- hace 2 días
Diego y Santiago se reencuentran con Julián , un compañero de estudios del que llevaban años sin saber nada. Santiago recibe con ilusión a su viejo amigo, pero la aparición de Julián coincide con la misteriosa desaparición de dos carteras. El recién llegado es el principal sospechoso de los robos. Los hermanos Serrano tendrán que enfrentarse a un problema inmediato, Santi ofreció a Julián un trabajo en la taberna y le prestó una copia de las llaves del local. Además, el Garcilaso continúa con pérdidas económicas y la propietaria toma la decisión de vender una parte del patio para conseguir un dinero extra. Tanto los profesores como los alumnos se oponen a la venta y se niegan a escuchar las explicaciones de la que ya han apodado como “la pequeña urraca” .Por su parte, Guille cada vez está más celoso con la supuesta relación que mantienen Manu y Teté. Al verle tan afectado, sus amigos deciden ayudarle, pero Guille trama un plan para reconquistar a Teté. Sin embargo, no es la única rivalidad amorosa entre los habitantes de Santa Justa, ya que Celia y Ana empiezan a competir por atraer la atención de Diego.
Categoría
📺
TVTranscripción
00:00:20Subscribe to the channel!
00:00:30I remind you that she owns the school and she's not going to shoot herself in the foot.
00:00:33Oh no!
00:00:34Take my word for it, Diego, she's just very special.
00:00:36A obrazca is a obrazca, it's in his blood.
00:00:39Seriously, one thing, when you guys start to dislike someone, it's something that...
00:00:42Apparently, this obsession is like nicknames; once you're given one,
00:00:46No one can take it away from you.
00:00:48What if he suddenly decides he wants to sell the patio?
00:00:51The calculations don't add up.
00:00:52Where?
00:00:53To make a parking lot
00:00:54Where?
00:00:54At the Garcilas?
00:00:55But really?
00:00:56As?
00:00:57Yes, son, you're going to have to accept it in the toilets now.
00:01:00Let's see, a school playground is sacred, damn it.
00:01:03It's like taking the foam off beer; no, he wouldn't dare do that.
00:01:06That he doesn't dare
00:01:07And the thing is, having trust in people is very difficult.
00:01:10Because the one you least expect can turn out to be a dud.
00:01:13Very nice canitas and tortilla pincho, please
00:01:15Okay, but let's see, are you sure about that?
00:01:18So, what's she going to gain? What's this woman going to gain?
00:01:21What will he gain? Well...
00:01:23I don't know if they're going to win much, because, well, that's the most they can get.
00:01:2620 cars? More, right?
00:01:2842
00:01:29As?
00:01:30No, please forgive me for butting in where I'm not wanted.
00:01:33Yes, he's sticking his nose where it doesn't belong.
00:01:34But there's room for more cars
00:01:3642, to be exact
00:01:38What is this?
00:01:3942
00:01:39But as Carmen says, when it comes to trust, everyone does their own calculations.
00:01:43Sometimes it's missing, and other times it's around
00:01:45Miguel Botella, of chalk constructions
00:01:47From chalk constructions?
00:01:48And please ventilate.
00:01:49Okay, okay, this is school!
00:01:52A station platform, under the blazing sun
00:01:55You were talking about a skyscraper in the sky of New York
00:01:59Come soon to see the sea, and you send a postcard
00:02:02I already knew that day was the end
00:02:07Now I have much more
00:02:10Red, black, stop and even
00:02:12Finally, luck brings an ace and a crystal to look through.
00:02:16And a wall to hang it on.
00:02:18Seven smiling faces in one ID photo
00:02:21My stories weren't about tales made by chance.
00:02:28Nobody told me that fate would give me this opportunity.
00:02:35One plus one equals seven
00:02:37Who would have thought?
00:02:43That it was so easy to be happy
00:02:55Who wants to sell the courts?
00:02:56Another one involving land speculation
00:02:58No, there's no one here who's safe.
00:03:00But anyway, why does he want to sell them?
00:03:02To make a parking lot, the damn thing
00:03:03Tell him, tell him what you've said to him
00:03:05Well, I told him that first they have to reclassify the land.
00:03:07And then it has to be approved by the school board
00:03:09Sure, sure
00:03:10And what did he say to you?
00:03:11Tell him, tell him what he answered you.
00:03:13Yes, it's already in the rezoning process.
00:03:15And that he's going to take it to the council
00:03:16And she's remained so calm.
00:03:18Bad, but oh well, at least it's a start to the dialogue
00:03:20And dialogue, well yes, that's fine.
00:03:22Dialogue is the fundamental weapon to defeat the enemy
00:03:24Let's not forget
00:03:25Dad, the essential weapon
00:03:26A nice coat of paint on the car
00:03:28How do you make a pint in the car?
00:03:29This is not this animal
00:03:29Hey man, do me a favor
00:03:30Come on, let's finish breakfast.
00:03:31Come on, we're going to have a sugar crash
00:03:33Here come the fainting spells, the bleating, the linotypes
00:03:35In other words, no.
00:03:35No, Dad, fainting spell
00:03:37No, let's just say we can't.
00:03:38We have medical analysis.
00:03:40Oh, well, that can't be right.
00:03:41Well, that can't be, and that's okay.
00:03:42That's it, good
00:03:43But, but, come on, stop the car
00:03:45Excuse me, yes
00:03:46Yes tell me
00:03:48Hey Manu, what's up?
00:03:49Yes, how are you?
00:03:52Damn, we miss you for the wipes and stuff.
00:03:56As?
00:03:59Good heavens, man
00:04:00What's wrong with him?
00:04:01The mother who is a little annoyed
00:04:03And that he's going to stay for a few days
00:04:05Okay, well, don't worry about it.
00:04:06Get well soon, a hug
00:04:08Pass it to me, pass it to me
00:04:09Hand!
00:04:11Oh my God, he's hung up
00:04:13Oh
00:04:14We haven't surrendered to the Hyperman, have we?
00:04:17Hey
00:04:18Curro
00:04:18I have a surprise for you
00:04:20I bet you don't know where you and I are going this afternoon
00:04:22See you later
00:04:23Just like Dad said we are
00:04:24Alcina, see you later
00:04:26Alcina
00:04:26Alcina?
00:04:27Yeah
00:04:27That Manolo from La Magdalena gave me
00:04:30He gave me a couple of tickets
00:04:31Otherwise, it's a fantastic film.
00:04:32What am I saying, the lemon pear?
00:04:33I mean, cool from Paraguay, like saying you guys
00:04:35The brave little ant
00:04:36The hot little ant?
00:04:38Not hot, ma'am
00:04:39Brave, brave
00:04:39Do me a favor, he's just a child
00:04:40Oh, well, I don't know.
00:04:41What surprises me more
00:04:42Dad, I'm just sorry
00:04:43But I've arranged to meet some friends.
00:04:45But we're going to have a great time, son
00:04:46Okay, so we can buy it.
00:04:47Well, popcorn, lollipops, gummy bears
00:04:49What are the cursing and so on
00:04:50Dad, I'm sorry
00:04:50But I just can't
00:04:51Okay
00:04:52Okay
00:04:55Jorge Barroso
00:04:56I
00:05:02That?
00:05:03Did he give the muscleheads some garlic?
00:05:04Well yes
00:05:05Does it bother you?
00:05:06No
00:05:06Have many people answered you?
00:05:09What's it to you?
00:05:10No, I don't care.
00:05:11But look at you, you that
00:05:12You'll get your comeuppance and come crying to me.
00:05:17Hey, during the checkup, do they draw blood with a syringe?
00:05:20No
00:05:20No
00:05:22With hickeys
00:05:24Damn, pen, dude
00:05:25It seems unbelievable, doesn't it?
00:05:26What, dude?
00:05:26What, dude?
00:05:27I mean, I just can't
00:05:27Needles give me the creeps, man.
00:05:29That's what it is, they can't see her
00:05:30And that I get dizzy
00:05:30I'm going to faint, dude
00:05:31I'm going to faint
00:05:32Already with the time you have
00:05:33That you're listening to yourself
00:05:37Josemaría Bellido?
00:05:39Come on, José María
00:05:40It's just a tiny little prick.
00:05:41And then they give you a sandwich
00:05:43Come on
00:05:43Come on, pen
00:05:44We're going to you
00:05:44Come on
00:05:45We're going to you
00:05:47I'm sorry, Joli
00:05:48But there are a lot of immature kids running around here.
00:05:50You already know
00:05:51I'm going to call my boyfriend
00:05:52Well, that's if he takes it, right?
00:05:55How naive
00:05:56It is thought that he will answer the phone
00:05:58Manu!
00:05:59Hello!
00:06:01Good, good, good
00:06:02Everything's fine here.
00:06:03Missing You
00:06:05Are you coming in two days?
00:06:07Oh, no, I was going to ask you that.
00:06:09But since it got cut off
00:06:10Well...
00:06:11Okay, okay
00:06:11Don't worry, come on
00:06:12Okay
00:06:13See you soon
00:06:14Bye
00:06:15Oh
00:06:16Everything seems to be going well, doesn't it?
00:06:18It's heaven.
00:06:19With how tough it looks
00:06:20And then it's cuter.
00:06:24Moliche
00:06:24The sandwich?
00:06:25Have you eaten it yet?
00:06:26Sandwich
00:06:27"I need to start a diet," he says.
00:06:28God
00:06:29Let's go to this side
00:06:30And my little one
00:06:34Calm down, brother
00:06:35Don't worry
00:06:35The kid's defiance
00:06:37It's not due to abandonment
00:06:38It's because of a straying
00:06:38What do you mean by being astray?
00:06:40Remember your father
00:06:41What happened when he sent us
00:06:42Going thrush hunting
00:06:44And didn't we want that?
00:06:45Hey?
00:06:45It kept us in line.
00:06:46And then what?
00:06:47We clung to him like limpets
00:06:48But we liked it
00:06:49Or we didn't like it
00:06:50We liked him, Santi
00:06:51We liked it
00:06:52I don't know
00:06:53This whole imposition thing is a real pain.
00:06:54I don't know if it's going to work
00:06:55On the right path, brother
00:06:57On the sidewalk
00:06:57And if we have to go and see
00:06:58That invisible ant
00:07:00The invisible ant is visible
00:07:01Hey?
00:07:02All for his own good.
00:07:03No, if that...
00:07:04Attention, gentlemen
00:07:05How are you?
00:07:06Companions
00:07:07Ask
00:07:09Who will escape poverty?
00:07:11Run, brother
00:07:12That they wouldn't do it
00:07:13Come on, Santi!
00:07:14Don't worry
00:07:16Answer
00:07:16Here's my brother-in-law
00:07:17A server
00:07:18And you
00:07:19If you deem it appropriate
00:07:20Partner with us
00:07:21As founding partners
00:07:22The business of the century
00:07:23A revolutionary business
00:07:24It's confused me
00:07:25I won't say more.
00:07:26Well, the two have come together.
00:07:27The fructose and the easy one
00:07:30Please, this is scientific, okay?
00:07:32Tomorrow is the patent fair
00:07:34Come here, damn it
00:07:35Come, come
00:07:36And we have partnered
00:07:38To hit the jackpot
00:07:40The business of the century
00:07:42As I said before
00:07:46I'll show you.
00:07:46Hey?
00:07:47Attention
00:07:48Take out
00:07:52What have you invented?
00:07:54So what?
00:07:55To jail?
00:07:56Yeah, yeah, yeah
00:07:56I told you
00:07:57That an instruction manual was needed
00:07:58But what instruction manual?
00:07:59Neither, nor, nor
00:08:00What the hell
00:08:01They are thick
00:08:02Don't you see it?
00:08:02This is a gadget
00:08:04To use the knife
00:08:06No risk at all
00:08:07There it is
00:08:07Okay?
00:08:08Yes, there it is.
00:08:09I proceed
00:08:09Please proceed
00:08:11One of the leading causes of death
00:08:13These are domestic accidents
00:08:15When?
00:08:15Okay, but when?
00:08:16We haven't tried to cut a small piece of ham
00:08:19Or chorizo
00:08:19Or chorizo
00:08:20And we've almost done it.
00:08:21Of amputating a finger
00:08:22Fiti, sorry to interrupt you
00:08:24But one thing
00:08:24In other words, to get to the point.
00:08:25We're in a lot of trouble.
00:08:25Let's see
00:08:27Let's see
00:08:27That we have
00:08:28We invented this contraption
00:08:29Hey?
00:08:30To hold the sausage
00:08:31Hey?
00:08:32Without taking any risks
00:08:34As?
00:08:35The hand, friend
00:08:36The friendly hand
00:08:37Hey?
00:08:38Come on
00:08:39Bring me a small sausage
00:08:39And I'll show you.
