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00:00:22Nobody can live here!
00:00:24Not here, not here.
00:00:32Here, here, here, here!
00:00:57Emilio, this is the last time you don't put the trash cans out first thing in the morning!
00:01:07You're risking a disciplinary case, aren't you?
00:01:09Yes, yes, yes, Doña Belén. Don't worry, it won't happen again.
00:01:12Very good.
00:01:13Good morning, Mr. Juan.
00:01:14How's the Iron Lady doing? Can you feel the pressure yet? Well, this is just the beginning.
00:01:19Juan, come on, breathe. Enjoy your new life.
00:01:23Take.
00:01:24The accounts, the bylaws, and the minutes. And watch your step, because I'm keeping an eye on you. Big Brother
00:01:30He's watching you.
00:01:31Yes, let's go.
00:01:33And where are you going to hold the meetings? Because at my house, no way.
00:01:36Juan, you're retired. Remember Felipe. Don't you like bonsai trees? Or gems?
00:01:41This Czech woman doesn't know what she's gotten herself into. She'll be knocking on my door soon enough.
00:01:44And maybe I'm not there!
00:01:46Why don't you give lectures? Maybe they'll give you an honorary doctorate. From anywhere.
00:01:52Damn, power is addictive. It's the Fraga syndrome.
00:02:02Hey, hey, hey! You can't park here. This is a loading and unloading zone.
00:02:06It's me, damn it!
00:02:08But where did you get that motorcycle?
00:02:10Well, look at what I've compared myself to with the profits from my book.
00:02:13Well, I'm going to take a walk to see if I can touch my knee to the roundabout.
00:02:16But where are you going? Where are you going? Do you know how to handle this?
00:02:19Ignorant of life, I gave Rueda Ángel a hard time, and this was at his best.
00:02:23The thing is, he was overtaking me on the straight because he had a bigger engine.
00:02:26Dad, you're like Maya the Bee. You live in your multicolored country.
00:02:29Okay, leave me alone so I can go.
00:02:30Go on, yes, go away. Go away, go away and don't come back here again, okay?
00:02:41Oh my God, what a burden!
00:02:45Well, girls, that's it, I hope you like the torrijas, okay?
00:02:48Hey Jesus, you're an angel. I'll bring you some chicken croquettes later.
00:02:52Oh, and the house? It's beautiful!
00:02:55Thank you, may God preserve your sight.
00:02:58My sister, who has quit smoking and is in her bedroom in voluntary seclusion to avoid temptation.
00:03:03Just in case love is closed off from the outside.
00:03:06Mom, mom, what are you doing?
00:03:07Well, public relations, since you're the president now.
00:03:11That would have to come from you.
00:03:14Slut, come in.
00:03:16No, what do you want? I'm very busy.
00:03:17We'll have to plan your term in office, I say.
00:03:20Never forget who put you where you are.
00:03:23I didn't want to be president.
00:03:25Well, you are, so obey.
00:03:27Or do you want us to tell your boyfriend about the use and enjoyment you get from the goalkeeper?
00:03:32It's not evil.
00:03:34It's just that older people tend to go off on tangents, we don't even realize it.
00:03:37Okay, what do they want? Let's see, what do they want?
00:03:39First, kick Andrés Guerra out of the attic.
00:03:42That man is there for free and it costs us all money.
00:03:45You're the one who's screwed because he's with Carmen.
00:03:48But Manolo never left me.
00:03:49Shut up about Manolo, damn it, you're putting it everywhere.
00:03:53But how am I going to fire Andrés?
00:03:55That you're dating a friend of mine.
00:03:57Politics is tough.
00:03:58And sometimes you have to make difficult decisions.
00:04:01Well, you take them.
00:04:02Why don't they want to be presidents?
00:04:04Because true power lies in the shadows.
00:04:06We are a lobbying group.
00:04:09Who do you think you are?
00:04:10What bus is doing here?
00:04:11No, no, no, no.
00:04:12Schwarzenegger is the one who calls the shots there.
00:04:16Belén, let's see if we can check the heating schedule, because I work in the mornings and I freeze.
00:04:21Yes, yes, I had already thought of that.
00:04:22You're lying.
00:04:23But hey, you'll learn eventually.
00:04:25And you tell the gays to take down the curtain they've put up in the kitchen.
00:04:29It covers a lot.
00:04:30Well, I'm not doing myself any good, am I?
00:04:31Belén, there's a broken step on the third one.
00:04:34Someone is going to kill themselves.
00:04:35Yes, yes, I've already noticed.
00:04:36The carpenter has been notified.
00:04:37You're lying, but I don't care.
00:04:39But it's that obvious.
00:04:41Why haven't you thrown it out now?
00:04:43Did you have it made?
00:04:44Well, why not.
00:04:45That's done at the meeting.
00:04:46And let me do things my way, okay?
00:04:48He lacks party discipline.
00:04:51You've shut me down.
00:04:53I want a cigarette.
00:04:54Parisa, hang in there, you're doing great.
00:04:57Have you put on the patch?
00:04:58I put on three.
00:05:00She's such a donkey.
00:05:01This will give you a nicotine overdose.
00:05:04Ana, seriously.
00:05:04You're perfect for the new dopers campaign.
00:05:08It's the image I'm looking for.
00:05:09Me, a model?
00:05:10I'd be delighted, but I don't have the body for that.
00:05:13Okay, do you hit him or do I?
00:05:15It's a tough world, isn't it?
00:05:17They put you on a diet, they push you down the stairs.
00:05:20I would insist on the flight attendant option.
00:05:22Well, if you have doubts, then think about it calmly.
00:05:26No, no, no.
00:05:26Yes, I want to, I want to, I want to.
00:05:29Oh, hello, Belén.
00:05:30Hello.
00:05:30My love.
00:05:32I was waiting for you.
00:05:33Come to the bedroom.
00:05:34I have a surprise for you.
00:05:37Pedro, darling.
00:05:38Don't run.
00:05:39I just finished washing up.
00:05:40Let's see if you're going to fall.
00:05:42Mom, will you stop flirting with my boyfriend?
00:05:45Hey, what did I say?
00:05:46No, no, it's what you say.
00:05:47It's the tone.
00:05:48The tone.
00:05:49And what does Pedro want?
00:05:51Did you buy me something?
00:05:52No, no, no, I don't think so.
00:05:53But she had a bag with clothes.
00:05:55What fantasy is on today?
00:05:57Schoolgirl or shop assistant to vices.
00:05:59He and I for sex.
00:06:01My mother, Emilio, and the three ladies are blackmailing me.
00:06:04And everyone's the same.
00:06:05Just tell Pedro you slept with Emilio and that's it.
00:06:08Yes, it's done.
00:06:09Shit, the wedding.
00:06:10Belén, I'm here.
00:06:11Yes, I'm coming.
00:06:15Let the show begin.
00:06:20But what are you wearing?
00:06:23Goalkeeper.
00:06:26Hey, look, let's take advantage of the fact that you're now the president and let's create a fantasy.
00:06:31You tell me to scrub the stairs and you make me get on all fours.
00:06:35Pedro, Pedro, Pedro, I just don't like sexual fantasies about doormen.
00:06:39And what isn't?
00:06:51Can you tell me what you do?
00:06:52Will you please leave me alone for a little while?
00:06:55It's the young man.
00:06:58Emilio, what do you want?
00:07:00What time should I schedule the meeting?
00:07:01Didn't you tell me to check on the neighbors?
00:07:04What a stress, for God's sake.
00:07:05Belén, so what do I do? Do I change?
00:07:08Yes, yes, my love, change.
00:07:15No one can live here, here, here.
00:07:17Not here, not here.
00:07:19Every day is like this.
00:07:21I couldn't imagine it when I came here.
00:07:24I was just looking for some peace.
00:07:26I wake up every day in the middle of a hurricane.
00:07:29No one can live here, here, here.
00:07:31Not here, not here.
00:07:32No, no, no.
00:07:33No one can live here, here, here.
00:07:35Not here, not here.
00:07:37No, no, no.
00:07:38The house survives, then collapses.
00:07:39I can't find the goalkeeper.
00:07:42My neighbors watch and listen to me.
00:07:44I can't stand being in this place.
00:07:47Put it in a cocktail shaker.
00:07:51It was an earthquake and a huge explosion.
00:07:54Yes, yes, yes.
00:07:56And you'll have this ladder.
00:08:00No one can live here, here, here.
00:08:03Not here, not here, no, no, no.
00:08:05No one can live here, here, here.
00:08:07Not here, no, no.
00:08:14No one can live here, here, here.
00:08:16Not here, not here, no, no.
00:08:19No one can live here, here, here.
00:08:21Not here, not here.
00:08:22No one can live here, here, here.
00:08:23No one can live here, here, here.
00:08:26No one can live here, here, here.
00:08:29I like this place for meetings.
00:08:31When the requests and questions start, can I open a beer?
00:08:34Hey Emilio, don't give them any ideas.
00:08:35Let's see, let's see.
00:08:44Hello.
00:08:45I am Maria Jesus, the mother of Bethlehem.
00:08:48Ah, nice to meet you.
00:08:50Mauri, first go.
00:08:51Son, you're so handsome, my God.
00:08:53Do you know my daughter?
00:08:55She's a wonderful girl and...
00:08:56Ma'am, I'm gay.
00:08:58Ah.
00:08:59Okay, I'll introduce you to her.
00:09:01And why did they call me?
00:09:03What am I doing at a meeting?
00:09:04Well, I don't know, but you have a face like a dot of the day.
00:09:08Okay, I've done Andrés Guerra.
00:09:10But you have to support me to fix the elevator.
00:09:13Okay.
00:09:13But we want a UV light booth in the meter room.
00:09:16Okay, so the community will pay for my roof repair.
00:09:18Okay, well, it can be discussed.
00:09:20This whole coalition government thing...
00:09:24Listen, don't hold clandestine meetings with me like in the halls of Congress.
00:09:30Come on, let's go inside.
00:09:34Good morning.
00:09:35The meeting is about to begin.
00:09:40Turn off your mobile phones and don't smoke.
00:09:43The owner of the premises requests that the owners refrain from the misappropriation of snacks, chewing gum, and other small items.
00:09:50several.
00:09:51I'm letting you know I'm watching.
00:09:52Thank you, Emilio.
00:09:53Thank you, Paco.
00:09:54First of all...
00:09:56Mom, what are you doing?
00:09:58Woman, a memory.
00:09:59For once I'm proud of you.
00:10:02Emilio, please accompany my mother to the door.
00:10:04Hey, excuse me, but I've read the bylaws.
00:10:07And one companion per owner is allowed.
00:10:09He has read the statutes.
00:10:12French toast is making a strong comeback.
00:10:14Okay, please, can we start now?
00:10:16Belén, you need to show more authority.
00:10:17No, no, yes, it had already started.
00:10:19First of all, I'd like to say thank you...
00:10:21Herbs, where's the price?
00:10:23Juan has said that he won't be coming to any more meetings.
00:10:25He has given me the powers and I am very happy.
00:10:29Is Mr. Juan not coming?
00:10:30Well, it doesn't matter.
00:10:32I meant to say...
00:10:32This seems so strange to me.
00:10:34Okay, can I continue?
00:10:35Yes, yes, yes, Madam President, yes.
00:10:36I wanted to thank Carlos
00:10:38for giving us the space to hold the meeting.
00:10:40A round of applause for him, he's a good person.
00:10:43No, really...
00:10:44To you, to you.
00:10:46I had to become a member, but oh well.
00:10:48Okay, first item of the day.
00:10:52Invitation to Andrés Guerra
00:10:53so that he politely leaves the attic
00:10:55if he does not resist as soon as possible.
00:10:58Sorry?
00:10:59Sorry, but you're wasting electricity there.
00:11:01And it costs us all money.
00:11:03And wearing down the ladder.
00:11:04What's been going on with you all day?
00:11:05Up all day.
00:11:06Down all day.
00:11:07Vicenta, don't be vengeful.
00:11:09Ours was an impossible love.
00:11:11You couldn't give me children.
00:11:12And what do you know?
00:11:13Have you tried it?
00:11:14Okay, let's vote.
00:11:15because the image came to me.
00:11:17Yes, me too.
00:11:18Well, I vote in favor of Andrés leaving the attic.
00:11:23Four out of seven.
00:11:24Nominated and expelled.
00:11:26You are a bunch of miserable people.
00:11:27I'm rebuilding my life
00:11:29and you won't let me reintegrate.
00:11:31This is a disgrace.
00:11:33My colleague Andrés
00:11:34He is a man without resources,
00:11:35abandoned by his wife,
00:11:36for their children,
00:11:37friendless,
00:11:38without illusions.
00:11:39Thank you, son.
00:11:39You're really cheering me up.
00:11:41Don't worry, okay?
00:11:42In the third A
00:11:42You have your house for whatever you need.
00:11:44And what's the tasty one doing here?
00:11:45Because he is not the owner.
00:11:47Hey, partner, look.
00:11:48I am here representing third grade A.
00:11:50I have Lucia's authorization.
00:11:52The dick isn't coming,
00:11:53The hill doesn't come.
00:11:54This is a meeting of alternates.
00:11:55It looks like a Copa del Rey match.
00:11:57Okay, that's it.
00:11:58Second item on the agenda.
00:12:00My salary?
00:12:00No.
00:12:01My first spill.
00:12:03I'm going to fix the elevator this time for real.
00:12:06Votes in favor?
