- hace 15 horas
Categoría
📺
TVTranscripción
00:18What did you say?
00:20I want you to be my girlfriend.
00:23Marcos, but...
00:24But that's impossible, isn't it?
00:26You have a relationship with her mother.
00:27A relationship that doesn't work
00:28and that it's not going to work.
00:30I'm going to talk to her
00:31so that this ends.
00:33I think it's great that you're leaving her.
00:35Because she was saying...
00:37What was I saying?
00:39Nothing.
00:41I say that I think it's great.
00:43Leave her if you don't love her anymore.
00:46Oh, I don't know, but...
00:49This whole boyfriend/girlfriend thing...
00:51I don't know.
00:52Why so much horrible doubt? Is this me?
00:55No, that's not it.
00:56How could I not like being your girlfriend?
01:00The thing is...
01:02Ah, sure, sure.
01:04I understand your doubts...
01:06It stands to reason.
01:09Marcos Muti,
01:10the most womanizing man in the company,
01:12It turns out that he now loves only one woman.
01:15Well yes,
01:16It doesn't make sense.
01:17And I understand you.
01:19But I'm serious.
01:23No,
01:23And I get very happy too.
01:26that you feel all those beautiful things for me.
01:28But the thing is...
01:31But you hardly know me.
01:32there can be nothing
01:33of your world
01:34that I don't like.
01:35No,
01:37No.
01:38Hey,
01:39I need time to think.
01:41Alright,
01:42Take all the time you need.
01:47But,
01:48I'm going to ask you something.
01:50That...
01:51that we spend more time together.
01:54And to begin,
01:55What if...
01:56Should we go out tonight?
01:58Charlatan?
02:00Liar thief?
02:02A quack doctor?
02:04What is being taken advantage of?
02:05of vulnerable women?
02:06I'm going to kill him!
02:07Regina,
02:07Regina, wait!
02:08What are you doing, woman?
02:09Regina!
02:10Regina!
02:12Marisa,
02:13I have many things to tell you.
02:15And I think that...
02:16that you too.
02:19Yeah,
02:20Yeah,
02:20of course.
02:21I'd love to,
02:23but...
02:24But I just can't.
02:26I can't because of my mom.
02:28you know.
02:29Oh,
02:30Why don't you ask him?
02:31the favor to Luzmila
02:32who will take care of her?
02:35No,
02:35It's because my mom
02:36It's very difficult.
02:37and he only listens to me.
02:40Besides,
02:40That's enough.
02:41by leaving her alone
02:42all day.
02:43Oh,
02:43Understand me,
02:44please.
02:44Of course I understand you
02:45and...
02:47You think it's excellent
02:49that you're so attached
02:50and...
02:51that you worry
02:53by your mom.
02:56I wish I had
02:57I've been able to get mine
02:58to do the same.
02:59Oh,
03:00Marcos,
03:01Don't get like that.
03:03I regret having remembered
03:04to your mom.
03:05No,
03:05No,
03:06No,
03:06no problem,
03:07Alright.
03:11Well...
03:12Then invite me
03:13to your house,
03:13Hey?
03:14And that's how I know
03:14to your mom.
03:15No,
03:16No,
03:16Don't go,
03:17Don't take it the wrong way
03:18What I'm going to tell you,
03:20but...
03:20But my mom
03:22He doesn't like visitors.
03:24But someday
03:25I'll have to meet her.
03:27No?
03:29Well, since...
03:29since I can't
03:30to visit you at night,
03:31so...
03:33What if we go
03:34lunch
03:34to that place
03:35What were we like before?
03:36To the restaurant
03:37from the flatbed truck?
03:39Oh really
03:39Would you like that?
03:40Yeah,
03:41Yeah,
03:42I'm going with you
03:42until the end of the world.
03:50Sorry.
03:54Well,
03:55so,
03:56See you there
03:57at lunchtime.
03:59Ready.
04:00Very good,
04:00Hey?
04:05Marixa,
04:05Mrs. Barbara
04:07He needs you
04:07in his office
04:09already.
04:13Coward!
04:15Come on,
04:15and show your face
04:16Let's see if he's capable.
04:17of making fun of me.
04:18Opposite!
04:19Opposite!
04:19Opposite!
04:40Why are they telling me
04:41showing this?
04:43Marixa,
04:43You are an excellent
04:44professional.
04:45Are you someone?
04:46that knows
04:46your work
04:47like few others.
04:48And I want
04:49that you make a career
04:50in this company.
04:51I didn't ask them
04:52your advice.
04:53Look,
04:53we want to open up to you
04:54the eyes.
04:56Surely Marcos
04:57He's probably already told you
04:58tender little words
04:59of love
04:59swearing to you that he loves you,
05:00No?
05:01To all of them
05:02he told them
05:03the same.
05:05And you don't know
05:06the difficult
05:07which is to me
05:08bear
05:08so much deception.
05:10We just want
05:10to help you,
05:11we just want
05:11that in this company
05:12Let us all live
05:13at peace.
05:15I, at least,
05:17I wouldn't want to
05:17that our
05:18good relationship
05:19work
05:20it would be damaged
05:21because Marcos
05:22It's in the middle.
05:24I know him
05:25And I accept it
05:27how is
05:27Because I love him.
05:29Look,
05:31really
05:31we just want
05:32the good
05:33for everyone.
05:34Oh well,
05:35If you,
05:36if you decide
05:37keep getting tangled up
05:38with Marcos
05:39Despite this
05:40and despite
05:41that Xiomara
05:41She's his girlfriend
05:43I can only ask you
05:44that you pay attention
05:45to the consequences
05:46and don't say
05:47I didn't warn you.
05:49Thank you
05:49for their advice.
05:52Permission.
05:53Maritza,
05:53Maritza,
05:54please.
