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00:24Bible
00:33Libya?
00:38Libya?
00:38Yes, Libya, our dear little sister Libya, huh?
00:42Franco, I'm telling you, that damn thing is starting to show its true colors.
00:45And at his own risk he runs into the lion's den, how does he kiss it?
01:01Wait, wait, wait, what are you saying, man? I don't understand you.
01:03That hypocrite is looking for trouble.
01:06You understand that, right?
01:07Oh, you're exaggerating, Oscar, I don't know what you have against poor Libya
01:10Are you going to pay attention to me, you big idiot?
01:13I'm telling you, she's secretly seeing a man!
01:15Which man? I've never seen her with any of them.
01:17Of course, because your head's somewhere and you don't even know where you stand.
01:21And you couldn't care less what I do or don't do.
01:23But the fact is that our little and beloved sister Libya
01:27She already has a lover, do you hear that? She already has a lover!
01:33Yeah!
02:03Thank you!
02:10You call anything a lover
02:12You can't see that he's talking to the neighbors' children
02:14Because you immediately start making up stories for him
02:16Franco, it's no fairy tale
02:18It's not about the neighbors.
02:19Nor from the boy who brings the milk
02:21Nor the shoemaker who, every time he sees her pass by
02:23He says a lot of awful things to her.
02:25I'm telling you, he's a stranger.
02:27The one she's been involved with for some time now
02:29That's not true, Oscar
02:30She must be with him right now, I don't know where, but she's definitely with him.
02:34He's going astray, man.
02:35That shameless woman is doing whatever she pleases.
02:55I love you, Lidia
02:58I love you
03:00I'm crazy about you
03:06This must have been going on for a while.
03:08But the shameless girl used her tricks to make sure we didn't notice.
03:11But of course, nothing is hidden between heaven and earth.
03:14Today, that relief's laziness ends.
03:16What you're saying can't be true.
03:19Stop it already, Oscar.
03:20Otherwise, you might fabricate a slanderous story about our own sister.
03:22But how could I invent something so serious?
03:24They just don't think they'll believe me, damn it.
03:27Just being stuck in the blessed bakery all day
03:30And the other one for staying up all night at that bar after that lazy woman who drained his brain.
03:33He can't see beyond his own nose.
03:35But not me, eh
03:36I don't let anyone put their fingers in my mouth.
03:38And I have an obligation to denounce the misdeeds of our sister
03:40Okay, stop talking badly about Lidia.
03:42So what do we do?
03:43Shut your mouth, we cross our arms and allow our only sister
03:46Become just anyone
03:48Be quiet!
03:54You should not be afraid at any time
03:56You hear it
03:59You must trust me
04:02I love you, Lidia
04:05You know I love you
04:07Sincerely
04:10Let it go! Now!
04:11Juan! Hey! Hey! Now!
04:13You're not talking about just any woman!
04:15You're not talking about our sister!
04:16Shut up! Shut up!
04:17Come to her, respect her!
04:19You respect her above all else!
04:22Come on!
04:23Repeat what you said
04:24I'm going to burn your tongue in the oven
04:26Why are you leaving her?
04:29Well, even if you kill me, Juan
04:30I don't support it; I don't belittle anyone, no matter how beautiful their good may be.
04:33And you, Saracuán!
04:34Come on! Come on!
04:35Do I want you to make me believe it?
04:36Well, I have proof!
04:37What do you think?
04:38What kind of evidence is that?
04:39His constant departures, huh?
04:41He goes to the corner market with any excuse.
04:43Look, I left two hours ago and he still hasn't come back.
04:45Oscar had to buy a lot of things.
04:47But he does it to communicate with that man.
04:49I know this for a fact!
04:51If I know it, I don't know it.
04:54I know from the market owners that from lending him the phone so much
04:58They pricked up their ears and realized their romance
05:00What do you think?
05:02Source me
05:04In that way?
05:06In that way?
05:07So you're not the only one saving her from harm.
05:13I'll find this out right now.
05:15I'll find this out right now.
05:19What do they want to find out?
05:21They don't ask us anything because we don't like to get involved in gossip.
05:24All we said was that your sister was always talking to a man.
05:29And that's true.
05:31The groom will surely want it
05:32Mrs. Hortencia, how can I be sure that my sister has a boyfriend?
05:35Don't make up lies
05:36My wife doesn't call her a liar
05:38She doesn't say anything that isn't the truth.
05:41Furthermore, my boys saw her getting into a man's car.
05:44Which man?
05:46One of those rich people who think they can buy everything with money
05:49Even the pretty, sweet girls
05:54What is my sister selling, Don Filemón?
05:57Hey?
05:58I let go of my husband
05:59Let it go quickly!
06:00Clarify what you say
06:01I am not responsible for myself
06:02Livia is a respectable young lady
06:04If it were respectable
06:05That?
06:06You wouldn't say it's the first thing he's ever proposed.
06:07Ole, let go
06:09No, no, no!
06:24No no!
06:26I'll be busy the next few days.
06:28But I'll come for you next Thursday
06:30Don't miss it
06:32I beg you
06:33I won't miss it
06:35Wait
06:40Take
06:40No, no, please don't give me money
06:43Please
06:46You may need
06:48Yes, Franco, yes
06:54I'm healing your scratches from old Hortensia
06:56But come on, I'm laughing like crazy, now
07:00So, why on earth did you have to make all this fuss?
