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00:21Nobody can live here!
00:23Not here! Not here!
00:29Juan, we'll have to look into the beach thing, okay?
00:31One-bedroom apartments are the first to be rented.
00:34A bedroom? What about us?
00:35But you're going to try everything.
00:37How the weather is changing, huh?
00:38You just don't know what to wear anymore.
00:40And you're finishing high school now.
00:41You'll have to start working.
00:42What are you saying?
00:43Stop, Mom.
00:43The girl will have to go to university.
00:45That.
00:46And another five years of slacking off?
00:47And meanwhile here, we're left with the soup, silly.
00:49Hey, hey, hey, I don't know if I want to go to university.
00:51So what do you want to do?
00:52Well, I don't know yet, but I feel like traveling around Europe.
00:54One season.
00:55Clear.
00:56Send us the list of hotels and we'll book the rooms for you.
00:59If you want, I'll join in and keep an eye on her.
01:02Natalia, do you know what I was doing when I was 18?
01:04Working ten hours a day sewing jacket linings.
01:07I also put the bass in.
01:09Then you hooked up with Dad and started living life, huh?
01:11No, sorry.
01:12It was my dad who asked me to stop working because I was pregnant with Natalia.
01:15Oh, really?
01:16Yeah.
01:17Yes, yes, yes, yes.
01:18No, I remember we talked about it in...
01:20on this site.
01:21What do you think?
01:22Is life a party?
01:23Are you going to be living here until you feel like it?
01:25That's what's in style now.
01:27Well, you're going to start working this summer.
01:29The supermarket needs cashiers.
01:31I don't feel like it.
01:32You should work in a supermarket.
01:33Juan, the girl is raising her voice at me.
01:35I don't want arguments at the table.
01:37Mom, if you're bitter, it's not our fault.
01:39I am very happy.
01:40You're the only one who makes my life impossible.
01:42No, you're the one who won't leave me alone.
01:43Forget about me.
01:44That's how I like it when you listen to me.
01:45That I forget about you.
01:46Give me the deadline.
01:47Go to your room as punishment.
01:48No, you go to your room, I'll do whatever I want.
01:50Juan, until I get depressed and end up crying in bed all afternoon,
01:54Your daughter never stops, huh?
01:55And then she'll come and say to me, 'Mom, I'm sorry.'
01:57But by then I had already jumped out of the window.
01:59That's full of ropes.
02:00You're going to get hooked.
02:01Paloma, relax, you're pregnant.
02:03The child, the child is going to go bald from the stress.
02:06The way I'm going about this, it might not even come out.
02:08I can't take it anymore, Juan?
02:09I can't take it anymore.
02:11I'm warning you.
02:13I know how to slam doors too.
02:18Dad, we have to eat with the TV on, like everyone else does.
02:21This cannot continue.
02:24No one can live here, here, here.
02:26Not here, not here.
02:28Every day is like this.
02:30I couldn't imagine it when I came here.
02:33I was just looking for something bad.
02:35I wake up every day in the middle of a hurricane.
02:37No one can live here, here, here.
02:40Not here, not here.
02:42No one can live here, here, here.
02:44Not here, not here.
02:46The house above me is collapsing.
02:49I can't find the goalkeeper.
02:51My neighbors are watching and listening to me.
02:53I can't stand being in this place.
02:56They give me a copal incense.
03:00A train, an earthquake, and a boat.
03:03Dad, dad, dad.
03:05Dad, dad.
03:05Dad, dad.
03:06Dad, dad.
03:06And you'll have this ladder.
03:09Dad, dad.
03:09Dad, dad.
03:09Dad, dad.
03:10No one can live here, here, here.
03:12Not here, not here.
03:14No one can live here, here, here.
03:16Not here, not here.
03:18No one can live here, here, here.
03:21Not here, not here.
03:23No one can live here, here, here.
03:30Vicenta, they're going to take away our lucky table at bingo.
03:33Hang on a minute.
03:34Marisa, look over there.
03:35Hey, I'm your sister.
03:37Don't you trust me or what?
03:38If you find out the secret number, it's no longer a secret.
03:40Do you want to hurry?
03:41Oh, I've already forgotten.
03:43You've made me nervous and I've forgotten.
03:44Don't you have the number written down anywhere?
03:47Yes, it's on the card, but it's inside.
03:49Oh well, it doesn't matter.
03:50Let's go.
03:51Oh, look, look.
03:52I already have 200 euros here.
03:54See?
03:54Come on, let's go.
03:55But don't take it out here.
03:56Money is better off in your purse.
03:58Look, I'll put it here.
03:59It's on the little zipper.
04:02Watch out, what a blow.
04:04Vicenta, you've been pulled.
04:06No, no, no, yes, I'm very well, very well.
04:08They've taken the purse.
04:09Hey?
04:11Hey, my bag's gotten caught on something!
04:14Nothing.
04:15He doesn't understand.
04:16Go on, run, you're going to catch them.
04:20Alex, we need to talk.
04:21We're seeing each other more now, and I can see you're going to fall for me.
04:25I think we should start dating seriously.
04:26Lest she end up meeting another man.
04:28Like boyfriend and girlfriend, you know, holding hands and all that.
04:30I'm saying this for your sake.
04:31I don't want to hurt you because at 21 years old, a heartbreak really affects you.
04:36Okay, can we go out for real?
04:38Yeah?
04:39I can tell I'm maturing.
04:40Yes, yes.
04:42Hey, do you have anything for breakfast?
04:43I'll tell Belén to prepare something for you now.
04:47Belén, I'm going to the casting.
04:48I can feel it when they give me that ad.
04:50Have you seen what a beautiful day it is?
04:52Wow!
04:53The cookie has already broken.
04:54Why do they put the box there?
04:55They're for getting wet if they all break afterwards.
04:57What a shitty cookie.
04:59Ladies and gentlemen, another happy day in the life of Belén López Vázquez.
05:03Alicia, I just don't understand.
05:04How can you be happy?
05:06If we have no reason.
05:07If you're beautiful, life already rewards you.
05:09What's the first thing I do when I wake up?
05:10Looking at myself in the mirror.
05:11You need to find an alternative that works for you.
05:14I don't know, maybe buy a nice painting or something.
05:16Alicia, go to the casting call, okay?
05:17Go to the casting call and leave me alone.
05:18Come on, come with me, that way you'll get some fresh air.
05:20No, I'm on my period.
05:22What you have is an attitude problem.
05:24You need to be more positive.
05:26Every morning I tell myself,
05:27What a great day I'm going to have today!
05:29Yes, but then you don't have it.
05:30It doesn't matter, just repeat after me.
05:31What a great day I'm going to have today!
05:33What a great day I'm going to have today!
05:36With a little energy, right?
05:37Try to believe it.
05:40What a great day I'm going to have today!
05:42Enough.
05:43Come on, let's go.
05:46These cookies are rubbish.
05:47Nativity scene!
05:48What a great day I'm going to have today.
05:53No, look, don't confuse me.
05:54This is a direct object like a house.
05:56Emilio, it's indirect.
05:57If you have to switch it to passive voice.
05:59My instinct tells me that this is an adverb.
06:01No, you're mixing morphological and syntactic analysis.
06:04Damn, it makes no sense at all.
06:05It doesn't surprise me that students are demonstrating and going out drinking in the streets.
06:07What's happening?
06:08Well then, Mr. Juan,
06:09I have my university entrance exam in June.
06:11And nobody here is helping me.
06:12I'm at school all day.
06:13I have nothing better to do than help Emilio, a wonderful mind.
06:16You need to go to qualified teaching staff, Emilio.
06:19Okay, so where are you stuck?
06:20Well, it's a large-scale shortcut, like the return operation.
06:23Let's do a math problem.
06:25The mother of sciences.
06:26The purity of numbers.
06:30A train leaves Ávila at 60 kilometers per hour.
06:33Half an hour later, another train leaves Barcelona at 85 kilometers per hour.
06:37Given that there are 700 kilometers between the two cities,
06:40At what point will the two trains meet?
06:42Think, Emilio.
06:43Then you tell me the answer.
06:47But what are you doing?
06:48Well, look at the last page to see if the solution is there, like in crossword puzzles.
06:52Man, look, the one who said he hooked up with Natalia and dreamed it.
06:55What? Are you awake yet? Do you want a coffee?
06:57It's true that all old buildings have a ghost.
06:59Oral sex is your thing, huh? All talk and no action.
07:01Look, guys, if I'm not with Natalia anymore it's because I'm dating Alicia.
07:04And I'm a serious guy.
07:06Ale, your romances are more suspicious than Sara Montiel's.
07:08My sister ignored you, end of story.
07:10Here, I'm the only one who knows where the moles are.
07:13Where are they?
07:15Look, if you give me a couple of days I'll tell you.
07:17To Natalia.
07:18I'll hook up with her whenever I want.
07:19Yes, whenever she wants, which she doesn't.
07:21Let's see, let's see, let's see if I understand.
07:24The "I can't eat a donut" club is challenging me.
07:26Well, I don't know, let the president and founding partner tell you here.
07:29Look, if you hook up with Natalia in less than 48 hours you get free movies for a month.
07:33And if not, you have to clean the windows of the video store for me.
