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Risto Mejide acude a la taberna de los Serrano. Tras reconocerle, Choni decide conversar con él para comentarle su participación en el proceso de selección de concursantes de 'Operación Triunfo'. La mujer apenas puede dar crédito cuando el famoso visitante desprestigia sus dotes como cantante con sus mordaces y sarcásticos comentarios. La tensión en el establecimiento crece por momentos cuando José Luis, el marido de la agraviada, sale en su defensa. La intervención de Fiti logra impedir que los dos hombres lleguen a las manos y poco después, el publicista es invitado a abandonar la taberna. Tras la conversación con Risto, Choni decide poner punto y final a su carrera artística. La Justicia llama a las puertas de la familia Serrano para solicitar la participación de Diego en un jurado popular. Lo que en un principio llena de orgullo al patriarca de los Serrano, pronto se convierte en su particular pesadilla tras descubrir el delito que va a juzgar, el hombre sentado en el banquillo es un asesino en serie que degollaba a sus víctimas. El miedo a que el criminal pueda ser absuelto se impone al sentido de la responsabilidad de Diego, que se centrará en encontrar la forma de escabullirse del juicio. Tras ser expulsado del colegio mayor, Manu le propone a África irse a vivir juntos, pero su novia le recomienda que se aloje unos días en la casa de los Serrano. Diego acoge nuevamente a su sobrino, pero Teté, que sigue enfadada por el engaño de África, y Guille, que ve en Manu un duro rival en la carrera hacia la reconquista de su hermanastra, harán todo lo posible para que se marche de su casa. Por otra parte, Santiago siente que Lourditas está perdiendo interés por él y decide hacer todo lo posible para ponerse en forma. Persiguiendo su objetivo, Santi convierte a Manu en su entrenador personal para conseguir que su mujer vuelva a encontrarle atractivo.

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00:00:30That devotion comes from within? Is that it, or what?
00:00:31Have you looked at yourself?
00:00:32But how do you expect me to be, Fiti?
00:00:34Damn, I have a lot at stake.
00:00:35If they catch me...
00:00:36Oh, if they catch me, my God.
00:00:38If they catch me...
00:00:39It's that today it's Ote and tomorrow it's the front page of ten minutes.
00:00:42There is also hope, which is when you have faith,
00:00:45but with very little chance.
00:00:47What are you looking at?
00:00:49I...
00:00:50Nothing, it's just that you have a disgusting green booger there.
00:00:54Hello good!
00:00:57Can you get me a small glass of water, Santi?
00:00:58Oh, I'm coming, stressed, I'm coming.
00:01:01Between the evaluation, the parents' meeting, and the child who won't sleep.
00:01:04There's a wide variety of beliefs.
00:01:06Some people believe in old things.
00:01:08Mother always dipped our pacifiers in a glass of chichón.
00:01:12It worked like a charm!
00:01:13Santi, please, you're trying to turn him into a little drunkard.
00:01:16Don't think so, don't think so...
00:01:18It's good that I forgot this notified letter that has arrived for you.
00:01:21And there are those who believe in things they only know from movies.
00:01:24No, no, no, the notification from the other day wasn't a tall tale.
00:01:26That's not how they'll take prisoners.
00:01:28It's not for prisoners either, but it's related to that.
00:01:29That's the general idea, that's the general idea...
00:01:31The ministry...
00:01:31No, no, no.
00:01:32They're calling me to be a juror.
00:01:34I want to be a juror.
00:01:35Yes, yes, yes.
00:01:36This is big.
00:01:36Yes, my son, yes.
00:01:38I want to be a juror.
00:01:39Big on what?
00:01:40If you go against your will and they don't pay you or anything.
00:01:42There's more to life than money.
00:01:44No, no, no.
00:01:44There is something else called responsibility.
00:01:46Listen to me carefully, my children.
00:01:48Responsibility.
00:01:49Responsibility for whom?
00:01:49Towards your fellow citizens and towards the State.
00:01:52But it says the same thing when you pay your taxes, right?
00:01:54But I'm already breastfeeding, sorry.
00:01:56No, because I do trust in the rule of law.
00:01:57Yes, yes, yes.
00:01:58No, no, no.
00:01:59The worst thing about believing in what you don't know is that you might be disappointed.
00:02:03As Carmen already said.
00:02:04Preaching is one thing, but putting it into practice is another.
00:02:06Not everything is as easy as you think, no, no.
00:02:08On a station platform under the blazing sun
00:02:12You were talking about a skyscraper in the sky of New York
00:02:16Come soon to see the sea and send a postcard
00:02:19I already knew that day was the end
00:02:24Now I have much more
00:02:27Red, black, stop and even
00:02:29Finally, luck brings an ace
00:02:31And a glass to look through
00:02:32And a wall to hang it on.
00:02:34That's how she looked smiling in a passport photo
00:02:38My stories weren't about tales made by chance.
00:02:45Nobody told me that fate would give me this opportunity.
00:02:51One plus one equals seven
00:02:55Who would have thought?
00:02:59It was so easy to be happy.
00:03:11Let's go with Carmen
00:03:13Check, check, check, check
00:03:14Come here, come here, boy
00:03:16Barbita, can you make me a coffee?
00:03:17Look, look, look
00:03:19The child
00:03:20Is it possible to take it?
00:03:21We threw everything away
00:03:22I'll take it, I'll take it, that's what it wants to get out of.
00:03:24Okay, goodbye
00:03:34Bye
00:03:34Criminal Court, Chamber 3
00:03:36I will be there, Your Honor, at your feet.
00:03:38Hey?
00:03:41Are you the secretary?
00:03:42I'm sorry I didn't...
00:03:43Yes, goodbye, goodbye
00:03:45That's it, I've been summoned for jury duty tomorrow.
00:03:49And what does it consist of?
00:03:50Let's see, the job of being a juror consists of the following:
00:03:53Come on, I'm old
00:03:53He sits there in the little pot with his cap and his little stick and decides who comes in and who doesn't.
00:03:57Well
00:03:58No, that's not it.
00:03:59No, no, we have to show a little respect for these things.
00:04:01In other words, if the jury consists of...
00:04:03So, there's an accused person, right?
00:04:04And you have to decide if he is guilty or innocent based on what they are telling you and what they are explaining, because he
00:04:08defense attorney and what is the marshal
00:04:10Yes, famous brand
00:04:12That?
00:04:13No, no, prosecutor, Diego, prosecutor
00:04:15Oh, prosecutor!
00:04:16That I made a mistake
00:04:17Okay, but please acknowledge me, ma'am.
00:04:19Well, being a juror is a responsibility that's there, it's not something they offer to just anyone.
00:04:23But don't brag, because they do that by lottery.
00:04:27TO?
00:04:27And who are you going to lock up?
00:04:29No, son, "enchironar" (to imprison), but it's a word that doesn't actually imprison anyone, right? It's about judging, judging.
00:04:34And that, right up to the end, well, what happens to him, he accuses her, well, it's unknown
00:04:37I don't know why, because we live in a state governed by the rule of law.
00:04:38And here there is, here there is a neutrality
00:04:41And here there is impartiality.
00:04:43And here there is a sense of decorum and camaraderie with the judges.
00:04:46I'm just teasing you again, I know you, no, don't tease me, man
00:04:56Don't pretend
00:04:56You don't listen to me.
00:04:57Before, it was one to stop
00:05:00We've been together for a little while.
00:05:01But that's just a phase, man, don't ask me.
00:05:04What does the legal aspect of things include?
00:05:06Look what, look what I've read
00:05:09Six councilors charged in an urban planning corruption scheme
00:05:11I'm going to tell you something, as a part of the legal system that I am
00:05:14Please proceed, Your Honor, please proceed
00:05:16I'll proceed, I'll proceed then, thank you very much, with your permission, no
00:05:18I already have a judicial eye, what is the judicial eye that gives me
00:05:21That the corruption case is going to affect me in this trial I have
00:05:24And what is corruption?
00:05:25The scourge, the scourge of our coasts
00:05:27Okay, fine, Diego
00:05:28Look, you know that I'm personally ascetic when it comes to justice.
00:05:32They enter through one door, they exit through another
00:05:33And then there in that albaurín they're like kings
00:05:36Don't think that there...
00:05:37Well, look, Cachuli, for example.
00:05:39I lived like everyone else
00:05:41No, come on, I'm saying it because of what I've seen on TV, just like you guys, right?
00:05:45Oh, well, yes
00:05:47No, no, yes, nothing, nothing
00:05:48White wine?
00:05:49Yes, yes, a little wine, Santi
00:05:51The smart one! The smart one! The smart one! The smart one!
00:05:54The smart one!
00:05:55The smart one! The smart one!
00:05:56The smart one? The son of a triumph!
00:05:57Yeah, yeah, yeah, yeah, yeah
00:05:58Yeah, yeah...
00:06:01Peaceful
00:06:04Ready? Excuse me?
00:06:06Forgive me, I haven't signed anything
00:06:07No, no, me neither.
00:06:08I mean...
00:06:09I actually took the test to get into the academy
00:06:12I don't know if you'll remember me
00:06:14No...
00:06:15No no...
00:06:15Maybe, yes
00:06:18Yeah...
00:06:18That's a good sign.
00:06:20And what have I or haven't I gone through, Bónico?
00:06:22What was your name?
00:06:23Asunción Martínez. Well, Choni.
00:06:25Choni, of course. Yes, yes, yes. Your performance gave me goosebumps.
00:06:32That raspy voice and that outdated style.
00:06:35Yes, yes. I honestly thought products like yours only came out during the second round of sales.
00:06:42That's not going to happen, is it?
00:06:44No. I was actually in favor of you appearing on any show, except ours.
00:06:49So, deal with it, Choni.
00:06:51Yes. The copla hasn't died. The copla has been killed by people like you. You don't care.
00:06:58I swear to God! I'll kill you!
00:07:00Hey! No! No! I'm not ashamed, damn it!
00:07:03Gather me, you cow! We're in a public place!
00:07:06Bring me together! Bring me together!
00:07:08Do me a favor! Put together a favor for me! Put together a favor for me!
00:07:09Do me a favor! Do me a favor! Do me a favor!
00:07:11Do me a favor! Do me a favor!
00:07:13What are you doing with the shoe? Not with the shoe!
00:07:15Okay! That's enough! That's enough!
00:07:17That's enough! That's enough!
00:07:19What a mess, that chatunga! She's always messing with people, damn it!
00:07:22What does he know? What does this goblin know about anything?
00:07:24But judging by that masked look, who can tell?
00:07:27What was he drinking?
00:07:27Hey! White wine!
00:07:28Well, that's it!
00:07:30What are you doing?
00:07:32Well, look.
00:07:34Do you remember what we were doing in the library the other day?
00:07:36The one from the university residence?
00:07:38Yeah.
00:07:38Yeah.
00:07:40What a mess it would be if there were cameras, huh.
00:07:43Well, there are some.
00:07:44And they fired me.
00:07:46What are you... what are you...
00:07:48And have they seen me naked?
00:07:50No, no, don't worry.
00:07:51Look at the way the director was looking at me, come on.
00:07:53I don't think he noticed you.
00:07:57What are you going to do?
00:07:58So, what am I going to do?
00:08:00Well, I'll go home, Serrano.
00:08:01But come on, it's a real drag.
00:08:02Behave yourself.
00:08:03That?
00:08:05Well.
00:08:05Well.
00:08:06Don't worry, it will pass.
00:08:09I'll give Sue the same tragic treatment.
00:08:13Hey.
00:08:14Come here.
00:08:15Don't worry.
00:08:17Hey?
00:08:17Please.
00:08:19No, no, no.
00:08:21Hey.
00:08:22That?
00:08:23What if we rented something together?
00:08:26Who is it?
00:08:27You and I?
00:08:28Yeah.
00:08:34How annoying, huh?
00:08:35How annoying, huh?
00:08:36Dude, a bro.
00:08:36They repeat the truth more than anything.
00:08:38Come on, don't be silly, you need to think things through a little.
00:08:40You know that in Spain, statistics say there are three women for every man.
