- 31 minutes ago
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00:00:14It's the best, the best, the best!
00:00:56Oh, look at that.
00:01:22How's your blood going?
00:01:25Yeah, good.
00:01:27Very good.
00:01:29You haven't written a word, have you?
00:01:30You just wrote, still has trust issues.
00:01:33And you read my writing upside down.
00:01:37You see what I mean?
00:01:42John, you're a soldier.
00:01:44It's going to take you a while to adjust to fill your life.
00:01:47And writing a blog about everything that happens to you will honestly help you.
00:01:53What do you mean there's no ruddy car?
00:01:54You went to Waterloo, I'm sorry.
00:01:56Get a cab.
00:01:57I never get cabs.
00:02:00I love you.
00:02:01When?
00:02:02Get a cab.
00:02:22My husband was a happy man who lived life to the full.
00:02:28He loved his family and his work.
00:02:32And that he should have taken his own life in this way is a mystery and a shock to all
00:02:40who knew him.
00:02:53Yes, yes, yes!
00:02:54Yes!
00:02:57Ah!
00:02:58I'm back in two minutes, mate.
00:03:00What?
00:03:00I'm just going home to get my umbrella. You can share mine. Two minutes, alright?
00:03:37She's still dancing. Yeah, if you can call it, darling.
00:03:40I'll just get the car keys in. I've got them out of her bag.
00:03:45Where is she?
00:03:59The body of Beth Davenport, junior minister for transport, was found late last night on a building site in Greater
00:04:05London.
00:04:06Preliminary investigations suggest that this was suicide.
00:04:09We can confirm that this apparent suicide closely resembles those of Sir Geoffrey Patterson and James Fillamore.
00:04:16In the light of this, these incidents are now being treated as linked.
00:04:19The investigation is ongoing, but Detective Inspector Lestrade will take questions now.
00:04:23Detective Inspector, how can suicides be linked?
00:04:26Well, they all took the same poison. They were all found in places they had no reason to be.
00:04:32None of them had shown any prior indication...
00:04:34But you can't have serial suicides.
00:04:35Well, apparently you can.
00:04:37These three people, there's nothing that links them?
00:04:39There's no link we found yet, but we're looking for it. There has to be one.
00:04:50If you've all got texts, please ignore them.
00:04:52It just says wrong.
00:04:53Yeah, well, just ignore that.
00:04:54If there are no more questions for Detective Inspector Lestrade, I'm going to bring this session to the now.
00:04:58If there's suicides, what are you investigating?
00:05:00As I say, these suicides are clearly linked.
00:05:05But it's an unusual situation. We've got our best people investigating.
00:05:12It says wrong again.
00:05:14One more question.
00:05:15Is there any chance that these are murders? And if they are, is this the work of a serial killer?
00:05:20I know that you like writing about these, but these do appear to be suicides. We know the difference.
00:05:25The poison was clearly self-administered.
00:05:28Yes, but if they are murders, how do people keep themselves safe?
00:05:31Well, don't commit suicide.
00:05:34Daily Mail.
00:05:35Obviously, this is a frightening time for people, but all anyone has to do is exercise reasonable precautions.
00:05:42We are all as safe as we want to be.
00:05:57You've got to stop him doing that. He's making us look like idiots.
00:06:00If you can tell me how he does it, I'll stop him.
00:06:14John. John Watson.
00:06:17Stamford. Mike Stamford. We were at Bart's together.
00:06:19Yes, sorry. Yes, Mike. Hello.
00:06:21Yeah, I know. I've got fat.
00:06:22No.
00:06:23I heard you were brought somewhere getting shot at. What happened?
00:06:27I got shot.
00:06:34Are you still at Bart's then?
00:06:35Teaching now. Bright young things like we used to be. God, I hate them.
00:06:41What about you? Just staying in town until you get yourself sorted?
00:06:43I can't afford London on an army pension.
00:06:45And you couldn't bear to be anywhere else. That's not the John Watson I know.
00:06:48Yeah, I'm not the John Watson you know.
00:06:54Couldn't Harry help?
00:06:56I feel like that's going to happen.
00:06:58I don't know. Get a flat chair or something.
00:07:01Come on.
00:07:01It'll be for a flatmate.
00:07:05What?
00:07:06You're the second person to say that to me today.
00:07:09Who's the first?
00:07:14How fresh?
00:07:15Just in.
00:07:1667 natural causes.
00:07:18Used to work here.
00:07:19I knew him.
00:07:19He was nice.
00:07:21Fine.
00:07:22We'll start with the riding crop.
00:07:35So, bad day was it?
00:07:38I need to know what bruises form in the next 20 minutes.
00:07:40A man's alibi depends on it.
00:07:41Text me.
00:07:42Listen, I was wondering.
00:07:44Maybe later, when you're finished.
00:07:45You weren't wearing lipstick.
00:07:46You weren't wearing lipstick before.
00:07:48I, er...
00:07:49I refreshed it a bit.
00:07:52Sorry, you were saying?
00:07:53I was wondering if you'd like to have coffee.
00:07:56Well, that, two sugars please.
00:07:57I'll be upstairs.
00:08:00Okay.
00:08:11Oh.
00:08:13Bit different from my day.
00:08:14You've no idea.
00:08:15Mike, can I borrow your phone?
00:08:16There's no signal on mine.
00:08:18What's wrong with the landline?
00:08:19I prefer to text.
00:08:21Sorry.
00:08:21Let's have my coat.
00:08:24Here.
00:08:25Use mine.
00:08:27Oh.
00:08:29It's an old friend of mine.
00:08:30John Watson.
00:08:35Afghanistan or Iraq?
00:08:39Sorry?
00:08:40Which was it?
00:08:40Afghanistan or Iraq?
00:08:45Afghanistan.
00:08:46Sorry.
00:08:46How did you...
00:08:46Ah, Molly.
00:08:47Coffee.
00:08:49What happened to the lipstick?
00:08:50It wasn't working for me.
00:08:52Really?
00:08:52I thought it was a big improvement.
00:08:53The mouth's too...
00:08:54small now.
00:08:55Okay.
00:08:58How do you feel about the violin?
00:09:03Sorry, what?
00:09:04I play the violin when I'm thinking.
00:09:06Sometimes I don't talk for days on.
00:09:07And would that bother you?
00:09:08Potential flatmates should know the worst about each other.
00:09:12You told him about me?
00:09:14Not a word.
00:09:15Then who said anything about flatmates?
00:09:17I did.
00:09:17I told Mike this morning that I must be a difficult man to find a flatmate for.
00:09:21And now here he is.
00:09:22Just after lunch with an old friend.
00:09:23Clearly just home for military service in Afghanistan.
00:09:25It wasn't a difficult leap.
00:09:27How did you know about Afghanistan?
00:09:28Got my eye on a nice little place in central London.
00:09:30Together we ought to be able to afford it.
00:09:32We'll meet there tomorrow evening, seven o'clock.
00:09:34Sorry.
00:09:34I've got to dash.
00:09:35I think I left my writing crop in the mortuary.
00:09:38Is that it?
00:09:39Is that what?
00:09:41We've only just met.
00:09:42We're going to go look at a flat.
00:09:45Problem?
00:09:48We don't know a thing about each other.
00:09:49I don't know where we're meeting.
00:09:50I don't even know your name.
00:09:53I know you're an army doctor and you've been invalid at home from Afghanistan.
00:09:56I know you've got a brother who's worried about you.
00:09:57But you won't go to him for help because you didn't approve of him possibly.
00:10:00Because he's an alcoholic.
00:10:01More likely because he recently walked out on his wife.
00:10:03And I know that your therapist thinks you're limp psychosomatic quite correctly, I'm afraid.
00:10:07It's enough to be going on with, don't you think?
00:10:13The name's Sherlock Holmes and the address is 221 B Baker Street.
00:10:17Afternoon.
00:10:23He's always like that.
00:10:35Lucky strengthening.
00:10:35Ooh two.
00:10:55Hey guys, I'm electronic наб field.
00:10:57Don't forget to find an overall list.
00:10:57It won't be familiar with.
00:10:59You don't be challenged by striking a little bit.
00:11:01What's火 next?
00:11:24Hello.
00:11:25Ah, Mr. Holmes.
00:11:27Sherlock, please.
00:11:29Well, this is a prime stop.
00:11:30Must be expensive.
00:11:31Oh, Mrs. Hudson, the landlady.
00:11:32She's given me a special deal.
00:11:34Wows me a favor.
00:11:35A few years back, her husband got himself sentenced to death in Florida.
00:11:38I was able to help her.
00:11:39Sorry, you stopped her husband being executed?
00:11:42Oh, no, I am sure did.
00:11:45Sherlock.
00:11:47Mrs. Hudson, Dr. John Watson.
00:11:48Hello.
00:11:49Come in.
00:11:50Shall we?
00:11:51Yeah.
00:12:15Well, this could be very nice.
00:12:18Very nice indeed.
00:12:20Yes.
00:12:22Yes, I think so.
00:12:23My thoughts precisely.
00:12:24So I went straight ahead and moved in.
00:12:25As soon as we get all this rubbish cleaned up.
