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06:30You'll be more comfortable.
06:32Natalia, you can't go out on the street like that.
06:34Calm down, I can tell you're all very tense.
06:35What you need to do is take advantage of being alone and go to the bedroom.
06:39And relax a little, it's been a long time since we've heard from you.
06:42Wow!
06:43See you later.
06:47What did he say?
06:49I'm already dead, Juan.
06:51Hey!
06:53Hi, Natalia.
06:54Hello, Emilio.
06:55Natalia!
06:55Hey, Mr. Cuesta, do you have a moment?
06:57Hey Emilio, don't you think my daughter is going a bit overboard?
07:00No, the girl is doing well.
07:02The girl goes like all girls go now.
07:04Very good.
07:05Well, what did you want?
07:07Uh, ah, yes.
07:08Look, they've been here from the town hall.
07:10And why are you opening the door for them?
07:11No, it's that they say they are sensitive to urban waste.
07:14And that we have to recycle.
07:15Ah, very good.
07:16But I think it's best to ignore them, because this is a mess.
07:20Emilio, Emilio, we must show solidarity.
07:21Recycling is the future.
07:23Ecology, sustainable development.
07:25Do you understand?
07:26Yes, you look very handsome.
07:27But what am I supposed to do with three trash cans?
07:28Bring it into my house?
07:30Yes, I like it.
07:30Take initiative.
07:32Besides, this is going to be really good for me with the neighbors, you know?
07:34They will be pleased to know that they have a president who cares about the environment.
07:38Oh, hand out the leaflets and explain it to everyone.
07:40Oh, and on top of that, I have to explain it myself.
07:42Not anymore.
07:43Well, that's the last straw.
07:48Recycling.
07:48Yeah.
07:49Hey?
07:49Do you see it?
07:49Three buckets, three garbage bags.
07:52A small effort from you means a great benefit to everyone.
07:56In other words, the cardboard should be put in the yellow bin.
07:58No, that's where you put the glass, and the blue one is for plastics.
08:01No, no, no, let's see.
08:04Blue goes for cardboard, green for plastic, yellow for glass, and then...
08:12The rest of the trash you throw in the grey bin, the one we've always used.
08:15Dude, try to get your facts straight because you keep telling us something different.
08:18The evolutionary cupcakes, where to put them.
08:21That.
08:21What is that?
08:22Paper, cardboard, or organic waste?
08:24How should I know, ma'am?
08:25You can see that here in the brochure.
08:26Is he not coming?
08:27Yes, he's coming, of course he's coming.
08:29How could he not come?
08:30Here's everything.
08:31What this is about is that they keep showing you around and around and around through the window.
08:35and turns.
08:36They get dizzy from so much writing.
08:37This is a wonderful pay-pay.
08:39Let's take a breather and go again, round and round we go.
08:42Look, I'm sorry, but I have to leave because I have to explain this to the guy in front, the one upstairs.
08:47to the one below.
08:48You understand me, right?
08:49And so much for recycling, not really.
08:53I didn't understand anything.
08:54Vicente, did you understand anything?
08:57Regular.
08:58I'm going to fan myself, that's the only thing I understood.
09:00Yes, yes, everything is beautiful.
09:03But can you explain to me where I'm supposed to put three trash cans in this kitchen?
09:05But what do I know? I'm just an errand boy.
09:07They say we have to preserve the environment.
09:09Ah, the environment.
09:11And what about cars poisoning us with CO2?
09:13And what about factories dumping waste into rivers?
09:15And what about the indiscriminate felling of trees?
09:17And what about the hole in the ozone layer?
09:18No, answer me, tell me.
09:19Come on, man, I'm the cleaner who's been here for years.
09:26Is it possible?
09:27The lecture that this disgusting uncle gave me.
09:30I throw it all away together.
09:32If you want to separate it later, separate it yourself.
09:34And that's how you earn your salary.
09:36And don't come at me with nonsense, I have a lot of things to do.
09:41I would definitely recycle this one, but come on.
09:50Yeah?
09:52Look, you have to recycle.
09:53And if you don't like it, tough luck.
09:56Come on, man.
09:59Oh well.
10:01Careful, you're going to knock me over.
10:03Doña Concha, it's on your right.
10:05What's coming, Concha?
10:06Take out the money, what's coming, Concha?
10:08The money?
10:08I won't get paid for another 15 days.
10:10Damn it...
10:11What do we do?
10:12It's there.
10:19It's me, Concha.
10:21I go in.
10:25Where are you?
10:28Come and get the rent.
10:41If you had shown your ass.
10:48This woman scares me so much.
10:49Alicia, we can't keep running away from our problems.
10:53We have to confront them.
10:56What do you think?
10:57Am I stupid?
10:58No.
10:59No, no, no.
11:00I went outside more often to smoke so it wouldn't smell.
11:02My money?
11:04Yeah.
11:05You see, Doña Concha, I'm working on...
11:07You don't have it.
11:08No.
11:09But if you could be a little understanding, we...
11:12Of course.
11:13If you don't have the money, don't worry.
11:16Really, Mrs. Concha?
11:18I want you out on the street in two days.
11:20And the floor was clean.
11:23Whores.
11:29What do we do?
11:31I think a little push like that up the stairs would do the trick.
11:34I'm serious.
11:36Me too?
11:37Marisa, please stop smoking.
11:39I've already left the balcony.
11:40Will you leave me alone?
11:41I can't keep watching you kill yourself without doing anything.
11:46Eat that package!
11:47But what are you doing, Vicenta?
11:48Give that back to me, you're risking your life.
11:50No smoking allowed here.
11:52Hey, beautiful, you have your vices and I have mine.
11:54You do cross-stitch and I do tobacco.
11:56I don't care how you react.
11:57This house is mine and I forbid you from smoking here.
11:59Well, hello, I'm leaving.
12:00Where are you going?
12:01I prefer to continue living as a person and die with dignity than to lose my dignity and die as a person.
12:09What are you saying?
12:10I don't know.
12:10Can't you see how I can't quit smoking and how nervous I get?
12:13Don't you see it?
12:15Don't you see it?
12:19Look, if my husband says we have to recycle, then we have to recycle.
12:22And that's that.
12:23Because he's the president of the building and he'll know what needs to be done.
12:26Doña Paloma.
12:27Doña Vicenta has already put the Russian steaks here for me.
12:29This is for plastic.
12:31Well, he did the right thing, because you should have seen how they were.
12:33And I have said that I don't recycle, and I don't recycle.
12:35Careful, what a stain!
12:36What are you carrying there?
12:37What's happening?
12:38Do you want to register it?
12:39Come on, have a little consideration, this is for the environment.
12:42What's happening?
12:43That the hole in the ozone layer is the fault of the Russian steaks from this place.
12:46And what am I supposed to do with the magazines?
12:47Well, it depends, if they are from the heart to organic waste.
12:50And where do you dispose of used batteries?
12:51And what do I know, what to do with the batteries.
12:54I take them to church.
12:55Next to the candles there is a small box to put them in.
12:58Vicenta, that's the collection plate for alms.
13:00Alma, what are you doing?
13:01Why are you taking so long?
13:01This is the one who is to blame for everything.
13:03But this is my husband, so he's also to blame for that.
13:06Nothing to do with the idea of recycling.
13:07Wait a minute, I always do what I think is best for the community.
13:10No, because otherwise you would have left.