00:12:07Elevator working.
00:12:09Awesome.
00:12:09Oh well,
00:12:10First you will have to tell us
00:12:11How much does it cost per floor?
00:12:12But,
00:12:12Mauri,
00:12:13Don't complicate things further.
00:12:15Five out of seven.
00:12:16Excellent.
00:12:17The portal is under construction again.
00:12:19And what do you do?
00:12:19voting in favor of fixing the elevator
00:12:21when do they live in the first one?
00:12:22The car is already in very bad shape.
00:12:24Oh,
00:12:24My ankles are getting tingly.
00:12:26Well,
00:12:26Well, I vote against it.
00:12:27The electricity consumption of an elevator
00:12:29I find it completely unnecessary
00:12:30in a three-story building.
00:12:32That money could be used
00:12:33to buy shoes
00:12:34to poor children,
00:12:34for...
00:12:34Well,
00:12:35The session is adjourned.
00:12:36You may go in peace.
00:12:37We see, thank God.
00:12:39We left calmly
00:12:40one by one.
00:12:40Let's see,
00:12:41raise your arms,
00:12:41please.
00:12:42Oh,
00:12:42what's happening?
00:12:43Well,
00:12:43But what is this?
00:12:44A police state.
00:12:45Are you going to register all of us?
00:12:46I brought this down from my house myself.
00:12:47because my blood sugar is bad.
00:12:50Move along,
00:12:50Mrs. Concha,
00:12:51Circle.
00:12:51But when did he get this?
00:12:53But when did he get this?
00:12:54Yes, I've been watching the whole time.
00:12:55Garlic,
00:12:56They are veterans.
00:12:57It's been many years of dodging cameras.
00:12:58in the supermarket.
00:13:12Juan.
00:13:13Juan.
00:13:14Juan.
00:13:15Juan.
00:13:16And what are you doing?
00:13:18That's what I've been asking him for a while now.
00:13:20Hello darling.
00:13:21I'm there playing the piano.
00:13:22Ah,
00:13:23I thought you were cleaning it.
00:13:24I've been thinking
00:13:25And you're right.
00:13:26I need to retrain myself.
00:13:27The time to preside is over.
00:13:29We have to live.
00:13:29and do all those things
00:13:31that has been left aside
00:13:32in so many years
00:13:32of a political career.
00:13:33Yeah,
00:13:34No,
00:13:34it's very nice.
00:13:36Hobbies are essential,
00:13:38but
00:13:38The secret is in choosing well.
00:13:41There it is.
00:13:42I've always had the soul of an artist.
00:13:44I want to learn to play the piano.
00:13:46But with a title and everything,
00:13:47When I get going,
00:13:48I'll get started.
00:13:48Dad,
00:13:49I have a friend at the conservatory.
00:13:50It's been more than ten years
00:13:51and studying eight hours a day.
00:13:53Hey?
00:13:53So much,
00:13:54Hey?
00:13:54Eye,
00:13:55I'm not starting from scratch.
00:13:57Me when I was young
00:13:57He played with Rosendo.
00:13:58No,
00:13:59You've already told us.
00:14:00And at the faculty
00:14:01I was in the tuna,
00:14:02He played the tambourine.
00:14:03They wouldn't let me get promoted.
00:14:04I was always undervalued,
00:14:06like Ringo in the Beatles.
00:14:07Look,
00:14:08look,
00:14:08one thing is
00:14:09what is popular music
00:14:13and another is
00:14:14sit down at the piano
00:14:15to play something by Mozart.
00:14:17No,
00:14:17If I read the sheet music
00:14:18with welding,
00:14:19I just need to...
00:14:20get hold of the instrument
00:14:21what the technique is.
00:14:22Isabel,
00:14:23Could you teach me how to play?
00:14:25I?
00:14:25As?
00:14:26Well,
00:14:27Do you play the piano?
00:14:28No,
00:14:29as far as I know,
00:14:29no,
00:14:30as far as I know,
00:14:31No.
00:14:31And what about this?
00:14:32No,
00:14:33It belongs to my mother,
00:14:34that he didn't touch it,
00:14:35He inherited it from his grandmother,
00:14:36who didn't touch it either,
00:14:37oh well,
00:14:37Someone would touch it.
00:14:39And well, it's the typical
00:14:40absurd thing
00:14:42what's happening
00:14:43from generation to generation
00:14:44which has no explanation
00:14:45none.
00:14:46Well, just look at that.
00:14:47That's life.
00:14:48Now he's going to have
00:14:48a utility.
00:14:51Yeah?
00:14:54Excellent!
00:15:02But what music
00:15:03What have they put up there?
00:15:04I don't know,
00:15:05must be chilao
00:15:06of that one that is
00:15:06fashionable now
00:15:07to relax.
00:15:08Well, it's happening to me
00:15:09making me nervous.
00:15:10How cool
00:15:11What the hell?
00:15:12That's someone.
00:15:12banging on a piano.
00:15:14Marisa,
00:15:14what are you doing?
00:15:16You will not be smoking.
00:15:17No,
00:15:18I'm panicking,
00:15:19I'm going to put on
00:15:20another patch
00:15:20or suck it,
00:15:21I don't know what.
00:15:23Valentine,
00:15:24Watch over her,
00:15:25If he/she smokes,
00:15:25You bark.
00:15:28What awful people.
00:15:29And how resentful!
00:15:30It's difficult for him.
00:15:31He's kicking us out
00:15:33a little pulse.
00:15:34As if it didn't happen
00:15:34to the president
00:15:36No way.
00:15:38Come on,
00:15:39make me fall in love.
00:15:40You are very sexy.
00:15:42Come on,
00:15:42Eat it all.
00:15:48Very good,
00:15:49You see, that's great!
00:15:50How are you making me feel?
00:15:53It's impressive,
00:15:55TRUE?
00:15:56It has everything
00:15:56the world in revolution.
00:15:58Yeah,
00:15:58She looks very pretty.
00:16:00Hey,
00:16:00Is this normal?
00:16:01that the photographer
00:16:02Say those things?
00:16:02Yeah,
00:16:03Yeah,
00:16:03Yeah,
00:16:03It's to motivate
00:16:04to the model.
00:16:04He is an artist.
00:16:06You can see him,
00:16:07You can see him.
00:16:09Congratulations,
00:16:09Peter.
00:16:09Thank you.
00:16:10Where from
00:16:11you have taken
00:16:11What type of bond?
00:16:12Searching,
00:16:13searching.
00:16:14We achieved
00:16:15the phone,
00:16:16male.
00:16:17Those trains
00:16:17they cannot be left
00:16:18pass.
00:16:20You're the boss
00:16:21press release
00:16:22of droppers.
00:16:23A few potatoes,
00:16:23But good people.
00:16:25Yeah,
00:16:25You can see him.
00:16:27come back now.
00:16:31I have it.
00:16:32Come on,
00:16:32Let's talk about lingerie.
00:16:34Very good.
00:16:38Will you wait for me here?
00:16:39Yeah,
00:16:39Yeah,
00:16:39I'll hold you now.
00:16:40this.
00:16:41Okay.
00:16:51Dad,
00:16:51that you take me out
00:16:51the motorcycle
00:16:52right here, right now
00:16:53I'm not telling you.
00:16:53more times.
00:16:54That this machine
00:16:55you can't stay
00:16:55on the street,
00:16:56who has a sweet tooth.
00:16:57The Cuban
00:16:58leave here
00:16:58the mountain bike
00:16:59And they don't say anything to him.
00:17:00Ah,
00:17:00Well, that's great.
00:17:01Now we paint
00:17:01some white stripes
00:17:02on the ground
00:17:02and we rent
00:17:03some parking spaces.
00:17:04Ah,
00:17:05That's a very good idea.
00:17:06Suggest it to the president
00:17:07in a post-coital state.
00:17:09How are you?
00:17:11Evil.
00:17:12Is it serious?
00:17:13No,
00:17:13No,
00:17:13that I don't know
00:17:13what's wrong with him.
00:17:14I don't understand
00:17:15elevators.
00:17:16Already,
00:17:16That's why I called him
00:17:17so that it works for me
00:17:17cheaper.
00:17:18Let's trust
00:17:18in my natural talent.
00:17:20I'm into connections.
00:17:20I think it's fine.
00:17:21Where is the engine?
00:17:23Which engine?
00:17:24Fuck,
00:17:24This will have an engine.
00:17:26It's in the attic,
00:17:27in a small room,
00:17:28But you go in there alone,
00:17:29That's Batman's cave.
00:17:30Anything can attack you.
00:17:31Well,
00:17:32You'll have to sort it out yourselves.
00:17:33Wait,
00:17:33wait,
00:17:33wait,
00:17:34Mrs. Belén.
00:17:35Hey,
00:17:36I feel a little stressed.
00:17:37Get in the goal
00:17:38I have a tasting for you.
00:17:39No,
00:17:39I have to leave
00:17:40to try on wedding dresses.
00:17:41That's why,
00:17:42You do hip exercises
00:17:43and then you get in better
00:17:44in the dress.
00:17:44Look,
00:17:45You go wash the dishes,
00:17:46But okay,
00:17:46You're really getting on my nerves.
00:17:48Look,
00:17:48the tile joint,
00:17:50black.
00:17:51But who are you now?
00:17:52The cotton stewardess.
00:17:53Are you blackmailing me?
00:17:54So that I'll sleep with you?
00:17:56Well, now you're going to start working,
00:17:57But really,
00:17:58Your gravy train has ended.
00:17:59Do you remember the phrase
00:18:00What did the famous black teacher say?
00:18:02Now you're going to start sweating.
00:18:03Nativity scene,
00:18:04When is it getting annoying?
00:18:05with the piano?
00:18:07Well, tell him to stop.
00:18:08Already?
00:18:09But come with us,
00:18:10that you are the authority.
00:18:11Lady,
00:18:12I have a lot of things to do.
00:18:13I have to get married.
00:18:14And me, daughter?
00:18:15And here I am?
00:18:17I'm starting
00:18:18to put Hillary Clinton
00:18:19a little silly.
00:18:22No,
00:18:23What I don't understand
00:18:23That's why you haven't said
00:18:24that I was your girlfriend.
00:18:25Bea,
00:18:26Why haven't you emerged?
00:18:26But if you've come out of the closet
00:18:28with everyone,
00:18:28What difference does it make to you?
00:18:29Already,
00:18:29But I don't want to go there.
00:18:30saying that I'm a lesbian.
00:18:31It might hurt my career.
00:18:32What career?
00:18:33If they've taken three photos of you.
00:18:38Fuck,
00:18:38And where did you come from?
00:18:39With that hair?
00:18:39From a photo shoot
00:18:40I'm working as a model.
00:18:42Ah,
00:18:42I thought you were doing
00:18:43a substitute
00:18:43with the Supreme Court of Móstoles.
00:18:48That's all I'm telling you
00:18:49Are you going to introduce me?
00:18:50like a friend,
00:18:51I'm not going with you
00:18:52to more photo sessions.
00:18:53Have someone else fasten it to your jacket.
00:18:54But aunt,
00:18:55Have I never seen you like this before?
00:19:00And what are you looking at?
00:19:01No, no, no, no, no, no, no, no.
00:19:03I'm here
00:19:03with the pulley.
00:19:06Ezekiel,
00:19:07son,
00:19:07I'm going to ask you a favor,
00:19:08Don't keep calling
00:19:09to dad Fernando
00:19:10because it will seem to you
00:19:10nonsense
00:19:11but in Mina
00:19:11It's my moral code.
00:19:12One day,
00:19:13another day,
00:19:13eight days.
00:19:15Hello.
00:19:17It's starting now.
00:19:19Hey,
00:19:19Won't you give me a kiss?
00:19:21Maury,
00:19:21Today I need
00:19:22much understanding
00:19:22From boyfriend to burner.
00:19:23I've had a bad day.
00:19:24A lot of work.
00:19:25None.
00:19:26My law firm is operating with a skeleton crew.
00:19:27No, I'm not taking off.
00:19:28I live in anguish
00:19:28perennial economic.
00:19:29Okay, calm down.
00:19:30I am making money.
00:19:31Super Agus
00:19:32It's selling very well.
00:19:33My book is a code
00:19:33Da Vinci in the making.
00:19:35Your book?
00:19:36But Mariano wrote it.
00:19:37Hey, no attacking, okay?
00:19:38If your business is doing badly,
00:19:39It's not my fault.
00:19:40Cut down on silly expenses.
00:19:41Okay, and from where?
00:19:42I don't know.
00:19:43Fire Natalia.
00:19:44No, poor thing.
00:19:45I've been here for a month now.
00:19:46working for free.
00:19:47Look at the one coming down.
00:19:47It's a chest without borders.
00:19:48Maury,
00:19:49I'm not ready for anything else right now.
00:19:57But you see
00:19:57how you undermine me
00:19:58self-esteem
00:19:58between the two.
00:20:02Maury, I need to talk.
00:20:03Me too.
00:20:03Rock, paper, scissors.
00:20:09Okay, I'll start.
00:20:11I'm not well.
00:20:12I don't know what's wrong with me.
00:20:12I see it now.
00:20:13You have entered
00:20:14and you kissed your son.
00:20:15Oh, my child.
00:20:19It's because Ana
00:20:20She's become a model
00:20:21and all the uncles
00:20:22They want to eat her alive.
00:20:23Oh, my friend,
00:20:24Welcome to the world
00:20:25of bisexual doubt.