00:08:44You need to find the other two and stop overthinking it.
00:08:46Let's see.
00:08:47Let's see, a little bandana and DVD for you to have.
00:08:49I'm not interested in the other two.
00:08:51I just don't think you understand.
00:08:52It's just that today at breakfast it was, I don't know, like before.
00:08:55I said a couple of silly things and yes, yes, yes, haha.
00:08:57Yes, haha, sure, sure.
00:08:59I start watching Mr. Bean and, well, I crack up at Mr. Bean, but anyway, I don't
00:09:02It says nothing, huh?
00:09:03It's not that.
00:09:03No, that's not it, it's...
00:09:05It's like the thing that's dead, isn't really dead, what it says isn't dead, it's not.
00:09:10There is an interest that, hey, it's there, it's there, so you both know.
00:09:14So, nothing, a couple more roses, open field, and ti, ti, ti, ti, ti, ti, ti, ti, ti.
00:09:18Open field.
00:09:18Hey, Guille, what's up?
00:09:19Hey, one question, do you know if your father will be at the tavern?
00:09:22Yes, why?
00:09:23No, I'm just asking if I can stay with you guys for a few days at your place and stuff.
00:09:31Don't take offense, but the open field, the open field has just been reclassified.
00:09:35Look, no, no, don't be offended.
00:09:52Johnny, okay, okay.
00:09:54But let's see, what does that idiot know?
00:09:56He looks like the drummer from Manolo.
00:09:57Maybe that party.
00:09:58But yes.
00:09:59Do you think that not entering OT now will harm your career?
00:10:03Well yes.
00:10:03Ignore this hairy-haired guy from Mejide.
00:10:06That OT is a short-term fix, but it will lead to long-term problems, Johnny.
00:10:09Well, there's plenty of open record market out there, damn it.
00:10:11But this is finally here.
00:10:12Well.
00:10:13It's over.
00:10:14He told me some hard truths.
00:10:16I don't have goblins, young man, I don't have goblins.
00:10:18How can you not have elves?
00:10:19With its own cassette.
00:10:20You've got more goblins than a palete, mark my words.
00:10:23No, no, no, no, this is over.
00:10:26The music's over now, daddy, water under the bridge.
00:10:30Okay, okay, okay.
00:10:31It's over.
00:10:32It's over.
00:10:33That's it.
00:10:34It's over.
00:10:35Already.
00:10:36Already.
00:10:37Already.
00:10:39He's more alive than Angel Cristo.
00:10:41And it scares me.
00:10:41No, no, no.
00:10:42No, no, no.
00:10:43And stop making comparisons because you sound like an agromenauer.
00:10:46This will be over in two days, damn it.
00:10:49The agromenauer is passing by.
00:10:50What's up, family?
00:10:51How are you?
00:10:52That I no longer know that I left my town.
00:10:56I came from my village to succeed in the capital.
00:11:00Of course.
00:11:00And that was the closest they came to succeeding.
00:11:02And when I was with David Vival there.
00:11:05With Vival?
00:11:06At the wax museum.
00:11:08Well.
00:11:10God no.
00:11:11This is over now.
00:11:14And now, well, nothing.
00:11:16For school.
00:11:19What a shitty life, damn it.
00:11:23Have you heard?
00:11:25Did you hear what he said?
00:11:26What a disgusting life.
00:11:27He said what a disgusting life.
00:11:28She's really going for it, damn it.
00:11:30Where is this going?
00:11:31I know her.
00:11:32Back to school, right?
00:11:33But what did you say?
00:11:34Don't find out anything.
00:11:35Fuck.
00:11:36What are you talking about?
00:11:37What are you talking about?
00:11:37Why are you hitting me?
00:11:39Yes, legal action will be taken against this guy.
00:11:41Because?
00:11:42Because Verter has uttered insults against Choni.
00:11:44Okay.
00:11:44Well, time to pour the mop's bottom out.
00:11:46With all this talk about law, it's impossible to get anything done.
00:11:49Let's see, Chanti.
00:11:49I'm telling your brother about Choni's bad luck.
00:11:52And you, come on, keep at it.
00:11:53What's wrong with you now?
00:11:54It happens to bread and water.
00:11:55That's what's wrong with him.
00:11:55It's like it's bread and water.
00:11:57The town crier has already spoken.
00:11:59Oh, really?
00:12:00I hear, how busy.
00:12:02So they've got you sidelined.
00:12:04And so?
00:12:05Why is that?
00:12:07For the child.
00:12:09That?
00:12:09What child?
00:12:11Those are excuses.
00:12:12When a woman has a man who's just a man,
00:12:14That's for a reason.
00:12:16For a reason?
00:12:16Because?
00:12:17Well, there's a reason for that.
00:12:18More details, please.
00:12:20Good afternoon.
00:12:21Hey...
00:12:21Do you know if Diego is around here?
00:12:23Hey?
00:12:23The lawyer, my money?
00:12:24It's busy.
00:12:25What's it going to be?
00:12:27Well, I don't know.
00:12:27Okay, give me a plate of ham, come on.
00:12:29But without bacon, okay?
00:12:30And a juice.
00:12:31What are you saying, kid?
00:12:32We sell Iberian ham here.
00:12:34Are you going to turn your nose up at the bacon?
00:12:35It is reaped.
00:12:36It calms down a little, damn it.
00:12:37The kid takes care of himself, and that's good.
00:12:39Look, that's why it has support.
00:12:41Let's see if yours is going in that direction.
00:12:44What are you saying, man?
00:12:45I am a married man.
00:12:47And I know that physical appearance is secondary.
00:12:49Also, at 45 years old, I've made you a little yogurt.
00:12:5245 years old?
00:12:53But it's normal, so much bacon, so much tavern life.
00:12:57Well, you're a bit messed up, damn it.
00:12:59Admit it.
00:12:59But come on, Fiti, that's because he wants it.
00:13:01You'll be looking sharp in two days, huh?
00:13:03In two days?
00:13:05Not even with a scalpel.
00:13:07Go on, and roe deer.
00:13:09Pelorita is delighted.
00:13:10Hey?
00:13:11If that breast needs to be breastfed.
00:13:12And he jumps on foot.
00:13:14Here it goes.
00:13:14There goes a dandy.
00:13:15Yes sir.
00:13:17Hey...
00:13:18Diego, one thing.
00:13:19Hey...
00:13:20Can I talk to you for a moment?
00:13:21Yes of course.
00:13:22Let's see...
00:13:22No, Fermi.
00:13:23I can't take it anymore.
00:13:24That I abandon.
00:13:25Abandonment.
00:13:27Soni.
00:13:28Soni.
00:13:29Don't rush into anything.
00:13:30Hey?
00:13:32You can't throw away your career.
00:13:33But what career, Fermi?
00:13:35What career?
00:13:35The one about the lame greyhound.
00:13:37It's my career.
00:13:38No.
00:13:39I already...
00:13:40I already...
00:13:40I give up.
00:13:41I'm not putting any more energy into this.
00:13:43And don't start with Freud.
00:13:45Don't start with Freud and the bagpipes, okay?
00:13:47They're not here for firewood.
00:13:51Okay?
00:13:52If that's what you want...
00:13:56Anyway, if you want to talk, you know what to look at...
00:14:00Okay, okay. I'm leaving now.
00:14:01Hello.
00:14:08What's wrong with you, woman?
00:14:09What, what's wrong with me?
00:14:10What's happening?
00:14:11What, what's wrong with me?
00:14:12In two words I'll tell you what's happening to me, Lurdita.
00:14:14One, I'm leaving the Spanish song.
00:14:17And look, I'm going to send a letter to the director of OT that will blow his mind.
00:14:21But, woman, you're going...
00:14:21Look, see what you think.
00:14:22Let's see.
00:14:26Dear Quique Sabadell.
00:14:27Yeah.
00:14:28Dear Sir.
00:14:29Yeah.
00:14:30I had a dream.
00:14:32And with that hope I went to his academy.
00:14:35But then that guy shows up.
00:14:37He's a complete fool, a conceited idiot, and a total son of a...
00:14:41Choni, Choni, for God's sake you're missing out.
00:14:44But...
00:14:45What, what, what is it that, what is it that you don't see in the letter?
00:14:47What, what is it that isn't?
00:14:48Let's see.
00:14:49As for the letter, well, my dear...
00:14:51I have...
00:14:51This is...
00:14:52Well, the whole letter.
00:14:53Choni, the whole letter.
00:14:55No.
00:14:56No, no, I'm not good for anything, not even a little.
00:14:59No, woman.
00:15:00Here you go, darling.
00:15:01There are other formulas.
00:15:02Let's see, I'll help you.
00:15:04Here's the lawman.
00:15:06Damn, you.
00:15:08Guess who's coming with me?
00:15:13Manu!
00:15:13Look, look at this.
00:15:15Come on, Elba will take it.
00:15:16Do you want to go to sleep?
00:15:17To sleep, to have dinner, to everything.
00:15:19He's going to spend a few days with us because they're doing construction at the university residence.
00:15:23That?
00:15:23Ah, yes, the works, yes.
00:15:25Of course, with the construction work going on, you can't really concentrate, yes.
00:15:28How are you, Tete?
00:15:30Throwing.
00:15:31Are you going to stay long?
00:15:33Whatever it takes.
00:15:34Because Manu is family.
00:15:35In other words, grab your backpack and settle in.
00:15:36Come on.
00:15:37Come on.
00:15:38One thing.
00:15:39Forgive me, son.
00:15:40Hey, besides the towel, you must have brought a freeloader, right?
00:15:43But...
00:15:44Yes, Diego, yes.
00:15:45Okay, great, go for it.
00:15:48What's wrong with him?
00:15:48Doesn't he have anywhere else to stay or what?
00:15:50Sure, but don't you want him to stay?
00:15:52Well, no, of course not.
00:15:54So, Maritere, I am your man.
00:15:57You're going to turn this house into Guantanamo.
00:15:59Listen, honey, nobody gets out of Guantanamo, not even God.
00:16:02Okay, okay, but that's the concept, man, Manitere, you understand?
00:16:06Hey, I understand you, I understand you.
00:16:09That's how we balanced the budget for the grant.
00:16:11Uh-huh.
00:16:12And a little commission for us, right?
00:16:15Just kidding, woman.
00:16:23Oh.
00:16:25That little medal is just like the one my mother used to wear.
00:16:29May he rest in peace.
00:16:30It is the Virgin of...
00:16:31The Virgin of Miracles.
00:16:33That's it, that's it.
00:16:35Come on.
00:16:39So, see you tomorrow?
00:16:40Yeah.
00:16:41Let's see if things work out.
00:16:42God hear you.
00:16:43Well.
00:16:45See you tomorrow.
00:16:46See you tomorrow.
00:16:51Oh!
00:16:53Santi, oh my God, you scared me so much!
00:16:54Come on, let's go home, Diego.
00:16:57That?
00:16:58That?
00:16:59A lot of trouble.
00:17:00Well, if I told you.
00:17:03Come on.
00:17:08But my sister has a history that gives her away, damn it.
00:17:10I agree about Diego, huh.
00:17:12He was this close to jumping off the roof.
00:17:13That was a huge exaggeration, Fiti.
00:17:15It was greatly exaggerated.
00:17:16Well, he got on.
00:17:17Well yes.
00:17:17Come on.
00:17:18Come on, open it.
00:17:19I would say that my Choni wants to get out of the way.
00:17:21Well, there's not a long way to go.
00:17:21Clear.
00:17:22Don't push, damn it.
00:17:23Don't push.
00:17:23Choni.
00:17:26Choni.
00:17:26Choni.
00:17:26Choni.
00:17:27Choni.
00:17:28Choni.
00:17:31Leave me alone, I'm cleaning the oven.
00:17:32A chicken coop has more shit on a stick.
00:17:34Look.
00:17:34Look.
00:17:35No, that...
00:17:37What are you doing like that?
00:17:37In that position.
00:17:39It's going to give you something there in the lumbar region.
00:17:42I'm going to get it.
00:17:42I'm going to get it.
00:17:43I will not listen to God and He will truly give me.