07:36What a load of rubbish.
07:37Naked?
07:38Your legs are blocked there, huh?
07:40Okay, deal.
07:45Please don't let him hook up with her, please don't let him hook up with her.
07:48What I'm saying is, if you like Lucía, why do you have to hold back, huh?
07:50Because she has a boyfriend and is kind enough not to talk about this subject on the stairs.
07:53And look, here it comes, here it comes, here it comes.
07:55Hey Lucia, I didn't introduce you the other day.
07:57Look, this is Bea, my new roommate.
08:01Bea, Lucía.
08:01Hi how are things?
08:02Okay, okay.
08:05Hey, so whenever you want we can have a welcome dinner or something, right?
08:08Well, as I was saying, we have to do something, but she's so shy.
08:11And isn't she cute?
08:12But shy.
08:13Mauri.
08:14Okay, call me whenever you want, alright?
08:16We'll call you, okay?
08:17Nice to meet you.
08:18He's got quite the figure, huh?
08:21Mauri, I'm going to kill you.
08:22It's been very obvious.
08:23What are you saying?
08:24She's the one who's already made a pass at you.
08:26Come on, I see it very clearly.
08:27She is independent, sensitive, intelligent, and has short hair.
08:30Is she a lesbian?
08:30It isn't.
08:31She's a lesbian, she just doesn't know it.
08:33People aren't gay because they're uninformed.
08:34Well, let's set up an academy and give some courses.
08:36Don't worry, I'll organize this for you.
08:38Don't even think about it.
08:39Bea, you have to go for it.
08:40How do you teach children to give?
08:41Are you throwing them in the pool?
08:42Yes, but you're going to crash me into the curb.
08:44Lucía is a lesbian, I'm telling you.
08:47They haven't paid any attention to us.
08:50We filed a report and they told us to forget about the bag.
08:54He didn't steal a portrait or anything.
08:55The stuff in the movies is all a lie.
08:57And now they've had us queuing up.
08:59That was to renew the ID card, Vicenta, you don't get it.
09:02But look on the bright side.
09:03They no longer lose that money at bingo.
09:04When I think that those scumbags are still out there, robbing poor pensioners like us...
09:09And what difference does it make to you?
09:10Even if they catch you, by the time the trial comes around you'll already be gone.
09:14Why to another neighborhood?
09:15If I like this one...
09:16The fact is that there is an obvious problem with public safety on our street.
09:19But it's an isolated robbery.
09:20Shouldn't we exaggerate?
09:21Not a pretty one at all.
09:22That in number 14, Doña Juana was also snatched by a motorcycle.
09:26The thing is, she didn't let go of the bag.
09:27And what happened to him?
09:28They dragged her 100 meters.
09:30It knocked down the sign for the 27 bus stop.
09:32And now the bus doesn't stop.
09:33And what were you saying?
09:34Was this a residential neighborhood?
09:36One day they rob us, and another day they rape us.
09:38Can you imagine it?
09:39I no longer have the imagination for that much.
09:41Given the way events are taking a turn,
09:43I am going to demand a personal interview with the mayor to discuss this matter one-on-one.
09:47Yes of course.
09:48And Zapatero will receive you at Moncloa Palace.
09:51Ghost!
09:51Come on, a little bit of respect, please, the ultras, calm down.
09:54Juanito, don't fool yourself.
09:56We are alone.
09:57If we don't protect ourselves, nobody will protect us.
10:00And why don't we sign Emilio up for a martial arts course?
10:03No, I'm studying for university.
10:05I am cultivating myself from within.
10:06No, it's not necessary.
10:07That's already been invented.
10:09Citizen patrols.
10:10We got organized and stood up to the crooks.
10:14Well, that's another possibility.
10:15Yes, Juan, that's a good idea.
10:17Patrols.
10:17And anyone who comes to steal on this street will get what's coming to them.
10:20I can throw flowerpots from my balcony.
10:22Ah, well, that's one thing.
10:23Are they crazy or what?
10:24What do you think you are, the A-Team?
10:25Are you going to get yourselves into trouble?
10:26Well, we already know who the scaredy-cats are here.
10:28Votes in favor of citizen patrols.
10:32Approved.
10:32Any volunteers for the first watch?
10:34I was going to start the first one, but I have a problem this afternoon at the store.
10:38Yes, he receives all the fake Real Madrid shirts and he has to sew the crest on them.
10:42Isabel.
10:43It's the same.
10:44Emilio and I will watch over your safety this afternoon.
10:47Mr. John, I'm confused about this.
10:49The best bouncers for fights are the ones at nightclubs.
10:51Neighbors, you can rest easy today.
10:54You're in good hands.
10:55It's clear that I know the regiment's whore.
10:57That?
10:58No, nothing, I'm just saying to start.
11:02Natalia!
11:03Where are you going now, man?
11:06Natalia.
11:07Look, I've been thinking that you and I could stop messing around, right?
11:11Look, let's make one thing clear.
11:12I don't like you.
11:13Well, we don't have to be so radical.
11:15I've got a bit of charm, huh?
11:16Look, I'm going out with you, but only to annoy my mother.
11:19How unromantic.
11:21I like it.
11:22And why would it bother your mother if you went out with me?
11:24As soon as he sees me happy, he gets upset.
11:27And knowing how awful your father is, I'm going to be thrilled.
11:30And why are we speaking so quietly?
11:32Because he's definitely spying on us through the peephole.
11:34Ah!
11:36Well, I think if you give me a kiss you'll sink it.
11:43Juan!
11:44Juan!
11:44What do you think of these goggles for the patrol car?
11:46Who do they put in?
11:47Juan, the girl.
11:48She's involved with the guy across the street.
11:49With Andrés?
11:50No way.
11:51With the son, with the eldest.
11:52The son of the Guerra family?
11:53Yeah.
11:53Well, this is just mean.
11:55I swear I'll lock her in her room and she'll never see the light of day again.
11:58John, do not let anger blind you.
11:59This is the best thing that could have happened to us.
12:01What are you saying?
12:02Clear.
12:03We know the boyfriend, we know the parents.
12:04They live right next door.
12:05I think the girl has handed it to us on a silver platter.
12:07And if we work this out well, in three months we'll have her married and out of the house.
12:12We're not going a little bit fast.
12:14She just turned 18.
12:15In Europe, everyone their age is already independent.
12:17And if we are Europeans, we are Europeans in every respect.
12:19And this girl is already grown up.
12:21And it's taking a toll on my health.
12:23Yeah, but that guy just doesn't appeal to me...
12:25Do you know how much we spent on Natalia?
12:27As soon as she leaves home, we'll buy the villa.
12:29I believe we need to think about the girl's happiness.
12:31No, but that's all I'm thinking about, Juan, your happiness.
12:36Don't worry.
12:37Leave everything in my hands, I'll take care of everything.
12:41Oh!
12:43Green eyes, green like my soul...
12:47Ovaridol 500.
12:48And forget about menstruation.
12:50Why are you taking the test?
12:51If you were just going to accompany me.
12:52Well, since I was there, what's my fault if they caught me?
12:55That's not acting, Belén.
12:56You only got it right because you're on your period.
12:58Alicia, the camera loves me.
13:00I'm the new Ovaridol girl.
13:02You see.
13:03A 20-second advertisement.
13:04Well, I've already matched the best of your artistic career.
13:07Okay, if you want, we can go to the movies.
13:09And then, well, damn.
13:11Where are you going?
13:12Alex!
13:14Hi Alicia, how are you?
13:16Well, it depends, you know?
13:17What's going on here?
13:18Haven't you told him we're dating yet?
13:20Well, yes, of course.
13:21We are now leaving and when we return we will be entering.
13:23But we didn't agree that you wanted to get engaged.
13:25Yes, but he told you who with.
13:27Well, now that everything is sorted, we're going to the movies.
13:29I'm maturing, give me time.
13:32Oh, Alicia, Alicia.
13:34You won't get hired for any casting call these days.
13:36Well, who does this kid think he is?
13:39This is what happens when I trust people.
13:41If they force you to be a bad person.
13:42Okay, repeat after me.
13:44Today I'm going to have a good day.
13:47I know what's going on.
13:48Belén, you're so negative that you've passed on your bad luck to me.
13:51Already.
13:51Do you want an Ovaridol?
13:53Fuck off.
13:55I like this keeping an eye on things, don't you, Mr. Juan?
13:58Who invented onion rings?
13:59How much is there to learn from the Americans?
14:00Emilio, don't eat me in the car.
14:02No, but this doesn't stain.
14:03You need to be alert, you have to keep your eyes wide open.
14:05The safety of our neighbors depends on us.
14:08Yes indeed.
14:09But while we're here on the lookout,
14:11Could you continue teaching me a little more math?
14:13What is it that I find most difficult to swallow?
14:14We have to take it one step at a time, Emilio.
14:16Learning takes time.
14:17Clear.
14:18Let's do a simple problem, shall we?
14:19Listen to me, let's see.
14:20There it is, let's see.
14:21Aunt Carmen is 46 years old.
14:24Amparo is 5 years younger than Luisa.
14:26And Luisa's age is half that of Aunt Carmen.
14:29How old is Amparo?
