- hace 2 días
Diego intenta desatascar el lavabo pero no lo consigue y tiene que recurrir a un profesional. El fontanero necesita acceder a una fosa séptica para arreglar el atasco. A Guille y a Curro les entra curiosidad por saber qué es lo que hay en el fondo del pozo y cuando los obreros se marchan intentan acceder. Guille, Boliche y Mustafá bajan al fondo y allí encuentran una lápida rota que asocian a la existencia de fantasmas y que engendra el terror entre los más pequeños. Lucía y Diego se preparan para ir al teatro. En el último momento Candela acompaña a Lucía y Diego se queda en casa viendo el fútbol con sus amigos. Cuando termina la función, las dos amigas se van a tomar una copa y conocen al protagonista de la obra y al director. Lucía le cuenta a Diego la velada, pero Candela no le comenta nada a Fiti para evitar paranoias y celos absurdos. Sin embargo cuando Diego y Fiti intercambian impresiones, el mecánico empieza a sospechar que entre ellos pasó algo que su mujer no le quiere contar. Candela representa a los profesores en el jurado que se ha formado para elegir al grupo que actuará en una fiesta del colegio. Finalmente, el seleccionado es Marcos Serrano. La emoción que le embarga al ganador se ve truncada cuando escucha una conversación entre Eva y África. Las dos amigas descubren que Candela obligó al jurado a seleccionarle por miedo a que si elegía a alguien más “cañero” la fiesta se desmadrara. Estos comentarios provocan que Marcos se deprima y se planteé no actuar en la fiesta.
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TVTranscripción
00:00:00The Theatre with Lucia
00:00:30Look, I'm all about football, it's Sunday, and look at the situation I have this afternoon, all by myself.
00:00:34Hey, I'd love for you to come to the theater, but it's the last show and I don't think there are any tickets left.
00:00:40No, no, no, I'd love to go, but Fiti, you see, nobody can get him off his seat.
00:00:43This afternoon, not even with hot water.
00:00:45Well, besides, to the theater, to the theater, the theater was once and never again.
00:00:48Oh no! I've killed myself, man, I've killed myself!
00:00:51Damn, I was so close to the scholarship player scoring a goal in the 3rd minute, damn it
00:00:55Let me tell you something, Diego, this could be the game of the season
00:00:57And why are you telling me this could be the game of the season?
00:01:01I mean, what's the point? I'm going to the theater, which is what I feel like doing.
00:01:04What are you going to do at the theater?
00:01:06And what are you going to do at the theater? Well, watch a play, you look silly, Santi, watch a play
00:01:09Is it Carlos Lovato's, the protagonist of the lawyer series?
00:01:13Do you know who Diego is? I've heard he's very good-looking.
00:01:14It's the last show too, it's true, Diego, of what I wanted, son
00:01:16Take me, take me, take me for two children
00:01:19I love that Carlos Lovato guy
00:01:21Goal!
00:01:24How awful, how awful!
00:01:29How's the game going, Lucia? How's the game going?
00:01:31Fiti, maybe you were right.
00:01:33And this is the game of the century, you see.
00:01:34Hey Diego, if you don't want to come to the theater, that's fine.
00:01:37What do you mean you don't want to come to the theater?
00:01:39It's like, why wouldn't he want to go to the theater?
00:01:40You won't feel like going to the theater
00:01:41My father thought he was very clever that night for skipping the theater and staying to watch the game.
00:02:01But if I had known what was going to happen, I would have preferred to see the play and seven plays like it in German.
00:02:08I am very
00:02:10Mandela, step aside for a moment, damn it
00:02:12There it is
00:02:13There it is
00:02:15Luis Enrique Adán goes up the wing
00:02:19On a station platform, under the blazing sun
00:02:23You were talking about a skyscraper in the sky of New York
00:02:26Come soon to see the sea and send a postcard
00:02:30I already knew that day was the end
00:02:33Now I have much more
00:02:37Red, black, stop and even, finally luck brings an ace and a crystal to look through
00:02:43And a wall to hang it on.
00:02:45Seven smiling faces in one ID photo
00:02:49My stories weren't about tales made by chance.
00:02:54Nobody told me that fate would give me this opportunity.
00:03:01One plus one equals seven
00:03:05Who would have thought?
00:03:10It was so easy to be happy.
00:03:13Two cocajoles and two canchichos, please
00:03:24Ham train, for God's sake!
00:03:25Well, the work
00:03:26That?
00:03:27Did you like it?
00:03:28Yes, I do.
00:03:28Well, what a vote!
00:03:29The only thing that was even remotely worthwhile was Carlos Lobato.
00:03:33It's not good, doctor, but it's fucking awesome.
00:03:35This
00:03:36Every time I see him, my emotions go up and down.
00:03:38Don't turn around because it's there, you know?
00:03:46He's seen me ask questions, for God's sake.
00:03:47No, yes, of course he saw you, but don't turn around, he did it for a reason, you know?
00:03:50Well, don't turn around now because I think it's coming this way.
00:03:51Rocia?
00:03:56That?
00:03:57What daughter? Are you stupid, deaf, or...?
00:03:59Sorry
00:03:59Maid number two
00:04:03Life is a dream
00:04:04That?
00:04:06That?
00:04:07We know each other
00:04:08You played one of the handmaids in Life Is a Dream
00:04:11No, you're mistaken.
00:04:15I never forget a face
00:04:17And certainly not like yours
00:04:18Carlos
00:04:19I want you to do an interview
00:04:21Sorry
00:04:22Okay
00:04:23It seems impossible to me, but it's so much better.
00:04:27Yes, well
00:04:28That?
00:04:28How old
00:04:29Have you seen it?
00:04:31That?
00:04:31That?
00:04:31That she has spoken to us, to us
00:04:33Hello
00:04:34Hello
00:04:35Hello
00:04:35Haven't we been introduced?
00:04:36I'm Miguel, the director of the play
00:04:37Lucia, delighted
00:04:40Candle
00:04:40That's very pleasing.
00:04:41Well
00:04:42What a man
00:04:43What a mess!
00:04:45Didn't you like it?
00:04:49Yes, yes, yes, yes
00:04:50Really
00:04:51We were just talking about it, weren't we?
00:04:53No, no, no
00:04:54If Candela is right
00:04:55In the end, she's a bit of a pain.
00:04:56I think it will be understood, Miguelito
00:04:59It makes no sense at all.
00:05:00Come on
00:05:00Due to a lack of understanding of art
00:05:02Oh, look
00:05:02This toast would please our husbands
00:05:04What's wrong with your husbands?
00:05:06They stayed home watching football, huh?
00:05:09Soccer?
00:05:10No
00:05:10How can you say that?
00:05:18Well
00:05:18I see it
00:05:19Do you know which scene excites me the most?
00:05:23When they are walking down the street
00:05:25And they cross paths without anyone seeing them
00:05:27I mean, I loved it
00:05:28It made me ugh
00:05:29Yeah?
00:05:30Yeah
00:05:31It's very subtle.
00:05:32But exciting
00:05:33Okay, so what?
00:05:36Shall we have one last drink at the factory?
00:05:37Okay
00:05:37Phew
00:05:38Okay, look
00:05:39But it is very late, please
00:05:41We have to work hard tomorrow
00:05:42Oysters
00:05:43Okay, another day, right?
00:05:45Well
00:05:45Yeah
00:05:46Well, I loved it, didn't I?
00:05:50Thank you
00:05:50See you later
00:05:51See you later
00:05:51Come on, go home
00:05:53That I'll touch you again
00:05:54The lady takes
00:05:55Come on
00:05:55That's it, that's it
00:05:56Come on
00:05:56Phew
00:06:05Okay, dear
00:06:07Okay, dear
00:06:08We've overslept a bit, haven't we?
00:06:11How has it worked for us?
00:06:12That's great!
00:06:13It's a shame you missed it, really.
00:06:14Yeah
00:06:15That's a shame.
00:06:16It was a shame
00:06:16But, but hey
00:06:17If Candela, maybe I'll enjoy it
00:06:19Well, I'd be delighted.
00:06:20So no
00:06:20Clear
00:06:20I arrived a little late, didn't I?
00:06:22Yes, we went out for a drink.
00:06:23AND...
00:06:25Guess who we met?
00:06:27To the director of the show
00:06:27And to the protagonist
00:06:28Carlos Lobatos
00:06:29And besides, do you know who he is?
00:06:30That?
00:06:30Carol Lobato?
00:06:31Yes, the protagonist of a lawyer series
00:06:33Yes, but no
00:06:33Yes, but no
00:06:33What's the matter?
00:06:35Is this stuck or what?
00:06:36It's stuck
00:06:36I shit on the...
00:06:37And what were you doing?
00:06:38Are you talking down or...?
00:06:40Well yes
00:06:41Yeah
00:06:41Oh, I'm going to shit
00:06:43Diego, Diego, Diego, Diego!
00:06:44What are you looking at?
00:06:45Is everything working out?
00:06:45Damn it!
00:06:46Damn it!
00:06:47Damn it!
00:06:47Cum curro!
00:06:48Cum curro!
00:06:49Get on the pot and the ladle
00:06:50How disgusting, Diego!
00:06:52What, what, what?
00:06:52Mother!
00:06:53Taca que todo!
00:06:54What, have you already written me a language book here?
00:06:55Tell him I know it
00:06:56Hey, okay
00:06:56Hey girl, you're crazy
00:06:57And forget about me now, okay?
00:06:58That you're obsessed with...
00:06:59Hey, okay
00:07:00Okay, Kille, Kille, Kille
00:07:01Kille, you're giving me the book...
00:07:03Ot, ot, ot, ot!
00:07:04Or eat it!
00:07:05Oh presence that is touching the...
00:07:06Disgusting!
00:07:08Disgusting!
