- hace 11 horas
Choni solicita a la nueva profesora de inglés del instituto Garcilaso que imparta clases particulares a Fiti con el fin de propiciar un acercamiento entre ambos. Por su parte, el mecánico pide a Celia que dé clases a Diego, ya que está convencido de que su amigo necesita comenzar una nueva relación. Finalmente, Diego conseguirá que la profesora y el mecánico compartan una cena. La relación entre África y Raúl se ha suavizado y, aprovechando la nueva situación, el joven pide a su ex-novia que le devuelva un CD que le prestó cuando estaban juntos. África reconoce que lo ha perdido, desatando una discusión entre ambos. Pero, en lugar de provocar una nueva crisis, el altercado termina de un modo totalmente inesperado para ambos.
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TVTranscripción
00:00:08Why is it that men and women, who live together all the time, never see things the same way?
00:00:12Calls.
00:00:13But come on, Maritere, what are you saying? Don't even think about it.
00:00:15But come on, if your father told us to call, it must be for a reason, right?
00:00:18Well, but Fiti told him too.
00:00:19So, what's up? Do you listen to Fiti before your dad or what?
00:00:21No, Maritere, but...
00:00:23Fiti has not been paid.
00:00:24He is a professional.
00:00:26And if they see life differently, I can't even imagine how it is when it comes to relationships.
00:00:30Okay, fine.
00:00:31Santi, these children don't call, they don't call.
00:00:33Well, that's it, I guess I'll have to get moving, okay?
00:00:36No, no, no, no, but how can you have to leave? No, no, no, not at all, no.
00:00:40Let me explain, I'm the one leaving, come on.
00:00:41How are you going to leave, Diego?
00:00:42No, you're in a tavern, damn it.
00:00:44Yes, in the end they gave it to me.
00:00:47Hi guys.
00:00:48Hi how are things?
00:00:52But what are you doing here?
00:00:53Nothing, just picking up Celia so we can go out for dinner.
00:00:55Yes, do you really think she dressed up so beautifully for you?
00:00:58But what do you mean, going out for dinner?
00:01:00What to have for dinner...
00:01:01Yes, son, yes, dinner time, dinner time.
00:01:04Tere, don't call.
00:01:07Tere, please don't call, I know why you shouldn't call, I'll tell you.
00:01:10And the thing is, even though we were taught in school that the shortest distance between two points is the
00:01:15A straight line, that never happens when a guy wants to be with a girl.
00:01:18Okay, go ahead.
00:01:20You speak.
00:01:23And even less so when a boy wants another boy to be with that girl.
00:01:27Okay, let's go.
00:01:28Yes, come on.
00:01:29Thanks a lot.
00:01:30Thank God, Celia.
00:01:32See you later.
00:01:32We already talked.
00:01:33We'll talk, you later.
00:01:34See you later.
00:01:35Celia, listen to me for something.
00:01:36That?
00:01:37They're going to put a tiny little green thing there, okay? Don't even try it, I'm not telling you anything else.
00:01:41Okay.
00:01:42Don't even touch anything green.
00:01:43Come on.
00:01:44Okay, see you later.
00:01:44Let's see what time we arrive?
00:01:46Yes, we're going at the time of...
00:01:47Uh, what?
00:01:48Has it been done?
00:01:49Oh, darling.
00:01:51Come on.
00:01:52Bye bye.
00:01:52See you later.
00:01:54Thanks, brother-in-law.
00:01:55That's how I like my ham, nicely sliced, you know?
00:01:57Nicely cut.
00:01:58Thanks for nothing.
00:01:59You spend two days sitting on the stool without paying for a few beers.
00:02:05Pussy.
00:02:10Damn, look at that.
00:02:11That?
00:02:12That you're here in the papers.
00:02:14What's Celia saying in the papers, huh?
00:02:16What comes out?
00:02:17What do you mean it's in the papers?
00:02:19Look, let me see, damn it.
00:02:21Good, good, good.
00:02:22But what dog are you doing?
00:02:23Okay, so what is that?
00:02:24No, what?
00:02:25Like what?
00:02:26No, you can hear it perfectly.
00:02:27I don't know, I don't know what it is.
00:02:28The mouth is open.
00:02:29But despite everything, and no matter how much we get along like cats and dogs,
00:02:32and that we see the world differently,
00:02:34We cannot live without each other.
00:02:40What have we done?
00:02:41That?
00:02:47On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:55Come soon to see the sea, and you send a postcard, I already knew that day was the end.
00:03:03Now I have much more, red, black, stop and even, finally luck brings an ace and a crystal for
00:03:11look,
00:03:12and a wall to hang, seven smiling faces in a passport photo.
00:03:17My stories weren't about tales made by chance,
00:03:23Nobody told me that destiny was giving me this opportunity.
00:03:30One plus one equals seven, who would have thought?
00:03:38It was so easy to be happy.
00:03:56What a shame about that son!
00:03:58You, Guille, are stupid, son.
00:04:00I don't know what you're laughing at, because yes, there are many people who get a hunger for culture and for
00:04:05knowledge.
00:04:06Well, I could even say that even you.
00:04:07Yes, because lately he's been giving me grades that frankly, I mean, I just can't believe it.
00:04:11Of culture, and of the less cultural as well.
00:04:13And why so suddenly?
00:04:15Well, because they're forced to do it, Doña Carmen.
00:04:17When it's not the components, it's the electrical systems.
00:04:20When it's not online manuals and all that crap,
00:04:23They've already warned me, any day now they'll demote me.
00:04:25I've already dreamed about myself, already.
00:04:27So, you're going to need books at roughly the same level as Guille's, mine, right?
00:04:30Mother of a donkey!
00:04:31Oh, you're going to say what I'm going to say, man!
00:04:33It's going on the first try already, at this hour!
00:04:35No, no, look, it's just that you got the urge, Guille.
00:04:37No, Diego, if the kid is right, I have to be at his level, or even lower.
00:04:42If I know anything about English culture, the only thing I know is about the key.
00:04:44If you want, I can lend you a first-grade book, about Missy the mouse.
00:04:48I think I saw the Missy the Mouse one in the storage room.
00:04:50Yes? Okay, sure.
00:04:55Good morning.
00:04:56Hello.
00:04:56Well, man, wow, what a face.
00:04:59What's up, bro?
00:05:00I just found out that this week is Mother's Day and since it's the first year I
00:05:04It's new to me, I don't know what to give the guys.
00:05:13So...
00:05:18Damn, then don't give him anything.
00:05:20Damn, take her out partying even without having everything.
00:05:24Look, speaking of parties, I'll stop by the tavern today when you close.
00:05:28Damn, and let's have a little stroll and have them serve you the beers for a change instead of serving them
00:05:31you.
00:05:32No, no, I don't feel like doing anything.
00:05:35Damn, you're a real mushroom, seriously.
00:05:37No, I'm not a mushroom, no.
00:05:39I'm leaving tomorrow.
00:05:40That?
00:05:41Yes, what Santi said about Mother's Day, well, it's time for the dance of the year.
00:05:46Right, Carmen?
00:05:47But are you going to dance this year too?
00:05:49Of course, because this year we're going to dance.
00:05:52You know I'm not much of a dancer, but I like it.
00:05:54And my Carmen has...
00:05:55Every year she kindly grants me the honor of dancing for her, and we dance, and I...
00:06:01Go ahead!
00:06:01No, no, son, I mean, but if...
00:06:03It's not yours for those deals, and besides, not this year...
00:06:07No.
00:06:10No, Carmen, this year even more so, isn't it?
00:06:18Well.
00:06:20Okay.
00:06:21See you later, go to this one.
00:06:22See you later.
00:06:22See you later, guys.
00:06:23Come on, buddy.
00:06:24Come on.
00:06:27See you later.
00:06:27See you later.
00:06:28See you later.
00:06:30Okay, you too.
00:06:31Okay.
00:06:33Then it would be ceramic flooring for the bathroom.
00:06:35What do you say about the bathroom?
00:06:36For the living room.
00:06:37We're going to give it our all.
00:06:38Look.
00:06:39Ah, well it could look great on you.
00:06:40Right?
00:06:41Celia, what have you thought about what I told you?
00:06:44Yes, but I hadn't considered the specific ones.
00:06:47Woman, who is very stressed, Ico, who has him in the workshop there by the neck, by the neck with the Englishman.
00:06:52Yeah, I don't know, I don't know.
00:06:54If it's just a little level test to see where the creature needs to start getting involved.
00:06:59But don't be a troublemaker, Choni.
00:07:00This won't stop until you give Fiti lessons.
00:07:03Look.
00:07:03You combine it with something metallic, right?
00:07:05And no more.
00:07:06And that's the best part, right?
00:07:07I don't want to be a burden to you either.
00:07:10Do you understand me?
00:07:10Because you'll have your own things to do, right?
00:07:12Your little matters, with your boyfriend.
00:07:14Let's see, then, ceramic for the floor and steel furniture.
00:07:17No?
00:07:17I think it looks good in the catalog.
00:07:20No, Celia?
00:07:22No, no, I don't have a boyfriend.
00:07:24Don't you have a boyfriend?
00:07:25Oh, I was just saying, this young woman looks so good with that blonde girl, those gorgeous leaves.
00:07:29And you don't have a boyfriend, baby?
00:07:31No, I broke up with him while I was in Mexico and since then...
00:07:34Well, look, even better!
00:07:38Come on, I mean, it's better, because that way he has more free time for my Fiti's lessons.
00:07:43That would be very good for the child.
00:07:45Can't you see he doesn't have time?
00:07:46He leaves the workshop very late and can't sign up for any academy.
00:07:49It would be great for him.
00:07:50And besides, he's a really good person, he's not going to give you any trouble.
00:07:52He's a really good person, a really good person.
00:07:54Well.
00:07:55Well, if he's such a good person, we'll have to give him a hand.
00:07:57Clear.
00:07:57I'm leaving, I have class.
00:07:59Come on, sweetie, thank you very much, okay?
00:08:01There's an interrogation, my daughter.
00:08:02Yes, you've gone a little too far, Chalo.
00:08:04Yes, looking for a plan for Fiti, right?
00:08:06That's outrageous, what things you have.
00:08:08But I do it for the girl.
00:08:09Angelico, who is here alone, out of place, has no one.
00:08:12And we, who are like her family, know nothing about her.
00:08:15No, because we know what we need to know, Choni.
00:08:17She's a good person and a good teacher, that's all.
00:08:19Well, and all of you, who know so much.
00:08:22Recommend a movie that's playing at the cinema, because I'm going tonight.
00:08:24Oh yes, my Sunshine.
00:08:25Hey?
00:08:26Sunshin.
00:08:26That?
00:08:27Sunshin.
00:08:27That?
00:08:29Ah, Sunshine.
00:08:30Yes, that's right.
00:08:30That's enough, you're going to love it, Manu.
00:08:35I'll leave you now, I'm going to prepare my receipts.
00:08:40What's happening?
00:08:41My daughter, the one who knows everything she needs to know.
00:08:44They broke up, Lourdes, two weeks ago now.
00:08:47They've left him.
00:08:48Africa and Manu?
00:08:49Yeah.
00:08:51Hey, that's an amazing dance teacher!
00:08:54Hello.
00:08:54How are you?
00:08:55Excellent?
00:08:55And you?
00:08:56Good.
00:08:58Nothing, I haven't left my key inside the house.
00:09:00Let's see if my aunt will let me borrow hers.
00:09:01What a disaster.
00:09:02You already know me, what can I tell you?
00:09:04What a fool.
00:09:06It's great that we can talk.
00:09:08Damn, it gave me a really bad feeling.
00:09:10Yes, these things take time.
00:09:11Yes, but it made me feel a little uneasy.
00:09:14Me too.
00:09:16Hey, by the way, look, taking advantage of this moment of heightened friendship and good vibes,
00:09:20Do you remember a CD I lent you of Varón Rojo?
00:09:22Uh, no.
00:09:25Yes, woman.
00:09:26Red man, the box was broken, you always said you were going to replace it,
00:09:29that you were going to put a new one on, but then you never did.
00:09:31Oh well.
00:09:31If not, it sounds familiar, but didn't I return it to you?
00:09:33No.
00:09:34Sure?
00:09:35Absolutely.
00:09:36How odd.
00:09:37These beautiful moments we've had, you've forgotten me so quickly.
00:09:42And you, how silly you are when you want to be.
00:09:44Don't make me go.
00:09:45Oh, it's slipping away.
00:09:47Tita, Tita, wait, hey, find her for me, please.
00:09:50Yes, I'm looking for it, the door.
00:09:50Okay, thanks.
00:09:51Tita.
00:09:52That?
00:09:53Hey, he left me the keys.
00:09:54Oh, what a head, God.
00:09:56No.
00:09:57Okay, listen to me, I've explained it to you.