07:02I had to fill Juan's head with the neighbors' gossip.
07:05Don't you know how crazy your little brother is?
07:07I don't cover up Livia's mistakes
07:08You'll do that
07:09How can you be in love with a shameless woman?
07:11You want Livia to follow the same path, right?
07:13Yes, yes, yes
07:16Well, but...
07:17Stop arguing now, or I'll silence you in my own way.
07:19What's wrong with them, huh?
07:20Hey?
07:23I already have enough to deal with as it is without having to put up with them.
07:47What are you doing?
07:51Nothing
07:55What are you hiding, Livia?
08:00Open your hand
08:01Open your hand
08:06That?
08:08Juan, what are you doing, man?
08:10That?
08:11Just look at that!
08:12Look at this
08:15Look at this
08:16I can't believe it
08:18Now you're going to tell me the truth
08:21Livia, who gave you this money?
08:24Who gave it to you and why?
08:26Calm down, Juan, let him explain.
08:28I have nothing to explain to him.
08:30Livia, everyone in the neighborhood is already talking about it.
08:32It's best not to hide anything because it would be worse, you understand?
08:35I don't know who they're talking about
08:36The man you're seeing in secret
08:40Answer us
08:41It's true that you have a lover.
08:43Livia
08:44There can be no secrets between us.
08:47Don't hide anything from us, please.
08:48Well, yes
08:51Yeah
08:51I'm seeing a man in secret
08:54And?
08:56Not me, Juan
08:57Calm down, Juan
08:59Calm down, Juan
09:11Good afternoon, Mr. Bernardo
09:12How is Eva?
09:14Is everything alright?
09:15More or less
09:16They called him because they couldn't find him at the office.
09:19Too many calls?
09:21Quite a few
09:22You can't get lost because they'll immediately run to find you.
09:25Remember that you are a very important person.
09:27I tell you, he is a very important man
09:31Very distinguished
09:32Very well positioned
09:36I met him by accident
09:38And honestly, I swear I never thought I was doing anything wrong.
09:41And why didn't you tell us anything, Livia?
09:43Well
09:45Because I fell in love with him
09:48And he fell in love with me
09:51And since I know you don't like what's done to it
09:54Have you slept with him?
09:57With these words
09:59Not with gestures
10:00And you look me in the eyes
10:04Have you slept with him?
10:07Yeah
10:08Hey!
10:09Don't make me an accomplice, please.
10:09He thinks he can do whatever he wants.
10:11She is very wrong.
10:13But very wrong, Livia.
10:15As your older brother, I have the right to reprimand you.
10:17We are also your brothers
10:19And we're not going to let you beat her to death.
10:20That won't fix anything, Juan.
10:22He respects us, okay?
10:23And has she respected us?
10:25Hey?
10:26Tell me
10:26He has respected us
10:33As much as we are careful
10:34Look how you pay us
10:37Great scoundrel
10:40We barely let our guard down
10:41And you get entangled with the first unfortunate soul.
10:42That gets in your way
10:44Juan, I swear
10:45I swear to God
10:47He is a good man.
10:48Tell me who it is
10:49Before I lose what little patience I have left
10:51What do I have left, Livia?
10:51Who is it?
10:53So that?
10:54So you can find him and kill him
10:56Why did you notice me, Juan?
10:58Well no!
11:00I'll never tell you!
11:01He'll never know!
11:12Nothing
11:13Nothing, man
11:14Nothing
11:16It's still securely closed.
11:18Without saying a word
11:20You know what, Juan?
11:20I think that even if you kill her
11:21He's not going to say anything
11:22About that type
11:23I see her as
11:24As if stolen by him
11:29I can't believe it
11:30What's happening
11:33I will be at peace
11:34Until I meet him
11:35To know what to expect
11:40Livia trusts Franco more.
11:41That in us
11:42Perhaps he could convince her
11:44Maybe so
11:46But from Franco
11:47Don't expect anything, okay?
11:48That makes no sense.
11:49For that woman
11:49That it has him disturbed
11:50He must be over there at the bar.
11:52Listening to his screams
11:53That tramp
11:54Who is that man?
11:59A woman who looks at me and undresses me
12:03A restless land that spins me around a thousand times
12:06And it makes me weak
12:07But it makes me feel like a woman.
12:13Nobody can take it away from me.
12:17I will always be her owner
12:19That's why she doesn't sleep.
12:21The one you die for
12:23Through which she breathes
12:28I own her
12:31I own her
12:35I own her
12:51I own her
13:13Please, gentlemen
13:15Please, gentlemen
13:16Please, leave right now
13:17Because I need to be alone
13:19When I'm finished, I'll be very happy.
13:21I'll take care of them.
13:29And so?
13:31What are you doing there, boy?
13:33I just came to say hello.
13:34And to congratulate her personally.
13:36Because I admire her a lot, you know?
13:39Yeah?
13:40Just like everyone else
13:41But you saw how I got it out.
13:42I don't like visitors
13:44Ever since then, I wanted to get in.
13:45But I didn't feel up to it.
13:47I just want to talk to you
13:48Well, he finally got it.
