Los Serrano - 6x17 - Charol de leopardo - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Fernando, el psicólogo del colegio Garcilaso, abandona el hogar materno y Diego le ofrece su casa hasta que encuentre un nuevo domicilio. Con la presencia del profesional en la familia, Diego se siente más seguro al tener cerca a una persona con la que compartir la responsabilidad del hogar y la educación de sus hijos. El problema comienza cuando la dependencia de Diego hacia Fernando es tan grande que la pareja llega a asemejarse a un matrimonio. Por otra parte, Santiago está preocupado por su vida matrimonial, ya que tras nacer el niño la pareja no dispone de mucho tiempo libre. José Luís le aconseja que deleite a su mujer con un buen regalo por su aniversario. Finalmente es Choni quien elige el regalo, unas botas algo peculiares que nada tienen que ver con el estilo de Lourditas. Los comentarios de la profesora hacia las botas ofenderán a Choni y ambas mujeres entrarán en una discusión de la que no podrán librarse ni sus respectivos maridos. Tras su ruptura con Manu, África se siente algo deprimida, situación que se acrecienta tras suspender el examen práctico de conducir. Sensibilizada con la chica, Choni pide a Raúl que la ayude, pero el joven se niega. Fiti se ofrece a darle clases prácticas, pero cuando Raúl descubre que su padre está ayudando a su ex-novia, el mecánico tendrá que elegir entre el cariño que siente por África y la lealtad hacia su hijo.

Transcript

00:00:10The older generation says that children are a gift from heaven, that they fill you with energy.

00:00:31But I see that Santiago and Lurdita are taking it away.

00:00:53Since Santiago doesn't sleep, neither do they. And apparently, that must be related to sex.

00:01:03The poor thing is wasting away, wasted away. First it drained her milk, and now it's sucking out her soul.

00:01:08We don't do anything anymore, we don't have a social life.

00:01:11But you're telling me, Santi, when have you ever had a social life?

00:01:14Well, before it was because I didn't want to, but now that I can't, I miss him.

00:01:17Fiti says that a relationship is like a business. You have to invest, take stock, and renew yourselves.

00:01:22It's their anniversary, right? Well, that's it, what you have to do is give them something spicy, something to spice things up a bit.

00:01:26the couple.

00:01:27I'm not into gifts, because a ham isn't...

00:01:30A ham, Santi, is this what you call good? A ham...

00:01:33But she also says that in the end, no matter how much you do, most couples break up, like hers.

00:01:38We also need a larger car seat to carry the child in the car.

00:01:42Forget about the kid already, man. Get your wife something, something that makes her feel like a woman, not a mother, you idiot.

00:01:47Well, he already has the hydrostatic vacuum cleaner.

00:01:51Oh, goal, goal, goal, goal!

00:01:52Well, listen, look, football is over and I'm left with this.

00:01:56But as my father says, if you want your company to do well, don't delegate the work to someone else.

00:02:02On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:02:09Come soon to see the sea and send a postcard.

00:02:13I already knew that day was the end.

00:02:17Now I have much more.

00:02:20Red, black, stop and stop, finally luck brings an ace and a crystal to look through and a wall

00:02:27for hanging.

00:02:28Seven smiling faces in a passport photo.

00:02:31My stories were not about tales made by chance.

00:02:38Nobody told me that destiny was giving me this opportunity.

00:02:45One plus one equals seven.

00:02:48Who would have thought?

00:02:52That it was so easy to be happy.

00:03:16Okay, but what happened here? Oh my God, what happened?

00:03:19I arrived late yesterday, huh? I arrived late yesterday.

00:03:21So we ordered some pizzas and one thing led to another.

00:03:24One thing leads to another.

00:03:25Good morning.

00:03:27Okay, can you tell me where breakfast is?

00:03:29What do you mean, where's the breakfast?

00:03:30What do you mean, where's breakfast? Where's breakfast going to be?

00:03:32I'm going to tell you something, so you understand once and for all.

00:03:34The last time you eat dinner in this house, starting tomorrow you'll be eating out.

00:03:38in the polche.

00:03:39And if it rains, even better.

00:03:40Yes, it's over.

00:03:41But it's not our fault you're on a diet.

00:03:42But what are you saying about...?

00:03:44And Carmen, who isn't coming today because this woman has an amazing sense of smell.

00:03:47Let's see, Dad.

00:03:48Don't worry, this gets cleaned up and it'll smell amazing.

00:03:51Take care of it.

00:03:52Oops!

00:03:53Okay, so what about the empty fridge? What's the point of an empty fridge?

00:03:55But what about... Doesn't anyone do anything in this house?

00:03:56Yes, yes, but it's his turn to bat this week.

00:03:58That?

00:03:59No, sorry. It's just that since I do it every week, it's so good, isn't it?

00:04:02Mother, please, I don't know how to do a sad viewing of the purchase.

00:04:05Look, Diego, what we need is a maid, and we need it now.

00:04:08Do we need a maid?

00:04:09What are you saying?

00:04:10But for God's sake? Who do you think you are? Are you laughing at the mambo?

00:04:12No, no. Which assistant?

00:04:13I'll tell you what we need.

00:04:14The cocris returns starting tomorrow.

00:04:17No.

00:04:18The cocris is back, no.

00:04:19The cocris is back.

00:04:20No, no, no.

00:04:20Come back, cocris, you're not that fat.

00:04:22No...

00:04:24But, but, but, but, but, Mom, what have I done?

00:04:27No, no, no, no.

00:04:28Well, it doesn't matter, just in case.

00:04:28Okay, come on, everyone to the tavern, we're having breakfast today.

00:04:31No, no, no, I'm not angry, no, no, no, no.

00:04:34Look, if I don't leave like this, I'll never leave.

00:04:36Look, I don't want to argue, okay?

00:04:37Also, I don't like it when you call me during work hours, Mom.

00:04:40Mom, I'm hanging up, Mom, yes I love you, yes, Mom, I'm hanging up.

00:04:45Hello, Africa.

00:04:46Yes, hello.

00:04:47And that suitcase?

00:04:49Hello.

00:04:50I'm leaving my mother's house, I'm becoming independent.

00:04:52No, no, really?

00:04:55Yes, yes.

00:04:55But you've thought it through, haven't you?

00:04:58Well, no, I'm telling you this because you're very young and it's cold out there.

00:05:04I will survive.

00:05:08Nothing, she just had an argument with her mother.

00:05:09Well, I think it's because the lady found out about him and kicked him out of the house.

00:05:15What got him fired?

00:05:16You really think his mother won't see him at the door?

00:05:19His own son.

00:05:21Well, he's depressed because his mother has disinherited him.

00:05:24I don't know, something happened at the psychology faculty, I think he had an affair with a student or something like that.

00:05:30I find it strange that he got involved with a student, mark my words.

00:05:34With the challenge son?

00:05:37I'm not sure, I'm not sure.

00:05:38But hey, there it is.

00:05:39Without friends, without a dead man, and on top of that, gay.

00:05:45Antidepressants?

00:05:46Yes, well, I don't know if they're pills or vitamins.

00:05:49The thing is, this man might do something stupid any day now.

00:05:52But how?

00:05:53But, for God's sake, the guy is in terrible shape.

00:05:54He's just incapable of calling anyone.

00:05:56Don't be fooled, I'm telling you that nowadays everyone is out for themselves.

00:05:59How's the cash register doing, Santiago?

00:06:01Santi, I'm going to the school for a moment to see Fermín, because the best ones fall, Santi, the best ones fall.

00:06:05I'll be right back.

00:06:05Well, this man is leaving the tavern now.

00:06:07Here, everyone does their own thing.

00:06:08Hey guys, I need you to fill out the attendance sheets when you can.

00:06:14When will you give it to me?

00:06:15These are yours.

00:06:16Okay, I'll try it then, alright?

00:06:17Whenever you can.

00:06:18Look.

00:06:18See you later.

00:06:24You have to see that to believe it, huh?

00:06:27It would be easier if I were one-eyed and hunchbacked.

00:06:29But, of course, it's so good it's absolutely amazing.

00:06:33How are you handling it, Queen?

00:06:34Good.

00:06:35I'm handling it very well.

00:06:37Other couples break up every day, don't they?

00:06:39It's not that big of a deal.

00:06:40No, yes it is, yes it is.

00:06:42Yes, you all have to see each other here every day.

00:06:44And then the other one.

00:06:45Now I take off my shirt, now I put on my shirt.

00:06:47Now I'm taking my shirt off again.

00:06:48Yes, Johnny, yes.

00:06:51Well, but you shouldn't let it affect you either.

00:06:53Well, look what I'm telling you.

00:06:54This is like starting a new phase of your life.

00:06:57Bourbon and a clean slate.

00:06:58Aren't you getting your driver's license now?

00:06:59I've been suspended again.

00:07:01Forgive me, son.

00:07:02I just can't understand it, really.

00:07:03Everything was perfect at the driving school, but when it came to the exam, I completely shut down as a person.

00:07:07Well, don't worry about it either.

00:07:09Because look what I'm telling you.

00:07:10Anyway, why do you need a license?

00:07:12If you practically never leave the neighborhood.

00:07:14And on top of that, you're living with your parents.

00:07:16With my father.

00:07:17And your mother?

00:07:18Dead.

00:07:20Daughter, for God's sake.

00:07:22Well, look, I feel for you.

00:07:24I...

00:07:25Too much salt has been added to life, you know?

00:07:27If it were me with that kind of love, well, I'd be out on the streets.

00:07:31What's up, Santi?

00:07:33What's happening?

00:07:33What's the rush?

00:07:34What happened?

00:07:35Come to yourself.

00:07:36Close.

00:07:37Don't do anything silly, Santi, you scared me.

00:07:38What happened?

00:07:39Close your eyes.

00:07:40Don't do anything silly, Santi, I'm afraid of surprises.

00:07:42Close your eyes.

00:07:43Close your eyes, woman.

00:07:44Close one, at least, we're in a lot of trouble.

00:07:46Come on, go on, go on.

00:07:53Okay, you can open them now.

00:07:56Ah!

00:07:56Oh!

00:07:58Virgin of beautiful love.

00:08:00Happy anniversary, Panamita.

00:08:03Thank you, Cain.

00:08:04She has become speechless.

00:08:06She has remained silent.

00:08:08Sit down, sit down.

00:08:09Yeah.

00:08:11How do they shine?

00:08:12And you'll shine even brighter when you wear them.

00:08:15Yeah.

00:08:16They are 100% patent leather and leopard print.

00:08:19Leopard?

00:08:20Yeah.

00:08:20Poor little animal.

00:08:22Do you have the ticket?

00:08:24Maybe they're not right for me, because, look, I have a size 37, but the old one,

00:08:27which is now the 38th...

00:08:28We'll see that in a moment.

00:08:30Prepare it.

00:08:31Wait, you're going to be Cinderella and I'm going to be the prince.

00:08:34Yeah.

00:08:35There, pull up.

00:08:36Yes, bring it.

00:08:37Stop there.

00:08:38Hey?

00:08:39Like a glove.

00:08:40Well, like a glove.

00:08:41Clear.

00:08:43Come on.

00:08:44No, no, no, no, no, don't take them off.

00:08:46No, no, no.

00:08:46Take the shoes to school.

00:08:48You'll see how people will look at you and say, there goes Lurdita, the most amazing mom

00:08:53beautiful woman from Santa Costa.

00:08:54Oh, thank you so much, Santi.

00:08:56Thanks love.

00:08:57But they're not really dressy.

00:09:00Well, what better occasion to dress up than our anniversary?

00:09:03Well yes.

00:09:05Beneath the skull, in the first layer, lies the cortex or cerebral cortex, which is the most recent part of the brain.

00:09:11human brain.

00:09:12And from below, on the inside, are the most primal instincts.

00:09:16What we might call the troglodyte that we all carry within us.

00:09:19And fear, too.

00:09:21Fermín.

00:09:22Oh, sorry, Fermín.

00:09:25Are you OK?

00:09:27Okay, yes.

00:09:29Giving a talk.

00:09:30Are you sure you're okay?

00:09:31Yeah.

00:09:31Don't pretend, Fermín, I know.

00:09:33No, no, and you've always told me no, no, that we shouldn't pretend, that the

00:09:36Things go in and then come out where they shouldn't.

00:09:37Fermín, you told me.

00:09:38Diego, Diego.

00:09:39Excuse me for a moment, let's go outside.

00:09:42Sorry.

00:09:46You speak so well, don't you?

00:09:48It's an easy speech.

00:09:50Besides, I had it written down, you see?

00:09:53I know everything.

00:09:55Ah, congratulations, Diego.

00:09:56Yes, news travels fast.

00:09:58They told me so.

00:09:59I know you're not doing well.

00:10:00But be careful, it's not shameful.

00:10:01No.

00:10:02It can happen to anyone.

00:10:03If help is needed, help is asked.

00:10:04Diego, Diego.

00:10:05I've only had a small amount of time with my mother.

00:10:07I've left home, but oh well, it was about time.

00:10:10Okay, okay.

00:10:10That's ok.

00:10:11Because?

00:10:11Because it's a positive approach.

00:10:12There's no need to dramatize, we need to optimize.

00:10:14And the approach in that case is very important.

00:10:16But I'll tell you one thing.

