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00:04But if we want good results, we must be patient with the workers and with any issues that may arise.
00:13Aren't you happy, Norma?
00:18Whatever you decide is fine with my mom.
00:24Eva, please pour more wine.
00:27Food! My family!
00:30How come they couldn't kick him out? Who's putting it in you? I'm starving!
00:34How clumsy are you?
00:37How clumsy are you, Eva?
00:38Sorry, I've already left.
00:41You've been on cloud nine these last few days.
00:44Go take care of my dad before he keeps yelling and send us another employee. Leave it like this!
00:53Gabriela is very nervous.
00:54I can't help it.
00:57My dad is driving me crazy.
01:00I feel very bad.
01:02I have trouble getting past his door.
01:05And why don't you move it away like we do, Mom?
01:08The property is very large; you can build another cabin.
01:13Yet another irony.
01:16And I lose what little patience I have left.
01:29Try to calm down, Gabriela.
01:30You are very sensitive and everything mortifies you.
01:33As if Bernardo's death and my dad's troubles weren't enough.
01:39I need to get away for a few days.
01:41And why not?
01:43It might be convenient.
01:44And even more so now that the works are about to begin.
01:49What do you suggest, Fernando?
01:51I don't know.
01:52She could spend some time at his home in Florida.
01:56I would be more at ease there.
01:58Only if I go with you and Norma.
02:01That girl is very rebellious and I don't want to be separated from her.
02:04OK.
02:05We'll do as you say, dear mother-in-law.
02:07Thank you.
02:11I am letting you know that I will be spending a few days at the house in Florida.
02:15And naturally, I won't be going alone.
02:19We'll be happy to accompany you, Mom.
02:21Oh, I love to travel and it's been a long time since we've done it.
02:24I say the same, Mommy.
02:26And when is the trip?
02:28You stay behind taking care of the house and the employees' work.
02:32Norma and Fernando will come with me.
02:40If you want to be the suffering soul, let me tell you what I think.
02:47Don't give up, don't get lost.
02:49I said that life shouldn't be taken into account anymore.
02:55Look, look how deliciously she enjoys it.
02:59Move your head and say.
03:01You don't stay at home if the party is driving you crazy.
03:05Yes, sir, with flavor.
03:38Toraparararrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrarrar ararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararararar
03:45If you don't have the ability to speak and the suffering
03:49Let me tell you what I think
03:52Don't give up, don't get lost
03:54Use your life, don't worry about it anymore
04:00Don't tell him anymore
04:18Franco doesn't feel the way we do, Juan
04:20No, he has always sought the easiest way to evade reality
04:25The drink, the bars
04:29The face of a beautiful woman, which is certainly not Rosario Montes.
04:32Responsibility makes no sense.
04:35And he cares little or nothing about the crisis we are going through.
04:39He won't realize we're bankrupt, man.
04:43Juan, Juan, we don't have much money
04:45Even though I've handled it as best I could
04:48Perhaps it's because you were counting on something that didn't exist.
04:53The fortune of Bernardo Elizondo
04:55I won't deny that he told me a cheerful story
04:59And now I feel ridiculous.
05:03I thought I was a millionaire, Juan
05:05Living in the house that scoundrel bought for Livia
05:10What a hard blow, brother
05:12What a hard blow
05:17Maybe you don't look like your brothers, Franco
05:20So don't blame yourself if you try to distract yourself.
05:22Instead of staying with them regretting what happened
05:25I'm afraid of what they might do, Rosario
05:28And what do you think they can do?
05:29Don't know
05:30Don't know
05:31And even if I knew, I couldn't tell you.
05:33You can tell me anything.
05:42Do I feel calmer?
05:46Your house is very nice.
05:50I didn't always have it, Franco
05:54I worked myself to the bone for years to get it.
05:58Franco, if you only knew where I came from and what I did to get where I am.
06:01You would probably be shocked
06:03I would admire you a little more
06:05I don't want you to admire me
06:07I want your friendship
06:08Let's not talk about friendship, Rosario
06:10Yeah
06:17Well
06:18That's enough.
06:20I just wanted you to calm down.
06:23I want us to be lovers
06:29Franco, I beg you
06:46Leave me alone, please.
06:47Franc
06:50Don't do it like that, saying
06:55You just understood me, didn't you?
