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00:00:30Budget number one. From now on, the expensive one.
00:00:34It has the advantage that the interior of the elevator is beautiful.
00:00:37It's glazed, so lots of light comes in.
00:00:39But the downside is that you can see the neighbors.
00:00:42You can't even use the journey to pop a pimple because then people will comment.
00:00:46And budget number two, well, it's cheaper.
00:00:48But it has the drawback of being ugly.
00:00:51It matches the building, but it's depressing.
00:00:53What do you think?
00:00:54Yes, yes, yes.
00:00:55Yes, yes what?
00:00:57I don't know. I was thinking about tomorrow's parents' meeting.
00:01:00But look, the prices aren't that different in the end.
00:01:04Well, no, the truth is, no.
00:01:06Well, and you can always try to negotiate.
00:01:08Well, that's for sure.
00:01:09Of course.
00:01:13Mr. Juan.
00:01:14But hey Emilio, can you tell me where you were?
00:01:16The vice president and I discussing vital issues for our community and your unknown shelter.
00:01:21Look, here, I have a copy upstairs and you can tell me what you think.
00:01:24Let me tell you.
00:01:24Yes, I come from university, Mr. Juan, I've enrolled in teacher training.
00:01:27I will follow in his footsteps.
00:01:29Of course, Emilio.
00:01:30Teaching is the most beautiful occupation there is.
00:01:33To transmit knowledge, to train new generations.
00:01:35There, there, there. That's my thing.
00:01:37In Ancient Greece, teachers were the most highly regarded people.
00:01:41That has now changed a little bit.
00:01:43They pay us next to nothing, but it's still a wonderful job.
00:01:47When a student manages to calculate their first square root,
00:01:51That moment cannot be described in words, Emilio.
00:01:54Oh my, oh my, oh my. It must be like a teacher's orgasm, right?
00:01:57Even better.
00:01:58Orgasms come and go, Emilio, but knowledge remains.
00:02:04Well, well, well. How wise is this man?
00:02:08He speaks better than Valdano.
00:02:10That's intense.
00:02:11Look at the hair.
00:02:12Like a prickle.
00:02:13No one can live here, here, here.
00:02:16Not here, not here.
00:02:18Every day is like this.
00:02:20I couldn't imagine it when I came here.
00:02:22I was just looking for some peace.
00:02:25I wake up every day in the middle of a hurricane.
00:02:27No one can live here, here, here.
00:02:29Not here, not here.
00:02:31No, no, no.
00:02:32No one can live here, here, here.
00:02:34Not here, not here.
00:02:35No no.
00:02:36The house above me is collapsing.
00:02:38I can't find the goalkeeper.
00:02:40My neighbors are watching and listening to me.
00:02:43I can't stand being in this place.
00:02:45Otherwise, not all my neighbors have them here.
00:02:47If not, come to my apartment.
00:02:48Come to the bathroom, cousin, I want to show you.
00:02:50Where clowns cry, thieves rob us.
00:02:52And the stones are overcome by something to be found.
00:02:54Put it in a cocktail shaker.
00:02:58You in an earthquake and a big mouth.
00:03:04And you'll have this ladder.
00:03:08No one can live here, here, here.
00:03:10Not here, not here.
00:03:13No one can live here, here, here.
00:03:15Every day is like this.
00:03:17I can't imagine it when I came here.
00:03:19I was just looking for some peace.
00:03:21And your cheek awoke in the chureca.
00:03:24No one can live here, here, here.
00:03:26No one can live here, here, here.
00:03:29No one can live here, here, here.
00:03:34You've never been here before, have you?
00:03:36No.
00:03:37What do you think of our house?
00:03:38Well, it has charm.
00:03:40Tell the truth, damn it.
00:03:41Isn't she disgustingly ugly?
00:03:43That's what I'm saying, it has the charm of being depressing.
00:03:46Look, that paper is older than we are.
00:03:48This can't be happening, right?
00:03:49Here, meetings are called only by the president.
00:03:51If it's not a meeting.
00:03:53It's just that Vicenta wants to tell us something or other.
00:03:55Why don't you tell me? Where is he?
00:03:57She's been in the bathroom all morning.
00:03:58Anything can come out of that.
00:04:00Well, there's no rush either.
00:04:01You, how funny.
00:04:02Pass me one of those midnight snacks.
00:04:04What is this gentleman doing here if he's not the owner?
00:04:06Yes, but since nobody has told me anything...
00:04:09Wow!
00:04:10Damn, look how he's painted himself.
00:04:11She looks like Heidi with sunstroke.
00:04:13Okay, is everyone here?
00:04:14Half an hour ago, Vicenta, darling, what's wrong?
00:04:16Don't keep us in this state of unbearable suffering.
00:04:18Well, I want to give you all some very important news.
00:04:22Am I going to get married?
00:04:25Yes, it is important.
00:04:26It's almost miraculous.
00:04:28Jesus probably told you that so you'd buy the coupon.
00:04:30But you shouldn't take it literally, Vicenta.
00:04:33It's not Jesus.
00:04:34You don't know him.
00:04:36But you're going to meet him right now.
00:04:38Because I have arranged to meet him.
00:04:40Vicenta has not introduced him to her boyfriend.
00:04:42This is a historic moment.
00:04:43Who have you met?
00:04:45I don't know.
00:04:45To anyone.
00:04:46If she talks to everyone.
00:04:48I'm betting on a depressed widower.
00:04:50Me too.
00:04:50Otherwise, it's inexplicable.
00:04:51I wouldn't rule out the one with the coupons.
00:04:53Poor thing, you're not laughing.
00:04:55And what about you?
00:04:55I'm not laughing at this, please.
00:05:00Nestor, let me introduce you to my neighbors.
00:05:04Hello, how are you?
00:05:05Nestor wants us to get married right away.
00:05:08TRUE?
00:05:09I've already told everyone they're invited.
00:05:12Yeah.
00:05:13Vicenta, can we talk for a moment alone?
00:05:15Yes of course.
00:05:17We'll be right back, okay?
00:05:18Don't leave.
00:05:22Hey, he's handsome.
00:05:23This lady has entered the club of flamenco singers through the front door.
00:05:26My love, I told you it was better to keep this a secret.
00:05:29But how could I not tell my neighbors?
00:05:31They're like family to me.
00:05:33Yes, but an intimate ceremony is nicer, a quick and heartfelt little thing.
00:05:36Through the church?
00:05:37Of course.
00:05:38Yes, I already have the priest.
00:05:39I have everything now.
00:05:40We're getting married tomorrow.
00:05:41Tomorrow.
00:05:42But what if there isn't enough time to organize everything?
00:05:44I'll take care of it, darling.
00:05:46Trust me, don't worry.
00:05:47Then I'll come with the father so you can meet him.
00:05:49Okay?
00:05:50Okay.
00:05:56Yes, yes, yes.
00:05:57Hey, what...
00:05:58How are you doing?
00:06:01Well.
00:06:02What did you think of my boyfriend?
00:06:04He's nice, isn't he?
00:06:05Yes, yes, yes.
00:06:06They seem like very nice people, yes.
00:06:08He's the Latino lover type, like me.
00:06:10So, out of curiosity, how did you meet her?
00:06:12It was very romantic.
00:06:13He came up to me and said, "I am Cuban."
00:06:16And you look like you're single.
00:06:18Will you marry me?
00:06:19Yes, come on, it's his lifelong crush.
00:06:21Vicenta, have you heard of arranged marriages?
00:06:24What's that?
00:06:24That man wants to sort out his paperwork and obtain residency in Spain.
00:06:29And as soon as he marries you, you'll never see him again.
00:06:32I know.
00:06:33Do you think I'm stupid?
00:06:34And why are you marrying him?
00:06:35Because I'm really excited about it.
00:06:37Marisa, weren't you happy on your wedding day?
00:06:39Yes, I did, but things look different the next morning.
00:06:42I've always dreamed of getting married.
00:06:45And just when I thought he wasn't going to do it anymore, this guy shows up.
00:06:48What does it matter if it's for self-interest?
00:06:49I want to know what it feels like.
00:06:51I want a wedding dress, photos, and rice when we leave.
00:06:55And this dream is mine and none of you can take it away from me.
00:06:58Vicenta, who is taking a risk.
00:06:59If she gets caught, it's a crime.
00:07:01But I'm not doing anything wrong, quite the opposite.
00:07:03I help Nestor.
00:07:04But doesn't he give you anything in return?
00:07:06Of course, yes, his love.
00:07:09Oh, and 5,000 euros, of course, that's what's paid in these cases.
00:07:13How much did he say he was going to give her?
00:07:145,000 euros?
00:07:16And she looked silly.
00:07:18She's a hottie, for a while.
00:07:20No way, man, no way.
00:07:21How am I going to rent this to you as a riding arena?
00:07:22Get involved, it's a common area.
00:07:24Yes, but I rented it myself, get independent.
00:07:25Okay, I'll rent it to you by the hour, I know you're broke.
00:07:28I tried all the food.
00:07:29No, please.
00:07:30No more pickled mussels.
00:07:32Hey man, I can't take any more of your stuff.
00:07:34My aunt even counts the coffee beans.
00:07:36Are you that short of money?
00:07:38Living alone is extremely expensive.
00:07:39Do you know how much that washing machine cost me?
00:07:40I'm broke.
00:07:41Well, ask your parents for money, that's what they're there for.
00:07:43No, no, no, no.
00:07:44I'll pass, if you don't already know that I've broken up with Lucia.
00:07:46I need to get a job, or I don't know,
00:07:48to draw caricatures of tourists in the street, whatever.
00:07:50Hey Roberto, you have the keys to the third floor, right?
00:07:53Yeah.
00:07:53Well, go downstairs and bring the fridge to Lucia.
00:07:55But how am I going to do that?
00:07:57It's pathetic.
00:08:04Quick, huh?
00:08:05I don't know where these are.
00:08:06You have to jump around a bit, but don't sing.
00:08:08Mother, if this is paradise, why did you break up with her?
00:08:11Lucía buys her food at a really great prepared food store.
00:08:13Look, this is sushi, you'll see how good it is.
00:08:15Look, natural prebiotic food.
00:08:18This needs to be tested.
00:08:19Hey, what's this green stuff?
00:08:20Guacamole, it's so good it'll make you shit yourself.
00:08:21Catch, catch.
00:08:22Come on, let's go, okay.
00:08:23No, no, wait, there's a prize for Nachos.
00:08:24Oh, yes, take the chocolate cookies that are over there.
00:08:27No.
00:08:30Be quiet.
00:08:33No, no, to the mother.
00:08:35Mother, come in.
00:08:38Can you believe they told me at the casting call that I can't get the disease because I'm fat?
00:08:42If I wear a size 38...
00:08:43But Alicia, I'm not good for you.
00:08:44It's just that people are obsessed with the stick figure woman.
00:08:47But real women have curves.
00:08:49How sexy, you don't live off your image.
00:08:51You can afford to be chubby.
00:08:52Hey, sorry, but I also wear a size 38.
00:08:55You're kidding, right?
00:08:57That's definitely a 40.
00:08:58What do you want?
00:08:59Should I take them off?
00:09:00No, I'm going to take mine off now and see if they fit.
00:09:02The thing is, I'm shorter.
00:09:04But I deceive.
00:09:05You try, but it doesn't work.
00:09:13We peeked out for a moment.
00:09:15Pull, damn it, pull.
00:09:19Strip.
00:09:24See?
00:09:26They fit me perfectly.
00:09:27Yes, but at some point you'll have to breathe.
00:09:30Lucia, accept them and nothing will happen.
00:09:32We're not playing in the same league.
00:09:33I make a living from my body.
00:09:34No, sorry.
00:09:34You live off my bank account.
00:09:38We need to talk.
00:09:39Again?
00:09:40Carlos, which part of the sentence?
00:09:41We stayed friends, didn't you understand?
00:09:42No, no, no, no.
00:09:43That's not it.
00:09:44What an obsession.
00:09:45No, it's that I've found the answer to the great paradox of my life.
00:09:47Why am I not successful with women if I'm handsome and have money?
00:09:51Me, me, me.
00:09:52It doesn't matter, it's a rhetorical question, he's going to answer it, right?
00:09:54Well, my love life was a failure because I'm actually gay.
00:09:58Ah.
00:09:59So, what do you think?
00:10:01Carlos, you are not homosexual.
00:10:02No?
00:10:02Then we can go back...
00:10:03Yes, the truth is that a pen-like beginning, yes, yes, I do see you, eh?
00:10:06Right?
00:10:06Yes, yes, yes, yes, yes.
00:10:08I see potential in him, he shows promise.
00:10:10I understand there are gay people on this staircase.
00:10:12Mauri, first B, charming.
00:10:14Mauri, very well, then I'll introduce myself.
00:10:16Hey, I need someone to introduce me a little to the gay scene.
00:10:18There's a new Carlos, girls.
00:10:20I've come out of the closet.
00:10:23And we'll do it as soon as they let us.
00:10:25Now he's pretending to be gay to try and pick her up.
00:10:27It's because I was getting hold of him.
00:10:28I don't know what's wrong with your exes, but they all end up a little crazy.
00:10:31Yeah.
00:10:32Well, Roberto improved a lot with me, let's say.
00:10:34You should have met him when we started.
00:10:36You used to be worse.
00:10:38No, damn it, leave the guacamole, man, I'm the one who's starving.
00:10:41Hey, Alicia.
00:10:43Did you take the sushi tray that was here?
00:10:45I don't.
00:10:52And what signs have they noticed that Vicenta might be having brain problems?
00:10:56Nothing, just minor details.
00:10:57How to marry someone 35 years younger than her.
