- hace 2 días
Ante la proximidad del inicio de las clases de preparación al parto de su mujer, Santiago comunica a Lourditas su escaso interés en el tema. Convencido por Fiti y Diego, el mayor de los Serrano acaba acompañando a su esposa a las clases. Su intervención carente de sensibilidad en la primera jornada abochorna a la directora del colegio de Santa Justa. Cuando Lourditas le asegura que no desea que esté junto a ella en el momento del parto, Santiago se cuestiona su papel como padre. Entretanto, Diego se siente humillado cuando Lucía le gana en un juego de mesa. El tabernero se obsesiona con la idea de que los varones Serrano son poco inteligentes y cuando Curro es seleccionado para participar en un concurso de cuentos, decide hacer todo lo que esté en su mano para que su hijo se proclame ganador. Por otra parte, Raúl informa a su padre sobre su distanciamiento con África. En un intento por ayudar a su hijo, el ex-mecánico de Santa Justa le confiesa que Candela y él siguieron juntos tras su nacimiento. El joven se anima a dar un paso adelante para salvar su relación. Mientras, el padre de Su regala a su hija una tarjeta de crédito por su cumpleaños. Dolida por su falta de tacto, la joven decide gastar todo el dinero con la ayuda de sus compañeros de clase.
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00:00:27MUSIC
00:00:30Next time you're coming to Toulouse
00:00:31Yes, yes
00:00:32Or are you coming with me, Doña Carmen?
00:00:34My boyfriend is there and he's already gone ahead of me.
00:00:36Well, but anyway, I'm not responsible for what happens in Toulouse.
00:00:40All the way there
00:00:41What do you think? What a rascal!
00:00:43Ta-da! What? Shall we play a game?
00:00:45My father, although he never admits it, hates board games.
00:00:48We have to get up early and that's it
00:00:50Diego, please, let's have a laugh, don't be a jerk.
00:00:54Especially thinking games, because he says they are a metaphor for life
00:00:58And we mountain folk, well, we're very prone to losing.
00:01:00What game is this? The one with the cartoons?
00:01:02Yes, from drawing, well, in Barcelona, do you remember, Mom?
00:01:05Sergi and I were killing it, we knew all the songs by now.
00:01:09My uncle Santi plays terribly, but he doesn't care, because he doesn't know what a metaphor is.
00:01:13And because he thinks these games...
00:01:16What a joke! This game is a joke!
00:01:19I mean, I like it, hey, it's fun, we never play anything.
00:01:22Okay, so, how do we divide it up?
00:01:24Look, he's with his partner, you with me brother, my Fiat 60 is with me
00:01:27But I love them, the problem is that older people have a hard time realizing it
00:01:31That a game is nothing more than that, a game
00:01:33And this one for...?
00:01:34Orange, it doesn't matter.
00:01:35Okay, then orange is for you.
00:01:39A station platform, under the blazing sun
00:01:43You were talking about a skyscraper in the sky of New York
00:01:47Come soon to see the sea, and you send a postcard
00:01:50I already knew that day was the end
00:01:54Now I have much more
00:01:58Red, black, odd stop
00:02:00Finally, luck brings an ace and a crystal to look through.
00:02:03And a wall to hang it on.
00:02:05Seven smiling faces in one ID photo
00:02:09My stories weren't about tales made by chance.
00:02:16Nobody told me that fate would give me this opportunity.
00:02:22One plus one equals seven
00:02:25Who would have thought?
00:02:30That it was so easy to be happy
00:02:44America!
00:02:46A real brawl!
00:02:48A tear!
00:02:50One drop!
00:02:53Hey, hey, hey!
00:02:55A ham, a ham!
00:02:57That pearl!
00:02:59A ham is awesome!
00:03:00A ham!
00:03:01That pearl!
00:03:02It's not your turn!
00:03:03If I win a car!
00:03:04Honey, let's see if we can turn things around, we're losing by a landslide.
00:03:06You draw it!
00:03:07Come on, let's go!
00:03:08Not this one!
00:03:09Not this one either!
00:03:10Not this one!
00:03:10Hey, no, no!
00:03:11What's meant to be will be.
00:03:12That's it!
00:03:15Well, the last one she picks up
00:03:16That's enough!
00:03:17A little bit of Fredplay
00:03:17Please!
00:03:18Let's see if we ever win!
00:03:20Okay, okay!
00:03:20I heard you!
00:03:21This!
00:03:22Time!
00:03:23Take it, take it, take it, take it
00:03:24Come on!
00:03:26Concentrate!
00:03:26Don't get nervous!
00:03:27Yes, but it's been open.
00:03:27The rectangle
00:03:33leaf, box
00:03:34No!
00:03:35Door!
00:03:36door!
00:03:37Door!
00:03:37No!
00:03:41Latch!
00:03:42No?
00:03:44Amanecilla, manilla, handlebar, hinge, mirilla, perrojo.
00:03:52Diego!
00:03:54Cheekbone, Lucia, you're not paying attention!
00:03:56The door frame, damn it!
00:03:57The cheekbone of the puertula.
00:03:59Diego, what do you mean by "pomo"?
00:04:01Diego, you can't play the cheekbone if you always lose the right side.
00:04:05Oh, daughter, when you got married you already knew what code this cheekbone belongs to.
00:04:08Come on, laugh, laugh!
00:04:10Cheekbone!
00:04:10Since it's so much fun, laugh, keep laughing.
00:04:12Diego!
00:04:13Diego!
00:04:14Don't get angry!
00:04:15I'm not angry, I'm not angry, but I'm not having fun.
00:04:17And since I'm not having fun, I get on.
00:04:19That's why I get on, because I'm not having fun.
00:04:20And you keep laughing.
00:04:21And you play with your mother, you play.
00:04:28Can?
00:04:39Hello good!
00:04:40Hello good morning!
00:04:41Hello!
00:04:42No, no, no, there are no more churros.
00:04:44No, it ate all the sea urchins.
00:04:46I'm sorry.
00:04:48As the date gets closer, I start to get anxious.
00:04:51Hey, so how was the game?
00:04:52What did he gain?
00:04:54Which game?
00:04:56None of them won.
00:04:57Draw.
00:04:57Draw?
00:04:58No, no, no.
00:04:59Your father lost, son.
00:05:00Your father lost.
00:05:00In no uncertain terms.
00:05:01Your father lost.
00:05:06Well, today the childbirth preparation classes begin.
00:05:10Santiago, why doesn't he want to come?
00:05:11That's not it, little dove.
00:05:12I'll go with you wherever you tell me.
00:05:14But going there for nothing, well, that's silly.
00:05:16Besides, it's always been the case that people are born smart.
00:05:19Yes of course.
00:05:19So many pockets.
00:05:20For as long as anyone can remember.
00:05:21In the Middle Ages, didn't I tell you?
00:05:22But that's not it, it's not that mysterious.
00:05:24I helped a lady give birth in the tavern.
00:05:26And in the village, piglets, by the hundreds.
00:05:28What else but the pigs?
00:05:30Hey?
00:05:31No.
00:05:32What I mean is, little dove.
00:05:34I would like it to go to the mountain tradition.
00:05:36In other words, in the village.
00:05:38And Father would have liked it.
00:05:39That's clear, it's already done.
00:05:40Let's all go, the teacher, the principal.
00:05:42And so we closed the school for the season.
00:05:43Okay, fine.
00:05:45Santi, why don't you go and try it?
00:05:46It wouldn't hurt to learn a little bit, brother-in-law.
00:05:50Santi, you've forgotten.
00:05:51It's just that we mountain folk have a hard time learning.
00:05:53That's what it costs us mountain folk to learn.
00:05:54You haven't realized it until now, but that's what happens.
00:05:56That's right.
00:05:56We mountain folk have a hard time learning.
00:06:00I practically have breakfast at a different time, huh?
00:06:02There are a lot of people.
00:06:03Yes, better, son.
00:06:24Hey, coffee?
00:06:25No, thanks.
00:06:26What I want is another ex-husband.
00:06:29You're going a bit too fast, aren't you?
00:06:31First we'll have to get married, and then we'll start getting along badly.
00:06:34Whether I ask for a divorce, whether you sue me, whether who gets to keep the tavern, in
00:06:37end.
00:06:37His.
00:06:38Yes, Mommy, I got to school safely, I crossed at the crosswalk, I looked at the
00:06:43both sides, I waited for them to turn green.
00:06:46Listen, honey, your father called me and wants you to pick him up at the airport.
00:06:51Seriously, Mom?
00:06:53Yeah, it's aiming for flight.
00:06:57Oceanic 815.
00:06:59Well, if I were you, I wouldn't get my hopes up too much.
00:07:01Goodbye, goodbye.
00:07:02You know that maybe in the last one...
00:07:03My father is coming to see me, my father is coming to see me.
00:07:05That's so cool, dude!
00:07:06How cool!
00:07:08And that, but when...
00:07:10Yes, he just called me on Oceanic flight 815.
00:07:13Oh my god, how cool!
00:07:16And until it passes.
00:07:17You know, dude, those girls who use the slightest thing to spite each other.
00:07:22No, bad, bad, bad, bad because there is a lingering resentment.
00:07:24Look, and I hate to tell you this, Santi, but Lucía is right.
00:07:27Think about it for a little while.
00:07:29That's in the instinct.
00:07:30You don't need so much schooling to have instinct.
00:07:33Do you know what's going on?
00:07:34Well, he doesn't want to attend childbirth preparation classes with his wife, imagine that.
00:07:37But man of God, that's very good.
00:07:39I learned a lot there.
00:07:40Damn, what did you learn?
00:07:43If you fainted during childbirth.
00:07:44But due to a fainting spell.
00:07:46But do you know what it was used for?
00:07:47So that Candela could relax.
00:07:49That's already an achievement.
00:07:50Also, let me tell you something, come here.
00:07:52Come here.
00:07:53Do you know what they told us?
00:07:55Well, the more we focused on the topic, the better.
00:07:57That's how he made his way.
00:08:00Faggot stuff.
00:08:01Now stand here, now stand there.
00:08:03Push, push, blow.
00:08:05It's a load of nonsense.
00:08:06I've seen it in the movies.
00:08:07Father did none of that.
00:08:08And we look so beautiful.
00:08:09Beautiful, beautiful.
00:08:10That's the word.
00:08:11Okay, Santi, between you and me, this won't leave this room.
00:08:14So, my father was a good man.
00:08:15Yeah.
00:08:15But, damn it, he was a bit of an animal, too.
00:08:17Well, it wasn't a sexual method.
00:08:19Damn, he used to castrate dogs with two stones.
00:08:21Ah, father, leave him alone.
00:08:22He is not here to defend himself.
00:08:24What I'm saying is that things have changed a lot, Santi.
00:08:27Damn, before, the father, well yes, he was there with his sun and shadow in the bar.
00:08:30But not now.
00:08:30No, not now, Santi, not now.
00:08:32Now the father has to be there.
00:08:33Pechugando.
00:08:34Yes sir, by chest-chesting.
00:08:35And let me tell you something, if you're there, well, come on, it's going to be one of the happiest moments.
00:08:39of your life.
00:08:39You'll never forget that.
00:08:40And if you're not there, Lurditas is the one who won't forget it.
00:08:43Okay, okay.
00:08:44That a sun plots.
00:08:46I'm going so you don't have to leave.
00:08:47Port.
00:08:48That's brilliant.
00:08:49Both.
00:08:53Eba, you have no idea how much I want to see you.
00:08:56Hey, Marcos, what's up?
00:08:57He's drooling, isn't he?
00:09:00How cute.
00:09:03Raul.
00:09:05Okay, yes, yes, pass it to me.
00:09:08Hey, I'm sending you a huge kiss.
00:09:10Come on.
00:09:11Tell me, tell me.
00:09:15Oh, yes, that's great.
00:09:18Already?
00:09:20But weren't you going to stay longer?
00:09:24No, no, I'm telling you this because I don't know, since you're in your own little world, well, take advantage and enjoy it, right?
00:09:32Raúl, no, Raúl, but don't do it for me.
00:09:34Don't be silly, seriously.
00:09:38Okay, okay.
00:09:39I'll see you tonight, then.
00:09:47But not again with that nonsense.
00:09:50No way, Fiti, okay?
00:09:51No way.
00:09:52But what's going on?
00:09:53Are you going to memorize the whole taco?
00:09:54Damn, because it's a game, man.
00:09:55They are not competitive exams.
00:09:56No, you're wrong.
00:09:57For me, they are indeed competitive exams.
00:09:59They are oppositions to divorce.
00:10:00Because I have a place there, too.
00:10:01Diego, damn it, you're really getting ahead of yourself.
00:10:04Because I think Lucy is...
00:10:06Come on, he doesn't care.
00:10:07Well, not me.
00:10:09Because this is a matter of a Rafiti.
00:10:10It's nonsense.
00:10:12But whatever, what's his life at stake?
00:10:14Lucy, men need to be made to feel like they're the best at something.
00:10:19Oh, I have no complaints about mine.
00:10:21He does everything well.
00:10:22Especially in bed, baby.