00:17:45All I want to do is go to bed and get up more.
00:17:48Well, that's very good.
00:17:49But...
00:17:49How are you?
00:17:51How are you feeling?
00:17:54Well, I...
00:17:55That's what I wanted to tell you.
00:17:56I know that I...
00:17:57I have disappointed you.
00:18:01But going to my decision...
00:18:04It's moving forward now.
00:18:05Forward?
00:18:06So, how are we moving forward, Choni?
00:18:07Well, whatever, Fiti, whatever.
00:18:10All I want to know is...
00:18:12Let him make the decision, let him make it...
00:18:14Whatever he does, if...
00:18:16If you would support me.
00:18:21My love, of course.
00:18:22Nothing.
00:18:23Already.
00:18:24I feel much calmer now.
00:18:32Kid.
00:18:33No, well, that's it.
00:18:34That's it.
00:18:35That's it.
00:18:35It's perfectly fine.
00:18:36He said...
00:18:37No no.
00:18:37He said he's going to move forward.
00:18:39But the thing is...
00:18:39Let's see if you realize that...
00:18:41Forward.
00:18:42Pa' Choni is down.
00:18:43Damn, my head was in the oven, for fuck's sake.
00:18:45We might also get a little carried away there because I was cleaning in there too.
00:18:48But why the hell has he backed down?
00:18:50What do you want?
00:18:50What, that he commits suicide here in front of his family?
00:18:52Vos populi?
00:18:53But she hasn't asked herself if we were going to support her in everything she did, damn it.
00:18:56And you see everything as blacker than a cricket's snout.
00:18:59You can see the woman is more lively.
00:19:02Animated?
00:19:02It's sunk.
00:19:04Sunken is what it is.
00:19:04Yes indeed.
00:19:05Every precaution is necessary.
00:19:07Let's see.
00:19:07What are you doing?
00:19:08Let's see what you have here.
00:19:09Look there, look there.
00:19:10Look, look, look.
00:19:11What is this?
00:19:11Pills?
00:19:12No, no, no.
00:19:13These are the lasantes.
00:19:14He's not going to commit suicide by walking away.
00:19:18That?
00:19:19God.
00:19:20That?
00:19:20He's caught you on the fast track.
00:19:22Look, my dear sir.
00:19:24After putting so much enthusiasm into it and struggling so much with a mess, I quit.
00:19:29My dream is broken.
00:19:31I am leaving this world.
00:19:32Haven't you seen my bag?
00:19:36Yes, yes.
00:19:37Johnny, look.
00:19:39Let's do one thing.
00:19:40Fix yourself up, woman.
00:19:41We're going to get some fresh air somewhere.
00:19:45The cool.
00:19:47It gets freezing cold.
00:19:57The dinner was excellent, Doña Carmen. Thank you very much.
00:19:59Nothing.
00:19:59And please excuse the inconvenience, because these people have insisted on coming here, and I'm not some saint who knows what.
00:20:04No, woman.
00:20:05I'm going to pick it up.
00:20:06Yes, the help.
00:20:07Help, Carmen.
00:20:08Yes, come on, eh, treasure.
00:20:09I'll take the yogurts with me, right?
00:20:10Yes, that's already...
00:20:11Arab, we'll give you a hand.
00:20:12Okay, I'll leave the noodles to you.
00:20:14Okay.
00:20:16Santi, can you tell me what's going on with you and Lurditas?
00:20:18Because you've had a boring guy all dinner who won't...
00:20:21I have unfounded suspicions that he is cheating on me.
00:20:25Lurditas is unfaithful to you?
00:20:27Okay, okay.
00:20:28Or it is.
00:20:30Or it will be.
00:20:31Or the president of the APA.
00:20:33Okay, okay.
00:20:34That's it, that's it.
00:20:35How did you find out?
00:20:36When was that?
00:20:37Tonight, at school.
00:20:39I was showing her my cleavage.
00:20:41That?
00:20:42You, you're not right in the head.
00:20:43My sister showing off her cleavage.
00:20:45But it's not like my sister was going to be a nun, she was wearing high-necked panties, damn it.
00:20:49No, no.
00:20:50You should have seen that fussy little brat.
00:20:52That's where you were wrong, Father.
00:20:53When I said that the Iberian male is like the rooster in the henhouse.
00:20:57Did I tell you or didn't I tell you?
00:20:59Hey?
00:20:59You had to start with the hoop.
00:21:00When you settle into a comfortable position, then comes the surprise.
00:21:02Let's see, let's see.
00:21:03Calm, calm.
00:21:04Because blood won't flow in the river now.
00:21:05In other words, we're only talking about a small channel.
00:21:07Lurditas's little cleavage.
00:21:08By the way, if you look at the cleavage, well, Lurditas is in a cleavage.
00:21:11Anyway, lua.
00:21:12Well, your wife is good-looking, and you're so hot you should be sent back to the bullpens, Santi.
00:21:15That serves as a good example for me.
00:21:16Anyway, he's doing you a favor.
00:21:17That's right, Santiago.
00:21:18It's sad to see you.
00:21:19It might not seem like it, but my sister is a woman, damn it.
00:21:22What you have to do is take the baton.
00:21:25Take up the mantle and rise to the occasion.
00:21:27At what level?
00:21:28To be president of peace.
00:21:30Yes, refine yourself, Santi, refine yourself.
00:21:32And if I have refined myself, you will refine yourself.
00:21:33Because I too have refined myself.
00:21:34In other words, I was refined with Lucía.
00:21:35Well, refine yourself, damn it.
00:21:40Well, I'm going to forgive myself, but I'm going home because I don't feel like this.
00:21:44Very good, huh?
00:21:45Come on.
00:21:46Well, that's it.
00:21:46No, no, no, no, you're not leaving alone.
00:21:49And that's all, that's how the neighborhood is.
00:21:51You see.
00:21:51Come on, let's go.
00:21:53But anyway, what about the coffee?
00:21:55Here, at the Houston business, with the bodyguards.
00:22:00Okay, Lurdica, see you tomorrow first thing, right?
00:22:02Come on.
00:22:03Have a good time.
00:22:04Bye bye.
00:22:04Goodbye, my company.
00:22:05Bye bye.
00:22:06Santi, come on, composure.
00:22:08Damn, a little bit higher, go ahead, without fear.
00:22:10Come on, let's go, let's go.
00:22:12I'm going to work.
00:22:13Come on, let's go.
00:22:16That?
00:22:19That?
00:22:20Look, what a cute little thing it is, how scary.
00:22:22Now, he awaits justice.
00:22:23Wait for the answer to a question that is as simple as it is terrible.
00:22:25Please, let me through.
00:22:29Guilty or innocent?
00:22:30The answer will have to be given by a jury, which has the responsibility of judging this horrific case.
00:22:36The solution will be revealed tomorrow in courtroom 3 of the capital's courthouse.
00:22:39Dad, isn't that your living room?
00:22:41Yes, son, I'm afraid so.
00:22:43That.
00:22:44Fuck.
00:22:46Oh...
00:22:47Wow, what a mess you've gotten yourself into.
00:22:50Come on.
00:22:51Let's go.
00:23:10Wow, that's deleted.
00:23:12Wow, that's deleted.
00:23:14Wow, that's deleted.
00:23:16Wow, that's deleted.
00:23:17Wow, that's deleted.
00:23:18Wow, that's deleted.
00:23:19Wow, that's deleted.
00:23:21Wow, that's deleted.
00:23:21Wow, that's deleted.
00:23:22Wow, that's deleted.
00:23:22Wow, that's deleted.
00:23:40But you want to stand up straight
00:23:48Let's get down to brass tacks. This is like dripping water, okay? We have to slowly chip away at their morale.
00:23:53individual.
00:23:54Okay.
00:23:59Don't worry, everything is under control.
00:24:01Okay.
00:24:09No? Is this when I take a shower or what?
00:24:23Okay, I'll confirm it's complete. Let's lift it up.
00:24:33Dad, you look unwell. Did you sleep well?
00:24:35Yes, like a log, son. Like a log.
00:24:38Hello good morning.
00:24:39Hello.
00:24:40Are you ready?
00:24:40Man.
00:24:45Brother, this one is huge.
00:24:48Luguita, when I tried to leave, denied it.
00:24:50What did he deny you? What did he deny you?
00:24:53What did he deny you?
00:24:54Thrice.
00:24:55Like Saint Peter.
00:24:57Hi there.
00:24:58Hello.
00:24:58Carmen, what's on offer in Campurriana?
00:25:00Well, in the pantry, look, I'm sure you'll find...
00:25:05She said she was exhausted.
00:25:07Sure, she spent the whole afternoon showing off her cleavage.
00:25:09And I had two candles.
00:25:11I have been able to reconcile.
00:25:13Well, I haven't reconciled either.
00:25:14I haven't reconciled either.
00:25:15Because every time I closed my eyes, the skinner appeared, coming for me.
00:25:19Okay, Tere, we're moving on to phase 2.
00:25:21Do you like opera?
00:25:22Yeah.
00:25:22Yeah?
00:25:30What kind of scream is that?
00:25:31Scatter, Manu.
00:25:32Tete, go see what's happened to poor Manu.
00:25:33Let's see what happened to him.
00:25:34But...
00:25:34What happened to the kid?
00:25:36Okay, I'm going then.
00:25:37No, don't look, Tete, don't look.
00:25:38But what are you doing dressed as Spartacus again?
00:25:40The water is cold.
00:25:42Which water is cold?
00:25:42Why are you telling me this?
00:25:44Why didn't you tell me you had a bathrobe?
00:25:45Come on, pull up.
00:25:46Go on, let's go, upwards.
00:25:47Diego, son, calm down.
00:25:48That?
00:25:49Because justice cannot be delivered under that plan.
00:25:51What do you mean, administer justice?
00:25:52Clear.
00:25:52It's not going to be possible.
00:25:53It won't work.
00:25:54Because?
00:25:54No, because I have some errands to run and I might not be able to.
00:25:57Hey, Dad, I was thinking you weren't messing up because of the skinner, were you?
00:26:02My father doesn't shit himself, not even with the skinner, or the arrompeado, or anyone.
00:26:06And furthermore, he is protected by Romanian law.
00:26:10I know.
00:26:10Are you brave, Dad?
00:26:11Yes, brave, brave, yes.
00:26:13Why is the justice system the way it is?
00:26:15What's happening with justice, Carmen?
00:26:17How is the justice system?
00:26:18Well, it's already known that they'll be out on the street in two days.
00:26:21Let's go, brother.
00:26:22Let's go, great.
00:26:24Hey, that fool, I saw you, huh?
00:26:26Go on.
00:26:27Come on, she's not only perfect for crime.
00:26:30That's just the beginning for you, Maritene.
00:26:32Let's see what we have.
00:26:33Finally, between Sánchez de Manch, Manu's laundry.
00:26:37Oh no, dude.
00:26:39This color will look amazing on you.
00:26:42But, but...
00:26:44Yes, Fermín, yes.
00:26:45But you have to read the subtext, Fermín, the subtext, which said "very gentleman"
00:26:49Mine, huh?
00:26:50And who is my lord?
00:26:51The Most High, who is settling accounts with God, Fermín.
00:26:54Me too, I was skeptical too, Fernando.
00:26:57Okay, Fermín, I can call you Fer, to avoid any disagreements, if you like.
00:27:00For all I care, you can call me.
00:27:02Lola.
00:27:02Well, that's it.
00:27:03The fact is, he said it very clearly.
00:27:05My dream is shattered, I am leaving this world.
00:27:08I am leaving this world.
00:27:09Is it obvious, Fer?
00:27:11I don't know, I don't know.
00:27:12The truth is, now that you mention it, I was with her yesterday.
00:27:17And I found her very...
00:27:19Very, Fermín, I'm so scared I could burst out of my ears.
00:27:22Very low.
00:27:23Very low.
00:27:24Yes, and that's very strange, isn't it?
00:27:25Because we already know that Choni has a more outgoing profile, let's say.
00:27:28I had never seen her like that before.
00:27:31Well, yes.
00:27:33Once.
00:27:33Once?