05:55I just wanted to ask you
05:57that,
05:58Well, this
05:58Let's keep this between us.
06:00The last thing I want
06:01It's about getting ready.
06:01a scandal.
06:02In fact,
06:03I'm going to destroy
06:04These tapes.
06:04Yeah,
06:06They are so unpleasant
06:07that wouldn't be good for him
06:07to no one.
06:09Yeah,
06:09Imagine,
06:11what can happen to him
06:12to Marcos
06:13if your dad
06:13finds out
06:14of this material.
06:34For,
06:35unfortunate!
06:40What's the matter?
06:43What I just saw.
06:45Oh,
06:45half.
06:46Take a breath,
06:46Take a breath,
06:47Relax.
06:49If I didn't know
06:50that Xiomara
06:51She's a witch.
06:53I would already know that
06:54I have gone
06:54everything they told me.
06:57Oh,
06:57But anyway
06:58It hurt me a lot
06:59what I saw.
06:59I don't understand you
07:00I don't understand you
07:00nothing,
07:01women.
07:02It's that, ma'am
07:03Barbara
07:03and Xiomara
07:05They showed me
07:06some videos
07:07security
07:09where it is seen
07:10to Marcos
07:11kissing
07:11with
07:12with several models
07:13of the company.
07:14Oh,
07:14my daughter,
07:15myself
07:16I told you
07:17that Marcos
07:17He's no saint.
07:19But the thing is
07:20They told me
07:21that Marcos
07:22he tells them
07:23to all
07:23who loves them
07:25and offers them
07:27the moon
07:27and the stars
07:28and
07:29that afterwards
07:30that he succeeds
07:32leaves them
07:33And that's what
07:33Marcos
07:34is doing
07:34with me.
07:35One moment.
07:36Oh really
07:37Did you believe them?
07:38Oh,
07:39Chela,
07:40But anyway
07:41It hurt me.
07:43I'm not made of iron.
07:44And it hurt me
07:45seeing him kissing
07:46with those models.
07:47But that didn't happen.
07:48not yesterday
07:49nor the day before yesterday.
07:50That takes time.
07:52That's not recent.
07:54Oh,
07:55I don't know.
07:56I don't know,
07:57But I'm very confused.
07:59and even more so now
08:00that
08:02that Marcos
08:02told me
08:03who loves me
08:04and that he asked me
08:05that she was his girlfriend.
08:07Oh,
08:08Lord of Miracles.
08:10Look,
08:10or the world
08:12It's going to end
08:12or Marcos
08:13He went crazy.
08:14Marita,
08:15if what you're saying is
08:15saying that is true,
08:17Marcos
08:17He's very serious.
08:18with you.
08:19longing
08:20to love you
08:22against
08:23weather
08:25longing
08:26to love you
08:27always
08:28of the
08:38Look,
08:39I want to pay him
08:39with the condition
08:40that he doesn't talk
08:41the restaurant
08:41noon today
08:42and attend to us
08:43solely and exclusively
08:44to Maric
08:44and me.
08:45What do you say?
08:46Oh,
08:46let's see,
08:47Sir,
08:47what happens
08:47It's just that I'm here
08:48I sell quite a lot
08:49And that's not all,
08:51but if I close
08:52the restaurant today,
08:53well tomorrow
08:53It's going to fall
08:54the sale
08:54of the lunches.
08:55No,
08:56No,
08:56No,
08:56No,
08:56Quite the opposite.
08:58You tell him
08:58to their customers
08:59that the restaurant
09:00It was full
09:01and that they come tomorrow.
09:02That's going to give him
09:03fame and prestige,
09:04He will remember me
09:05And if they haven't listened,
09:06Well, I cover it.
09:07tomorrow's expenses.
09:08And I love him
09:09to give a surprise.
09:11I want to see if
09:13I convince her
09:14so that it can be done
09:14my girlfriend.
09:15Look,
09:16Let's do one thing,
09:17Count on everything
09:17what you want
09:18And it's a deal.
09:22Of course,
09:24You have to be
09:24very special
09:25so that Marcos
09:26I asked you
09:27such a thing.
09:29He fell in love with you.
09:30You think,
09:31Chela?
09:32Do you want me to leave you?
09:33a secret?
09:34As far as I know,
09:36This is the first time
09:37that Marcos
09:38He asks a woman
09:39that she be his girlfriend.
09:40Oh,
09:41I don't know,
09:42There are so many things
09:43that I need to clarify,
09:45oh well,
09:46He invited me today
09:47Let's have lunch, Marcos.
09:49So I'm going to have
09:50what to take out
09:50all this
09:51that I carry inside.
09:52Slowly,
09:53carefully,
09:53No?
09:54Oh,
09:55did you know?
09:56Before lunch
09:57I'll stop by your lab
09:58and I'll touch you up.
09:59This lunch
10:00It has to be
10:00unforgettable.
10:08I can't believe it
10:09what you did,
10:10Barbara.
10:11Did you show him
10:12the videos
10:12to Maritza
10:13security
10:13where Marcos
10:14Does he hang out with the models?
10:15I had to undermine him
10:16your safety,
10:17to make it turn
10:18insecure,
10:20that he had doubts.
10:21You know it will go down
10:21from the pedestal
10:22that place where it's felt.
10:24I think that's all.
10:24which is already winning
10:25many points
10:25with Gabriel.
10:26I mean,
10:26first the formula
10:27that makeup one
10:28and now also
10:29free Marcos
10:30from prison.
10:31No,
10:31And not only that,
10:32It seems that the formula
10:34revolutionary
10:34this regeneration
10:36The phone works very well.
10:37And if that works,
10:39my queen,
10:40Get ready.
10:41So what is it?
10:42behind that woman,
10:43Alberto?
