sure your father is fit to perform this job?
00:09:50Man, he's a good kid.
00:09:51Give it a chance
00:09:52Well, see you later
00:09:53Emilio, wait a moment
00:09:55Hey, do you remember that hotel where you took Rocío?
00:09:58You see, my cousin is coming from Ponferrada.
00:10:00And he wants a secluded, quiet little hotel.
00:10:02I'll tell him if you want.
00:10:03But this is in an industrial park
00:10:04Better
00:10:05Ponferrada is also quite industrial.
00:10:07A lot of steelmaking
00:10:09Dad
00:10:10Look up the address in my address book.
00:10:11And I'm leaving.
00:10:11I'm leaving because I don't have a...
00:10:12It's only the first day and I'm already done
00:10:13Okay, okay
00:10:14Well, whenever I can
00:10:15So, a cousin from Ponferrada, huh?
00:10:17Yes, is there a problem?
00:10:18No, no, none.
00:10:20Ah, I'm going upstairs to mop the second-floor landing, it's dirty.
00:10:22And I'm going to shit on a bull, damn it!
00:10:27That partition is outside
00:10:29We lifted the floor
00:10:30We fixed the plumbing
00:10:32We focus, we paint
00:10:33And like new
00:10:34Antonio, Antonio, stop, stop, stop
00:10:35All that needs to be done is to fix two damp patches and polish the floor.
00:10:37That's a shame.
00:10:38Because I have a new crew
00:10:40She's crazy about chipping away at walls.
00:10:42I'm going to see if I can get my hands on the kitchen
00:10:44Okay, okay
00:10:45Go! Go! Go
00:10:45He's going to confuse me, isn't he?
00:10:48Carlos
00:10:48Thank you for investing in my restaurant
00:10:50I promise you won't regret it
00:10:51Of course not
00:10:52Hey, hey, hey, partners, huh? Partners
00:10:54Partners don't kiss
00:10:55Ah, of course.
00:10:56It's because of the nerves at the beginning
00:10:58Yeah
00:10:59Hey
00:10:59So, what's up, Mauri?
00:11:00What do you think?
00:11:01Can you think of any tweaks?
00:11:02I would leave it as it is.
00:11:03Do you like it like this?
00:11:04No, I'd leave it as it is.
00:11:05And I've dedicated myself to something else.
00:11:06Do you know what a pain it is to take someone to a restaurant?
00:11:07Mauri, I brought you here to cheer me up
00:11:09Lie to me
00:11:09It's beautiful, ready to open tomorrow.
00:11:11Oh, how nice!
00:11:11Hey, I have some ideas that we could...
00:11:13Look good!
00:11:14Yeah
00:11:16But, Diego, what a surprise!
00:11:19How are you?
00:11:20You've finally stood up to Dad
00:11:22Congratulations
00:11:23You have no idea how angry he is.
00:11:24Look, I've introduced you to his friends
00:11:26Mauri and Carlos
00:11:27Is this Diego, my brother?
00:11:28Man, finally
00:11:29Well, count me in for whatever you need, okay?
00:11:31Okay
00:11:32You know this has always been my dream
00:11:33Open a restaurant?
00:11:35No, no, don't curse Dad.
00:11:36Besides, this looks really good, doesn't it?
00:11:38Yes, I think so.
00:11:39But Mauri doesn't like it very much
00:11:40No, look, you haven't understood me.
00:11:41In other words, the place is great.
00:11:42It just needs a little tapping.
00:11:45Well, I don't know.
00:11:46Something like oriental
00:11:47Yeah, that chill-out vibe
00:11:49It's very fashionable
00:11:50Yeah
00:11:50That's why I have some ideas
00:11:51Of course, you need a good chef, okay?
00:11:52Yes, the chef is essential
00:11:53He's the one who fills your place
00:11:54I am a very good friend of Román Ferragut
00:11:56One of the best
00:11:57Gay, of course
00:11:58He's an artist
00:11:58He's really burned out at his job.
00:12:00Because they don't let him develop his creativity
00:12:02He'll charge you a fortune.
00:12:03But if you want, I'll call him.
00:12:04Call him, Lucia
00:12:05Call him, okay?
00:12:06Okay, yes
00:12:06Do you know her?
00:12:08No
00:12:09Oh well
00:12:09With the enthusiasm you put in
00:12:11He's definitely a genius, right?
00:12:12We'll have to sign him
00:12:13Come, let me show you the kitchen
00:12:14You'll see how many possibilities it has.
00:12:15Hey, we need to have a serious talk about napkins.
00:12:18Because it's the first thing that
00:12:19Don't you want to see the kitchen?
00:12:20Don't you want to see the kitchen now?
00:12:21Okay, then follow me
00:12:26Uh, sorry
00:12:30Hello
00:12:31Uh, first year of teacher training
00:12:33Uh, yeah
00:12:33Which group are you in?
00:12:34Uh, what do I know?
00:12:35Well, there are seven, man.
00:12:37Look at the list
00:12:38Fuck
00:12:39But if you're second
00:12:42Dick
00:12:42And where am I here?
00:12:45Don't worry
00:12:45And you're not missing a thing
00:12:46The first day of class
00:12:48The teachers
00:12:48They're just busy showing off their packages
00:12:50Delgado and Emilio, here
00:12:51Group D
00:12:52Where is group D?
00:12:53Right here
00:12:54Where does it say group D?
00:12:56Ah, thank you.
00:12:57You are welcome
00:13:00So what I expect from you
00:13:02It's dedication
00:13:04Effort
00:13:05Interest
00:13:08And a little bit of punctuality
00:13:10If possible
00:13:11Hi how are things?
00:13:16Well, see you tomorrow then.
00:13:28Okay, the white shirt
00:13:32She's amazing.
00:13:33Trunk
00:13:33I believe he should enter
00:13:34In the ranking
00:13:35Yes, but
00:13:35My number one
00:13:37Definitely
00:13:37It was curly hair, dude.
00:13:38Those tits
00:13:39They make a difference there, huh?
00:13:41Okay, okay, okay
00:13:42Well, have you seen the ass?
00:13:43What's wrong with the blonde in the front row?
00:13:44Yes, she's my girlfriend
00:13:45Ah, well
00:13:47It's not that good, to be honest.
00:13:48How, how, how?
00:13:49No, she's pretty and all that
00:13:50But I don't like it
00:13:51But not with you.
00:13:52You make a great couple
00:13:53I'm going to the bathroom
00:14:02Have you seen the uncle
00:14:03What hasn't been covered in class?
00:14:04Where did it come from?
00:14:05It's like Forrest Gump
00:14:06I don't know, man.
00:14:07You'll find some very strange people here.
00:14:09I think that was his thing.
00:14:10I swear
00:14:15You as a waitress
00:14:17Alicia, don't talk so much
00:14:18Via mobile
00:14:18That the radiation is affecting you
00:14:20Hey, all the greats of cinema
00:14:21They started out as waiters
00:14:22Paul Newman
00:14:23Brad Pitt
00:14:23Michelle Pfeiffer
00:14:24It's almost a subject in itself.
00:14:25Dramatic Arts
00:14:26Maybe I skipped it
00:14:27And that's why I don't work.
00:14:28It would be a disaster.
00:14:29You'd drop the plates.
00:14:30You would violate customers in the service
00:14:32Honestly, I just don't understand you, Lucia
00:14:33You're always threatening me
00:14:35By kicking me out of the house
00:14:35If I don't work
00:14:36And now that I want to work
00:14:36You don't want to hire me
00:14:37Okay, fine.
00:14:38Okay, okay
00:14:38Let me think of something
00:14:40So, you're going to give him a job?
00:14:41Not her and not me
00:14:43See what the Muppet wants
00:14:44Lucia, I think that's very strong.
00:14:46That you're going to start a business
00:14:47And don't count on your best friend
00:14:48Yes, Bethlehem
00:14:49I'm looking for professional people.
00:14:51Oh, and is Alicia a professional?
00:14:53No, but image is also important
00:14:55Come on, you're calling me useless and ugly
00:14:57No, no, that's not it.
00:14:59Okay, let me think of something for you.
00:15:00But we're not going to talk about this in the courtyard
00:15:05What's happening?
00:15:06Is the old lady going to open a restaurant?
00:15:08Forward
00:15:08Job interviews are here
00:15:10You can count on us, right?
00:15:12Yeah
00:15:12Your security guard at the door
00:15:14And I was in the kitchen
00:15:15I have some croquettes
00:15:16They're going to fill the place.
00:15:17I'm sorry
00:15:18But I already have
00:15:18All hired staff
00:15:19Yes, you told me earlier.
00:15:20That you had no one
00:15:21Oh, really?
00:15:22Yes to them but not to us?
00:15:24Is this discrimination?
00:15:25Say it clearly.
00:15:26You don't hire us because we're old
00:15:28No, I won't hire you.
00:15:29Because it's very hard work
00:15:30And I don't see you as ready.
00:15:31Hey, my sister is 60 years old
00:15:33With demonstrable experience in the kitchen
00:15:35I stand in solidarity with them
00:15:36Slow down, shut up
00:15:37I know I was going to hire you
00:15:39Come on
00:15:40Let's clear this out, please.
00:15:42Let's go
00:15:42Just so you know
00:15:43I'm going to write to the ombudsman.
00:15:46But do we have a defender?
00:15:48That's what it says.
00:15:49Okay, but why would I have to hire?
00:15:50To the entire neighborhood?
00:15:51Because we're like one big family
00:15:53We get along terribly
00:15:54Well, that's it
00:15:55Like a family
00:15:56This girl always looks so cute
00:16:00Do you see what you've achieved?
00:16:01Now everyone knows
00:16:02Beware of those who make you sit on the celpudo
00:16:04And what am I going to do for work?
00:16:06You?
00:16:06Goalkeeper
00:16:09As a goalkeeper?
00:16:13Bea
00:16:14I've met a spectacular guy
00:16:16Mauri, who was asleep
00:16:17Damn, you spend all day sleeping
00:16:19Go to the doctor
00:16:19The kid isn't going to become a congressman.
00:16:21No, it's normal.
00:16:22Pregnant women get very sleepy
00:16:24Listen
00:16:24His name is Diego
00:16:25He is Lucia's brother
00:16:26And he's smart.
00:16:28Sensitive
00:16:29Worship
00:16:29Fun
00:16:30And it's really good.
00:16:31I've left this for last.
00:16:32So you can see I don't care.
00:16:34But it's amazing
00:16:35We've been talking for a while.
00:16:37It's been incredible
00:16:38Have you connected?
00:16:39Connected
00:16:39They've had a falling out
00:16:40The lead pipes have blown.
00:16:41Did you notice it brake suddenly a little while ago?
00:16:43It was the land that stood still
00:16:45Well, what are you going to notice?
00:16:46You would be asleep
00:16:47Hey
00:16:48But that's great, isn't it?
00:16:49Didn't you know that Lucia had a gay brother?
00:16:51Uh, yeah
00:16:52Yes, it has it.
00:16:53Ah
00:16:54That he is not sure
00:16:55It's just that his "free gay" green light had burned out.
00:16:58But that's noticeable.