13:13If we had already elected the new girl as president.
13:15Okay, that's enough.
13:16I am fed up with so much contempt and injustice towards my management.
13:19Do you want me to leave?
13:19Yes, well, yes.
13:20Well, I'm leaving.
13:22I resign.
13:22Juan.
13:23I never want to hear anything about this community again.
13:24Anymore.
13:25It's over.
13:26What happened?
13:26It's over.
13:27But until the next meeting, my husband remains the president of this staircase.
13:31Whether you like it or not!
13:33Come on, now!
13:34Of course.
13:37Hello.
13:38Hello.
13:38Good night.
13:40Is something wrong?
13:41Congratulations.
13:42They're going to name you first lady.
13:47Well, I'm going to get the goalkeeper tomorrow.
13:49We're going to do a thorough inspection of the entire building to see what's wrong.
13:53And so on, requesting quotes.
13:55Would you like a beer?
13:57But what's going on?
13:57Are you already president?
13:59For that, a meeting or something will have to be held, right?
14:01Well, but in the meantime someone will have to make some decisions.
14:04Have you seen how they treat presidents here?
14:06They didn't kill the one below because they didn't know which bucket to put him in, otherwise...
14:10Don't worry, darling.
14:11They're going to be delighted with me.
14:13Damn, Lucia.
14:14You get yourself into some trouble.
14:16Eh, eh, eh.
14:16Nothing from Lucía, huh?
14:18From now on, Madam President.
14:22Chairwoman?
14:23Well, that's getting kind of interesting, isn't it?
14:27That's right.
14:28Let's make a toast.
14:32Enough of taking hits, man.
14:34Twelve years of my life dedicated to this community and look how they repay me.
14:39Ungrateful!
14:41Calm down, darling.
14:43Calm down, okay?
14:44If this rich girl wants to be president, then let her be.
14:47We'll see how long it lasts.
14:48Trust me.
14:50The last time I trusted you, we had José Miguel.
14:53Hey?
14:54Now what we have to do is overwhelm her a lot.
14:56To overwhelm her!
14:57No, they'll all still come to apologize to me.
15:00Well, now I'm the one who doesn't want to.
15:02Hey?
15:02Hey, what's up?
15:03Hey, come in, come in, Emilio.
15:05Happens.
15:06Very good.
15:07Mr. Juan, I wanted to tell you that for me you will always be Mr. President.
15:13Thank you, thank you, Emilio.
15:14Thanks, but no.
15:15That's history for me now.
15:17In the twelve years I have been president of the community, I have neglected the most important thing in the
15:21a man's life.
15:22The car?
15:23No, the family.
15:24Ah.
15:25From now on, I'm going to focus on my wife and children.
15:28Come on, now.
15:29How lovely, how lovely that is, and that...
15:31But don't worry, Emilio, because this isn't goodbye.
15:34It's simply a see you later.
15:36Okay, then.
15:37See you later.
15:39Goodbye, Emilio.
15:41People love you, Juan.
15:43People love you.
15:45I don't know.
15:45Yeah.
15:46I don't know if it's worth living here.
15:51Take.
15:56Mom, you've made a mistake.
15:58Instead of cereals, you haven't put the canary's food.
16:01They are whole grains and they taste great.
16:03Why can't I have chocolate ones?
16:05Because you already know the doctor told you that you need to lose a little weight.
16:08But he's fatter than me.
16:10Yeah.
16:11Guys, this afternoon as soon as you leave school, we're going to go to the park together.
16:18So that?
16:18What would it be for?
16:19To do what kids your age do in a park.
16:22A drinking party!
16:23Let's Play.
16:24Oh, and on Friday we're going to the movies together.
16:28Dad wants to spend a little more time with you.
16:31But what have we done to you?
16:33Don't tell me to take you to the bullfights anymore.
16:36And I love you, and I adore you.
16:38And don't tell me again to take you to the bullfights.
16:40Milio!
16:41I can't take it anymore, I can't take it anymore.
16:43Milio!
16:43These toasts are going to burn.
16:45I can't take it anymore, I can't take it anymore.
16:48These toasts are going to burn.
16:50It's so good, it's so good!
16:53Scrambled eggs with a little salt.
16:55Good morning!
16:56Oh!
16:56What game?
16:57Damn, what a scare.
16:59But what are you doing here?
17:00Today is my first day as president.
17:01Come on, let's go, we have a lot of things to do.
17:04But I haven't had breakfast.
17:05But hey, you don't start work at nine.
17:06Come on, it's ten past nine, get dressed.
17:08We need to inspect the building.
17:13Oh, how delicious!
17:13Can I eat one?
17:14You do what you want.
17:17I'm here.
17:18Take.
17:19Okay, Emilio.
17:20Since you've been here a long time, what's the first thing you would change?
17:22I?
17:23My salary?
17:24What's wrong with your salary?
17:25It's been frozen longer than Guardini.
17:27Okay, fine.
17:27We'll talk to him later.
17:28No, but we shouldn't talk about it.
17:29If that's what it takes, it needs to be raised.
17:30Okay, fine, but let's talk to all the neighbors.
17:32You should write everything down.
17:33Okay.
17:35Emilio's salary.
17:38The first thing that needs to be done is for the people upstairs to pay my rent.
17:42Yes, but I can't get involved there, ma'am.
17:43If they don't pay me the rent, I can't pay the community fees.
17:47I have many expenses.
17:49Okay, and anything else?
17:50The elevator.
17:51The elevator needs to be replaced now.
17:53Oh no, well, I can change the elevator.
18:00The elevator?
18:01Replace the elevator?
18:02Well yes.
18:03But do you know how much an elevator costs?
18:04Did you get the elevator done?
18:05Yeah.
18:05No no.
18:06Yes or no?
18:07No, because Concha complained.
18:09Well, let him complain and go up the stairs, it'll do him a world of good for his arthritis.
18:13In short, if it falls, nobody will regret it.
18:16So what do you propose?
18:18Well, let my husband come back as president because he's the only one who knows how to run this.
18:22Because you seem a little lost, beautiful.
18:25Mrs. Lucia, what should I write down?
18:26Nothing, nothing.
18:27Come on, let's go.
18:29See you later.
18:32I've been saying it for ages.
18:34The entrance needs to be painted.
18:35Because every time I go in I get depressed and putting, I don't know, a little plant, something, a little bit of
18:41joy of living.
18:42Plastic flowers.
18:44How plastic?
18:45Well, you just have to water them less.
18:46Well, Emilio, not plastic.
18:49Flowers.
18:50Can you think of anything else?
18:52Which position do you like best in bed?
18:54Sorry?
18:55No, I'm writing an article.
18:56I prefer to go underneath, it's less tiring.
18:58Not you, her.
18:59Come on, let's go, we have a lot of things to do.
19:02Below.
19:03Go on.
19:04Like me.
19:05Below, of course, of course.
19:06What we need to do here is install meters on every floor.
19:09Since there are four of them upstairs and only two of us, we're paying for all their hot water, damn it.
19:13Here are the cookies.
19:15They told you they don't want to.
19:17How annoying.
19:17How could he possibly love it?
19:18Eat, silly girl, eat.
19:20Okay, but only one limp, right?
19:21Okay, and anything else to improve the building?
19:23Ashtrays.
19:24Ashtrays are needed.
19:26In the entrance hall, on the landing, and at every corner of the staircase.