13:50So retire
13:51Because I need to prepare
13:52For my next issue
13:53Don't fire me, Rosario
13:55I just want to talk a little more
13:57I'm always watching
13:58Their shows down there
13:59I don't get lost
13:59I thank you for your devotion.
14:01But I'm in a hurry.
14:02And at this moment
14:02You are getting in my way.
14:04Could I come and pick her up?
14:05Later, perhaps?
14:06For God's sake, boy
14:07Can't you hear me?
14:08I need it to go out
14:09Otherwise, I'll see
14:10In the obligation
14:10Calling the employees
14:11Emilia!
14:12No, no, no, no
14:12There is no need
14:15Either way
14:17I will continue to insist
14:18Because
14:20I never get tired
14:22I admire her
14:22Leave
14:32He's a very handsome young man
14:36Yes, Emilia
14:39It is
14:42Very, very handsome
14:45And he always comes to see me
14:47I'm glad to discover it.
14:48Among the audience
14:49And I dedicate it to him
14:49Most of it
14:50From my songs
14:52So why
14:52Did he treat him harshly?
14:54It seemed like a fling with him
14:55Oh, Emilia
14:56Emilia, the young people
14:58Just like he made them for me
14:59I can't afford it
15:00Wasting time
15:01With guys like that
15:04No, no, no
15:08No, no, no
15:36Livia, do you love me?
15:41A lot
15:43A lot
15:44Just like Oscar and Juan
15:46I adore all three of them
15:48Although
15:49Even if they can't understand me
15:51He loves them very much.
15:52Hey
15:54Look, Livia
15:55If you tell us the truth
15:57We'll try to understand you, okay?
16:01We need to meet your sweetheart
16:02And talk to him
16:03Understand it
16:06If he is a decent man
16:08And he loves you sincerely
16:09There's nothing to fear.
16:13You're going to introduce us to him, Livia.
16:16There's nothing to fear.
16:44That moves me
16:46That drives me crazy
16:51And that's why I ask.
16:59Who is that man?
17:03He looks at me and undresses me.
17:05A restless beast
17:07That's way better than me
17:09And it makes me tremble
17:10That makes me feel like a woman
17:15Nobody can take it away from me.
17:19I will always be her owner
17:22That's why she doesn't sleep.
17:24The one you die for
17:25Through which she breathes
17:32I am his wife
17:42Is something wrong, my love?
17:46No
17:47No, no, nothing's wrong with me.
17:51You've barely spoken
17:52You seem very nervous.
17:55I'm telling you that
17:56Nothing's wrong with me.
18:12Bernard
18:14I want us to go back
18:16I don't want to go in.
18:21What is happening?
18:22Why don't you tell me?
18:24Once and for all?
18:25No problem
18:27Simply
18:29Let's just go
18:33Bernard
18:35Bernardo, don't go in
18:47They
18:48They are your brothers, Livia.
18:51Yeah
18:51Yes, that's true.
18:53They found out everything
18:55And they wanted to talk to you.
19:01So this is the man
19:05How embarrassing, Livia.
19:07It's not even about
19:08Of a young type
19:09If he didn't give
19:09An old man who could be your dad
19:12A miserable old man
19:14Let's take it one step at a time, I'm
19:16I am an older man
19:17But very decent
19:19If I were a miserable old man
19:20Her sister wouldn't have fixed
19:22His eyes on me
19:24My little rooster, sir
19:26Did a jester bark or what?
19:29Juan, please
19:30You promised me
19:31That you weren't going to touch it
19:32Juan
19:33I don't do it
19:33I don't do it
19:34I don't do it
19:34Hey, let it go
19:35Juan, Juan
19:37I wanted to meet you too.
19:39I was thinking of asking Livia
19:41That he would introduce me to them
19:42It's a shame that the circumstances
19:44They're not the best.
19:46Well, they won't do it for you.
19:48Apparently
19:49She does everything in secret
19:52Taking advantage of boys
19:53Naive little girls
19:54Like my sister
19:54No
19:55I am not an opportunist
19:57I don't take advantage of anyone.
19:59I sincerely love her
20:01And I am willing.
20:03To answer for my actions
20:05So, how does he think?
20:07Will you answer my gift?
20:08I'm resolved.
20:10To join her
20:10And not out of obligation
20:12But because I sincerely love her
20:15Will he marry her?
20:17My life
20:18My future
20:20What I have
20:21And what I am
20:22They belong to Livia
20:26I'm resolved.
20:26To repair the damage
20:29Juan, Juan
20:30What did we say?
20:31What are they going to have
20:32For repair?
20:33Juan, already
20:34That you
20:35Why wouldn't it fit?
20:37A healthy bone
20:37After the beating
20:38What did I give myself?
20:40No!
20:41No!
20:41No!
20:41No!
20:42No!
20:43No!
20:44I don't believe in anything
20:44From what he says
20:46I don't trust it
20:47I don't trust it
20:48In badlands like this
20:53Oh, Livia
20:53Are you sure?
20:54Why do you want that man?
20:55He's too old
20:56For you
20:57It's just that I
20:58I don't care about your age.
20:59The only thing that matters to me
21:00I just love him
21:00And I need it
21:02He's already engaged
21:03With me
21:04Please believe him
21:05I am sure
21:06That he will keep his word
21:07Well, I'm not interested.
21:08May she fulfill it.