00:10:24If they feel sexually insecure, they're like a bunch of wild boars.
00:10:27They're such a pain in the ass, they make you want to kill them.
00:10:30And there I am, having no one to compare myself to.
00:10:32The fact is that I never played another game in my life.
00:10:36Another game.
00:10:37That's what I have to do.
00:10:38Let's play another game.
00:10:41Lucia.
00:10:45He says he loves me.
00:10:47So now he says he loves me.
00:10:48Why does he love me?
00:10:49Because I make Fiti feel sorry for me.
00:10:51He has humiliated me and he pities me.
00:10:52That's why he loves me.
00:10:53I feel sorry for him.
00:10:55Yeah.
00:10:56Yes, yes, I know.
00:10:57I know I love you.
00:10:58I know I love you.
00:11:00Twenty years with Candela and looking down on me, with those inquisitive eyes there.
00:11:04That's why I have to win, Fiti.
00:11:05That's why.
00:11:06That's why.
00:11:06It's not about winning the game.
00:11:07No, no, no.
00:11:08It's to earn respect.
00:11:09I have respect.
00:11:10You understand?
00:11:10I understand you, Diego.
00:11:11But you don't have to suffer.
00:11:12I'm telling you that too.
00:11:13If you want to teach him a lesson, you have to resort to the Fiti method.
00:11:20And now you ask me.
00:11:22Ah.
00:11:23What is the Fiti method?
00:11:25I'm glad you asked me that question.
00:11:28One key.
00:11:30Okay?
00:11:31A kick.
00:11:33Consonants.
00:11:35Two blows.
00:11:36Vowels.
00:11:38Vowels are indicated with the fingers pointing upwards.
00:11:41The fat one up, the A.
00:11:43The one on the sidewalk above, the U.
00:11:45Pussy.
00:11:46Okay.
00:11:47Okay, wait, wait.
00:11:48He's going to find out.
00:11:49Consonants are a separate case.
00:11:51Wait, wait.
00:11:55Lucia, darling.
00:11:56Yes, it's me.
00:11:57What do you think about tonight...
00:12:01OK, honey.
00:12:02Okay.
00:12:03Bye bye.
00:12:06What's happening?
00:12:08What did he want?
00:12:09The rematch?
00:12:10There you have it.
00:12:11His inner wild boar, which is wounded.
00:12:15Well, I have it all planned out.
00:12:16This afternoon I'm going to the Reina Sofía.
00:12:18Then we'll go for some tapas or beers in La Latina.
00:12:21to the opera she loves and to dinner.
00:12:23I don't think I've ever had such a busy schedule, huh?
00:12:24Yes, and we're also going to the best restaurant in town.
00:12:27Well, I don't know if it will be the best, but it will certainly be the most expensive.
00:12:29Hey, those places are great, huh?
00:12:31You have two slaves per person.
00:12:32The food is the bad thing, huh?
00:12:33And he probably got a general admission room at a hotel
00:12:36and I can stay overnight with him.
00:12:38Incest!
00:12:39You're starting to pick up the local customs, huh?
00:12:41Love.
00:12:42See you later.
00:12:42Bye bye.
00:12:43Hey, Tete, he wants to take me on an excursion tomorrow.
00:12:46I'm not sure if it's in feet or degrees.
00:12:48That?
00:12:48I'm leaving, I'm going to be late for the airport.
00:12:50Uh, I've gotten sick, okay?
00:12:52Fa!
00:12:55In chunks or in degrees.
00:12:56I'm just stupid.
00:12:57From T2 to T4, huh?
00:12:59Because I had to catch a plane to Buenos Aires,
00:13:01Otherwise, nothing.
00:13:02I'm so sorry, Su, I'm so excited about it.
00:13:04What bothered me the most is that he didn't even realize it.
00:13:06I'm screwed, huh?
00:13:08The only thing he cared about was that there was overbooking in first class.
00:13:11Well, do you know what you gave me?
00:13:14A credit card, Fiti.
00:13:16He gave my daughter a credit card.
00:13:19Gold.
00:13:20Okay, but calm down.
00:13:23Calm down.
00:13:24What's not happening to me?
00:13:25Yes, everything is perfectly clear now, but calm down a little, woman.
00:13:28They don't pay me child support, Fiti.
00:13:30And they just hand me money for free?
00:13:32Okay, fine.
00:13:33Look, do one thing.
00:13:34Tell Fettuccini to cancel the card.
00:13:36But I told him, and he said that his daughter won't lack anything.
00:13:39you are welcome.
00:13:40I'm going to tell you something, Mili.
00:13:41I've applied for that gold card you mentioned, well, I don't know how many times.
00:13:44And in life they've never given it to me, in life.
00:13:45Diego, damn it.
00:13:47But the Fettuccini, unpresentable.
00:13:49But he's a disgrace, that's for sure.
00:13:50Now let's look at the preliminaries of childbirth.
00:13:54How do we know when the time has come?
00:13:57Me, me.
00:13:58Yeah?
00:13:59When it peeks out.
00:14:01Well, there's no room for error there, but we should go to the hospital a little earlier.
00:14:06Sure, sure.
00:14:07I knew it, I didn't know it.
00:14:09You were stunned, like a dove.
00:14:11Prevention is very important.
00:14:13About a month before, we should prepare a bag with everything essential.
00:14:19Diapers, changes of clothes...
00:14:20And a stick!
00:14:21As?
00:14:22To bite, to endure the pain.
00:14:24An iron spoon will also work.
00:14:28It's because we're first-timers.
00:14:30Yeah, well, it's okay.
00:14:32Today we are going to learn to recognize the signs.
00:14:35What are they?
00:14:36Get out, get off, dude.
00:14:36Turn it down, turn it down.
00:14:46Turn it down, turn it down.
00:14:51Are you sure they want to play, Diego?
00:14:54Look at how you acted yesterday.
00:14:55Yes, I'm sure, but I'm going with Fiti because there's more understanding between us.
00:14:57Well.
00:14:58He gave us the game.
00:15:01Lime, lime, lime, lime...
00:15:04Lime...
00:15:05Lime...
00:15:06Lime...
00:15:06Creek...
00:15:08Lime...
00:15:10Lime...
00:15:10Lime...
00:15:11Lime...
00:15:11Lime...
00:15:11Lime...
00:15:11Lime...
00:15:15Time...
00:15:16Yeah!
00:15:17For God's sake, Diego, Calamar.
00:15:19Squid, which...
00:15:21Lime...
00:15:21EITHER...
00:15:22Muah!
00:15:22Damn, how do I have to paint things for you?
00:15:24Good!
00:15:25Fiti, paint it well for me.
00:15:26Or rather, at least, that it is not understood.
00:15:28Damn, it doesn't make sense. Anyway, the thing is
00:15:30It's not so bad either, we're tied, right?
00:15:32Come on, it's your turn to paint.
00:15:34Lucia.
00:15:38The height of absurdity, the cosmos.
00:15:40The cosmos, no, below.
00:15:42The walk.
00:15:43The Walk of Fame.
00:15:46No. The vulgar one of the stars,
00:15:48in Hollywood.
00:15:50No, here, on the ground.
00:15:51Soil, river, silence. Soil, river.
00:15:54River. No, the squid.
00:15:56From the Fiti. Time!
00:15:58Take it! Take it! Take it!
00:16:00Okay, okay. I'm sorry, Chony, I'm sorry.
00:16:02It's difficult, it's agricultural.
00:16:05Forgive me, forgive me, Lucia.
00:16:06Excuse me, Lucia. That taco doesn't include "agropecuario".
00:16:08I know it by heart.
00:16:11Snail, it was a snail.
00:16:14Damn, but oh well,
00:16:15How can someone be so deceitful?
00:16:16I mean, tell me the buts, Chony, but tell me.
00:16:19Okay, okay, okay, okay. Yes, we lied.
00:16:21But putting up with him like that all week, well, look, you win and that's it.
00:16:23Because beating him isn't fun at all.
00:16:25It's not about making a mockery of a fallen tree.
00:16:27Okay, Diego, Diego, what's up?
00:16:28In other words, they cheated, the game is technically invalidated.
00:16:32Okay? Come on, the final one.
00:16:33No, leave it, Chony.
00:16:34No, leave it.
00:16:35No, leave it, Fiti, I'm an idiot.
00:16:37But I accept it, and they said so.
00:16:38And because I'm an idiot, I accept it and they said it.
00:16:40So I'll leave the pen holder and hang up those pens.
00:16:43See you later.
00:16:47Hey Chony, don't miss this, because it turns out I have a paternal instinct, you know?
00:16:52I was there watching the little girl playing with her
00:16:54And in the background I heard a tick-tock, tick-tock, tick-tock, tick-tock, tick-tock, you know?
00:16:59The bioethical clock.
00:17:01Yes, you laugh, you laugh, because at any moment my alarm will go off like Marcos's.
00:17:05You're so awful, you know, right?
00:17:06Yes, yes.
00:17:10Here it goes.
00:17:11Hi, I didn't know you were here.
00:17:14How's your light?
00:17:15Good.
00:17:16Good, very good, very French indeed.
00:17:19Missing my girlfriend.
00:17:20Yeah.
00:17:22Nothing much, I was just coming to go to bed, but I'll probably come back later.
00:17:25Okay.
00:17:25Come on.
00:17:26See you later.
00:17:31So, how are you?
00:17:32Did you miss me?
00:17:34Clear.
00:17:34Yes, but how much?
00:17:36A lot.
00:17:37A lot! A lot!
00:17:39That's great, because I haven't mentioned thinking about coming to give you kisses.
00:17:46Is something wrong, darling?
00:17:47Not me.
00:17:48No?
00:17:48No, no, no.
00:17:49No, it's just that I'm a little tired.
00:17:52Yeah?
00:17:52Yeah.
00:17:53I think I'd better go home.
00:17:55Okay?
00:17:56Okay.
00:17:57Take.
00:18:00Bye.
00:18:01Bye.
00:18:11You're so lucky, aunt.
00:18:12I wish my father would give me one of those cards.
00:18:14You don't even give me my pay.
00:18:16But no, what's wrong with you guys?
00:18:17You don't understand anything.
00:18:17But I'm such an idiot, girl, I thought the gum was coming.
00:18:20I inserted the card all the way to the magnetic strip.
00:18:24But wait, wait.
00:18:25That's easy for you, if you want.
00:18:26I mean, you want me to open up to your dad, right?
00:18:29And that's it, melt the card.
00:18:31Just like that.
00:18:31That?
00:18:32Melt the card.
00:18:33Good idea.
00:18:34Stop, stop, stop, stop, it's credit, isn't it?
00:18:38And that's it, spend until she regrets giving it to you.
00:18:41If you want, we can help you.
00:18:42Me, ready.
00:18:43We'll help you.
00:18:44Yes, yes, yes, yes.
00:18:44But there's a problem.
00:18:45That?
00:18:46Okay, so my dad is loaded.
00:18:47If we wanted to spend, but if we really wanted to spend, we'd have to spend so much.
00:18:51I mean, me.
00:18:52Let's just say.
00:18:54Hey, hey, hey, I don't see this, huh?
00:18:56I don't see it.
00:18:57What do you mean you don't see it?
00:18:58Let's see.
00:18:58Oh, really?
00:18:59I'll tell you.
00:19:01Do you remember the hundred-cent ferret your mother told you to wait for until the sales?
00:19:04Yeah.
00:19:05Well, it won't be there anymore.
00:19:06Well, and besides, it looked fantastic on you with that skirt...
00:19:10But hey, girl, look at that price!
00:19:11We just can't make ends meet.
00:19:12You're right.
00:19:13You're right.
00:19:14No, no, no, no.
00:19:15You're right.
00:19:17Well, the truth is I've seen some boots that aren't bad at all, you know?
00:19:19Very good, that's it.
00:19:21And it's done, man, yes.
00:19:22Let it all be for a friend.
00:19:23Don't eat anything because it's going to make you sick, okay?
00:19:25For you.
00:19:26We have to help him, right?
00:19:27We have to help him, right?
00:19:28We must help him.
00:19:28He's not going there to help her, is he?
00:19:29That happens.
00:19:30That happens.
00:19:31Hello good.
00:19:32Hello, Chana.
00:19:32How are you?
00:19:33How are those couples' classes going?
00:19:34Good.
00:19:35That's great.
00:19:36Phenomenal.
00:19:37I didn't know the matter was so significant.
00:19:39And what you learn.
00:19:40You women have something amazing to look at, don't you?
00:19:42That is to say, the Pyrenees, the Humero, Plasencia.
00:19:46No, you're leaving me for dead.
00:19:48I wasn't thinking about that.
00:19:49Come on, I'm not going to miss another class.
00:19:53Santi, I've been thinking that you might be right.
00:19:54Is it silly to come with me to class?
00:19:57But how can that be nonsense?
00:19:58The little bird has already made it perfectly clear.
00:20:00Yes, the midwife.
00:20:01The midwife says that the companion should go to learn in order to then help during childbirth.
00:20:06Yes, but I mean, with all the commotion you've got going on at the tavern, Santi...
00:20:09But there is nothing more important than my son, Palomita.