00:08:40But, but
00:08:41What have I done?
00:08:41Okay, Fiti
00:08:42Excuse me for asking
00:08:43How does this happen to you?
00:08:44In this nonsense?
00:08:45Where would I get that idea from?
00:08:46Explain it to me
00:08:47My knowledge of mechanics
00:08:49For as long as I can remember
00:08:49And to see you there
00:08:51Watching
00:08:51Watching
00:08:52How do you work there?
00:08:53My friends behind the bar
00:08:54Lifetime
00:08:54And say it too.
00:08:55Say it too
00:08:56From a regrettable experience
00:08:57What has the boy had?
00:08:57In Punta Cana
00:08:58Reaching in
00:08:59In a condom machine
00:09:00Do you want to see how I cut you?
00:09:01Are eggs safe?
00:09:02Well, we're partners.
00:09:02Or we are not
00:09:03What do you think?
00:09:04Tell me what you think
00:09:04Come on, come on
00:09:05Give me a hand
00:09:06I can't catch you.
00:09:07The thing about the hand
00:09:08What does the friendly hand say?
00:09:09Is it called the friendly hand?
00:09:10What is a friendly hand?
00:09:10What is a friendly hand?
00:09:13What is a friendly hand?
00:09:17Pussy
00:09:18But Julian
00:09:21A former bus colleague
00:09:23But Julian
00:09:23Pussy
00:09:24Slave
00:09:26Some friends
00:09:26José Luis
00:09:27And fructose
00:09:29A lifelong friend
00:09:29Fiti
00:09:30Fructose Fiti
00:09:31Look at the one he's picked
00:09:32Well
00:09:33Well
00:09:34Well
00:09:34But Ana
00:09:35Let's see
00:09:36How could you even think of selling the patio?
00:09:38Have you thought about it?
00:09:39Have you thought about the kids?
00:09:40Of course
00:09:41But I don't know
00:09:42No, no, no
00:09:42You haven't even thought about the children
00:09:43Not even in us
00:09:44Fuck
00:09:44That we haven't had to find out
00:09:45By the one from the construction company
00:09:46Okay, okay, okay
00:09:48Let's calm down
00:09:49People can understand each other by talking.
00:09:50Let's see
00:09:51We inspire
00:09:53We inspire
00:09:53Okay
00:09:55We inspire
00:09:55Fernando, please
00:09:58Let's see
00:09:59Those from the construction company
00:10:01They have moved forward
00:10:01In taking measurements
00:10:02But obviously
00:10:03I was going to tell you.
00:10:04No Ana
00:10:05But that's just not the way to do things.
00:10:06No, but it doesn't matter.
00:10:07If selling the patio
00:10:08It's crazy
00:10:08That makes no sense
00:10:09Lourdes does have it.
00:10:10If you let me, I'll explain it to you.
00:10:12Let's see
00:10:13The numbers
00:10:13And there he goes again with the numbers.
00:10:14Damn, when a fool picks a cherry
00:10:16Will you let him speak already?
00:10:18It doesn't matter, Africa
00:10:19It doesn't matter
00:10:19No matter how much I explain it
00:10:20They don't want to understand.
00:10:22I'm going to get some fresh air
00:10:25Africa
00:10:28And what about you?
00:10:29What about me?
00:10:29About what?
00:10:30Hey?
00:10:37That?
00:10:38Don't hold back, okay?
00:10:40Don't let me find out
00:10:41You're going hungry
00:10:41I'll take the club
00:10:43Okay, Santi
00:10:44Hala
00:10:44Well, put another beer on.
00:10:46Ah, it hasn't done you.
00:10:46I mean, Santi
00:10:48This, to be hungry
00:10:49He's hungry
00:10:50But you've put the small Iberian hams in.
00:10:51And the thieves jump out at him
00:10:52No?
00:10:53Out of emotion, brother
00:10:54From the emotion
00:10:56This
00:10:56He's holding one hand in front of him
00:10:58And another one behind.
00:10:59Already
00:11:03Here's the fishing rod
00:11:05That?
00:11:05Hi, Diego
00:11:05Hey
00:11:06Do you remember when we tied the altar boy's shoelaces?
00:11:09And he crashed face-first into the chalice and everything
00:11:11He broke his nose
00:11:13To the bujodeo
00:11:14Now those were the good old days.
00:11:16Hey
00:11:17I was thinking maybe
00:11:18The one who isn't very happy about it
00:11:19It was the altar boy
00:11:20How do I know?
00:11:21Because?
00:11:21Because?
00:11:22It's a joke, man.
00:11:23A joke to pass the time
00:11:25Hey
00:11:26Hey
00:11:26Can I take my sandwich with me?
00:11:28Yes, man
00:11:28I have a job interview
00:11:30When would you do more?
00:11:30Well, you have to spend hours and hours and hours there.
00:11:32Enjoy the little churro
00:11:33No no
00:11:34Don't provoke yourself
00:11:34The jail, I know, man.
00:11:35The laces
00:11:36The laces
00:11:36The laces
00:11:37There
00:11:38Well
00:11:38There are a few cords
00:11:39Very well, if anything
00:11:40And these clothes, man
00:11:42These pints
00:11:42You've got the tie, man
00:11:43What do they have to do with seasoning
00:11:45Come on
00:11:45Thank you, Santiago
00:11:46Thank you
00:11:46Well, that's all.
00:11:49Nothing
00:11:50Thank you so much for everything.
00:11:51No, you're welcome.
00:11:52You're welcome, Julian, damn it
00:11:53Don't come to me with whatever is needed
00:11:54And good luck with the interview.
00:11:56Okay, I'll tell you later, alright?
00:11:57Okay, see you later
00:11:58I'll tell you later
00:11:58You'll see, everything will be alright.
00:11:59And if not
00:12:00Just so you know
00:12:01You'll never go without coffee here.
00:12:03And a mollo
00:12:05Thank you, Santiago
00:12:07Carme
00:12:11Life is a bitch, bro
00:12:13With the workers
00:12:14That's always been Julián
00:12:15That he was studying for himself and for me
00:12:18Yes, she's a bitch, Santi.
00:12:19Yes, she's a bitch.
00:12:20Okay, I'm finishing the sandwiches
00:12:21I'll take them to the kids
00:12:22They will be hungry
00:12:22After the medical examination
00:12:23Horrible, isn't it?
00:12:24That
00:12:24And you put them all in their place while you're at it
00:12:26And if we have to see
00:12:27The Atomic Ant
00:12:28One goes to see the ant
00:12:29Know?
00:12:29This guy with the little hand
00:12:30That it is not atomic
00:12:31He is brave
00:12:31And I didn't leave my little hand behind.
00:12:32I hope I don't cut myself.
00:12:33And I have to buy Fiti's hand
00:12:34Come on, guys
00:12:35See you tomorrow
00:12:37See you tomorrow
00:12:46That?
00:12:47What about what?
00:12:50Come on, Guille
00:12:51It's because of TT, right?
00:12:53It doesn't help you vent, does it?
00:12:53Here, with your friends
00:12:55I don't love myself...
00:12:55No, no, no
00:12:57I don't want to vent
00:12:58Come on, I'll tell you, I like the hand
00:12:59And that's it.
00:12:59I'm not going to change my mind.
00:13:01I don't care, dude.
00:13:01If I'm going to go for her
00:13:02No, you don't care, Guille.
00:13:04That it's not all the same to you
00:13:04Well, then there are those who
00:13:05They keep bothering him by telling him
00:13:06I'll miss her a lot, won't I?
00:13:08That
00:13:08Listen to it, Guille
00:13:10Live in your own home, you crazy person.
00:13:11When you see them making out
00:13:13Every day
00:13:13You're going to get tachycardia
00:13:14On the porch
00:13:15In the dispensary
00:13:16In the kitchen
00:13:17On top of the table
00:13:18In the living room
00:13:19It's not worth it anymore, is it?
00:13:20Damn, guys
00:13:22But what are you, Guille?
00:13:23The great Guille, remember him?
00:13:25Guille himself
00:13:26That it didn't collapse
00:13:26When Richie crossed her path
00:13:28Guille himself
00:13:28That ended with Humberto
00:13:29And what made all the uncles
00:13:30That they would come to Portete
00:13:31Did they get burned?
00:13:32Guille himself
00:13:32That made us think
00:13:33That Manu was gay
00:13:35Or he made Bolichie
00:13:36He would reconsider.
00:13:36No, no, no
00:13:37That wasn't love.
00:13:38Well, that's not a good example.
00:13:40But listen
00:13:40Keep the spirit
00:13:41With the attitude
00:13:42Guille
00:13:43Clear
00:13:43Go ahead, crazy
00:13:55Leave me alone
00:13:58I've been really down, man.
00:14:00He needs help.
00:14:01Because
00:14:02It's just that if a guy doesn't end up like that
00:14:03That the train driver is so active
00:14:07The bag?
00:14:08The bag?
00:14:10Curro
00:14:11Curro, sons
00:14:11How are you?
00:14:12Hi how are things?
00:14:13But what are you doing here?
00:14:14Well, uh, I...
00:14:15I wanted to tell you something
00:14:17Very serious, son
00:14:18Very serious
00:14:19I've brought you
00:14:20I've brought you
00:14:21A ham sandwich
00:14:22Good, huh?
00:14:23Good ham
00:14:23And for your friends too
00:14:24Take
00:14:25Thank you, thank you
00:14:25You are welcome
00:14:26You are welcome
00:14:28Let's get back to what I was going to tell you, son
00:14:29I mean, I wanted to tell you that
00:14:31I will not take no for an answer.
00:14:33So, why?
00:14:33Because I am your father
00:14:34And parents are supposed to be listened to, right?
00:14:36But Dad...
00:14:37Listen to me, listen to me, son
00:14:38You and I are going to the movies this afternoon.
00:14:39Let's see the brave little ant
00:14:41Less fleeing
00:14:43Okay, okay
00:14:44Let's see
00:14:44Let's leave that aside.
00:14:45In other words, the brave little ant
00:14:46And that's all there is to it.
00:14:47Come on
00:14:47Give me a little kiss and see you later
00:14:49Dad, please
00:14:50What's wrong, son?
00:14:52Curro
00:14:57So there was no strength in the interview
00:14:58They haven't told you anything.
00:15:00What are you going to tell me, man?
00:15:01The usual.
00:15:02We'll call you then.
00:15:04No, no, we already have your phone number
00:15:06Let's see, I'm 50 years old
00:15:08But I already know what this is about.
00:15:10At my age
00:15:11Chungo
00:15:12Don't tell me any more.
00:15:13Don't tell me any more.
00:15:14I do know about that.
00:15:15A few months ago
00:15:16I was left on the street
00:15:18And I even saw myself as a leper.
00:15:20What is language?
00:15:21What is computer science?
00:15:25Hey
00:15:27Hey?
00:15:27That?
00:15:28Why don't you stay here with us?
00:15:30Wouldn't it be nice to have a waiter?
00:15:33Fuck
00:15:35Seriously, Santiago?
00:15:36No, seriously
00:15:38No, no, no
00:15:39Really, really
00:15:40No no
00:15:40Look, I don't know anything about the hospitality industry.
00:15:44Not at all
00:15:44I don't know if he'll be able to send it to me
00:15:45You don't have to go study in Salamanca, man.
00:15:47Besides
00:15:47And you're going to have the best teacher in the world
00:15:49Come on
00:15:50That's all there is to it.
00:15:50Hired
00:15:52That I
00:15:52Side by side
00:15:53Milk
00:15:54Just like the old days
00:15:55When we were children
00:15:56Santiago, thank you very much, man.
00:15:58Fuck
00:15:58Don't even mention what a joy!
00:15:59You're going to give it to Loli, too.
00:16:00Take it, take it
00:16:01The keys to the table
00:16:02Because someday
00:16:03It will be your turn to open it
00:16:05Good, good, good
00:16:06When it's your turn
00:16:06You enter
00:16:07And the first thing
00:16:08Turn on the coffee maker
00:16:09Perfect
00:16:10Place the stools
00:16:11And you give the floor some water
00:16:12Now
00:16:13Very good
00:16:19Okay, then
00:16:21See you tomorrow
00:16:22It's tomorrow
00:16:23Fuck
00:16:25It's the orchestra.
00:16:27Hello
00:16:29Hey, Santi
00:16:29Have you seen my wallet around here?
00:16:31Have I lost it?
00:16:32Your wallet?
00:16:32Your wallet?
00:16:33Does nobody here know your wallet?
00:16:34You haven't taken out your wallet
00:16:35To pay here
00:16:36Ever since Fraga played guard
00:16:38Pay attention to what I'm telling you.