21:09You'll have to separate
21:10His
21:11And we'll get out of here
21:12What do you mean, Juan?
21:13And all the work
21:14It has cost us
21:15Settling in here
21:16You're crazy, man.
21:17Look, ever since we arrived
21:19We haven't had
21:19More than problems
21:20And more problems
21:22We will not allow it
21:23That she's silly
21:24Commit the absurdity
21:25Marrying an old man
21:26That it's not in his best interest
21:28So the only solution
21:30It's about putting some distance between us.
21:31Well no
21:31That's not the solution
21:32Because I don't believe it
21:33The story
21:34Livia
21:34She's really in love
21:35As it says
21:36Let's see
21:38Account
21:38Confess to us
21:39Confess what brought you
21:40It was that guy's money
21:41Because apart from the money
21:43I really don't see it.
21:43Which attraction
21:44You discovered him, Livia.
21:46What do you think?
21:47Am I so ambitious?
21:48Like you
21:49Why should I notice those things?
21:50Well no
21:50Well, what if that were the case?
21:52You would be the most interested.
21:54That I would marry him
21:55Because it's true
21:55That he has money
21:56And a lot.
21:57Oh, really?
21:58And how much does he have?
21:59Let's see
22:00Don't know
22:01But from what he's told me
22:03He owns many companies
22:05And he also lives
22:06In a very large house
22:07On the outskirts
22:07Clear
22:08It's probably about
22:10From one of those old ones
22:11Rich people
22:13They exploit the workers
22:16Just like those wretches
22:18They kicked us out.
22:19From our lands
22:20You're not going to marry him
22:25Juan
22:26Juan
22:27Man
22:29Listen to me
22:30What the hell are you up to?
22:31Well
22:33Something that
22:34That could be
22:36Our salvation
22:36Let's talk
22:38Regarding this matter
22:38Carefully, right?
22:40Well
22:41I'm smelling myself
22:43Juan
22:43This is the great opportunity
22:44That we've been waiting for
22:45For a long time
22:46Can you hear me?
22:47The great opportunity
22:49Man
22:58I'm telling you
22:59Boys
22:59It's utter stupidity.
23:01Opposing marriage
23:02From Libya
23:02With Mr. Elizondo
23:03So, what can we expect from him?
23:05What can we demand of him?
23:07It has everything
23:08He's a wealthy guy.
23:09Highly respected
23:11And on top of that, there's
23:12Madly in love
23:13From Libya
23:14You disagree
23:15With me, Franco?
23:16Not much for me
23:16I don't care that he's a millionaire
23:18If she wants to get married
23:19With the
23:19And they both love each other
23:20There's no reason to oppose it, is there?
23:23Juan
23:23Juan, don't be stubborn
23:25Please
23:25You need to change your mind, man.
23:31When I solve something
23:32I'm not backing down
23:34I said we're getting out of here
23:36There's nothing more to discuss.
23:37That would be crazy
23:38That's nonsense, man.
23:39So what about all those years of work?
23:41Hey?
23:42On the contrary, Juan
23:44We must
23:44To expand the business, man
23:46Leaving that neighborhood
23:48Where we are
23:49And we can only do it
23:50With Mr. Elizondo's money
23:57You're nothing but a self-serving individual.
24:01I'm simply practical.
24:02That's all
24:03It's practical
24:05Alright
24:06Alright
24:06You're right
24:07Mr. Elizondo
24:08He's not a young guy
24:09And he's Prince Charming.
24:10What we dream for our sister
24:12But they love each other, you understand?
24:14That would be worse
24:15That she had fallen in love
24:16From a nobody
24:16That he had nowhere to turn.
24:17I don't know
24:18It would have been worse
24:19That he had noticed
24:19In a vague
24:20Or in a married man
24:21That would be terrible.
24:33Don Bernardo
24:33Thank goodness
24:34Arrive
24:34Everyone is waiting for it
24:36I had a morning
24:37Very busy at the office
24:38And it wasn't possible for me
24:38Come earlier, Eva
24:40The party started a long time ago.
24:41About two hours ago
24:43I hope you're having a good time
24:44Very good
24:44Thank you
24:49I thought you weren't going to arrive
24:52Today is no ordinary party
24:54It's my birthday
24:57Let him be angry, dear
24:58I'm here now
25:00And that's what matters
25:02Happy Birthday
25:09Sirs
25:11The party can go on.
25:13The head of this house is here.
25:16My beloved husband
25:18Bernardo Elizondo
25:23Nice to meet you
25:23I feel like a lady
25:24How are you?
25:25Hello hello
25:26I don't feel
25:26We are
25:28Thank you
25:28Thank you
25:28Thank you
25:30Thank you
25:30Thank you
26:00How is it done?
26:03You are very well married, my dear father-in-law, because you cannot deny that you have a perfect wife.
26:09Take a good look at her. Today she's turning 48, yet she looks so young she seems like one of the...
26:16her daughters.
26:17She is cultured, intelligent, and has aged beautifully. She is one of the most prominent ladies in our society.
26:25You must be very pleased, my dear father-in-law.
26:28You're right, Fernando. Anyone would envy me.
26:31Ah, me. If I weren't married to one of his daughters.
26:37And what are you two doing there, so serious and apart from the rest of the guests? It looks like you're plotting something.
26:43We were admiring you, dear mother-in-law.