19:31Ah, tobacco.
19:33She used to be so beautiful, and now she looks so gaunt.
19:36I'm going to show you some photos.
19:38No, no, no, no, really, if we leave.
19:40If we have to...
19:41We're not getting out of there.
19:46Well, this is the floor.
19:48Nice, huh?
19:50How many meters is it?
19:51Many, eighty or one hundred.
19:53Hey, what are the neighbors like?
19:55Well, like everywhere else.
19:57But what's going on here?
19:58Oh, that's great, she has a maid.
20:00But what do you mean, assistant?
20:01I am the tenant.
20:03Not anymore, because you don't pay.
20:04Listen, Mrs. Concha, stop coming into the house whenever you feel like it.
20:06So what if I'm naked?
20:08So you get dressed.
20:09And I don't show them the rooms, because who knows what they're like.
20:13Who are these people?
20:14He wants to rent them the apartment.
20:15So what happens?
20:16That we are included in the price.
20:18So, do they keep it or not?
20:20I imagine the floor will be free of load.
20:22Oh yes, yes, yes, yes.
20:23And what if these two leave tomorrow?
20:24No, economic burden.
20:26Hey, why are you taking me?
20:27I am very serious.
20:28Yes, that's true.
20:29That he hasn't seen her laugh yet.
20:31Okay, do they give me the deposit or do they have to go through the bank?
20:34If you don't mind, we'll think about it.
20:37Yes, of course, think about it.
20:39But I warn you that there are many people interested in this apartment.
20:42Yes, us, for example.
20:45Belén, I can't go back to my parents' house.
20:47And neither are you, they've changed the locks.
20:49Alicia, we need to get money now.
20:52Hey, why don't you call one of your 90 boyfriends?
20:54I don't remember the names, but I'll remember the phone numbers.
20:57Come on, you too.
20:58Fernando, the one downstairs?
21:00Clear.
21:01I haven't slept with him yet.
21:03What name? No, he's a lawyer, maybe that tells us something.
21:05Come on, let's talk.
21:06Fernando.
21:08No, I'm going to change.
21:09No, no, no, but Concha can't just kick you out like that, can she?
21:12Look, you have to have gone at least three months without paying.
21:14So, how long ago did you sign the contract?
21:18Which contract?
21:20Don't you have a contract?
21:22No no.
21:24Well, then she's the one who could get hit with a big problem.
21:28Oh, really?
21:28Yes, well, if you can prove that you see here, then yes.
21:31Are bank letters valid?
21:33Clear.
21:33Hey, look, they're finally good for something.
21:36The next time she comes into my house, I'm going to give her such a beating she won't forget it.
21:39aunt.
21:40Just a moment, just a moment.
21:41He gets into your house.
21:42I go every day.
21:44Concha says, I'm coming in.
21:45And then the aunt comes in and starts...
21:46No, no, no, no, no, no, no.
21:46You're the tenants, come on, it's like it's your house.
21:49Oh my God, I really like this guy.
21:51Okay, okay, okay, okay.
21:52There are plenty of cases of people who don't pay their rent and then take years to get paid in Charleston.
22:04Did you know that your room is right above mine?
22:07Hey?
22:08No.
22:09No, no, I didn't know that.
22:11I heard you the other day.
22:15Oh, really?
22:16Can we be heard?
22:18Enough.
22:20Besides, you were there for quite a while.
22:22Champion.
22:25And you?
22:27Which course are you taking?
22:32You've turned red.
22:33I?
22:34I'm going to turn red.
22:35I'm here doing things.
22:38I'm leaving because my fish is defrosting.
22:40Don't think about me too much, okay?
22:51Hey, where are you going?
22:53I'm going home, kid.
22:55Ah, of course.
22:56That's why.
23:12Hey, you're here.
23:16You got back from work early today, didn't you?
23:18No way?
23:19If there is no work to be done.
23:21How's everything?
23:23That's bad.
23:24Each neighbor asks me for something different.
23:25Nobody can agree.
23:27Oh my God.
23:29And now I understand why we pay so little in community fees.
23:32The goalkeeper does not have a contract.
23:34And the building has not passed the city council's technical inspection.
23:37How embarrassing, huh?
23:38And on top of that, the elevator hasn't been serviced since 1994.
23:42Well, more excitement when we get on.
23:45No.
23:46And honestly, nobody can understand this guy's papers.
23:50The thing is, nobody understands life.
23:53Well.
23:54I'm going to see if he's downstairs at his house, okay?
23:56I'm going downstairs to talk to him.
23:57No, no, no, no, no, no.
23:58Now we continue.
23:59No, no, no.
24:00Lucia.
24:04Well, and I...
24:06I'll wait here.
24:07Ah.
24:08Whenever you can, I'll be here, okay?
24:11We're already seeing it.
24:15Oh, Madam President.
24:17What an honor.
24:19Good afternoon.
24:19Could you speak to your husband for a moment, please?
24:22Well, Juan isn't here.
24:22She's taking the child for a walk because she has so much free time...
24:25Okay, I'll come back another time.
24:27No, but it happens, it happens.
24:28Tell me about it.
24:29Come in, you know I'm here for whatever you need.
24:33Well, I've been reviewing the accounts you gave me.
24:35That's great, that's fast.
24:36So, how's it going?
24:37That's bad.
24:37They're a disaster.
24:38Well, but you're here to fix it, right?
24:41And we also have a problem with the goalkeeper's contract.
24:43Which?
24:44Well, it doesn't have one.
24:45You know the trouble we could get into if he has an accident.
24:48Poor thing, what do you want to do to this man?
24:50Well, that's it, Paloma.
24:51But you have to give him a contract or register him with social security.
24:54Ah!
24:55Yes, beautiful.
24:56But there are only six of us neighbors and that would be extremely expensive.
24:59Well, then we'll have to pay more in community fees or do without the doorman.
25:04Look, well that seems like a very good idea to me.
25:07Both of them.
25:07Do you see what you've achieved?
25:09The first thing he's going to do is increase the community.
25:11And how do you know that?
25:13Because she told me so.
25:15Two hundred euros every month.
25:17How much?
25:18Oh, look, you were taking your sweet time showing up, ma'am.
25:21Please, could you shout quietly?
25:23Some of us work.
25:24Well, work, work.
25:25You'll see it spills over.
25:26Why is it spilling?
25:27The girl, who also wants to change the elevator.
25:30But why would he change it?
25:31Let Emilio fix it, as always.
25:33It breaks again, but it's cheaper.
25:35Of course.
25:35He might commission his father to do it and get paid on commission.
25:37Because...
25:38What do you mean?
25:39He's robbing us.
25:40Of course, she's seen what her husband does.
25:43And he said, well, me too.
25:44Listen, my husband has never stolen anything, okay?
25:47Never.
25:48Well, I have a little money saved up,
25:51But it was to get laser hair removal.
25:53What she wants is to kick us all out.
25:55so that his father can keep the building.
25:58And then you'll miss my Juan.
26:01Marisa, what are you doing playing?
26:03Mother, what a fright!
26:05But what are you doing there?
26:07This looks like Congress.
26:09Leave.
26:12A mini burger, medium fries, onion rings.
26:15Then I'll tell you where your humor lies, you idiot.
26:17You should see how I looked, right, Belén?
26:19If you finish the job by provoking.
26:22Hey!
26:23Advertising in mailboxes.