00:16:39You've probably lost it here
00:16:40Yes, yes
00:16:41Damn, when I was there
00:16:42When from a helping hand
00:16:43Showing that I've put
00:16:44Next to this man
00:16:46This one that just came out
00:16:46That?
00:16:47Julian, our friend?
00:16:48Yeah
00:16:48Julian
00:16:49Julian
00:16:50One thing, Santi
00:16:53Your friend Julian
00:16:54It's trustworthy
00:16:56Trustworthy?
00:16:57Trustworthy?
00:16:58Blind trust
00:17:00I've known him since before I knew you
00:17:02Okay, okay, okay
00:17:02If it's not because I'm being malicious...
00:17:04Nothing.
00:17:04But
00:17:04Pussy
00:17:05He got very close to me
00:17:06And that it doesn't give me
00:17:06I have a very good feeling about this.
00:17:07What does it give you?
00:17:09It doesn't give me
00:17:09I don't know why
00:17:10But I don't have a good feeling about it.
00:17:11If you don't know, keep quiet
00:17:13What kind of society is it?
00:17:15With people like you
00:17:16How are you going to find a job?
00:17:17My friend Julian?
00:17:28Permission
00:17:29Hello
00:17:30Fermín, can I talk?
00:17:31Just a second with you?
00:17:31Oh, man
00:17:32Sorry
00:17:32Look, I wanted to tell you
00:17:33One little thing
00:17:34That tonight
00:17:35We have a meeting
00:17:36With those from Lampa
00:17:37AND...
00:17:37Well, I think
00:17:39Things are going to get complicated.
00:17:39Quite
00:17:40Could you organize the catering?
00:17:43Of course you can
00:17:44Call me later
00:17:44Yes, and we'll finalize that.
00:17:45Fermín, if you come, great!
00:17:47No, no, no
00:17:48Stay here
00:17:48If I have to leave
00:17:49I'll call you later
00:17:50Okay, see you later
00:17:51Thank you
00:17:53The woman doesn't know what to do anymore.
00:17:55So that we see it in a positive light
00:17:56Well
00:17:57Man, forgive me
00:17:58That, and the genre I serve
00:17:59It's a good genre
00:18:00And I highly value competitiveness
00:18:01Fine too
00:18:02Okay, sit down.
00:18:03What's the matter?
00:18:04Would you like a coffee?
00:18:05Yeah
00:18:05Yes, a coffee
00:18:06Well, what happens to me
00:18:08It ends very hard
00:18:09I'll tell you.
00:18:10My son, Curro
00:18:12That he has denied me
00:18:12He has denied me three times
00:18:13Like Saint Peter
00:18:14Well, what do you mean he denied you?
00:18:15Go on
00:18:16Yes, I'll explain it to you.
00:18:17So, I had told him
00:18:18If he and I were going
00:18:19As father and son
00:18:20We were going to the movies, weren't we?
00:18:21Hey, we already have the tickets
00:18:22From The Brave Little Ant
00:18:23The brave little ant
00:18:24Yeah
00:18:25What's happening?
00:18:27Let's see
00:18:27I think I'm getting it
00:18:29Look at the children
00:18:30Yeah
00:18:30Let's go to today's children.
00:18:31They like movies more
00:18:32More like adults
00:18:33I mean, little ones grow up too.
00:18:35I understand.
00:18:36Okay, fine, yes
00:18:37But that's not the problem.
00:18:38The problem is that I'm his father.
00:18:38And my authority has been disregarded
00:18:40And my authority has been disregarded
00:18:41In front of his friends
00:18:41From his friends, here
00:18:42It's normal
00:18:43It's normal
00:18:44Because Curro is practically a teenager, you know?
00:18:46And those teenagers
00:18:47You know they don't like authority very much.
00:18:49Come on, you have to let him.
00:18:50A little more
00:18:51Of space
00:18:52But how am I going to give him space?
00:18:54If I give him space, that is, if he gets away from me
00:18:56It's slipping away
00:18:56In other words, I wouldn't touch it with a ten-foot pole.
00:18:58I don't understand
00:18:58Stop making ties
00:18:59Stop making ties
00:18:59No, yes, yes
00:19:00They get older
00:19:01And they're going to leave, Diego
00:19:03The question is
00:19:04How do you want them to leave?
00:19:05With you by my side or without you?
00:19:08Seeing you as an ally
00:19:09Or as a police officer
00:19:13Yes, I understand, Fermín
00:19:14But...
00:19:15Why are we talking about Curro?
00:19:17And Curro is...
00:19:18Curro...
00:19:19He's the little one
00:19:20Is that it?
00:19:22Yeah
00:19:23That's it, yes.
00:19:27Well
00:19:27So...
00:19:29Space
00:19:29And understanding
00:19:31Yeah
00:19:31Is there no other option?
00:19:34No
00:19:35Already
00:19:39Health
00:19:40It's impossible.
00:19:41How am I supposed to get rid of the courts, man?
00:19:43Are they going to remove the courts?
00:19:44Yes
00:19:45Lurdita told my father about it.
00:19:46And also
00:19:47A gentleman has arrived
00:19:48And he started measuring the yard
00:19:49What a load of crap!
00:19:50What a way to ruin our lives
00:20:06Dude, we just have to accept it, man.
00:20:08In other words, Guille has fallen apart.
00:20:10And now we have to support him, okay?
00:20:11No, what we need to do is discourage him and take him away.
00:20:13That I would go out for a bit and stop dwelling on the matter
00:20:17I don't know, does anyone have any ideas?
00:20:19Yes, yes, yes, yes, yes
00:20:19Leave me life
00:20:20I have a great plan
00:20:21He's going to love it
00:20:24And for one euro more, mate
00:20:25We have the Mega Happy Burger Cheese
00:20:27With this cheese, pickles
00:20:28And a double portion of sauce or barbecue.
00:20:30An explosion of flavor, Guille
00:20:33Is that your plan?
00:20:36I like mine better
00:20:38Let's go
00:20:38There we are
00:20:39What's happening?
00:20:43How professional, right?
00:20:44Yes, what did you think?
00:20:46Let's see
00:20:47Basically, I've drawn up a plan
00:20:48To improve my margin
00:20:49Let's see what you think
00:20:50I don't know, well, it's going to cost you more
00:20:52To the Cathedral of Burgos
00:20:53Let's see
00:20:57What made T.T. notice Manu?
00:20:59Because?
00:21:00Well, it's a total mess.
00:21:01Damn, Guille
00:21:02I haven't told you again
00:21:03You're not going to stick your finger in there
00:21:04Okay, fine, no
00:21:05But it's okay, more or less, alright?
00:21:07But T.T. has always said that he wants to, well
00:21:09Uncle Maduro
00:21:09But at the same time, tender
00:21:11So what will the first phase be?
00:21:13Tenderness
00:21:13Tenderness
00:21:16Following
00:21:17Manu
00:21:17Manu is ripped
00:21:18Yes, yes
00:21:19Well, I'm into the little white lies.
00:21:21But...
00:21:21Yes, also
00:21:21Yes, also
00:21:22But if
00:21:23But there's a damn point
00:21:24That they get very excited
00:21:25And that is
00:21:26Security
00:21:27So what will the second phase be?
00:21:30Security
00:21:30No, courage
00:21:33And now
00:21:33Finally
00:21:35Mobile phone photos
00:21:36Oh!
00:21:37Guille, Guille, for God's sake!
00:21:38Don't tell me you're going to get pimples
00:21:39I don't like it, I'm going to get pimples
00:21:41Of course I'm not going to get pimples
00:21:42Let's see
00:21:44Manu catches varicose veins
00:21:46And that she accepts you
00:21:47He takes care of her
00:21:49Another key point about aunts
00:21:50They like that we need their care
00:21:53So what will the third phase be?
00:21:56Helpless
00:21:56But, hey
00:21:57All that in one day
00:21:59It's going to be harder than finding Wall
00:22:00And, crazy
00:22:00Let's see, little badanito
00:22:01Nobody said this was going to be easy
00:22:03But anyway, we'll get into the details later.
00:22:06If you want to help me
00:22:07Tomorrow we have to run like clockwork
00:22:17If you want to hire someone, you have to tell me.
00:22:19That's what I'm the partner for.
00:22:20Or one of them
00:22:21I mean, right?
00:22:22Or not?
00:22:22Don't worry
00:22:23Don't worry
00:22:23Don't worry
00:22:23And then you go to a fair with that silly hand of yours.
00:22:26We're out running errands
00:22:27And who gets to keep the tavern here?
00:22:29It wasn't us!
00:22:31Hello, Louritas
00:22:32Hello
00:22:33How are you?
00:22:34How are you, Palomita?
00:22:35Well, fed up, fed up
00:22:35Hello, damn it
00:22:37I'm fed up, because I'm so eager to go to the parents' meeting.
00:22:40To listen to Ana in the same old cantina
00:22:42If he's persistent
00:22:44Persistent and stubborn
00:22:45I really know myself, what a mess.
00:22:47What can we do?
00:22:48So, you go ahead and I'll go now with the little caterpillar thing.
00:22:50Yes, I'm coming now, but I need change, Santi, give me change for...
00:22:53Hey?
00:22:54Santi, change
00:22:54My wallet? Where's it? My wallet?
00:22:56Look, good
00:22:57No, no, no, you must have left it at a store.
00:22:59No, the last time I took it out was at the drugstore across the street from my house.
00:23:02And, by the way, I've dropped my bags.
00:23:04And a very kind gentleman came and helped me.
00:23:05Wait, wait, wait
00:23:07A short, bald man with glasses and a beard
00:23:10Does it look like a little butt?
00:23:11Yeah
00:23:12As well as my Santi's age
00:23:14Julian, damn it
00:23:15Then he talks about society and appearances and whether grandma smokes, damn it
00:23:18That guy stole my wallet.
00:23:20But that Julian
00:23:21Me too, me too
00:23:22From a regrettable experience I had as a young man there in Punta Cana
00:23:24Reaching into a condom machine
00:23:26Do you want to see me cut off your balls in danger?
00:23:28But hey, we're either partners or we're not.
00:23:29What do you think?
00:23:30Tell me what you think
00:23:31Come on, come on, Santi, give me a hand
00:23:33No...
00:23:34He is deceived
00:23:35He stole from my wife
00:23:36To my friend Lata, let's see
00:23:38AND?
00:23:39Oh, what's wrong with you?
00:23:40Oh, what's wrong with you?
00:23:42Santi, sir!
00:23:43I left him the keys to the tavern!
00:23:45That?
00:23:46Did I leave him the keys to the tavern?!
00:23:47But for God's sake, Santi, damn it, with this "I don't trust" thing
00:23:49They want things, really.
00:23:50Well, lad, I've left the fox the key to the trigger.
00:23:53Fuck!
00:23:54What a bitch!
00:24:00Let's see why
00:24:02Do you understand what it means to stop receiving that money from the sale of the patio?
00:24:06Well, I think what we should do is...
00:24:07No, yes, you think very well.
00:24:08It's important that children continue to have that free space, isn't it?
00:24:11Yes, but what...
00:24:13But you've seen the numbers and something has to be done, right?
00:24:17Forward!
00:24:19Thank you
00:24:19Well, here's the latest, huh?
00:24:22The Iberian sandwiches, as God intended
00:24:24Well, what do you say?
00:24:28I resign
00:24:28That?
00:24:29As?
00:24:31Well, if it was to clear the way, I'll take care of it.
00:24:35Yes, of course.
00:24:37Well, you didn't have enough time.
00:24:39We'll have to consult the other parents, won't we? I mean, that's what I think.
00:24:41Let's see
00:24:43Presidential candidates
00:24:47But let's see, they're not going to say anything.
00:24:49The well-being of your children is at stake!
00:24:52Louritas, with your permission
00:24:53Ana, with your permission
00:24:54I don't want to stir things up, okay? God help me.
00:24:56But if...
00:24:57If that courtyard is missing, then overcrowding will occur.
00:25:00And overcrowding...
00:25:01Let's not kid ourselves, it's not good, is it?
00:25:03No, I'm talking about, apart from the sandwich guy and the catering thing
00:25:07That I am the father of two...
00:25:08Three, three children who are enrolled here
00:25:10What do you think, Diego? Feel free to say whatever you want.
00:25:12No, that's what I meant.
00:25:13Nor is it, that is, that...
00:25:14In other words, the first one is overcrowding.
00:25:15Then there's overcrowding, where does overcrowding lead us?
00:25:17Tension and tension...
00:25:18To vandalism
00:25:19That's how it is...
00:25:20Yes to vandalism, excuse me, Ana
00:25:21Yes, yes, yes
00:25:22Because that's what we want for our children.
00:25:23In other words, we want overcrowding, then tension.