00:10:17Let's not cover it up, Fermín.

00:10:18For God's sake, let's not cover it up.

00:10:19Let's not cover things up because then they stay inside and come out where they shouldn't.

00:10:22Diego, Diego.

00:10:22I'm perfectly fine.

00:10:23I'm doing very well.

00:10:24Cover.

00:10:24You're covering it up.

00:10:25This is textbook stuff, you taught me that.

00:10:26And it's also a thing.

00:10:27In other words, I can't help you if you don't let me.

00:10:28You don't understand.

00:10:29Okay.

00:10:29Tapo.

00:10:30Tapo.

00:10:30OK.

00:10:31See?

00:10:31Tapo.

00:10:31Since you're offering to help, why don't you recommend a nice hotel like that in Santa?

00:10:35Fair?

00:10:36As?

00:10:36What, I recommend a hotel to you?

00:10:38Yeah.

00:10:38In Santa Justa?

00:10:39You offend me, Fermín.

00:10:40You're offending me.

00:10:42I mean, after what you did for me, when I was tearing it down, you came to the village

00:10:45One day yes, one day no, with snow, with wind, with hail, with sun, with rain,

00:10:50like a samurai, Fermín.

00:10:51Damn, you...

00:10:52You're coming to my house, for God's sake.

00:10:54Well, I'd rather go to a hotel; I don't want to bother you.

00:10:56But how are you going to...?

00:10:57But you're not bothering me.

00:10:58You called to see if something was wrong.

00:10:59You're doing me the favor, not the other way around.

00:11:00Remember that.

00:11:02For God's sake, Fermín.

00:11:03How do I recommend a hotel to you?

00:11:04Will you come to my house, please?

00:11:08Okay.

00:11:08Alright.

00:11:09But only until I find something, okay?

00:11:10The type you want.

00:11:21How are you, my son?

00:11:22How are you?

00:11:22No, no, no, no, wait a minute.

00:11:24Thank you.

00:11:25That's it.

00:11:25He's not coming back, what's that about?

00:11:27Family council.

00:11:29Pepe, little worker, to the lounge.

00:11:30Come on.

00:11:32Come on, quick, quick.

00:11:33Please sit down, it's important.

00:11:35Sit down, I'll explain now.

00:11:36Okay, listen to me, listen to me properly, okay?

00:11:38Let's see.

00:11:40Let me try to explain.

00:11:41Yeah.

00:11:42Fermín.

00:11:43Fermín is going to spend a few days with us here at home.

00:11:46He argued with his mother.

00:11:47And well, while he finds an apartment, he's going to come here with us.

00:11:51Wedge, but they still live with their mother.

00:11:55I already gave it, I already gave it.

00:11:56Okay, listen to me for a moment, don't make me nervous, just listen to me for a moment.

00:11:58That's precisely what I don't want you to do.

00:12:00I mean, I don't want any in-laws, or farts, or burps, or gay jokes, nothing.

00:12:04Because?

00:12:04I'm going to explain it to you.

00:12:05Because the man is wrong.

00:12:07It's wrong.

00:12:08He's having a hard time.

00:12:09He's depressed.

00:12:10He acts tough, but his profession runs deep.

00:12:12So what does this man need?

00:12:14Peace.

00:12:15Yes, Diego, well, you've brought him to a good house.

00:12:18You're right.

00:12:19You're right, daughter.

00:12:20Yes, yes.

00:12:20This house doesn't work.

00:12:22But he doesn't have to know.

00:12:23Do you understand?

00:12:24So, from now on we're all going to treat each other wonderfully.

00:12:26Let's ask for things, please.

00:12:28No shouting, no fighting, nothing.

00:12:29Hey?

00:12:30Come on.

00:12:31Hello.

00:12:32Manu, come in, come in, son, come in.

00:12:34Hey, one thing.

00:12:35Why don't you stop walking around the house naked every day?

00:12:37But you don't realize that...

00:12:39Don't you realize that there are many people receptive to your work?

00:12:41Do you understand?

00:12:44It's him.

00:12:45It's him.

00:12:46In a formal way, right?

00:12:47Remember us.

00:12:49Fermín, come in.

00:12:51We are waiting for you with open arms.

00:12:53I told the children you were coming.

00:12:55You can't imagine how happy I am.

00:12:56Kids, come and say hello.

00:12:58Calleco, Fermín.

00:12:58This way, this way.

00:13:03Injury number 5.

00:13:04Listen and repeat.

00:13:06When she woke up that morning, she put on her makeup.

00:13:08When she woke up that morning, she put on her makeup.

00:13:13Lurditas won't have heard this, because that's what the whore says.

00:13:16No, no, no, no.

00:13:17It says "put on".

00:13:19Look.

00:13:20Put on.

00:13:21Yes, put it on.

00:13:23Well, Chony, what kind of hearing do you really have?

00:13:25Yes, I've heard it's very good.

00:13:27The problem with my palate is that I don't have a back one.

00:13:30Ole!

00:13:31Be quiet.

00:13:32Hush, that's the last thing I needed to hear from you now.

00:13:35What's happening?

00:13:36What's happening?

00:13:37Well, my husband doesn't know me at all.

00:13:38Look.

00:13:40Look what he gave me!

00:13:41And how cute!

00:13:43Thank you very much, Chony, but it's not necessary.

00:13:45That you find them as horrible as I do.

00:13:47Not horrible, are they?

00:13:48I think they look great, don't you?

00:13:52Well, I don't know.

00:13:53They are original.

00:13:54They are original, yes, but...

00:13:57Well, they're not for me.

00:14:00But...

00:14:00Look, not for me or anyone else, really.

00:14:03No, not with Baze...

00:14:06But come on, I think they're very pretty.

00:14:08I think you put them on, you gradually break them in, you gradually break them in and you get used to them.

00:14:12No?

00:14:12Yes of course.

00:14:13I go to class dressed like this and they lose respect for me.

00:14:16Woman, a little daring.

00:14:17Yes, that's what they are, but I really think they look great.

00:14:21Okay, but they look like...

00:14:23Of...

00:14:24From a weak position.

00:14:26And I say, why don't you tell Santiago so he can change them for you?

00:14:29But how do I tell him?

00:14:31Well, that's how it is, naturally.

00:14:33Clear.

00:14:33Like us.

00:14:34And the disappointment he's going to feel.

00:14:36Look, there are some things that are better left undone.

00:14:39You're going to tell me.

00:14:42Me?

00:14:48And it.

00:14:53What's up, Free?

00:14:54How long?

00:14:56How are you?

00:14:57What are you doing?

00:14:58Nothing.

00:14:59Reviewing.

00:14:59I've failed the practical exam again, and I don't know, maybe cramming the manual will help.

00:15:03The manual, come on, go ahead.

00:15:05No, no.

00:15:06You learn to drive by driving.

00:15:08Come on.

00:15:08Have you ever seen Fernando Alonso with a manual?

00:15:10No, no, but I've run out of classes and money.

00:15:14Already.

00:15:16Well, whatever, come on.

00:15:18Where were you going?

00:15:19Are you taking me there?

00:15:20What is cheese?

00:15:22What is cheese?

00:15:23What did he tell you?

00:15:23What is cheese, Santiago?

00:15:25Please.

00:15:25But hey, what difference has the cheese made to you, man?

00:15:28And so on.

00:15:29Well, what's gotten into your head?

00:15:31What was I going to say, Afri?

00:15:32Hey, look.

00:15:34I've made you some broth if you want, come on.

00:15:35I'll give you a few lessons.

00:15:37That's all I know.

00:15:38I'm always saying that I know everything.

00:15:40But between you and me.

00:15:41It's a lie.

00:15:41But come on, when it comes to cars...

00:15:44No, no, no, leave it.

00:15:46It would be a bit strange, wouldn't it?

00:15:47Sure, why?

00:15:48Ah, because I am your father's son.

00:15:50The father of...

00:15:50Your ex's father.

00:15:52Is that why you say that?

00:15:53Of course, that's why, that's why.

00:15:54Afri, please.

00:15:55It's because I have a son who's been around for ages.

00:15:58That they left him with Raúl.

00:16:00Well, I have a fondness for you that's there.

00:16:03Oh really.

00:16:04Thank you.

00:16:05Well, if it's going to be just one class, then fine.

00:16:07Engage the clutch, first gear, second gear.

00:16:10No no.

00:16:11No.

00:16:12That's the first, first, serious offense.

00:16:15Because you didn't look when you got up, see?

00:16:17Do you see what's happening?

00:16:18Suspended.

00:16:18Sit down there for dinner.

00:16:19What, seriously?

00:16:20Do you think this will help me with my driver's license?

00:16:22For the license?

00:16:23But that's your problem.

00:16:23Your problem isn't driving.

00:16:25If you look like you can drive.

00:16:27It's just nerves, huh?

00:16:28You have to control your nerves.

00:16:30Have you noticed that you now have four here?

00:16:31That?

00:16:32No.

00:16:33Well, go see it.

00:16:34Careful.

00:16:35My job here has to be cool, huh?

00:16:38Two days on the Ferris wheel, the uncle with the plate.

00:16:40This is a constant fair, auntie.

00:16:42And it's full of children.

00:16:43And as the children's mother.

00:16:45And from your father too.

00:16:47That?

00:16:48How are you doing, huh?

00:16:49That?

00:16:53Nobody, nobody, you know?

00:16:56My pot is starting to fry.

00:16:59I've lost all desire to be here, Raúl, man.

00:17:01Let's go.

00:17:02Besides, your father was going to make some potatoes.

00:17:04Don't be so sure, my father is capable of that.

00:17:06That shows me once.

00:17:07Let's go.

00:17:09Come on, let's go.

00:17:10Let's go.

00:17:11And to come here with honey too.

00:17:14Well, they're not doing anything wrong, are they?

00:17:17Come on, let's go.

00:17:17Not bad.

00:17:18Queer.

00:17:19It's strange.

00:17:21Okay, fine.

00:17:23It is a bit strange, yes, but...

00:17:26Let's go.

00:17:27Let's go, Raúl!

00:17:31You have to signal with the turn signal.

00:17:32Look, look, look.

00:17:33Sometimes kids from there live on my street.

00:17:34They're going to be in deep trouble.

00:17:35No, they'll take away your points.

00:17:45What else can I do?

00:17:46I mean, nothing.

00:17:47Nothing, Fermín, for God's sake, nothing.

00:17:48You sit back and enjoy.

00:17:49What would you like to drink?

00:17:50A viter, a martini?

00:17:52What do psychologists take?

00:17:54What are you drinking?

00:17:55Water is fine with me.

00:17:56There you have everything you want.

00:17:57And I'll tell you something.

00:17:58Ask me for anything because I'm here to make your stay as pleasant as possible.

00:18:02Hey?

00:18:02Thank you.

00:18:04Well, that's it.

00:18:05Are you open?

00:18:06What else can we do?

00:18:07Age begins to take its toll, and that's putting it mildly.

00:18:10Well, Diego, there's no need to suffer, right?

00:18:12Haven't you heard of the Montignac regime?

00:18:14No.

00:18:14Frankly, I'm not into politics.

00:18:16No, it's not politics.

00:18:17Look, the diet consists of not mixing fats and sugars.

00:18:21But you can eat as much as you want from each group.

00:18:23From each group?

00:18:25Let's see, Fermín.

00:18:26So you're telling me I can eat ham, even with the white bits and all?

00:18:29Yeah.

00:18:30Well, that's what wild animals do.

00:18:32Hey?

00:18:32They eat until they are full.

00:18:33But what's going on?

00:18:34They don't mix.

00:18:35Pussy?

00:18:37Okay, I'm going to eat this because it's ready.

00:18:39But let's go where you find me.

00:18:40Look, Montesquieu, this guy is a genius.

00:18:42Montignac.

00:18:43Montignac.

00:18:43That's it, that's it.

00:18:44And you're a genius too, Fermín, you have some great knowledge.

00:18:47Look, I've known you for 10 years, for example.

00:18:49From what you've told me, I'd have a great figure right now.

00:18:52What it is, is a fashion plate, basically.

00:18:53You've become an imminent threat.

00:18:54An imminence.

00:18:57Guys, come on, let's have dinner.

00:18:59Come on.

00:19:06It's delicious, isn't it?

00:19:07Excellent.

00:19:08I mean, it turned out great.

00:19:09Thank you very much, Fermín, thank you very much.

00:19:12And what about you?

00:19:13Aren't you going to say anything to him?

00:19:16Well, worker.

00:19:18So, how's today going?

00:19:20What did you do in class?

00:19:22In class?

00:19:23Very good, son.

00:19:24And what does it mean to teach?

00:19:25Learn.

00:19:25Very good.

00:19:26Learn.

00:19:26Yes sir.

00:19:27Very good.

00:19:28Manu, how are you?

00:19:29Uh, no, I mean the classes, not the separation thing.

00:19:32I'm not getting involved in that.

00:19:33Well, if you want to share something with all of us about the separation, I mean, no.

00:19:36No, no, no, forget it, I'm saying I'm really fine, thank you.

00:19:39You're welcome, you're welcome.

00:19:42Remember that the foundation of a family dinner is not only eating, but also talking.

00:19:47to share, to talk a little, to share.

00:19:53Guille, Teté, what?

00:19:56How are you?

00:19:56Are you still angry?