14:32But I find this problem to be in very bad taste, Mr. Juan.
14:35because it talks about women's ages and that's wrong.
14:37Mathematicians respect nothing.
14:38Emilio, it's an exercise.
14:40How old is Amparo?
14:41Does logic apply?
14:42But anyway, Amparo is Aunt Carmen's niece.
14:45No, I don't know, it doesn't matter.
14:45Yes, it doesn't matter, because there is love.
14:47There has to be a niece here.
14:48That statement is misleading; it hides information from us.
14:50There's no trick to it.
14:51Focus on the problem.
14:52She tells you, Amparo is 5 years younger than Luisa.
14:55and Luisa is half of Carmen.
14:56What will your daughter be?
14:57No, she's not his daughter, she's nothing.
14:59None of the three exist.
15:00So why do we want to know the age?
15:02Look, just leave it.
15:02Amparo is 18 years old, 46 divided by 2 minus 5.
15:05Okay, fine, he's 18 years old, he's of legal age.
15:07That's it.
15:07But to me there's something strange about that family.
15:11Look, Mr. Juan, a suspect, look at what he looks like.
15:14We are going to intervene.
15:17Hey, hey, hey, stay still, stay still, stay still.
15:19Kid, come here.
15:21Citizen patrol.
15:23Identify yourself.
15:24But how can I identify with it?
15:25But what do you see?
15:26No, what are you on about?
15:27Here the stealing is going to end.
15:28We don't want any trouble in the neighborhood.
15:29Is that clear?
15:30But what's going on?
15:30Are you calling me a criminal?
15:31No, no, no, alleged, alleged.
15:33Come on, come on, move along.
15:34My God, people are in a bad way.
15:36And don't let us see you around here again, okay?
15:37What's left for me with your face?
15:40Mr. John, have you seen the fear in your eyes?
15:42I've already learned my lesson.
15:47But hey Mauri, what a treat!
15:49If your goal is for her to grow fond of you, you're on the right track.
15:52The dessert is in the refrigerator.
15:53And I just opened the wine so it could breathe a little, okay?
15:56Well, I'm leaving.
15:57I'll call you later to see how everything is going.
15:58Where are you going?
15:59But we didn't have dinner together.
16:00No, not if I were having dinner with Lucia.
16:01Didn't I tell you?
16:03Well, no, you hadn't told me.
16:04Well, I'm telling you.
16:05The welcome dinner.
16:06But, Mauri, how am I going to have dinner alone with her?
16:08Does she have a boyfriend?
16:09But I don't want them to break up.
16:11What I want is for Lucía to discover her true sexuality, and then...
16:14Then let him choose.
16:15No, no, no.
16:16Just call her and I'll tell her not to come.
16:18Look, it's here.
16:19You can tell him.
16:20Mauri, you haven't had a plate, have you?
16:21Look at me.
16:22Ideal.
16:23Where are you going, cutie, wearing whatever you're wearing?
16:25Hello.
16:26But are you coming too?
16:27No, I'm upstairs taking a shower.
16:29Right downstairs.
16:31Oh, don't tell me we're the first.
16:33Hi, Bea.
16:34Yes, we were going to be eight, but people kept dropping out and in the end we were left with just one.
16:38the three of them alone, that is, the four of them.
16:41Better, that way we get to play Mar.
16:42No, but there won't be enough food.
16:43Why don't you come with me to make some pizzas?
16:45We refuse to be eight.
16:46Yes, but I cook for a specific number of people, and if someone can't make it, well, that's that.
16:50shot.
16:51Come on, let's go.
16:52You all go ahead and start, okay?
16:57Well.
16:58Well.
17:00A little wine?
17:00Yes, yes, yes.
17:06Okay, calm down, be careful.
17:08Yes, yes, yes, it's done.
17:10This brings good luck.
17:14It's me, Isa.
17:15Open!
17:17But what does this time want?
17:21Hi how are things?
17:23Oh, give me a kiss, my mother-in-law.
17:24Oh, we're going to be family.
17:27As?
17:27Haven't you heard about the children?
17:29That you, Alex, and my Natalia are together.
17:31No, but that can't be if Alex is with Alicia.
17:34Well, it seems he prefers my daughter.
17:36I'm not going to lie to you, okay, Isa?
17:37But when a hill sets its sights on a man, he's ours.
17:40Well, that's fabulous news.
17:43Yes, the truth is that...
17:45Uh!
17:46I feel as excited as me.
17:48Come, sit down.
17:50Sit down here, we have a lot of things to do.
17:53Look, I thought they should go out for three months so they can get to know each other.
17:56And we'll get them married in the summer.
17:57And since Andrés' shop is doing well, you can put up the entrance for the apartment.
18:01And everyone was so happy!
18:05Isa, are you okay?
18:07Yes, yes, yes, yes.
18:08I'm going to make myself some herbal tea.
18:10I feel overwhelmed by events.
18:14It is at moments like these that I realize the world turns.
18:17Oh, daughter, how mystical you are.
18:18I think it's a great idea.
18:20I am one of those who think that grandchildren should be born young.
18:24Otherwise, you won't enjoy them.
18:25Yeah I know...
18:27I just can't picture Alex getting married.
18:29Oops!
18:29Juan didn't see himself getting married either, and look how happy he is now.
18:31Well, I'm going to go look for a church.
18:33This needs to be prepared well in advance.
18:35Otherwise, we'll be caught off guard.
18:37Hey, you've lost weight, huh?
18:40Doesn't she look like she's 14 weeks pregnant?
18:42Not at all.
18:43Clear.
18:44See you later!
18:44See you later.
18:48Andrés, if I have to put up with that lady.
18:50I'm leaving home because of my family.
18:52I already have enough to deal with just having her as a neighbor, let alone now having her as my mother-in-law.
18:56But don't worry, how is Alex going to get married?
18:59And he's not stupid, he knows what he's doing.
19:01Well, he has reasons not to get married.
19:03He saw us.
19:05That's what I'm telling you.
19:06The Cuesta family are traditional people.
19:08You really know how to read the current.
19:09What's it to you?
19:10That way we keep them happy.
19:12Just in case, I'm going to play the damn fool.
19:14But Isabel, why do you always like to imagine the worst?
19:17Because I'm right more often.
19:23Thank goodness they didn't stain the onion rings.
19:25Milio.
19:27Milio?
19:28That?
19:28Look.
19:32She's hot, huh?
19:33No, the one in the back.
19:34Man, that one is more beautiful.
19:35He's robbing.
19:37We have to do something for me.
19:38Wait, there's no need to rush.
19:39Maybe it's a boyfriend.
19:40He pulled out a knife.
19:41Well, because it comes from Bacete.
19:42I brought him a souvenir.
19:43Milio, she's being robbed.
19:45You go out because I have to finish cleaning the car.
19:47Mr. Juan, we both left.
19:48I help her clean because, to be honest, I've been fired a lot.
19:49From Monclines.
19:50No, no, no.
19:50Come on, let's go out.
19:51Well, you speak, but I speak worse.
19:57Milio.
19:58Is there a problem?
19:59What do you mean, is there a problem?
20:00He's robbing me.
20:01But I told you to shut up.
20:01As if you were bringing the crack closer.
20:02No, no, no.
20:03Calm down, calm down.
20:04I am Juan Cuesta, president of the community.
20:06Let's try to resolve this unpleasant incident in a civilized manner.
20:09Drop the knife, you bastard, or you'll find out.
20:11You're not even half a shit.
20:12What did he say to you?
20:12Look what he told her.
20:14Calm down, calm down.
20:15But what's the problem?
20:16Let's see, economical.
20:17Well, I'll give you 20 euros.
20:18Take.
20:18Are you going to give him money?
20:19Yes, shut up.
20:21Give me 50 more.
20:2250 more, no problem.
20:24There you go, that's it.
20:25We're all happy now.
20:27Which watch?
20:28The watch, of course.
20:29Submersible to 100 meters, with a new battery.
20:31Take.
20:34He had never faced this situation before.
20:36And don't forget that violence leads nowhere.
20:39See how easy it is to avoid a robbery?
20:41But hey, what kind of patrol are you guys?
20:43And don't thank him, we've saved your life.
20:45That's for sure, he's not coming back here.
20:46How could he not come back?
20:47More has been gained from you than from me.
20:49No, no, no, it was a donation.
20:50We are reintegrating him into society.
20:52Yeah?
20:52Well, when he tells his colleagues, you'll see how they all come in droves to reintegrate.
20:56But Juan, I'm also finding it hard to understand these modern security concepts, you know?
21:01But how could you even think of giving money to a crook?
21:04And the clock too.
21:05Which?
21:05The one they gave us at the bank from the pension fund?
21:08Paloma had a knife.
21:10Coward.
21:11Chorizo and coward.
21:12Well, I'm going to bed now to see if the day will finally end.
21:13Hey, did you ask that man about my bag?
21:16No, the truth is that with these patrols we are much calmer now.
21:20How are you being robbed?
21:22Juanito, we just can't be so soft.
21:25Of course not.
21:26What should we do when a crook comes?
21:27Drop our pants?
21:28Man, I'd rather be robbed.
21:29Dude, that guy with the knife could have killed you right there.
21:33Oh, Juan, and black looks terrible on me.