00:20:12And if I need to be there, I'll be there.
00:20:14Yeah, but how do I put it...
00:20:17Santi, who...
00:20:18I don't want you here!
00:20:20Well, Palomita, what do you say?
00:20:22What are you saying, Palomita?
00:20:23The little pillar...
00:20:24What Piluca is saying is that I need someone to help me during childbirth.
00:20:26And you make me even more nervous.
00:20:28But my little chick didn't even make it through childbirth.
00:20:31You're very pretty, Santi.
00:20:33Say something, Tony, say something.
00:20:36Does anyone want spaghetti?
00:20:39Hey?
00:20:42Hey, these spaghetti are so good, aren't they?
00:20:45Did Diego make them?
00:20:46Yes, but because it's very easy.
00:20:48So, you cook the pasta, then you add the tomato sauce, which is also very easy to make.
00:20:52And come on, any mountain dweller can do it.
00:20:54Okay, that's enough, we've been like this all day.
00:20:56I've apologized a hundred times, I'm sorry.
00:20:58Are we going to get angry over a stupid game?
00:21:00You're stupid, you're stupid, the game.
00:21:01Look how nice, man.
00:21:06Diego, I'm going to tell you something, okay?
00:21:08Let me tell you something.
00:21:10As the world stands right now,
00:21:12That is, children going hungry, war.
00:21:14Are you going to worry now?
00:21:16Do me a favor.
00:21:17In other words, leave it because it's not appropriate.
00:21:18In other words, the intention is appreciated, but it's not appropriate.
00:21:20Because it's true.
00:21:21In other words, we mountain folk are limited.
00:21:23Because we have it right there.
00:21:24The mountain gene is there.
00:21:25Okay, let's get started.
00:21:26No, it's a case of taking a big step.
00:21:28No, it's not that we're starting.
00:21:28No, it's just that my father was short.
00:21:30So, he wasn't giving it to her, father.
00:21:31He didn't give it to her.
00:21:32And that's something a few of us have inherited.
00:21:33And I've left the seed out there.
00:21:34And the first person he told this to here was Guille.
00:21:36Don't let Guille see you.
00:21:37No, no, no.
00:21:38Respect.
00:21:39And go away and show some respect, and who knows what's wrong with Curro.
00:21:41Because we don't know what's wrong with Curro.
00:21:42Where is Curro?
00:21:43By the way, where is Curro?
00:21:44I'm sorry, it's just that I'm running late.
00:21:46We made up a story at school.
00:21:48Nothing, sit down, I'll serve you.
00:21:50And that you have selected me.
00:21:52That?
00:21:53Did you win a short story contest?
00:21:54No, no, no.
00:21:55I haven't won it.
00:21:56You have selected me.
00:21:57But I'm not going to run.
00:21:58But what do you mean you're not going to show up, son?
00:21:59But how can that be?
00:22:00Of course you're going to introduce yourself.
00:22:01You're going to enter and you're going to win.
00:22:02I knew this kid had talent.
00:22:04He had hidden talent.
00:22:05I don't know where or what kind of talent he had, but I knew he had talent.
00:22:07Yes sir.
00:22:08Very good.
00:22:08But Dad, it's not that big of a deal, I just submitted a last-minute botched job and...
00:22:12Look at him, look at this shoddy work, he says.
00:22:14My boy is so modest.
00:22:15How awful, how modest.
00:22:17The guy gets like this, the little scribe, the good thump-thump.
00:22:19He's a genius, that's genius.
00:22:29What's happening?
00:22:30Wait, here, put this in your mouth, Lucia is coming.
00:22:32As?
00:22:33No, don't worry, hold on, hold on, Lucia is coming.
00:22:35Hold on, hold on, hold on.
00:22:36Good morning.
00:22:37Good morning.
00:22:38Good morning, guys.
00:22:39Oh, you're here already, Diego?
00:22:41Yeah.
00:22:42Oh, what's wrong with him?
00:22:43The child, who woke up with a fever, must have caught a slight fever during the night.
00:22:47Okay, honey.
00:22:50But he's 38 and a half.
00:22:5238 and a half.
00:22:53Well, we should take her to the doctor, shouldn't we?
00:22:55No, woman, no, no.
00:22:56I think spending the day in bed is enough.
00:22:58It's a shame, because the boy really wants to write the story.
00:23:01But, guys, when it can't be the working stiff, well, it can't be.
00:23:04Well, you can write it when you're feeling better, you have your whole life ahead of you, right, son?
00:23:06It's okay, let him stay in bed.
00:23:08Yeah.
00:23:08Okay, I'm going to take a shower.
00:23:09Okay, I'm coming now.
00:23:12The light bulb trick?
00:23:14And did it work for you?
00:23:15Caleti, caleti.
00:23:16That's intense.
00:23:17Well, son, listen to me, as your father, I have something very important to tell you.
00:23:22We mountain people have always been noble and kind-hearted.
00:23:26But as for standing out, that's never happened, I mean, we've never stood out.
00:23:29And what happens?
00:23:30That people make fun of us.
00:23:31Yes, yes, don't give me that look.
00:23:33People make fun of us.
00:23:34He's already given it, he's already given it.
00:23:36Guille, for example, is lost.
00:23:38But there is a mountain man who has a gift, who has a virtue.
00:23:41And that's where you come in.
00:23:42That's where you come in.
00:23:44You have to write the story.
00:23:45Now when everyone leaves, we'll go to the tavern and you write the story.
00:23:49But Dad, it's just that...
00:23:50Listen to me, listen to me.
00:23:51I don't want you in government, not at all, but you have to win that contest no matter what, no matter what.
00:23:55You hear it however you want.
00:23:57I remind you, my son, that you are the last hope of the mountain people.
00:23:59The last one.
00:24:00And that's very important.
00:24:02Thank you, son.
00:24:03Guille.
00:24:04That?
00:24:05Come on, screw it up, go to school.
00:24:07Fuck.
00:24:08Wow, she's fat, mate.
00:24:10Today, the lightbulb trick has never worked on me.
00:24:17What's wrong, donkey?
00:24:21Because I didn't know that the story had to be handed in.
00:24:23And since I didn't have time, I just copied.
00:24:26What did you copy?
00:24:27Look, it's okay, I'm working.
00:24:28We've all copied at some point.
00:24:30The key is to get started.
00:24:31Yes, but let's see who's going to tell Dad now.
00:24:37Look, Nalo.
00:24:38Sooner or later you're going to disappoint.
00:24:41So...
00:24:41It's better if you tell her beforehand.
00:24:53Who made this coffee?
00:24:58No.
00:25:01Well done, Raúl, because it turned out wonderfully.
00:25:03So, starting tomorrow you're the head coffee maker in this house.
00:25:05Yes sir.
00:25:06Excuse me, have you calmed down after your tantrum?
00:25:08Yeah.
00:25:08Yes, Lucio, because I've realized that between pride and resentment, well...
00:25:11Anyway, there's a distance, a thing.
00:25:13And since life is so short, why get angry over something so trivial, right?
00:25:17Good morning.
00:25:18Hello good.
00:25:19Oh, what are you all doing here?
00:25:21Well, we've arranged to go to school together, all like a happy gang.
00:25:25Okay, okay, that's fine.
00:25:27That's good, because it's good that you're going in a group, because that way you form a group.
00:25:29And that's not what the word group has, which is what the group is seeing.
00:25:34Have you had breakfast?
00:25:37Would you like something to eat?
00:25:38Yes, yes, yes.
00:25:40Come in.
00:25:43Auntie, it's about time, isn't it?
00:25:44Are you all here yet?
00:25:45Yes, we're all in the kitchen singing louder than a claviata.
00:25:55Can we call you a Baptist?
00:25:58The thing is...
00:25:59That's my name.
00:26:01There you go.
00:26:02How cool.
00:26:03Come on, son, let's have a good breakfast, eh?
00:26:08It's because they've been bowling and these friends he has and...
00:26:11But it's okay, let's go to the tavern, have breakfast there and get inspired.
00:26:14Okay, let's go.
00:26:23Hey, Dad, can I go to the bathroom?
00:26:24Yes, son, of course, are you going to the bathroom?
00:26:25But yesterday you weren't telling me that we had to be there.
00:26:27Did you say it or not?
00:26:28So many things are said, Santi, throughout the day, but let's see, to redirect the topic a bit.
00:26:33What you want is for Lurditas to let you be there at the birth, in the shadow barrier, right?
00:26:36Yes, but he wants me far away, far away, he wants me.
00:26:38Because he says I'm a brute, that I have no sensitivity.
00:26:41And she says she needs to be with someone, someone sensitive, to calm her down.
00:26:44Well, Lurditas is going to be right about that, because your sensitivity, Santi, is really not your thing.
00:26:49And excuse me, but you have other things, but sensitivity, well frankly, no.
00:26:51But let me tell you something, in the end he's going to let you be present at the birth.
00:26:55But I don't know if I'm ready, because I'm skipping classes.
00:27:00Okay, but that, Santi, is like a driver's license.
00:27:03Look, we'll give you some practical lessons, and when we see you're ready, we'll introduce you to Lurditas.
00:27:09Yes, but how are you going to teach us to talk about practical things...?
00:27:11Oh, my children!
00:27:14Well, Aunt Enriqueta, but...
00:27:20But what are you doing here, Aunt Enriqueta?
00:27:22I've come to the bank to take care of some things related to the flood.
00:27:27A little kiss.
00:27:29Since I don't know anything about numbers, maybe you guys can give me a hand.
00:27:33And is he going to stay for a long time?
00:27:35No, I'm going back to the village tomorrow.
00:27:38Oh, oh, little acurito!
00:27:41Damn it, aunt!
00:27:41I'll take it to the bank, and you take it home.
00:27:44But he's a dead ringer for Uncle Abelino.
00:27:47But nailed it?
00:27:48It has a certain look.
00:27:49Hey?
00:27:49Yeah?
00:27:49Oh, but what is the vaccinia!
00:27:50What is Aunt Abelino?
00:27:51Don't tell him that you, Santi, will be as good as gold and cut ham like an angel.
00:27:55But ham-homing is one thing, and psychology is another, my dear.
00:27:59She doesn't know the embarrassment I'm going through.
00:28:00Of course, for those things you have to go with a woman of your own sex.
00:28:03It will be the same for a woman as for a man.
00:28:05Giving birth is a woman's thing, damn it.
00:28:07Lucia, would you like to accompany me to the classes?
00:28:10Me?
00:28:10Because I would have felt much more comfortable that way.
00:28:12Of course, I would love to.
00:28:14Of course, what woman wouldn't love that?
00:28:16Oh, Choni, I was thinking about Lucía because she's a mother and all, but...
00:28:19Yes, yes, if you don't apologize and I know we have to choose, well, we have to choose.
00:28:22But you don't know how happy you make me.
00:28:23Today at six.
00:28:25Today.
00:28:26Oh, Lurditas, I'm sorry.
00:28:27I just can't.
00:28:29If you tell me in advance I'll make arrangements, but I can't today, I'm sorry, really.
00:28:34Man, you know I don't like being second best to anyone.
00:28:38But I would do it for my nephew.
00:28:40And also because this way I'm preparing myself for when mine comes.
00:28:44But you're already thinking about...
00:28:46Shoulders, as soon as José Luis appears.
00:28:48The sooner he gets near me, bang, bang, bang, twins.
00:28:50And if not, it takes a long time with the first one that comes along.
00:28:56Hetero, damn it.
00:28:58Nothing.
00:28:59Half of the older kids skipped the chat.
00:29:02Your children first.
00:29:03I'm not giving a talk like that again, okay?
00:29:05I bet the Italian ones are doing well.
00:29:06Also.
00:29:07Hey, maybe there won't be enough time left to study.
00:29:09Yes, time to study.
00:29:10How funny.
00:29:20How funny.
00:29:23How funny.
00:29:40Your gift is nothing material.
00:29:44A caress or a hug may be enough.
00:29:49I don't like superficial people.
00:29:53If you think you are different, superior to others.
00:29:57What you ask for, it's paved, not even.
00:30:01Well, we're going to be in so much trouble when my mother finds out.
00:30:06They can't take away our dancing, huh?
00:30:08Me too, really.
00:30:09Bautista, cheer up a little, man, it's us.
00:30:12Hey, stop.
00:30:13Stop, wait here, Bautista.
00:30:15We're staying here, okay?
00:30:17Hey, we're not alone here.
00:30:19Better in three.
00:30:21OK.
00:30:22Bye bye.
00:30:36So, how's that artist doing?
00:30:38Believe it or not.
00:30:39Well, like that, like that.
00:30:41That's it, that's it.
00:30:41Uh, but, now it's written down, right?
00:30:45Well.
00:30:47Well, it's okay, Citi.
00:30:49Because if inspiration doesn't come, well, it doesn't come.
00:30:50But hey, art is still there.
00:30:52There it is.
00:30:53So, what we need to do is create a conducive environment
00:30:55So that art can come down from the paper, huh?
00:30:57Yes sir.
00:30:57You said it.
00:30:58There.
00:30:59So what's the first thing we're going to do?