00:27:34Now you think about it, once, yes.
00:27:37Get going, Fermín, once what, damn it.
00:27:38That's with...
00:27:40With what happened to Diego, the whipping...
00:27:42Damn, damn.
00:27:43And when were you planning to tell us, eh, Fermín?
00:27:45Because you're very refined in some things, but very crude in others.
00:27:48Did I tell you or didn't I tell you?
00:27:49Yes, damn it.
00:27:50The thing is, you didn't want to see it.
00:27:51I know her like the back of my hand.
00:27:52Calm down, damn it.
00:27:53I don't know, I don't know, I don't know.
00:27:54Perhaps the matter is more delicate than I thought.
00:27:57Let's see, Fermín.
00:27:58Just tell us one thing, one thing only.
00:27:59What do we have to do?
00:28:00What do we have to do to stop my brother from doing something stupid?
00:28:04Good.
00:28:05First.
00:28:08First, keep it under control.
00:28:11Without overwhelming her, because I know you guys, eh.
00:28:13But keeping it under control.
00:28:14Yes, it's under control.
00:28:15It's under control.
00:28:16That's the first thing.
00:28:17And the second thing.
00:28:18Let's move on to the second point, Fer.
00:28:19Secondly.
00:28:20The second thing, then.
00:28:21Well, Chony, in her phase of despair, let's say, has abandoned music.
00:28:27And that has created a void within her.
00:28:29A void that needs to be filled with...
00:28:33With some creative activity.
00:28:35There it is.
00:28:35Creative activity.
00:28:37Creative activity.
00:28:38Yeah.
00:28:39If you fine-tune it a little more, because creative activity...
00:28:42In which creative sector do we operate?
00:28:44That?
00:28:45That?
00:28:45Decorative plastic?
00:28:47What, what, what?
00:28:48The fucking type A croup...
00:28:50Something he's good at, huh.
00:28:51That keeps her cheerful.
00:28:53Something that excites him.
00:28:55And above all, that it keeps her busy.
00:28:57OK?
00:28:58Is it going well?
00:29:00Okay, brother, evacuate.
00:29:01Evacuate.
00:29:02And presence of mind.
00:29:03You have to go to court.
00:29:05No, no, no, Santi, I can't.
00:29:06That in this state I cannot comply with the state.
00:29:08Damn, and that's putting it mildly.
00:29:10Santi.
00:29:12We have a problem, but...
00:29:13The problem is this one.
00:29:15No, well, the problem is yours.
00:29:17Tell Fiti about it.
00:29:18Oh, tell Fiti.
00:29:20Lourdes, who denied me.
00:29:21What did he deny you?
00:29:22What did he deny you?
00:29:24Well...
00:29:24His own.
00:29:26He denied her what was rightfully hers.
00:29:28But she told me she was tired.
00:29:30Well.
00:29:31And that has never been emotional.
00:29:32Well, don't worry, don't get angry, damn it.
00:29:34Well, if what you need to do is refine yourself.
00:29:35We already told you, right?
00:29:37There she is, her uncles have come and because of them she's gotten tired.
00:29:39But as soon as you change your approach, you'll have her eating out of your hand.
00:29:42One, forgive me.
00:29:43Fuck.
00:29:44What's wrong with him now?
00:29:45But you don't want to go to court.
00:29:46He's sodomizing him.
00:29:47He's sodomizing him because I thought the judges were due for a little something.
00:29:50Well, simply put, it's bribery, prevarication.
00:29:53Well no.
00:29:54I've been assigned a homicide case.
00:29:56That's serious, it's a homicide.
00:29:57But what harm will it do?
00:29:58A homicide is more like a theft than the robbery of a donkey.
00:30:01But it's the same thing in this case.
00:30:02It's not the same, Fiti, it's not the same.
00:30:05It's my turn...
00:30:07The case of the skinner.
00:30:09The skinner?
00:30:10The one on the Manzanares River?
00:30:11Don't burden me, don't burden me, because I already have enough on my plate.
00:30:14I'm not going, no.
00:30:15Imagine if he lets this guy go, for whatever reason, right?
00:30:18Let him make a stew out of me, damn it.
00:30:20Well, well, I mean, God willing nothing will happen, but damn, if something does...
00:30:23So what are you going to do?
00:30:24Because of course, it's not so easy to evade the state.
00:30:26Tell that to the one from...
00:30:27To the one of the bee, to the one of...
00:30:29Ah, to free fun, to...
00:30:30To the one with the bee, damn it.
00:30:31Yeah.
00:30:31Oh, damn, Mario Condé.
00:30:32Mario Condé.
00:30:32Well, Diego, don't you worry, okay?
00:30:35Here, with just a plug, you can get anywhere.
00:30:37Good.
00:30:37Don't you remember Manolito, the one who works there as a security guard?
00:30:40The one who went out with the trine and the four-eyed one.
00:30:42Ah, the one who was dating...
00:30:43Ah, yes, yes, Manolito.
00:30:44Fiti, I'm serious, damn it, I have a problem.
00:30:46But this guy has connections there, damn it, he got my fine waived.
00:30:49Well, don't worry, if he's anything like the boyfriend from the trine, he's sorting things out.
00:30:56No, really, no...
00:30:57Look, you don't know what that is.
00:30:58That house is because he's coming, um.
00:31:00I really can't stand being there another day.
00:31:02Maybe you're exaggerating a little, aren't you?
00:31:03No, I'm not exaggerating.
00:31:05Look, one morning my bathrobe disappears, as if by magic.
00:31:09I'm running out of hot water.
00:31:12Look at this.
00:31:13Afri, look, look, look at this, look.
00:31:15No, what, don't be negative, Manu.
00:31:18That color is very popular this season.
00:31:20Oh, and with a bit of humor, too, right?
00:31:25So, what about you?
00:31:26Have you thought about whether we can continue together?
00:31:32Well, and...
00:31:33Come on, can't you stand there for a few more days?
00:31:36Look.
00:31:37Okay, that's it.
00:31:39We'll talk about it.
00:31:40You're not going to die from staying a few more days.
00:31:43No, no, no, no.
00:31:44I'm also going to start thinking about what I need to prepare for the class.
00:31:46Hello, come here now.
00:31:47See you later.
00:31:50Forward, forward, back, fireball.
00:31:52Look, look, look, we have artichokes showing off on a pink sports t-shirt.
00:31:56How strange, those very masculine tones.
00:31:58Very stupid.
00:31:59I'm dying of laughter.
00:32:00How funny you are.
00:32:01Thank you.
00:32:02Tell me one thing.
00:32:02The key to this morning was no coincidence.
00:32:04Okay, let me lose.
00:32:06Hey, have you seen Poster Bait?
00:32:10Come here, come.
00:32:12Calm down, calm down, guys.
00:32:14Look, I'm going to tell you something.
00:32:17I'm not leaving your house, not even if you offered me hot water, okay?
00:32:20The cold ones, right?
00:32:22Yes.
00:32:25Look, I have nowhere to go, so you'd better get used to that idea, okay?
00:32:27Okay.
00:32:28We'll see about that, buddy.
00:32:34Don't worry, this is a spoon.
00:32:36It doesn't even prick.
00:32:37Here he goes, here he goes to click, here he goes to click.
00:32:40Yes, damn it, Manolo.
00:32:41Manolo, this tall, strong guy who works over here.
00:32:45He needs to know who he is.
00:32:47You wait here, they'll call you now.
00:32:48Look, look, no, I can't attend as a juror.
00:32:52It's not that I don't want to, but it's just not going to be possible, really.
00:32:55Why?
00:32:58My son.
00:32:59My son, who has a loose tooth.
00:33:01And you're going to negotiate with the little mouse Pérez, aren't you?
00:33:03A little consideration, please.
00:33:05I am informing you that failure to serve as a juror is a serious crime against the State.
00:33:09But the State, the mother who gave birth to me with the State, but because of me who gave birth to me.
00:33:12I'm screwed, I trust it.
00:33:14Don't renounce the State, damn it, we're here on holy ground and they're going to appeal us.
00:33:18I deny it, I'm not going in there with the skinner.
00:33:20Good look, and what about your friend? Do you have them?
00:33:21Why the hell do you expect her not to know her age?
00:33:23So damn, what exercise should I do, Santi?
00:33:26Well... 45.
00:33:28Ah, 45.
00:33:30But it looks more like it, doesn't it?
00:33:31He just doesn't take care of himself, he doesn't take care of himself.
00:33:34And you dress very old-fashioned, believe me, for me to say so.
00:33:36Already.
00:33:37And one more thing, is your friend also a bar owner or...?
00:33:39Ah, yes, from the trade, a professional.
00:33:41Already.
00:33:42And now he's starting to worry about his appearance and all that.
00:33:44There is concern, there is concern.
00:33:46Their marriage has reached a dead end.
00:33:50Don't you think it'll happen in two days, huh?
00:33:52Something can be done in two days, right?
00:33:55Man, in two days, I don't know, but come on, tell your friend we have to work hard, okay?
00:33:58My friend?
00:33:59He's more attached to my Torino.
00:34:02Okay, okay.
00:34:03There is no...
00:34:03There's no way to evade responsibility, with respect, without greatly upsetting what is
00:34:11the State.
00:34:11Only for illness and injury.
00:34:16Just a moment, I see.
00:34:20It can't be because of the fiti and the illness, because I'm still young, I mean, not because of illness.
00:34:24So proceed.
00:34:25Come on, go for it.
00:34:26Give me a sharp blow, here, on the clitoris, in the tail area.
00:34:29No, Diego, please, just like that, I don't...
00:34:31Fiti, listen to me.
00:34:32Give it to me.
00:34:33Come on, here.
00:34:35Okay, well, let's see.
00:34:36There it is, just sitting there, huh?
00:34:37Yeah.
00:34:38Stay put, let's see.
00:34:40Come on, Fiti.
00:34:41It is also good to have fruitful.
00:34:43Diego Serrano.
00:34:45To the courtroom, please.
00:34:47Come on, Fiti.
00:34:48No, no, no, for God's sake, no, no.
00:34:51Look, it's over, it's finished, it's over, it's finished.
00:34:53Don't worry, Diego, there's still hope.
00:34:55What you need to do is not throw parties there at the trial.
00:34:57You blend into the mass and don't make yourself stand out above all that.
00:35:00You think?
00:35:00Yeah.
00:35:01Come on, let's go.
00:35:02This isn't going to go any further, okay?
00:35:04There's one very important thing, okay?
00:35:06Whatever happens at the trial, you're going to declare him guilty, right?
00:35:08He's killed 20, damn it, he's going to be there for the rest of his life.
00:35:11Presence of mind, Diego, presence of mind.
00:35:13Diego Serrano, please.
00:35:15Go.
00:35:16Come on.
00:35:26Put these on, okay?
00:35:28You give caution, and not much at all.
00:35:29No.
00:35:32Good morning.
00:35:33Hello.
00:35:34How are you?
00:35:35Hello.
00:35:37Hello.
00:35:38No, we're changing...
00:35:39So, that...
00:35:42The silver.
00:35:43It's already in bad shape and we need to polish the silver.
00:35:45And that's why I removed them.
00:35:46Anyway, and for God's sake, that's not money, shit.
00:35:48All the more reason.
00:35:50All the more reason, because this is getting really messed up...
00:35:52Come on, look.
00:35:53Well.
00:35:53I caught a terrible cold, I'm feeling this way all the time.
00:35:57You tell him.
00:35:58Well, you tell him, damn it, because he doesn't listen to me.
00:36:03Hey...
00:36:04Okay, Choni, this...
00:36:06So, if I say "art" to you, for example, what does that suggest to you?
00:36:09Thank you, jury.
00:36:11Hey...
00:36:12No, but I meant rather, more than art, creative activity.
00:36:16Yes, that's it, that's it.
00:36:17For example, let's see, let me tell you...
00:36:20Hey...
00:36:21To put it simply, you like fashion, don't you?
00:36:23Fashion?
00:36:24Yes, I like fashion, I really like fashion.
00:36:27Wait, I don't understand much.
