Los Serrano - 6x22 - La penitencia va por detrás - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

La hermana de Fiti, aconsejada por África y Celia, decide comprar dos billetes de avión para el Caribe. Por otro lado, José Luis siente que su matrimonio está en peligro y adquiere otros dos pasajes con el mismo destino. Choni, en su afán por unir a Celia con Fiti, se las arregla para que la profesora y el mecánico les acompañen al paradisíaco destino. En la clase de Curro desaparece una cámara de vídeo y Ana, tras registrar las mochilas de los alumnos, encuentra la tapa del objetivo en la mochila del pequeño de los Serrano. Además, la nueva propietaria del centro se encuentra con una pintada en su coche. Guille, el principal sospechoso, niega su implicación en los hechos. Manu contrae la varicela y Teté acaba contagiándose. Para impedir que toda la familia termine con la enfermedad, ambos se ven obligados a compartir habitación. Bajo la celosa mirada de Guille, los cuidados de Teté hacia su primo propiciarán un acercamiento entre ambos.

Transcript

00:00:05Don't lie to me, don't worry about your job here on the ranch, but for God's sake, tell me the whole truth.

00:00:11I'm not lying to you, sir, but if you don't believe me, I'd rather you fire me and I leave before there's any doubt.

00:00:17of my honor.

00:00:18But seriously, I can't believe it, this woman is stupid, I mean, she's stupid for deciding that I should go

00:00:21to jail, she's not stupid.

00:00:23No, she's not stupid, she's not stupid, her honor is at stake, you understand, and if she pays, everyone will go

00:00:26to think that she is guilty, that is, that she is not stupid.

00:00:28But let's see, Dad, let me explain it to you now, what good is honor when you're in

00:00:31Jail?

00:00:33My father has spent his whole life trying to make us understand how important honor is, but we don't.

00:00:38We just understood it.

00:00:40Hello.

00:00:41Hi Diego, sorry for the late hour. Is Guillermo there?

00:00:43Yes, yes, yes, come in, come in, come in, please.

00:00:50Guille, has something happened?

00:00:51Yes, I found a very funny piece of graffiti on my car.

00:00:55Let's see, Guille, did you do a really funny graffiti on Ana's car?

00:00:57Well, no, not me.

00:00:59Are you sure? Because we already have one, right?

00:01:00No, Dad, come on, I swear.

00:01:03My brother Guille had just used the magic words.

00:01:06In my house, if you say these three words, my father instantly shuts down.

00:01:10But if you give me your word of honor, there's nothing I can do about it; it's a tradition.

00:01:12No, yes, he can say my lady, my dear, if he wants, but yes, it was him.

00:01:15Well, excuse me, but we're entering the realm of conjecture, and conjecture is a very bad advisor, isn't it?

00:01:19I'm telling you this because conjecture leads to slander, and that's where we have a problem.

00:01:21It's not...

00:01:22No, no, no, it's clear, Ana, I mean, it's clear what's happening here.

00:01:25If there's one thing that bothers my father, it's when the family's honor is questioned.

00:01:29And there was Ana, putting her foot on the sore spot of our brotherhood.

00:01:32But you've already sold your soul on top of the car.

00:01:36That?

00:01:37No, but you're being silly, Dad, sorry, but Dad.

00:01:39You've left the...

00:01:40You forgot your folder, it's a tradition.

00:01:42It's like when they throw the goat from the bell tower in the village.

00:01:45What are you telling me, a goat and a bell tower?

00:01:46I don't know, it comes off with water, don't worry.

00:01:48Right now you take a sponge or whatever you need, or there's water, and you'll make it look brand new.

00:01:52Ana, the car is like new, and as soon as you're done, come straight to me and we'll talk.

00:01:55Take, throw, throw.

00:01:59I'm sorry, I'm embarrassed, and besides, I said this silly thing, but no, I really thought that...

00:02:04No, it's okay.

00:02:05I have accompanied you, forgive me.

00:02:07Guille broke his word of honor once again.

00:02:09What my father could not imagine is that the final blow to the honor of the mountains would be dealt by someone who

00:02:14I least expected it.

00:02:14Goodbye, goodbye. Thank you.

00:02:17On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:02:24Come soon to see the sea, and send a postcard.

00:02:28I already knew that day was the end.

00:02:32Now I have much more.

00:02:36Red, black, stop and even.

00:02:37Finally, luck brings an ace and a crystal to look through.

00:02:41And a wall to hang it on.

00:02:43Seven smiling faces in a passport photo.

00:02:47My stories were not about tales made by chance.

00:02:53Nobody told me that destiny was giving me this opportunity.

00:03:00One plus one equals seven.

00:03:03Who would have thought?

00:03:07It was so easy to be happy.

00:03:20Have you checked your pockets properly?

00:03:22Yes, yes, look in the pockets.

00:03:24Let your coffee get cold, come on.

00:03:27What are you looking for?

00:03:28The usual, Carmen, I've lost my key.

00:03:31Have you looked in your pockets?

00:03:32Yes, I checked my pockets, yes.

00:03:34Take a look there.

00:03:35When will it be?

00:03:35Let's see if that works...

00:03:38Here it is, here it is.

00:03:39Here it is.

00:03:42Nice keychain.

00:03:46When I told you about bringing girls home,

00:03:50I don't know, you know what I mean and all that.

00:03:51Yes, yes, why?

00:03:52No, because I get the impression that the central message wasn't made clear.

00:03:56In other words, what the concept is from when I told you.

00:03:58That's the message that came across clearly.

00:03:59So, can you explain to me what that was doing there on the sofa?

00:04:03Oh, Carmen, I didn't know you were having an affair with the gas delivery man.

00:04:06A mess with the gas delivery man, you're so...

00:04:08Ah, Dad!

00:04:08Let's see, Guille, you're already grounded for a month because of the car, Ana.

00:04:11What do you want, for me to punish you for two months instead of one?

00:04:13Come on, to school, now, out.

00:04:14Come on.

00:04:14The machine has finished.

00:04:15Back to school, now.

00:04:21You won't use all of this, will you?

00:04:22No, Diego, I use Slip.

00:04:24Slip, very good, I really like that you wear Slip.

00:04:26So, do you want us to call someone to solve the case of the walking thong?

00:04:29Or do we not call anyone?

00:04:30Because we can call people, we can call people.

00:04:32If it happens, the police will be exhausted quickly.

00:04:34Diego, he's mine.

00:04:36As?

00:04:38Yes, I had it from collecting the clothes from the iron and it's mine.

00:04:40I must have dropped it.

00:04:42Damn, the pli, le.

00:04:43If she keeps getting younger, she'll be making her First Communion again next year.

00:04:46But...

00:04:47But look how beautiful.

00:04:49Miguel and Isabel are enjoying a perfect honeymoon.

00:04:53A taste of life, for God's sake.

00:04:55You'd like to be like this your whole life, Choño.

00:04:57Well, not for a lifetime.

00:04:59But one, a honeymoon, like all women have, well yes.

00:05:03I mean, come on, man, this is just a scam by businesses to rip us off.

00:05:07Well, they weren't going to make much money off you.

00:05:09No, they shoot at you less than the goalkeeper in a foosball game.

00:05:11I'm not a lesbian.

00:05:13I don't have a private plane to fly wherever I want every day.

00:05:15No, not every day.

00:05:16Not every day.

00:05:17But one, a little trip, we've been married for almost two years and we haven't left here.

00:05:22Well, that's you.

00:05:23Because your husband has traveled, yes.

00:05:24No, it's true.

00:05:25This one has moved more than Manujita Díaz's eyes.

00:05:27But here, the only one who has moved us has been me.

00:05:29Okay, please.

00:05:32It's an intimate conversation between my wife and me.

00:05:34Please, a little privacy.

00:05:36Please.

00:05:38Have a...

00:05:38We can't.

00:05:40Hey?

00:05:41Big money.

00:05:41He invested in the tavern and...

00:05:43No, don't tell me it's about money, because it's not about money.

00:05:45It's not about money.

00:05:46Look at the goalkeeper.

00:05:46The woman got married today after her trip to the Canary Islands.

00:05:48The jacinta.

00:05:49The jacinta.

00:05:50And Leti, huh?

00:05:51The prince took her to Cuenca for a pittance.

00:05:53The other.

00:05:53Without going any further.

00:05:54The other.

00:05:56That?

00:05:56Uh-huh.

00:05:57Look.

00:05:58Look, look at this offer.

00:06:00Check out this offer.

00:06:01The Caribbean.

00:06:02The Caribbean.

00:06:04Bavaro Beach.

00:06:05Plane.

00:06:06Five Star Hotel, all inclusive.

00:06:08Is this the price?

00:06:08A milkman, damn it.

00:06:09With just a little bit of interest from you.

00:06:11Let's see, little one.

00:06:12But you and I really need to leave on a Monday right now, right?

00:06:15Don't tell me about the tons of love I give you every day, day after day, day

00:06:18day after day, huh?

00:06:20Don't be silly.

00:06:21Forget about that.

00:06:21Daughter me.

00:06:23You don't understand anything.

00:06:25I don't know why I'm waiting for you for so long.

00:06:27What's wrong with him?

00:06:28He doesn't understand anything.

00:06:29And?

00:06:29What don't you understand?

00:06:30Okay, that phrase, in her language, means I feel super misunderstood.

00:06:35What's the worst thing a woman can say to you?

00:06:37That was the last thing Candela said to me.

00:06:39No no.

00:06:39That wasn't the last thing he said to you.

00:06:41The last thing he told you.

00:06:42Well, as if it were.

00:06:43No, no, no.

00:06:43That wasn't the last thing.

00:06:44What do you know?

00:06:45Come on, kids, let's go to school.

00:06:46To school.

00:06:47Little girl, what are you doing here?

00:06:48Did I tell you to go to school?

00:06:50Please let me get some toast, otherwise I won't be able to perform.

00:06:52There are no Pyrenees.

00:06:53Yes, what's wrong?

00:06:54Are you feeling unwell?

00:06:55I'm not feeling very well, you know?

00:06:56I don't know if it's the flu or what.

00:06:58The flu doesn't cause itching, son.

00:07:00Let me see you.

00:07:01Let me.

00:07:04Okay, calm down because you're not going to die, okay?

00:07:06This is chickenpox.

00:07:09Have you guys gone through it?

00:07:10Yes, Guille, sure, yes.

00:07:11Guille has had chickenpox and measles, I think.

00:07:13Yes, well, sure, let's go.

00:07:14But, Dad, you don't even remember how old we are.

00:07:16But how can you say that, son?

00:07:17How could I forget that?

00:07:19The kid is right, sometimes it's been work and sometimes it hasn't...

00:07:21It was rubella, rubella.

00:07:22Come on, you don't even remember if you passed it, come on.

00:07:24I?

00:07:24What, I'm getting chickenpox?

00:07:25Yeah.

00:07:26Well, right now, ma'am, I don't remember.

00:07:27Ah, well, that's contagious just by looking at him, huh?

00:07:29Go to Teté's room and lie down because you're going to be in quarantine, okay?

00:07:32And you go into the boys' room.

00:07:34But anyway, because...