26:25Wait until they catch you.
26:26Jerome!
26:28Emilio.
26:29Yeah.
26:29Do you like your job?
26:31Yes, I like it, I love it.
26:32Can't you tell?
26:33Well, the new president is going to fire you.
26:35What are you going to throw at me?
26:35He's going to fire you.
26:36And why would he fire me?
26:37Well, it says you're very expensive.
26:38But he did tell me he was going to review my salary.
26:40Well, he checked it, and he checked it thoroughly.
26:42He says that in such a small community
26:43No goalkeeper is needed.
26:44But in Madrid there are fewer and they have three.
26:46And I feel very sorry for you.
26:47I'm very sorry, Emilio,
26:48Because we all love you very much here.
26:50And all because of this girl's whim
26:52you have to leave
26:52It's very sad, Emilio.
26:54Very sad.
26:55Well, you know what I'm saying?
26:56Are they going to fire me?
26:57It's because I'm not needed.
26:58And if I'm not needed
26:58I don't work anymore.
27:00And tell that one
27:01be careful with me
27:02I did my military service in the artillery, you know?
27:04Will it be possible with that shitty dick?
27:07Exact.
27:07How hydrating!
27:12Excellent!
27:15Try to find the other noise, okay?
27:16But why?
27:17What's happening?
27:17Neighbors, you're such gossips, aren't you?
27:19Hey, I love your tattoo.
27:22Now I'll show you the other one.
27:24Oh, please!
27:27Don't tickle me!
27:29That?
27:30Don't tickle me!
27:32What a great kiss!
27:34Hello!
27:35Hello!
27:36How are you all doing, huh?
27:42Marisa, for God's sake.
27:43What are you doing there?
27:44If your mother sees you
27:45You'll find out.
27:46Do you live with your mother?
27:47And what about your son?
27:49No, man, no.
27:49Don't pay any attention to him.
27:50This lady is...
27:51The typical neighborhood idiot.
27:52Let me show you the back room
27:54which is where he has them hidden.
27:56Well, look.
27:57Let's meet another day, okay?
27:59I...
27:59No, man, no.
27:59Wait, Vanessa.
28:01Carmen.
28:02Carmen.
28:02Sorry, I have a friend
28:04whose name is Vanessa
28:04that looks like...
28:05Fuck off.
28:09Marisa.
28:10Hey, don't make that face.
28:12If you need me in a pinch
28:14Well, you know where I am.
28:17Okay, okay.
28:18Don't worry, I'll call her, yes.
28:21He's going to bed nice and warm tonight.
28:25You should have seen
28:26the faces of the people
28:27when I told them
28:28everything I want to do is the new one.
28:30They were throwing sparks, Juan.
28:32Sparks.
28:32Tomorrow
28:33They're all here
28:35begging you
28:35that you return to the presidency.
28:37What do you think, my dove?
28:39You look amazing.
28:40That?
28:41Oh no, no, Juan.
28:43Yes.
28:44No, the children will hear us.
28:45Well, let them hear us.
28:46Children,
28:47Your parents are going to make love.
28:49At last.
28:49Juan,
28:50Be quiet.
28:51Man,
28:51that we have more important things
28:52things to think about.
28:54Focus a little.
28:55Didn't you want to stay longer?
28:56with the children?
28:57Yes, but not now.
28:58Well, then talk to Natalia.
29:00I?
29:00Yeah.
29:01About what?
29:02Who knows what he's doing?
29:03when he leaves here.
29:04I think he's confused.
29:06What are you saying, woman?
29:07For God's sake,
29:07if it's a baby.
29:08A baby?
29:08Well, I've found him
29:09a condom in the bag.
29:11That?
29:12But, man, Juan,
29:12For God's sake,
29:13if you pass by
29:14and it is heard
29:14how her hormones are boiling.
29:16Are her hormones raging?
29:17Up and down
29:18hormones all the time.
29:19Well, I'm going to talk to her.
29:20right now.
29:21Of course.
29:22That's not what his father is for.
29:23To talk to her.
29:25Stay here for a little while, okay?
29:26Oh, how wonderful!
29:27all by myself in this bed.
29:30Hello.
29:31You finished so quickly, didn't you?
29:33Can?
29:34No.
29:36Natalia,
29:37I want us to talk.
29:39Are you okay, Dad?
29:40Yes, yes.
29:41But from now on
29:42I want us to talk.
29:44Okay.
29:47Well,
29:49You'll see,
29:51how are you?
29:52Good, very good.
29:53And how are you?
29:55Okay, okay.
29:57Natalia,
29:59You're already old enough.
30:00in which
30:01You're not a child anymore.
30:03It's obvious.
30:04And it's likely
30:06that you're already starting to notice
30:06certain changes in your body
30:08and even that
30:10show some interest
30:12for the boys.
30:12And that's important.
30:14and we have
30:15that we face it together.
30:16Yes, Dad.
30:17That I am a virgin.
30:18Okay.
30:21Hey, don't you think
30:22that instead of worrying
30:23so much for my sex life
30:24You should be worried
30:25a little more
30:26For yours?
30:26What are you saying, daughter?
30:27How do you want
30:28Why shouldn't I worry?
30:29When you become a mother
30:30You'll understand.
30:31Yes, Dad.
30:33But come on,
30:34that you also don't have
30:35no rush
30:36to understand it.
30:37Those things
30:38They will emerge.
30:40You,
30:41peaceful.
30:42God.
30:46What a drag
30:47that you've let loose.
30:48But you weren't asleep.
30:49I mean,
30:50You're a virgin, right?
30:51And what's it to you?
30:52I'm getting sick.
30:56What happened?
30:58What happened?
31:01What time is it?
31:02Oh my God.
31:03Who's calling so far?
31:06Yeah.
31:06Emilio,
31:07I am Vicenta.
31:08I'm extremely worried.
31:10What's wrong, ma'am?
31:11I think he threw
31:12accidentally
31:12silver paper
31:13in the yellow cube.
31:14You see.
31:15And that's why I wake up.
31:16Man,
31:16a little bit of please,
31:17It's two in the morning.
31:19What I do?
31:20Man,
31:20Well, for these matters
31:21so serious.
31:22Please call
31:23to the Madam President
31:25directly.
31:25But how am I going to call
31:26to the president
31:27at this hour?
31:28I mean,
31:28not her
31:29And I do.
31:31I'll call her tomorrow.
31:32at a more decent hour.
31:33Yeah,
31:34that,
31:34Call her tomorrow
31:35at a more decent hour.
31:36Hey, beautiful?
31:37Come on,
31:37good night,
31:38Mrs. Vicenta.
31:39Evening.
31:40Good night.
31:41Crazy!
31:42You're crazy!
31:44I don't know what...
31:45Well,
31:45This means that...
31:46I'm this...
31:46Oh, oh, oh, yeah!
31:49Bed!
31:50Oh, oh, oh, yeah!
31:54That?
31:55Oh, oh, oh, oh, oh!
31:58Oh, oh, oh, oh!
32:01Tell me.
32:02Hello,
32:03good morning,
32:04I am Vicenta.
32:04I wanted to talk to Lucia.
32:07For you,
32:08Madam President.
32:09Okay.
32:11Yeah.
32:12I am Vicenta.
32:13Did I wake you up?
32:15Of course,
32:15Pussy,
32:16who has not woken up.
32:16It's seven in the morning.
