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00:30This one is very pale, my love.
00:31I need to find help.
00:33Peaceful.
00:35Calm down, calm down.
00:36Why did I have to come this way?
00:38Because?
00:39Your cell phone is out of coverage area.
00:42What am I missing?
00:44Marisa.
00:47Oh!
00:49Yes, yes, yes, yes, yes, yes.
00:51Come here.
00:52It's over, come, come.
00:55Everything is spinning.
00:57Calm down, calm down.
00:58We had an accident, but thank God we're okay.
01:05Okay, wait.
01:06My love, everything is fine.
01:07Peaceful.
01:15Come, come.
01:16We're going to a house so they can help us.
01:18Peaceful.
01:19Don't worry, I have things to do.
01:21That's it.
01:33You bastards, how could you do this to him?
01:37Look, if it weren't for the noise he made, I would never have known he was here.
01:41Thank you for coming to help me.
01:43Those demons wanted to kill me.
01:47Luckily they didn't recognize me, because they do horrible things to celebrities.
01:52But you should have seen the wristband I gave them.
01:54They saw how I left them, my lady.
01:55Yeah?
02:01And did you manage to see them?
02:03But of course, there were three of them.
02:04Oh, I caught the bald guy.
02:07I inaugurated it with a flying kick that left him slammed against a court.
02:11I caught the fat one.
02:13Well, if not the fat one, because with women you can't even use a rose petal.
02:17But I waited for her to attack me.
02:19The very unfortunate woman knew how to help.
02:21I grabbed it with the Chinese wrench and...
02:23Tell him, tell him.
02:25Well, I think I went too far.
02:27Because how, how the wretched woman screamed.
02:30And I grabbed the third one and just faked him out.
02:34And she ran, she ran like a chicken.
02:36Oh, thank God, you saved me.
02:41And me...
02:41Oh, Pedro.
02:49You are a...
02:50A true hero.
02:52Ma'am, do you happen to know what they came looking for?
03:02Stay here and relax, okay?
03:04Wait.
03:06Everything's fine.
03:09Help, help!
03:10It's an emergency, please.
03:12We had an accident.
03:15Everything's fine.
03:17Open up, please!
03:20Open up!
03:22Hello good!
03:23Is there nobody here?
03:26I don't think there's anyone here.
03:28Besides, it's starting to rain.
03:29And I don't think the owners would mind if we used their house for an emergency, would they?
03:34Hello good!
03:39We can't stay here.
03:41No, no, no, I'm not completely recovered yet and...
03:45Well, I have to come up with something.
03:46Besides, there's not a soul on that road, right?
03:48So...
03:54Well, my lady, you behave yourself, eh?
03:57And we'll see you later, later.
03:58Oh no!
03:59What do you mean, "later, later"?
04:00No, no, no, no, no, no, no, no.
04:02You're not going to leave me here alone after what happened, Pedro.
04:06Well, I'd love to go with her, but...
04:08I have to take Pedrito to school.
04:10And what about me?
04:11Okay, then...
04:13Come with me.
04:14But hurry up, hurry up!
04:20Better?
04:21I'm going to get some firewood to...
04:23It's good for warming things up.
04:25No no.
04:26We have to leave before nightfall.
04:30Marisa, no.
04:31It won't be easy.
04:33I already told you that the San Ángel road is a bit busy and...
04:38You can spend hours waiting and nobody shows up, so...
04:41No, no, no, no, but please.
04:43We have to leave before nightfall.
04:45Why not?
04:46Why aren't you using your cell phone?
04:47Call, I don't know, your dad, or Charlie, or someone who can rescue us.
04:51No, no, no, man.
04:52I already tried and there's no coverage.
04:55There is no telephone in this cabin.
04:58How bad is it?
05:02Will you spend the night with me here?
05:04Oh, don't talk nonsense.
05:05This is not something to make a joke about.
05:10Oh, sorry.
05:12Forgive me, but...
05:13I have to go back home.
05:15Ah, yes, yes.
05:17Take care of your mom.
05:18No, don't worry.
05:20You don't have to explain anything to me.
05:23Well, I...
05:23Hey, I'll see what I can do to help you.
05:25Well.
05:27How are you?
05:28How are you?
05:29How are you?
05:30How are you?
05:30How are you?
05:31How are you?
05:31How are you?
05:32How are you?
05:32Thank you for understanding.
05:39Barbara, Barbara, can you tell me what's wrong?
05:43Can I be direct?
05:45Please.
05:47I am very offended, Gabriel.
05:49I feel very humiliated by the attitude you took towards those people.
05:54Gabriel, how is it possible that after learning that Maritza stole Xiomara's necklace,
05:59Did you overrule me in front of everyone when I asked them to leave that place?
06:03I did what I had to do.