00:07:09Disgusting!
00:07:10Disgusting!
00:07:10Disgusting!
00:07:11Eva, please call the plumber, son
00:07:12I can't walk through it!
00:07:13What plumber, man?
00:07:14I'll fix this, don't worry.
00:07:15This is a normal step, right?
00:07:16Ugh, how disgusting!
00:07:17He asks never to eat more than everything, Jules
00:07:19Yeah!
00:07:20Go away, there's no playing!
00:07:22What's that brown stuff floating over there?
00:07:23Hey guys, okay
00:07:24Go away, come on, now
00:07:25School for everyone, let's go
00:07:26Take it out, take your hand out
00:07:27That I can't
00:07:28What has the suction cup done, Lucia?
00:07:30What has the suction cup done?
00:07:31Okay, what?
00:07:32Ah!
00:07:35Take it off, take it off!
00:07:38I mean, why do you want to bring the plumber?
00:07:40The pu...
00:07:40Oh!
00:07:42Is Mero what he has promised?
00:07:44Do you know where the septic tank is?
00:07:46Well, the truth is that...
00:07:47I think he was around here.
00:07:47There's the boss
00:07:48Here, let's see, let's see
00:07:49Ah, yes, but I'm around here, yes.
00:07:50Let's see
00:07:51Let's see
00:07:54Phew!
00:07:56Fuck!
00:07:57But how long has it been since you cleaned this?
00:07:58Yes, I do know.
00:07:59I believe that ever since the house was built
00:08:01We're going to have to go get the truck, huh?
00:08:02Ah, okay.
00:08:02Yes, because today it seems to me that we're not doing anything, you know?
00:08:05Come on, come on
00:08:05And close the tortilla, lest someone fall.
00:08:07Okay, okay, fine, thanks
00:08:08See you later
00:08:08See you later
00:08:08Hey, what's down there?
00:08:12Nothing here
00:08:13No, there's nothing here.
00:08:14It's the well, let us see it, come on
00:08:15No, no, there isn't a well.
00:08:16You can't see anything.
00:08:17No viewing allowed
00:08:18Come on, everyone to school
00:08:18Come on
00:08:19Shall we go down?
00:08:23Are you with Tony?
00:08:24If I catch you, your father will beat you.
00:08:25Wow, what a cool ring!
00:08:28Will you do it for me?
00:08:28Yeah?
00:08:29No, no, no, no, no
00:08:30But I'll give you my ab...
00:08:31As?
00:08:32Are you an idiot?
00:08:34Oh no, I've dropped it in the well
00:08:36Yes, well, now go downstairs and get it.
00:08:37Get down
00:08:39Careful, if I catch you my dad will beat you, man
00:08:43It smells amazing, doesn't it?
00:08:50There are some stairs
00:08:51Yeah?
00:08:54Is that me?
00:08:56That?
00:08:57As...
00:08:57Like a voice
00:08:58A voice
00:09:00How scary!
00:09:01Dad!
00:09:01What's wrong, son?
00:09:02But, but, what are you doing?
00:09:03But wait, what did I tell you?
00:09:04He will not come near here
00:09:05Whoever comes near again
00:09:06I punish him...
00:09:07To all
00:09:08I punish everything.
00:09:08Come on, go to another school.
00:09:09Come on
00:09:09Are you sure you heard a voice?
00:09:21Yeah
00:09:21We need to go down and find out what's there.
00:09:24Yeah!
00:09:25Ah!
00:09:26Ah!
00:09:30Ah!
00:09:33Ah!
00:09:33Ap!
00:09:34He doesn't see you, you are less and you never will be if you are the thing
00:09:42He doesn't see you, you are less and you never will be if you are the thing
00:09:52He doesn't see you, you are less, and the one with the mutation won't be either.
00:09:58When I hate your gaze, I touch you.
00:10:03What were these called?
00:10:15The Flames of Christ
00:10:16We have brothers and sisters of the victims of Hiroshima, those who were brought down last year.
00:10:21Well, that was terrifying, I remember it and I still get goosebumps.
00:10:25Well, this year someone calm and collected will be the beasts, because otherwise we can't...
00:10:29Next!
00:10:33Okay, uh, uh, yeah, thanks Salas
00:10:49Okay, Africa, okay, thank you
00:11:12I don't think the invitation involving an orgy is appropriate, do you?
00:11:16No, I like it, you know?
00:11:33Okay, Raúl, thanks, son.
00:11:35Is there anyone else left?
00:11:45The room was filled with everything except everything important.
00:11:53Nothing that anyone would notice is missing, and yet everything that was missing is missing.
00:12:00Behind every important phrase we said to ourselves like robots
00:12:07The memories of the two of them are drowning
00:12:13Thanks, Marcos, that's enough.
00:12:14Well, I think it's clear, isn't it? Marcos Serrano is going to sing at the party.
00:12:22Excuse me, miss, but Marcos Serrano and a party just don't seem right, okay?
00:12:26And I, as the representative of second grade A, propose that we think about it a little bit.
00:12:29And I, as the delegate of second C, say that we are a jury and that this is a democratic system, right?
00:12:34Well, I don't want Marcos Serrano to sing.
00:12:35Clear
00:12:36Already
00:12:38And the jury has decided that
00:12:41Unanimously
00:12:45The student who will sing at the party will be
00:12:48Marcos Serrano
00:12:51The king is coming to the party, dude.
00:13:01Tell me Africa
00:13:03Thank you, thank you
00:13:07Hello good
00:13:15Come on, put a callus on me, I'm feeling a bit weak.
00:13:18What am I doing?
00:13:19Yes, yes, you do look unwell, yes.
00:13:20Damn, I didn't seem to fit in with the night
00:13:22Yesterday I had just fallen asleep and Candela comes along, come on, to chat me up
00:13:26I'm already awake, and like an owl, I'll be up all night.
00:13:28In other words, Candela gave you a hard time
00:13:30And did he mention anything about the other guys they met or...?
00:13:33Not a peep
00:13:33I haven't said a peep to Fiti.
00:13:35Then she gets worked up over absurd jealousies and paranoia, I'll pass.
00:13:39But what's the point of jealousy, if nothing happened?
00:13:41Or I've told Diego everything and all that, it's normal
00:13:44Yes, I mean, everything, right?
00:13:46I have to understand that you've told Diego everything.
00:13:48The director of the show, who was with a cheese, spent the whole night making eyes at you.
00:13:53But you're an idiot, how am I supposed to tell him that?
00:13:55But he didn't even give me the eye...
00:13:56Didn't he give me the eye?
00:13:58No, no, of course, he did them for me, you're kidding me.
00:13:59Of course it pisses me off, of course it pisses me off that my Candela hasn't said anything to me
00:14:03But I'll tell you one thing, I'm going to sing to the forty
00:14:05Don't be so stubborn, Fiti, don't be like that, man
00:14:07Lucia told me they were really nice guys.
00:14:10One was a theater director and the other was an actor who checkmated
00:14:12What's his name, damn it? Carlos...
00:14:14Carlos? Lobato?
00:14:16Look, the one from the lawyer series?
00:14:18That's it, that's it, that's it, that's Lucia doing Lucia
00:14:22Damn, and Candela, with the one who's really bothered by the drill.
00:14:29The drill?
00:14:30The drill? What drill? What the hell is the drill saying?
00:14:34Come on, damn it, that guy is amazing, man?
00:14:37He's banging the women like they're prawns, one after the other, just like that.
00:14:40The number of actresses who must have slept with him, holy shit!
00:14:43Yes, I saw it in that tomato, it has two or three pregnant ones on it.
00:14:45But seriously, what are you trying to say? What kind of nonsense could you possibly be spouting?
00:14:49Listen carefully, because what happened yesterday was, well, innocent, I mean, a one-off thing.
00:14:52One specific thing, indeed, and it happened yesterday, and that's it, do you understand?
00:14:55I understand, I understand
00:14:56Tickets for tonight's premiere of Hamlet
00:14:59Fantastic, Miguel, see you there!
00:15:03Okay, a kiss, see you later
00:15:08Okay, a kiss, see you later
00:15:10Are you serious or what?
00:15:12Come on, it's taking me a while to call you too
00:15:13No, no, she's saved four tickets for our husbands too
00:15:16Our husbands?
00:15:17How can it be that he doesn't know them?
00:15:19I can't get Fiti to the theater, not even drunk, not even tied up, not even if he's dead
00:15:22Yes, 20 hours
00:15:23You'll see
00:15:24Hi, Churri
00:15:28Yes, yes, here, working, that's it
00:15:32To the theater?
00:15:35Already
00:15:38The last one, the last one from Lobato
00:15:41Yeah
00:15:42A fantastic actor
00:15:44Yes, yes, yes
00:15:45Okay, well then, I'll tell Diego when I see him.
00:15:49Okay
00:15:51A little kiss, a little kiss
00:15:53Don't mess with me
00:15:55They want to take us to the theater
00:15:57To cut our wrists, let's go
00:15:59They lock you up there, they turn off the lights
00:16:01And the guys come shouting to prolong it
00:16:02Fiti, I know how theater works, damn it
00:16:04And I don't like it much either.
00:16:06No, but the question is, what are we doing in the theater?
00:16:10Nothing, but we have to go, we have to go
00:16:12Because this guy is a drill.
00:16:13And what does a drill do?
00:16:15Drilling, drilling all day long
00:16:16There with the drill bit of size 4, 6, 8, 10
00:16:19But Fiti, that you had to be a pig, man
00:16:20What, are you trying to mess with my head?
00:16:22Well, you're not going to get me all worked up.
00:16:23You're not going to get me in the head.
00:16:24And besides, let me tell you something
00:16:26With these guys, nothing's going to happen.
00:16:28But how do you know?
00:16:29How do I know, how do I know
00:16:30Well, I know.