32:18No, no, no,
32:19don't worry,
32:19Vicenta,
32:20if we already had each other
32:20to lift.
32:21I've been up all night
32:22staying up all night, extremely worried.
32:23You need to give notice.
32:24to the city council.
32:25What's happening?
32:26That I made a mistake yesterday
32:27and it has silver paper
32:28of ham of tears
32:29in the yellow cube.
32:31Well, then...
32:31Don't mess with me.
32:31That's great, isn't it?
32:32He did very well.
32:33No,
32:34because it's paper.
32:35That goes in blue.
32:37Well,
32:37But don't worry,
32:38Vicenta,
32:38If he doesn't do it right,
32:39Well,
32:40no problem.
32:41Oh, no?
32:41So,
32:42Why do we recycle?
32:44Well,
32:45we'll talk later,
32:46Hey?
32:46I have to go to work.
32:48Good morning.
32:51Damn, girl,
32:52This is the last straw.
32:53Why would he call you?
32:54next time?
32:54So you can program the video?
32:56Don't mess with me.
32:56Hey, Roberto,
32:57You have to do me a favor.
32:59Oh,
33:00Thank goodness.
33:01Do you think you'd never want to?
33:02No, no, no,
33:03if I have to go to work
33:03without fail.
33:04He's coming
33:05the elevator technician.
33:07Ah,
33:07no, no, no,
33:07Don't try to confuse me.
33:09Okay, fine.
33:09No, no, no,
33:10You wanted to be president,
33:11Well, here you go.
33:11Okay, fine.
33:12if it's just for a moment,
33:13he takes a look
33:14and it gives you the budget.
33:16I'm not going to shower.
33:20Oh well,
33:21I'm amazed.
33:28Tell me.
33:29Hey,
33:30And what about the role of the Magdalenes?
33:32Look, ma'am,
33:33eat cookies,
33:34which is much healthier.
33:38Coming,
33:38coming,
33:39which is already here.
33:39Aunt,
33:40Take it off,
33:40Avoid trouble.
33:41Take it away,
33:41I don't feel like it.
33:42Take it off,
33:42I feel like it.
33:43Alice,
33:43No.
33:46I am a shell,
33:47I enter.
33:47No,
33:48You are not allowed in here anymore.
33:49Let me pass,
33:49But what have you put here?
33:51I can't get into the house
33:52without your permission.
33:53Oh,
33:54But it is mine.
33:55Yeah,
33:55but we've rented it
33:56and it's as if it were ours.
33:57He told us
33:58the first one who is a lawyer.
33:59You two are sluts.
34:00And watch out for us,
34:02that has not given us a contract
34:03and we can report her.
34:05I'll be back.
34:06That,
34:07whenever.
34:09Yeah!
34:11Yeah!
34:12Yeah!
34:12Yeah!
34:13Yeah!
34:13Yeah!
34:14Yeah!
34:14Yeah!
34:22You,
34:23What do you have against me?
34:24Sorry.
34:25You have come together
34:26with the two sluts upstairs
34:27to make my life impossible.
34:30Lady,
34:31I really don't know
34:31what you're talking about.
34:32And be very careful with me.
34:36Fuck,
34:37How scary.
34:38What has he given that lady?
34:40The,
34:40the girls who asked me
34:42a couple of tips
34:43about your rental
34:44And he probably didn't like it at all.
34:46Any tips?
34:47When did you speak to Alicia?
34:48Well, yesterday,
34:49They both went down yesterday.
34:50Ah,
34:50They were also here.
34:52Yeah.
34:52And why didn't you tell me?
34:53Because it doesn't matter.
34:54Of course it doesn't matter.
34:56Deep down, you
34:56You love that Alicia
34:57be behind you
34:58and you couldn't care less
35:00what I might feel.
35:01Hey,
35:01I swear that next time
35:02I'm telling you, let me see them.
35:03Ah,
35:03although you will see them again.
35:04God.
35:05Besides,
35:05Fernando,
35:06but,
35:06but,
35:07Why are you getting involved?
35:08Where don't they call you?
35:09Because I'm a lawyer.
35:10It is my duty.
35:11Oh man,
35:11Now you go around working as a waiter.
35:13That woman scares me.
35:15Have you noticed her eyes?
35:17No.
35:17Just like those of Hannibal Lechter.
35:19Equal,
35:19equal,
35:20Clarice,
35:20Clarice.
35:21But don't exaggerate.
35:22She is a poor woman,
35:23most defenseless.
35:24Yeah,
35:24They said the same about Pinochet
35:25So you don't go to jail and look.
35:28Besides,
35:28What are they going to do to us?
35:29Are we neighbors?
35:30Oh well,
35:31It's because you don't watch television.
35:32There are neighbors who stab each other with knives.
35:34all the time,
35:34one another.
35:35She got nervous,
35:36that's it.
35:38Really,
35:38How do you like to think bad thoughts?
35:39of the people,
35:40Hey?
35:48Oh well,
35:49What a mess of cables!
35:51Unless you know,
35:53Who has passed
35:53in the latest review
35:54of this elevator?
35:54I.
35:55What's happening?
35:56So what have you done?
35:56a curious job.
35:58These two cables
35:59They're stuck together with chewing gum.
36:00Clear,
36:01if it is an insulator,
36:02Ignore this
36:02that this one does not have
36:03I have no fucking idea.
36:04Host!
36:05Do you see it?
36:05If you don't know.
36:06Come on,
36:07I don't know,
36:07that I don't know
36:08I've broken the box
36:09from the pot I glued.
36:11But something can be done
36:12with the elevator.
36:13Yeah,
36:13You can make a bonfire.
36:15The gearbox needs to be replaced.
36:16the engine,
36:16the guide,
36:17the counterweights.
36:18But from the dashboard
36:19He hasn't said anything.
36:19From the dashboard
36:20He hasn't said anything.
36:21Look,
36:21Someone will come tomorrow.
36:22to give you a quote
36:23in order.
36:24That's 90 euros.
36:25That?
36:26Ah,
36:26But do I have to pay you?
36:28No.
36:29I'm an elevator person
36:30without borders.
36:3190 euros
36:32for a two-minute look.
36:33Oh well,
36:34What have you wanted to be?
36:35A notary.
36:35But look,
36:36clown,
36:36Don't you realize?
36:36I almost got stuck there
36:37Stuck because of you?
36:38Look,
36:39You're going to get stuck,
36:40But whatever you say.
36:41No, no, no,
36:42You're going to get your friend.
36:42Hey,
36:43please,
36:44No,
36:44No,
36:44I'll smash you,
36:45and you.
36:45Packed to the rafters.
36:46Just a moment,
36:46please,
36:47I ask you,
36:47It's because you're not getting nervous.
36:49No,
36:49No,
36:49No,
36:49No,
36:50come on.
36:50Out,
36:51out,
36:51come on.
36:51Okay,
36:51Okay,
36:52Okay,
36:52Let's go for a little walk.
36:53Okay,
36:53Or better yet, you go, Ponas.
36:54I'll stay here and fix this.
36:55Go on.
36:56Look,
36:56You've touched this elevator, personally.
36:58unqualified.
36:59It fails the inspections
37:01and not a single security measure is passed.
37:03I know that too.
37:03and without charging.
37:04Fuck,
37:05Emilio,
37:05look,
37:05look,
37:05I will report this to the manufacturer
37:07so that they can file a complaint against you
37:09And your hair is going to fall out.