26:47You're a wonderful son-in-law, Fernandito.
26:53And you? Is something wrong?
26:57Nothing. I feel fine.
27:00So try to smile.
27:03Because the guests will think you're not comfortable.
27:08My love.
27:21My love.
27:23Let's keep killing each other.
27:25Let's bend our backs from the moment the sun rises.
27:29Let's resign ourselves to misery for the rest of our filthy lives.
27:32Because God will not forgive us for wasting the opportunity that is being presented to us, John.
27:36Keep grumbling and I'll kick your ass.
27:39Oh, really, Juan, hey.
27:42Or the matter should be studied, I say.
27:43Out of pride we could go unhappily to our own sister and...
27:46To dismiss the possibility of changing our luck, right?
27:51Did ambition awaken in both of them, or what?
27:55They're desperate to get out of poverty, aren't they?
27:58Miguel, listen up! Something's happening in the street!
28:01What's up, kid?
28:02Your little sister is having problems with Mr. Artés and his children.
28:05Very scary, little girl.
28:07Now we two old folks are not alone for their brothers to come and humiliate us because of them.
28:11Here are my older children who can defend us.
28:15Oh, look, ma'am, I don't want any trouble.
28:19Let me through.
28:20What? Are you going to call your brothers' gorillas?
28:23Call us if you want, we're not afraid of you, even though you're very dangerous.
28:27Admit in front of everyone that your brothers are outlaws.
28:30And you're a shameless woman who goes around with old men to take their money.
28:32Oh, look, sir, don't be so slanderous, I respect myself.
28:35My dad is right.
28:36Or are you going to deny that we've seen her getting in and out of a rich old man's car, huh?
28:40Admit that you are a slut.
28:42Oh, let me go, let me go, please.
28:44If he lets the old folks touch him.
28:45Why is she offended that a young man like me touches her, huh?
28:48What? Are you very upset because I put my hands on you, little girl?
28:51Let me go, let me go.
28:52You ill-loved one!
28:53Careful!
28:54Careful!
28:54No, no, no!
28:57No, no, no!
29:27Lovely daughters, a respectable home, and a considerable fortune.
29:33A fortune that you enjoy, Father, because my wife does not hold back in the help that the parish gives you.
29:39Well, she fulfills her duties as a good Christian, something you cannot criticize her for.
29:45Bernardo isn't criticizing him, Father. He's just joking.
29:49No, no, I'm serious. To be honest, I think your donations are excessive.
29:55When it comes to helping the poor, no donation is too much, Don Bernardo.
30:01Well, excuse me for asking, Father. That money really does end up in the hands of the poor.
30:09Bernardo, for God's sake. How dare you doubt him?
30:15Excuse me, but I'm not feeling well. I've had a very difficult day and I can't stand this headache.
30:22permission.
30:22Bernardo? Excuse me, Father.
30:25Bernard?
30:27Bernard?
30:30Bernardo, do you want to hear me?
30:33Did you have to offend Father Epifanio?
30:35I just told him the truth.
30:36He's not just anyone. He's a priest, a friend of the family.
30:42Fortunately, not all priests are the same, but I can't stand this one, nor the people who have
30:48come to your party.
30:49Bernard!
30:49They're all a bunch of hypocrites who only treat us out of self-interest.
30:57Bernard!
30:58Bernard!
31:00Bernard!
31:04Bernard!
31:06Bernard!
31:07Bernardo, I don't like it when you shut yourself away.
31:13Bernardo, listen to me. You seem unwell, as if you're not interested in us.
31:18You no longer stay in the house.
31:21You tell me you're busy at the office, and when I call you, they tell me you're not there, and nobody helps me.
31:25Give an account of yourself.
31:28Bernardo, where are you going? What are you doing?
31:30Bernardo, I request that they open the door for me!
31:32Bernardo, I request that they open the door for me!
32:02Old Lizondo is quite a scandal.
32:04All the neighbors in the neighborhood are against us.
32:07Stop scolding her, man. The poor thing is very upset and it wasn't her fault.
32:10So who has it?
32:12Tell me!
32:13Who is to blame?
32:14And from now on we'll have to put up with everyone looking at us like we're troublemakers.
32:19And to her...
32:22...like a Libyan harlot whom anyone can disrespect.
32:26Juan, I beg you. Please, no more.
32:31Do you still think we can stay here any longer?
32:36Answer me.
32:38No way! We're out of here!
32:42We're leaving as soon as possible, even if we have to get rid of everything.
32:46From the bakery.
32:48Of all that we had done.
32:51Listen to me carefully.
32:54Listen to me carefully.
32:55That nobody...
32:57Let no one try to convince me otherwise, because I'll slap them so hard they'll fall off.
33:16Because?
33:25Mother.
33:26What happened to my dad? Why did he retire?
33:29I don't know.
33:30It's a bit strange, but I can't explain why.
33:34I'm going to find out what's wrong with him.
33:36No, my dear. You're staying here with me.
33:38You don't have to run after your dad.
33:41Fernando is right.
33:43And you're not going to look for it.
33:45Mom, but maybe she needs me.
33:48Obey Gabriela.
33:49Remember that she is the one who is right.
34:04Lidia.
34:20Lidia.
34:21My love.
34:25Lidia.
34:27What am I going to do with you?
34:39I'm leaving.