10:44I mean,
10:45I want you to
10:45find out everything,
10:46I need to know
10:47everything about that woman.
10:49I want you to find out
10:50where does he get it from
10:50the concoctions
10:51those that he prepares.
10:53Alberto,
10:53Look,
10:54what that woman knows
10:55They don't teach it
10:56at university.
10:57It's something you acquire.
10:58with many years
10:59of experience.
11:01Find out everything,
11:01I want to know everything,
11:02I want to know
11:03where you live,
11:03what are you doing,
11:04what does he eat,
11:04all.
11:04Okay,
11:05It's not for either
11:06Don't despair,
11:06my love.
11:06Look,
11:07No,
11:08it's not that.
11:08It's just that nobody...
11:10He puts his foot on top of me,
11:10you understand?
11:11And we're not talking
11:12only from the future
11:13of the company,
11:14We're talking
11:15that the rhythm
11:16What's up?
11:16in a month
11:17It's going to happen to me
11:18around the world.
11:19I want you to find out
11:20all.
11:21I want to have tools
11:22to destroy
11:23that woman.
11:25Swindler!
11:26Rony!
11:48You won't escape me.
11:51So be it.
11:52what am I doing with my life,
11:53I'm going to catch you!
11:54I'm going to catch you!
11:55Yes, Regina,
11:55please,
11:56Let it go.
11:57Regina!
12:01Oh my God,
12:02midwife!
12:04I'm dying!
12:06I'm dying!
12:07Now I'm really going to die!
12:10I'm glad it turned out
12:11Everything is fine with you,
12:12engineer.
12:12We are very happy
12:13with his return.
12:14Well,
12:15Let's forget about this matter.
12:16and get to work.
12:17I want Marcos to see
12:18how the parade will be.
12:19Come on, girls!
12:20Come on!
12:24My love,
12:25I...
12:26I wanted to apologize.
12:28based on what it says
12:28the police station.
12:30I know I was wrong.
12:32Xiomara,
12:33We need to talk.
12:34No,
12:34I don't want to argue.
12:35more with you.
12:37I already apologized to you
12:38because of what I did,
12:39my love.
12:39I apreciate it,
12:40But I think...
12:42which is healthy
12:43let's talk
12:43of our relationship.
12:44There's nothing there.
12:44what to talk about.
12:46Look,
12:47I have already forgiven you
12:49And I promise you
12:50that I'm not coming back
12:51to mess with Maritza,
12:52unless she
12:53provoke me,
12:54clear.
12:55I just refuse to give up.
12:56to lose you, Marcos,
12:58But I want you to keep it
13:00very light
13:01that I for you
13:03I am capable
13:04to do any crazy thing.
13:08Help me!
13:08Come save me soon!
13:10Well, hold on.
13:12because I am not
13:12a circus juggler,
13:14I am just a simple dancer.
13:16My God,
13:17What do I do now?
13:18What I do?
13:19I know!
13:20Hold on there for a moment
13:22while I try
13:23to turn around,
13:23Well?
13:24And calm down,
13:25calm!
13:28Ouch!
13:31Frame!
13:34Peaceful,
13:35look,
13:36I got a rope.
13:38You grab yourself
13:39of the rope
13:39and I'll lift you up,
13:40Well?
13:41Slowly,
13:42peaceful.
13:43No,
13:44of the arm no.
13:44No, not by the arm!
13:54Marcos,
13:55dad,
13:55How's everything going?
13:57Good,
13:57good.
13:59Hey,
13:59I was thinking that
14:00that it has to be
14:01a special event,
14:02No?
14:02The presentation
14:03It has to be
14:03something more innovative.
14:05If Obara has
14:05the program this way,
14:06let's see.
14:07Yeah.
14:10Yeah.
14:11If it's missing something,
14:13Or don't I think so?
14:13that the models
14:14be wearing makeup
14:15body
14:15Just strolling around and that's it?
14:17Well,
14:18so,
14:18What do you propose?
14:20Well...
14:23I propose...
14:24Where is Alberto?
14:25He should be here.
14:27I think it's walking
14:27visiting your dear
14:29Mari.
14:32Permission.
14:34There are only five.
14:35And that's it.
14:42Hey,
14:43Are they busy?
14:46This...
14:47I...
14:48I was teaching him
14:50some samples
14:50to Alberto.
14:53Already?
14:54Alberto,
14:55I want us to talk,
14:56So please
14:56come with me.
14:58Well, tell me here.
14:59As you can see,
15:00I'm busy.
15:01Your place is
15:02in the essay
15:03of the presentation.
15:05And among other things
15:06it's quite
15:07poorly designed,
15:08You know?
15:08Don't be just another parade,
15:10is...
15:11It has nothing innovative about it.
15:14Well...
15:15Barbara
15:16He approved it.
15:18Nothing to be done.
15:19What do you think?
15:21that I have
15:22decision power
15:23at this company?
15:24Even if I no longer have
15:25the position
15:25vice president
15:26of product.
15:27So I'm going to thank you
15:28please
15:29go looking for
15:29a good idea
15:30for the show.
15:31Is that clear?
15:32Sorry,
15:34Can I suggest something?
15:35Clear,
15:36The question is unnecessary.
15:38It's because at the Academy
15:39dancing
15:39Master Tapia
15:41has a group
15:41for events
15:42who does special dances
15:43and they could
15:45take charge of the show.
15:46They would do something well.
15:48Well,
15:49What a great idea.
15:51And the truth
15:51I've seen them
15:52And they are excellent.
15:55Yeah?
15:56You see,
15:57Alberto,
15:57It's like he's beaten you to it.
16:01Know?
16:02I'll make a note of it.
16:03of your proposal,
16:04Maritza.
16:06I'll be with you in a little while.
16:07Frame.