21:35And it was a good thing the guy was terrified because I was there staring at him.
21:38How was he looking at her?
21:39Fixedly, fixedly, complement, circumstances of the place.
21:41Incorrect, Emilio.
21:43What are they saying?
21:44What's needed here is a firm hand.
21:46From now on, patrols will consist of four people.
21:49And well armed.
21:50What's going on? Did we just play tennis with criminals?
21:51No, we are going to defend what is ours.
21:54You are right.
21:55Diplomacy has failed.
21:56If intimidation has to be used, then intimidation will be used.
21:59If you see any thieves, ask them about my bag.
22:02Doña Vicenta, my dear, don't be fooled.
22:03They've already sold that piece by piece.
22:07So, how's it going?
22:08How has everything been going?
22:09Has he left yet?
22:09Of course, it took you three hours.
22:11Where did you go for the pizzas?
22:12Nowhere.
22:13I took her to the cinema just because I was so proud of her.
22:14Okay, tell me, what happened?
22:16What's going to happen?
22:16Nothing.
22:17We've been talking for a while.
22:18And what did you think?
22:18She is intelligent, funny, cultured, sensitive, and heterosexual.
22:22No.
22:23Do you think that because you're dating a guy?
22:24Yes, it's a habit that heterosexual women have.
22:26You should have kissed her.
22:27Mauri, but we just met...
22:29You're right.
22:30You have to give him time to fall in love with you.
22:32What could I do with Roberto tomorrow to keep him entertained for a while?
22:35But you don't find it strange that he tells me we're going for pizzas and we end up at the movies.
22:39But what are you telling me?
22:40Is Mauri giving you the eye?
22:41I'm absolutely certain about it.
22:42He's gay, his boyfriend is outside.
22:44The dinner thing was just an excuse to distract you and be alone with me.
22:48Have you tried anything or what?
22:49No, but it's almost worse.
22:50Maybe she's fallen in love and wants to take things slowly.
22:52Okay, fine.
22:53Roberto, please don't be paranoid.
22:55But you know what movie he took me to see.
22:57Which?
22:57Casablanca.
22:58AND?
22:59Casablanca, Lucia.
22:59The pinnacle of gay cinema.
23:01Casablanca, the pinnacle of gay cinema?
23:03Let me know.
23:04Who does Humphrey Bogart end up with?
23:05He leaves the girl and goes with the policeman.
23:08Relate uniforms, batons, French...
23:10What does she say to the pianist when they are alone together?
23:12Play it again, Sam.
23:14I was extremely stressed at the cinema.
23:16I don't know what you find so funny.
23:18You should be jealous.
23:19If a lesbian was after you, I'd be worried.
23:22Let's see, I mean, who is the typical homophobic macho man?
23:26Why is it that every time a gay person speaks to you, you think they want to hook up with you?
23:30Because we are men.
23:31We know each other.
23:33Male intuition.
23:34Oh, and that exists?
23:36A man will never invite you to the movies if he doesn't want sex.
23:39That's right, that's genetic.
23:40Okay, let's see, Roberto.
23:41Mauri is alone and needs a friend.
23:43But you, apart from being old-fashioned and backward, are selfish and only care about yourself.
23:46Excuse me, just a moment.
23:47I am neither old-fashioned nor backward.
23:50Go on, open the door.
23:52I remind you that I was there on the day of the gay pride march.
23:55Yes, let's go, but why didn't you know the route and why did you get stuck in traffic?
23:59Well, but I was there.
24:00I came out of the closet without being gay.
24:01Let's see who does that.
24:05What's wrong, Roberto?
24:06Damn, Mauri, what's wrong?
24:07We had a great time, didn't we?
24:08What a great movie!
24:10Well, the ending didn't quite finish me off.
24:12I would have gone with the girl.
24:14Come on, I'm absolutely sure about it.
24:15What are you saying? It's beautiful when he goes with the policeman through the fog.
24:19Phew.
24:23Do you like opera?
24:24Opera?
24:24The opera.
24:25Uh, I don't know, I haven't been there much.
24:27I have two box seats to see La Traviata tomorrow and I thought, well, maybe
24:32Roberto feels like going.
24:33Tomorrow is when...
24:37Tomorrow, yes.
24:38Yes, yes, yes, I can tomorrow.
24:40Come on, no problem.
24:41Ah, well, see you tomorrow.
24:42Okay.
24:43Goes.
24:44See you later, Mauri.
24:46Bye bye.
24:52See how open and tolerant I am?
24:54Yes, yes, darling.
24:55It shows, it shows.
24:56It comes from within you.
25:01Who is it at this hour?
25:03Juan, the phone.
25:04Look, let's see.
25:09Yeah?
25:09Mr. John, it's me.
25:11Emilio, what do you want?
25:13The mother who gave birth to him.
25:14It's four in the morning.
25:15Hey, look, this whole train problem is bad.
25:18I called Renfe and there is no direct train from Ávila to Barcelona.
25:21You have to change trains at Chamartín.
25:23Emilio, you don't have to take the statements literally.
25:26It's just a matter of applying a formula.
25:28But I can't sleep anymore thinking about when the two trains will meet.
25:34Mr. Juan.
25:35Mr. Juan.
25:36Will you turn the light off already, damn it?
25:39Dad, I'm studying to be someone someday.
25:42Don't bother, son.
25:43He will submit resumes incorrectly with photos.
25:45No, if your father's support isn't there, then forget everything else.
25:51Okay, I'll take these three and I'll come back for more tomorrow.
25:54What's happening?
25:55What success have you had with Natalia?
25:56Oh, you haven't heard?
25:57It's official, we're dating.
25:58Captain Trolol is already in action.
25:59We're not like you, man.
26:01We need proof.
26:02Well, what do you want?
26:03Should she come here with me and we do it on the counter?
26:05Well, that would be good enough proof for me.
26:07Alex, I need to talk to you.
26:08Hey, honey, tell him, are we dating or not?
26:11No.
26:11See?
26:13What do you mean, no?
26:13No, my mother has had a good time and I don't want to.
26:17Okay, see you later.
26:18But, Nati...
26:24I swear we're dating.
26:31There are still 24 hours left, huh?
26:33Don't celebrate too soon.
26:34I was waxing you while I took down the posters from the shop window.
26:37Roberto, are you up for a console game tonight?
26:40No, I can't today.
26:41I've stayed with Mauri.
26:46He is very lonely and needs a friend.
26:47What's happening?
26:48No, no, no, nothing.
26:49Nothing, nothing, we just didn't know you were into that kind of thing.
26:51That's not my thing.
26:52I'm an open and tolerant guy.
26:54Well, be careful with how tolerant you are, because I don't know what's wrong with him, especially the one who goes there.
26:57He's not coming back.
26:58You have the typical homophobic macho complex.
27:00Why is it that every time a gay person speaks to you, you want them to hook up with you?
27:03Hey, what are your plans? Where are you going?
27:05To football. He invited me to a football match.
27:08What's gay about that?
27:09Ah, Roberto, the opera starts at eight, at seven fifteen, see you at the entrance.
27:13Yes, yes.
27:14Opera?
27:14Yes, La Traviata.
27:16Wonderful, perfect for beginners.
27:18See you later.
27:20Coca-Cola to football, huh?
27:21And who plays center forward, Rigoletto or Madame Butterfly?
27:25I'm terrified, man.
27:26I think he likes me.
27:27He's taken a box seat.
27:28A box?
27:29And on top of that, he said it was perfect for beginners.
27:32That's a death trap.
27:37I like her daughter a lot, but she's the one who doesn't pay attention to me.
27:39Ah, she's playing hard to get.
27:41The problem is that you're very young and you don't know anything about women.
27:43Be careful with that bag; the eggs are in it.
27:45Come in, go on, come in.
27:46Natalia, look who's come to see you.
27:48Leave that in the kitchen.
27:51But what are you doing here?
27:52What do you mean, what are you doing here?
27:53He's your boyfriend, he's come to see you.
27:55Mom, I've already told you we're not dating.
27:56Hey, lovers' squabbles.
27:58But hey, that can be sorted out by talking it out.
28:00Well, talking about it or however you want to do it, okay?
28:02That I am a very modern mother.
28:04I think you should listen to your mother.
28:06Of course.
28:06Dress up today, because Ale is staying for lunch.
28:09What are you staying for lunch?
28:10Yeah.
28:14Wow, he really likes you.
28:17You've got it all figured out, huh?
28:19Thank you very much, Paloma?
28:20Mom, call me Mom.
28:22We eat at two o'clock.
28:23Bring some pastries or something.
28:24Oh, Natalia likes sweets.
28:26No, not her, but me.
28:28Oh, I'll walk you to the door.
28:30Look, here.
28:31I'm going to put your wedding photo here.
28:34Oh!
28:35I really want to, Alex.
28:37At two o'clock.
28:38Mom, don't you think you're exaggerating a little?
28:41Are you going to leave home because Ale is dating a girl you don't like?
28:43No, Ale is going out with the girl.
28:45But I have to put up with my mother.
28:47But we're talking about a wedding.
28:48Can you imagine Alex standing in front of an altar?
28:49Because I can't even imagine him as an altar boy.