00:12:26Oh.
00:12:29So this is all...
00:12:30Obviously, I can straighten things up a bit.
00:12:35It's a skull.
00:12:36Friend of mine.
00:12:37When I say friend.
00:12:39What do you think then, Dr. Watson?
00:12:42There's another bedroom upstairs if you've been needing two bedrooms.
00:12:46Of course we'll be needing two.
00:12:47Oh, don't worry.
00:12:48There's all sorts around here.
00:12:49Mrs. Turner next door's got married wipes.
00:12:55Sherlock, the mess you've made.
00:13:04I looked you up on the internet last night.
00:13:08Anything interesting?
00:13:09Found your website.
00:13:10The Science of Deduction.
00:13:12What did you think?
00:13:15You said you could identify a software designer by his tie and an airline pilot by his left thumb?
00:13:19Yes.
00:13:20And I can read your military career and your face and your leg and your brother's drinking habits in your
00:13:24mobile phone.
00:13:26How?
00:13:27What about these suicides then, Sherlock?
00:13:30Thought that'd be right up your street.
00:13:32Three, exactly the same.
00:13:35Four.
00:13:37There's been a fourth.
00:13:38There's something different this time.
00:13:40A fourth?
00:13:43Where?
00:13:44Brixton, Oriston Gardens.
00:13:46What's new about this one?
00:13:47You wouldn't have come to get me if there wasn't something different.
00:13:49You know how they never leave notes?
00:13:50Yeah.
00:13:50This one did.
00:13:52Will you come?
00:13:53Who's on forensics?
00:13:54It's Anderson.
00:13:56Anderson won't work with me.
00:13:57Well, he won't be your assistant.
00:13:58I need an assistant.
00:14:00Will you come?
00:14:01Not in a police car.
00:14:01I'll be right behind.
00:14:12Brilliant.
00:14:13Yes.
00:14:15Four serial suicides and now a note.
00:14:17Oh, it's Christmas.
00:14:18Mrs Hudson, I'll be late.
00:14:20Might need some food.
00:14:20I'm your landlady, dear, not your housekeeper.
00:14:23Something cold will do.
00:14:24John, have a cup of tea.
00:14:25Make yourself at home.
00:14:27Don't wake up.
00:14:28Look at him, dashing about.
00:14:30My husband was just the same.
00:14:33But you're more the sitting down type, I can tell.
00:14:37I'll make you that cuppa.
00:14:38You rest your leg.
00:14:39Damn my leg!
00:14:40Sorry.
00:14:40I'm so sorry.
00:14:42It's just sometimes this bloody thing.
00:14:44I understand, dear.
00:14:45I've got a hip.
00:14:47A cup of tea would be lovely.
00:14:48Just this once, dear.
00:14:49I'm not your housekeeper.
00:14:51A couple of biscuits, too, if you've got them.
00:14:52Not your housekeeper.
00:14:57You're a doctor.
00:14:59In fact, you're an army doctor.
00:15:02Yes.
00:15:04Any good?
00:15:07Very good.
00:15:08I see a lot of injuries, then.
00:15:10Violent deaths.
00:15:11Oh, yes.
00:15:13Bit of trouble, too, I bet.
00:15:14Of course, yes.
00:15:16Enough for a lifetime.
00:15:17Far too much.
00:15:19Want to see some more?
00:15:20Oh, God, yes.
00:15:25Sorry, Mrs. Hudson.
00:15:26I'll skip the tea.
00:15:27Puff out.
00:15:28Both of you?
00:15:30Possible suicides.
00:15:31Four of them.
00:15:31There's no point sitting at home
00:15:32when there's finally something fun going on.
00:15:34Look at you all happy.
00:15:36It's not decent.
00:15:37Who cares about decent?
00:15:38The game, Mrs. Hudson, is on.
00:15:42What the hell?
00:15:45Hornet is on.
00:16:20Okay, you've got questions.
00:16:22Yeah, where are we going?
00:16:24Crime scene, next.
00:16:26Who are you? What do you do?
00:16:27What do you think?
00:16:28I'd say private detective.
00:16:31But?
00:16:31The police don't go to private detectives.
00:16:34I'm a consulting detective.
00:16:36The only one in the world that invented the job.
00:16:37What does that mean?
00:16:38It means when the police are out of their depth, which is always, they consult me.
00:16:42The police don't consult amateurs.
00:16:47When I met you for the first time yesterday, I said Afghanistan or Iraq.
00:16:50You look surprised.
00:16:50Yes, how did you know?
00:16:51I didn't know, I saw.
00:16:53The haircut, the way you hold yourself, says the military.
00:16:56Your conversation is you entered the room.
00:16:57They're different from my day.
00:16:58Said trained at bar, so army doctor, obvious.
00:17:02Your face is tan.
00:17:04You're no tan above the wrists.
00:17:05You've been abroad, but not sunbathing.
00:17:07Your lips really bad when you walk, but you don't ask for a chair when you stand like you've forgotten
00:17:10about it.
00:17:10So it said he's partly psychosomatic, that says the original circumstances of the injury were traumatic, wounded in action then.
00:17:16Who did in action?
00:17:17Sun Tan, Afghanistan, Norway, Iraq.
00:17:20You said I had a therapist.
00:17:22You're a psychosomatic, and of course you've got a therapist.
00:17:25And there's your brother.
00:17:26Your phone, it's expensive, email-enabled, MP3 player.
00:17:28Are you looking for a flat show?
00:17:29You're going to waste money on this.
00:17:30It's a gift, though.
00:17:31Scratch is not one, many over time.
00:17:33It's been in the same pocket as keys and coins.
00:17:35Man sitting next to you, wouldn't treat this one luxury item like this.
00:17:37So it's had a previous owner.
00:17:38Next bit's easier, you know it already.
00:17:41The Engraving.
00:17:42Harry Watson, clearly a family member who's given you his old phone.
00:17:44Not your father, this is a young man's gadget.
00:17:46Could be a cousin, but you're a war hero who can't find a place to live.
00:17:49Unlikely you've got an extended family, certainly not one you're close to.
00:17:52So brother it is.
00:17:53Now, Clara, who's Clara?
00:17:54Three kisses says there's a romantic attachment.
00:17:56The phone says wife, not girlfriend.
00:17:58She's also given it to him recently.
00:17:59This month is only six months old.
00:18:01Marriage in trouble, then six months old, he's just given it away.
00:18:03If she'd left him, he would have kept it.
00:18:04People do.
00:18:05Sentiment, no, he wanted rid of it.
00:18:06He left her.
00:18:07He gave the phone to you.
00:18:08That says he wants you to stay in touch.
00:18:09You're looking for cheap accommodation, and you're not going to your brother for help.
00:18:13It says you've got problems with him.
00:18:14Maybe you liked his wife, maybe you don't like his drinking.
00:18:17How can you possibly know about the drinking?
00:18:21Shot in the dark.
00:18:22Good one, though.
00:18:22Power connection, tiny little scarf marks around the edge of it.
00:18:25Every night he goes to plug it in to charge, but his hands are shaking.
00:18:27You never see those marks on a sober man's bone, never see a drunks without them.
00:18:30There you go, you see your wife.
00:18:31I was right.
00:18:32Right about what?
00:18:33The police don't consult amateurs.
00:18:38That was amazing.
00:18:43Do you think so?
00:18:44Of course it was.
00:18:45Extraordinary, it was quite extraordinary.
00:18:47It's not what people normally say.
00:18:48It's not what people normally say.
00:18:49Piss off.
00:19:02Did I get anything wrong?
00:19:04Harry and me don't get on.
00:19:06Never have.
00:19:07Clara and Harry split up.
00:19:09Three months ago, they're getting a divorce.
00:19:12Harry is a drinker.
00:19:13Spot on, then.
00:19:14I didn't expect he'd write about everything.
00:19:15Harry's short for Harriet.
00:19:19Harry's your sister.
00:19:19What exactly am I supposed to be doing here?
00:19:21Sister?
00:19:22No, seriously, what am I doing here?
00:19:24Always something.
00:19:25Hello, freak.
00:19:26I'm here to see Detective Inspector Lestrade.
00:19:28Why?
00:19:30I was invited.
00:19:31Why?
00:19:32I think he wants me to take a look.
00:19:33Well, you know what I think, don't you?
00:19:34Always, Sally.
00:19:36You know you didn't make it home last night.
00:19:39Who's this?
00:19:40A colleague of mine, Dr. Watson.
00:19:41Dr. Watson, Sergeant Sally Donovan.
00:19:44Old friend.
00:19:44A colleague.
00:19:46How do you get a colleague?
00:19:48Did he follow you home?
00:19:49Would it be better if I just waited?
00:19:51No.
00:19:53Freak's here bringing him in.
00:20:03Oh, Anderson.
00:20:04Here we are again.
00:20:06It's a crime scene.
00:20:07I don't want it contaminated.
00:20:08Are we clear on that?
00:20:09Quite clear.
00:20:11And is your wife away for long?
00:20:13Oh, don't pretend you've worked that out.
00:20:14Somebody told you that.
00:20:15Your deodorant told me that.
00:20:17My deodorant?
00:20:18It's for men.