00:20:26That's how I've been with Fernando for years.
00:20:27Well, everything was great.
00:20:29She was a flight attendant
00:20:29and I was a veterinarian
00:20:30and so now
00:20:31He's taken to playing.
00:20:32to the top models
00:20:33and I'm going crazy.
00:20:35Do you know what our problem is?
00:20:36We have some very attractive couples
00:20:38And that's bullshit.
00:20:39My whole life
00:20:39I've tried to fall in love
00:20:40of an ugly
00:20:41But I haven't been able to.
00:20:42And then, of course,
00:20:42my sensitivity,
00:20:44my personality,
00:20:44my grace
00:20:45because it attracts sexy people
00:20:46like Fernando
00:20:47And off we go to suffer.
00:20:48In other words, if you were stupid
00:20:49and you had an ugly boyfriend
00:20:50You would be happier.
00:20:51Yeah.
00:20:52I don't know.
00:20:54You have to give him
00:20:54Things always come full circle.
00:20:56Oh, what do I do?
00:20:57Just look at the simple idea
00:20:59to think that Ana
00:20:59you may be interested
00:21:00by an uncle.
00:21:01They put me...
00:21:01Listen, listen.
00:21:02I feel the same way about Fernando.
00:21:03Why don't we put them to the test?
00:21:05As?
00:21:06Both are very good.
00:21:07If it runs to any bisexual gene
00:21:08through his veins
00:21:09They will have to be attracted.
00:21:10Let them be alone
00:21:11with some excuse
00:21:11And we see.
00:21:13Sounds good,
00:21:13But it's a little scary, isn't it?
00:21:15What if they hook up?
00:21:16Nothing.
00:21:17We killed them both
00:21:18And that's it.
00:21:18They all remain family.
00:21:19It's true?
00:21:20There is a transient mental generation
00:21:22and without a criminal record.
00:21:24We got out of jail
00:21:25in two days.
00:21:25I know a small rural hotel
00:21:26who has a pig farm.
00:21:28We threw the bodies at them
00:21:29and they leave nothing behind.
00:21:30They're covered up to the bones.
00:21:31Didn't you see there?
00:21:31the second part
00:21:32of the silence of the lambs?
00:21:32Maury, don't talk nonsense.
00:21:34They dissolve
00:21:35with acid in the bathtub
00:21:36And that's it.
00:21:36See?
00:21:37I'm not one to write,
00:21:38but for couple moves
00:21:39Yes, I am creative.
00:21:40Yeah.
00:21:41Maury,
00:21:42Where do they come from?
00:21:43those killer eighth notes
00:21:44who enter through the courtyard?
00:21:45I don't know,
00:21:45But whoever it is
00:21:46He's been like this all day.
00:21:56Teacher Dela and Carlos,
00:21:57We already have bags
00:21:58for the vacuum cleaner.
00:21:59Ha ha ha.
00:22:00Come on, come here
00:22:01Look,
00:22:01that I have written to you
00:22:01on a whiteboard
00:22:02the prayers
00:22:02so we can read them together.
00:22:10Very good,
00:22:11Now cover your left eye.
00:22:13and read me the line below.
00:22:14To Roberto, damn it,
00:22:15Take it seriously
00:22:16I'm doing it for you
00:22:17to help.
00:22:18You are lost too.
00:22:18in life.
00:22:19Yes, but I'll be right back.
00:22:20You're already blocking me.
00:22:22I'll never achieve this step.
00:22:23the bodhibatsa.
00:22:24And now of Buddhahood
00:22:24We didn't even talk, of course.
00:22:28Hello good.
00:22:29Hello.
00:22:32Where are you going with that?
00:22:33Pablo has been kicked out of his house
00:22:35And we're going to catch him.
00:22:36until I find
00:22:36a place to put down roots.
00:22:39Eh, ah.
00:22:41Teacher,
00:22:41Can you come here for a moment?
00:22:45Damn, what a sofa.
00:22:47Here I sleep like a god.
00:22:50Carlos, uncle,
00:22:51Why are you bringing anyone here?
00:22:52If the two of them alone
00:22:52We're doing great.
00:22:54Because he's a friend
00:22:54and we burn karma
00:22:55And that's how we can move up the world.
00:22:57Nan my eye,
00:22:58renge kiyo.
00:22:58Yes, but he's handsome.
00:22:59and it's going to take us away
00:22:59all the aunts.
00:23:00But what aunts
00:23:01What if there have never been any aunts here?
00:23:02Well, you'll know soon enough, mate.
00:23:03He's very negative.
00:23:04We can hear you perfectly,
00:23:05I'm saying this in case you're here.
00:23:06more comfortable.
00:23:07The eradication of selfishness
00:23:08end the suffering
00:23:09and allows us to reach nirvana.
00:23:11Have you never heard of
00:23:12of the four noble truths
00:23:13of Sakamuni?
00:23:17Hey, yes, you're staying.
00:23:37Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan, Juan.
00:23:41Honey, the doorbell's ringing, why don't you take a little break?
00:23:44I'm coming, I'm coming.
00:23:45I'm focusing on the scales to release the metacartos.
00:23:48I need to buy sheet music.
00:23:49The day I play Beethoven's Apassionata, I'm going to cry.
00:23:53Hey, what if we swap the piano for one of those modern keyboards like Nacho Cano's?
00:23:57With effects, with rhythms, with headphones...
00:24:00No, no, no, you're not going to compare the feel of the scraped keys of a piano with a dirty little keyboard.
00:24:06There's no way to interpret things with feeling there, Isabel.
00:24:11Okay, Juan, here the ladies are complaining about a certain vengeful acoustic torture directed at them.
00:24:17Come on, stay still with the piano.
00:24:19No, no, no, no, excuse me.
00:24:21I have a new hobby and a daytime schedule is perfectly acceptable for developing it.
00:24:25Juan, with all due respect, you play very badly, like terribly badly.
00:24:29No, of course, I'm still learning.
00:24:30Well, don't worry, he's exploring other ways to express himself artistically.
00:24:36Paint, charcoal, plasticine.
00:24:39Oh, Play-Doh is pretty. I used to eat it when I was little.
00:24:42I'm sorry, Madam President, but I have the right and I intend to keep playing.
00:24:46Where I used to live with my Antonio, there was also a gentleman who played the piano.
00:24:51And?
00:24:52Well, one day he looked out onto the balcony and a flowerpot fell on his head.
00:24:56It's a shame, because it had potential.
00:24:58Concha, are you secretly threatening me?
00:25:00Oh no, no, no, no. But be careful.
00:25:03Okay, that's it. See you later.
00:25:07Thank goodness they live downstairs.
00:25:09Anyway, when you go out on the street, stay close to the wall.
00:25:12Like those who sell coupons.
00:25:15These are going to scare me.
00:25:19I'm going to continue.
00:25:22Oops, I hyperventilated.
00:25:25Again?
00:25:29But hey, there's no stopping this man.
00:25:33Don't look out into the yard.
00:25:34No, no, not in principle.
00:25:35He legally has the right to be playing until 10 pm.
00:25:38I propose the flowerpot blow.
00:25:40It's difficult to walk on the sidewalk.
00:25:42By being attentive...
00:25:44Votes in favor!
00:25:46Ladies, don't ramble.
00:25:47This is unbearable.
00:25:49Stop it, damn it!
00:25:50But hold on, he has to sell us the apartment.
00:25:52Belén, snap out of it, you're the president.
00:25:54Of course, daughter, of course.
00:25:57Fernando, you're the lawyer for something.
00:25:59What do we do? Do we file a new lawsuit?
00:26:01But don't get involved, you crazy guy.
00:26:04Well, one could claim for moral damages.
00:26:06provided that it could be demonstrated that noise pollution
00:26:09is aggravating some kind of mental or physical disorder.
00:26:12That's easy.
00:26:13Concha stops taking her medication and in two days Saint Peter is taking attendance.
00:26:16Very bad.
00:26:17I'm very sick.
00:26:19Okay, let's put a package in.
00:26:21Torrijas likes the march.
00:26:23Let's not fill ourselves with negative energy.
00:26:25I think we can try to talk to Juan.
00:26:27That people with beards tend to be reasonable.
00:26:30Oh, really?
00:26:30And which university did he conduct that study for?
00:26:32Amena, a new initiative from the new president.
00:26:34The vertical board, the betrayal.
00:26:36Juan, Juan.
00:26:37Hey, would you mind limiting your musical activity to...
00:26:41half an hour a day?
00:26:42For example, if you practice too much you can get burned out.
00:26:46and learning loses its charm.
00:26:48Look, either you give up the little piano now
00:26:49or I'll place your testicles on top of the keyboard
00:26:52and I slam the lid shut.
00:26:53Yes, but many times.
00:26:55Yes, yes, yes, yes.
00:26:56Very good.
00:26:57That is the spirit of the new government team.
00:27:00Well, let me tell you, I don't plan to stop.
00:27:01until the running start
00:27:03the imprints of Subri and the nocturnes of Chopin.
00:27:05No, not at night.
00:27:07Nothing is touched here at night.
00:27:08I am scrupulously respecting
00:27:10the current schedules in the municipal ordinance
00:27:12about domestic activities
00:27:13moderate acoustic impact.
00:27:15But look at the way he talks.
00:27:16But it's enough to make you want to throw a clothespin at it.
00:27:18Mom, mom.
00:27:19No, go inside already, man.
00:27:21Yes, Fernando.
00:27:22It's clear that we have to go to court.
00:27:24You're hired.
00:27:25Ma'am, I make those decisions.
00:27:28Fernando, you're hired.
00:27:30Well, wait until you see what he charges us.
00:27:33It's expensive, isn't it?
00:27:34Yes, but I give the neighbors a discount.
00:27:36Sure, the sales.
00:27:37Would you mind coming here for a second?
00:27:40Mr. President, I like trials.
00:27:43Well then, we can go together
00:27:44and then we had a drink.
00:27:46But how could you even think of legally representing someone?
00:27:48to the witches of Eastwick?
00:27:49Juan Cuesta will be president again
00:27:50whenever
00:27:50and it will embitter our existence.
00:27:52Mauri, it has nothing to do with it.
00:27:53One thing is professional life
00:27:54and another is neighborly coexistence.
00:27:55Yes, that's beautiful.
00:27:56But imagine the three ladies
00:27:57like losing your mind.
00:27:58But this man doesn't bother you.
00:28:00playing the piano.
00:28:01A lot.
00:28:01And world hunger
00:28:03and wars and politicians
00:28:04and the oil tankers sinking.
00:28:05But I'll hold on.
00:28:06because being a citizen
00:28:07It means swallowing and accepting
00:28:08with Christian resignation
00:28:09the various dirty tricks
00:28:10that each day brings you.
00:28:12Well, you see it one way
00:28:13And I see it differently.
00:28:14First thing tomorrow
00:28:14I'm at the courthouse
00:28:15filing the lawsuit.
00:28:16Wait until you see
00:28:17What time do we go to bed?
00:28:18who are coming for dinner tonight
00:28:18Bea and Ana.
00:28:20No, no, no, no, no.
00:28:21Not tonight, please, no.
00:28:22Stay still, stay still, wait.
00:28:24What are you doing?
00:28:25I want you to see the lazy face
00:28:26that you always put
00:28:27that gets me out of here.
00:28:28But why would we close with them?
00:28:29I just think it's silly.
00:28:30Because now that he has a girlfriend
00:28:31Bea and I see each other less.
00:28:32And Ana, why don't you know her?
00:28:33But besides being beautiful
00:28:34She's a great girl.
00:28:35Because I'm gay, gay,
00:28:36Otherwise...
00:28:37Mauri, are you alright?
00:28:38You're complimenting a woman.
00:28:39It's because they're your chosen family.
00:28:41Well, the foster mother
00:28:42of your son's maiden.
00:28:43Okay, fine, okay.
00:28:44Don't worry, grandpa.
00:28:46Dinner.
00:28:46And when he gets tired
00:28:47I put the hot water bottle on it
00:28:48and goes to bed.
00:28:53Bea, everything is already organized.
00:28:55She should get all dolled up, okay?
00:29:00I truly feel
00:29:01that you have to leave.
00:29:02I didn't want to.
00:29:03It has been a political commitment.
00:29:05Let's see, Belén,
00:29:05How can you kick me out?
00:29:06after the beating
00:29:07that I've hit
00:29:08to leave all this like this?
00:29:09Do you know about cheap furniture?
00:29:11that we've had to assemble
00:29:12With blood, sweat, and nuts?
00:29:14We missed out
00:29:14in the kitchens section.
00:29:15They closed the store
00:29:16with us inside.
00:29:17We have had to survive
00:29:18one night eating
00:29:19Swedish meatballs.
00:29:20Well, if you pay 600 euros
00:29:22for rent
00:29:22You can stay.
00:29:23600 euros?
00:29:24Hey, it's an attic
00:29:26Bohemia
00:29:27right in the city center.
00:29:28No, no, no, no.
00:29:29Look, Andrés and I
00:29:30we've been talking
00:29:31and we have decided
00:29:32we're leaving
00:29:33to my parents' house
00:29:34until we find something.
00:29:35And when have we talked about that?
00:29:36Andrés, don't embarrass me
00:29:37in front of people
00:29:38Please, I'm asking you, okay?
00:29:39Well, that's it.
00:29:40You discuss it
00:29:41and nothing,
00:29:42provided you leave tomorrow,
00:29:43Well, that's it.
00:29:44Tomorrow?