00:25:25And then, directly, vandalism.
00:25:27But seriously, what kind of exaggeration is this, man?
00:25:29No, excuse me, it's not an exaggeration, no
00:25:30No, no, no, because we are parents.
00:25:32And we are responsible for our children
00:25:33What are teenagers or teenage houses?
00:25:35They're doing very badly indeed.
00:25:36And what do our children want?
00:25:37They don't want police, no, they want allies
00:25:39Allies
00:25:40And when our children ask us
00:25:41Think about it for a little while
00:25:42When they ask us
00:25:42Dad, what happened to the courts?
00:25:45Dad, what happened to the courts?
00:25:46Give an account
00:25:46What are you going to answer?
00:25:47What are we going to answer?
00:25:48What are we going to answer them?
00:25:49What? Come on, answer me.
00:25:50What are we going to answer them?
00:25:51Go ahead, ask.
00:25:51That?
00:25:52That?
00:25:52Do you want to be president of the PTA?
00:25:54That?
00:25:54Wait
00:26:06Hey, old man, good morning
00:26:07I'm very worried
00:26:08Santiago hasn't been home
00:26:09All night long
00:26:10Don't worry, woman
00:26:11No, I imagine that
00:26:13Standing guard at the tavern
00:26:15But hey, what's going on?
00:26:16That each day one sleeps less.
00:26:17In this house
00:26:18Because work is in the early hours
00:26:19Alright, everyone, let's have breakfast
00:26:21Fancy a quick coffee?
00:26:22Yes of course
00:26:24How are you?
00:26:24Good morning
00:26:25Hello, good morning
00:26:27Okay, one second.
00:26:28Well, Curro
00:26:29Did you know that your father is the president of the PTA?
00:26:31Oh really?
00:26:32Yes, yes, son
00:26:32I have been elected by universal suffrage
00:26:34Look, well
00:26:35So, relax.
00:26:36The patio will stay where it is.
00:26:37Take!
00:26:38Yeah
00:26:39Yes, the truth is that
00:26:40Let's hope we get lucky.
00:26:41Because your father is very committed to the issue.
00:26:43Sure, Lurito
00:26:43Excuse me for correcting you
00:26:44Very committed and very dedicated
00:26:45In other words, when I start acting as president
00:26:47The first thing I'm going to do is
00:26:49Listen to everyone
00:26:49All of their proposals
00:26:50Answer all questions
00:26:51And to join this exciting project
00:26:53What is it?
00:26:54What are you saying?
00:26:55Excuse me, Mr. President
00:26:56How much does a coffee cost on the street?
00:26:58How funny!
00:26:59But look, I'm going to remind you that besides being president
00:27:00I'm a tavern owner, you idiot.
00:27:01Hello
00:27:03Hello, Carmen
00:27:04Auntie, the purchase
00:27:04Yes, yes
00:27:05Like every end of the month
00:27:06Because later in a little while
00:27:08Queues form that...
00:27:09Okay, but don't worry, Carmen
00:27:10Because this time I'm going with you
00:27:12Huh?
00:27:13That?
00:27:13You?
00:27:14Well, look at that!
00:27:15Phenomenal
00:27:15Well, yes
00:27:16How should I know?
00:27:17That's why I got up earlier
00:27:18Because yesterday I started thinking
00:27:19That Carmen was going shopping today
00:27:21And I said, well, the help before going to school
00:27:23No?
00:27:23Nothing more than
00:27:24After all, Carmen is already old.
00:27:26And now he's dealing with his arthritis.
00:27:27And his lumbago
00:27:28We need to help her now.
00:27:28Okay, okay, son
00:27:29Don't exaggerate, because I'm not that bad off.
00:27:32Son, really
00:27:33Carmen
00:27:33This is my son
00:27:34Guille
00:27:35It seems not.
00:27:36He has a heart that's about to burst out of his chest.
00:27:37A heart as big as a ham
00:27:38Let's go
00:27:39That's true
00:27:40Yes of course
00:27:40Okay, let's see.
00:27:41Guille, let's go
00:27:42Let's go, the fish's gone mad
00:27:44See you later
00:27:44Goodbye, Carmen
00:27:46Goodbye, goodbye
00:27:47Diego, who doesn't get it
00:27:51Ah, he'll be in the bathroom
00:27:52Santi doesn't forgive first thing in the morning
00:27:54So,
00:27:54Okay, let's leave the coffee thing for now.
00:27:56Come on, let's go to the tavern.
00:27:57And you all have a peaceful breakfast.
00:27:58And off to school, huh?
00:27:59Okay, see you later
00:28:00See you later
00:28:04It's still closed
00:28:05It's not a long time to be in the bathroom
00:28:06Let's see if he's fainted.
00:28:07No, no, woman
00:28:08It must have turned out ugly.
00:28:09Don't worry
00:28:13This is stopped!
00:28:14Santi, please
00:28:15It's us, damn it.
00:28:16Am I fed up with everything?
00:28:18What the heck do I open it for my little dove?
00:28:19But, brother
00:28:20But what?
00:28:20What are you doing, Santi?
00:28:22What are you doing?
00:28:22Looting a thief's assets
00:28:24But for God's sake, Santi
00:28:25This Babylonian thing is not Christian
00:28:26Well, there are other ways.
00:28:27If necessary, I'll turn the other cheek.
00:28:29But the tavern didn't
00:28:29Okay, calm down.
00:28:30Not the tavern?
00:28:31Okay, calm down, Santi.
00:28:32That's it
00:28:32What are you doing?
00:28:33Ah!
00:28:35Oh, my goodness!
00:28:38The blow that the animal gave me
00:28:40Well, it could have been worse, little one.
00:28:42Well, what can I say?
00:28:43No, it could have happened to me.
00:28:44So, let's see
00:28:46It's up to me to bring up the issue.
00:28:48Damn, I need to be lucid.
00:28:50Santi, open the door, we're not going to make it.
00:28:52Damn, you have to go
00:28:52No, nobody here knows.
00:28:54The wolf always returns to the henhouse
00:28:56And this one is about to arrive
00:28:57Yes, but how could he not come back, Santi?
00:28:58If he works here, I'll remind you.
00:29:00You wouldn't believe what things...
00:29:01Life is so unpredictable.
00:29:02Seriously, schoolmates
00:29:03From the usual class
00:29:04From a young age
00:29:05And after many years
00:29:06One given over to crime
00:29:07And the other one, a blessed one
00:29:08What blessed one?
00:29:09What a blessing, Lurditas?
00:29:10How blessed
00:29:10They've given me a beating.
00:29:12That he could be charged with homicide
00:29:13A degree of attempt
00:29:14No, no, no
00:29:14May it fall on me
00:29:15But how did I get in here?
00:29:16The wreck
00:29:16Santi, Santi, listen
00:29:17Because Lurditas is right.
00:29:19In other words, life is very unpredictable.
00:29:20And this man, well, he must have passed by.
00:29:21Your needs
00:29:22He will have lived in a hostile environment
00:29:24Probably
00:29:24Of course, what a shame, Santi.
00:29:25Too bad
00:29:25Too bad
00:29:26Life is so unfair, Santi
00:29:27Don't fall into the same trap.
00:29:28Dialogue also exists.
00:29:29And understanding
00:29:30Okay, fine.
00:29:31I leave the club
00:29:32But I don't want to see him around here again.
00:29:34Okay, okay
00:29:35Well
00:29:35At least he's reconsidered.
00:29:37Come on
00:29:37Let's go
00:29:38We arrived late to the exhibition
00:29:39If it didn't break me
00:29:40Come on, let's go
00:29:41Come on, José Luis
00:29:43Come on
00:29:43On an empty stomach
00:29:45How am I?
00:29:45Do you want them to do it for a little while?
00:29:47No, give him a bun.
00:29:48There's not enough time.
00:29:49Let's make the steak
00:29:49Come on, let's go
00:29:52Good morning
00:29:52The tenderness phase
00:29:53It's underway
00:29:54This morning
00:29:54You all have to be robbed
00:29:55Everything about Carmen
00:29:56You shouldn't have seen it.
00:29:58Okay, to your stations
00:29:59Coming
00:29:59No, but also
00:30:03This is what you get up from
00:30:04Hello
00:30:05Yeah
00:30:06Well
00:30:06Oh well
00:30:07What happened to your hand?
00:30:08This is for me
00:30:09Not good at all
00:30:11Of...
00:30:11Well, I'll give it to you.
00:30:12Help Carmen
00:30:12With the bags and all that
00:30:13That I had the purchase
00:30:14For the entire month
00:30:15But I don't know
00:30:15That's already over there
00:30:16Whatever it takes
00:30:17Oh well
00:30:18Which, by the way
00:30:19I wanted to apologize.
00:30:22He's been making fun of me a lot
00:30:24Regarding the Manu issue
00:30:25Sometimes he has let me guide him
00:30:26For comedy
00:30:26And that I don't know
00:30:28I'm so happy for you
00:30:30You want to ask me for something
00:30:31Well no
00:30:32He doesn't want to ask her for anything.
00:30:32For you
00:30:34Simply that once
00:30:35Well, what do I know?
00:30:35He thinks so.
00:30:36She thinks it's because of fashion
00:30:37And corrects himself
00:30:39And I'm really happy for you.
00:30:40I hope you are well
00:30:41And I'm sorry
00:30:43Elderly
00:30:45Thank you
00:30:45You're welcome, man.
00:30:47Oh well
00:30:48Go look
00:30:48You who are afraid
00:30:49The needles
00:30:49I'm going to see
00:30:50No guide please
00:30:51Don't even think about it
00:30:51That I am a child
00:30:52Okay?
00:30:52But please, okay?
00:30:53More people
00:30:53It's not from me
00:30:53Tete
00:31:14But what did you say to him?
00:31:15No, nothing
00:31:16I don't know what
00:31:17Well, when he was six years old
00:31:18They were going to give me a tetanus shot.
00:31:20And if not, I already know from Marcos
00:31:21It has still been
00:31:22The door to the doctor
00:31:23Oh well
00:31:24Good thing nothing happened
00:31:25I'll see you later, okay?
00:31:26Come on
00:31:26See you later
00:31:31Oh, that's strange.
00:31:32Worth
00:31:33I think Guilla deep down
00:31:34She's a sweetheart, isn't she?
00:31:35It reminds me of when you were together
00:31:37Wow, you have some really strange things.
00:31:39You too
00:31:40Well
00:31:47Young guy
00:31:49Five euros
00:31:50A pleasure
00:31:50We already said loser
00:31:52And this kid
00:31:57I'm with the new generation
00:32:01Where did the baby come from?
00:32:17Sorry, kid
00:32:19I came here to have a quiet breakfast
00:32:20And I got hit by the animal.
00:32:23Good morning
00:32:24It takes a little bit
00:32:28What's happening?
00:32:29Yeah, yeah, yeah, yeah
00:32:31Yeah, yeah, yeah
00:32:31Yeah, yeah, yeah
00:32:31That's it, stay still
00:32:32Still
00:32:33Let's see
00:32:34What are you going to put in your wallet?
00:32:35Come on Santiago, don't be premature
00:32:37That my wallet
00:32:39Santiago, please
00:32:43Santiago, please
00:32:44Santiago, don't
00:32:45Okay, okay
00:32:48Pussy
00:32:49Look at her
00:32:49My wallet
00:32:50Let's see
00:32:51Give me an explanation.
00:32:53Santiago
00:32:54If only
00:32:55I was going to return it.
00:32:56Return it?
00:32:57But Julian
00:32:58Holy shit
00:32:59You carry a catalog of things
00:33:00What the hell?
00:33:01I swear
00:33:02That she was going to return it
00:33:02I'm so sorry for what happened
00:33:04The thing is
00:33:04I didn't know they were close friends.
00:33:05Have they become close?
00:33:07Go on, get out that door
00:33:08And never come back in your life
00:33:09And be thankful she didn't call the police
00:33:12Because of what we were like as children
00:33:13Come on Santiago
00:33:14Please
00:33:14Understand it
00:33:15You know that my life has been
00:33:17Basic to the top
00:33:17Lifetime
00:33:18And from the steep
00:33:19Hey?
00:33:20Yes, yes
00:33:20It's because you enter the Birley
00:33:21And no, of course not.
00:33:22There's no way out
00:33:23For plena
00:33:23For plena
00:33:24If you like
00:33:26The easy way
00:33:27TRUE?
00:33:28The difficult part so far
00:33:29In daily work
00:33:30Until you get calluses
00:33:31Look at Santiago
00:33:31Listen to me
00:33:32Because I've tried.
00:33:33Again and again and again
00:33:34But now
00:33:35Nobody trusts an ex-convict
00:33:37Nobody
00:33:37There's a point.