00:19:58They've been wearing it for a day, it'll be a little like this, like...

00:20:01Well, I don't know, ask her, because she's the one who's been complaining about everything lately.

00:20:06Teté, would you like to share something with us, with the table, with all of us?

00:20:09Look, Diego, I don't talk to Guille.

00:20:12Why can't we put an end to this circus?

00:20:14Tete to your room immediately.

00:20:18But wait a minute, if she gets away with it, I get away with it too.

00:20:20No, you just sit there like everyone else, okay?

00:20:26Oh, it's so late, huh...

00:20:28I'm leaving.

00:20:30See you later.

00:20:31See you later.

00:20:32Curro.

00:20:34Go away, go away, go away, calm down, go away.

00:20:45They've gone to study, they don't have enough time to study, because they're studying now and all that.

00:20:51So, what were you saying?

00:20:53Ah, Montesqué, yes.

00:20:55Diego, don't you think you should relax a little?

00:20:59It's me, Fernando.

00:21:03Yes, yes, you're right, yes.

00:21:05But I wanted you to be okay, didn't I?

00:21:06I'm fine, Diego, I'm very fine, I really am fine.

00:21:09Well, not me, I'm not well, Fermín, I'm very unwell.

00:21:11Because I can't stand them, right?

00:21:13Don't you see, they control me, they're getting away from me.

00:21:15Because I used to be two, but now I'm not even half, not even half.

00:21:19This isn't a family anymore, it's nothing, damn it.

00:21:22I don't know what to do anymore.

00:21:23I'm desperate, Fermín.

00:21:25Already.

00:21:26I haven't arrived at a good time, have I?

00:21:27Well, tomorrow I'm going to the hotel and that's it.

00:21:29There, I'm with you.

00:21:36Santi!

00:21:38Santi!

00:21:40Romita!

00:21:42I was just thinking about you.

00:21:44Yeah.

00:21:45Give a little kiss.

00:21:47Hi love.

00:21:48Santi here?

00:21:49Yes, she's at home, with my mother.

00:21:51So, since we can't celebrate the anniversary, at least we're going home together.

00:21:55You read my mind.

00:21:56Let's see if we're going to have telepathy as you define it.

00:22:00Telepathy.

00:22:01And the boots?

00:22:02The boots.

00:22:03Don't tell me they're broken.

00:22:04They cost me an arm and a leg.

00:22:05No, Santi, no, no, no, they haven't broken.

00:22:08What happened?

00:22:09Ah, of course.

00:22:10Since they're new, you've gotten used to them.

00:22:12No, no, no.

00:22:13They're doing great.

00:22:15They're perfect.

00:22:15And they're very comfortable, Santi.

00:22:16The boots are very comfortable.

00:22:18So.

00:22:20Look, darling, you are a wonderful person.

00:22:24A wonderful husband.

00:22:25An exemplary father.

00:22:28But I don't want you to be offended by what I'm about to say.

00:22:31You're scaring me, Palomita.

00:22:34The heel.

00:22:36That's too high.

00:22:37Ah.

00:22:38And that I'm not used to it.

00:22:40Well, that can be fixed.

00:22:41It's with a file.

00:22:42It is chosen in this way.

00:22:43Or else I'll heat up a ham knife.

00:22:46I'll cut off a piece.

00:22:47Santi, I didn't like them.

00:22:49Come on, I just can't see myself with them.

00:22:52Ah, of course.

00:22:53Clear.

00:22:54They're not your style.

00:22:57TRUE?

00:22:57I bet you don't.

00:22:58No, Santi, no.

00:22:59You're not angry, are you?

00:23:00But how can I be angry?

00:23:02You're absolutely right.

00:23:04Well, Choni.

00:23:05The one that convinced me.

00:23:05Choni?

00:23:06Yeah.

00:23:07But what do you mean, Choni?

00:23:08Yes, Choni, Choni.

00:23:09She's a troublemaker.

00:23:10Since I felt lost with this whole gift thing, he charmed me.

00:23:12He charmed me a lot.

00:23:13Oh, my God.

00:23:15Don't worry, Palomita.

00:23:17We'll put them back in the boxes and stir them tomorrow.

00:23:20Look, I have the ticket, okay?

00:23:22And you buy it to get through the winter.

00:23:25A coat, but nothing half-baked.

00:23:28Made of bison, like the princesses.

00:23:31Hey?

00:23:31Yes of course.

00:23:32Wait, let me turn off the light.

00:23:33Yeah.

00:23:42Good morning, family.

00:23:43Oh, Fiki, thank goodness.

00:23:44I thought you were dead.

00:23:46No way?

00:23:47No, yes.

00:23:48I've really picked up the jackets, man.

00:23:51I just couldn't say no.

00:23:53You were late yesterday, weren't you?

00:23:54A little bit.

00:23:55I got confused, I got confused.

00:23:56And in the end, look.

00:23:58Where were you?

00:23:58The night begins.

00:24:00Where were you?

00:24:00Already.

00:24:00But I'm not going to be going around in circles, just a couple of circles.

00:24:03The usual.

00:24:05Back again?

00:24:05I don't know if it's possible to know.

00:24:07Damn, with the third degree.

00:24:09Who is the father here?

00:24:10It's me, isn't it?

00:24:11That's it.

00:24:11I went to have fun, period.

00:24:13Have fun?

00:24:14Yeah.

00:24:15Clear.

00:24:16I'm sure you started at the pub having a couple of drinks.

00:24:18One thing led to another and you ended up at the fair with your ex's girlfriend.

00:24:21With your daughter...

00:24:22You already understand me.

00:24:23Damn it, with her.

00:24:24Who are you talking about?

00:24:24With who?

00:24:25Who were you with yesterday?

00:24:26And how do you know that?

00:24:28Because I saw you guys acting like idiots on the bumper cars.

00:24:31Can you tell me what he was doing there?

00:24:32Damn, Raúl.

00:24:33There's a creature looking at it and your feet get wet.

00:24:36I don't care.

00:24:37I don't care.

00:24:38That a father and an ex don't make a good match.

00:24:39Damn, they're incompatible.

00:24:40That you are betraying me.

00:24:42You're right.

00:24:42The kid, that's very strange, fruity.

00:24:44Don't be silent.

00:24:45This place is neither here nor there.

00:24:46Let's see, Choni.

00:24:47It's logical that a father supports his son when he breaks up with his girlfriend.

00:24:50That's the logical thing to do, I say.

00:24:52Strip.

00:24:52The kid is more right than a saint.

00:24:55Strip.

00:24:55No, it's just that you have some...

00:24:56Don't you want to be quiet anymore, please?

00:24:58Let's see, son.

00:25:00I'm with you, come on, until the end.

00:25:02And supporting whatever is needed.

00:25:03Damn, I've known Frida since she arrived in Santa Justa; she's like a daughter to me.

00:25:07or a niece...

00:25:08No, Dad, no, she's your son's ex.

00:25:10You understand?

00:25:11That aunt hurt me a lot, it took me a lifetime to forget her.

00:25:14But I already know, I...

00:25:15Well then, go rot like a father, fuck.

00:25:26That bastard is going to be right in the end.

00:25:30Well, I ask the children for good behavior, for respect, right?

00:25:34And what are they doing to me?

00:25:35To make me look ridiculous in front of Fermín.

00:25:37Well, Fermín already knows you, man.

00:25:38Yes, but the thing is, I've spent the whole night choked with shame, and besides, I haven't

00:25:42reconciled.

00:25:43I haven't been able to sleep.

00:25:44Hello good morning.

00:25:45Good morning.

00:25:46Oh, how cute.

00:25:48Look at him, ass and all.

00:25:50Come on.

00:25:50I like to go for a little run before breakfast.

00:25:53Very good, yes sir, very good.

00:25:54Mensana in corpore interruptus, yes sir.

00:25:56More or less, more or less.

00:25:59Do you want to come with me?

00:26:00No no.

00:26:02Maybe another day.

00:26:03I need to finish making the toast and all that.

00:26:05And besides, I haven't warmed up.

00:26:06And if I don't warm up, well...

00:26:07But I'll go, I'll go.

00:26:09I'm going to see if there's any milk left in the pantry.

00:26:11Let's see if there's any milk.

00:26:12What do you want me to do, Fernando?

00:26:14Yes, because in this house the pantry is like a confessional.

00:26:17Yes, nothing.

00:26:18Ma'am, please.

00:26:19Fermín.

00:26:19Please, shut up.

00:26:21Yeah.

00:26:22Thank you.

00:26:24Yeah.

00:26:30Have you seen it?

00:26:30Have you seen what this house is like?

00:26:31No, there are no problems.

00:26:32But look, I'm a guest and I don't want to interfere.

00:26:35Please.

00:26:36Please, Fermín.

00:26:37I'm asking you, please.

00:26:39Okay, okay, okay.

00:26:41But you have to allow me one thing.

00:26:42Whatever.

00:26:43No more slapping, Diego, please.

00:26:45No, I assure you.

00:26:46No more slapping.

00:26:47Well, Diego has asked me to help you organize the house.

00:26:52What I think is that, I don't know, the problem is that the responsibilities of each person are not well defined.

00:26:58one.

00:26:59Well.

00:27:02No, Fernando, we've already tried the sketch thing in this house and it didn't work...

00:27:06No, no, no, but no, come on, come on, the teteo, I mean the coquis we made is a coquis

00:27:10at random.

00:27:11So now we're talking about the professional coquis, what a coquis is, coquis.

00:27:14Coquis, who is behind me because of the studies.

00:27:15In other words, take care of it there, take care of it there.

00:27:18Whenever you want.

00:27:19Thank you, Diego.

00:27:20Okay, first, individual tasks.

00:27:24For example, making the bed and tidying your closet.

00:27:27OK?

00:27:28Well, those are easy.

00:27:29Okay, please, there are people who need to be talking, right?

00:27:31I mean, I mean, you're right, you're right.

00:27:32Those are easy.

00:27:33The difficult ones are the common tasks, the ones we all have to do together and that require a rotating system.

00:27:39For example.

00:27:41Well, it would be Guille on Thursday, right?

00:27:45Guille.

00:27:47And on Friday, finally, Diego.

00:27:50OK?

00:27:51Is that clear?

00:27:53Is that clear?

00:27:54Yeah.

00:27:54Yes, yes.

00:27:55Very good.

00:27:55This is a wellspring of wisdom for me, huh?

00:27:57Already.

00:27:58But if she hasn't gotten married, there's a reason.

00:28:00Well, at the end of the day we have positive reinforcement and negative reinforcement.

00:28:04For example, if someone hasn't done a task, then 10 euros are deducted from their pay.

00:28:07And if they have accepted them well, then 10 euros more.

00:28:10I gave it my all.

00:28:11I gave it my all.

00:28:12Permín, yes sir.

00:28:12Reward and punishment.

00:28:13Very good, very good.

00:28:14Yes sir.

00:28:14Of course, Dad, since you don't get paid, it's all the same.

00:28:18I don't get paid, but here it comes...

00:28:19No, I don't get paid.

00:28:20No, no, no, no, no, no.

00:28:21No, no, no, no.

00:28:21Calm down, calm down, calm down.

00:28:22Let nothing happen.

00:28:23Very good, very good, Diego, very good.

00:28:24Okay, very good.

00:28:25And now, if you'll let me, I'm going to run.

00:28:28Nothing.

00:28:29Each of his things.

00:28:30Come on, let's go.

00:28:42Come on.

00:28:42Please explain it to me, because I didn't understand anything.

00:28:44Explain.

00:28:54Hello.

00:28:55Hello.

00:28:56Oh, Charly, I didn't know you were here.

00:28:59Well, you can see that I do.

00:29:00Yeah.

00:29:03Hey, you didn't see the cow show, did you?

00:29:06The thing is, I have rehearsal with the guys now and I honestly don't know where I left it.

00:29:11Oh, Lourdes, you're already repeating the same mistake, huh?

00:29:14The fact that?

00:29:14About the...

00:29:15The pretty ones.

00:29:16No, but what are you saying, Celia?

00:29:17No, yes...

00:29:18Come on, I looked at them with another...

00:29:21And the more I look at them, the more I like them.

00:29:24Yeah?

00:29:24And didn't you get a bad feeling in your eyes when you looked at her?

00:29:27What are you saying, really?

00:29:29Furthermore, I have found them extremely useful.

00:29:30Because look, they're just as useful for the rain as for the jungle.

00:29:34Santi certainly had good taste.

00:29:36I...

00:29:36It's very modern.

00:29:37They're horrible.

00:29:39Horrible?

00:29:40That?

00:29:42He's telling you to shut up.

00:29:45She already knows that I was the one who chose them.

00:29:50Pisa.

00:29:51So yeah, I love them, you know?

00:29:53Soni, I love them.

00:29:53No, no, if you don't like them, you don't like them.

00:29:56That's it, I thought you'd find them funny, but as you can see, I don't get it.

00:29:59But what nonsense, Didier, Soni, if I...

00:30:01Do you remember those gloves you gave me for my birthday?

00:30:04Did I like them or not?

00:30:05Hey?

00:30:06Maybe it's more of a personal thing.

00:30:08Do you know what's wrong with me?

00:30:08Because I'm very modest and I'm not used to wearing heels, well, girl, because I look weird.