06:57Do you want to ruin everything by behaving like the dirty old men who haunt me every night?
07:01I'm not one of those old people
07:02I want to be something special to you, Rosario
07:05Not my lover
07:06Because I have plenty of men with much more experience and all the money you have.
07:09lack
07:11I'm not interested in that about you, Franco.
07:30I am very lonely
07:32Franc
07:35Franc
07:37Amidst the people around me, she is a lonely woman.
07:40So if you want to share with me
07:44Just look for the materials, Franco.
07:48I expect more from you than pleasure.
07:53If you find them too difficult, it's best not to watch them again.
07:57Please, please, please, please, please, please, please, please, please, please, please
08:02Please, please, please, please, please, please, please, please, please, please
08:03Please, please, please, please, please, please, please, please, please, please
08:06Please, please, please, please, please, please, please, please, please, please
08:07Please, please, please, please, please, please, please, please, please, please
08:19Please, please, please, please
08:30I don't know how long this trip will take us.
08:32But everything has to run perfectly in this house
08:36I left precise instructions for Eva
08:38And everything is ready for construction to begin in a few days.
08:41Isn't that right, Eva?
08:42Yes, ma'am
08:44Keep a close eye on my daughters to make sure they behave.
08:46There's no need to make that recommendation, Mom.
08:49We're not little girls anymore
08:50Yes, warnings are not superfluous.
08:52Under no circumstances should workers be allowed inside the house
08:57They only work outside.
08:59That's important.
09:00You'll answer for that, Eva.
09:02You can leave in peace, Doña Gabriela
09:05Girls
09:07Do not forget your religious duties
09:09And attend the conversations with Father Epifanio
09:12We're not missing, don't worry.
09:13Have a good trip and enjoy the beaches
09:20Pay close attention to the orders.
09:22Apart from the workers, no one else should approach this house
09:26Entry by any stranger is strictly prohibited.
09:38You arrived late last night.
09:41And today you didn't wake up in a good mood.
09:44Are you still hanging around bars?
09:46I'm not offending anyone or doing anything wrong by that.
09:48Nothing good either, huh?
09:51You'll have to discipline yourself
09:53Because according to Oscar, we're running out of money.
09:56Well, I'll look for a job, don't worry.
09:58Look, you shameless person, you've been looking for it ever since we arrived and you never find it.
10:01I'm happy with your help at the bakery
10:03So the late nights are over, young man.
10:07Boys
10:08I got it
10:09Hey?
10:10I finally got it
10:11What did you achieve?
10:13Well, the address of the Elizondo family
10:14I know where that house is, Juan.
10:16So we can go at any time
10:18Today, yes, it is necessary
10:31Look at me, I'm the other one
10:37The one with the fire
10:39The one who knows exactly what to do
10:42Your smile is a caress
10:48That moves me, that drives me crazy
10:57And that's why I ask.
11:04Who is that man?
11:09He looks at me and undresses me.
11:12A restless beast
11:14That's way better than me
11:15And it makes me tremble
11:16But it makes me feel like a woman.
11:22Nobody can take it away from me.
11:25I will always be her owner
11:28That's why she doesn't sleep.
11:30The one you die for
11:32Through which she breathes
11:38I am his wife
11:48We're not going anywhere
11:49I do not agree with visiting that house
11:51There's nothing to do there, Juan
11:52We have to do
11:54And a lot.
11:55Let's see what we're going to claim.
11:56At least we found out
11:58What kind of person was Livia's executioner?
11:59That's what his wife and daughters will have to say.
12:02I don't think they know anything
12:03I don't think he confessed.
12:04She had a lover, didn't she?
12:05Well, one more reason.
12:06To get closer to that house, man
12:09Well, I'm not going with them.
12:10By no means
12:11If you don't want to, don't do it.
12:12Neither Oscar nor I need any obstacles
12:21Military personnel are not improvised.
12:25They are born
12:26They are cold-blooded men.
12:29For the calculation
12:30Hot
12:31For combat
12:33And burning
12:35For love
12:39It's sad to live on memories.
12:41And look at yourself in the mirror
12:43And see the shadow
12:44Of what we once were
12:50Did she leave, Gabriela?
12:53Yes sir
12:54He didn't even say goodbye.