00:11:01She is capable of changing her will and leaving everything to the Cuban.
00:11:04If you sign us, it's a little piece of paper that's kind of over there, just in case.
00:11:08Ladies, I just can't do that.
00:11:10I am a veterinarian.
00:11:11Well, you've listened to us more than the insurance doctor.
00:11:13Woman, what's it to you?
00:11:15That's just a little signature.
00:11:18What did they want?
00:11:19I think we should move before having the baby.
00:11:21This is not the best environment for it to grow up in.
00:11:23Oh no!
00:11:24Are they there again?
00:11:25No, leave me there.
00:11:26Let me.
00:11:30Hello.
00:11:30I'm Carlos.
00:11:31Do you remember me?
00:11:33I'm Lucia's ex, Belen's ex.
00:11:35Ah, of course!
00:11:36How are you?
00:11:37What can I do for you?
00:11:38Because I'm gay.
00:11:41Ah.
00:11:42Well, congratulations.
00:11:43Enjoy it in good health.
00:11:44Thank you so much.
00:11:45Can I come in for a second?
00:11:47Look, you'll see...
00:11:50I'm just starting out.
00:11:51Hey?
00:11:52And I feel a little green.
00:11:53And the girls have told me that you had quite a bit of experience with this whole being gay thing.
00:11:57Yes, I am a black belt.
00:11:59Good.
00:11:59So, if you could give me some advice, tell me where I can meet people, local spots,
00:12:05Recommend a book, movie...
00:12:06Cologne brands?
00:12:07This is...
00:12:07Yes of course.
00:12:08In other words, the doctor's manual.
00:12:09Look, Carlos, being gay is not a title.
00:12:11It's not like getting a library card, you know?
00:12:14It's a sexual choice.
00:12:17Option.
00:12:17First of all, do you like men?
00:12:20But?
00:12:21Yes, I am gay.
00:12:21Because that's the first thing you need to be clear about.
00:12:24Okay, then...
00:12:25No, be careful, don't get confused, okay?
00:12:26No, no, no, no.
00:12:27Ah, okay, okay, okay, okay.
00:12:28I thought you'd hand it over and we'd go all out, since we're so promiscuous.
00:12:31Please, let's not start with the clichés.
00:12:33There's everything, like everywhere else.
00:12:34Hey, how's my writing style?
00:12:35Good, very good.
00:12:36Look, I'm going to give you the address of the place.
00:12:38Tonight you go out, have a drink, start noticing things, take notes.
00:12:42Yeah.
00:12:42Whatever you want.
00:12:43Thirty-nine.
00:12:44Take.
00:12:45Hey, thank you so much, Mauri.
00:12:46I can't thank you enough.
00:12:48I'm going tonight and I'll tell you.
00:12:49Okay, learn.
00:12:50I started squash late and was the runner-up in the Spanish Junior Championship.
00:12:57Jedi Master, you have a student, you are going to lead him to the dark side.
00:13:00But have you put up a sign on the balcony that says Gay Academy, intensive courses?
00:13:04No, but you're very good at it, you could make some money.
00:13:05Yes, because the closets are being emptied at a rapid pace.
00:13:08The thing is, it comes out of everything.
00:13:18Andrés, I've come to tell you that I'm getting married.
00:13:21Ah, yes, Isabel already told me about it.
00:13:23Congratulations, huh?
00:13:24Wow, what great news!
00:13:25So our project of being lovers, for now, we have to forget about it.
00:13:29That's a shame, isn't it?
00:13:30No way.
00:13:31I mean, yes.
00:13:32It's a shame, but oh well, what can you do?
00:13:34You can't compete against a Cuban.
00:13:37Actually, he's not mine, it's a marriage of convenience.
00:13:40But I believe that love will develop over time.
00:13:42Of course.
00:13:44Once you get to know me, there's no other option but to love you.
00:13:47Thank you for your understanding.
00:13:49You're an angel.
00:13:57Damn, blessed Cuban, what a close call he saved me from.
00:14:00Mom, Dad has finally gotten rid of Vicenta.
00:14:05Mother.
00:14:06Yes, yes.
00:14:07Thank goodness, because when someone falls so madly in love with you, it's a real drag.
00:14:15What's wrong with her? She's acting really strange.
00:14:17What's wrong with him?
00:14:18Children, I think your mother is cheating on me with another man.
00:14:22Some vulture has taken advantage of my absence.
00:14:24What are you saying, Dad?
00:14:25Yes, I believe it.
00:14:26Do you want us to investigate a little?
00:14:27No, Alex, thank you very much.
00:14:29I'll find him.
00:14:30Five thousand euros.
00:14:31Five thousand euros for signing a piece of paper.
00:14:34This is a bargain.
00:14:34And on top of that, you're doing someone a favor.
00:14:36Yes, but you're getting married.
00:14:37I don't see it that way.
00:14:38The one who is not unhappy to me.
00:14:39That's not right, Dad.
00:14:40It is assumed that when one gets married, one gets married for love.
00:14:42Marriage is a very beautiful thing.
00:14:44Yes, beautiful.
00:14:45Ask your mother.
00:14:46But it's five thousand euros.
00:14:47They give you a kilo for free.
00:14:49I was getting married, but without hesitation.
00:14:51Hey, so how will that work?
00:14:52We'll have to write that down somewhere.
00:14:53Yes, Dad, you're going to the marriage of convenience office with two photos and your ID.
00:14:58Ask Vicenta's girlfriend, who's coming with the priest.
00:15:00Blind!
00:15:03Father Miguel, don't tell me he's going to marry you.
00:15:06Yes, and I would appreciate it if no residents of this building were present.
00:15:10Mostly to avoid unnecessary disasters.
00:15:12Hey, what's this about marriages of convenience?
00:15:16Say it louder.
00:15:18What's up? Are you guys interested too?
00:15:19Because I'm not like a bunch of women who are crazy looking for a Spaniard to marry.
00:15:22Well, here's one.
00:15:23Two.
00:15:23But are the chicks any good?
00:15:25For the wedding photo, more than anything.
00:15:27Dad, how can you get married if you're already married?
00:15:29But those papers were lost a long time ago, and everything is gone.
00:15:32Look, if you get yourself into trouble, I don't want to know anything about it, okay?
00:15:34You've been warned.
00:15:36The boy, who has turned out to be a romantic.
00:15:38Ignore him.
00:15:39They are going to help the people who need it.
00:15:40And it's very simple.
00:15:41The couple gets organized.
00:15:42The father marries them in ten minutes.
00:15:44They collect the money and then go to the civil registry for the family book.
00:15:47And that's it.
00:15:47Your wife already has residency.
00:15:49And you're getting something out of it, aren't you?
00:15:50Please.
00:15:51I do it to help the disadvantaged.
00:15:54The 5% commission is to finance my second album.
00:15:58The first one, to be honest, hasn't sold very well.
00:16:00The singer-songwriter thing is complicated.
00:16:02Ah, but my new single, Omili, Omili, is going to be a big hit.
00:16:06Yes, it's more danceable.
00:16:07It sounds like a Bismal song, but come on, it's pure coincidence, right?
00:16:11Furthermore, plagiarism lawsuits almost never succeed.
00:16:14Come on, Father, don't ramble on, Vicenta is waiting for us.
00:16:16I'm going to make a couple of calls and then we'll talk, okay?
00:16:18Okay, okay.
00:16:19Paco, damn it, we're getting married.
00:16:21I'm telling you.
00:16:22How exciting!
00:16:23Now we just need to know with whom.
00:16:32Hello, Juan.
00:16:32Hi Isabel, how are you?
00:16:33Very good.
00:16:34Have you made up your mind yet?
00:16:35That?
00:16:37Ah, the elevator budgets, yes, I'm on it.
00:16:39I've made a couple of calls to put pressure on them.
00:16:41Hey, do you want me to help you?
00:16:41No, no, no, no, but that's for real.
00:16:43Oh, you've dropped the gentleman.
00:16:44Yes, but I already...
00:16:45Hey, sorry, I hurt you.
00:16:47No, it's clearly from today.
00:16:48Are you collecting them?
00:16:50Yes, yes.
00:16:51He just left.
00:16:52Build your own nuclear submarine.
00:16:54In the first issue, in addition to the deck machine guns, they give you the periscope.
00:16:58Ah, how entertaining.
00:17:00Yeah.
00:17:01No?
00:17:01Yeah.
00:17:06And then the submarine floats?
00:17:09Well, it's actually for decorating a bookshelf.
00:17:11Juan, what are you doing?
00:17:12And we're going to install a good elevator, Isabel, because otherwise, cheap things end up being expensive, you know?
00:17:17Very well, I, as vice president, certainly agree.
00:17:21Very well, then, Isabel.
00:17:22Where are you going with that?
00:17:25I'll take the periscope.
00:17:29Bye bye.
00:17:38Well then, time to rest, Vicenta, because tomorrow is the big day.
00:17:42Marrying my sister is one thing, but to have it cost you money on top of that.
00:17:45Maísa, you're jealous.
00:17:47Father, I think this is terrible.
00:17:49My husband and I were engaged for ten years before we got married.
00:17:54Of course, the man had to think about it so much.
00:17:57So, the wedding will be a grand affair, right, Nestor?
00:18:00Of course, my love.
00:18:01See you tomorrow.
00:18:02A little kiss.
00:18:04Goodbye, darling, I'm very happy.
00:18:08But this lady knows it's a marriage of convenience.
00:18:10Yes, father, of course.
00:18:12I've explained everything to him, but he's already made up his own story and I don't want to take away his illusion.
00:18:15Hi, how are the preparations going?
00:18:18Hello.
00:18:19You're Mauri, right?
00:18:19Yeah.
00:18:20Vicenta has told me a lot about you.
00:18:21It doesn't surprise me; those ladies' favorite sport is peeking out of my window.
00:18:25Are you dating anyone now?
00:18:27Because they told you to ask me.
00:18:28No, no, sorry.
00:18:30It was in case you felt like having a drink tonight.
00:18:34Yes, yes, of course.
00:18:36Sure?
00:18:36Yeah.
00:18:37Sorry if I was a little abrupt.
00:18:38No, yes, uh...
00:18:41You've caught me a bit off guard, but...
00:18:43But I wasn't expecting it and...
00:18:49I have the feeling that I'm a bit of an extra, don't you?
00:18:53Okay.
00:18:58At ten o'clock, at ten o'clock at my house, here.
00:19:00Well, not here, behind.
00:19:01So, this is the door, behind.
00:19:03Yes, I understand.
00:19:03At ten o'clock.
00:19:04At ten o'clock.
00:19:04I'll be here.
00:19:06Well, see you later.
00:19:11Hey, what brand is the new gel you bought?
00:19:20Honey, what are you doing?
00:19:21Are you getting ready for the next Olympics?
00:19:23I found a job as a waitress in an American restaurant.
00:19:26But you have to know how to skate.
00:19:27Well, you can give the customers raincoats now.
00:19:29But when they bring him the coffees.
00:19:30Okay, what do you want?
00:19:31What do you want?
00:19:32What's the best thing I've found?
00:19:34I need to practice, right?
00:19:35What did you buy?
00:19:36Well, what else could it be?
00:19:37The books for the course, which has nine subjects,
00:19:39not counting the optional ones.
00:19:40Emilio, but photocopy them, we're broke.
00:19:43They are second-hand.
00:19:44I bought them already underlined to save on markers.
00:19:47Belén, you're not making me anxious, are you?
00:19:48No, not agony.
00:19:49I have eighty euros left in the bank.
00:19:50Eighty?
00:19:51Well, I'm going to spend twenty.
00:19:51I still have to buy the backpack.
00:19:53Yes of course.
00:19:55Son, I'd like to introduce you to your future mother.
00:19:58Hey?
00:19:59Her name is Belana, but I call her Betty.
00:20:02This is Emilio, my son, my baby.
00:20:06And to Belén, the girlfriend, Oskip.
00:20:09The truth is, I don't know if he speaks English.
00:20:11No, even if I spoke it, I wouldn't understand it, you know?
00:20:13Hey, Belana, just one moment, okay?
00:20:16Hey, Belén, go on, show him the house.
00:20:18Let him show her the house.
00:20:19Yes, damn it, I'm going to talk to my father.
00:20:21Uh, this, the kitchen.
00:20:24The kitchen is full of things, the many things.
00:20:27Dad, can you tell me what you're up to?
00:20:28That you're already married.
00:20:29Yes, but this time it's for love.
00:20:31Mariano, that's called bigamy.
00:20:33Well, I don't know what it means.
00:20:35But it sounds really good.
00:20:36But he has presented himself honestly.
00:20:37Don't tell me it's not good.
00:20:39No, yes, she's good for a while, but...
00:20:40Son, for God's sake, she's your mother.
00:20:43Don't mess with Mom.
00:20:44But don't you see that this is pathetic?
00:20:45You look like Julio Iglesias's father.
00:20:46He wants to marry you for the papers.
00:20:48No, not in Eastern European countries
00:20:50Guys like me are assassins.
00:20:51And I respond to the lifelong teen lover.
00:20:54Furthermore, I can tell that he desires me.
00:20:55Dad, nobody wants you.
00:20:56Even your mom left you for someone else.
00:20:58You don't have a low bar.
00:20:59It's because you dropped it on the floor.
00:21:00Well, let me tell you something.
00:21:01There are very few men
00:21:02that they reach my age with a dog.
00:21:04Emilio, Emilio, what do I do?
00:21:06Should I take her to the bedroom?
00:21:07Why might he be thinking
00:21:08What are these idiots doing?
00:21:09Showing me the clothesline on roller skates?
00:21:10No, no, no.
00:21:11If we're already leaving
00:21:12that we need to get to know each other.