00:30:13That's what it's going to be.

00:30:14Look, if you're not used to wearing heels, it's something that doesn't come naturally to you.

00:30:20then the boots don't look good.

00:30:21They don't look good, no, but I don't think I have bad taste.

00:30:23No no.

00:30:24Just a taste for laziness, nothing more.

00:30:26But Choni, I was referring to the boots, not you.

00:30:28If you have a very...

00:30:31You have a style...

00:30:33Choni style, that is, very personal and non-transferable, come on.

00:30:37I'm not saying no.

00:30:38I'm not saying no, you see, sometimes I go into a store and, you know what?

00:30:43that's not even clothing or anything.

00:30:45Hey, well, I've found your little fix.

00:30:47Man.

00:30:47Lurditas, we're waiting for you to rehearse.

00:30:49Go away, go away, go away, work, go away, go away, come back right now.

00:30:51Stay right there!

00:30:54Where did you get these gloves?

00:30:58I gave them to myself, Lurditas.

00:31:01Oh, well, I, I, I love these gloves.

00:31:04Look, I have a coat and the...

00:31:10Lourdes.

00:31:12This is truly heartbreaking, daughter.

00:31:17And a broken heart doesn't just disappear into thin air.

00:31:22And I'll tell you one thing.

00:31:24Those gloves aren't made of cowhide, they're made of zebra hide.

00:31:29So now my son won't let me see Afri, I mean, he's forbidden it.

00:31:33Well, seeing your son's girlfriends is weird, really weird.

00:31:37No, but look, the thing is, the baby is sick.

00:31:40And whether you like it or not, Fiti has grown fond of him.

00:31:42But if Raúl is right on one hand, then I have to get out of the way.

00:31:45But on the other hand, well, the girl is a human being, damn it.

00:31:47Right now I'm between a rock and a hard place.

00:31:49Right now.

00:31:50Santi.

00:31:50Well.

00:31:51Can we talk for a moment in private?

00:31:53At the moment.

00:31:53Well.

00:31:54Hello.

00:31:55I already...

00:31:56Hey, hey, hey, the bumper cars are great, huh?

00:31:58Yes, it was good, it was good.

00:31:59Yes, this...

00:32:00Hey, I don't want to take advantage, okay?

00:32:02I don't want to take advantage, but how about a little lesson, really?

00:32:04I have my practical exam tomorrow.

00:32:05Well, I'm going to be honest with you, Afri.

00:32:07Yeah.

00:32:07I'm really busy right now.

00:32:09In other words, here I am, a foreigner.

00:32:11Now my boss comes in through the door, ties me up here and gives me a hard time.

00:32:14No, no, Fiti, Fiti, please, it's just not right...

00:32:15Look, I can't fail that exam.

00:32:18Already.

00:32:18I would have to enroll again and my father is going to kill me.

00:32:20Well, well, tell your father.

00:32:22Can't.

00:32:22I just can't deal with him.

00:32:23I shift into the wrong gear and he gets hysterical.

00:32:25Already.

00:32:25Yes, just for a little while, that's all.

00:32:26Yes, but just for a little while...

00:32:28Fiti, please.

00:32:29Fiti.

00:32:33Look, come by the workshop in half an hour and we'll have a quick spin, but a quick one, okay?

00:32:36Yes, thank you, thank you, thank you, thank you, really.

00:32:40You're a sweetheart.

00:32:40And you, a continent.

00:32:46Fiti, let me tell you something, look, if it weren't for the fact that I would have done the same

00:32:51I would tell you that what you just did is not right.

00:32:54Already.

00:32:55You're stuffing yourself with ham, what's wrong with you?

00:32:59Fermín told me I can eat all the ham I want if I don't mix it with anything else.

00:33:02with sugar.

00:33:03Look.

00:33:04Give me a beer.

00:33:05She's angry, Santi, she's angry, she's angry, and rightly so, because...

00:33:08I've really messed up.

00:33:10Don't worry, little dove, that girl is very abusive and she might get angry just as easily.

00:33:14It's slipping away.

00:33:14No, Santi, no, this time I mean it, he has offended me, I mean it.

00:33:18Man, he told me, he told me that I broke his heart.

00:33:22Why don't you give her something nice, something she'll like?

00:33:25A jaza, a pineta.

00:33:27No, that would be rubbing salt in the wound, Santi.

00:33:29Well...

00:33:30A record?

00:33:31Or are you going to one of those musicals?

00:33:34Is there a musical?

00:33:35Oh, that's great, Santi.

00:33:37A musical, but it has to be something of a high standard.

00:33:39Well, to everyone.

00:33:46Cellín!

00:33:47That?

00:33:51Fiti, listen, look at the animals in the jungle, for example, right?

00:33:54So, why are they so strong?

00:33:55You may have wondered.

00:33:56Damn, well, because they get their fill, but they don't mix.

00:33:59Santi, what's wrong?

00:34:00Alright?

00:34:01Lulita, here, Choni.

00:34:02We're in Delas.

00:34:04Well, you know, I'm thinking Fermín could fix that for you in no time.

00:34:11Well, Diego, can you tell me what's going on with you and Fermín, that he has you completely captivated?

00:34:15No, no, not dazzled.

00:34:16No, but I'll explain it to you.

00:34:17Fermín is a well.

00:34:18It's a bottomless pit.

00:34:20In other words, I look over the edge and I can't see the bottom.

00:34:23Well, I've been thinking that maybe she's the mother the children need.

00:34:26Let's see, are you even listening to yourself, damn it?

00:34:28Fermín is not a name for a mother.

00:34:30Yes, yes.

00:34:31First it happened with Carmen, and now it's happening with him.

00:34:33Yeah.

00:34:33You have a problem, Diego.

00:34:34You have a problem called a gap.

00:34:36But what gap, what gap, damn it, Fiti, it's just so hard to carry

00:34:39a house.

00:34:39You don't understand that.

00:34:41And if someone like Fermín comes along, well, it's a gift from heaven.

00:34:44Yes, but that's not forever.

00:34:45That's going to last a lifetime, damn it.

00:34:46Where are you going?

00:34:48Nothing.

00:34:48Okay, Fermín leaves half an hour earlier, so I'll get there first.

00:34:51I'm going home and I'll have his food ready, damn it.

00:34:55This one, any day now he'll just throw himself into the sea and do it.

00:34:58Sailor, Santiago, sailor.

00:35:04Soni, Soni.

00:35:06I need to talk to you.

00:35:09I'm asking you, please.

00:35:10That?

00:35:11That...

00:35:12Well, I understand that you're upset.

00:35:13Because I've behaved terribly.

00:35:14Fatal and its synonym.

00:35:16Well, and it's true that...

00:35:18Hello, Zita.

00:35:19It's true that I didn't like the boots, but...

00:35:21Because I'm not going to lie to you.

00:35:23Nor the gloves.

00:35:24The gloves either, to be honest.

00:35:26But that doesn't mean we have to be angry.

00:35:28I loved the gloves, you know?

00:35:31Huh?

00:35:33I'm going to class.

00:35:37That's it.

00:35:39Soni, we don't have to be angry.

00:35:41Hey?

00:35:44What about you?

00:35:46Two tickets for Chayán.

00:35:48And toothpicks to the sea.

00:35:50Hey?

00:35:50What do you say?

00:35:53Well, Chayán has an ass that could crack almonds, but come on.

00:35:56It's not enough to pay for such a great offense.

00:35:58But, Chani, please, I just apologized to you.

00:36:00The thing is, we have different tastes, but...

00:36:02But that's no reason for us to be angry.

00:36:04Look, Lurdita, that's not it.

00:36:05It's not that.

00:36:06What hurts me is the lie.

00:36:07And betrayal.

00:36:08You're such a prude when it comes to dressing the least important things, you see.

00:36:11As?

00:36:12Yes, you heard right.

00:36:13If you don't have the style to wear the fancy things I give you, it's because you're a nun.

00:36:19Well, look, it's not my fault.

00:36:21What, I'm a nun?

00:36:22Yes, and of closure.

00:36:24Now, don't worry, I've got you figured out.

00:36:26The next thing I'll give you is the habit with its sash and its to.

00:36:30Well, I'm just saying, I'd rather dress like a nun than dress like a...

00:36:32Like what?

00:36:34Like what?

00:36:35How are my two favorite women?

00:36:36Be quiet!

00:36:37Be quiet!

00:36:38Also.

00:36:39Like a lazybones!

00:36:40Okay, come on, come on, come on, come on.

00:36:42Don't you enjoy seeing the state of the world, girls?

00:36:44A bit weak, but that word doesn't exist.

00:36:46The thing is, she's such a nun that she doesn't want to tell me what she wants to tell me.

00:36:49Choni, relax, I wasn't going to say anything, no, Lurditas.

00:36:52But yes, I was going to say it.

00:36:53Come on.

00:36:54We're leaving, we have things to do, Choni.

00:36:55Please come.

00:36:56Come on?

00:36:57Come on.

00:36:58Come on.

00:36:58Let's go.

00:36:59Let's go.

00:37:00Let's go.

00:37:01Driving, Afri, so you understand, is like listening, huh?

00:37:04In other words, because the car talks to you, the car tells you things.

00:37:06Well, if we need to overtake, that is, if we need to shift gears, if we need to brake, I'll tell you.

00:37:11He says, if he's comfortable, if he's not comfortable.

00:37:13I mean, líguate, Afrika.

00:37:17Okay?

00:37:17Come on, the most important thing of all, attitude.

00:37:20The attitude, well, that's it, that you look relaxed, piloting, so that those who are with you,

00:37:23Well, make sure they go safely.

00:37:25So, come on, let's see how...

00:37:26Get in position, go on.

00:37:29Hey, Afri, it looks like you're going to crash into a lamppost.

00:37:32But?

00:37:33No, no, it's important that you look relaxed.

00:37:35For example, you rest your arm a little bit on the window, right?

00:37:39Relax your shoulders.

00:37:40And now you grab the steering wheel, gently, okay?

00:37:44That's why I'll go with you wherever you need me.

00:37:47So, what's the solution?

00:37:48That?

00:37:49What does he ask of you?

00:37:50Hey?

00:37:50What does your car need?

00:37:51Ah.

00:37:54Let it start.

00:37:55Yeah.

00:37:55Go ahead, come on.

00:37:57It has its hand first and forwards.

00:38:01We're going down.

00:38:02Hey!

00:38:03Hey!

00:38:03Host!

00:38:05Shit!

00:38:06What I do?

00:38:07Well, it hasn't happened to me.

00:38:08Pull, pull.

00:38:09Let's see from here.

00:38:40Very good, very good, very good, very good, very good.

00:38:43See?

00:38:43That's it.

00:38:44Come on, let's go.

00:38:45You've gone on a rampage.

00:38:46And go, put on the handbrake, in neutral and you can turn it off.

00:38:50Hand brake.

00:38:51Yeah.

00:38:52Deadlock.

00:38:53Deadlock.

00:38:53Turn it off.

00:38:54Turn it off.

00:38:55That's it.

00:38:55It's very nice.

00:38:58You think?

00:38:59Yeah.

00:38:59I hope I don't get nervous during the exam tomorrow.

00:39:02No, no, not nervous.

00:39:03In other words, those who don't know get nervous.

00:39:05Not you, you.

00:39:06Perhaps sometimes, then, you confuse back with forward and with rear.

00:39:11Callante, Raúl, I don't remember.

00:39:13Otherwise, fine.

00:39:22Well, well, well, you have no idea what a mess you've made at school, your garment and mine.

00:39:26You have no idea what a mess you've got yourself into.

00:39:28As for the gift, don't tell me any more.

00:39:30Damn the day that...

00:39:31Okay, okay, okay, don't get too worked up.

00:39:33Well, it's not your fault.

00:39:35What?

00:39:35The blame...

00:39:37It's the chromosomes' fault.

00:39:38What about the trading cards?

00:39:40The chromosomes.

00:39:41I saw it in a documentary yesterday, man, and I finally understood everything.

00:39:43What did you understand?

00:39:44What did you understand?

00:39:45Well, men have XY chromosomes and women have XX.

00:39:50And then there are the XL ones, which are the ones that give me more than two meters, right?

00:39:54And then there are the XS ones, who never shut up, not even underwater.

00:39:57Well, it turns out that the X chromosome is the bastard that's got a bad temper that'll make you shit yourself.

00:40:01And since they have two and we only have one, screw you for being a jerk.

00:40:05That's why they are more twisted.

00:40:06We are more straightforward, simpler, more law-abiding.

00:40:09Give me a calla.

00:40:10He's going to be right about those pineapple plantations.

00:40:13This explains Choni's bad temper.

00:40:16Lurdita is my sister and let me say upfront that I adore her, but be careful, she has her quirks too, you know?

00:40:20Your sister is a saint.

00:40:22The one with the poisoned beak is your relative.

00:40:24Hey, look, your X is bending.

00:40:27Let's see if we're not now clear that it's Choni's fault.

00:40:30Or is it that my Lurdita won't be able to politely say what she likes and what she doesn't like?

00:40:33like.

00:40:33Politely, too.

00:40:35He called her a banner in front of me.

00:40:36Don't mess around, Lurdita.

00:40:38Banner.

00:40:38My poor little thing.

00:40:39What must have happened to get there.

00:40:41It's my fault for trusting Choni, who always dresses like that.