00:07:34Look, Carmen, I don't know if that's a very good idea, I mean.

00:07:37Well no.

00:07:38What do you mean it's not a good idea?

00:07:39Of course it's a good idea.

00:07:40Let's see, you don't want Teté to get infected and then for all of us to get infected.

00:07:43Oh, Diego, don't start with your paranoia, come on, now.

00:07:46Don't hold it against him, woman.

00:07:48Yes, Guille is a very good boy, it's just that sometimes he gets into trouble.

00:07:52Of course, how obvious is it that they haven't painted you?

00:07:54Welcome to a rattle all over the car window.

00:07:56Lourdes, Lourdes, have you seen the video camera?

00:07:58He's there, in class.

00:08:01Where here?

00:08:02Sorry, guys, well, there it is.

00:08:04Here?

00:08:05Here, Fernández?

00:08:05It's not here, it's not here.

00:08:06What do you mean it's not here?

00:08:07No.

00:08:08Wasn't it new?

00:08:09Yes, but...

00:08:09Have you asked the other teachers?

00:08:11Yes, and Choni too, but nobody has seen her.

00:08:13Let's see, guys.

00:08:15Let's stop joking around, shall we?

00:08:17There are some things that are not for playing around with.

00:08:19Because they cost a lot of money and then they break down.

00:08:22I know you didn't do it with bad intentions, but...

00:08:25Who picked up the camera?

00:08:28Nobody's going to move from here until the camera appears.

00:08:31Did you hear me?

00:08:32Ana, this doesn't seem like a good idea to me.

00:08:34If it doesn't appear, then what?

00:08:35How long will we wait?

00:08:36You'll see how they show up as soon as they find out they're going to miss recess.

00:08:40Yes, I'm going to leave now.

00:08:42And no, that's the problem.

00:08:43The problem is that I'm staying here with them.

00:08:47Hello.

00:08:48Look, we're looking at these photos of the...

00:08:50Is something wrong?

00:08:51No, I'm doing great.

00:08:52Take.

00:08:53They brought it to him.

00:08:56And here's the groom.

00:08:57He's handsome, isn't he?

00:08:58My cousin.

00:08:58Yeah.

00:08:59They are currently on their honeymoon in Thailand, but they came to Spain very soon.

00:09:02Yeah, I think that's the only good thing about getting married, man.

00:09:04The honeymoon, you take a trip, they give you 15 days of leave.

00:09:09Hey, what's wrong with you?

00:09:10I know Chony well and I'm sure she's over it.

00:09:13Also, let me tell you something.

00:09:14If you grant every whim they come up with, you'll end up screwing things up.

00:09:18I'm already with him.

00:09:19Just the right amount of treat.

00:09:20First of all, no honeymoon.

00:09:22Then without a mink coat.

00:09:24Then, if you want to put a splinter in.

00:09:26You agree with him because you're just as stingy.

00:09:29But let me tell you something, a little treat now and then saves you a lot of trouble.

00:09:32Little whim, little whim.

00:09:33Good morning.

00:09:34It's you.

00:09:36Excuse me, but I'm fine.

00:09:37Diego, Diego.

00:09:37That?

00:09:38Listen to this.

00:09:38So, you know about that two-year itch when what you promised your partner...

00:09:43nothing at all?

00:09:44Well, that's how the artist got it.

00:09:47And that's all that happens to me.

00:09:48We've been married for two years, and what have I done?

00:09:52Wait and work.

00:09:53That's what I've done.

00:09:55Yes, woman, but hey, maybe she doesn't have any more money to spend right now.

00:09:58No, no, no, it's not money, it's not money.

00:10:00It's not about money; trips to the Caribbean are cheap.

00:10:02It's just that I've found it comfortable.

00:10:04It made me comfortable.

00:10:04Look, since the Champions League final isn't being held there, he wouldn't take you to the Caribbean even if you paid him.

00:10:08Well, thank you very much, beautiful.

00:10:09You're there helping.

00:10:10Damn, if I tell you, why would you even react, Choni?

00:10:12I can see you celebrating your honeymoon and menopause together.

00:10:15What do I do? Put a gun to his temple? What do I do?

00:10:17That's not necessary, woman.

00:10:19You go to a travel agency and buy two tickets.

00:10:21That.

00:10:22And if I don't want to go with you, well, you find yourself a companion.

00:10:24I'm sure you won't lack for people who want to go.

00:10:26Sure, what are you trying to do?

00:10:27Spend our whole lives waiting for the man to decide to do something?

00:10:29Hey?

00:10:29Take the initiative.

00:10:32Well...

00:10:32Can you put me on letterhead?

00:10:34Well no.

00:10:35I'm not going to do anything, and that's it, damn it.

00:10:38I'm very comfortable here in Santa Justa.

00:10:40We have everything here.

00:10:41Have...

00:10:42Well, we have a television.

00:10:44We have a bed.

00:10:45Yes, we have a bed.

00:10:46What more could you ask for?

00:10:47That's all.

00:10:48Well, then...

00:10:48It's unbelievable that you don't know my sister yet, damn it.

00:10:51She loves whims and surprises.

00:10:54When have you surprised Choni?

00:10:56Let's see.

00:10:56I...

00:10:57When he disappeared as a newlywed.

00:10:59No, that's certainly not the best way to start a marriage, José Luis.

00:11:03But honestly, I don't know what's better or worse.

00:11:06Because on the one hand, look, I'm glad that at this rate my sister will leave you in four days.

00:11:10Because you're a useless, good-for-nothing.

00:11:12I love you too, fruity one.

00:11:13And on the other hand, well, look, maybe, look, the separation is going to devastate her because

00:11:18He loves you.

00:11:19What separation, and what does it even resemble?

00:11:20What are you saying?

00:11:21No, no, no, no.

00:11:23Careful, José Luis, he's not exaggerating.

00:11:24No, she's playing with fire because even Choni has her limits.

00:11:27So, Manu is a festering monster, therefore he has to be in quarantine.

00:11:31So what?

00:11:32Okay, time for bed, Tete, in a room.

00:11:34Please, you...

00:11:36It's an obsession; you should go see a psychoanalyst already.

00:11:39No, no, no.

00:11:39And I've even gotten used to the idea that Tete doesn't care about you.

00:11:42Look, guys, this time Tete is going to beg me.

00:11:45The beating of nexas.

00:11:46It happens, it's a classic.

00:11:47Let's see, guys, no, I have everything ready.

00:11:50Look, we watch it before we go to bed.

00:11:51And then, the full moon and the fear, now in the rest.

00:11:54Yes, but do me a favor, guide, okay?

00:11:56Don't wear Bar Simpson's pajamas because it's a bar.

00:11:59There's some straw there, huh?

00:12:02My God, I wouldn't mind at all, not one bit, seeing Tete's beating and

00:12:06those things.

00:12:06He's very handsome, isn't he?

00:12:08Yes, I'm in heaven and I'm getting treatment.

00:12:09Because in the end he's going to be at home.

00:12:15Hello.

00:12:16Hello.

00:12:19You see, Manu told me he's going to be in bed for a few days because he has chickenpox and

00:12:23You won't be able to see each other, okay?

00:12:24Ah, okay, thanks.

00:12:25See you later.

00:12:30Oh, by the way, Sandra, you left this at my house the other day.

00:12:37It's yours, right?

00:12:50Come on, put on the last one, I'm going to work.

00:12:52Bye.

00:12:55Sirs.

00:12:57Sirs.

00:12:58Here it is.

00:13:00What's that?

00:13:02Well, that's a fact, man.

00:13:04These are facts.

00:13:05I'm taking my family to the Caribbean, okay?

00:13:06To the dear ones who liked it, huh?

00:13:08Yes sir!

00:13:09There's the guy!

00:13:11Another henpecked husband.

00:13:13No, sorry, Santi, he's not a wimp, is he?

00:13:15No, no, no, he's a guy who loves his wife.

00:13:17Careful, careful.

00:13:17And when are you going?

00:13:18Well, the same one.

00:13:19A total madness that has made me delirious.

00:13:23I'm going to pick her up in an official, gentlemanly manner and take her to the airport.

00:13:26Yes sir.

00:13:26You don't need to look for it, officer.

00:13:28There you have it.

00:13:30How are you?

00:13:31Hello.

00:13:31Dear.

00:13:34How are you?

00:13:36Queen of the seas.

00:13:38Prince of the seas.

00:13:41Well, I have a surprise for you.

00:13:45A surprise?

00:13:46I have a surprise for you too.

00:13:57Oh, really?

00:13:59Four bills.

00:14:01Dear.

00:14:02Well, now we have four.

00:14:03I've bought two more.

00:14:05What do you say?

00:14:06Yeah.

00:14:07Honey, these can't be returned, they're for this afternoon.

00:14:10Well, those are for this afternoon, damn it.

00:14:13What do you say?

00:14:13Let's see if this happens to me, because of who I am.

00:14:16This happens to me because of who I am.

00:14:17No, darling, but isn't it wonderful that we both thought the same thing?

00:14:20Rhyme, we give each other seven kisses.

00:14:22Okay, so what do we do with the banknotes now?

00:14:24What do we do, chatunga?

00:14:25What do we do with all this?

00:14:26Four tickets for two people.

00:14:27What do we do?

00:14:27Well, that's the least of it, as you can see.

00:14:28The thing is...

00:14:30I buy them.

00:14:32You?

00:14:33Yeah?

00:14:35But let's see, how am I going to manage alone with the couple?

00:14:37I mean, you're all stupid, really.

00:14:38But that's it, what's coming is the fiti, man.

00:14:40Of course.

00:14:41Both of us, both of us, let's get some fresh air, damn it.

00:14:43To make up for the dog-like life we lead, working and working all day long.

00:14:46Yes, let the orceon of the lands come.

00:14:47The other one doesn't bother you, but...

00:14:49No, man, but what happened is that they just did it to me suddenly.

00:14:51Sure, man.

00:14:52So, what do I do with the kids?

00:14:53The kids.

00:14:54No, you've caught me at the worst possible time, really.

00:14:55Damn, Diego, man.

00:14:56For you, every moment is a bad time to have fun.

00:14:59Your kids are all grown up now, damn it.

00:15:00They already have parrots everywhere.

00:15:03Thank you, I've already done it.

00:15:03And besides, Carmen is there.

00:15:04Okay, that's it.

00:15:05If you can't come, we understand, because you're not obligated to, really.

00:15:08It's time to be quiet.

00:15:08Yes, sir, you grab a couple of swimsuits, a bucket and a spade and we're off!

00:15:11airstrip.

00:15:13Santi, there's something I wanted to tell you.

00:15:15Paulo, what do you think about taking over the tavern?

00:15:19Well, bad, as you'll see.

00:15:20This won't give the man water.

00:15:21Bad, he sees it badly.

00:15:22So, I'm the only one who works.

00:15:26Help yourself, brother, go on.

00:15:27Help yourself, you're getting off.

00:15:28Go on, go on.

00:15:29Of course.

00:15:30What does he prepare? Many things.

00:15:31Hey, swimsuits.

00:15:32Swimsuits.

00:15:34That they are going to give to the troops at no cost.