00:09:58The orange stuff, that thing they sent me, I'm not getting rid of it.
00:10:02Seriously, man, you've got sensitivity in your bunion too.
00:10:05Now you find out.
00:10:06I don't know.
00:10:07How do you know?
00:10:08He's your brother, damn it.
00:10:09Don't you realize that on this date memories flood back?
00:10:12Because he doesn't look forward, he looks backward.
00:10:14And where do we have to make him look?
00:10:16Onward.
00:10:16What did you say?
00:10:18Well, I don't see it as so bad.
00:10:20Do me a favor, send me some t-shirts or some merchandise.
00:10:24Okay, fine, okay.
00:10:25See you later.
00:10:25What's happening?
00:10:26Hey Diego, just a silly thing I wanted to tell you.
00:10:30What came out at night.
00:10:31Look, you said it yourself.
00:10:33Finti, I know you like the back of my hand.
00:10:35Come on, I already told you no.
00:10:37And that's it.
00:10:37I can't get you out of my sight.
00:10:40Come on, you're not even going to buy the newspaper.
00:10:42And when you leave, you go dancing with Doña Carmen.
00:10:45What's happening?
00:10:45She dances very well.
00:10:47Doña Carmen dances very well.
00:10:48But damn it, you need something else now.
00:10:51Wait, what do you mean I need something else?
00:10:53Explain something else to me because we know each other.
00:10:54What else do I need?
00:10:55Let me put it this way, with a little bit of tact.
00:10:59We, maybe, to play in the Champions League, okay, we're not there.
00:11:02No, damn it, it's a summer tournament, so we can play.
00:11:05Thank you.
00:11:06Screw.
00:11:06Well, speaking of the Champions League's delicate nature,
00:11:08I know someone who hasn't made it past the preliminary rounds for quite some time.
00:11:12Very good, very good.
00:11:14So, you defend yourself by attacking, right?
00:11:15Yes, yes, Finti, I'm attacking you, I'm attacking you.
00:11:17In other words, take your own advice.
00:11:18Yes, I'm attacking you because you told me to, and I'm attacking you.
00:11:19Okay, okay, okay, okay, let's leave it at that.
00:11:21Let's just leave it at that.
00:11:22No, we're done, that's it, we're done.
00:11:27That's happened to me too.
00:11:28Well yes.
00:11:29It hasn't happened to you, brother.
00:11:30Yeah.
00:11:30The problem is that he's very annoying and it's always the same topic.
00:11:33No, man, well yes, do you know what's happening to him?
00:11:35What is he planning?
00:11:36The fact that I'm the only one in psychology is projecting.
00:11:38Planning?
00:11:38Yeah.
00:11:40Yes, he is planning it.
00:11:42Look, I'm going to say one thing.
00:11:43Look, whether you like it or not, I've already lived my life.
00:11:48Yes, because I have loved and been loved.
00:11:49And I have children to raise and a wonderful family.
00:11:53In other words, I'm not on the market, it's over, I'm a father and that's it.
00:11:56No, Diego, no.
00:11:57No.
00:11:58Don't say that in front of me, I won't allow it.
00:12:00Well.
00:12:00You still have a lot to live for.
00:12:02Also, Finti, I remind you that he is a father.
00:12:04But it's not the same thing, José Luis.
00:12:06It's not the same because Raúl is older and has his life more or less settled.
00:12:09And what's happening to Finti is that he's alone.
00:12:11And he doesn't accept it.
00:12:12And that's why he wants to fix other people's lives.
00:12:14That.
00:12:15And what is very heavy?
00:12:16Already.
00:12:17Well, me too.
00:12:19I have some very annoying brothers-in-law.
00:12:22Well yes.
00:12:24As?
00:12:25You're projecting too, aren't you?
00:12:30Yes, a very old CD, very...
00:12:31Red male.
00:12:33Yeah.
00:12:34No no.
00:12:35Okay.
00:12:35Okay, never mind, Chucky, thanks.
00:12:37A little kiss.
00:12:38Bye.
00:12:40Red male?
00:12:41Yeah.
00:12:42Didn't I think you were too heavy?
00:12:43Uh, no, not me, not at all.
00:12:44Hey, doesn't that CD with a broken case seem familiar to you?
00:12:48When I went to your house I was more focused on other things.
00:12:51Well, today is the day your father comes home, and he's armed.
00:12:55Persecution?
00:13:01Sorry.
00:13:03Happens.
00:13:04Thanks, Fifi.
00:13:05It's because they adorn you, beautiful.
00:13:08Celia, I have a question, I don't know if you can answer it again.
00:13:13Pretty, well-earned expense, huh?
00:13:15Are you telling me or explaining it to me?
00:13:17So, have you got an English teacher yet?
00:13:20As?
00:13:22And she's so good, ever since she's been here at school, well, she studies here all the time.
00:13:27It surprises me, it's so obvious you shouldn't pay any attention to it.
00:13:31And then what better than to have a professional teacher give you lessons.
00:13:34An aunt who knows what she's doing, because you can go to any academy there.
00:13:36Look, look, look, the opening.
00:13:38Ferradín.
00:13:39Hey, make yourself a... with your coffee.
00:13:42And look, you little brats, you've already had your breakfast.
00:13:44Okay. Hey, and I was going to ask you, did she...?
00:13:47What about her...? I mean, is she convinced of this?
00:13:50Man, yes, he's there, Angelico, yes, the guisolic creature is there.
00:13:53She has no one, no boyfriend, no family, no friends, no boyfriend.
00:13:57Not even a boyfriend?
00:13:58No commitment.
00:14:01Well, let me tell you something, maybe this idea of classes isn't so bad after all.
00:14:05English, huh?
00:14:05Is it a bad idea, Fiti? Why is it a bad idea?
00:14:08Because I have neither the time, nor the desire, nor the need to learn English.
00:14:11Damn, what for? What do you mean, what for? What about tourism?
00:14:14Tourism? Right now, two gray ones have appeared around the beach.
00:14:17Two blondes.
00:14:18Two blondes? Well, give me an example. And what happens?
00:14:19You're not going to serve them... Ah!
00:14:21And let them give us the Olympics.
00:14:24You'll see what a mess this is going to be.
00:14:26What do you do...?
00:14:27Huh? Santi, did you hear what I did?
00:14:30Why are we giving him English lessons?
00:14:34Look, how silly.
00:14:35How silly, really.
00:14:37Let's see, Diego. At least look.
00:14:39Do it for yourself. For you.
00:14:40Since you've buried your physical side, at least cultivate your intellectual side a little.
00:14:45What are you laughing at?
00:14:46About something that's written here.
00:14:48Okay. I'll skip over the physical aspect.
00:14:49I'm going to tell you something. Something I think is great.
00:14:51Do whatever you want. If you want to come and give English lessons here at the tavern, go ahead.
00:14:54English classes.
00:14:54But don't count on me, I have enough on my plate as it is.
00:14:57Mother of God. Isn't that what it is, damn it?
00:14:59Do I have to explain everything to you? Damn it.
00:15:00Let me see, how can I put this?
00:15:02Haven't you noticed, man? What a gorgeous woman you've been jealous of.
00:15:06Yes, yes, yes, yes.
00:15:07Will you shut up?
00:15:09Well, yes. You looked closely, didn't you?
00:15:11Yeah.
00:15:11Well, look, it's just that...
00:15:13I'll tell you, Diego.
00:15:14The thing is...
00:15:15Well, I feel embarrassed being alone with her.
00:15:17What are you saying, Fiti? To you?
00:15:19Come on, man, please.
00:15:20Hey, yeah. Maybe I'll join in.
00:15:22Shut up!
00:15:23I'm saying this because maybe you offer group discounts, that's all.
00:15:25We are not talking to older people.
00:15:27Shut up already!
00:15:28Come on, you were telling me about the help.
00:15:29Well, that's it, now it's official.
00:15:31Now yes.
00:15:31Diego, now I need a little help.
00:15:32Let's see, Fiti.
00:15:34If you ask me for help, you'll have it.
00:15:36I'll give it to you.
00:15:37And if we have to give classes, well, we're going to be short on class time.
00:15:40Come on.
00:15:41Very good.
00:15:41Very good.
00:15:42Really.
00:15:43Thank you very much, Diego.
00:15:44Really.
00:15:46He's going to work hard on me.
00:15:47You're so clever, brother.
00:15:49And what a great way to spend money on psychology.
00:15:51You have to see how well you understand the human unconscious.
00:15:53It's a matter of studying it, Santi.
00:15:55Diego.
00:15:55It's at a time when I'm talking to my brother.
00:15:57The human unconscious, Santi, is something that needs to be studied.
00:15:59You study it, but I'm going to tell you one thing.
00:16:00Before a rooster crows, Fiti and Celia end up hooking up.
00:16:03Because this man needs to focus.
00:16:05So, it's not that...
00:16:06Santiago.
00:16:06Excuse me, listen.
00:16:07A lid.
00:16:07I'm going to put a plug in your mouth so you can...
00:16:09Besides...
00:16:11Okay, let's see.
00:16:12And this one?
00:16:13This ceramic tile floor?
00:16:14Do you like it?
00:16:15But then two weeks.
00:16:17Yeah.
00:16:18More or less.
00:16:19And how are they handling it?
00:16:21Good.
00:16:22Well, that's better.
00:16:23Tete is happy now, of course.
00:16:26Tete.
00:16:27Yeah.
00:16:27But what does Tete have to do with them?
00:16:29No, she's just crazy about her cousin.
00:16:32Is Tete crazy about sex?
00:16:35Well, I don't understand anything.
00:16:36Ever since I had the baby, things just get erased from my memory.
00:16:39Come on, it won't be that bad.
00:16:40No, no, Choni, she's going to be right.
00:16:42Before we are workers, we are people.
00:16:45For example, Celia, who has been here for at least a month.
00:16:47Well, since he arrived I haven't asked him anything.
00:16:49Neither how life is treating him, nor who he lives with.
00:16:51It seems to me that Choni hasn't left any question unanswered.
00:16:54Yeah.
00:16:58These things used to escape me.
00:17:07Are you doing very well?
00:17:09Yes, this.
00:17:10Sure?
00:17:12Yes all ok.
00:17:13Very good.
00:17:14Well then, everything's fine.
00:17:15See you tomorrow.
00:17:16See you tomorrow.
00:17:16See you tomorrow.
00:17:17Bye.
00:17:21I'm sure he'll handle the hand thing well.
00:17:22Girl, I think so.
00:17:33Okay, Fiti.
00:17:34I.
00:17:36How would you describe this bar in English?
00:17:43Well, mostly, biggerly, right?
00:17:52Bigger, biggerly, this is, this is the very, the very best tavern.
00:18:00Jamón is good.
00:18:02Birra, birration is good.
00:18:05Also, everything's good, everything's good.
00:18:07Quisir, la, the pub, the pub, the pub de los brothers, brothers, Serrano, brothers, is good, is the best, bigger.
00:18:21Amsterdam, me?
00:18:23Well, very well, very well, biggerly.
00:18:24No, I don't know, sorry, you said it very well, but I'll correct you and it seems to me that it is
00:18:27subliminal.
00:18:28I mean, the level that Fiti is reaching, because this morning he didn't know anything.
00:18:31And yet, he has an assimilation capacity, that is, a learning capacity that amazes me.
00:18:36Why? Because he is intuitive and very sensitive.
00:18:38Fiti must be very sensitive.
00:18:39No, no, no, no, no, no, no, no, no.
00:18:40Nor should we imagine who has always been good at academics.
00:18:43Diego.
00:18:43No.
00:18:44Yes, yes, yes, yes, he studied psychology here.
00:18:47Oh, I didn't know that, did I?
00:18:48No.
00:18:48You already know, why don't you say it...
00:18:49No, but woman, psychology, psychology, no.
00:18:51No, psychology, psychology in all its forms, okay?
00:18:54And on top of that, having to raise three children and support two other women, with a couple of them working like dogs,
00:18:58She studies psychology.
00:18:58But what will Fiti say? Can't he say anything else? Why?
00:19:01Because Fiti is a typical friend to his friends.
00:19:04The main thing about Fiti is that he is a friend to his friends, and there are very few people like that left.
00:19:07No, but there are very few people like that left in Spain, aren't there?
00:19:09Well, if he brings it, we won't eat it.
00:19:16Look, I'll leave you all set for a moment and I'll go get the wine, okay?
00:19:20Ah.
00:19:27Valdomo, very, very good.
00:19:31Thank you, thank you, Santi, thank you.
00:19:34Thank you, Santi.
00:19:35Hey?
00:19:36Thank you, Santi.
00:19:37Lie, lie.
00:19:38Lie, thank you, Santi.
00:19:39He's lying.
00:19:40Thank you so much, Celia. No, thank you for the English class.
00:19:42No, you're welcome. It's just that I think it's going to be more in the end.