06:06Didn't you realize that the guests were coming in at that moment?
06:10Furthermore, Maritza can't be that stupid to steal Xiomara's necklace and wear it at that meeting.
06:15Love, believe me, you never know what people are capable of.
06:20No, no, no, I swear, I swear I can't believe it.
06:24I don't recognize you, you confuse me.
06:26Why are you so intransigent?
06:29Gabriel, I'm worried about security.
06:31Our safety!
06:33That's why I wanted them out of the event.
06:35No, no, no, my love.
06:37You were unfair to them.
06:39And I do not tolerate injustice.
06:41Gabriel, are you saying that you care more about what happens to those people than what happens to them?
06:47to your family?
06:48No, no, no, please don't put words in my mouth that I haven't said.
06:52I don't want to hear any more from you, Gabriel!
06:53I don't want to follow you!
06:53Barbara!
06:53I don't want to follow you!
07:01Barbara, I'm very nervous.
07:03Marcos is nowhere to be seen.
07:05He's not at his apartment, he's not answering his cell phone.
07:08Did he have the accident because of me?
07:11I couldn't care less what happens to him.
07:21I spoke with a farmer, he told me that he was going to San Ángela to ask for help.
07:25So don't worry, they'll most likely do everything they can to help us.
07:33Marcos.
07:34Marcos, you're hurt.
07:36I didn't really realize it with all this going on, but it's nothing.
07:40Oh, what do you mean it's nothing?
07:41You might get an infection, I'll get something to cure you.
07:44The only thing that can cure me of this is...
07:49It's a kiss.
07:50And that's because I always dreamed
07:57and imagined
07:59both
08:02that my heart
08:07would beat
08:10would beat
08:11Barbara.
08:12Barbara, where are you going?
08:14We're not finished.
08:15Of course.
08:16And I'm going to go anywhere where at least they take me seriously.
08:19Don't say that, don't talk like that.
08:20Gabriel, this conversation is over, I don't want to keep talking about this.
08:23Barbara,
08:25You're going to listen to me.
08:26It seems to me
08:27You're exaggerating things a bit.
08:29or maybe
08:30I have been too permissive with your whims.
08:32Gabriel, I don't want to continue this conversation.
08:34Very good.
08:36You know
08:36that I am very patient.
08:39But if you go through that door
08:42I don't want you to say it.
08:46Gabriel.
08:52What do you want?
08:54Please forgive me.
09:00My life,
09:01My love, I swear I don't know what's wrong with me.
09:03Forgive me.
09:05Forgive me for not understanding you,
09:07for letting myself be carried away by circumstances.
09:10My love, forgive me.
09:12Forgive me.
09:12Please.
09:12No, no, no, no.
09:19No, no, no.
09:22No.
09:38No, no, no.
09:42It looks like they've preserved it quite well.
09:44Who knows, maybe we'll make them an offer and buy it?
09:54Why are you looking at me like that?
09:57Well, because...
09:59I remember when...
10:01We were in the lab testing body makeup.
10:07Don't tell me it wasn't magical.
10:09Where were you and I?
10:14All you did was flirt with me.
10:17I didn't know how to act with you.
10:18You are so different from all the women I have ever known that...
10:23That I didn't know how to treat you.
10:26I guess so.
10:27She looked like a fool.
10:29No no.
10:32Are you...
10:32You are very special.
10:36Difficult to decipher.
10:40Mysterious.
10:42That's the word, mysterious.
10:44There's something about you that I can't quite put my finger on, something that makes you special, something...
10:48Which is difficult to understand.
10:52What is it, Marisa?
10:54So, what's your mystery?
11:00I can't believe someone came here to do this to us.
11:07This!
11:08But well, apparently the robbery was widespread.
11:12The strangest thing of all is that they didn't steal the equipment from their nest.
11:18Who could the thief have been, Luzmila?
11:21No, wait a minute.
11:22No.
11:23I have nothing to do with this, so why are they looking at me like that?
11:27No, no, Luzmila.
11:28But we all know what kind of guy Pedro is.
11:31Mommy, mommy!
11:33Oh!
11:35Paco!
11:36Paco, thank goodness you arrived!
11:38If you only knew the nightmare I just went through,
11:42Some thugs broke in to rob people.
11:45We already know, Regina.
11:47But Pedro is going to have to give us an explanation about all this.
11:51because he was the only one who stayed at the academy.
11:55Oh!
11:56Well, thank goodness he stayed.
11:58Because if I hadn't done it,
12:00I wouldn't be here to tell the tale.
12:03Did you see how Peter went out and confronted those thugs?
12:08If Peter hadn't done it,
12:10Paco, Paco,
12:12I would probably be dead.
12:15You and I have some unfinished business to settle.
12:19Filth.