00:33:38I know more prisons
00:33:40That the lute
00:33:40Man
00:33:41Valdemoro
00:33:42Port of Santa Maria
00:33:43Laurín
00:33:43Damn, Laurín?
00:33:44And you won't know one
00:33:46In the third gallery
00:33:47So high
00:33:47With a hunchback
00:33:48He sings to her...
00:33:49The skunk
00:33:49The skunk
00:33:50The skunk
00:33:51Of course
00:33:52My colleague the skunk
00:33:53Yes sir
00:33:53In the third gallery
00:33:55And I was in...
00:33:55The skunk
00:33:56The skunk
00:33:57The skunk
00:33:58Okay, okay.
00:33:59Forgive me
00:33:59But it's all stirred up in me
00:34:00With the...
00:34:01So you can see that I wanted to tell you
00:34:05Yes, it has been tamed
00:34:06Don't worry
00:34:07Here we know about...
00:34:08Well, what I was thinking
00:34:09It's that man has everything
00:34:11Santi, damn it
00:34:11In other words, he has lived in need.
00:34:13In a corrupt environment
00:34:14Fuck
00:34:14And from...
00:34:15I'm feeling a little sorry for them.
00:34:16And he's a friend
00:34:17It has its own charm
00:34:18And he seems like a good person.
00:34:20He seems like a good person.
00:34:21And I say this as someone who's had my wallet stolen.
00:34:22But I see it.
00:34:23I see it
00:34:24Santi, why don't we give him another chance?
00:34:26Let's jump, man
00:34:27Let's jump
00:34:27It's a scrawny thing
00:34:28He himself has said so
00:34:29In a screechy mess
00:34:30You can't trust them
00:34:32Do you know what I'll give a little broom for?
00:34:33To be there all day
00:34:34With the wet
00:34:34After the ear
00:34:35That's right.
00:34:36This is a drink
00:34:37To the checkout, damn it!
00:34:37To the checkout, damn it!
00:34:38To the checkout, damn it!
00:34:39To the checkout, damn it!
00:34:52Julian
00:34:54Fuck
00:34:55But teacher
00:34:55Don't tell me you have your beers here
00:34:57Well, no, you're just not seeing it anymore.
00:34:59Get out of here
00:35:00Now that I haven't done the majaleo yet
00:35:01Come on
00:35:01Come on
00:35:02We're really sorry, okay?
00:35:03Okay, hello, thank you
00:35:04No, no, no
00:35:05Come outside
00:35:06Come on
00:35:06Thank you
00:35:07No no
00:35:08Mother, what are you going to do?
00:35:09Man, take a look around...
00:35:11Come on, come on
00:35:12Come on, come on
00:35:13Come on, come on
00:35:13Come on, come on
00:35:14Come on, come on
00:35:14Come on, bring us something and that's it
00:35:15Come on
00:35:15Come on, come on
00:35:18Santi, do you see?
00:35:19That's what it's for.
00:35:19That's what a broomstick is for.
00:35:26Damn, handsome, dude
00:35:26There, playing
00:35:27Hello, son
00:35:27Hi, Dad
00:35:28That?
00:35:29You're going to make sure I don't sell in the yard, aren't you?
00:35:31Of course, son, of course
00:35:32Seriously, dude.
00:35:34How do you roll up?
00:35:35Come on
00:35:35Come on
00:35:36Damn, dude
00:35:36How's your old man doing?
00:35:38Come on
00:35:39We didn't agree that you weren't going to ask for transactions
00:35:41Until Lampa spoke out
00:35:42I didn't call her, Lourdes.
00:35:43Please tell him.
00:35:44Well, we need...
00:35:45Who is the president?
00:35:46Thank goodness, thank goodness
00:35:48Excuse me, what's wrong?
00:35:49Well, we need an answer to the purchase offer.
00:35:52Ah, I'd gladly take the purchase offer, man, for God's sake!
00:35:54Do you want a little decorum, Choni?
00:35:57Please remain calm.
00:35:58I came because of the topics
00:35:59Ah, yes, here they are
00:36:01And you also get the economic report.
00:36:03And you tell me if there isn't more wax than what's burning.
00:36:05Oh, could you take Choni, please, to have some chamomile tea? She's feeling a little...
00:36:08Are you telling me I'm out of my mind?
00:36:09Am I out of my mind? Are you saying...?
00:36:11Choni, we need you
00:36:11Look, I'm going to leave because I'm not in the mood for nonsense this morning.
00:36:14You don't deserve it, you don't deserve it
00:36:15Excuse me, young man
00:36:17I'm so sorry, please excuse me.
00:36:18It's because it's come at the worst possible time.
00:36:20If you don't mind, the answer will be yes.
00:36:21But we'll talk tomorrow.
00:36:23Tomorrow without fail
00:36:24Without fail
00:36:24See you later
00:36:26See you later
00:36:30So the answer is going to be positive.
00:36:32Ignoring Lampa's opinion, the kids' opinion, and everyone else's, right?
00:36:35Lurditas
00:36:35No, neither Lurditas nor anything like that.
00:36:36That's really something, Ana, isn't it?
00:36:38If your sister finds out, Ana, what you're doing...
00:36:43Okay, with my sister
00:36:45Let me try to explain.
00:36:46I don't think you're handling this very well, Ana.
00:36:49That?
00:36:50Look, neither good nor bad
00:36:51There are three things that are clear
00:36:53One, that I am the owner
00:36:54Second, if things go badly, I can do whatever I want with the school.
00:36:57And three, that this is sinking, that everything is here and that something has to be done
00:37:00Okay, so why don't you say it clearly?
00:37:02But if I say it, it's because they don't listen to me.
00:37:05No, yes, my mother already said so.
00:37:07You first, then everyone else
00:37:08Your mother's quite a character, indeed.
00:37:10And this? Did he have many friends?
00:37:12Well...
00:37:13Look, you, these conquered chapters aren't more or less for the exam
00:37:16Oh!
00:37:17Come back, grandma!
00:37:18Look, because I don't have a toilet brush handy, otherwise you wouldn't have noticed, you wretch.
00:37:21What is a...?
00:37:22A toilet brush?
00:37:23What, uh...
00:37:24The...
00:37:24Well, you see, it's just that...
00:37:26So, in my house, the brushes, apart from...
00:37:28For what it is...
00:37:30Well...
00:37:30But it's a very long story, I'll tell you later.
00:37:32Hey, how's the rum I brought you from Punta Cana?
00:37:34Is it good?
00:37:36He...
00:37:37Can you believe I haven't tried it?
00:37:39I can't believe it
00:37:40That's the kind of attention you pay me, huh?
00:37:42No, no, woman, for God's sake, no...
00:37:45Hey, I have to go
00:37:46But anyway, I guess I'll just have to stop by the tavern and we'll try it together, right?
00:37:50Well, it's going to happen, yes.
00:37:51See you later
00:37:51See you later
00:37:57What do you fancy? A chocolate treat?
00:37:59So, a treat or a chocolate ice cream?
00:38:02No, I did it to him...
00:38:03But hey, what's this all about?
00:38:04And?
00:38:05Come on, it's either the money or nothing!
00:38:06What do I love you for?
00:38:07For another bed!
00:38:07Okay, so we'll give them what they ask for, that's all.
00:38:09Okay, okay, let's go
00:38:09Okay, girls, calm down.
00:38:11Come on, dude, throwing yourself here
00:38:12I said you're going to give me the money, damn it
00:38:14Are you choking me?
00:38:15Do I need nail clippers or do I need an at-home pedicure?
00:38:17Did you bring this on yourself, loser?
00:38:22Hey, watch out, the spray, the spray!
00:38:24Dude, give me the money, I'll leave you with a guy for life.
00:38:26Okay, dude, calm down.
00:38:26That spray is very dangerous, okay?
00:38:28I said you're going to give me the money, damn it
00:38:32Ah!
00:38:32Ah!
00:38:34Pita, shit!
00:38:35Oh, thank goodness, they're going to sell coupons!
00:38:36Come on, let's go, let's go!
00:38:38But it's a fine that won't go away!
00:38:39Yes, yes, yes!
00:38:41I can't see anything!
00:38:42I can't see anything!
00:38:43I can't see anything!
00:38:44I can't see anything!
00:38:44He takes great care of me!
00:38:45Yes, yes, yes!
00:38:45What, please!
00:38:46Yes, yes, yes!
00:38:47No, no, no!
00:38:48No, no, no!
00:38:48No, no, no!
00:38:50No, no, no!
00:38:52Prepared?
00:38:53What's the matter?
00:38:53Didn't you let me say anything?
00:38:55Is that why?
00:38:56Hey, you idiot!
00:38:58Do you want us to be recognized or what?
00:39:00Come on, stop, come on, there's no time
00:39:03Idiot
00:39:08Fuck
00:39:13God
00:39:15Brother
00:39:15That?
00:39:16Leave that alone.
00:39:16Leave that alone, the tavern's getting really crowded.
00:39:18Wait until I finish and now I'll go
00:39:20This is a piece of cake!
00:39:21What's that?
00:39:22Damn, the school's financial report
00:39:23That more is owed than in Germany
00:39:24My Lulita says it's not that big of a deal
00:39:26No, Santi is watching it.
00:39:29Yes, Santi
00:39:31Yes, damn it
00:39:38Who are those people?
00:39:40You'll find out, brother
00:39:41You find out
00:39:41The idea of continuing with Julián
00:39:43That's what it has brought
00:39:44Don't make that face, man
00:39:45That I'm a viper, always have been.
00:39:46That's why
00:39:48Tongs!
00:39:48The cervicero, please
00:39:49Leave it in its place
00:39:50Oh, I can see you.
00:39:52You guys do your thing
00:39:53Don't worry, we have to go and see.
00:39:54Okay, okay, yes
00:39:55You were already talking about the viper
00:39:56What viper?
00:39:57What does the viper say?
00:39:58The little magpie, damn it
00:40:00Let me, the warlock
00:40:00Everything is fine.
00:40:01Everything is fine.
00:40:02Yes, Julian
00:40:02Everything's fine, everything's fine
00:40:03Thank you so much
00:40:04Come on
00:40:05Ann
00:40:06So what I'm going to tell you
00:40:07You're not going to like it, Santi
00:40:09I think Ana is right
00:40:10What do you mean he's right?
00:40:12He explained everything to me perfectly.
00:40:13They're giving him 200,000 euros for the courts.
00:40:15And doing the math, damn it
00:40:16Don't come at me with numbers.
00:40:17Or are you with the ditas?
00:40:18Or you're with the little magpie
00:40:20Listen to me
00:40:20I'll explain it to you, see if you understand.
00:40:22Just imagine that the tavern
00:40:23Come on, because we're broke
00:40:24No?
00:40:25And well, someone offers us
00:40:26Well, the back room of the pharmacy offers us
00:40:27200,000 euros
00:40:28What do we do?
00:40:28Well, we're selling the back room of the pharmacy.
00:40:29How do we sell the back room of the pharmacy?
00:40:30Hey?
00:40:31It's downstairs, damn it.
00:40:32They take them away.
00:40:32Hey?
00:40:32Hey!
00:40:33Gerito!
00:40:34Macaque!
00:40:34Good milk
00:40:35Leave the machine where it is here.
00:40:36Respect!
00:40:38And if not
00:40:38Air!
00:40:39Very good
00:40:40Don't worry
00:40:41Stay still
00:40:42Please
00:40:42That it burns me a lot
00:40:43I can't see anything.
00:40:44Really
00:40:44I can't see anything.
00:40:45But it's very serious.
00:40:47Well, sprays don't usually cause permanent damage, but we'll have to see.
00:40:51I'm going to get an optical flashlight.
00:40:53And clear this room out a little, okay?
00:40:57Tete, Tete.
00:40:58It's best if we leave and let the professional do his job.
00:41:00Okay, fine, Guilla, we'll wait for you outside, okay?
00:41:04And thank you so much for saving me.
00:41:06Don't worry.
00:41:08Thank you.
00:41:08Come on, Tete, come on.
00:41:16They're out, they're out, okay.
00:41:18But, dude, I have a feeling you're making excuses for me because I can't see a damn thing, seriously, I can't see anything.
00:41:21Okay, De Niro, stop saying they're outside.
00:41:23But, De Niro, don't even think about acting or anything, you evil devil, please.
00:41:25Can you tell me that you fired me?
00:41:27What are we going to give you, Guille?
00:41:28Well, from its enormous alcohol content, what we said, what gave us a hard time, right?
00:41:32I mean...
00:41:35What's happening?
00:41:36What's happening?
00:41:38Is this worshipful or not?
00:41:39Yeah.
00:41:47Is it true that Guille is going to be blind forever?