12:56The very cowardly one
12:58He's afraid to face me
12:59After he tried to kick me out
13:00Like a dog
13:02Doña Gabriela
13:03He needs rest
13:07He's nervous
13:08Very upset
13:11Run away
13:13Not just from me
13:15But from his conscience
13:17But you're welcome
13:18He can escape.
13:20Everyone picks up after themselves
13:21What he sows
13:22And I have a feeling
13:24May the harvest of evils
13:25It's coming
13:30Juan, you won't carry that weapon.
13:34Hey, I don't like it
13:35What you do
13:41Wait, hey, hey
13:43I'm worried.
13:44Leave them alone
13:45To Sarita and Jimena
13:48I hope my dad
13:48Don't take advantage
13:49The circumstances
13:50To do stupid things
13:53If you are not at peace
13:54Let's cancel the trip, Mom.
13:56too late
13:57I would be too.
13:58Uneasy
13:59If they are left alone
14:00But I trust Eve
14:01She knows how to manage
14:03The estate
14:03Yeah
14:04I think the same
14:05Under his supervision
14:08Everything will be alright.
14:25Juan, why aren't you listening to me?
14:27Let's see
14:27There is no need
14:28That you go armed
14:29Shut up already
14:30And leave me alone
14:32What did you say?
14:33You wouldn't come with us?
14:35Sprocket change
14:35Because I must prevent
14:37That you do something crazy
14:38You know what, Franco?
14:39You'd better stay
14:40So you don't bother me
14:41You look like a scaredy-cat old woman.
14:42Let's go, Juan
14:43I'm going with you.
14:44No, if you are
14:45You shut up, okay?
14:46And you leave us out.
14:46On our own
14:47Okay
14:47Put on
15:01It's not meant to be critical
15:03To my daughter and her son-in-law
15:04But this house without them
15:06She feels at peace
15:09Why don't we throw
15:10A game of poker?
15:13Maybe tonight, grandpa
15:15Now we go to Father Epifanio
15:17We made a commitment
15:18To visit him
15:20They don't have to pretend with me.
15:22I am an old fox
15:24And I know them all.
15:25They're probably going to give
15:27A little stroll
15:27Let's see if it finally happens
15:28They get a boyfriend
15:29Oh, don't make things up, grandpa
15:33Do I criticize them?
15:34Not at all, girls
15:37Leave
15:38Enjoy yourselves to the fullest
15:42It's time they found out
15:43The pleasures of life
15:45Get a man
15:47He was a man
15:48Well, let it be worth it
15:49Not like that lazy, pretty-faced guy
15:52From Fernando
15:52Neither Luki
15:53Oh, well, okay, okay, okay
15:55We'd better leave earlier
15:56That this old man
15:56Dirty Boki
15:57Start swearing
15:59See you later, old man
16:01Well
16:02Bye
16:03Bye
16:07Live life
16:08Hey?
16:10And don't pay attention to those who don't drink.
16:12Remember that whoever is pregnant with illusions
16:14It ends up giving birth to disappointments
16:31Eva, what are you doing?
16:33Reviewing the work
16:35The ground has to be prepared
16:37For the construction of the cabin
16:39And the employees that the architect sends
16:41They arrive this week
16:41I can't imagine the chaos that will ensue
16:44Are they going out?
16:46Yeah
16:46We have an appointment with Father Epifanio
16:49It is advisable to comply.
16:50Or she starts complaining to Mom
16:52Please try to arrive late
16:54There's been a lot of danger on the streets lately.
16:56Do you want me to accompany you?
16:57No, don't worry.
16:58You can't neglect the employees either.
17:00And much less to grandma
17:01He's out there driving around in his wheelchair.
17:04And at any moment he asks to be taken up to his room.
17:06Given how foolish he is?
17:07Okay, let's go
17:08Jimena, we're running late!
17:09Bye
17:28This is really big
17:31It seems there's nobody here, Juan.
17:33They might mistake us for thieves, Juan
17:36Well, someone's going to have to take care of us.
17:39In other words, for the last time we will gain nothing from this absurd visit.
17:41What are we going to tell them, really?
17:43How are we going to present ourselves?
17:45Why don't you go back to the truck?
17:49You're trembling
17:49And we didn't come here to show fear, but to demand
17:55Shut up already, man
17:56Someone's coming
18:13And those? Where did they come from?
18:16I don't know, but they look kind of weird.
18:20Let's not just stand here like a couple of fools.