00:16:58Don't trust him, Mauri
00:17:00There are a lot of metrosexuals around lately.
00:17:02See
00:17:02If one guy stares at another
00:17:03More than five seconds in a row
00:17:05He's gay.
00:17:06Or nearsighted
00:17:08You're right
00:17:09Maybe he's nearsighted
00:17:10Okay, I'll check it out.
00:17:11We'll see each other again tomorrow.
00:17:13We're helping Lucia.
00:17:14To set up your restaurant
00:17:15Hey, why don't you ask her?
00:17:16And that clears up your doubts?
00:17:17Clear
00:17:18I tell him
00:17:19Lucia
00:17:19I would put the menu on the arugula salad
00:17:21It's very fashionable
00:17:22By the way, your brother is gay.
00:17:23Please look
00:17:24I'm going to test the waters.
00:17:25Nothing else
00:17:27Remember that we have the ultrasound tomorrow.
00:17:28Yes, yes
00:17:29Clear
00:17:30The child comes first.
00:17:32Hey, what if you reschedule it for another day?
00:17:35Okay
00:17:35A bit
00:18:03Okay, first and only point of the day
00:18:06Deep disgust and general discomfort
00:18:08Of the tenants of the first A
00:18:09Because of Lucia's refusal
00:18:11Count on them
00:18:12For your new restaurant
00:18:13Opening soon
00:18:14But seriously, this is the last straw.
00:18:15Come on, open a restaurant
00:18:17And we need to have a meeting.
00:18:18It's because of those two sluts upstairs.
00:18:19She's going to hire them
00:18:20And not us
00:18:22That's cronyism.
00:18:23Mauri has also been caught
00:18:24Excuse me, but I'll help you.
00:18:25Selflessly
00:18:26I'm not employed
00:18:27So you're paying for the black guy?
00:18:28But let's see
00:18:30Is that restaurant in the building?
00:18:32No
00:18:32It's at the end of the street
00:18:34So that's not an issue
00:18:35From this community
00:18:36If you look out, you can see it from home.
00:18:37That's a common element
00:18:39Besides
00:18:40If it doesn't go well
00:18:41He won't be able to pay the community fees
00:18:43What do you mean, no?
00:18:44If I am the only one
00:18:45He keeps the payments up to date.
00:18:46Okay, please.
00:18:46You don't play around with the odds.
00:18:49Lucía is going to start a business
00:18:50On their own
00:18:50And you can hire
00:18:51Whoever wants to
00:18:52My daughter too
00:18:53A job would do him a world of good.
00:18:54And I haven't asked him to.
00:18:55I'll leave it open-ended.
00:18:56But I haven't asked him.
00:18:57You need a car park
00:18:58Because my children
00:18:59They are also free
00:19:00In the afternoons
00:19:01Just a moment
00:19:02I'll park myself.
00:19:03Mine parked tanks
00:19:05One-handed
00:19:06Without looking in the rearview mirror
00:19:08Don't pout at him
00:19:08I'm asking you please
00:19:09Lucia is only obligated
00:19:11To invite us
00:19:11The opening day
00:19:13Oh well
00:19:13That will be if he wants to.
00:19:14No, I don't care.
00:19:15Leave it
00:19:16Do you want to work at the restaurant?
00:19:17Well, you're going to work
00:19:18Yes indeed
00:19:19There is a trial period
00:19:20And if you don't get over it
00:19:20I'll have to do without you.
00:19:22Tomorrow at nine thirty
00:19:23I want there
00:19:24To all the volunteers
00:19:26So for once
00:19:27Do we all agree?
00:19:28Yes, yes
00:19:28It's going to give us work.
00:19:29Let's see now
00:19:30How does it pay?
00:19:31Sorry
00:19:34This proves
00:19:34That through goodwill
00:19:36Between the parties
00:19:36It can be created
00:19:37A space for dialogue
00:19:38And a suitable framework
00:19:39To always be able to achieve
00:19:41A neighborhood consensus
00:19:42Which is the basis
00:19:43On peaceful coexistence
00:19:45What is my command of syntax?
00:19:47You are a galactic
00:19:48From the word
00:19:49Thank you, Mariano
00:19:50That's enough, isn't it?
00:19:51The fact that?
00:19:52No, it's just that he told me
00:19:53My son is reading the ball
00:19:54At the meeting he likes
00:19:56Well yes
00:19:57That's enough.
00:19:58Yeah
00:19:58Well, it's starting to pick up now.
00:20:01Lucia, you're crazy!
00:20:02How are you going to hire those people?
00:20:04But if the inauguration
00:20:05It's going to look like a movie
00:20:06From the Marx Brothers
00:20:07No, but I did it.
00:20:08So they'll leave me alone
00:20:09Sure, the bus rides there are entertaining
00:20:11Acting like a fool
00:20:11And on opening day
00:20:12I'm telling you they're worthless
00:20:13And we replaced them
00:20:14For real waiters
00:20:15Thank goodness, you scared me!
00:20:17Mauri, keep your friends close.
00:20:18But closer to your enemies
00:20:20Whatever you say, Mrs. Corleone
00:20:21In any case
00:20:22First thing tomorrow
00:20:23I'm there for whatever you need.
00:20:24No, it's not necessary
00:20:25You've already helped me a lot.
00:20:26And I also have Carlos
00:20:27To my brother, who doesn't
00:20:28No, the more the merrier
00:20:29Also, the super chef arrives tomorrow.
00:20:30I wanted there to be someone
00:20:31Who understands the culinary subject
00:20:33Okay, fine
00:20:34Thank you
00:20:34See you tomorrow
00:20:35See you tomorrow
00:20:41Did he win anything?
00:20:42How should I know?
00:20:43Goodbye, Nieves
00:20:44Goodbye, Vicenta
00:20:49Isabel, just a moment, please
00:20:52This is the hotel's address
00:20:53The reservation has been made.
00:20:54On behalf of Felipe García
00:20:55To avoid raising suspicions
00:20:57We agreed to meet there at seven thirty.
00:20:58What is this?
00:21:00It's an exhibition
00:21:01From an expressionist painter
00:21:02Great
00:21:03Felipe García
00:21:04Is called
00:21:04I'm recommending it to her
00:21:06Well, thank you very much.
00:21:07Don't stop going
00:21:10It's beautiful.
00:21:12Taking refuge
00:21:12In culture
00:21:14To overcome death
00:21:15From his wife
00:21:15She is not dead
00:21:16He is in a coma
00:21:17Say no to Menábar
00:21:19A movie does the same thing.
00:21:29Emilio
00:21:29Good news
00:21:30Lucía is going to open a restaurant
00:21:32And he's going to hire me as a waitress
00:21:33And I'm not a car grim reaper.
00:21:35What's happening?
00:21:35Is my father already here scribbling?
00:21:37It doesn't matter
00:21:37Yes, I put the fish in.
00:21:38That it had expired
00:21:39Let's see if it works for next time.
00:21:40We can eat it
00:21:42How was class?
00:21:43Good, very good
00:21:44I'm going to bed
00:21:45I'm very tired
00:21:45Hey
00:21:46But give her my congratulations
00:21:47Or something, right?
00:21:48I've gotten a job
00:21:49Yes, Bethlehem
00:21:49Congratulations!
00:21:50Yes
00:21:50Hey?
00:21:51Yes
00:21:52Oh
00:21:53What's wrong with him?
00:21:55The wonderful berluza
00:21:57How did he throw it at you so fresh?
00:22:01Vicenta
00:22:01We need to talk
00:22:04What's happening?
00:22:05Let's make things clear.
00:22:08I know we're both in love
00:22:10From the same man
00:22:11Andrés told you.
00:22:13I'm sorry, Isabel.
00:22:14We have tried to resist
00:22:16But...
00:22:16No no
00:22:17Nothing's wrong
00:22:18I am willing to share it with you
00:22:21Well, it depends on the days
00:22:22Of course, we need to get a little organized.
00:22:23Tomorrow, for example
00:22:24That works well for me in the afternoon
00:22:26If you like
00:22:27You can have it for yourself.
00:22:28Until whatever time you feel like it
00:22:30Excellent
00:22:31You accept this situation, don't you?
00:22:33Jealousy is a negative energy
00:22:35I want everyone
00:22:36When I am happy
00:22:37Well yes
00:22:38If we have to share
00:22:39It is shared
00:22:41Remember
00:22:43Tomorrow afternoon
00:22:44At seven thirty
00:22:45Don't fail
00:22:46That's how we took Valentín for a walk together.
00:22:48Don't tell him anything about this, Andrés
00:22:49I'm having a really bad time.
00:22:51Logical
00:22:54Hey
00:22:55The grass is in really bad shape, huh?
00:22:57What a shame
00:22:58Since when do people share husbands?
00:23:03And then they'll say
00:23:04Horoscopes lie
00:23:05I have a job
00:23:06And I have love.
00:23:07What more could I ask for?
00:23:09Mental health
00:23:11Juan, I'm going to bed
00:23:12Turn that down, it's too loud
00:23:13Nibez, one thing
00:23:15Hey, tomorrow
00:23:16I don't know if I'll make it to dinner.
00:23:17Because I have a parents' meeting
00:23:19And you know that when you start.
00:23:20But never when it ends
00:23:21Because how do they have to prove it?
00:23:23They care a lot about their children
00:23:24At least once a month
00:23:25They get really annoying
00:23:26Well, look
00:23:27So I take advantage of the opportunity and bring José Miguel along.
00:23:29To the Army Museum
00:23:30So that he learns what's important
00:23:32That has been the discipline
00:23:33In history
00:23:34A nice excursion
00:23:36There is no doubt
00:24:07No, she's crazy.
00:24:07We're going to get rid of your aunt.
00:24:08And there are many museums
00:24:10Hey, man
00:24:11That's blackmail.
00:24:12Ah, you learn from your children too.
00:24:20Alicia, hurry up
00:24:21We're going to be late
00:24:22Our first day of work
00:24:24If there are no clothes of yours left there
00:24:25If you've taken it all
00:24:26I had one in my skirt
00:24:27She was perfect.
00:24:28To work as a waitress
00:24:29You didn't pick it up, did you?
00:24:30Me? What for?
00:24:31To put it on my leg?
00:24:35Weren't you in class?
00:24:36No, I'm not going today.
00:24:37Because?
00:24:38What happened to you?
00:24:39No, nothing
00:24:40I have a lot of things to do here.
00:24:41My father doesn't stop drinking water.
00:24:42And of course, my work is piling up.
00:24:44Emilio, don't lie, okay?
00:24:46What happened to you at university yesterday?
00:24:48Maybe he hit him
00:24:49A classmate at recess
00:24:50Alicia, please
00:24:52That's not my place, Belén
00:24:53That's what happens to me
00:24:54I don't understand anything
00:24:55And besides, I'm uncomfortable.
00:24:56People look at me strangely.
00:24:57Well, but that's already happening.
00:24:58You should be used to it by now, shouldn't you?
00:25:00Do you mind if I have your drawers?
00:25:01I burned it
00:25:02I burned the skirt
00:25:03Be still now
00:25:05Emilio, you're a grownup now, right?