00:16:31Well, look, because if they wanted to try something
00:16:34They wouldn't have invited us, would they?
00:16:35But of course not, they're very clever, damn it
00:16:38They are professionals.
00:16:39One specific thing, he says
00:16:41Open your eyes wide
00:16:42These guys are there for one thing only.
00:16:44Go on, go here
00:16:46They're going for what they're going for
00:16:47He doesn't want to see it
00:16:49He doesn't want to see it
00:16:50I don't know, I know myself
00:16:52I can smell it, can't I?
00:16:54Damn, man
00:16:54I can't believe it, man
00:16:56School parties
00:16:57Concert, audience, people
00:16:59So, people are going to be able to listen to my songs, dude.
00:17:01And I'll know if they like them or not.
00:17:03What do you think?
00:17:05Yeah, cool, dude, really cool
00:17:06I'll be your manager
00:17:07But isn't there any milk here or what?
00:17:09Yeah, in the pantry, dude.
00:17:10You don't seem happy, man.
00:17:11Yeah, man, why are you happy?
00:17:13Where is?
00:17:14I don't see it
00:17:15You don't stay
00:17:17Hey, but it smells kind of weird in here, doesn't it?
00:17:21Yeah
00:17:21Okay, let's see.
00:17:22Yes, I understand.
00:17:23What's happening?
00:17:24Did you guys smoke a joint before deliberating?
00:17:26Do you want the entire jury?
00:17:27How's it going?
00:17:30If I tell you something, don't tell anyone.
00:17:32No
00:17:33There was no vote.
00:17:35Candela insisted on Marcos because she didn't want things to get out of hand like last year.
00:17:40There's been a fix
00:17:42I can't believe it
00:17:44Yeah
00:17:45Well, that makes me feel much better because you'd have to be pretty stupid to choose that guy.
00:17:49Hey, don't go overboard.
00:17:51I think it's awful that you speak about Marcos like that.
00:17:53Marcos
00:17:54Well, it's a...
00:17:56Well, maybe it's a little bit, but...
00:17:58Meringue?
00:18:02Meringue
00:18:02Merengue, meringue
00:18:04That's what Madrid is.
00:18:05With that hair
00:18:07I'm stuck on a poodle.
00:18:09The little guitar
00:18:10Hey?
00:18:10The poodle sang everything
00:18:12The mother who gave birth to him, the one who's going to give us...
00:18:15But how can someone be so old-fashioned?
00:18:18It lacks a certain thrill, doesn't it?
00:18:20It lacks sensationalism, it lacks blood, and it lacks everything.
00:18:22It's unbelievable.
00:18:24Hey?
00:18:34Hey, hey, you know?
00:18:35Marcos, don't be like that...
00:18:37Don't let yourself get down on me now, man, you know?
00:18:39You're a genius!
00:18:40What would they know?
00:18:41They have no idea, man.
00:18:42But you're awesome!
00:18:43Marcos
00:18:43Hey, Marcos!
00:18:45Dude, this place smells like shit.
00:18:47Yes, it smells like cauliflower, doesn't it?
00:18:50It smells like pure shit, poniche
00:18:51And it's worse down below.
00:18:53So, get ready
00:18:54Okay, let's get organized
00:18:56Let's see, work
00:18:56You'll stay up here with the girls.
00:18:58To inform us and such
00:19:00Oh, and why is that?
00:19:01That's sexism.
00:19:02Okay, let's go.
00:19:04Damn, ma
00:19:06But you're stupid, Yoli
00:19:07That's the best thing.
00:19:08Can't you see that it's full of rats?
00:19:09And run, guys?
00:19:11Hello, let's go
00:19:12You know what? I haven't entered you.
00:19:14Oh!
00:19:21Don't shine your light on me, shine it there!
00:19:25Tete, we're downstairs now.
00:19:27Have you found Daniel and me?
00:19:28Yes, man
00:19:29From a box of gold doubloons
00:19:31I'm not telling you
00:19:31Hey, if anyone comes, let us know.
00:19:33Change and short
00:19:34Guille, what are we doing here?
00:19:35Let's go, man
00:19:36Let's go
00:19:36This
00:19:38Elvira Carrasco
00:19:41936
00:19:43943
00:19:46That box
00:19:47Move the shields aside with the lever
00:19:49It doesn't take, it illuminates
00:19:55Guille, leave the box.
00:19:56Let's go
00:19:57Light
00:19:58That's it, huh?
00:20:02Look
00:20:02Don't use the lever
00:20:05Guille, don't open the box
00:20:06Let's go
00:20:07Bones?
00:20:17But
00:20:17Could they be Elvira's?
00:20:30I'd like to introduce you to Elvira
00:20:31I don't understand why they buried her here
00:20:34Let's go, man
00:20:35Let's go
00:20:35This is because of a desecration
00:20:36And that death will pursue us
00:20:37And it's going to piss us off.
00:20:38And their ghosts will haunt us.
00:20:40AND
00:20:40Let's go, Guille
00:20:41They're here.
00:20:43The dreamers are here with the truck
00:20:46Keep it, keep it
00:20:47The eyes are coming
00:20:48Help me
00:20:51Help me
00:20:51Help me
00:20:53Help me
00:20:53Help me
00:20:53Help me
00:20:53Help me
00:20:54Help me
00:20:54Help me
00:20:54Help me
00:20:55Help me
00:20:56Help me
00:20:57Help me
00:20:58Help me
00:20:59Help me
00:21:00What did you say its name was?
00:21:02The storm?
00:21:03Change
00:21:03But this is it.
00:21:04Look, I've already started.
00:21:05Who's going?
00:21:15Short
00:21:15Let's get to know
00:21:17It's already struck twelve.
00:21:19Lie down, Francis
00:21:20Thanks for the relief
00:21:22It's bitterly cold and...
00:21:25And now?
00:21:25Nephew Hamlet
00:21:26And my son
00:21:28More family-oriented and less family-oriented
00:21:30Why are you always so gloomy?
00:21:32Do you have it?
00:21:33No, my lord
00:21:34The drill
00:21:34It really affects me.
00:21:36A little griddle, man
00:21:38And good for marking the package.
00:21:39Lately...
00:21:40That?
00:21:42That's not yours, man.
00:21:43That's a fake.
00:21:44A hairpiece
00:21:45As?
00:21:45I'm saying that what's on the head is a wig.
00:21:48It's a hairpiece that goes on the head.
00:21:49Yeah
00:21:50That beautiful structure that is the earth
00:21:52It seems to me a barren promontory
00:21:53This regal vault
00:21:55The sky
00:21:56See?
00:21:58This star firmly
00:21:59That majestic ceiling adorned with golden fire
00:22:02All this
00:22:04I can't stand this, man.
00:22:05Do you understand anything they're saying?
00:22:08But I'm terribly ill.
00:22:09I'm already losing my mind
00:22:10Okay, so be it, man.
00:22:12Mrs. Coma, you son of a bitch
00:22:15This is a lie, besides
00:22:18Nobody talks like that nowadays
00:22:21It's coming
00:22:22Let's hide, sir
00:22:23To be or not to be?
00:22:31That's the question
00:22:31What is this?
00:22:36What is nobler for the soul?
00:22:38To endure the arrows and stones of harsh fortune?
00:22:41She's already seen it
00:22:42Or to arm oneself against a sea of adversity
00:22:44Yes sir
00:22:44I just remembered now
00:22:46This is already done
00:22:47She's already seen it
00:22:48Be quiet
00:22:49She's seen it
00:22:50The rest
00:22:50It is silence
00:23:07What did you say your name was?
00:23:09What wrote this?
00:23:10Chespi, Chespi
00:23:10Chespi
00:23:11No, no, so I don't have to see him anymore.
00:23:13I almost had a stroke, man.
00:23:15Now let's look
00:23:16Dude, I'm watching
00:23:17Yeah
00:23:17No, no, no
00:23:18No no
00:23:19I was watching
00:23:19No no
00:23:20Yeah, yeah
00:23:21We are in
00:23:22Shouldn't we go and say hello to these guys?
00:23:28You think?
00:23:29Well, you said it, huh?
00:23:30Look, look, with an arrow, aunt
00:23:31Who was this?
00:23:38Hello
00:23:39To Poland
00:23:40That Poland
00:23:41And now they can stay and have a drink with their friends, right?
00:23:48What does it say?
00:23:50With the drill
00:23:51We're going to leave some rigid ones, man.
00:23:54There, stuck together like peace
00:23:55This is what the enclosure wants to do to us.
00:23:56Guille, are you awake?
00:24:13Guille
00:24:15Guille
00:24:16Guille
00:24:17What's happening?
00:24:38What's happening?
00:24:39The porch
00:24:40Over there
00:24:40I am a poodle
00:24:52I am a poodle
00:24:54And that's because we have a small tavern that runs it...
00:25:06Okay, I'll carry it with my hand, let's go.
00:25:07And we work mainly with ham.
00:25:10In the cured meats
00:25:11In other words, everything that is...
00:25:12We've heard it, the infection, the blood sausage
00:25:14Morcón is what...
00:25:15How interesting
00:25:16Yeah
00:25:16I mean, all that nonsense you spout...
00:25:19How's that going?
00:25:21How are they telling you?
00:25:22Through the earpiece and all that?
00:25:23No, no, it's that everything goes
00:25:24I mean, don't tell me you're going to learn it.
00:25:27Yes, yes, from head to toe
00:25:28Ha ha!
00:25:29Diego, what is he saying?
00:25:31The colleague
00:25:32He says he knows by heart that whole spout of nonsense he's spouting.
00:25:34Wait a minute
00:25:36Look, bring the book here
00:25:40Yeah
00:25:40So, if I tell you...
00:25:45Here
00:25:45Burning hell
00:25:46As follows?