00:15:35Yes tell me.

00:15:36A black chicken.

00:15:37Shut up already.

00:15:38What do you mean Curro is being punished?

00:15:51Hello good.

00:15:52Hello.

00:15:52How are you?

00:15:53I came to look for Curro.

00:15:55Already.

00:15:55That?

00:15:56Curro is being punished, just like the rest of the class.

00:15:59Yes, yes, yes.

00:16:00Yes, no, but you see, this trip came up at the last minute, right?

00:16:04Something unexpected happened, and well, I should have been catching my flight already.

00:16:07And it's to talk to him and organize some of the things we have at home there.

00:16:10Yes, I understand, but Curro can't go out.

00:16:14Well, let me say this upfront, I do like a little bit of tough love now and then, that

00:16:17that seems very good to me.

00:16:18And by the way, what are we talking about? I wanted to tell you that it seems to me you're

00:16:22doing a fantastic, fantastic job.

00:16:24Yeah?

00:16:24Yeah.

00:16:25Well, I really appreciate it because I truly believe that nobody here understands me.

00:16:28No, he does understand you, woman.

00:16:30Well, I understand you perfectly.

00:16:31The thing is, since Curro hasn't done anything, well, if not...

00:16:35That sounds familiar.

00:16:37No no.

00:16:39Oh, no, no, no, you're saying that because of Guille.

00:16:41No, no, no, no, but not now, let's see, Guille is a different story.

00:16:44Look, I'd vouch for Curro with my life.

00:16:46What did the hand say?

00:16:47I've said my hand, I'd put my arm in the fire, you see.

00:16:49Yes, but since no parent thinks their child is the bad guy...

00:16:53No, no, but, I mean, but precisely Curro, I mean, it's not like he got on his

00:16:57father,

00:16:57But precisely...

00:17:01Okay, okay, very good.

00:17:03Can I say goodbye to the child?

00:17:04Clear.

00:17:06Curro.

00:17:09Thank you.

00:17:13You see, son, this last-minute trip has come up...

00:17:16Confiti.

00:17:17The fact that I have to go on a trip, Confiti, is something that, well, there's no way...

00:17:20You're going to keep Carmen, huh?

00:17:21So, do me a favor, remember it well and don't confuse me, okay?

00:17:24Come on, a kiss, son, a kiss.

00:17:32Thank you very much, okay?

00:17:33You are welcome.

00:17:38Tete, hey, tete.

00:17:41Can you tell me why...

00:17:43Can you tell me why you said that to me and why you did that to me, Sandra?

00:17:45Hey?

00:17:45Me? Me what? I haven't done anything.

00:17:47What? What do you mean, "what"?

00:17:48Well, he showed her the thong in front of everyone, humiliating her.

00:17:50Hey, I gave him what's his, okay? I just didn't...

00:17:53Already.

00:17:53First of all, let's see if we can grow up, okay?

00:17:55And secondly, you call her and apologize.

00:17:57What, what?

00:17:59Apologize for what?

00:18:00Yeah.

00:18:00Because?

00:18:01So, on top of everything, I have to save you from the trouble and I say,

00:18:02And on top of that, I have to stand up for you, for that...

00:18:04Auntie who leaves her panties lying around.

00:18:06On top of what?

00:18:06I apologize.

00:18:07Look...

00:18:07You're freaking out.

00:18:08Look at yourself.

00:18:09That?

00:18:09You've stepped out there.

00:18:10Let him look at me...

00:18:14Shit.

00:18:18I'm sure he won't mind, Carmen.

00:18:19What do I care?

00:18:20This trip will do you a world of good, you'll see, Diego.

00:18:22No, I'm thinking it's not a good time.

00:18:24No, no, Santi's all alone in the tavern,

00:18:26with all the work there is,

00:18:27I'm going to call Chon and tell her I'm not going.

00:18:28It's a great moment, Diego.

00:18:31You've more than earned this vacation.

00:18:35Do you really know what's going on?

00:18:36I find it very strange that...

00:18:41Of course, it seems strange.

00:18:45You see, when I became a widow,

00:18:47For a while I didn't want to leave the house,

00:18:49because it seemed to me, I don't know, that I shouldn't

00:18:52or that I couldn't have fun.

00:18:55Until one day,

00:18:57Lucía grabbed me and said,

00:19:00Come on, grab your bag, we're going to bingo.

00:19:03And that's how I got hooked.

00:19:06Thank you, Carmen.

00:19:08Yes indeed.

00:19:10I wanted to ask you a favor.

00:19:12Whatever.

00:19:14Don't bring that swimsuit home, son.

00:19:16And if you can throw it in the trash, even better.

00:19:20No, I'm not going to throw it away.

00:19:21Because that's a gift from Santi,

00:19:22I'm fond of him,

00:19:23But yes, maybe it's better to leave it.

00:19:24Because, to be honest, I'm a little...

00:19:26Grandma, look.

00:19:31Fuck.

00:19:34That street, man.

00:19:35Leave!

00:19:37No, love!

00:19:38Well, where are you going like that, man?

00:19:40With wool growth.

00:19:40Are you going to the beach, to the beach?

00:19:42Okay, that's it.

00:19:42Damn, but what happens on the plane?

00:19:44Because then it's like a freezer in there.

00:19:46Hey, Santi, dude,

00:19:47Make yourselves some sandwiches for the trip,

00:19:49of ham from...

00:19:50But the finite one, right?

00:19:51You know, to see the glisse.

00:19:52I don't mess with the act.

00:19:54Don't you have hands or what?

00:19:55Okay, no need to go down.

00:19:58Wait a minute, Santi.

00:20:00From how you see your brother now,

00:20:02How am I going to bring it to you?

00:20:03Come on, you're not going to recognize him.

00:20:05The Caribbean works miracles.

00:20:06Let's see, I know the truth.

00:20:07Because, poor God.

00:20:09Let's see.

00:20:11Look there, I don't know what they're asking you for there.

00:20:13Hey?

00:20:14How about this?

00:20:15That costs 30 euros.

00:20:16This?

00:20:17So what happens?

00:20:18Are you going to charge your brother and brother-in-law?

00:20:19No, don't mess with me.

00:20:21Hey, I'm leaving.

00:20:22The plane is about to leave.

00:20:23I'm leaving.

00:20:26And working with the nail.

00:20:28I'm not killing you!

00:20:37Look, Manu.

00:20:39At least you'll have company.

00:20:41Look how great, how lucky I am.

00:20:44Grandmothers, I'm going to have a lot of marks left on me.

00:20:47If you don't scratch, no, come on.

00:20:48You don't scratch.

00:20:49Yeah.

00:20:49Come on, lie down, come on.

00:20:51Choni.

00:20:52Choni.

00:20:53No, I'm the one who feels it most, woman.

00:20:55But I can't leave like this.

00:20:57Because I can see that they're all going to fall, and so I don't know, just relax.

00:21:02Okay.

00:21:03Come on, maybe next time.

00:21:07Are you in charge of Cisela Fiti?

00:21:09Okay, have a good trip then, okay?

00:21:11You're burning up, son.

00:21:12A kiss, later.

00:21:13Look, uncover yourself a little, it's better.

00:21:15And drink plenty of water.

00:21:16And no scratching.

00:21:17Don't scratch yourself.

00:21:20But what are you doing there your whole life?

00:21:23What's happening?

00:21:23Carmen, I'm not going.

00:21:26But how can that be?

00:21:26No, because this, which I know, which is the typical mountain epidemic, I know it and that's it.

00:21:31I'm sorry.

00:21:31No, nothing's wrong, woman.

00:21:32No, it's okay, don't worry.

00:21:34One thing, I don't think we're playing with fire because it's very dangerous.

00:21:37And that's what we're doing together.

00:21:38Don't be so suspicious.

00:21:40But have you seen how bad it is?

00:21:41The boy is very ill.

00:21:43Good.

00:22:13Ana, for God's sake.

00:22:19I opened the backpacks.

00:22:20I'm going to register them.

00:22:24I told you to open your backpacks.

00:22:32Turn it upside down, please.

00:22:38Empty it.

00:22:42Come on, guys, open them because we don't have all day, we've been here a long time already, okay?

00:22:48Empty it, I'll work on your backpack.

00:22:55Come on.

00:23:02What is this, dude?

00:23:06The camera cover.

00:23:08Where's the camera, dude?

00:23:11I don't know.

00:23:27Tete, can you give me some water?

00:23:31You don't fit me anymore.

00:23:36Tete, it's me.

00:23:43Take.

00:23:43Thank you.

00:23:44But, Diego, please.

00:23:47Listen to me.

00:23:48Given the situation we are in, you must follow all my instructions to the letter.

00:23:51Which is very important because otherwise we'll all get sick, you understand, right?

00:23:54Yeah.

00:23:56Okay, well, you'll have noticed that each piece of cutlery is marked with different colors,

00:23:59the plates the same, that is, so that they don't mix.

00:24:01And then there's a bell in case you want to go to the bathroom.

00:24:02You touch it and we'll go to the bathroom, okay?

00:24:03And that's it...

00:24:04Diego, for God's sake, they're not lepers.

00:24:07But, Carmen, for God's sake, zero tolerance for bacteria.

00:24:09Remember what happens when you leave, for example, honey ham out of the refrigerator,

00:24:11that the bacteria see and eat.

00:24:13It's a virus, virus, virus.

00:24:14Garicella is a virus.

00:24:16Well, it's much worse if it's a virus, much worse indeed...

00:24:17So, do you need anything else?

00:24:20Yes, the super pop.

00:24:21And that he doesn't stop snoring, of course.

00:24:23Please, do the TV with the pizzas, and I'll bring you something.

00:24:26Listen to me, very important, don't touch your little balls.

00:24:28What straws?

00:24:29No, not straws, you idiot, the little straws.

00:24:31The payuelas cannot be touched, the pussies are what you have.

00:24:34And even less should you touch each other's private parts.

00:24:37The little ones never to each other.

00:24:38Yes, I've already told you, because I love you.

00:24:40Yes, but be careful, Charlie, you're going to break me in two.

00:24:43Watch your seatbelt, I'm suffocating.

00:24:45If you're doing it for your own good, damn it.

00:24:46Hey, so you don't slip underneath like when you climbed on the dragon dog.

00:24:51You guys are so witty, so lively.

00:24:53That's it, that's it.

00:24:57What a honeymoon your geeky brother is going to give us!

00:24:59What a honeymoon!

00:25:00I've already said it before.

00:25:01If you don't even have to talk to me, damn it, just leave me as payment.

00:25:04If someone else, just focus on your own things, on your honeymoon.

00:25:05to look at the ceiling of the room, which is what he does best.

00:25:07And what about Diego?

00:25:09Could it be that he selected the wrong terminal?

00:25:12No.

00:25:13I don't think he made a mistake.

00:25:24Citi?

00:25:26Oya.

00:25:27Celi?

00:25:30That I haven't told you.

00:25:32It's because Diego has taken the baby, the little girl,

00:25:34And of course, I wasn't going to let her have it.

00:25:35I wasn't going to leave her in that state.

00:25:36Sit down, sit down!

00:25:37Feel!