00:29:45See you later.
00:29:47No, yes, Emilio was right.
00:29:49He's a nasty piece of work.
00:29:51And about going home
00:29:52from your parents
00:29:52You were just kidding, right?
00:29:53No.
00:29:55Ah.
00:29:56Is there a swimming pool?
00:29:59This thing about being president
00:30:00It's hell.
00:30:02And Juan Cuesta
00:30:03It has been like this for 14 years.
00:30:05This man
00:30:06He should be canonized.
00:30:07He needs to know this
00:30:08Ratzinger now.
00:30:10Say that for the first time
00:30:11Are you doing something?
00:30:12with your life.
00:30:13It took you 27 years,
00:30:15but...
00:30:15Mom, I'm 32.
00:30:17Yes, but take off 5.
00:30:19which are the ones I take off.
00:30:20Let's come to an agreement,
00:30:21No?
00:30:22Ah.
00:30:24Look.
00:30:31Girls,
00:30:32You don't want to be vice presidents.
00:30:33I just don't have any energy
00:30:34For this, really.
00:30:36You deserve it for being a coward
00:30:38and not tell Peter
00:30:39what you have to tell him.
00:30:40Are you coming for dinner?
00:30:41with me tonight?
00:30:42But how annoying.
00:30:43This is the press guy.
00:30:44Bring,
00:30:44I'll answer you, okay?
00:30:45No.
00:30:46But what are you going to put on it?
00:30:47Nothing, I'm a lesbian.
00:30:48Leave me alone.
00:30:49Give me, no, look.
00:30:50Daughter,
00:30:51that missile silo
00:30:52ground-air
00:30:53that you have
00:30:54in the cupboard
00:30:55from the bathroom,
00:30:55What is the reason for this?
00:30:57Mother,
00:30:57Don't play dumb.
00:30:58They are vibrators.
00:30:59No, if you are,
00:31:00you won't find
00:31:01a man in life.
00:31:02Maria Jesus,
00:31:02We are lesbians.
00:31:05Let's go.
00:31:06Mother,
00:31:06You just don't get it
00:31:07You're welcome, huh?
00:31:08Of course,
00:31:09what a ecosystem
00:31:10You have it all set up here.
00:31:15Hello, Estrella.
00:31:16Hello.
00:31:16Hi how are things?
00:31:21Pedro!
00:31:23Mother,
00:31:23It sounded like Penelope Cruz
00:31:24at the Oscars.
00:31:26News,
00:31:26bomb, darling.
00:31:27We already have a church.
00:31:28for next week.
00:31:30What do you mean, next week?
00:31:32But weren't we getting married?
00:31:32In spring?
00:31:33Yeah,
00:31:34but a friend
00:31:34has given us a date
00:31:35because she has cancelled the wedding.
00:31:37I caught his girlfriend in bed
00:31:38with the designer
00:31:39what was he doing to her
00:31:40the dress.
00:31:41Clear,
00:31:41so much bass playing.
00:31:43But,
00:31:44But I won't have enough time
00:31:45I have a lot
00:31:46of things to do.
00:31:47What are the people like in...
00:31:50How can you deceive?
00:31:51to a person
00:31:52who loves you so much
00:31:53Like, to marry you?
00:31:55Come to me.
00:31:56Yes, yes,
00:31:56But thank goodness
00:31:57that you are with my daughter
00:31:58that I would never do to you
00:31:59Something like that.
00:32:00TRUE?
00:32:01Of course, Mom,
00:32:02if I carry the gene
00:32:02of fidelity
00:32:03in the blood like you.
00:32:05TRUE?
00:32:08Are you excited?
00:32:09princess?
00:32:09Yeah,
00:32:10Yeah,
00:32:11Yeah,
00:32:11Yeah,
00:32:11Yeah,
00:32:11Yeah.
00:32:11What happens
00:32:12that with all this
00:32:13of being president
00:32:14Well, I'm carrying everything.
00:32:15a little late
00:32:16and I don't know
00:32:17if I'll have time.
00:32:20I'm crazy about you.
00:32:21If it suits you
00:32:21the march,
00:32:22Hey?
00:32:22Well, listen,
00:32:23I'm going to leave
00:32:24that I am organizing
00:32:25the honeymoon.
00:32:27Hey,
00:32:28Do you like the Fichi Islands?
00:32:29Yeah,
00:32:30Yeah,
00:32:30Yeah,
00:32:30Yeah,
00:32:30Yeah,
00:32:31Yeah,
00:32:31I go there a lot.
00:32:32The food is very good.
00:32:38Peter,
00:32:39Do you know the damage?
00:32:40What are you doing to me?
00:32:41Maria Jesus,
00:32:41Oh my God.
00:32:42Well, it happens to me.
00:32:43the day having fantasies
00:32:44with you,
00:32:44in the market,
00:32:45in Pilates,
00:32:47And I've already touched myself.
00:32:49Well,
00:32:49That must be great,
00:32:50but...
00:32:51I'm letting myself go
00:32:51long hair
00:32:51to make pigtails,
00:32:52that I know you like.
00:32:54Look,
00:32:54I've made a photomontage
00:32:56so you can see
00:32:56They look great on me,
00:32:57See?
00:32:58Listen,
00:32:58You seem to me
00:32:59a wonderful woman,
00:33:00really.
00:33:01Clear,
00:33:01But that's normal.
00:33:03But you're the mother
00:33:04from my girlfriend.
00:33:05Well, I tell him
00:33:05that is adopted,
00:33:06But if it's going to be taken
00:33:07a great joy.
00:33:08Maria Jesus,
00:33:09I'm sorry,
00:33:10I love Bethlehem
00:33:11And I'm going to marry her.
00:33:13Okay,
00:33:14Well, you can make me trash.
00:33:15Wow!
00:33:22Of course,
00:33:23my love.
00:33:23Well, I'm happy.
00:33:24treasure.
00:33:26Do you miss me?
00:33:27Look,
00:33:28He has another cane,
00:33:28who is talking to Lourdes.
00:33:30It's the first time
00:33:31in my life
00:33:31I'm going to a video store
00:33:32with a beer tap.
00:33:33Clear,
00:33:34This is
00:33:35a multicultural space.
00:33:36You and I
00:33:37we should assemble
00:33:38a company together.
00:33:39I even have the name.
00:33:40Sapuzalia,
00:33:41Comprehensive Home Service.
00:33:43It's the only time
00:33:44that I have partnered
00:33:45in my life
00:33:45It turned out terribly.
00:33:47What happened?
00:33:47I got married.
00:33:48A disaster.
00:33:49Careful,
00:33:49careful,
00:33:49Here it comes.
00:33:50We have a date now.
00:33:51for the wedding.
00:33:52Lourdes and I
00:33:52We got married
00:33:53next Saturday.
00:33:55God.
00:33:56And why so soon?
00:33:57That's clear,
00:33:58so he doesn't have time
00:33:59to leave the country.
00:33:59Paquito,
00:34:00He flees by road.
00:34:01There will be people
00:34:01controlling the airports.
00:34:03But why
00:34:04Are you always going on about the same thing?
00:34:05You just can't understand
00:34:06I'm getting married for love.
00:34:08No.
00:34:09No.
00:34:10Look,
00:34:10Paquito,
00:34:11Now seriously,
00:34:11Hey?
00:34:12I'm going to talk to you
00:34:12like a friend
00:34:13who truly loves you.
00:34:14I understand
00:34:14that the flirt
00:34:15It has never been easy
00:34:16for you.
00:34:16As a little boy
00:34:17you fell in love
00:34:17from Candy Candy
00:34:18and that put you
00:34:19the bar is very high.
00:34:19But dude,
00:34:20He is very young now,
00:34:21Don't hold on
00:34:21to a burning nail
00:34:22because Lourdes
00:34:23It's a desperate, ugly lifeline.
00:34:25Hey,
00:34:25sorry,
00:34:26but it's much more pathetic
00:34:27yours,
00:34:27that you have to blackmail him
00:34:28to Bethlehem
00:34:28to sleep with her.
00:34:29No,
00:34:30No,
00:34:30No,
00:34:30No,
00:34:30She is delighted
00:34:31because I am supplying him
00:34:32the shortcomings
00:34:32of Papa Smurf.
00:34:33Yeah,
00:34:33But she's going to marry him.
00:34:34That is, all together
00:34:35He sees him as more complete.
00:34:36Me too.
00:34:37I mean,
00:34:37Belén gets married for money,
00:34:39She's president and she's cursing you out.
00:34:40He's paying homage to you.
00:34:41whenever he feels like it.
00:34:42Who is using whom?
00:34:47It's just bad.
00:34:48Hey?
00:34:48Son,
00:34:49Add it up.
00:34:49To you with Bethlehem
00:34:50You're going through what Morrientes did.
00:34:51with Madrid.
00:34:52You will always be there
00:34:53warming the bench.
00:34:54Well, I don't feel like it.
00:34:55I'm snitching on her for being cuckolded,
00:34:56I'll ruin the wedding
00:34:57And I'm perfectly happy with that.
00:34:59It's true
00:34:59that he was using me.
00:35:01If only death were blind.
00:35:06Clear,
00:35:06You're not getting it.
00:35:07You're welcome, right?
00:35:07No,
00:35:08But I'm better off than at home.
00:35:10Alicia was taken aback by this,
00:35:11just like Nathalie,
00:35:12now.
00:35:12And to Fernando
00:35:13Deep down, he loves it.
00:35:14Which I love.
00:35:14He has to play
00:35:15an unattainable virile gay man
00:35:16that drives them crazy
00:35:17to all.
00:35:18Well,
00:35:18poor Mauri
00:35:18He's having a terrible time.
00:35:19Because, of course,
00:35:19The aunts see Fernando
00:35:20And they say,
00:35:21I'll bring this one
00:35:21back from the dark side.
00:35:23Normal,
00:35:23He's so handsome.
00:35:24Well,
00:35:24You had the same
00:35:25problem with Ana,
00:35:25No?
00:35:26Come on,
00:35:26I wouldn't leave her.
00:35:26going out on the street alone.
00:35:27No,
00:35:28But I'll take it
00:35:28much better than Mauri
00:35:29And that's because I
00:35:30I'm not that insecure.
00:35:31Hey,
00:35:31And you
00:35:32have you never thought
00:35:32in Casaros?
00:35:41Oh,
00:35:42To you, Ana
00:35:42Do you think she's pretty?
00:35:43No?
00:35:44Ah,
00:35:45It's horrible.
00:35:46Yes, I said it
00:35:47to save face.
00:35:51Yeah?
00:35:52Repeat what I say.
00:35:53Hello, Belén.
00:35:54Hello, Belén.
00:35:55Quezekiel has
00:35:5539 fever.
00:35:57Quezekiel has
00:35:5739 fever.
00:35:58And now you worry.
00:35:59And now you worry.
00:36:00No,
00:36:01that you make a face
00:36:01of concern.
00:36:02Say, okay, okay,
00:36:03I'm going up right now.
00:36:04Okay, okay, okay,
00:36:05Yeah,
00:36:05I'm going up right now.
00:36:06It's so they can be left alone.
00:36:07Hanging,
00:36:08I'm coming out and we're leaving.
00:36:10What's happening?
00:36:11Eh, eh,
00:36:13I have to go
00:36:13a moment upstairs
00:36:14to see Ceequiel
00:36:15It's because it's bad.
00:36:16I've been here for a while
00:36:17with the throat
00:36:18no...
00:36:18Am I coming with you?
00:36:19No,
00:36:20I'll go with her.
00:36:21Let's see if the delusions work
00:36:22of the fever
00:36:22the child at last
00:36:23Dad calls me.
00:36:23Well,
00:36:24then I'll start picking it up
00:36:25a bit.
00:36:25No,
00:36:26but you
00:36:26Continue eating dinner
00:36:27I've prepared a dessert.
00:36:28Clear,
00:36:28if we
00:36:29We'll be right back.
00:36:30Or not,
00:36:30It depends on what I have
00:36:31the child,
00:36:31But you all enjoy yourselves.
00:36:33Remove the herbal pomace.
00:36:39How odd.
00:36:40But where are we going?
00:36:41To the central studios
00:36:42from Radiopatio.
00:36:45Oh,
00:36:46What a surprise!
00:36:47Excuse me.
00:36:49Jesus.
00:36:51Are you lacking sugar?
00:36:52Or something?
00:36:53No,
00:36:54we need to cook
00:36:54a scientific experiment.
00:36:58Look how close together they are
00:36:58He has sat down.
00:36:59They like each other,
00:37:00They like each other,
00:37:01fixed.
00:37:01Tell me the story
00:37:02I caught it already started.
00:37:03Now that I know,
00:37:04which we now give
00:37:04the exclusive.
00:37:05Well,
00:37:07Bea and I
00:37:07we are going through
00:37:08a crisis.
00:37:09What are you saying?
00:37:10And everything is going very well,
00:37:11But since I found
00:37:12The job is a jealous one
00:37:13and a fool.
00:37:14I just don't understand.
00:37:16you are welcome.
00:37:16What does it say?
00:37:17that you are in crisis
00:37:18and that you're stupid.
00:37:19But you
00:37:19How do they do it?
00:37:19to pick
00:37:20the conversations
00:37:20from here?
00:37:21I don't know,
00:37:21practice.
00:37:22What happened to you?
00:37:23Did you love each other very much?
00:37:24What are you doing here?
00:37:26Lady,
00:37:26Go to bed
00:37:27that keeps me awake.
