Los Serrano - 6x06 - Amar es transigir - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Ante su próxima participación en la obra teatral del colegio, Curro ensaya su papel ante Diego. Durante la interpretación, las bromas de Guille le provocan miedo escénico y el niño se niega a actuar en el espectáculo escolar. Para devolver la confianza a su hijo menor, Diego rememora un acontecimiento similar que le sucedió en la década de los 70, época en la que estuvo a punto de formar un dúo musical con Ramoncín. Incapaz de ocultar sus sentimientos por Emilia, Fiti intenta conquistarla sutilmente. Tras escuchar una conversación entre su jefa y Lucía en la que Emilia confiesa su atracción por su abogado, el ex-mecánico de Santa Justa acaba convencido de que la dueña de la taberna siente un fuerte interés romántico hacia él. Animado por Choni, Fiti envía un ramo de flores a Emilia, quien cree que el remitente es el letrado. Ante la proximidad del cumpleaños de África, Raúl desea sorprender a su chica con un buen regalo a pesar de carecer de efectivo. Aconsejado por Chuky, el joven decide acceder al despacho de los profesores del colegio, coger un examen y hacer negocios con él facilitándoselo a unos pocos alumnos a cambio de una contraprestación económica.

Transcript

00:00:09The job wants you to stay still, or I'll poke your butt.

00:00:12This kid has a real head for it. Curro, stay still.

00:00:16Curro.

00:00:16Wait, let's see.

00:00:17Hey, why are your uncles and dad taking so long?

00:00:20If they're not there, I'm not doing the rehearsal, okay?

00:00:22Damn, that little Robert De Niro. He just became Hector and he's already making demands.

00:00:26Today in the Lurditas class we studied genetics.

00:00:29That explains why children inherit certain things from their parents.

00:00:35Like quirks.

00:00:38That can be sewn from the other side too, you know?

00:00:40Sewing is necessary.

00:00:41Okay, okay, I'll shut up now, I'll shut up, yes.

00:00:44You do what you want.

00:00:45Ah, that's annoying.

00:00:46When you do the same to me.

00:00:48Hi girls, sorry for the delay.

00:00:50Because of this pregnancy, I'm constantly wetting myself.

00:00:52And in the end we had to stop at the gas station.

00:00:54Okay, that's right.

00:00:56But genetics is strange.

00:00:57Because sometimes children of the same parents turn out very different.

00:01:01Oh, come on, my baby's growing up, huh?

00:01:03He's already the size of Fausto when he was a piglet.

00:01:06You're such an idiot, Santi, you just compared your son to a pig.

00:01:09With a pig.

00:01:09With Faust.

00:01:11Dad.

00:01:11That?

00:01:11Come on.

00:01:13Excuse me, son, I need to explain something to you...

00:01:15No, forgive me, but I'm going to clarify something for you, Santi, because sometimes they say some really stupid things...

00:01:18Come on, I mean, you don't know that your son, even though he's there, is listening to you.

00:01:21You haven't heard it.

00:01:21You didn't know that.

00:01:22What I didn't know is that we don't just inherit our noses, eyes, and ingrown toenails,

00:01:27but also what you don't see.

00:01:29For example, shame.

00:01:30Diego.

00:01:30That?

00:01:31That?

00:01:32That?

00:01:32The child?

00:01:32Clear.

00:01:33The child?

00:01:33Forgive me, son, give me, give me, give me, let's see what work you're going to do.

00:01:37Let's see.

00:01:38How beautiful, son.

00:01:40The title is beautiful.

00:01:41Pay attention to the Golden Age.

00:01:43What a silly thing to say.

00:01:44Who could have come up with that?

00:01:45Me.

00:01:47But of course, a whole book for children would have been too much work.

00:01:50So I've taken a little bit of Shakespeare, a little bit of Lope, and adapted it.

00:01:53Okay, but it'll be short, right, Palomita?

00:01:56Then we have football.

00:01:57Oh, Santi, son, you're just throwing pearls today.

00:02:00Yeah.

00:02:00Pearls?

00:02:02I never thought I would have so much in common with my father.

00:02:05Perhaps it's because, as Carmen says, whoever resembles their family deserves honor.

00:02:09Leave it now.

00:02:10Diego.

00:02:11Diego.

00:02:12Diego.

00:02:12On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:02:19Come soon to see the sea, and send a postcard.

00:02:23I already knew that day was the end.

00:02:27Now I have much more.

00:02:31Red, black, odd stop.

00:02:33Finally, luck brings an ace, a crystal to look through, and a wall to hang it on.

00:02:38Seven smiling faces in a passport photo.

00:02:42My stories were not about tales made by chance.

00:02:48Nobody told me that destiny was giving me this opportunity.

00:02:55One plus one equals seven.

00:02:58Who would have thought?

00:03:01Who would have thought?

00:03:03That it was so easy to be happy.

00:03:16Despite what we have described here, it dates from the 16th century.

00:03:18It certainly has a current relevance, as you will soon see.

00:03:21Look how her tights are showing.

00:03:23You can't say that the child isn't a strange being.

00:03:25Please.

00:03:27Son, let's go.

00:03:28A multitude of characters will appear on stage.

00:03:31Kings, princesses and fairies, noble rogues and pages.

00:03:34It's being removed from the road, I can't.

00:03:38Shut up, I told you to shut up, didn't I?

00:03:41Please, son, let's go.

00:03:43There will be love scenes and sword fights as well.