00:19:44Iberian than English.
00:19:45No, no, no, no, Celia, no, but what you're doing, it's hurting, it's hurting.
00:19:48I mean, the whole tavern has arrived and this is turning into, I mean, you're giving it
00:19:52The idea of this as a place where one studies, thinks, and converses is one thing
00:19:57Honestly, call him X, but you don't realize it, for example, my brother, this Santi,
00:20:01The one from thank you, this one, for example, who doesn't speak English, but has been speaking English.
00:20:03But hey, so what about being a student?
00:20:07Hi how are things?
00:20:08Hello, sweetheart.
00:20:09How are you?
00:20:09What level do you think the creatures are at?
00:20:12Well, their English is very good, it could be improved, but they certainly try very hard.
00:20:18Well, that's why it was lacking, they didn't bother trying.
00:20:20Well, I'm leaving, I think it's time.
00:20:23Well.
00:20:23How are you?
00:20:24Yes, yes, yes, I have to go.
00:20:25Well.
00:20:26It's late, but oh well.
00:20:27Well, thank you very much, huh?
00:20:28Really.
00:20:29Thank you.
00:20:29Please, what are you doing to us?
00:20:30See you there studying.
00:20:31Yes, yes.
00:20:32See you later.
00:20:33Bye, bye, bye.
00:20:34Bye, bye.
00:20:35What do you mean, "goodbye"?
00:20:36What is this?
00:20:37Well, you say goodbye, you say it.
00:20:38What does "goodbye" say?
00:20:39An aunt, there, like a pearl, and here three uncle castles and none of them accompany her.
00:20:44Three no.
00:20:44You're on four.
00:20:46No, you don't realize that you don't matter.
00:20:48Fiti, pull and accompany more, damn it, the girl is doing you a favor by showing you the classes.
00:20:52Come on, man, for God's sake.
00:20:53Pull, pull, pull.
00:21:26Pull, pull, pull, pull.
00:21:30No, because this one has, look, this one has two of these bonus features and mine didn't have any of that.
00:21:36Go on.
00:21:38Well, that's much better, isn't it? More music.
00:21:41Did you buy me a new CD? To trick me?
00:21:44Yeah.
00:21:46Look, no, not to trick you. Okay, but I'd lost it, sorry.
00:21:50Poor Africa, auntie, it's not the CD.
00:21:54What does it mean?
00:21:56Auntie, you lose my things, which mean nothing to you.
00:21:59Raúl, please, it's a CD, it's not your mother's rosary.
00:22:04I've lost it, sorry, I've bought you another one and that's it.
00:22:06No, it's not here, it's not here. Africa, aunt, it's not here.
00:22:08These things don't work like that, damn it, this is a symbol, you know?
00:22:11No, no, you guys are amazing with these things.
00:22:14Auntie, you all need to understand everything.
00:22:16The details, the birthdays, the anniversaries, everything.
00:22:19But then it's the other way around, right?
00:22:20Well no, Africa, aunt, no.
00:22:22We have feelings too, you know?
00:22:25Raul.
00:22:26No, no, Africa.
00:22:28Hey, Raúl.
00:22:31Here you go.
00:22:32Thank you.
00:22:33That's lovely.
00:22:34Are you what you're going to have for dinner?
00:22:35Yeah.
00:22:36It looks like astronaut food to me.
00:22:39Well, it's really good.
00:22:41So what do you do now?
00:22:42So, you just take it home and that's it?
00:22:45Okay, I'll take it and eat it.
00:22:47Just you?
00:22:49Yeah.
00:22:50And selling the TV and stuff.
00:22:52Well, I haven't bought it yet, but if not, I'll read a book.
00:23:00And this?
00:23:01Do you think this will hold up this morning?
00:23:03Yes, I suppose so.
00:23:04Because?
00:23:06I was thinking, I don't know, let's see what you think, right?
00:23:08So, that...
00:23:10Damn, I'll treat you to dinner at the restaurant.
00:23:12Eating alone is very sad.
00:23:14I'm telling you from experience, okay?
00:23:16But do you like this Japanese food?
00:23:17I love it.
00:23:19Sure?
00:23:20Wait, it's better, then, I'd better.
00:23:22It's just that at one point...
00:23:23At one point, Diego...
00:23:25Wait, it's just that when it finds the seam, it's already...
00:23:28Ah, okay, okay.
00:23:29I've lost it.
00:23:30Diego has led a life...
00:23:33But a super difficult life.
00:23:35I mean, because just when I was starting to get back on my feet...
00:23:38Yeah, again, bam!
00:23:40Once again, beheaded.
00:23:41It must be really hard, right?
00:23:44Yeah.
00:23:45Well, tough, you say.
00:23:46Tough, and because...
00:23:47Because there, where you see him...
00:23:49Diego is a brave guy who has real guts.
00:23:52Well, what does it have...
00:23:52He has his family there, he has to provide for his family.
00:23:55the house, the children...
00:23:57Shall I ask for a knife and fork?
00:23:59Better.
00:24:00No, no, no, no.
00:24:00No way, I can manage on my own.
00:24:02I'm more into Chinese than Japanese.
00:24:05But...
00:24:05This little thing...
00:24:06This is like eating sunflower seeds.
00:24:08You start and you can't stop.
00:24:08And I like this guacamole too.
00:24:10No, it's guacamole, okay?
00:24:12Well, whatever you call it there.
00:24:13The fact is that he gets married twice.
00:24:15Fiti, no.
00:24:15And the two of them...
00:24:16And both of them die.
00:24:17Both.
00:24:18But...
00:24:18No, no, yes.
00:24:19Hey, watch out.
00:24:20You're thinking, aren't you?
00:24:21That has nothing to do with the deaths, right?
00:24:23But...
00:24:24But damn, that's bad luck too.
00:24:25No, no, Fiti, Fiti, that's it...
00:24:26That's wasabi.
00:24:28Oops!
00:24:29There is no water!
00:24:30Oh my god!
00:24:31Waiter!
00:24:33Water, water!
00:24:34No, take that out!
00:24:35Fiti, that burns.
00:24:38I love you!
00:24:44Diego, how's Fiti handling English?
00:24:46Okay, okay.
00:24:46There he is, the man, step by step.
00:24:48And the foosball table, I won't even mention it.
00:24:50My son learns to read first.
00:24:52Don't go overboard, Santi.
00:24:53Don't go too far because Fiti is trying.
00:24:55Well, and Celia.
00:24:56Celia, Celia, she's there.
00:24:58In other words, I have a patience and a good sense of self-control that...
00:25:00Dad, what is good manners?
00:25:01Well, knowing how to behave...
00:25:02No, I'll explain it to him.
00:25:04Knowing how to behave...
00:25:04Let me give you an idea.
00:25:05Just look at Celia, don't you?
00:25:06Educated, elegant, knowledgeable, in short.
00:25:09A good teacher, which she is.
00:25:11Yes, Dad.
00:25:12But it doesn't perform miracles.
00:25:13Forgive, forgive if it works a miracle.
00:25:14In other words, you are an example.
00:25:15Because you didn't have a clue about English.
00:25:17And well, you're improving a lot.
00:25:18Yes, but a donkey as a puppy, mint via.
00:25:21But an old donkey, no matter how many blows you give it,
00:25:22He steps out of line.
00:25:24Come on, let's go to the silversmith, we're late.
00:25:26See you later.
00:25:27See you later.
00:25:28See you later.
00:25:28See you later.
00:25:32Stadium, do you have a moment?
00:25:34Yes of course.
00:25:35Yeah, yeah, I'll eat it myself, churro.
00:25:37Well, see you at the table.
00:25:39See you later, yes.
00:25:40Tell me.
00:25:41No, it's because of our annual dance.
00:25:50And look, it's best if we leave it at that.
00:25:52But, Carmen, how can we give up dancing?
00:25:55Okay, okay, how are we going to stop dancing?
00:25:57Remember that we are the Fred Astaire and Ginger Rogers of Santa Justa.
00:26:01No, man?
00:26:01No, no, no, Diego, it's just that I'm not in the mood.
00:26:05And besides, Fiti is right.
00:26:08You should live longer.
00:26:11You only leave the house to go to work.
00:26:14Well, that's even more reason to go to the dance.
00:26:16That's how I go out.
00:26:18I'm not talking about that, am I?
00:26:20No, what I mean is that you should go out with someone your own age.
00:26:24Already.
00:26:25Look ahead.
00:26:28Yes, Carmen, I'm looking ahead.
00:26:30And later on, well, I'll also look ahead.
00:26:34Well, I'm not looking ahead right now, but I will eventually.
00:26:37But we can't miss the dance, it's the dance we do every year.
00:26:40No.
00:26:42No, Diego, no, no, really, no.
00:26:44I'm not going, no.
00:26:49Well, Celia, a little bird told me that you ended up going to dinner with my Fiti yesterday.
00:26:54and a Japanese person.
00:26:55Tell me, how was your experience?
00:26:57Well, it was great, it was a lot of fun.
00:26:59Especially when he ate all my wasabi.
00:27:03No, but you can tell me about that later, woman, that's right here.
00:27:06No, woman, no.
00:27:08Wasabi is a spicy sauce that is mixed with soy sauce.
00:27:10That?
00:27:11It's delicious, by the way.
00:27:12Ah.
00:27:13Hey.
00:27:13So what?
00:27:14And did he eat it all?
00:27:15Suddenly, I almost had to take him to the emergency room.
00:27:18So what?
00:27:19What else?
00:27:20Well, your brother is a sweetheart.
00:27:23That?
00:27:23Very funny.
00:27:25And well, he's very talkative.
00:27:27What else?
00:27:28Well, Choni, daughter, you think that's not enough, when there aren't any men like that left.
00:27:31TRUE?
00:27:32Oh yes, you said it.
00:27:33TRUE?
00:27:34Hey, they invite you to dinner and it seems like you're saying something else, I don't know.
00:27:37You're his, aren't you?
00:27:39Exact.
00:27:40You say, let's have dinner and they understand, let's go to bed.
00:27:43Yes, but Fiti isn't like that, thank God.
00:27:45Oh, no?
00:27:46No, no, no.
00:27:46He's a true gentleman.
00:27:48Hello, let's get to work.
00:27:50Let's get to work.
00:27:51And I can't drink coffee.
00:27:52No, no, no, no.
00:27:53Well.
00:27:54And the thing about the joke.
00:27:54Is she a spicy saint?
00:27:55Yes, yes, it's a...
00:27:56Like guacamole?
00:27:57Yes, the light green color.
00:27:58The avocado thing.
00:27:59We have to be very careful.
00:28:02This isn't my Fiat 60, they've switched it on me.
00:28:04But?
00:28:05I don't know what's wrong with him/her?
00:28:06Something's up with the Martínez family because Raúl is also acting a little strange.
00:28:10Is she sensitive?
00:28:11Right?
00:28:12He's been feeling sensitive lately.
00:28:13I don't know about Mother's Day, which is coming up.
00:28:15I don't know if I had them in spring.
00:28:17And then, honey, there aren't any men like there used to be.
00:28:19Although there are no gay balls left.
00:28:21A gay man?
00:28:22They don't exist.
00:28:23I'm going to be a bandit here.
00:28:25Come on.
00:28:26See you.
00:28:39Raúl, hello, I'm Afrin.
00:28:40What am I wearing?
00:28:42I don't have that one!
00:28:42I don't have that one!
00:28:44What's wrong with him?
00:28:45What did you get?
00:28:46The gromillón or what?
00:28:47The Mother's Day gift.
00:28:49Look.
00:28:50Look at this beautiful thing, huh?
00:28:52Look.
00:28:53But come on, you simpleton, what did you just say?
00:28:56The gift is for Mother's Day, not Children's Day.
00:28:58The gift you have to give is for Lurdists, damn it.
00:29:00In other words, I'm no good.
00:29:02No, no, this size won't fit her, will it?
00:29:04I'm so pissed off at the size of that guy.
00:29:06What about you, Fiti?
00:29:07You don't tell us anything, you're very quiet.
00:29:08It's just not...
00:29:09Can't.
00:29:11Pussy.
00:29:11What's the matter?
00:29:12The tractor what?
00:29:12What has damaged it?
00:29:13What has damaged it?
00:29:15Fuck.
00:29:15No, yesterday I was at the end, I ended up going to dinner with Celia at a Japanese restaurant.
00:29:20That?
00:29:20And I ate something green, man, worse than a shot of duck pisco.
00:29:23That's what you get for being refined.
00:29:25Who would think of going to a Japanese restaurant for dinner with all those faces at the exit?
00:29:28Okay, okay, fifth stop, Santi, because the important thing in these kinds of celebrations,
00:29:31Understand, it's not the food itself.
00:29:33No, it's the company.
00:29:34Tell us how it went with Celia.
00:29:36Nothing, fine, nice, but it's not for me.