16:08Yes of course.
16:08Yes of course,
16:09clear.
16:09Of course.
16:11Hey,
16:11Maritza,
16:13Remember lunch
16:14that we have together.
16:15I'm going to be quite busy,
16:17But see you later.
16:18See you there.
16:21Maritza.
16:22Following.
16:27Regina,
16:28please!
16:29Jump on the bags!
16:30Nothing's going to happen to you!
16:32You're crazy?
16:34Regina Soler
16:35jump on some bags
16:37of garbage?
16:37If you don't jump,
16:39you're going to get a beating
16:40or worse,
16:40You're going to kill yourself.
16:42Midwife,
16:42jump!
16:43I'm dying
16:45the day I want
16:46and after catching
16:47to that swindler.
16:48How sad I am,
16:50I am so sorry
16:52for having wasted
16:55My beautiful youth!
17:00I surrendered
17:01body and soul
17:06in the sky.
17:25Luzmila,
17:26Has my mom not arrived yet?
17:27No.
17:29He is with Maestro Tapia,
17:30But it doesn't take long to arrive.
17:32Can you do me a favor?
17:33When my godfather arrives,
17:35ask him
17:36whether he would be interested
17:37attend with your dancers
17:39and his show
17:39to an event
17:40from Muti companies.
17:41Oh, godmother,
17:43that's lovely!
17:44I know you're going to love it.
17:46I'm sure they'll say yes.
17:46because money
17:47That's what's needed
17:48at this academy.
17:49And do you have any idea?
17:50How much would it cost?
17:53Leaves,
17:53Leave it and I'll watch.
17:58Well, Luzmila,
17:59Then I give them the information.
18:01and I'll let you know.
18:01if they were hired.
18:03Bye bye.
18:05This would be
18:06what it would cost.
18:10Okay,
18:11There's no problem.
18:12Furthermore,
18:13They are hired.
18:16Maritza,
18:17Maritza,
18:17about what
18:17You were telling me
18:19from your job.
18:21Did you know
18:21I'm very curious.
18:25How is it that if you
18:27you don't finish
18:28your career
18:29of chemical engineering,
18:31Do you know that much?
18:32Well,
18:33everything I know
18:34I didn't learn it
18:35in the technological field.
18:36Well,
18:36and then
18:37Where did you learn it?
18:39Many things
18:40She showed them to me
18:40my great-aunt Mercedes,
18:42May he rest in peace.
18:44Ah,
18:45already,
18:46already,
18:46already,
18:46clear.
18:47Then your aunt
18:48She was a chemical engineer.
18:49No,
18:50No,
18:51she barely
18:51He went to school,
18:52But she knew a lot.
18:54When my great-aunt Mercedes
18:55died,
18:56He left me
18:57all his notebooks
18:58with his notes,
19:00their formulas
19:00and its secrets.
19:03I have it there.
19:04all her recipes.
19:05They are truly
19:06a treasure to me.
19:07I guess so
19:08that you owe
19:08to save
19:09in a vault
19:09at the bank,
19:10No?
19:11No,
19:12No,
19:12how are you?
19:13I keep them
19:14in my laboratory
19:15in front of where I live.
19:17Just above
19:17from the academy
19:18that they are going to hire.
19:19You have to take me
19:20someday to that place,
19:21so.
19:22I think it would be
19:23a place to,
19:24I don't know,
19:25a place
19:27magical,
19:28very particular
19:30and beautiful.
19:32Like you.
19:35Well,
19:37see you.
19:41because of you
19:43He almost killed me.
19:44Is it my fault?
19:45Is it my fault?
19:47You were the crazy one
19:49who believed
19:49Spider-Man
19:50and he decided to try
19:52to jump
19:52between the rooftops,
19:54Regina.
19:54Did you know?
19:55I think having seen
19:56to Muti
19:56It made you feel worse.
19:58than I thought.
19:59Know?
20:00That?
20:01I haven't been able to
20:02stop thinking
20:02in that boy
20:03that Juliana
20:04He wanted us to defend.
20:07Will he be an employee
20:08his?
20:08What do I know?
20:10Paco,
20:11Will you help me?
20:12to find out who you are?
20:13No, no, no, no, no,
20:13I'm not going to find out
20:15nothing, I'm not going to...
20:16go with the flow
20:17not one more
20:18of your crazy ideas.
20:20I almost killed myself
20:21And all you think is
20:22within yourself.
20:24You're selfish.
20:27Paco Tapia,
20:28I forbid you
20:29that you speak to me like that.
20:32That?
20:33Are you going to tell me now?
20:34to leave here
20:35abandoned and alone?
20:36You're crazy,
20:37Did you hear me?
20:38Crazy!
20:40Definitely
20:40Marcos has already gone crazy.
20:42What show
20:43Are you talking?
20:45Ah, right...
20:46a dance show
20:47that Marcos
20:47He wants us to hire.
20:49People from the Academy
20:50dancing.
20:51Friends
20:51by Maritza Ferrer.
20:52And give it to him
20:53with the Ferrer
20:54and those scumbags.
20:55But Marcos
20:56He didn't say anything to me.
20:57It was supposed to
20:58that the program
20:59It was going to be done
20:59like me
21:00I had designed it.
21:01Well, I don't think so, huh?
21:03It seems that Marcos
21:03It does nothing.
21:04more to see
21:04through the eyes
21:05by Maritza Ferrer.
21:07So, darling,
21:09Get your act together
21:10because you're doing very badly.
21:12I just found out
21:12that are going to come out
21:13together for lunch.
21:15See?
21:16There you have something.
21:17pending, cousin.
21:18I don't know,
21:19I think you should
21:20leave right now
21:21and invent something
21:22to ruin him
21:23lunch
21:23These two.