00:31:00Good lighting.
00:31:01Good.
00:31:02Yeah, come here, strochus.
00:31:03We're going to put in warm lighting
00:31:06that inspires while it illuminates.
00:31:09Of course, Citi.
00:31:10What else?
00:31:11A little bit of music.
00:31:13There it is.
00:31:14So the muses can descend, huh?
00:31:16Because we need to heat this up a little.
00:31:18so that things don't seem so cold.
00:31:19Do you understand?
00:31:20Good, huh?
00:31:21Well, we're already...
00:31:23No, look, there's been a tremendous change.
00:31:24We're leaving.
00:31:24And we'll leave you here alone.
00:31:25We'll be back later.
00:31:26You work as much as you can.
00:31:28And let me tell you something, Curro.
00:31:30You've already seen the bull.
00:31:31You have it.
00:31:32Curro, you've got it.
00:31:33We trust you.
00:31:34Curro, you have it and we trust you.
00:31:36Sorry.
00:31:38Lucia, how are you?
00:31:39What is Curro doing here?
00:31:40I'll explain it to you now.
00:31:40What's been in the thermos?
00:31:41Sorry.
00:31:43That's just how kids are.
00:31:45It can get a fever and then it disappears.
00:31:47Well, it's the same thing.
00:31:48Well, they might write it in a story.
00:31:50Ah, the light bulb trick.
00:31:52I look like I'm new to this.
00:31:54I mean, it's one thing for Guille to do it, but it has to be you.
00:31:56What job?
00:31:57He can't just skip class like that, man.
00:31:59We're talking about just one day.
00:32:00Neither...
00:32:00It seems like everyone has agreed.
00:32:02No, no, no.
00:32:03The child has what is called a vocational calling.
00:32:06So, that's been discovered about him.
00:32:07And I can't frustrate him, can I?
00:32:09Because sometimes the child rebels and comes up with an idea.
00:32:11I don't know.
00:32:12From cutting off an ear.
00:32:13There was one who cut off his ear.
00:32:14Let's talk about this...
00:32:15Van Basten.
00:32:16Van Basten.
00:32:17Diego, who are you fooling?
00:32:19You're the one who wants to compete.
00:32:21No, Lucia.
00:32:22Oh, no?
00:32:22No, I'm doing all this for Curro, yes.
00:32:24Do you know why?
00:32:24Because I don't want to be just a simple tavern owner tomorrow.
00:32:27I want it to be something more.
00:32:28Diego, okay, please.
00:32:29Diego, Diego, we have to go.
00:32:31The order, the order.
00:32:33The order?
00:32:34We need to go to the order.
00:32:37Oh, how I miss married life.
00:32:40Look, I wanted to talk to you.
00:32:42The whole team was absent from class today, including your daughter.
00:32:45Do you know anything?
00:32:47To know, right?
00:32:49But, but daughter, be suspicious for a while.
00:32:52Give it time and what's your problem? Let yourself be discriminated against, because you don't respect others.
00:33:01What does it matter? What is the skin?
00:33:03I don't care about religion, I just get it in my heart.
00:33:09And in every person there is something to learn, and in every culture there are so many things to discover.
00:33:19I don't like superficial people.
00:33:24If you think you are different, superior to others.
00:33:27What are you asking for? Leave me alone.
00:33:31Don't even look at me, I don't care about you.
00:33:37If you think the world can't change.
00:33:42If you've never thought about helping others.
00:33:47If you only think about yourself, you're not from Santa Justaclar.
00:33:52Did you enjoy the walk?
00:33:53I'm telling you, we've already enjoyed it.
00:33:55I'm not buying any more things because I didn't know what else to buy.
00:33:59Good afternoon, autistic person.
00:34:01Good afternoon.
00:34:02Uh, well, autistic, that...
00:34:05Well, look what we bought you? A little something.
00:34:08Thank you so much.
00:34:09No, and why, man, it's for money, lad.
00:34:11One detail.
00:34:12No, no, no.
00:34:13Guys, how cool is that?
00:34:14They are made of leather.
00:34:15It's made of leather.
00:34:17It cost me a fortune.
00:34:18Did it cost you a fortune?
00:34:24Had they ordered four family-size pizzas?
00:34:26Yeah.
00:34:27Boys, boys, boys, the food sustains each card.
00:34:32Yes, yes, Emilia.
00:34:38We're loading the van.
00:34:39But they're delayed, they're delayed.
00:34:42As soon as we have the merchandise.
00:34:43We're there now, huh?
00:34:45Goodbye, thank you.
00:34:46Filti, please don't do this to me.
00:34:48Don't do this to me, I don't like to lie.
00:34:50That's why, that's why you have to do it.
00:34:51Why doesn't it hit you?
00:34:52Okay, let's get down to brass tacks.
00:34:54Let's get down to business.
00:34:55We continue.
00:34:56Second lesson.
00:34:58Things are about to get interesting.
00:35:00So, it's coming soon.
00:35:00Then, Lurditas tells you that she is in labor.
00:35:03What are you doing, Santi?
00:35:06I'm heading to the hospital now.
00:35:08Yes and no.
00:35:09You calmly grab the bag and call a taxi.
00:35:13What taxi?
00:35:15Put a mattress on the ham and I'll take it just like that.
00:35:17The taxi won't cost an arm and a leg.
00:35:19No, man, no, no, no.
00:35:20And do you know why?
00:35:21Because if there's a traffic jam, it's better to argue with the taxi driver than to argue with you.
00:35:24Well said, Fiti, well said.
00:35:26Think about it, Santi.
00:35:27Taxi, taxi.
00:35:28Taxi.
00:35:28And very quiet.
00:35:29Quiet and peaceful.
00:35:30So, when she says something, you say, yes, honey, of course, honey.
00:35:34Have you heard it?
00:35:34So, relax.
00:35:35And while you're calm, you breathe, Santi.
00:35:37You breathe.
00:35:38And little Lurditas who also breathe.
00:35:39You both breathe.
00:35:40Well, that's it.
00:35:41That's the theoretical part, okay?
00:35:43Now let's move on to the practical part.
00:35:45Things are about to get out, huh?
00:35:47Oh, Santi!
00:35:47Oh, Santi!
00:35:48Oh, Santi!
00:35:48No matter what I tell you.
00:35:49Come on, even if I yell at you, even if I insult you, you're like the rainy street, huh?
00:35:52And don't look.
00:35:52And never look there.
00:35:53Don't look there.
00:35:53No, don't look.
00:35:54I looked and that was Indochina, okay?
00:35:56Yeah.
00:35:56So you're breathing.
00:35:58Breathing.
00:35:58Breathing.
00:35:58The little hand and breathing.
00:36:00Come on, there.
00:36:00And first, first, the long one.
00:36:02The long one.
00:36:03The long one.
00:36:04There, the long one.
00:36:05There, there.
00:36:05Very good, very good.
00:36:06And then the one with the puppy.
00:36:07Come on, the one with the puppy!
00:36:07The puppy?
00:36:08The one with the puppy.
00:36:09Shit!
00:36:09There it is.
00:36:09There it is, the one with the little dog.
00:36:10The one with the puppy.
00:36:11Damn it, Santi!
00:36:11We've told you that 14 times already.
00:36:14You guys say a lot of things.
00:36:15No, leave it, Fiti.
00:36:16Leave it because you're like a father to him, really.
00:36:18I mean, until you get something in your head, we could be here for a week, damn it.
00:36:21Okay, fine.
00:36:22The one with the puppy, now.
00:36:23Okay, yes.
00:36:23Come on, move forward.
00:36:25Well, the thing is, it seems like it's starting to open up.
00:36:27There it is.
00:36:27What is a diameter?
00:36:29A diameter 3, 14, 16.
00:36:31Good.
00:36:32So what you do is push.
00:36:34There.
00:36:35Stay calm and push.
00:36:36You give it to me.
00:36:37That's how it's said.
00:36:38That's how it's said.
00:36:39Push!
00:36:39Push!
00:36:40Push!
00:36:41Push!
00:36:41Push!
00:36:42Push!
00:36:42Push!
00:36:43Push!
00:36:43Push!
00:36:43Push!
00:36:44Push!
00:36:44Push!
00:36:44Push!
00:36:44Things are working out.
00:36:45Once the melon is ready, things get easy.
00:36:47Then the doctor comes, puts the ladle in, passes the dregs through, and that's it, out.
00:36:50Well, and this is basically what the key to childbirth is.
00:36:54general.
00:36:54Did you hear?
00:36:55Of course I found out, I'm not an idiot.
00:36:58Okay, let's go, fast as hell, we have to load the...
00:37:00Come on, let's get to the bullfights.
00:37:01I ask, God.
00:37:02Come on.
00:37:03Already.
00:37:19Excuse me, I'm Santiago.
00:37:21Look, let me tell you.
00:37:23So, you guys are really annoying, damn it, you're always the same.
00:37:29Now yes, now I'll leave you, now no, now I'll take you, you're like the same old story, always the same.
00:37:33What is she, Dad?
00:37:34But I'm going all out, you know?
00:37:36I can smell his doubts, man. I couldn't tell what it was before, but now with so many of them...
00:37:40times he's left me...
00:37:42Well, just like your mother and I, damn it, at the beginning, when we were starting out, and then, look, 20 years.
00:37:48No, and look how it's over.
00:37:50Damn, what about me? Well, at least I've enjoyed it for 20 years.
00:37:56And how did you do that?
00:38:00Well, to tell you the truth, thanks to you.
00:38:02Because if she hadn't gotten pregnant by you, she would have put up with me for so long, you see.
00:38:06you.
00:38:09That's awful, isn't it?
00:38:10Yeah.
00:38:11That's right.
00:38:13Nobody said this was a children's story, you know?
00:38:17But hey, damn it, at least I have you.
00:38:19You do want it for life, buddy.
00:38:23Viti, Viti, he's not listening to you.
00:38:26This box office hit has awakened the genius.
00:38:31See?
00:38:36Curro is king.
00:38:37Sixth grade.
00:38:42Okay, so you've already taken the plunge.
00:38:44We heard you writing.
00:38:46Yes, yes, but I haven't finished it yet.
00:38:48So, when I finish it, you can read it, okay?
00:38:51Good.
00:38:52Look, that sounds good to me.
00:38:53Of course, because reading a story without knowing how it ends is strange and makes you feel uneasy.
00:38:57Very good idea, yes sir.
00:38:58Okay, you keep writing and when you're done let us know we're out there.
00:39:01Hey?
00:39:01Come on, go for it.
00:39:03I'm coming now.
00:39:08Okay, show me what you've written, shall we?
00:39:09Right?
00:39:10No, Viti, I won't show it to you until I've finished it.
00:39:14Let's see, buddy, I don't know if you've noticed, but your father...
00:39:19this
00:39:19I'm going a bit overboard with this, huh?
00:39:21In other words, they think you're writing the second part of Don Quixote.
00:39:24That one's already been written, Viti.
00:39:26Oh, really?
00:39:27Damn, man, they don't even respect the classics anymore, man.
00:39:29They don't care about Superman or Don Quixote.
00:39:32Show it to me.
00:39:33Show it to me, I don't think it's that bad.
00:39:34I, I'll tell your father, don't worry.
00:39:39Fuck.
00:39:41There, there, there, there, there, there, there, there, there, there, there, there, there, there, there, there, there.
00:39:44Damn, God.
00:39:45Well, it's broken, there's no more story.
00:39:48Look, look, it doesn't matter, it doesn't matter, don't worry, okay?
00:39:51You go home, hurrying, and write it down there, now that it's fresh in your memory.
00:39:54Run, run.
00:39:56Okay, I'll take care of it, you're leaving.
00:39:58Viti, I haven't written anything.
00:40:01What haven't I written?
00:40:04The music
00:40:05Sure, but it's driving me crazy too, damn it!
00:40:07Wait, I'll put on Rosendo for you
00:40:08Fiti, who doesn't
00:40:10That the story they selected
00:40:13I copied it
00:40:14That it...
00:40:20Well, your father dies here, huh?
00:40:22I'm telling you
00:40:23Okay, okay, calm down, okay?
00:40:25I'm here to help you, okay?
00:40:26I, being very much into literature, have never been much of a person.
00:40:29But I think it was a children's story, right?
00:40:31Well, and the crime scene, don't worry about it.
00:40:34I'll take care of it.
00:40:35Let's see if...
00:40:37He doesn't want to let me be present at the birth, Fermín.
00:40:39That he has disowned my own son
00:40:41Well, I'm sure Lurditas will have given you some reason.
00:40:44Well, that's it, she says I'm a brute
00:40:45That gives you nervous pay
00:40:47That I'm no help to him
00:40:49Let's see, let's see
00:40:51You want Lurditas to let you accompany her during the birth, right?
00:40:54Well, then you'll have to start changing some things
00:40:57People don't change, Fermín
00:40:59The father of a child told me so.
00:41:00People don't change
00:41:02You can't change people
00:41:03No, that's not true
00:41:05Because if it were true
00:41:05I wouldn't have a job.