12:20And where is my daughter?
12:22Oh, Doña Regina, she stayed behind working.
12:25I could have died.
12:26And all my daughter cared about was staying at the office.
12:31Paco.
12:33Why did I have such an ungrateful daughter?
12:37What wrong I've done in my life, Paco!
12:42What's the matter?
12:44You remained silent all this time
12:46And that silence is what makes you...
12:51mysterious.
12:54You must think I'm a fool.
12:56No no.
12:57No, really.
12:58Furthermore,
13:00It's like...
13:01as a challenge for me
13:04that I am discovering little by little.
13:07No.
13:08No, you can't do that.
13:11Because you can discover
13:13something
13:14that you don't like about me.
13:18I accept everything you say.
13:19That's why I want you to be my girlfriend, woman.
13:23Marcos, it's just that I...
13:27Let's see,
13:29Let's speak the truth.
13:31There is another person.
13:33To be committed to someone,
13:34that's all.
13:35No no,
13:36I swear I didn't.
13:38But the thing is...
13:40It's because you don't know me.
13:43Listen to me carefully.
13:45Nothing,
13:47absolutely nothing and nobody
13:49It's going to make me change.
13:52my way of loving you.
13:54Not everything you see
13:56That's what it seems.
14:00Okay.
14:02I understand now.
14:04Since you don't want to be my girlfriend,
14:06so
14:06Well, I ask you to tell me the truth.
14:11Why is this happening, Miss Marixa?
14:15That I am in love with you.
14:19That I love you.
14:21And that he had never told her this.
14:24no other woman.
14:26And if you don't believe me,
14:29feel my heart.
14:32Listen to it, listen to it.
14:34Feel like...
14:35It's not going to come out of my mouth.
14:38Oh, Marcos.
14:40No man has ever done this to me.
14:41those beautiful words.
14:45But the thing is...
14:47Alright.
14:49Alright.
14:51I'm going to tell you
14:52Why can't we be together?
14:53I'm going to tell you
14:55Why can't we be together?
15:12What we have can't be.
15:15It has no future.
15:17Because?
15:19Because we couldn't be normal boyfriends and girlfriends.
15:22Simply
15:23It would be impossible.
15:26to be able to be together
15:27For as long as we wanted.
15:30Clear,
15:31You're saying that because of his mother.
15:34It's because of me.
15:38How are we going to be boyfriend and girlfriend?
15:42if we can't see each other
15:43at night?
15:45What are you saying?
15:47It's just that my mom
15:48She is very ill.
15:49and I can't detach myself
15:51not a single minute of her.
15:53How can this happen?
15:54all day
15:54your mom without seeing you
15:56and it turns out that
15:57that one or two nights
15:58Can't you see me?
15:59No, no, don't tell me that.
16:01I don't understand you.
16:02Do you see it?
16:03Do you see it?
16:04No, better yet, better forget it.
16:05No, no, no, no, no, no, no.
16:07I don't want to forget it.
16:08Okay, okay,
16:10Alright.
16:10I accept your terms,
16:11I accept everything you ask of me,
16:13But I,
16:14I,
16:15I don't want to stop seeing you,
16:17No?
16:18I want you to be my girlfriend.
16:21Please.
16:24How can I tell you
16:25no?
16:28Yeah.
16:29Oh yes, yes,
16:31I want to be your girlfriend.
16:36No, Pedro, no.
16:38You don't come to see me
16:39That stupid face again.
16:41Because of you
16:42He got into trouble
16:43to my cousin in that place.
16:44They accused her of being a thief.
16:45and to everyone,
16:46We were all going to be fired
16:48From that place, Pedro.
16:49Tell me the truth.
16:50Where from?
16:51Where did you get that necklace?
16:52I told you,
16:53I told you that
16:54I was going to find you a job
16:55to pay for it
16:55And I am doing it.
16:58Look,
16:58They gave me an advance
17:00that can be useful to us
17:01for first communion
17:02Pedrito's.
17:04And don't come here now saying
17:06I'm not worried
17:07for my child,
17:08because I'm for my boy
17:09I'll do anything.
17:10That's how I have to work on myself.
17:11from Sunday to Sunday,
17:12from sunrise to sunset,
17:13I sacrifice myself.
17:17Has the person arrived yet?
17:18What did you send for help?
17:19Well, on the road
17:20There's not a soul in sight.
17:22But don't worry,
17:23I promised him good tips
17:24and returned.
17:25Oh, well, I hope so.
17:26Look, now,
17:27Stop worrying, okay?
17:29And now let's enjoy that,
17:31Did you forget?
17:32Are we officially dating?
17:35Look what I found,
17:37a very special wine
17:38for an occasion
17:40very special.
17:41Hey?
17:42Oh,
17:43Don't you think so?