21:36Already Alberto
21:37is hiring
21:37to some dancers
21:38for the show.
21:40Something good,
21:41pretty.
21:41Yes, I knew.
21:42He told me.
21:47Chumura, what's wrong with you?
21:48I don't feel well.
21:49It hurts a lot
21:50the head.
21:51I think it's the pressure.
21:52Marcos.
21:53Everything that has happened
21:54lately
21:54It has left me feeling very bad.
21:55Please,
21:56Sit down and try
21:56Relax, okay?
21:57I don't beat around the bush.
21:59I think it's better
22:00take me to the hospital,
22:01Yeah?
22:01No, no, I, I...
22:02I can't.
22:03I have a commitment,
22:05but...
22:05Marcos,
22:06Should I tell Charly?
22:06Do you care about me?
22:08I don't feel well.
22:09That's right.
22:09Oh no.
22:10Xiomara.
22:12Xiomara,
22:12Oh my God.
22:14Of the only
22:15that you have to be sure
22:17It's those videos
22:18with those women
22:20Those are things of the past.
22:22And if you have any questions,
22:24So take advantage of it
22:25that they are going to have lunch together
22:26and you ask him.
22:28Oh, it's not easy,
22:29Chela.
22:30I feel very sorry.
22:32Furthermore,
22:33It scares me.
22:34Scare?
22:36Yes, he has had
22:37such beautiful women
22:38and women from so much of the world
22:40who know how to charm
22:41to a man.
22:42Instead,
22:43I don't even know what to tell her.
22:45when we're together.
22:46No, absolutely not.
22:48You are beautiful,
22:49very beautiful.
22:51And if Marcos
22:53He's asking you
22:54that you be his girlfriend,
22:55It's because you drove him crazy.
22:57So what do we do?
22:59In those cases?
22:59Nothing.
23:00Listen to your heart
23:01and you repeat
23:02what you're telling yourself.
23:03No?
23:05You're right,
23:06Chela.
23:07Oh, I'm so excited.
23:09The thing is,
23:09It's that never,
23:11never,
23:12I have never felt
23:13these things
23:14so strange
23:14in the belly.
23:16Oh,
23:16It's so magical
23:17to be in love.
23:22Oh,
23:22I'm dying.
23:23I can't take it anymore.
23:24with this headache,
23:26Marcos.
23:26The thing is,
23:27Omar,
23:27Try to calm down.
23:28It won't be long now
23:28to get to the hospital.
23:29Don't go
23:30to faint,
23:31Yeah?
23:31My love,
23:31I'm going to have a heart attack.
23:32This is really strange.
23:35Yeah,
23:35Omar,
23:35I think you have
23:36to turn it down a little
23:37at that dose
23:38of tranquilizers.
23:39Please.
23:40Don't scold me,
23:41Yeah?
23:42Understand that I have been
23:43very nervous.
23:44You can't imagine
23:45everything that has happened to me.
23:47Did you know
23:48that yesterday
23:49before going to the police station
23:50I was mugged?
23:51As?
23:52Where?
23:54Leaving
23:54from the office,
23:56Marcos.
23:58Were you hurt?
23:59No,
24:00but they took
24:01my wallet
24:02and inside it had
24:03the pearl necklace
24:04that you gave me.
24:07I don't feel well.
24:09Marcos,
24:10I don't feel well.
24:11She is his mother.
24:12Marcos.
24:13It's her mother,
24:14is his mother,
24:14please.
24:16It's her mother,
24:16Don't do this to me
24:16this,
24:17little one,
24:17please.
24:22Excuse me,
24:23I agreed to meet you
24:24with my boss
24:25here today.
24:26No lunch?
24:28You are Maritza Ferrer.
24:30Yeah,
24:30How does he know my name?
24:31Well,
24:32is that today we serve
24:33just for you
24:34and for the engineer
24:35Marcos Muti.
24:36Well,
24:37He sent me
24:38that would fix
24:38All this for you.
24:40So,
24:41Take a seat,
24:42please,
24:42and welcome
24:43to my restaurant.
24:44I'll get to you.
24:51Hey you,
24:53and you
24:53Who let you in?
25:05And who let you in?
25:13Am I going crazy?
25:15Where did he go?
25:17Where did he go?
25:18Who?
25:18The young girl who was there.
25:21I saw her in the mirror.
25:22She was even dressed
25:24the same color as you.
25:26No,
25:27I don't know,
25:28It's just me here.
25:31And since you mention it,
25:32Could you,
25:34I don't know,
25:34remove that mirror
25:35Or cover it with something?
25:36Mirror?
25:37They say
25:38than having lunch in front of a mirror
25:41during a romantic date
25:42It's bad luck.
25:43Yeah,
25:44go,
25:44I did not know.
25:45You learn everything.
25:47But don't worry,
25:49I'll take care of that.
25:50And well,
25:51Let the music start,
25:52No?
25:52Uh-huh.
26:00Marix,
26:01This is the...
26:02This is the last straw.
26:03of bad luck.
26:04Reply,
26:05please.
26:16Good news,
26:17Mr. Muti.
26:18I have the result
26:18of the exams
26:19and everything is in order.
26:20And what was it that made her feel ill?
26:22She had a stress attack.
26:23He was probably there
26:24under a lot of pressure
26:25and that's why her body
26:25He reacted like this.
26:27Well yes,
26:27the truth was
26:28under a lot of pressure.
26:29Can we leave now?
26:30Yeah,
26:30clear,
26:31whenever they want.
26:31Thanks a lot.
26:32Excuse me.
26:39My love,
26:40forgive me.
26:42It's my fault.
26:42You couldn't arrive
26:43to your commitment.
26:44No,
26:44No,
26:44No,
26:45Alright,
26:45The important thing is that
26:46feel good.