00:29:39Well, it's not for you, he says.
00:29:41What do you mean it's not for you?
00:29:42It's for you, it's for me, and if you push me, even for Fermín, damn it.
00:29:45She has it all, she's hot.
00:29:47He speaks languages, which is everyone's erotic dream, man, damn it.
00:29:51Be careful, not with just anyone, because you're married to my sister, I remind you.
00:29:54Yeah, but look, Fiti, it seems like we're not getting it, I mean, you and Celia...
00:29:59No, no, Diego, no.
00:30:02That it's great, let's say no now, well yes, it's great.
00:30:05But I, I am a free spirit.
00:30:07I'm burned out on romantic relationships.
00:30:10Yes, it's wrong, brother, yes.
00:30:11What did I tell you?
00:30:12Santi, either we push him or he won't jump, damn it.
00:30:15Fiti, come on, have a beer, come on, here you go.
00:30:17No, no, no, no, no, put me on.
00:30:19I'm putting on some chamomile tea, because I have a burning sensation down here, all the way to my pubic hair.
00:30:22That wasabi is like shit.
00:30:24Is wasabi frog snot?
00:30:26That's language.
00:30:28A squeeze of lemon, Fiti.
00:30:33Oh, lame one, Africa, aunt.
00:30:38The thing is...
00:30:39Hey, you didn't have to come all the way here,
00:30:40We could have met up for coffee.
00:30:43Nothing, it was on my way anyway, don't worry.
00:30:46What did you want?
00:30:47Nothing, I just wanted to apologize if anything has upset you.
00:30:51Stop, stop, stop, Africa, no, this doesn't work like that, auntie.
00:30:54If you don't know why you should apologize to me, then don't.
00:30:56You understand me?
00:30:56But we're not in the mood for this nonsense anymore.
00:30:58Damn, all for a CD.
00:31:00No, no, no, please don't start with the CD again, Raúl, okay?
00:31:04It's like me asking you for the book I lent you.
00:31:06that you never paid me back.
00:31:08I didn't take offense.
00:31:09What, what, what, what book, what book?
00:31:11The Little Prince, but whatever, it doesn't matter.
00:31:12No, it doesn't matter, no, it doesn't matter,
00:31:14It's not the same because I remember that book perfectly.
00:31:16Know?
00:31:16Yes, I remember perfectly that I returned it to you.
00:31:18No, you didn't give it back to me.
00:31:19Yes, I gave it back to you.
00:31:20You didn't give it back to me.
00:31:21I'm convinced you haven't even read it.
00:31:23We're here.
00:31:24Africa, aunt, what do you mean I haven't read it?
00:31:26What do you know?
00:31:27Of course I've read it.
00:31:28I read the whole thing.
00:31:29Sure?
00:31:29Yes, the whole thing.
00:31:29And do you know why?
00:31:30Because?
00:31:30Because I respected you.
00:31:32You understand?
00:31:32I respected you and everything you owned.
00:31:34Already.
00:31:34To everything?
00:31:35Brilliant.
00:31:36And can you tell me what it's about?
00:31:40The fact that?
00:31:41The book?
00:31:41What is The Little Prince about?
00:31:43Yeah.
00:31:43Well, man, Africa, then,
00:31:45The Little Prince is a wonderful book.
00:31:47Princeling.
00:31:48His own name.
00:31:49Hey, what's up?
00:31:49How are you, Lurditas?
00:31:50How are you?
00:31:50Good.
00:31:51Africa, I was looking for you.
00:31:52Yeah.
00:31:53That Humberto Ortega's mother
00:31:54wants to talk to you
00:31:54because the child wants to wear a tutu
00:31:56because he wants to talk to you.
00:31:57Humberto tutu.
00:31:57Yeah.
00:31:57Okay, I'm coming now.
00:32:01You can do it for me later.
00:32:01No, no, calm down, calm down.
00:32:02We'll do it.
00:32:04Well.
00:32:04Total.
00:32:06See you later.
00:32:09The Little Prince.
00:32:11But isn't that for children?
00:32:12That is?
00:32:14I'm going to change Lurditas' gift.
00:32:17I've come here.
00:32:18Try to see when it's bigger.
00:32:20I'm going to try.
00:32:21I'm going to try.
00:32:22I'll try it someday
00:32:23You're going to find out about something.
00:32:24He's obsessed
00:32:25with a gift that Lurditas has to give
00:32:27or obsessed.
00:32:29Obsessed.
00:32:29He's not that obsessed
00:32:30like me with the Fiat 60.
00:32:31I don't recognize him, Diego.
00:32:33I just don't recognize him.
00:32:35Does the same thing happen to you?
00:32:36But you've noticed it, haven't you?
00:32:37He is as if locked within himself.
00:32:39Notice that he never leaves the tavern
00:32:40more than just for work.
00:32:41In other words, it has no life.
00:32:42He doesn't realize it,
00:32:43but it has no life
00:32:44because he is locked up.
00:32:44You nailed it.
00:32:47Can you believe
00:32:48I'm putting Celia in my sights
00:32:50What were you watching last night?
00:32:50Yeah.
00:32:52Is Ibai not going to launch?
00:32:53Is it not being launched?
00:32:54But when has that ever been seen?
00:32:55this poor wretch
00:32:56The same in another part of their life?
00:32:57No, Johnny.
00:32:57Life.
00:32:58Johnny, you...
00:32:59So, you...
00:33:00Does...
00:33:01Oh, Diego.
00:33:02That?
00:33:03Don't tell me you too
00:33:04you're there putting chips in
00:33:05For Celia?
00:33:06No, no, no, no, no, no.
00:33:07No, no, not me, not me, no, no.
00:33:09I'm placing my bets
00:33:10but for fiti.
00:33:10In other words, it's a favor.
00:33:11in favor of Fiti.
00:33:12Come on, Diego,
00:33:13I went in because I'm his sister.
00:33:16But you are one of the few remaining,
00:33:17my son.
00:33:17No?
00:33:18You're a true friend.
00:33:19What a good person you are, Diego, huh?
00:33:21No way, man, no...
00:33:22Put in a peppermint, damn it,
00:33:23Let's make a toast.
00:33:23What can we do?
00:33:24I'll give you a peppermint
00:33:25But I'll tell you one thing.
00:33:27Not working.
00:33:28No, it doesn't work.
00:33:29In other words, we need to do something more.
00:33:30We need to join forces.
00:33:32You and me, Johnny,
00:33:32We need to join forces.
00:33:33So what do we do?
00:33:34What do we do?
00:33:34We have to push
00:33:35And I'm going to explain it to you.
00:33:35what we are going to do.
00:33:36It occurred to me
00:33:37Give him a feast, right?
00:33:38Something really nice, right?
00:33:40And when things are ready
00:33:41Well, I'm excited.
00:33:43I'll leave peacefully
00:33:44And I'll leave Fite there.
00:33:45to Portagallola.
00:33:46Let's see if it happens again
00:33:46The same Fite as before, huh?
00:33:48What do you think?
00:33:49Well, it seems to me
00:33:50which is very well done.
00:33:51Clear.
00:33:51I think it's
00:33:52Very well said, Diego.
00:33:54Mariano says,
00:33:54You know what the menu at Troyes is like.
00:33:56and...
00:33:56I'm uploading everything with you.
00:33:57But, Mariano,
00:33:58what are you doing?
00:33:59What's happening?
00:33:59What's happening?
00:34:00What's happening?
00:34:00What's happening?
00:34:01Yes, yes, with the threat to Troyes.
00:34:02Have you gone too far?
00:34:03Yeah.
00:34:04Yeah.
00:34:05Have you read
00:34:06The Little Prince?
00:34:07Of course, Raúl,
00:34:08Don't you?
00:34:09No, I haven't read it.
00:34:09What's happening?
00:34:10I haven't read it.
00:34:11Can you give me a summary?
00:34:13What's it about?
00:34:14What's it about?
00:34:15Yeah?
00:34:15Yeah.
00:34:16Cool.
00:34:16Well, that's it.
00:34:17It is the story of a child
00:34:18who abandons his planet
00:34:19because he gets angry with a flower.
00:34:21Then he starts traveling
00:34:22throughout the universe
00:34:23until it reaches Earth,
00:34:24to the Sahara.
00:34:24He meets an aviator...
00:34:25But then the vineyard appears
00:34:26to Caporati
00:34:26and turns to the dark side.
00:34:27Hey, I'm talking to you.
00:34:28Seriously, you know this is important.
00:34:30Me too.
00:34:32Do you want me to tell you or not?
00:34:34Okay, yes, yes.
00:34:36Okay.
00:34:37Well, that's it.
00:34:37The boy asks the aviator to...
00:34:41Be quiet!
00:34:41But don't tell any more jokes.
00:34:43That she's obsessed
00:34:44so we don't know each other
00:34:46and all that.
00:34:46Well, he asked me
00:34:47even for my first communion,
00:34:49Imagine.
00:34:49Just let her get over it.
00:34:50Lurdica is very much like that.
00:34:52She's very much into...
00:34:53of derventes.
00:34:54Yes it's true.
00:34:55Very good.
00:34:56Hello, is it possible?
00:34:57What's happening?
00:34:57Like you here.
00:34:58Did we have plans or what?
00:34:59No, no, no,
00:35:00I wanted to talk to Celia.
00:35:02Yeah.
00:35:03Oh ok,
00:35:03Well, I have to give a talk.
00:35:04So...
00:35:05And Choni?
00:35:06Choni what?
00:35:07Choni has something to do too, doesn't she?
00:35:09Ah, man,
00:35:10Well, if I have a morning
00:35:11extremely complicated, extremely complicated.
00:35:13Come on.
00:35:13Come on.
00:35:14Until now.
00:35:14See you later.
00:35:15Until now.
00:35:16Goodbye, Choni.
00:35:17Come in, Diego, please.
00:35:19Sit down.
00:35:19Thank you.
00:35:22You see, uh...
00:35:23You see, Celia,
00:35:24I wanted to tell you something
00:35:25about yesterday,
00:35:26of the classes.
00:35:27Since we were here
00:35:28about the fishing rods
00:35:29and the Iberian ham and all that,
00:35:30because we weren't in a position to do so.
00:35:31to value what we had to value.
00:35:33This is important.
00:35:34No, no, the truth is no,
00:35:35but the Iberians
00:35:35They were really delicious, to be honest.
00:35:36Thanks a lot.
00:35:37Thank you,
00:35:38because we are professionals.
00:35:39Just like you, you're a professional
00:35:40of languages,
00:35:40We are professionals
00:35:41of the Iberians.
00:35:42Okay, now comes
00:35:43one thing that is important.
00:35:44Regarding this
00:35:45that I mentioned to you before,
00:35:46Now comes the bartering.
00:35:47What trade?
00:35:48Bartering,
00:35:49Ah, let me explain.
00:35:50Bartering, let's say,
00:35:51which is like a kind
00:35:51Exchange, right?
00:35:53A conspiracy.
00:35:54So, you give me,
00:35:55I give to you,
00:35:56This is what I ask of you.
00:35:56In other words, you give me,
00:35:57I give to you
00:35:57and that you come tonight
00:35:58to the tavern a little later,
00:35:59that we will be more at ease
00:36:00because there are fewer people.
00:36:01There are fewer people later.
00:36:04Hey...
00:36:06Hey...
00:36:06That...
00:36:08You and...
00:36:09No, no, no, no, no,
00:36:10no, no, no,
00:36:11which is not what you're thinking.
00:36:12No, no, no, no, no, no,
00:36:13that I ask you this
00:36:14Regarding the English classes,
00:36:15Fiti needs it
00:36:16that they give him English lessons,
00:36:17He really needs it.
00:36:18But that kind of thing,
00:36:19This favor that I ask of you,
00:36:20He is not capable of asking for it
00:36:21because he is very shy.
00:36:24No, not shy to Fiti.
00:36:25No, yes, yes,
00:36:26Man, I'm telling you, he's shy.
00:36:27So, it seems like this.
00:36:27from the outside
00:36:28very forward-thinking,
00:36:29But all that,
00:36:30That's just a facade.
00:36:32What she hides behind her shyness,
00:36:33And that's important for you to know.
00:36:34He's a gentleman, after all.
00:36:35He's a great person,
00:36:37noble, generous.
00:36:38It's the Fiti, right?
00:36:38Yes, yes, yes,
00:36:39if he also speaks highly of you.
00:36:42Let's get to one thing,
00:36:43I'm coming,
00:36:44But if you promise me
00:36:45that we are going to work.
00:36:46Let's go for it.
00:36:48So, talent,
00:36:49We don't have much talent,
00:36:49but to strive,
00:36:52We'll do whatever it takes, okay?
00:36:54Of course, Diego, damn it,
00:36:56a nice dinner,
00:36:57a select environment,
00:36:58And the tavern is closed, okay?
00:37:01There.