00:03:46Gentlemen who promise a lot and then do nothing.

00:03:48He says the sword is shinier than the road to my Tepo, but I can't.

00:03:54Come on, let's go, with enthusiasm, son.

00:03:57Have fun, ladies, nobody gets offended here.

00:04:00Enjoy yourselves, gentlemen, for here honor is respected.

00:04:02And if you want power, look at my tablet.

00:04:04Hey, Guille, have you gone way past a thousand towns?

00:04:06Yes, that's enough, please.

00:04:08Currita, don't worry.

00:04:10Look, have you gone way too far? Come on.

00:04:14It made me laugh, Guille, because it was brilliant.

00:04:16Okay, Guille, right now you're going to start looking for words that rhyme with "escobilla" (brush).

00:04:22Wonderful, wonderful.

00:04:32A little bit of milk.

00:04:35What's happening?

00:04:36Shit!

00:04:37Didn't I tell you it was burning hot?

00:04:38No.

00:04:39Raúl, darling.

00:04:40I've thought about it.

00:04:41When the milk cools down, add a little bit of curry, please.

00:04:43Clear.

00:04:45Come on, eat a little bit, go on.

00:04:47I'm not hungry.

00:04:48Good morning, family.

00:04:49See you later.

00:04:50Come on, champ.

00:04:53But how can you not be hungry, champ?

00:04:55Hey?

00:04:59Currohijo, you'll see that, seriously, we didn't make fun of you last night.

00:05:03The thing is, we're a bit of a disgrace.

00:05:05But you were doing very well.

00:05:08I think, just so you know, that they're going to give you the Goya Award for best theater actor, huh?

00:05:12Right, Lucia?

00:05:13And tonight we'll go over the text together, okay?

00:05:16You don't like the theater.

00:05:18But what do you mean I don't like theater?

00:05:19What are you saying, son?

00:05:20I used to go to the theatre a lot, to see comedies, especially.

00:05:23Well, the last one I saw, a great five-hour one with Mario, which was hilarious.

00:05:28Ah, yes, yes, a widow.

00:05:29That I tie with their deceased, yes, yes.

00:05:32High comedy, as always.

00:05:33Yes, yes, very funny.

00:05:35Well, maybe it wasn't a comedy-comedy, ma'am, but you had a moment.

00:05:38Sure, Diego, sure.

00:05:39That and Simbler's list, well, they're hilarious.

00:05:42That's right, I'm more into classical theatre.

00:05:44Regarding verse and rhyme, consonant, assonant.

00:05:47So, what do you think of this?

00:05:48Look.

00:05:49Now that the sun is high, scratch my tailbone.

00:05:52I'll bring you a prophetess.

00:05:53Oh, Dad, what are you doing?

00:05:54But, damn it, what did you tell me, to look for rhymes with "escobilla"?

00:05:56That's great.

00:05:57You seem very relaxed two days before the exam.

00:05:59You probably already know that, right?

00:06:00No, yes.

00:06:00Hey?

00:06:01No?

00:06:02Don't worry, my love.

00:06:04Hey, I've just had an idea.

00:06:06Why don't we invite everyone from the construction site for a snack?

00:06:08Hey?

00:06:09Good.

00:06:09And you bring the snacks from the tavern?

00:06:10Okay, perfect.

00:06:11Okay?

00:06:12Yes, yes, I'll take care of it, I'll take care of it.

00:06:13I'm going to tell Fiti and ask him to help me out.

00:06:15By the way, where's Fiti?

00:06:39So you liked it, huh?

00:06:42Mainly.

00:06:45Well, get up, Fiti, we're late.

00:06:50Fuck.

00:06:51Oh my God, Fiti, what a fright! What are you doing?

00:06:54Come on, move your ass and we'll give you breakfast.

00:06:57No way?

00:06:57Yes, yes, yes.

00:07:02Damn it, leave it alone, you're going to shove it in.

00:07:03And you, woman, huh?

00:07:05You're going to be there, just like you are.

00:07:06Stay still, now.

00:07:07What a fucking love.

00:07:07The grades!

00:07:09Come on, man.

00:07:10In the light, but a three, but well, but that's unfair.

00:07:13Don't stress her out, look at how they are.

00:07:15Also, don't talk nonsense, Guille.

00:07:17If you stated that Carlos Márquez was the middle brother of Groucho and Harpo.

00:07:20But it was just to add a touch of humor, you know?

00:07:22You know, right?

00:07:22A touch of humor, what a silly generation you are.

00:07:26Hey Guille, what's next?

00:07:28Did the Catholic Monarchs expel the monarchs or what?

00:07:33Funny!

00:07:34They're going to disinherit me, man.

00:07:36Well, man, nothing's wrong with you, I'm talking.

00:07:38What a funny kid!

00:07:40Well, if he gets a three in the language exam, what am I going to get?

00:07:43One minus ten, mate.

00:07:44Just a moment, just a moment.

00:07:45We're going to try that exam.

00:07:46For three reasons.

00:07:48One, because we have honor.

00:07:50Two, because I really want to see Lucia.

00:07:54And three.

00:07:55Okay, if not, my father will judge me.

00:07:57Yes, my mother and I should get a high close.

00:07:59But our parents still haven't learned that so much repression causes long-term damage.

00:08:03Yeah, man, our culture, pedagogically speaking, is poorly designed, dude.

00:08:06We can't be governed by a system of punishments or rewards, you understand?

00:08:10Cable!