17:44that we are being
17:44too much enjoyment?
17:48Did you know?
17:50Well, I think that
17:51this pair of bowling pins
17:52They won't be bothered
17:53because we open
17:54a good wine
17:56at a time like this.
17:58Then,
17:58I'll see what I do.
17:59I'm sending you a gift.
18:01The truth is
18:02This site is,
18:03It's very romantic.
18:05Ah,
18:06Look.
18:07AND?
18:10I'm going to offer myself.
18:15He left.
18:19For love.
18:23Could they be the owners?
18:25No no.
18:26Calm down, calm down.
18:27Don't worry, it must be okay.
18:28It must be the person
18:29that I asked
18:29that would help us, right?
18:30Peaceful.
18:32I just don't know
18:32What happened to me, my love?
18:34The truth,
18:35I don't know how I could have been
18:36so childish
18:37and react like that.
18:39Do you know what I think?
18:40That suddenly
18:41It's work stress,
18:43I don't know,
18:44the eagerness of the event.
18:47I don't know,
18:48I lost control.
18:50My love,
18:51already,
18:51forget it,
18:52It's over now.
18:53It's over now.
18:54Really?
18:54Yeah.
18:55But then
18:56promise me
18:57that you're going to back me up
18:58in everything that exists.
19:00Of course I'll support you,
19:01my love.
19:01Of course.
19:03My life,
19:05Although I want to help you
19:07and of course
19:07You can count on me,
19:09I think we need
19:10to a vice president
19:11of the product.
19:12It's just that I feel
19:13very difficult to deal with
19:14with the two positions
19:15And I don't want to go back.
19:17to fight with you,
19:19Yeah?
19:22Yeah,
19:22did you know?
19:23Yeah,
19:23you're right,
19:25you're right.
19:27Know?
19:28That?
19:29Marcos
19:29is doing
19:31Things are going very well.
19:32Have you seen it yet?
19:33how he handled
19:33of the presentation?
19:36Although still
19:37It seems to me
19:38a little premature
19:39to return
19:40of his position.
19:41What do you think?
19:42I think the same
19:43that you,
19:43that Marcos
19:45still has
19:45what to learn
19:46your lesson.
19:47I think we should
19:48look for someone else.
19:51Someone else?
19:54Look,
19:54It has to be someone
19:56that I know
19:57each one
19:58of the lines,
19:59that I know
19:59how we handle
20:00the product,
20:01that it has been
20:01involved
20:02in each one
20:03of the campaigns,
20:04someone like...
20:07like Alberto.
20:09What is my love?
20:12Alberto
20:12can replace
20:13to Marcos.
20:14Hey,
20:16temporarily,
20:16No?
20:17What do you think?
20:20Can we leave now?
20:22No,
20:22No.
20:23We have to wait
20:24that it goes down a little
20:25the rain.
20:27Let's go this way.
20:33You can tell they love each other
20:34a lot.
20:35Do you know what I would like?
20:37No.
20:38Have a photo
20:39how are you doing,
20:40but yours mine
20:41hanging on the fireplace
20:43and...
20:45old people
20:45with a family
20:47very large,
20:48grandchildren.
20:50Is...
20:51I'm serious.
20:52Well, I know
20:53that we don't know each other
20:54a lot,
20:54but...
20:55But what's wrong with that?
20:56in dreaming
20:56in what...
20:57in which we can
20:58to be together
20:58until we're old.
21:01it's better
21:02not to think
21:03in the future.
21:04Let's see,
21:04because?
21:06Don't you think so?
21:07that ours
21:07How long will it last?
21:09No,
21:10No,
21:10it's not that,
21:11the thing is...
21:12I have many things
21:13in the head
21:14And I don't want to think...
21:15Let's see,
21:15let's see,
21:15Don't come at me
21:16to say that now...
21:17that you now regret it
21:19of being my girlfriend.
21:21No,
21:22No,
21:23it's not that,
21:24the thing is...
21:27I'm very scared.
21:29we have...
21:30we have lived
21:31such beautiful things
21:32here,
21:33in this little house,
21:35that I don't want
21:36that nothing harms it.
21:37No,
21:38No,
21:38No,
21:38No,
21:39No,
21:40nobody
21:40or anything
21:42It will damage it.
21:43I assure you.
21:50I want this moment
21:53be very special
21:54for you
21:55And for me,
21:58that...
22:00that never,
22:01Let us never forget it
22:03in our lives,
22:04Yeah?
22:06May tonight be...
22:08Tonight,
22:10tonight.
22:11You'll be that very late.
22:13Oh,
22:13I have to go now.
22:14But how are you going to leave?
22:15Is it raining?
22:16Oh my God.
22:16No,
22:17I really have to go now.
22:37I beg you,
22:38Let me go,
22:38I really have to go now.