00:37:01Congratulations, damn it, really,
00:37:02This looks good.
00:37:03Okay, it looks good, it looks good, yes.
00:37:05Okay, but be careful,
00:37:06We need to improve our English.
00:37:07Yes, yes,
00:37:08In other words, so that I can see it now.
00:37:09that there is an interest
00:37:10Because otherwise, listen,
00:37:11No dinner, no classes, no Celia.
00:37:12Man, of course, I mean,
00:37:15Because listen to me,
00:37:16tell me,
00:37:17really,
00:37:17There really is interest, isn't there?
00:37:19Damn, the ultimate Fiti.
00:37:21Good, fuck, good,
00:37:22Yes, that's right, Diego.
00:37:23Maximum?
00:37:23Yes, that's it.
00:37:25How are you?
00:37:26I burned it, didn't I?
00:37:27Damn, damn.
00:37:29Leave me alone, leave me alone.
00:37:30Disgusting.
00:37:31Hey, guys,
00:37:32Just a moment,
00:37:33sit down, sit down.
00:37:37Let's see.
00:37:40Fiti's message to the nation.
00:37:43Your father is a mushroom.
00:37:44Come on, he's already in Isca, he lost it.
00:37:46Yes, but what is a mushroom?
00:37:49Mushroom, let's see,
00:37:49Let them explain it to you later.
00:37:50who are older
00:37:51and they're already grown up
00:37:52and they already understand life.
00:37:53I'm not going to go into details with you.
00:37:54But the fact is that...
00:37:56Well, she has a dinner party tonight.
00:37:58Hey?
00:37:58And I don't want you to bother him.
00:38:00Come on, it's not like you're calling him on your mobile.
00:38:01Don't even add it.
00:38:02If something happens to you,
00:38:03You go to the emergency room.
00:38:04And if you need anything...
00:38:0850, talfís.
00:38:10Hey, hey, hey!
00:38:10Guille, dude, no more.
00:38:11Hey, hey, hey!
00:38:12Well, this is definitely a preview,
00:38:13I'll give you more information later...
00:38:14It's under control.
00:38:17Hey, wait a second and then out.
00:38:18I want to tell you something,
00:38:19a domestic thing.
00:38:20Ah, sure, sure.
00:38:22Okay, behave yourselves, okay?
00:38:23Yes, yes, yes.
00:38:24I'm coming now, I'm coming now.
00:38:28Diego, if it's about
00:38:29How to turn on the microwave
00:38:31And that's even though we already have it under control.
00:38:33No, no, no, no, no,
00:38:34If I have dinner here with you,
00:38:35No, listen to me carefully
00:38:36because it's important.
00:38:37At nine o'clock
00:38:38Call me at the tavern
00:38:40as if it had happened
00:38:41Something here at home, huh?
00:38:43And then I come along,
00:38:43We have dinner and do what...
00:38:45But it is very important,
00:38:46at nine o'clock,
00:38:47Remember, at nine o'clock, okay?
00:38:49Okay, let's go.
00:38:55And then he begins to tell her
00:38:56the people he has met
00:38:58on other planets.
00:38:59And so, if a king,
00:39:01a vain uncle,
00:39:02a drunkard,
00:39:03a businessman,
00:39:04a geographer
00:39:05and then it reaches Earth,
00:39:07He meets the aviator
00:39:08and all that.
00:39:10Uh-huh.
00:39:11And what did you think?
00:39:12Me,
00:39:13So, for me,
00:39:14Amazing, Auntie!
00:39:15I don't know, come on,
00:39:16that I wouldn't know how to express it.
00:39:18It is a book that tells
00:39:20what is inner life
00:39:21of each one of us
00:39:22and well,
00:39:24through metaphor
00:39:25which is
00:39:25a pure and celestial being.
00:39:27Already,
00:39:28Do you know what it looks like, Raúl?
00:39:30That?
00:39:33He got it from the internet.
00:39:35That?
00:39:36Come on, Africa.
00:39:37Aunt,
00:39:38I'm talking to you
00:39:38from a personal experience,
00:39:39man.
00:39:39Fuck,
00:39:40This has really touched me.
00:39:42Already.
00:39:42And could you tell me
00:39:43How the Little Prince Returns
00:39:44to their planet?
00:39:46Well, like...
00:39:47how did he arrive,
00:39:48No?
00:39:49His ship?
00:39:52On his ship?
00:39:53He doesn't have a ship, Raúl.
00:39:55And he doesn't come back,
00:39:56He's not coming back.
00:39:56It lets itself be bitten
00:39:57by a snake
00:39:58and he dies.
00:39:59Yeah?
00:39:59Yeah.
00:40:01Yes, yes, of course, of course.
00:40:02Ah, of course, of course, yes.
00:40:03Okay, okay, sure,
00:40:04I read it.
00:40:05It's been a long time now.
00:40:06Africa, aunt,
00:40:07of the little details
00:40:07Well, I don't remember either.
00:40:09Hey,
00:40:09because you have to remember
00:40:10if everyone
00:40:11that part is read
00:40:11she starts to cry
00:40:12to the mucous membrane stretched out,
00:40:13but not.
00:40:14It's a bit of a disgrace, Raúl.
00:40:16I'll leave you a bookcase
00:40:16and you don't even read it.
00:40:17So then, please,
00:40:18Don't come here pretending
00:40:19the victim by the CD.
00:40:20No, no, no, no, no, no,
00:40:21Don't change things,
00:40:22Hey?
00:40:22One thing doesn't negate the other.
00:40:23And I gave it back to you.
00:40:24You didn't give it back to me.
00:40:25Yes!
00:40:25Yes, I did give it back to you!
00:40:27Stay out of it!
00:40:28Fuck!
00:40:29You didn't give it back to me!
00:40:30You didn't give it back to me!
00:40:30No, no, no, no, no, no, no.
00:40:32Happens,
00:40:33Here's the one who has to leave
00:40:33it's me.
00:40:35Auntie, I'm fed up already
00:40:36that you don't believe me.
00:40:36If you want, you can come to my house
00:40:37and you look for it.
00:40:38Ah, well that doesn't seem like a bad idea to me.
00:40:39Whenever you want.
00:40:40Very good.
00:40:40Before I came to mind,
00:40:42That's how you'll have left it.
00:40:43to the little prince
00:40:44to another
00:40:44and you come for nothing.
00:40:46That's nonsense.
00:40:51Didn't you let me see it?
00:40:52No, damn it, not you.
00:40:53The thing is, Lourguita doesn't need it.
00:40:55I feel very good
00:40:55received here.
00:40:56No, Celia.
00:40:57From now on
00:40:58It's going to be the norm.
00:40:59As long as I am director
00:40:59from this school,
00:41:01to the new person who comes
00:41:02welcome dinner
00:41:03to get to know each other better.
00:41:04Yoli, can't we
00:41:05Get to know each other better another day?
00:41:06No, no, Choni.
00:41:07Look,
00:41:08We just met
00:41:09That's good, huh?
00:41:10And it also pays for address.
00:41:12What's wrong with you, Choni?
00:41:13And do you have another commitment?
00:41:15I am committed.
00:41:16Aside from my marriage
00:41:16with your brother, none.
00:41:18But here
00:41:18My Cicelia, yes, right, Monica?
00:41:20Yes, that's true.
00:41:21I have English class
00:41:22with Diego and with Fiti.
00:41:23Oh.
00:41:24But look,
00:41:25no problem.
00:41:25Since I have to give them
00:41:26many more,
00:41:28We do one thing,
00:41:29They pick me up after class
00:41:30And I'm already dressed up.
00:41:31so I don't have to go back home.
00:41:32That's great.
00:41:33I'm going to call right now
00:41:34and I reserve.
00:41:35In that Japanese
00:41:35that you like so much.
00:41:38Oh, that's the last straw!
00:41:39Yes, but already...
00:41:40Afi, no, no, no.
00:41:40That?
00:41:40Are you coming over for dinner?
00:41:42tonight with us.
00:41:43No, no, I don't think I can.
00:41:45I have a matter to attend to.
00:41:46That's super important
00:41:47that solve.
00:41:49Woman, well, if you don't go overboard
00:41:50dinner,
00:41:50stop by even if it's just for a bit
00:41:50to the cafes.
00:41:52Clear.
00:41:52I've been seeing you lately
00:41:53very serious
00:41:53And I don't know if that's okay, you know?
00:41:54Okay, later
00:41:55If that's the case...
00:41:57Then...
00:42:00What I do?
00:42:02Well...
00:42:03Five?
00:42:04No, you haven't said no to yourself.
00:42:05Four.
00:42:06Damn, you don't know
00:42:06read the intentions
00:42:07of people.
00:42:10No, no, you haven't told yourself
00:42:12nothing.
00:42:13Look at her.
00:42:14Uh-huh.
00:42:16Just look at how things are going,
00:42:17who is asking for war.
00:42:19It seems like it's going
00:42:20to the catwalk of you,
00:42:21Isn't that it?
00:42:22Well, that's what's happening.
00:42:23so that they will do him a favor.
00:42:24No, surprise.
00:42:25She's even prettier.
00:42:26This woman breaks down.
00:42:27I'm going to my parents.
00:42:29José Luis, be careful.
00:42:30Sometimes it's going to break
00:42:31Something about that aunt, huh?
00:42:32Careful, careful,
00:42:32because she is the teacher
00:42:33of my children, right?
00:42:33Yes, respect for the cloister,
00:42:36But show some respect, okay?
00:42:37Let's go.
00:42:38Celia.
00:42:39How are you?
00:42:40Very good.
00:42:41How are you?
00:42:43How punctual, how punctual.
00:42:44And how beautiful, Diego.
00:42:48How beautiful.
00:42:49Man, what...
00:42:49Beautiful.
00:42:50Beautiful.
00:42:51She says...
00:42:52She says...
00:42:53Very pretty.
00:42:56I see you're loosening up
00:42:57more with English
00:42:57the one from yesterday.
00:42:58Yes, well, I'm already here.
00:42:59at the level...
00:42:59Come on, I'm leaving.
00:43:00up to one, of course.
00:43:01There, like a mustache.
00:43:03We have become aware
00:43:04both he and I
00:43:05from English,
00:43:07we have become aware
00:43:07a lot.
00:43:07It can look very good.
00:43:08So sit down,
00:43:09Sit down, I'm going to take
00:43:10the parameters.
00:43:11Okay, fine.
00:43:12Where do we sit?
00:43:12Okay, here.
00:43:14Diego.
00:43:15Tell me.
00:43:16I'm in too
00:43:17to the English course this.
00:43:18Really?
00:43:19I want to sign up for the course.
00:43:20What have you written down?
00:43:20to another course?
00:43:21Get out of here, get out of here, get out of here.
00:43:22But what I want
00:43:22Learn English.
00:43:23Let me explain it to you,
00:43:24Damn it, this is a charade.
00:43:25It is a case of force majeure,
00:43:26that what we want
00:43:27It's Pity and Celia
00:43:28So be there,
00:43:28Do you understand?
00:43:29Pity and Celia?
00:43:30Yeah.
00:43:30Yeah.
00:43:31Yes, there are some.
00:43:32With luck, huh?
00:43:33There are also married ones.
00:43:34Just like you.
00:43:35Like you.
00:43:35But let's see,
00:43:36Santi, listen to me,
00:43:37In other words, that you have it.
00:43:37Everything is ready.
00:43:38As soon as they call you
00:43:38Guille and Teté,
00:43:39I'll leave you with this
00:43:39To the open field, okay?
00:43:40I think you're wrong,
00:43:41brother.
00:43:42But Teresa
00:43:43of Calcutta
00:43:44extra mole
00:43:44and nothing for you.
00:43:45But what can I do?
00:43:45Santi?
00:43:46What can I do?
00:43:46Let's see.
00:43:47Moon, Moon, Moon.
00:43:48Moon, Moon.
00:43:50Moon, Moon.
00:43:51Moon, Moon.
00:43:58What can I do?
00:43:59What can I do?
00:44:00A classic.
00:44:00You're right, Santiago,
00:44:01that you're still in the market.
00:44:02I'm not on the market,
00:44:03that I am not
00:44:04because of stories like this.
00:44:05And you talking about Fiti,
00:44:06which in the case of Fiti
00:44:06It is a necessity
00:44:07which takes a long time
00:44:08without any woman
00:44:08and he's missing something.
00:44:10What friend wouldn't do that?
00:44:11That for a friend?
00:44:12Well, then...
00:44:12Diego?
00:44:13Yeah.
00:44:15I think we can start now.
00:44:16Just a moment.
00:44:17Choma, chocalo.
00:44:18Okay, let's see here
00:44:18Merry Christmas.
00:44:20I just couldn't find...
00:44:21Go.
00:44:22Bye.
00:44:30Hey, please,
00:44:31stop looking
00:44:32and help me search.