00:20:19Well, of course it's for men.
00:20:20I'm wearing it.
00:20:21So, Sergeant Donovan.
00:20:24I think it just vaporized.
00:20:25May I go in?
00:20:26Now, look.
00:20:26Whatever you're trying to imply...
00:20:28I'm not implying anything.
00:20:29I'm sure Sally came around for a nice little chat
00:20:31and just happened to stay over.
00:20:33And I assume she scrubbed your floors
00:20:35going by the state of her knees.
00:20:47You need to wear one of these.
00:20:48Who's this?
00:20:50He's with me.
00:20:51But who is he?
00:20:52I said he's with me.
00:20:56Aren't you going to put one on?
00:21:00So, where are we?
00:21:02Upstairs.
00:21:03Upstairs.
00:21:06Upstairs.
00:21:09I can give you two minutes.
00:21:12They need longer.
00:21:14Her name's Jennifer Wilson,
00:21:15according to her credit cards.
00:21:16We're running them now
00:21:17for contact details.
00:21:19Hasn't been here long.
00:21:21I'm a kid's founder.
00:21:53Shut up.
00:21:54What are you saying?
00:21:55You were thinking.
00:21:56It's annoying.
00:21:58It's annoying.
00:22:12It's annoying.
00:22:15I can't figure it out.
00:22:17It's annoying.
00:22:19It's annoying.
00:22:20It's ausrykling.
00:22:20It's annoying.
00:22:21I'm a kid.
00:22:21It's annoying.
00:23:22Sorry, obvious?
00:23:24What about the message?
00:23:24Dr. Watson, what do you think?
00:23:26Of the message?
00:23:27Off the body, you're a medical man.
00:23:28No, we have a whole team outside.
00:23:30They won't work with me.
00:23:30I'm breaking every rule letting you in here.
00:23:32Yes, because you need me.
00:23:35Yes, I do.
00:23:38God help me.
00:23:39Dr. Watson.
00:23:42I hope the busy says help yourself.
00:23:47Anderson, keep everyone out for a couple of minutes.
00:23:50Well?
00:23:51What am I doing here?
00:23:52Helping me make a point.
00:23:54I'm supposed to be helping you pay the rent.
00:23:55You want this more fun?
00:23:56Fun?
00:23:57There's a woman lying dead.
00:23:59Perfectly sound analysis, but I was hoping you'd go deeper.
00:24:18Yeah.
00:24:20Asphyxiation.
00:24:21Probably.
00:24:22Passed out.
00:24:22Choked on her own vomit.
00:24:23Can't smell any alcohol on her.
00:24:25Could have been a seizure.
00:24:26Possibly drugs.
00:24:27You know what it was.
00:24:27You've read the papers.
00:24:29Well, she's one of the suicides of the force.
00:24:31She got two minutes, I said.
00:24:32I don't need anything you got.
00:24:34Victim is in her late thirties.
00:24:35Professional person going by her clothes and guessing something in the media,
00:24:38going by the frankly alarming shade of pink.
00:24:40Traveled from Cardiff today, intending to stay in London for one night.
00:24:42It's obvious from the size of a suitcase.
00:24:44A suitcase?
00:24:44A suitcase, yes.
00:24:45She's been married for at least ten years, but not happily.
00:24:48She's had a string of lovers, but none of them knew she was married.
00:24:50Oh, for God's sake.
00:24:51If you're just making this up.
00:24:52Her wedding ring.
00:24:53Ten years old at least.
00:24:54The rest of her jewellery has been regularly cleaned, but not her wedding ring.
00:24:57State of a marriage right there.
00:24:59The inside of the ring is shinier than the outside.
00:25:00That means it's regularly removed.
00:25:01The only polishing it gets is when she works it off her finger.
00:25:04It's not for work.
00:25:05Look at her nails.
00:25:05She doesn't work with her hands.
00:25:06So what, or rather, who does she remove her rings for?
00:25:09Clearly not one lover.
00:25:09She's never sustained the fiction of being single over that amount of time.
00:25:12So more likely a string of them.
00:25:13Simple.
00:25:13It's brilliant.
00:25:14Sorry.
00:25:15Cardiff?
00:25:16It's obvious, isn't it?
00:25:18It's not obvious to me.
00:25:20Dear God.
00:25:20What is it like in your funny little brains?
00:25:22It must be so boring.
00:25:23Her coat.
00:25:24It's slightly damp.
00:25:25She's been in heavy rain in the last few hours.
00:25:26No rain anywhere in London in that time.
00:25:28Under her coat collar is damp too.
00:25:30She's turned it up against the wind.
00:25:31She's got an umbrella in her left hand pocket, but it's dry and unused.
00:25:34Not just wind, strong wind.
00:25:35Too strong to use her umbrella.
00:25:36We know from her suitcase that she was intending to stay overnight, so she must have come a
00:25:39decent distance, but she can't have traveled all the two or three hours because her coat
00:25:42still hasn't dried.
00:25:43So, where has there been heavy rain and strong wind within the radius of that travel time?
00:25:47Cardiff.
00:25:48It's fantastic.
00:25:49Do you know you do that out loud?
00:25:50Sorry, I'll shut up.
00:25:51No, it's fine.
00:25:53Why do you keep saying suitcase?
00:25:54Yes, where is it?
00:25:55She must have had a phone or an organizer.
00:25:58Find out who Rachel is.
00:25:59She was writing Rachel?
00:26:00No, she was leaving an angry note in German.
00:26:02Of course she was writing Rachel.
00:26:03No other word it can be.
00:26:04Question is, why did she wait until she was dying to write it?
00:26:07How do you know she had a suitcase?
00:26:08Back of her right leg, tiny splash marks on the heel and calf, not present on the left.
00:26:11She was dragging a wheeled suitcase behind her with her right hand.
00:26:14Don't get that splash pattern any other way.
00:26:15Smallish case going by this spread.
00:26:17Case that size, woman this clothes conscious.
00:26:19Could only be an overnight bag, so we know she was staying one night.
00:26:21Now where is it?
00:26:22What have you done with it?
00:26:23There wasn't a case.
00:26:27Say that again.
00:26:28There wasn't a case.
00:26:29There was never any suitcase.
00:26:30Suitcase!
00:26:31Did anyone find a suitcase?
00:26:32Was there a suitcase in this house?
00:26:34Sure!
00:26:34There's no case!
00:26:36They take the poison themselves.
00:26:37They chew, swallow the pills themselves.
00:26:39There are clear signs even you lot couldn't miss them.
00:26:40Right, yeah, thanks.
00:26:41And?
00:26:42It's murder.
00:26:43All of them.
00:26:43I don't know how.
00:26:44They're not suicides, they're killings.
00:26:46Serial killings.
00:26:47We got ourselves a serial kill.
00:26:48I love those.
00:26:48There's always something to look forward to.
00:26:50Why are you saying that?
00:26:51A case.
00:26:52Come on, where is her case?
00:26:53Did she eat it?
00:26:54Someone else was here and they took her case.
00:26:57Said the killer must have driven her here.
00:26:59Forgot the case was in the car.
00:27:00She could have checked into a hotel, left her case there.
00:27:02No, she never got to the hotel.
00:27:03Look at her hair.
00:27:04She colour coordinates her lipstick and her shoes.
00:27:06She'd never have left at any hotel with her hair still looking...
00:27:13Sherlock?
00:27:13What is it?
00:27:14What?
00:27:15Serial killers are always hard.
00:27:16We have to wait for them to make a mistake.
00:27:18Can't just wait.
00:27:19No, we're done waiting.
00:27:20Look at her.
00:27:20Really?
00:27:20Look, Houston, we have a mistake.
00:27:22Get on to Cardiff.
00:27:23Find that who Jennifer Wilson's family and friends were.
00:27:25Find Rachel.
00:27:26Of course, yeah.
00:27:26But what mistake?
00:27:29Pink!
00:27:32Let's get on with it.
00:27:36We'll be sitting.
00:27:37All right, let's get on with it.
00:27:43Yeah?
00:27:55Ooh look good.
00:27:58He's closed.
00:27:59MINEET
00:27:59I'm so slow».
00:28:00In the background patients, it's okay.
00:28:00Yeah.
00:28:08He's gone.
00:28:09Sherlock Holmes.
00:28:10Yeah, he just took off. He does that.
00:28:12Is he coming back?
00:28:13Didn't look like it.
00:28:15Right.
00:28:17Okay.
00:28:18Right.
00:28:21Yes.
00:28:21Sorry, where am I?
00:28:24Brixton.
00:28:25Do you know where I could get a cab?
00:28:27It's just...
00:28:29Oh.
00:28:31My leg.
00:28:35Try the main road.
00:28:37Thanks.
00:28:38You're not his friend.
00:28:40He doesn't have friends.
00:28:44So who are you?
00:28:46I'm... I'm nobody.
00:28:47I just met him.
00:28:48Okay, but my advice then stay away from that guy.
00:28:50Why?
00:28:53You know why he's here?
00:28:56He's not paid or anything.
00:28:58He likes it.
00:29:00He gets off on it.
00:29:02I'm weirder the crime the more he gets off it.