37:10He's going to put in a curious cigar.
37:11That's not necessary.
37:12because it won't work.
37:14What are you going to drag me into?
37:14Don't try to scare me.
37:16Let's see if you just go this way.
37:18Ready,
37:18who is now very clever.
37:20male,
37:21They charge you 90 euros
37:22for reporting you,
37:23Hey?
37:24You have talent
37:25for business matters,
37:25Hey?
37:26Bye.
37:27But dude,
37:27Can you tell me what you're on about?
37:28What's wrong with you?
37:29I don't know,
37:30Ask the president.
37:32Let's see what happens to me.
37:36Eat it all already
37:38And shut up.
37:39Once.
37:40But where had you been?
37:41We've almost finished dinner.
37:43I rented The Little Mermaid
37:44so that we can all see it together.
37:48The Little Mermaid.
37:50Dad,
37:50Are you mixing medications?
37:51Come on,
37:52come here
37:52that this is already ready.
37:54I have to study a lot,
37:55Hey?
37:56Yeah,
37:56I've arranged to meet Dani.
37:58But what about dessert?
37:59What's happening?
38:00Don't you want to see it or what?
38:02Juan, darling,
38:03It's because of The Little Mermaid
38:04who are not so little anymore.
38:06What's happening?
38:07Well, she's really pretty.
38:08Yeah,
38:08Yeah,
38:08pretty,
38:09Hey?
38:09The girl can't sing well.
38:10who sings wonderfully.
38:11Yeah,
38:11man.
38:12And the crab
38:12What do you say?
38:13Hey?
38:13Very nice too.
38:14And that fat little fish?
38:15Yeah.
38:16And the witch
38:16with the denticles
38:17Does it leave her voiceless?
38:18Yeah,
38:18It's beautiful,
38:19man.
38:20Yeah,
38:20But the thing is...
38:22Alright,
38:23I'll watch it by myself.
38:25No,
38:25man,
38:25No,
38:25already,
38:26so that you can see it by yourself,
38:27Well, I see it with you,
38:27That's what you spent the money on.
38:29Very good.
38:31Look,
38:31it just can't be.
38:33Fernando!
38:33What's happening?
38:34Look,
38:36What have you done?
38:36It was the schizophrenic
38:38from the upper floor.
38:39Has bleach not been used?
38:39on the shirt?
38:40It smells,
38:41smells,
38:41look,
38:41If this is bleach,
38:42bleach.
38:43But are you sure?
38:43What has she been?
38:44Let's see,
38:44Perry Mason,
38:45who hates us
38:46and lives above us.
38:47Shell,
38:48Well, do something.
38:49Stop her,
38:50Put her in jail.
38:51But how is it going to go?
38:51to jail for this,
38:52Mao?
38:53To wear a shirt
38:54So Dolce & Gabbana
38:55It's a crime.
38:57He'll find out.
38:58man.
38:59Wait,
38:59wait,
38:59I'm going to talk to her.
39:00Why can't I go?
39:01Well, because when you get angry
39:02Your effeminate mannerisms are very noticeable.
39:03That I...
39:05I mean.
39:06Sorry,
39:07But I don't have a pen.
39:08You have much more flair than I do.
39:10What have I seen in you?
39:10Do you see it?
39:11Do you see it?
39:11You get worked up and start acting like
39:12Meryl Streep.
39:13Oh,
39:13Everything is a drama.
39:14This is the last straw.
39:15No,
39:16This is the last straw.
39:16Now it turns out I have to change
39:18my way of speaking
39:18so that it's not noticeable
39:19that you are gay.
39:21Look,
39:22another cigarette butt.
39:23This lady cannot smoke here
39:24because then all the smell
39:25He comes into my house.
39:26Listen,
39:27that I am not the president.
39:28Tell Lucia
39:29tomorrow at the meeting.
39:29Oh,
39:30your girlfriend.
39:30Your girlfriend is a horny girl.
39:32We're making her president
39:33and that's it,
39:34disappears.
39:35No,
39:35it doesn't disappear,
39:36He is working.
39:37Oh,
39:37Roberto,
39:37I've finally found you,
39:38I'm so tired I can't live.
39:39Valentin's poops
39:41where to throw them away,
39:41in the yellow cube
39:42or in the gray
39:42because they are organic waste
39:44But the bag is made of plastic.
39:45But let's see,
39:46let's see,
39:46And what does that mean to me?
39:48Ask Emilio
39:48And there will be talk of these things.
39:49I can throw them wherever I want.
39:50but I didn't pass them.
39:50Let's see,
39:51Stand back, I'm dangerous.
39:52What's wrong with you?
39:53What's wrong with me?
39:54Look at my head.
39:55But my son,
39:56How do you add bleach?
39:57This should be hand-washed in cold water.
39:58But if men
39:59when they live
40:00They're the ones you want.
40:00It wasn't me,
40:01I have been a shell.
40:02Well, wash the clothes
40:03to the neighbor.
40:04You,
40:05president consort,
40:06let's go up
40:06There's something going on.
40:07Let's see how you can solve it.
40:08Clear,
40:09We're doing well.
40:12Mauri,
40:13please,
40:13Calm down.
40:14No,
40:14I am very calm.
40:15But I'm not moving from here.
40:16until he apologizes.
40:17Okay,
40:17But leave it to me.
40:19Shell,
40:19Open up, they're talking badly about you.
40:21And you,
40:21call the president
40:22or something,
40:23No?
40:23But what do you think?
40:24What am I doing?
40:25lady?
40:25Are you ordering a pizza?
40:26I don't know.
40:32Yeah.
40:35Yeah,
40:35Yeah,
40:36Yeah,
40:36don't worry,
40:36don't worry,
40:36I'm coming up now.
40:39Okay,
40:39go.
40:45Oh well.
40:49Oh well,
40:49What's going on here?
40:50Don't let them in,
40:51son.
40:53Look,
40:53Armando,
40:54We believe that your mother...
40:55No,
40:55We don't believe so.
40:56Your mother threw me out
40:57energy in the shirt.
40:58Lie.
40:59They must have been the ones from the third floor.
41:01My mother is an angel.
41:02If it was her,
41:02It must have been unintentional.
41:03I'm not saying no,
41:04But imagine if I peeked out
41:06the courtyard at that moment.
41:07It makes me look blonder
41:07Madonna.
41:08Well,
41:09don't worry,
41:10We'll fix this
41:10immediately.
41:11How much did the shirt cost you?
41:12250 euros.
41:16Well,
41:16no problem,
41:17You'll buy another one eventually.
41:18Hey?
41:18I'm leaving, I've stayed behind.
41:19Hey?
41:19What do you mean he's leaving?
41:20Say something to him,
41:21Fernando.
41:22Look,
41:22I'd rather buy it for you.
41:23a new shirt.
41:24Good morning,
41:24Madam President.
41:25I think that above
41:26It requires it.
41:29Hello,
41:29what's happening?
41:30Thank you.
41:34What time was it?
41:35dear?
41:36Oh well,
41:36What's going on here?
41:37Nothing,
41:38cohabitation rosettes.
41:39Concha threw me
41:40through the Legía courtyard.
41:41Do something, won't you?
41:42What do you want me to do?
41:43That's a problem
41:44your personal one.
41:45I mean,
41:45we have a crazy woman
41:46in the building
41:46And that's a problem.