00:44:33Africa is not there.
00:44:35You're being stubborn
00:44:36for not recognizing it,
00:44:37But it's not there.
00:44:38Since you've been living here
00:44:39You could have already ordered
00:44:40Just a little bit of your stuff, huh?
00:44:41Hey, don't stop for a minute, you know?
00:44:43What work will I not have?
00:44:44But you don't know the job.
00:44:45What is looking for a job, beautiful?
00:44:46Pass me another box.
00:44:48Okay, but you're going to close that one for me, right?
00:44:49Pass me another box.
00:44:50Okay.
00:44:51But you'll have to pick that one up for me.
00:44:54Take.
00:44:55No, thanks.
00:44:55You are welcome.
00:45:00Let's go now
00:45:00with that tremendous explosion
00:45:02registered in Valencia
00:45:03that has ended
00:45:04in the crisis.
00:45:05Already.
00:45:06But let's see, Maritere,
00:45:07what are you saying?
00:45:07Don't even think about it.
00:45:08But let's see,
00:45:09if your father has said
00:45:09We must have called for a reason, right?
00:45:10Well, but Fiti said it too.
00:45:11Okay, so what?
00:45:12Why do you listen to Fiti?
00:45:12before your father, or what?
00:45:13No, Maritere, but...
00:45:16Fiti has not been paid.
00:45:17We need to be professional.
00:45:18Okay, fine.
00:45:22But I don't understand
00:45:22Why are they riding?
00:45:23all this for I.P.
00:45:24Oh, really, Maritere,
00:45:25You seem new, huh?
00:45:26Santi, these kids don't call.
00:45:29Well, that's it.
00:45:30I'm going to have myself
00:45:31We need to keep moving, huh?
00:45:32No, no, no, no, no,
00:45:33But how can you have
00:45:33Which to go?
00:45:34No, no, no, not at all.
00:45:35No, no, I'll explain.
00:45:36I'm the one leaving, come on.
00:45:37How are you going to leave, Diego?
00:45:38No, you're in a tavern, damn it.
00:45:40Already?
00:45:40In the end, they'll understand me.
00:45:42Hi guys.
00:45:43Hi, how are you, Maritere?
00:45:45As such?
00:45:47But what are you doing here?
00:45:49Nothing, just pick up Celia
00:45:49to go out for dinner.
00:45:50Yeah.
00:45:51Let's see if you believe it
00:45:52who has dressed so beautifully
00:45:52for you.
00:45:53But what...
00:45:54What do you mean, going out for dinner?
00:45:56What to have for dinner...?
00:45:56Yes, well yes, let's have dinner, let's have dinner.
00:45:58Japanese.
00:46:03Then when they take it
00:46:04with one that I have weighed
00:46:05They oppose it.
00:46:07Like you?
00:46:07Looking for what you won't find, Africa.
00:46:09On August 2nd,
00:46:10week warns...
00:46:10Come down
00:46:11I'll hit you with the clapper.
00:46:13Hey, what are they?
00:46:14Look, that's enough, Africa, aunt.
00:46:15Fuck it,
00:46:16These are my private matters
00:46:17And you can't be here.
00:46:18gossiping about me
00:46:19Because my life...
00:46:20Hush, hush.
00:46:23Red Baron.
00:46:24But I don't think that's it.
00:46:25I don't know why,
00:46:26I doubt it, Raúl,
00:46:26I look like it.
00:46:27That we had two
00:46:28because my father had one
00:46:29also his and that...
00:46:30What's that?
00:46:30Shut up, shut up.
00:46:31What's that?
00:46:31That?
00:46:32What, what, Africa?
00:46:36The Little Prince!
00:46:38Sleeping on a sofa!
00:46:39The thing is...
00:46:40How is it so finite, Africa?
00:46:41Just like my father...
00:46:42I can't believe it.
00:46:43But no, no, no,
00:46:44that this...
00:46:44Just like life,
00:46:45You've spent your whole life justifying yourself,
00:46:46Raul, and you, and you, and you.
00:46:48What? What? What? What's going on?
00:46:49I'm going to look like an idiot.
00:46:50as usual.
00:46:51What are you saying?
00:46:51Like every time you hooked up with someone else.
00:46:53What are you saying?
00:46:54What's the point of that now?
00:46:55And what about you?
00:46:55You weren't hooking up with anyone else, were you?
00:46:57Hey?
00:46:58You weren't hooking up with anyone else.
00:46:59I mean, when I was
00:47:00looking for an apartment and looking for a job
00:47:01so I can live with you
00:47:02And you were making out with Manu,
00:47:04You weren't falling in love with someone else.
00:47:05Whenever you want.
00:47:06Whenever you want,
00:47:07Whenever you want, we can settle up.
00:47:07Whenever you want.
00:47:08Come on, come on, do the math.
00:47:09Very well, shut up.
00:47:09How could I possibly think that?
00:47:11Were you going to read a book?
00:47:12What if I'm such an idiot?
00:47:13and so satisfied
00:47:14and such a liar
00:47:15And everything?
00:47:16Why the hell have you been
00:47:17three years with me?
00:47:17Can you explain it to me?
00:47:18Yeah.
00:47:18Yes, come on,
00:47:19Well, explain it to me.
00:47:19Let's see if you can.
00:47:38Okay, fine.
00:47:39You win.
00:47:46Okay, let's go.
00:47:47Yeah.
00:47:48Thanks a lot.
00:47:49Thank God, thank you.
00:47:50See you later, darling.
00:47:51We already talked.
00:47:52We'll talk later.
00:47:53See you later.
00:47:54Chony, listen to me for something.
00:47:55That?
00:47:55They're going to put something green like this there,
00:47:57tiny, huh.
00:47:58Don't even try it.
00:47:59I won't say any more.
00:48:00Okay.
00:48:00Let's see.
00:48:01Don't even try it.
00:48:02Come on.
00:48:03Okay, see you later.
00:48:03Is this the time we've arrived?
00:48:05Yes, we're on time.
00:48:06Uh, what?
00:48:06What's happening?
00:48:08Oh, darling.
00:48:10Come on.
00:48:10Bye bye.
00:48:11See you later.
00:48:13Thanks, brother-in-law.
00:48:14That's how I like my ham, nicely sliced, you know.
00:48:16Nicely cut.
00:48:17Thanks, nothing.
00:48:18You've been sitting on a couch for two days
00:48:19on the stool
00:48:20without paying for a few beers.
00:48:24Pussy.
00:48:29Damn, Fiti.
00:48:30Hey?
00:48:31That you're here in the papers.
00:48:33It comes up with Celia on the papers, huh.
00:48:35Can you do it?
00:48:36What do you mean they're on the papers?
00:48:38Look, let me see, damn it.
00:48:39Good, good, good.
00:48:41But, but you do...
00:48:42Hey Fiti, what's that?
00:48:43No, what?
00:48:44What do you mean, no?
00:48:45I can hear you perfectly.
00:48:46I don't know.
00:48:46What do I know?
00:48:47With his mouth agape.
00:48:59And this little fish,
00:49:01if they turned it over and over
00:49:02on the flat iron,
00:49:03It wouldn't be better.
00:49:04Look, let's see if we can get it
00:49:05that aniseed,
00:49:06This is raw.
00:49:06I did it.
00:49:08What do you mean, "little"?
00:49:09Didn't I get this Chinese thing?
00:49:10Did he eat it the same way as the Chinese guy?
00:49:12It's good.
00:49:13Well, yes.
00:49:15Celia, tell us something.
00:49:16Something about you, I don't know.
00:49:17Where do you study, Tingeles?
00:49:19I studied there at the Autonomous University of Mexico.
00:49:21But then I came home to do a PhD.
00:49:23Well, ethically, I'd ask your parents too, wouldn't I?
00:49:24Having you so far away.
00:49:25Well.
00:49:26Well, yes, the truth is that it's missed a lot.
00:49:27hand it over to the family.
00:49:28Normal, normal.
00:49:29And you worked there too.
00:49:32There, in Mexico?
00:49:32Yes, yes, yes.
00:49:33What girls,
00:49:34This looks like a machine, to be honest.
00:49:36Ask, ask.
00:49:37No, but it is okay.
00:49:38It had taken so long
00:49:39without meeting up like that and going out.
00:49:40The truth is that talking to me is good.
00:49:42Oh well,
00:49:43I was working on something else.
00:49:44Okay.
00:49:45Guys,
00:49:46Take advantage.
00:49:47Oh, what a surprise.
00:49:48They've been caught.
00:49:49They've been caught, who?
00:49:50It's not that they don't have anyone to take out.
00:49:52Come on, look, the gossip press.
00:49:53That's awful.
00:49:53The star of soap operas
00:49:55discovered in Madrid
00:49:55with her boyfriend to Spain.
00:49:56Well, don't tell me.
00:49:57that you are an artist too.
00:49:58He was,
00:49:59But I was going to tell you now,
00:50:00But no...
00:50:03But hey, Fiti,
00:50:05What cute faces, huh?
00:50:06The face you make
00:50:07when he sees you
00:50:08Screw that wasabi.
00:50:10What do you want me to say?
00:50:11It's good.
00:50:12Well, yes.
00:50:13Supro!
00:50:14Let's get out of here, right now.
00:50:15I'm coming.
00:50:16I'm going, I'm going.
00:50:17What are they going to be doing at home?
00:50:18Well, I'll think of something.
00:50:19The little one is out there
00:50:20with the car idling.
00:50:21Hey, sorry guys,
00:50:22I'm truly sorry about tonight.
00:50:23No, no, no, no.
00:50:24Yes, yes, yes, yes.
00:50:24Please, no photos.
00:50:25Will you let me in?
00:50:27No photos, okay?
00:50:27No photos, sorry.
00:50:28Please, please.
00:50:30I don't understand
00:50:31That's your job, king.
00:50:32Me in the street
00:50:33He put whatever you want.
00:50:35Maybe we don't know each other very well.
00:50:37That?
00:50:37Year, no, no, no, no.
00:50:39Excuse me, can you let me through?
00:50:40No, darling, I can't.
00:50:41I'm going to take my pictures of you.
00:50:42So I'm going to pass.
00:50:42I'm so sorry for you.
00:50:43when you do them somewhere else.
00:50:45Do you want me to give you security?
00:50:46Security.
00:50:47Security.
00:50:48Security.
00:50:51That's it, Diego.
00:50:52that his house is located.
00:50:53Mine, after yesterday's fiasco,
00:50:54also.
00:50:55And we have thought
00:50:55if he can stay here,
00:50:56We're not going to leave him alone either.
00:50:58But of course he can stay.
00:50:59But look, really
00:51:00nothing's wrong,
00:51:00I don't want to either.
00:51:01that it's not a problem.
00:51:02Celia, Celia, it's not a problem at all.
00:51:03Not that it's not a problem at all,
00:51:04which also here,
00:51:05together,
00:51:06So we'll help each other out,
00:51:06We help each other.
00:51:07No, you see?
00:51:08Come on, let's go.
00:51:09Are there Moors on the coast, Choni?
00:51:10No, neither Moors nor Jews.
00:51:12Come on.
00:51:13Well, Monica,
00:51:13Give me a kiss.
00:51:15Hello.
00:51:15Thank you.
00:51:16Don't worry about anything.
00:51:17You, Diego?
00:51:17That?
00:51:18Behave like a gentleman.
00:51:19Cheese?
00:51:20A gentleman?
00:51:21Hello, come on.
00:51:22Excuse me, come here.
00:51:22We went into the living room, yes.
00:51:29Opportunity strikes a bald man
00:51:30And you'll stay calm.
00:51:31No, that's not it, Choni.
00:51:32Don't let it happen, damn it.
00:51:33But you don't realize it
00:51:34I'm rinsing it.
00:51:36And why do you have to do that?
00:51:37Did anyone get clarified?
00:51:38Because Diego...
00:51:39Diego is there with the sorrow, Mora.
00:51:41Damn, it's not moving.
00:51:42How to not push him.
00:51:43Let's see if he wakes up and moves forward, already.
00:51:45Of course, my son,
00:51:45You're just plain stupid.
00:51:47Come on, you'll see.
00:51:49in another one like this.
00:51:51No.
00:51:54Go home
00:51:55It makes me so happy.
00:52:02Oh my god, my father!
00:52:03Run, run, run!
00:52:04Run to my room!
00:52:05Runs!
00:52:09That noise?
00:52:10That?
00:52:11Could it be my guts?
00:52:12Yes, I'm back from Japanese
00:52:13I was hungrier than when I went in.
00:52:15I'm about to make myself a couple of fried eggs,
00:52:16Look what I'm telling you.
00:52:17Hey!
00:52:17How are you?
00:52:18Hey?
00:52:19What's happening?
00:52:19You were saying that you'd just show up without warning, huh?
00:52:22Yes, well, you seem to have bored us.