00:25:43Didn't you tell me the cigarette was coming?

00:25:46No, well, I guess I must have missed it.

00:25:49Okay, fine.

00:25:50What's going on?

00:25:51What's going on?

00:25:53Ask your sister what's going on.

00:25:54Ask him?

00:25:57Well, the Caribbean is coming up, isn't it?

00:25:59I'm telling you, yes.

00:26:02Thank you.

00:26:03This is yours.

00:26:05Wait.

00:26:06Thank you.

00:26:07Monica!

00:26:09Did you bring your bikinis?

00:26:11Well, it's almost the only thing I managed to fit in the suitcase.

00:26:13The suitcase?

00:26:14The suitcase!

00:26:15Your fucking mother!

00:26:16Okay, company?

00:26:17Yes, yes, yes, yes.

00:26:18Aren't you listening?

00:26:19Yes, yes, yes?

00:26:19What left you with it?

00:26:20Well, he's already bought something so far, yes, yes.

00:26:26This is the last straw.

00:26:28Above all,

00:26:29My face is going to look like a paella because of you.

00:26:34Tea...

00:26:35Please.

00:26:36Please, what?

00:26:37Please, what?

00:26:38Look, man, I'm fed up with you.

00:26:40I exist, dude.

00:26:40Okay, maybe I liked you.

00:26:42Because I'm stupid.

00:26:43But I just don't like it anymore.

00:26:43I look at you and you disgust me, man.

00:26:45I feel sorry for you.

00:26:46That?

00:26:46Don't you have anything to say to me or what?

00:26:48Now you'll be quiet, won't you?

00:26:49Now you're not saying anything to me.

00:26:52Water.

00:26:54Brother.

00:26:58Here, give me some water.

00:26:59But dude, you're soaked.

00:27:01Take.

00:27:02Come on, you'll see how much better you'll feel.

00:27:04Take off your shirt, go on.

00:27:07Sorry, man.

00:27:09Well, you'll get better now, you'll see.

00:27:14My God, you're on fire!

00:27:16If only...

00:27:20Better.

00:27:21You'll see how much better it gets.

00:27:27I met.

00:27:35No!

00:28:04How are you, kids? Good morning.

00:28:07How are you, kids? Good morning.

00:28:09Hey, let me tell you something. I'm the life of the party because... What's up? Did you guys have a fight?

00:28:14Carmen, finally someone I can talk to, because come on.

00:28:17What's happening?

00:28:18That's what I'd like to know too. The problem is, they're not answering me.

00:28:21Let's see if they've been attacked by the bacteria.

00:28:23The bacteria.

00:28:23Virus.

00:28:26How did the camera incident go? Did the culprit turn up?

00:28:30Yes, yes, yes.

00:28:32I was definitely thinking one thing. You have to be vile and despicable to steal from your own school.

00:28:35That's the worst thing in the world. Thank goodness the culprit will get what's coming to him.

00:28:39I hope, let's go.

00:28:40Oh, how true.

00:28:43Wow, wow, wow. What a wonderful place. My goodness, look how beautiful this is.

00:28:47For God's sake, this is not paradise.

00:28:49These places are for coming to relax and get passionate.

00:28:54To get bored.

00:28:55And to keep quiet too.

00:28:56Damn it, Fiti, don't be a downer.

00:28:59It's so hot, so hot. Well, here, here.

00:29:02Hey, what time does the casino open?

00:29:03At seven o'clock, sir.

00:29:04Very good, let's see. Thank you.

00:29:06This way, this way.

00:29:08Of course.

00:29:10That's enough of the trouble you've caused me.

00:29:12The nurse, but you're in paradise.

00:29:16Yes of course.

00:29:17I'm not saying no, Choni, but this.

00:29:21Hi there.

00:29:22Hi there.

00:29:23Welcome.

00:29:23A welcome cater.

00:29:24Thank you very much, brother.

00:29:26Thank you.

00:29:26Look, you see how welcome I am. Thank you.

00:29:28Yes, sir, I'm not saying no, Choni, but...

00:29:29How am I supposed to enjoy being in the Caribbean with my best friend's potential girlfriend, Choni?

00:29:33Futurible, stop with the futurible stuff. Better than you, Lanita, you little sister-in-law.

00:29:36Come on, please, don't talk nonsense.

00:29:38Don't talk nonsense.

00:29:39Foolishness?

00:29:39I know the sun is already affecting you.

00:29:41No, it doesn't affect me at all. I know exactly what I'm saying.

00:29:42And you, leave Diego alone.

00:29:44Diego is in a trance, poor thing, and he needs his time for his own things.

00:29:47Who's here?

00:29:48It's you, isn't it?

00:29:49Well, things in life happen as they happen.

00:29:50Yes, and they come and go. I know myself.

00:29:53Good heavens.

00:29:57Hello.

00:29:58Hello.

00:29:59Excuse me, one small thing.

00:30:01Is it possible to change the double room for two single rooms?

00:30:04Yes, yes, yes. Much better. That would be great.

00:30:07Impossible, sir. The hotel is full.

00:30:09In fact, we've had to upgrade you to the Royal, which is the superior category hotel.

00:30:16Catalonia Bávaro.

00:30:17Will you complain?

00:30:17He already has Mary Jane.

00:30:18You'll complain. Come on, let's go for a swim.

00:30:21Okay, okay. Now it's my turn. I'll be right there. Over there.

00:30:24Oh well, whatever. See you later.

00:30:27We can verify.

00:30:29Thank you.

00:30:44Fiti, what's wrong?

00:30:49Entering the hotel?

00:30:50Yes, very good. How are you?

00:30:53No.

00:30:54Chickenpox?

00:30:55Chickenpox?

00:30:56Yeah.

00:30:57Hey, what's up...

00:30:58What the...

00:30:59Fiti.

00:31:00What the...

00:31:02That...

00:31:02Fiti.

00:31:04What a shame I couldn't go.

00:31:08Ah, it wasn't just him after all.

00:31:09Finally, she signed up...

00:31:11Well, yes, the one from...

00:31:13Yeah.

00:31:13Celia.

00:31:14That.

00:31:15Yes, yes, yes, yes.

00:31:16I don't know.

00:31:17I don't know, it's just my sister's stuff.

00:31:19Well, have a good time, huh?

00:31:21Hello, kisses to all.

00:31:22See you later.

00:31:23How's it going, Fiti?

00:31:25Good.

00:31:25Yes, they had already arrived.

00:31:27I bet you don't know who she ended up going with.

00:31:29With who?

00:31:30With...

00:31:31With Celia.

00:31:31With the English teacher.

00:31:33She's really nice.

00:31:33This girl...

00:31:34Ah, yes.

00:31:34Yes, yes, very nice.

00:31:37Although I don't know if it's for Fiti, specifically.

00:31:40He's definitely bringing this one home.

00:31:42The thing is...

00:31:43What's up, Fiti, you jerk?

00:31:45How many mojitos have they had?

00:31:46Wretched, isn't he?

00:31:47Ann.

00:31:49How are you?

00:31:50Hey...

00:31:50How are you?

00:31:51Ana, no.

00:31:52Was...

00:31:52I was talking to...

00:31:53It lengthens, it's there.

00:31:53Yeah.

00:31:56Yeah.

00:31:56As?

00:31:59That?

00:32:01I'll be at school in ten minutes.

00:32:02I mean, I'm going there right now.

00:32:03Okay, that's all for now.

00:32:06Guillén.

00:32:08Can you tell me what you've done?

00:32:09Unfortunate.

00:32:10I?

00:32:10Yeah.

00:32:11I haven't done anything.

00:32:12You haven't done anything?

00:32:13Exactly the same as with Ana's car, you didn't do anything either.

00:32:14But don't you realize that I can't trust you, Guille, really.

00:32:17Hey, sorry.

00:32:17Where are you going? I'm talking to you.

00:32:18Please leave me alone!

00:32:23Let me tell you something, Carmen.

00:32:25Being a father is priceless, isn't it?

00:32:26It's not paid for.

00:32:27No, well.

00:32:27What I'm saying is that you can't make a direct association between beliefs and appearances.

00:32:30from a woman to know if she's wearing a thong or panties, you know what I mean?

00:32:32Is that nothing, Valdaro?

00:32:34What were you thinking?

00:32:34What, does Ana Botella wear the same thing as Pamela Anders or what?

00:32:37No, well.

00:32:38Flurditas.

00:32:39Braga, Cheico, I'm a sure thing.

00:32:41Celia.

00:32:42Thong!

00:32:44His!

00:32:45Thong!

00:32:46Mec, error!

00:32:47Panties?

00:32:49Mec, error!

00:32:50Like what...

00:32:50His!

00:32:51Please.

00:32:52Hey, hey, no, no, no!

00:32:53You can't do that to me now!

00:32:54That?

00:32:54His!

00:32:55No, no, no, no, no, no, no.

00:32:56Let's see!

00:32:59Te and Manu have kissed.

00:33:02No, well, I think that was one of those cousin kisses, huh?

00:33:04I don't know what to take out.

00:33:05No, no, Valdaro, no.

00:33:06I am the only cousin I know.

00:33:10It's just that I'm alone, without a room...

00:33:13What are you going to do?

00:33:15I'm going bowling.

00:33:16Well, that's it.

00:33:17He's inside and I'm outside.

00:33:18No, you know what?

00:33:20More has been lost in the Falklands and here we are.

00:33:22I have an idea.

00:33:27Hello, Lurditas.

00:33:27Hello, Diego.

00:33:29I'm leaving you.

00:33:30Good morning, Diego.

00:33:31Hello.

00:33:34Well, first of all, I wanted to tell you that if something has happened to the car,

00:33:37I mean, if there's any amount to pay, because I think the kid...

00:33:40No, no, no, the car is fine.

00:33:41No, what I wanted to tell you is that whatever he did,

00:33:44In other words, he didn't do it with bad intentions, because in this way...

00:33:46What has he done, by the way?

00:33:47I didn't call you because of Guillermo.

00:33:49Shall we sit down for a moment?

00:33:52Look, Diego, I called you because I know who stole the camera.

00:33:55Ah, yes.

00:33:56Already.

00:33:58It's been hard work.

00:34:01Work? What do you mean, work?

00:34:03Are we talking about my little job?

00:34:04But that's impossible, Ana, for God's sake.

00:34:06That child is a saint.

00:34:07But come on, they haven't named him Dalai Lama, for example,

00:34:10Because there's someone in the position, but how can it be...

00:34:12Look, this is the camera cover.

00:34:14It was in her backpack.

00:34:19Diego, honestly, I think you have a problem with your children.

00:34:23Excuse me, let's see, are you telling me that I'm not a good father?

00:34:26So, when you say I have a problem with my children,

00:34:27Does that mean I'm not a good father? Are you seriously saying that?

00:34:29Well, I have no idea what you'll be like as a father.

00:34:32But...

00:34:32Look, the car thing doesn't matter, because it's just a prank and that's it.

00:34:35But the camera thing is serious.

00:34:37But we don't know about Quicio's situation either, I mean, it's not that serious, not that serious...

00:34:40Well, the boy isn't a criminal, is he?

00:34:41Look, we have a problem here, don't we?