00:08:10No!

00:08:11Damn it, you have to run me through the freshly mopped floor!

00:08:13Can you go somewhere else?

00:08:15Give, give, give, give!

00:08:17And what about those of us who are out at the carnival?

00:08:19Hey, Chucky!

00:08:20What's up, man?

00:08:21Weren't you in Torre Vieja with your grandmother?

00:08:23Yeah, man, but my grandma's a pain in the ass.

00:08:25"Don't throw me up here," "Don't put me in the pasta..."

00:08:27Come on, I've come here!

00:08:28I've come, that's it!

00:08:29Hey, Chucky?

00:08:30What a surprise to see you here!

00:08:33How are you?

00:08:34Are we around here?

00:08:35Pirantillo!

00:08:36Hey, I'm going to change, it's getting late.

00:08:38Okay.

00:08:38No, no, wait, you have to let me have the shampoo.

00:08:40Okay.

00:08:41Hey, see you later, okay?

00:08:42Until now.

00:08:43Come on.

00:08:49That?

00:08:49They change together, right?

00:08:51Yeah.

00:08:53And it's used in shampoo.

00:08:55Uh-huh.

00:08:57Even though it's sealed.

00:08:58Okay, Chucky!

00:09:00Okay.

00:09:02What are you doing?

00:09:03What are you doing?

00:09:03Fuck!

00:09:04Fuck!

00:09:05Let me live, Santi.

00:09:05Don't you see that I'm a master at cutting vegetables?

00:09:08What will you master?

00:09:09It looks like the Tomatina festival.

00:09:10You can even skate here.

00:09:12Do you want to stop fighting?

00:09:13Why is Lucia coming and the sandwiches aren't ready yet?

00:09:15Or not?

00:09:16Hello.

00:09:17How was your morning?

00:09:19Lovely.

00:09:21The morning, the morning I say yes, look how sunny it is and all that.

00:09:25Well, let me introduce you to my lawyer, Carlos.

00:09:27He is Diego.

00:09:27How are you?

00:09:28How are you?

00:09:29Diego, how are you?

00:09:29How are you?

00:09:30Santiago.

00:09:31Carlos.

00:09:31And well, he's Fiti.

00:09:32How are you?

00:09:33How are you?

00:09:33How's it going?

00:09:35Carlos, we're going to the rhematics.

00:09:38Oh, yes!

00:09:40Thank you.

00:09:41Forgive me, forgive me.

00:09:41No, don't go so that...

00:09:42Always.

00:09:43Of course...

00:09:44Hey?

00:09:45What's happening?

00:09:46That?

00:09:47That handshake he gave him... you can play football in three months, huh?

00:09:51I think he's turned as red as a bell pepper.

00:09:53Who?

00:09:53I eat a bell pepper.

00:09:54Bell pepper, yes.

00:09:55Bell pepper, silly, silly, silly.

00:09:58But what do you see in her?

00:09:59What do you see in her?

00:10:00Hey?

00:10:00Well, to be honest, she doesn't have Lucia's figure.

00:10:03She doesn't have them, she doesn't have Lucia's figure.

00:10:05And neither was the making of my Lurita.

00:10:06It doesn't have the right shape either.

00:10:07Well, well, it must have something, damn it, it must have something, because it has personality.

00:10:10She's very much her own person, she has character.

00:10:12Damn, and also yes, yes, yes.

00:10:15He's got me by the balls.

00:10:18Is something wrong?

00:10:18No, well, you just shut up and that's it.

00:10:23Like cinnamon?

00:10:24We screwed up.

00:10:42Whenever you want, Pilar.

00:10:43Which cross?

00:10:44To be noble and not be able to catch fire.

00:10:48Does he love me or not?

00:10:52Cupid with his arrows...

00:10:55Cupid with his arrows...

00:10:57He wounds with his arrows.

00:10:59Is something wrong, Curro?

00:11:00No, nothing.

00:11:02No?

00:11:02Okay, so we're starting again, but with a little more energy, eh?

00:11:04With a little more sense.

00:11:06OK?

00:11:06Whenever you want, Pilar.

00:11:07Which cross?

00:11:08To be noble and not be able to catch fire.

00:11:15Does he love me or not?

00:11:18Poor me.

00:11:21Cupid wounds with his arrows.

00:11:25Love is eternal, both now and in the past.

00:11:29What's happening?

00:11:31Sorry, but I'm going to the bathroom.

00:11:37Guys, a little silence.

00:11:39Please be quiet for a little while.

00:11:44Hey, guys, huh?

00:11:45Don't you see Emilia as...

00:11:48as different, as a burst of joy?

00:11:50You, each time with a positive outlook.

00:11:54Is something wrong?

00:11:56Hey?

00:11:57This?

00:11:57Isn't he focused on what he's supposed to be doing?

00:11:59It's breaking the chain.

00:12:00Come on, come on.

00:12:01Hello good.

00:12:03Hello, Lucia.

00:12:04Look at you, I've prepared the tray for you.

00:12:06It's the kind of ham that Curro likes.

00:12:08Let's see if he cheers up, because I wasn't very sharp yesterday.

00:12:10No, I wasn't very sharp, to be honest.

00:12:11Yes, yes, I'm with these.

00:12:12Yeah.

00:12:13Well, Curro's already got some problems.

00:12:16Things about being a parent that I was going to tell you that you don't already know.

00:12:18Yes, José.

00:12:19Hey, how's the divorce going?