22:40I can't tell you
22:40It's raining
22:41your hands,
22:42forgive me,
22:42I know that...
22:43that was me
22:44the culprit,
22:44I shouldn't have pressured you.
22:46Look,
22:46I'm not going to do anything
22:47that you don't want,
22:48Yeah?
22:48Please.
22:49Marisa,
22:50I don't...
22:51Because?
23:08Well, Alberto,
23:11I think it's a good option.
23:13I'll talk to him tomorrow.
23:14to see if he's interested.
23:15Well, I think so.
23:17my life.
23:17Say,
23:17Who wouldn't be interested?
23:19grow in a company
23:19like the...
23:22like ours,
23:23my love?
23:24Like ours.
23:27My love,
23:28sorry.
23:30Cristina,
23:31I hope it's something important.
23:33I am not Cristina,
23:34Doña Bárbara,
23:35it's me,
23:36Rosemary.
23:38I'm calling her to tell her
23:38which I already have in my possession
23:40the notebooks
23:40that you entrusted to me.
23:41Ah,
23:42Well, that sounds great to me.
23:44Yeah,
23:44clear,
23:45The lettering is clear,
23:46But anyway,
23:47Cristina,
23:48I'd like to throw it
23:48Another quick check tomorrow
23:50before sending it.
23:51Anything else?
23:53No,
23:53lady.
23:55And sorry for the inconvenience.
23:58No,
23:58don't worry,
23:59Cristina,
23:59Have a good night
24:00And may he rest.
24:02Bye bye.
24:04I don't want you to think
24:06that I wanted to take advantage of
24:07for the wine
24:07Thank you for stopping by.
24:09No,
24:09No,
24:10we're not going to do
24:11what we didn't agree on.
24:12But please,
24:12open,
24:13Yeah,
24:13Open.
24:14It's better if we stay like this.
24:16But I'm not going to stay quiet.
24:18until I know
24:18that you're not angry with me.
24:20Well,
24:20Well, if that's what worries you,
24:23I'm not angry with you,
24:25but,
24:25But let me stay here,
24:27I want to be here alone.
24:29Whatever you want.
24:36How stupid I was.
24:39I probably scared her.
24:40It was too fast.
24:42That,
24:42How clumsy.
24:43Why did it have to get dark?
24:46Was everything going so well?
24:51Until it arrives
24:53my inconsiderate daughter,
24:54I won't be able to sleep a wink.
24:56I should have been here a long time ago.
24:59Well,
24:59He was probably introduced to it
25:01something last minute.
25:02in the company,
25:03You know that today
25:04It was a very important day
25:06for her.
25:06At least he could have spoken
25:08by phone.
25:09Yeah,
25:09But don't worry anymore
25:10because of her,
25:10Mrs. Regina,
25:11Look.
25:12I am completely sure
25:14which will arrive soon.
25:16Meanwhile,
25:20Take this.
25:23the little water.
25:27Luzmila,
25:53Luzmila,
25:55What's happening?
25:56What's going on?
26:16outside the coverage area.
26:18Please,
26:19Please try again later.
26:23Little Virgin,
26:24little virgin,
26:25For the love of God,
26:26that it hasn't happened to him
26:27nothing bad to my godmother
26:28and that he returns soon.
26:33Or is it that he's going through it?
26:34deluxe
26:35And since I don't give him time
26:37to let me know
26:38And here I am, getting anxious
26:39thinking the worst?
26:40Please,
26:41Don't insist.
26:43Now that I'm listening to you
26:44and I can't see you,
26:47Do you know who
26:48Does your voice remind you of me?
26:49Whom?
26:51To Juliana.
26:53Yeah,
26:55Yeah,
26:55us,
26:56they told us
26:57that we look alike.
26:59Hey,
26:59the voice,
27:00clear.
27:01Know
27:02what happened
27:04when we had
27:04the accident?
27:06Something very strange.
27:09Very strange,
27:10You started to hallucinate
27:11and to say
27:12that you were
27:12Juliana.
27:14What madness!
27:15No?
27:15What a blow does
27:16in the head.
27:17Marcos,
27:19I'm going to make you
27:21a question,
27:23But please,
27:25answer it for me
27:26sincerely.
27:28Well yes,
27:28tell me.
27:30What was the most
27:32It caught your attention
27:33of me
27:33When did we meet?
27:35The truth
27:36You seemed
27:36a very beautiful woman.
27:39Your eyes,
27:42your hair,
27:44your face,
27:46all of you.
27:49There are many
27:50beautiful women,
27:52No?
27:53Well, the truth is,
27:54Yeah,
27:54And that's not bad,
27:56Oh yes.
27:58Well, I always
27:58I was surrounded
27:59of beautiful women.