00:41:08I see the influence of the father
00:41:10It's very much alive in you, isn't it?
00:41:11How do I stop?
00:41:12It's because of the father
00:41:13He was a great father.
00:41:16This...
00:41:17Santi
00:41:18How do you remember your father?
00:41:20Hey?
00:41:21Well, that's normal.
00:41:21But throwing angrily
00:41:23He was a good person.
00:41:24Do you know what made it noticeable?
00:41:27On the little angel's face
00:41:28That I put on before going to sleep
00:41:29Already
00:41:31But he was a good father
00:41:36Father, the child is coming.
00:41:38That mother has already broken her waters
00:41:41Break, break
00:41:43If there are no dates
00:41:44That's going to be gas.
00:41:45There goes the double whistle
00:41:48I already told you, son
00:41:49Go home
00:41:50And then, if that's alright.
00:41:51Keep me updated
00:41:52Go on, run
00:41:53Come on
00:41:54Okay, so what?
00:41:55I think we are
00:41:55I would be a good father
00:41:58He will be the best father in the world
00:41:59From around the world!
00:42:07Oh, my little son of my life
00:42:09Too bad they didn't touch me
00:42:10A primitive
00:42:10I shit on the
00:42:11Chocolate
00:42:12Chocolate
00:42:13Beautiful
00:42:16Love is such a mess
00:42:18Fucking?
00:42:19It sucks having him on Fujitsu Island
00:42:20The way I have it
00:42:21You can still consider yourself lucky.
00:42:23You have it there in the gym
00:42:26Okay, sweetie
00:42:27I'm retiring.
00:42:30Beautiful
00:42:30Bye, aunt
00:42:31Goodbye, darling
00:42:32Hey
00:42:34You would do anything
00:42:35For love, I say
00:42:36For love
00:42:37For love
00:42:38Having my son like this
00:42:38Count, I have it.
00:42:39Look
00:42:40I was swimming
00:42:41The safe cut
00:42:42Crossing the Pisuerga River
00:42:43My God
00:42:44What wouldn't I do to have him?
00:42:49But?
00:42:54Oh yes, of course
00:42:56Oh yes, of course
00:42:57This is love.
00:42:58What wouldn't I do to have it?
00:43:40Hello
00:43:41Surprise
00:43:43What are you doing here?
00:43:45That I've had a bronze of love
00:43:47Churri
00:43:49Raúl
00:43:49Raúl, we're at school
00:43:51No, that's never mattered to you.
00:43:52No, it's just that I'm a teacher now.
00:43:54It's different.
00:43:55It gets to me
00:43:56Yes, but not me, stop!
00:44:02But your mother's not here, is she?
00:44:04But no
00:44:04That no
00:44:05You guys are really annoying, aren't you?
00:44:06Whether he's at school
00:44:10Well, it seems he's here.
00:44:12Can you tell me where you've been?
00:44:14Uh, well, uh...
00:44:16Hey...
00:44:16Around there
00:44:17Ah, very good.
00:44:18Over there, with a couple
00:44:19You're supposed to be grown up now.
00:44:21What do I have to do?
00:44:21Get the brush out?
00:44:22Frankly, Lucia
00:44:23It doesn't suit you at all.
00:44:24Tell yourself
00:44:26And all those bags?
00:44:31From Yoli
00:44:31What that...
00:44:33I've had a growth spurt
00:44:34Let's see, bring
00:44:35No
00:44:37I mean, I can't believe it
00:44:38Here they are rationing toilet paper.
00:44:40And you, wing
00:44:41To spend
00:44:44Okay, we're leaving.
00:44:46I've called your parents, okay?
00:44:47We stayed
00:44:48We stayed
00:44:50Let's see
00:44:51Okay, little animals.
00:44:52Okay?
00:44:53Yeah
00:44:54No piglets, that's too common.
00:44:55Well, the wolf
00:44:56Don't even get me started on the wolf.
00:44:58Mice no
00:45:01That's it
00:45:02The little corner oven
00:45:03Okay?
00:45:04Now we just need
00:45:05Find a story
00:45:07Hey, what if we tell Dad?
00:45:09No, man, no, no
00:45:09Your father didn't
00:45:10Your father is dying
00:45:11He's going straight into the hole
00:45:19I believe
00:45:21I think I'm getting an idea.
00:45:23Let's see
00:45:24For example
00:45:25The Lord of the Rings
00:45:27What's it about?
00:45:27Well, it's been a long, long time.
00:45:29Rings were created
00:45:31Yeah
00:45:31Yes, but no
00:45:32Yes, but no
00:45:32I mean, it goes
00:45:33From some uncles
00:45:34They spend eight or nine hours
00:45:36Somewhere up in the mountains
00:45:36With a ring
00:45:37And what for?
00:45:37To lose it
00:45:39Man, I've seen it like that.
00:45:40Well, look
00:45:42Three movies they made with that
00:45:44Harry Potter
00:45:46Four other films
00:45:47From a child
00:45:48And with a stick all day
00:45:49The stick shakes
00:45:50He doesn't know if they fly
00:45:52Let's see, let's see
00:45:52I like Harry Potter
00:45:55Okay, yes
00:45:55So, good
00:45:56Yes, but let's go
00:45:57I'm not going that way
00:45:58What I'm getting at is
00:45:59We already have
00:46:00What is the mechanism
00:46:01From creation
00:46:02I mean
00:46:03To confuse the partridge
00:46:04And the protagonist
00:46:05The platypus
00:46:06Fiti, who is a platypus
00:46:09Fuck
00:46:10Yes, we're fine.
00:46:11The platypus
00:46:12Curro
00:46:14I'm feeling you're against me.
00:46:16Fuck
00:46:16That you are in favor here
00:46:17Or are you not
00:46:18Come on
00:46:18Writes
00:46:20Your name?
00:46:21No
00:46:23Don't twist
00:46:24That's why
00:46:25It is necessary
00:46:26Do the exercises
00:46:27Perinianos
00:46:29Yeah
00:46:30Choni
00:46:32And one thing
00:46:33For those of us who aren't
00:46:33Pregnant women
00:46:34Pilu
00:46:35I can address you informally.
00:46:36Right, Monica?
00:46:37Clear
00:46:37That my husband
00:46:38He is a merchant marine officer
00:46:39And then
00:46:40Life goes by
00:46:41Well, that's about it.
00:46:41Sailing the seas
00:46:42Come on
00:46:43Anything but
00:46:44The one who has to sail
00:46:45Well
00:46:45The point is that
00:46:47The thing about not using it
00:46:49It won't close falsely.
00:46:50Oh, Saint Mary of Charity
00:46:52No, no, no
00:46:54Let's see
00:46:54The exercises are good.
00:46:56Are you pregnant or not?
00:46:58Good, good, good
00:46:59Can we continue?
00:47:01Woman, of course you can continue
00:47:02All your rhythm
00:47:03Well
00:47:03Well, some of you
00:47:04You may have noticed
00:47:05That you have already lost
00:47:06That initial euphoria
00:47:08This is neither more nor less
00:47:10Because of hormones
00:47:11They are going down
00:47:11Oh, what's happening
00:47:13The mimic
00:47:14It has been said
00:47:15Sorry
00:47:16Sorry
00:47:17In fact
00:47:17You have to already
00:47:18Don't leave me today
00:47:18Oh ok
00:47:19Sorry
00:47:19Sorry
00:47:20I don't know
00:47:21You're not there
00:47:21I don't know
00:47:22And another thing, Pilu
00:47:25Because
00:47:25You, who know more about these things
00:47:28For what position
00:47:29The position of
00:47:31Of what it is
00:47:32To stay in a state
00:47:32To stay in a state
00:47:35Just like the little cockroaches
00:47:36So
00:47:36As if upwards
00:47:38With the little paws
00:47:39Oh, what I knew
00:47:40They put me to sleep.
00:47:41No
00:47:42Count me out
00:47:44If you want
00:47:45I can talk to him
00:47:45But don't count me in.
00:47:48Let's see, Lucia
00:47:49You're not understanding us.
00:47:50You're not understanding us
00:47:52If we talk
00:47:53We know
00:47:54But what needs to be done
00:47:54It's writing something
00:47:55And that's it.
00:47:57No no
00:47:58So, okay
00:47:58Very good
00:47:59I mean
00:47:59Well, you'll regret it.
00:48:00When you have to take Diego out
00:48:02From the project, man
00:48:03Because according to you
00:48:04Bridge is being demolished, land
00:48:05Or worse
00:48:09And little worker
00:48:10Hey?
00:48:10What do you say about working hard?
00:48:12Fatherless
00:48:12And without talent
00:48:14And why all of this?
00:48:15So, why?
00:48:15Well, for the sake of honesty.
00:48:17It's a misunderstanding, Lucia
00:48:20Well, it's also that
00:48:21I'm going to tell you something
00:48:23You writing it
00:48:24We're sure to win.
00:48:24Fuck
00:48:27What should the story be about?
00:48:29Free topic
00:48:30A platypus
00:48:31About what?
00:48:32A platypus
00:48:33Damn, you're going to go against it now too.
00:48:35Fiti
00:48:36Okay
00:48:36Okay, okay, okay
00:48:37You choose the topic
00:48:38What is it?
00:48:39You are the artist
00:48:39Choose the theme
00:48:41That's it, very good.
00:48:42Very good
00:48:43Sucar, I can't go on.
00:48:44With this nonsense
00:48:45It's fine as a joke.
00:48:48Okay, yes, fine.
00:48:49It's your money
00:48:50I only ask that you have
00:48:51A little bit of common sense
00:48:52Ah
00:48:53It's my birthday present, isn't it?
00:48:55Okay, your gift
00:48:56And that of all Saint Justa
00:48:57Well, didn't you want me to integrate?
00:48:59Well, I've already done it, Mom.
00:49:00And to top it all off, in style!
00:49:02But you don't realize it
00:49:03You're buying people off.
00:49:04With money
00:49:05What do you hate about your father?
00:49:08Well, maybe.
00:49:09But do you know what I hate about you?
00:49:11That you always have to tell me
00:49:13What I have to do
00:49:15I'm going to the bathroom
00:49:20Any problem?
00:49:22The usual thing when you give it as a gift
00:49:23To a teenager
00:49:24A credit card with no limit
00:49:27Is she going to get breast implants?
00:49:29No, that's the only thing it's lacked.
00:49:31No, he's set out to screw over his father
00:49:32Giving gifts to everyone at Santa Justa
00:49:35Excellent
00:49:36No, excuse me, excuse me for laughing
00:49:38But it's not a bad idea either.
00:49:39Damn, said of showing affection
00:49:40What is fettuccine?
00:49:41He's been having them squared up.
00:49:42Well yes
00:49:43The truth is, yes.
00:49:44The thing is
00:49:45That's for him
00:49:46I feel no pity.
00:49:48I don't think it would be good for me.
00:49:49A credit card
00:49:51Because in the end
00:49:52I'll cover all the expenses myself. Fiti, I'll pay for everything.
00:49:53Clear
00:49:53School, clothes, English classes
00:49:55The tavern's computer
00:49:57What? Is it broken?
00:49:58Dead
00:49:59Rest in peace
00:50:00Fuck, fuck, fuck
00:50:07Fuck
00:50:07What are you doing?
00:50:09Me, nothing, I haven't said anything.
00:50:11I said something
00:50:11But dude, no.
00:50:13Yeah, dude, no.
00:50:28Come on, I want it with the gold jets
00:50:29I want it, okay?
00:50:30I don't want there to be a single piece of gum left.
00:50:32At no table
00:50:33I don't want to talk to your parents
00:50:39Well, only those of this class
00:50:41Thank you
00:50:44I already told you about the punishment.
00:50:45It wasn't going to be anything.
00:50:46If it's the biggest one
00:50:47Please
00:50:48Next time we'll buy
00:50:49After class
00:50:50Because this is disgusting
00:50:52This is a
00:50:53What was I thinking?
00:50:55Do you have a plan?
00:50:56For tomorrow afternoon
00:50:57Yes, I do have it.
00:50:58I've made a list
00:50:59What are you doing, logging?
00:51:00I've made a list
00:51:00You didn't tell me it wasn't going to start anymore
00:51:01Come on, come on, come on, come on, come on!
00:51:05Sneakers
00:51:06Hoodie
00:51:08MP3
00:51:09Regulation ball
00:51:11Mini stereo system
00:51:11It's impressive, isn't it?
00:51:12The amount of satisfaction
00:51:13What can a little piece of plastic like that give you?
00:51:15It changes your life, I don't know.
00:51:16Okay, guys
00:51:17One thing is that the card has no limit.
00:51:19But it's another thing entirely if the account doesn't have it.
00:51:21Already
00:51:21But that's what you wanted.
00:51:22Ruin your father
00:51:23Or not?
00:51:24Sure, yes
00:51:25Okay, fine, but it's over.
00:51:27As?
00:51:28What? What?
00:51:28But it can't end tomorrow
00:51:30I haven't bought anything yet.
00:51:31That's it!
00:51:32Already!
00:51:34Zu!
00:51:35Yes, well
00:51:36Hey!
00:51:37What kind of character?