00:25:07You're not going to stop going to university
00:25:08Because the first day
00:25:09You haven't made any friends
00:25:10I don't want to go, Belén
00:25:11I've had a really bad time
00:25:11Well, then, join in, okay?
00:25:12Integrate, integrate
00:25:14As if it were that easy
00:25:15Don't let me find out
00:25:15You're only missing one hour, huh?
00:25:17If I don't take you and bring you back every day
00:25:19Yes, let's go
00:25:19What I need is to miss myself now.
00:25:20To make a complete fool of myself
00:25:21Come on
00:25:23Alicia, let's go
00:25:25The thing about you burning the miniskirt
00:25:26You were just kidding, right?
00:25:27Yes of course
00:25:28How am I going to burn it?
00:25:29Did he make rags?
00:25:35So at seven thirty, okay?
00:25:36It's because I get off work a little late.
00:25:38Okay, okay
00:25:39Do you want me to wear something special?
00:25:42What's up, Bisbal?
00:25:43Your fans are going to eat you alive
00:25:44This woman has picked on me again.
00:25:47This afternoon he wants to go for a walk
00:25:49Sure, you'll provoke her.
00:25:50I?
00:25:51Well, you'll have to meet up with her.
00:25:52If he gets angry, he'll withdraw the deposit.
00:25:54And you go back to jail
00:25:55Wouldn't that be better?
00:25:56Well, I'm starting to have doubts.
00:25:58Go with her
00:25:59So I take advantage of it and go to the movies
00:26:00It's been a long time since I've been there and I'm looking forward to it.
00:26:02And what movie are you going to see?
00:26:04I don't know
00:26:05Whichever one they put on
00:26:06It's an excuse to eat popcorn.
00:26:09Hey, since when does Mom go to the movies alone?
00:26:11Good question
00:26:12I don't know what made you come here
00:26:14I neither know nor care
00:26:16But you're here because of connections.
00:26:17It doesn't mean you'll receive special treatment.
00:26:20You're not friends here.
00:26:22Not even ex-girlfriends
00:26:24Nor neighbors
00:26:25Not even retired women
00:26:27Here you are just waitresses
00:26:28Is that clear?
00:26:30And know that I will personally take care of it.
00:26:32To turn your life into hell
00:26:34But that's true.
00:26:36You'll leave here as the best waitresses
00:26:39From this fucking city
00:26:40Good
00:26:41Let's see what you can do
00:26:43I will play the customer
00:26:44Nativity scene
00:26:46Yeah
00:26:47Let's start with the wine
00:26:49In its perfect manipulation
00:26:51That's where a waiter rises to the occasion
00:26:52Because wine is the broth of the gods
00:26:54Have you heard of Bacchus?
00:26:55Yeah
00:26:56The one from the video store
00:26:57Good
00:26:58Please serve me
00:27:01Yes sir
00:27:05Oh
00:27:07Forward
00:27:16Please serve me
00:27:36Please serve me
00:27:40Oh!
00:28:25Yes. It's because the burger place doesn't have a wine list.
00:28:27I think we're going to have to work quite a bit.
00:28:44The food here is good, the food here is good.
00:28:48We recommend in our menu, delicates in Delche.
00:28:52Try the lumina in lemon sauce, bal fruits and with flavored mousse.
00:28:57The food here is good, the food here is good.
00:29:23The opening is tomorrow at 10, don't let me down.
00:29:26Okay, two more.
00:29:28Lucia, I need to talk to you.
00:29:29Here, write me a check for 900 euros for the plant guy.
00:29:32Look, with the staff we have, the only business we can set up is a circus.
00:29:35But don't worry.
00:29:36I'll call the real waiters tomorrow, this is just to keep them entertained for a bit.
00:29:39Doña Lucía, well tell me, because sometimes I have the feeling that I'm only here for my money.
00:29:43Carlos, how can you think that?
00:29:47How did the waiters' competition go?
00:29:49Any nominees?
00:29:49Good.
00:29:50That's it, I say, with the chef in the kitchen.
00:29:51I'm going to see the chef.
00:29:55But Mariano, what are you doing here if you're not needed this morning?
00:29:57Well, if you let me go drive a car, I can practice.
00:30:02It's actually a very simple dish.
00:30:03Its creative value lies in the concept of the presentation.
00:30:07The decorations evoke a forest in spring.
00:30:10And with the touch of jam, I harmonize the contrast that the fish itself represents.
00:30:16How are you, Mauri?
00:30:18Thank you, thank you for recommending me.
00:30:19This site, this site inspires me.
00:30:22I will turn it into a place of pilgrimage.
00:30:24I'm showing Diego my latest creations.
00:30:27And I was telling Román that I would love to learn to cook,
00:30:29but I've never known, I haven't fried the egg.
00:30:32I'll teach you.
00:30:33Man, if you want to be my fucking...
00:30:35I think it's better for you to be out with us, serving the customers.
00:30:39How are you, Dad?
00:30:41Well, if the boy wants to learn, let him.
00:30:42No, it's just that your type of kitchen isn't practical.
00:30:44I'm sure he prefers more ordinary things.
00:30:46No, no, I'm going to be helping Lucia.
00:30:48Yes, I got angry with her.
00:30:50Well, of course, imagine doing that to you, right?
00:30:53Can you tell me what you're doing?
00:30:54Well, I'm preparing a panacheco.
00:30:55Don't play dumb, you like Diego, don't you?
00:30:57Well, for now it's just a source of inspiration.
00:30:59But things are looking promising.
00:31:00Look, let me explain.
00:31:01I just got out of a somewhat difficult four-year relationship.
00:31:04And I have a feeling that this magical boy can help me rebuild my life.
00:31:06I understand you perfectly.
00:31:08It's happened to me too.
00:31:09I've cleared all this up, right?
00:31:10No.
00:31:11Look, I saw it first, so don't even go near it.
00:31:14At Toña Lamori, in the kitchen, anything goes.
00:31:16I'm going to warn Lucia.
00:31:17I have the tasting ready.
00:31:20Oh, so anything goes?
00:31:23Ah, well then, go ahead.
00:31:27Creative seasoning.
00:31:34Emilio, it's clear what's happening.
00:31:35Right now you're the outcast of the class.
00:31:37You need to fix this as soon as possible, or you're doomed for the whole year.
00:31:40But what do I do?
00:31:40Because the only thing I'm sure of is that I'm going to end up with scoliosis.
00:31:43This is heavy.
00:31:46Okay, first things first, and this is fundamental.
00:31:48Never stand in the front row.
00:31:50The front row is for the losers.
00:31:51But it looks better.
00:31:52It doesn't matter.
00:31:53It's better not to find out and have colleagues to copy from on the exam.
00:31:56Never speak to teachers voluntarily.
00:31:58That gives a very bad impression.
00:31:59Only if they ask you.
00:32:00Make friends with a girl.
00:32:01They always give you their notes, and their handwriting is much easier to read.
00:32:04Skip class for at least an hour a day to go to the cafeteria.
00:32:07You only go to the library if you want to pick someone up.
00:32:09In short, at university you do two things.
00:32:12Study?
00:32:12No.
00:32:13Drinking beer and playing mus.
00:32:16And in spring, sunbathe on the grass.
00:32:18Drinking beer and playing mus.
00:32:20I handle that better.
00:32:24How beautiful.
00:32:25This feels like the last supper.
00:32:27I don't see why they have to taste the menu if they are the employees.
00:32:29If I don't test what I serve, how can I then guide the customer?
00:32:32Hey, what did you put on me?
00:32:34They are little parcels of eggplant with porcini mushrooms and mozzarella on a bed of lamb's lettuce.
00:32:39You can try the dishes, if you would be so kind.
00:32:54How are you?
00:32:57The truth is that it has a very, very peculiar taste.
00:33:00So what?
00:33:01The bril caramel filled with duck and clementines is... a triumph.
00:33:07Hey, the warm salad of mussels and beans.
00:33:10Wild excess.
00:33:12Very tasty.
00:33:13What was mine?
00:33:14Sea bass with caramelized onions en papillote.
00:33:17Brilliant.
00:33:17Take your time.
00:33:19Enjoy this symphony of flavors.
00:33:22I'll bring the desserts.
00:33:23They'd better bring more because this is fucking shit.
00:33:25My croquettes are much better.
00:33:27And Valentine's Day cookies.
00:33:30What's happening?
00:33:31I mixed up the packaging once.
00:33:33Please don't criticize a culinary artist because your taste buds aren't equipped to perceive the
00:33:38nuances of these delicacies.
00:33:40Carlos, but it's awful.
00:33:41Well, I know, but maybe there's something they're trying to convey with these dishes.
00:33:44This guy is worthless, he's in steep decline.
00:33:46Well, you recommended it to me, Mauri, it wasn't that famous.
00:33:48He had a wrist injury and doesn't have good sense of proportions.
00:33:51He's lost his touch.
00:33:52Here's my suggestion for desserts.
00:33:55Well, we started with a saballón of albaricó that salcaba to continue with the mirror of jasmine tea a
00:34:00the orange.
00:34:00No, thank you very much.
00:34:02Bring me a shot of Chinchón to help me settle this.
00:34:05I'll have a cortado with saccharin, please.
00:34:08But why aren't they going to try it?
00:34:10Didn't you like the menu?
00:34:11Uh, yes, yes, yes, yes, a lot, but come on, we had an idea of something more normal.
00:34:17Yes, and more edible, especially because it's awful.
00:34:19I'll eat another pack of these and go into a coma.
00:34:23And you know how hard it is to make a salad wrong.
00:34:25But seriously, how dare they criticize my creations?
00:34:27I've been on the cover of the New York Times.
00:34:29Where? In the serial killers special?
00:34:32Well, this is intolerable.
00:34:34Nowhere else have I been treated like this.
00:34:38Hillbillies.
00:34:38Damn, that little star, it's so annoying.
00:34:41Damn it, we're opening tomorrow and we don't have a chef.
00:34:43What do you mean, no? You have it right in front of you?
00:34:45Mauri, I put in all the advertising and invitations that this gentleman was the chef.
00:34:48People are going to come here because of him.
00:34:49Well, let them come, they don't need to know that he's not here.
00:34:51There's no need to greet anyone here, this isn't La Traviata.
00:34:53All I need is a volunteer to help me in the kitchen.
00:34:55Me, me, me, me.
00:34:56Okay.
00:34:57Anyone else?
00:34:59If only I knew how to do it...
00:35:00Perfect, let's see what things we need.
00:35:02I'm in with you, Mauri!
00:35:04That way you can benefit from my experience.
00:35:07Like I said, thank goodness he's gay.
00:35:10What a disaster.
00:35:11Maybe my father is right and I'm not qualified to run this business.
00:35:14Well, maybe so.
00:35:16Or maybe not, and that's a huge success.
00:35:19Come on, cheer up, you'll see how we succeed.
00:35:21God trusted us and we will answer to the death.
00:35:24Of course!
00:35:25All for one and one for all.
00:35:28What a silly phrase, now that I think about it.
00:35:30The thing is, the musketeers were gay, that's why they said those dirty things.
00:35:33Come on, distract us, there's a lot of work to do.
00:35:35At least they're putting in the effort.