00:12:20Well, I'm here with the paperwork.

00:12:22Yes, but you had already signed it.

00:12:24Yes, I have signed.

00:12:24The thing is, I have some stories to resolve.

00:12:26And yes, the girl's school.

00:12:28Yes, the clothes.

00:12:29Yes, Lucia, how is the lawyer?

00:12:32It's there, it's there, it sets a precedent.

00:12:35But Emilia, you seem excited, don't you?

00:12:37Let's call a spade a spade.

00:12:47Look, let's see, like the carob tree, the bigger it is, the less it has.

00:12:51Okay, so what then?

00:12:52Well, I don't know what to do, because on the one hand we have a professional relationship and so that...

00:12:57cut it a little,

00:12:57But on the other hand, I mean, on the other hand it makes me feel a bit like everything.

00:13:00Wait a minute, but how are you going to cut yourself?

00:13:01What cuts or what nonsense?

00:13:02No, you'll see that one way or another, you know?

00:13:04He's going to escape alive.

00:13:05AND?

00:13:06Well, because...

00:13:12Sorry, I mean, I mean, I don't know, I was coming...

00:13:15Maybe you were talking about something there that you didn't...

00:13:18I came for this, for this, because I need it.

00:13:26What's happening?

00:13:27He likes me, he likes me.

00:13:29Whom?

00:13:30Emilia, damn it, she just shat it out to Lucia.

00:13:33She said I make her feel silly, but since we have a working relationship, well, of course, for one reason or another,

00:13:37because in the end it covers it up.

00:13:39Cover the pot.

00:13:43Well, you'll have to tell me about it.

00:13:45Wait.

00:13:45Yes, I'm waiting too.

00:13:48Yeah.

00:13:49As?

00:13:50Yes, that one, in the tavern.

00:13:53Okay, let's go there.

00:13:55Yeah.

00:13:56Diego, who works, has had a little problem.

00:13:59Indisposition.

00:13:59So, all this, like...

00:14:01Sweets.

00:14:02Lucía, that's right, as soon as you take your eyes off him, the child is like the one from the mixed-race group, he...

00:14:06eats everything.

00:14:06No, no, no, no, I'm afraid not, eh?

00:14:08I'm afraid not.

00:14:08Well, I think it's more of a psychosomatic issue.

00:14:12Psychosomatic?

00:14:14But what are you saying, Fermín?

00:14:15In other words, the child sodomizes me.

00:14:16No, well, I wouldn't put it that way, but yes, Diego, yes.

00:14:19Soma-tiza.

00:14:19What's that?

00:14:20Curro-soma-tiza.

00:14:21I know, this is going to be like last night, Diego.

00:14:23No, woman, man.

00:14:24What do you mean, no?

00:14:25What a hard worker last night, no way, man.

00:14:26How do you put it on...?

00:14:26Which one, which one, which one? What happened last night?

00:14:28Which one? Tell him.

00:14:29The child, right?

00:14:30So the boy, well, he got started on the play, I mean, what the play is, rehearsing it, right?

00:14:34And then, between the rhymes and the little high notes, yes this way, yes that way and so on, no

00:14:38I know what.

00:14:38I didn't want to do it, but I didn't want to...

00:14:40The thing is, well, the fact is that I went a little overboard.

00:14:43A bit?

00:14:44A bit?

00:14:45You went way too far, Diego, laughing at him right to his face.

00:14:49You laughed at him.

00:14:51All?

00:14:51Us?

00:14:52Everything, Fernando?

00:14:52Yes, without warm tissues, what you say, well yes, otherwise we'll laugh at you.

00:14:55But do you know what happened?

00:14:56The guide is on fire because the guy, when he's on fire, is funny because he pulls it off...

00:15:02That's enough already, isn't it?

00:15:04Well, Lucia, Guille, it's funny.

00:15:06And what?

00:15:07I told him to shut up.

00:15:08But of course, since I don't understand respect for paternal authority and all that, Guille already...

00:15:11Well, it's passed.

00:15:13And do you know why it happened?

00:15:15And I'll tell you, Fermín, do you know why he forgot that?

00:15:16Because Guille, Guille like Freud, has killed the father, who killed him.

00:15:19Yes, yes, yes, yes.

00:15:20But the fact is that you laughed at him.

00:15:22Yeah.

00:15:23And Curro is a very sensitive child.

00:15:26Yes, she is sensitive, yes.

00:15:28I don't know who he takes after, because frankly, we mountain folk are rather rough around the edges, aren't we?

00:15:31Oh well.

00:15:33Perhaps to his father?

00:15:35Curro has low self-esteem.

00:15:37And to help him get it back, we have to talk to him, support him, because otherwise, this is going to be like a

00:15:42snowball.

00:15:43But I've spoken to him, Fermín, and I've apologized, but nothing, man, nothing.

00:15:46That's fine, but empathize with him, I don't know.

00:15:49Tell him about something that happened to you, a similar situation.

00:15:52Who hasn't put on a play at school, right?

00:15:54I've never done any plays at school, no, not even theater or anything.

00:15:58I have never performed in public in front of anyone at school.

00:16:01Never.

00:16:01That's a cool donkey, kid, yeah, the fucking one, let's go here, man.

00:16:05I have almost no set schedule; I go out whenever I want.

00:16:07I'm next door to home.

00:16:09The atmosphere is mostly family-oriented, dude.

00:16:11Know?

00:16:11It scares me.

00:16:12Raúl, Raúl.