00:51:40This is the second time I've been caught in the corralito
00:51:43Look
00:51:44This is your great-uncle Antonio.
00:51:47He caught a fever and the poor man died
00:51:50Look
00:51:51Cousin Cristeto
00:51:53It was like going into the forest
00:51:55And nothing more was ever heard of it.
00:51:57Oh, Aunt Eulalia
00:52:00Tuberculosis
00:52:02Remind me to ask your father for a picture of you.
00:52:05Clear
00:52:06Curro, son
00:52:07Terriqueta, how are you?
00:52:08Good
00:52:08Look, look, work
00:52:09Look, look what I've brought you
00:52:10I've been looking at some courses
00:52:12Hey, for writing, right?
00:52:13So that you go now
00:52:14Well, by learning well
00:52:16Okay, you need to learn the verbs.
00:52:17You need to refine your style a little.
00:52:18You have things to do, don't you?
00:52:20So you can practice
00:52:20And then this, which is very important
00:52:21Look
00:52:22I have read here
00:52:23See?
00:52:24To write well
00:52:25You have to read a lot
00:52:25And where there is a lot of reading, in the library.
00:52:27What are you going to do starting tomorrow?
00:52:28Go to the library
00:52:28Get together and everything
00:52:29That?
00:52:29What do you think?
00:52:31Hello
00:52:31How are you?
00:52:32Hello
00:52:33Here chatting with Curro
00:52:34The story is over.
00:52:35Ah, that's great!
00:52:36Well, ma'am
00:52:36Don't look at the talent the child has
00:52:38One thing, but let's go
00:52:38Normal
00:52:39With that father
00:52:40How funny, ma'am
00:52:42But come on
00:52:42Surprise us, son
00:52:43What's that story about?
00:52:47Well, it's about...
00:52:49Of a princess
00:52:50He wants to arrive
00:52:52Later, home
00:52:57Alright
00:52:58Alright
00:52:59Because?
00:53:00Because it's sensitive
00:53:01Yes, but if it's like one that Lucía wrote when she was little
00:53:04What did he say?
00:53:05If it's like the one Lucia wrote about...
00:53:09If you don't finish your sentences, I won't understand.
00:53:13Forgive yourself, Enriqueta
00:53:15Lucia
00:53:15Lucia
00:53:17Look me in the eyes
00:53:18Look at me
00:53:19Look at me
00:53:19There
00:53:21Well, you'd better not.
00:53:23Curro
00:53:23Curro, son
00:53:24Look me in the eyes
00:53:28Curro
00:53:29Okay, Lucía wrote it.
00:53:30I knew it!
00:53:33I'm sorry, Dad.
00:53:34That I have no talent
00:53:35That plagiarizes
00:53:36As?
00:53:36As?
00:53:37What did I plagiarize?
00:53:37But how could I plagiarize?
00:53:38But how could I plagiarize my son?
00:53:40But what?
00:53:40I'm sorry
00:53:41Diego, Diego, Diego
00:53:42Understand it
00:53:42Do you want your son to become a writer overnight?
00:53:45You must be happy, Lucia
00:53:47You must be pleased
00:53:51In other words, there was no other story more like Lila's
00:53:54I mean
00:53:55In the end
00:53:56I'm going to be left wondering what the story was about.
00:54:08Hello
00:54:09Hello
00:54:12How are you?
00:54:16Is something wrong?
00:54:17No
00:54:17No, no, no
00:54:19No no
00:54:24Well, yes
00:54:25Raúl
00:54:30Things aren't going very well.
00:54:33And I don't
00:54:36I can't take it anymore.
00:54:41We are becoming more and more distant
00:54:43And I think he's realizing that this
00:54:47He's leaving
00:54:48AND
00:54:51He wants us to go further
00:54:52Let's take a step or something like that
00:54:53But I
00:54:54I don't know
00:54:55No
00:54:55I can't quite
00:54:56Africa
00:54:59I think I'm the last person you should tell this to.
00:55:04Don't you think so?
00:55:14Well, maybe you're the first person I have to tell.
00:55:28How are you?
00:55:52Brother
00:55:53Do you think the father was bad?
00:55:56Silly
00:55:57Yes, the father was foolish.
00:55:58Like you and me
00:55:59And like all our cypress trees
00:56:00Here comes that nonsense, Santi
00:56:01Well, I
00:56:02I think the father was bad
00:56:03That he was a bad father
00:56:05No, no
00:56:06I mean
00:56:06Let's see
00:56:07The father was a man of his time.
00:56:08Boy
00:56:08Well, it was
00:56:10Hearty
00:56:10Wild
00:56:10Rural
00:56:11Well, a real beast
00:56:13No
00:56:14The father wasn't bad.
00:56:15The father was
00:56:16He was like you
00:56:17Like me?
00:56:18Yes, like you
00:56:18I mean
00:56:19A bit rough around the edges
00:56:20But with a heart that felt like it was going to burst out of his chest.
00:56:22And it's true
00:56:23He used to slap us.
00:56:23Yeah
00:56:24And since when did he pull his belt?
00:56:26Well, too
00:56:26I'm not going to deny it.
00:56:27But he loved us very much.
00:56:29Especially to you, who were his favorite.
00:56:30Right, Santi?
00:56:31I
00:56:32I am just like my father.
00:56:35Damn, man
00:56:36And you're finding out now
00:56:36Of course
00:56:38But that
00:56:40I got the same brutus as my father
00:56:42Okay, Santi
00:56:43You got it.
00:56:44I took it out myself
00:56:44Until Currito
00:56:45That was our last hope
00:56:47So you know
00:56:48This is the decline of the empire of the mountain people.
00:56:50And that's it.
00:56:50What are we going to do?
00:56:51Well, I am prefabricated.
00:56:52With the same brute force as his father
00:56:54I'm going to turn my son into an animal
00:56:56Just like my father did with me
00:56:58Santi, let's see
00:56:58Listen to me
00:56:59And calms
00:57:00Nightcap
00:57:00So, if I've had children
00:57:01And I created them.
00:57:02Well, you can do exactly the same thing.
00:57:04Look
00:57:04You only learn to be a parent.
00:57:05Having children
00:57:06And that's it.
00:57:07Thank goodness
00:57:09Lurditas is going to be her mother
00:57:12That will be their salvation
00:57:15Good
00:57:15Yes, that's it.
00:57:16Good
00:57:16Good
00:57:16In other words, having Lurditas as a mother
00:57:18Good
00:57:18That's ok
00:57:19Look, you're right there.
00:57:20But I'm going to tell you one thing
00:57:21Don't get your hopes up too much either.
00:57:24Okay, so the child is going to have a lot
00:57:25I mean
00:57:26How's the situation?
00:57:27It's complicated.
00:57:28Do you understand?
00:57:29Nothing, see you later brother
00:57:38No, no, no
00:58:05No
00:58:16Currito copys, but that can't be, right?
00:58:18If in the end you have succumbed to what amounts to the mountain spirit.
00:58:20Everyone was hitting on the moor, right, Curro?
00:58:22Yes, well, it could have been the other way around.
00:58:24And you would have come out a little more quick-witted, not both of us like me.
00:58:27Look, I don't know, I think deep down it's your fault.
00:58:29So, did you really think a Nobel Prize winner would come from this family?
00:58:32Well, yes, why not? Why shouldn't a Nobel Prize winner emerge? Let's see...
00:58:36Okay, fine, it would be weird, but stranger things have happened.
00:58:40And besides, I've always thought that Currito was the least mountain-like of them all.
00:58:42Look, Dad, I think it's best if you add it up as soon as possible.
00:58:45Currosa has gone to the dark side, he lies, he disappoints, he copies. He's just another one of those mountain folk.
00:58:48Yes, right? You're right, son, yes, yes.
00:58:50I knew it was just a matter of time, because of course, he's got the mountain genes...
00:58:53Okay, fine, fine.
00:58:54That's the problem with the Serrano genes, which are expensive.
00:58:56Hello.
00:58:57Good morning.
00:58:58How are you?
00:58:58Look, the fraudulent writer.
00:59:00Okay, that's enough, right?
00:59:01Santi, okay.
00:59:02Auntie, pack your things, we're leaving.
00:59:04Come on.
00:59:04Aunt Enriqueta is leaving now, but we haven't paid any attention to her.
00:59:07Santiago gives me a ride in his car.
00:59:10I already told him that I didn't mind taking the campichuena.
00:59:13Come on, give me the kisses I have to give and let's go, otherwise we'll get stuck in traffic.
00:59:16Good morning.
00:59:21That?
00:59:23Look at me in Lourdes.
00:59:24But you don't come back later.
00:59:26Yes, but just in case.
00:59:28One thing, Santi, are you sure you wouldn't prefer me to carry it?
00:59:31No no.
00:59:32Give me a hug.
00:59:33Give me a hug.
00:59:34Yeah, yeah, auntie, yeah.
00:59:39Come on, stop being such a jerk.
00:59:41Let's go.
00:59:42Let's go.
00:59:43See you later, aunt.
00:59:44See you later, aunt.
00:59:44Have a good trip.
00:59:45Bye bye.
00:59:45Have a good trip.
00:59:46Have a good trip.
00:59:47Bye.
00:59:47Bye bye.
00:59:52Have a good trip.
00:59:57Have a good trip.
00:59:59Have a good trip.
01:00:03Have a good trip.
01:00:06Have a good trip.
01:00:08Have a good trip.
01:00:10Have a good trip.
01:00:12Have a good trip.
01:00:13Have a good trip.
01:00:14Have a good trip.
01:00:15Have a good trip.
01:00:16Have a good trip.
01:00:16Have a good trip.
01:00:17Have a good trip.
01:00:17Have a good trip.
01:00:32Hi, I'm Africa. Leave your message after you hear the signal.
01:00:48What a look, huh? She's the weird one again.
01:00:50Jueguille, mate. You're absolutely right, we've gone way overboard.
01:00:53Well, it's been whatever you want it to be, but it's weird.
01:00:55No, well, let's just say that we let ourselves be carried away by greed and put material possessions before friendship.
01:01:01That's exactly it, that's what I was thinking, but well, translated, right?
01:01:04Okay, fine, that's right. The thing is, the one who benefited the most was Teteja.
01:01:07Yeah.
01:01:07What nerve!
01:01:08I'm sorry, but that's true. You were objectively the one who benefited the most from the object of the discord.
01:01:13Man, man, she's also the one with the best type.
01:01:14Well, whatever you want it to be, but she's been the one who's taken the most advantage of it.
01:01:17I'm blown away. I mean, you guys wrote a list that looked like it was for the Three Wise Men.
01:01:20What's it about?
01:01:20No, no, no.
01:01:22Let's see, let's see, let's see.
01:01:23But it's not about who's to blame. Something has to be done, period.
01:01:26And if there's anyone who didn't get anything out of that card, it was me.
01:01:30Well, and your...?
01:01:32And on top of that, the poor thing hardly bought anything.
01:01:35We might have been a bit greedy, haven't we?
01:01:37We have to give him something.
01:01:39But the card won't let us use it anymore.
01:01:41That's also true.
01:01:43What's so silly?
01:01:44With our money, cheapskates?
01:01:45Ah, of course, yes, with our money.
01:01:47Sure, sure, with our money.
01:01:50Oh...
01:01:50For?
01:01:52Goes!
01:01:54Goes!
01:01:56Goes!
01:01:58Goes!
01:01:58Goes!
01:01:59Okay, take a seat, everybody.
01:02:02Goes!
01:02:03For your mates.
01:02:06Where are your classmates?
01:02:10I guess they've gone shopping again.
01:02:14Shopping.
01:02:17They...
01:02:18No, no, no.
01:02:18I can't believe it.
01:02:19I can't believe it.
01:02:21Susana.
01:02:23Susana, please.
01:02:24Minion, Minion.
01:02:27Yes, yes, yes.
01:02:28Hello.
01:02:29Yes, I wanted a credit card.
01:02:31Susana.
01:02:31Uh, for theft.
01:02:32The thing is...
01:02:33He's been acting really weird all night.
01:02:35The poor guy, if he hasn't told me a hundred times that he loved me, he hasn't told me even once.
01:02:38You don't know how much you miss your husband's affection.
01:02:41A husband who shows you affection is a husband who has done something wrong.
01:02:43Hey.
01:02:43Hey, no, Choni.
01:02:45The man is being reluctant, then, because of the classes.
01:02:47It's because I've been very hard on him.
01:02:49Equal.
01:02:50Because he's a little old-fashioned, but the man does his best.
01:02:53But nah, baby.
01:02:53You can't push an old ox.
01:02:56Hey.
01:02:57Well, that's posh.
01:02:59At this age, recycling is very difficult.
01:03:01Happens.
01:03:03Hey, my husband is worth a lot, you know.
01:03:04My Santiago is worth a lot.
01:03:06I tell him no.
01:03:07And he already proved it in the tavern.
01:03:09That he brought into the world all by himself.
01:03:10To a creature.
01:03:11Yes of course.
01:03:12And in his town I do rhino.
01:03:14But the point is not to make someone give birth, Lurdita.