00:35:37When are you going to fire them?
00:35:38I don't know, Carlos, it's all problems.
00:35:41No, don't worry, no...
00:35:43Oh, Carlos, damn it!
00:35:44It's so you can see that you shouldn't give up, that you have to be stubborn, there, unyielding.
00:35:53Hello, hello.
00:35:55I think I have a Felipe.
00:35:56A reservation in the name of Felipe García.
00:35:58Oh, yes, one moment, please.
00:36:00Okay, yes.
00:36:03Can I get a credit card?
00:36:05No, Felipe will give it to her when he comes.
00:36:23That?
00:36:23Let's see, to her cousin, the one from Ponferrada.
00:36:25I'm going to school, I have a parents' meeting.
00:36:27Well, what a sight.
00:36:28Please scrub the buckets thoroughly inside, otherwise the whole staircase will smell.
00:36:32I've got him, Juanito, I've got him.
00:36:34Whom?
00:36:34Isabel, you're the one who's caught.
00:36:36His name is Felipe García.
00:36:38I found this card in her bag.
00:36:40Andrés, it's not right to go rummaging through your wife's purse.
00:36:43It's not healthy.
00:36:43It has an address written down.
00:36:45I called and it's a hotel.
00:36:47Will you give me a ride?
00:36:48My car has been repossessed.
00:36:50I'm sure they're there.
00:36:51No, it's not very convenient for me, because I have a parents' meeting now.
00:36:54But aren't you curious to see that jerk's face?
00:36:57Don't punish yourself, Andrés.
00:36:58It's not good for you.
00:36:59Andrés, where are you going?
00:37:01Our walk.
00:37:02Excuse me, something unexpected has come up.
00:37:04I have to go.
00:37:06Start it, damn it.
00:37:07I'll call you, okay?
00:37:08But what do I do now?
00:37:10Damn, Vicente, would you mind dressing up a bit to take the dog out?
00:37:14Isn't the Army Museum amazing?
00:37:16Which uniform did you like the most?
00:37:17Well, I don't know.
00:37:18I'm torn between the one about the Spanish Tercios of Flanders and the one about the janitor.
00:37:21Oh, this country has been an empire, José Miguel.
00:37:24We had colonies everywhere.
00:37:26Yes, something had happened.
00:37:27We are now in a sadder stage.
00:37:30We only have Perejil Island left and they want to take it away from us, but they won't succeed.
00:37:34And we'll talk about Gibraltar another day.
00:37:36Yes, but another day, okay?
00:37:38How are you, Mrs. Nieves?
00:37:39How is your cousin from Ponferrada?
00:37:40Who?
00:37:41Your cousin?
00:37:42The expert said he was coming today.
00:37:43He got her a small hotel.
00:37:45We don't have family in Ponferrada.
00:37:47Ah, then let's just drop this conversation and I'll get back to cleaning.
00:37:52Come here.
00:37:54Tell me right now where the hotel is that you got for my brother.
00:38:03Five to your thirty-one with pig pairs.
00:38:07All.
00:38:07But dude, what's a hand?
00:38:08I see you with my three kings of whistles.
00:38:10And then they say the university food is bad.
00:38:13You just ate a sirloin steak, for you.
00:38:15You're a pro, Emilio, at playing mustil.
00:38:17Well, I practice a little in my free time.
00:38:19Another round's on me.
00:38:20Okay, so what do you do for a living?
00:38:22I, a businessman, have a small video store right below my house.
00:38:25Okay, so you're a good catch and you have a girlfriend.
00:38:27No way, no way, no way, I'm not interested in being a girlfriend.
00:38:29You're doing the right thing, man, why?
00:38:30It has been shown that chemically, sexual attraction only lasts three years.
00:38:34There, there, there.
00:38:35It's so nice to live alone, with the whole house to yourself.
00:38:37So, could we have a little party at your house?
00:38:39From the beginning?
00:38:40Yes, yes, yes, yes.
00:38:41At my place?
00:38:42Clear.
00:38:42Sure, whenever you want.
00:38:44Come on, then, soon.
00:38:45Okay, what do we do?
00:38:46Do we go into didactics or skip it?
00:38:48Well, mate, given the time, let's go grab a drink, shall we?
00:38:50Of course, ignoring everything.
00:38:52Come on, a little something for that sirloin steak you just ate.
00:38:55Cocanteón!
00:38:56Good afternoon.
00:38:57We are friends of Felipe García.
00:38:59I think he has a reservation for today.
00:39:01Yes, but it hasn't arrived yet.
00:39:03Well, there's a woman waiting for him in the room.
00:39:05What did I tell you?
00:39:06Well, we don't know if it's Isabel.
00:39:08Oh, there aren't any women.
00:39:09The best thing is for us to leave and you can ask him at home.
00:39:11You wouldn't happen to have Felipe's phone number around here, would you?
00:39:13We're both military mates and we'd really like to talk to him.
00:39:18But Andrés, this gentleman cannot give us that information.
00:39:21It will be strictly confidential.
00:39:22No, I can give it.
00:39:24The problem is that I don't know where the number is written down.
00:39:26because my colleague took it yesterday and who knows where he put it.
00:39:30Thank goodness.
00:39:31Good for you, because you were going to get yourself into a real mess.
00:39:33Come on, I'll buy you a new Americano, Andrés.
00:39:35Cheer up.
00:39:35Do you mind if we sit here and wait for you?
00:39:38No, no, no, yes.
00:39:43Maybe we're just being silly, Andrés.
00:39:45It might not even appear.
00:39:46Yes, it appears, yes.
00:39:49Yeah?
00:39:49Juan, I've been waiting for you for half an hour.
00:39:52I'm eating all the chocolates in the minibar
00:39:53that must gain a lot of weight.
00:39:55Where are you?
00:39:56Well, here I am with Andrés.
00:39:57Okay, relax, we're in a hotel.
00:39:59Trying to solve a problem he has with his wife.
00:40:01It's Nieves.
00:40:02Give him a kiss.
00:40:03With Andrés?
00:40:04Are you crazy?
00:40:05Why did you bring him here?
00:40:06No, no, incorrect.
00:40:07I'm just helping a friend
00:40:09who has found a suspicious card
00:40:11in Isabel's bag.
00:40:15He's rummaging through my bag.
00:40:16You nailed it.
00:40:17Oh, how silly.
00:40:18No, well, nothing.
00:40:19You stay there and I'll come when it's time.
00:40:22Is he angry?
00:40:23Pass it to me and I'll explain it to her.
00:40:24Well, man, you're going to give an explanation.
00:40:25We're all grown up now.
00:40:27Well, that's a real drain, huh?
00:40:29Well, that's it.
00:40:30We'll have to wait.
00:40:32Yeah.
00:40:33We'll have to wait.
00:40:34Hello.
00:40:35Good afternoon.
00:40:36I've come to the Felipe García painting exhibition.
00:40:39But it can't be.
00:40:40This woman is stalking me.
00:40:41Hide.
00:40:43And with surrealist?
00:40:45What?
00:40:46Expressionist.
00:40:47What?
00:40:48No, no, no.
00:40:49Not on the list.
00:40:50Yes, it's on the list.
00:40:51We have another bit of time.
00:40:52A soba.
00:40:54That guy is a painter.
00:40:55How impressionistic, how impressionistic.
00:41:00Look, I've got it in the bag.
00:41:01This is done.
00:41:02Oh, Mauri, you were dreaming, man.
00:41:04Don't worry, I'm sure mine is much more interesting.
00:41:06Listen.
00:41:07Tomorrow I'm spending the whole day in a kitchen with Diego.
00:41:10I'm the new chef at the restaurant.
00:41:11You might say, "There was already a chef," and there was, but I had to fire him because he was also involved in other things.
00:41:14Diego's.
00:41:15And, damn, for a guy I like, well, he's famous, so he has it easier.
00:41:18In short, I'm attacking tomorrow.
00:41:19What do you think?
00:41:20You came for the ultrasound.
00:41:21Yeah.
00:41:22No.
00:41:23Yes, I went.
00:41:25I had 50 euros and the taxi driver didn't have any change.
00:41:28It's had me going around in circles until it cost me the race.
00:41:30And when I finally entered the hospital, I found a lady walking with a walker in the corridor
00:41:34-taca and with the dropper.
00:41:35And since it was an operating room area, there was a solid line and I couldn't overtake it.
00:41:39And look, I wasn't going to put the lady's life in danger for an ultrasound.
00:41:42Mauri, you've forgotten.
00:41:43Okay, I forgot, sorry.
00:41:45My son, I'm sorry.
00:41:47It's just that Dad has fallen in love and I'm a little confused.
00:41:49Do you want to see the photo they gave me?
00:41:51The child?
00:41:51Yeah.
00:41:51Of course, bring it.
00:41:52Let's see, let's see.
00:41:56How cute, please.
00:41:58What thing.
00:42:01Where is this?
00:42:01What is it?
00:42:02It's that stain over there.
00:42:03Oh yes, look at it!
00:42:04The head, the little arms, the legs.
00:42:09No, they couldn't tell me the sex because I had my back turned.
00:42:12Hey, if it's a boy, the name Diego is very nice, isn't it?
00:42:15We're already there, but you're sure he's gay.
00:42:17Well, let's wait for the next ultrasound, shall we?
00:42:20Lucia's brother!
00:42:21Ah!
00:42:21You get your hopes up and then you get the disappointment of the century.
00:42:24Of course, Bea.
00:42:25If all it's missing is a sign that says "Kiss me Mauri," tomorrow we're going to inaugurate something else.
00:42:28than a restaurant.
00:42:30Well, if you see it so clearly.
00:42:31Hey, we'll have to find a framework for this, won't we?
00:42:35Of course, Joaquín.
00:42:36Where will I be?
00:42:38Waiting for Felipe García.
00:42:41But at least you have a TV and a minibar.
00:42:42No, no, Nieves, don't get like that because you're wrong.
00:42:44I'll have whatever I have for dinner when I get back.
00:42:46What are microwaves for?
00:42:47Come!
00:42:48Andrés, let's go, nobody's coming here.
00:42:50You're falling asleep and I have to get up early tomorrow.
00:42:52And the children can immediately tell from the blackboard whether you're sharp or not.
00:42:54Okay, I'm going to call home.
00:42:56If Isabel is there, we're leaving.
00:42:57But don't call.
00:42:58Give him a vote of confidence, he'll be coming back from the movies.
00:43:01Hey Pablo, I'm your dad.
00:43:02Have you been arrested yet?
00:43:03No.
00:43:04Is Mom home?
00:43:06Yes, yes, but he's already gone to bed.
00:43:09I was very tired.
00:43:11Okay, okay.
00:43:12Well, I'm going there.
00:43:14Do you think it's normal to be saving Mom's ass?
00:43:16Alex, we have no proof.
00:43:18Trust the mother who gave birth to you a little.
00:43:20Well, there you have it.
00:43:21This.
00:43:22Do you see it?
00:43:22Your wife is at home.
00:43:24Let's go.
00:43:25That Felipe guy knows me.
00:43:27He went to enter the hotel.
00:43:28She saw me and left.