00:25:49Burning hell if you become inflamed in the body of a matron
00:25:52In fiery youth
00:25:54Chastity will become comfortable
00:25:56And may it melt in its fire
00:25:57Don't speak of indecency if one understands untamed passion
00:26:01When ice also burns
00:26:03And the Syrian reason to that
00:26:05Well, the truth is we haven't had much time to rehearse.
00:26:13But I think it turned out well
00:26:14I loved it, I've been very selfish
00:26:16Do you know that I did ophilia?
00:26:18Oh, really?
00:26:18Well, at school it's... I don't even remember anymore
00:26:20Excuse me, I'm going to the restroom for a moment.
00:26:23Hey, do you want another round?
00:26:25Come on, ah
00:26:26Okay
00:26:26Okay
00:26:27Clear
00:26:28That's how it is here, isn't it?
00:26:29So, you'll be spending every night...
00:26:32Come on, let's have a drink!
00:26:33Cane down
00:26:34No?
00:26:35Whether it's the autographs for the girls
00:26:36He'd be hitting on the girls
00:26:39I'm going to the restroom
00:26:39No way.
00:26:40No no
00:26:42Yes, yes, well...
00:26:44I'm going to tell you something
00:26:45Carlos
00:26:46Between you and me
00:26:48We know why they call you a driller
00:26:50But let me tell you something
00:26:53You're not going to drill into anything here.
00:26:55Hey?
00:26:56I'll drill your menisci
00:26:58Hey, it's getting a bit late.
00:27:02We're almost leaving, aren't we?
00:27:04Okay
00:27:04Are you guys going to get the car, okay?
00:27:06Or if we wait here
00:27:07Come on, yes
00:27:07Come on, let's go
00:27:08Come on, let's go
00:27:09Come on, come on
00:27:10Okay, see you later
00:27:10See you later
00:27:11Bye
00:27:11Bye
00:27:12Bye
00:27:13Bye
00:27:14Hey, huh?
00:27:15The idiot with the drill was neutralized
00:27:17Okay?
00:27:18Things said well
00:27:19And now
00:27:19Fiti, the neutralized drill
00:27:21The other
00:27:21No
00:27:22Eyes here and there
00:27:23Yes, Miguel
00:27:36No, no, not at all, not at all
00:27:37That it was already up
00:27:38Yes, that
00:27:40As?
00:27:42I can't
00:27:43Yes, yes
00:27:46Except I can't until 7.
00:27:47Okay
00:27:50Okay, fine.
00:27:52Yes, it works well for me.
00:27:53Okay, perfect.
00:27:54Okay, thank you very much
00:27:55See you later
00:27:56I can't believe it
00:28:01Hello good
00:28:03You, you, you, you?
00:28:05When are you here alone?
00:28:06I can't believe it
00:28:07But do you dance like that often, or is it something that just happens now...?
00:28:10Do you know who called me?
00:28:10No
00:28:11Miguel
00:28:11To tell me yes, I'll do a test for a piece of paper.
00:28:14Huh?
00:28:15What little piece of paper?
00:28:16Well, they're finalizing the cast for Don Juan.
00:28:19No
00:28:21From Don Juan Tenorio?
00:28:24Hey, Lucia, there's something
00:28:25Since when have you enjoyed playing small roles in plays?
00:28:28Please, Diego
00:28:29Yeah
00:28:29Do you remember high school?
00:28:30And then separately
00:28:31In Barcelona I did an amateur theatre workshop
00:28:33And yesterday, just kidding, totally kidding
00:28:35I can think of telling him
00:28:36Why don't you give me a test?
00:28:37Go on
00:28:37A little piece of paper?
00:28:39Yeah
00:28:39Very good
00:28:40Very good
00:28:41Oh my God, Diego, really
00:28:42Oh
00:28:43What's the matter?
00:28:49Are you angry?
00:28:50I?
00:28:50What if I've gotten angry?
00:28:51No
00:28:51No, I'm not angry, no
00:28:52But it seems strange to me.
00:28:53I mean, it seems strange to me because it is strange.
00:28:55I mean, it seems strange to me because it is strange.
00:28:56And why is that strange?
00:28:57Because it's a little weird
00:28:58Acknowledge what I already have at 8 in the morning
00:28:59To make you a little piece of paper
00:29:01No, not a slip of paper or...
00:29:01He's a friend
00:29:02And it just so happens that he's a theater director
00:29:04Oh, he's a director?
00:29:05Look, Lucia, for all I care he can be the Minister of the Interior.
00:29:07But, for God's sake, man, for God's sake
00:29:08That you just met her two days ago
00:29:10And your uncle is already offering you a job.
00:29:11And at 8 in the morning
00:29:12But he offers it to you at 8 in the morning, the uncle
00:29:13Diego, please, it's nonsense.
00:29:14And maybe they won't even pick me up.
00:29:15But, I don't know, it makes me happy.
00:29:18I won't feel bad
00:29:20Okay
00:29:22Well, that's it.
00:29:23That's it
00:29:24That's it
00:29:24No, if you feel like trying it
00:29:26Well, try it out.
00:29:27That's nonsense.
00:29:27You're right.
00:29:28Just try it and that's it
00:29:29And nothing happens
00:29:30Yes, woman, it's done.
00:29:31But sure, sure
00:29:32That's for sure, for sure.
00:29:32How much is safe?
00:29:33Sure, sure, sure
00:29:35Mom, mom, Guille threw my ring in the duck pond
00:29:40Guille, Guille, Guille, what did I tell you yesterday, Guille?
00:29:43So, did I tell you not to go near the pit?
00:29:45So, did I tell you or not?
00:29:46No, no, answer me
00:29:46Did I tell you or didn't I tell you?
00:29:47Okay, so what do we do now?
00:29:49Are you coming down?
00:29:49Hey?
00:29:50No, daddy, you're seated.
00:29:51It's because there's a ghost there.
00:29:52A ghost
00:29:52Are you really a ghost, man?
00:29:53A ghost
00:29:54Yes, look, yesterday Curro and I
00:29:55We saw him at night
00:29:56Yes, Curro
00:29:57But what ghost and what dead child?
00:30:00Let's see
00:30:00No, Dad, Dad
00:30:01No, he's a child
00:30:02She's a girl
00:30:02And her name is Elvira.
00:30:03I am very scared
00:30:05What nonsense are you talking about?
00:30:07Okay, calm down, Currito.
00:30:08Calm down, calm down
00:30:09Nothing's wrong
00:30:09You don't have to be afraid.
00:30:10And I'm going to explain why.
00:30:11Because ghosts don't exist.
00:30:13And since they don't exist
00:30:14In other words, something that doesn't exist.
00:30:15You can't see her, do you understand?
00:30:16In other words, you can't see it.
00:30:17Because?
00:30:18Because it doesn't exist.
00:30:19Hey?
00:30:19Is that clear?
00:30:20Well, let's see, breakfast
00:30:21We're going to school.
00:30:22Come on
00:30:23Ah!
00:30:25Damn it!
00:30:26I
00:30:26I'm going to shit in the pipes
00:30:28I'm telling you, okay?
00:30:28I mean, I shit on the pipes
00:30:30Already
00:30:30Okay, just a moment, okay?
00:30:32Uh, just a moment
00:30:33Tonight is the party!
00:30:34Controlling the whole world
00:30:35Calm down
00:30:36Let whoever goes off the rails tomorrow
00:30:37He'll have to deal with me.
00:30:39It is strictly forbidden
00:30:40One
00:30:41Pull back the curtain
00:30:42And burn it
00:30:43Two
00:30:44Urinate the sangria
00:30:45Three
00:30:46Defecating in the psychologist's car
00:30:48Candle
00:30:48Who's going to do that?
00:30:50No, no, no
00:30:50All of this that I'm saying
00:30:51It's already happened at school parties, hasn't it?
00:30:53Come on
00:30:53You could almost say it's a tradition
00:30:55Yeah
00:30:57Sorry, Candela
00:30:57Or we start with the decorating
00:30:58Or we'll get caught off guard like every year.
00:30:59Right now
00:31:00What's wrong with this?
00:31:09What's wrong, Marcos?
00:31:12I'm not going to play the party, dude.
00:31:13I get that line about what...?
00:31:15Nothing, it's in crisis
00:31:15That yesterday caught the splinter
00:31:17He is being called
00:31:18Merengue and that Nietzsche sings another
00:31:19I mean, what a bunch of idiots, man.
00:31:26Already
00:31:27If you think so too
00:31:30I'm an old-fashioned little plate, aren't I?
00:31:32No
00:31:32No
00:31:32Even Candela thinks so, yes
00:31:34That's why he chose me
00:31:35So that the people fall asleep
00:31:37And of course, that way they don't destroy anything.
00:31:39Well thought out, man.
00:31:41Well, when the magpie gets mean
00:31:43Hey, stop being a bitch
00:31:44That's my mother, Chucky
00:31:44Don't pay any attention to him.
00:31:46Marcos
00:31:48You are
00:31:50You're a silly girl
00:31:51That old
00:31:52Know?
00:31:52It's true
00:31:53Yes, yes
00:31:53No beating around the bush, Marcos
00:31:54You are, you know?
00:31:55But you can stop being one
00:31:56As?
00:32:01Well, look
00:32:01For now, I'm leaving the singer-songwriter thing behind.
00:32:03And putting together a cool little group, you know?
00:32:05With a rock 'n' roll straw
00:32:06Know?
00:32:07Imagine that, man
00:32:08Just imagine
00:32:08Me, on the bass
00:32:10And Chucky on drums
00:32:14And you, as vocalist and guitarist
00:32:17No, no, no, no
00:32:23I can't really imagine it.
00:32:24Of course
00:32:25Of course, if you listen to the manager
00:32:26Please
00:32:26Come on, damn it
00:32:27We are going to triumph
00:32:27Clear
00:32:29And it also has keyboards
00:32:32Okay?