00:36:28I understand it best when it's a little more disheveled.
00:36:31And look how funny the chicken Penelope Cruz is carrying is!
00:36:33See?
00:36:34See how it is...?
00:36:34See?
00:36:35You've always liked that.
00:36:36Have you always had a great knack for it?
00:36:38Oh, really?
00:36:38Don't tell me no?
00:36:39Well.
00:36:40What used to be a hair salon?
00:36:41In the village, don't you remember that you had a knack and a trick up your sleeve that...?
00:36:44Well, the neighbors, the neighbors were fighting over who got to ask for a time.
00:36:47Okay, okay, okay.
00:36:48No, no, not that much, not that much, Fiti.
00:36:50It's not that big of a deal, I've never had any sense of time with my perm.
00:36:54Seriously, think about it.
00:36:55Seriously, you wouldn't like to own a hair salon, would you, Choni?
00:36:59Hey?
00:37:00Dedicate yourself to it.
00:37:01Well, I don't know.
00:37:03You've caught me off guard.
00:37:05Jesus, Choni, look.
00:37:07We've got it made.
00:37:09Yeah.
00:37:09Because it's not going to be very good either.
00:37:11Yeah.
00:37:11We're distributing some hostels around here, for now just around this area of ​​the neighborhood.
00:37:15Hey?
00:37:15We'll buy you the tools and you can start here at home, okay?
00:37:18And in two days you're in a beauty salon, it's just a step.
00:37:20Choni Hair Salon.
00:37:21Hey?
00:37:21Because you're worth it?
00:37:23Chatunga.
00:37:23What are you saying?
00:37:24Hey?
00:37:25Well, I don't know, that's just my opinion.
00:37:27Yes, yes, woman.
00:37:28If you don't see it.
00:37:29But come on, we do see it.
00:37:30We can see it from afar.
00:37:32Family.
00:37:33Hello, nephew.
00:37:34To give you an example, I mean, yes, at random, your nephew.
00:37:39Your nephew?
00:37:40What do you think of your nephew?
00:37:41I think it's a little outdated, I mean, in that respect, you know?
00:37:44What are you saying, man?
00:37:45I can't see well, can I?
00:37:46Move aside, sit down, Raúl, please.
00:37:47Sit down.
00:37:48No, look closely, look closely at her hair.
00:37:50This is no longer following the dictates of fashion.
00:37:53Compare it there in the magazine, please, look at one hair and look at the other, okay?
00:37:56A little, a little long.
00:37:57I think that...
00:37:58It's a bit long, isn't it?
00:38:00Seems.
00:38:02No, it looks good, his, no, no, no.
00:38:06Hey Raúl, that's great, it really suits you, you know?
00:38:08But your helmet won't even fit.
00:38:11No, yes, hey, at least it dampens, it definitely dampens.
00:38:14I'm laughing at the kid, damn it, he's your son, Fiti.
00:38:16Eh, eh, eh, eh.
00:38:18Kid, kid, think it's for a good cause, damn it.
00:38:21Think about your aunt for a little while.
00:38:23It doesn't look bad on you, really.
00:38:25It doesn't look bad on you, it really suits you...
00:38:27Come on, you're...
00:38:29Are you OK?
00:38:30Nothing, yes, nothing, I'm going for it.
00:38:31At least I'm brightening the day for my fellow donkeys, now.
00:38:34Che, che, che, che, che, eh.
00:38:35They don't give it to you that fast, here, take this and distribute it around the neighborhood.
00:38:38You too.
00:38:39Come on.
00:38:44That?
00:38:46What are you hiding there?
00:38:47Ah, nothing, no.
00:38:50Pineapple juice, because of its refinement.
00:38:53Santi, Santi, you're getting confused, you're getting confused.
00:38:56Manu has put me...
00:38:57Come on, I'm in.
00:38:59But this Manu guy, who's the TV Torrigles guy, look at him.
00:39:02Let's see, this whole thing about refinement and diet and all that is very good, eh.
00:39:05But, Santi, never forget the wolf inside you, okay?
00:39:08The wolf?
00:39:09The wolf, the wolf, because there's Manu where you see him, so muscular, such a great body, huh.
00:39:13He doesn't forget the wolf within.
00:39:15Remember what he did to Afri, he ate her.
00:39:19Well, metaphorically speaking.
00:39:20Let's see, the lone wolf, that is, Manu, snatched the prey from a Martinez, which is already snatching.
00:39:26Because?
00:39:27Because the wolf bites, the wolf stalks, and the wolf attacks.
00:39:30And what kind of animals are the Martinezes, so I can understand?
00:39:34Well, we Martínez are already, I mean, what a wolf of the plateau is.
00:39:37And you, you have to be an Iberian wolf.
00:39:39Like ham?
00:39:40Like ham?
00:39:41I don't know if my little dove is going to like this wolf thing.
00:39:44Let's look at something.
00:39:45Let's stop with the dove thing, eh, those mumoñas are fit for a wolf.
00:39:49Hey?
00:39:49An Iberian wolf?
00:39:50Yes, eat the dove.
00:39:51Come on, Santiago devours it, literally and metaphorically speaking.
00:39:55You need to find a wilder term, damn it, a more predatory one.
00:39:59Are you aware?
00:40:00I'm surprised.
00:40:05Sorry, sorry, but it's going to be like this, I mean, otherwise, a little screen, a little script, something, right?
00:40:10In other words, straight up with the killer.
00:40:12And no, I'm saying this for the murderer's sake, because for him it won't be a pleasant or agreeable dish.
00:40:16The man, of course, was looking at all of our faces and then, well...
00:40:20Where do I sit?
00:40:21Back here, right? Thanks.
00:40:22Yeah.
00:40:26No, no, no, no, no, excuse me.
00:40:27That seat is reserved.
00:40:28But what do you mean it's reserved?
00:40:29Yes, yes.
00:40:29But, excuse me, excuse me, but we are in a state governed by the rule of law.
00:40:31And can't you have preferential treatment like that, without reason?
00:40:35What is the reason?
00:40:36Sit down, young man, sit down here.
00:40:38I have my own things too, don't I?
00:40:40I mean, my eyesight is tired, and the further away I am from the place, the better, because
00:40:43I see him much better.
00:40:43No, no, sit here, sit here, please.
00:40:46Here?
00:40:47Well, we have to sit here and look at the front page.
00:40:49I just sit down and that's it.
00:40:50Okay.
00:40:51The court is presided over by the most excellent judge Remedios Ruiz Arco.
00:40:57Hello good.
00:40:57The trial begins.
00:40:59The people against José de Cabo Maza.
00:41:02Let the accused come forward.
00:41:31Santy!
00:41:31Santy?
00:41:33Hello.
00:41:35How odd.
00:41:36Until the bounce.
00:41:46Yeah, yeah, I can assure you that once you see that, you won't forget it.
00:41:49life.
00:41:51Marmoset.
00:41:53What else can I do to you, but...?
00:41:57Damn, Sandy.
00:42:01Come on, come on, come on, come on, come on, come on, come on, let's see, Sandy.
00:42:06I haven't stepped on anything at the rumbares.
00:42:08But you've only done two repetitions, man.
00:42:10Yes, yes, yes, yes, yes, I've already kept the purchases.
00:42:12Implosion, immersion.
00:42:14Burst.
00:42:14Flexion, extension, Santi.
00:42:16Flexion, extension.
00:42:18That's enough.
00:42:19That's enough.
00:42:20Come on.
00:42:21But he'll be a climber.
00:42:22That he is moving to Santiago.
00:42:24That guy is clever, he's clever.
00:42:28Thank you sincerely.
00:42:30There's what happens to me.
00:42:31It's just that my wife doesn't give me what's mine.
00:42:35It doesn't give you anything.
00:42:36Mine, yes.
00:42:37No.
00:42:39I need a change of image.
00:42:41Dress differently.
00:42:44To be a wolf.
00:42:45A wolf?
00:42:46A wolf.
00:42:47Iberian.
00:42:48Like ham, but without the white part.
00:42:52Without lumps.
00:42:53Without bacon.
00:42:54Is it a specific model or something?
00:42:57Do you know?
00:42:58To the president of the APA.
00:43:02You?
00:43:03Like a good wolf, you are this pariah.
00:43:05What do you think?
00:43:06Well, that's it, Santi, I've already told you.
00:43:07Diet and exercise.
00:43:09Diet and exercise, that's it.
00:43:10No diet, no diet, no diet.
00:43:12I'm sure you know something about it.
00:43:14To speed things up, huh?
00:43:16Look, I'll think about it, okay?
00:43:18I'll think about it.
00:43:19I'm going to think about it, I'm fine.
00:43:21Very good.
00:43:23So my uncle has a little problem with lurditas.
00:43:26And Manu isn't helping out, is he?
00:43:28You scare me.
00:43:30What are you thinking about?
00:43:31Let's see, Magitari.
00:43:33To make an omelet you have to break the eggs, right?
00:43:37Well, guess who we're going to break up.
00:43:40I don't know, I'm just...
00:43:42I think this is a huge waste of money given how we are financially.
00:43:45Because that way you don't have a regular clientele or anything,
00:43:48It seems a bit silly to me, don't you think?
00:43:49No, no, no, no, no, chatunga, no.
00:43:52Health!
00:43:55The most important thing here, Choni, is not to get discouraged.
00:43:58And never, ever get discouraged.
00:44:00They'll come, they'll come, the whole neighborhood is plastered with posters with your phone number, huh?
00:44:05Besides, look at the kid you've left, he looks like a puma, damn it.
00:44:09Well, I don't know, maybe a little more than what I have to give you.
00:44:11Yes, yes.
00:44:12Well, he's not going to call me, and God, huh?
00:44:14Don't you think this is going to work?
00:44:16This?
00:44:17But come on.
00:44:17Of course it's going to work, woman.
00:44:19But they're both dying to test your fashion trend predictions.
00:44:25Right?
00:44:26Hey?
00:44:26Yeah.
00:44:27But come on, it starts with him.
00:44:28I think I have the most classic, razor-sharp cut.
00:44:30You play classical music too, right, Choni?
00:44:32No problem.
00:44:33Classic is modern, you're more modern and you'd look good with a hair dye.
00:44:36But okay, fine, but start with yourself, because I care.
00:44:38If you want, you can start with me, but come on, I fixed it a couple of days ago.
00:44:41Come on, leave it, leave it, the hairdresser downstairs will do it better than me.
00:44:45I'm no good at all this either.
00:44:47And besides, you guys don't have the hair for experiments anymore.
00:44:49What experiments?
00:44:51Are you talking to me about experiments, Choni?
00:44:54These aren't experiments, this is art, Choni.
00:44:57And even if I had a hair on my head, I mean, even if I were like Philemon, I'd comb that hair.
00:45:02my sister.
00:45:03Say yes.
00:45:05Say yes.
00:45:05Well, then, come on, let's go, come on, what can't be done?
00:45:10Come on, it'll give that hair a little bit of air.
00:45:12Say yes, man.
00:45:13All the evidence leads us to the conclusion that the accused is guilty of the crimes he is charged with.
00:45:19they accuse.
00:45:21Look at the photographs of the victims.
00:45:23And judge for yourselves.
00:45:26All the victims were murdered using the same modus operandi.
00:45:31First stabbed.
00:45:33And then skinned.
00:45:37Lordship?
00:45:38Mr. Lawyer.
00:45:40With your permission, Your Honor.
00:45:43Take a good look at this man.
00:45:45The prosecution's sensationalist presentation could lead them to dismiss the idea that there are doubts about the crime that was committed.
00:45:53accuses my client.
00:45:55But what about it?
00:45:57Wait.
00:46:03Greatest hits from the Kama Sutra, now in Spanish. Is this yours?
00:46:07Well, what does the literature matter?
00:46:09Let's see, what's the topic?
00:46:11Manu is advising my uncle, isn't he?
00:46:12Yeah.
00:46:13Well, he's going to be in deep trouble.
00:46:15But what are you going to do here? Don't go too far.
00:46:20Guys, guys, wait a second.
00:46:22I have to tell you something, your father has to be in court today, so tonight we
00:46:25Santi and I stayed with you.