00:29:03And you know what?
00:29:06One day just showing up won't be enough.
00:29:08One day we'll be standing around the body and Sherlock Holmes will be the one that put it there.
00:29:11Why would he do that?
00:29:12Because he's a psychopath.
00:29:14Psychopaths get bored.
00:29:16Donovan!
00:29:17Coming!
00:29:21Stay away from Sherlock Holmes.
00:29:24Stay away from Sherlock Holmes.
00:29:33Stay away from Sherlock Holmes.
00:29:51Taxi! Taxi!
00:30:27Hello? There is a security camera on the building to your left. Do you see it?
00:30:36Who's this? Who's speaking? Do you see the camera, Dr. Watson?
00:30:44Yes, sir. Watch. There is another camera on the building opposite you. Do you see it?
00:30:57And finally at the top of the building on your right.
00:31:07How are you doing this?
00:31:08Get into the car, Dr. Watson. I would make some sort of threat, but I'm sure your situation is quite
00:31:15clear to you.
00:31:30Hello?
00:31:32Hi.
00:31:39What's your name then?
00:31:41Uh, Anthea.
00:31:43Is that your real name?
00:31:45No.
00:31:50John.
00:31:50Yes, I know.
00:31:56Any point in asking where I'm going?
00:32:01None at all, John.
00:32:04Okay.
00:32:24Have a seat, John.
00:32:30You know, I've got a phone.
00:32:33It's very clever and all that.
00:32:36But, uh, you could just phone me.
00:32:40On my phone.
00:32:43When one is avoiding the attention of Sherlock Holmes, one learns to be discreet, hence this place.
00:32:49The leg must be hurting you.
00:32:51Sit down.
00:32:52I don't want to sit down.
00:32:54You don't seem very afraid.
00:32:56You don't seem very frightening.
00:32:58Yes.
00:33:00The bravery of the soldier.
00:33:03Bravery is by far the kindest word for stupidity, don't you think?
00:33:06What is your connection to Sherlock Holmes?
00:33:09I don't have one.
00:33:10I barely know him.
00:33:11I met him yesterday.
00:33:14Since yesterday, you've moved in with him and now you're solving crimes together.
00:33:18Might we expect a happy announcement by the end of the week?
00:33:21Who are you?
00:33:22An interested party.
00:33:24Interested in Sherlock? Why?
00:33:25I'm guessing you're not friends.
00:33:27You've met him.
00:33:29How many friends do you imagine he has?
00:33:32I'm the closest thing to a friend that Sherlock Holmes is capable of having.
00:33:35And what's that?
00:33:36An enemy.
00:33:36An enemy?
00:33:37In his mind, certainly.
00:33:39If you were to ask him, he'd probably say his arch enemy.
00:33:42He does love to be dramatic.
00:33:45Well, thank God you're above all that.
00:33:52I hope I'm not distracting you.
00:33:55You're not distracting me at all.
00:33:56Do you plan to continue your association with Sherlock Holmes?
00:33:59I could be wrong, but I think that's none of your business.
00:34:03It could be.
00:34:03You really couldn't.
00:34:05If you do move into, um, 221B Baker Street, I'd be happy to pay you a meaningful sum of money
00:34:17on a regular basis to ease your way.
00:34:20Why?
00:34:21Because you're not a wealthy man.
00:34:23In exchange for what?
00:34:25Information.
00:34:27Nothing indiscreet.
00:34:28Nothing you'd feel uncomfortable with.
00:34:30Just tell me what he's up to.
00:34:32Why?
00:34:33I worry about him constantly.
00:34:37He's nice of you.
00:34:38But I would prefer for various reasons that my concern go unmentioned.
00:34:42We have what you might call a difficult relationship.
00:34:52No.
00:34:53I haven't mentioned a figure.
00:34:54Don't bother.
00:34:55You're very loyal.
00:34:57Very quickly.
00:34:58No, I'm not.
00:34:58I'm just not interested.
00:35:04Trust issues.
00:35:06It says here.
00:35:10What's that?
00:35:11Could it be that you've decided to trust Sherlock Holmes of all people?
00:35:15Who says I trust him?
00:35:16You don't seem the kind to make friends easily.
00:35:18Are we done?
00:35:20You tell me.
00:35:28I imagine people have already warned you to stay away from him, but I can see from your
00:35:32left hand that's not going to happen.
00:35:36My what?
00:35:37Show me.
00:35:49Don't.
00:35:58Remarkable.
00:35:59What is?
00:35:59Most people blunder around this city and all they see are streets and shops and cars.
00:36:06When you walk with Sherlock Holmes, you see the battlefield.
00:36:09You've seen it already, haven't you?
00:36:11What's wrong with my hand?
00:36:12You have an intermittent tremor in your left hand.
00:36:16Your therapist thinks it's post-traumatic stress disorder.
00:36:19She thinks you're haunted by memories of your military service.
00:36:22Who the hell are you?
00:36:24How do you know that?
00:36:25Fire her.
00:36:26She's got it the wrong way around.
00:36:28You're under stress right now and your hand is perfectly steady.
00:36:33You're not haunted by the war, Dr. Watson.
00:36:37You'll miss it.
00:36:41Welcome back.
00:36:47Time to choose a side, Dr. Watson.
00:36:59I have to take you home.
00:37:10Dress?
00:37:11Uh, Baker Street.
00:37:14221B, Baker Street.
00:37:16Well, I need to stop off somewhere first.
00:37:44Listen, you're both engines.
00:37:46You could not tell him this is where I went.
00:37:48You could not tell him this is where I went.
00:37:48Sure.
00:37:49You've told him already, haven't you?
00:37:51Yeah.
00:37:55Hey, um, do you ever get any free time?
00:37:59Oh yeah, lots.
00:38:06Bye.
00:38:07Bye.
00:38:16Bye.
00:38:34What are you doing?
00:38:36Nicotine patch.
00:38:38Helps me think.
00:38:40Impossible to sustain a smoking habit in London these days.
00:38:43Bad news for brain work.
00:38:45There's good news for breathing.
00:38:46Oh, breathing.
00:38:47Breathing's boring.
00:38:48Is that three patches?
00:38:49It's a three patch problem.
00:38:55Well.
00:38:58You've asked me to come, I'm assuming it's important.
00:39:02Oh, yeah, of course.
00:39:03Can I borrow your phone?
00:39:05My phone?
00:39:05Don't want to use mine.
00:39:06Always a chance the number will be recognised.
00:39:08It's on the website.
00:39:08Mrs. Hudson's got a phone.
00:39:09Yeah, she's downstairs.
00:39:10I tried shouting but she didn't hear.
00:39:11I was the other side of London.
00:39:13There's no hurry.
00:39:17Here.
00:39:23So this is about the case.
00:39:25Her case.
00:39:26Her case?
00:39:27A suitcase, yes, obviously.
00:39:29The murderer took her suitcase.
00:39:30First big mistake.
00:39:32Okay, he took her case, sir.
00:39:34There's no use.
00:39:35There's no other way.
00:39:35We'll have to risk it.
00:39:37On my desk.
00:39:38There's a number.
00:39:38I want you to send a text.
00:39:42You've brought me here to send a text?
00:39:44Text, yes.
00:39:45The number on my desk.
00:39:57What's wrong?
00:39:58Just met a friend of yours.
00:40:00A friend?
00:40:00An enemy.
00:40:02Oh.
00:40:02Which one?
00:40:04Your arch enemy, according to him.
00:40:06Do people have arch enemies?
00:40:09Did he offer you money to spy on me?
00:40:12Yes.
00:40:13Did he take it?
00:40:14No.
00:40:14A pity we could have split the fee.
00:40:16Think it through next time.
00:40:18Who is he?
00:40:19The most dangerous man you've ever met are not my problem right now.
00:40:21On my desk, the number.
00:40:30Jennifer Wilson.
00:40:30That was...
00:40:32Hang on.
00:40:32Wasn't that the dead woman?
00:40:33Yes.
00:40:34That's not important.
00:40:35Just enter the number.
00:40:36Are you doing it?
00:40:37Yes.
00:40:38Have you done it?
00:40:39Yes.
00:40:39Hang on!
00:40:41These words exactly.
00:40:43What happened?
00:40:44At Lauriston Gardens.
00:40:46I must have blacked out.
00:40:4922 Northumberland Street.
00:40:51Please go.
00:40:52You blacked out?
00:40:52What?
00:40:53No.
00:40:55Type and send it.
00:40:56Quickly.
00:41:02Have you sent it?
00:41:03What's the address?
00:41:0422 Northumberland Street.
00:41:05Hurry up.
00:41:13That's...
00:41:15That's the pink lady's case.
00:41:16That's Jennifer Wilson's case.
00:41:18Yes, obviously.
00:41:21Oh, perhaps I should mention I didn't kill her.
00:41:24I never said you did.
00:41:25Why not, given the text I just had you send her?
00:41:26The fact that I have her case is a perfectly logical assumption.
00:41:28Do people usually assume you're the murderer?
00:41:32Now and then, yes.
00:41:34Okay.
00:41:37How did you get this?
00:41:39By looking.
00:41:40Where?