28:51Well, the thing is, it surprises me too.
28:53But then, why is this lady...
28:54Calm down, calm down.
28:55Natalia is intelligent, she's not Alex's type.
28:58Let's see if it's true.
28:59Because the mere thought of having to put up with that woman every day...
29:03Look.
29:04Isa!
29:04Ah!
29:05That?
29:05But where is he now?
29:07Here, in the courtyard.
29:08Look out the window!
29:10Hi how are things?
29:11How long?
29:13Hey, Alex is coming over for lunch.
29:15What does he/she like?
29:16What do you mean he's going to come eat at your house?
29:17Of course, the boy wants to meet us.
29:20That this is moving forward.
29:21By the way, she eats spinach, right?
29:30This is more boring than an encyclopedia without pictures.
29:33You are here to ensure the building's safety.
29:35Yes, with what?
29:36With this?
29:36If I had a ninja star from San Gessera, I'd stick one in my forehead like Kung Fu...
29:41No, come on, roll down the window, you're running out of oxygen.
29:43Nothing.
29:43Surveillance Patrol 1, any news?
29:45Change.
29:45I'm clear here.
29:47I'm going to watch TV.
29:48Cut and close.
29:49José Miguel.
29:50And I haven't even hit puberty yet.
29:52Pay attention.
29:53There is a man withdrawing money from the ATM.
29:57There he goes, taking away his sports bag.
29:58Start, Juan, start.
30:00Go towards the strip.
30:03The door, which I have on the third floor.
30:05You'll see with the water.
30:06The desire to steal.
30:08Here, take the gift.
30:10Come on, get out of here.
30:12Why does he let her get drunk?
30:13If we could find out more.
30:15Dad, it's not about taking advantage.
30:16We are four against one.
30:17That's why I say it.
30:18Hey, the guy with the bag is gone, huh?
30:19Behold.
30:21He was carrying a pipe.
30:22What the hell is going on?
30:24If you're a toy, if you don't weigh anything.
30:26My window.
30:28Give me that.
30:29Put the insurance on it.
30:31But it's very strange.
30:32And what made sense with this gun?
30:33Who was he?
30:34What kind of people are capable of killing for a t-shirt?
30:37or some used sneakers.
30:40Holy shit, this isn't gym clothes.
30:43What a mess.
30:45But how much money is there here?
30:49Let me know.
30:50In a single day I lose my boyfriend, I get mugged
30:51And on top of that, Belén is taking a job from me.
30:53Do you see that as normal?
30:54How could you have had bad luck?
30:56That's absurd.
30:56Yes, Belén has always been unlucky.
30:58The thing is, now he's learned how to pass it on to others.
31:00Oh, I got a call this morning.
31:02Do you know who my co-star is going to be?
31:04Who?
31:04Pierce Brosnan.
31:05Is Pierce Brosnan going to announce Varidon?
31:07You're making that up.
31:09Yes, but just seeing the look on your face for these two seconds made it all worthwhile.
31:13Well.
31:13Well, that's it, huh?
31:14To connect the alarm, simply enter the code whenever you want and you're done.
31:16Okay.
31:17Hey, do I really have to wear this to go to the opera?
31:21Well yes.
31:23Well, thanks, huh?
31:24What are you doing dressed like that?
31:26You look like a ventriloquist's dummy.
31:28Hey, Lucia.
31:29That?
31:30How's this opera thing going?
31:31Well, look, it's just like regular theater.
31:33The only difference is that when someone stabs you with a knife, instead of dying, you sing.
31:37Come on, they don't sell popcorn at the door.
31:39No, honey.
31:40Damn, what a plan, what a plan.
31:43Okay, see you later.
31:44See you later, handsome.
31:46Hello.
31:46Hello.
31:47Is Lucia there?
31:47Yes, yes, yes, come in, come in.
31:49It's there, I told Meloís.
31:50Hello.
31:51Hello.
31:52I thought that since Roberto is seeing Maury, you might like to go out for a drink.
31:55But hey, if you feel like it, because if you don't feel like it, that's fine too, because maybe it's better if we meet another time.
31:59a more peaceful day.
32:00Yes, that's going to be best, see you later.
32:02Hey, no, no, no, yes.
32:03I'd like to join you for a drink.
32:04Ah, okay.
32:06Hey girl, shall we go for a drink?
32:07Yes, invite Bethlehem.
32:08Let's celebrate their announcement.
32:10Well, maybe the drinks will upset your stomach and you'll blame me, because come on.
32:13Oh, we're all going.
32:14The place is a bit small.
32:16Well, we're in Spain, let's go.
32:18There will be bars.
32:19Maybe we'll even hook up.
32:21Yes, let's hope for the best.
32:28Mom, I'm leaving.
32:29Alex, wait a moment and what are you freezing about?
32:32Did you know?
32:32I don't like to interfere in your life, among other things because it saves me a lot of trouble.
32:36But will you allow me to ask you a question today?
32:39What the hell are you doing with Natalia?
32:40Well, the usual, going out with her.
32:43No, not the typical stuff, because you're getting married.
32:45What's happening?
32:45Do you have it in for me?
32:46Did I throw something at you in the next life?
32:48Mom, I'm not going to marry her, relax.
32:50I go along with it because I have a goal.
32:53But how many lives are you willing to ruin for a quickie?
32:57I promise I'll break up with her tomorrow.
33:00Alex, can you give it to me in writing?
33:02Okay, see you later.
33:04Oh, Isa, Isa, look at these cakes, please.
33:07I think we're going to celebrate it at this place, which has some swans at the entrance.
33:11Come, sit down, let's see if we agree on the menu.
33:13Look, Paloma, let's clear things up once and for all.
33:16I just spoke to Alex, he told me he's not interested in your daughter at all.
33:20Oh, these two are so annoying, aren't they?
33:21Thank goodness we're here to organize everything for you.
33:23No, no, we're not going to organize anything.
33:25He's leaving her tomorrow, so no, sorry, but there are no weddings or swans, no.
33:31No cake or anything, sorry.
33:33It's over.
33:33The only relationship between us is the rope of the sledgehammer.
33:36Well, it's not going to be like that, is it?
33:37Because of something I'm going to tell you now.
33:39The girl has a developmental delay.
33:41And Natalia, for that she's like clockwork.
33:43What do you mean, he's delayed?
33:44I didn't want to tell you, but it's true.
33:46You can see what kind of terrain we're dealing with.
33:49So, I'll let my daughter get it out of her head.
33:52Single mothers are not allowed here.
33:54That's something you'd see in a rough neighborhood.
34:00Isa, are you okay?
34:02Isa.
34:09Six hundred thousand euros.
34:10I miss out on that when it's in pesetas.
34:12One hundred million.
34:13Between four and twenty-five, no, each one.
34:15Okay, give me what's mine, I'm stepping on it.
34:16Just a moment, just a moment.
34:17That wasn't a robbery.
34:18It was supposed to be an exchange.
34:20Who does he think he is?
34:20Someone carrying a hundred million in a bag isn't going to come and try to get it back.
34:24That's why I say, when he comes I'll already be in my mom's.
34:26That's not my bag!
34:28No, no, no, no.
34:30This is Emilio's sports bag.
34:31Yes of course.
34:32He's going to run that marathon.
34:34We've seen everything from the balcony.
34:35Come on, let's split the money.
34:37You guys are such gossips, aren't you?
34:39Damn, you guys start shooting like we're going to miss it.
34:41No, no, no, ladies.
34:43According to the law, whoever finds it, keeps it.
34:45Okay, we'll call the police and let them decide.
34:48We shouldn't rush into things, we need to think things through.
34:50Here are one hundred million pesetas that are going to go to waste in a police station.
34:53That money belongs to everyone!
34:55Let's spread the word now before the whole street finds out.
34:59Yes, but let's go somewhere more discreet.
35:01There's none of that here.
35:01I think we should clarify whose money this is.
35:04If no one has shown up in three days...
35:05We put up a sign, and one hundred million have appeared.
35:09Ask at the reception desk.
35:10Now let's go, come on!
35:40Hey, what's this Traviata thing all about?
35:43Is it very long?
35:44It's a beautiful love story between a courtesan and a poet
35:47which ends when she dies of tuberculosis.
35:50Well, the ending has kind of ruined it for me.
35:51No, the important thing is the music.
35:53He already trusts you in me.
35:54Darth Vader and Dwarves with Rings aren't in it, but you'll like it.
35:58No, no, no, I had planned to come, but you know how it is, you keep putting it off and...
36:01Take it as a new experience.
36:02Just relax and enjoy.
36:04Let yourself go.
36:10Hey, isn't anyone else coming to this box?
36:12No, we are alone.
36:14Look, it's starting now.
36:26The soprano is wonderful.
36:28Yes, I was just about to tell you.
36:31No, no, money is what...
36:34Money is what...
36:34Money is what...
36:35That's the one from home, but...
36:36And you?
36:38My mom says she's leaving home, she's packing her suitcase.
36:40Pablo, it's the same crisis every month.
36:41So now, since they've changed the time, it's a little earlier.
36:44I think more than anything, seriously, he's saving the herbs.
36:46Please, I'm very well guided.
36:48We'll talk about it later.