00:43:30Then he called Isabel, who fled through the back door.
00:43:33That is.
00:43:34Come on, Andrés, I'll buy you a drink.
00:43:35Who do we both need?
00:43:37Come on.
00:43:43Thank you very much, Juanito.
00:43:44You're really helping me a lot with this.
00:44:03Emilio, it's Belén again.
00:44:05Where are you?
00:44:06Did something happen to you?
00:44:07Call me.
00:44:08Well, if something has happened to you, what are you going to call me?
00:44:13Well, I don't know.
00:44:14Okay, goodbye.
00:44:17I'm going to call the police.
00:44:18It's two o'clock and she's not answering me.
00:44:20Aren't you worried?
00:44:23Mariano.
00:44:24Of course, damn it.
00:44:25How could I not be worried?
00:44:33He wouldn't open the door.
00:44:34But where were you?
00:44:35If I'm coming from integrating.
00:44:37Hey, going to university is really great, isn't it?
00:44:40Emilio, have you been drinking?
00:44:42Ugh, I've been drinking, I've been smoking, I'm so drunk I can't even stand it.
00:44:46Ah, very nice, isn't it?
00:44:47Beautiful.
00:44:48Your father and I are here, extremely worried, and you're getting drunk with a bunch of kids.
00:44:52But you didn't tell me to make friends.
00:44:55Yes, but not that you went out for drinks with them.
00:44:57But if you don't, they won't let you take the notes.
00:44:59Emilio, you have to take the notes yourself.
00:45:02They don't have to give them to you.
00:45:03Look, just a little bit, please, I'm not in the mood for sermons right now.
00:45:09Come on, let's go to bed.
00:45:11You didn't know I felt like...
00:45:13Let's go to sleep.
00:45:15Ah, well, this is it.
00:45:16Come on.
00:45:18We'll talk tomorrow, you and I.
00:45:19About what?
00:45:20Based on what I tell you.
00:45:21It's like the fasonada.
00:45:23Parents have a sixth sense for that.
00:45:30What a depressing night, oh my God.
00:45:33Eating compulsively in a seedy hotel, watching infomercials.
00:45:37Oh, and on top of that, I had to pay for the hotel myself.
00:45:40And what about me?
00:45:40I waited for myself for six hours.
00:45:43It's the most absurd thing I've ever done in my life.
00:45:44Well, at least you had the peace of mind that you weren't going to show up.
00:45:47That helped a lot, yes.
00:45:50So, what do we do?
00:45:51Shall we book again for today?
00:45:53No, it's not necessary.
00:45:55Tonight the building will be empty because of the opening of Lucia's restaurant.
00:45:59Hey, do you have free rein in your house?
00:46:02Yes, the children told me they are going to a party at the university with Emilio.
00:46:06And I told Vicenta to take Andrés to the restaurant, just to have some fun.
00:46:09Perfect.
00:46:10Well, no hotels.
00:46:11Here at home, so cozy.
00:46:13This time I've even thought of an excuse for Nieves.
00:46:15A kiss.
00:46:18Then.
00:46:19We're going to do things right.
00:46:29Come on, woman, tell me the story already, but stop looking at me like that, the milk is going to curdle.
00:46:33No, no chat.
00:46:34I just wanted to know if you're coming to the restaurant opening tonight.
00:46:38Or have you arranged to meet up with your buddies to get drunk again?
00:46:40Oh, get out, get out, get out, get out.
00:46:42Yes, that one was quarterly.
00:46:43This one will last me until February.
00:46:45Today I'm going to see you at the restaurant, which I know you're excited about.
00:46:49Lucia, remember to leave me an invitation for this one, please.
00:46:52Yes, yes, yes, yes.
00:46:52See you later, okay?
00:46:53Bye bye.
00:46:55Emilio, university can be very useful to you, or it can be of no use to you.
00:46:58Are you going to focus on your studies?
00:47:00Yes, darling, I'm focusing.
00:47:01I take an aspirin and focus.
00:47:06Good morning.
00:47:08How did you sleep?
00:47:09Sit down, we need to talk.
00:47:11What's happening?
00:47:12I know you told me there's no other woman, but...
00:47:15There is another man.
00:47:16As?
00:47:17Juan, you're gay.
00:47:18Why would I be gay?
00:47:20Yesterday I saw you leaving a hotel with Andrés Guerra
00:47:22And we don't have any cousins in Poz closed.
00:47:24Oh, God!
00:47:25I just accompanied him.
00:47:27Andrés was looking for his wife; he thinks she's cheating on him.
00:47:29If you are, say so, Juan, because I am very modern.
00:47:33The invitations for tonight are at 10.
00:47:35Bye bye.
00:47:37Call one of your friends if you want, because I won't be able to go.
00:47:39How can you not go if you're the president?
00:47:41You are carrying the entire burden of José Miguel's education.
00:47:44And today I'm taking it to the Antiquarian Book Fair.
00:47:46They have some 14th-century codices that I think you'll love.
00:47:49Oh, I had thought of taking him to the Museum of Natural Sciences,
00:47:52But that's also very beautiful.
00:47:54Do you want me to come with you?
00:47:55I don't mind missing the opening.
00:47:57No, no, please, we cannot leave the community without representation
00:48:00in an event of this nature.
00:48:02You go and enjoy yourself, I'll take care of the kid.
00:48:05Look, if you give me a lot of responsibility, I'm going to be the center of attention.
00:48:09Aníbes, prepare a short speech, in case Lucía asks you for a toast.
00:48:12Yeah.
00:48:13Thank you.
00:48:16Hey, Dad, that fair thing is a joke, right?
00:48:18What do you think?
00:48:20Today you can do whatever you want.
00:48:23Here, 50 euros.
00:48:24Thank you, Dad.
00:48:25Hey, it's been a long time since you kissed me.
00:48:28Don't worry, nobody saw us.
00:48:34Bea, Bea, Bea, Bea.
00:48:36Wait.
00:48:37Here, the invitation for tonight.
00:48:39It's at 10, don't let me down, okay?
00:48:40No, no, no.
00:48:41Hey, if you could introduce me to your brother, I've heard he's very handsome.
00:48:44Yes, the truth is that it has always been very successful.
00:48:46Hey, his girlfriend must be furious, right?
00:48:47All day there at the restaurant.
00:48:49No, but he doesn't have a girlfriend.
00:48:51Oh, he's gay.
00:48:52If it's mathematical, the good-looking ones are either taken or gay.
00:48:55No, he's not gay, he got married this summer.
00:48:57Hey, but you're not a lesbian.
00:48:58Yeah.
00:48:59Yes, the thing is, with this pregnancy, my hormones are a little...
00:49:02Revolts, right?
00:49:03Okay, see you later, see you tonight.
00:49:05Yeah.
00:49:07Oh God, Mauri.
00:49:11In other words, the trick is to put the dough in very finely chopped and then gradually add the...
00:49:15oil little by little.
00:49:16Of course, because that way the salmon is marinated to perfection.
00:49:18Ah, so this must be really good, right?
00:49:21480 calories per serving.
00:49:24So we've rounded up to 500, right?
00:49:26Are you there, Mauri?
00:49:27I've already turned all the bottles in the cellar 90 degrees.
00:49:30What do I do now?
00:49:31Can I start with my béchamel sauce?
00:49:32No, no, look, we have an emergency.
00:49:34We've run out of fennel.
00:49:36No.
00:49:37Is he here?
00:49:37No, not the fennel, the...
00:49:39Oh, cilantro.
00:49:40Cilantro?
00:49:41Isn't this it?
00:49:41This is cilantro.
00:49:42Ginger roots.
00:49:44Oh, it's true, I fail.
00:49:45And what is that for?
00:49:46For a lot of things.
00:49:47Hurry, Vicenta, go shopping because without ginger roots we can't open.
00:49:50I'm coming, I'm coming.
00:49:51And where do I buy that?
00:49:53I get the feeling you want to get rid of her.
00:49:55No, man, no, it's to keep her entertained.
00:49:58Where were we?
00:49:59For the salmon marinated with mustard sauce.
00:50:02Oh, sorry.
00:50:04How serious now.
00:50:05Never mind, it doesn't matter.
00:50:06Now let's move on to the oysters with quail eggs and lobster cream.
00:50:09Well, that sounds aphrodisiac, doesn't it?
00:50:12Yes, yes.
00:50:13The French turned the oyster into an erotic myth.
00:50:16They were served with champagne.
00:50:17But, well, we already know the French, they get turned on by anything.
00:50:21They invented the bidet.
00:50:23Imagine.
00:50:24Mobile phones are amazing, aren't they?
00:50:26Connecting people.
00:50:27I'm going to see how the soufflé is coming along.
00:50:28Okay.
00:50:30So, what is it you want?
00:50:31I'm very busy.
00:50:32It's very important, Mauri.
00:50:33Don't be nosy, I'll tell you later.
00:50:35You go to sleep, otherwise the fetus won't develop.
00:50:37That's it.
00:50:38How's the soufflé coming along?
00:50:39I'm here, I'm here, I'm here.
00:50:41Help us, it's flower season and Carlos is allergic.
00:50:43Oh my god, what a stress, right?
00:50:45Hey, I need someone here, okay?
00:50:47I'm here now.
00:50:47I'm here now.
00:50:49I haven't been able to find ginger roots.
00:50:51But a boy in the park sold me something that he says is better and good for everything.
00:50:54It's called Cost.
00:50:55It must be really good because it charged me money, huh?
00:50:58Thank you very much, Vicenta.
00:50:59Leave it here.
00:51:00I need it too.
00:51:04How are you?
00:51:05Are you really hungover from yesterday or what?
00:51:07I?
00:51:07What are you going to do?
00:51:08And this is the rhythm I keep every day.
00:51:10Damn, well, I know how you put up with it, man.
00:51:13Hey, what's this?
00:51:15César put it there.
00:51:16So that nobody misses your party.
00:51:18Ah, my party.
00:51:19Well, the thing is, tonight might be a bit rushed because they're stabbing the park.
00:51:22Man, you didn't say it, dude.
00:51:24When will it be me?
00:51:25Well, yesterday, when we were out partying.
00:51:27Just before you climbed onto the speaker to dance like a go-go dancer and they kicked us out, remember?
00:51:31No, we didn't try it on. If that's really inconvenient for you, we can leave it for the end of...
00:51:34But everyone's eager to meet you, man.
00:51:36You're already an institution here.
00:51:37The thing is, I'm opening a friend's restaurant tonight and I have to...
00:51:42What the hell?
00:51:44Perfect day.
00:51:45Today, today, come on, at ten o'clock parties at my house.
00:51:47Hello.
00:51:48Ask him.
00:51:48Hey, where are you going?
00:51:49Are you not going to class?
00:51:50Uh, no, no, no, I'm going to prepare everything.
00:51:53First things first.
00:51:55This guy is really cool.
00:52:03Bethlehem, what am I?
00:52:05Hey, I won't be able to go to the opening ceremony tonight.
00:52:08Yes, they set up a surprise checkpoint for us.
00:52:10Yes, my daughter, yes.
00:52:12Well, you're going to be there this afternoon, right?
00:52:14Yes, well, that's it, I'll see you when you get home.