00:37:27I have gas.
00:37:29Ah,
00:37:29I'm telling her this, yes.
00:37:30Shell,
00:37:31Inga and Fernando
00:37:32They're going to get involved.
00:37:33What are gay people like?
00:37:35You are sinking the country.
00:37:37Ah,
00:37:37Don't worry,
00:37:38This is a typical bird
00:37:39insecure girlfriend.
00:37:39Well,
00:37:40This has happened to me
00:37:41with Mauri
00:37:41a lot of times.
00:37:44Once,
00:37:44once it hit
00:37:45to a shop assistant
00:37:46because it came out of my fitting room
00:37:47with jeans
00:37:48in the hand.
00:37:49I mean,
00:37:49Imagine.
00:37:50Look,
00:37:51If you love Bea,
00:37:52Well, I don't know.
00:37:52Be patient.
00:37:53Of course I love her.
00:37:54If I had met her before
00:37:55I didn't know she was a lesbian.
00:37:57What, what, what?
00:37:58What don't you know?
00:37:59Is she a lesbian?
00:38:00What did I tell you?
00:38:00Did I tell you or didn't I tell you?
00:38:02Thank you so much
00:38:03Thank you for listening to me,
00:38:03Fernando.
00:38:04You've helped me a lot.
00:38:05Nothing,
00:38:06women,
00:38:06What is it for?
00:38:07the adoptive family?
00:38:08Come on,
00:38:09Shall we pick this up?
00:38:10Yes of course.
00:38:11Careful,
00:38:12careful,
00:38:12dispersion.
00:38:16Mauri,
00:38:16These two get involved.
00:38:17I see it very clearly.
00:38:18If the couples
00:38:19from now on
00:38:20You have no patience.
00:38:21No,
00:38:22They're not going to get involved at home.
00:38:23They are testing the waters.
00:38:24Tomorrow we have to invent
00:38:26something to make it easy for him.
00:38:27I have lived 40 years
00:38:28with my Antonio
00:38:29until he died on me.
00:38:31Congratulations
00:38:31because he will be in heaven.
00:38:32Well,
00:38:32But what's your take on it?
00:38:33Evil.
00:38:34Start filling up
00:38:34the acid bath.
00:38:36I'm not sleepy,
00:38:37We played a tote.
00:38:38Vicenta,
00:38:39I've run out
00:38:40the patches.
00:38:41Bring a chinchón.
00:38:44Take,
00:38:45take,
00:38:45Look at that braking!
00:38:46It's the girl.
00:38:46I'll go like this,
00:38:47I'm going to get you
00:38:47on the straightaway.
00:38:48That's great.
00:38:49Hey,
00:38:49what are you doing,
00:38:50uncle?
00:38:50You've taken me outside.
00:38:51Come on,
00:38:51see you later.
00:38:52Look,
00:38:52look,
00:38:52Look at those graves.
00:38:53Yeah,
00:38:53You're going to shit yourself.
00:38:54You're going to shit yourself.
00:38:55Hey,
00:38:55And are you sure there isn't another controller?
00:38:56But dude,
00:38:57if you're a package
00:38:57on the console,
00:38:58Bring us some popcorn
00:38:59in the microwave
00:39:00or something.
00:39:01Hey,
00:39:01And don't you think
00:39:02that we give ourselves
00:39:02a hot tub?
00:39:03But damn it,
00:39:04not now.
00:39:05Take,
00:39:06hey,
00:39:06You're going to the jacuzzi
00:39:07with this.
00:39:07But what are you saying?
00:39:08uncle?
00:39:09Come on,
00:39:10last lap.
00:39:10You're going to shit yourself.
00:39:20He's back.
00:39:21But can we know?
00:39:21What are you on about?
00:39:22uncle?
00:39:23I've seen you.
00:39:24Look,
00:39:24Roberto,
00:39:24You're hurting me.
00:39:25Well.
00:39:26I mean,
00:39:27And are you the one who said
00:39:27that I didn't trust
00:39:28in this relationship
00:39:29and why didn't we buy each other
00:39:30a house together?
00:39:31But how can I trust?
00:39:32If as soon as another one arrives
00:39:33You're ignoring me.
00:39:33But no way,
00:39:34I'm not turning my back on you.
00:39:35The thing is, Pablo
00:39:35It gives me things
00:39:36that you can't.
00:39:37Do you know how much it hurts?
00:39:38hear that?
00:39:39This is amazing.
00:39:41I'm having all the bad things happen.
00:39:42living as a couple
00:39:42but without sex.
00:39:43Ah,
00:39:43what's happening?
00:39:44What's going on now?
00:39:44Do you want us to sleep together?
00:39:45What are you talking about, man?
00:39:46Hey,
00:39:46I'll find another place.
00:39:48I don't want to get involved either.
00:39:48Me in the middle of...
00:39:49whatever you are.
00:39:50We are nothing!
00:39:51Ah,
00:39:52very good.
00:39:52Well, since we are nothing,
00:39:54I don't want to buy anymore
00:39:54This house.
00:39:55Hey,
00:39:55Don't wake me up
00:39:56the voice in front of the child.
00:39:57Look,
00:39:57I had a project
00:39:58of a future with you.
00:39:59Oh,
00:39:59guys,
00:39:59That's enough.
00:40:00No?
00:40:02Hey,
00:40:02no car crashes,
00:40:03Hey?
00:40:03That's exactly it.
00:40:04The self does it.
00:40:07Fuck,
00:40:08What a mess.
00:40:41No car crashes.
00:40:54Come on,
00:40:55Don't mess with me.
00:40:56Nine o'clock
00:40:57the mother who gave birth to him.
00:41:03It's a la,
00:41:05It's a la.
00:41:06It's the key on the side.
00:41:08Dere,
00:41:09the,
00:41:10the,
00:41:13where there is none,
00:41:14it can't be done.
00:41:28how are you?
00:41:29How are you?
00:41:29Good,
00:41:29good,
00:41:30good,
00:41:30Here I am already practicing.
00:41:31a specific piece.
00:41:32The scales
00:41:33They end up getting tiring.
00:41:34And what do you play?
00:41:36For Elisa,
00:41:37by Ludwig van Beethoven.
00:41:38No,
00:41:39Not for Elisa.
00:41:40If Elisa hears this,
00:41:42He doesn't recognize it.
00:41:43Listen to this,
00:41:44Elisa,
00:41:44and leaves
00:41:44and he doesn't come back.
00:41:46Never.
00:41:46Don't be cruel,
00:41:47women,
00:41:47I'm just starting out.
00:41:49Now I have to repeat it.
00:41:50and repeat it
00:41:51and repeat it
00:41:51until it comes out.
00:41:52This has brought me back
00:41:53the enthusiasm for life,
00:41:54Isabel.
00:41:55Now I am happy.
00:41:56No,
00:41:56I,
00:41:57I am happy
00:41:58Because you are happy.
00:41:59But wouldn't it be better?
00:42:00that instead of playing
00:42:01here at home
00:42:02you looked for some
00:42:03academy in the outside world.
00:42:04Because?
00:42:05Am I bothering you?
00:42:05No,
00:42:06no,
00:42:07Not me,
00:42:07I love it.
00:42:09I'm saying this because of Natalita,
00:42:10because she is pregnant,
00:42:12Well, your music,
00:42:12even if it's very good,
00:42:14It can affect the fetus
00:42:16in the number of limbs,
00:42:18For example,
00:42:18or in the...
00:42:19Incorrect.
00:42:20According to a study
00:42:20from the University of New Hampshire,
00:42:22classical music
00:42:23promotes development
00:42:24of the embryo,
00:42:25and training
00:42:25of the internal organs.
00:42:26Already,
00:42:27But the thing is
00:42:28I think it depends
00:42:29however it's played.
00:42:31I think that's the key.
00:42:35Hello,
00:42:35Juan,
00:42:36look,
00:42:36He's going to tell you
00:42:36a few words here
00:42:37our lawyer.
00:42:39Take.
00:42:41We have presented
00:42:42in court
00:42:42first instance
00:42:43in issue number 10
00:42:44a lawsuit against you
00:42:45because of the noise
00:42:46what are you doing
00:42:46with the piano.
00:42:47We're going to ask you
00:42:48compensation.
00:42:49You're provoking us
00:42:50mental disorders.
00:42:52Excuse me,
00:42:52but you were
00:42:52It was like that before.
00:42:53Don't blame him
00:42:54at the piano.
00:42:54Eye,
00:42:55But we still have time
00:42:55to withdraw the lawsuit
00:42:56provided that
00:42:57commit
00:42:58in writing
00:42:58to cease use
00:42:59of this piano.
00:43:00No,
00:43:00You can't intimidate me.
00:43:01That trial
00:43:02You've lost.
00:43:02And you know it.
00:43:04Well, that piano
00:43:04You swallow it.
00:43:05Mother,
00:43:05control that pundit
00:43:06from the heart
00:43:07that you carry within you,
00:43:07please.
00:43:08Let's see,
00:43:09I don't go to the meetings anymore.
00:43:10I'm not complaining
00:43:11you are welcome
00:43:11nor anyone else's.
00:43:12I'm just asking
00:43:12that I be left alone
00:43:13practicing my hobby
00:43:14at peace.
00:43:14It's because of the sport
00:43:15favorite
00:43:15of this staircase
00:43:16it's making my life
00:43:17impossible.
00:43:17Well,
00:43:18partly right
00:43:19have,
00:43:20but...
00:43:21Well, if only
00:43:21They don't respect you.
00:43:22If it happened to you
00:43:23the same
00:43:23when you went to school.
00:43:25That's how he sees you
00:43:25rheumatoid arthritis
00:43:27in the phalanges.
00:43:28Where from
00:43:28Did that bring you up?
00:43:29There wasn't one, Mom,
00:43:30from doing so much
00:43:31cross stitch.
00:43:31Don't you remember?
00:43:32I?
00:43:33What am I going to remember?
00:43:34Oh,
00:43:34It's true,
00:43:35if you weren't there.
00:43:36Let's see if it's true
00:43:37that they are losing
00:43:38the head.
00:43:39Juan,
00:43:41among others,
00:43:43all this to me
00:43:43It's got me a little
00:43:45distressed.
00:43:46Don't worry,
00:43:46if that trial
00:43:47We've won.
00:43:48To the judge
00:43:48He's going to burst out laughing.
00:43:49But if it happens to me
00:43:50I'm not worried.
00:43:50the trial at all.
00:43:52What worries me
00:43:53These are the entrances
00:43:54and building exits.
00:43:56Oh,
00:43:57you think?
00:43:57It's like
00:43:58yes to Bush
00:43:59he likes to put
00:43:59a burger in Baghdad.
00:44:01Well, it's a bit
00:44:02provoke,
00:44:03foolishly.
00:44:04Isabel,
00:44:04dear,
00:44:05Trust me.
00:44:06I have everything under control.
00:44:11No,
00:44:12all,
00:44:13all,
00:44:13No.
00:44:17Fer,
00:44:17hey,
00:44:18that there were already fewer
00:44:18Something's come up.
00:44:20We're going on a trip
00:44:21to Badajoz.
00:44:21We'll be back tomorrow.
00:44:22To Badajoz?
00:44:23So that?
00:44:23It's because a friend
00:44:24Bea's lifelong friend
00:44:25She's going to give an exhibition
00:44:26of lesbian painting.
00:44:27Yeah,
00:44:27at the House of Culture
00:44:28from Badajoz.
00:44:29That they have given
00:44:30a prize
00:44:30by dreamy vagina.
00:44:31A triptych.
00:44:33One leg,
00:44:34other leg
00:44:34and in the center
00:44:35the darkness.
00:44:37Mixed media.
00:44:37And like Ana
00:44:38It is less mystical,
00:44:39Well, I've asked him
00:44:40Mauri
00:44:41that he/she accompanies me.
00:44:42I want to invest
00:44:43in art
00:44:43And if it's lesbian
00:44:44well, better
00:44:45because you help
00:44:45to a group
00:44:46disadvantaged
00:44:47who needs it.
00:44:47Well,
00:44:48disadvantaged...
00:44:49Yeah,
00:44:49So we're leaving
00:44:50to Badajoz
00:44:51and we spend the night there.
00:44:52Because your friend
00:44:52He had a bar, didn't he?
00:44:53Yes, yes,
00:44:54a cocktail bar
00:44:56and beers from around the world.
00:44:57Okay then,
00:44:57let's go.
00:44:58That you pass to us
00:44:59of 80
00:44:59and you will stop
00:45:00thrice
00:45:00to make a runway.
00:45:01Goodbye, darling.
00:45:02Bye bye.
00:45:03Ah, call, Ana.
00:45:04Have a drink,
00:45:05You keep each other company.
00:45:06Ah, that's great.
00:45:08Don't run.
00:45:17Ann,
00:45:19Can you come down for a moment?
00:45:20I want to tell you something.
00:45:23Yeah,
00:45:24Yeah,
00:45:25quite important.
00:45:27Now we're going to tell you
00:45:28The same goes for Ana.
00:45:29Hey,
00:45:30Do you think he swallowed it?
00:45:31Yes,
00:45:31Fernando is my little darling.
00:45:33Hello.
00:45:34I'll go down to the video store for a second.
00:45:36to see if it has soap
00:45:36for intimate hygiene.
00:45:39No.
00:45:47Hello.
00:45:48Happens,
00:45:48happens.
00:45:56Look how fast!