00:41:50No, man, son, it's just a passing thing.
00:41:52I mean, it has a...
00:41:53What is an irritation of the retina.
00:41:54But, nothing, we put eye drops on it and that was it, fixed in two days.
00:41:57Come here, son, this way.
00:41:58Come here, son.
00:42:00Come and sit on the bed.
00:42:01Go away, there's the table.
00:42:02That's it, be careful.
00:42:04Beti, your sister will take care of her.
00:42:05That's it, come on.
00:42:06Don't trip on the carpet.
00:42:07Here, sit down.
00:42:09And drink this milk.
00:42:11But, well, Carmen, please, what will she have to see with her eyes now?
00:42:13No, no, no, no, no.
00:42:14Careful, man.
00:42:15Come on, man.
00:42:16It's like that, sir.
00:42:17Curro, son, what are you laughing at?
00:42:19So, your brother, I remind you, is like this because he defended Teté from some thugs.
00:42:22But, my friend, it was incredible, he even gave the first guy a Bruce Lee-style headbutt.
00:42:25and the second one confronted him to defend me.
00:42:27Wow, that's cool!
00:42:28Yes, yes, why?
00:42:29Because through Guille's veins runs mountain blood, gallant, bizarre blood,
00:42:32Blood of a mountain man, blood of a hero.
00:42:34Guille, very good.
00:42:34Don't be annoying, Dad.
00:42:36But, but let's see, Guille, if you're going to be fine these days, don't worry.
00:42:38And whatever it takes, son, whatever it takes.
00:42:40We're all in this together.
00:42:45The first one, always, always, always, I mean, whatever you want, Guille, son.
00:42:48I don't know, I was just thinking that...
00:42:50How am I supposed to know now if I'm clean every time I go to bat?
00:42:52How will you know if you...?
00:42:54Well, look, I'm also going to tell you something.
00:42:56As I told you the other day, I'll tell you the following.
00:42:58In other words, in situations like these, where there is a physical beard,
00:43:00In your case, regarding blindness,
00:43:01Well, this, well, it's known, it's known
00:43:04when can one stand on one's own two feet or not.
00:43:06In other words, for the big things, there's your father, which is me.
00:43:08But for the nonsense, well, you'll have to manage as best you can, son.
00:43:10And with that said, time to rest.
00:43:12Hazte te cuida, Mele, que tengo poco de scriptada.
00:43:13Yes, let's go.
00:43:14I'll leave the milk here for you, okay?
00:43:15Here, it waits for you to take it, of course.
00:43:17Take.
00:43:22Guille, who...
00:43:23Thank you so much for saving me.
00:43:25You're a sweetheart.
00:43:28Take care, take care, take care, take care.
00:43:28What's wrong, what's wrong?
00:43:30Nothing, you just spilled milk on me and soaked my t-shirt.
00:43:35But...
00:43:36I'm sorry.
00:43:37No problem, I'll get you one, okay?
00:43:38Well, I'll change here, since you can't see me anyway.
00:43:47Well, we've made a good profit, haven't we?
00:43:50Julian.
00:43:52Yes, what's wrong?
00:43:53We need to talk.
00:43:54Oh, oh, oh, oh, oh, oh.
00:43:55It's the same thing Loli used to tell me when I was messing things up.
00:43:57I've messed up.
00:43:58No, you haven't screwed up.
00:43:59But this cannot continue.
00:44:01We're making money, yes.
00:44:02But if father...
00:44:03Oh, Dad's already out.
00:44:05It was about time.
00:44:06Show some respect, show some respect.
00:44:08Okay.
00:44:09This money is yours.
00:44:10My father founded this tavern for respectable customers, not for these hooligans.
00:44:15Hey, watch out, hey.
00:44:17Kinkis, but with principles, eh?
00:44:18There are no principles, man.
00:44:19What are the principles?
00:44:20Beginning.
00:44:21Look, if you treat all these people well, they'll treat you well in return.
00:44:24Ah, yes.
00:44:25Look at that one.
00:44:27I lost that guy's bail.
00:44:28And for his brother, drug detoxification.
00:44:33Hey, hey, the napkin, huh?
00:44:36This is not a pigsty.
00:44:37Come on.
00:44:39Sorry.
00:44:41These people are with me to the death.
00:44:43They're trustworthy, man.
00:44:44Trust.
00:44:45If you're that close to them, tell them there are other bars in Madrid.
00:44:49Yes, tell me.
00:44:51Ah, yes, yes.
00:44:53Here, this is for you.
00:44:54Me?
00:44:55Yeah.
00:44:56Ah, Loli.
00:44:57Yes tell me.
00:45:00Okay, okay, okay.
00:45:02Good.
00:45:02Thank you.
00:45:03Hey?
00:45:03I'll pass.
00:45:05Nothing.
00:45:06Hey, Santiago.
00:45:08Can I have an hour?
00:45:10I have some things to take care of.
00:45:12No, man, that would be the last straw.
00:45:13But something happens.
00:45:15No, no, no.
00:45:17Destiny, Santi.
00:45:19Destiny.
00:45:34Diego.
00:45:35Hey?
00:45:35Diego.
00:45:36That?
00:45:36Oh, sorry, I almost missed you.
00:45:37Yeah.
00:45:37How are you, Guille?
00:45:39Guille, good, good, good.
00:45:40Guille is fine, fine, thank you.
00:45:41In other words, he has a slight eye irritation in his eyes.
00:45:44He can't see, but in two or three days that will pass.
00:45:46Oh, thank goodness, poor thing.
00:45:48Yeah.
00:45:48Okay, Diego, what's up?
00:45:49That?
00:45:50Ready for your first Sparks tip?
00:45:51Hey?
00:45:52Yeah.
00:45:54Precisely...
00:45:54Well, you don't know what...
00:45:55Sorry, I interrupted you.
00:45:56No, no, no, you tell me, Pedro, what...
00:45:58Tell me.
00:45:58I'm so glad you're supporting us, Diego.
00:46:01Really.
00:46:02Thank goodness you're the president of Lampa, because otherwise, with this huge witch...
00:46:06Well, God knows, God would know what...
00:46:08Already.
00:46:08Well, I, Lurditas Veras, wanted to tell you something that I'm researching about what
00:46:12This refers to the school's financial situation.
00:46:16Are you going in now?
00:46:17Because you're the only ones missing.
00:46:19That's where we're headed.
00:46:23Have you seen how the accounts are?
00:46:31Given what we've seen, I think it's quite clear that we're selling a part of the patio that we don't
00:46:35The entire playground or the school must be closed.
00:46:37We will now vote.
00:46:39Those who are in favor of the parking lot say "in favor," and those who vote against it say "against."
00:46:45Forward.
00:46:46Against.
00:46:47Against.
00:46:48In favor.
00:46:48In favor.
00:46:49In favor.
00:46:54Ah, let it be my turn.
00:46:56No, no, no, I thought I hadn't voted.
00:46:57Excuse me, excuse me, I thought this gentleman hadn't voted.
00:47:00My vote is...
00:47:02In other words, my vote...
00:47:04Come on...
00:47:04I mean, like...
00:47:05It's important in the sense that, since there's been a tie...
00:47:07In other words, my vote is important.
00:47:09So...
00:47:11Before I vote, I would like to reflect briefly on the meaning of my vote.
00:47:16No, that's not necessary either.
00:47:17No, no, sorry.
00:47:18Yes, yes, I'm doing it...
00:47:20You're wondering about it.
00:47:21Because?
00:47:21Because it's necessary.
00:47:22Yes, it's necessary.
00:47:23It's necessary because the same thing can happen here as in TV contests.
00:47:25Yes, someone is nominated and since you don't have enough information about the person you're nominating,
00:47:29When he comes out and they kick him out...
00:47:31People might not like it.
00:47:32It's like...
00:47:33Why don't you vote first and then explain?
00:47:35Of course, since you didn't win, you vote and then we'll see...
00:47:40Already...
00:47:40Yeah.
00:47:42Come on, I'm saying that...
00:47:43For today.
00:47:44Well, my vote is in favor.
00:47:48As?
00:47:48As?
00:47:49In favor?
00:47:51Listen to me for a second, I've just taken a look at the economic plan and...
00:47:56And let's not mince words, Ana is right, we have a massive mess on our hands.
00:48:00Diego, Diego, Diego, Diego, please.
00:48:02Diego, I wasn't expecting that, but oh well.
00:48:03No, but that's how it is, that's how it is.
00:48:05I think it's the worst.
00:48:06I can't believe it.
00:48:07Please, Lurditas, don't look at me like that, but if...
00:48:09It's because of the kids, really, no, it's...
00:48:11I'm serious.
00:48:12In other words, it's much worse to be without school than without a playground, understand that.
00:48:15And a lot of people work here too.
00:48:17They're going to be thrown out on the street, for God's sake, Lurditas.
00:48:19Don't worry, you did the right thing.
00:48:21Of course.
00:48:31My brother, a fugitive.
00:48:33A traitor.
00:48:34A...
00:48:35A...
00:48:36As?
00:48:36I don't know how he could have...
00:48:37Any doubts?
00:48:38I don't know, I don't know how he could have done this to me.
00:48:41My own brother.
00:48:42I don't know him.
00:48:44What's happening?
00:48:45Don't worry, little dove.
00:48:47You'll see how it usually is.
00:48:49Yeah.
00:48:50Santi.
00:48:51Excuse me, ma'am.
00:48:52Come here for a moment, please.
00:48:54Come, come, come.
00:48:54I'm going to the bathroom to touch up my makeup a bit.
00:48:57Hey, I'm really sorry, but I had something urgent.
00:49:01Urgent, urgent.
00:49:01Do you think it's beautiful?
00:49:02Jobs need to be respected, man.
00:49:04They must be respected, especially the schedule.
00:49:05It's your first day.
00:49:06Yes, and the last one.
00:49:07Latest.
00:49:08Yes, I'm leaving.
00:49:09I have received an urgent summons for tomorrow morning.
00:49:13That I end up in jail.
00:49:15What have you done now, you depowered one?
00:49:17Nothing, nothing.
00:49:18I haven't done anything.
00:49:19Look, that robbery was Rafi.
00:49:21But that was ten years ago.
00:49:22I have nothing to do with that.
00:49:23Nothing, nothing.
00:49:24Hey, can't you please let me know that it's already been postponed?
00:49:28No way, man, no.
00:49:29What I need is an employment contract.
00:49:33Well, or have someone testify that I've changed my life.
00:49:42Hey, look, I've brought you the apron and the...
00:49:46Oh, and the keys.
00:49:52Well, I'll stop by tomorrow to say goodbye to Diego.
00:49:59What's up, little one?
00:50:00That's right, Juli.
00:50:03See you tomorrow.
00:50:14You haven't told him, have you?
00:50:16But how am I going to tell her, ma'am?
00:50:17Good heavens, she's looking at me with that face, with those little eyes of a lamb being led to slaughter.
00:50:20And I can't, I can't.
00:50:21Well, the later it is, the worse it is.
00:50:23And, look, darling, I've told you to just ask me for anything you need.
00:50:27Take.
00:50:28There, just a little bit.
00:50:30Thanks, but, well, I don't know, I think I should start doing things on my own.
00:50:33You can't always be there to help me.
00:50:35Guille, please, we've already talked about this, okay?
00:50:37For whatever you need, really.
00:50:38Clear.
00:50:39And you deserve it, yes.
00:50:40Because there are no people like you left.
00:50:44Nobody thinks about their neighbor.
00:50:45You're a hero, son.
00:50:47And as a dad?
00:50:49No, we don't need to compare either, son.
00:50:51Guille's situation is something else...
00:50:52Yes, Dad, ever since I said at school that you weren't going to take away the playground, well, you're the one
00:50:56hero.
00:50:56Ah, yes.
00:50:56Well, they're even going to call the steps "the incredible ones" instead of "the closed ones," huh?
00:50:59The Incredibles.
00:51:01Well, anyway, the important thing in this life, my children, is to try things.
00:51:05Try to do them.
00:51:06Sometimes you succeed and sometimes you don't, but trying is good.
00:51:10But they're not going to remove the basketball hoops.
00:51:12The baskets don't...
00:51:14No, they're not going to remove them.
00:51:15Okay, let's see, there are sports, like basketball for example, which is a team sport.
00:51:21And matches are played, that's it.
00:51:23Yes, you have a player, it's...
00:51:24Exactly, since there are games, you have players who play as a team, which is basketball.
00:51:28So what happens to the matches?
00:51:29Hey, some you win and others, well, you lose, that's life.
00:51:32I mean, that's what political parties are like, right?
00:51:34I'm going to shit on the door again.
00:51:35You're where I'm sure it's me and her, we've arranged to go to the movies.