18:23Let's see what they want
18:29Good afternoon
18:30How can we help you?
18:31Is this the Elizondo family's house?
18:34Yes, this is it.
18:35What do we offer them?
18:37Talk to the lady
18:39With Mrs. and the rest of the Elizondo family
18:42We're very sorry, but she left
18:44And is he coming back soon?
18:46She went on a trip for a few weeks
18:48Is there anything we can help you with?
18:49Do you work here?
18:52No sir, we are not the employees
18:54We are the owners
18:55The daughters of Mrs. Gabriela de Elizondo
18:59Well, it's very important that we talk to her mom
19:01Where can we get it?
19:03We're telling them that he went on a trip
19:05How are they going to get it if she's supposed to be flying to Florida right now?
19:10But wait a moment, I think someone can help you.
19:16Eve
19:19Those three young people are looking for a mother
19:22So that?
19:24I don't know
19:24I think they are the workers who come to build the cabin
19:27It's not you anymore
19:29Please remember Mom's recommendations
19:31Be very careful because they're coming to run
19:43Good afternoon, ma'am
19:45Hello good
19:47How can I help you?
19:48We need to speak with the Elizondo family
19:50But the young ladies who just left
19:52We're told the lady isn't here.
19:54It's true
19:54Doña Gabriela went to her home in Florida
19:57But I'm in charge of everything related to construction.
20:00What kind of construction?
20:02Well, what a mess they're going to make back there.
20:05Aren't you the ones in charge of that job?
20:07No
20:08We have nothing to do with any construction.
20:11Ma'am, we're here about another matter.
20:13A very private matter
20:15Well, in that case I'm sorry.
20:16They'll have to come back when the lady returns.
20:18We can't wait that long
20:20What he brings us is very urgent.
20:22Very sorry
20:23But if you are not the people we are waiting for
20:25I kindly ask you to leave immediately.
20:27I have orders not to let strangers in.
20:29Look, we're not leaving here without talking to someone
20:32The girls who left are not here.
20:34I'm sure they will be interested in listening to us
20:37No, wait a moment
20:40Who are you?
20:41We are the siblings of Livia Reyes, ma'am.
20:45Livia Reyes?
20:47That man probably won't say anything to her.
20:49But the fact is that she had a close relationship with the owner of this estate.
20:52I'm going for that girl, Juan.
20:54No, no, no, no
20:55Please wait
20:57Don't answer her
21:01I...
21:02I can assist you.
21:05Follow me, please
21:20Can you tell me why you seem so distracted?
21:22Looking back as if someone were chasing us
21:25Shouldn't we have stayed to find out who those men really are?
21:29Eva will take care of them
21:30We don't know, we have no idea what they're going to do.
21:33Already?
21:34We have an obligation to find out everything.
21:36And what do we care about that damn cabin, Jimena?
21:40It's none of our business.
21:41Did you notice them, Sarita?
21:44Have you ever seen such handsome men before?
21:46I don't spend my time staring at men.
21:49I never imagined I'd stumble upon three such cute boys
21:53Jimena, please
21:56Oh really?
21:58Didn't you give them details?
21:59That?
22:00Oh, what faces!
22:02Which bodies?
22:04Oh no, the three of them are such picturesque figures.
22:06They even look like movie stars
22:09Which film artists?
22:11Not at all, Jimena
22:12They are just simple bricklayers
22:14Well, that's how all the workers are going to be.
22:17I think I'm going to be very distracted
22:19Yes, and I think you're going to be very cooped up.
22:23If you get upset, I won't hesitate to tell Mom everything.
22:26Listen to this one?
22:27You can't be serious, can you?
22:29Of course not, silly girl
22:31But stop it there.
22:32You're really making me impatient, Jimena.
22:35You make me very nervous
22:43Here we can talk calmly
22:47So, you are Livia's brothers
22:50Did you know her?
22:52I learned about their situation
22:53I learned that she was a friend of Don Bernardo
22:55That's what we want to talk to the family about.
22:59I don't want to get involved in such a delicate matter.
23:02But I advise you not to try to claim
23:04They won't achieve anything.
23:05The man died
23:06And there is no one to take responsibility for the child his sister is expecting.
23:10And how is it that an employee is so well-informed?
23:12About the private lives of their bosses, huh?
23:14They don't ask me for explanations, I beg you.