00:40:45Pintas de la Choni are the pints of la Choni.

00:40:46The outfits she chooses.

00:40:48Hey, Bart.

00:40:48So Choni, how's it going?

00:40:49At least she's more liberal than my sister.

00:40:51I'm not saying she should wear a miniskirt, damn it.

00:40:53But when I was a kid, he made me wear a tie to leave the house.

00:40:56It should have been banned.

00:40:58Look how it turned out.

00:40:59How did I turn out?

00:41:01Well, a criminal.

00:41:02What are you?

00:41:03What's wrong with you is that you're a Taliban.

00:41:05Come on, man, please, he's a turkey for a reason.

00:41:06Come on, come on.

00:41:07Okay, listen, this is something else entirely.

00:41:09Very good.

00:41:10So, he cooks, Curro puts it on the table, and Guille cleans up.

00:41:13Very good.

00:41:13Obviously.

00:41:15But can we eat now, please? I have a man who's dying.

00:41:18Well, no, you can't eat yet, but let's wait a little while for Fermín who should be about to...

00:41:21arrive.

00:41:22And that's it.

00:41:24Stay still, Guille, keep your hands still.

00:41:26Curro, please.

00:41:30Hey, Dad.

00:41:31Yeah.

00:41:31It just occurred to me, what if we go eat while you wait for Fermín?

00:41:35No, let's wait a little bit, no, eh.

00:41:36We're not starving either, please.

00:41:38I've been cooking for quite a while now, I'm starving.

00:41:39I know, but oh well, not really.

00:41:40Make a little effort, man.

00:41:41For once I'm asking you a favor.

00:41:43Okay, come on, let's eat, let's eat.

00:41:50Hello, Diego.

00:41:52Well, Fermín, I mean, I was calling you an hour ago, right after you left school.

00:41:56And, guys, no calls or anything, we were worried.

00:41:59But, it doesn't matter, come on, let's eat, come on.

00:42:01I've already eaten something, okay?

00:42:02Thank you so much.

00:42:03Anyway, I'm going to rest a bit, what a nice day.

00:42:05Time to rest.

00:42:06Yeah.

00:42:07Okay, very well, then sit down, sit down.

00:42:08Sit down, come on, let's rest together.

00:42:10You feel like football.

00:42:11I'm watching Real Madrid's ninth European Cup.

00:42:13With Zidane's goal.

00:42:15Hey?

00:42:15Look, look.

00:42:16That?

00:42:16Okay, okay.

00:42:17No, but I almost prefer reading, you know why?

00:42:18I'm reading a very interesting book, extremely interesting.

00:42:21Read?

00:42:22So, you prefer to read.

00:42:23Good.

00:42:24Fermín.

00:42:25Reading is good, yes.

00:42:26And do you know why that's okay?

00:42:27Because apart from entertaining, it educates.

00:42:31No, I'm not just talking about churas, although that too, no, I see you're really into it.

00:42:34And that's important.

00:42:35Well, we'll just stay here and read, and for whatever else you need.

00:42:38I'm here for you, whatever you need.

00:42:45That?

00:42:55Let's see.

00:42:56Hey?

00:42:57Casimiro, the toothless vampire.

00:42:59Yeah.

00:43:00Hey?

00:43:02Well, it might seem silly from the title, but be careful, it's well put, eh?

00:43:05Yeah.

00:43:06Man, do you want me to say no?

00:43:07A toothless vampire, what can't he do?

00:43:09Bite.

00:43:10Can't it bite?

00:43:11Unclear.

00:43:11And if a vampire can't bite or scare, then what kind of vampire is it?

00:43:15He gets it.

00:43:16In other words, he's telling an interesting story.

00:43:18Hey, hey, hey.

00:43:19What happened to me that made me remember?

00:43:20Look, I think the house is mine, Diego.

00:43:23Of course, damn it, Fermín.

00:43:25In other words, it's yours, but only for as long as you're going to be without it.

00:43:27No, no, no, not this one, not this one.

00:43:29The one I went to see this morning, when I left school, huh?

00:43:31I hadn't told you that they called me.

00:43:32No.

00:43:32They called me, huh?

00:43:33And they told me they were still interested.

00:43:35Well, I was wondering if they were still interested, and, well, it turns out they liked me.

00:43:40Cool.

00:43:41But aren't you happy here at home?

00:43:44I'm delighted, but I don't think continuing any further is excessive, do you?

00:43:47No, no, but what are you saying, Fermín?

00:43:49But what are you saying about abuse?

00:43:50Oh my God, how could you abuse that?

00:43:51You, yes, you are the anti-abuse for me.

00:43:53And besides, you're a self-help manual, a learning book.

00:43:58Learning, you're like the guide to leisure, for God's sake, how can you be an abuse?

00:44:01Well, no, I'm screwed, I think you're exaggerating a bit, don't you?

00:44:04No.

00:44:06And if you leave...

00:44:08We're going to miss you, damn it.

00:44:11You're not going to like what I'm about to tell you, Raúl.

00:44:14Let's see.

00:44:16So, I've arranged to meet up with Africa again.

00:44:20I'm so pissed off.

00:44:21What, Dad, what?

00:44:22Why do you have to meet with Africa?

00:44:24I'll explain what it is, I'll explain it to you, but put down the parricidal knife you're giving me.

00:44:27a little bit of fear.

00:44:29Okay?

00:44:30Look, you simpleton, if I've stayed with Africa, it's mostly out of pity.

00:44:34Out of pity?

00:44:35Come on, damn it, man.

00:44:37And don't you feel sorry for me or what?

00:44:39Raúl, Raúl, Raúl.

00:44:40Hey, hey, son, calm down a little.

00:44:42Calm down, please.

00:44:43And let me tell you a couple of things.

00:44:47Okay, sit down and listen to your father.

00:44:51First rule of female psychology.

00:44:53Come on, damn it.

00:44:53First rule.

00:44:54Sit down.

00:44:56A woman never forgets her first love.

00:44:59Never.

00:44:59Because?

00:45:00I have no fucking idea, but he never forgets it.

00:45:03And who is Afri's first love?

00:45:06I.

00:45:07Second rule.

00:45:08Second rule.

00:45:09Or as it's been called, the buying effect.

00:45:13Look, no matter how much a woman likes a shoe, she's not going to make a decision until she sees it.

00:45:17Visit all the shoe stores in the neighborhood.

00:45:19So what's the point?

00:45:20So she ended up buying the first one she saw?

00:45:22That's just how they are.

00:45:24They need to make sure they're with the best man.

00:45:27And how do they ensure it?

00:45:29Well, it's the same as with the shoes.

00:45:31Looking at other stores.

00:45:32And that's where the hyperman comes in, right?

00:45:34Well, it's always been clear that you two are made for each other.

00:45:38The thing is, instead of going straight through, you let off steam.

00:45:41You with the boss, eh, yes, you with the boss and she with the hyperman.

00:45:45And now your body is telling you to settle down a little, but yes, it's logical.

00:45:50Okay, fine, you can stop eating my chorizo now.

00:45:52Be quiet and learn.

00:45:53Third and final rule.

00:45:57A woman's movements are never, ever casual.

00:46:02Or in other words, nothing happens by chance.

00:46:06Damn, you don't get it, let's see, if Africa has come closer to me, that's not by chance.

00:46:13Come on, I think he still misses you a little bit.

00:46:18No, no, don't confuse me, don't confuse me, don't confuse me, Dad, because I'll get confused and...

00:46:22No, Dad, no.

00:46:23Look, Dad, my relationship with Africa was something very beautiful, but it's over.

00:46:29It's over, period.

00:46:32We are?

00:46:32Yeah.

00:46:35We're going to go and set a fishing rod.

00:46:37That's it, Fiti, I thought we'd do things together, that I'd spend more time as a family, but no, no, I mean, it

00:46:42"It's a cohabitation, well no, he goes and tells me he's leaving."

00:46:46Anyone who hears you, I mean, really, it sounds like you're talking about your girlfriend.

00:46:49Okay, call it X, but that's not right, Fiti, it's not right, no, it's not right.

00:46:53Come on, Fiti.

00:46:56Hey, it's strange to see you around here so much, isn't it?

00:46:58Hush, hush, hush, your sister is giving me trouble often, hush.

00:47:01Be careful with my sister, okay? Let's see what you're going to say about my sister, you, Pifloy.

00:47:04Damn, Fiti, if it's true, my head is spinning like a balloon, lurditas up, lurditas down.

00:47:09Okay.

00:47:10Come on, Santi, get me a beer, please.

00:47:11A straw.

00:47:12Tell her that if she wants a fishing rod, she should give it to herself.

00:47:14Tell him I've already listened to it. Thank you so much, I'll put it on now.

00:47:17Tell him to stop thanking people and start doing what he needs to do.

00:47:21He should keep a notebook with a record of what he owes since he arrived.

00:47:23Tell him one euro and thank you.

00:47:25Oh, and tell him I'd like to remind him that the tavern is mine too.

00:47:29Tell him, go on.

00:47:29He's right about that, isn't he?

00:47:30Tell him the tavern has arrived.

00:47:32If it wasn't to work, he could have gone to any other bar.

00:47:35Tell him I like coming here...

00:47:39Well, let's mess with him.

00:47:41Tell him to go out into the street, to the fucking street.

00:47:44Tell her that if she wants to tell me something, she should come here and tell me, the whore.

00:47:47Tell him it's not the best!

00:47:48Tell him it's not the best!

00:47:50Tell him it's not the best!

00:47:51Tell him it's not the best!

00:47:52Tell him it's not the best!

00:47:53Tell him it's not the best!

00:47:55That's enough!

00:47:56What a disgrace!

00:47:56Come on, family, damn it!

00:47:57Don't stoop so low!

00:47:58Water, water, water!

00:48:00Hello!

00:48:01Santi!

00:48:01Hello, Luz!

00:48:02Hello, Maromita!

00:48:03Oh!

00:48:04Shh, shh, shh!

00:48:10Santi, don't make any plans for Friday

00:48:12You and I are going to the Chayanne concert

00:48:15Chayanne?

00:48:17Yeah

00:48:18Okay, just relax here, I'll bring you the mustard now, okay?

00:48:27This needs to be fixed.

00:48:29That?

00:48:30This needs to be fixed.

00:48:31One way or the other?

00:48:33Chony

00:48:33That?

00:48:34No, Chony, she's probably calling me to vent to me.

00:48:39No, no, not again

00:48:41What do I do, Mom? Again? Are you calling?

00:48:43Calm down, calm down

00:48:44How can I be calm? He was the same way all day long.

00:48:46Something must be done to help these women reconcile, Santiago

00:48:48What do we do?

00:48:50I think you guys did the aibatu thing to them

00:48:53Which?

00:48:54The aibatu here all day

00:48:57There it is, you know, right?

00:49:00Well, it has to be done

00:49:04Ah, look, here it is

00:49:06This

00:49:07This?

00:49:08Yeah

00:49:09But if it's in the center

00:49:11But let's see, let's see

00:49:13No, it's just that the care I don't say

00:49:14The center is fine.

00:49:15The city center is fine for students and such because there are bars.

00:49:18But for you, I am Frank

00:49:19And also, the drug center is closing.

00:49:21Yes, ma'am, there are drugs and crime.

00:49:22And that's not even mentioning the traffic.

00:49:23But there are drugs and crime.

00:49:25I don't see it that way for you.

00:49:26Frankly, I think you look much better here.

00:49:27Hey, let's go

00:49:28There's no comparison.

00:49:30I thank you very much

00:49:31But the truth is that I prefer

00:49:32Get myself a small apartment

00:49:33Really

00:49:34Already

00:49:35Besides

00:49:36I'm not quite sure where you're going with this.

00:49:40Well, Fermín

00:49:41So, if you go downtown

00:49:43Well

00:49:43The distance

00:49:44In other words, it won't be the same.

00:49:46We are friends

00:49:46We'll stay in touch

00:49:48Yeah

00:49:49Yeah

00:49:49I

00:49:50I know you've only been here a couple of days

00:49:52But I'm a creature of habit.

00:49:55You can call me sensitive.

00:49:56Call me sensitive if you want

00:49:57But

00:49:58I had gotten the idea of

00:49:59Well, if we're both here, right?

00:50:01You reading

00:50:02I'm learning

00:50:02Know?

00:50:04Diego

00:50:05You're starting to remind me of my mother

00:50:07To you

00:50:07No, no, no, no, no

00:50:08Sorry, no, no

00:50:09Not your mother, no, no, no

00:50:10No, no, no

00:50:11This

00:50:11You would be completely free here, right?

00:50:13Yes, yes, yes

00:50:13If you live here

00:50:15Okay, I'll give it to you

00:50:16I'm giving you independence, one thing

00:50:17And you can come and go as you please.

00:50:19Come on

00:50:20Thanks, man.

00:50:20Nothing, no, no

00:50:21And I'll tell you more

00:50:22If you want to bring someone here to your home

00:50:23You bring it in calmly

00:50:24You don't want to present it

00:50:25Well, he doesn't present it.

00:50:25You want to present it

00:50:26Well, he doesn't present it.

00:50:26We're delighted

00:50:27So, we don't have any problems, man.

00:50:28Diego

00:50:29That?

00:50:30I really appreciate it.