28:01For example,
28:02my mom Perla
28:03It was a woman
28:03very pretty
28:04And don't forget
28:04that I grew up
28:06surrounded by models.
28:08Then I went in
28:08in the company,
28:09well, I had to interact
28:10with all those people,
28:12No?
28:13Yeah,
28:14I know.
28:15I know you'll get them
28:16you kissed,
28:16Leave them all.
28:18Don't remind me anymore
28:19I want to forget that.
28:21Apart,
28:21I didn't know you.
28:24I swear that
28:25now that I am
28:26with you
28:27I'm not interested
28:27no one else
28:28but you.
28:30But,
28:32Let's suppose that
28:35I wouldn't be
28:36everything you see,
28:38that
28:39that I was ugly,
28:43You would have asked me
28:45that I were
28:45your girlfriend.
28:49Oh,
28:49How ugly!
28:51No,
28:51No,
28:51No,
28:51That's not how it's done.
28:53Ginger,
28:54I don't see it
28:55nothing wrong
28:56in having danced
28:56with Charlie.
28:58He invited me.
29:00You don't see
29:00Nothing wrong with that,
29:01But I do,
29:02because it turns out
29:03that I'm not your boyfriend.
29:06Ultimately
29:07because we're dating
29:08you take
29:09all the right
29:10to decide
29:10what I owe
29:11or not to do it?
29:12And you?
29:13Well no,
29:14little girl.
29:16I already told you.
29:17If you like
29:17what I am like,
29:18good.
29:19And if not,
29:20to fly.
29:22Well,
29:24Well, that's where it ends.
29:27It's over.
29:43Imagine it,
29:45pretend
29:46that,
29:47that that would happen.
29:50What would happen
29:51If I,
29:53What if I were Julian?
29:56Marixa,
29:57I'm freezing.
29:58don't have
29:59what to wrap myself in.
30:00The firewood ran out,
30:01so I don't think so
30:02that I can help you with
30:03I'm really into that little game.
30:04that you bring
30:05of imagination.
30:06Do you want cold?
30:08Yeah.
30:09Oh,
30:09here,
30:10There are several blankets here.
30:11And I can pass you
30:12a,
30:13but,
30:13but on one condition,
30:14Don't open your eyes.
30:16Ah,
30:17Marixa.
30:19Oh,
30:20please,
30:20Promise me,
30:21Yeah?
30:22For the love of God,
30:23Don't open your eyes.
30:26Alright,
30:26I promise you
30:27And because I'm freezing,
30:29But it's open now.
30:30I already closed it.
30:30already,
30:31let's see.
30:33Let's see.
30:36Where are you?
30:40Marcos.
30:45Marcos.
30:46Marcos.
30:58Don't open your eyes,
31:03For the love of God,
31:04Don't open your eyes.
31:05Marcos.
31:06Why can't I see you?
31:07Is it a game?
31:08Furthermore,
31:08I'm going to open just one.
31:09No,
31:09No,
31:09You don't open it,
31:10Don't open it for me,
31:11please,
31:12If you love me,
31:13please,
31:14Get out and don't look at me.
31:15Already,
31:15That's enough.
31:16I don't see you anymore,
31:16What a mystery you are!
31:18Marixa.
31:20Oh, God!
31:38Charly,
31:39hello,
31:40are you busy?
31:42Hey...
31:43Yeah,
31:44Yes, I'm a little busy.
31:45the truth,
31:46but...
31:46But tell me,
31:47Shomi,
31:47what's happening?
31:48I'm very worried
31:49by Marcos,
31:50Look at the truth
31:51that it doesn't appear that way,
31:53I called him
31:53one hundred thousand times
31:54to that cell phone
31:55and I told myself
31:55a recording
31:56saying that he is
31:57outside the area
31:57coverage.
31:59You better than anyone else
31:59You know what Marcos is like
32:00And he gives in to his losses.
32:02and nothing ever happens,
32:03Okay?
32:04If you know anything,
32:05please,
32:05let me know,
32:06Well?
32:07Yeah,
32:08be absolutely certain
32:09that when it is communicated
32:11with me
32:11I'll pass on your message.
32:13Okay,
32:14a kiss,
32:15Bye.
32:18Who will go?
32:19Let's see...
32:21Any girlfriends?
32:23What do you think?
32:24The bride
32:25from my best friend Marcos
32:26that he can't find it.
32:28He probably
32:29at this very moment
32:31This must be happening to him
32:32just as rich
32:33than the others.
32:34Could it be?
32:46So what now, Pedrito?
32:48What was that so important?
32:49What did you have to tell us?
32:51It is about
32:51to seize
32:53from the notebooks
32:53that were stolen
32:54from the dead woman's room
32:55and that they took him
32:56to the old man.