00:16:13Well, whenever you want, come and see it and all that, we've left you a dedication in the bathroom.

00:16:18Ahhh!

00:16:19Ahhh!

00:16:20Fuck!

00:16:22Don't mess with me!

00:16:25God, how disgusting.

00:16:28My mother told me so, man.

00:16:30Raúl, study, man, study.

00:16:31And I was just passing by, dude.

00:16:32And now that I have my fingers like mussels, dude.

00:16:36Shitty job, I swear.

00:16:37Ahhh!

00:16:38Disgusting!

00:16:38It depends on how you look at it, man, great men have started out this way.

00:16:41I mean, look at Julián Muñoz, at Juan Antonio Roca, man.

00:16:43And they've become rich.

00:16:44And how?

00:16:46Chucky, lifting tangerine footprints on the beach.

00:16:48Well, that's a very simple interpretation.

00:16:50Let's see, kid.

00:16:51These guys had the town hall in their hands, okay?

00:16:55They had the power like you, who have the keys.

00:17:00No, no, no, no, Chucky, no, no, no.

00:17:02I'm not going to become a Malay, kid, that's Malayism and I don't want it.

00:17:05You understand?

00:17:06This is Santa Justa, this hasn't cost her the sun.

00:17:09Let's see.

00:17:10You, you, you!

00:17:11Hey, hey, hey!

00:17:12I'm going to kill you, I'm going to kill you.

00:17:13You didn't intervene, I didn't do anything, you just commented on the color, nothing more.

00:17:16Come here, it doesn't work, it doesn't work with that.

00:17:19How much would you pay me for the exam the day after tomorrow?

00:17:22As?

00:17:25Do you have your exam the day after tomorrow?

00:17:30Whatever you want.

00:17:32No, no, seriously, please.

00:17:33Tell me.

00:17:34Okay, I'll call you.

00:17:34We'll sort out the money.

00:17:35I'll call you, I'll call you.

00:17:36Well.

00:17:37Go ahead, call me.

00:17:42I swear, man.

00:17:43I swear to you.

00:17:44You need to think, you need to think about it from here.

00:17:46Do you understand?

00:17:47Go on, throw it.

00:17:48Oh, I know what I'm going to get you for your birthday.

00:17:50Oh, really?

00:17:50Yeah.

00:17:51That?

00:17:51Ah, surprise.

00:17:52What do you mean, "surprise"?

00:17:54Holy shit, the companion from Africa.

00:17:55I'm a tough guy, shit.

00:18:08Damn, I've been doing myself a disservice for years, man.

00:18:09What I'm telling you, sister, I heard it perfectly, I work with it and I play it, okay? White and

00:18:17In a bottle, right, Santi?

00:18:18Well, what do I know?

00:18:20So what are you waiting for? Are you going to send some little flowers?

00:18:24Some little flowers? Of course!

00:18:25Of course.

00:18:27What? What was wrong with Curro?

00:18:29Nothing, the kid just had to act.

00:18:31He has felt unwell.

00:18:32He's messed up.

00:18:34Who do you take after?

00:18:36Do me a favor, Santi.

00:18:37On this subject, keep your mouth shut.

00:18:39Okay?

00:18:40What's going on over there?

00:18:42So much secrecy, so much history?

00:18:43Ah, for the fullest.

00:18:44Brother, here in Casanova, who is going to send some flowers to Emilia.

00:18:48What's wrong with me, man?

00:18:50What are you getting into, Fiti?

00:18:52Total, pallet.

00:18:53Listen to me, Fiti, because I'm a woman.

00:18:55A little flower, a small gift, a dinner and he'll carry you on his shoulders to the bidet.

00:19:00Hello, what's up?

00:19:02La Margarita flower shop in Santa Justa?

00:19:04Yes, I wanted to place an order.

00:19:05Look, yes, something...

00:19:08It's for something serious, you know?

00:19:09In other words, something elegant, understated...

00:19:12No, no, for the living, for the living.

00:19:15So, man, cheerful and all, and handsome.

00:19:18Yeah.

00:19:20For example, some violets.

00:19:22Violets, yes.

00:19:23A little bit of violets, more romantic now, like the song.

00:19:25Yes, indeed, come on, let's have some violets.

00:19:27Okay.

00:19:29What do I want to put on the card?

00:19:31At your place or mine.

00:19:32But how can you put that on it, you big donkey?

00:19:34Because he has nothing left to peel the potato with.

00:19:36Honestly, the woman you have has very little understanding of psychology, son.

00:19:40Look, let's do one thing.

00:19:42I'll call her in a moment, I'll think about it.

00:19:44Come on, come on, goodbye.

00:19:46Not a chance, I need to post something romantic.

00:19:48Wait, wait, wait, it's a classic that just occurred to me.

00:19:51Dream of me, dream of me as yours as I dream of you as mine.

00:19:55Jesus.

00:19:56You really know, Diego, what you're like about some things,

00:19:59the little bit you tune for others.

00:20:01Tune up, just a little.

00:20:02Will you shut up?

00:20:04Look, I'm going out into the street to get some fresh air.

00:20:06I'm not feeling inspired here, I'm going to take a breather.

00:20:09It's just that my fruit, that's it, is very sensitive, very heartfelt.

00:20:13That's just how it is.

00:20:14Already.

00:20:20For.

00:20:21If I'm not doing anything.

00:20:22You're carrying everything... Stop!

00:20:23Well, if...