00:32:32That will always come in handy.
00:32:33A girl so detached
00:32:34Take off your clothes
00:32:35Know?
00:32:36That always helps.
00:32:36Okay?
00:32:37Yes, man, yes
00:32:38Okay, then we'll meet to rehearse.
00:32:39No, of course!
00:32:40Hey, I was thinking about rehearsing
00:32:41In your garage
00:32:42Yes, guys.
00:32:45Under the rays
00:32:47In the middle of the storm
00:32:49Next to the trapdoor
00:32:50The ghost of Durita
00:32:52God, this is enough to make you want to stop.
00:32:53Me, it's almost the same
00:32:55Hey, Guille
00:32:55Come with me to the bathroom
00:32:57I'm really scared
00:32:58Guille, we have to move house now
00:33:01Yes, I know, Maritere
00:33:02The problem is that first I have to convince my father
00:33:05That there is a ghost
00:33:06I don't know how to meet him yet.
00:33:08Hey dude, come on, get me two beers
00:33:16Santi, one of the hams
00:33:18Hey, Diego
00:33:20I just found out that Lucía has gotten involved with Astrid, dude.
00:33:23Oh, well, yes
00:33:25Okay, he's going to do a test with a little piece of paper.
00:33:26Yes, yes
00:33:27With a little role in Don Juan Tenorio
00:33:29No more, no less, mate.
00:33:30And since when is Lucia Astrid?
00:33:32Always, Santi
00:33:33Always
00:33:34So, for her, acting is a hobby.
00:33:36A gift he has, and has always had.
00:33:37And that seems perfectly fine to me, period.
00:33:39And what is he going to do?
00:33:40The proof with this posh director?
00:33:44Look, Fiti
00:33:44Please, don't touch my water.
00:33:46Yeah
00:33:46What am I saying, man?
00:33:47That Miguelito is
00:33:48He's no fool.
00:33:49He's been hitting on your wife since day one, huh?
00:33:51And with all due respect
00:33:52Lucia is very good
00:33:53And it's very good.
00:33:54Look, Fiti
00:33:55Yesterday you got me all worked up about the drill
00:33:57I mean, I'm not going to get all worked up with the director, okay?
00:33:59I mean, screwed, May
00:34:00I mean, tell me.
00:34:01What is a drill friend?
00:34:02Well, another drill, Diego
00:34:03Another drill
00:34:05Don't talk nonsense, Fiti
00:34:06So, Lucía isn't stupid.
00:34:07And this guy is a friend of his.
00:34:08A director friend
00:34:09He wants to do a test, that's all.
00:34:10A friend?
00:34:11Which friend?
00:34:12Well, if you've known him for two days
00:34:13Those people in the theater are very clever.
00:34:15They go around acting like bohemians, pretending to be something they're not.
00:34:16Yeah
00:34:17But putting in the gold and the Moor
00:34:18And then all they want
00:34:19Stretch for everything that moves
00:34:20And if it is a tribe in honor
00:34:21That's much better
00:34:22Let's see
00:34:23You don't know what they do to them.
00:34:24These aunts
00:34:25To the actresses
00:34:25So they start with the trials, guys
00:34:27Show all merchandise
00:34:29And then, taste it.
00:34:30No, you're not going to make me feel hot.
00:34:32Lucía is excited about this theater thing, isn't she?
00:34:35And I think it's great that he's trying it out.
00:34:36That's it
00:34:37And let me tell you something
00:34:37Maybe Lucía won't lift people out of poverty
00:34:39Because Lucía has what it takes.
00:34:40Wood
00:34:41Well, sometimes that smart aleck
00:34:42He's going to drive the whole stake in him.
00:34:43Look, look, look
00:34:44If she were my wife
00:34:45I didn't let her go to that test.
00:34:47Showing my tits is out of the question
00:34:48Well, you'll see what he does
00:34:52Don't you want to see it?
00:34:54Don't you want to see it?
00:35:14I'd do anything to get my hands on even the goat, even the gypsies.
00:35:17But I find this unbearable.
00:35:19Sounds awful, man
00:35:21It sounds awful.
00:35:22Sure, that sounds awful, man.
00:35:23But he's got less rhythm than a mushroom, man.
00:35:25We need to put some pressure on them there.
00:35:26And the lyrics are a bit bland, aren't they?
00:35:32Hey, wait a minute, wait a minute, wait a minute
00:35:34The lyrics are not to be changed.
00:35:35The lyrics are not to be changed.
00:35:36The lyrics are fucking awesome
00:35:37But it needs a bit of a village feel, right?
00:35:40I mean, performance, you know?
00:35:41It's not just about singing
00:35:42We need to take a little action
00:35:43And the microphone, Marcos, the microphone
00:35:45I mean, don't pick it up like it's an ice cream cone, you know?
00:35:47You grab him, man
00:35:48I mean, feel it, okay?
00:35:50Remember Jäger, for example, you know?
00:35:52So, sticking out their lips and...
00:35:53And walking and...
00:35:54Bring out the phallus you have inside
00:35:59That?
00:35:59Take out your penis
00:36:01I'm referring to the idea
00:36:02Ah
00:36:03You have to feel the music, vibrate and make people vibrate
00:36:07You have to move the audience by moving with them there
00:36:09Moving, moving
00:36:10You have to turn them on, man
00:36:12Because music, music is pure sex
00:36:13So, the concert is like a mental orgy, okay?
00:36:16And the final step is to launch yourself, man.
00:36:18There, throw yourself down
00:36:19Let's go!
00:36:21Know?
00:36:21Those guys are going to eat you alive, man.
00:36:22So
00:36:22Aaah!
00:36:24Moment, moment, moment, moment
00:36:25No, no, I mean
00:36:25I don't throw myself at the public.
00:36:28Dude, I mean, think about what we're going to grab you for.
00:36:30Come on, go for it, go for it
00:36:31Come on
00:36:32How did you feel?
00:36:45It's one thing here, an elbow, eh
00:36:46We told you, didn't we?
00:36:48We told you.
00:36:48Yes, yes, yes
00:36:49Go ahead and do whatever you want, handsome.
00:36:51But unless you get rid of that look and that poodle hair you have
00:36:54You don't eat one
00:36:55Until now
00:36:57Don't stop
00:37:01No, the appearance doesn't match.
00:37:04Well, no, it doesn't suit it, it doesn't suit it.
00:37:06But can we change it?
00:37:08We make a leather goods store and that's it, right?
00:37:09I am an expert in styling.
00:37:11Clear.
00:37:20Where were you?
00:37:21Let's eat.
00:37:22Okay, take everything off at the bottom, alright?
00:37:27And that's where all this hydration comes from?
00:37:30No no.
00:37:32Because we've treated you like a test, don't you remember?
00:37:34Ah, the proof, the theater thing.
00:37:36With this Miguel guy, right?
00:37:38So, instead of putting the mask on your face,
00:37:40Well, don't put it on your breasts, because that's what people are going to see.
00:37:41But what...
00:37:43Well, screw the mask, Diego, why do you say that?
00:37:45But what...
00:37:45No, neither Diego nor Leches.
00:37:47Everyone knows you've tried it on,
00:37:47The first thing they ask you to do is give them your tits, Lucia.
00:37:50Diego, that's enough.
00:37:52Okay.
00:37:52What's the point now?
00:37:53But don't you realize, you're just being a little silly.
00:37:55I mean, don't you realize that the guy is kind of like a wolf in sheep's clothing?
00:37:58that what he wants is to get you into all the tits.
00:37:59Diego, you're going too far, okay?
00:38:01You're going too far, yes, so calm down, okay?
00:38:03Because this guy, like you said, is a friend, period.
00:38:05What is a friend of yours?
00:38:06But if you knew him before the...
00:38:08Please, no, look, look.
00:38:09But what are you saying?
00:38:10Let me explain something.
00:38:11There's no friendship between uncles and aunts, I mean...
00:38:12Girls are being silly, really.
00:38:13They're not nonsense, but I'll explain.
00:38:15In other words, it's like dogs, cats, lions,
00:38:17In other words, the males go after the female and they're going for what they're going for, they're going for what they're going for.
00:38:20We've had a mixed drink, don't mess with me, Lucia, don't mess with me.
00:38:22Okay, so, according to you, when I'm talking to Fiti,
00:38:24All Fiti is thinking about is...
00:38:25But what are you saying about Fiti?
00:38:27So, what do you say about Fiti?
00:38:28So, Fiti is my friend from way back...
00:38:29Oh, sorry, sorry, sorry, I hadn't realized.
00:38:31Maybe they're new friends.
00:38:33That's what you don't like, isn't it?
00:38:34But, Lucia, don't confuse me, don't confuse me because you're confusing me, you're confusing me, you're confusing me.
00:38:37And also, another thing, you've never told me you wanted to be an actress.
00:38:40How long have you wanted to be an actress?
00:38:41Well, no, Diego, I didn't tell you because I didn't think there was a possibility of...
00:38:43Already.
00:38:44Besides, okay, that's it, right?
00:38:45You look like my father.
00:38:46No, no, I'm not your father, I'm your husband, I'm your...
00:38:50And I'll tell you something.
00:38:51Tell me.
00:38:52I don't want you to do that test, Lucia.
00:38:56Already.
00:38:58Well, I'm going to do it, Diego.
00:39:00Good, very good.
00:39:02Well, if you do that shitty test, don't bother sleeping on my day tonight.
00:39:06Is that clear, Lucia?
00:39:11Thank you.
00:39:19Work!
00:39:21Listen to it and tell me, Curro, my dear.
00:39:24Okay, guys.
00:39:25Hello.
00:39:28What are you doing?
00:39:30What do we do?
00:39:31Become a rock star, kid.