00:21:14Go away, darling, I'll treat you to a bermudegrifo.
00:21:16Dad, I'm calling Mom.
00:21:17And I tell him everything.
00:21:18Okay, then take it.
00:21:19The same as being the godmother.
00:21:20My son, life is beautiful.
00:21:22I'm marrying a potential model
00:21:24And on top of that, he pays me 5,000 euros.
00:21:27Come on.
00:21:28Bye bye.
00:21:29Even the voice
00:21:30She has a pretty one.
00:21:34Do they pay 5,000 euros?
00:21:35Why marry a foreigner?
00:21:37How is the world?
00:21:38They're already advertising that the Socrament is there.
00:21:39Who should we talk to?
00:21:40What do you say?
00:21:42If you're going to kill yourself and everything with it...
00:21:45If the movie is four days away
00:21:46I'm at home and you don't say anything to me.
00:21:47I have to pay the surcharge again.
00:21:48Oh, I forgot.
00:21:50José Miguel, look,
00:21:51Zahida introduces you,
00:21:51my future wife.
00:21:53Nestor introduced us.
00:21:54How are you?
00:21:55Juan Cuesta, president of the community.
00:21:57But Paco,
00:21:57You're getting married too.
00:21:58Yes, Mariano, Vicente and I
00:22:00We're going to have a joint ceremony.
00:22:01Here it is.
00:22:02The wedding registry.
00:22:03But what wedding registry?
00:22:04This is corruption, man.
00:22:06Resort to holes
00:22:07of our legal system
00:22:08to profit without any shame.
00:22:09And who does he think he is?
00:22:10What I find pleasant
00:22:11having to go through this
00:22:12How can I obtain residency?
00:22:13I'm going to tell you
00:22:14the two years I've been in Spain.
00:22:15Without papers,
00:22:16with fear in their bodies.
00:22:18Working a thousand hours
00:22:18earning a pittance
00:22:19and without having any rights.
00:22:21Well, that's another point of view.
00:22:23There's no doubt about it, right?
00:22:24That the...
00:22:24He's here to speak Spanish, huh?
00:22:26Okay, here, the surcharge.
00:22:27Keep the change.
00:22:31Come on, man, here's my commission.
00:22:33So, how's it going?
00:22:34Well, Paco,
00:22:35So we'll see each other tomorrow, right?
00:22:37Yes, okay, see you tomorrow.
00:22:42Have you seen how smart he is, man?
00:22:43I think I'm falling in love.
00:22:45What are you saying, dude?
00:22:46Is she pregnant?
00:22:47Yes, eight months.
00:22:48It would be nice to have a child.
00:22:50But, Paco, don't get lost,
00:22:51that you are doing this
00:22:52For money, don't you remember?
00:22:53What are you saying, man?
00:22:54How am I going to charge him?
00:22:55No, no, no, the money
00:22:56It's for the child.
00:22:57Fuck.
00:23:01Man!
00:23:02The single woman gave the building,
00:23:03how are you?
00:23:04Well, I'm a little worried, to be honest.
00:23:05What's happening?
00:23:07It's Alicia, who I think has
00:23:08problems with food.
00:23:10Oh, really?
00:23:10Yeah, man, he doesn't usually eat much.
00:23:12But I think he has nighttime seizures.
00:23:14She turns purple and then denies everything.
00:23:16Well, it's because it's been eaten
00:23:17a tray of theirs and that big
00:23:18She told me it wasn't her.
00:23:20Poor thing, anxiety.
00:23:22To a friend of my mother
00:23:23The same thing happened to him
00:23:24and had to go to a psychologist.
00:23:25And in a castle, no less!
00:23:25They told her she was fat.
00:23:27Anyway, he'll have to keep an eye on her a bit.
00:23:30Hey, and you're doing well, right?
00:23:31You don't miss me at all.
00:23:33I?
00:23:34Very much, my love.
00:23:35But I fight every day
00:23:36with all my strength
00:23:37to continue living.
00:23:38No, I don't miss you either.
00:23:40That's why I asked you.
00:23:42So that you don't suffer.
00:23:48But how are you going to get married?
00:23:49with another, Bethlehem,
00:23:50What if I'm your boyfriend?
00:23:51Oh, Emilio,
00:23:52which means nothing.
00:23:53It's like I'm an actress
00:23:55And I say, yes, I want to,
00:23:56zap,
00:23:57five thousand euros.
00:23:58But you know the amount.
00:23:59months that we can live
00:24:00with that money.
00:24:01No,
00:24:02that you're not getting married
00:24:02And you don't get married.
00:24:03I don't give you permission
00:24:04And that's it.
00:24:06I've already called Nestor
00:24:07and he's going to introduce me
00:24:08a friend of his.
00:24:09Ah, yes, I like it.
00:24:10consult me about things,
00:24:11Count me in.
00:24:12Emilio,
00:24:12we need the pasta
00:24:13and we help while we're at it
00:24:14to a person
00:24:15to sort out their papers.
00:24:16Nothing else.
00:24:16Who do you think you are?
00:24:17Am I going to sleep with him?
00:24:18Well no.
00:24:19Well, I can imagine.
00:24:19That will incur an additional charge.
00:24:21What's happening?
00:24:22Don't you trust me?
00:24:24Emilio,
00:24:24I have a very clear understanding
00:24:25My feelings, huh?
00:24:30Hello.
00:24:32Fuck.
00:24:32This is my friend Ivan,
00:24:33the boy I told you about.
00:24:35Nothing,
00:24:36in case they wanted to get to know each other a little bit
00:24:37so that tomorrow
00:24:37Things aren't so cold.
00:24:38Yes of course,
00:24:39clear,
00:24:40come in.
00:24:43I am Emilio,
00:24:44the bride's boyfriend,
00:24:45so that there are no problems later
00:24:45nor unnecessary violence
00:24:47and things like that.
00:24:48Well,
00:24:48Well, take good care of it.
00:24:49for tomorrow,
00:24:50Huh, little pichelín?
00:24:50What does that idiot say to you?
00:24:51Emilio, please.
00:24:53It's a little joke.
00:24:54to relax a little.
00:24:55Calm down, brother.
00:24:56Well, I'm relaxed.
00:24:56It's not noticeable on me
00:24:57that I'm relaxed.
00:24:58Look,
00:24:58It's probably better if we see each other now.
00:24:59at the ceremony.
00:25:00The important thing was to get to know each other.
00:25:01for tomorrow
00:25:02not to choose the wrong partner.
00:25:03But how many weddings are there?
00:25:04Five and rising.
00:25:05This community
00:25:06It's like Las Vegas.
00:25:07Okay, bye.
00:25:08Bye.
00:25:10Nativity scene,
00:25:12I will always be
00:25:13Much obliged
00:25:13for what you're doing for me.
00:25:15No,
00:25:15But if it's not necessary
00:25:16that he/she thanks me.
00:25:16Come on, outside.
00:25:17that brings bad luck,
00:25:17The bride will see.
00:25:18This tomorrow.
00:25:20Do you see it?
00:25:21We all understand this very clearly.
00:25:23What is this about?
00:25:24No problem.
00:25:25Police,
00:25:26Look, I've located
00:25:27an undocumented immigrant.
00:25:28Emilio,
00:25:30Don't be childish,
00:25:31man.
00:25:31What do you think?
00:25:32What did I like?
00:25:33Of course, damn it,
00:25:33I even liked it myself.
00:25:34Nativity scene,
00:25:35This has to stop.
00:25:35that this is potential money.
00:25:36Emilio,
00:25:36that we do this
00:25:37for the money.
00:25:38Are you thinking about your university?
00:25:39Clear,
00:25:39Whatever you want
00:25:40it's throwing it away
00:25:40while I'm in class.
00:25:41Oh, God!
00:25:45Emilio,
00:25:46that I love you.
00:25:47Are you getting married?
00:25:47And he leaves, right?
00:25:48Yeah.
00:25:49Just imagine if not
00:25:49This is going to be
00:25:50five weddings
00:25:50And a funeral, huh?
00:25:51It's true,
00:25:52He said five.
00:25:54Vicenta,
00:25:54Paco,
00:25:54your father,
00:25:55I.
00:25:56What kind of ink is it?
00:25:59Well,
00:26:00This is outrageous.
00:26:01Snow.
00:26:02It turns out that Vicenta
00:26:03She is not the only one
00:26:03who is going to get married for money,
00:26:04No?
00:26:05Mariano is
00:26:05with a Belarusian woman,
00:26:06Paco with a North African woman
00:26:07and all the way to Bethlehem
00:26:08has been noted
00:26:09to the matter
00:26:09with another Cuban.
00:26:10Hi there.
00:26:11I don't know
00:26:11if we have become
00:26:12all crazy
00:26:13either...
00:26:14Did you see who it is?
00:26:15It's Memet,
00:26:17Albanian from Tirana
00:26:17for more information.
00:26:18Yes, Enimir.
00:26:19Hey?
00:26:20Are you snowing too?
00:26:21No no,
00:26:22if he's not going to be your brother-in-law,
00:26:23He's going to be your son-in-law.
00:26:24Oh ok.
00:26:26Hey?
00:26:26I'm getting married, Dad.
00:26:27Yes, son, yes.
00:26:28The girl who goes about her own business,
00:26:30You talk to her
00:26:30because to me
00:26:31He doesn't listen to me.
00:26:32Since I'm not his mother...
00:26:33My daughter,
00:26:34Can you come and talk?
00:26:34with me for a moment
00:26:35to the bedroom?
00:26:36Don't worry,
00:26:36if I get involved
00:26:37to speak Spanish.
00:26:38It's very rich here.
00:26:39Delicious.
00:26:40But anyway, daughter,
00:26:41What do you want?
00:26:41To kill me with grief
00:26:42before the first evaluation.
00:26:44Well, since we're on the subject...
00:26:44to do business,
00:26:45that José Miguel gets married too.
00:26:46I've already done my research,
00:26:47I can't until I'm 16.
00:26:49Dad,
00:26:49I don't get along with Nieves.
00:26:50I need money
00:26:51to leave home
00:26:52And that's why they give me
00:26:525,000 euros.
00:26:53No, I have
00:26:54the blame for everything.
00:26:55Am I going to pack my suitcase?
00:26:56Nieves,
00:26:57stay still,
00:26:58It's not your fault.
00:26:59Of course not,
00:27:00That's what I say.
00:27:01Here's what happens
00:27:02It's that these children
00:27:02They are ungoverned.
00:27:04Hey, I'm 18 years old,
00:27:05I know what I'm doing.
00:27:06Mistake,
00:27:06You don't know what you're doing
00:27:07because you're getting married
00:27:08with a person
00:27:08that you don't know anything about.
00:27:09What do we know about him?
00:27:10Maybe
00:27:11He's a hitman.
00:27:12of an eastern mafia
00:27:13or is in a band
00:27:14who steals luxury cars.
00:27:15Well, don't worry.
00:27:15that your car is safe.
00:27:17What if he kidnaps us?
00:27:17And they're demanding a ransom for us?
00:27:19Or it anesthetizes us
00:27:20and traffics in our kidneys.
00:27:21Does that pay well?
00:27:22José Miguel,
00:27:23please.
00:27:24Dad,
00:27:24You are a paranoid xenophobe.
00:27:26No, no, no, no.
00:27:26I don't discriminate against anyone
00:27:27nor because of their race
00:27:28nor because of their social class.
00:27:29I value culture.
00:27:30I am not racist
00:27:31nor classist.
00:27:32No, you're a bodybuilder.
00:27:34Exactly.
00:27:35Go to your room, you punished child!
00:27:36Don't shout
00:27:37that Mehmet
00:27:37It's going to take
00:27:38a bad impression
00:27:38of us.
00:27:39My daughter,
00:27:40But you know
00:27:41What your mother would say
00:27:41if he found out about this.
00:27:42I wouldn't say anything.
00:27:43I would be delighted
00:27:44of losing sight of me.
00:27:45And that's what's going to happen tomorrow.
00:27:46as soon as I have
00:27:46my 5,000 euros.
00:27:48Okay, okay.
00:27:48You get married.
00:27:49You want to leave home
00:27:49And you're going to achieve it.
00:27:50You're going to jail
00:27:51because it's a crime
00:27:52and you are of legal age.
00:27:53Natalia.
00:27:54Juan,
00:27:54that the girl is leaving
00:27:55And it leaves us here with Mehmet.
00:27:57That's true.
00:28:01Speak however you want, Juan.
00:28:02We cannot amputate him
00:28:03a member of this family.
00:28:10Okay, so how did you get to Spain?
00:28:11Why leave Cuba?
00:28:12It can't be easy.
00:28:13I came with a music group.
00:28:14Musician?
00:28:15Do you touch yourself?
00:28:16Nothing.
00:28:17I don't know a grade.
00:28:18Neither I nor anyone in the group.
00:28:20But imagine,
00:28:21somehow
00:28:21We had to leave Cuba.
00:28:22The concerts were dreadful.
00:28:25But in France
00:28:26We were successful.
00:28:27Experimental music.
00:28:28Well, I'm a journalist,
00:28:30I write articles,
00:28:30reports
00:28:31research.
00:28:32Well, I don't do much research.
00:28:32I'm cheeky
00:28:33and strain.
00:28:34Do you know how much I used to earn?
00:28:35as a professor in Havana?
00:28:36Eight dollars.
00:28:37Eight dollars a day?
00:28:38How little.
00:28:38No, per month.
00:28:41You here
00:28:41They don't know what they have.
00:28:42My father sees that bookshelf.
00:28:43full of wine
00:28:44and he goes into an alcoholic coma,
00:28:45but without drinking,
00:28:46just from looking at her.