34:40No.
34:41Who told you that you could do it?
34:43It's late and I'm tired.
34:45I think I have a right to sleep, don't you?
34:48Why don't you follow your sisters' example?
34:51They try to appear happy and forget all the bad things from the past.
34:56You can't do it.
34:57No, you know what?
34:58It's difficult, especially with you by my side to remind me of it all the time.
35:08Good evening, gentlemen.
35:12Give me this drink.
35:14Silence.
35:17Who told you that you could bring my dad here?
35:20He must stay in the house.
35:22I'm sorry, Mrs. Gabriela, but he insisted.
35:24I can't stand that you want to keep me away from people.
35:28Do I make you sick if you have an invalid father?
35:31Well, swallow your shame, my dear little girl, because nobody can hide an old man like me.
35:36Do you hear it?
35:36Nobody.
35:38What about the music?
35:39Hit it hard!
35:40I like music.
35:40I'm sorry, Dad, but the party is about to end and you should leave.
35:43Should I jump?
35:45Out!
35:46The pig's balls!
35:48Nobody's going to move me from here!
35:50Listen to your daughter.
35:51The weather is a bit cold and it might make you sick, Don Martín.
35:54Am I a weakling?
35:56The only thing that doesn't work for me are these damn legs.
36:01If you reacted to me, I'd be better off than all of you put together.
36:06I'm sorry, Dad, it's for your own good.
36:08For my own good.
36:10It's better that you keep me cornered so I can rot like an old piece of junk.
36:15They've got to deal with me, because as long as I have a little bit of life left, I'll be here even if it's just to get in their way.
36:22What's wrong with my drink?
36:24I order that he not be given another drink.
36:27And I also give orders, because I'm the oldest in this house.
36:31And I have every right to participate in this party.
36:36Eve.
36:38I am not dead, my dear little girl.
36:42I'm not dead.
36:44Martín Acevedo is alive and well.
36:47And I'm going to keep talking nonsense, even if you all die of rage.
36:50And other members of our doomed family.
36:56Music, boys.
36:57Loud, because I like music.
37:05Music, boys.
37:08Music, boys.
37:09Music, boys.
37:10Music, boys.
37:13Music, boys.
37:15Music, boys.
37:18Music, boys.
37:22Get out of here, you wretched outlaws.
37:24Go back to your country.
37:26We don't want intruders or vagrants in this neighborhood!
37:29Go back to your deaths where you were thrown!
37:33Juan, where do you think you're going with that?
37:35Juan, you're not going to do anything crazy.
37:37Plom, I'm going to give it to those bastards.
37:40So they have a reason to call us outlaws.
37:42Get out of the way.
37:42No, that would be absurd, man.
37:44We can't do that to him.
37:45What do you think?
37:45Get out of the way.
37:45That?
37:46Are we going to let them destroy our house with stones?
37:48Get out of the way.
37:48Juan, give me that.
37:49I'll take care of keeping them away.
37:50You're not going out, you're too stupid.
37:52You could do something crazy, Juan.
37:53Give me that, Juan!
38:01So, do you want trouble?
38:05Get out of here and I'll grind the tops of your toes.
38:09Let them go!
38:23If things continue like this, we're going to end up in a very bad way.
38:26We could end things very well, but you're more stubborn than a mule, man.
38:29Juan reconsiders.
38:31He understands that if Libya marries that old millionaire, well...
38:34We can hit all those miserable people on the head.
38:37We will have enough money to humiliate ourselves.
38:40What's up?
38:41Don't ever bring that up with me again, because I can't be held responsible for my actions.
38:47Shut up!
38:48Can you hear me?
38:50Will you shut up?
38:58Yes, I'll be quiet.
39:00But I'm not going to give up all that rich old man's money.
39:03No, Juan.
39:05Not yet.
39:16You should not be afraid at any time.
39:19Do you hear it?
39:21You must trust me.
39:25I love you, Libya.
39:27You know I love you.
39:29Sincerely.
39:33Libya.
39:36Libya.
39:46Bernardo, wake up!
39:48Yes tell me.
39:49What's the matter?
39:50You were talking in your sleep.
39:52Did I really do that?
39:53Yes, you did it.
39:55And you uttered a woman's name.
39:58Who were you referring to?
40:00Tell me who that woman is.
40:03Tell me, Bernardo.
40:04Tell me who that woman is.
40:15Tell me who that woman is.
40:27Tell me who that woman is.
40:36Tell me who that woman is.
40:38If you leave me alone, I swear, I will die.
40:45You don't offer it, I swear, I'll lend it to you.
40:59Tell me who that woman is.
41:13Tell me who that woman is.
41:25Tell me who that woman is.
41:30Tell me who that woman is.
41:32Tell me who that woman is.
41:48Tell me who that woman is.
41:55Bernardo, you're not just bothered by my birthday party.
41:58You are rude to my guests, and now you mention a woman's name.
42:02You never stop bothering me, not even when I'm asleep.
42:05That's what I say.
42:06You don't even leave me alone when I'm asleep.
42:08You wake me up to create problems for me.
42:11Which woman did I mention?
42:12Tell me, which imagination is solely yours?
42:16Why don't you understand that I have a lot of work and I need to rest?
42:19Your behavior is truly absurd.
42:21If you're so exhausted, why don't we go on a trip?