32:58What did you see us do?
32:59traitor faces
33:01Or what?
33:01That should be worth it.
33:02a strong banknote.
33:04We're getting paid
33:05a pittance
33:05compared
33:06with which the old man
33:06He's getting paid.
33:07Well, then...
33:08Well, that's what it's for.
33:09He's the boss, isn't he?
33:11But...
33:11But what don't you understand?
33:15If we take over
33:16from the notebooks
33:17and we negotiated them
33:17directly
33:18with the old woman,
33:20It's going to be
33:20equal parts
33:22for everything.
33:25Check it out
33:25with the pillow
33:26And they tell me
33:26that they decided.
33:35Reveal your inner self
33:37and shows
33:39what are you like
33:40you will reflect
33:42the truth
33:44of this great love
33:46in the mirror.
34:04Good morning,
34:06He dozed.
34:11Good morning,
34:12good morning.
34:13Never
34:14I had woken up
34:16a woman
34:16so beautiful
34:17like you.
34:18You have passed
34:19the night
34:19with so many
34:20beautiful women
34:21me too
34:23that I offered you
34:24tonight
34:24stuck here
34:25to a door
34:26and enduring the cold
34:27and so
34:29You tell me everything
34:29those things
34:30so beautiful.
34:31First of all
34:32Don't compare yourself
34:33with none
34:33of them
34:36because none
34:36I loved her
34:38how much I love you
34:39to you.
34:40We have each other
34:41that go now
34:41because there are people
34:42that should be
34:43worried
34:44for us.
34:46Yeah.
34:48Never
34:49had had
34:50some partners
34:50that they decided
34:51so fast.
34:53I like it.
34:54Yes, yes, yes,
34:55Peter,
34:55Whatever you say,
34:55but we
34:57nothing else
34:57we brought you
34:57to the house
34:58from the boss
34:58and from here on
35:00It's on your account
35:01yours.
35:01Oh,
35:02that they
35:03is wrinkling
35:03to the lovebirds.
35:05What to wrinkle
35:06nor anything.
35:07What happens
35:07It's because he knows us.
35:09Ah,
35:10if they are useful to us
35:11don't get in the way,
35:12so
35:12hollowing the wing
35:13I'll take care of it.
35:14Come on, come on.
35:34What happened, godmother?
35:36that I didn't hit
35:37the eye
35:37all night
35:38Why weren't you showing up?
35:39Oh,
35:39Luzmila,
35:40We had an accident
35:41awful.
35:42We lost our car
35:43And we had to sleep
35:44in a cabin.
35:45And did he see you transformed?
35:47in Juliana?
35:48Oh no, no,
35:49I had to lock myself away
35:50in a room.
35:52Oh,
35:53that?
35:54But they passed
35:55such beautiful things.
35:57Oh,
35:58And the best part of all
36:00the thing is
36:02We are girlfriends.
36:03Oh,
36:04How exciting!
36:04And with that big win
36:05by Marcos.
36:07Oh,
36:09But you know what?
36:10That there is no happiness
36:11complete.
36:12Oh,
36:13What happened, Luzmila?
36:14Don't tell me
36:14that my mommy...
36:15No no,
36:15Your mom is fine.
36:17Well,
36:17Imagine
36:18that when we were there yesterday
36:20on the show
36:20of Multi Companies
36:22some thieves
36:23They came in here
36:23to the academy
36:24and they took
36:25room things
36:26from your aunt Mercedes.
36:28That?
36:28Yeah.
36:29Oh,
36:29I don't know
36:30what did they take?
36:30midwife.
36:44Hello good.
36:45Good day.
36:46Please,
36:46He makes me a copy.
36:47of each sheet
36:50and wraps the package for me
36:51or he puts it in
36:52in a manila paper envelope.
36:56Let's see,
36:58missing here
36:59some lighters,
37:01some tubes
37:02and...
37:03Oh,
37:04the mirror,
37:05the mirror.
37:06Oh,
37:06Thank goodness
37:07They didn't touch him.
37:08And why?
37:08so much fright
37:08With that mirror?
37:09Say,
37:10the truth
37:10What I don't understand
37:12That's why
37:12It's always covered.
37:13The thing is
37:15of this mirror
37:16It all started,
37:17Luzmila.
37:18From here
37:19The woman came out
37:20that you see now,
37:22Maritza.
37:23Look.
37:25Do you see?
37:26as in all
37:26the mirrors
37:27I see myself reflected in it
37:28Like Juliana?
37:32In this mirror
37:33it is in the only mirror
37:35in which I see myself
37:35like Maritza.
37:37Oh,
37:37No.
37:37Oh,
37:38No,
37:38Little Virgin.
37:40The notebooks?
37:41That?
37:42The notebooks?