00:28:50Mauri.
00:28:50Yeah.
00:28:51They're knocking at the door.
00:28:52Yeah.
00:28:53Ah, yes.
00:28:54I was thinking
00:28:55What else could I tell you about my life?
00:28:56But it's much more interesting.
00:28:58yours.
00:28:58I'm going to open it.
00:29:02Should I go gay or not?
00:29:03It seems you've escaped
00:29:04from a circus.
00:29:05Because they haven't let me.
00:29:05enter the premises
00:29:06that you recommended to me,
00:29:07I don't understand it.
00:29:08Hi how are things?
00:29:08I'm Carlos.
00:29:10Nestor, how are you?
00:29:11What's up?
00:29:12He's one of us, right?
00:29:13Because I'm starting to recognize it
00:29:14I to those in the guild.
00:29:15Carlos, I have a visitor.
00:29:17Yes, but we had made plans.
00:29:18I don't want to bother you,
00:29:19if they have remained
00:29:20See you another day.
00:29:21No, Nestor, no.
00:29:22That Carlos is just a friend
00:29:23He was already leaving, right?
00:29:24No, because there are things
00:29:26which I don't understand.
00:29:27Especially about sex,
00:29:28which I see is not the case.
00:29:29Nestor, don't go
00:29:31and I'll take it off right away
00:29:31From above, it's a second.
00:29:32Relax, Mauri,
00:29:33if you don't have me
00:29:33that give me explanations.
00:29:35Thanks for everything.
00:29:36I had a great time.
00:29:43For example,
00:29:45Hair removal is mandatory.
00:29:49Juan, I'm overwhelmed.
00:29:51I need your help.
00:29:52I have a problem.
00:29:53Not only.
00:29:54I'll trade you.
00:29:54by any of mine.
00:29:56Isabel is with another man.
00:29:58Now I'm sure.
00:29:59Oh, really?
00:30:01But do you have any data?
00:30:03Any clues?
00:30:03She looks happy.
00:30:05Do you think that's not enough?
00:30:06And he doesn't want to either.
00:30:07sleep with me.
00:30:08Well, sex
00:30:09It is not a reliable indicator.
00:30:11Paloma has gone to the bust
00:30:12and there was no way
00:30:13to have a snack with her.
00:30:14Juan is deceiving me.
00:30:16You now have
00:30:17a lot of contact with her.
00:30:18Have you noticed anything about him?
00:30:19Any suspicious calls?
00:30:21Or did he leave in a hurry?
00:30:23Making up strange excuses?
00:30:24No no.
00:30:25The truth is, no.
00:30:26Apart from that contact,
00:30:27Don't think it's that much either.
00:30:28It's all very cold.
00:30:29Isabel and I are
00:30:30simple technocrats.
00:30:31Damn, thanks, Juanito.
00:30:33You're a friend.
00:30:34Sure, man.
00:30:35Don't worry.
00:30:36This whole thing about horns
00:30:37It's overrated.
00:30:38People always exaggerate.
00:30:40No.
00:30:40I'll catch that guy.
00:30:42and I've met people
00:30:43in jail
00:30:43than for a carton of cigarettes
00:30:45He does anything.
00:30:47Oh, really?
00:30:48I go in there, that's where I sleep.
00:30:49You to the sofa.
00:30:50But I'll let you see me here.
00:30:52Which?
00:30:52The girl.
00:30:54I'll leave you now, okay?
00:30:54You have your own issues too.
00:30:56You don't know that very well.
00:31:01This sushi thing
00:31:02It's an invention.
00:31:03They've got it made.
00:31:03the Japanese.
00:31:04Hey, dude,
00:31:05We took out the guacamole
00:31:06which is to die for.
00:31:06Where from?
00:31:07If there's nothing left.
00:31:08Dude, come down
00:31:09to your house for more.
00:31:09This is a bike.
00:31:11Supermarkets, Lucia.
00:31:11Quality comes first.
00:31:13No, no, no, no, no, no.
00:31:14Passing by.
00:31:15That he already believes
00:31:15that all this
00:31:16Alicia is eating it.
00:31:17He thinks he has
00:31:17anxiety attacks.
00:31:18Awesome,
00:31:19Well, now you have an alibi.
00:31:20You can loot him
00:31:20anything you want.
00:31:21No, me twice
00:31:22I don't go down on the same day.
00:31:23Well, we went down there.
00:31:24You see what a problem it is.
00:31:26Clear.
00:31:28I'm left, hurry up, damn it.
00:31:30He's gone out partying
00:31:31But Lucia is never late.
00:31:32Homemade rice salad.
00:31:33This is cool.
00:31:34Chicken satay.
00:31:35What a load of rubbish.
00:31:36Hey, liquid yogurt
00:31:37for dessert.
00:31:38Hey, shall we get some wine?
00:31:39to bring us joy in life?
00:31:40No, not wine.
00:31:41That's just a whim.
00:31:42Items only
00:31:42basic necessities.
00:31:44Yes, damn it.
00:31:44A small glass of wine a day
00:31:45It's very good for the heart.
00:31:46Come on, get out.
00:31:47Get out, eh.
00:31:48Come on.
00:31:49Piece, buy, mother.
00:31:50Come on, get out.
00:31:52Damn, this is a real eye-opener.
00:31:56Uncle, uncle, uncle, uncle,
00:31:57uncle, uncle, uncle, uncle,
00:31:58uncle, uncle, uncle, uncle,
00:31:58uncle, uncle, uncle, uncle, uncle,
00:31:58uncle, uncle, uncle, uncle, uncle,
00:31:58dude, dude, dude, dude, dude.
00:32:28And that I didn't arrive.
00:32:30See you later.
00:32:33Poor thing,
00:32:33That must be really bad.
00:32:41Manuela,
00:32:41Hi, I'm Lucia,
00:32:42Clara's sister.
00:32:44Yeah.
00:32:44Hey, do you have the time?
00:32:45for a friend this afternoon?
00:32:47Anxiety,
00:32:47Do they have problems with food?
00:32:49Lucía is very ill.
00:32:50I think he gets up at night
00:32:51and he's eating
00:32:52compulsively
00:32:53because food disappears
00:32:54And then he blames me.
00:32:55You don't say.
00:32:56Yesterday I teased her a little.
00:32:58Well, I told her she was fatter than me.
00:33:00And she's gone on a diet.
00:33:01But he must not be handling it well.
00:33:03Alicia, you are very cruel.
00:33:05You did the same to me.
00:33:06Because I'm the typical woman with a strong personality.
00:33:09But you catch someone more insecure like Lucia
00:33:11And you can do a lot of damage, you know?
00:33:13Oh, it's happened to me.
00:33:14I should probably talk to her.
00:33:15Belén, my love!
00:33:16The priest has arrived.
00:33:17Come down, everything is ready.
00:33:18Yes, I'm coming down!
00:33:20Forgive me, I'm going because I have to get married.
00:33:21Are you getting married? To whom?
00:33:22With that one.
00:33:23This is good.
00:33:29What's this all about in a day?
00:33:30That's what I'd like to know.
00:33:34Okay, please, please.
00:33:36Now that we're all here, let's go and take our places.
00:33:39The civil registry closes at two o'clock, right?
00:33:41Just a moment, please, there's a small problem with my girlfriend.
00:33:43Yes, Vicenta is very nervous and has put some hairspray on her eyes.
00:33:47Let's get started already, damn it.
00:33:49I want them to tell me I can kiss the bride.
00:33:51Dad, besides being a criminal, you're a tacky person.
00:33:52How do you get married dressed in corruption in Miami?
00:33:54Why am I sexually attracted to a bee chain?
00:33:56Let's see if he liked the Sunday papers.
00:33:58I?
00:33:59If you want, when we get married I'll take you to Havana.
00:34:00We won't have much there, but we know how to enjoy life.
00:34:02Hey, and there must be some really beautiful girls in Cuba, right?
00:34:06No, not as much as you.
00:34:07My little girl, you are the most beautiful thing in the world.
00:34:09Oh, don't tell me that, man.
00:34:11Well, a little more.
00:34:12Look, with those eyes...
00:34:13What's going on here?
00:34:14Emilio, go back to your place.
00:34:16Okay, okay, huh?
00:34:17You see, that's what you're getting married to.
00:34:20Well then, I'm going to sing you a few bars of a homily, a homily, while Vicenta comes out, okay?
00:34:27No.
00:34:29This is not the wedding I had dreamed of.
00:34:31Five brides at once.
00:34:32There.
00:34:34I want a wedding just for me.
00:34:36There is no banquet here, no guests, no flowers, nothing.
00:34:40No, I'm not getting married like that.
00:34:42My love, now you can't back out.
00:34:45We had an agreement.
00:34:46And this involves infrastructure costs.
00:34:48Well, pay them at five thousand euros.
00:34:51You can keep them.
00:34:53So, I organize everything and I'm the only one who's going to be left without papers.
00:34:56That's a shame, isn't it?
00:34:58We are gathered here to unite a lot of people in marriage.
00:35:02Because love knows no borders or passports.
00:35:06Love moves freely among the races and nations of the planet.
00:35:10Love...
00:35:11Ma'am, could you please stop smoking?
00:35:13No, because I'm very nervous.
00:35:15Father, shorten it a little.
00:35:16We already have Fidel's speeches for long ones.
00:35:19Yeah.
00:35:21Marisa, Esbetlana, Natalia, Zayda, Belén, Néstor, Mariano, Mehmet, Francisco and Iván.
00:35:27You all love each other as legitimate husbands and wives.
00:35:30To love and respect you.
00:35:32Until you obtain your residence permit.
00:35:34Yeah.
00:35:35I now pronounce you husbands and wives.
00:35:38Can you give each other the money?
00:35:40Father, the kiss.
00:35:41That he forgot to mention it about the kiss.
00:35:44Come on, let's go to the registry for the family book.
00:35:46Just a moment, my brother found something on the internet.
00:35:49Attention, I quote verbatim.
00:35:51But, pardon me, father.
00:35:52According to the penal code of this country,
00:35:54the condition of simulation and the resulting fraud
00:35:57vitiates the intended marriage with nullity,
00:36:00The contracting parties are punished with prison sentences of six months to two years.
00:36:05Hey!
00:36:06It doesn't matter, you warned them, you fulfilled your duty as president.
00:36:09Yes, this is no longer a community.
00:36:11It is a hotbed of illegitimate marriages.
00:36:13Go away, Mr. Cuesta!
00:36:15Go away!
00:36:16Hey, its battery doesn't run out.
00:36:18Yes, there is a moral issue here above all else.
00:36:20What is more important?
00:36:21Dignity as human beings or the money they're going to be paid?
00:36:23Mr. Juan, you can't buy things with dignity.
00:36:26Let's see, a picture of the cuckold and the bride's father.
00:36:29José Miguel!
00:36:30That kid's turned out to be a real dove, huh?
00:36:32Yes, it's very tasty.
00:36:42How long have I been sleeping?
00:36:43They were brought by Carlos.
00:36:45Oh, from Carlos?
00:36:46And the chocolates too, delicious.
00:36:48But hey, that guy is trying to win me over.
00:36:50I gave him the dressing-down of the century yesterday.
00:36:52Well, I have the feeling that he's trying to make peace.
00:36:55Look, there's the card.
00:36:56It took me half an hour to find it.
00:36:59Open the door for me.
00:37:01No, no, not this anymore.
00:37:04Man, he's handsome and rich.
00:37:05This could be considered a gold-digging move.
00:37:07And you stop eating chocolates, or the child will turn out diabetic.
00:37:11Okay, so what?
00:37:12Now I'm doing well, right?
00:37:13Rollo case to the gay.
00:37:15Look, Carlos, if you want to come out of the closet, come out.
00:37:16But don't take my clothes.
00:37:18Come.
00:37:18Hey, I'm really sorry about yesterday, Mauri.
00:37:21Did you like the flowers?
00:37:22A lot.
00:37:22Sit down.
00:37:26Look, I have serious doubts that you're gay.
00:37:30You may have had one or two bad experiences with women.
00:37:33Quite a few.
00:37:34But what you have is the typical sexual crisis
00:37:36that one surpasses at 15 years old,
00:37:38with a slight delay.
00:37:39But it's okay.
00:37:40What you need is companionship, affection...
00:37:43Sure, yours.
00:37:43No, not mine.
00:37:44Look, I've been doing some research on this wonderful thing that's happening to us.
00:37:47and...
00:37:48Well, this is a Greek-style thing.
00:37:52Master, disciple.
00:37:53Because you already know that homosexuality was invented by the Greeks.
00:37:55and that the myth of the cave is one of those dark rooms.
00:37:58Look, Carlos, I really don't want to hurt your feelings.
00:38:03But you're not gay, damn it.
00:38:04Yes, I am gay.
00:38:05You're not?
00:38:05Yes.
00:38:08That?
00:38:12Is...
00:38:13It's soft.
00:38:14But no, you didn't like it.
00:38:17No, yes, I did like it, I loved it.
00:38:20Thanks, Mauri, now I understand it more clearly than ever.
00:38:21I'm going to call Mom.
00:38:22But why are you going to call your mother?
00:38:24Give me the phone.
00:38:26Mother.
00:38:28Yes, it's me.
00:38:29Tell Dad he was right, that I'm gay.
00:38:32What happened to my colleague?
00:38:33What's wrong with him?
00:38:34Otherwise, with...
00:38:36Hello, ma'am.
00:38:38She is crying.
00:38:39The poor thing got emotional.
00:38:40Come on, hurry up, I'm going to comfort her.
00:38:42I'll call you later and we'll meet up.
00:38:43No, what do you mean, we'll see each other?
00:38:44Hey, what...