23:15The point is, if they complain
23:17A scandal is going to erupt, and nobody wants it.
23:19She's right, Juan
23:21We're groping in the dark coming to this house
23:22And even more so if the Lord's widow finds us
23:24You don't shut up
23:26You don't shut up
23:28As for you, don't even think we're going to listen to you.
23:31We're already inside.
23:32And we're not going anywhere.
23:33This is how the biggest scandal is formed
23:36Please don't do this to me
23:38I spoke with his sister
23:39And I swear it moved me
23:40But I'm just an employee
23:43And I'm going to have a very bad time
23:44If anyone finds out
23:45That I let some strangers in
23:47Well, they'll have to know, ma'am.
23:50Because that's what we've come here for.
23:53Get to know them
23:55And so that they get to know us.
23:57If they don't leave
23:58I'm going to call the employees
23:59So that they can be forced to leave here
24:01Well
24:02Please throw us out, ma'am.
24:05Go ahead, give it a try
24:08My daughter Gabriela's partnership
24:11He orders a cabin to be built.
24:13Instead of firing that lazy Fernando
24:15He wants to become the head of this house
24:20Send someone to get me up there
24:21Where is Eva?
24:23I saw her a while ago with some men who arrived
24:25Like men?
24:26Which men?
24:27Oh, I don't know, Don Martín
24:28I imagine the workers
24:30The workers?
24:31And where are they?
24:33They must be in the corridor
24:34Because they haven't entered
24:37John, don't do anything you might regret.
24:38You don't help, you don't get in the way
24:40Will you shut up?
24:42We are not criminals
24:44Neither assailants
24:47But we are prepared for anything
24:49And do you know why?
24:53Because Livia no longer exists.
24:55He killed himself because of his damned boss
24:58For God's sake
24:59They didn't know it had happened
25:02I never imagined such a horrible tragedy
25:05Well, now you know.
25:08Please don't threaten me with that gun anymore.
25:19When did it happen?
25:20She disappeared more than a week ago
25:22And we never heard from her again.
25:24Until the police found her
25:26They say he jumped off a bridge
25:28Poor thing
25:31She was going crazy
25:32And it was no wonder.
25:34And she didn't leave this house in despair.
25:35And what's that?
25:36What do you mean Livia was here?
25:39Yeah
25:39And he confronted Doña Gabriela
25:41And to all his family
25:43Perhaps that's why
25:44The one responsible for his death
25:46Don't be like Don Bernardo
25:47As you believe
25:49Lady
25:50Speak clearly
25:53I didn't come to deceive us
25:54What I say could harm me.
25:57And this is not the time
25:58Not even the right place
25:59To talk to you
26:00But I know I have an obligation
26:02To tell them everything I know
26:05I am aware
26:06That they have every right
26:07To claim
26:08What are they demanding?
26:09These men, Eva?
26:10What conference is this?
26:12The gentleman is Don Martín
26:14Doña Gabriela's father
26:15But it has nothing to do with this
26:17Of course
26:17That I have nothing to do with it
26:18With that construction
26:21Ridiculous
26:21It's stupid.
26:22From every point of view
26:25And you are the ones who are coming.
26:26Let's get that job done
26:28Yes, yes, yes
26:29they are
26:31We were just about to start
26:32Speaking of that
26:33But they're already leaving
26:34And I will accompany them
26:35At the door
26:35No, no, no
26:37Since you're here
26:38They might be useful for something
26:39No?
26:40What does Don Martín want?
26:42Well
26:43These lads
26:43They are strong
26:45Can you help me?
26:46Go up to my room
26:47TRUE?
26:48And where is the fourth one?
26:50Come on
26:51Let's go inside the house
26:52Come on, come on, come on
26:58Careful
27:01The fourth one is upstairs
27:03Yeah
27:03I always have to
27:05Use the help
27:06Of the employees
27:07From the estate
27:08So they can raise me
27:08And let me down
27:11Instead of building
27:13A cabin
27:14They should build me
27:15An advisor
27:16But the unfortunate
27:17From my daughter
27:17Never think of your father
27:19Never think of your father
27:34Now that's strength!
27:36Now those are muscles!
27:37Really
27:39It looks
27:39That they are fed
27:42They are men
27:43Really
27:43Like those young snobs
27:45They come to visit us
27:46To our house
27:47From time to time
27:49Were they military personnel?