00:45:57He called her.
00:45:58So last night
00:45:59The phone numbers were exchanged.
00:46:01No,
00:46:02Bea hasn't told me
00:46:03let them go
00:46:03to no exposure.
00:46:04And on top of that
00:46:05It's a lie.
00:46:06I went online
00:46:07and at the House of Culture
00:46:08from Badajoz
00:46:08There is no exhibition
00:46:09of lesbian painting.
00:46:10There is only one course
00:46:11Tai chi for retirees
00:46:12and a performance
00:46:13from a choir group
00:46:14and dances
00:46:16Extremadura Horizons
00:46:17is called.
00:46:17So where does it go?
00:46:18Good question.
00:46:19But it's clear
00:46:20who want to be alone.
00:46:21That?
00:46:24What are you saying?
00:46:25No, no, no.
00:46:26Bea couldn't be more lesbian
00:46:27And Mauri couldn't be gayer.
00:46:28Yes,
00:46:29But it's different among them.
00:46:30There have always been
00:46:31a special roll.
00:46:32Like when they were
00:46:33with the topic
00:46:33of artificial insemination
00:46:34and they ran out of money.
00:46:36They almost
00:46:36going to bed.
00:46:37Well,
00:46:37They say they didn't do it
00:46:39But who knows?
00:46:40because I was in London.
00:46:41You're leaving me with pictures.
00:46:43Besides,
00:46:43Didn't you say that Bea
00:46:44She's very jealous of you.
00:46:45This is a mirror mechanism
00:46:46crystal clear.
00:46:48You accuse your partner
00:46:49to feel what really
00:46:49how you feel.
00:46:50What do I want?
00:46:51towards another person?
00:46:52This is how it downloads
00:46:53his guilt complex.
00:46:54But what do you say?
00:46:55Are they involved?
00:46:56Don't know,
00:46:56I don't know.
00:47:00But there is something.
00:47:02Fuck.
00:47:03That's what I say.
00:47:10Shit,
00:47:10The Powerpuff Girls are gone.
00:47:11We're getting lost
00:47:12the conversation.
00:47:13They're probably already setting it up.
00:47:15I'm going in.
00:47:16Peaceful,
00:47:16Starsky,
00:47:17that they're not going to pull it off here.
00:47:18Radiopato has great coverage
00:47:19And Fernando is very discreet.
00:47:21She will be taken to a hotel.
00:47:23And I think I know which one.
00:47:24Well, then say it.
00:47:25The one who took me
00:47:25the first night.
00:47:26Tiny, romantic
00:47:27and very discreet.
00:47:28Sure, like him
00:47:28He had not yet come out of the closet.
00:47:30Okay, let's go there.
00:47:31and we hunted them down.
00:47:39I think I have the phone
00:47:40from your hotel room.
00:47:42I'll be right back.
00:47:43So, what do I do?
00:47:44Go up and tell her now.
00:47:45that you're leaving,
00:47:46which are not yet the sayings,
00:47:47that you are not in the ones you are in.
00:47:48Yes it's true.
00:47:49Oh, how focused.
00:47:50You have to be in a position to lie.
00:47:52I'm going to pick up a little something
00:47:54that I've forgotten.
00:47:54And so,
00:47:56I'll give you another kiss.
00:47:58Okay, then I'm going to buy it
00:47:59an ink
00:48:01for the printer.
00:48:02Yes, yes,
00:48:03that you start printing photos
00:48:04And you spend it all in two days.
00:48:05Okay, see you later, okay?
00:48:17Hotel Zouk.
00:48:18Hi how are things?
00:48:20Already.
00:48:22Excuse me,
00:48:22Has anyone booked?
00:48:23the suite for tonight?
00:48:24Oh, and could you tell me who?
00:48:27Yes, I understand.
00:48:30Well, look,
00:48:31I'd like to reserve one.
00:48:33Yes, on behalf of...
00:48:35Juan Cuesta.
00:48:52Ana, confirmed.
00:48:53Mauri just booked
00:48:54a suite in the hotel
00:48:55to whom I took
00:48:56when we met.
00:48:57God,
00:48:58And which hotel is it?
00:49:00Hotel Zouk.
00:49:03Okay, okay.
00:49:04Then we arranged to meet.
00:49:17Yeah.
00:49:18Mauri,
00:49:19That hotel you mentioned
00:49:20Is it called Zouk?
00:49:21Yeah.
00:49:22They're going to that one, they're going to that one.
00:49:23I heard Ana
00:49:23talking on the phone.
00:49:24Well, they're going to take
00:49:25a surprise
00:49:26because you have already booked
00:49:26the room.
00:49:28Mauri,
00:49:29We're both sick, huh?
00:49:30Already.
00:49:31Emotional masochism.
00:49:36Mariano!
00:49:37Mariano!
00:49:38Go for it!
00:49:38Give it a try and see if it goes up!
00:49:45Man,
00:49:46The speed is deplorable.
00:49:47But it will go up!
00:49:49Dad!
00:49:49Leave that man alone!
00:49:50who is working!
00:49:52How bad it is to have
00:49:53leisure!
00:49:55Come on!
00:49:55Come on, come on, come on!
00:49:56Stop, stop, stop!
00:49:59Now scroll down!
00:50:03No!
00:50:03It's not going down!
00:50:04But why isn't it going down?
00:50:06Fuck!
00:50:06But where are you hitting it?
00:50:08Pussy!
00:50:08Well, to zero.
00:50:09A master's degree is not necessary either.
00:50:13So, how's it going?
00:50:14Is the elevator working yet?
00:50:15But how will it work?
00:50:16if you have hired Baby Goo
00:50:17to save yourself a couple of bucks?
00:50:18And surely
00:50:19that from there
00:50:19you get your commission.
00:50:20You shut up and scrub the tile, okay?
00:50:22No, no, no, no, no,
00:50:23wait a moment
00:50:23Because we need to talk, okay?
00:50:24That's you
00:50:25the one who is using me
00:50:26And I'm already tired of it.
00:50:27to be your Mr. Clean.
00:50:28God, how annoying!
00:50:29What do you want, Emilio?
00:50:30I have a lot of things to do.
00:50:31I'm getting married next week.
00:50:32Or not,
00:50:33because you've got me all warm and fuzzy
00:50:34And I'm going to have to talk
00:50:34with Pedro from our own.
00:50:35Look, Emilio!
00:50:36Don't stress me out anymore.
00:50:37If you want to tell him,
00:50:38You tell him/her,
00:50:38But you leave me alone.
00:50:39I'm fed up with all of you.
00:50:41Phew!
00:50:41Ah, okay, okay, okay!
00:50:44Michelangelo,
00:50:45Juan Cuesta,
00:50:46former president of Desengaño 21.
00:50:48No no,
00:50:49I'm not at the police station.
00:50:50don't worry.
00:50:51I'm going to see you at the office.
00:50:52I need legal coverage
00:50:53for something trivial.
00:50:56Good morning.
00:50:57Mr. John,
00:50:58Look,
00:50:58The president asked me to.
00:51:00that scrubs
00:51:01the tile joints,
00:51:02But this just won't work.
00:51:03Besides,
00:51:04It's historical filth,
00:51:04I think it can't be touched.
00:51:06The city council is going to fine us.
00:51:07Emilio,
00:51:07Don't tell me your life story.
00:51:08You faked a sick leave due to depression
00:51:10And that accelerated my political downfall.
00:51:12No, excuse me,
00:51:12You lost the presidency
00:51:13because the grass
00:51:14He stuck his finger in his...
00:51:15Well,
00:51:15Let's forget about that topic now.
00:51:16If Belén tells you to do the dishes,
00:51:18Well, you do the dishes.
00:51:22Dick,
00:51:23It was a close call.
00:51:25Ladies!
00:51:26This is an attack on my life.
00:51:29a malevolent act.
00:51:30Emilio,
00:51:31You've seen it, haven't you?
00:51:32No, no, no,
00:51:33I haven't seen anything.
00:51:33When they tell me to do the dishes,
00:51:34I do the dishes and I don't, no.
00:51:36Well, I take some photos with my mobile phone.
00:51:40This act will not go unpunished.
00:51:42I know they're listening to me!
00:51:50You haven't given it to him.
00:51:52You should have left me.
00:51:53It's that flowerpot
00:51:54It wasn't one of the good ones to throw away.
00:51:57Are you going to catch a cold?
00:51:58What are you doing?
00:52:00Well, here,
00:52:00watching people go by,
00:52:02old people stuff.
00:52:04Hey.
00:52:05Thank you.
00:52:06Kiss,
00:52:07This is where you check in
00:52:08And then you leave in the car
00:52:09to the room.
00:52:10Ah,
00:52:10and you go straight in
00:52:11to the private garage,
00:52:12Not even God can see you.
00:52:13This is a cuckold's paradise.
00:52:14Yes, that's what they think, Fernando.
00:52:16Come on, go that way.
00:52:38This is amazing.
00:52:40Welcome to the suite,
00:52:41enter.
00:52:42Here's a mirror.
00:52:43Yeah.
00:52:48This pool is heated.
00:52:52And this is a waterbed.
00:52:54Clear,
00:52:54a sports center of an orgasm.
00:52:56Well,
00:52:57Now it's a matter of finding out
00:52:58which room comes in them.
00:52:59Okay,
00:53:00Well, you should investigate.
00:53:01I'm going to take a bath.
00:53:02Okay, Bea,
00:53:03focus,
00:53:03that we have come here
00:53:04to upset them.
00:53:05That's why,
00:53:05We've already guaranteed a tantrum.
00:53:07No?
00:53:07Let's enjoy the room.
00:53:08But what if you don't have a swimsuit?
00:53:09You're gay,
00:53:10There is trust.
00:53:11Come on, go on,
00:53:12come on.
00:53:12No?
00:53:13Come on, go ahead.
00:53:15Okay,
00:53:15I'm in for the jacuzzi too.
00:53:19I am pregnant,
00:53:20I can't carry weight.
00:53:22Me when I was pregnant
00:53:24eight months old,
00:53:24I had to chicken out
00:53:25with a move.
00:53:27So...
00:53:28Damn it, Dad,
00:53:29That's a really high level, isn't it?
00:53:36Juan,
00:53:37what's happening?
00:53:39Hello darling.
00:53:39We are practicing
00:53:40an expert report
00:53:41that proves
00:53:42that the sound level
00:53:43does not exceed
00:53:44the allowed values
00:53:45by the municipal ordinance.
00:53:46He is a technical inspector
00:53:47of the city council
00:53:48specialized in acoustic impact
00:53:50and he is a certified teacher
00:53:52of the Higher Conservatory of Music.
00:53:53We have to go to trial.
00:53:55with a few up his sleeve.
00:53:56Tomorrow we have
00:53:56the oral hearing.
00:53:58Good heavens!
00:53:59With fast-track trials.
00:54:01Let's hope for the best.
00:54:02And we won.
00:54:04Thank you so much
00:54:04Thank you for your support, girls.
00:54:06You're giving me
00:54:06much strength.
00:54:07Nothing, Juan,
00:54:08When there is love, there is love.
00:54:09And that can handle anything.
00:54:15I don't know why
00:54:16I kept this piano.
00:54:19Besides,
00:54:20It's ugly.
00:54:30But look,
00:54:32if there's already a pool.
00:54:34Clear,
00:54:35now they are naked
00:54:36giving their little touches,
00:54:37refloating
00:54:37one against the other.
00:54:39Ana, please,
00:54:40Don't tip over.
00:54:40I will persist
00:54:41on that side.
00:54:47What do you hear?
00:54:48Nothing.
00:54:49If this
00:54:49It is very well soundproofed.
00:54:52Oh.
00:54:54Hey,
00:54:54The bed is cool, huh?
00:54:56Goes,
00:54:56go there.
00:54:56Okay.
00:54:58I'm going to my room
00:54:59per room
00:54:59until I meet with them.
00:55:01Oh,
00:55:01Let me order some rolls
00:55:02Before, go.
00:55:03But how can you
00:55:03Are you thinking about eating?
00:55:04When I get stressed
00:55:05I'm getting hungry.
00:55:06How lucky!
00:55:07My hair is falling out.
00:55:08Yeah.
00:55:09Sweet balls.
00:55:10Yeah,
00:55:10who is it?
00:55:11Reception.
00:55:12His wife is here.
00:55:13Shit,
00:55:13Susana,
00:55:14Get dressed.
00:55:14It cannot be highlighted.
00:55:17Tell me.
00:55:19You have found me
00:55:19his hydrum.
00:55:20What sons of bitches.
00:55:22Remove,
00:55:22remove,
00:55:22remove,
00:55:22remove,
00:55:23remove,
00:55:23that we have to give them
00:55:24time for them to enter
00:55:25in this matter,
00:55:25if not caught
00:55:26It's not that humiliating.
00:55:27But how do we get there?
00:55:27to stay here
00:55:28while they
00:55:28Are they there?
00:55:29I know,
00:55:29Don't upset me,
00:55:31want?
00:55:32I think I'm going to ask
00:55:33hake too.
00:55:34Okay,
00:55:34But he pays for this.
00:55:34even apart,
00:55:35Hey?
00:55:35I'll pay for it.
00:55:36Come on,
00:55:37my love,
00:55:37There's less time left.
00:55:38You keep telling me that
00:55:39all afternoon,
00:55:40really,
00:55:41I'd rather you kept quiet.
00:55:42It's because they're not...
00:55:42waiting for my parents
00:55:43for dinner.