00:38:46But this guy is in a bad way.
00:38:48But why are you kissing him?
00:38:49Well, to scare him off, because if I kill him I'll go to jail.
00:38:51And you could have helped me a little too.
00:38:53Oh no, I don't understand men.
00:38:55But...
00:38:56But anyway, I...
00:38:57What do I do with this guy now?
00:38:58Don't know.
00:38:59Hey, I'll tell them to send us more chocolates.
00:39:01Well, I don't want to.
00:39:07Thank you very much, miss.
00:39:08Very kind.
00:39:09This is a bargain.
00:39:10They didn't even realize here that I was already married.
00:39:12They don't even notice when it comes to moving to a different city.
00:39:15Come on, don't get carried away.
00:39:16Let's go.
00:39:16Come on, let's go.
00:39:17Just a moment, please.
00:39:18I have to inform you that you are going to be investigated.
00:39:21Although there is always a presumption of good faith on our part, there are clear indications that their marriages are fraudulent.
00:39:27Hey, what right do you have to doubt our love?
00:39:30In addition to the fact that in all cases one of the spouses is an undocumented immigrant, I see
00:39:36Here's the thing: you all got married on the same day.
00:39:39They live at the same address and their ceremony was officiated by the same priest.
00:39:43Well, seven girlfriends for seven brothers was also something no one believed.
00:39:45Besides, weddings are very expensive and you have to share costs, right?
00:39:49Sure, yes.
00:39:49And don't get confused, this gentleman doesn't need any explanations.
00:39:52No, not me.
00:39:53But yes to the civil registry officials who will be visiting them at their homes in the coming days to
00:39:58verify if there is effective cohabitation between the spouses.
00:40:03Well, now we're really screwed.
00:40:04So tell us what day because it's a big deal for us.
00:40:06We're all going on our honeymoon.
00:40:08I'm sorry, but you're going to have to postpone the trip without Edie.
00:40:16So what do we do now?
00:40:18What are we going to do?
00:40:19We have to live together until they come to interview us.
00:40:23Awesome!
00:40:23Let's go, beautiful.
00:40:24My father will kill me.
00:40:25Well, you'll see, Emilio.
00:40:29But how could you all go to the civil registry at the same time?
00:40:32It's normal that they investigate you if you're practically begging for it.
00:40:34You're going on your honeymoon to Calameco, to an all-inclusive resort.
00:40:37How could you marry Nestor?
00:40:39He was my fiancé.
00:40:40You chickened out.
00:40:41I was the backup girlfriend.
00:40:43You've done the same thing to me again as you did 40 years ago.
00:40:45I introduced you to Manolo.
00:40:46That's why.
00:40:47Whoever does this to me will pay for it.
00:40:49If you'll excuse me, my wife and I will get to know each other better.
00:40:53What, go away?
00:40:55Oh, if you weren't so big, I would have held you in my arms.
00:40:58I've reviewed the video of when Paloma and I went to her soulmate's.
00:41:00And I've prepared a detailed list of the basic questions they usually ask.
00:41:04Favorite song, mother-in-law's name, brand of mouthwash...
00:41:08Anyway, the usual.
00:41:09Come on, Natalia and Mehmet, let's go upstairs.
00:41:11And you give the money to your father to manage.
00:41:13Thank you very much, but I already have someone who will manage it for me.
00:41:15As?
00:41:16One moment.
00:41:17None of them would have been stupid enough to put the money in the bank.
00:41:23I'm going to change the question's wording.
00:41:25Is there anyone who hasn't entered it?
00:41:27I'm wearing it in black, screw the store.
00:41:29For God's sake, they're going to investigate your accounts looking for any unusual income.
00:41:32Well, that's it, because I'd never seen 5,000 euros together in my life.
00:41:36Well, let's try to keep morale high.
00:41:38Maybe it's a bluff by the administration; they might not even show up.
00:41:40Well, I'm not going to allow my daughter to go to jail, nor will I allow the image of ours to be tarnished.
00:41:44community is called into question.
00:41:45Come on, everyone get to know each other.
00:41:46Okay, let's do things right.
00:41:48Lift me up!
00:41:51Do you want me to give you a lift too, darling?
00:41:52Yeah.
00:41:53Belén, Captain Mojito didn't get into my house because of this, okay?
00:41:55He sleeps in the frepudo.
00:41:56Emilio, who can go to jail, please.
00:41:58At least they don't cheat on me there.
00:42:00Well, let's see if they take too long to arrive.
00:42:01With a bit of luck.
00:42:04This is going to be a disaster.
00:42:05What's up, Mr. Juan?
00:42:06Look at that.
00:42:07If they are already getting to know each other.
00:42:08And then he goes and falls in love.
00:42:10If it's really true...
00:42:11How disgusting, really...
00:42:13You have to be very tactful when telling your friend.
00:42:15because those problems with food are very difficult to recognize.
00:42:19Treat it naturally.
00:42:20Let her know that you're with her in this.
00:42:22Okay, okay, okay, okay.
00:42:23Okay, okay, well, if I can convince her, we'll be in the doctor's office.
00:42:27Nothing.
00:42:28Another casting call that goes nowhere.
00:42:30He told me I'm too thin.
00:42:31I have very hard stocks.
00:42:32They need to make up their minds already, damn it.
00:42:34My nerves understand me.
00:42:36Hey, Alicia, that's exactly what I wanted to talk to you about.
00:42:38Come on, come on, sit down here, okay?
00:42:43I think that...
00:42:44that we agree that...
00:42:45We have a problem with food anxiety.
00:42:48Ah, yes, yes.
00:42:49The truth is, yes.
00:42:50I didn't want to tell you anything, but yes.
00:42:52Calm down, calm down, if things need to be discussed.
00:42:55So, well, I'd like you to come with me to a really good psychologist I know.
00:43:00And so we told him about the little problem.
00:43:01Of course.
00:43:02Let's both go.
00:43:03Okay.
00:43:03We have to get through this together.
00:43:06Cheer up.
00:43:07Yes, cheer up.
00:43:08Yes, Andrés, I'm almost at the portal.
00:43:11Why the bowling alley for now?
00:43:15Jesus, what a marking job.
00:43:16Isabel.
00:43:18Come on, it's me.
00:43:20Oh, Juan, for God's sake, this neighborhood is very bad.
00:43:23We need to talk.
00:43:23Let's go to the elevator.
00:43:25To the elevator?
00:43:26Yes, don't let anyone take you in.
00:43:27Come on, we can relax there.
00:43:34What's happening?
00:43:35What do you mean, what's going on?
00:43:36We'll have to talk.
00:43:40We already kissed, yes.
00:43:41Well, I feel a whirlwind of emotions that are difficult to control.
00:43:45But on the other hand, I feel very bad.
00:43:47Because you are a married woman.
00:43:49And I am also a married man.
00:43:51Oh, well yes, I know, I don't know what to tell you.
00:43:53The truth is that I feel very bad too.
00:43:55And Andrés is also annoyed because he told me.
00:43:57Oh, yes.
00:43:57And these love triangles never end well, Isabel.
00:44:00It wouldn't actually be a triangle because Paloma is there.
00:44:02It would be a square.
00:44:03Not even.
00:44:03Because there's also my sister Nieves, five.
00:44:05There are your children, seven of them.
00:44:07And then there are mine, nine of them.
00:44:08It would be a love enneagon.
00:44:10Oh, how complicated everything is, for goodness sake.
00:44:11So what are we going to do?
00:44:13That's what I'm saying, what are we going to do?
00:44:15That's why we're here, suspended in the air.
00:44:17Listen, because I already told you that I don't know what to say to you.
00:44:20Isabel, what are you doing?
00:44:21Yes, I'm coming.
00:44:23No, no, no.
00:44:23They can't see us together.
00:44:25Help me, I'm going to get out this way.
00:44:27Where are you going?
00:44:28Isabel, are you okay?
00:44:30Yes, yes, yes.
00:44:30The elevator is broken.
00:44:33Sure, why are you taking it?
00:44:34I'm going to warn Emile.
00:44:42I'm keeping an eye on her.
00:44:44I was talking on the phone with someone.
00:44:47It's there.
00:44:56Hello.
00:44:57How was the wedding?
00:44:58Have you sorted out your paperwork?
00:44:59Yeah.
00:45:00Yeah.
00:45:00But I'm going to have to stay a few days because they're going to investigate us.
00:45:04They don't trust that my marriage is genuine, you see.
00:45:06How dirty-minded.
00:45:08Shall we meet tonight?
00:45:10Look, Mauri, if you have a boyfriend, I don't want to get involved.
00:45:13Those stories never end well.
00:45:15I swear I have nothing to do with that boy.
00:45:17The poor man suffers from a lack of emotional support.
00:45:19Well, a mural.
00:45:20But he's not my boyfriend, he's just a pain in the ass.
00:45:22Honey, it goes inside.
00:45:24I have to keep telling you about my life.
00:45:27We're in the 70s.
00:45:29Marisa, it seems to me that your husband is leaking oil.
00:45:32Take that, because he looked for a scavenger.
00:45:33Manolo dumped you and this guy is gay.
00:45:35What a resume.
00:45:36Yes, but I'm sleeping with him tonight.
00:45:39Why don't you come by my house later?
00:45:40I'm going to prepare dinner for the two of us, okay?
00:45:44Okay.
00:45:46Meanwhile, I'll take the opportunity to continue with the history of Spain.
00:45:48I'm going for the transition and the joints.
00:45:58Carlos, it's Mauri.
00:46:00Yes, hey, I was calling to see if you were thinking of coming around here.
00:46:02No, no, no, no, no, it's just that I don't want you to come over because I'm feeling awful.
00:46:08I have a terrible cold, a virus.
00:46:11Yes, the throat, the chest, everything, 39 and a half.
00:46:15Yes, I'm hanging up, it's just that I'm dropping my phone, I'm very weak.
00:46:19Heavy.
00:46:20Look, in times of stress or anxiety, it's normal to turn to food as an escape valve.
00:46:25The problem starts when you lose control and food starts controlling you.
00:46:31And when did you start to notice that food was missing in your house?
00:46:34A couple of days ago, right?
00:46:36Yes, more or less, yes.
00:46:37In other words, it happened suddenly, quite obviously.
00:46:40Yes, yes, like a very compulsive one, unable to control it, right?
00:46:43Exactly, yes, yes, the feeling was like I was out of control.
00:46:46And has there been any specific event that you think may have triggered this issue?
00:46:50Yes, ever since she hooked up with her boyfriend.
00:46:52Yo, Asti, Lidia, please don't get defensive, okay?
00:46:56If you've already made the effort to come all the way here.
00:46:57Of course, I'll accompany you, but you're the one who needs treatment.
00:47:00I?
00:47:01Well, you tell me.
00:47:02Let's see if I can understand a little.
00:47:05Who here has a problem with food?
00:47:07She.
00:47:11Okay, I've already thought it all through.
00:47:13You met in Ibiza because he was mowing the lawn of the villa we rented in August.
00:47:17You were going to take a bath in the pool just as I had finished adding the chlorine.
00:47:21He caught you in mid-air and saved you from conjunctivitis.
00:47:24And of course, love blossomed.
00:47:26Watch out, with that they could make a Sandra Bullock movie in Hollywood.
00:47:30It has to do with who is the one to put me in the gesture.
00:47:32How is it going?
00:47:34You didn't marry just anyone, did you?
00:47:36My daughter is not Vicenta.
00:47:37She's really good.
00:47:38Dad, don't be pathetic.
00:47:39Venudo bird.
00:47:40Who knows why he left his country.
00:47:42Because we don't know what he does for a living, right?
00:47:43I am an engineer.
00:47:44No, well, if he's an engineer.
00:47:46Can you pass me the salt?
00:47:48Yes, yes, of course.
00:47:50Why didn't you tell me I spoke Spanish?
00:47:52To see that face you've made.
00:47:55Sorry, Dad, but we were having a great time.
00:47:57Yes, it's actually been quite fun.
00:48:00Oh, by the way, relax.
00:48:01His kidneys are safe.
00:48:02Thank you.
00:48:04Albania is a beautiful country, isn't it?
00:48:06It is yet to be discovered.
00:48:08Great singers.
00:48:09Albano and Robina Power fascinate me.
00:48:11Felicitas!
00:48:12Juan, eat.
00:48:12Yeah.
00:48:26Mauri, how are you?
00:48:27You look very unwell.
00:48:28I've brought you a humidifier.
00:48:29But why have you come?
00:48:30This is dangerous.
00:48:31Can I infect you?
00:48:31It's exactly the same.
00:48:33We're going to get through this together.
00:48:34Look, I've brought you a cough suppressant,
00:48:36bucolic,
00:48:37vitamin C,
00:48:38paracetamol,
00:48:40and there is also propolis
00:48:41and a homeopathic syrup
00:48:42That's how it is, very gay stuff.
00:48:44What is this, Mauri?
00:48:46As?
00:48:47Seriously, why are you bothering?
00:48:49You're sick.
00:48:49Carlos, I'm not sick.
00:48:50Sit down.
00:48:51Sit down.
00:48:54There is another man.
00:48:56Well, there's no other man.
00:48:56because I have nothing against you.
00:48:58I've arranged to meet someone else.
00:48:59And you have to leave
00:49:00because it's about to arrive
00:49:00And if he sees me with you again
00:49:01He's going to think I'm a pervert.
00:49:02And a promiscuous person, you understand?
00:49:04Clear.
00:49:04Are you meeting up with two people at the same time?
00:49:06Shit.
00:49:06To the bedroom.
00:49:08Okay, let's go.
00:49:09No, just you.
00:49:10May it be in there within you
00:49:11and I read a magazine.