00:46:26Okay.
00:46:27Santi, hurry up, we're going to miss the meeting.
00:46:31Oh, but he's rented a movie.
00:46:33Well, we can watch it tonight if you want.
00:46:38Greatest hits from the Kama Sutra.
00:46:41Most Holy Virgin.
00:46:44I'm here now.
00:46:46I couldn't find the keys.
00:46:48That outfit?
00:46:48Well, you see, my little wolf.
00:46:51Let's go, let's go, come on.
00:46:53Come here.
00:46:55Come on.
00:46:55What little wolf?
00:46:56Yes, little wolf.
00:47:02Phase 4 completed.
00:47:04Well, don't count me in for phase 5.
00:47:11Little wolf?
00:47:13Did Santi call you a little wolf?
00:47:15Yes, Tony, yes.
00:47:16And that's not the worst part.
00:47:17The worst part is that she's rented the Kama Sutra in Spanish for tonight.
00:47:21They released it in Spanish, baby.
00:47:23Come on, I want to tell you that maybe he ate something weird, something that was bad.
00:47:27Nena, someone from my town confused saccharin with tauritón.
00:47:31You have no idea what a mess that was.
00:47:31The Civil Guard had to come and everything.
00:47:33If he almost defiles the village priest, I'm telling you.
00:47:35Good heavens.
00:47:37But it's me, Tony, I've got him wrapped around my little finger.
00:47:40Lourdi, that's not how you make your way, huh?
00:47:42Not like that.
00:47:43You're already picking up the Kama Sutra and taking notes.
00:47:45And then there is the sacrament, which the Lord already mentioned.
00:47:47Which sir?
00:47:48Ah, sir.
00:47:50Well, that's it.
00:47:51No matter how tired I am, today I am fulfilling my promise.
00:47:54Let it be said.
00:47:54Oh, Jesus.
00:47:55It has that.
00:47:56You have such a bad cold.
00:47:57Go home, woman.
00:47:59Remove.
00:48:00Not to the house.
00:48:01Not at home, I'm feeling very low and listless.
00:48:04And then there are those asking me for a fashionable hairstyle.
00:48:07Do you think so?
00:48:08I mean, that I should go home and start asking for, I don't know, a varicose vein treatment or a pedicure.
00:48:12Take it away, take it away.
00:48:13I'm staying here.
00:48:14Well.
00:48:14I'm better off here.
00:48:16Innocent.
00:48:16Innocent.
00:48:17Innocent.
00:48:19Innocent.
00:48:20Innocent, innocent.
00:48:21Let's see.
00:48:22No, we shouldn't rush things either.
00:48:23Let's see.
00:48:24I come here already with a preconceived idea.
00:48:26We're talking about the skinner, please.
00:48:28The skinner, as the word itself says.
00:48:30It's a word that gives off bad vibes.
00:48:32It gives off a really bad vibe.
00:48:33We're not talking about the Manzanares plush toy.
00:48:35But let's see.
00:48:36How do you vote?
00:48:38Guilty or innocent?
00:48:39In other words, as far as the skinner is concerned, that's a real piece of work for me.
00:48:43Define yourself, Mr. Serrano.
00:48:44Define yourself.
00:48:45Well, yes, I'm going to say it.
00:48:47Yeah.
00:48:47Come on, for me the skinner...
00:48:50He is more guilty than Judas.
00:48:52No, Tadeo, the other one.
00:48:53Yes, yes.
00:48:55Have you heard the defense attorney's arguments?
00:48:57That argument falls apart.
00:48:58What am I saying, water?
00:48:59That's a tsunami.
00:49:00A tsunami.
00:49:00Yes, yes, yes.
00:49:01Yes, yes, yes.
00:49:01But what remains unclear to me is how he could commit two murders in such distant locations.
00:49:10one same afternoon.
00:49:11Well, there's one thing to keep in mind.
00:49:13In other words, the subway is working much better lately.
00:49:16Well, it's not that big of a deal.
00:49:19So, damn it, Fernando, you don't have the plan for Don Jones.
00:49:22What more could I want?
00:49:23No.
00:49:24No, Fer, no.
00:49:25That can't be.
00:49:25We can't go on like this, damn it, we're the laughingstock of the neighborhood.
00:49:28They call the little one "tigretón".
00:49:30Because of the stripes.
00:49:31My boss is calling me Vitelchus, saying I could lose my job any day now, Fermín.
00:49:35I've already lost it.
00:49:36That?
00:49:37By a hair?
00:49:38No, no, no, because of the languages.
00:49:41Because I don't speak any of the things I mentioned in my resume.
00:49:44I'll take Satan.
00:49:45You just can't seem to get ahead, damn it.
00:49:47When you're not the debt collector, you're the guinea pig, and when you're not...
00:49:49I don't know.
00:49:49Okay, fine, fine.
00:49:50But if you're there, we'll go.
00:49:51And what we are, Dad, because we get very scattered and we're with the gang.
00:49:54Okay?
00:49:55Okay, let's see then.
00:49:57Don't be comfortable with Choni's creative activity.
00:49:59Well, and because we're family, Fer.
00:50:01If he picks up a customer off the street and something unfortunate happens, we'll be involved in the case.
00:50:04We're between a rock and a hard place.
00:50:06Damn, she's okay, she's busy with the hairdressing thing, but she's not getting better.
00:50:10who is crying all day with her handkerchief.
00:50:13Well, find another activity.
00:50:15Let Choni feel that you need her, that she's doing you a favor.
00:50:18Many depressed people recover by observing the problems of others.
00:50:22What a mess!
00:50:24Yes that's how it is.
00:50:26Okay, see you later.
00:50:28See you later.
00:50:28Hey, Santi, he's made a paintbrush.
00:50:31The people from the ham guide have arrived.
00:50:33Yes, Santiago, what's coming out? From the Cibeles catwalk or...?
00:50:35Hey, they've changed it, hey, the light.
00:50:37No, no, no.
00:50:38And you? What's gotten into your heads?
00:50:42We've changed our electricity too.
00:50:43Well, you just give it to Santi and that's it.
00:50:45Okay, don't worry, I'm leaving and going all the way to Santiago.
00:50:47Well, thank you very much, Mrs. Carmen.
00:50:48See you later.
00:50:48See you later.
00:51:13Focus, Mr. Serrano, focus.
00:51:16That there are more than two victims on the same day with a very short time interval.
00:51:22But let me tell you something.
00:51:23In other words, it's possible that he committed the first murder and arrived late to the other one.
00:51:28Man, I've seen it around.
00:51:30Man, if he's killed one, he's guilty.
00:51:33Beware, guilty and skinning.
00:51:34Let's not forget.
00:51:35In other words, if he killed, he killed.
00:51:37And let me tell you something.
00:51:38With your permission, with your permission.
00:51:40Let's see.
00:51:40There aren't enough criminals on our streets.
00:51:43You will sleep peacefully, knowing that your children are exposed to that type of people.
00:51:48Knowing that.
00:51:49Come on, please, I'll leave it at that and not say anything more, okay?
00:51:55Yeah.
00:51:56The judge asks if they have a verdict yet.
00:52:00Well, it seems the skinner...
00:52:04Okay, let's call the parties.
00:52:06If you'll excuse me, may I go to the bathroom for a moment?
00:52:07Yes, man, why not?
00:52:14Sorry for the delay, okay?
00:52:16Okay, let's end this legal process we're in...
00:52:19But damn it, Manolito, what a joy, Manolito.
00:52:23Diego Serrano, how long?
00:52:25But hey, what are you doing here?
00:52:26Oh, you're on a jury?
00:52:28Oh, and to administer justice, right?
00:52:30No, no, no, to administer justice, what you call administering justice...
00:52:32You know that's more a matter for the judges.
00:52:34It's because they're ahead of us.
00:52:35Hey, I'm so glad to see you, Manolito, come here.
00:52:37Hey, wait, wait, wait.
00:52:38Do you still live in Santa Justa?
00:52:39And you still have the tavern, right?
00:52:41Yes, which tavern?
00:52:41The tavern?
00:52:42Which tavern?
00:52:43Mano Serrano, right next to Garcilaso, where your kids study.
00:52:46Hey, sorry, but I'm really in a hurry.
00:52:48Hey, are you okay?
00:52:49Yes, I'm very well, but hey, I'm really glad to see you.
00:52:50Goodbye, Manolito.
00:52:51Hey, come on, Diego.
00:52:53Goodbye, Manolito.
00:52:59Hey guys, anything?
00:53:01The witness protection program?
00:53:03Which?
00:53:05Nothing.
00:53:11Well then, see you tomorrow morning.
00:53:14Don't worry, I'll be here tomorrow, ready to go, with everything prepared.
00:53:17Those little hams have to appear in the guide, as is tradition.
00:53:20Very good.
00:53:25Santi, one little thing.
00:53:27Hey, why aren't you going to Diego's house?
00:53:30Damn, new bed, new room.
00:53:32The Iberian wolf needs to change its habitat.
00:53:34Forget about habitat, because tomorrow you're coming from the guide and it's very important for the lids and for cleaning.
00:53:39And don't forget that this tavern, this tavern has a reputation.
00:53:43Yes, very good, very good.
00:53:44And what about your reputation as a husband?
00:53:45Hey?
00:53:46Damn it, you have to keep impressing Lurditas, for crying out loud.
00:53:49Every detail in these things is crucial.
00:53:52Also, damn it, let your brother-in-law open it.
00:53:54That?
00:53:55You've convinced me, Fiti.
00:53:58Let's go now, and let's leave the flag flying high.
00:54:00Damn, Fiti, have you gone too far with opening the tavern?
00:54:02Do we have to get up with the chicken? You've got to be kidding me.
00:54:04Well, what happens, damn it? You get up, too.
00:54:07What Fermín said.
00:54:08That depressed people find solace in the problems of others.
00:54:11Okay, let me have the shop.
00:54:13Look.
00:54:14Feel, how's it going?
00:54:15The Moorish queen, speaking about herself.
00:54:16Just go with it.
00:54:18Was that Santi who just came out the door, or was it the ugly cousin of the guy from Corrupciones para Llaver?
00:54:22The same one you see and wear.
00:54:24Which, by the way, has left us with a mess here.
00:54:28He's been acting really weird lately, that damn guy.
00:54:31What has he done to you this time?
00:54:32What have you done, you ask me?
00:54:33What has he done?
00:54:34The guy from the ham guide is coming tomorrow.
00:54:36And he's left us all bogged down here, look.
00:54:39Two cold tapas there, tempered.
00:54:41He has left us.
00:54:42No, no, no, well, not that, not that, because this gives a bad impression.
00:54:45Yes, yes.
00:54:46Should we call a tapas delivery service or something?
00:54:47What a joke, Chony, please, we have a lot at stake, damn it.
00:54:50There is an investment in this tavern.
00:54:53Damn, look, I'm getting an idea.
00:54:55If you're terrified of cooking, you're terrified.
00:54:59No, no, no, no, no, excuse me, excuse me, but no, don't scare me with your things,
00:55:03Because I have a lot of flu, I'm very sick with the flu and lately I've been working multiple jobs.
00:55:07No, let me tell you, I don't ask for tapas, I ask for stew, other things.
00:55:10But what is a favor you have to do for your husband, brother?
00:55:13Well, to your husband and the tavern, we're in your hands, chatunga, yes indeed.
00:55:18In my hand, well, you see what a novelty, a little forever.
00:55:20That's it.
00:55:21No, no, no, no.
00:55:22If necessary, I'll go to the market, and you stay there in the kitchen, and Fiti will be behind me.
00:55:25at the bar.
00:55:26Damn, look, look, look, look, it looks like wood.
00:55:29I really am, I really am impossible, I am impossible.
00:55:33I'll even try to find some of the logging equipment, see what I can do.
00:55:36Come on, let's go.
00:55:36I'm not a tree weaver, but I'm going to do it anyway.
00:56:01It's so cool, it's so cool, it's so cool, and without parental authority, without anyone, that
00:56:06Don't say anything.