00:52:23You haven't been too bored either, have you?
00:52:26Come on, now!
00:52:27No, but I don't know that...
00:52:29Yes sir!
00:52:30I don't know...
00:52:31Ting, I'm so proud of you!
00:52:33Now, my son,
00:52:34When you want a little privacy,
00:52:35You tell us about it,
00:52:36But if the martins pass,
00:52:37In other words, we're very open,
00:52:38We understand them perfectly.
00:52:39Sure, sure, you leave a sign.
00:52:40I'll let your aunt know
00:52:41And we'll leave the house all to yourself
00:52:42and for your sweetheart.
00:52:43Okay.
00:52:44By the way,
00:52:45who is it?
00:52:47No, no, no...
00:52:49No, no, no, no, no,
00:52:51I don't know her, no.
00:52:52Jesus, Jesus, huh?
00:52:54You come and deny it,
00:52:55Come on, deny it.
00:52:55I knew it.
00:52:56Fuck.
00:52:57You're a sharpshooter, aren't you?
00:52:58Clear.
00:52:59I thought the girl was bigger, you know?
00:53:02Don't believe it,
00:53:02It's deceptive, isn't it?
00:53:04Well,
00:53:05In these ways,
00:53:05at least one Martin
00:53:07He has fulfilled his promise today.
00:53:08Well, here,
00:53:09that makes your aunt happy
00:53:11infinite.
00:53:13My God,
00:53:14I'm going to bed.
00:53:14Yeah.
00:53:15I'm from that area.
00:53:20Look here, damn it, fuck it.
00:53:22Okay, okay, Dad,
00:53:22that left me a team.
00:53:23Yes, I'm really proud of you, damn it.
00:53:25Yeah.
00:53:25Well, it was about time.
00:53:27It was about time, son.
00:53:28That you should move on, damn it.
00:53:31Very good.
00:53:32You're already giving it to me.
00:53:35That?
00:53:36Hey?
00:53:37Is this the end of the book?
00:53:38Ah, the...
00:53:39Damn, what a mess I'd made, man.
00:53:41I'm wearing the one with the print.
00:53:52No, no, no.
00:53:56Throw away your phone.
00:53:56Come on, let's go.
00:54:04Hey Diego, you don't have to sleep on the sofa.
00:54:06I can leave perfectly fine.
00:54:07No, no, no, really, don't worry.
00:54:09Don't worry, I'm already asleep, okay?
00:54:10Wait a second.
00:54:12Here it is, look.
00:54:14It might be a little too big for you, but...
00:54:15I'm a little short on chest.
00:54:18Like abelis?
00:54:19Thank you.
00:54:23Ah, good night.
00:54:26Hey, Diego.
00:54:27Yeah.
00:54:29Don't you want to know why I'm in those photos or why I'm here in Santa Justa?
00:54:32No, no, really.
00:54:35Everyone has their own life and we have to respect that, right?
00:54:39Look, Celia, I'm going to tell you something.
00:54:42What matters to me is that you got Guilla to try it.
00:54:46And that Fiti wants to learn English.
00:54:48And the past, well...
00:54:51Well, that's in the past.
00:54:57Good night.
00:54:58Good evening, Diego.
00:55:09Mother, have you finished getting up yet?
00:55:17Good morning, Guille.
00:55:19The bathroom, right?
00:55:20Yes, the bathroom.
00:55:34What are you doing there?
00:55:35Come on, work, come on, let's go!
00:55:37What's the matter?
00:55:38You are my hero.
00:55:39That?
00:55:39You are my hero.
00:55:41What are you doing, idiot?
00:55:43Come on, let's go up.
00:55:43Come on.
00:56:00Tete, can you pass me the cereal?
00:56:08Okay, wait a minute, please, listen to me.
00:56:11I'm very sorry to break the vow of silence you've all taken, but...
00:56:14I imagine you've complained that we have a guest for breakfast.
00:56:17Not so you can't notice, my goodness.
00:56:19Please, please.
00:56:21Curro, for God's sake.
00:56:24Well, this, like everything in life, has an explanation.
00:56:26The explanation I'm going to give you.
00:56:27It's not what any of you are thinking, none of you.
00:56:32So, Celia has spent the night here at home because she feels harassed by one of the faces of
00:56:36This society.
00:56:37You want to know which one it is, don't you?
00:56:39The gossip press.
00:56:41Wow, I didn't know you were so famous, Diego.
00:56:45Ma'am, please do me a favor, it's not because of me, I mean, they're following her.
00:56:48The thing is, Celia...
00:56:49Celia, look, it's almost better if you explain it, you'll do it better.
00:56:53Well, how can I put it?
00:56:56It's a very long story, and well, I don't think it's very important anyway.
00:57:01Besides, I have to go because I have to stop by home before going to school, but...
00:57:05Thank you for everything, the breakfast was very good, excuse me.
00:57:07I'll bring you closer, I'll bring you closer.
00:57:08Come on, you all move along, I'll stop passing you the school.
00:57:10Come on, let's go, let's go.
00:57:12Fast.
00:57:15Is there an old man?
00:57:16Yes, yes.
00:57:18No, you have done it, because of what I told you yesterday.
00:57:21That, that my word is not, no, no law.
00:57:23And that, well, those aren't the right ways to behave in front of children.
00:57:27No, no, no, that's not it.
00:57:28And you don't have to, why invent that nonsense about the gossip press and all that.
00:57:33But what nonsense? It doesn't do that for me...
00:57:34Okay, look, Carmen, let's leave it at that, let's leave it at that.
00:57:37And I'll explain it to you later, well, I'll explain it to you now, you're not going to believe it.
00:57:39So, that's it.
00:57:41Hey Diego, I'm really sorry for all the trouble and thank you so much.
00:57:45No, nothing's wrong, don't worry.
00:57:46Come on, kids, we're leaving.
00:57:58How can I believe that?
00:58:01I'm sorry again, Diego.
00:58:03Is nothing really happening?
00:58:04Peaceful.
00:58:17Hello.
00:58:19Good, good, and good.
00:58:20Okay, what?
00:58:21The one you missed last night at the restaurant.
00:58:24Oh, really?
00:58:25Well, if I tell you my story, you won't believe me?
00:58:27Tell me, well, tell me.
00:58:28Well, we were there having dinner, because of what they are, Celia, and so on.
00:58:31My Fiat 60 appears.
00:58:32They can't imagine you.
00:58:33You just don't believe it.
00:58:34Let's see, let's see.
00:58:35Oh, here, I'll tell you later in the email.
00:58:38His?
00:58:39His?
00:58:40What's up, beautiful?
00:58:42Nothing for me.
00:58:44Oh, you kept that quiet.
00:58:46We need to find some time, you and I, to talk about our things.
00:58:49Alright, off to class.
00:58:51Honey, if you need anything, anything at all, whatever you fancy, Nachoni is here for you.
00:58:56Hey?
00:58:57To the.
00:58:57Come on.
00:58:58See you later.
00:58:58Bye bye.
00:58:59Raven.
00:59:01Susanita, Susanita, come here, come here, come here.
00:59:02Hey, since when do you get along so well with Choni?
00:59:05I don't understand anything.
00:59:06Didn't you tell me that?
00:59:09Well, it doesn't matter, just look at him.
00:59:10If there weren't 40 graphs, there weren't any.
00:59:11Go over there, Cachoni.
00:59:13Ana, Ana.
00:59:14Age is expressed in English with the adjective old, which means old.
00:59:17And with the verb to be, which as you know, is from the verb to be.
00:59:23Where can we catch the soap opera?
00:59:25Look, maybe they'll do it on the soap opera channel I have at home.
00:59:28Do they want to be quiet?
00:59:32They are going to prepare topic 12 on their own.
00:59:34And don't make too much of a fuss.
00:59:48And how did you expect him to take it?
00:59:50If you have her have breakfast with the family.
00:59:52These things have to be done slowly, little by little, and covering up the complaints.
00:59:56But look, what am I going to cover up if I haven't done anything?
00:59:58All the more reason to cover it up.
01:00:00She has to be like Caesar's mistress, who, in addition to serving well, has to appear to do so.
01:00:05That?
01:00:06Good morning, champion.
01:00:08How are you?
01:00:09Tell me about it.
01:00:10How's it going? How's it going, little concept?
01:00:11No, well, I'm telling you a story.
01:00:12Fatal.
01:00:13Yes, terrible, because this morning breakfast is her showing up.
01:00:16And, Czech, a tension.
01:00:17Do you remember when we went to the Nou Camp to see the Madrid-Barça match?
01:00:20Well, worse, much worse.
01:00:21In other words, Tete doesn't even speak to me.
01:00:23And it would have been better if my mother-in-law hadn't spoken to me, because, well...
01:00:27No, no, I don't know, I'm done...
01:00:28Yes, yes, yes.
01:00:29They'll get used to it, Diego.
01:00:31They'll get used to it.
01:00:31There had to be a first time sometime, right?
01:00:33Well, you'll see when you're on the show.
01:00:36Yes, I've already seen the photos online.
01:00:38There you two are, Celia and you, at your house.
01:00:40What? What?
01:00:40That?
01:00:40I mean, I don't...
01:00:42But, but, but, but, please, what are you doing to me...
01:00:44So, on top of my family thinking I slept with Celia,
01:00:49In other words, half of Spain will think so too.
01:00:50And all of Mexico.
01:00:51Stop, stop, stop, stop, stop, stop.
01:00:52As?
01:00:53What do you mean, "think"?
01:00:54What's happening?
01:00:55What's going on? Didn't they end up...?
01:00:56Of course not, Fiti, of course not.
01:00:57Wow, Diego!
01:00:58You're an idiot, you man who has the Venus of the Nile at home.
01:01:01And you do nothing.
01:01:02If you're a mushroom, you're a real mushroom, damn it.
01:01:04Fiti, what mushroom of the fifteen?
01:01:05What are you telling me about mushrooms?
01:01:06Okay, let me explain it to you because it seems you don't understand.
01:01:08I mean, whether it's Celia or not, I mean, let's see if you understand.
01:01:11I'm not available for anyone, I'm not available for anyone.
01:01:13Well, what do you think?
01:01:14Things just happen, right?
01:01:15That, that, that everything here is free.
01:01:17Didn't you realize?
01:01:18But what do I need to realize?
01:01:19Well, some of us here were making an effort, damn it.
01:01:22And you, as one who hears, I see.
01:01:24Ah, no, no, no, no, no, Fiti, Fiti.
01:01:25Excuse me, but it seems to me that you're the one who's missing a few things.
01:01:28What do I need to realize, son?
01:01:29What am I supposed to realize, damn it?
01:01:31I've been acting like your pimp for three days now.
01:01:33You, you?
01:01:33What do you look like, my pimp?
01:01:34Well, look, I'm going to tell you what happened.
01:01:36Celia has come back here to teach because I asked her to.
01:01:37Yes, me, yes.
01:01:39Because?
01:01:39So that you'll smile for once.
01:01:41No, don't laugh, Fiti, because you open your mouth and gobble up a wasabi, you understand?
01:01:45Excuses, excuses.
01:01:45Ah, yes.
01:01:46Because you haven't been able to finish the job, what do you want me to do?
01:01:48I can't do any more.
01:01:48But what do you mean by finishing the job?
01:01:50I mean, I've finished a lot of shots, I've finished more than Viti, than José Tomás, you know?
01:01:52I've cut off my ponytail, I'm not finishing up anymore because I've cut off my ponytail.
01:01:55You do it yourself with your own mechanism, okay, very good.
01:01:57But don't come telling me yes now, you're just trying to pull the wool over my eyes with Celia, it's not going to fly.
01:02:00But how can it not work?
01:02:01Oh, that won't fly?
01:02:01Well, ask your sister.
01:02:02Oh yes, ask Choni, she was with me on the operation.
01:02:04Choni was with me on this operation.
01:02:06Choni?
01:02:06Choni.
01:02:07So, just so you know, and yes, just so you know, and yes, that it's neither here nor there.
01:02:10And then you tell me to do it with my socks off.
01:02:14And you don't understand a thing.
01:02:18Two calanes for one queen.
01:02:20Wow, wow, wow!
01:02:21But you've seen my Fiti, baby, it looks like it's been around forever.
01:02:23But please, look, old man.
01:02:25Yeah.
01:02:25Very loud!
01:02:27But wait, back then Celia was a soap opera actress.
01:02:29No, not from Culebrones, from telenovelas.
01:02:32Which is the same thing, lurdicas.
01:02:34Yeah?
01:02:34Man.
01:02:36Hello, beautiful!
01:02:37Hello good morning.
01:02:38How are you?
01:02:38Hello, Celia.
01:02:38Here I am watching Britney Spears.
01:02:40Yes, this is the girl, the one who shaved her head, right?
01:02:42Yes, he shaved his head, bald, bald, bald, he's stayed that way.