00:39:32Come here.
00:39:35Okay, the slogan, very important.
00:39:38Modernize or die?
00:39:38Okay, repeat after me.
00:39:39Modernize or die?
00:39:40Okay, let's see.
00:39:42I'm going to give you a more youthful touch, a more...
00:39:45More youthful.
00:39:47A touch of color here, a little more light.
00:39:49What do you think, my child?
00:39:50Oh, the claw hit me, the bitch hit me!
00:39:52Alright, let's go.
00:39:55Chucky, what are you doing?
00:39:56What's that?
00:39:57This is the leveling ring, a piercing that's going to be more youthful.
00:39:59What's the point of a piercing?
00:40:00Okay, now you just relax, okay?
00:40:01No, a piercing for you.
00:40:02Marcos, look at me, damn it, nothing's wrong.
00:40:05Sit down.
00:40:05Sit down, mate.
00:40:07Come on.
00:40:10Come on!
00:40:40It's clear, guys, Elvira's ghost has appeared because she's looking for her medallion.
00:40:47And she won't stop until she finds him.
00:40:49And why don't we give it back?
00:40:52Guille is the one who has to return it, as it seems he took it.
00:40:54Ana, Ana, stop sniffing the glue, you little brat
00:40:56Elvira!
00:41:05Where did this come from?
00:41:06Hi, did you know Elvira?
00:41:08Yes, yes, yes, I met her a long time ago.
00:41:11His house was here, on this very plot of land, before this one.
00:41:16Elvira was in my class, but one day she disappeared and nothing more was heard of her.
00:41:22She is buried here
00:41:24I'm very scared, hello
00:41:26It's true, Curru, tonight we saw his ghost of Esforza
00:41:29Good heavens, with how scary Elvirita was in life, imagine her dead
00:41:34God forgive me, I shouldn't say this about a deceased person, but she was the devil's own flesh and blood.
00:41:41A nasty bug
00:41:42But Grandma, what could she possibly want?
00:41:44I don't know, daughter, sometimes spirits visit the world of the living looking for answers
00:41:49Because they want to clarify the causes of his death, but...
00:41:53I don't know, when it comes to Elvirita, I don't know
00:41:55Hi, but could it get into the house and hurt us?
00:42:03That's for sure.
00:42:04Come on
00:42:05He was such a nasty creature
00:42:07But there are ways to avoid it, although I don't know if this one will work... I don't know
00:42:13Hello good
00:42:14What's wrong, son? What's wrong?
00:42:19A ghost of Elvirita, Grandma's friend
00:42:21Yeah
00:42:22He's going to come in here, I don't want to live in this house, I want to leave
00:42:26Calm down, calm down, calm down, Curru
00:42:27You too, mother-in-law
00:42:29The truth is that...
00:42:31Listen carefully, let's see
00:42:32Has anyone ever seen a ghost on TV?
00:42:35No, and why haven't you seen it? Because ghosts don't exist.
00:42:38If they existed, someone would record it and put it on TV
00:42:40Hey?
00:42:40We are?
00:42:41No, no, neither a nor anything else
00:42:42So... that's it, we're not going to be the only ones seeing ghosts.
00:42:45Hey, Lucia hasn't come
00:42:48No, it's just that she's gone for some kind of test or other.
00:42:50Ah, I see.
00:42:51Okay, come on
00:42:53Holy shit, God
00:42:55I have a plan to make my father believe the ghosts
00:42:59Tonight we're going to hunt Elvirita's ghost
00:43:04Hi, Lucy
00:43:10Hello
00:43:11But you didn't have a test today.
00:43:13Oh, Miguel
00:43:15What's wrong? Aren't you going to pick up?
00:43:18Why is that?
00:43:20Well, Cinnamon, because I'm all mixed up.
00:43:22I don't know whether to go to the test or not.
00:43:23Why? Because of what Diego told you?
00:43:25Well, that's why I went twice
00:43:27Yes, but you don't know the most dreaded fight
00:43:29So what, Lucia?
00:43:30Please don't be a pushover, daughter.
00:43:33Let's see, you want to do that test, right?
00:43:36How old are you?
00:43:39Many
00:43:39Many
00:43:39Too many for someone to tell you what you can and can't do
00:43:42Especially when what you want to do doesn't hurt anyone
00:43:44And that's a positive thing.
00:43:45Yes, but no...
00:43:46No, no buts or anything.
00:43:47Let's see, don't you realize, Lucia, that if you don't go to the test
00:43:49Diego is going to think that everything is a piece of cake.
00:43:51And next time you want to do something, you're going to have to ask Dad for permission.
00:43:54Is that what you want from your relationship?
00:43:56No
00:43:56So, Lucia, stand up for yourself, damn it!
00:43:58That you are an independent woman and not an appendage of your husband
00:44:00Come on, I'm all for the Fiti...
00:44:01Well, Fiti doesn't dare because he tells me that.
00:44:03That's the scene I'd make...
00:44:05You don't know the worst part.
00:44:06That?
00:44:08Well, he told me that if I even think about going to the test...
00:44:09Don't let him come home to sleep.
00:44:11Diego has...
00:44:14But...
00:44:15But it will be cool
00:44:17Man, do you know what we're going to do?
00:44:19Are you going to that test?
00:44:20And you're going to come sleep at my house
00:44:21And when Diego, who is so long
00:44:23If you don't show up all night, he's going to be furious.
00:44:25He deserves it, doesn't he?
00:44:26Because he's a pimp
00:44:27Because... because... because... because...
00:44:29Because he's sexist
00:44:29It's unbelievable, Diego.
00:44:31Come on, I just can't believe it, girl
00:44:33I can't believe it
00:44:47Serrano must be about to leave now
00:44:49I need to find a place to have a little tea party.
00:44:53Look, look, no, braca
00:44:57How happy she is after ruining our party
00:45:01Dositanos
00:45:03Look, look, look
00:45:05Mur if I make myself heard
00:45:06And if it appears on its mannequin of
00:45:23But what has he done since then?
00:45:25Happy
00:45:26Happy
00:45:26Happy
00:45:28Good! Good! Good! Good! Good!
00:45:58What's wrong, daughter? You're like you've seen a ghost. What? Marcos, Marcos, wait for me, Uncle. Just a moment, Uncle. Marcos, Marcos, Uncle, come outside and we'll talk, please.
00:46:15Unless we've made a mistake with the look or something, what do we do? Marcos, where are you?
00:46:21Well, the three of us can go out, but come on, maybe the symbolist is a bit poor, I don't know.
00:46:24But what's wrong with Marcos? He's got stage fright.
00:46:27Come on, come on. Marcos, it's Eva. Open the door and we'll talk, okay?
00:46:33Yes, I did it.
00:46:40What happened to you, man?
00:46:42For the light?
00:46:44Sorry.
00:46:45Quite a change of look, huh?
00:46:55What's wrong? Do you look strange?
00:46:58No.
00:47:00I don't see anything strange about it.
00:47:01I look ridiculous.
00:47:03Why? Because I look ridiculous, and you can see it too.
00:47:05Marcos, you're not ridiculous, okay? It's just... well, you're a little overdone.
00:47:09But hey, that's it.
00:47:11Hey, what's wrong with you?
00:47:14Well, I'm an idiot.
00:47:17And that I have less personality than a shrimp.
00:47:22Marcos, Marcos, please.
00:47:24No, the truth is that this time these two have really played you.
00:47:27Oh, I forgot Seba.
00:47:28Yes, I'm the poodle, the singing-songwriter poodle, the merengue. In other words, a softie.
00:47:34And besides, I let myself be dressed up and look at me, I look ridiculous.
00:47:38Did you hear them?
00:47:39Yeah.
00:47:40And that's why you did this to yourself?
00:47:44Marcos, please, we were just talking nonsense.
00:47:48Watch out, damn it, I've got the...
00:47:50Okay, sorry.
00:47:52Besides, it's not nonsense.
00:47:53That's why I refuse to go on stage dressed like an idiot.
00:48:03Damn, Marcos, okay, sorry, man.
00:48:05I've messed up, I don't know.
00:48:06But you can't take things so personally.
00:48:10We were just letting off steam, that's all.
00:48:12Besides, you know I love your songs, right?
00:48:18Yeah?
00:48:20Of course, you idiot.
00:48:21Marcos, is it because of the hair?
00:48:27In other words, I'm not going out looking like a sheep or...
00:48:29No, you won't get out like that.
00:48:30Let's start by removing your piercings...
00:48:32Careful, my boobs hurt, damn it!
00:48:34Well, the character is small, but it's very cute.
00:48:51And since her name is also Lucia, I remembered you.
00:48:54I don't know, Miguel, it's just that it's been so long since I've done this that...
00:48:58Lucia, right?
00:49:00Carlos tells you about Don Juan.
00:49:01Ready?
00:49:04Come on.
00:49:05Lucía, the character is flirtatious, but shy.
00:49:09Very good.
00:49:10Whenever you want.
00:49:11What do you want, good sir?
00:49:29Well, I want to...
00:49:32What do you want?
00:49:34Let's see.
00:49:35See.
00:49:36But what do you see?
00:49:43If you're taking an x-ray of my lungs.
00:49:46Look, I'm more than fine with the outside stuff.
00:49:48You're acting all high and mighty about the nonsense you're carrying on, handsome.
00:49:50Okay, okay, okay, very good.
00:49:52We'll leave it here.
00:49:53Thank you, Carlos.
00:49:55Alright.
00:49:56Miguel, I'm sorry, I'm sorry.
00:49:58And if all this has been nonsense.
00:49:59The paper is yours.
00:50:04Okay, fine.
00:50:05It's a joke.
00:50:06You did really well, seriously.
00:50:08Oh, Miguel.
00:50:10I just don't know what to tell you right now.
00:50:12Let me think about it, okay?