00:50:31But what?

00:50:32Am I going to rent the house?

00:50:34I've already decided.

00:50:36Already

00:50:37Yeah

00:50:37Well, you've already decided.

00:50:38I won't insist

00:50:39I'm not going to insist.

00:50:40I had

00:50:42I had done it to you

00:50:44A copy of the keys

00:50:46Oh well

00:50:46But come on

00:50:47For today or whenever you want

00:50:48Forever

00:50:49Fermín, forever

00:50:50Okay

00:50:50Thank you so much

00:50:51Nothing

00:50:53Okay, I'm going to take a shower.

00:50:55Very good

00:50:55And then we kept talking

00:50:56I'm going to do

00:50:57Yes, yes, yes

00:51:06Fermín

00:51:10Fermín

00:51:26Yeah

00:51:28From the real estate agency

00:51:32Yeah

00:51:36I'm still interested

00:51:38That the apartment is mine

00:51:41I have to answer him now

00:51:43Sorry

00:51:43One moment

00:51:45One moment

00:51:49Wait

00:51:50No

00:51:51I've managed to do something better.

00:51:52And I'm not interested.

00:51:53No

00:51:53I'm sorry

00:51:55Yeah

00:51:57Very kind

00:51:58Miss

00:51:58Very kind

00:51:59Very kind

00:52:01Yeah

00:52:02Hello

00:52:03It was my phone

00:52:04No, that was the case

00:52:06My mobile phone

00:52:06It was my mobile phone

00:52:07That he called me

00:52:08Santiago

00:52:09He called me precisely

00:52:10And I'm talking

00:52:11One moment

00:52:11Santi

00:52:12He's talking

00:52:12We have the same melody

00:52:14Soulmates

00:52:15Soulmates

00:52:16Both

00:52:25Okay, so what?

00:52:26Nice place, isn't it?

00:52:27Did he do it to me, Tunga?

00:52:29Banner

00:52:31As?

00:52:33Banner

00:52:33I?

00:52:34No, banner

00:52:35Banner called me

00:52:35Banner

00:52:36I sterilized it

00:52:37No, in the end he didn't tell you.

00:52:38Didn't he tell you?

00:52:39No, lazy

00:52:40She told me, she told me, lazy

00:52:41Is this lazy?

00:52:43Is this lazy?

00:52:44No, not at all.

00:52:44We've checked your entire wardrobe

00:52:45And you're not lazy at all.

00:52:46Don't worry.

00:52:47Call me lazy

00:52:49I sterilized it

00:52:49It's shameful.

00:52:50I remind you that you to her

00:52:51You called her wet

00:52:52So

00:52:54Excuse me for saying this

00:52:55He will be your little brother

00:52:55Whatever you want

00:52:57Don't tell me

00:52:58They don't have the same face

00:52:59That Mother Teresa of Calcutta

00:53:00The va

00:53:01Come on, damn it

00:53:02Cocochas in green sauce

00:53:03Here goes

00:53:04You over here

00:53:04Here goes

00:53:05You too

00:53:06Okay

00:53:08Barbarity

00:53:09All in the same restaurant

00:53:10Well, let it be said

00:53:10I bet there won't be

00:53:11Restaurants in Madrid

00:53:12Would you like to have dinner together?

00:53:14Of course

00:53:15Uh, no

00:53:17Tables for two

00:53:17Two at a time

00:53:18Two small tables for two

00:53:19How can we do it two-by-two, man?

00:53:20For once we see each other

00:53:21So many crimes

00:53:21That we didn't have dinner together

00:53:22You almost arrive

00:53:23Arrives

00:53:23No, don't insist.

00:53:24Don't insist

00:53:25If you put that table here

00:53:26I'm getting up right now.

00:53:27And I'm leaving.

00:53:27Let's see it

00:53:28That dies from school

00:53:29At school

00:53:30We're here to enjoy ourselves.

00:53:31Please, waiter

00:53:32Very good, José

00:53:33Thank you very much

00:53:34You're always helping

00:53:36Choni, where?

00:53:37Look, go

00:53:38Do you go through or should I?

00:53:39Come in, come in

00:53:40Thank you

00:53:41Ninth

00:53:42Fresh

00:53:45Fresh

00:53:45No, no, no

00:53:46Don't worry

00:53:47Sit down

00:53:48No, sit down

00:53:49It's getting fixed.

00:53:50Let's see, Raúl

00:53:52Native of Talavera de la Reina

00:53:54Just like in Talaverina

00:53:56No

00:53:57It doesn't fit

00:53:58Talavera

00:54:00Neither

00:54:00Twisted

00:54:02Raúl, really

00:54:03He can't get anything right, huh?

00:54:04I don't care about Santa Justa

00:54:05That from Talavera

00:54:06Diego

00:54:07They're all twisted.

00:54:08And they are the same.

00:54:09You try to get out

00:54:10In a straight line

00:54:11And they keep going in circles.

00:54:12Everywhere

00:54:13Male

00:54:13They are hieroglyphics with legs

00:54:15This is a hieroglyph.

00:54:17And let me tell you something

00:54:17If Fermín were here

00:54:18I would have guessed it already

00:54:19Look

00:54:20Hello

00:54:21Hello, Africa

00:54:22Hello

00:54:23How are you?

00:54:27I'm going to the back room

00:54:28Well, I have one

00:54:32How are you?

00:54:33Good, and you?

00:54:35Shall we sit down?

00:54:36Yeah

00:54:38Well

00:54:40Well, you tell me

00:54:42Let's see

00:54:43Well

00:54:46You see, I've been

00:54:49I've been talking to my father

00:54:50Yeah

00:54:51Yeah

00:54:54Okay, let's go

00:54:56Well, I think that whatever we have to say to each other

00:54:59Well, it's better if we talk it over between ourselves, isn't it?

00:55:01And not using him as a messenger

00:55:05Of course, right?

00:55:06But?

00:55:07Yeah

00:55:08And well, that's it...

00:55:11Damn, after everything you and I have been through

00:55:13Well, I don't think it's right for us to end up like this either.

00:55:17I think we, well...

00:55:18Thank goodness, what a relief, Raúl

00:55:20What a relief!

00:55:20Yeah

00:55:21Of course

00:55:22No, let's see

00:55:23It's one thing that we can't be together

00:55:25And another very different one

00:55:26So we can't be friends, right?

00:55:28Hey?

00:55:29That?

00:55:34Yes, yes

00:55:35Clear

00:55:36No, I'm telling you this because I know it's very complicated at first.

00:55:38But once time has passed

00:55:39It's much better to be able to be like this.

00:55:41Talk

00:55:41And see each other from time to time

00:55:43I don't know

00:55:48What do you think?

00:55:52I don't think so, Africa

00:55:56I have absolutely no desire for you and me to be friends.

00:56:01Let's see, I'm not getting lost with you, Raúl

00:56:05Can you tell me what all this talk is about?

00:56:07And why do I have to come all the way here?

00:56:11Not at all, Africa

00:56:13Not at all

00:56:16Already

00:56:19I don't understand you, Raúl

00:56:27Natives of Talavera de la Reina, Talabricenses

00:56:30Thank you, Fermín, you are my idol.

00:56:32Come on

00:56:32Very good

00:56:46Can?

00:56:47Yes of course

00:56:47Hi, friend

00:56:49How are you?

00:56:51The mattress is comfortable, isn't it?

00:56:52Yes, very comfortable

00:56:53Hey, are you sure you want me to sleep here?

00:56:55I don't want to bother you, okay?

00:56:56Come on, I'm fine on the sofa

00:56:57Come on, so deliciously

00:56:58Fermín, please

00:56:59But how are you going to sleep on the sofa?

00:57:00I'm going to tell you something

00:57:02My bed is your bed

00:57:03You're not bothering anyone in this bed.

00:57:05You're not bothering me at all

00:57:06What's more, you like it in this bed

00:57:07You like it

00:57:09And you?

00:57:11No no

00:57:11Let's see, no

00:57:12Fermín

00:57:13Listen to me

00:57:14I mean, it's one thing for me to want you to sleep in my bed

00:57:16And another thing is that I want to sleep with you.

00:57:17No, let's not get confused

00:57:18Let's not confuse things.

00:57:19Because I have a friendship with you.

00:57:20But I also have respect

00:57:21And friendship when it's made on the same mattress

00:57:23In other words, when one friend sleeps with another in the same bed.

00:57:25That's not friendship anymore.

00:57:26That's a strange thing to me.

00:57:27I frankly don't have

00:57:28Diego, who doesn't

00:57:29What am I telling you?

00:57:30If you don't sleep in your own bed

00:57:31Where are you going to sleep?

00:57:32That's all

00:57:32Don't worry

00:57:33Don't worry

00:57:35Sorry

00:57:35Sorry, it just seemed that way to me for a moment

00:57:36It seemed kind of strange to me.

00:57:37And that's why I said

00:57:38But I sleep on the sofa

00:57:39Quietly

00:57:40On the sofa

00:57:41Very good

00:57:44Well

00:57:44Hey Diego, one little thing

00:57:46Yeah

00:57:46Have they called from the real estate agency here at home?

00:57:49Not from the real estate agency?

00:57:50No, the real estate agency hasn't called.

00:57:51The one that is not the real estate agency

00:57:53No, well, I'm worried, you know?

00:57:54Because I...

00:57:55They had promised to call me and...

00:57:57And not...

00:57:58I'll call too, look

00:57:59No

00:58:00No, no, no, no

00:58:01No, don't call

00:58:03No no

00:58:03They'll notice you're desperate

00:58:05So what about that?

00:58:05That raise your puberty

00:58:06And there we have a problem.

00:58:07You desperate

00:58:08They raise the pusval

00:58:09And there you are, dead.

00:58:10And that's wrong.

00:58:12It's a piece of advice I'm giving you...

00:58:14As a recommendation

00:58:14Well, that...

00:58:16Well, if there's nothing else

00:58:17See you tomorrow, okay?

00:58:18See you tomorrow

00:58:19Fermín

00:58:20A small glass of water?

00:58:22No, Diego

00:58:23No

00:58:24There are not several

00:58:25See you tomorrow

00:58:26See you tomorrow

00:58:46Yes, yes

00:58:46Look, sorry to call you at this hour, okay?

00:58:48But look

00:58:49I called earlier

00:58:50I am Fernando González

00:58:51Yes, I was calling about the house.

00:58:52I need it, you know?

00:58:56What do you mean he called me earlier?

00:58:59What did I say?

00:59:01I didn't...

00:59:03Oh, hey

00:59:06I had never seen Lurdita before.

00:59:08That she has been angered

00:59:09With no one but myself

00:59:13Pussy

00:59:14You nailed it there.

00:59:15That?

00:59:16You nailed it

00:59:16Of course

00:59:18What we need to do is get

00:59:20Let them get angry with us

00:59:24Let's see

00:59:25We are the solution

00:59:27But to be the solution

00:59:28First we have to be the problem, Santiago

00:59:29Hey?

00:59:31You can't fool me, okay?

00:59:32Tell me the rest

00:59:33If I don't understand you

00:59:34Who are they arguing with?

00:59:36With who?

00:59:37Yes, with whom?

00:59:37With you and me

00:59:38Exactly

00:59:39We are the common enemy

00:59:41And when they have a common enemy

00:59:43Well, they make a team, damn it.

00:59:45Like Nemus

00:59:45Her against us

00:59:48What we need to do is

00:59:50It's going to be a real mess.

00:59:51To make them angry

00:59:53Look, starting tonight

00:59:55Starting tonight

00:59:55You and I are going back home

00:59:57Let them think we've gone off somewhere

00:59:59What can I tell you?

01:00:00To the casino

01:00:02No, not to the casino.

01:00:03We've gone off on a bit of a chatungusic spree

01:00:06But what does the wretch say?

01:00:07Yes, yes

01:00:08One thing is one thing

01:00:09And another thing is divorce.

01:00:10Lurditas is taking away the child's potential homeland.

01:00:13No, man, it doesn't get done, damn it

01:00:15Women get angry first

01:00:16Then many more get angry

01:00:18And for when they want to gouge out our eyes.

01:00:20Well, they've started talking to each other again.

01:00:21To make us give birth, Santiago

01:00:22Get it?

01:00:23Ah, ah, damn

01:00:24And that's when we

01:00:26We went in

01:00:27And we cleared everything up.

01:00:28Very good

01:00:29Very good, Santiago

01:00:30Very good

01:00:33And don't you worry

01:00:34That the worst-case scenario

01:00:35If they don't reconcile

01:00:37Lurditas is going to get such a tantrum

01:00:39You're going to get out of the concert of

01:00:42From Chayan

01:00:44You know what I'm saying.

01:00:45He's more convinced, brother-in-law.

01:00:47Of course

01:00:47Let's see

01:00:49Some cigars

01:00:53And what about that unfortunate soul who won't answer my calls?

01:00:55Will there be something to be angry about, or not, Fiti?

01:00:58To get angry, to get angry

01:00:59No, not to get angry

01:01:00To grab him and do the Lorena Bobby thing to him

01:01:02That's it, grab the scissors and your reel.

01:01:06Oh, this guy's late.

01:01:08Sosca has triumphed, hasn't he?

01:01:11What are you doing? What are you doing?

01:01:15Can you tell me what's wrong?