00:49:12Or better yet,
00:49:12Reflect on your problems.
00:49:14That way you'll be entertained.
00:49:15all night.
00:49:15I'm coming, I'm coming.
00:49:21What's up, guys?
00:49:25Are you OK?
00:49:26You seem a little out of breath.
00:49:27Yeah,
00:49:28The dinner that has given me a job.
00:49:29Sit down.
00:49:30A glass of wine?
00:49:32Come on.
00:49:32If it's like yesterday's,
00:49:33as many as you want.
00:49:35Mauri.
00:49:36Sorry.
00:49:37Can I take the rabbit out for a while?
00:49:38It's giving me anxiety.
00:49:40because once when I was little
00:49:41One of them died.
00:49:42and with amyxomatosis
00:49:42I dreamt that my head was swelling up
00:49:44And I was left...
00:49:44What did he tell you?
00:49:45Go inside there.
00:49:45It's so hard to understand.
00:49:47It's a farm rabbit.
00:49:48He has more vaccines than a missionary.
00:49:50Nestor,
00:49:51Listen to me,
00:49:51It's not what it seems.
00:49:52There is an explanation for this.
00:49:53Mauri,
00:49:53really,
00:49:54All of this seems very strange to me.
00:49:55And I don't want to get involved.
00:49:56in the middle of a relationship
00:49:57so strange.
00:49:58No,
00:49:58between Carlos and me
00:49:59There is nothing.
00:50:00I like you.
00:50:01Already,
00:50:02But I don't know
00:50:03If you and I
00:50:03We're looking for the same thing.
00:50:04I'm not interested.
00:50:05the occasional rolls,
00:50:06I'm more romantic.
00:50:07Me too,
00:50:07I am also very romantic.
00:50:08If I am the lady of the camellias,
00:50:10I just broke up with my boyfriend
00:50:11and we had been together for four years.
00:50:12But let him go,
00:50:13to the poor.
00:50:13No,
00:50:14If it's not this one,
00:50:14It was someone else.
00:50:16Oh,
00:50:16God,
00:50:17I swear I'm not promiscuous.
00:50:18Give me a chance,
00:50:19the only thing we need
00:50:19It's a little more time.
00:50:21All.
00:50:24Hello,
00:50:25I've come to pick up my husband
00:50:26that we need to get to know each other.
00:50:29Marisa,
00:50:29It's just that Mauri and I
00:50:30We wanted to have dinner together.
00:50:31Oh,
00:50:31no problem.
00:50:32The three of us can have dinner.
00:50:34If the key to marriage
00:50:36It is freedom.
00:50:37Let's see,
00:50:37one moment,
00:50:37lady,
00:50:38please.
00:50:39From anguish
00:50:40I'm getting hungry.
00:50:40Oh,
00:50:40Pussy,
00:50:41dinner for two.
00:50:42No,
00:50:42please,
00:50:43lady,
00:50:43You can't feel it.
00:50:44And you?
00:50:47Yeah.
00:50:48Mauri,
00:50:48How was the date?
00:50:49Have you kissed her yet?
00:50:50Almost,
00:50:50I'm about to.
00:50:51Mauri,
00:50:51who is it?
00:50:52What are we having for dinner?
00:50:53I'm hanging up on you.
00:50:56Let's see,
00:50:57Betty,
00:50:58listen.
00:50:58Hey?
00:50:59It's going to be miniaturized.
00:51:00Already the
00:51:00I can't have dinner.
00:51:02You,
00:51:02Can't I have dinner?
00:51:04I can't have dinner.
00:51:05Let's see,
00:51:05What the hell did he say to me?
00:51:06I can't have dinner.
00:51:08Repeat the border,
00:51:09please.
00:51:10I can't have dinner.
00:51:11You,
00:51:11What are you saying to him?
00:51:13It's going to be miniaturized,
00:51:14Give me a little bit,
00:51:15Pussy.
00:51:15Clear,
00:51:16It's normal for the baby to sniffle.
00:51:17I can't have dinner.
00:51:18You,
00:51:20Can't I have dinner?
00:51:23That?
00:51:23That?
00:51:25That?
00:51:25That?
00:51:26This guy?
00:51:26Who is it?
00:51:27Well, the boyfriend, Dad.
00:51:28Pay attention to the conversation.
00:51:29Hello,
00:51:30I'm Mariano,
00:51:31the husband.
00:51:31Don't tell him,
00:51:32ask, ask,
00:51:33You don't tell him.
00:51:34Look,
00:51:35It's carried within him
00:51:36to tell him about us.
00:51:37Dad,
00:51:37Don't fool yourself,
00:51:38That's going to happen.
00:51:39a prextroic
00:51:39Right under your nose.
00:51:40That?
00:51:40Who went to speak?
00:51:41The one from the Cuban revolution.
00:51:43What are you saying?
00:51:44Hey,
00:51:45that if also
00:51:45They're setting it up
00:51:46We can go to the movies
00:51:47and we kill time.
00:51:49Oh,
00:51:50Oh,
00:51:51Oh,
00:51:52Yeah,
00:51:52that's how it is,
00:51:52Oh,
00:51:53that?
00:51:54Getting to know each other a little better,
00:51:55No?
00:51:56We're taking a break,
00:51:58Emilio,
00:51:58There are so many questions.
00:52:00Yeah,
00:52:00and one of them
00:52:00That's where you have it.
00:52:01the moles,
00:52:02No?
00:52:02Don't worry,
00:52:02brother,
00:52:03It's your girl
00:52:03He's building up a lot of tension.
00:52:04on the back.
00:52:05Come into the kitchen for a moment
00:52:06What can I tell you?
00:52:06Where does it accumulate for me?
00:52:07Emilio,
00:52:08Don't start,
00:52:08Hey?
00:52:08No,
00:52:09don't worry,
00:52:09if we're just going to talk
00:52:10in a way
00:52:10boyfriend and husband.
00:52:13Hey,
00:52:13lie down a little tense.
00:52:14Do you want me to give you a massage?
00:52:15What are you on about?
00:52:16Do you want to sleep with my girlfriend?
00:52:18I don't know,
00:52:19Do you want to?
00:52:19But how could I possibly want that?
00:52:20But what's wrong with you?
00:52:21Don't you respect women?
00:52:22of the others?
00:52:22It's because in Cuba
00:52:23It's been many years of communism.
00:52:24We don't have private property there,
00:52:26But what we are
00:52:27very polite,
00:52:27Hey?
00:52:28At least we always ask first.
00:52:29Look,
00:52:29because Bethlehem
00:52:30They're playing at being in jail.
00:52:32But,
00:52:32to your room,
00:52:33go to sleep.
00:52:34But are we going to go out on him?
00:52:35Fancy a drink?
00:52:35If not,
00:52:36I don't dance a little bit
00:52:37I can't get to sleep.
00:52:38Yeah,
00:52:38I'll take you to the radio station now.
00:52:39and a small glass of milk,
00:52:39Hey?
00:52:39Come on,
00:52:40strip,
00:52:40Go on.
00:52:41What's happening?
00:52:41And you get dressed,
00:52:42Go on.
00:52:42But I am dressed.
00:52:43Well, put on a robe.
00:52:44that you are causing.
00:52:45Good night,
00:52:46dear.
00:52:46Bye.
00:52:47Oh,
00:52:48He's risking his life.
00:52:49Hey?
00:52:49But why are you treating him like this?
00:52:50Because I was right,
00:52:51Nativity scene,
00:52:51that he wants to sleep with you.
00:52:53Oh,
00:52:53Yeah?
00:52:54Hey,
00:52:54I mean,
00:52:55That's intense!
00:52:56No?
00:52:56I just couldn't have imagined it.
00:53:05Juanito,
00:53:06I've got it now.
00:53:07I think I know.
00:53:07Who is the bastard?
00:53:08that is brushing
00:53:10to my wife.
00:53:11Oh,
00:53:11Yeah?
00:53:11Yeah,
00:53:12is someone who knows,
00:53:13someone you see almost every day.
00:53:15Or not,
00:53:15Maybe it's having
00:53:16a fleeting adventure
00:53:17with a foreigner
00:53:18transoceanic.
00:53:19Initially
00:53:20I thought he was the yoga teacher,
00:53:22I went to punch him in the face,
00:53:23But it turns out it has
00:53:2470 years old,
00:53:26Besides, it's one of those
00:53:27that ejaculate inwards.
00:53:28He's been explaining it to me
00:53:30a very strange thing.
00:53:31Tantra.
00:53:32That,
00:53:32but not,
00:53:33He owns the herbalist shop,
00:53:35everything fits together,
00:53:36He sees her every day.
00:53:38He was there today
00:53:39one hour and 37 minutes
00:53:40to buy
00:53:41some roscus capsules.
00:53:43To buy donuts
00:53:43It doesn't take that long,
00:53:44That's going to be it.
00:53:45with the whole plant thing.
00:53:47Come on,
00:53:48We'll leave him
00:53:48a memory
00:53:49sports,
00:53:50war.
00:53:50But,
00:53:51but,
00:53:51But you're going to give it to him
00:53:52a beating.
00:53:53No,
00:53:53man,
00:53:53No,
00:53:53we redecorated it
00:53:55the store
00:53:55so that he/she can learn.
00:53:56Andrew,
00:53:56that we are not
00:53:57completely safe
00:53:58that it is that man.
00:53:59And then,
00:54:00who is it?
00:54:01Who is it?
00:54:03Let's load it
00:54:04in the store
00:54:05that bastard.
00:54:09Twice,
00:54:10because he did it to me
00:54:11twice in a row.
00:54:12Mauri,
00:54:12Well, get serious.
00:54:13Tell him to go to hell.
00:54:14I've already sent it to him
00:54:14shit
00:54:15two days later.
00:54:15Yesterday filled me
00:54:16the flower house,
00:54:17What are you going to do today?
00:54:18Give me a Mercedes?
00:54:18Oh,
00:54:19if you have to learn
00:54:19to say no to people.
00:54:21You always end up getting involved
00:54:21in trouble for being too nice.
00:54:23Yeah.
00:54:24Mauri,
00:54:25Look out onto the balcony,
00:54:26I have a little surprise.
00:54:27Who's coming out onto the balcony?
00:54:28The Mercedes,
00:54:29son!
00:54:30That?
00:54:36What do you like?
00:54:37Carlos,
00:54:37what's that?
00:54:38It's a carriage
00:54:39for the parade
00:54:40of Gay Pride Day.
00:54:41Well,
00:54:42In fact
00:54:43It was from the parade
00:54:44of the Three Wise Men of Cuenca,
00:54:45But I've done it
00:54:45a little tuning.
00:54:46That?
00:54:47Lows,
00:54:47you ascend the throne
00:54:48and I'll give you a spin.
00:54:48No,
00:54:49please,
00:54:49You go up.
00:54:51Go up,
00:54:51Go on.
00:54:52Okay,
00:54:52Okay,
00:54:52I'm going up.
00:54:58I'll get the camera.
00:54:59Bea,
00:54:59You have to help,
00:55:00the only way
00:55:01to get rid of Carlos
00:55:02is to convince him
00:55:02that he is not gay.
00:55:03And how are you going to achieve that?
00:55:04If you'll give her a kiss.
00:55:06Ah,
00:55:06No,
00:55:06No,
00:55:06No,
00:55:06No way,
00:55:07so that he starts chasing me.
00:55:08No!
00:55:09It won't come after you
00:55:10because you are a lesbian
00:55:12and you're pregnant.
00:55:13Exactly,
00:55:13You said it,
00:55:14I am a lesbian,
00:55:14I don't like men.
00:55:16No,
00:55:16no,
00:55:16I need peace and quiet.
00:55:18for the child.
00:55:19Bea,
00:55:19You'll see.
00:55:19I swear I'm hooking up with Carlos
00:55:21And you have it here, stuck in your house
00:55:22stepfather for life.
00:55:23That's blackmail.
00:55:24Yeah,
00:55:24The truth is, yes.
00:55:25But I am a desperate man.
00:55:26A kiss,
00:55:27a little kiss.
00:55:28No?
00:55:28I've never asked you for anything.
00:55:29And you do me a favor.
00:55:30I gave you my semen
00:55:31and with a jolt,
00:55:32subjected to torture.
00:55:33Well,
00:55:34but only one,
00:55:35Hey?
00:55:35And without a tongue.
00:55:36A bit,
00:55:36the tip.
00:55:37Yeah,
00:55:37Yeah.
00:55:39Sampan?
00:55:40I've also added a refrigerator.
00:55:42Look.
00:55:43Happens,
00:55:43Carlos,
00:55:44happens.
00:55:45Would you mind?
00:55:46that we would subject you
00:55:47to a small experiment
00:55:48of sexual identity?
00:55:50Has it arrived?
00:55:51our moment?
00:55:51No,
00:55:52No,
00:55:52No.
00:55:53Please,
00:55:54Look,
00:55:55proceeds.
00:56:04I'm going to fold my socks.
00:56:07How are you?
00:56:08You're not gay, are you?
00:56:10There's simply no comparison.
00:56:12Mauri,
00:56:12I like them a lot
00:56:13especially women.
00:56:14Oh.
00:56:15Do you want to stay?
00:56:16with the carriage?
00:56:17No,
00:56:17No,
00:56:17No,
00:56:18No,
00:56:18No.
00:56:18Thank you so much.
00:56:19The important thing is that you have
00:56:19sexually reunited.
00:56:20Yeah,
00:56:21Well,
00:56:21Now you won't care
00:56:22that he goes out with Bea,
00:56:22No?
00:56:23No,
00:56:23Mauri,
00:56:24please.