00:56:07Hey, it's true, and your uncle isn't saying anything.
00:56:09My uncle, my uncle is involved in other things, you know that.
00:56:13Ah, I like it, only a criminal mind like yours could have done something like that.
00:56:16Oh, you said it, Baldanito, you said it.
00:56:18What a genius, what a damn genius.
00:56:20Okay, Santi, listen, I'm not staying for dinner, I'm meeting Africa to go to the movies, okay?
00:56:24Did she give you that, Carmen?
00:56:25Yeah.
00:56:25Yeah?
00:56:26Do you think that'll do for me with a little bit of food?
00:56:29Yes, man, yes.
00:56:30That's good, until we see the effects, but come on, it's about using it day after day.
00:56:34Day after day?
00:56:35Yeah.
00:56:35I don't know, it just pulls me in.
00:56:38But that's the point, to get it moving. At first it's a little stiff, but it works.
00:56:42giving in.
00:56:43He eventually gives in.
00:56:44Okay, whatever you say.
00:56:47Yes, Santi, it works like a charm.
00:56:48And give it your all, okay?
00:56:49Dale.
00:56:53What rocks you make.
00:56:54Stick close, but yes, I swear.
00:56:55But if.
00:56:56Tete what?
00:56:56Tete what?
00:56:58Well, Tete, the fifth phase has cracked a little, hasn't it?
00:57:01But it's a little unsettling, my uncle.
00:57:03Hey, do him a favor.
00:57:04Did you know?
00:57:04Will you do him a favor?
00:57:05Rather.
00:57:05Hi, Ticho.
00:57:06Obvious.
00:57:07Sacks.
00:57:07Come on, have a little piece, man.
00:57:09What happens to all the work?
00:57:10I'm full now, I can't take any more, really.
00:57:12It's just not good.
00:57:14How could she not be hot, Choni?
00:57:15How could it not be good if you made it yourself?
00:57:17Come on, I'll finish it.
00:57:18Come on, bump into it.
00:57:19That's good.
00:57:20Come on, with all the hard work I've put in.
00:57:22Hey Choni, why don't you bring some coffees?
00:57:25Well, I think we've finished dinner, haven't we?
00:57:27It's not going to be over if there are still Japanese croquettes left.
00:57:29Well, it's just that...
00:57:30Water, water, water, water, water.
00:57:34Damn, man, that tortilla has more salt than its armpit.
00:57:36Well, I don't understand it, Chico, because Choni has a knack for cooking.
00:57:40He just doesn't know it, he's terrible at it.
00:57:41Depression has dulled his senses, I'm telling you.
00:57:44What could that be?
00:57:45Here are the croquettes, come on.
00:57:46Okay, okay, okay.
00:57:47What to do?
00:57:47Well, I'll leave them here, I'm going to the fridge where I have the buses from Bazar to Reireta to Piper Piz.
00:57:53Very good, too.
00:57:55Well, yes, because this is Choni's specialty.
00:57:57Rapier?
00:57:58Try it without fear.
00:57:59Okay, let's see.
00:58:03Damn, the escape, the croquette.
00:58:07No, no, it has a faint aftertaste of blouses, like somewhere between...
00:58:39What would I say?
00:58:40Not at all.
00:58:41Not at all.
00:58:41If the guy from the ham guide shows up, instead of three hams he's going to give us three
00:58:44options.
00:58:44That's what it's going to give us.
00:58:45But what does he want?
00:58:46Hey?
00:58:46Should he jump off the viaduct?
00:58:48Okay, fine, but we also have to take people's health into account.
00:58:51That I have...
00:58:51Dad, my minimum is higher than my maximum.
00:58:54Let's see.
00:58:54Chalún and milks.
00:58:55Fuck.
00:58:56No.
00:58:57That's collateral damage.
00:58:58I'm here for my sister, I mean, for your aunt, for your wife, whatever.
00:59:02Tomorrow, since my name is Fructuoso Martínez, I swear on my balls they'll eat my sister's tapas here.
00:59:06Well, but he wants to drive us crazy.
00:59:09Just a little while ago I was saying that the accused was more guilty than Sanjuda...
00:59:14Adeo, said so.
00:59:15You can go all the way to Adeo, yes.
00:59:16But please, listen to me.
00:59:19Let's reflect a little.
00:59:20Just a little bit and a little bit of consideration.
00:59:22In other words, let's reflect and consider.
00:59:24Because let us remember that we hold in our hands the life of a man, a human being.
00:59:28But we had already reflected on it.
00:59:30Yes, yes, it's true, it's true.
00:59:31We had reflected on it, yes, but this little step he's taken has kind of enlightened me.
00:59:34Yes, a number of details have come to mind.
00:59:36And the details that have come to mind, without going any further, are, for example, very important things.
00:59:40The family, education, gentlemen, gentlemen, society.
00:59:44Well, if they already have the verdict, the parties wait in the courtroom.
00:59:47No, no, no, no, just a moment, if you don't mind, some small cracks have appeared.
00:59:51How are you cracking?
00:59:52Little cracks, huh?
00:59:53Yes, a few cracks.
00:59:55Little cracks, little cracks.
00:59:56Please do me a favor, please allow me.
00:59:59If he doesn't mind, he tells the ear-disposer, the ear-disposer, to wait a little bit.
01:00:04Take all the time you need.
01:00:05They will remain in isolation tonight to continue deliberating.
01:00:07Thank you so much.
01:00:08We'll be here.
01:00:09Thank you.
01:00:10Yes, well, yes, but we're staying here.
01:00:12If we have to deliberate, we deliberate.
01:00:13Yes, it's done.
01:00:13Santi, I told Tete to let us know if Santiaguin cries.
01:00:18It feels strange to sleep in someone else's bed.
01:00:24Santi, are you okay?
01:00:26I'm coming, little wolf.
01:00:28Oh, Santi, that "little she-wolf" thing seems a bit strong to me.
01:00:30You'll see.
01:00:31I liked the popcorn thing better.
01:00:33You'll see how much better this is.
01:01:00Okay, fine, okay.
01:01:02Just so you know, I don't agree, okay?
01:01:08I like them.
01:01:17But Santi, what are you doing here all alone?
01:01:21Is something wrong?
01:01:22Anything but good.
01:01:24I had to sleep on the sofa.
01:01:27And when I woke up, he was gone.
01:01:30Who?
01:01:32Good morning, Santi.
01:01:33That?
01:01:34Did the muscle soreness appear or not?
01:01:36Muscle soreness?
01:01:37You'll have muscle soreness here for the rest of your life.
01:01:38What are you doing?
01:01:39What are you doing?
01:01:40Are you crazy or what?
01:01:41Santiago.
01:01:41I've found out about those things you've given me.
01:01:42I mean, man.
01:01:43What are you doing, you pig?
01:01:44Santiago, calm down, please.
01:01:45Let's see.
01:01:45Don't give the boy any cheese.
01:01:46What can you do?
01:01:48Hey, calm down!
01:01:50Oh well?
01:01:51What else did you want me to do every day?
01:01:53Let's see, tensioners aren't for messing around.
01:01:54Manu, Manu.
01:01:55Are you the milk gray?
01:01:56What do you think, that's the one who's going to do the most dirty things, man?
01:01:59Let's see.
01:02:00No way, I'll pass.
01:02:01I'm leaving this house.
01:02:02That?
01:02:04Manu.
01:02:04Is that your fifth phase?
01:02:07Manu.
01:02:07Santiago, Santiago, calm down.
01:02:09Imagine if they left you in charge of the family for a day and you'd make a scene.
01:02:12Well, it's from the book, right?
01:02:13Yes, but it's not their fault.
01:02:18Ah.
01:02:21Mine.
01:02:23Look at the mess you've made with the lids, Fiti.
01:02:26We're going to go down in history alongside Dr. Mengele and the poisoner of Melilla, don't mess with me.
01:02:30I remind you that this is the family's livelihood, the tavern.
01:02:34Okay, I know, I know it's difficult, damn it, but trust me a little.
01:02:36Damn, the point is to set aside the chavvy girl's delicacies for when the guy from the
01:02:40guide.
01:02:40Okay, so what do we do when she comes?
01:02:42Well, when she comes, we'll bring out hers, okay?
01:02:43Very clever.
01:02:44And Choni, so happy, gives us the three hams from the guide and that's it, she doesn't even notice
01:02:47the tato, damn it.
01:02:48From the guide.
01:02:49From the guide.
01:02:50Get out of the way, damn it!
01:02:51See?
01:02:52Move over.
01:02:54So? Has the jury reached its verdict? Finally?
01:02:57Yes, Your Honor.
01:02:59We declare the accused.
01:03:05Guilty.
01:03:07I, I, protest to His Majesty.
01:03:09Your Honor, pardon me.
01:03:11They've just gotten really angry.
01:03:12They've all gotten angry, and I don't think it's...
01:03:15Silence in the room, please.
01:03:17Silence, silence.
01:03:18Just a moment, please.
01:03:23Look, the police have just arrested someone who has confessed to the crimes in question.
01:03:28Therefore, I declare the trial null and void.
01:03:31I thank the jury for their work and dedication.
01:03:33The accused is released.
01:03:35The session is adjourned.
01:03:37Okay, what do you say, smarty pants?
01:03:38So, what are you putting in now?
01:03:39And this poor man, to suffer like this, yes.
01:03:42Come on, I'm really leaving, okay?
01:03:44I'm leaving, I'm leaving because I had nothing to do with it.
01:03:47Thank you.
01:03:47Goodbye, thank you.
01:03:48Oh my God, what an impact.
01:03:50It looked like the one with the milas, Pipo.
01:03:52The Indian or the policeman?
01:03:56The leather one.
01:03:58I don't know when he starts doing weird things anymore.
01:04:01He no longer respects me.
01:04:02And if there's no respect, Choni, then there's no love left.
01:04:05Woman, I'm not into dressing up as Spider-Man and threatening you with a whip.
01:04:08Well, to be honest, I don't see it as very romantic, very romantic.
01:04:12But you, sister-in-law...
01:04:15Hey, up you go, you know what I'm saying?
01:04:17Upwards, cheer up, cheer up.
01:04:18Thanks, Choni.
01:04:19Okay, queen, see you later.
01:04:22No, Africa, no, I'm fed up.
01:04:25Look, damn it, I'd rather go sleep on the park bench.
01:04:29Don't exaggerate, come on.
01:04:30Africa, I'm not exaggerating, I'm not exaggerating.
01:04:35Look, I...
01:04:36Africa, what I want is to live with you.
01:04:39Well, we've already talked about this.
01:04:41We need more time, okay?
01:04:43But time for what?
01:04:45Well, time to find a guarantor and see if someone will rent us something cheaper.
01:04:49Africa, do you want to live with me or not?
01:04:55Well, maybe it's not such a good idea, huh?
01:04:58Oh, so what is that?
01:04:59No, that's not it.
01:05:01That's not it, but maybe you're going a little too fast.
01:05:04No?
01:05:06And, I don't know, living together is very complicated and then the daily friction, well, it's a mess.
01:05:11And maybe...
01:05:12Maybe he's just ignoring me.
01:05:14No?
01:05:14That's it.
01:05:17That's enough, auntie.
01:05:18That's enough.
01:05:32Dale.
01:05:33Yes, he's getting into trouble.
01:05:35Oh, damn, how much is he going to hear?
01:05:36About what?
01:05:38Hey, a little bit of Rioja, right?
01:05:39To make the ham go down easier.
01:05:40Thank you so much.
01:05:44Lachoni.
01:05:45Lachoni, take out, take out your clothes.
01:05:46No, damn it, no, we're going to end up with the unwelcome taboo.
01:05:49What do you mean, no?
01:05:49Take it out!
01:05:50Wait, stop, stop, stop.
01:05:51I didn't say to take them out, damn it.
01:05:56That?
01:05:57All good?
01:05:58Great.
01:05:59Does it have three hams, ma'am?
01:06:01Of course.
01:06:02Man, here.
01:06:04Are those croquettes?
01:06:05Yeah.
01:06:05No, no, yes.
01:06:07Okay, yes, but no, let him try the others.