01:03:16It's meant to make you feel good.
01:03:17Rhino.
01:03:17And in the end you're going to miss the person who's by your side, man.
01:03:20No, I already miss it.
01:03:22Look, he's my husband and I want him there.
01:03:24So I'm going to call him right now to schedule the ultrasound.
01:03:31Look.
01:03:32Like I was saying, how is it?
01:03:34He even leaves me notes and everything.
01:03:35Do you get me.
01:03:36For you, dove.
01:03:40Lourdes, I am writing to say goodbye.
01:03:44If you're reading this, it means I've already left.
01:03:48Oh my God, he's done something crazy.
01:03:49Crazy?
01:03:50What he's done is run away, like Curro Romero.
01:03:52You may be the dove, but he is the one who flies.
01:03:54Let's see, bring it.
01:03:57She says, "I'm not running away, little dove."
01:04:00I'm distancing myself from you so as not to be a burden to you.
01:04:04Not for you, nor for our son.
01:04:07Because I would do to him what my father did to me.
01:04:10An animal.
01:04:12Are you okay, Lurdita?
01:04:13Yes, yes.
01:04:13Le, le, le, le.
01:04:18I will work from sunrise to sunset.
01:04:20And I will send you every last penny.
01:04:24That's all this man, whom you made happy, can give you.
01:04:29Doesn't it say anything else?
01:04:30Yeah.
01:04:32Postscript says.
01:04:34He called a plumber.
01:04:36He said he was busy today, but that he'll definitely be there tomorrow.
01:04:40Lourdes, she's coming back, she's coming back.
01:04:42Hey?
01:04:42He's coming back, he's coming back, he's coming back.
01:04:43No, I think, I think.
01:04:44He's coming back, I think I'm going into labor.
01:04:46Already?
01:04:47Let's see.
01:04:48Move your head back, back!
01:04:49Like he told you, back.
01:04:50Let the air in, you.
01:04:51Go get a towel and boiling water.
01:04:53Yes, for God's sake.
01:04:53Okay, fine.
01:04:54Come on, head back, Lurdita.
01:04:55For God's sake, like they told you, back off.
01:04:56Lucia, Lucia.
01:04:57Breathe.
01:04:57Lucia, Lucia.
01:04:58Throw it away.
01:04:59Throw it away.
01:05:01Fiti, Fiti.
01:05:02This is not crazy.
01:05:03So what?
01:05:04And what about how great we're having a good time?
01:05:06Do you think I can spend my time looking at these people?
01:05:08What are you painting?
01:05:09If you make a yogurt, it makes you want to teach math.
01:05:13Take note of what I'm telling you.
01:05:16Waiter?
01:05:17Yeah.
01:05:20Hi there.
01:05:21Hello, what's up?
01:05:22Hello, what's up?
01:05:22Nothing, we just wanted to look at a computer.
01:05:24Need...
01:05:25Okay, so what do they want it for?
01:05:26Well...
01:05:27To handle business and affairs...
01:05:28From the institute.
01:05:30Okay.
01:05:30Well, this one is pretty good.
01:05:32And it has excellent value for money, huh?
01:05:33One gigabyte of RAM, 200 GB of hard drive space, and then it burns dual-layer DVDs.
01:05:37Oh, no.
01:05:37Well.
01:05:38Come on, let's...
01:05:39It should record on a triple layer, that's better.
01:05:40And then, speaking of RAM, well...
01:05:42Well, two or three...
01:05:43Or four geos, at least.
01:05:45Well, you're talking to me about a high-end model.
01:05:47The only thing is that the price will go up a little.
01:05:49No, no, no.
01:05:50It must be for money.
01:05:51She doesn't worry about money, does she, Susana?
01:05:53Us...
01:05:53We want a beast of a machine.
01:05:54Yeah.
01:05:55And that's it.
01:05:56And without sparing any expense.
01:05:57And then, at the level of extra-plasma screens...
01:05:59Yeah.
01:06:00How's it going?
01:06:01They're turning out pretty good, aren't they?
01:06:03Well, don't worry about the inches and give us the biggest one you have.
01:06:07Santi, Santi, pick up the phone, please.
01:06:09Don't be an animal.
01:06:10You're an animal.
01:06:12I don't mean that, man.
01:06:13It's not that you're an animal.
01:06:15Come on, you are a beautiful person.
01:06:16But if you leave now, just when your wife is about to give birth...
01:06:19Well, kid, you are.
01:06:19You're an animal.
01:06:20So...
01:06:21And besides, we already know that, man.
01:06:22It's something that affects everyone when we're going to have children and all that.
01:06:26Okay, listen, I'll leave you now.
01:06:27When you get the message, call me.
01:06:29Do me a favor, come on.
01:06:30See you later.
01:06:30Hello darling.
01:06:31How are you?
01:06:33Hey, what...
01:06:34Now that the horse has left, I wanted to know how the mare and the foal were doing.
01:06:40The colt, perfectly.
01:06:42Still in place.
01:06:43And the mare, that's it.
01:06:44That.
01:06:45Hey, if you want to talk about Lurditas and her son, I'm leaving, okay?
01:06:48You're so clever, Curro, son.
01:06:49But if you don't mind, we can talk about a couple of things.
01:06:52Thank you, son.
01:06:53Okay.
01:06:53I'm not ready yet, huh.
01:06:53Diego, I wanted to talk to you about something, about the contest.
01:06:56No, no, sorry.
01:06:57No, no, no.
01:06:57I don't talk about the contest.
01:06:58So, if you want, we can talk about the horse stampede, the price of bread, football,
01:07:02Frankly, what has been brought back from the competition is mostly water.
01:07:03Diego, I've lost it.
01:07:05As?
01:07:06That...
01:07:06I've lost it.
01:07:07You've lost it, I mean.
01:07:08Already.
01:07:09And who hasn't won?
01:07:10To know that, well...
01:07:11A girl from the Teresian school, with the hedgehog that wanted to hug the others.
01:07:14The hedgehog who wanted to hug others.
01:07:15It's the editorial office.
01:07:16How beautiful.
01:07:16That's a good point, because hedgehogs, well, they do have spines, that's for sure.
01:07:20That cannot be denied, but they also have their feelings.
01:07:22It's the thing that, since they wanted to hug the hedgehog...
01:07:24Yes, they have them, they have them.
01:07:24They have feelings.
01:07:25Yes, they have them.
01:07:26They have them.
01:07:29Hey...
01:07:29You have ten seconds to vent.
01:07:31Only ten seconds?
01:07:32Nine.
01:07:33Okay, great.
01:07:36Basically, so you understand, Lucia, it sucks, it sucks, because there is no enemy
01:07:39Small, but if a girl from a convent school called Cursi beats you, because it's sure to be cute.
01:07:43that the girl is corny.
01:07:43I'm going to the bathroom.
01:07:44That sucks, that really sucks.
01:07:45I'm sorry, but I'm telling you because it sucks.
01:07:47Hey, one thing, you donkey.
01:07:49This...
01:07:49You see it this morning, let's see.
01:07:50Copy, you copied.
01:07:51And that's not very good.
01:07:52So...
01:07:53Let's see if we can come to the same conclusion.
01:07:54But you're not smart at all.
01:07:56In other words, you're the smartest of all the mountain folk.
01:07:58Of the mountain people and of the songs.
01:08:00But anyway, having said that, don't copy again.
01:08:02In other words, I don't want to have one of those cabbage-headed kids that are winning either.
01:08:05contest, but no.
01:08:07In life, my son, you have to be hardworking and...
01:08:10And honest.
01:08:10And honest.
01:08:11There.
01:08:11Very good.
01:08:12But you're so clever.
01:08:13You're anticipating what I'm saying.
01:08:14And what lesson have we learned today?
01:08:16I'll tell you.
01:08:16The important thing isn't winning, no...
01:08:18But participate.
01:08:19Yes, that's fine.
01:08:20In other words, to win and to participate...
01:08:21I mean, well, I mean that's fine.
01:08:22Yes, but that's not the important thing.
01:08:23The important thing is that they don't beat us.
01:08:25Let's not lose.
01:08:27AND...
01:08:27And especially them.
01:08:29Let's not let them beat us.
01:08:29That's what's important.
01:08:32Is something wrong?
01:08:33No.
01:08:34No.
01:08:36No.
01:08:40What I don't understand is why we would want a radio signal booster in the tavern.
01:08:44Fit.
01:08:45You never know, Emilia.
01:08:46You never know.
01:08:46If you'd like, we can send it to your home free of charge, okay?
01:08:49No, no, no, don't worry.
01:08:50We are more like...
01:08:51From Tekeway.
01:08:53Well, whatever you want.
01:08:54Hey...
01:08:54They will pay in cash or by card.
01:08:55Hey...
01:08:56No, cash, cash, cash.
01:09:01Oh, oh, oh, oh.
01:09:02Well, I haven't made that much money.
01:09:04Susana.
01:09:04Susana, can I borrow your card, Susana?
01:09:07Yes, yes, of course, of course.
01:09:10Take.
01:09:11Can you show me your ID, please?
01:09:15Thank you.
01:09:16I look a bit strange in the photo.
01:09:18That's how photo-Amazons are, huh?
01:09:20He always comes out looking kinky.
01:09:22Come on, in the driving test they always tell me I look like Al Pacino.
01:09:29Perfect.
01:09:30If you would be so kind, please wait a second.
01:09:32Yes of course.
01:09:33Clear.
01:09:33Thank you.
01:09:37Al Pacino, right?
01:09:38Well, I've been told that a couple of times, you know?
01:09:40Careful.
01:09:41The key here is to be relaxed.
01:09:44Nothing.
01:09:44Feel like a rich person.
01:09:46Think like a rich person.
01:09:47AND...
01:09:48Run, run, run, run, run, run.
01:09:50Emilia, look, look, look, look, look, look, look.
01:10:12Hello?
01:10:14Manuel, is that you?
01:10:17No, no, no.
01:10:18It's me, Churri, Raúl.
01:10:21Raul, I need to talk to you.
01:10:22It's important.
01:10:24Yes, tell me, tell me.
01:10:26It's very important.
01:10:28I'd like to talk about it face to face.
01:10:32Okay, well, if you want we can talk about it later.
01:10:37Or now, however you want, Churri.
01:10:41What do you have there?
01:10:43No, nothing.
01:10:44Raul.
01:10:47Look, Africa, I love you, I love you so, so, so much, my love, so much.
01:10:52And if I do these things it's because I love you very much.
01:10:55What's up, Raúl?
01:10:57Things, things, things.
01:11:00Raul.
01:11:06I've punctured one of those little condoms you keep here.
01:11:10But then I thought about it, Churri, and I realized what a mess it is, you know?
01:11:14And I backed down.
01:11:15And that's why I've come, you know?
01:11:16But hey, thank goodness, it's not a big deal, you know?
01:11:18We haven't used any.
01:11:19That?
01:11:21Dear.
01:11:23I did it because I'm afraid of losing you, my love.
01:11:27Damn, Africa, I love you so much.
01:11:31And, damn, if I ever lost you, I'd die.
01:11:37Africa, and you and I aren't doing very well right now.
01:11:40And I can no longer imagine life without you.
01:11:44And I wanted to make sure that you would be with me for the rest of my life.
01:11:50Because you are the woman I love most in the world, my love.
01:11:53And if that requires having a child, well...
01:11:57Well, whatever.
01:12:03What are you saying?
01:12:06No...
01:12:07I don't know, no...
01:12:11We'll talk later, okay?
01:12:16Okay.
01:12:36And the farm of the abelino, which has been reclassified.
01:12:41And they're going to build some apartment towers there in the middle of nowhere.
01:12:50I was thinking of opening the door and jumping out while it was moving.
01:12:55Sure, sure, sure.
01:12:57Santi.
01:13:00I'm telling you, that's a lot of luggage for such a short trip, isn't it?
01:13:04To give, for the parish.
01:13:07To the parish, you?
01:13:08Santi, you use your clothes to make cloths before you give them to the parish.
01:13:14Yeah.
01:13:15You see, aunt.
01:13:17I'm thinking...
01:13:18Maybe not...
01:13:20I'm not coming back.
01:13:21Neither here nor home.
01:13:27Santiago.
01:13:29Abandoning a woman in a state of hope?
01:13:33It's the most despicable thing there is.
01:13:36Why are you going to do that, son?
01:13:38If you're seen, what more do you want from each other?
01:13:41And you were never a turn-taker.
01:13:43You were always a serious and upright man.
01:13:46Like your father.
01:13:46There, there.
01:13:47As a father.
01:13:49Just as animalistic as him.
01:13:51But...
01:13:51If you have always revered him, why did you have him on an altar?
01:13:55Well, I've already downloaded it.
01:13:56I've taken him down a peg.
01:13:58I've realized now that my father was always an animal.
01:14:01And I turned out just like him.
01:14:03Calcao.
01:14:04You?
01:14:05What are you going to do, like your father?
01:14:07Your father, may he rest in peace, was dumber than a plow.
01:14:10But you.
01:14:12Like your mother.
01:14:13So sensitive.
01:14:16Sensitive lady?