00:51:38But don't worry, reinforcements are on their way, okay?
00:51:42Where were we?
00:51:43Ah, yes, because of the matches.
00:51:44In other words, political parties are like a war.
00:51:46They are not...
00:51:47Here's the backup.
00:51:48Hello, hello, hello.
00:51:49Hello, hello, hello.
00:51:50Hey, that prairie lukewarm.
00:51:53Oh.
00:51:54Okay, Guille, don't worry, I'll be back soon, okay?
00:51:57And I also have my mobile phone with me, call me for anything.
00:51:59No, Ale, but don't worry, I'm starting to see with my sense of touch.
00:52:01Okay, Guille, but you call me.
00:52:03Dude, I keep thinking that you're like this because of me.
00:52:05And I owe it to you.
00:52:07Okay.
00:52:08Okay, fine.
00:52:10Should I?
00:52:11Come on, let's go with you.
00:52:13Take good care of it, okay?
00:52:13Come on.
00:52:14Bye bye.
00:52:18Hey, look, Tete, you know I don't usually get involved in other people's lives,
00:52:21But seriously, what you're doing to yourself today is beyond words.
00:52:24By?
00:52:25Why?
00:52:26Because it's all a charade.
00:52:29Let's see, they sprayed him right in front of our faces.
00:52:34Okay, Tete, I heard him say it this morning, okay?
00:52:37He wanted to make you feel sorry for him and for you to comfort him, and that between comfort and pity, well
00:52:41that you would be silent again in his arms.
00:52:43Of course, he was going to be that stupid, and there was that blind guy, right?
00:52:46Yoli, please, she's faking it.
00:52:48But let's see, you've seen him bumping into everything.
00:52:51You promised me!
00:52:52Oh, Curro, son, wait! Oh, Curro! Oh, Curro, wait!
00:52:59She didn't like the dinner. She didn't like it.
00:53:06She's screwed up again, ma'am.
00:53:08Sure, if you don't promise things you can't deliver, then sure.
00:53:11Well, like a buddy's accent.
00:53:15That's also true.
00:53:18The ambulance, man. The ambulance.
00:53:21Are you going crazy now?
00:53:22Clear.
00:53:23Hey, you're distracting me, Bill.
00:53:27Hey, what's up? How many points do you have?
00:53:29Thousand?
00:53:30A thousand? A thousand? Only a thousand?
00:53:321236?
00:53:33Come on, man, come on. Come on, bowling alley, come here.
00:53:35Let me have the remote, I'm going to stop this with a little shovel, I can do it myself.
00:53:37Take it, take it, take it.
00:53:38Bowling alley, give me the controller.
00:53:40Hey, look, kid, you're going to find out.
00:53:43All by myself, with the power of force.
00:53:46Come on.
00:53:48Look, look, arras, right turn, sheep, go straight, go straight.
00:53:51Left, I'm from VD, want to bet something now or what?
00:53:54Do you see it?
00:53:56But he's playing PlayStation.
00:53:58But what is he playing for? What is he gaining?
00:54:02Is he a bastard?
00:54:07No, it can't be.
00:54:08Yes, Valdanito, yes, it's many hours and a lot of practice, man.
00:54:11This, this is action, reaction, pure mechanics, like with aunts.
00:54:15Look, I'll kill him, is he hiding you?
00:54:17Shh, shh, shh.
00:54:18Which is to say, it's nothing.
00:54:37Donkey, are you awake?
00:54:44Donkey, worms?
00:54:46Yeah.
00:54:48Come on, come on, come on, otherwise I can't defend myself.
00:54:50Yes, forgive me, forgive me, son.
00:54:51You're right, sorry, sorry.
00:54:52It gave me such a fright that I almost froze in place, didn't it?
00:54:55Okay, so what?
00:54:56How are you handling it?
00:54:58Good.
00:54:58Okay.
00:54:59Okay, then, try to sleep.
00:55:01And let me know if anything comes up, okay?
00:55:02Okay.
00:55:03Come on.
00:55:03See you tomorrow.
00:55:04See you tomorrow.
00:55:29Dwarf.
00:55:31Come on, man, dwarf, I know you're not asleep, we've all done that.
00:55:36What do you want?
00:55:37No, the question is not what I want, but what you want.
00:55:40Well, I want them to remove the patio.
00:55:41The thing is, Dad is...
00:55:43Dad, dad, dad.
00:55:45Look, I work.
00:55:46Dad does what he can.
00:55:49If you truly want something, you have to fight for it.
00:55:52Come on, I'll tell you from personal experience.
00:55:56Just like you, who ended up like this for defending Tete?
00:56:02Yes, I work, yes.
00:56:05Look, in this life, if you want something, you have to do it yourself and fight until you get it.
00:56:18That?
00:56:21That?
00:56:24Thank you.
00:56:26Don't stay, Uncle Moñas.
00:56:38Hey son, how are you?
00:56:39Hey Dad, please, I'm blind, not deaf.
00:56:42Excuse me, sit down here, very good, how are you?
00:56:45Well, actually, quite well, yes, I'm already starting to see shadows.
00:56:48Yes, I see you're making progress.
00:56:50Here, here, son
00:56:50Yes, yes, I see you're making progress, but don't push yourself too hard.
00:56:52I've given you this, please take care of me, the poor man is a little disabled
00:56:56Hey, Curro, look, look what I've made for you, huh? Do you want some pancakes? They're for you.
00:57:01I'm not hungry, and I'm in a hurry.
00:57:04But you haven't had breakfast, son.
00:57:05Good morning.
00:57:06Oh, churros! I'm so hungry.
00:57:09Good morning.
00:57:10Hello, good morning, Santi.
00:57:12It's like, what if you ever decide to charge us for all the churros you've brought home, huh?
00:57:16Don't worry, that's not going to happen.
00:57:18I don't betray my family.
00:57:21If I bring churros and then send the bill, that's called betrayal.
00:57:24And it's very ugly, very ugly.
00:57:26Another one who's just as bad.
00:57:27What's wrong with you that you're in that mood?
00:57:30My friend Julian is having problems.
00:57:33But what happened to him?
00:57:34Could you pass me the sugar, please?
00:57:38Clear.
00:57:42They're going to throw him in jail.
00:57:44What? What? Julian?
00:57:46Damn, and then my friends decided, huh?
00:57:48He did not commit any crime, but there was a misunderstanding and he is being accused of the robbery.
00:57:52And is there nothing that can be done for him?
00:57:54No, ma'am, nothing can be done.
00:57:55Oh.
00:57:57Where's the coffee?
00:57:58There it is.
00:57:59Where always?
00:58:00Here.
00:58:01There's the coffee shop, where it always is.
00:58:02Clear.
00:58:04And it's not just for cutting sausages, is it?
00:58:07For example, look, it has more applications.
00:58:09I'll leave this phone here, right?
00:58:10Well, this has a built-in system, which is why you're here.
00:58:13A cane, camargo, for example.
00:58:15And the phone rings, so you reach out with a helping hand, and you pick up the phone.
00:58:19And we did it there.
00:58:20Clear.
00:58:21You are welcome.
00:58:21Like someone who has an uncle in Alcalá.
00:58:23Less successful than the little boy at the Academy of Language.
00:58:25I mean, you're welcome, you're welcome.
00:58:27But that's because the jury were very refined people, damn it.
00:58:30They didn't know what life was.
00:58:32You've never seen a chorizo canting stick, damn it.
00:58:34I have no fucking idea.
00:58:35But the people on the street, people like you and me, were there.
00:58:39Look, they even gave us the special audience award.
00:58:41Well, don't give yourselves a slap in the face.
00:58:44Street, friends.
00:58:46A detail from Loli.
00:58:47To thank you for the support.
00:58:49No, man, thank you very much.
00:58:51It wasn't necessary.
00:58:51Santi already told me that...
00:58:54Ah, I see, I see.
00:58:54I feel really bad, don't I?
00:58:55Nothing, nothing.
00:58:56Calm down, calm down.
00:58:56I have a lot of friends in jail, man.
00:58:59And, well, I've had such a long career for nothing, haven't I?
00:59:02But she's arrested you again.
00:59:04That's how messed up life is, José Luis.
00:59:05Are we going to tell me?
00:59:07This is not a...
00:59:08I have no idea what's in there, Julio.
00:59:10But hey, he's your childhood friend, damn it.
00:59:12You can't just leave it lying around.
00:59:14He's too old to be in jail.
00:59:15Santi, damn it.
00:59:16Is there anything that needs to be done?
00:59:17Santi, damn it.
00:59:18Well, gentlemen.
00:59:19A pleasure, huh?
00:59:22See you later, Julio.
00:59:23See you later, Julio.
00:59:24Damn, damn.
00:59:25Santi, damn it.
00:59:26Julian!
00:59:29That?
00:59:29I'm going with you.
00:59:31I don't go through life abandoning my loved ones.
00:59:35You don't have a contract yet, but I'm going to get one for you.
00:59:38And I will vouch for you and for whatever is necessary.
00:59:40Like when we were loved.
00:59:42And what are you doing here, Santi?
00:59:44Because if the circumstances had been different,
00:59:46Maybe I was the pickpocket.
00:59:48That's why, and because I feel like it.
00:59:51How much.
00:59:52Come on, come on, come on, hurry up.
00:59:55Let's not be late.
00:59:57Then, come on.
00:59:58Okay, see you later.
00:59:59Pull, pull.
01:00:00Look.
01:00:01Like goosebumps, damn it.
01:00:03Pour yourself a shot of orujo so we can get over the knot.
01:00:05They're going to be dolfitis.
01:00:06No, no, let there be three, let there be three.
01:00:07Hey, let's test the effectiveness of the helping hand.
01:00:10What was his name?
01:00:11I'm going for this.
01:00:12What was its name in English?
01:00:13De friendly hand.
01:00:14Fregues, here now.
01:00:16Thanks, man.
01:00:17You're welcome, it's all yours.
01:00:19That?
01:00:20That?
01:00:21How's the plan going?
01:00:21Go ahead, tell us.
01:00:22Well, dude, I don't know.
01:00:23Yesterday she was super focused and much colder.
01:00:27Well, he's made salt for it.
01:00:28And the idiot goes and drinks it, like it's nothing.
01:00:30Keep up the charade.
01:00:32I don't know, why don't you talk to him?
01:00:35Maybe then he'll stop this charade and...
01:00:38I don't know, I mean, I think he does it out of love.
01:00:40For love.
01:00:40Come on, Yoli, please, he's a troublemaker.
01:00:42That yesterday I left naked.
01:00:43Pineapple!
01:00:44That's what you have to do.
01:00:44It's worth it, go for it.
01:00:45You can put more meat on the grill, you don't know what you're going to breathe, go for it.
01:00:48What are you saying, Valdano?
01:00:49But wait, what are you saying?
01:00:50What do you want?
01:00:51Should I set myself on fire or what?
01:00:52I'm blind, dude.
01:00:53But no, no, no.
01:00:54Guille, no.
01:00:54I mean, make sure she notices you need her, man.
01:00:56He's exaggerating a bit there, you know?
01:00:58Touch a nerve.
01:01:00Listen, what?
01:01:00How about that?
01:01:02Tete.
01:01:02Hey, Tete, please, can you help me down?
01:01:05How shameless.
01:01:08He's going to find out.
01:01:09You won't be able to, will you?
01:01:10No?
01:01:12Come on, Guillermito, we're in a hurry.
01:01:24Please, are you okay?
01:01:25That?
01:01:26Please, please.
01:01:27Guille, I'm so sorry, please.
01:01:29Did he go crazy?
01:01:30Stop, stop, he killed me!
01:01:31I've killed him!
01:01:32No, no, no, no!
01:01:33No, no, no, no!
01:01:33But my name is!
01:01:34Guille!
01:01:36Okay, guys, okay.
01:01:38Okay, but what's this all about...
01:01:39But...
01:01:40But where are your colleagues?
01:01:41It's been more than 20 minutes since recess ended.
01:01:44But what's going on?
01:01:45Cat got your tongue?
01:01:46Arrive in the courtyard, on strike.
01:01:48But what do you mean, a strike?
01:01:50What do they think they are?
01:01:51It's because of the basketball court.
01:01:53Currito has said that if they remove it, they will not return to class.
01:01:56Ah, about the countryside.
01:01:57Ah, well that sounds great to me.
01:01:59That sounds great to me.
01:02:00Because one has to fight for what one believes in.
01:02:01Of course.
01:02:02I'm going to the patio.
01:02:03I have.
01:02:05Well, all of this.
01:02:05What are you doing here?
01:02:06Aren't you in the courtyard?
01:02:09Scabs, come to the yard.
01:02:13Okay, okay.