00:41:40The killer must have driven her to Lauriston Gardens.
00:41:42He could only keep her case by accident if it was in a car.
00:41:45Nobody could be seen with this case without drawing attention to themselves,
00:41:48particularly a man which is statistically more likely.
00:41:50So obviously he feels compelled to get rid of it the moment he noticed he still had it.
00:41:53It wouldn't have taken him more than five minutes to realize his mistake.
00:41:56I checked every back street wide enough for a car five minutes from Lauriston Gardens,
00:41:59and anywhere you could dispose of a bulky object without being observed.
00:42:04Took me less than an hour to find the right to skip.
00:42:08Pink, you've got all that because you realized the case would be pink.
00:42:11Well, it'd be pink, obviously.
00:42:12Why didn't I think of that?
00:42:13Because you're an idiot.
00:42:14No, no, no.
00:42:15Don't be like that.
00:42:15Practically everyone is.
00:42:17Now, look.
00:42:18Do you see what's missing?
00:42:19From the case?
00:42:20How could I?
00:42:21Her phone.
00:42:22Where's her mobile phone?
00:42:23There was no phone on the body.
00:42:24There's no phone in the case.
00:42:25We know she had one.
00:42:26That's her number there.
00:42:26You just texted her.
00:42:27Maybe she left it at home.
00:42:28She has a string of lovers and she's careful about it.
00:42:31She never leaves her phone at home.
00:42:36Why did I just send that text?
00:42:38Well, the question is, where is her phone now?
00:42:41You could have lost it?
00:42:41Yes.
00:42:43Or...
00:42:44The murderer.
00:42:45You think the murderer has the phone?
00:42:48Maybe she left it when she left her case.
00:42:50Maybe he took it from her for some reason.
00:42:53Either way, balanced probability is the murderer has her phone.
00:42:56Sorry.
00:42:57What are we doing?
00:42:58Did I just text a murderer?
00:42:59What good will that do?
00:43:03A few hours after his last victim and now he receives a text that can only be from her.
00:43:10If somebody just found that phone, they'd ignore a text like that.
00:43:12But the murderer...
00:43:14would panic.
00:43:18Have you talked to the police?
00:43:19Four people are dead.
00:43:20There isn't time to talk to the police.
00:43:21So why are you talking to me?
00:43:23Mrs Hudson took my skull.
00:43:26So I'm basically filling in for your skull?
00:43:27Relax, you're doing fine.
00:43:29Well?
00:43:30Well what?
00:43:31Well...
00:43:31You could just sit there and watch telly.
00:43:33You want me to come with you?
00:43:34I like company when I go out and I think better when I talk aloud.
00:43:38The skull just attracts attention, so...
00:43:40Problem?
00:43:41Yeah, Sergeant Donovan.
00:43:43What about her?
00:43:44She said, you get off on this, you enjoy it.
00:43:48And I said dangerous, and here you are.
00:43:55Damn it.
00:44:04Where are we going?
00:44:05Well, Summerlin Street's a five minute walk from here.
00:44:07You think he's stupid enough to go there?
00:44:09No, I think he's brilliant enough.
00:44:10I love the brilliant ones, I'm so desperate to get caught.
00:44:13Why?
00:44:15Appreciation.
00:44:15Applause.
00:44:16At long last the spotlight.
00:44:18Frailty of genius, John.
00:44:19It needs an audience.
00:44:21Yeah?
00:44:22This is his hunting ground.
00:44:23Right here in the heart of the city.
00:44:25Now that we know his victims were abducted, that changes everything.
00:44:28Because all of his victims disappeared from busy streets, crowded places, but nobody saw them well.
00:44:34Think!
00:44:35Who do we trust, even though we don't know them?
00:44:37Who passes unnoticed, wherever they go?
00:44:40Who hunts in the middle of a crowd?
00:44:43I don't know who.
00:44:44I'm the faintest.
00:44:45Hungry?
00:44:50Thank you, Billy.
00:44:5522 Northumberland Street.
00:44:56Keep your eyes on it.
00:44:59He's not just going to ring the doorbell though, is he?
00:45:01I need to be mad.
00:45:02He has killed four people.
00:45:05Okay.
00:45:08Sherlock.
00:45:08Anything on the menu, whatever you want, free.
00:45:11On the house for you and for your date.
00:45:13Do you want to eat?
00:45:14I'm not his date.
00:45:15This man got me off a murder charge.
00:45:16He's Angelo.
00:45:17Three years ago he successfully proved to Lestrade at the time of a particularly vicious triple murder that Angelo is
00:45:22in a completely different part of townhouse breaking.
00:45:24You cleared my name?
00:45:25I cleared it a bit.
00:45:25Anything happening opposite?
00:45:27Nothing.
00:45:28But for this man, I'd have gone to prison.
00:45:30You did go to prison.
00:45:31I'll get a candle for the table.
00:45:32Small romantic.
00:45:33I'm not his date.
00:45:36You may as well eat.
00:45:37We might have a long wait.
00:45:40Thanks.
00:45:48People don't have arch enemies.
00:45:51Sorry?
00:45:52In real life.
00:45:53There are no arch enemies in real life.
00:45:55Doesn't happen.
00:45:56Doesn't it?
00:45:57Sounds a bit dull.
00:45:58So who did I meet?
00:46:00What do real people have then in their real lives?
00:46:04Friends?
00:46:05People they know, people they like, people they don't like.
00:46:10Girlfriends?
00:46:10Boyfriends?
00:46:11Well, as I was saying, dull.
00:46:13You don't have a girlfriend then?
00:46:15Girlfriend?
00:46:16No.
00:46:16Not really my area.
00:46:20All right.
00:46:22Do you have a boyfriend?
00:46:23Which is fine by the way.
00:46:25I know it's fine.
00:46:28So you've got a boyfriend?
00:46:29No.
00:46:29Right.
00:46:30Okay.
00:46:32You're unattached.
00:46:34Like me.
00:46:36Come in.
00:46:37Good.
00:46:46John, I think you should know that I consider myself married to my work.
00:46:49While I'm flattered by your interest, I'm really not looking for anything.
00:46:52No.
00:46:52I'm not asking.
00:46:54No.
00:46:55I'm just saying, it's all fine.
00:47:00Good.
00:47:06Look across the street.
00:47:07Taxi.
00:47:08Stopped.
00:47:09Nobody getting in.
00:47:10Nobody getting out.
00:47:12Why taxi?
00:47:14Oh, that's clever.
00:47:15Is it clever? Why is it clever?
00:47:16That's him.
00:47:17Don't stare.
00:47:18Well, you're staring.
00:47:19We can't both stare.
00:47:43Sorry.
00:47:44I've got the cab number.
00:47:46Good for you.
00:47:48Right turn.
00:47:48One way.
00:47:49Road work.
00:47:49Traffic lights.
00:47:50Bus light.
00:47:50Pedestrian crossing.
00:47:51Left turn only.
00:47:51Traffic lights.
00:47:58Sorry.
00:48:08Come on, John.
00:48:26Come on, John.
00:48:28We're losing.
00:48:28We're losing him.
00:48:54Oh.
00:48:56This way.
00:48:57No.
00:48:58This way.
00:48:59Sorry.
00:49:24Police.
00:49:24Open it up.
00:49:29No.
00:49:30Teeth turn.
00:49:31What?
00:49:31Californian?
00:49:33LA.
00:49:34Santa Monica.
00:49:35Just arrived.
00:49:36How could you possibly know that?
00:49:37The luggage.
00:49:39Probably your first trip to London, right?
00:49:41Going by your final destination and the route the cabbie was taking you.
00:49:44Sorry.
00:49:45Are you guys the police?
00:49:46Yeah.
00:49:47Everything all right?
00:49:49Yeah.
00:49:51Welcome to London.
00:49:55Any problems?
00:49:56Just let us know.
00:50:00Basically just a cab that happened to slow down.
00:50:02Basically.
00:50:03Not the murderer.
00:50:04Not the murderer, no.
00:50:05Wrong country.
00:50:06Good alibi.
00:50:07As they go.
00:50:08Where did you get this?
00:50:10Detective Inspector Lestrade.
00:50:11Yeah.
00:50:12I'd pickpocket him when he's annoying.
00:50:14You can keep that when I've got plenty at the flat.
00:50:19What?
00:50:19Nothing.
00:50:20Just welcome to London.
00:50:25Got your breath back?
00:50:26Ready when you are.
00:50:33Okay.
00:50:36That was ridiculous.
00:50:37That was the most ridiculous thing I've ever done.
00:50:41And you invaded Afghanistan.
00:50:45That wasn't just me.
00:50:47Why aren't we back at the restaurant?
00:50:48Keep it out.
00:50:50It was a long shot anyway.
00:50:52So what were we doing there?
00:50:57Oh, just passing the time.
00:50:59And proving a point.
00:51:00What point?
00:51:01You.
00:51:02Mrs. Hudson.
00:51:03Dr. Watson will take the room upstairs.
00:51:06Says who?
00:51:07Says the man at the door.
00:51:19Sherlock texted me.
00:51:20He said you forgot this.
00:51:26Uh, thank you.
00:51:30Sherlock, what have you done?