00:52:17It's a shame to miss this event and...
00:52:18Okay, goodbye, darling, goodbye.
00:52:24Here are the girls from Coyote Ugly.
00:52:27All legs and cleavage.
00:52:28Belén has put on makeup, it must be for the tips.
00:52:31Yes, for others it's enough not to wear underwear.
00:52:33It's that obvious.
00:52:34Hey, we'll have to try on the uniforms.
00:52:37Yes, but first a shot of Chinchón because we have a very long night ahead.
00:52:41Okay, so what are we doing?
00:52:42Shall we start setting the tables?
00:52:43Yes, wait a second, Belén.
00:52:45I am with you now.
00:52:46Hey, Lucia.
00:52:49What are you doing here?
00:52:50Why haven't you fired them?
00:52:51But I've already hired new waiters.
00:52:53I haven't fired them, no.
00:52:54I haven't found the time.
00:52:55Haven't you found the right moment?
00:52:57Okay, Carlos.
00:52:58I just feel really sorry for them.
00:52:59They are treating me very well.
00:53:01But...
00:53:01But what do you want?
00:53:02What if the opening is a disaster?
00:53:03A businessman has no feelings.
00:53:05It's a money-making machine.
00:53:06Otherwise, how do you think your father made his fortune?
00:53:08Well, by being a bastard.
00:53:09Hey, don't go overboard.
00:53:10Being a bastard doesn't matter.
00:53:11Do you want me to throw them out?
00:53:12Okay, you throw them in.
00:53:13Okay, you did it there.
00:53:16Or no, or better yet, you.
00:53:18And that's how you loosen up.
00:53:19Yes?
00:53:19You'll see it's very easy, very easy.
00:53:22Girls, can I talk to you for a moment?
00:53:27Well, I just wanted to thank you all for the enthusiasm and effort you've put into making this a success.
00:53:33success.
00:53:33Don't worry.
00:53:34We'll talk about the pay tomorrow.
00:53:35No, no, no, no, that's not it.
00:53:37Well, the trial period is over, and both my partner Carlos and I, well,
00:53:43Especially my partner Carlos, we've decided that you're no longer ready and that we're going to hire professionals from
00:53:49sector.
00:53:49Come on, you're fired.
00:53:51Girls, I'm making a great dough for croquettes.
00:53:54Well, put it in a Tupperware container because that posh girl has left us out in the cold.
00:53:57Why? What have we done?
00:53:58That's what we'd like to know.
00:54:00I hope you understand, really, we are doing what's best for our business.
00:54:04No, no, don't worry, we understand.
00:54:06I'll leave this here for you.
00:54:10You did the right thing by firing us, because we're clumsy.
00:54:14By the way, I think I'm leaving your house, I don't need your charity, I can fend for myself.
00:54:18I'm going back to Belén.
00:54:19No, it's clear that misfortunes never come alone.
00:54:21Damn, for once we behaved ourselves.
00:54:26See? You've already fired someone, you're a real businesswoman now.
00:54:29Carlos, I feel terrible.
00:54:31Well, firing workers is a bit like losing your virginity.
00:54:35It's a bit difficult and painful at first, but then you get used to it.
00:54:51Vicenta told me that she would be very happy if I came to the restaurant opening.
00:54:56Are you coming?
00:54:57No, no, too many neighbors together.
00:54:59Besides, I just had my aura cleansed and it would be a shame.
00:55:01It's like when you've just washed the car and it starts to rain, it makes you angry.
00:55:04So, what are you going to do? Another movie night?
00:55:08No, I'll stay here at home, my ball.
00:55:10Well, I'm going to take a nap, because I have a very hard night ahead of me.
00:55:14At least I'll get to eat dinner for free.
00:55:18Alex, Mom, that's enough. Yesterday we had to lie to avoid any trouble.
00:55:21Can you explain what's going on here?
00:55:23I've fallen in love with Juan Cuesta. Pass me the salad.
00:55:26Alex?
00:55:27Mom, I understand him chasing after you, but how can you be so infatuated with him?
00:55:30As a son, it is completely humiliating.
00:55:32I don't have to give you any explanations.
00:55:34You, five hours of labor. You, a scar here, like this, from a cesarean section.
00:55:39But that's the appendix.
00:55:42And what do you know about where it came from?
00:55:44Alex, could you pass me the salad?
00:55:47With Juan Cuesta.
00:55:54Emilio, and what are you?
00:55:56So, I went to the supermarket to buy a hoyogue.
00:55:58And when I went to pay at the register, an alarm suddenly went off.
00:56:01And look, the super buy, the super gift.
00:56:03It turns out it was the 50th anniversary and look at everything they gave us.
00:56:07Crust, sandwich bread, popcorn...
00:56:11But there's enough beer here for a year.
00:56:13Of course, darling, the super purchase, the super gift.
00:56:15Hey, weren't you working?
00:56:17I was there. Lucia said goodbye to all of us.
00:56:19You've got to be kidding me, what have you done?
00:56:20Well, now it turns out we're not prepared.
00:56:23and it puts us out on the street before the opening.
00:56:25Okay, my love, but you go and talk to her.
00:56:28You can't miss that if the whole community is going.
00:56:30Tell him you're going to sin and watch, and that's how he learns.
00:56:32Do you want me to go and beg him after the humiliation?
00:56:34No way.
00:56:35I'm going to lie down for a while.
00:56:37Today all I ask for is a little peace and quiet.
00:56:41Well, you've chosen a bad day.
00:56:47Yeah.
00:56:50Carlos, what's wrong with the waiters?
00:56:51They should already be here.
00:56:53Okay, okay, okay.
00:56:53No, no, there's no problem.
00:56:55No problem.
00:56:56Thank you so much.
00:56:56Okay, see you later.
00:56:58They're not coming.
00:56:59As?
00:57:00I had thought that the waiters could sing opera
00:57:02And so, while the customer was having dinner
00:57:03I have listened to arias from Rigoletto, from La Bohème.
00:57:06The thing is, they've put on a show.
00:57:07and they won't be able to come.
00:57:09I'm sorry, Lucia.
00:57:10Forgive me, we won't be able to open for you, we'll fail.
00:57:11Okay, okay, okay, calm down, calm down.
00:57:13Let's think of something.
00:57:14Come on, think.
00:57:14No, I can't.
00:57:15I've frozen up.
00:57:16Damn it, Carlos, what are you doing?
00:57:17Go home.
00:57:17I'll fix it.
00:57:18No no.
00:57:18I'm not moving from here.
00:57:19I'm going down with our ship.
00:57:21Well, while you're sinking, I don't know,
00:57:22organize the tables,
00:57:23check that the pens write,
00:57:24I don't know, do something useful.
00:57:25Damn, that aggressive businessman.
00:57:27Don't scold me.
00:57:29Well, I've been reflecting on what happened this afternoon.
00:57:31And the truth is that I feel very bad.
00:57:33I think I've jumped the gun a bit.
00:57:35You have helped me set up the restaurant
00:57:36and I'm willing to give you another chance.
00:57:39But he is very generous.
00:57:40It's an offer you can't refuse.
00:57:41Emilio, don't go against the employers.
00:57:43What's happening to you is that you've been left high and dry.
00:57:45the other waiters.
00:57:46Well, yes, a little, but come on,
00:57:47The important thing is that I want us all to be united.
00:57:49and that we may be one big family.
00:57:51Now we're talking, right?
00:57:52Do you think you can hire us?
00:57:53And say goodbye whenever you want?
00:57:54We have dignity.
00:57:56Well, there was a 20% salary increase.
00:57:57I accept.
00:57:58Tieta, scribe,
00:57:58We want a long-term contract.
00:58:00At least a week.
00:58:02I'd like a Christmas basket with Chinchón del Bueno.
00:58:04And a physiotherapist
00:58:05so that she can give us massages.
00:58:07And open a dining room once a week.
00:58:08for the poor and underdeveloped.
00:58:10Okay, okay, okay, deal.
00:58:11But let's go, I know we don't have time.
00:58:13That's it, quick, everyone out of here
00:58:14that you have a lot to do.
00:58:15Wait, wait, Lucia.
00:58:17And a month of paid vacation.
00:58:19Yes, yes, yes, whatever you want.
00:58:21Well, I'll take them now.
00:58:22What's a joke?
00:58:23Damn, she's got it on.
00:58:30Good night.
00:58:33Damn, that Porsche 911 is amazing.
00:58:35You're passing it to me.
00:58:37Mariano, it's just a matter of parking them.
00:58:39Come in, if I do you a favor.
00:58:41I'll give them a little bit of silence.
00:58:41that have become effeminate.
00:58:42Come on, come on.
00:58:44Ma'am, put down the cigarette.
00:58:46If I drop it, I lose my balance.
00:58:52What a shame.
00:58:53We've been seated at the back.
00:58:54This is a chicken coop table.
00:58:56Well, since your brother and my wife
00:58:58They have left us alone,
00:58:59We could start getting to know each other.
00:59:01Hey, you, you, you,
00:59:03Why have you stayed single?
00:59:08The letter is very well done, isn't it?
00:59:12Hello.
00:59:13How are you, my dear?
00:59:15Welcome to my restaurant.
00:59:16Eat and be quiet.
00:59:17Hey, I like the name.
00:59:18It's original.
00:59:18Yes, I've added a tone.
00:59:19That's what you used to tell us when we were little.
00:59:21Ah, thank you very much.
00:59:21May I have the car keys, sir?
00:59:23Yes, yes, like.
00:59:24Man, eight cylinders in a V configuration.
00:59:26Mariano, please.
00:59:27Come in, come in.
00:59:28It's this table right here.
00:59:29Hey, hasn't Mom come yet?
00:59:30No no.
00:59:31She loves you very much.
00:59:32I preferred to come
00:59:32with someone more impartial.
00:59:34Look, this is Angel Sandoval,
00:59:36food critic
00:59:36from the gourmet guide.
00:59:37How are you?
00:59:38The neighborhood is somewhat vulgar.
00:59:40To set up a place like this, right?
00:59:42How did you manage
00:59:44convince Román Ferragut
00:59:45to be your chef?
00:59:47I'm looking forward to greeting you.
00:59:50It's just that, it's just that,
00:59:51It's that right now
00:59:51is creating.
00:59:53He cannot be disturbed.
00:59:54She needs peace and quiet.
00:59:55He is focused.
00:59:56Like the selection
00:59:57before a match.
00:59:58Well,
00:59:59Let's hope for the result
01:00:00may not be the same.
01:00:03Come on.
01:00:06Well, it seems that finally
01:00:08We're alone, aren't we?
01:00:09What peace.
01:00:10Yeah.
01:00:12Well,
01:00:13So what do we do now?
01:00:14Well, I don't know.
01:00:16At your place or mine?
01:00:17What do you prefer?
01:00:18Home or away?
01:00:21I don't know if you know
01:00:22that orgasms
01:00:23in the opponent's half
01:00:24They are worth double.
01:00:26Sorry.
01:00:28Juan,
01:00:29This is very romantic.
01:00:30Don't ruin it.
01:00:34Let's go to my house.
01:00:35Okay.