01:02:14We're really going at it, aren't we, kid?
01:02:16It seems you've been given the evil eye.
01:02:18Okay, do me a favor.
01:02:19There will be no one-eyed, no blind, no one-eyed, no one-eyed, no one like that, please.
01:02:22But then it's true that he can't see.
01:02:24Less than a plaster cat.
01:02:26Okay, I'm going to put some eye drops on you, eh.
01:02:29Hey, please forgive me.
01:02:30I thought it was a hoax.
01:02:31Since I caught you playing PlayStation, well...
01:02:32But hey, dude, that's why.
01:02:33Damn, I put a lot of hours into that game.
01:02:35He could win even with his eyes closed.
01:02:37Damn, dude, I'm sorry.
01:02:39You saved me from some criminals, and now I'm going to kick you out at the cafe and throw you out.
01:02:42the stairs.
01:02:42I'm a monster, man.
01:02:43Wait for me, no, bro, no, you're not a monster.
01:02:46I thought it was a setup.
01:02:48I'm sorry, Guille.
01:02:51Well, dude, it's just that...
01:02:54Yes, it was.
01:03:00As?
01:03:01Well, mate, it was a setup, the criminals were the ones who sent my DVD and...
01:03:07I simply helped Carmen to impress you.
01:03:09The child was crying because I paid him.
01:03:13And what about your eyes?
01:03:14Well, about my eyes, well...
01:03:15He wanted her to believe he was blind, but Boliche used the wrong spray and...
01:03:18Yeah, so you can see me naked, right?
01:03:19No, no, mate, it wasn't for that.
01:03:21What was it so you could laugh at me with your friends?
01:03:22But don't mess with me, mate, it wasn't for...
01:03:23Look, Guille, try to grow up a little, it's about time, isn't it?
01:03:26Let's see if I grow up.
01:03:27Look, you spend all day drooling over his hand and you don't realize that he's not interested.
01:03:30you.
01:03:31Tete, open your eyes, he doesn't love you, he's not your guy, he never will be.
01:03:36Look, Guille, go to hell.
01:03:40But, tete, I know that I love you.
01:03:42The truth is that I love you so much, that I've done all this for you, that I would do anything
01:03:45Something for you.
01:03:47For you?
01:03:48Do you know what I'm going to do for you, kid?
01:03:50I'm going to give you a scan.
01:03:51Tete?
01:03:52You look terrible, huh?
01:03:53Tete?
01:03:54Hey Julian, I hope the judge is lenient and you only get a few years, right?
01:03:58How annoying, Julián isn't going to jail, damn it.
01:04:00Look, Santiago, that's 20 years of engaging in theft, embezzlement, and bribery.
01:04:05Well, not in this last case, but afterwards, the wallet thing is that I experienced it myself.
01:04:11But you're a good person, you're a good person, Julian, you've helped many, like that Roby Q guy.
01:04:15Santi, are you taking it or not?
01:04:17I'll take it.
01:04:20Come on.
01:04:23Now it's on.
01:04:24It's for you, Judas.
01:04:25Look, Santi, Santi, let's have a lamp.
01:04:28Yes, yes, yes, tell me.
01:04:31Like what?
01:04:32But, but, into the basket?
01:04:35The mother.
01:04:36Now, now, right now I'm going there.
01:04:39What happened?
01:04:40Currito, who has taken flight with his colleagues because of the whole playground thing and all that,
01:04:44And that a basket has been chained to me in the yard, the mother.
01:04:47Or from its egg.
01:04:47But how? Look, Santi, it's not a question of balls, man, for God's sake, this is more about
01:04:51brain.
01:04:52And I thought the kid had more than he does, damn it.
01:04:54Your son, your son has more brains and more heart than his father.
01:04:58Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, calm down, calm down, calm down, because we're talking
01:05:01People understand each other, you know, especially when they're working together.
01:05:03You're right, Julian.
01:05:04Santi, please listen to me.
01:05:06That we can't do anything, that the school belongs to Ana, that the playground belongs to Ana, that it's her
01:05:10business.
01:05:11No, sir, it's not your business.
01:05:12This is like football.
01:05:13Who owns the team? The millionaire who bought it
01:05:15or of the fans who go all their fucking lives
01:05:17with their children and grandchildren to the countryside, what for?
01:05:20Tell me about it, I'm from Leti
01:05:22Yes, Santi, let's see
01:05:23Well, school is the same, huh?
01:05:25What is a school without students, without little ones?
01:05:27without the efforts that Lucía has made
01:05:29Or have you already forgotten, huh?
01:05:31And without a playground, which is a school without a playground.
01:05:34Hey?
01:05:36That?
01:05:38Nothing, I'm going there.
01:05:40Yes, yes, yes, it's just that I miss the hour
01:05:45So, you're not going to do anything.
01:05:50Very good, Lourdes
01:05:52Since you are the headmistress of the school
01:05:54I demand that you expel those who are out there.
01:05:57Excuse me, but first we would have to organize a school council
01:06:00And we're not all here.
01:06:01because the president of Lampa is missing
01:06:03Don't worry, I've called him and he's coming here
01:06:04Who, Diego?
01:06:05No, he's already here, he's already here
01:06:07He's down there in the yard with Currito.
01:06:09Sure, by scolding him, right?
01:06:11Well, no, not exactly.
01:06:12Oh, look, look, look, Diego
01:06:14He's in chains, sir.
01:06:15I told you so, it really does look like San Sebastián
01:06:17Now that's a real mountain man, I was wondering about that.
01:06:19Let's see if he's up to something, shall we?
01:06:21Sure, sure
01:06:21I skate, I skate, I skate, I skate
01:06:26I skate, I skate, I skate
01:06:29It's obvious you've been away from the neighborhood for a long time.
01:06:31But I have proven that I am right.
01:06:33He knows I'm right.
01:06:34Yes, you're right, you're right
01:06:36But Ana, look, if you want to make this work
01:06:38You're definitely not on the right track
01:06:39I skate, I skate, I skate, I skate
01:06:51I skate, I skate
01:06:51And bring something for the children because this is going to last a while.
01:06:54That's settled, Diego. Come on, let's go.
01:06:56Come on, let's go.
01:06:58Party no! Party or yes!
01:07:01Party no! Party or yes!
01:07:05This reminds me of when they wanted to close the disco in my town.
01:07:07and we prevented it by throwing melons at it when I was young.
01:07:12Hey, Lourdes, I'm going after the business and the drinking of these people.
01:07:15I'm not here. I'm going with you.
01:07:17Hey, I don't bite, okay?
01:07:20And you? Aren't you a little too old for this?
01:07:22What if I'm a little too old for this? You asked me that, didn't you?
01:07:26Party no! Party or yes!
01:07:29Party no! Party or yes!
01:07:31Party no! Party or yes!
01:07:33Okay, okay. You win.
01:07:38How did you say we heard about the first thing, about you winning?
01:07:42But the second thing, what did you say?
01:07:47Party no! Party or yes!
01:07:49Good!
01:07:51Bye bye!
01:07:54Come on, everyone over here!
01:07:59Come on, everyone over here.
01:08:03Come on, come on, everyone together, okay? Let's go!
01:08:13You can get up now
01:08:14Can't
01:08:17Can't
01:08:19I swallowed the padlock key
01:08:20Come on
01:08:21It can't be that
01:08:23Well, maybe, maybe, yes, maybe
01:08:25Oh, please, no
01:08:28Well, that's possible.
01:08:29Yes, yes, yes
01:08:30Yes, by the way, I didn't want that
01:08:35By Santiago
01:08:36By Santiago
01:08:37For friendship
01:08:38Well, for friendship too.
01:08:41Hey, Julian
01:08:41What are you going to say?
01:08:43I'm going to the agency tomorrow.
01:08:44So they can draw up the contract for you.
01:08:45Hey, Santiago, no
01:08:47Calm down, calm down
01:08:47That it's no longer necessary
01:08:48Yes, Santi, Santi
01:08:50What is it?
01:08:50That in the parish
01:08:51We had been together for a long time
01:08:52Looking for an organist
01:08:54Organist?
01:08:54Yeah
01:08:55No?
01:08:56And does that have anything to do with it?
01:08:57I learned to play
01:08:58In the prison workshops, man
01:09:00In the Amadeus of Meco
01:09:01They called me
01:09:02No, don't mess around, Julian
01:09:03You play the piano
01:09:04Man, they fouled the kid.
01:09:07And how have things been going for you over there?
01:09:08To avoid losing shape
01:09:10And then the Lurditas
01:09:11Like that Calcutta woman's mother
01:09:13But to the cays
01:09:14But prettier
01:09:15And even more beautiful
01:09:16Okay, so what?
01:09:17What are you going to say?
01:09:18Does it work or not?
01:09:19It works, it works
01:09:20It works that way
01:09:49No, no, no, go, go
01:09:51Whenever the school goes through a series of economic difficulties
01:09:54Well, listen, there they are.
01:09:54I understand him
01:09:55Look, Diego
01:09:57I'll just tell you one thing
01:09:58Tell me
01:09:58You've tricked me twice.
01:10:00The one with the camera and this one
01:10:02Yes of course
01:10:02So you're going to have to buy me a drink or something
01:10:06To compensate me
01:10:09Okay, whenever you want.
01:10:10Yeah
01:10:11Okay
01:10:12Yes, okay.
01:10:13Well, that's about it.
01:10:14I don't know how it will turn out
01:10:15Hello
01:10:15Hello
01:10:17Who is the locksmith?
01:10:19You didn't think it was going to be left here all night, did you?
01:10:25He has to take the chain off me, that's it
01:10:27I'll cut it off.
01:10:28Yeah
01:10:28And have you notified your family?
01:10:31Yes, yes, yes
01:10:32I've taken care of everything, don't worry.
01:10:33I was a little bit too
01:10:36Proceed with two
01:10:41Hey?
01:10:42Hey?
01:10:42That?
01:10:43Her boyfriend is coming
01:10:44Ah
01:10:44That?
01:10:45The mother who gave birth to him
01:10:46You knew it
01:10:47It's just that a leopard can't change its spots.
01:10:48What's happening?
01:10:48Didn't you like the surprise or what?
01:10:49Son
01:10:51Spartacus has returned
01:10:51Everything's fine, doctor.
01:10:52Santiago, would you mind if I did some DNA tests to clear things up?
01:10:56But what's wrong with RH?
01:10:57We've changed it.
01:10:58As?
01:10:59I don't know if something strange is happening to Guille
01:11:01Yes, to my horror, you can't smell it.
01:11:03Diego, leave him alone, he's being very silly.
01:11:04Look, I don't know Manu at all
01:11:06I wouldn't get my hopes up too much.
01:11:08Either the tests are wrong or the tests are wrong.
01:11:09Oh Santiago, I don't know, son you
01:11:10What did you say?
01:11:11The ice cubes are waiting for you, aren't they?
01:11:13Nothing
01:11:13Dad, what do you answer to a particular teacher?
01:11:15No, no, a particular teacher
01:11:16Hey, I wanted to ask you
01:11:18Your problem has nothing to do with school, right?
01:11:20Yeah
01:11:20If you would be so kind, please show us the list.
01:11:21Of the children who were born here in Seville
01:11:23Oh, God!
01:11:24Don't let them reach me
01:11:25What is owed to God's honors?
01:11:27Dinner?
01:11:27Where are you going to take her?
01:11:28There won't be any after-dinner drinks, or anything like that.
01:11:30But there is another child who was born in the same clinic on the same day
01:11:33And how is the father?
01:11:34Afri, I didn't think this would upset you so much, huh?
01:11:38What's wrong with Celia?
01:11:40Last night
01:11:41If you don't mind if you put me in
01:11:42No, no, no, no
01:11:43Who cares, get lost
01:11:44It's going to be that there was a transmutation in the crib at the clinic.
01:11:47Here between Santiago and his son
01:11:49Let's see how we can see the kids.
01:11:50Well, we can't go without seeing our Santiago natives
01:11:52God, if they take them away from us, I don't know what I'm going to do.
01:11:54We take the child and run away
01:11:56How was dinner last night?
01:11:58You might wonder
01:11:59What was Celia doing without any gentle touches?
01:12:02Offer yourself to me
01:12:02Dad?
01:12:03That?
01:12:04A letter from Guille
01:12:06Dad, I'm leaving home
01:12:08I'll be fine, don't worry, Guille
01:12:09Next to you
01:12:12With a heaven without hell
01:12:22And I don't want to wake up.
01:12:31Thank you!
01:12:32Thank you!
01:12:34Thank you!
01:12:37Thank you!
01:12:39Thank you!
01:12:40Thank you!
01:12:40Thank you!
01:12:40Thank you!
01:12:40Thank you!
Comentarios