26:47Yeah,
26:48my love,
26:48But I didn't want to.
26:49to cause you no inconvenience.
26:52What do you think?
26:53If you take me home
26:54And you leave.
26:55for your appointment?
26:56Alright,
26:56But try to relax,
26:58please.
26:59Come on.
27:04If you'd like,
27:05I'll serve you something.
27:06while the engineer arrives.
27:08No,
27:08thank you so much.
27:09The time has passed.
27:11from my lunch
27:12and I have to
27:12return to my job.
27:14Clear.
27:28Well, let me tell you
27:29which I already found out
27:30the little secret
27:30of the formulas
27:31by Maritza Ferrer.
27:32So?
27:33But he doesn't make me believe it.
27:35She was talking to me
27:36from some notebooks
27:37old
27:38with formulas
27:40from a dead aunt
27:41I had left her
27:43who in turn
27:44He received it
27:45from grandma.
27:46Really?
27:48So,
27:49all this
27:49that she learned
27:49to do
27:51He learned it
27:52to aunt
27:53that she wasn't a scientist
27:55She must have been a witch.
27:58Alberto,
27:58Don't be funny,
27:59I don't find it funny.
28:00Barbara,
28:01it's true
28:02What I'm telling you,
28:03I swear it's true.
28:05One second.
28:06Do you mean
28:07that everything she knows
28:08It is contained
28:09in those notebooks?
28:10Exactly.
28:13I love them.
28:14Princess,
28:15That's not going to be
28:16nothing difficult,
28:17Let me tell you.
28:18Because she
28:19precisely
28:19save those notebooks
28:21at the academy
28:22of the dancers
28:23that they are going to hire
28:23for the presentation
28:24of body makeup.
28:26So I think
28:27that place
28:28practically
28:29I guess so
28:30that he's going to be alone.
28:35If you only knew
28:36I like it so much
28:37that you give me solutions
28:38instead of problems.
28:40And where
28:41Is it going to be, teacher?
28:42Well, what
28:43they told him
28:43to Luzmila
28:44who was
28:45the one that made
28:45the contact
28:46It's that it's
28:46in a house
28:47next to a lake.
28:51Well, I always
28:52I'm ready, teacher.
28:53And you
28:54He's going to tell us
28:54where
28:55Shall we begin?
28:56I had thought
28:57that we would do
28:57a magazine
28:58international,
28:59boys,
28:59that we started
29:00with something cheerful
29:01and that we would continue
29:02with some dances.
29:02What do you think?
29:04I find that strange.
29:06There has to be
29:07something happened
29:08if not one would have
29:09having done all that arrangement
29:10with the restaurant
29:11so I don't have to go.
29:13And then
29:14from what he told me.
29:20Cristina,
29:21The engineer
29:22Has Marcos arrived yet?
29:23No, no ma'am
29:24And I don't think so.
29:24I hope he returns soon.
29:25And why does he say that?
29:27Because every time
29:28that he
29:28and Miss Xiomara
29:29They go out for lunch
29:30It takes years.
29:32Oh, and they left.
29:33about an hour ago.
29:37Well,
29:37But if you
29:38needs
29:38to the engineer
29:39very urgent,
29:40don't worry.
29:41I can do it
29:42search in the restaurant
29:43where they
29:44They usually go.
29:46No,
29:47No, Cristina.
29:48don't worry.
29:49Thank you.
29:52Lift your face.
29:56One moment,
29:57Ginger.
29:58Child,
30:00your movements
30:01they have to be
30:01more fluid
30:02And just let yourself go.
30:03that you are not
30:03the one in charge.
30:05I know,
30:06teacher.
30:06And stop fighting
30:08that this is not
30:08a battle,
30:09It's a dance.
30:09Again.
30:11Oh,
30:11at least
30:13everyone leaves
30:14to go to that presentation
30:15because that's how
30:16I will be able to
30:17rest
30:18so much scandal.
30:19Finally
30:20I will have peace.
30:22Doña Regina,
30:23if you don't want to
30:23to hear so much noise,
30:24You'd better go
30:25to his apartment
30:26that there
30:26He can't hear anything.
30:27I need
30:28absolute silence
30:29to be ready
30:30for my surgery.
30:35Luzmila,
30:36come.
30:39Luzmila,
30:42Did you have a lord
30:44high,
30:46handsome,
30:47hoary
30:48there
30:48at the police station?
30:50Yeah,
30:51Yeah,
30:51clear.
30:52Yeah?
30:53Ah,
30:54and
30:54and the one who was
30:55What are you doing there?
30:57He's the boss
30:58Juliana's.
31:00Ah,
31:01because?
31:03Oh,
31:03What happened to you?
31:04Pedrito?
31:05What were you doing?
31:05doing,
31:06young guy?
31:07My love,
31:08Oh,
31:09teacher.
31:11Well,
31:12Well,
31:12But you take care of yourself.
31:13Yeah,
31:14if something happens
31:15don't hesitate
31:15in calling me.
31:17Clear,
31:18bye bye.
31:22Who will have
31:23taken
31:23the letter
31:24from the book?
31:26It has had
31:27that be
31:27someone
31:27from here
31:28of the company.
31:30But who?
31:31Gabriel.
31:32What happened?
31:33Gabriel,
31:34I just spoke
31:34with Xiomara.
31:35It ends,
31:36just left
31:37from the hospital,
31:37Look,
31:38He has already arrived home,
31:38but he had a seizure
31:39stress.
31:40And well,
31:41is that the way
31:42to be your son
31:43It's very difficult.
31:44Well,
31:44Yeah,
31:45Yeah,
31:45Yeah,
31:45I know,
31:46I know,
31:46I know.
31:46And even more so now
31:47that Marcos
31:48He's not very clear on this.
31:49their feelings
31:50towards Xiomara.