01:00:40Two plates
01:00:40yellow soup
01:00:41For twelve o'clock!
01:00:43Let's go!
01:00:44It's not yellow soup,
01:00:44It's clam smoke
01:00:45with prawns in sherry.
01:00:46And no, he shouts,
01:00:47This isn't a tavern.
01:00:48You have to put your hat on now
01:00:49Because the law says so.
01:00:50No, it's awful.
01:00:51I look like Papa Smurf.
01:00:51What if you drop them?
01:00:52hairs in the food,
01:00:53that?
01:00:53What are you implying?
01:00:54Am I going bald?
01:00:55No,
01:00:55that you're doing very well,
01:00:56It looks great on you.
01:00:56And I've always been a big fan of hats.
01:00:58Lady,
01:00:58don't put me
01:00:59croquettes on the plates,
01:01:00please.
01:01:01They're delicious!
01:01:02Where is he going for that?
01:01:03Bring it here!
01:01:04Bring it here!
01:01:05Lucia,
01:01:06I don't feel like it.
01:01:07That table is the way.
01:01:08Hey,
01:01:08for a good-looking guy there is
01:01:09Let the store
01:01:09to someone with possibilities.
01:01:11Lucia,
01:01:11Do you really want to lower your voices?
01:01:12It can be heard from outside.
01:01:14Everyone
01:01:14out of my kitchen.
01:01:15We can only be here
01:01:16Diego and I.
01:01:16Already,
01:01:17please.
01:01:18I don't want to talk,
01:01:19But Concha is getting paid
01:01:20to people through the cloakroom.
01:01:22I can believe it.
01:01:23Hey,
01:01:24It's a little donut,
01:01:24Come on, everyone
01:01:25to serve your area.
01:01:26He has already followed him.
01:01:27Come on.
01:01:27He has already followed him.
01:01:28Yeah,
01:01:28I sprinkle it in the center
01:01:29or along the edges.
01:01:31Better in circles.
01:01:32You have to give
01:01:32Unleash your creativity.
01:01:34You and I form
01:01:35a good team.
01:01:35If the restaurant isn't doing well
01:01:36We didn't set something up
01:01:37on our own.
01:01:38Where's the candy?
01:01:39The candy?
01:01:40The candy?
01:01:41There,
01:01:41There it is.
01:01:43So.
01:01:44Hey,
01:01:44I'm delighted to be here with you,
01:01:45But my father is out.
01:01:46and I have to make an appearance.
01:01:47I'm escaping as soon as I can.
01:01:48and we continue with our business,
01:01:49Okay?
01:01:52With the...
01:01:53By mus I meant mus.
01:01:55No,
01:01:55me too.
01:01:56I...
01:01:57Ah,
01:01:58clear.
01:02:00Dear,
01:02:01dear.
01:02:02Hello,
01:02:02Are you here?
01:02:03Hello.
01:02:05It's Alba,
01:02:05my wife.
01:02:06You must be Roman.
01:02:07Well,
01:02:07I've heard so much about you.
01:02:09I really want to
01:02:10to try one of your dishes.
01:02:12Forgive me,
01:02:12I'm going to check the oven
01:02:13Let's see if there's room.
01:02:14to stick my head in.
01:02:16The head.
01:02:17Mauri,
01:02:17He's married!
01:02:18He's married!
01:02:22Luis Eduardo,
01:02:23the soap opera
01:02:23that in the end
01:02:24He has married Juana Patricia
01:02:25who in the end was not his mother
01:02:26and well,
01:02:26what a final chapter
01:02:27I have it recorded.
01:02:28Hey,
01:02:28Let's go to the table
01:02:29that are waiting for us.
01:02:30Yeah,
01:02:30let's go,
01:02:30let's go.
01:02:31Slang!
01:02:33But,
01:02:33Why didn't you warn me?
01:02:35I called you,
01:02:35But you've ignored me.
01:02:36And why haven't you come before?
01:02:37I fell asleep.
01:02:50What if we take
01:02:52a drink before?
01:02:52Hey,
01:02:53I don't drink.
01:02:54No,
01:02:54me neither.
01:02:55Don't go believing
01:02:56I need alcohol
01:02:57to loosen up.
01:02:59Shall we go to the bedroom?
01:03:00Correct.
01:03:01Let's proceed.
01:03:12Well,
01:03:13Well, here we are.
01:03:15There are no more rooms available.
01:03:16Pretty,
01:03:16very welcoming.
01:03:19And a good pig,
01:03:20latex.
01:03:20That way you forget
01:03:21of mites.
01:03:22Speaking of latex,
01:03:23I haven't bought...
01:03:24No,
01:03:24Don't worry.
01:03:25It gave use.
01:03:26Look,
01:03:27How practical.
01:03:28And that grief
01:03:28When will they put it on you?
01:03:29Well no,
01:03:31practically
01:03:31You don't notice it.
01:03:33It's nonsense.
01:03:33But I'm very,
01:03:34very,
01:03:34very,
01:03:35very,
01:03:35very nervous.
01:03:36I think maybe
01:03:36if we kiss
01:03:37And we break the ice...
01:03:41Can't,
01:03:41I don't feel comfortable.
01:03:43I just can't.
01:03:44I can't do it here.
01:03:44You're right,
01:03:45if it's also dangerous.
01:03:46Let's see if I lose a hair,
01:03:47He sees it,
01:03:48Andrés analyzes it
01:03:48And we have it.
01:03:49That this time
01:03:50It's very bad.
01:03:51for hair loss.
01:03:52Yeah,
01:03:52And what if we do it at your house?
01:03:53Of course,
01:03:54no problem.
01:04:03We were not alone.
01:04:05That's what I thought.
01:04:16Emilio!
01:04:16Emilio!
01:04:18Mr. John,
01:04:19Why isn't it on the shelf?
01:04:20It is possible to know
01:04:20What is all this?
01:04:22José Miguel,
01:04:22What are you doing here?
01:04:23What's happening?
01:04:23Didn't you tell me?
01:04:24that he could do it?
01:04:25Could it be?
01:04:26Coming?
01:04:27The goalkeeper?
01:04:27Give us the big time.
01:04:29Like the goalkeeper?
01:04:30I am Juan Cuesta,
01:04:31president of the community.
01:04:32Emilio,
01:04:32Come with me.
01:04:33Hey,
01:04:34if we had agreed
01:04:35for studying,
01:04:35Mr. Juan,
01:04:36It's gotten a little out of hand.
01:04:38Hello.
01:04:39Emilio,
01:04:40You've thrown a secret party
01:04:41taking advantage of the absence
01:04:42of the members
01:04:43of this in our community.
01:04:44It has filled us
01:04:44the rabble building.
01:04:45No, be careful,
01:04:45Mr. Juan,
01:04:46This is the elite
01:04:46university intellectual.
01:04:48This is the future of the country.
01:04:50Well,
01:04:51Not this one,
01:04:51He has some left.
01:04:52Well, right now
01:04:52We're closing the portal
01:04:53And no one else is allowed in here.
01:04:54And then you evict them.
01:04:55Thank you.
01:04:56Tell me,
01:04:57What's going on?
01:04:58Juan,
01:04:58if I am integrating,
01:04:59People are starting to like me.
01:05:00Pussy,
01:05:00Well, invite them to Cirque du Soleil,
01:05:02But don't bring it up here.
01:05:03Juan,
01:05:03that I'm thinking
01:05:04whether there's a party
01:05:04we can leave it ours
01:05:05for another time.
01:05:06Host.
01:05:09Emilio,
01:05:10don't guess
01:05:10because I'm sure
01:05:11which is not what you're thinking.
01:05:12I'll explain it to you.
01:05:12So, her cousin,
01:05:13the one from Ponferrada,
01:05:14It's the grass.
01:05:15Oh, oh, oh, oh,
01:05:16But this could be
01:05:17What a scandal, Mr. Juan.
01:05:18It cost Clinton his job.
01:05:19and she was an intern.
01:05:20Imagine yourself with the vice president.
01:05:21Emilio, for God's sake,
01:05:22Don't say anything about this.
01:05:23No, no, no,
01:05:24as if it's going to happen to me.
01:05:25As if I were thinking
01:05:25that you were going to say
01:05:26something from my party.
01:05:27Absolutely nothing.
01:05:28Well, that's it.
01:05:29If you wish,
01:05:29then when they finish
01:05:30They stop by for a drink.
01:05:31Made.
01:05:31See you later.
01:05:32Oh, and light a candle.
01:05:33so that he doesn't wake up
01:05:34Mrs. Paloma.
01:05:35Emilio.
01:05:35Goodbye, goodbye.
01:05:41Mariano, what are you doing here?
01:05:42Your place is at the door
01:05:43parking cars.
01:05:44Come on.
01:05:44Someone dropped this.
01:05:45Give it all to him and go.
01:05:47which makes me laugh.
01:05:48But how did it fall?
01:05:49What do you mean, did he drop it?
01:05:50Did you break it?
01:05:50Yes, don't worry,
01:05:52that it has full coverage.
01:05:53Okay, I'm going to the kitchen
01:05:54to make myself a sandwich.
01:05:55Go on, go on, go on.
01:05:56Ada!
01:05:57Pussy!
01:05:58Look out at intersections.
01:05:59No problem.
01:06:00No problem.
01:06:01What are you doing?
01:06:02But what does he do?
01:06:03But why not return the plate?
01:06:04It's clean, gripped, shell.
01:06:06This is a disgrace.
01:06:07I want to see the manager.
01:06:09I'm coming right now, ma'am?
01:06:10Excuse me, it's been half an hour
01:06:12I ordered a lobster bisque.
01:06:13Yes, yes, yes, yes, just a moment.
01:06:14Now that's cleaned up.
01:06:17Tell me.
01:06:18This lady who intends
01:06:20charge me six euros
01:06:21for leaving the jacket.
01:06:22No, no, no, no, no, no.
01:06:23This is a mistake
01:06:24because this is a free service.
01:06:26Lots of brands, lots of brands,
01:06:27but then there's nothing...
01:06:28Oh well.
01:06:29Excuse her, she's self-medicating.
01:06:31Melen, put down that plate.
01:06:32Let me have it.
01:06:34Let me.
01:06:35Just a second, okay?
01:06:36I will accompany you to your table right away.
01:06:38Thank you.
01:06:39And was everything never alright?
01:06:41Perfect, Dad.
01:06:43Oh, oh, oh, oh, sorry, sorry.
01:06:46I'm going to get a rag.
01:06:47Excuse her.
01:06:48The poor thing is just starting out
01:06:49and he's a little clumsy.
01:06:52If you have any complaints or suggestions,
01:06:54He wants to invite me to you, huh?
01:06:57I'll call myself whenever I want.
01:06:59I am Alicia Sanz, the owner.
01:07:00Alicia, what are you doing?
01:07:02She may be beautiful,
01:07:03That's the last time you're late, huh?
01:07:05Come on, hurry and get changed.
01:07:08Lucia, they've asked me for a chateau from '84.
01:07:10300 euros per bottle.
01:07:14Carlos, Carlos, Carlos.
01:07:16Please get up, are you okay?
01:07:17You clean it.