00:51:31Mrs. Hudson.
00:51:32Upstairs.
00:51:39What are you doing?
00:51:40Well, I knew you'd find a case.
00:51:41I'm not stupid.
00:51:41You can't just break into my flat.
00:51:43You can't withhold evidence.
00:51:44And I didn't break into your flat.
00:51:45Well, what do you call this then?
00:51:47It's a drugs bust.
00:51:49Seriously.
00:51:50This guy.
00:51:50A junkie.
00:51:51Have you met him?
00:51:52John.
00:51:53I'm pretty sure you could search this flat all day.
00:51:55You wouldn't find anything you could call recreation.
00:51:56John, you probably want to shut up.
00:51:58No.
00:51:58Yeah, but come on.
00:52:01No.
00:52:01What?
00:52:02You.
00:52:03Shut up.
00:52:04I'm not your sniffer dog.
00:52:05No, Anderson's my sniffer dog.
00:52:07What?
00:52:08Anderson, what are you doing here on a drugs bust?
00:52:10Oh, I volunteered.
00:52:12They all did.
00:52:12They're not strictly speaking on the drug squad, but they're very keen.
00:52:15Are these human eyes?
00:52:16Put those back.
00:52:17They were in the microwave.
00:52:18It's an experiment.
00:52:19Keep looking, guys.
00:52:20Or you could start helping us properly and I'll stand them down.
00:52:23Shut up, this s***.
00:52:23I'm dealing with a child.
00:52:25Sherlock, this is our case.
00:52:26I'm letting you in, but you do not go off on your own.
00:52:29Clear?
00:52:29A what?
00:52:30So you set up a pretend drugs bust to bully me?
00:52:32It stops being pretend if they find anything.
00:52:34I am clean.
00:52:35Is your flat all of it?
00:52:38Don't even smoke.
00:52:40Neither do I.
00:52:43So let's work together.
00:52:45We found Rachel.
00:52:47Who is she?
00:52:47Jennifer Wilson's only daughter.
00:52:48A daughter?
00:52:50Why would she write her daughter's name?
00:52:52Why?
00:52:53Never mind that.
00:52:53We found the case.
00:52:55According to someone, the murderer has the case.
00:52:57And we found it in the hands of our favourite psychopath.
00:53:00I'm not a psychopath, Anderson.
00:53:01I'm a high-functioning sociopath.
00:53:02Do your research.
00:53:03You need to bring Rachel in.
00:53:04You need to question her.
00:53:04I need to question her.
00:53:06She's dead.
00:53:06Excellent.
00:53:06Tell them why.
00:53:07Is there a connection?
00:53:08There has to be.
00:53:08I doubt it since she's been dead for 14 years.
00:53:11Technically, she was never alive.
00:53:13Rachel was Jennifer Wilson's stillborn daughter 14 years ago.
00:53:17No.
00:53:17That's...
00:53:19That's not right.
00:53:20How...
00:53:21Why would she do that?
00:53:22Why?
00:53:23Why would she think of her daughter in her last moments?
00:53:25Yup.
00:53:26Sociopath.
00:53:26Seeing it now.
00:53:27She didn't think about her daughter.
00:53:28She scratched her name on the floor with her fingernails.
00:53:31She was dying.
00:53:32It took effort.
00:53:33It would have hurt.
00:53:34You said that the victims all took the poison themselves.
00:53:37That he makes them take it.
00:53:39Well, maybe he...
00:53:40I don't know.
00:53:41Talks to them.
00:53:42Maybe he used the death of her daughter somehow.
00:53:44Yeah, but that was ages ago.
00:53:45Why would she still be upset?
00:53:50Not good?
00:53:51A bit not good, yeah.
00:53:53Yeah, but if you were dying, if you'd been murdered in your very last few seconds, what
00:53:56would you say?
00:53:57Please, God, let me live.
00:53:58Use your imagination.
00:54:00I don't have to.
00:54:02Yeah, but if you were clever.
00:54:03Really clever.
00:54:04Jennifer Wilson running all those lovers, she was clever.
00:54:05She's trying to tell us something.
00:54:07Isn't the doorbell working?
00:54:08Your taxi's here, Shirley.
00:54:10Order a taxi.
00:54:10Go away.
00:54:11Oh, dear.
00:54:12They're making such a mess.
00:54:13What are they looking for?
00:54:14It's a drugs bust, Mrs Hudson.
00:54:16Are they just for my hip?
00:54:17They're herbal soothers.
00:54:18Shut up, everybody.
00:54:19Shut up.
00:54:20Don't move.
00:54:20Don't speak.
00:54:21Don't breathe.
00:54:21I'm trying to think.
00:54:22Anderson, face the other way.
00:54:23You're putting me off.
00:54:23What?
00:54:24My face is.
00:54:25Everybody quiet and still.
00:54:26Anderson, turn your back.
00:54:27Oh, for God's sake.
00:54:28Get back now, please.
00:54:30Come on, think.
00:54:30Quick.
00:54:31What about your taxi?
00:54:31Mrs Hudson.
00:54:35Oh.
00:54:37Oh.
00:54:39She was clever.
00:54:40Clever, yes.
00:54:42She's cleverer than you lot, and she's dead.
00:54:45Do you see?
00:54:45Do you get it?
00:54:46She didn't lose her phone.
00:54:47She never lost it.
00:54:48She planted it on him.
00:54:49When she got out of the car, she knew that she was going to her death.
00:54:52She left the phone in order to lead us to her killer.
00:54:55How?
00:54:57What do you mean how?
00:54:59Rachel!
00:55:01Did you see?
00:55:02Rachel!
00:55:03Did you see?
00:55:06Look at you lot.
00:55:07You're all so vacant.
00:55:08Is it nice not being me?
00:55:09It must be so relaxing.
00:55:11Rachel is not a name.
00:55:12Then what is it?
00:55:13John, on the luggage, there's a label.
00:55:14Email address.
00:55:18Jenny.pink at mephone.org.uk.
00:55:21I've been too slow.
00:55:22She didn't have a laptop, which means she did her business on her phone.
00:55:24So it's a smartphone.
00:55:25It's email enabled.
00:55:26So there was a website for her account.
00:55:28The username is her email address, and altogether now the password is...
00:55:31Rachel.
00:55:32So we can read her emails.
00:55:33So what?
00:55:33Anderson, don't talk out loud.
00:55:35You lower the IQ of the whole street.
00:55:36We can do much more than just read her emails.
00:55:38It's a smartphone.
00:55:38It's got GPS.
00:55:39Which means if you lose it, you can locate it online.
00:55:41She's leading us directly to the man who killed her.
00:55:44Unless he got rid of it.
00:55:45We know he didn't.
00:55:46Come on.
00:55:46Come on.
00:55:46Quickly.
00:55:47Sherlock, dear.
00:55:48This taxi driver.
00:55:49Oh, Mrs. Hudson, isn't it time for your evening suit, though?
00:55:53Get vehicles.
00:55:53Get a helicopter.
00:55:54We're going to have to move faster.
00:55:56Whatever.
00:55:56We'll just have a map reference, not a name.
00:55:58It's a start.
00:55:59Sherlock.
00:55:59No, it's a time for just anyone in London.
00:56:01It's the first proper leave that we've had.
00:56:02Sherlock.
00:56:03Where is it quickly?
00:56:04Where?
00:56:05It's here.
00:56:06It's in 221 Baker Street.
00:56:10I'm going to be here.
00:56:12How?
00:56:13Well, maybe it was in the case when you brought it back, and it fell out.
00:56:17Somewhere.
00:56:17Well, I didn't notice it.
00:56:18Me.
00:56:19I didn't notice it.
00:56:20Anyway, we texted him and he called back.
00:56:21Guys, we're also looking for a mobile somewhere here.
00:56:25Who do we trust?
00:56:26Even if we don't know them.
00:56:36Who passes unnoticed wherever they go?
00:56:43Who hunts in the middle of a crowd?
00:56:45Who hunts in the middle of a crowd?
00:56:45Not at all.
00:57:14MONKEY
00:57:20Sherlock, you okay?
00:57:22What?
00:57:23Yeah, yeah, I'm fine.
00:57:25So how can the phone be here?
00:57:27Dunno.
00:57:28I'll try it again.
00:57:29Good idea.
00:57:30Where are you going?
00:57:31Fresh air.
00:57:32Just hopping outside for a moment.
00:57:34Won't be long.
00:57:35You sure you're all right?
00:57:36I'm fine.
00:57:47Taxi for Sherlock Holmes.
00:57:51I didn't order a taxi.
00:57:53Doesn't mean you don't need one.
00:57:56You're the cabbie.
00:57:59The one who stopped outside Northumberland Street.
00:58:05It was you, not your passenger.
00:58:08See, no one ever thinks about the cabbie.
00:58:11It's like you're invisible.
00:58:13Just the back of an head.
00:58:15Proper advantage for a serial killer.
00:58:20Is this a confession?
00:58:21Oh, yeah.
00:58:23I'll tell you what else.
00:58:25If you call the coppers now, I won't run.
00:58:28I'll sit quiet and they can take me down, I promise.
00:58:31Why?