00:34:44And I don't expel the child because...

00:34:47The case is, either the camera shows up or you have to pay for it, it's up to you.

00:34:50Well, no, I will see it, but first we have to prove that my son is guilty.

00:35:00Hello.

00:35:09Are you OK?

00:35:10Do I look like I am?

00:35:12No, not really.

00:35:22A coffee?

00:35:33Concha bought two identical t-shirts and some trainers for a total of 113 euros.

00:35:39The trainers cost her 32 euros.

00:35:42How much did each shirt cost?

00:35:44It's very simple, you haven't realized.

00:35:46Neither did the others.

00:35:49Hey, Lurditas and Chony haven't come.

00:35:52No way?

00:35:53If she's sick, she has the flu.

00:35:56Hey?

00:35:57What, Celia?

00:35:57Yeah.

00:36:00No, no, worse, worse.

00:36:03I forgot to go to bed.

00:36:15What a beautiful honeymoon, this is the best.

00:36:18Come on, it's unparalleled, but come on, it's way better than Preybner's, Joseico, way better.

00:36:23You're going to buy me off with, with, with, with the boller.

00:36:26Besides, there's you, I don't know if you've noticed, but I've reached my little point.

00:36:30But I will have stopped noticing, I will have stopped noticing, so that I won't know who you remind me of.

00:36:35Whom?

00:36:36I'm telling you, I'm telling you, who do you remind me of?

00:36:38Whom?

00:36:39Fagobi is just a click away.

00:36:41Well, worldly father.

00:36:43Titi, for God's sake, seeing you is giving me such anguish, my son.

00:36:46Oh my God, you're going to have a fit.

00:36:48But he's not going to worry about me, man, I'm fine.

00:36:50I'm going into that shack now, I'm seeing some weird stuff, but otherwise it's phenomenal.

00:36:54Are you OK.

00:36:56Long live Mexico.

00:37:03Celia, Celia.

00:37:05We are here.

00:37:17What a beautiful sentence.

00:37:18Hello.

00:37:19Hi, Monica.

00:37:20How did you sleep?

00:37:20How are you?

00:37:21Good, very good.

00:37:22Good.

00:37:22Hey, is the room available yet in case you want to move?

00:37:25No, no, changing it won't be possible.

00:37:26Yes, because I left my suitcase behind.

00:37:28But you can go buy a swimsuit, right?

00:37:30Yes, it's a possibility, but no, I'm not keen on taking a bath.

00:37:33Well, since we're here, let's enjoy ourselves.

00:37:36Come on, buy your swimsuit and I'll get some daisies, okay?

00:37:39I'll bring you one.

00:37:53It's going well, brother-in-law.

00:37:55It's going well.

00:37:56And my dicks, but very good.

00:38:04Here.

00:38:04Thank you.

00:38:06Eh, eh.

00:38:07The landscape is beautiful.

00:38:09Palm tree, what?

00:38:10The palm trees.

00:38:11What's happening?

00:38:14Let me tell you, darling, go for the swimsuit, damn it, I've seen Celia very much in favor of it.

00:38:18Really, really.

00:38:19Look, I'm going to buy my swimsuit and go underwater so I don't have to hear you.

00:38:23Let it be a good turbo.

00:38:27This thing about...

00:38:30Is he your brother or not?

00:38:32Is he your brother or not?

00:38:46Tete?

00:38:47Have you had chickenpox?

00:38:48Yeah.

00:38:53What kissed me?

00:38:54That?

00:39:09That?

00:39:09I'm going to be envious anyway, so...

00:39:11Likewise.

00:39:11Story, story.

00:39:12Thank you.

00:39:13Well, we were talking.

00:39:14That's how silly it is.

00:39:15And suddenly I went over to wipe the sweat from his face, taking care of him and all that.

00:39:17Like in the English patient?

00:39:19And I don't know, it was like I couldn't resist.

00:39:22And what happened next?

00:39:24Well, he fell asleep.

00:39:25More cute.

00:39:25But he gave me the kiss with his last bit of strength.

00:39:28Oh, how romantic!

00:39:29Oh, I'm so jealous.

00:39:36I don't believe it, Santi.

00:39:37I mean, he's telling me about Guille, of course.

00:39:39Even, look, from Marcos.

00:39:40But I don't believe Currito.

00:39:42Well, the evidence is clear.

00:39:44Already.

00:39:44But, well, let's see, what do you say?

00:39:46Because there has to be some explanation.

00:39:48And I'm like this...

00:39:49This is killing me, Santi.

00:39:51It kills me.

00:39:51Because I'm doing something wrong.

00:39:53What are you doing wrong?

00:39:54You've been through what you've been through.

00:39:57Already.

00:39:57And what job has gone wrong?

00:39:58Well, you straighten it out and that's it.

00:40:01Look, look, look.

00:40:02Is it there?

00:40:09Currito.

00:40:19That?

00:40:21Dad, I haven't stolen anything.

00:40:23Sit down, son.

00:40:31Curro, tell me the truth.

00:40:34Dad, it wasn't me.

00:40:35So, can you explain why the camera lens cap was in your backpack?

00:40:40Dad, I haven't done anything.

00:40:43Look me in the eyes, Curro.

00:40:44This is very serious.

00:40:46If you've done something wrong, tell me because we can fix it.

00:40:49Dad, I really haven't stolen anything.

00:40:51Curro, stealing is very wrong.

00:40:53But if I find out you've been lying, it's much worse, don't you understand?

00:40:55Dad, you have to believe me when I say it wasn't me.

00:40:58That?

00:41:01That?

00:41:02I have the floor, Donor.

00:41:12Very good.

00:41:14Do you think so?

00:41:15That's it.

00:41:15Don't worry.

00:41:16Okay, that's it.

00:41:25This is the life, huh?

00:41:27Oh, Josí, you've made me so happy.

00:41:30Doubt.

00:41:32Dear.

00:41:37José Luis.

00:41:39José Luis!

00:41:48Take that, chatunga.

00:41:49For me, a gaiquiri.

00:41:51And for you, a peppermint frappé, eh?

00:41:53What's the price of frappes?

00:41:54Tell me what you were doing talking to that girl.

00:41:56No, nothing.

00:41:57Don't be mistaken, she's not a girl.

00:41:59The garotas are the Brazilians.

00:42:02José Luis, are you looking for me?

00:42:04Because if you're looking for me, you're going to find me.

00:42:06But who else could it be, chatunga?

00:42:07Well, the waitress at the resort.

00:42:09Who's it going to be?

00:42:09I've also been a waitress and it didn't get me that close to the customers.

00:42:12You were there, so sound asleep, it made me feel strange to wake you up.

00:42:15Already.

00:42:16He approached me to ask if there were sharks.

00:42:19Already.

00:42:19He told me no.

00:42:20Well, there are some.

00:42:22There are some.

00:42:22Well, mine, mine, your brother.

00:42:25What a pity of a man.

00:42:26Diti!

00:42:27Come here!

00:42:29It's kind of embarrassing.

00:42:31So...

00:42:32The ant has already said that it has happened.

00:42:34You couldn't have bought one of those flowery things.

00:42:37Look at that, even with...

00:42:38Shut up, shut up, I almost didn't buy anything.

00:42:40Because it has convinced me of the slope.

00:42:42So, what's that about?

00:42:43Let's see, the marsh.

00:42:45What does it matter, he's a show-off?

00:42:47Show it to me, damn it!

00:42:49Come on.

00:42:50A fardagüevo.

00:42:51Very nice, what is it?

00:42:52You can afford it.

00:42:53You, Fiti?

00:42:54What's the problem?

00:42:55What's the problem?

00:42:57The penance comes later.

00:42:59Let's see.

00:42:59What's happening?

00:43:00Let's see.

00:43:00What's happening?

00:43:01Johnny!

00:43:03Fiti, come and bathe here, the water is very nice.

00:43:07Good.

00:43:08It's delicious.

00:43:10What is water?

00:43:11Pull, pull.

00:43:11Let's take a bath.

00:43:12Go on, throw it.

00:43:14Come on, Piki, let's go!

00:43:15I'm coming, I'm coming!

00:43:16Come on!

00:43:20Well, fuck off.

00:43:30I'm coming!

00:43:32Well, well!

00:43:33But what has your mayor bought?

00:43:36Get out of the water, boys!

00:43:37See ya, nothing, you're going to...

00:43:39You're going to...

00:43:40You're going to...

00:43:40Okay, there!

00:43:42Or we'll say we won't give it to you!

00:43:43Let's go!

00:44:00Okay, there!

00:44:03The father will clarify this, his name is Diego Salmón.

00:44:07What happens to the camera thief?

00:44:11Look, there it is.

00:44:13Thief.

00:44:16Thief.

00:44:24Son, this is the head, huh?

00:44:26We don't have any account.

00:44:30It's Menesterver, son, always lounging in the pool and without a single drop of sunscreen, what do you want?

00:44:36That's how you roast prawns.

00:44:38But hey, where will you go now? Like a true cowboy.

00:44:40Go pour vinegar on your ass, it's on fire. Here.

00:44:43Look, leave her alone, I'll get there in the ass, don't worry.

00:44:47Come on, as if I haven't seen you around here before.

00:44:48You and the whole Bavaro beach area, which also smells like gazpacho throughout the entire complex.

00:44:52Fuck.

00:44:53No, here, put it on yourself, but put it on properly.

00:44:55I'm leaving, my nose is drooping in the bathtub.

00:44:57Say it's not too big for him.

00:44:59That's it, and come on, Celia still has to shower and you're moving her around.

00:45:02Hey, speaking of Celia, you should have seen how she looked at you.

00:45:05I imagine, laughing my head off.

00:45:07No, not laughing my head off, I was just making you laugh because I could see it.

00:45:10Come on, don't talk nonsense, don't say, yes, I would be there, well, that's it, without blinking from the shock.

00:45:15No, no, not from the shock. Just take my word for it, I'm a woman and I know what I'm talking about.

00:45:20Choni, eh, eh, let's drop the subject now, okay?

00:45:24Already.

00:45:25But let's see, what's wrong with you?

00:45:28Are you with Diego there, I'll hit you?

00:45:31What is this? Should I order it, keep it, or what?

00:45:34The young woman will have to have her say, I suppose.

00:45:36No, you haven't just, you haven't just...

00:45:37Men, Choni, we have a code of honor.

00:45:40Okay.

00:45:41And that's it, that's it, the word itself says it: code, honor, respect, everything.

00:45:45Already.

00:45:47I'm just telling you that Diego is in Santa Justa and you're here, okay?

00:45:52I'm leaving, I've abandoned Joseico.

00:45:54Pour the vinegar on yourself and see if you end up like Thomas's jump.

00:45:56All skinned.

00:45:57Pour the vinegar on yourself and see if Tomás jumps.

00:46:06Hey, how are you?

00:46:09It's freezing cold.

00:46:11Wait.

00:46:13This is a done deal.

00:46:19You'll see how much better you'll feel this way.

00:46:23How are you?

00:46:26Better.

00:46:28Two half-hours, okay?

00:46:29By tomorrow this will all be over.

00:46:34Peaceful.