36:49A little order!
36:50Stop shouting, the other neighbors will hear you.
36:54What I'm saying is that if there are four of us owners here, we would have to make four separate entries.
37:00Sorry, because I'm studying now and my mind is more alert.
37:02That means my father and I don't see a penny.
37:04Man, you guys aren't the owners.
37:06You're here for free.
37:07I've already marked 0 and 9.
37:08Either you give me my share or I'll press 1.
37:10Still!
37:11Stay still, stay still!
37:11Leave the mode.
37:12Look how bad you are, and you'll have done everything at your first communion.
37:15Let's leave the police alone; they'll be very busy issuing fines and confiscating calimochos.
37:21In light of Emilio's claim, I believe it is best to divide it equally among all those present.
37:25Milk!
37:26I'm losing a fortune!
37:28Ma'am, there are four of us at home and we have many expenses.
37:31Your son is paying for your asylum.
37:32It's a chalet!
37:34Why don't we divide ourselves by age?
37:35That, and the older women who earn less, since they have fewer expenses.
37:38Oh no!
37:38What a bastard!
37:39Eat us!
37:40Okay, that's fine.
37:41Either we reach an agreement, or I'm the one calling the police.
37:44I don't need that money.
37:45I am a very simple person.
37:46Yes, it's necessary, Juan.
37:47Yes, it is necessary.
37:48Well, in five parts and that's it.
37:50Twenty million each.
37:52Well, there's already a possibility of an agreement.
37:55He glimpses how my child speaks.
37:56Yes, now that we have money you love me a lot.
37:59Okay, let's split the money, I have a lot of things to buy.
38:03And for God's sake, nobody should get the bright idea of putting it in the bank.
38:07This is dirty money.
38:08Oh, twenty million!
38:10What a wedding we're going to have!
38:12Hey, Isa?
38:13I'm telling you.
38:15Hey, we'll put some good ham on the presidential table.
38:18Where are you going?
38:19I'm going to buy some pants.
38:21Uncertain, man!
38:22Which pants and trousers?
38:23My best part.
38:23And let's see what this is giving them.
38:25How much have you given me?
38:26Yes, I can't be.
38:28No, it can't be!
38:33No, it can't be!
39:13No, it can't be!
39:18Okay, okay, okay!
39:19Pretty!
39:23We already got some t-shirts outside, huh?
39:25Yes, it's still strong.
39:26Come on, come on, let's go.
39:27Okay, okay, okay!
39:28Okay, well, okay.
39:29Come on!
39:31That's great, man!
39:35Didn't you like it?
39:36It hasn't been good, has it?
39:37Yes.
39:38I'm just very relaxed, Emilio.
39:41I haven't found my rhythm.
39:42When I got on top, I fainted.
39:44I'm like Spain in the World Cup.
39:46I fall apart on big occasions.
39:47I really did like it, Emilio.
39:49The thing is, you're more worried about me enjoying myself than about you enjoying yourself.
39:53I think it's the math that's throwing me off.
39:58You've been great, man.
39:59Don't beat yourself up.
40:00Dad, but you're already here.
40:02You're one of those lesbians, aren't you?
40:03I was in the bathroom and it started today and I was embarrassed to come out.
40:06So what happens?
40:07Can't you go somewhere else to do your thing?
40:09My son, every king has his throne.
40:11Well, I'm going to have a few beers.
40:13I took two thousand euros for the taxi.
40:14Hey, hey, don't start wasting money on fools, huh? I know you.
40:17Shut up already, you pest.
40:18Shut up already, you pest, shut up already.
40:20Hey, did you really win that money in the lottery?
40:22Yes, yes, woman.
40:24It was a stroke of luck.
40:26With that money I was going to get you off the street.
40:27What are you saying, Emilio?
40:28In other words, the only card you'll have to play is the one about the Three Wise Men.
40:31But I'm delighted with my job.
40:34What do you like to work on?
40:35Well, I'll pay for your psychologist too.
40:40Get in the car.
40:41Yes, of course, I clean the upholstery.
40:44Get the car up, damn it.
40:45That's right, yes, I don't really need any affection.
40:47Beware of the stump, I've drunk wine.
40:53Where are we going? To a surprise party?
40:56Emilio, help!
40:57But you're leaving now, aren't you? Won't you stay if we celebrate?
40:58It's gotten very late, Emilio.
41:00But why do you never stay overnight?
41:01Don't you like my house?
41:02Your house?
41:03Yes, your house is charming, your house.
41:06Let's see when you show me yours.
41:09You weren't going to like my roommates.
41:12Bye.
41:12Well, but...
41:15That I love you very much and that's it,
41:17And send me a message letting me know it arrived safely.
41:20He didn't like it, he didn't like it.
41:27I'm sorry, darling.
41:28Don't worry, I was waiting for you.
41:31How are you?
41:33How was the opera?
41:36How wonderful, how beautiful.
41:38Well, how I cried!
41:40Have you cried?
41:41But if you haven't cried since the last time
41:43I told you that the bathroom needed cleaning.
41:45And you were right, weren't you?
41:46Maury is a very special guy.
41:47Then we went for a drink
41:48And it was the first time
41:49that I talk about my feelings with a man.
41:52I've opened up, Lucia.
41:53It's been wonderful.
41:54You've been drinking a lot, haven't you?
41:55No, no, no, not at all.
41:56I've been talking the whole time.
41:57Because Maury knows how to listen.
42:00Gays are something else.
42:02Should I start worrying you?
42:03Hey, Lucia, please,
42:04Don't be intolerant and basic.
42:07Having a gay friend is very nice.
42:09Okay, okay, no, no, very good.
42:11Well, I'm very glad.
42:12that a new stage has opened in your life.
42:14The only thing I want is to shake his hand to greet him
42:16It's a bit cold.
42:17I can tell he's uncomfortable
42:18And I don't want to seem old-fashioned.
42:20Gay men get two kisses, right?
42:22Well, I don't know, I'm not familiar with the protocol in these cases.
42:26No, tomorrow I'm going to take him to a hidden and sensitive place.
42:29I'm going to look for an exhibition of something.
42:31Very good.
42:33So, how are you all doing?
42:35That's bad.
42:36Alicia and Belén have joined us.
42:37and they have kept us away all night.
42:39So nothing happened today either?
42:40Oh, Maurice, I'm so embarrassed.
42:42Look, when I'm with Lucia I get very nervous.
42:44So I like it more and more each time.
42:45I'm getting more and more nervous.
42:46Well, I can't keep Roberto entertained any longer, can I?
42:48I have the feeling
42:49that I'm starting to like him.
42:51What does it say?
42:51Yes, he's gaining confidence with me.
42:53And she started telling me her secrets.
42:56His first love, his first erection,
42:58a trauma he had with a cousin in Benicassi.
43:00Today was a proper first date.
43:02Don't be paranoid.
43:03How can Roberto be gay?
43:05Look, every man keeps things in his closet
43:06a folkloric dress.
43:08Besides, now that I'm getting to know him
43:09I'm starting to like him a lot.
43:12I honestly think what you're doing to her is awful.
43:13I?
43:14But you were the one who told me that Lucia was a lesbian.
43:16Well, my intuition might fail me.
43:18I knew that one of them was gay.
43:19It's Roberto.
43:21This has gotten out of hand.
43:22We have to stop.
43:23So how do I stop now?
43:24I just love Lucia.
43:25What a mess!
43:27Look, I'm already like the president.
43:30Do you see why I miss Fernando?
43:32He would never let me do these things.
43:35Hello.
43:36Hey, I was thinking that if you want tomorrow
43:38We can go see an exhibition
43:39of Impressionist painting
43:40who say it's very good.
43:41Look, very good.
43:43Tomorrow.
43:44The thing is...
43:46Okay, tomorrow.
43:47But we came straight home
43:48because I get up early.
43:49Yes, yes.
43:51Well, man.
43:53See you tomorrow.
43:59Thank you.
44:00We're meeting for dinner tomorrow.
44:02I swear I'm going for it.
44:04No no.
44:04So, now I have the ball.
44:06If all you have to do is
44:07is to go down to the video store with me
44:08and we kiss in front of them
44:09And that's it.
44:09With tongue.
44:10If possible?
44:10Why would they believe it?
44:11No.
44:11And if you ever bring joy to my mother again
44:13showing up at home
44:14I swear I'll kill you.
44:15But what's it costing you?
44:16It's like doing a charity work.
44:17Alex, don't you realize
44:18of the satisfaction that it brings
44:19Say no to a guy like you?
44:21But, Nati, listen to me.
44:23Because if you don't
44:24I'm going to have to get naked.
44:25to clean the windows of the video store.
44:27That's exactly the fact.
44:28that I needed to finally make up my mind.
44:30Okay, see you later.
44:31Look.
44:32On your knees.
44:36What I do?
44:38Should I wax?
44:41She has left home.
44:42Isabel has left home
44:44and we are devastated.
44:45Seen work.
44:46He's had a problem with your wife.
44:48Pablo told me.
44:49With Paloma?
44:50But they were both so happy
44:51preparing the wedding.
44:52Which, on the other hand,
44:53I don't see it, Andrés.
44:54Of course not.
44:55But how are they going to get married?