42:24I've been demanding it of you for a long time.
42:26My daughters and I need to travel.
42:28And what about me?
42:29I don't matter, do I?
42:31You don't think about what I need.
42:33You accuse me of abandoning you and my family.
42:35But when have you taken your place as a wife?
42:37Now tell me, how long has it been since we made love, Gabriela?
42:41I don't even remember what it looked like.
42:43We have very important obligations to avoid such nonsense.
42:47Love me.
42:48Loving me is also an obligation.
42:55No, Bernardo, I don't want to. Suéndame, I don't want to.
42:58But why don't you want to, Gabriela?
42:59Our daughters are already very grown up.
43:01And if you don't go, we're too old.
43:04These vulgarities, yes.
43:07Do you see sex as vulgar?
43:09Whether it's for pleasure or vice, it's unforgivable.
43:12We got married to have children.
43:14And we won't have any more.
43:17What are you doing?
43:19What are you doing?
43:23I'm going to sleep anywhere in this house, my dear Gabriela.
43:27Except in this room.
43:29Of course, no, no, no, no.
43:30I'm not going to expose you to temptation.
43:32I don't want to have regrets and end up condemning yourself because of me.
43:35Bernard.
43:37Bernard.
43:38Bernard.
43:40Bernard.
43:41Bernard.
43:42Bernard.
43:42Bernard.
43:52Bernard.
43:59Bernard.
44:10Bernard.
44:12You won't offer yourself, I beg you.
44:16In my heart
44:21I'll lend it to you
44:31I couldn't miss tonight, girl.
44:35He arrived late, but he arrived because he can't stop seeing me.
44:38Oh, the way he always looked at me
44:42With the eyes of a big boy who wants to discover love
44:47I'm not wrong in saying that he's obsessed with me.
44:49Emilia liked it very, very much
44:52And you like him because you can't deny it
44:54Yes, I don't deny it
44:59I must admit that I'm interested
45:04He's so young and so handsome
45:13But I'm afraid of loving Emilia.
45:18Because of feelings
45:19They betray us
45:20And they cause harm.
45:23Falling in love is not advisable
45:24It's the worst thing that could happen to him
45:27To people like me
45:44Oscar
45:52Oscar
45:55What's up, man?
45:57What's happening?
45:58What's happening?
45:58Where the hell is Franco?
46:00Isn't he in his bed?
46:00How should I know?
46:01He went out that way
46:02You already know him
46:03It looks like an owl, man.
46:05Well, his nights out will soon come to an end.
46:10I'm tired of him staying up all night.
46:19Especially now
46:20We have so many enemies lurking nearby
46:25No, no, no, no
46:54Beautiful Rosarito
46:57She looks more beautiful tonight than ever.
47:00We're going to have a great time at my bachelor pad.
47:04I don't think he can be pleased, Agapito.
47:08It was a very rough night
47:09With problems and fights
47:12This
47:13Will he fix you?
47:16My beloved little doll
47:18My beloved little doll
47:21Agapito, you are always so splendid
47:24I warn you that in our refuge of love
47:29There's a jewel waiting for you
47:33Come on, Jaime
47:34No, Jaime
47:36What's happening?
47:38Did you forget something?
47:40I'm sorry
47:41But I really do feel unwell.
47:44I just want to be home.
47:45Okay, Jaime
47:48I'll go alone
47:50You've gone crazy, girl.
47:53See you tomorrow night
47:57But
48:02Who understands these women?
48:05Take me home, Jaime
48:07I'll have to make do with the monstrosity that is my wife
48:24Young guy
48:35What is your name?
48:36Franc
48:37Franco Reyes
48:39At your service
48:40You are very special, Franco
48:42Well, not as much as you
48:44I mean, seeing her standing here in front of me
48:47It seems to me like
48:49A dream
48:53Come on?
48:56Where to?
48:57Far
48:59Anywhere we can forget about everything
49:01And to live the dream you tell me about
49:11I assure you, Olivia
49:13Neither Franco nor I will oppose your relationship with Mr. Elizondo
49:17Quite the opposite
49:18Of course we agree
49:20Which we understand, well
49:23That marriage could
49:24one way or another
49:25Solve our economic problems
49:27All you care about is money.
49:30Of course!
49:31Don't you see that I am the administrator?
49:32Of the little we have?
49:34Juan can work a lot
49:35And anything else you want
49:36But he knows nothing about finance.
49:38And don't even mention Franco.
49:40He doesn't think with his head
49:41But with the kidneys
49:42Or whatever
49:43My interests are very different.
49:46Livia
49:46Livia's coming and I'll explain something to you.
49:49Each one fights for their own interests.
49:53If you defend your love
49:54I have an obligation to defend our money
49:57Or do you think I'm very happy with the life we lead here?
50:00We need to evolve
50:02Progress
50:03Find a way out of this filthy neighborhood
50:06Come here, Livia
50:07And so
50:08If we could manage to convince Juan
50:11So that she will accept your marriage
50:13Can't you think of anything or what?
50:15Oh Oscar
50:15For God's sake
50:16I would be incapable of forcing Juan to do anything.
50:19I respect him too much.
50:21That just proves you don't like Don Elizondo.
50:24I love him too much
50:26Just so you know
50:27But I don't
50:28I don't feel capable of hurting anyone at this moment.