00:58:32Because you're not going to do that.
00:58:34I might not.
00:58:37I didn't kill those four people, Mr. Holmes.
00:58:40I spoke to them.
00:58:42And they killed themselves.
00:58:45And if you get the coppers now, I'll promise you one thing.
00:58:49I will never tell you what I said.
00:58:57No one else will die, though, and I believe they call that a result.
00:59:00And you won't ever understand how those people died.
00:59:04What kind of result do you care about?
00:59:21If I wanted to understand, what would I do?
00:59:25Let me take you for a ride.
00:59:27So you can kill me, too?
00:59:28I don't want to kill you, Mr. Holmes.
00:59:31I'm going to talk to you.
00:59:34And then you're going to kill yourself.
00:59:53He just got in a cab.
00:59:54It's Sherlock.
00:59:55He just drove off in a cab.
00:59:56I told you, he does that.
00:59:58He bloody left again.
00:59:59We're wasting our time!
01:00:01I'm calling the phone.
01:00:03It's ringing out.
01:00:14Look, it's ringing.
01:00:15It's not here.
01:00:16I'll try the search again.
01:00:17Does it matter?
01:00:18Does any of it?
01:00:20He's just a lunatic, and he'll always let you down,
01:00:22and you're wasting your time.
01:00:23All our time.
01:00:31Okay, everybody.
01:00:33Done here.
01:00:36How did you find me?
01:00:38Oh, I recognized you.
01:00:41As soon as I saw you chasing my cab.
01:00:44Sherlock Holmes.
01:00:47I was warned about you.
01:00:49I've been on your website, too.
01:00:51Brilliant stuff.
01:00:52Loved it.
01:00:53He warned you about me.
01:00:55There's someone out there who's noticed you.
01:00:58Who?
01:01:06Who would notice me?
01:01:08You're too modest, Mr. O.
01:01:09I'm really not.
01:01:11You've got yourself a fan.
01:01:13Tell me more.
01:01:15That's all you're going to know.
01:01:18In this lifetime.
01:01:20Why did he do that?
01:01:21Where did he have to leave?
01:01:23You know him better than I do.
01:01:25I've known him for five years.
01:01:27I never doubt.
01:01:29So why do you put up with him?
01:01:31Because I'm desperate, that's why.
01:01:35Because Sherlock Holmes is a great man.
01:01:38And I think one day,
01:01:40if you're very, very lucky,
01:01:42you might even be a good one.
01:02:02Where are we?
01:02:05You know every street in London.
01:02:07You know exactly where we are.
01:02:08Ronan Kerr further education college.
01:02:11Why here?
01:02:12It's open.
01:02:13Cleaners are in.
01:02:15One thing about being a cabbie,
01:02:17you always know a nice, quiet spot for a murder.
01:02:19I'm surprised more of us don't branch it out.
01:02:22And you just walk your victims in, how?
01:02:27Oh, darling.
01:02:28Don't worry, it gets better.
01:02:31Can't make people take their own lives at gunpoint.
01:02:33I don't.
01:02:34It's much better than now.
01:02:37Don't need this with you,
01:02:38because you'll follow me.
01:03:08Don't need this with you.
01:03:28What do you think?
01:03:31It's up to you.
01:03:33You're the one who's going to die here.
01:03:37No, I'm not.
01:03:38That's what they all say.
01:03:41Shall we talk?
01:03:56A bit risky, wasn't it?
01:03:59Took me away under the eye of about half a dozen policemen.
01:04:01They're not that stupid.
01:04:03And Mrs. Hudson will remember you.
01:04:06Call that a risk?
01:04:07Nah.
01:04:08This is a risk.
01:04:17Oh, I like this bit.
01:04:20Actually, you don't get it yet, do you?
01:04:23What you're about.
01:04:26I'll just have to do this.
01:04:33You weren't expecting that, were you?
01:04:36Oh, you're going to love this.
01:04:37Love what?
01:04:39Sherlock Holmes.
01:04:40Look at you.
01:04:42Here in the flesh.
01:04:44That website of yours.
01:04:46Your fan told me about it.
01:04:47My fan.
01:04:49You are brilliant.
01:04:51You are a proper genius.
01:04:53The science of deduction.
01:04:56Now that is proper thinking.
01:05:00Between you and me sitting here, why can't people think?
01:05:04Don't it make you mad?
01:05:07Why can't people just think?
01:05:13Oh, I see.
01:05:14So you're a proper genius, too.
01:05:17Don't look it, do I?
01:05:19Funny little man driving a cab.
01:05:22But you know better in a minute.
01:05:25Chances are I'll be the last thing you ever know.
01:05:29Okay, two bottles.
01:05:31Explain.
01:05:32There's a good bottle and a bad bottle.
01:05:34You take the pill from the good bottle you live.
01:05:37Take the pill from the bad bottle.
01:05:39You die.
01:05:41Both bottles are, of course, identical.
01:05:42In every way.
01:05:43And you know which is which?
01:05:44Of course I know.
01:05:45But I don't.
01:05:46Wouldn't be a game if you knew.
01:05:47You're the one who chooses.
01:05:49Why should I?
01:05:49I've got nothing to go on.
01:05:51What's in it for me?
01:05:53I haven't told you the best bit yet.
01:05:56Whatever bottle you choose,
01:05:58I take the pill from the other one.
01:06:00And then together,
01:06:02we take our medicine.
01:06:06I won't cheat.
01:06:07It's your choice.
01:06:09I'll take whatever pill you don't.
01:06:14Didn't expect that, did you, Mr. Holmes?
01:06:17This is what you did to the rest of them.
01:06:19You gave them a choice.
01:06:20And now I'll give it you one.
01:06:23You take your time.
01:06:25Get yourself together.
01:06:27I want your best game.
01:06:28It's not a game, it's a chance.
01:06:30I've played four times.
01:06:31I'm alive.
01:06:33It's not a chance, Mr. Holmes.
01:06:35It's chess.
01:06:37It's a game of chess.
01:06:38It's a game of chess with one move and one survivor.
01:06:44This, this is the move.
01:06:56I'll just give you the good bottle or the bad bottle.
01:06:59You can choose either one.
01:07:04Detective Inspector Lestrade,
01:07:05I need to speak to him.
01:07:06It's important.
01:07:07It's an emergency.
01:07:09Left here, please.
01:07:10Left here.
01:07:21You ready yet, Mr. Holmes?
01:07:24Ready to play?
01:07:25Play what?
01:07:26It's a 50-50 chance.
01:07:27You're not playing the numbers, you're playing me.
01:07:32I'll just give you the good pill or the bad pill.
01:07:35Is it a bluff?
01:07:37Or a double bluff?
01:07:38Or a triple bluff?
01:07:39Still just chance.
01:07:40Four people in a row is not chance.
01:07:42Luck.
01:07:42It's genius.
01:07:45I know how people think.
01:07:47I know how people think.
01:07:49I think.
01:07:50I can see it all like a map inside my head.
01:07:54Everyone's so stupid, even you.
01:07:56Or maybe God just loves me.
01:08:01Either way, you're wasted as a cabbie.
01:08:12So.
01:08:14You risked your life four times just to kill strangers.
01:08:17Why?
01:08:19Time to play.
01:08:20Oh, I am playing.
01:08:22This is my turn.
01:08:24There's shaving foam behind your left ear.
01:08:26Nobody's pointed it out to you.
01:08:28Traces of where it's happened before, so obviously you live on your own.
01:08:31There's no one to tell you.
01:08:32But there's a photograph of children.
01:08:33The children's mother's been cut out of the picture.
01:08:35If she died, she'd still be there.
01:08:37Photograph's old, but the frame's new.
01:08:38You think of your children, but you don't get to see them.
01:08:41Strange father.
01:08:43She took the kids.
01:08:44But you still love them, and it still hurts.
01:08:49Barber as well.
01:08:51Your clothes recently laundered.
01:08:54But everything you're wearing is at least three years old.
01:08:57Keeping up appearances.
01:08:58We're not planning ahead.
01:09:01And here you are, in a kamikaze.
01:09:03You've noticed me.
01:09:03What's that about?
01:09:08Ah.
01:09:10Three years ago.
01:09:11Is that when they told you?
01:09:12Told me what?
01:09:14That you're a dead man walking.
01:09:16So are you.
01:09:17You don't have long, though.
01:09:18Am I right?
01:09:21Aneurysm.
01:09:22Right in here.
01:09:26Any breath could be my last.
01:09:28And because you're dying, you've just murdered four people.
01:09:31I've outlived four people.
01:09:35That's the most fun you can have of an aneurysm.
01:09:38No.
01:09:40No, there's something else.
01:09:42You didn't just kill four people because your bitter bitterness is a paralytic.
01:09:46Love is a much more vicious motivator.
01:09:51Somehow, this is about your children.
01:09:53Oh.
01:09:57You are good, aren't you?
01:09:58But how?
01:10:00When I die, they won't get much, my kids.
01:10:05Not a lot of money in driving cabs.
01:10:07Or serial killer.
01:10:08You'd be surprised.
01:10:10Surprise me.
01:10:13I have a sponsor.
01:10:15You have a what?