41:47mine, personal.
41:48Here's the only crazy one
41:49What there is is her,
41:50that he wants to screw us over
41:52200 euros for community fees.
41:54Oh well,
41:54What does it say?
41:56Lady,
41:57Can you step out for a moment?
41:57please?
41:58Oh no, no, no,
41:59no no,
41:59that boy
41:59It scares me a lot.
42:01Look, he really loves me.
42:02to do something bad.
42:03Look, Lucia,
42:05I'm leaving.
42:07This is getting out of hand.
42:08from the hands,
42:09pretty.
42:09Oh, by the way,
42:11dog poop
42:12Where should they be thrown away?
42:13Wherever he wants?
42:14It's making me sick
42:15with the dog boxes.
42:16Do you see it?
42:17All this with my Juan
42:19It didn't happen.
42:20Bye bye.
42:20Here, here, here
42:21There's no one living there.
42:28Hello good.
42:34What's happening?
42:34You too
42:35Are you angry with me?
42:37I?
42:38Why would I get angry?
42:39Yes, I love it
42:40I'm going to eat brown papers.
42:42See how much I like it
42:43that since we've lived here
42:44I haven't done anything else.
42:44Yes, you have done something else.
42:45Finding problems in everything.
42:47I told you,
42:48Don't be president,
42:49which is a mess.
42:49Did I tell you or didn't I tell you?
42:51Yes, but I thought
42:51that the neighbors
42:52They were going to collaborate
42:53a little more.
42:53But if the neighbors
42:54They're shit
42:55And the proof is
42:55in which people
42:56who has money
42:56She's going to live in a villa.
42:57So what do you want me to do now?
42:58Hey?
42:58Because I've already made a commitment.
43:00Well, say no.
43:01Ignore it,
43:01be very easy.
43:02The meeting is not tomorrow.
43:04Yes, but I can't.
43:07Besides,
43:07They won't be able to beat me.
43:10Very good.
43:12Perfect.
43:12Well, I'm leaving.
43:14Choose.
43:14The neighbors or me.
43:25Sorry,
43:26Can I talk to you?
43:26one moment?
43:27Yes, yes, yes, of course.
43:29He is my father.
43:29It's getting scratched
43:30You wouldn't believe it.
43:31Today he rented
43:32The Little Mermaid
43:32and she wanted us to see it
43:33all together.
43:34To my sister
43:35She lets herself go to talks
43:36and he takes me to the park.
43:38He's really messing with us.
43:39Calm down, kid.
43:40When you're 30
43:41You're going to live with your girlfriend.
43:42Then you will see
43:43how much you miss
43:43to your father.
43:45Well,
43:46And what does that have to do with me?
43:47With all this?
43:48Well, when my father
43:49He was president
43:50He lets us go
43:51on our own terms.
43:52If only
43:53you would let him be
43:54a bit,
43:55even if it were only
43:55in the afternoons.
43:56Please,
43:57I ask you,
43:58Get involved.
44:01Well,
44:02I'll think about it.
44:03Okay,
44:03bye bye.
44:05See you later.
44:09Have you seen the color?
44:10of the walls?
44:11How bland.
44:12What a renovation!
44:13And it seems to mount
44:13so much noise,
44:14Jame.
44:14Look,
44:15I don't bet
44:15nor canapé
44:15or anything.
44:17Well,
44:18Welcome everyone.
44:20Let's begin
44:20the extraordinary meeting.
44:22One moment,
44:22I want to say
44:23my last words
44:24as president.
44:25Come on,
44:25open,
44:26to the,
44:26please.
44:27I resign.
44:28Good.
44:28That's it.
44:30How brief,
44:31How brief.
44:31Very well,
44:32It is recorded in the minutes.
44:33Well,
44:33What I wanted to tell you
44:34the thing is...
44:34What I don't want
44:35It's paying more for community fees.
44:37What you're going to pay
44:38It's my shirt.
44:39Well,
44:39Just a moment.
44:39And I want to speak too.
44:41Fuck.
44:42No,
44:42fuck,
44:42No.
44:43I've been here for seven years
44:44working on this farm.
44:45I,
44:46the goalkeeper,
44:46seven years
44:47and without a contract.
44:48Working without resources,
44:50without technology,
44:50without a computer
44:51and with nothing.
44:52And I have complained before,
44:53Hey?
44:54I have complained before
44:55when they didn't buy me
44:56the steam cleaner,
44:56What did I do?
44:57To remain silent.
44:58And that's despite having a bad back.
44:59that was killing me,
45:00She was there scrubbing the floor.
45:02Crouching.
45:02Come on,
45:03man.
45:03Come on,
45:04You just bend down
45:05when the neighbor comes upstairs
45:05of the third
45:06with a miniskirt.
45:07And how do they pay me for it?
45:07Throwing me out on the street, right?
45:08Hey,
45:09don't worry,
45:09Emilio,
45:09that nobody here wants you
45:10throw out onto the street.
45:11The only one who resigns
45:12I am in charge of your position.
45:14But she didn't want to be president.
45:16But not at any price.
45:17Is this what you want now?
45:18Is it a purchase?
45:19No,
45:19The thing is that
45:19in this community
45:20Everyone wants to have
45:21The stairs were very clean,
45:22the painted walls
45:23and the elevator working
45:25and all that
45:25without putting...
45:26Yeah,
45:26That's what we want.
45:28Finally, there's no one.
45:29who understands us.
45:30Well,
45:31Well, I can't work like this.
45:32So, that's it.
45:33That's it,
45:33no,
45:34no,
45:34I invite you.
45:35Very good,
45:36dear,
45:36Let's go home.
45:37This is our home.
45:39Oh,
45:39Pussy,
45:40It's true.
45:41Come on,
45:41Everyone outside,
45:42This is over now.
45:43Let's go.
45:44Man,
45:44one moment,
45:45one moment,
45:45Let's see,
45:45if she resigns
45:46We will have to choose.
45:47another president.
45:48So what now?
45:49Rule.
45:50Well,
45:50that?
45:51I volunteer.
45:53But please,
45:53man,
45:54which is that it is
45:54Seriously.
45:55Already,
45:55please.
45:56Well,
45:56but someone
45:57He will have to be president,
45:58No?
45:58Clear,
45:59Mrs. Coloma.
45:59Clear.
45:59Yeah,
46:00but...
46:00Well,
46:01Any other volunteers?
46:02No,
46:02No,
46:03Apart from Juan Cuesta.
46:04No,
46:05No,
46:05I.
46:07I.
46:08Well,
46:08No,
46:09No,
46:10please,
46:10Let's see if it can be presented
46:11someone,
46:12No?
46:12In these cases,
46:13according to the law,
46:14a draw is held
46:14among the owners
46:15and whoever is elected
46:16he remains as president
46:17for one year,
46:18Whether he likes it or not.
46:20Ah,
46:20very good,
46:21Then do it.
46:21come on.
46:25Come on,
46:25Okay then.
46:26I vote for Juan Cuesta.
46:27Me too.
46:28Well,
46:28Well, me too.
46:29Clear,
46:30What choice do I have?
46:30If Gus can be president,
46:32This one too.
46:33Sufficient majority.
46:34My husband is the president.
46:35Juan,
46:36that we have won.
46:36Thank you,
46:37thank you.
46:38I am informing you
46:38that my new project
46:40It's going to be very different.