50:31Much less now when I feel responsible
50:33Because of all the bad things that are happening
50:35Oh Livia, for God's sake!
50:37Hasn't that vagabond Don Franco arrived yet?
50:39No, not yet.
50:40Oh no?
50:42Okay, let's go find it.
50:43Hey, what for, man?
50:45Because he had never spent the whole night away from home before.
50:47And those wretches at the market may have killed him
50:50Oh Juan, for God's sake, don't say that!
50:52Listen to me carefully
50:53Doña Hortensia's children are dangerous
50:56Yes, but they wouldn't go that far.
50:57Don't think the worst, Juan
50:59Knowing our brother as we know him
51:02He must be dead
51:04That?
51:04Yeah
51:04But the happiness in the arms of a good woman
51:07Yeah
51:14Did you like what you experienced?
51:17You
51:18It was your best performance and this was the best stage
51:26Yeah
51:28You're absolutely right.
51:31It was just a performance, but it's over now.
51:33Hey, did I do something wrong? What happened?
51:35Hey
51:42What ended?
51:44I'm telling you it's over
51:50Understand me, boy
51:52Understand me
51:54I loved escaping with you and telling the nightly routine to go to hell.
51:58And to live
52:00To experience something different
52:03Franco, I have pleased you.
52:04You got what you wanted from me
52:06What are you waiting for?
52:08For me, this is something beautiful.
52:10And I don't intend to let it end when it's just beginning.
52:13Yeah?
52:15Don't break the spell
52:18And don't try to go any further with me.
52:20Because you would be taking a risk.
52:24I assume any risk
52:29This is how it has arrived
52:30And the dream ended
52:33Let's go back to our homes, each of us separately.
52:37Don't try to follow me
52:38Rosary
52:39Losario!
52:42Losario!
52:43No sir
52:44You have no justification
52:47With all the problems we have on our hands
52:50How is it possible that you left the house all night?
52:53I was about to go to the police to have them look for you.
52:55I'm not a little kid for you to follow in my footsteps
52:58I'm fine
52:59Nothing happened to me
53:01But it could have happened to you.
53:04Those wretches in the market never miss an opportunity to sell out.
53:07If you're done scolding me, I'm going to get up because I need to sleep a little.
53:12Sleep
53:13What kind of shameless person are you?
53:15No sleeping
53:17Pack all our things because today we're leaving here
53:19That's your sleep
53:22Yeah
53:22You're going to have trouble sleeping
53:24Why not?
53:28Shameless
53:29You're not going to sleep and you're not going to pack.
53:31You take a good shower and dress as best you can
53:34Why do you have to look impeccable today for your date with Mrs. Dubina?
53:37Which Dubina?
53:38A rich old lady who's been crazy about you since she saw you
53:41Today you will have lunch with her at a very elegant restaurant
53:44Well, forget it, because I don't like dates, especially not in fancy places.
53:47Look, Franco
53:48That old woman has a lot of money.
53:49You have to take advantage of it.
53:51I looked for it carefully for you.
53:53All you ever do is cause me trouble.
53:54The last time you did this, my husband found me and almost killed me, Oscar.
53:58Franco, this time there won't be any problems because
54:00She is a widow who only wants love and comfort.
54:03Oh, really?
54:04And why should I be the one to measure the matter?
54:06Do it yourself, you've got plenty of hands.
54:07I would do it without hesitation, but unfortunately
54:09I'm not as good with women as you are, you know?
54:12You're very lucky.
54:14Hey, Franco
54:15Listen to me.
54:16You need to flaunt your pretty face
54:18Here, the only one who exploits me is you.
54:20You're putting me up for sale like I'm a prostitute
54:23Forget it
54:23Yeah?
54:24I don't like dating widows, especially not in fancy places, Oscar.
54:27Clear
54:28Since you only frequent seedy cabarets, man
54:32Hey, if you can tell me what the hell you're in.
54:34Look at your boots
54:35You arrive covered in mud
54:36What? Did you spend the night in a stable or something?
54:39No
54:41I spent it in the countryside with the woman I like
54:43With Rosario Montes
54:45Uh, with Rosario Montes
54:47Apparently, that woman has less class than I imagined.
54:50They rolled around in the bushes
54:52He didn't roll around anywhere
54:54She's not just anyone, Oscar.
54:55Ah, it isn't.
54:56No
54:57And dawn breaks in the middle of a field with a stupid boy like you
55:00Well, you can forget about that tramp, you hear me?
55:03Take a good shower
55:05You dressed your best because today's appointment is very important.
55:09And remember that he looks
55:11Fancy hairstyle and everything
55:13Fancy hairstyle and everything
55:14You're going
55:17Are you sure about what you're telling me, Don Bernardo?
55:20Eva already heard it.
55:21I don't want to take up the room with my wife anymore.
55:24So move my personal belongings to another room
55:27What if Mrs. Gabriela objects?
55:30There is no reason to oppose it
55:32And if I did
55:34Remind him that you obey my orders.
55:37I trust you, Eva
55:49This marriage ended a long time ago
55:54And the life I have left
55:55It's only yours, my life
55:59Even if your brothers and the whole world oppose it
56:03I'm going to find you
56:10Thank you!
56:13Thank you!
56:14Thank you!
56:15Thank you!
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