31:52I believe
31:52that we should
31:53consider
31:54the possibility
31:54to send it
31:56to that course
31:57from Italy
31:57design
31:58of which once
31:58She spoke to us.
31:59No,
32:00one moment.
32:01What do you mean, Marcos?
32:02He is not clear
32:03their feelings?
32:04Yeah,
32:06Yeah,
32:06Marcos told me
32:07that is not
32:08in love
32:09Xiomara's.
32:10And then
32:10whose?
32:11Don't get involved,
32:12Yeah?
32:15Marixa,
32:15No,
32:15I don't want you to think
32:17that leaves you
32:17waiting for purposes.
32:19I just...
32:19presented an emergency
32:20and I had to leave.
32:22I know,
32:23I know
32:23And nothing happens.
32:26I wanted to before
32:27thank you
32:27because of the detail.
32:30And did you like it?
32:31The place?
32:33Yeah,
32:33It was very beautiful.
32:36Well,
32:36It was a shame
32:37that you wouldn't arrive,
32:39but they will be
32:40another chance.
32:41I promise you,
32:42I promise you
32:43And thank you.
32:44because
32:45so special,
32:46so sweet,
32:47so beautiful
32:48with me.
32:50Marixa,
32:52every day that passes
32:53I'm more confident
32:54about what I feel
32:54for you
32:55And I'm serious.
32:59Marcos,
33:00And if you went out
33:02so suddenly
33:03with Xiomara,
33:04I guess so
33:05which was
33:06to clarify
33:06things,
33:07TRUE?
33:10Did they finish
33:10their relationship?
33:30Marixa,
33:31I'm going to...
33:32I'm going to be honest
33:33with you.
33:35I was watching it
33:36the essay
33:37with the models
33:38when suddenly
33:39Xiomara arrived,
33:41She felt ill.
33:41and I fainted
33:42in the arms
33:43and I didn't have any left.
33:43another remedy
33:44to take him
33:44urgent
33:45to the hospital
33:46And I called you
33:47and I called you
33:48and I called you
33:48And you never answered.
33:51How odd,
33:51No?
33:52She always
33:53he gets sick
33:54when it suits him.
33:55That.
33:57Let's see it
33:58in this way.
34:00She feels
34:01because
34:02is affected
34:03because of what happened last night.
34:05Alright.
34:07AND
34:10What have you thought?
34:12of what I asked you for?
34:14No,
34:14I haven't thought about it.
34:16Furthermore,
34:17I've spent my time working
34:18And I think so.
34:20what should we do
34:20us,
34:21No?
34:22Let's concentrate
34:22at work
34:23because we have
34:24a presentation.
34:25Clear,
34:26already...
34:27I already sent it
34:28to mobilize
34:29a car
34:29that I collected
34:30to the dancers
34:30tomorrow
34:31and I asked for another one
34:32so that they would look for you
34:33to you.
34:34I would have loved it
34:36go and find you
34:36personally
34:37but tomorrow
34:37I have to get up early.
34:39Oh no.
34:40No, it gives me
34:40very embarrassing.
34:41What are they going to say?
34:42in the company
34:43when they discover
34:43that you sent
34:44a car
34:44just to pick me up
34:45me?
34:46They don't have
34:46There's nothing to think about.
34:48Apart,
34:48You are the creator
34:49of the product
34:49that we are launching.
34:50I don't want her to go alone.
34:51and invites
34:52to your friends,
34:53to Luzmila
34:54and Juliana
34:54who have behaved
34:55so good to me.
34:55especially
34:58Juliana
34:58who stayed
35:00all night
35:01supporting me
35:01surely
35:03because you
35:03You asked him for it.
35:05No,
35:05Don't get like that.
35:07I liked it
35:08that you did it.
35:10Apart,
35:10She is so
35:10so sweet.
35:15Marisa.
35:23Oh,
35:23I have to go.
35:24Because?
35:25I have to go,
35:25It's because my mom
35:26She is alone.
35:27But I can take you.
35:28No,
35:28It's already very late.
35:29Marisa,
35:30please,
35:31I'll take you.
35:32Marisa.
35:33But I sent it
35:34to call
35:35so that he can help me.
35:36I don't know anything else.
35:37he will say,
35:37Doña Bárbara.
35:40I need you to gather
35:41today
35:42to all its people
35:42for a little job
35:43special.
35:45But this time
35:46I will make you
35:47instructions
35:47precise.
35:49I don't want to
35:50confusions.
35:52Oh,
35:53little hand,
35:54And now I am
35:55completely confused.
35:56Oh,
35:56midwife,
35:57It's just wonderful.
35:59He asked you
35:59that you are
36:00his girlfriend.
36:01Oh,
36:01Luime,
36:02It's just that I
36:02I can't
36:03dancer so
36:03That's all.
36:05AND,
36:05and so he
36:06doesn't know
36:06my secret.
36:07Oh,
36:08That doesn't matter.
36:09Don't be silly.
36:11Look,
36:11just you
36:11throw yourself into life
36:13and enjoy
36:14of love.
36:15Oh,
36:15No,
36:15pretty,
36:15the thing is,
36:16It's just that I
36:16It scares me a lot.
36:18Well,
36:20because one
36:20He's in love
36:21from me.
36:22But don't be
36:23silly,
36:23midwife,
36:24Live in the moment.
36:25Let's do one thing,
36:26Let's go in
36:27to this store
36:28all elegant
36:29And you're going to buy
36:30the dress
36:31cutest
36:32that's here.
36:33You put it on
36:33And you'll see.
36:34how that handsome
36:34She'll faint tomorrow
36:35for you.
36:39Oh,
36:40But this store
36:41It's very elegant,
36:42midwife.
36:44Ladies,
36:45Too bad,
36:45if they come to sell
36:46We're missing something.