00:56:24No,
00:56:24no,
00:56:25that's impossible,
00:56:26Carlos,
00:56:26Because Bea is a lesbian
00:56:27and she's also pregnant.
00:56:28Lesbian?
00:56:30Ah,
00:56:31It's clear that I
00:56:32I like impossible loves.
00:56:35But it's okay,
00:56:36no problem,
00:56:37Carlos,
00:56:37Everything is fine.
00:56:38You have helped me a lot,
00:56:39really.
00:56:39Mauri,
00:56:40hey,
00:56:40thank you so much.
00:56:41I'm going to tell Mom.
00:56:42I call her.
00:56:46Thank you so much.
00:56:47Hello,
00:56:48come on,
00:56:48runs,
00:56:48Nestor is waiting for you.
00:56:49Yeah.
00:56:51If I let my hair grow long
00:56:53and I shave,
00:56:54No,
00:56:55Okay.
00:56:57Heavy.
00:57:00Isabel,
00:57:00Isabel.
00:57:03What happened to you?
00:57:04We have to do something.
00:57:05Last night I had to go with your husband
00:57:06to destroy his store
00:57:07to the herbalist's.
00:57:08As?
00:57:09I had no other choice.
00:57:10Andrés is convinced
00:57:11that you're involved with him.
00:57:12With who?
00:57:12With Marcos?
00:57:13Is he gay?
00:57:14On,
00:57:15in the midst of the destructive maelstrom,
00:57:16I self-harmed while dancing.
00:57:18This is getting out of hand
00:57:19from the hands,
00:57:19Isabel.
00:57:20My children,
00:57:20my children.
00:57:26Man,
00:57:27Mr. Cuesta,
00:57:27We wanted to talk to you.
00:57:28What's happening,
00:57:29guys?
00:57:30Look,
00:57:30that if she's still following my mother
00:57:31We're going to have to tell him.
00:57:32to my father
00:57:33and it's not going to sit well with him,
00:57:34So you'll see,
00:57:34Hey?
00:57:35Regrettable mistake,
00:57:36I have no relationship
00:57:37with your mother
00:57:38beyond the merely
00:57:39institutional.
00:57:40Come on,
00:57:40uncle,
00:57:41Admit it,
00:57:41if we catch you two making hands.
00:57:43My mother told us
00:57:43that you kissed.
00:57:45Well,
00:57:46But it was just a peck.
00:57:47So you kissed him.
00:57:48He hasn't told us anything,
00:57:49We've caught you.
00:57:50No,
00:57:50No,
00:57:50This has no validity.
00:57:52I am testifying under duress,
00:57:53This is like a trial at Guantanamo.
00:57:55It's worthless.
00:57:55Mr. Juan.
00:57:56Sorry.
00:57:57You've been warned,
00:57:57Hey?
00:57:58Yeah,
00:57:58Yeah,
00:57:58Emilio,
00:57:59tell me.
00:58:00Mr. John,
00:58:01They're already here,
00:58:01They're coming for us.
00:58:02Who?
00:58:03The registry officials
00:58:04for the interviews
00:58:05They bring in a judge,
00:58:06my sympathy 87,
00:58:07And they all follow behind.
00:58:08who look like the bad guys from The Matrix.
00:58:10Let's see,
00:58:10They've been in such a hurry.
00:58:12Wednesday,
00:58:12They're already here.
00:58:13I want to get involved with Natalia
00:58:14in position.
00:58:15I'm going to warn Bethlehem.
00:58:21Good morning,
00:58:23Margarita Carvajal,
00:58:24investigating judge.
00:58:24Juan Cuesta,
00:58:25president,
00:58:25Welcome to the community of love.
00:58:27We weren't expecting them so soon.
00:58:29That's why we've come.
00:58:30I'd like to start
00:58:31the interviews as soon as possible.
00:58:32Yeah,
00:58:32Yeah,
00:58:32of course.
00:58:33We are the first
00:58:34interested in demonstrating
00:58:35authenticity
00:58:35of the beautiful links
00:58:36that have occurred
00:58:37in this building of ours.
00:58:39Why marriage
00:58:40Did they want to start?
00:58:42For everyone at once.
00:58:46Nativity scene,
00:58:47who have come
00:58:48to the interview.
00:58:48Warn the Cuban.
00:58:50Pussy,
00:58:50Pussy,
00:58:50Pussy.
00:58:53Ivan,
00:58:55Ivan.
00:58:57Isn't it there?
00:58:57But how can it not be there?
00:58:59That it is not,
00:59:00Pussy.
00:59:00I heard you.
00:59:01Clear,
00:59:01He must have gone out partying
00:59:02to fall asleep
00:59:03And he caught it,
00:59:03but somewhere else.
00:59:04But you hadn't
00:59:05closed the door
00:59:05from the house with a key.
00:59:06Why would I close down?
00:59:07Hey,
00:59:07who is not my son,
00:59:08who is your husband.
00:59:09The one who caught me
00:59:09the car key?
00:59:10What car?
00:59:11Oh,
00:59:11I don't know,
00:59:11I'm very nervous,
00:59:12I'm going to drink water.
00:59:14Well,
00:59:14I can say that
00:59:15that has come out
00:59:16to buy bread.
00:59:17They're not going to take me
00:59:18to jail for that,
00:59:18TRUE?
00:59:19But look,
00:59:19If he's there with Alicia,
00:59:20that's putting you
00:59:20the horns
00:59:21with your best friend.
00:59:22Ivan,
00:59:22I'm going home right now.
00:59:23But I'm having breakfast.
00:59:25Nativity scene,
00:59:25It's stressing me out.
00:59:26What have they come for?
00:59:27to do the interview,
00:59:27Pussy?
00:59:28That?
00:59:31And what are you on about?
00:59:32What is my husband?
00:59:33Yeah,
00:59:33I know,
00:59:34I'm sorry,
00:59:35I just don't know
00:59:35What's wrong with me?
00:59:35with married men.
00:59:40Come home
00:59:40You've made me happy.
00:59:43And where are you going now?
00:59:44You,
00:59:45How did you come up with that?
00:59:45Sleep with Ivan?
00:59:46Don't you see I can go
00:59:47To jail?
00:59:48Oh,
00:59:48Don't shout, Lucia
00:59:49He is sleeping
00:59:50and he hasn't found out anything.
00:59:51I ran into him last night
00:59:52and we went for a drink.
00:59:53If this has already been invented,
00:59:54Nativity scene,
00:59:54if you don't give it to your husband
00:59:55what he wants,
00:59:56He looks for it outside the home.
00:59:57Look,
00:59:57I'm going to kill you.
00:59:58And what's he like in bed?
01:00:00Man,
01:00:01understand that I feel
01:00:01a little uncomfortable
01:00:02talk to you about this,
01:00:02You are his wife.
01:00:04Nativity scene,
01:00:04that we are going up.
01:00:05Fuck off.
01:00:08What's happening?
01:00:10Nothing, nothing,
01:00:11Belén with her things.
01:00:12I'm going to take a shower.
01:00:13No, no, no, no.
01:00:13We're going to do
01:00:14a video session.
01:00:15I installed this camera yesterday.
01:00:16pointing at the refrigerator
01:00:17and has been recording
01:00:18all night.
01:00:19Let's clear things up.
01:00:21No, no, no, no,
01:00:22It's not necessary.
01:00:23You were right,
01:00:23I'm the one who eats everything.
01:00:25Yes, yes, yes.
01:00:26Now let's see it.
01:00:27Come on.
01:00:29Alice.
01:00:30Sit down.
01:00:32Let's see who gets eaten.
01:00:33the little meal.
01:00:36Play.
01:00:40Robobina,
01:00:40that this part
01:00:40I already know her.
01:00:42Who is this?
01:00:45Did you set it up?
01:00:46with a guy on my couch
01:00:46Without telling me anything?
01:00:47The thing is
01:00:48it suddenly arises
01:00:50and I felt bad waking you up.
01:00:51But come on,
01:00:52which is of no great interest.
01:00:53Go back.
01:00:54Man, Alicia, aunt,
01:00:55This has been announced.
01:00:56Imagine if I got in
01:00:57from the middle of the night
01:00:57And I run into this guy
01:00:58naked in my living room.
01:00:59Well, if you had been amazed,
01:01:01I assure you.
01:01:01Is it time to watch it?
01:01:03Slut.
01:01:06But look at him,
01:01:07But it's Roberto.
01:01:08You are so strong,
01:01:09He sends us the food.
01:01:10I should have known.
01:01:12He's going to find out, man.
01:01:13What are you going to do?
01:01:14What am I going to do?
01:01:15Let's hope we have some luck tonight.
01:01:16because I'm going to prepare them
01:01:17This menu, dude.
01:01:19What's that?
01:01:20This,
01:01:21a great laxative.
01:01:22It tastes like lemon.
01:01:24Delicious.
01:01:24Oh, that's great.
01:01:26So tonight
01:01:26We went out too, didn't we?
01:01:35Good.
01:01:36It calls to me powerfully
01:01:38attention
01:01:38that has arisen
01:01:39the love between you
01:01:40taking into account
01:01:41that Sbenlana
01:01:41He doesn't speak Spanish
01:01:43And you don't speak Russian.
01:01:45How do they communicate?
01:01:46Well,
01:01:46well when we have
01:01:47Words are unnecessary.
01:01:49In other words,
01:01:51They don't speak.
01:01:51Pussy,
01:01:51The girl didn't speak either.
01:01:53And everyone loved her.
01:01:54Ah,
01:01:54He's comparing his wife
01:01:55with a dog.
01:01:56To the,
01:01:57to the,
01:01:57to the,
01:01:57Don't interfere with things,
01:01:59please,
01:01:59I ask you.
01:02:00That's as far as we could go.
01:02:02How did you two meet?
01:02:04In a shopping mall,
01:02:05The usual,
01:02:06They are the fitting rooms.
01:02:07He's lying.
01:02:08Lady,
01:02:09please,
01:02:09I'm not talking to you.
01:02:10Be quiet.
01:02:11That's what made me fall in love.
01:02:12from Marisa,
01:02:13the spark he has.
01:02:15No,
01:02:15We met on the beach,
01:02:16in Gandía.
01:02:17Yeah,
01:02:17I was doing windsurfing.
01:02:18and I tell him the table in his head.
01:02:20I still can't turn smoothly.
01:02:22I got three points here.
01:02:24Isn't the story beautiful?
01:02:25Lovely.
01:02:26Now you're going to sign me up
01:02:27on a separate sheet of paper
01:02:28Which side of the bed do you sleep on?
01:02:30the date of birth
01:02:31And what is the shoe size?
01:02:32of your spouse.
01:02:35We love Albania,
01:02:37small and mountainous country
01:02:38of three and a half million
01:02:39of inhabitants
01:02:40and 28,700 square kilometers.
01:02:42Do you remember
01:02:43when we were in Tirana
01:02:44Knowing Mehmet's parents?
01:02:45Yes, yes,
01:02:46What a show!
01:02:47by Tim Previmos
01:02:47and for me, a few lex.
01:02:49Would you mind?
01:02:49Let me continue
01:02:50with the interview?
01:02:51Eye,
01:02:51and they export vegetables and copper.
01:02:53Oh,
01:02:53Albanian copper,
01:02:54Excellent.
01:02:55We brought
01:02:56and it still lasts.
01:02:58But listen,
01:02:59realizes
01:02:59of what he is doing.
01:03:00Perfectly,
01:03:01outside my premises.
01:03:02I love my wife
01:03:03and I don't have to
01:03:03Proving it to anyone.
01:03:04I ask you
01:03:05if he wants his own.
01:03:06I warn you
01:03:06The police are here
01:03:07and a judge.
01:03:08We can force our way in.
01:03:09and arrest them both.
01:03:11Romeo,
01:03:11you're getting involved
01:03:12in a pear orchard.
01:03:13Zaira,
01:03:14We need to lengthen up.
01:03:15I'm in labor.
01:03:17I think I'm going to have the baby.
01:03:18That?
01:03:23Nativity scene,
01:03:24yesterday it happened
01:03:26an extraordinary income
01:03:27in your bank account
01:03:28of 5,000 euros.
01:03:29Would you mind?
01:03:30Can you clarify its origin for me?
01:03:31Yeah,
01:03:32It's just that lately
01:03:34I'm doing very well
01:03:35at my work.
01:03:36Yeah.
01:03:37Which one?
01:03:38According to our data,
01:03:39in the last year
01:03:39You have worked
01:03:40in a hamburger restaurant,
01:03:42at a funeral home
01:03:43for two days,
01:03:44as controller
01:03:45parking meters
01:03:46also two days
01:03:46and in service
01:03:48cleaning
01:03:48from a newspaper,
01:03:49in this case
01:03:49for eight hours.
01:03:51Did they pay him 5,000 euros
01:03:52for a day's work?
01:03:54Yeah,
01:03:54No,
01:03:55Yeah,
01:03:55Well,
01:03:57That was it
01:03:57a mistake by the newspaper
01:03:59that confused me
01:03:59with Elvira Lindo
01:04:00And I've kept quiet about it.
01:04:03I think that's the best
01:04:04will we take
01:04:04a few mojitos, everyone
01:04:05Hey?
01:04:06That's how we relax
01:04:07and we demonstrated
01:04:08the love that exists between us.
01:04:09Among yourselves
01:04:10and more people,
01:04:11as we have been informed
01:04:12her landlady
01:04:13Doña Concepción,
01:04:14Ivan maintains
01:04:15sexual relations
01:04:16with the neighbor across the street,
01:04:17Alicia Sanz.
01:04:20But how could you
01:04:21with my best friend?