00:20:23Hey guys, guys, guys, okay, okay, guys, okay!

00:20:26Let's set the table, come on.

00:20:27That's it.

00:20:29Guille, where are you going?

00:20:31Hey...

00:20:31Hey, to the bathroom, it's my time.

00:20:33Hey, come here.

00:20:34Stay still, poop and squawk.

00:20:36Listen, you'll see, but it's awful to put up with it.

00:20:38Come on, I've seen myself on TV.

00:20:39Let's check it out.

00:20:40Let's see what happens.

00:20:41Okay.

00:20:42Venano, what a book!

00:20:44How are you, family?

00:20:46Hello.

00:20:46Hi, Dad.

00:20:53You see, work.

00:20:56Wanted to...

00:20:56I wanted to tell you a couple of things about the construction project and stuff.

00:21:00Yesterday, well, maybe yesterday I didn't...

00:21:03Look, he's a young father, I'm going to bed without dinner.

00:21:06proof.

00:21:15alerts.

00:21:24Du, how are you?

00:21:26You'll see.

00:21:27Confident hired.

00:21:28You'll see.

00:21:29You'll see.

00:21:31You'll see.

00:21:32You'll see.

00:21:33You'll see.

00:22:02Thank you!

00:22:22Thank you!

00:22:34Thank you!

00:22:41Thank you!

00:22:42You've finally taken the first step!

00:22:46Mainly.

00:22:51The first, the second and the 1500, because this countryside is longer than a Sunday without football.

00:22:58Thief.

00:23:05Pa, pa, wake up, damn it, pa.

00:23:07Yours, yours, yours.

00:23:10You've got me terrified.

00:23:17Yes, Africa was looking for an MP3 player for her dance classes.

00:23:21No way, it's out of my budget.

00:23:23Now you motivate me.

00:23:24Hello good.

00:23:27Lucia.

00:23:29Emilia looks good, doesn't she?

00:23:31I don't know, you'll know, right?

00:23:33Uh, well, I, let's see, well, I know.

00:23:37Well, just like you, right?

00:23:39Like me, what?

00:23:41Now we're going to stop.

00:23:43Hello good morning.

00:23:45Hello good.

00:23:46Very fiti, fiti.

00:23:48Are you coming back?

00:23:49Are you coming back okay?

00:23:50I eat very well.

00:23:51Well, Doña Carmen, I'm in front of the public all day, what do you want?

00:23:54It smells fishy to me.

00:23:54By the way, what's up with Diego?

00:23:55What brings us down?

00:23:56We're having a lot of trouble at the tavern.

00:23:57It's definitely less of a hassle than here, because here there aren't any days that are concentrated.

00:24:00Of course, if we didn't leave the exam until the last minute.

00:24:03Oh.

00:24:04Oh, come on...

00:24:05Come on, Guille, let's go.

00:24:07Come on, come on, man, come on.

00:24:08Lucia, earth.

00:24:09Come on, shoot.

00:24:09How are you doing with the exam?

00:24:10Well then.

00:24:12Okay, so what?

00:24:12Is there business or is there no business?

00:24:14Okay, so the exam thing is cleared up?

00:24:16Of course.

00:24:17Do you think that life can be wonderful for a few euros?

00:24:21Salt flats.

00:24:21Okay, let's see, kill the tires.

00:24:23How much are we talking about?

00:24:25Well...

00:24:27Then...

00:24:28We'll talk later.

00:24:30I see.

00:24:33Yeah.

00:24:34Okay, okay, okay.

00:24:36Come in, okay?

00:24:36At your house.

00:24:38See you later.

00:24:49And this?

00:24:55Thank goodness Father put an end to this nonsense.

00:24:58What nonsense!

00:24:58What are you saying about nonsense?

00:25:00I'm keeping it because it's given to Fermín.

00:25:01To Fermín?

00:25:02Yeah.

00:25:02Are you crazy?

00:25:03Do you want to open Pandora's box?

00:25:05Well, if we have to open Pandora's box, we'll open it.

00:25:07Even if it's with a crowbar.

00:25:08No, I wasn't honest with Fermín.

00:25:09And I want to help Curro.

00:25:11To channel it.

00:25:11Because Curro has to analyze.

00:25:13Let's see what's going on.

00:25:15Hello good.

00:25:17Hello good.

00:25:18Hello.

00:25:20Damn, it was about time, man.

00:25:21What's happening?

00:25:22Let's go to the tavern.

00:25:23Come on, there's a lot of confusion.

00:25:24There's a lot of chaos.

00:25:25You have breakfast there.

00:25:26What are you saying, Fiti?

00:25:27Let's see, I can't get going without coffee.

00:25:29So, I'm not a person, you understand?

00:25:30I'll make one for you.

00:25:31You're going to traumatize the child with trauma.

00:25:33You're going to make a fool of yourself.

00:25:35Ridiculous.

00:25:35That girl is traumatized.

00:25:36It's tequito.

00:25:37And I also have something that we lose before.

00:25:38We're losing him, he's tequito with one hand.

00:25:39Come on, darling.

00:25:40Yes, thanks.

00:25:40No, Diego, you're brand new.

00:25:42You're going to get burned.

00:25:42Damn, and you're going to take a long time to have breakfast.

00:25:44You have breakfast there, we have to see.

00:25:46What we have to see, damn it.

00:25:47Ah, what we have to see.

00:25:49See you around, that's all.

00:25:52What will they be doing?