01:01:17Are you sad or what?

01:01:18It's your fault, damn it

01:01:19You told me you wanted to get back together with me

01:01:21But that I

01:01:22I didn't tell you that.

01:01:23That I told you

01:01:24Maybe I missed you

01:01:26But

01:01:27Don't tell me that...

01:01:29Don't mess with me

01:01:29Damn, I'm...

01:01:31Damn, you know how I am

01:01:32You tell me that you miss me

01:01:34And I interpret

01:01:36That he misses me

01:01:38Damn, Dad

01:01:39That I'm simple

01:01:40Pussy

01:01:41You've confused me so much

01:01:42No, you've confused yourself.

01:01:43You've got yourself into a mess

01:01:44You're just being silly.

01:01:49Okay, fine.

01:01:50Okay

01:01:50Maybe it's not so bad after all.

01:01:51What did you say to him?

01:01:53Oh, how should I know?

01:01:59Leave that alone, man.

01:02:00Leave that alone.

01:02:02Another call from Lourdes

01:02:03That means our plan

01:02:04March

01:02:05So just relax

01:02:06I know, José Luis

01:02:08How many have you had?

01:02:10I

01:02:10I've been wearing...

01:02:12Well, I've had six.

01:02:13I've had six

01:02:14I've beaten you.

01:02:16I've already had eight

01:02:17In other words, nothing.

01:02:18Don't worry.

01:02:19Come on

01:02:20Come on, let me say this

01:02:21Come on, let me say this, man

01:02:22A little bit of fragrance, man

01:02:24Yeah

01:02:24Until

01:02:26Whiskey now

01:02:26Besides

01:02:28That costs money.

01:02:29A little bit of aroma

01:02:30Don't worry

01:02:31Hush, hush, hush

01:02:33Be quiet

01:02:33That?

01:02:34Choni

01:02:34Seven

01:02:35Eight, seven

01:02:38If we go home now

01:02:39How are we going to get home, man?

01:02:41Santiago

01:02:41What are they?

01:02:42It's half past three

01:02:43Let's see, brother-in-law

01:02:44What do you understand by a wild night?

01:02:45What do you understand?

01:02:46Because I didn't find out.

01:02:47What do you understand?

01:02:47I'm sleepy

01:02:48We should show up with something dangerous

01:02:50That is

01:02:52For example, a lipstick

01:02:54No, better

01:02:55Better

01:02:56A bra

01:02:58Let the strip appear here, either red or black.

01:03:00That it appears sticking out of the pocket

01:03:02But I'm going to do it

01:03:03Are we not going to get out of this one?

01:03:04Yes, okay, yes

01:03:04We kept the ticket.

01:03:06And if she gets really silly

01:03:07So we showed it to him

01:03:07And that's it.

01:03:09Where are you going to buy your lingerie at this hour?

01:03:11Come on, come on, come on

01:03:12Well, in a place I know.

01:03:14In a place I know

01:03:15Silly

01:03:16As?

01:03:17Do you know me?

01:03:18No, well, yes, I know.

01:03:21But only from hearsay

01:03:21I know it by hearsay.

01:03:23A sex show will be there

01:03:24That's what they say all night long

01:03:26Suspip shows and...

01:03:30Santiago, don't make that face.

01:03:32I'll just say one word to you.

01:03:33Let's see if you understand me

01:03:36Chayan

01:03:46I almost prefer a protein shake, you know.

01:03:49God, and an apple that has broken

01:03:51Oh no, no, no, no, no

01:03:52Tete, I'll explain it to you.

01:03:53Protein yes, apple no

01:03:54Because?

01:03:55Proteins do match.

01:03:56But not with the apple.

01:03:58Diego, I'm not going to try this, eh

01:04:00Okay, Tete, I'm going to explain it to you, okay?

01:04:02It's very simple.

01:04:03In other words, there are new rules in this house.

01:04:05Flexible, but with rules

01:04:07So if I cook

01:04:08You in recognition of my work

01:04:09You eat your breakfast

01:04:10And you smile, you smile

01:04:13This is very good.

01:04:13But look, it's Rocky III!

01:04:15What do you mean it's Rocky III?

01:04:16What am I going to give you...

01:04:19Forgive me, forgive me, Fermín

01:04:19Forgive me

01:04:21Forgive me, no, it's...

01:04:22See you later, Manu

01:04:22Forgive me, but it's just that

01:04:23It's hard to stop, this business of slapping people on the back of the head.

01:04:25Do you understand?

01:04:26So, I'll pay you the 10 euros here.

01:04:27Well, it seems to me

01:04:28Because he's taken out a piece of 8

01:04:30What did he get?

01:04:31What did he get?

01:04:32What did he get?

01:04:33What did he get?

01:04:33But son, but son

01:04:34It's truly incredible, Fermín

01:04:36It's incredible.

01:04:37So, two days here

01:04:38And up to this point, he approves me.

01:04:39But what am I saying, approve?

01:04:39That the tea made me an 8

01:04:40An 8 that's almost a 10

01:04:42Damn it, Fermín

01:04:43Congratulations, damn it!

01:04:44Congratulations, thank you very much

01:04:45Pussy

01:04:45I don't know what reminds me of you.

01:04:48Last week

01:04:49I also got some great grades.

01:04:50You're crazy!

01:04:50You're right, son.

01:04:51No, no, no

01:04:51And so it has already loosened up

01:04:53And it hasn't loosened up.

01:04:53Great

01:04:54That has merit.

01:04:55And what's going on in this house?

01:04:56That merit has a price

01:04:58Aren't you going to pick it up?

01:04:59Pick yourself up

01:05:00That?

01:05:01You heard me, daughter

01:05:02No

01:05:02No, yes, yes, yes

01:05:03I'm going running with Fermín

01:05:04Well

01:05:05What am I going to run with him?

01:05:06Behind him

01:05:06He runs like the wind.

01:05:07Hey?

01:05:08Neither behind nor in front, Diego

01:05:09I'll go, alone.

01:05:10Diego, I don't plan to pick up.

01:05:11Because this Zoque took you out last night

01:05:13Because I've been doing it my whole life

01:05:13Getting top marks

01:05:14But honey, that's kind of normal.

01:05:16Stay still, I'm watching you

01:05:17No, no, that's a normal thing.

01:05:18It's like that comic strip about the Bible.

01:05:20Do you remember?

01:05:21The one about the runaway son

01:05:22That one, and the lamb

01:05:23She was wearing sandals

01:05:24Explain it to him yourself, Fermín.

01:05:25What is it that no

01:05:26I don't understand it either.

01:05:26So you explain that.

01:05:27I'm going to run

01:05:32Fermín

01:05:34Fermín, Fermín

01:05:35Wait, man

01:05:36Fermín

01:05:36Something's wrong with you.

01:05:38No, no, don't tell me no

01:05:39I'll write it down for you.

01:05:39I'll write these things down for you.

01:05:40Is something wrong?

01:05:42I've spoken to the real estate agency.

01:05:44What's happening?

01:05:54Fermín, I'm going to tell you something

01:05:55This has an explanation.

01:05:56Yes, there is an explanation.

01:05:57Which you'll want to know, of course.

01:06:00Well, I can't give it to you.

01:06:01Because I don't have it.

01:06:02I'm sorry

01:06:04Listen to me

01:06:04So, it was

01:06:06Just finished talking to the real estate agency

01:06:07And to repent

01:06:08Immediately

01:06:09But a little before

01:06:10When they called

01:06:10So, in the heat of the moment

01:06:12Well, I thought I said

01:06:13What I said was most appropriate

01:06:15I know I didn't do the right thing.

01:06:16I know.

01:06:17But what did I do for you, Fermín?

01:06:19He keeps asking me

01:06:21Where will Fermín be better off?

01:06:22What about us?

01:06:23Anywhere, Diego

01:06:24Anywhere

01:06:24No, no, no

01:06:25And forgive me for correcting you.

01:06:27But you're wrong

01:06:28In other words, you don't know.

01:06:28What it's like to be alone

01:06:29You don't know

01:06:30No, no, no

01:06:30Nobody can like that.

01:06:31I'm completely serious.

01:06:32And if

01:06:33And what about affection?

01:06:34What about affection?

01:06:35Because it's very good

01:06:36All that stuff about Ikea mules

01:06:37And so, they are very pretty

01:06:38But they're cold, aren't they?

01:06:39And the warmth we can give you here

01:06:40You're not going to find that.

01:06:42Nowhere hot

01:06:42Look what he's done to my tire!

01:06:52Fermín, for the love of God

01:06:53You can't leave

01:06:57Leave

01:06:59And don't tell me you did it for me.

01:07:00Because what you wanted was

01:07:02Free Supernanny

01:07:06And my name is Fernando

01:07:07It's not that difficult

01:07:30Come on

01:07:31Good morning, Santiago

01:07:32Good morning

01:07:34We have to go back to the nest

01:07:35I already have 19 missed calls

01:07:37Come on, let's go

01:07:37I have the 17

01:07:40What if we don't come back?

01:07:41Oh, no

01:07:42It's not an option, Santi.

01:07:44It's not an option, although...

01:07:46No, that's not an option.

01:07:47Come on, cheer up a little.

01:07:48Let's go

01:07:50Final review

01:07:51We arrived there

01:07:52We took off our jackets

01:07:53So what do we do with it?

01:07:54We left it on the bed

01:07:55Okay, we'll leave it on the bed

01:07:57And inside the jacket pocket

01:07:59What do we have?

01:08:01Hey?

01:08:01What did you buy?

01:08:02What is this a 100?

01:08:04Well, since we're cheating on him

01:08:05No?

01:08:05Let it be, let it be great

01:08:06San Diego

01:08:07No, no, no

01:08:07That I owe you a visit

01:08:09Chatungusism or not?

01:08:09Yes, yes

01:08:10That chatunguismo yes

01:08:11We'll debunk this in two hours.

01:08:12I also have the ticket as proof.

01:08:13Damn it, come on, let's go

01:08:13Damn, she has a lot of influence with the priests.

01:08:15And in two hours he annuls my marriage to the Holy Father

01:08:19No

01:08:20No, no, no, no

01:08:21Well, if you don't want to, I'm not going to force you either.

01:08:24Now, I'll also tell you one thing.

01:08:25The rest has to be done very well.

01:08:27So come on, let's review

01:08:29We arrived there

01:08:30We changed our clothes

01:08:31We came here

01:08:32And when I ask you something

01:08:34You, Nimud

01:08:35You grab the door and leave.

01:08:36But with swagger, eh?

01:08:37Neither pigeon, nor dove, nor...

01:08:40Huh? Is that clear?

01:08:40Drink the water

01:08:41That's it, well good luck, brother-in-law.

01:08:42Come on, a hug, damn it

01:08:44Luck

01:08:45Good luck and all the best.

01:08:46Brother in law

01:08:49Okay, but what are you doing here?

01:08:50Well, thank goodness I found you and you're here

01:08:52What's the party about?

01:08:53It's there...

01:08:54You have no idea what happened to me

01:08:57But it's good that he's left.

01:08:58Well, no

01:08:59And bad luckily so.

01:09:01But too bad

01:09:01Sorry, Diego

01:09:02But we're in a climate of mindset building.

01:09:03And you have no idea how hard it's been for us to get here

01:09:05So come on, let's go

01:09:06Come on, man, come on

01:09:07Come, forgive us

01:09:08And the final review

01:09:09What do you have to do?

01:09:10What do you have to do?

01:09:17Nothing, not even a call

01:09:27Raul, what are you doing?

01:09:29Hey Raúl, what are you doing?

01:09:30Stop, stop, stop

01:09:31Let me go

01:09:32Stop, what are you doing?

01:09:35Hey, for

01:09:46Girls, go back inside

01:09:47I'm fine.

01:09:48Go back inside

01:09:49You go, you go, you go

01:09:54Damn, man

01:09:57What the hell do you want, Raúl?

01:09:59I'm not in the mood for your nonsense.

01:10:00That?

01:10:02Ta-da!

01:10:03Surprise

01:10:04That?

01:10:08It's for you

01:10:09From me

01:10:10I bought it for you.

01:10:11For me?

01:10:12But what are we going to do?

01:10:13I've done it to you too

01:10:13Oh really?

01:10:15A bit

01:10:18Although it may not seem like it

01:10:19It has passed its MOT test.

01:10:19Until June 2008

01:10:21Well, past, past

01:10:22No, but

01:10:23But the sticker is there.

01:10:25It's incredible.

01:10:26It's amazing

01:10:29But if for every shit

01:10:31You're going to give me a car now.

01:10:32I'm going to open a dealership

01:10:34Well, listen

01:10:34Not every day

01:10:35You'll get out of jail for driving

01:10:36No?

01:10:37No

01:10:37I've failed again

01:10:41No

01:10:41Yeah

01:10:43Damn, Africa

01:10:44It's my fault.

01:10:45Auntie, let me make some flan

01:10:46I'm sorry

01:10:46No, no, no

01:10:47It was because of an old woman

01:10:49That was there

01:10:50Crouching

01:10:50Behind a container

01:10:51The very

01:10:53I'm sorry

01:10:53It's me who's a package

01:10:55Well, now that I have a car

01:10:58I'm sure it will motivate you more

01:11:00Yeah

01:11:00No?