01:07:19Will you join me at the table?
01:07:20Or are you not going to come with me?
01:07:21Apply my cream.
01:07:23A little croquette?
01:07:24Vicenta, please,
01:07:25I've already given you this from here.
01:07:27Daughter, daughter, can you come here?
01:07:28Yes, yes, yes, I know, Dad.
01:07:30This is all a disaster.
01:07:31No way.
01:07:32Well, everything is fine.
01:07:33Angel is thrilled, isn't he?
01:07:34Well, the service is a bit pathetic, to be honest.
01:07:36The reinvention that Román has made
01:07:38of the croquette concept
01:07:39It is simply sublime.
01:07:41Yes, yes.
01:07:41She has used it as the guiding thread of her proposal
01:07:43and it has given rhythm to the dinner.
01:07:46Absolutely innovative.
01:07:49Well, yes, yes, yes.
01:07:51Roman is Roman.
01:07:52Words are unnecessary.
01:07:56Maury, Maury,
01:07:57We need more croquettes.
01:07:58Like croquettes?
01:07:59Croquettes, croquettes!
01:08:00The critic loved them,
01:08:01That's all people ask for.
01:08:02They're saving our night.
01:08:04So I've spent all day
01:08:05cooking unpronounceable dishes
01:08:06so that in the end those who triumph
01:08:07be it this lady's stale croquettes.
01:08:09They are not stale.
01:08:10The trick is in putting them
01:08:11a little bit of heat from the dust.
01:08:12Don't tell me, I don't want to know.
01:08:14Do people want croquettes?
01:08:15Very good.
01:08:15Well, I resign.
01:08:17No, no, no, Maury, please,
01:08:18You can't leave me stranded now.
01:08:19We are in the midst of a comeback.
01:08:21I'll wrap it up
01:08:21And I'll let you put them in the pan.
01:08:23But...
01:08:23That?
01:08:25And all eight on purpose,
01:08:26You've made me look like a fancadilla.
01:08:28Oh, don't make things up.
01:08:28You fell by yourself.
01:08:29So you're clumsy.
01:08:30But what happened?
01:08:31A fairy whose feet have become entangled
01:08:33and has decorated the wall
01:08:33with a drop of lobster.
01:08:35Let's see,
01:08:35the stain remover and the complaints book.
01:08:38But you know what it costs
01:08:39This pretty blouse.
01:08:40And what does that mean to me?
01:08:41Have you seen my ankle?
01:08:42That's what he wants
01:08:43It's about getting paid for being out of work.
01:08:44And how am I supposed to say
01:08:44such a lovely toast
01:08:46that I had prepared
01:08:46With how angry I am?
01:08:48Will I look fake?
01:08:49Let's see,
01:08:50croquettes for four,
01:08:51five o'clock,
01:08:52seven and twelve.
01:08:53Unwavering effort,
01:08:54Pussy,
01:08:55I'm alone!
01:08:56Alice,
01:08:56Alice,
01:08:57runs,
01:08:57help Marisa.
01:08:58Can you take him to see him in the emergency room?
01:09:00And my urgency,
01:09:01This dries out and becomes hard and stiff.
01:09:03Come on,
01:09:03let's go.
01:09:04What are you doing?
01:09:06It doesn't stain.
01:09:07If this is for cleaning the oven
01:09:08and Scottish too.
01:09:09Fast,
01:09:10Take off the toast.
01:09:10Stay still, man!
01:09:12I'm going home
01:09:13and we'll talk about it at the next meeting.
01:09:15Let's see,
01:09:16come on.
01:09:18How did you come up with that?
01:09:19There isn't one here.
01:09:21Hey,
01:09:21Lucia,
01:09:22that my things have been stolen.
01:09:23What do we do?
01:09:24Does he tell that to the owner?
01:09:25Are we playing dumb?
01:09:27How was it?
01:09:27Have you been threatened?
01:09:28No way?
01:09:29He left the key exposed.
01:09:30So here I don't get my ass kicked anymore.
01:09:32Put a drawer in for me.
01:09:33This is the end.
01:09:34It is decadence.
01:09:36Carlos,
01:09:36Carlos,
01:09:37Carlos,
01:09:37Carlos.
01:09:38Outside they are asking for Román Ferragúz.
01:09:40They want to congratulate him on the croquettes.
01:09:43No,
01:09:43The croquettes are mine.
01:09:45I'm going out now and explaining it to everyone.
01:09:46No,
01:09:46No,
01:09:47No,
01:09:47No.
01:09:47Vicente,
01:09:47People can't know that the chef isn't here.
01:09:49Yeah,
01:09:49Yes, it is.
01:09:50He just arrived.
01:09:51And he's furious.
01:09:52He's giving a speech to the customers.
01:09:53This is a gastronomic fraud.
01:09:55They are using my name in vain.
01:09:57I don't know who cooked all this,
01:09:59But it certainly wasn't me.
01:10:00I mean,
01:10:01These wonderful croquettes are not yours.
01:10:04Hey,
01:10:04Yeah,
01:10:04Yeah,
01:10:05Yeah,
01:10:05Yeah,
01:10:05Yes, croquettes.
01:10:06They're using my recipe.
01:10:08Lie.
01:10:08Those croquettes are copyrighted.
01:10:10They belong to my sister.
01:10:12Well, I'm going to report it.
01:10:13To everyone.
01:10:14One moment,
01:10:15let's see,
01:10:15let's see,
01:10:15let's see,
01:10:15let's see.
01:10:16Roman is right,
01:10:17This food is not yours.
01:10:18And it's true that we've used his name to make the opening a success.
01:10:21So I apologize to everyone for having deceived you.
01:10:24The people who truly made the opening a success were my neighbors,
01:10:28even though they are not professionals,
01:10:30because they have put all their hopes into it.
01:10:32And the croquettes are mine.
01:10:33Yeah,
01:10:34Yeah,
01:10:34Yeah,
01:10:34Yeah,
01:10:34They are yours.
01:10:35Do you know what all this means?
01:10:37We have here a true culinary artist.
01:10:47Thank you.
01:10:49The base consists of putting a little bit of...
01:10:52It silences you,
01:10:52I don't know that.
01:10:54Congratulations,
01:10:55Lucia.
01:10:55Test passed.
01:10:56Thank you.
01:10:57Daughter,
01:10:58I should congratulate you.
01:10:59Thank you,
01:11:00dad.
01:11:00But I'm not going to do it because I don't want you to rest on your laurels.
01:11:03The important thing is not to arrive.
01:11:05It's about staying put.
01:11:07Yeah,
01:11:07Yeah,
01:11:07Yeah,
01:11:07Yeah,
01:11:07dad.
01:11:08Whatever you say.
01:11:12Mauri.
01:11:14That?
01:11:14I'm leaving.
01:11:15Hey,
01:11:16I'm so sorry about what happened before.
01:11:17I misinterpreted your signals.
01:11:19Come on,
01:11:20I made them up.
01:11:21It's a problem I have.
01:11:27Mauri,
01:11:28We have triumphed.
01:11:29I'm telling you.
01:11:32I'm telling you.
01:11:35Hey,
01:11:35that one comes to parties having already eaten dinner,
01:11:36Hey?
01:11:37Leave me alone on my turn, you're going to burn out the light bulb.
01:11:38Pussy.
01:11:40Emilio,
01:11:41There's a couple getting into my carport,
01:11:43whether there is hot water.
01:11:44Of course.
01:11:45Tell them I'm going to put some salts on them.
01:11:46Hey?
01:11:46The thing is, parties aren't held in your own house.
01:11:48You don't tell me anymore.
01:11:49Oh, come on...
01:11:51Let's see,
01:11:51pretty,
01:11:52If you dance just as well on the floor,
01:11:53We don't pay the co-government here.
01:11:54Get down from there now.
01:11:55Pussy,
01:11:55Look at the sofa.
01:11:57Damn it,
01:11:58that you've created.
01:11:59But you should have warned us.
01:12:00man.
01:12:01What is it?
01:12:02Nativity scene,
01:12:02surprise,
01:12:03that we have all passed the test.
01:12:04Good,
01:12:05good,
01:12:06Bravo,
01:12:06Bravo.
01:12:07Oh,
01:12:08What happened to you?
01:12:10This is going very badly,
01:12:10Hey?
01:12:11Something permanent has been inserted.
01:12:12But damn it,
01:12:12My children are here.
01:12:14Dad.
01:12:15Come on,
01:12:15a shot.
01:12:16Yeah,
01:12:16Let him drink,
01:12:16Let him drink,
01:12:17Let him drink.
01:12:17Emilio,
01:12:18Do you want to explain?
01:12:19What are all these people doing here?
01:12:20Let's see,
01:12:20one moment,
01:12:21please,
01:12:21My sister Carmelita has come from Cuenca
01:12:23and wants to rest,
01:12:24who has a job tomorrow.
01:12:25Emilio,
01:12:25Tell the truth.
01:12:26Well,
01:12:27She is not Carmelite yet,
01:12:27is studying.
01:12:28I'm his girlfriend,
01:12:29Everyone out of here.
01:12:31To the,
01:12:31that's it,
01:12:31Fuck it.
01:12:33Well,
01:12:33Well, this is my girlfriend,
01:12:34This is not my house.
01:12:35I am the building's doorman.
01:12:36and I've organized this party
01:12:37so I don't feel stuck in class
01:12:44Are you the goalkeeper?
01:12:45Come on,
01:12:45man,
01:12:45nothing's wrong,
01:12:46awesome,
01:12:47fuck.
01:12:49Emilio,
01:12:49I'll get the steam cleaner out.
01:12:50Nativity scene,
01:12:51barefoot students are university students,
01:12:52if they don't leave their parents' house,
01:12:54How are they going to leave a party?
01:12:55Dance,
01:12:55dear,
01:12:56dance,
01:12:56dance.
01:12:56Let them go.
01:12:57Hey,
01:12:57What happened to you?
01:12:57Dance,
01:12:58dance.
01:13:00For once I go out to a social event,
01:13:03But I'll get paid for this blouse.
01:13:05who is only three years old,
01:13:06Thank goodness I keep all the tips.
01:13:12Juan,
01:13:12are you there?
01:13:14Yeah,
01:13:15I'll be right out.
01:13:16What are you doing?
01:13:17Nothing,
01:13:18Just a moment.
01:13:19You won't be touching yourself.
01:13:21If the numbers don't add up,
01:13:23The numbers don't add up.
01:13:24We can't stay here until all hours.
01:13:26President,
01:13:27You're being really annoying.
01:13:28Juan,
01:13:29You've let me down, along with the whole team.
01:13:31Listen,
01:13:31Nieves,
01:13:32that this can be called a mistake.
01:13:34Oh,
01:13:34What a shock.
01:13:35I'm going to drop dead right here.
01:13:36Well, I think I'll take advantage of the situation and leave.
01:13:39This is beyond me.
01:13:40Juan.
01:13:40I need to call Dad.
01:13:41No,
01:13:41to dad,
01:13:42Leave him alone.
01:13:42Tell him things over the phone and that's it.
01:13:44What a disappointment!
01:13:45Juan.
01:13:46You are no longer a hill.
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