00:25:55The trick with today's youth is that they no longer want to be rum stars or footballers.

00:25:58They want to be Malaysians, trick.

00:26:00Yeah, sure, you're not kidding.

00:26:01If they catch us here, the only thing that's going to happen is for Rinzo and me, kid.

00:26:04Look, let's see, trick, 20 euros for the exam, plus the finals.

00:26:07We can start thinking about the convertible now, man.

00:26:08What is that?

00:26:09Yes, honey, I don't need a convertible.

00:26:11I just need 80 bucks, mate, for an MP3 player for Africa.

00:26:14So that's four clients, okay?

00:26:16Gigi and her colleagues, dude.

00:26:17We just need the exam.

00:26:22Open up, let's go.

00:26:31Let's see.

00:26:33Good, good, good.

00:26:35Chiqui, chiqui, what was the password?

00:26:38It was parrot green.

00:26:40Parrot green, that's it, that's it.

00:26:43No, no, honey, that's not it.

00:26:46Damn, why did they change it?

00:26:47Well, because times change, passwords change, that's life, trick.

00:26:51Damn, what do I do?

00:26:52Okay, well, come on, go ahead, little parrots.

00:26:57No, shit.

00:26:59Shit, dude.

00:27:03Shit.

00:27:06Salad.

00:27:07What do you mean, salad?

00:27:08Salad.

00:27:09Because?

00:27:10Because they put it here, man.

00:27:12Yes ok.

00:27:14Little parrots.

00:27:17Go away, go away, go away, go away.

00:27:22Hello.

00:27:23Well, Salas, what a surprise.

00:27:25Like this, around here.

00:27:26Well, I wanted to talk to you.

00:27:28Friend.

00:27:28Yeah.

00:27:29Okay, then, come in.

00:27:30No, no, not in the room.

00:27:32It's just that, well, you know, so many arguments and so many things, well, I've been left a little

00:27:36traumatized.

00:27:41Well, nothing, I've been thinking and I wanted to, well, wash monaca a little, okay?

00:27:48I wanted the attention of the last final geography exam.

00:27:52But, Salas, don't you think it's a little late to review your exam if you already have the degree?

00:27:56Yes, Luddites, but it's a matter of honor.

00:27:59Please, Salas, how silly.

00:28:01No, no, no.

00:28:02I'm not moving from here until the magazine is ready.

00:28:05Well.

00:28:06Well, or maybe.

00:28:07Okay?

00:28:07Oh, sorry.

00:28:08Don't worry, it's just that I'm catching you on a busy day.

00:28:11Oh, and you're pregnant.

00:28:12Yeah.

00:28:12Well, congratulations, huh?

00:28:13Thank you, Salas.

00:28:14Come on, forgive me.

00:28:15Nothing, don't worry.

00:28:16Bye bye.

00:28:18What boy, what?

00:28:24Come in, Fiti.

00:28:25You're making such big heads out of the ham.

00:28:27Hello, good morning, sorry.

00:28:29Emilio Ugarte.

00:28:30Yes, it's me.

00:28:32This is for you.

00:28:33If you sign here, please.

00:28:36Thank you.

00:28:37Thank you so much.

00:28:38Here you go.

00:28:39Kid, buy yourself something.

00:28:41Take.

00:28:42Thank you so much.

00:28:43Well, well, Emilia, we have an admirer, huh?

00:28:47Give a lot, ask for little, from you-know-who.

00:28:50His?

00:28:51But today isn't Mother's Day.

00:28:52No, today is not Mother's Day.

00:28:55And so much secrecy between mother and daughter.

00:28:57I don't see it.

00:28:58I don't see it as a mother-daughter thing.

00:28:59I'm going to tell you something, Emilia.

00:29:00Not being from a daughter,

00:29:02That's going to be from someone who has a certain interest.

00:29:04That's right.

00:29:06Oh, I know who they belong to.

00:29:10Oh, look at how men are.

00:29:14I'm going to put on the alujarras.

00:29:15Look, look, come on.

00:29:19Between being subtle and that hieroglyphic you wrote, Irma.

00:29:22Damn, I couldn't think of anything else.

00:29:24I've gotten myself all mixed up.

00:29:25But he's in.

00:29:25It has entered with romanticism, it has even entered the kitchen.

00:29:27It's even reached the remotest part.

00:29:29Look, it doesn't happen there.

00:29:30What a gloomy man you are, dude!

00:29:31A little callus, come on, damn it.

00:29:32No, I can't, I have to go talk to Fermín.

00:29:34A little something...

00:29:35I don't believe it.

00:29:36You're going to take off, Malú.

00:29:38Well, look, for work I'll do anything, even peteneras, you know.

00:29:41And besides, what's happening to the kid isn't that unusual.

00:29:45The whispers.

00:29:49It's strange.

00:29:50Yes, yes, it's strange, very strange...

00:29:52And I lied to you, Fermín.

00:29:54So, I did have my artistic life and I denied it to you.

00:29:56But I accept it, I accept it.

00:29:57I want to help Currito, so I take responsibility.

00:29:59Yes, yes.

00:30:00Were you singing?

00:30:01Like a cricket in heat.

00:30:02Well, it's anti-, please.

00:30:04But yes, yes, she sang.

00:30:05In my day, well, listen, I used to sing.

00:30:06Hey, hey.

00:30:07Is this the person with you?

00:30:09Ramón.

00:30:09Yeah.

00:30:10Ramón, the one who sang about the chicken Ferrito?