27:51No
27:52No sir
27:53Well, they seem to be.
27:55For dignity
27:57That is reflected in them
27:57On the face
27:59It's a shame they're coming.
28:00Let's build cabins
28:01That's the only thing that works
28:03It's for
28:04Hinder
28:06When do they start?
28:07To build walls?
28:09They don't know yet.
28:11First they have to put
28:12OK
28:13With the architect
28:15We can go out now.
28:16Sirs
28:17Come with me
28:17Thank you so much
28:18Boys
28:19Thank you so much
28:20They are very kind
28:22Word of God
28:23I like it
28:24For my part
28:26You are welcome
28:29They are good people
28:32They can be seen
28:33Over the clothes
28:43Oscar
28:44Come
28:48Where are you hiding?
28:49What are we going to do?
28:50I beg you
28:51Don't try
28:52Nothing bad
28:53I promise you
28:53What will I talk about?
28:54With you
28:54Tonight
28:55Tell me
28:56Where can I get them?
28:56And I'll tell you everything.
28:57And who guarantees it?
28:58That it does not deal with
28:59To be free
28:59About us?
29:00It's at stake
29:01My job
29:01And my permanence
29:02In this house
29:03They have to trust me
29:29This time
29:30If you can say
29:31That he has betrayed her
29:32Doña Gabriela
29:34I'll manage.
29:34Of those men
29:35To make him pay
29:36All the damage
29:37That has caused
29:40The time has come
29:58Oh, what's all this fuss about, Jimena?
30:03Have you gone crazy or what?
30:08Oh no
30:09Does it bother you?
30:10Of course
30:12Oh, you're worse.
30:13Mom
30:14Is it perhaps
30:14I can't take advantage
30:15That he left
30:16For fun
30:16However I please?
30:18You are not alone, Jimena
30:20You're annoying grandpa
30:21With such a roar
30:22Oh, I don't think he'd mind.
30:24I would have already hit myself
30:24A scream
30:25Well, instead
30:26Of losing
30:27Time
30:27Why don't we get on
30:28Let's get to work on the tasks
30:29That he entrusted to us
30:30Father Epifanio?
30:31We have several events
30:33Next week, Miss
30:34Oh no
30:35How boring
30:36Those little social jobs
30:37Stop being lazy.
30:38And let's get to work, shall we?
30:40Are you telling Eva?
30:41Can you bring us some coffee?
30:42I haven't seen it
30:43In that way?
30:44I've been looking for her
30:45But I couldn't find it.
30:46I suppose it must be
30:47Taking advantage of the absence
30:48From Mom
30:49To go to bed early
30:57No, no, no
31:02No, no, no
31:06No no
31:07No no
31:26Child protection is a great project
31:28But more than just community support is needed, Jimena
31:32I don't know, shows alone don't raise the necessary funds
31:35It depends on the shows.
31:37Because the rodeo could be useful
31:39You like that, don't you?
31:41I love
31:42Usually because cowboys participate
31:46Strong and brave
31:48There are big men like that
31:50And attractions like the ones that came the other day
31:53Stop getting distracted, Jimena
31:54We are working, please
31:55Oh, what's wrong with talking about them, Sarita?
31:59I can't get them out of my head
32:02I swear I'm dying to see them again
32:04Will they return?
32:07Don Bernardo Elizondo cannot be blamed for Livia's death
32:11It would be unfair
32:13Don Bernardo was always a kind man
32:15And he never hurt anyone
32:16What kind of goodness could a wretch who so miserably deceived us possibly possess?
32:20And did it lead to the death of our own sister?
32:23She swore over and over again that she would get married
32:24And he even had the nerve to show us a house
32:28That supposedly he had bought her to live with, that wretch.
32:31It was true
32:33You can be sure he was sincere.
32:36Naturally, he couldn't marry her
32:37But he was willing to give up everything for Livia
32:40He told me
32:40And I'm sure he would have fulfilled it if death hadn't surprised him suddenly.
32:45There are no excuses
32:47Even though he's dead, it doesn't justify it.
32:49Please don't judge him harshly.
32:50If he made mistakes
32:52It was because he was crazy about her
32:54I adored her
32:54He never loved anyone like she did.
32:59What on earth did you come here for, lady?
33:01To convince us that he was an angel?