44:57Alex and Natalia
44:58Is that just sex?
44:59That's what I say.
45:00That you don't have to...
45:01like just sex.
45:02When your daughter is as hot as cheese
45:04And my son is going about his business,
45:06if nothing happens
45:07It's the hormones.
45:07No, be careful.
45:08My daughter isn't like that, you know?
45:10That's perfectly normal.
45:11They'll spend the whole day there.
45:13I'll hit you and that's it.
45:14Well, it's not necessary
45:15that you go into details.
45:16Let's see if we're going to have
45:16a problem between you and me.
45:17No, here's the problem
45:18I have it.
45:19My wife has left home
45:21because of you.
45:22Well, try to locate it.
45:23We met
45:24and we all talked about it.
45:25Parents and children.
45:26It's definitely a misunderstanding.
45:28Like the idea you have
45:29of my daughter.
45:30Let's see now
45:31Where has Isabel gone?
45:32At her yoga teacher's house.
45:34I'm going to look for her.
45:36Juan, darling.
45:37On the phone.
45:39If always
45:40Everything splashes me.
45:41I need
45:42a vice president.
45:45Today we have to buy
45:46A safe, huh?
45:47Let them shove it up our asses
45:48in the closet.
45:49Or behind a painting
45:50as in important houses.
45:51Yeah.
45:52Juan Cuesta?
45:53Yes, it's me.
45:54Listen carefully.
45:55You have something
45:56that belongs to us.
45:57We have
45:58something that belongs to you.
46:00No, I don't know.
46:01What are you talking about?
46:01He danced just the same
46:02Some number, huh?
46:03The money
46:04that you have stolen from us,
46:05sons of bitches.
46:06We have your goalkeeper.
46:07He's going to the door!
46:08Open it, darling.
46:09Attend
46:09I'm talking to you.
46:10If in twelve hours
46:11You haven't returned the money,
46:13We killed the goalkeeper.
46:14That's clear.
46:15Who are you talking to?
46:16Emilio has been kidnapped.
46:17What are you saying?
46:17If you are here.
46:18Hey, that's not funny at all, is it?
46:20If you get bored,
46:21browse the internet
46:22like everyone else does.
46:23Mr. John,
46:23I'm worried.
46:24I don't know where my father is.
46:25He has not spent the night here.
46:26Or it could also,
46:28politely and without taking offense,
46:29pass me to the goalkeeper
46:30to check
46:31who is still alive.
46:32What does it say?
46:33What's happening?
46:33One moment.
46:34Listen.
46:35Dad.
46:36Son.
46:36He has been kidnapped.
46:37Oh.
46:37Son, I love you very much.
46:39And they've also drugged him.
46:40Dad, calm down,
46:41I'm going to find you.
46:41Where is?
46:42And I don't know, you idiot,
46:43He kidnapped me.
46:44That's enough.
46:45You will hear from us again
46:47and no police.
46:48Listen.
46:49Listen.
46:50They hung up on me.
46:52Mr. John,
46:52So what happens?
46:53Are they going to kill him?
46:53If we give them their money back, no.
46:55Well, you trust me.
46:56The same,
46:57We'll refund your money
46:57And they kill him anyway, huh?
46:59What a mess.
47:00I warned you.
47:00I did warn you.
47:01So what are we going to do now?
47:03Urgent neighborhood meeting.
47:04We need to get the money back.
47:05before they spend it.
47:06Oh, poor Emilio's father.
47:09But this needs to be voted on, right, Juan?
47:12Good.
47:13First and only item on the agenda.
47:15Kidnapping of Emilio's father.
47:16Oh my God.
47:17As I predicted,
47:18We've gotten ourselves into the biggest mess of all.
47:20that my twelve years of mandate
47:21have met this community of ours.
47:22If this whole citizen patrol thing
47:24It has to be done right.
47:26Correct.
47:26The kidnappers threaten
47:28by depriving Mariano of his life
47:29if within twelve hours
47:30We do not return the full six hundred thousand euros.
47:33And I emphasize the part about integrity.
47:35Has anyone bought anything?
47:36And what are we going to buy?
47:37What if we haven't had time for anything?
47:39I ordered an electrode device.
47:41on the infomercial.
47:42The kind you burn fat on the couch.
47:44This is what you have to vote for.
47:46That's what we prefer.
47:47The one hundred million or Emilio's father?
47:49Man, I said it like this,
47:50I even doubt it myself.
47:51The important thing is that he is a human being.
47:52And a life is priceless.
47:53Yes of course.
47:54And we agree on that.
47:55But you love him very much.
47:57Damn, he's my father.
47:58Or not.
47:59You believe everything you're told.
48:00And the gentleman is already quite old.
48:02And from now on
48:03It can only get worse.
48:05Look at my sister.
48:05Silence.
48:06Now silence.
48:08Juan Cuesta, president of the community.
48:11Do they have the money?
48:12To have put it in the bank.
48:13That money belongs to everyone.
48:14because I was in the street.
48:15And that's that.
48:16Yes, yes, don't worry.
48:17Everything is there.
48:18Tonight at 12.
48:19Barrio Nuevo Industrial Estate.
48:21Warehouse 17
48:22next to the garbage container.
48:24Couldn't you spare us the visit?
48:25and make a transfer?
48:26Are you an idiot?
48:27One moment.
48:28I want to talk to my father.
48:29He's in the bathroom.
48:30Well, go find him then.
48:31If I don't talk to him, there's no deal.
48:32One moment.
48:33Okay, let's start voting.
48:34What the gentleman puts on.
48:35I remind you that they know who we are
48:36and they know where we live.
48:37They can start with Mariano
48:38and continue with each one of us.
48:40Look, I already have a reason.
48:41to have cosmetic surgery.
48:43No, you already have two.
48:44The way things are looking,
48:45The most sensible thing to do is to return it.
48:47Votes in favor of recovering Mariano.
48:52Thank you so much, really.
48:53It moves me to see everyone united for my father.
48:55Son, have you spoken to the neighbors yet?
48:57Uh, yes.
48:58Hey, Dad, do you have any life insurance or anything?
49:00Son of a bitch.
49:01You're going to keep the money.
49:03What a name!
49:04If it's in case there's a shooting,
49:05a traffic jam or something.
49:06If we've already voted, we're coming for you.
49:07You gave me quite a fright.
49:08It happens to Dimitri.
49:09Remember, at two o'clock.
49:12No police.
49:13Twenty million.
49:15What a pity.
49:16We do nothing but watch money go by.
49:18Any volunteers to do the exchange?
49:20Why do you ask, Mr. Juan?
49:22Oh, honey, be very careful, okay?
49:28Mom, how can you leave us alone with Dad?
49:30I can finish off the psychosis guy, with a wig and by killing people in the shower.
49:33Okay, son.
49:34I'm coming back.
49:35If all I need is a little peace and quiet, a little peace, to be alone.
49:42What is this?
49:43The marriage proposal?
49:44Hey, Isa, why are you going around saying that you left because of me?
49:47What have I done to you?
49:48For example, making up that we're going to get married when we're not even dating.
49:51What do you mean you're not dating?
49:52I saw you kissing on the landing.
49:53Or am I going crazy?
49:55Man, someone who's seen her.
49:56Would you mind coming down to the video store with me?
49:58But, Natalia, is she or isn't she pregnant with Alex's child?
50:00What are you saying?
50:01But why do you make things up?
50:03Not me, she misunderstood.
50:04How are you doing all day with the herbal teas?
50:06But how can my daughter be pregnant?
50:08If she is a virgin.
50:09Well, now that everything is cleared up, I'm leaving.
50:11No, you stay here, it's all your fault.
50:14Come on, let's forget about this incident.
50:16that today we have more important matters to occupy our time.
50:19Exact.
50:19I'm about to risk my life.
50:21God knows what kind of people,
50:22And this is exactly what I need to arrive relaxed.
50:25Let's see, because I think everything makes sense now.
50:27The only thing that's happening here is that you're terribly jealous of your daughter.
50:31Because she is much prettier, much smarter, and much younger than you.
50:34Oh well.
50:34And since she's desperate to get rid of her,
50:36He tries to marry her off to the first man who comes along.
50:37In this case, my brother, who is simple and immature.
50:39Whatever you want, but you're a virgin.
50:41So solve any problems you have inside your house.
50:43And leave the rest of us alone, we have enough on our plate already.
50:47Well, look, Isa, you know what I'm saying?
50:49That you've missed your chance to be friends.
50:53Well, a happy ending.
50:55And do you know what they call you on the stairs?
50:57The rare one.
50:58And the herbs.
50:59Do you see it, Juan?
51:00Everything is sorted now.
51:02Yes, things, by talking them through.
51:04Whose idea is that?
51:06Eight daisies.
51:09I'm fine.
51:11Come on, let's go to the track.
51:13Let's see if anyone comes in.
51:15He doesn't even know where he is.
51:18Belén, if I were you I'd take her home before she vomits on the carpet.
51:22Okay, come on, Alicia.
51:24Let's go, I saw some really hot guys over there, come on.
51:28They're amazing.
51:29You've been lucky, Ovaridol girl.
51:33Yeah.
51:33But I'm taller and prettier than you.
51:37Yeah.