00:55:44Pussy,
00:55:44if this already works.
00:55:46What a joy!
00:55:46for my back.
00:55:48What are you going to get into there?
00:55:49Carmen,
00:55:49please,
00:55:50Don't be anxious.
00:55:53Well,
00:55:54take.
00:55:56Let's see,
00:55:57This is a challenge.
00:55:57We have an elevator
00:55:58that goes up,
00:55:59but it doesn't go down.
00:56:00If it can't be seen
00:56:01a fuck.
00:56:02I don't know
00:56:02Why doesn't he put
00:56:03a light in here.
00:56:04I'm telling you it's
00:56:04the Derbio pulley
00:56:05that is blocking
00:56:06the lifting hook.
00:56:07You'll see.
00:56:08Mariano,
00:56:08Mariano,
00:56:09Don't touch here.
00:56:09May it never fall off!
00:56:11Yes, yes, yes, yes!
00:56:11Oh, yes, yes, yes, yes!
00:56:14Holy shit!
00:56:15He has fallen off the hook
00:56:16the canine.
00:56:17Thank goodness
00:56:18that there was no
00:56:18Nobody inside.
00:56:19Andrew!
00:56:21Andrew!
00:56:22Andrew!
00:56:23Let's avoid triumphalism.
00:56:24We're going down.
00:56:25The Virgin Mary!
00:56:27Andrew!
00:56:28Andrew,
00:56:29Andrew,
00:56:29my love,
00:56:30tell me something.
00:56:30Are you OK?
00:56:31What I do?
00:56:31Tell Isabel
00:56:32that I love her.
00:56:34You tell him,
00:56:35It doesn't bother you.
00:56:36Come on,
00:56:36Take it away,
00:56:36Take it away.
00:56:37What a fall!
00:56:38He had to get involved.
00:56:39If I jump
00:56:39from the video store.
00:56:40It hasn't been a good start
00:56:42for the splash
00:56:43and to things as they are.
00:56:44Clear,
00:56:44They touch what shouldn't be touched.
00:56:46But what happened?
00:56:47What happened?
00:56:47That has fallen
00:56:48the elevator
00:56:48from the third
00:56:49with Andrés Guerra inside.
00:56:51What do you say?
00:56:52Is that okay?
00:56:52No,
00:56:53The entire cabin needs to be replaced.
00:56:54You'll see the spillover.
00:56:55I say Andrés.
00:56:56Man,
00:56:56It didn't look good.
00:56:58Oh, God!
00:57:00Oh, God!
00:57:00What's the matter?
00:57:01Oh, I can't breathe!
00:57:03Oh no, I can't feel my hands!
00:57:05Oh!
00:57:05That's going to be something from the heart, huh!
00:57:06Ingenuity, don't mess with me!
00:57:07This to Superman's stepfather
00:57:09It was happening to him.
00:57:09Go, go to the ambulance!
00:57:10He's already gone!
00:57:12Well, damn it!
00:57:12Call someone else!
00:57:13But wait,
00:57:13I'm going for the van!
00:57:15Nativity scene!
00:57:16Bethlehem, look at me!
00:57:17Look at me!
00:57:18Don't go!
00:57:19Go ahead, word of mouth!
00:57:20Don't go!
00:57:21Nativity scene!
00:57:22Oh, let me give him mouth-to-mouth resuscitation!
00:57:23Get out of here!
00:57:32Don't go!
00:57:37Are you still angry with me?
00:57:39Let me.
00:57:40Come on, man.
00:57:41Na mi ojo, Renge Kyo.
00:57:42Yeah.
00:57:43Now.
00:57:48Okay, fine.
00:57:48I don't like it when we're angry.
00:57:50I have a great time with you.
00:57:53Me with you.
00:57:55That's it.
00:57:56Okay, fine.
00:57:57Let's suppose I forgive you.
00:57:59What do we do with the child?
00:58:00We sent him to boarding school with Josemi.
00:58:02Roberto, I'm serious.
00:58:04But dude,
00:58:04Weren't you supposed to help a friend?
00:58:05and burn karma and I don't know...?
00:58:07Look,
00:58:08If we decide to buy an apartment together,
00:58:10I need to know that what we have is serious.
00:58:12that you're not going to leave me for the first one
00:58:12I'm good at playing the console.
00:58:14But no way!
00:58:14If Pablo is only for a short time.
00:58:16You fill me up more.
00:58:18Okay.
00:58:19A hug.
00:58:24Hey, I'm about to leave.
00:58:26I'll manage somehow, you know?
00:58:27Here's a slightly strange thing.
00:58:29A weird thing?
00:58:30Because?
00:58:31Leave him alone, he's just a kid.
00:58:35Sorry.
00:58:36Fernando,
00:58:37We're not getting anywhere like this.
00:58:38We need to find out where they are.
00:58:41What if we set off the fire alarm?
00:58:42Now there will definitely be a stampede
00:58:44of naked customers
00:58:45and we caught them.
00:58:46No, let's go, door to door.
00:58:47Let's see if we hear anything.
00:58:58Good evening, room service.
00:59:01Forward.
00:59:02Can I leave it here?
00:59:03Do they want privacy?
00:59:04No, come in, come in,
00:59:05that way we won't get out of the jacuzzi.
00:59:23Do you need anything else, gentlemen?
00:59:24No, thank you very much.
00:59:25We're just gathering strength.
00:59:26for the next jump.
00:59:28Listen,
00:59:29white chocolate mousse
00:59:30with dark chocolate balls
00:59:31and mandarin ice cream,
00:59:32how is?
00:59:32Well, you've defined it.
00:59:33pretty good.
00:59:35Dear,
00:59:36See, you were going to be pregnant again?
00:59:38Maury, with a woman?
00:59:39This has to be a nightmare.
00:59:56I swear
00:59:57I don't know what's wrong with me.
00:59:58Since you're in the Tantra suite,
01:00:00Tantra goes to hunger.
01:00:02Maury, you're nominated.
01:00:08Where are you going?
01:00:08We're going to talk to them,
01:00:09Let's see what happened.
01:00:10Let them explain it to us.
01:00:11They shouldn't explain it to us, right?
01:00:12Yeah.
01:00:12They can all go to hell.
01:00:14Why would I change sides of the street?
01:00:15Hey?
01:00:15So that?
01:00:15Well, to make your life more complicated
01:00:16like everyone else.
01:00:17Do you know what's getting to me now?
01:00:19To get revenge on them.
01:00:20Ann,
01:00:20crimes of passion
01:00:21They don't lead anywhere, do they?
01:00:23No, no, no,
01:00:23I'm not referring to that kind of revenge.
01:00:25So?
01:00:28Oh.
01:00:28To bed.
01:00:30Well,
01:00:30That's another option.
01:00:32Yeah.
01:00:33Well,
01:00:34Let's go for these.
01:00:35That I already know
01:00:35That's what Fernando can do.
01:00:36They must be out for a cigarette.
01:00:38They've given me a beating.
01:00:39How awful.
01:00:40Peaceful,
01:00:40that you burn it now.
01:00:41I'm into rumba.
01:00:50Excuse me, Fernando,
01:00:51But I can't do it.
01:00:53Peaceful,
01:00:53I don't understand.
01:00:54Things are like that.
01:00:54made out of spite,
01:00:55No...
01:00:56I just don't like you.
01:00:57I'm not attracted to you.
01:00:58No,
01:00:59You don't love me either,
01:01:00I was having a terrible time.
01:01:01It was a kiss
01:01:03very rare.
01:01:03Queer,
01:01:04queer,
01:01:04very strange,
01:01:04very strange.
01:01:07Yeah?
01:01:08Room service.
01:01:10Did you order anything?
01:01:11What am I going to order?
01:01:16Thank you,
01:01:17But we don't want anything.
01:01:21My situation has already been discussed,
01:01:22Now it's your turn.
01:01:29So it wasn't a heart attack?
01:01:32Not a single clot,
01:01:33not even a stroke,
01:01:34or anything at all.
01:01:35No,
01:01:35what you've had
01:01:36It's an anxiety attack.
01:01:37Ah.
01:01:38Have you been subjected
01:01:39to some kind of stress
01:01:40lately?
01:01:43No,
01:01:44No,
01:01:44No.
01:01:45I'm getting married next week.
01:01:47My mother has separated from her husband,
01:01:48He's broken into my house,
01:01:50I slept with my ex
01:01:51and I don't dare
01:01:51to tell my boyfriend,
01:01:52They've made me president
01:01:53from the community by force,
01:01:54I've tried to fix
01:01:55the elevator
01:01:56and it has collapsed
01:01:57on the ground
01:01:57with a neighbor inside
01:01:58who must be around here,
01:01:59by UBI,
01:02:00His name is Andrés.
01:02:01Andrés Guerra,
01:02:02Andrew.
01:02:03Nativity scene,
01:02:04I would try to relax
01:02:05a bit,
01:02:05Hey?
01:02:06Yeah,
01:02:06Yeah,
01:02:06Yeah,
01:02:06Yeah,
01:02:07No,
01:02:07I'll tell him as soon as I can.
01:02:08everything to my boyfriend
01:02:09My stress will pass,
01:02:10But now,
01:02:10made it happen.
01:02:11Look,
01:02:12I think your mother has arrived.
01:02:13I'm going to tell him to come in.
01:02:14No,
01:02:15No,
01:02:15No,
01:02:15No,
01:02:16No,
01:02:16No,
01:02:16Tell him they're finished.
01:02:18visiting hours,
01:02:19No,
01:02:19that you have sedated me.
01:02:20What happened to my little girl?
01:02:22What happened to you?
01:02:22daughter?
01:02:22Nothing,
01:02:23mother,
01:02:23nothing,
01:02:23yes I'm fine.
01:02:24How do you like to get attention?
01:02:26Hey?
01:02:27Well,
01:02:27up to age 11
01:02:28He was wetting the bed.
01:02:30Now he's starting to understand me.
01:02:32In what?
01:02:35Juan,
01:02:36I have to go to the hospital.
01:02:38Andrés is my ex-husband,
01:02:40the father of one of my children,
01:02:42believe.
01:02:43Namely,
01:02:43We are all dismayed
01:02:44because of this misfortune caused
01:02:46due to incompetence
01:02:47of the new president,
01:02:48But I need you.
01:02:50next to me at the trial.
01:02:52How am I?
01:02:53I want to project a good image.
01:02:54to the judge.
01:02:55Don't worry,
01:02:55if this is won.
01:02:57There are no witnesses
01:02:58that it jumped you
01:02:59the yield sign.
01:03:00What gives way?
01:03:02Michelangelo,
01:03:03I'm the one with the piano.
01:03:04Oh,
01:03:05Yeah,
01:03:05Yeah,
01:03:05sorry,
01:03:06I haven't had breakfast.
01:03:07that I've had to do
01:03:08some tests this morning.
01:03:09Well,
01:03:09I've been here one morning.
01:03:13We should have.
01:03:15We should have
01:03:16hired an escort.
01:03:18The films,
01:03:19The bad guys always kill you
01:03:20at the entrance of the courthouse.
01:03:22But what are you doing?
01:03:23Nothing,
01:03:24nothing,
01:03:25nothing.
01:03:26Come on,
01:03:26let's go.
01:03:33Papapi,
01:03:34Hey,
01:03:34Peter.
01:03:35Yeah.
01:03:36Do you know that last night
01:03:36gave to Bethlehem
01:03:37an anxiety attack
01:03:38Very bad?
01:03:39His eyes widened
01:03:40backwards,
01:03:40like a baby doll
01:03:41when you knock it down.
01:03:42Yeah,
01:03:42Yeah,
01:03:42he called me
01:03:43who wanted to talk to me.
01:03:44He's just going through it
01:03:45very badly.
01:03:45The poor thing is very weak.
01:03:46with meat things
01:03:47and he slept with me
01:03:49And of course,
01:03:49Now it's the blame
01:03:50It eats her up inside.
01:03:52What did you say?
01:03:53But come on,
01:03:53I'm telling you.
01:03:54so that you understand it
01:03:55and give him your love
01:03:56and all that it can give him
01:03:57a man like you
01:03:58because of mine
01:03:58It's an orgasm
01:03:59just a moment
01:04:00and...
01:04:01Ah,
01:04:02Okay then,
01:04:02hey,
01:04:02thank you so much
01:04:03for the information,
01:04:04Hey?
01:04:04Nothing,
01:04:04man,
01:04:04nothing.
01:04:05Ah,
01:04:05hey,
01:04:05one little thing.
01:04:06If you come near again
01:04:07to Bethlehem
01:04:08I'll rip your head off.
01:04:09Or me personally
01:04:10or if it's inconvenient for me
01:04:11three or four Romanians
01:04:13that I send you.
01:04:15Come on.
01:04:18Yes, whore.
01:04:20You've gotten yourself into this
01:04:21in a garden
01:04:22And on top of that, you're going to break
01:04:23a happy couple.
01:04:25My question is,
01:04:26Will you be able to charge
01:04:27with that
01:04:27in your conscience?
01:04:29Well, you carry it.
01:04:30in yours,
01:04:31that you have it empty.
01:04:35Come on,
01:04:36come on,
01:04:36Vicenta,
01:04:37that we didn't arrive
01:04:38to the trial.
01:04:40Buy me patches!
01:04:42Oh, Lord,
01:04:43please,
01:04:43I'm asking you.
01:04:44that Andrés be saved.