33:05If Livia took her own life
33:07It wasn't Don Bernardo's fault
33:11But because of what happened the night he visited the hacienda
33:15What happened, Eva?
33:16Don't hide anything from us, please.
33:18Livia went to complain
33:21Doña Gabriela gathered the whole family in front of her
33:25He confused her and humiliated her
33:26Did he do that?
33:28It morally destroyed her
33:31He accused her of being a harlot who was willing to take advantage of the situation
33:37That's why she left in desperation.
33:41I am sure that Livia would have been able to recover
33:44But Doña Gabriela was ruthless
33:48He drove her crazy with all the awful things he said to her
33:53If someone is guilty of the death
33:56Livia is
33:57She
34:00Doña Gabriela killed her indirectly
34:08Do you resent me for forcing you to marry Fernando?
34:12Please, Mom, let's not talk about that.
34:14Want?
34:15And why not?
34:16This is the best place
34:18We are alone
34:18Far from everyone
34:19And we can speak frankly
34:21In this place?
34:24I did it for your own good.
34:27I believe, and continue to believe, that Fernando is the most suitable husband.
34:33My mom
34:34I got married to please you
34:36Because I don't love him
34:37Haven't you gotten used to their company yet?
34:40I stopped getting used to it
34:42Every day I ask myself what I'm doing with it
34:45Rule
34:47Fernando is a good man who goes out of his way to make you happy.
34:50And you are obligated to reciprocate.
34:54You also need the support of a man like him
34:56Especially after what happened
35:03Let's clarify what happened, Mom
35:06I was raped by criminals who broke into the house
35:08But I didn't get pregnant.
35:10Not at all
35:11Lower your voice
35:12And why?
35:13Did I have to get married to hide what happened?
35:15I'm going to have stayed single, Mom
35:17We're leaving
35:18This is not the most appropriate place to discuss that topic.
35:21Yes you're right
35:22This is not the place
35:22Nor any other
35:24And please, I ask that we avoid the topic
35:27Because by that point it's already
35:28Because it no longer makes sense
35:36They must be having a wonderful time in Florida
35:39While we're bored out of our minds here
35:45Hey, Eva
35:46Will the men who came yesterday return?
35:49I don't know, Miss Jimena
35:52Aren't you in charge of everything related to construction?
35:56I am following Mrs. Gabriela's instructions.
35:57But I have nothing to do with the workers the architect hires.
36:01So what did those boys come for?
36:05To inspect the land and take measures
36:08I didn't talk to them much.
36:11Eva, the architect has just arrived
36:13Excellent!
36:14We're going to talk to him to find out the details of the job, right?
36:17No, no, it is necessary
36:18I'll take care of it.
36:19Tell him to come into the studio
36:21I'll take care of it right away.
36:23Anyway, I want to talk to him
36:26Don't be nosy, Jimena
36:27What are you going to talk to him about?
36:30Mind your own business, little sister
36:32Instead of figuring out things that don't concern you
36:42Good morning, ma'am
36:46Architect, how are you?
36:47Fine, thanks
36:48Getting ahead of the work
36:49Please listen carefully to me.
36:51So that you understand what I am going to explain to you
36:53It will not be necessary
36:55Doña Gabriela changed her mind at the last minute
36:57He decided to suspend the construction of the cabin
37:00How can he change his mind from one moment to the next without telling me?
37:03I'm sorry, that's what he decided
37:05She asked me to forgive her.
37:07No, the point is that the work is already well underway.
37:10Could you please put me in touch with her?
37:13I would like to speak with you personally.
37:15Impossible, he traveled to Europe
37:18It will remain for a long time.
37:20He won't return for many months.
37:33What are you supposed to be doing, girl?
37:35Can't you see, girl?
37:36Study the cowboys who can participate in the rodeo
37:40Oh, Jimenita, why do you insist?
37:42You know very well that it's not the kind of show
37:44That Father Epifanio likes
37:47If we go by Father Epifanio's tastes
37:49We didn't collect a single penny.
37:51People don't pay to see choirs of children and old people playing piano
37:56Why don't you confess that you do it to see men?
37:59And not out of concern for the community?
38:02I do it for that reason too.
38:04And?
38:05We have to give her the eyes right while Mom's not around
38:09Don't give me that look.
38:12Enjoy
38:18Were they really looking at the cowboys?
38:20I think they're trying to put on a show to take to the rodeo.