36:47interested,
36:48so have
36:49kindness.
36:50Too bad,
36:50but we
36:51We didn't come here to sell
36:52nothing,
36:53We came to buy.
36:54Only sales are available here.
36:55designer clothes.
36:57So what's the problem?
36:58The other day I came
37:00and I saw a dress
37:01which I liked.
37:01Clear,
37:02But she looked so pretty.
37:03then I don't...
37:04The one who clarifies
37:06darkens,
37:07midwife.
37:09Well,
37:09the fact that...
37:10the one I want to try on
37:12It's back there.
37:18I want this one.
37:19Where can I get it measured?
37:21These collections
37:22They are designer clothes,
37:23therefore
37:24They are very expensive.
37:25Miss,
37:26Well, I have
37:27enough money
37:28to pay for it.
37:29Oh,
37:30Light me,
37:31Why didn't you have
37:31a dress?
37:33I?
37:33Yeah.
37:35Just imagine
37:36that Marcos Muti
37:37It's going to take us
37:38in Icarrazo
37:38to the presentation
37:39and he told me
37:40that he invited you.
37:41Oh,
37:42Oh,
37:43Well, it would be for you,
37:43midwife.
37:44Will you see it?
37:46Yeah.
37:48Ladies,
37:49please.
37:50I try it on
37:51this,
37:52midwife.
37:53And I'm like this.
38:08Well, if we
38:09we were already there
38:09at that academy
38:10dancing,
38:10boss,
38:12That's where he lives.
38:13that old woman,
38:14the dairy
38:14that we give it a crank.
38:15We must go tomorrow.
38:17not too early.
38:19The place will be
38:20completely alone
38:21because those people
38:22He has to leave
38:23of the city.
38:24Furthermore, we
38:25we have there
38:26a connection,
38:27boss.
38:27If we pass
38:28a good amount of money
38:29up to the gates
38:30It opens to us from the sky.
38:31Is it trustworthy?
38:34Yeah.
39:08Hey,
39:09Marcos,
39:10Has your diva arrived yet?
39:12Maritza,
39:12sorry.
39:13Don't think,
39:14Charly.
39:15Well, I just...
39:15I came to congratulate you
39:17for your new video.
39:19And what did you throw?
39:20for the people
39:20from the police station?
39:21Yeah.
39:23You looked like a heartthrob
39:24from a soap opera
39:25giving him some kisses
39:26in the elevator
39:27live and direct.
39:30The truth is
39:31that the good
39:33It's noticeable.
39:33that your feelings are reciprocated,
39:35my brother.
39:35So that you die
39:36from envy,
39:37Yeah?
39:38And quite reciprocated.
39:41I can't wait
39:42that it appears,
39:43man.
39:47Do I look okay?
39:48You look beautiful,
39:50midwife.
39:50You're going to leave
39:52to everyone
39:52with the mouth
39:53open.
39:54Well, I hope so.
39:55That shouldn't happen.
39:57Oh,
39:57I just don't want to
39:57have more problems
39:58with the heavy
39:59Xiomara's.
40:00Don't pay any attention to him.
40:02No.
40:02Look,
40:03last night
40:04that I was
40:05at the police station
40:05I realized
40:06that you are
40:06much prettier
40:08that
40:09Xiomara
40:09and that the other one,
40:10the other witch
40:11that one that is
40:12really ugly.
40:13Yeah.
40:14And you know,
40:16I think they're leaving
40:16to die
40:17from rabies
40:18when they find out
40:18that Marcos
40:19he asked you
40:19that you were
40:20his girlfriend
40:21pair of hyenas.
40:22No,
40:23Luzmi,
40:23Don't tell me
40:23that thing you put on me
40:24more nervous.
40:30What are you doing?
40:31What you see.
40:34This necklace
40:35It looks better on you
40:36to you rather than me.
40:36Oh,
40:37No,
40:37No,
40:37Luzmi,
40:38You can see it
40:38beautiful.
40:39Don't be close.
40:40Let's see,
40:40help me,
40:41don't be near
40:42than the one that has
40:42that be
40:43very pretty
40:43for your angel
40:44is...
40:52Wow!
40:53It's spectacular!
40:55Who will it be?
40:56the owner
40:56of all this,
40:57teacher?
40:58That's not it.
40:58our problem,
40:59Ginger.
41:00Us
41:00we came here
41:01to work.
41:03Listen,
41:03teacher,
41:04And why?
41:04Didn't Juliana come?
41:06Doesn't it say that
41:06this event
41:07It belongs to the company
41:07Where does he/she work?
41:08I have no idea.
41:10I suppose that
41:11had to stay
41:12there,
41:12But the one that does come
41:13is the cousin
41:14from the mountain
41:15which also
41:15works
41:16with those gentlemen.
41:17I have a lot
41:18curiosity
41:19to meet her.
41:20She's coming with Luzmi,
41:21probably
41:22They've arrived.
41:23And that's because
41:24always
41:27I dreamed
41:30and imagined
41:32both
41:35that my heart
41:40would throb.
41:43What's up,
41:44partner?
41:45How's the tide?
41:47We were partners.
41:49I had already told them
41:49that they should not return here.
41:51When they occur
41:52business,
41:53oh well.
41:53to avoid him.
41:54What business
41:55Are we talking?
41:56A really easy one
41:57we've come to you
41:58to propose.
42:01I want to escape
42:04of this reality.
42:12This woman!
42:13She's a thief!
42:15That necklace
42:16He gave it to me as a gift.
42:17Marcos
42:17on our anniversary
42:18And you stole it from me.
42:26You tell me
42:28What's up, heart?
42:31wave
42:31your deemed that you
42:32we come to the
42:32lesson
42:32Thank you.
Comentarios