00:50:13And I'll call you.
00:50:13Hey, let Barbie out!
00:50:17Barbie!
00:50:18Let's see, let's see, let's see!
00:50:29Hey!
00:50:29If you keep quiet, I'll shut you up.
00:50:32Aha!
00:50:33Aha!
00:50:35Aha!
00:50:40Aha!
00:50:41Thank you!
00:51:11Thank you!
00:51:41Thank you!
00:51:43Today, when I arrived in the early hours, I heard you crying without knowing I was there.
00:51:55And I, without saying a word to you, having kissed your face, pretended not to hear you murmur.
00:52:09Yes, Fiti.
00:52:12Lucía is there. Well, thank goodness.
00:52:15No, no, I was worried. You've taken a weight off my shoulders.
00:52:17Thanks. Okay, fine. Okay. See you tomorrow. Bye tomorrow.
00:52:25Do you know where it is yet?
00:52:27Yeah.
00:52:28Take it easy.
00:52:29Yes, man.
00:52:30Here. A chamomile tea to calm your nerves.
00:52:32So, now you're going to have some chamomile tea to calm your nerves, right?
00:52:34If you don't heat me up and it's all in my head, then there was no fault.
00:52:36Head, head. Everything we tell you is for your own good.
00:52:39Good.
00:52:40If you want, I'll stay the night.
00:52:42No, no, that's not necessary. Go on. Come on, go home.
00:52:48Does this house smell bad?
00:52:49No, it doesn't smell bad.
00:52:50No, it doesn't smell bad, no. It doesn't smell bad.
00:52:51Go on, come on. Thank you.
00:52:52Go on, come on. Thank you.
00:52:53.
00:52:55.
00:53:19Jack?
00:53:22Yeah.
00:53:23Take the garlic, it's in the pantry.
00:53:25Okay.
00:53:25But garlic is not for vampires.
00:53:27Well, what does it matter?
00:53:28Vampires, ghosts...
00:53:30As soon as she leaves the basement, he catches her.
00:53:31Yes, yes.
00:53:32I have the garlic here so I can go to the dining room.
00:53:34Okay.
00:53:36Grandma says that if we keep the candle lit, we will be safe.
00:53:41But it's very important that it doesn't turn off.
00:53:49Hey guys, we need to wake up, come on.
00:54:03Rio, I'm getting on the bed, this is nonsense.
00:54:07No, not even a ghost.
00:54:10Come on, correct it.
00:54:14Guille, do you see anything?
00:54:17No, nothing at all.
00:54:19But he's definitely coming.
00:54:22We have his medallion.
00:54:26Oysters.
00:54:49Guille, the ghost has entered.
00:55:07Because the candle has gone out.
00:55:08And it's not completely consumed.
00:55:09Well, if it's been in, the tape must be there, right?
00:55:14What time is it?
00:55:14What time is it?
00:55:16God, my mother will kill me, man.
00:55:18Oysters.
00:55:19Take care.
00:55:21Come on, quickly, let's show it to my father.
00:55:22Dad.
00:55:26Dad.
00:55:27That?
00:55:27Diego.
00:55:27I think we've got it.
00:55:29Whom?
00:55:29Whom?
00:55:29So, what do you mean, "to whom"?
00:55:30Well, to the ghost, Dad, because it's all in this tape.
00:55:32But, but, but, but, what did I tell you?
00:55:33That ghosts don't exist.
00:55:34Yes, Dad.
00:55:35This one does exist.
00:55:36What is it?
00:55:36She's a friend of my grandmother.
00:55:37What is it?
00:55:37But, but, but, what do you mean, a friend of grandma's, Curro, please?
00:55:40The last time I want to go to this house, the word is ghost.
00:55:42Is that clear?
00:55:42But, Dad, we have to leave this house, there's ectoplasm here.
00:55:45But, but, how can there be ectoplasm?
00:55:47What is this?
00:55:48Dad, dad.
00:55:48That?
00:55:49A ghost.
00:55:50A ghost.
00:55:50That.
00:55:51But, but, that's enough, Guille, okay?
00:55:52Okay, that's enough.
00:55:53Okay, we've got it, come on.
00:55:54Everyone to school, let's go.
00:55:55But, Diego, it's true.
00:55:55Everyone to school, please.
00:55:57It's just not fair.
00:55:57Okay, fine, well it's not fair, what?
00:55:58Let's do...
00:56:07Open the door.
00:56:13Marcos.
00:56:14Marcos, open the door or he's already done it downstairs.
00:56:15Marcos.
00:56:18Marcos.
00:56:18You've gone and taken him away from your dad.
00:56:20Get out of there right now.
00:56:23Get out of there.
00:56:24Get out of there, son.
00:56:25Get out of there.
00:56:25Get out of there.
00:56:27But what have you done, you wretch?
00:56:29What have you done?
00:56:30Diego, that's where the subtraction has left you.
00:56:33Pussy.
00:56:34What is this?
00:56:35She's styled her hair like her mother's.
00:56:37Everything's getting killed, Santi.
00:56:39Everything is being killed, without telling me anything, everything is being killed.
00:56:41Dad, I'll tell you...
00:56:42No, no, I'll...
00:56:42What, Marcos?
00:56:43I'm going to kill you.
00:56:43It's coming off, it's coming off.
00:56:44It will come off in 15 days.
00:56:46The thing is...
00:56:47It's because I had to give the concert at the high school and I had to change my image.
00:56:51This one is worse, it's bad for you!
00:56:52Astrogen, astrogen, lost!
00:56:53Oh, God.
00:56:54I'll take the towel off you.
00:56:56That's where he'll hide the worst.
00:56:57Take it off, take it off.
00:56:57Take it off, Marcos.
00:56:58Take it off, Marcos.
00:56:59Take it off.
00:57:00Marcos, they're taking your towel away.
00:57:01Okay, okay, okay.
00:57:02The towel...
00:57:04TRUE?
00:57:08They've pierced their nipples like cannibals, Santi.
00:57:12I'm taking it off, I really am, I'm taking it off.
00:57:13Honestly, Marcos, that's the least we can do...
00:57:14I have to remove it, okay?
00:57:15Things are getting out of hand, Diego.
00:57:17This house is getting out of hand.
00:57:19What have you done, Marcos?
00:57:20What have you done, Marcos?
00:57:22I'm falling apart.
00:57:24Is that Miguel?
00:57:25Uh-huh.
00:57:26Aren't you going to take the jug of your soul?
00:57:29Oh, Lucia, please, don't be impatient.
00:57:31If you were born an actress, then let the whole world see it.
00:57:34But, Candela, it's a tiny piece of paper.
00:57:36Well, of course, you have to start somewhere.
00:57:38But I can see you as the company's leading actress, like that.
00:57:40What am I not telling you about?
00:57:42Come on, don't be modest, Lucia, please.
00:57:44But if you have a face, a body, talent, you have everything.
00:57:47Oh, the love of a friend, that's for sure.
00:57:48Yes, but I don't know, I don't know what it was like.
00:57:50I'm telling you this seriously.
00:57:52What is it that you don't know, Lucia?
00:57:53It's what you've wanted your whole life, isn't it?
00:57:55So, just relax, live it, enjoy it, free yourself.
00:57:59I'm worried about Diego.
00:58:01I don't know what it will be like today.
00:58:02I feel terrible, awful.
00:58:04Because what Marcos did is beyond words, but come on.
00:58:07What's more, I went way too far with Lucía.
00:58:09You didn't go too far.
00:58:10She was the one who went too far.
00:58:12That he disrespected you.
00:58:13Damn it, Santi.
00:58:14What nonsense are you talking about?
00:58:15Let's see.
00:58:16Well, I'm telling you what I'm telling you.
00:58:17That your wife is your wife.
00:58:18And the mother of your children.
00:58:20And if he gets involved in the charade, the family is finished and everything is over.
00:58:23Well, he's going to have a point there, you know?
00:58:24In other words, if he spends a lot of time with you, he won't have any time left.
00:58:28So, and every night there are shows...
00:58:30And then the tours, first in Spain.
00:58:33It's possible the show will go to Mexico.
00:58:34No, no, no, take it away, take it away, take it away, take it away, what a nuisance, what a nuisance.
00:58:37And there won't be a place for me, even if it's just to take him to cafes.
00:58:39Daughter, what a life!
00:58:40Well, that's the problem.
00:58:43That's what worries me.
00:58:44What's worrying you?
00:58:45To live better?
00:58:47Already.
00:58:48It seems you liked Santa Justa's husband.
00:58:50That's not it, Camila.
00:58:51The thing is...
00:58:52I don't know, this theater thing is a mess and...
00:58:56Well, at 20 years old it's great, because it's fun, it excites you...
00:59:00But now, with the life I lead, it doesn't make sense.
00:59:05AND...
00:59:06AND?
00:59:09Well, Carlos is keen on me.
00:59:13Carlos.
00:59:15That's intense.
00:59:17And did it go in?
00:59:18He went in, he went in safely.
00:59:20That pig of a director, he went for it.
00:59:23Yes, I'm telling you.
00:59:24Your wife likes this Miguel guy more than a fool likes a pencil.
00:59:27And not what?
00:59:28I mean, with the number of actresses there are in the world.
00:59:30There are knives.
00:59:31But he was there for what he was there for.
00:59:33That's why I chose your wife, who's not a shitty actress.
00:59:35Do you know what I'm saying?
00:59:37Go fuck yourselves.
00:59:39Hey Diego, you don't have to take it so seriously, okay?
00:59:42Hey, I'll take it however I want.
00:59:44Because I trust my wife.
00:59:45And all you do is drive me crazy.
00:59:48But it won't backfire.
00:59:49Well, I support my wife.
00:59:50I support her in everything.
00:59:51And if he wants to do theater, let him.