01:02:45There's no need to pretend, is there?
01:02:49Two handsome men for one queen?
01:02:53Forgive us, darling, forgive us, it's just that the gossip couldn't get through, daughter.
01:02:57I've seen my little brother there and all, and he hasn't been able to.
01:02:59Yes, don't worry, I was used to it in Mexico City, but...
01:03:04Look, if this is going to be a nuisance here, for the school, if I'm going to cause any trouble...
01:03:08But no, please, Celia, please, it's no trouble at all.
01:03:11We're delighted with you, aren't we?
01:03:13Yeah.
01:03:13Also, and this is very important, the boys are happy with you, Celia.
01:03:17And I, I'm very happy, very happy to meet you, really.
01:03:20Come on, for anything you need, we're here, we're like family to you.
01:03:24Man, your parents are very far away, baby.
01:03:26You need a family here, even if it's a fake one.
01:03:29Well, I don't know what to say, to be honest.
01:03:31Since I arrived, I've been giving thanks more than ever before in my life.
01:03:34Well, you don't need to say anything.
01:03:38Besides, since I'm also from the entertainment world, and we look alike, well, I'll wear one.
01:03:42I put on a blonde wig and go out the door.
01:03:43I'll entertain the paparazzi divinely, baby.
01:03:45Do I give them back doors?
01:03:47No, yes, don't worry, that's not necessary, that way everyone will get fed up, because I don't plan to go back to that world.
01:03:50And I will cease to be news.
01:03:53But I feel really sorry for Diego and Fiti, because all this is a hassle and they're not used to it.
01:03:57No way?
01:03:58For my Fiti, I'm telling you right now not to feel bad, because if he's very willing, look at him.
01:04:01Come on, he doesn't look handsome, he doesn't look handsome there.
01:04:04Don't tell me that didn't happen.
01:04:05Don't tell me no, look at the photo.
01:04:07That's what happens when you eat my wasabi.
01:04:08Oh, wasabi.
01:04:10There was more to it than wasabi.
01:04:11There was more than just wasabi there, look at it.
01:04:13Well, nothing to worry about, man.
01:04:14They haven't taken a picture of the homocito here.
01:04:16Okay, okay, calm down, calm down, please, gentlemen, go away, there's nothing to uproot here, we're not
01:04:20famous for nothing.
01:04:21That will be until it comes out of the tomato.
01:04:22The tomato, damn the tomato, the tisto, the calivadas and the mother who bore you.
01:04:26Excuse me, but I'm here working, I'm not bothering anyone.
01:04:28You don't bother anyone? Well, let me tell you that you are bothering everyone; you are bothering all my clients.
01:04:31And you working? What are you working for? Bring me the stick, Saint.
01:04:34Okay, okay, okay, okay, okay.
01:04:35And you can go back to giving me the money.
01:04:42Me, what money, money from what?
01:04:45That's what I'm saying, what money, what money is that?
01:04:49He probably sold you out for a bowl of lentils, didn't he, brother-in-law?
01:04:52What about me?
01:04:54So, you believe that vermin, that worm, that individual who claims to be a journalist, before...
01:05:00me?
01:05:01Look, please, please, don't disrespect me and don't put on a show, get to work.
01:05:07a little.
01:05:09Let's see if we can get this country back on its feet, you wretches.
01:05:11Hey!
01:05:15Staple!
01:05:18How are you?
01:05:19Hello, beautiful.
01:05:21Hey, by the way, I wanted to tell you something, make it perfectly clear, okay?
01:05:25Our house is your house, okay?
01:05:29Okay?
01:05:29Right, Raúl?
01:05:30Yes, yes, I already told him.
01:05:31That's not fair.
01:05:32Come on.
01:05:33Come on.
01:05:34See you later!
01:05:35See you later.
01:05:36Can you explain what's happening?
01:05:38Yes, it's just that, you know what's going on?
01:05:40That, that, some believe that, that, that I yesterday, I mean, with whom, I mean, that it wasn't Africa
01:05:46who was there making out with me, you know?
01:05:49They think it was mostly you.
01:05:51I?
01:05:51Yeah.
01:05:52Can you tell me why you're going along with it?
01:05:55Yes, it's just that, it's just that, my father, aunt, was super worried because I couldn't get over Africa.
01:05:59And, damn, it gives me a bad feeling to tell him.
01:06:01Auntie, forgive me.
01:06:02Okay, okay, okay, okay.
01:06:04I'm sorry, I'm sorry.
01:06:04Okay, okay.
01:06:06What do you feel for Africa?
01:06:09I?
01:06:11Darling, darling, lots of darling, it's been three years, well, about the night, about the night that
01:06:15It was very good.
01:06:17But I also realized that it's not the same anymore, you know?
01:06:21The thing is, it also gives me a bad feeling that he's already gotten his hopes up about it because, well.
01:06:26Well, tell him then, won't you?
01:06:28If you're so sure, tell him.
01:06:29Talk to her, don't be silly.
01:06:31Yes, yes.
01:06:33Come in, sit down, sit down.
01:06:34Hey guys, how's it going?
01:06:36Hello good.
01:06:36Come on, guys, let's talk.
01:06:37No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:06:39no, no, no, no, no, no, no, no, no, no, no, no, no.
01:06:42Tell me, what did you want?
01:06:45Well, I came to invite you to dinner.
01:06:48Dinner? For me?
01:06:49Yes, yes, well, don't worry, to a discreet place where the press can't catch us.
01:06:53It was to thank you for everything you've done for me.
01:06:56But no, woman, I haven't done anything that anyone wouldn't do, I mean, it's not that...
01:07:01Well, Diego, not just anyone.
01:07:03Well, thank you very much for...
01:07:05But you see, this might seem a little strange, but I can't accept the dinner invitation.
01:07:09And yes, so these kinds of invitations aren't rejected, right?
01:07:12But I can't because I've arranged to dance with my mother-in-law today.
01:07:18With Carmen?
01:07:20Yes, let me explain, well, a little...
01:07:23In other words, we have a tradition, we celebrate Mother's Day.
01:07:28And well, since it's a tradition, it's good that we respect it and all that, right?
01:07:33And especially this year, this year especially.
01:07:36Yes, don't worry, Diego, you don't have to give me any explanations, and well, maybe another day will be better.
01:07:42Okay, okay, but sure, another day, come on, please, thank you so much for having...
01:07:45Hello.
01:07:46Hello, Mrs. Carmen, how are you?
01:07:48Good.
01:07:49Hi how are things?
01:07:51What? Have the gossip press left you alone yet?
01:07:54Well, more or less, not entirely.
01:07:58Carmen, excuse me, but I haven't fixed my hair yet, and we have to go dancing.
01:08:02Oh no, no, Diego, really, you don't have to.
01:08:05No, no, no, look, Carmen, no, really no, because I'm going to get angry and I'm going to stay
01:08:08badly in front of Celia.
01:08:08So, when I put on my suit and tie to go dancing, are we going to dance?
01:08:11Come on, man.
01:08:13No.
01:08:16Tete, start it, go on.
01:08:22Grandma, do it for me, please.
01:08:29Okay, come on, yes, come on, let's go.
01:08:31See you later.
01:08:32See you later.
01:08:33See you later.
01:08:36Well then, I'm off, have a great time, Diego.
01:08:41Thank you so much.
01:08:41See you later, guys.
01:08:51What, what, what will you do to me?
01:08:53I'm blown away, Dad.
01:08:59Can?
01:09:00Yes of course.
01:09:01Hello.
01:09:02Hello.
01:09:04I'm glad I wanted to talk to you for a moment, if you can.
01:09:07Clear.
01:09:08And I'm with you.
01:09:10Well, you first.
01:09:15No, it's not easy.
01:09:17Already.
01:09:19Look, no, I wanted to tell you that what happened last night was, it was good.
01:09:27Because it was very good.
01:09:29Yeah.
01:09:30Yeah.
01:09:32Everything is great.
01:09:34But, well, that doesn't mean it will work again, does it?
01:09:43No.
01:09:47I love you very much.
01:09:51But no, I don't want you to get your hopes up.
01:09:55Damn, if not...
01:09:57Come on, let's...
01:09:58I was going to tell you the same thing, Africa.
01:10:00Oh really?
01:10:01Yeah.
01:10:03I'm an idiot.
01:10:05I've been worried about you all day.
01:10:07No, well don't worry anymore.
01:10:09Okay?
01:10:09Okay.
01:10:10I swear to you.
01:10:14Okay, I'm leaving.
01:10:15Okay.
01:10:16Bye.
01:10:17Bye.
01:10:21Bye.
01:10:23Bye.
01:10:27What a disgrace, Carmen, you don't even respect memories.
01:10:31No, it was God's will that we not dance this year.
01:10:35It's okay. We'll find another place.
01:10:37No, no, but I don't mind. Deep down, I'm glad.
01:10:41Things come to an end, son-in-law.
01:10:44Years pass and they end.
01:10:48That is, when they don't suddenly leave.
01:10:52Come on, let's go for a walk, darling. Let's go.
01:11:31Come on, let's go.
01:11:42Please, could you play something beautiful? Something slow.
01:11:46It's a very special day.
01:11:50Thank you so much.
01:11:52Thank you.
01:11:53A bit of a walk, man, yes.
01:11:55Okay.
01:12:14Thank you.
01:12:15Thank you.
01:12:29Thank you.
01:12:31Thank you.
01:12:42Thank you.
01:12:44Thank you.
01:12:59Thank you.
01:13:00Thank you.
01:13:10Thank you.
01:13:12Thank you.
01:13:15Thank you.
01:13:23Thank you.
01:13:24Thank you.
01:13:38Thank you.
01:13:40Thank you.
01:13:52Thank you.
01:13:59Thank you.
01:14:06Thank you.
01:14:12Thank you.
01:14:18Thank you.
01:14:20Thank you.
01:14:30Thank you.
01:14:31Thank you.
01:14:32Thank you.
01:14:41Thank you.
01:14:49Thank you.
01:14:51Thank you.
01:14:53Thank you.
01:15:00Thank you.
01:15:24Thank you.
01:15:29Thank you.
01:15:35Thank you.
01:15:46Thank you.
01:15:49Thank you.
01:15:49It seems like he wants to get to know you.
01:15:51Ana, Candela's sister, who is one of the owners of the school.
01:15:54What are you doing?
01:15:54What am I going to do to make me late for the reception with the King and Queen?
01:15:56Have I been clouding your judgment because of the circumstances?
01:15:58I'm using a wipe all day, one wipe at a time.
01:16:00Wouldn't you be thrilled if the child appeared in an advertisement?
01:16:03Everyone ready for tonight.
01:16:05That I won't be able to go.
01:16:06I won't be able to go.
01:16:07I won't be able to go.
01:16:07Few friends.
01:16:10I hope you've lost the desire to be funny.
01:16:13It confirms that this is the beginning of the kid's career.
01:16:16In war, you must always attack the enemy's most valuable asset.
01:16:20This?
01:16:21Some prawns.
01:16:22They entered last night.
01:16:23And were you the last to leave?
01:16:25That's what I like to hear.
01:16:26But always Santiago.
01:16:27I think about her more than about Lurdita, when she finds out everything.
01:16:30Mother's class.
01:16:30He would like one of his children to pursue a career in the arts.
01:16:32That pub we were in organizes those kinds of gatherings...
01:16:35Where are you going that you haven't rung the bell yet?
01:16:37Of course, Santifiti is not allowed inside.
01:16:39Something's weird, really weird.
01:16:41You're dying of envy because you know you'll never be an uncle like your mom.
01:16:44Don't tell anyone, please.
01:16:45This is a matter between you and me.
01:16:47Far behind him.
01:16:47Let's see what he does.
01:16:49Let it be a draw.
01:16:49You're going to take over the tavern!
01:16:51We've been victims of a rat!
01:16:52Confess, because I swear to God.
01:16:54Confess.
01:16:54No to leather!
01:16:55Hey, hey, hey!
01:16:56Okay, so you're a scoundrel.
01:16:57But you want to deal with your own nephew.
01:16:59The brother has arranged to meet a little girl here at school today.
01:17:01Shall we go?
01:17:02And then we ran the tape through and posted it online.
01:17:05You're crazy!
01:17:06If they catch me, they'll kick me out!
01:17:07Let me go!
01:17:07Let me go!
01:17:08The thing is, they run away from me.
01:17:09They run away from me.
01:17:10But we have to go, we have unfinished business there.
01:17:13They're marginalizing me, my brother.
01:17:14Then my best friend ostracizes me.
01:17:16They've returned tonight.
01:17:18The vandals.
01:17:18Look.
01:17:18Do you know what Manu is in because of you?
01:17:20Well, it turns out that apart from that, I'm also stupid.
01:17:22I saw you!
01:17:23With a heaven without hell.
01:17:29And I don't want to...
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