01:04:23Don't play the victim
01:04:24because Doña Concepción
01:04:25also states
01:04:26that you cohabit
01:04:27with Emilio Delgado,
01:04:28doorman of this property,
01:04:29who just happens to be here
01:04:30fixing a plug.
01:04:31Yeah,
01:04:31But I'm already finished.
01:04:32And I'm leaving now, okay?
01:04:33But,
01:04:33But how can he think?
01:04:34that I'm going to deceive
01:04:35What about my husband with that?
01:04:37I don't know,
01:04:38But you have
01:04:39a photo of him
01:04:40doing it to Mili.
01:04:41Oh, no,
01:04:41But this photo
01:04:41I carry it with me as a lucky charm.
01:04:42to protect me
01:04:43of the electric shocks.
01:04:44I'm leaving, okay?
01:04:46Well,
01:04:47I don't think I need to.
01:04:48ask more questions.
01:04:50Well,
01:04:51and?
01:04:51Everything's fine, right?
01:04:57I swear to you,
01:04:57the macho uncle from the video store
01:04:59It's given me blisters.
01:05:00Well, if I find
01:05:01about the Cuban
01:05:01with the lady
01:05:02You don't even believe it.
01:05:03And then they'll say
01:05:03than being boring civil servants.
01:05:05Well, I just don't understand it.
01:05:06Can you explain?
01:05:07what evidence do you have?
01:05:07that these marriages
01:05:08Are they fraudulent?
01:05:09Mauri, they have them.
01:05:10It's been a debacle.
01:05:11Look,
01:05:11The list is long.
01:05:13These marriages are invalid.
01:05:14and you will have to
01:05:15to respond
01:05:15before the court.
01:05:16But to them
01:05:17Where are they taking them?
01:05:18Let's see,
01:05:19They are foreigners
01:05:21without a residence permit
01:05:22and they must be returned
01:05:23to their places of origin.
01:05:24But what hypocrisy, right?
01:05:25What do you think?
01:05:26What are these people?
01:05:26comes here
01:05:27sunbathing
01:05:27And to eat paella?
01:05:28They come to earn a living
01:05:29because they have none left
01:05:30another remedy.
01:05:31And we took advantage of it.
01:05:32of his work
01:05:32But it's not in our best interest.
01:05:33recognize them as citizens,
01:05:34TRUE?
01:05:34Because they would have to be paid.
01:05:35a decent wage,
01:05:36register them
01:05:36social security,
01:05:37all those things
01:05:38so annoying and so expensive.
01:05:39That's enough, man.
01:05:40no human being
01:05:40It is illegal everywhere.
01:05:42Please.
01:05:43Juan,
01:05:44You should have said that.
01:05:46He beat me to it.
01:05:47It's because gay people
01:05:47They think very fast.
01:05:48I am totally
01:05:49I agree with you.
01:05:50But I don't make the laws.
01:05:52I just apply them.
01:05:55If they want to say goodbye...
01:06:01No problem.
01:06:03It's been really nice.
01:06:05I'm sure we'll meet again.
01:06:09Make room for me
01:06:10that I am the wife.
01:06:12And good luck, okay?
01:06:16Write to us from time to time, okay?
01:06:18Hey, I'm really sorry
01:06:19to have become so jealous,
01:06:20really.
01:06:21But come on,
01:06:22that nobody has died among you either.
01:06:23You can separate now.
01:06:25Mehmet.
01:06:26Mehmet.
01:06:28We're going to miss you a lot.
01:06:30I had already caught you
01:06:31much love.
01:06:32Correct.
01:06:35Goodbye, Mariano.
01:06:36Now or never.
01:06:37She goes and mines.
01:06:42Fuck.
01:06:42And does she have to take it now?
01:06:44This is all too beautiful.
01:06:46I'm sorry,
01:06:47but from here
01:06:48They're not going to take anyone away.
01:06:49I'm going to give it to you.
01:06:50Okay, okay, okay, okay.
01:06:51Come on, run!
01:06:52Ma'am, what are you doing?
01:06:53Give me that gun.
01:06:54Please don't do anything foolish.
01:06:56If that's all he does.
01:06:57Vicenta,
01:06:58You've lost your mind.
01:06:59Which is pointing
01:07:00to the police.
01:07:01It's true.
01:07:02Or let them go
01:07:03or I'll kill the president.
01:07:04Oh my God, why?
01:07:05To the president or anyone else,
01:07:06Vicenta, damn it,
01:07:07Look elsewhere.
01:07:08Okay, we're leaving.
01:07:09But why does it force us?
01:07:10This lady, huh?
01:07:10Call me.
01:07:15They've all left now.
01:07:16Lower the gun
01:07:17and nothing will happen to him.
01:07:18No, not yet.
01:07:20I want them to put
01:07:21more trees on the streets.
01:07:23We will plant more trees,
01:07:24don't worry,
01:07:24whichever ones you want.
01:07:25And that the fillings
01:07:26covered by social security.
01:07:28I speak with the minister,
01:07:29I promise you,
01:07:29Please put the gun down.
01:07:30Doesn't everyone want anything?
01:07:31That's a bargain.
01:07:33With the trees
01:07:33and the fillings
01:07:34We are already satisfied.
01:07:35Vicenta, give them back the gun.
01:07:36No, no, I don't trust it
01:07:37Not from these people.
01:07:38No, no, no, no.
01:07:38Vicenta,
01:07:39You can't use the gun
01:07:40because you don't know the PIN.
01:07:42What pin?
01:07:43Now.
01:07:43No, no, no.
01:07:45What a mess!
01:07:47Dad,
01:07:48Can you come here for a moment?
01:07:49that Paco's wife
01:07:49Is she giving birth in the video store?
01:07:51What are you saying?
01:07:56What a nuisance, a nest!
01:07:58Push!
01:07:58Push like you're dead!
01:08:00Fast!
01:08:00A hot water stovalle.
01:08:02So that?
01:08:03I don't know,
01:08:04That's what they ask for in the movies.
01:08:05No,
01:08:06what they say on TV
01:08:06It's the 20 milligrams of pinephrine thing.
01:08:08Be careful with the sofa
01:08:09It's in the egg, huh?
01:08:10Please,
01:08:11Don't worry,
01:08:12Stop for a moment.
01:08:13Behold!
01:08:14It's already peeking out!
01:08:15That can't go out there,
01:08:17man,
01:08:17It is physically impossible.
01:08:19I'm going to sit down
01:08:20I'm getting a little tipsy.
01:08:21Lower your head,
01:08:22Juan,
01:08:22put it between your legs.
01:08:24Dad,
01:08:24Why didn't you study medicine?
01:08:26Push,
01:08:26drop,
01:08:26that the worst is over.
01:08:28I've been doing my research
01:08:29because of Bea's pregnancy
01:08:30and it seems that the best
01:08:31It's having it in the bathtub.
01:08:31That the little recipe saves
01:08:32in the clappers of the song.
01:08:34And it won't get any better.
01:08:34that it stands up.
01:08:35Don't talk nonsense,
01:08:36Emilio.
01:08:37I already saw a documentary yesterday.
01:08:38of giraffes
01:08:38And you should see the crash!
01:08:39that the little giraffe was giving
01:08:40against the ground.
01:08:41Clear,
01:08:42That's why they run away.
01:08:43because of the fright caused by the large helmet.
01:08:44Maybe they're right
01:08:45because all mammals
01:08:46of a certain size
01:08:47They have their children standing up.
01:08:48How is he going to keep the child standing up?
01:08:49It's going to get stamped
01:08:50against the ground,
01:08:51man.
01:08:51No,
01:08:52that has the umbilical cord.
01:08:53If that's all been planned
01:08:54for the child
01:08:55how to build a bridge.
01:08:56Oh,
01:08:56You want them to have already,
01:08:57please,
01:08:57You're making me hysterical!
01:08:59It's already fallen,
01:08:59It's already a little closer to me...
01:09:13Fuck,
01:09:13How wonderful.
01:09:15This child
01:09:16He's going to send it too.
01:09:16back to their country?
01:09:18No,
01:09:19This child was born here
01:09:20and it's Spanish
01:09:21and her mother automatically too.
01:09:25Emilio,
01:09:26Are you crying for me?
01:09:28I want a rodel.
01:09:31Hello,
01:09:32Did they request an ambulance?
01:09:33About time!
01:09:34male.
01:09:39But how are you leaving?
01:09:40Why are you leaving?
01:09:41Because I have a boyfriend,
01:09:42Paco,
01:09:43and he is the child's father.
01:09:44It's been very nice,
01:09:45really.
01:09:46But it's better if I leave.
01:09:56Paquito,
01:09:57think about the end
01:09:58from the White House.
01:09:58To the cold and to home
01:09:59He didn't stay either.
01:09:59with the girls.
01:10:01Meme?
01:10:01Yeah,
01:10:02where are you?
01:10:03I'm going there.
01:10:04Nestor,
01:10:05how are you?
01:10:06Yeah,
01:10:06I invite you to be
01:10:06dinner.
01:10:07No,
01:10:07just the two of them.
01:10:08Me too.
01:10:09Fuck,
01:10:10Everything has been caught here.
01:10:11Piece of noyo.
01:10:13Emilio,
01:10:13and you?
01:10:14Stop looking at your phone,
01:10:14that you either
01:10:15Nobody calls you.
01:10:16Ready,
01:10:16that I've stayed
01:10:17without battery,
01:10:18That's why he whistled.
01:10:19What beeped at you?
01:10:20Go on,
01:10:21go on,
01:10:21Go on.
01:10:22Emilio,
01:10:22You trust very little.
01:10:23in me,
01:10:24Hey?
01:10:24We need to talk about this.
01:10:26No,
01:10:26Wait,
01:10:26And now on top of everything else
01:10:26It's my turn to talk.
01:10:29Paquito,
01:10:30Don't get depressed,
01:10:31that women
01:10:32They don't understand men.
01:10:33They always leave free
01:10:34to the best.
01:10:35Aren't you talking about us?
01:10:37With a little bit of your help,
01:10:38Pussy,
01:10:39that I'm sinking too.
01:10:47Alice,
01:10:48bingo.
01:10:49Tonight
01:10:49have been taken
01:10:50the special menu
01:10:50of the house.
01:10:51Yeah,
01:10:51They don't mince words,
01:10:52Hey?
01:10:52Let's see what happened.
01:10:53Because you know best,
01:10:54than in the latic
01:10:55There is no bathroom,
01:10:56They have to go to the goal.
01:10:58But so strong
01:10:58It's a laxative,
01:10:59Do you think it's not the effect?
01:11:01Remove,
01:11:02remove,
01:11:02remove,
01:11:03remove.
01:11:03Ah,
01:11:04Hello!
01:11:04Hey!
01:11:06Yeah,
01:11:06Yeah,
01:11:06has made them sin.
01:11:08Roberto,
01:11:08Were they good?
01:11:09Beef medallions?
01:11:10Was it you?
01:11:12It's not funny at all.
01:11:14you don't know
01:11:14how we're doing.
01:11:15Next time
01:11:16that you need something
01:11:16You ask me to,
01:11:17Don't steal it.
01:11:18Look,
01:11:18Lucia,
01:11:19I'm going to tell you something.
01:11:22I'll tell you later.
01:11:25Remember me
01:11:25who changes the lock.
01:11:27Or buy more of them sooner.
01:11:30Hello,
01:11:30Are you alone?
01:11:31Yeah,
01:11:32Nieves is jogging
01:11:33and the children
01:11:33prefer,
01:11:34He doesn't know where they are.
01:11:35I feel terrible,
01:11:36Juanito.
01:11:37It turns out that the herbalist's uncle
01:11:38He's gay.
01:11:39Isabel has kicked me out
01:11:40a tremendous row.
01:11:41Clear,
01:11:41You're going as Terminator
01:11:42for life without proof,
01:11:43normal.
01:11:43If Isabel tells you
01:11:44that there is nobody,
01:11:44There's nobody here.
01:11:45You won't have a thousand euros
01:11:46to send them to the store
01:11:48anonymously.
01:11:49Well,
01:11:49We will pay for the damages
01:11:50half.
01:11:51I got jealous
01:11:52with thyme
01:11:52and valerian,
01:11:53but the expensive plants
01:11:55You ruined them.
01:11:56Well,
01:11:56We'll do the math.
01:11:57The important thing is that you leave.
01:11:58to your home now
01:11:59and relax.
01:12:00He's in a mess,
01:12:01Juan.
01:12:01I'm telling you, he's in a mess.
01:12:02He's doing sit-ups.
01:12:04Go on,
01:12:04Go on.
01:12:08Hey,
01:12:09that they won't let us
01:12:10talk comfortably.
01:12:11Know,
01:12:12I feel more and more like
01:12:12more miserable
01:12:13and more despicable.
01:12:14We look like criminals
01:12:15hiding
01:12:16And all over something trivial,
01:12:17for a kiss.
01:12:20Times two.
01:12:21You're right.
01:12:22This is crazy,
01:12:22it just can't be.
01:12:24Correct.
01:12:25We are still neighbors
01:12:26And that's it.
01:12:27The last one and you're out.
01:12:33Now we greet each other.
01:12:34through the kitchen,
01:12:35Hey?
01:12:35Okay.
01:12:37Wait,
01:12:37wait.
01:12:41Dad.
01:12:47To your room, punishment.
01:12:48That's intense.
01:12:49You were making out
01:12:50with the herbs.
01:12:51No,
01:12:51No,
01:12:51No,
01:12:52No,
01:12:52Don't get confused,
01:12:54We were...
01:12:55Hey,
01:12:55José Miguel,
01:12:56Not a word about this,
01:12:57Hey?
01:12:57Dad,
01:12:57I think they're going to change
01:12:59many things in this house.
01:13:00Thank you!
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