46:41I have respect
46:42The president is speaking.
46:44Where are you going from?
46:45Speaks,
46:46Juan,
46:46I'm listening to you.
46:47No,
46:47No,
46:47No,
46:47the little speech on the landing.
46:48You will receive a circular
46:49with the program's main guidelines,
46:51Hey?
46:51And I want to tell you
46:52I don't hold any grudges against you.
46:53none.
46:54And I say this without malice,
46:55Hey?
46:56I always wanted to throw.
46:57Come on,
46:57no.
47:02Well,
47:02that?
47:04You'll be happy now,
47:05No?
47:06Well yes,
47:07Yeah.
47:08What did you do for me?
47:09Well no.
47:11I did it because
47:12to be president
47:13in the community
47:13It's the worst thing in the world.
47:14Yeah,
47:15it's easier
47:16to be president
47:16of the government.
47:21My children,
47:23I have to give you
47:24bad news.
47:25I know I had promised
47:26Take you to the zoo tomorrow,
47:27But it's not going to be possible.
47:29Because I'm back
47:29to be elected
47:30president
47:30unanimously.
47:33What a shame,
47:34dad.
47:35Yeah,
47:35with hope
47:36that he did to us.
47:37Well,
47:37But it is important.
47:38for you,
47:39I can make a space,
47:40Hey?
47:40No,
47:40No,
47:41No,
47:41No,
47:41No,
47:41man,
47:43It was important,
47:44No?
47:44But don't worry,
47:46We will overcome it.
47:47Yeah,
47:47dad,
47:47You focus on the neighbors,
47:49They need you.
47:50Oh,
47:50Juan,
47:51what children do we have?
47:53so that later he can say
47:54to your sister
47:54that theirs are better.
47:57Good night,
47:57children.
47:58Good night.
47:59Hello good.
48:03In which we have
48:04freed,
48:04kid.
48:05Well, you're already telling me
48:06giving thanks.
48:07If I don't arrive
48:07to talk to the neighbor
48:08above,
48:09tomorrow we'll feed them
48:09to the monkeys.
48:11Don't laugh.
48:13You've been here for four hours
48:14without smoking.
48:15You don't feel like it, do you?
48:16to grab a cigarette?
48:17No,
48:17what I want
48:18It's about grabbing you
48:19to your neck.
48:20You'll see how inside
48:21of a few years
48:22Thank you for it.
48:23Already,
48:24but in the meantime
48:25Don't get too close to me.
48:27Good night.
48:36Marisa,
48:37I'm watching you.
48:38Well no,
48:38Look,
48:39Pussy.
48:44We're here.
48:45It is possible to know
48:46what are you doing in our house?
48:47Collect the rent
48:48that he has paid me
48:49your friend.
48:50You already know
48:51Where did she get it from?
48:53That's what I say.
48:55Alice?
48:56Did you see?
48:58Tell me you adore me.
48:59And where are you from?
49:00Did he get the money?
49:01Hey,
49:02Can I empty it now?
49:02the closet?
49:03Yes, yes,
49:03Brian is about to pick it up
49:04their things.
49:05Vene?
49:05I am Nuria.
49:06How are you?
49:09It smells like,
49:10I don't know,
49:10like a hamburger,
49:11No?
49:12And what do you want?
49:13What does it smell like?
49:14I just can't stand it
49:15the meat.
49:15Hey,
49:16date presita
49:16about the closet,
49:17Go on.
49:20Who is this?
49:21Our new colleague
49:22floor,
49:22What do you think?
49:23Ah,
49:24brilliant.
49:24What happens
49:25That's my room.
49:26Where do I sleep?
49:27With me,
49:27in my room.
49:28Didn't you say
49:28that you were fed up
49:29sleeping alone,
49:30either?
49:31Nativity scene.
49:32Go.
49:33I swear to you
49:35You'll pay for it.
49:36But if we go
49:37have a great time.
49:38Well yes,
49:38brilliant.
49:40Really,
49:41that I don't know,
49:41a community
49:42with six neighbors
49:43and five hundred
49:43garbage desserts.
49:44Look how I've put it
49:44the hands.
49:47Emilio,
49:47I ask for it.
49:49Come on,
49:50Paco,
49:50see you tomorrow.
49:52Uncle,
49:52what are you doing
49:53Looking for trash?
49:54Are you short of money?
49:55Or what?
49:56No,
49:56No,
49:56Paquito,
49:56It's that people
49:57She's very slutty.
49:57Look,
49:58This one is made of glass,
49:58Well, it smells like fish.
50:00In this cardboard one
50:00I don't know what they've put on me,
50:02But look,
50:02It drips.
50:03Clear,
50:03if he goes to the planet.
50:04Without a forest,
50:05without whales,
50:06without Eskimos,
50:07with nothing.
50:08Really,
50:08How inconsiderate!
50:09male.
50:10Not a little, no.
50:10none.
50:11Well,
50:11come on,
50:12see you later.
50:12Well,
50:13come on,
50:13see you tomorrow,
50:13man.
50:14Not here,
50:15Paquito,
50:15You too, here.
50:16Low,
50:16That's bad.
50:19To the,
50:20But what about this?
50:21But what a shirt!
50:22prettier,
50:23child.
50:25Now that's done,
50:26I recycle it for myself.
50:28Who would have told me
50:29that I was going to wear this week
50:30a shirt?
50:31And what beautiful reasons.
50:33It's true, look
50:34that there is a saying
50:35that says
50:36you will not go to bed
50:37without finding you
50:38a shirt
50:45that's good
50:46in your parents,
50:47No?
50:47I'm going to tell him.
50:49The fact that?
50:50Well, you and I
50:51We are a couple.
50:52Fernando,
50:53You are not ready
50:53to tell him.
50:54I want you to go out
50:55from the closet,
50:56But I'm alive.
50:56This girl,
50:58Alice,
50:58the neighbor,
50:59If we ask him a favor,
51:02probably
51:02It could be passed off
51:03by my girlfriend and...
51:04Of course,
51:05I'd be delighted.
51:06But,
51:06Why do you have them?
51:07What to say to your parents
51:08Do you have a girlfriend?
51:08Why doesn't he dare?
51:09to tell them he's gay?
51:11But you,
51:11Why are you so envious?
51:13Nuria,
51:14oh well,
51:14What are you doing here?
51:15I just moved
51:16right here in front.
51:17What a coincidence.
51:18Hey,
51:18And how are you?
51:19Are you still with that girl?
51:20Why did you leave me?
51:21Let's see,
51:22What do you want me to do?
51:23Let him apologize to you.
51:24I put
51:25some of my panties
51:26in Lucia's drawer.
51:28I'm sure she
51:28He recognizes her immediately.
51:30The question is,
51:31Will you recognize her?
51:33The night
51:34that they have given me
51:34the ones above.
51:36Going in and out
51:37until five
51:37in the early morning
51:38and on top of that, they're bringing men up.
51:40What do you mean?
51:40What assumptions?
51:41What are they?
51:42The ones above?
51:43The two girls?
51:44Yeah.
51:44Can you prove
51:45All this that you're saying?
51:46This evening at eight o'clock,
51:48Belén has a client.
51:50You drink the beer straight from the bottle.
51:51otherwise
51:51I have to start washing dishes.
51:55But what are you doing?
51:56What are you going to do to me?
51:57for two hundred euros.
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