01:10:16For every life I take, money goes to my kids.
01:10:19The more I kill, the better off they'll be.
01:10:24You see?
01:10:25It's nicer than you think.
01:10:26I'd sponsor a serial killer.
01:10:28You'd be a fan of Sherlock Holmes.
01:10:34You're not the only one to enjoy a good murder.
01:10:36There's others out there just like you, except you're just a man.
01:10:41And there's so much more than that.
01:10:45What do you mean?
01:10:47More than a man?
01:10:50An organization what?
01:10:52There's a name.
01:10:53No one says.
01:10:55And I'm not going to say it either.
01:10:58Now, enough chatter.
01:11:02Time to choose.
01:11:08Sherlock!
01:11:14Sherlock!
01:11:15What if I don't choose either?
01:11:17I could just walk out of here.
01:11:22You can take a 50-50 chance.
01:11:25Or I can shoot you in the head.
01:11:28Funny enough, no one's ever gone for that option.
01:11:32I'll have the gun, please.
01:11:35Are you sure?
01:11:37Definitely.
01:11:38The gun.
01:11:40You don't want to phone a friend?
01:11:42The gun.
01:11:49I know a real gun when I see one.
01:11:52Not many others did.
01:11:54Clearly.
01:11:55Well, this has been very interesting.
01:11:59I look forward to the court case.
01:12:04Just before you go, did you figure it out?
01:12:08Which one's the good ball?
01:12:10Of course.
01:12:11Child's play.
01:12:13Which one?
01:12:15Which one would you have picked?
01:12:17Just so I know whether I could have beaten you.
01:12:20Come on.
01:12:22Play the game.
01:12:37Oh.
01:12:39Interesting.
01:12:48So, what do you think?
01:12:51Shelby?
01:12:55Really, what do you think?
01:12:59You beat me?
01:13:02Clever enough?
01:13:05To bet your life?
01:13:21I bet you get bored, don't you?
01:13:24I know you do.
01:13:26A man like you.
01:13:28So clever.
01:13:30Well, what's the point of being clever, if you can't prove it?
01:13:35Still the addict.
01:13:38But this, this is what you're really addicted to.
01:13:44You do anything, you do anything, anything at all, to stop being bored.
01:13:51You're not bored now, are you?
01:13:55You do anything, you do anything, you do anything, you do anything, you do anything...
01:14:09I was alright.
01:14:11I was, wasn't I?
01:14:13Did I get it right?
01:14:17I was...
01:14:19Tell me this.
01:14:21Your sponsor.
01:14:22Who was it?
01:14:24The one who told you about me, my fan.
01:14:26I want a name.
01:14:27No.
01:14:29You're dying, but there's still time to hurt you.
01:14:32Give me a name.
01:14:36A name
01:14:37Now
01:14:38A name
01:14:42Mariotti
01:15:06Why have I got this blanket?
01:15:07They keep putting this blanket on me
01:15:08Yeah, it's for shock
01:15:09I'm not in shock
01:15:10Yeah, but some of the guys want to take photographs
01:15:14So the shooter, no sign?
01:15:16Cleared off before we got here
01:15:17Well, a guy like that would have had enemies, I suppose
01:15:19One of them could have been following him, but
01:15:22Got nothing to go on
01:15:24Oh, I wouldn't say that
01:15:27Okay, gimme
01:15:29The bullet they just dug out of the wall is from a handgun
01:15:31Kill shot over that distance from that kind of a weapon
01:15:33That's a crack shot you're looking for
01:15:35But not just a marksman
01:15:36The fighter's hands couldn't have shaken at all
01:15:37So clearly he's acclimatized to violence
01:15:39He didn't find until I was in immediate danger, though
01:15:41It's a strong moral principle
01:15:43You're looking for a man probably with a history of military service
01:15:45And nerves of steel
01:15:54Actually, do you know what?
01:15:55Ignore me
01:15:55Sorry?
01:15:56Ignore all of that
01:15:57It's just the shock talking
01:15:59Where are you going?
01:16:00I just need to talk about the grand
01:16:02I've still got questions for you
01:16:03Oh, what? No
01:16:03I'm in shock
01:16:04Look, I've got a blanket
01:16:05Sherlock
01:16:06And I just caught you a serial killer
01:16:09More or less
01:16:12Okay
01:16:13We'll put you in tomorrow if you go
01:16:23Sergeant Donovan's just been explaining everything
01:16:26Two pills
01:16:29Dreadful business, isn't it?
01:16:30Dreadful
01:16:32Good shot
01:16:34Yes
01:16:34Yes, must have been
01:16:35Through that window
01:16:36Well, you'd know
01:16:39You'd get the powder burns out of your fingers
01:16:41I don't suppose you'd serve time for this
01:16:42But let's avoid the court case
01:16:45Are you all right?
01:16:46Yes, of course I'm all right
01:16:47You have just killed a man
01:16:48Yes, sir
01:16:52It's true, isn't it?
01:16:55But he wasn't a very nice man
01:16:58No
01:16:58No, he wasn't really, was he?
01:17:00No, frankly
01:17:00A bloody awful cabbie
01:17:03That's true
01:17:03He was a bad cabbie
01:17:04Should have seen the route he took us to get here
01:17:07Stop
01:17:07You can't giggle, it's a crime scene
01:17:09Stop it
01:17:09You're the one who shot him
01:17:10I mean
01:17:10Keep your voice now
01:17:12Sorry, it's just nerves
01:17:13Sorry
01:17:15You were going to take that damn pill, weren't you?
01:17:17Course I wasn't
01:17:19Biding my time
01:17:21Knew you'd turn up
01:17:22But you didn't
01:17:24Tell you, you get your kicks, isn't it?
01:17:25You risk your life to prove you're clever
01:17:26Why would I do that?
01:17:28Because you're an idiot
01:17:31Dinner
01:17:32Starving
01:17:33End of Baker Street
01:17:34There's a good Chinese
01:17:35Stay safe until two
01:17:36You must have a good Chinese bank
01:17:37Something with the bottom third of the door handle
01:17:38Sherlock
01:17:39That's him
01:17:40That's the man I was talking to you about
01:17:41I know exactly who that is
01:17:44So
01:17:45Another case cracked
01:17:46How very public spirited
01:17:49That's never really your motivation, is it?
01:17:52What are you doing here?
01:17:53As ever
01:17:54I'm concerned about you
01:17:55Yes, I've been hearing about your concern
01:17:57Always so aggressive
01:17:58It never occurred to you that you and I belong on the same side
01:18:02Oddly enough
01:18:03No
01:18:03We have more in common than you like to believe
01:18:06This petty feud between us is simply childish
01:18:09People will suffer
01:18:10And you know how it always upset mummy
01:18:14I upset her?
01:18:15Me?
01:18:17It wasn't me that upset her, Mycroft
01:18:20No, no, wait
01:18:20Mummy?
01:18:22Who's mummy?
01:18:22Mother, our mother
01:18:24This is my brother, Mycroft
01:18:26Putting on weight again
01:18:28Losing it, in fact
01:18:30He's your brother
01:18:31Of course he's my brother
01:18:34He's not
01:18:34Not what?
01:18:37I know
01:18:37Criminal mastermind
01:18:40Close enough
01:18:41For goodness sake
01:18:42I occupy a minor position in the British government
01:18:44He is the British government
01:18:46Well he's not too busy being the British Secret Service
01:18:47Or the CIA on a freelance basis
01:18:50Good evening, Mycroft
01:18:52Try not to start a war before I get home
01:18:53You know what it does for the traffic
01:18:58So when you say you're concerned about him
01:18:59You actually are concerned?
01:19:01Yes, of course
01:19:03I mean it actually is a childish feud
01:19:06He's always been so resentful
01:19:08You could imagine the Christmas dinners
01:19:10Yeah
01:19:11No, God, no
01:19:14I'd better, um
01:19:16Hello again
01:19:18Hello
01:19:18Yes, we met earlier on this evening
01:19:22Oh
01:19:22Okay, good night
01:19:23Good night, Dr. Watson
01:19:27So, dim sum
01:19:28Mmm, I can always predict the fortune cookies
01:19:30No, you can't, almost can
01:19:31You did get shot, though
01:19:32Sorry?
01:19:33In Afghanistan, there was an actual wound
01:19:34Oh, yeah, the shoulder
01:19:36Shot, I think so
01:19:37No, you didn't
01:19:38The left one
01:19:38Lucky guess
01:19:39I never guess
01:19:40Yes, you do
01:19:41What are you so happy about?
01:19:43Moriarty
01:19:44What's Moriarty?
01:19:45Absolutely no idea
01:19:48Sir, shall we go?
01:19:51Interesting, that soldier fellow
01:19:53He could be the making of my brother
01:19:56Or make him worse than ever
01:19:58Either way, we'd better upgrade their surveillance status
01:20:01Grade three, active
01:20:03Sorry, sir
01:20:04Whose status?
01:20:07Sherlock Holmes
01:20:08Sherlock Holmes
01:20:08And Dr. Watson
01:20:15Sherlock Holmes
01:20:17Sherlock Holmes
01:20:19And Dr. Watson
01:20:20You