00:46:35Peaceful.

00:46:40Come on.

00:46:40Nothing's wrong.

00:46:42Carmen, I've prepared the pizzas for you.

00:46:44As soon as they are golden brown on top, take them out and give them to you for dinner.

00:46:47I don't want to go to the tavern because...

00:46:48Ana, go now, I'll take care of it.

00:46:50Very good.

00:46:50That?

00:46:51I don't want to go to school tomorrow.

00:46:55But, son, Currito, you can't sink like that.

00:46:57I know it's very hard and you're having a really tough time, but...

00:47:00For God's sake, a little bit of presence and spirit.

00:47:01You have to hold your head high, okay?

00:47:04Yes, you can really see how they're laughing at you, right?

00:47:10You're right, son.

00:47:11This is as far as we've come.

00:47:13What are you going to do, Diego?

00:47:15I'm going to call Ana.

00:47:16What should he have done from the beginning?

00:47:18Because you can't go around accusing other people's children.

00:47:21It can't be done.

00:47:21I'm going to ask him to issue a public apology in front of the entire school.

00:47:24And if we have to go to the police, then I'll go to the police.

00:47:26And if I have to go and talk to a waiter or a judge, well, I'll go and talk to them.

00:47:29a judge or a waiter.

00:47:29So, relax, son.

00:47:31Don't worry.

00:47:33Yeah.

00:47:34Ana, let's see.

00:47:35This is very serious.

00:47:43Hey son, do you trust me?

00:47:46But?

00:47:47Very good.

00:47:48Come on.

00:47:51See you later, son.

00:47:52Dad, it's just that I don't feel very well, I don't know what's wrong with me.

00:47:56Mother, who didn't know.

00:47:57Come on, come on.

00:47:59Let's see.

00:47:59Are you going to see with all this?

00:48:00What, what?

00:48:01Well, the catombe, Carmen, right?

00:48:02Another one has fallen.

00:48:03The pandemic is affecting everyone.

00:48:04So, that...

00:48:05Do one thing.

00:48:06You go and get help, because I...

00:48:07Ah, because of the medicine.

00:48:14What is this, Guille?

00:48:15What is this?

00:48:16Explain it to me.

00:48:16What is this?

00:48:17Well, I'm getting better.

00:48:18Look at it.

00:48:19Look at it, you can take it from me with your hand.

00:48:20You, who am already healed.

00:48:21It may be a new disease.

00:48:23No no.

00:48:23Stupidity.

00:48:24No, no, Carmen, make no mistake.

00:48:25Dad, there's an explanation for all of this.

00:48:26I'm sure I won't like it, but give it to me.

00:48:28Dad, he made the honor of the Serrano family suffer.

00:48:30What an honor for the Serranos!

00:48:31And what an honor for the Serranos!

00:48:31What are you saying?

00:48:35You have no idea what's going on in this house.

00:48:38Hey, these guys are taking forever, aren't they?

00:48:40And then they say women take forever to get ready.

00:48:42That's awful.

00:48:44Look at my Fiat 60.

00:48:45Look at my Fiti, how handsome he looks.

00:48:47And then they say Chani doesn't know how to dress a man.

00:48:49Are you handsome or not, Celia?

00:48:50Hey, you look really handsome, Fiti.

00:48:52Thank you.

00:48:53Well, but the credit goes to my sister, who chose the model.

00:48:56No, no, no, not at all.

00:48:57Well, I've chosen it, but the hanger belongs to the Martinez family.

00:49:01Come on, if he weren't my brother, I'd never let him get away.

00:49:04How silly you are!

00:49:06Hello good evening.

00:49:07What are you?

00:49:08Hello, have a great day.

00:49:10Yes sir.

00:49:26Is something wrong, Fiti?

00:49:28No, no, no, I've thought better of it.

00:49:32I almost prefer a beer.

00:49:33No problem, sir.

00:49:35Thank you.

00:49:37Hey, wait a moment, I'll be right back.

00:49:45Me too.

00:49:46Yeah.

00:49:47Sure?

00:49:48I don't know, I'm going to tell you, get ready, the shell is about to explode.

00:49:53Do you know that?

00:49:54Was that heard in Mexico?

00:49:56Yeah.

00:49:57Okay, okay, yes, yes.

00:49:59I, come on, like a howitzer, like a red man, like...

00:50:01Yes, yes.

00:50:02Well, I also had a rock 'n' roll metamorphosis, even though it might not seem like it.

00:50:04What are you saying?

00:50:05What's going to happen to me is that with...

00:50:07As she got older, she developed a taste for light music and all that, but...

00:50:11Well, my sister as always.

00:50:13My sister forever.

00:50:14When we used to go to my father's workshop as children...

00:50:17Hey, my father also had a workshop in Mexico.

00:50:20Yeah?

00:50:20Yeah.

00:50:23Are you sure, Guille? Because I'm not in the mood for jokes, okay?

00:50:25Of course, Dad.

00:50:26Yes, because I didn't want to keep looking.

00:50:28Yes, that's right.

00:50:30My God.

00:50:32I saw it coming, for God's sake.

00:50:33But how could you even think of that?

00:50:34But, but, are you completely crazy?

00:50:36That you don't respect the disease.

00:50:37What's happening?

00:50:38What's wrong? Are you asking me that?

00:50:39Get out of here right now, Spartacus, now.

00:50:41But, Diego, please, I feel terrible.

00:50:42That you feel terrible.

00:50:43You're in a terrible state for what you want, Tete.

00:50:45But we can't even walk.

00:50:46You can't even walk.

00:50:47Ah, very good, stupid.

00:50:48Okay, come to my room.

00:50:49I'll sleep on the sofa wherever.

00:50:50Come on, now.

00:50:51Neither one thing nor the other.

00:50:52Okay, go ahead.

00:50:54But, Diego, if not...

00:50:57I can't believe it.

00:51:03Oh my God, really.

00:51:05Of course I know what a doctor's cap is.

00:51:07And I also know how to change it.

00:51:09Yeah?

00:51:09Okay, okay, but let's make it easy.

00:51:11I'm going to give you another trick.

00:51:14What is a camshaft?

00:51:16Elevated or by balance?

00:51:19I told you I knew.

00:51:21What a surprise.

00:51:23No, no, you know I'm not having a good time on this trip, huh?

00:51:26Besides, it's so nice to be with normal people.

00:51:28Normal.

00:51:29Well, yes.

00:51:30I don't know if it's good or bad, but I, mostly normal, know what I'm talking about.

00:51:34Biggerly.

00:51:37What's the matter?

00:51:38We're here.

00:51:39Nothing.

00:51:39We're here.

00:51:44Let's see.

00:51:45Damn, I'm burning up, damn it.

00:51:47Oh.

00:51:47That?

00:51:48A small detail, huh?

00:51:49Such a small detail...

00:51:50A small detail.

00:51:52But, well...

00:51:54Oh well...

00:51:55Didn't you know something?

00:51:56No, no, no.

00:51:58No, no, no.

00:51:58Okay, no, no.

00:51:59Okay, no, no.

00:51:59But what a beautiful thing.

00:52:01With his spark.

00:52:02Oh, child, I know I have to love you.

00:52:04Chatunga forever.

00:52:06Forever, forever.

00:52:06Forever.

00:52:07The thing is...

00:52:09Honey, I have to love you.

00:52:11I would eat you up from the feet up.

00:52:13My God.

00:52:13Leave her there, girls.

00:52:15Oh, oh, oh, darling, darling, darling.

00:52:17How much I love you.

00:52:18Thank you so much, girls.

00:52:19Thank you so much.

00:52:20How funny.

00:52:21How funny.

00:52:21There's no greater humor than...

00:52:23Congratulations.

00:52:24Congratulations.

00:52:25Thank you, queen.

00:52:26Oh, my little boy, my darling.

00:52:28Did you like it?

00:52:29I loved it.

00:52:30I love you, I love you, I love you.

00:52:32Me too, Chatunga.

00:52:33You'll grant me this piece, won't you?

00:52:34This piece...

00:52:36I told you once, wearing white...

00:52:38And today I repeat it to you in pink.

00:52:40This piece and all the others in the rest of my life, darling.

00:52:42Don't get too fancy.

00:52:43One piece and all the houses, but...

00:52:46How beautiful, how beautiful.

00:52:48It touched my soul.

00:52:50How are you enjoying it?

00:52:56Hey, Celia.

00:52:57Yeah.

00:52:59Do you know how to dance?

00:53:00Well, thank goodness he told me.

00:53:01I was going to tell you already, man.

00:53:03Come on.

00:53:06They've tangled your little tails up there.

00:53:08Oh, oh, that I...

00:53:09Hello.

00:53:09Santi, for God's sake, he's going to fall in the room.

00:53:10You're here now.

00:53:11Well then, grab the mop, brother.

00:53:13And clean up all the water from the pickles that I've dropped in there.

00:53:15I'll help you now, I'll help you now.

00:53:17Don't worry, I have to make a call.

00:53:19Where?

00:53:22I can't let the child fall.

00:53:23Yes, Ana.

00:53:24At last.

00:53:26Diego Serrano, huh?

00:53:27I've been calling you for an hour.

00:53:29Well, my battery has died.

00:53:31Hey Diego, look, you've caught me at a bad time, I'm very busy.

00:53:35Okay, okay, sorry Ana, but I'm going to school and I can't see you either.

00:53:38I call you on the phone and you don't answer, and when you do answer you don't want to talk to me.

00:53:41And I'm very sorry, but my son's situation can't wait.

00:53:44Yes, but the camera issue is resolved.

00:53:47As?

00:53:48What do you mean the camera issue is already resolved?

00:53:52Look, Diego, I can't help you right now, okay?

00:53:55We'll talk tomorrow.

00:53:57Ann.

00:53:59But he hung up on me, brother.

00:54:01This woman, for sure...

00:54:02I don't understand it, but he hung up on me.

00:54:03And he tells me that the camera problem is fixed, but what is he really saying?

00:54:06What do you mean? Why is the camera fixed?

00:54:09Well...

00:54:10Well, it's sorted, Diego, because...

00:54:12Because we paid for it.

00:54:15That?

00:54:15What? Did you guys pay for the camera?

00:54:17But, but, why did you do that?

00:54:19But no, no, don't you realize that it's admitting that the child is guilty?

00:54:22What does it matter, brother?

00:54:22The camera is off.

00:54:24Here I am, and then glory.

00:54:25But what glory, Santi?

00:54:26You didn't have to have done that.

00:54:26You don't have to have...

00:54:27The children at school are insulting him, calling my son a thief.

00:54:30That's precisely why, Diego.

00:54:32So that this ordeal will finally end for him.

00:54:34Well, and also to calm things down a bit with Ana.

00:54:36Things are the way they are...

00:54:37To calm them down.

00:54:38Well, I'd like to see that...

00:54:39If Santiago is insulted when he's older,

00:54:41whether you are calm or not.

00:54:43But anyway, what do I have here?

00:54:44Where are you going?

00:54:45To Ana's house.

00:54:46Where are you going to...?

00:54:47Brother, even alone.

00:54:48Trazona, brother.

00:54:48Trazona.

00:54:51Well.