38:23And thus raise funds for the church
38:28Thank goodness Gabriela wasn't around
38:30If he doesn't raise a huge fuss
38:31She doesn't like her girls getting close to men.
38:35Does he think that's wrong?
38:36No not at all
38:38Let them do whatever they want.
38:41Let's see if someday
38:42They face Gabriela
38:44To my granddaughters
38:47He needs someone to tell him what to do.
38:51Each arepa has its own pot
38:53And my granddaughters' arepas
38:55They're looking for the flowerpot that runs
39:00Don't go
39:02Come with me
39:03I don't like eating alone
39:09Where have you been hiding lately?
39:13Early departure
39:14And you come back late
39:17I have errands to run.
39:21Is something wrong?
39:22No, no sir
39:23Because?
39:24No, you seem strange.
39:26Quieter than usual
39:28I've never seen you like this.
39:31I am worried about my responsibilities
39:34I need to keep an eye on the construction of the cabin
39:39And I cannot fail in that commitment.
40:03We can trust her
40:05She's a strange woman.
40:07It's very rare
40:08But it's on our side
40:08And that's all that matters, Juan
40:11Well, he shouldn't try to deceive us.
40:12Because he's going to regret it.
40:13I don't think he'll dare.
40:14He knows we are willing
40:16Worst
40:17He has to help us
40:18Entering the estate
40:19Without raising suspicion
40:21You can be sure of that, Juan.
40:23And we will keep our promise.
40:25What did we do to Livia?
40:27For sure
40:29That lady Gabriela
40:32And all his damned family
40:34They will pay for what they did
40:36I don't know what we'll have to work with.
40:39But they'll regret it.
40:41The rest of his filthy life
40:43We must be very careful, Juan
40:45And we cannot commit
40:46No mistake
40:48Hey, where's Franco?
40:50Where do you think?
40:52Behind the skirts
40:53That damned singer
40:56He knows that at this moment
40:57He must not turn away from us
40:58But there is no human power.
41:00That will make him forget about her
41:02Faces, you always want it
41:04But if you look at me
41:06Do not touch me
41:08And don't bring the bottle back.
41:10The coins jingle
41:12From the reinoche
41:14Faces, because you roll over
41:17When it was a lair
41:18Nightly
41:19He knows why you think so
41:23I am your card
41:24Your extravagance
41:28They are wrong
41:29They do not know my sins
41:31Nor miracles
41:32I'm not going to prove it to them
41:35Nobody here is a saint.
41:36Not even if I'm old
41:37Not a chance.
41:39I'm not going to delete it anymore.
41:43Oh, oh, oh, oh, oh
41:45Love, it will be a lot
41:47Very happy
41:49What a jerk!
41:52That's crazy
41:53To your wife
41:54Nightly
41:56Star, because you believe
41:59That I am your woman
42:00From your extravagance
42:16I need to talk to you, young man
42:18Does it bother me if I sit down?
42:20No
42:20I know you're interested in Rosarito
42:23And he never misses an opportunity to visit her.
42:26I advise you not to do it again.
42:29What right do you have to say that to me, sir?
42:31With the one I have
42:32In case you didn't know
42:33I am informing you
42:34That I'm the one who supports her
42:37I advise you
42:38I don't want him to ever set foot in his house again.
42:41Not even if I come back here
42:42Did you understand or not?
42:44No, I didn't understand.
42:45And I can treat whomever I please.
42:47Her relationship with Rosario
42:48That's your problem, sir.
42:50And that's your problem too.
42:52Idiot little boy
42:53I'm not going to let him take my wife away from me.
42:55Is something wrong?
42:57Happens?
42:58You're not going to go near this boy again.
43:00I absolutely forbid it
43:02You have no right to forbid me from doing anything.
43:05And you're wrong
43:06And you think you can bother my friends
43:08You're retiring, Agapito!
43:09He understood, sir.
43:10Leave
43:11Someone tells me
43:12What do I have to do?
43:13And especially not a poor devil like you
43:18Enough!
43:20Let's go!
43:30Let's go!
43:32Get this man out of here, he's causing trouble!
43:36It's not peeling!
43:38It's so bad!
43:39Get him out of here
43:40You are nothing more than an exploiter
43:42to any woman
43:43that is for sale
43:45those who remain
43:46on the faces
43:48to thank her
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