01:11:03Go

01:11:05Fermín

01:11:06No, Fernanda

01:11:07Fernando's mother

01:11:08Nice to meet you

01:11:10Delighted

01:11:10My son is here

01:11:11It's because at school

01:11:12I've been told I was here

01:11:14Not here, no

01:11:15They told him

01:11:15No no

01:11:16It's not here

01:11:17Hopefully

01:11:17I mean, here

01:11:18He's not here

01:11:19And where is it?

01:11:21Don't know

01:11:21Ma'am, I don't know

01:11:22This son of mine

01:11:24He never tells me anything.

01:11:26Please

01:11:27Come in and we'll have something to drink

01:11:28No, no, no

01:11:29I don't want to bother myself

01:11:30No, no, no

01:11:30I don't have a problem.

01:11:31Really

01:11:31Pass, pass

01:11:32Yeah

01:11:33If you wait here a second

01:11:35One second

01:11:38Yeah

01:11:38Look, I'll pick it up.

01:11:39If you like

01:11:39But scrubbing

01:11:39You're going to do the dishes.

01:11:40I'm going to do the dishes for him.

01:11:41Listen

01:11:43That's out there

01:11:43Fermín's mother

01:11:44If there's a scandal

01:11:45Any kind of scandal

01:11:46And whoever it is

01:11:47Whoever is to blame

01:11:48To you

01:11:49I'll rip your head off

01:11:50Understood?

01:11:52Here, here you go.

01:11:53Thank you

01:11:54Some little cups

01:11:56I just don't understand.

01:11:58What he wants

01:11:59I don't know what he wants to do

01:12:01Because of course

01:12:02If he were to live

01:12:03With someone

01:12:04I would understand him

01:12:05But leave

01:12:06That's all

01:12:08I'm telling you the same thing.

01:12:09And that's understandable.

01:12:10Fermín is already of an age

01:12:12And it's about time.

01:12:13About what

01:12:13What does it smell like, free?

01:12:14That's the law of life

01:12:15Any day now, I'll be able to.

01:12:16Even the little one is leaving me.

01:12:17Yes, if I let it fly

01:12:20But I'm sure

01:12:21I'm not going to see him again.

01:12:23Until Christmas

01:12:24Well

01:12:26A small glass of water

01:12:27Yes, yes, yes

01:12:28Of course

01:12:28And a hermitage?

01:12:29Will you give him a small glass of water?

01:12:31Come on, a glass of water

01:12:32Okay, quickly.

01:12:33Now, now

01:12:34Right now

01:12:35And you will have something to do

01:12:37Studying and that

01:12:38I guess so

01:12:38You'll have something to do

01:12:39No?

01:12:39Okay then

01:12:39You're already doing it

01:12:41Whatever you have to do

01:12:42Come on

01:12:42Okay, but

01:12:43Well

01:12:44See you later

01:12:46Bye

01:12:48Bye

01:12:49I'm going to say one thing

01:12:50Fermina

01:12:51Fernanda

01:12:51That's it, that's it

01:12:52I want to tell you

01:12:53Don't make a big deal out of it.

01:12:54No, because if there is someone

01:12:55In this world

01:12:56Reliable, reliable

01:12:56That's his son.

01:12:57For example

01:12:58He used to come to see me.

01:12:58Three times a week

01:12:59That is, one hundred kilometers each way

01:13:01And a hundred back

01:13:01And be careful.

01:13:02Careful

01:13:03That's nothing of mine

01:13:04Not even my son

01:13:04Nor anything of mine

01:13:06I mean

01:13:07Let's see

01:13:07Let me try to explain.

01:13:09I mean

01:13:10Between Fermín and me

01:13:11That there is nothing

01:13:12I mean, well

01:13:12Yes, there is a relationship.

01:13:13What friendship is

01:13:14Oh well

01:13:14Me with my women

01:13:15And with their boyfriends

01:13:16Quietly

01:13:16So, I was

01:13:19A couple?

01:13:20Does my son have boyfriends?

01:13:23Ah, that

01:13:24That he knew nothing

01:13:26TRUE?

01:13:28Well

01:13:28Drink, drink

01:13:29Drink, finish.

01:13:30Fernando

01:13:31That

01:13:33Calm down, ma'am

01:13:33Come on, let's go

01:13:42Okay, and here's yours.

01:13:43What did he tell you?

01:13:48Don't be a gossip.

01:13:51Just like mine

01:13:52It is necessary to see

01:13:53The nerve they have of life

01:13:55Will there be little shame?

01:13:56And swagger?

01:13:57I just don't understand it

01:13:57I don't understand

01:13:58Because it's not like Santi.

01:13:59It's not appropriate

01:14:01I'm going to tell you something

01:14:02Your brother this morning

01:14:03It's going to end in a flash.

01:14:04But tonight

01:14:05Tonight that

01:14:06The first thing gives me an explanation.

01:14:08And the second thing

01:14:09See?

01:14:09Do you see how they speak in Santiago?

01:14:11Hey?

01:14:11What has worked?

01:14:12I don't see it clearly.

01:14:13I don't see it clearly.

01:14:15I don't see it clearly.

01:14:16We didn't want to carry the waters

01:14:17To our course

01:14:18Well, that's it

01:14:18They're gutting us

01:14:19As always, damn it

01:14:20That's why

01:14:21I should have

01:14:21Set up a medical practice

01:14:23Come on, let's go

01:14:23Let's go, first

01:14:24First

01:14:25Well, inside

01:14:26Me first

01:14:26Do you remember Lorena, Bobby?

01:14:28Good morning

01:14:30Let's see

01:14:32Where is this morning?

01:14:33There was no explanation.

01:14:34Grab it there

01:14:34And the good ones.

01:14:35Hey, Santiago?

01:14:38Come in, come in, come in

01:14:39Come in, make yourself at home.

01:14:42Happens

01:14:42That's all

01:14:43A pretense

01:14:44Little dove

01:14:46So that you might be gathered

01:14:48And so that

01:14:49Instead of being angry

01:14:50Against us

01:14:52You're all messing around

01:14:55We haven't gone anywhere

01:14:57We've been to the tavern

01:14:59Alone

01:14:59In the tavern

01:15:00And that's why you smelled like alcohol

01:15:02More than bubbles

01:15:03De Fresenet

01:15:04Because we got wet

01:15:04We got soaked in whiskey

01:15:06Cheap whisky

01:15:07Cheap

01:15:08But we did it

01:15:09You already talk to each other

01:15:10Hey?

01:15:10Do you see it?

01:15:11Did it work or not?

01:15:12Santiago

01:15:13Well

01:15:14No no

01:15:14If those of us who are leaving

01:15:15It's us

01:15:16Hey?

01:15:17Okay, now we're done.

01:15:19You're already letting it rest.

01:15:20Because maybe you're a little

01:15:21In a state of shock

01:15:22And then you thank us

01:15:24Okay?

01:15:24We're leaving

01:15:25You need to let it rest.

01:15:26As you can see, it came

01:15:26What do you think?

01:15:27So then

01:15:27You were

01:15:28You were at the tavern

01:15:29In the tavern

01:15:58Giving me a lecture

01:15:59With the gift

01:16:00The gift

01:16:01Hey?

01:16:01If you have him

01:16:02From a lover

01:16:03Poor thing

01:16:03Look at this gift!

01:16:05Oh, Shanti!

01:16:08Oh, darling!

01:16:11Then you say that the whore

01:16:12They were whores

01:16:13Come on, the support

01:16:14It has fabric

01:16:16But wow

01:16:17I had one just like it for you.

01:16:19So

01:16:21What do you say?

01:16:22Exactly the same

01:16:23The same color?

01:16:24No

01:16:24A little more eye-catching

01:16:26Yeah?

01:16:27I have to eat you

01:16:35This

01:16:35Yourself?

01:16:37Let's see

01:16:37Did you think you were going to get away with my bad temper?

01:16:40Hey, kid?

01:16:40Look at this

01:16:41Look, look

01:16:42You're going to pay for everything the DGT has done to me.

01:16:45Get ready

01:17:01I'm bringing you this

01:17:02Two pairs of underwear are missing

01:17:04But the thing is

01:17:04It hasn't dried yet

01:17:05But he'll bring them to you tomorrow.

01:17:06A curro del colegio

01:17:07I'll pick it up.

01:17:08Don't worry

01:17:08Fermín

01:17:09Taking advantage

01:17:10I wanted to tell you something.

01:17:11TRUE?

01:17:12I mean, I want to

01:17:13I didn't think your mother

01:17:15So, since you're so prone to dialogue

01:17:17Well, I thought you had already discussed this.

01:17:19The topic

01:17:19But what about

01:17:20You see?

01:17:20Well, I couldn't find the right moment

01:17:22Already

01:17:23But look

01:17:23He hasn't taken it too badly

01:17:24If in the end I'm going to have to thank you

01:17:27In addition to

01:17:28It's not good to be in the closet, Diego.

01:17:30No

01:17:31Well, awkward.

01:17:32I always thought I was a little uncomfortable

01:17:34But come on, no

01:17:34Look, and I've finally found a beautiful penthouse

01:17:36On Barberi Street

01:17:37In Chueca

01:17:38What do you say?

01:17:38Yeah

01:17:39Go on

01:17:40You know that

01:17:40You're home

01:17:41And you can come whenever you want.

01:17:43And for whatever you want

01:17:44Already

01:17:46Well

01:17:50Guys, come downstairs so Fermín can leave

01:17:52Hey

01:17:54Did you know that my mother thought that

01:17:55Were you and I dating?

01:17:57That

01:17:57That you and I

01:17:58So, you

01:17:59Shut up, man

01:18:00You're making me blush.

01:18:01Yeah

01:18:02You call them

01:18:03They don't listen to me.

01:18:03Yeah

01:18:06A gift

01:18:07You have a gift, Fermín

01:18:08A gift I don't have

01:18:08Frankly

01:18:10Okay guys

01:18:11Well, nothing to it

01:18:11Nothing that

01:18:12Thank you so much for having me here.

01:18:13We won't see each other at school tomorrow, will we?

01:18:16Okay, okay

01:18:16Come on

01:18:17See you later

01:18:18Goodbye, Fermín

01:18:19See you later

01:18:20Please do me a favor

01:18:21Please, man

01:18:22For God's sake, show some respect.

01:18:23Have you seen

01:18:23It's noticing that you're leaving

01:18:24And they become insensitive

01:18:26Yeah

01:18:27He took

01:18:27I've only been here for two days.

01:18:29Go on

01:18:30But there seem to be more, Fermín

01:18:31They look more

01:18:34Okay, so I'm going to

01:18:36Yes, yes

01:18:36I'll help you, sorry.

01:18:37I'll take this from you.

01:18:38Yeah

01:18:39Yeah

01:18:40Yes, yes

01:18:41Come on

01:18:46Come on

01:18:47We're going to have some American exchange students.

01:18:50It would be possible for him to stay here for a few days

01:18:51Do you think it will be good?

01:18:53I imagine him as one of those blond, muscular surfers

01:18:57Hello

01:18:58What is the native's name?

01:18:59Sam?

01:19:00Yes, Sam

01:19:01From Samantha

01:19:02Do you remember when we took a little trip to the beach as kids?

01:19:05Well, I haven't seen anything since then.

01:19:07Jacinto died from a sugar spike

01:19:09If we pour it into the Manzanares River

01:19:10It's a river, all rivers flow to the sea

01:19:12It is Jacinto's dream

01:19:13And that's it.

01:19:14The love of my life is getting married

01:19:15Carlos and David

01:19:17Delighted, or rather, delighted

01:19:19This one's going to be a sack

01:19:20What can I tell you, Carlos, that you don't already know?

01:19:25Let's go to Cádiz, my ass.

01:19:27Catch Jacinto

01:19:28Hey?

01:19:29What are you saying? I'll get the ones for my beer.

01:19:31I'm gay, I'm gayer than Elton John and Freddie Mercury when the doctors aren't there.

01:19:34My father is a Director of Division

01:19:36What is Direcidivision?

01:19:37Because the girl is giving me strange looks.

01:19:38Let's see, if it will be today, right?

01:19:40And this has become a problem in the environment.

01:19:42But look, what is this?

01:19:46From zero to one hundred in seven seconds, this is my dream, guys.

01:19:49Damn Jacinto's dream, now!

01:19:51Show some respect, damn it!

01:19:52But look at her, for God's sake, I'm not wasting any time.

01:19:55What did he tell me, that I should wait for him in your room?

01:19:56That's going up now

01:19:57And American Girl, this is going to be like Marzipan from Paris

01:19:59Oh!

01:20:07Thank you, sir.

01:20:09Thank you for giving me this alternative.

01:20:12Not you.

01:20:13No to Portagallona

01:20:14No to Portagallona

01:20:15Yesterday, Guille and you

01:20:17Yes, it's the wild stoat.

01:20:19And very teletrotting

01:20:22They are German

01:20:28Huh? I bet you didn't. I'm not dead, I bet you did.

01:20:31No, no, not at all.

01:20:32That he was in a ravine

01:20:35When a man seeks his destiny

01:20:36No matter how hard the road is

01:20:39You fly, I'll definitely find you.

01:20:41I can't wait to see the three of us.

01:20:45Get paid without you!

Los Serrano - 6x17 - Charol de leopardo - HD 1080

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