00:54:58Yeah?

00:54:59Who is it?

00:55:01Diego Serrano.

00:55:04Diego.

00:55:05What are you doing here?

00:55:07Ana, I'm not leaving until you open the door.

00:55:14What do you say?

00:55:18I've come to get my money back for the camera.

00:55:20As?

00:55:22Yes, and I also want you to apologize.

00:55:23Tell the whole school that my son Curro hasn't stolen anything.

00:55:27Sorry?

00:55:28Look, Diego.

00:55:30I'm not going to apologize.

00:55:31I'm not going to give you your money back.

00:55:33And now, if you don't mind, I've already called you.

00:55:37Listen to me.

00:55:38All I have left in this life are my children.

00:55:41And not even God can touch my children.

00:55:42And much less you.

00:55:43Did you understand?

00:55:52Here you go.

00:55:53But I'm not going to apologize.

00:55:55Curro is lying to you.

00:55:56Yes, but I believe him.

00:55:57Very good.

00:55:59Well yes.

00:56:02Don't you have anything else to...

00:56:05No, nothing.

00:56:05Say.

00:56:06No, no, nothing more.

00:56:08Just help me with this.

00:56:10Thank you.

00:56:17Lap!

00:56:30Celia, Celia, Celia.

00:56:32Armando, I can't believe it.

00:56:34Excellent!

00:56:35You look beautiful!

00:56:36How are you?

00:56:37Very good, very good.

00:56:38Here on vacation.

00:56:38And you?

00:56:39You look beautiful!

00:56:40Thank you very much, Vuelta.

00:56:41Are you okay?

00:56:42Thanks for your order, as always.

00:56:43Hey, the years are catching up with you.

00:56:46Well, not always, but...

00:56:48Could you tell me something?

00:56:49Is it true that you retired?

00:56:51Well, more or less.

00:56:52The thing is, I was a little fed up with that job.

00:56:54But look, let me introduce you to Fructuoso.

00:56:56This is Armando, a colleague of mine from a novel in Mexico.

00:56:58How are you?

00:56:59Delighted, delighted.

00:57:00Hey, love, we need to talk about everything.

00:57:01We have to do everything.

00:57:03Hey, do you remember the old days, the tequila shots we used to have?

00:57:05How could I forget?

00:57:07Hey, I have to tell you about everything that happened to me.

00:57:09How do you think you got here?

00:57:10So tell me.

00:57:11Let's reclaim the night!

00:57:14Come on, Fiti, let's go.

00:57:15Yes, right away. I'm with you.

00:57:17And heading there.

00:57:34It's not about money, Santi, understand me.

00:57:36It's for honor.

00:57:38Where did Carmen put the blankets, damn it?

00:57:40My little dove always keeps the winter things under there.

00:57:43In the countryside.

00:57:44Will it work for me?

00:57:45Ah, well, same.

00:57:46Thank you, Diego.

00:57:46A baker has to fill five and a half dozen cakes.

00:57:50If each one.

00:57:55Mother of God.

00:57:56That?

00:57:57Any dirty magazines, huh?

00:57:58Worse, Santi.

00:57:59Hey?

00:58:00That's much worse.

00:58:03Pussy.

00:58:04Fuck.

00:58:33Thank you!

00:58:49Fiti.

00:58:52Fiti.

00:58:54What are you doing here?

00:58:56Are you going to have a heart attack?

00:59:00The thing is...

00:59:04Fiti.

00:59:05I was very good and...

00:59:08Damn, I've never seen such a big moon in my life.

00:59:11Yes, but there's also a terrace in the room.

00:59:14Yes, but...

00:59:16I didn't mean to bother you.

00:59:18Maybe I didn't want to sleep. You were there...

00:59:20That's it.

00:59:22Breaking the night with that big guy, huh?

00:59:25You're lovely, but Armando already has his own room.

00:59:30Already.

00:59:31With her boyfriend.

00:59:33With...

00:59:35So...

00:59:36The big guy is a little...

00:59:38Well...

00:59:39Armando never does a little bit of anything.

00:59:40It always has to be the one who does the most.

00:59:44Hey, it's freezing in here.

00:59:46Oh...

00:59:47Take.

00:59:48Oh, thank you.

00:59:48This is beautiful, don't you think?

00:59:50Okay, okay, okay.

00:59:52This is amazing.

00:59:57Oh...

00:59:57So now he wants the room, doesn't he?

01:00:02You think?

01:00:03Well, if there's a bed available...

01:00:07It's just nonsense, isn't it?

01:00:11Man...

01:00:13Oh...

01:00:14Come on, shall we?

01:00:38I can go back to my belly from laughing so much, I really can.

01:00:41I'm sure I'll have muscle soreness tomorrow.

01:00:44Tomorrow, he says.

01:00:46In a little while.

01:00:48Ugh, that's true.

01:00:49How could I forget that the night went by so fast?

01:00:51Well, for some more than for others, huh?

01:00:54Yes, that's true.

01:00:56Hey, thanks, huh?

01:00:57Because of the jacket.

01:00:58You're welcome, woman.

01:00:59Well, I think it's time to go to bed now, right?

01:01:02Hey...

01:01:03Yes, of course, of course.

01:01:05Well...

01:01:05I'm going to the bathroom.

01:01:08Come on...

01:01:35Diego!

01:01:36Diego, listen to me!

01:01:37It's six in the morning.

01:01:39Yes, forgive me, forgive me for waking you up, forgive me.

01:01:41You see, why am I calling you?

01:01:45Well...

01:01:46Do you remember the story about the sailboat and the bay?

01:01:49Don't mess with me.

01:01:50Fiti, it's not the right time.

01:01:51Of course I remember.

01:01:52What's happening with the sailboat?

01:01:53Well, then...

01:01:54The sailboat might enter the bay, you know?

01:01:58And what I don't know is whether the customs officer will be okay with it.

01:02:01That?

01:02:02No beating around the bush, Diego.

01:02:03I have Celia in my room taking a shower.

01:02:07Of course, and this points to what it points to.

01:02:09Already.

01:02:10And I'm the customs officer, right?

01:02:12So, I have to give you...

01:02:13Well, Fiti, I don't have to give you permission for anything.

01:02:16Thank you, Diego, thank you, thank you, thank you, thank you, really.

01:02:18You're a friend, damn it.

01:02:19What do I say, a friend?

01:02:20You are...

01:02:21You are my brother.

01:02:22And I'll tell you more.

01:02:24Okay, that's it, fine.

01:02:25See you later, Fiti.

01:02:25Hey, excuse me...

01:02:26I'm sorry for waking you up.

01:02:27It's just that here...

01:02:28I'm completely lost with the time change.

01:02:30Thanks again, okay?

01:02:31Really, really.

01:02:32See you later, Fiti.

01:02:33See you later.

01:03:11Not one.

01:03:12Not one.

01:03:13Not one, damn it, not one.

01:03:15Don't mess with me.

01:03:16A lot.

01:03:18Not one.

01:03:22H roots, n te ayrada.

01:03:28He is enise.

01:03:36H buttons...ming

01:03:41yame.

01:04:06Thank you!

01:04:34I've come for a glass of water.

01:04:35Why haven't you called me? How are you?

01:04:37Okay. Yes, yes, I'm fine. Thank you.

01:04:40Wait, wait, look. Can we talk?

01:04:43Please.

01:04:49I wanted to apologize because I'm really sorry for being so stupid, I don't know.

01:04:55But it's not easy...

01:04:58It's not easy being both a father and a mother at the same time.

01:05:02That.

01:05:04Okay, Diego. That's fine, don't worry.

01:05:07No, wait, wait, I wanted to explain something else to you.

01:05:09Let me explain.

01:05:13Do you know anything about sailboats?

01:05:15Diego, please, it's not the right time to...

01:05:17No, no, no, no, I'm going to finish right away.

01:05:19I mean, you know that no matter how long a sailboat's voyage is, I mean, well, in the end

01:05:24The sailboat, which is the ship, always reaches the bay.

01:05:28In other words, that's the law of life, that the ship reaches the bay.

01:05:31So, but the important thing isn't that the ship reaches the bay, which I'm telling you will be late or

01:05:35It will arrive early.

01:05:36The journey is what matters.

01:05:37So, what... you understand?

01:05:40This...

01:05:40Well, what I want to tell you, Tete, without mincing words, is that when the sailboat reaches the bay, well...

01:05:47on the vain side, which he would like to know.

01:05:51Nothing else.

01:05:52That.

01:05:53Diego, I don't understand what you're trying to tell me.

01:05:56Well, maybe we'll talk...

01:05:59We'll talk later, another day, or whatever.

01:06:01Don't worry.

01:06:01Go on, go on sleeping, and forgive me for...

01:06:03You want to know if Manu and I have slept together, don't you?

01:06:09Yeah.

01:06:10No.

01:06:11No?

01:06:12No.

01:06:13Good.

01:06:14Good.

01:06:15Good.

01:06:16Okay, Diego.

01:06:18Go to bed now, it's very early.

01:06:30Ah!

01:06:34Hello?

01:06:36Hello?

01:06:38Is anyone there?

01:06:56What's wrong, hurry up?

01:06:57You're not planning on having breakfast today either?

01:06:59Or what?

01:07:00I'm not hungry.

01:07:01Well, welcome to the club.

01:07:03Why not?

01:07:04Well, into the usual suspects club.

01:07:06Look, I have to go through that too, but I'll do the usual thing.

01:07:11Good morning.

01:07:12Hello.

01:07:13Manu!

01:07:14But what are you doing up?

01:07:15Well, look, I just got a phone call and I have to go to Barcelona, because my mother wants me to.

01:07:18They operate on the gallbladder.

01:07:19Oh, wow, I'm sorry.

01:07:20And you're going to go like that, with a fever and everything?

01:07:23No, but if I'm already better, I don't have it anymore.

01:07:24Well.

01:07:25And besides, I have to be there.

01:07:26So, nothing.

01:07:27Okay, I'm going to run so I don't miss the bus, alright?

01:07:28Well, very good, yes.

01:07:29Saying goodbye to everyone.

01:07:30I hope everything goes well.

01:07:31Okay, fine.

01:07:31And you give your mother a kiss.

01:07:32Come on, a kiss.

01:07:33Go on, son.

01:07:33Bye.

01:07:33Oh God, they're all misfortunes.

01:07:36Well, it depends on how you look at it.

01:07:39No, I mean, I mean, well, it could have been worse for the mother, right?

01:07:43Sure, work, work, look, they're coming to get you.

01:07:45Go on.

01:07:46Yeah.

01:07:47Oh, it's a girl, Curro, you have a girlfriend, Curro, you have a girlfriend.

01:07:52Okay, I'm going to prepare breakfast for Teté, they'll bring it up to her now.

01:07:56No, no, no, leave it, leave it, they'll raise it.

01:07:58By the way, do you know where my father is?

01:08:01Your father?

01:08:01So he went out with Santiago to the tavern very soon.

01:08:08What are we doing here?

01:08:09Look, what you have to do is rip his head off.

01:08:11How am I going to rip his head off?

01:08:12What I want is for him to look me in the eyes and tell me why he lied to me.