37:44Oh,
37:44My God,
37:45The notebooks were stolen
37:46that left me
37:46my aunt Mercedes.
37:47Mine?
37:48Oh,
37:49the notebooks,
37:50because,
37:51Luzmila,
37:51because?
37:52Already,
37:52peaceful,
37:53midwife,
37:54Don't get like that.
37:55Oh,
37:55No,
37:55It's because you don't know
37:56the important thing
37:57that were for me.
37:58They had many things.
38:00Well,
38:00and to the final
38:01those thieves
38:01nor should they know
38:02what they took,
38:03midwife.
38:04Whom
38:04he was interested
38:05Those notebooks?
38:07Who knew
38:08that existed?
38:17Nice time
38:17if they arrive,
38:18No?
38:19I've been
38:20calling like crazy
38:21and you don't answer
38:22that damn cell phone.
38:23Xiomara,
38:25I had an accident yesterday.
38:28I almost did
38:28to kill me
38:29with Marix,
38:30so I don't feel like it
38:30of listening to your complaints.
38:31Oh,
38:32my love,
38:32I'm sorry.
38:34No,
38:34I knew nothing,
38:35forgive me.
38:37It's been all night
38:38without knowing about you.
38:40Oh,
38:40You can't imagine.
38:42Thank you for your concern,
38:44But you know what?
38:46Don't be here anymore
38:47more attentive to me.
38:48Want?
38:51How could I not go?
38:52to be on the lookout
38:53What if I'm your partner?
38:54No, Xiomara!
38:55No!
38:56No,
38:57And forgive me,
38:57But it's about time.
38:59what we talk about
38:59Let's do this once and for all.
39:01and let's not give it to him
39:02longer than this.
39:03From this moment on
39:05you and I
39:05We are nothing.
39:07It's from that woman,
39:08No?
39:10Maritza
39:11She is responsible,
39:12TRUE?
39:13I hate her,
39:14damned!
39:15No,
39:15She's not like that anymore.
39:16You can't leave me,
39:18You can't leave me
39:19And I'm not going to allow it.
39:20Marcos.
39:21You have to learn
39:21to resign.
39:23This is over.
39:25AND,
39:26Give me back
39:27the keys
39:27of the apartment.
39:32That?
39:33That?
39:33That?
39:33That?
39:34That?
39:34That?
39:35That?
39:37That?
39:37That?
39:48Midwife.
39:51Did your mom see you?
39:52No,
39:53He didn't see me.
39:53was asleep.
39:54Well,
39:55It must be the pill
39:56that I gave him to sleep.
39:57which left her like a tree trunk.
39:58No,
39:59everything that happened to him yesterday.
40:00Oh,
40:01poor thing,
40:01Will you take care of her for me?
40:02And will you do me a favor?
40:03Tell him I came
40:04And that I'll call her later?
40:05Yeah,
40:05ready,
40:06ready,
40:06Go in peace.
40:09Oh,
40:09hey,
40:10I love so much
40:11to that angel.
40:14Oh,
40:15but,
40:15But it's not that easy,
40:17Light,
40:17look.
40:18Because he likes Marich
40:19and not me.
40:20Oh,
40:21No,
40:21already,
40:22I've had enough.
40:23of the same.
40:26I already called you, good luck.
40:27Well,
40:27ready,
40:27that the little Virgin
40:28It accompanies you.
40:30I love you very much.
40:43Relief!
40:45Stop him!
40:47God,
40:47Make him do something to you!
40:49Help me!
40:54My God,
40:57And now what face will I have?
40:58Am I dating Doña Bárbara?
41:05Hello!
41:13I came to find you.
41:15Thank you for the thoughtful gesture.
41:18but...
41:18What's the matter?
41:20Did your mom get sick?
41:22My friend took care of her.
41:24Juliana?
41:25Yeah,
41:25What a good friend!
41:26No?
41:26Marcos,
41:27You didn't finish telling me
41:29what would happen
41:31If I were like Juliana.
41:32Let's begin
41:33with the little game
41:34of the assumptions.
41:36Listen,
41:37Let's suppose that
41:38Do you know Juliana?
41:40in the company,
41:41that you work with her.
41:43Would you look at her?
41:45Well, the truth is,
41:46I wouldn't look at her.
41:47But don't tell him.
41:49It's true,
41:49I think that
41:50Nobody would look at her.
41:52It's true,
41:53He is very kind.
41:53and sweet
41:54and...
41:55but it's a little
41:56graceful.
41:58Besides,
41:58I would venture to say
41:59that I believe
42:00that nobody would want
42:01to be her boyfriend,
42:02sincerely.
42:03No.
42:05No.
42:05No.
42:07No.
42:07No.
42:09No.
42:09No.
42:10No.
42:11No.
42:13No.
42:13No.
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