00:59:52Because I'm going to be there.
00:59:54And do you know why?
00:59:55Because I love her.
00:59:57That?
00:59:58I'm not going to do it.
01:00:00No.
01:00:01What I really want is...
01:00:03Being at home with my family and...
01:00:06And sit and watch them.
01:00:12Now that's real theater.
01:00:13That's a circus.
01:00:16Don't get confused.
01:00:17Circus.
01:00:21But let's see what we have here, shall we?
01:00:29Give it a little push.
01:00:30Oh, right?
01:00:30Go back.
01:00:39Go back.
01:00:47Go for it.
01:00:48What have you done?
01:00:48Dude, make up your mind.
01:00:50Let's see.
01:00:51No, not here.
01:00:52There, there, there.
01:01:03Dude, what happened?
01:01:04Who went?
01:01:04Virita?
01:01:08But now that we've taught my father...
01:01:11Yes, we need another test.
01:01:13Another test?
01:01:14As?
01:01:14Jack.
01:01:17Have you seen it done there?
01:01:30There is a footprint of a bare foot.
01:01:32Damn, that old lady sure does clean well.
01:01:34What are you doing, you idiot?
01:01:38Well, since you're from CSI.
01:01:39But he's deleting it, you idiot.
01:01:42Come on, curve, pass me the cutter.
01:01:43This smells like pure shit.
01:02:06This soil is from the basement.
01:02:07Yes, the footprints come from the trapdoor and disappear down the stairs.
01:02:15Come on!
01:02:16Come on!
01:02:17Come on!
01:02:18Come on!
01:02:18Come on!
01:02:19No, no, no, no, no.
01:02:49This.
01:02:51And this?
01:02:52No, I already had this.
01:02:54Ah, okay.
01:03:06The evidence is conclusive.
01:03:08The Brita is not a ghost.
01:03:13What is this?
01:03:13Hey, what are you doing with my nightgown?
01:03:20The little husband is not a ghost
01:03:21It's María Teresa Capdevila
01:03:25That?
01:03:28What are you saying? I was sleeping yesterday, couldn't that be?
01:03:31Already
01:03:31Unless...
01:03:34You're not a fool, are you?
01:03:36How do you know?
01:03:36It turns out that Tetén, besides being posh, is a sleepwalker.
01:03:44And apparently, sleepwalkers look for things they have lost in their dreams.
01:03:48So Maria Teresa, being heavier than Gollum with the ring
01:03:51She would get up in her sleep at night to take a stroll to see if she could find him.
01:03:56Case closed
01:03:57The vítano is more than just one of those stories that grandma loves to tell to scare us
01:04:02Come on, that's enough already.
01:04:03Hey, I'll leave my phone number here, okay?
01:04:10We give you insurance
01:04:11Why? I'm available 24 hours a day, so I never miss a day.
01:04:14Thanks, huh?
01:04:15Okay, I'm coming out, beautiful.
01:04:17Hey, that's weird, I was wearing piercings yesterday, wasn't I?
01:04:19Yes, auntie, but whatever I put on it tastes great
01:04:22And with that voice, right?
01:04:23Okay, I'll get to the point about the bass player too, okay?
01:04:27Dude, dude, dude, dude, dude, the music...
01:04:29Oh, forgive me, forgive me, forgive me
01:04:30Music is a magnet, kid
01:04:31I wanted to play football, but no, man
01:04:33In other words, what you're really putting on is the raca, raca
01:04:35This is some good drugs, they'll drop their panties, Marcos
01:04:37Their panties are falling down, dude.
01:04:39Turn it down a bit, man, you're out of control.
01:04:40Marcos was amazing, man, he was legendary, I mean, he was...
01:04:43A scandal
01:04:43Miss, I was there and bass drum, bass drum
01:04:46Bass drum, hi-hat, boom...
01:04:47You were sucking on the drumsticks, wings
01:04:49Come on in.
01:04:49Man, Serrano
01:04:51Martinez
01:04:52I'm glad to see you
01:04:54Do you know how much yesterday's prank at the concert is going to cost the school?
01:04:58One thousand euros
01:04:59And why?
01:05:00Because the people rebelled
01:05:01No, no, no, they got carried away, miss
01:05:03And they provoked us, look.
01:05:04And the concert was pure dynamite
01:05:07Look, shut up, Raúl
01:05:08You were given some rules to avoid damage to the school
01:05:11All have been violated
01:05:12You tore down the curtains
01:05:14He urinated in the sangria.
01:05:15They've defecated in my car again, damn it!
01:05:18I can't believe it
01:05:19I can't believe it
01:05:21At this time the group is dissolved and the concerts are suspended
01:05:26Fernando
01:05:27Hey, ignore him, dude.
01:05:28We're rehearsing again tomorrow, okay?
01:05:29We have a fucking awesome future ahead of us
01:05:31Well, I'll definitely look for some bobbins for him, for example.
01:05:33Good idea
01:05:34Is that possible, Lucia?
01:05:41Diego?
01:05:42Yeah
01:05:42Sorry, sorry for coming to the school
01:05:44But the thing is
01:05:45I wanted to talk to you.
01:05:47Well, face to face
01:05:48In other words, not by phone.
01:05:49Well, don't worry.
01:05:50Because I want to talk to you too.
01:05:51Oh, really?
01:05:52Yeah
01:05:52Okay, good, good, good
01:05:54Okay, but that's it.
01:05:56Then you can tell me about yours.
01:05:57What I wanted to tell you, you see
01:05:59Is
01:05:59Well, I've come to
01:06:01To ask for your forgiveness
01:06:03Because
01:06:03I'm really sorry about yesterday's little stunt, I really am.
01:06:06Well, it's okay.
01:06:07I also became quite stubborn.
01:06:08No, honey
01:06:09No, honey
01:06:10Not you, woman
01:06:11You were absolutely right.
01:06:12It's me who's always thinking the worst.
01:06:13That I am an insensitive egoist
01:06:16Do you understand?
01:06:16But he's being held accountable at the top.
01:06:17This, thinking
01:06:18And I have arrived
01:06:19To the following conclusion
01:06:21If he uses you in the theater
01:06:22Me too
01:06:24Now
01:06:24Oh, come on!
01:06:26Come, sit down
01:06:27Where?
01:06:28In the little chairs?
01:06:30Very good
01:06:31Well
01:06:33And?
01:06:34Have you already?
01:06:35When do you start?
01:06:37Well, you see, I'm not starting.
01:06:38Because they haven't given me the paper.
01:06:39They haven't given you the paper?
01:06:41No
01:06:41I did a terrible test
01:06:43Really
01:06:43The only thing missing was for you to throw tomatoes at me.
01:06:45What are you saying, Lucia?
01:06:46But that
01:06:46That's impossible
01:06:48I mean
01:06:49It's all the fault of that clown Miguel.
01:06:52That I
01:06:52I just don't understand
01:06:53How can that idiot not like your tits?
01:06:54I mean, that doesn't make sense to me.
01:06:55How can he not like your tits?
01:06:56For God's sake
01:06:57How could he not like your tits?
01:07:01Ah
01:07:01Ah, that
01:07:02That you didn't teach him
01:07:03The breasts
01:07:04What are breasts?
01:07:05Okay, Lucia
01:07:07Okay, okay
01:07:08Okay, who?
01:07:09Okay, that's it.
01:07:10Eve
01:07:14Eve
01:07:15That?
01:07:18That?
01:07:19No
01:07:19Haven't I asked you what you think of the concert?
01:07:22I loved it, man.
01:07:23Like everyone else
01:07:24I wanted to thank you
01:07:26Because if I didn't come for you
01:07:27I wouldn't have dared.
01:07:28Come on now
01:07:28You dared because you are brave
01:07:31And because you're amazing on stage
01:07:33So?
01:07:34Yeah
01:07:34I am very proud
01:07:35Don't overdo it
01:07:36Really?
01:07:37Yeah
01:07:37Although
01:07:38I can tell you one thing
01:07:41The ending was unnecessary, wasn't it?
01:07:45Yeah
01:07:47Thanks for watching the video
01:07:49Come on!
01:07:49Come on!
01:07:49Come on!
01:07:50Thank you!
01:08:20Thank you!
01:08:26Marcos! Marcos!
01:08:29Marcos, are you okay?
01:08:43This isn't rock and roll! Think about what I know! Calm down! Move along!
01:08:51Yes, the truth is that, well, maybe a little, the best part, will be superfluous, right?
01:08:56You got a little too excited.
01:08:57I'm left over, I'm left over, I'm left over, I'm left over.
01:09:00Ah, how he's done it!
01:09:01As for my knees, I'm still getting them checked out.
01:09:03And what about the...?
01:09:04No, the pills... no, come on, the thing... So?
01:09:07Does the pill hurt or something, huh?
01:09:10Everything except everything that's important
01:09:15The room was full
01:09:17Nothing that anyone would notice is missing
01:09:21And everything that was missing is still missing.
01:09:24Behind every important phrase
01:09:27We said to each other like robots
01:09:30They are drowning
01:09:32The memories of the two
01:09:35Treading on my instincts
01:09:38I'm getting by
01:09:40And I ask myself every day
01:09:43Could this be my doing?
01:09:48But sometimes
01:09:50Everything falls apart and fades away
01:09:53Thinking about the other night
01:09:56They don't stop many nights
01:10:01Today, upon arriving in the early hours
01:10:05I heard you were crying
01:10:08Without knowing that he was there
01:10:14And I, without saying a word to you
01:10:18I kissed you on the face
01:10:21And pretending not to hear you murmur
01:10:27That's not what was missing
01:10:29That I kissed you on the face
01:10:30And I, without saying a word to you
01:10:31That I kissed you on the face
01:10:32And I, without saying a word to you
01:10:33That I kissed you on the face
01:10:34Thank you!
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