01:14:17Ah, that's right.
01:14:18Your father fought hard.
01:14:19Until he made his image of you with blows of a rod.
01:14:21Like you.
01:14:23You were a cherub.
01:14:24Imagine how you must have been, they called you the orcajo butterfly.
01:14:29Are you telling yourself that?
01:14:31They used to call me a faggot.
01:14:33The orcajo butterfly?
01:14:34Was that what all the kids in town called you?
01:14:36What does it say?
01:14:38What do you say?
01:14:38What does it say?
01:14:39Of course.
01:14:40That you were taking your little brother Dieguito around in his little chair.
01:14:43It was done beautifully.
01:14:44And all the kids.
01:14:45The butterfly, the butterfly, the butterfly.
01:14:49That I took care of my brother.
01:14:51From my brother Diego.
01:14:52Oh, no?
01:14:52Until your father found out.
01:14:54And he chased you away with blows from a stick, you must still have the shape.
01:14:56And then he sent you to throw stones at all the children in the village.
01:14:58I won't say any more.
01:15:00And I took good care of my brother.
01:15:02He took good care of her.
01:15:03He was an angel.
01:15:04The lullabies you sang to him.
01:15:06You would pick the ones your mother sang to you.
01:15:09And you used to make versions of songs for your brother.
01:15:12A horror.
01:15:13I still remember.
01:15:15Be jealous.
01:15:16Be jealous.
01:15:32Be jealous.
01:15:33Equal.
01:15:34Diego dreams of being a pig.
01:15:37And in stuffing oneself with food and sleep.
01:15:42Diego and Paus are not in bed.
01:15:46And soon they leave.
01:15:49Time for bed.
01:15:51La, la, la, la, la, la, la, la, la, la!
01:16:07Okay! Now, God! Now!
01:16:19Thank goodness
01:16:26Well, it's not like anything would have come anyway.
01:16:33After spending a night in a police station
01:16:34That after the lecture you gave me
01:16:36Go shopping with that "axis of evil" card, Mom.
01:16:40Jamea, forgive me, truly
01:16:41If you're right
01:16:42I'm sorry
01:16:44We're sorry
01:16:44No, no, no, don't be sorry, okay?
01:16:46And besides, no, you already know that I was the one to blame.
01:16:48That your mother didn't want
01:16:50Let's see, I was the mastermind behind the plan.
01:16:52The brain?
01:16:53Yeah
01:16:53Okay, fine.
01:16:54And who's the stylist?
01:16:55Because, damn it, Mom
01:16:56You look so...
01:16:58What about...?
01:16:59What about...?
01:16:59What's up with my looks?
01:17:01My looks are your looks, darling.
01:17:03Yeah, what happened was, Mom
01:17:04You're too old now.
01:17:05Hey, hey, hey, what's up?
01:17:07Come on, you wish you looked like that at her age.
01:17:09No, well
01:17:10I'll tell you about that in two days.
01:17:13Come on, come on
01:17:14Oh, come on...
01:17:16What a happy return to adolescence, huh?
01:17:18For both of us
01:17:18Now I'll stop by a pharmacy.
01:17:20I'll buy you some things for the ne
01:17:21And things like that
01:17:25Goodbye, youth
01:17:27The graffiti
01:17:28What, you know?
01:17:29I haven't thought since I met you.
01:17:31In other words, my ability to make a fool of myself.
01:17:32It has multiplied by one hundred
01:17:34Yeah, yeah, you'll complain.
01:17:35And what makes you laugh?
01:17:36Well, well, yes, but what do I know?
01:17:38No, fuck
01:17:39So, therapy is ridiculous.
01:17:40Are you going to tell me you didn't come here, you sad woman?
01:17:43At first
01:17:43And now you're blooming again
01:17:45No, I'll bring some wine, you've got some nerve.
01:17:48Me, a snob?
01:17:49Yeah
01:17:49Your daughter says about the pints
01:17:51Well, come on, you came the other day looking like that
01:17:54There at the shack
01:17:54And I don't answer.
01:17:59Let me give you, let me give you the wine
01:18:01Yeah
01:18:01Pomalo, I'll put the wine on.
01:18:04Look, aren't you cold?
01:18:06Yeah
01:18:07The contractions this morning were perfectly normal, okay?
01:18:10But let's see
01:18:10How are you?
01:18:11Anyway, don't worry.
01:18:12Because when the real ones arrive
01:18:14You'll see how easily you recognize them
01:18:16Oh
01:18:18Do you want us to wait for your husband?
01:18:21Don't have
01:18:22I am an abandoned woman
01:18:25This is a little cold, okay?
01:18:27Little dove!
01:18:29Little dove, I'm back!
01:18:30Where are you?
01:18:31Santi!
01:18:32Here!
01:18:32Santi!
01:18:33Santi, over here!
01:18:34Here?
01:18:35Santi, over here!
01:18:37Little dove!
01:18:38Forgive me
01:18:38Forgive me, Lourdes
01:18:40I left so as not to torment you
01:18:42But I have faced my demons
01:18:45And I'm back.
01:18:47If you love me
01:18:48How could I not love you?
01:18:50What nonsense are you talking, you fool!
01:18:53If you want, you can see our son, Santi.
01:18:56Look!
01:18:59Look how delicious!
01:19:01I don't see anything.
01:19:03Yes, Santi?
01:19:05Look, look, look!
01:19:05The little hand!
01:19:06Yes?
01:19:07The little hand?
01:19:08And she's moving it
01:19:11Maybe they're not greeting each other
01:19:12Hey?
01:19:13You can't see anything, can you, Santi?
01:19:15Well, look, look
01:19:16Let's see this
01:19:16Here
01:19:17This
01:19:18This is the cord
01:19:19Hey?
01:19:21Let's see here
01:19:22This is the head
01:19:23Ah
01:19:24Look, look, look
01:19:26The fact that?
01:19:26The fact that?
01:19:27AND
01:19:27Well, that's it
01:19:29That
01:19:32That
01:19:32That
01:19:33Ah
01:19:34That the child
01:19:35He's a boy
01:19:37That
01:19:38It's a boy, darling.
01:19:42Look, but you didn't have to
01:19:44You know I mean it
01:19:45It wasn't necessary at all, you know?
01:19:47Sure, take it.
01:19:47No, she was also rude to you.
01:19:49Let's see, but let's see, Su
01:19:50We also took advantage a little.
01:19:52Okay, the truth is that one is a little bit more than the other.
01:19:54Well, look, just so you know, the gift was chosen by majority vote, not unanimously.
01:19:59We're going to buy it with our own money, okay?
01:20:00Hey, you, listen to me for one thing
01:20:01When you receive this as a gift, you've definitely become part of the group.
01:20:04I had to buy it, but...
01:20:06Well, yes
01:20:06Look, it's the latest game that came out
01:20:08And you're going to play some amazing matches, you'll be blown away!
01:20:09That's crazy!
01:20:10That's milk
01:20:10Yeah, yeah, but I don't know
01:20:12I'm embarrassed.
01:20:12You know, just a moment ago I was cursing all of you out.
01:20:16No, I mean, what do you think?
01:20:17We've been cursing you out since you cut off our funding.
01:20:19Of course!
01:20:20But I'm going to tell you something.
01:20:21Here in Santa Justa we're very prone to taking a shit.
01:20:23No, well, no, no
01:20:24No, no, no
01:20:26Listen to me, no
01:20:27Che
01:20:28It was the gesture for us
01:20:29But if really
01:20:29If you're going to feel bad about this stupidity
01:20:31We return it, they refund our money
01:20:32Hey, Valdano, what are you saying?
01:20:33But wait, no, it's because he's overwhelmed, he's been away three times already
01:20:35Okay, okay
01:20:36If he said twice, we returned it
01:20:38Hey, you too, like the rules
01:20:39Come on, everyone
01:20:40Hey, hey, I'll keep it.
01:20:41Well then, don't tell me that
01:20:44Come on, come on, come on
01:20:46I'll leave it for you one day
01:20:48Come on
01:20:54The Orcajo butterfly
01:20:55They used to call me in the village
01:20:57A threat
01:20:58I was a threat
01:20:59Yes, the most cabbage-headed one in town
01:21:01You've said it 20 times already
01:21:02Okay, would you please do me a favor and stop distracting me?
01:21:04In other words, you're taking up too much time during your turn, please.
01:21:05Yeah, you can tell when there's a game going on, huh?
01:21:08The intellectual
01:21:09I've got it, it's done.
01:21:11Pay attention, Lucia, it's very important.
01:21:12Concentrate, for God's sake, concentrate
01:21:14Palm
01:21:15Oh
01:21:16The lizard
01:21:17Oasis
01:21:18Lake
01:21:19Swamp
01:21:19Lagoon
01:21:22Elephant
01:21:24Lion
01:21:24Hyena
01:21:25Wild boar
01:21:27Crocodile
01:21:29Rhino
01:21:31Hippo
01:21:32Very good
01:21:32It's not worth it.
01:21:33Making sound is not allowed.
01:21:34Besides, the word is easy, anyone can do it that way.
01:21:36Hey, sorry, I didn't make a sound.
01:21:38I hiccuped because I felt like hiccuping.
01:21:39I really wanted to hiccup
01:21:40Since we drank wine, I hiccuped.
01:21:41Just a moment, just a moment
01:21:42Bad news
01:21:43Bad news
01:21:43Look, read the word
01:21:45That?
01:21:45That's not
01:21:46Your little penis has gotten a bit tangled up
01:21:47Well, time passes.
01:21:48You're still in time
01:21:48Take
01:21:49Take
01:21:49No, no, it's not
01:21:51Listen carefully, Lucia, listen carefully
01:21:53No, no, no, that wasn't the word
01:21:54That wasn't the word
01:21:57Please be quiet
01:21:58That?
01:21:59Axe
01:22:01Woodcutter
01:22:02Wood
01:22:03Cut
01:22:04Cut
01:22:06Cut
01:22:06Cut
01:22:07Back
01:22:08Ah, hippopotamus
01:22:09Cut
01:22:10Hiccup
01:22:11Cut
01:22:11Hiccup
01:22:12Cut
01:22:12Hiccup
01:22:13Cut
01:22:13Bun
01:22:14Hiccup
01:22:15Cut
01:22:15Bun
01:22:16Hiccup
01:22:16Cut
01:22:16Bun
01:22:17Hiccup
01:22:17Cut
01:22:18Bun
01:22:18Hiccup
01:22:19Hiccup
01:22:19Talam
01:22:19Hiccup
01:22:19Hiccup
01:22:19Thalamus
01:22:19Hiccup
01:22:20Hiccup
01:22:20Thalamus
01:22:20Yeah?
01:22:21Ah!
01:22:21Well, I can't believe it.
01:22:24Did you see, Lucia?
01:22:25When you put on
01:22:26It's because you have intelligence
01:22:28When do you start?
01:22:29Okay, let's see
01:22:30That?
01:22:30It's their turn to throw now.
01:22:32Come on, let's go
01:22:36What are you doing?
01:22:37They are looking for coverage
01:22:38Because that's how it is between the two of us
01:22:39They're like they're making dough
01:22:41Oh, Santi
01:22:41That we will soon be able to
01:22:43Hug our son
01:22:48I'm glad to see you too, son-in-law.
01:22:53Go ahead and give me a hug, brother-in-law.
01:22:56Give me a hug
01:22:57Oh my God, well, you're getting a real gem!
01:22:59An invoice
01:23:00From the 4,000 euros of the liquor cabinet
01:23:02The liquor store?
01:23:03Yeah
01:23:03A little bit of money for the chicken because he's a jerk
01:23:05Diego Serrano owes the liquor store owner money.
01:23:08I throw the cart out the window
01:23:10And you will bring them as traitors
01:23:11Let's see
01:23:12Are you dating Raúl, yes or no?
01:23:14Yes, look, I'm dating Raúl
01:23:15I didn't expect this from you.
01:23:16Aren't you ashamed?
01:23:17Damn it, Dad, I had a need
01:23:19What the hell?
01:23:19What are you saying?
01:23:20What a tragedy!
01:23:21Need
01:23:22Can't I find out where the diary is?
01:23:23No, I can't know.
01:23:24I bet I'll find out where the newspaper is.
01:23:25Ah, yes, chumbo
01:23:26Let's see, no
01:23:26Confess, confess
01:23:28Confess
01:23:28Confess
01:23:28The silver wedding anniversary
01:23:29You're going to have to do a deployment
01:23:30A display, but a big one this time.
01:23:32One, two, three, and...
01:23:36Oh, oh, oh, oh, oh!
01:23:41But don't worry
01:23:42Because I'm relaying it to you
01:23:43Live and direct
01:23:44Like the sports carousel
01:23:46Push, push, push!
01:23:48Since you don't tell me
01:23:49Despite the fact that this magnificent dinner is due
01:23:51I'm telling you, I have a little surprise for you.
01:23:53Jarrapata!
01:23:55Heresy!
01:23:56Diego
01:23:58That?
01:24:00I love you
01:24:01Me too
01:24:11Thank you!
01:24:13Thanks for watching the video.
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