01:04:45I was with Carmen
01:04:46just to make me jealous
01:04:47me.
01:04:49Vicenta,
01:04:49if you make him laugh
01:04:50Prayer doesn't work.
01:04:53And what's this about the elevator?
01:04:54Has this happened to us?
01:04:55For leaving the slut
01:04:57Let him do whatever he wants.
01:04:58That girl
01:04:59He is irresponsible.
01:04:59It's no use to us
01:05:00for president.
01:05:01Well,
01:05:02Well, let's see.
01:05:02What do we do now?
01:05:03so that he resigns.
01:05:05Well, it's very easy,
01:05:06You'll see.
01:05:09Peter,
01:05:10Nativity scene
01:05:10has been sleeping
01:05:11with the goalkeeper.
01:05:13Thank you,
01:05:14Are you?
01:05:14very kind.
01:05:20Oh well,
01:05:21It's clear.
01:05:22that is desired.
01:05:25Peter,
01:05:26Nativity scene
01:05:27has gone to bed
01:05:27with Emilio.
01:05:28That's right.
01:05:29I'm sorry to tell you this
01:05:30cold,
01:05:30but...
01:05:30No, no, no,
01:05:31not so coldly,
01:05:32No.
01:05:32It's that she
01:05:32she can't take it anymore
01:05:33with this anguish.
01:05:34Yesterday he gave
01:05:35a cute range.
01:05:36Hey,
01:05:36for me the first
01:05:37It's health.
01:05:38of my daughter.
01:05:38Clear,
01:05:38clear,
01:05:39clear,
01:05:39clear.
01:05:40Hey,
01:05:40me now
01:05:40I'm going to court,
01:05:41But as soon as I get back
01:05:42Let's see what we can do.
01:05:44with that emptiness
01:05:44what do you have
01:05:45in the heart.
01:05:47Oh,
01:05:47Oh my God.
01:05:48Oh well,
01:05:49Ann,
01:05:49Ann,
01:05:50please,
01:05:50neither
01:05:50You have to exaggerate,
01:05:51which has already been
01:05:52Of course it has been
01:05:52a silly misunderstanding.
01:05:53Silly,
01:05:54You are two sick people.
01:05:55That's what I told him.
01:05:56No,
01:05:56I told you so.
01:05:57So I'm sorry
01:05:58in the soul,
01:05:58but this
01:05:59It's over.
01:06:03Pauri?
01:06:03Pauri, what are you leaving me for?
01:06:04Already,
01:06:05already,
01:06:05Yes, I'm here.
01:06:06Well,
01:06:06If that works for you
01:06:07to everyone,
01:06:07that for drama
01:06:08to mine
01:06:09that I have
01:06:09What can I say?
01:06:09to my fiancé
01:06:10that I put
01:06:11the horns.
01:06:12Hey,
01:06:13And how has it been done?
01:06:13Fernando?
01:06:14I don't know,
01:06:15because he hasn't come
01:06:15go to sleep
01:06:15and he's not answering his phone.
01:06:16The vibrations
01:06:17Of course
01:06:18They are not good.
01:06:21Sorry.
01:06:23Hello,
01:06:23Peter.
01:06:25Look,
01:06:26I wanted to tell you
01:06:26one thing.
01:06:27Wait,
01:06:28wait,
01:06:29Let's see if I'm right.
01:06:31you've thrown yourself
01:06:32to Emilio.
01:06:33And who told you?
01:06:34saying?
01:06:34All,
01:06:35but everyone.
01:06:36I mean,
01:06:36I haven't crossed paths
01:06:37with any living being
01:06:38of this staircase
01:06:38that he didn't know.
01:06:39But what have you done?
01:06:40Have you distributed
01:06:41circulars?
01:06:41Hey,
01:06:42now that you are
01:06:42chairwoman!
01:06:45Forgive me,
01:06:45Peter,
01:06:47that I have passed
01:06:47fatal.
01:06:52Come on,
01:06:53come on,
01:06:54come on,
01:06:55come on.
01:06:55Okay,
01:06:56Okay,
01:06:57Okay,
01:06:58Sit down.
01:06:59Come on,
01:07:00sit down
01:07:01here on the sofa
01:07:01and to talk
01:07:02things,
01:07:03Hey?
01:07:03Okay.
01:07:08Vele.
01:07:10Well.
01:07:15Mr. Cuesta
01:07:16is playing
01:07:16the piano
01:07:17at their home
01:07:18without a schedule
01:07:19fixed
01:07:19and in a room
01:07:20unconditioned
01:07:21to this end.
01:07:22Clear,
01:07:22how I live
01:07:23in a palace
01:07:23soundproof
01:07:24in Alga Norte.
01:07:25Be silent,
01:07:26please.
01:07:26Don't piss him off.
01:07:28The acoustic impact
01:07:29of the piano
01:07:30is causing
01:07:30in the neighbors
01:07:31disorders such as
01:07:32such as headache,
01:07:34stress...
01:07:34A lot of stress.
01:07:36Lawyer,
01:07:37Leave me this
01:07:37mobile,
01:07:38For God's sake.
01:07:39Excuse me,
01:07:39It's because my grandmother
01:07:40He is dying.
01:07:43Mauri,
01:07:43that I told you
01:07:44I don't want to talk to you.
01:07:45What a lawyer!
01:07:46What a sight!
01:07:47we are giving.
01:07:48Too bad,
01:07:49No?
01:07:49He was so cute.
01:07:51What he must have done
01:07:51these gays
01:07:53will have entered
01:07:54in a dark room
01:07:55of those
01:07:55And since there is no light
01:07:57It has run into something.
01:08:00Excuse me,
01:08:01the community of neighbors
01:08:03requests that the defendant
01:08:04stop playing the piano
01:08:05and compensation
01:08:07of 6,000 euros
01:08:08in concept
01:08:09moral damages
01:08:10for the inconvenience caused.
01:08:11Lordship,
01:08:12This is outrageous.
01:08:13Silence.
01:08:14It hurts me
01:08:15the entire left side.
01:08:16I have mental disorders.
01:08:19Lordship,
01:08:19They are trying
01:08:20restrict
01:08:21individual freedoms
01:08:23and the artistic initiative
01:08:24of my client.
01:08:25According to the World Health Organization
01:08:27Health,
01:08:28the noise,
01:08:28which is the only thing
01:08:29which can be called
01:08:30to what he is doing
01:08:30Juan with the piano,
01:08:32aggravates ailments
01:08:32such as hypertension,
01:08:34cardiovascular diseases
01:08:36or depression.
01:08:37Yes, I know.
01:08:38If the son
01:08:38from my upstairs neighbor
01:08:39He spends all day
01:08:40with the trumpet.
01:08:42Holy shit.
01:08:44Lordship,
01:08:44protest.
01:08:45Because?
01:08:46Well,
01:08:46in general
01:08:47I protest.
01:08:48Denied.
01:08:49Thank you.
01:08:51Your Honor,
01:08:52these ladies
01:08:52who are sitting there
01:08:53They have attacked
01:08:53against my life
01:08:54throwing a flowerpot at me
01:08:55from his balcony.
01:08:57Oh, what a lie!
01:08:58Let's see, let's see, let's see.
01:08:59That's another matter.
01:09:00If I've done the calculations,
01:09:01a flowerpot
01:09:02with an estimated mass
01:09:035 kilos
01:09:04launched from a height
01:09:054 meters
01:09:06would have had an impact
01:09:07in my head
01:09:08at 9 kilometers per hour
01:09:10with an energy
01:09:11of 200 joules.
01:09:12Imagine the mess.
01:09:14You're being annoying, aren't you?
01:09:16Fernando,
01:09:17please,
01:09:17We need to talk.
01:09:18And who is this now?
01:09:20Her boyfriend.
01:09:21They are gay.
01:09:22Mauri, I'm working.
01:09:23I don't want to talk to you anymore.
01:09:24We're finished!
01:09:24It was all a misunderstanding,
01:09:26But how am I going to be involved?
01:09:27With Bea, please.
01:09:28Who is the mother of my child?
01:09:29We went there to the hotel.
01:09:30to catch you.
01:09:31Ah, of course,
01:09:32That's why you were naked
01:09:33in the jacuzzi
01:09:33ordering dinner.
01:09:34Hey,
01:09:34You were in bed with Inga.
01:09:35But you caused that.
01:09:37What an exclusive!
01:09:38Marisa is missing.
01:09:40Peaceful.
01:09:41The one over there
01:09:42He's recording it.
01:09:44But,
01:09:44Do you like women?
01:09:45Or don't you like women?
01:09:46Mauri,
01:09:47I like you.
01:09:51Lordship,
01:09:51please,
01:09:52a little bit of seriousness.
01:09:54Is this a soap opera?
01:09:55Yeah.
01:09:56Passion of faggots.
01:09:58Good.
01:09:59This has already been seen.
01:10:01for sentencing
01:10:01I'm already a little hungry.
01:10:03There is no place
01:10:04the demand
01:10:05of the neighborhood community
01:10:07Desengaño Street
01:10:07number 21.
01:10:09Mr. Juan Cuesta
01:10:10plays the piano
01:10:11within permitted hours
01:10:13and fortunately
01:10:14far from this court.
01:10:16He gets up for the session.
01:10:18Yeah!
01:10:18Yeah!
01:10:19Take!
01:10:20Isabel, darling,
01:10:21We've won!
01:10:23Yeah.
01:10:25But we can appeal, right?
01:10:30Do you see what you've accomplished?
01:10:32We've lost our minds.
01:10:33Yes, but we have reconciled.
01:10:34With how beautiful it is, right?
01:10:35Because we have reconciled,
01:10:37TRUE?
01:10:38Hey,
01:10:38Hey,
01:10:39God.
01:10:40Sorry, Fernando!
01:10:44What a feeling!
01:10:45What a crushing victory!
01:10:47Only one thing was missing
01:10:47that sounded
01:10:48the We Are of Champions.
01:10:49Did he win?
01:10:50Yes, darling, yes.
01:10:51Justice is blind
01:10:52and deaf.
01:10:53Isabel,
01:10:54I've recovered again
01:10:55faith in the system.
01:10:56Well,
01:10:56until ten o'clock at night
01:10:57which will be very productive for me.
01:11:04Juan!
01:11:05Take it away!
01:11:06Enough is enough!
01:11:07I can't stand it!
01:11:08Don't touch anymore!
01:11:09Out!
01:11:10Take it away!
01:11:11I'll do it myself.
01:11:14Juan!
01:11:33And that's it.
01:11:35And that's all there is to it.
01:11:37So you know how to play.
01:11:39Yeah,
01:11:39I'll play until you die.
01:11:41So
01:11:41Please choose
01:11:42or the piano
01:11:43or your family.
01:11:45But,
01:11:45how you sit down again
01:11:46Here again,
01:11:47I'm going to jump out of the yard
01:11:48and she is the second woman
01:11:49that you're leaving
01:11:50through that window.
01:11:59Well,
01:12:00The painting is also beautiful,
01:12:01No?
01:12:02And it doesn't make any noise.
01:12:04Fernando and Mauri
01:12:05They are in crisis.
01:12:06It is unknown
01:12:07what's going to happen.
01:12:08And Ana
01:12:08He has broken up with Bea.
01:12:09She has left home.
01:12:10And the slut's boyfriend
01:12:12He already knows
01:12:13about the horns
01:12:14with Emilio.
01:12:15But in the end
01:12:16Belén is getting married
01:12:16or he doesn't get married.
01:12:17It is unknown.
01:12:18That's still there
01:12:19There is no news.
01:12:20Well, what a...
01:12:20outdated information.
01:12:21I'm going to give myself
01:12:22to lower the radio patio.
01:12:24That's also bad luck.
01:12:26Look how they're going to...
01:12:26to coincide two weddings.
01:12:28No,
01:12:28No,
01:12:28on my end
01:12:29Don't worry,
01:12:29if they are not invited.
01:12:31And to the one from the whore
01:12:32neither.
01:12:33Single Tinga
01:12:34and changing sidewalks.
01:12:35And Paco is getting married
01:12:37with Lourdes.
01:12:38Paco,
01:12:39Your problem is that
01:12:39you have discovered
01:12:40sex too late.
01:12:41No, be careful,
01:12:42that I already had
01:12:42sexual fantasies
01:12:43from a very young age,
01:12:44Hey?
01:12:44I imagined
01:12:45to Maya the Bee
01:12:45having sex with Willy
01:12:46and with Flip,
01:12:47the grasshopper.
01:12:48And with the spider keyboard
01:12:49looking and touching
01:12:50with its eight legs.
01:12:51Paquito,
01:12:51You need to look into that.
01:12:53When I was little
01:12:54the one that made me
01:12:54It was the witch Avería.
01:12:55Man,
01:12:56the roll,
01:12:56has always had
01:12:57the point.
01:12:57Teresa Ramán
01:12:58Yes, it was a myth.
01:12:59lotic.
01:12:59I took Emilio
01:13:00to the circus to see her.
01:13:02Nothing with monkeys,
01:13:03She cried a lot.
01:13:04Ah, but
01:13:04That neighborhood had monkeys.
01:13:06Pussy,
01:13:07in all circuses
01:13:07There are monkeys.
01:13:08Who do you think you are?
01:13:09set up the tents?
01:13:10Whoever lives,
01:13:13there are none here
01:13:18whoever lives,
01:13:23there are none here
01:13:28whoever lives,
01:13:33there are none here
01:13:37whoever lives.
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