51:37And I have more talent.
51:39Yes, yes.
51:40You are everything to me, more than I am.
51:41But come on, let's put her to sleep.
51:43Oh yes, I'm fine.
51:44God.
51:45Go away, you bitter woman.
51:47You're a bitter person.
51:49Don't get cocky with me or I'll let you go, okay?
51:51Come on, shoot.
51:52Come on.
51:53Damn, girl.
51:54Dude, walk straight.
51:56There.
51:57Through the hole.
51:58See you later.
51:59Alice.
52:01Well, we'll stay a little longer, won't we?
52:04Yes, I'm not in a hurry.
52:06Okay, I'm going to change, alright?
52:07I'm going to get more comfortable, I'll be right back.
52:09Okay.
52:15You've finally confused me, haven't you?
52:17First thing I told you was that I had to be home soon.
52:20It's just that when I start talking to you, I don't know what's happening to me.
52:22It's something special.
52:24Well, not special either.
52:25It's a friendship.
52:27Exactly, a friendship.
52:28But I've told you things that you don't even know how to show off.
52:30Better, better.
52:31Because you love her very much, right?
52:33Yes, a lot.
52:34That's great.
52:36You're very much in love with Fernando too, aren't you?
52:38Yes, quite in love.
52:40Do you have to feel so alone?
52:42Well, not much either.
52:43Now with the internet.
52:45Do you want to have one last drink at your place?
52:47Roberto, it's already very late.
52:50Thank you very much, huh?
52:51Mauri.
52:53I want to know things about you too.
52:55How do you feel?
52:56When you connect with someone like that, it's very special.
52:59Don't close yourself off.
53:00Look, Roberto, I'm very sorry, but I don't want anything to do with you.
53:04Hey?
53:04You're wrong, you don't attract me.
53:06Besides, I have a boyfriend and you have a girlfriend too.
53:08And you're going to hurt yourself, okay?
53:10Before taking such an important step in your life and your sexuality, you should talk to her.
53:14What do you think you are?
53:15Am I pulling your eyebrows at you?
53:16But you were the one behind me.
53:18What about me?
53:18What are you saying?
53:19But I'm into older women.
53:21Well, you hide it very well.
53:22So, just because I'm a sensitive guy, I must be gay?
53:24Isn't that it?
53:26You've disappointed me, Mauri.
53:27I expected much more from you.
53:29Well, maybe my instincts failed me, huh?
53:30There's no need to get angry.
53:32Okay, fine.
53:32Let's have one last drink, it's on me.
53:34And even if Jafri Bogas left with the policeman in Casablanca,
53:36He actually liked aunts, just like me.
53:46Well, if he's so offended, then he's cool.
53:53The problem is that I really like someone,
53:55But I don't know if she'll like me.
53:57And I'm hesitating between taking the plunge or not.
53:59because I don't know how he's going to react.
54:01Go for it, Bea.
54:02Yes, life is short.
54:04She has a partner.
54:06The thing is, a friend told me he's having problems and isn't happy.
54:09Well, look, maybe you'll be doing this guy a favor.
54:12So.
54:14I think I'm going to take the plunge.
54:17Oh, I think I'm not going to drink anymore.
54:20Because I'm starting to get a little drunk.
54:23The whole room is spinning.
54:29I'm blown away.
54:30I'm just blown away.
54:31Hello.
54:32Honey, I'm drunk.
54:33Can you believe I would have thought I was chasing after him?
54:38Don't laugh, it's true.
54:39He thinks I'm gay.
54:41Well, now that you mention it, darling,
54:43My mother once told me that I saw you looking a little bit feathery.
54:46Is this kid out of his mind or what's wrong with him?
54:49Does everyone have to be gay?
54:50Didn't he tell you that you're a lesbian?
54:52No, he hasn't said anything about me.
54:53But anyway, I'm leaving, I'm not needed here anymore, okay?
54:55Well, that's it.
54:56See you later, Bea.
54:58Bye bye.
55:03Hey, and you stop laughing already, okay?
55:04That you are to blame for all of this starting.
55:07Have you seen what happens when you go through life being overly sensitive?
55:09You can't let your guard down.
55:11I'll keep an eye on this girl to see if they catch you.
55:12Well, that's it, darling.
55:13How was your first homosexual experience?
55:17Fatal.
55:17And then the guy goes and rejects me.
55:19Thank goodness I'm not gay.
55:20Otherwise, I wouldn't get a single bite.
55:22I'm going to bed.
55:23Honey, come here.
55:24Don't get tied up, silly.
55:26Lucia.
55:27That?
55:27I'll put you in the shower.
55:28You?
55:28And how many more?
55:29Let's see.
55:32I just don't understand why you had to come.
55:34They're only going to make things more complicated.
55:35I don't trust him.
55:36It's probably just a trick to keep your money.
55:39And besides, if you get shot at, it's better to have witnesses, isn't it?
55:43I want to ask you about my bag.
55:45Mr. Juan, it's cold because you weren't at the window.
55:47Because I don't have one.
55:48Your father killed her.
55:49This time of year is very common for colds.
55:51He's been dragging it around all summer.
55:52What does it matter?
55:53We could all be dead in a few minutes.
55:55Well, seen like that, it doesn't matter.
55:57Hey, just out of curiosity.
55:59Before I die I'd like to know at what kilometer marker those damn little trains were located.
56:03At kilometer 307.24 from point A.
56:06Oh, no.
56:06I already suspected it was because of Calata and there was something about it.
56:08The problem is that I didn't have any proof.
56:09Behold!
56:10Here they come!
56:16Take it.
56:17Put on these tights so they don't recognize you.
56:20You guys wait here inside the car, okay?
56:22Okay, Emilio.
56:23Let's go.
56:24Try to appear calm.
56:26No, I'm calm, but I have difficulty controlling my effusion.
56:34And leave the keys in, okay?
56:36In case we have to make a quick getaway.
56:38Come on.
56:48Hello, I'm Juan Cuesta, president of the community.
56:52Have you brought the money?
56:53No, we've come for a walk; it's a very romantic night here.
56:56Emilio, please don't hesitate with them.
56:58Approach slowly.
56:59No, I want it for my father.
57:08That's not my father.
57:09That's just how I am, damn it.
57:10That might be why I can't see a damn thing.
57:12Advance towards us slowly.
57:17A little faster.
57:18Yeah, fucker, what's the deal?
57:22How are you?
57:23You have to see the misunderstanding that has been created.
57:26Why are they wearing stockings if we already know who they are?
57:29It's a trick, Mr. Juan.
57:30He doesn't ask for it.
57:31Here's the money.
57:33Plus a passive exercise machine.
57:34Yes, plug in the elastoders and do sit-ups while you plank, while you're banging someone.
57:39The next time they meddle where they're not wanted, there won't be any hostages.
57:43Is that clear?
57:44No, no, no, no, don't worry.
57:45Now, Mariano, let's go.
57:46A hug, divide me.
57:48Come on, Dad, don't be silly and give me a hug, I'm your son.
57:51Sorry!
57:52Who is that?
57:53Who is that?
57:54No, no, no, another one, I want.
57:55She's a neighbor who comes with us.
57:57What do you want, Vicenta?
57:58Do you know where there is a bathroom?
57:59I'm peeing myself.
58:01Come on, let's go.
58:03Everyone in the car.
58:04These things should be handled by a vice president, man.
58:08Oh yes, then we'll stop at the next gas station.
58:10I don't know, Vicenta, I don't know.
58:11And Juan and my neighborhood, where are you going now?
58:13Carry it on your lap, Emilio.
58:14Can!
58:14That's what it is, man!
58:15Come on!
58:18Son, every time I remember that zuno...
58:20Dad, you have to try to get over the kidnapping.
58:22No, but it was bigger than this.
58:24What a bed I had all to myself!
58:26And they brought me breakfast and the newspaper to take my picture.
58:29But, Dad, they were going to kill you.
58:31Well, it was worse with your mother.
58:33Hey, I don't know if you've noticed that all the neighbors have given up a lot of money.
58:36Thanks for having you here, huh?
58:37It's true.
58:38Thank you very much, son.
58:41But, Dad, it had been a long time since you gave me a kiss.
58:43And what you have left for the next one.
58:45Go on, turn off the light.
58:47Do you realize?
58:48But this has ended like in American movies, in a nice way.
58:50We missed the good aunt.
58:53Well, you can't have everything.
58:55Come on, go to sleep.
58:56Activate whoever lives!
58:57No!
58:58Activate whoever lives!
58:59I think we've had enough of laughing our heads off, don't you?
59:02That?
59:02I don't find it funny at all, let me tell you.
59:05Go ahead, long live the market!
59:06But if we run out of chard, then we'll have to go back to the supermarket.
59:09But seriously, what is this?
59:12Wait a moment, I'm going to rent a movie.
59:14But what if we don't have video?
59:15What does it matter, Vicenta?
59:17You get lost in the details.
59:18Look, look, look how she wiggles her little butt.
59:21Now that's some advertising on billboards!
59:23Well, this is clean now, right?
59:25And there was still a little stain.
59:26Where?
59:27Marisa, let's go, I can't watch this.
59:30Well, you can't take your eyes off him.
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