01:08:14Why? Why?

01:08:15So, what for?

01:08:16Look, Santi, I hope you never have to go through this.

01:08:21You have to return it now, Clara.

01:08:23Yes, but I'm not afraid of anything, and my father is even worse.

01:08:26Yes, but because I didn't want to have a fight with your father, my father is in trouble.

01:08:30Yes, it was just a moment, yes, I planned to put it back in its place the next day, but...

01:08:34Well, I'll return it then.

01:08:36And if you want work, I'll return it.

01:08:39Dad.

01:08:42It wasn't work, he was just going to help me fix it.

01:08:46Look, I work, I don't care at all if it's theft or...

01:08:49A cover.

01:08:50A cover.

01:08:52The important thing is that you lied to me.

01:08:55That I need your word, honor.

01:08:57I know, and I'm sorry.

01:09:03Go on, take your crying to school.

01:09:04I'll go with you and talk later.

01:09:06But Dad, if you tell Ana, she'll get expelled.

01:09:09Come on, cry.

01:09:17So what now?

01:09:20Good morning.

01:09:21Let's see what we have here.

01:09:24A slice of orange without pulp, toast with butter and a soy milk coffee for the young lady.

01:09:29That's great, thank you so much.

01:09:31You're welcome, man.

01:09:32Okay, so what?

01:09:33What's going on in the forbidden zone?

01:09:35Down below, then...

01:09:36Not much, really, nothing major new.

01:09:39But what about it?

01:09:40Has the romance between patients ended here?

01:09:44No, because it was going to end.

01:09:46Are you serious?

01:09:51Well...

01:09:52Well yes.

01:09:53I think we're getting out of this.

01:09:57Well...

01:09:58You'll believe it, because he just went to Barcelona suddenly, a little while ago.

01:10:03What do you mean he's gone?

01:10:04Yes, well, it's just that his mother had to have surgery, the one from the verse and...

01:10:08But I think it's me, and it really surprises me that he hasn't mentioned it to you since he's your boyfriend.

01:10:11nothing.

01:10:14Well, because he probably didn't want to wake me up.

01:10:16Guille, that's called education, which is exactly what you lack.

01:10:18Oh, right, Colo, and you wouldn't have woken him up to say goodbye?

01:10:23Here, you can take it now, I don't want any more.

01:10:25And look, Tete, I don't want you to be mad at me, I'm just telling you because it seems strange to me and I

01:10:29you worry.

01:10:30Okay, don't worry so much, alright?

01:10:32Close the exit door.

01:10:44Look, look at Franklin, huh?

01:10:47No, that bastard isn't smart.

01:10:48He's not good with dollars or anything.

01:10:51When I tell this at the hairdresser's they won't believe it, guys.

01:10:54They don't believe it.

01:10:55Let them take away the dances we've had, my love.

01:10:57Of course, my pirate.

01:10:58I can't even have a single drink, honestly, I feel awful.

01:11:03By the way, you wanted to go out at night and I fell asleep, I didn't understand anything.

01:11:06I?

01:11:07Nothing, well in the end I started doing this, that, and over there.

01:11:10No, it's like, between one thing and another, it's always the same thing, I get confused.

01:11:13I get confused.

01:11:14Already.

01:11:15Hey, I'm going to the bathroom.

01:11:27How are those fingers?

01:11:28Did you see?

01:11:30You have to be a real idiot to get your hand caught in that box of condoms.

01:11:33If you're more of a country boy, my son.

01:11:35Shh, little one.

01:11:36It's not funny at all, okay?

01:11:38Well, be glad, be glad that I had run out of condoms.

01:11:41If not, you're still there.

01:11:45I want to know too.

01:11:47Piti, what is it?

01:11:48What's happening tonight?

01:11:49How do we feel about entering the philia together, and you?

01:11:52That?

01:11:54Tell me, tell me.

01:11:54No.

01:11:55I am a gentleman.

01:11:58Knight and the maniac?

01:11:59What made you want to do amazing things?

01:12:01Tell me, tell me.

01:12:01We want to learn.

01:12:02What happened to the hand?

01:12:03What happened?

01:12:04No, woman.

01:12:04What stunt am I going to do?

01:12:06What acrobatics?

01:12:07The song is a classic.

01:12:08Once you put it in, you leave it there quietly.

01:12:12All night.

01:12:13Hey, Kiti, Kiti, seriously now.

01:12:15Was there a topic or not?

01:12:17Come on.

01:12:21Don't tell me no, or I'll die.

01:12:23I'm sure you'll prick me and not get any drops out.

01:12:26It's possible, but only if you had it in your favor.

01:12:29Paradise, Eve, the apple.

01:12:31In fact?

01:12:35Hey, unpacked, unpacked, unpacked.

01:12:38The plane shot.

01:12:39The plane shot.

01:12:45Carry me.

01:12:47I don't know if it's a good idea.

01:12:48Let's get messy.

01:12:49My wife works here.

01:12:50Yes, that's exactly why, Santi, that's exactly why.

01:12:52And why don't we just tell the little hummingbird that it was the baby and that's it?

01:12:55But, Santi, let's see, are you with me or not?

01:12:57Well then, look, look, look, look, look, look, look, look, look, look, look.

01:12:58Come on, come on, now.

01:13:03Yes, hello, Mrs. Blanco.

01:13:11Is it at the bottom?

01:13:12Ah, well, well, well, thank you.

01:13:18Bye bye.

01:13:19Hello, uh, sorry, I mean...

01:13:23Hello.

01:13:23Uh, you see, uh, yes, I came, I came to apologize for what happened yesterday,

01:13:28Because on the one hand, one thing is, and on the other hand, I'm very sorry, I mean, I'm very sorry.

01:13:34Well, it's okay, I was a little...

01:13:36Did you want something?

01:13:38Well, what I wanted was for this to get sorted out and for us to forget about this unfortunate incident.

01:13:43And that's not...

01:13:43Well, I don't know, it doesn't look like it.

01:13:46Things always work out, Ana.

01:13:49Things always work out.

01:13:50Goodbye, and sorry.

01:13:53Come, come, come, move.

01:14:08He's a bastard!

01:14:14Well, well, but look at these beaches, damn it, look at these beaches, you're lying around like lizards all day long

01:14:19to the sun, which was...

01:14:21And the hotel, and the hotel, the hotel, one of the... seven stars at the very least.

01:14:24What did he have?

01:14:25I think there were two goal fields, it had two goal fields, a swimming pool, and I don't know, because I've lost

01:14:30the account, casino...

01:14:34But not as much as this, how awful, but I don't know if it's okay.

01:14:37That?

01:14:39How's everything?

01:14:40Okay, okay, okay, everything's fine, the only thing is...

01:14:43So, do you remember about the sailboat and the bay and all that?

01:14:47Yes, how could we forget, Fiti.

01:14:49Well, that's it, the sailboat, dude, okay? I mean, I'm saying this so the customs officer knows.

01:14:56Yes, yes, yes, yes, yes, yes.

01:14:58Okay, come on, I'm going out.

01:15:00Okay, fine.

01:15:05Hi how are things?

01:15:06Hello, hello, hello, hello, hello, hello.

01:15:08How are you, Celia?

01:15:09Well, she looks gorgeous, doesn't she?

01:15:11Oh, really?

01:15:12Yeah.

01:15:12Oh, thank you so much.

01:15:13Hey, no, it's just that I thought about you a lot during the trip.

01:15:16Oh, really?

01:15:16Yes, and I brought you this.

01:15:18Okay, okay, okay.

01:15:19Who does he/she look like?

01:15:20Well, well, the same goes for Pancho Villas.

01:15:24Man, you're leaving it because of the mustache, but no, no, it reminds me of you.

01:15:26Me?

01:15:27Yes, look closely.

01:15:28Oh, yes, and well, you know, with the hair and all, and well, I do have a bit of a resemblance to it.

01:15:31Ah, of course, when I was young, I was like, this, this has to be used for the first time, right?

01:15:34Whenever you want, you know.

01:15:36Yeah?

01:15:39Hello.

01:15:40Hello.

01:15:41That?

01:15:42How are you?

01:15:43Good.

01:15:43How are you?

01:15:44How's the flu going?

01:15:45Okay, here I go, um...

01:15:48It's still difficult for me, but it's better.

01:15:50A beer?

01:15:51Come on, let's celebrate that the camera has appeared.

01:15:54What has the camera shown?

01:15:55Clear.

01:15:56Oh, yes, you already said that everything was going to be alright.

01:15:59Yes, I said it, but well, it was just a figure of speech, you know, but in the end everything works out.

01:16:02Hey?

01:16:03Yeah.

01:16:03I mean, well, a little beer, I just got it for you.

01:16:05And you?

01:16:05What would you like to drink?

01:16:06And I'd have a coffee with milk, but hot milk.

01:16:08For the face.

01:16:09For the face.

01:16:10Very well, now.

01:16:11You have a great face, huh?

01:16:13I think you'll be able to go back to work tomorrow.

01:16:15Yes, yes, yes, I'm sure it's you.

01:16:16Well, having a good complexion is down to genes.

01:16:19I always have it like that.

01:16:20Yes, it happens to me too.

01:16:21How are you?

01:16:25How are you?

01:16:27That way of looking that takes me to the universe and makes me feel like I can fly.

01:16:39Those kisses you give me envelop me in a dream, and I know I won't be able to wake up.

01:16:50You know very well that I'm more than a friend and that whatever happens, I'll be there for you.

01:17:03to talk and listen to you forever.

01:17:09On the saddest days, I will hug you.

01:17:13A native classmate at school, but Julian.

01:17:15Damn, Diego.

01:17:16It's clear.

01:17:17No, no, Julian.

01:17:18That's right.

01:17:19This is a robbery.

01:17:20To the checkout, damn it.

01:17:21Don't do it again.

01:17:21He pricked it.

01:17:22Selling in the courtyard is crazy, it makes no sense.

01:17:24Lourdes does have it.

01:17:25I bet you're going to stop me from selling in the yard.

01:17:27Of course, son.

01:17:28Of course.

01:17:28Seriously, you'll be so mad, they're taking them away.

01:17:30Argenito, you monkey!

01:17:32Good job, look, leave the machine where it is here and show some respect!

01:17:35Is your friend Julian trustworthy?

01:17:36I have drawn up a plan to improve my image.

01:17:38The first phase, of tenderness.

01:17:39It's heavenly.

01:17:41We invented this contraption.

01:17:42The hand, friend.

01:17:43Producer.

01:17:45Come on.

01:17:45Second phase, courage.

01:17:47An economic report from the school, which is more indebted than in Germany.

01:17:49And this is sinking, that everything is here and that something has to be done.

01:17:52The third phase, helpless.

01:17:54It's going to come out.

01:17:54He's had his fill, please.

01:17:57Come on, stick!

01:17:59Scabs, come on, stick.

01:18:00Aren't you a little too old for this?

01:18:02What if I'm a little too old for this?

01:18:04Passivity!

01:18:05Passivity!

01:18:06Do you understand that I'm more than a friend?

01:18:12So what happens?

Los Serrano - 6x22 - La penitencia va por detrás - HD 1080

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