01:06:08Since they haven't been tested yet, not yet...
01:06:11Give it one.
01:06:11No, man, no.
01:06:12They're cold.
01:06:15Wow!
01:06:16How disgusting!
01:06:17What is this?
01:06:17Okay, give me one.
01:06:18No, no, no.
01:06:19Not even two of these, huh?
01:06:19But...
01:06:20José Luis, give me one.
01:06:21I think you should have a little cheese.
01:06:23Give me a croquette.
01:06:24Give me a croquette, clacate.
01:06:26Well, look, then.
01:06:29If you want a croquette.
01:06:35Holy God, this is disgusting.
01:06:37Why did you tell me...
01:06:38I've already said it.
01:06:39Were they good?
01:06:40And what can we say, Choni?
01:06:43Fuck.
01:06:44As much as you are.
01:06:46And how am I?
01:06:47Besides the fact that I had the flu and...
01:06:49And I've probably shattered my sense of taste because...
01:06:52Well, there, on the edge of the precipice, you were going to throw yourself into the void, damn it.
01:06:58Well yes.
01:06:59Yes, they were wrong.
01:07:00They were unwell.
01:07:01And this and that, well, we did it because they were wrong.
01:07:05Excuse me, but there was this woman who was on the verge of suicide.
01:07:09Why should I commit suicide?
01:07:10Let's see.
01:07:11Because of the fistro?
01:07:13Fistro.
01:07:15Because of the fistro.
01:07:18You two are real jerks.
01:07:19Don't tell me if it's that, if it's that...
01:07:22Don't tell me you did all that hairdressing stuff and making me cook because you thought that
01:07:28I was going to commit suicide.
01:07:29They must be stupid.
01:07:30I'll have to love them.
01:07:33My God.
01:07:34Oh, they've done everything for me.
01:07:41Because it's you, who are a classic in the guide, huh?
01:07:44Thank you, José Alberto. Thank you so much, really. Thank you.
01:07:47Thank you.
01:07:47See you later.
01:07:48See you later.
01:07:49Thank you.
01:07:50Santi.
01:07:54One day, huh? Just one day left.
01:07:56And we almost lost the three legs of the guide, but we can find out what's wrong with you.
01:07:59He screwed up, bro.
01:08:01He's screwed up.
01:08:01And on top of that, Lurdita has left.
01:08:04But how come she's gone, Lurdita?
01:08:06Santi, I've already been through this.
01:08:07Oh my God...
01:08:09That I'm not the right man for her.
01:08:11She deserves someone better.
01:08:13But how can she deserve someone better?
01:08:14So, who does Lurdita deserve? Seriously...
01:08:16Like that?
01:08:18Damn bread, no, no.
01:08:19Leave me alone, brother.
01:08:21Nothing is going to happen.
01:08:22I swear on my parents' lives.
01:08:23Let me.
01:08:27Hello, sir.
01:08:29Hello.
01:08:29What's up?
01:08:30Sit down, sit down.
01:08:32I am Santiago Serrano, the husband of Lurditas, the school principal.
01:08:36Be quiet, I'll explain everything to you.
01:08:39I've found out what's going on between you and my Lurditas.
01:08:43Shut up, damn it.
01:08:45This is very painful for me.
01:08:49I give him free rein.
01:08:51I only ask...
01:08:54that will make her very happy.
01:08:57Because she...
01:08:59She deserves the best.
01:09:09Cafarito...
01:09:09This man is crazy, isn't he?
01:09:12Tete, who wanted to talk to you.
01:09:17Well, I suppose you're angry, aren't you?
01:09:20No, not at all, because it had to be.
01:09:23Yes, Tete, but...
01:09:25But I've already confessed and he's gotten himself out of trouble.
01:09:29Well, that doesn't matter anymore.
01:09:31Because he's not going anywhere.
01:09:33As?
01:09:34Well, he's had an argument with Africa and...
01:09:35And what has he discussed with Africa, and what?
01:09:37Well, maybe it'll be back on the market, right?
01:09:40Yes, Tete.
01:09:59Santi.
01:10:00Can we talk for a moment?
01:10:02Alone.
01:10:04Clear.
01:10:04Tete, tira, tira, tira.
01:10:10Here, son.
01:10:11Turn on the TV and see if it shows the courtroom game.
01:10:18Santi, can you tell me what's wrong?
01:10:20Well, what's going to happen to me?
01:10:22I assume you like someone else.
01:10:26But it hurts.
01:10:28But what do I like?
01:10:30Well, that peace-loving scoundrel.
01:10:34Worth?
01:10:36No problem.
01:10:38Which is worth more.
01:10:40It's better.
01:10:42But seeing the way he was looking at the channel and me...
01:10:46It's tough.
01:10:47But what are you saying, Santi?
01:10:49Look, I don't know what you saw, but you're misinterpreting things, aren't you?
01:10:52Yes, that man is a degenerate.
01:10:53A degenerate?
01:10:54Yes, like you.
01:10:55That little outfit she wore last night was something else.
01:10:58Oh no, that was Guille.
01:10:59He confessed that by getting his hand tangled up, he ended up tangling mine too.
01:11:03Was it collateral damage, little dove?
01:11:06Hey.
01:11:07Is she a dove again?
01:11:09You always have been, little dove.
01:11:11And I always will be.
01:11:15And Santi, forgive me, I've been very busy.
01:11:18With the budgets, the child, the assessments...
01:11:21Okay, but then you love me.
01:11:22Of course, darling.
01:11:24And I say, not the suit thing.
01:11:26No.
01:11:27But what about the Kama Sutra,
01:11:31now that it's been released in Spanish,
01:11:33Well, that...
01:11:35What can we do?
01:11:39Holy!
01:11:40Holy!
01:11:40Holy!
01:11:41Holy!
01:11:41Holy!
01:11:42Holy!
01:11:44Nothing.
01:11:45You're not saying anything at the trial, son.
01:11:46Damn, I wanted to see you on TV.
01:11:48No, but that's not the important thing, right?
01:11:50The important thing is that a man of law is...
01:11:51In other words, like me, like your father,
01:11:53He does a quiet job.
01:11:55In other words, he doesn't want recognition.
01:11:56He doesn't want the fuss, he doesn't want the pomp.
01:11:58No, no, no, they don't want the fuss.
01:12:00Do you want to know what's wrong with you, son?
01:12:01Dad, that's not the de-oyster.
01:12:03The de-oyster?
01:12:04How are you?
01:12:05I'm not introducing you because I don't remember your name right now.
01:12:09My name is José,
01:12:10But you can call me a de-sounding one.
01:12:12Ah!
01:12:13De-oil drainer!
01:12:14I see you've kept your sense of humor, huh?
01:12:17Above all, thank you.
01:12:18No, no, no.
01:12:19Thanks to you.
01:12:20Because you haven't skinned anyone alive, huh?
01:12:23As soon as I saw you,
01:12:24I already knew you were a good person.
01:12:26You look like a nice person.
01:12:27And come on, I'm incapable of breaking a plate.
01:12:29What would you like to drink, excuse me?
01:12:30No, no, I don't have much time.
01:12:32I have three television programs
01:12:33and he's also called me for an interview
01:12:34to pose naked,
01:12:35For a pasta, well, impressive.
01:12:37Hey, but no, enjoy it for your health, okay?
01:12:39Very good.
01:12:39Well, nothing much, just wanted to come and thank you
01:12:41and tell you that anything you need
01:12:43It has to be great there, okay?
01:12:44Very good.
01:12:44Okay, thank you very much.
01:12:45Kid.
01:12:46See you later.
01:12:46See you later.
01:12:51You are my hero.
01:12:53That's what parents are for, son.
01:12:55That's what we're here for.
01:12:57I don't know if it was the rush
01:12:58or the pressure or what was it,
01:12:59But I was wrong about you.
01:13:00And I'm really sorry, Choni.
01:13:01You're not going to get into the academy
01:13:03You don't need it.
01:13:05Because when someone like you
01:13:06performs in the song,
01:13:06that song becomes
01:13:07in a product
01:13:08of incalculable value.
01:13:11That's what Omar told you.
01:13:12It's very good, Santi, very good.
01:13:14I, to be honest,
01:13:15that raspy voice
01:13:16between folk song and blues
01:13:18It is a global product
01:13:20with national identity markers.
01:13:22And, well, with that grit
01:13:25and that bearing,
01:13:27It was really good.
01:13:29I don't know, I think really
01:13:31that's what the Spanish industry
01:13:32I was looking for it.
01:13:34And, well, the "find me a great song" thing.
01:13:36I'll sing it to you.
01:13:38Well, a boy composed it for me.
01:13:39especially for me.
01:13:40The truth is, well,
01:13:41we have achieved success
01:13:42everywhere.
01:13:43Says,
01:13:44I was looking for a floor...
01:13:46Wonderful, really very good.
01:13:47Very good, because I also think that...
01:13:49The chorus.
01:13:49Yes, it's catchier, much catchier.
01:13:52Says,
01:13:52look for me
01:13:54like the night
01:13:55look for the morning.
01:13:59Find me...
01:13:59No, no, don't laugh
01:14:00Because this is no joke.
01:14:01As you can see,
01:14:02They are placed here
01:14:03all tasks
01:14:04what you have to do
01:14:04during the week.
01:14:05And whoever does not comply,
01:14:06What's wrong with him?
01:14:06Happens.
01:14:07How are you?
01:14:07Are you enjoying school, Celia?
01:14:09Yes, a lot, really.
01:14:10It's all very familiar.
01:14:11This tavern is mine!
01:14:13And do you know who founded this tavern?
01:14:15Hey!
01:14:16Pussy.
01:14:17That guy is the rapper MC Scooby.
01:14:18So if you want this to work,
01:14:19Get out of the way!
01:14:20Fuck,
01:14:21Make way for the young people.
01:14:23We're preparing
01:14:23a musical number for school
01:14:25And we need to be focused, Diego.
01:14:26What are you thinking...
01:14:27I'm going to help you.
01:14:28I've thought about it.
01:14:29Well, what worries me most is...
01:14:30That's what a resume is.
01:14:32Mmm, that's a little strawberry.
01:14:34False, dude.
01:14:35Good luck.
01:14:36You and me working together, man.
01:14:37The Martinez empire.
01:14:38Joy, now!
01:14:39And then, to make it look nicer,
01:14:40Well, up and close, holding on.
01:14:43I'm going to tell you something.
01:14:44You're not going to do that dance.
01:14:45Discover what animal you are in bed.
01:14:47but...
01:14:47Diego, now.
01:14:48Diego, please.
01:14:48This is filled,
01:14:49That pisses you off, that it's filled.
01:14:50Touch me a girl now
01:14:51in these times
01:14:52and gives me a 5.
01:14:53Man, you're also poking around.
01:14:54In other words, he's poking around.
01:14:55What's happening?
01:14:56That youth.
01:14:57How cool!
01:14:57I'm retiring.
01:14:59What are you going to do for the rest of your life?
01:15:00Taking care of my great-sons-in-law.
01:15:01What is this?
01:15:02Better with all the feces.
01:15:03For example, like...
01:15:04The consortium is like this,
01:15:05then a little bit of novelty
01:15:06And then the little sign...
01:15:08No, if you want I'll wear a burka.
01:15:09Why did you hire yourself?
01:15:11Well, based on my resume, it's not going to happen.
01:15:14Because you have a nice ass.
01:15:16Do you have a good what?
01:15:18Can I help you?
01:15:19Uh, no.
01:15:20No, we're handling it very well.
01:15:21It's a drag, girls.
01:15:23And will it be your feminine side?
01:15:25Okay, I'll do it first.
01:15:26So, I'm going to try it.
01:15:27because I'm talking about my feminine side,
01:15:28frankly.
01:15:29Femmín, I'm going to tell you something
01:15:29I don't know if I have it.
01:15:31Look, my first day of work.
01:15:33Can't I allow
01:15:33Why are you doing this dance at school, damn it?
01:15:35Look, Diego, I'm going to do that dance
01:15:36And that's it, at the end.
01:15:36Okay, whether you like it or not.
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