00:30:12Yes, Ramón.

00:30:13Yes, let's see, Fermín.

00:30:14Let's get focused, why aren't we focusing?

00:30:16Let's focus.

00:30:17Wait, wait.

00:30:19What happened?

00:30:21Well, nothing.

00:30:22And when the day of the debut arrived, well...

00:30:25Let me tell it, Santi, because I have enough on my plate as it is.

00:30:27From the beginning.

00:30:28Yes, man.

00:30:29Yes, yes, please.

00:30:30And don't leave out a single detail, okay?

00:30:33Well, in psychology, any detail can be revealing.

00:30:36Yes, yes.

00:30:38Well, the year was 1976.

00:30:40Yeah.

00:30:41And I had met a guy doing his military service in Cerro Murián.

00:30:43Cerro Murián.

00:30:45The milian, which is therefore.

00:30:46I remind you that she was very tough.

00:30:47And very long.

00:30:48Very hard and very long.

00:30:49But then the bonds between the colleagues, you know, grew stronger.

00:30:52Okay, let's get to the point.

00:30:52I mean, let's get to the point, please.

00:30:53Yes, well, as I was saying, the ties were getting closer.

00:30:56Well, the thing is, we decided to jump into the world of the zarandula.

00:30:59Well, imagine, we were very excited.

00:31:02And the town's mayor rented a party hall.

00:31:04Just for us.

00:31:06What a great atmosphere!

00:31:07What a great atmosphere!

00:31:08I mean, well, the typical big night, right?

00:31:10And now, the most anticipated moment of the night.

00:31:14Ladies and gentlemen, with you all, the whispers.

00:31:27Come on, little one, we'll get out of this one.

00:31:28From here we go to the young man's tente.

00:31:30Dude, come on, dude.

00:31:44Still, standing still.

00:31:45That wasn't the case.

00:31:47There are no dialysis treatments, brother.

00:31:48There is no dialysis and he assumes it.

00:31:50Remember that the mayor didn't rent the nightclub just for you.

00:31:53That year was the year of the flood.

00:31:55The town square was given over to the people.

00:31:56The atmosphere of great nights and bullshit.

00:31:59There were the motorcyclists and the fifth-year students, all worked up and with their hormones raging.

00:32:03Ladies and gentlemen, with you all, the...

00:32:08The...

00:32:09The whispers!

00:32:13The whispers!

00:32:15The whispers!

00:32:21We want Bárbara Rey!

00:32:24Barbara Rey?

00:32:25Yeah.

00:32:26In other words, the mayor had promised the young men that he was going to hire Barbara Rey.

00:32:30And then, at night, well, I was going to unleash what is the nighttime heifer, right?

00:32:32But you know how politicians are.

00:32:34They keep promising and promising.

00:32:35But it turns out the heifer drowned in the flood.

00:32:38In other words, in the end, neither one nor the other.

00:32:40Diego, let's not screw this up or we'll end up in the fountain, dude.

00:32:52Many believe that love is about passion and abandon.

00:33:00And like Peter Pan, he always played.

00:33:04Mother! What case is there? Mother!

00:33:08More than playing with love, it's playing with the fact that it won't happen...

00:33:14Mother!

00:33:14Mother! Mother! Mother! Mother! Mother! Mother! Mother! Mother!

00:33:19Mother! Mother! Mother! Mother!

00:33:20Mother! Mother! Mother! Come downstairs!

00:33:22Get down, you're going to shit yourself! Come on!

00:33:24I didn't tell you to come down!

00:33:25Hey! Hey!

00:33:26You won't marry me off and you'll only go hungry! Hungry!

00:33:28So what happens?

00:33:29He messed up.

00:33:30Literally?

00:33:32No, not in a dirty way.

00:33:33He went down the drain.

00:33:34And that's where it ended.

00:33:36His musical career was cut short.

00:33:37Okay, don't go into detail, Santi, please.

00:33:39Well, the thing is, yes, I had to quit.

00:33:41Because every time I tried, all of this got mixed up in my head and I had to give it up.

00:33:44And because Father was right.

00:33:45That's a world of hardship, and they had to eat.

00:33:48So, what do you say, Ramón?

00:33:50Because Ramón, look where Ramón has ended up.

00:33:51Well, well, it's just that Ramón...

00:33:52Ramón's a lot, huh?

00:33:53That rebelliousness, that grit, those skinny jeans.

00:33:57And that governed what are the sphincters.

00:33:59Okay, can we get back to talking about my thing?

00:34:01If we care, can we?

00:34:02Yes, well.

00:34:03Well, what is clear is that Curro's case and yours are very similar.

00:34:05Yes, that's it, Fermín, yes.

00:34:07But what I'm telling you is that Curro sodomizes me.

00:34:09Without hot baths, Curro sodomizes me.

00:34:11Yes, Diego, but don't worry, man.

00:34:12What's happening to Curro is very normal.

00:34:14Just like children inherit, they are given their eyes or nose.

00:34:16They also copy patterns.

00:34:18Yes, but then, what can we do, Fermín?

00:34:20Because I want the child to do the work.

00:34:21But what I don't want is to be traumatized by a trauma.

00:34:25What the kid needs to do is forget about it.

00:34:28The sooner the puppet show.

00:34:30And that's it.

00:34:30But you saw it, you saw it.

00:34:31I mean, with a family like this, how is the child going to turn out?

00:34:33Because my brother is a brute.

00:34:34In other words, the idea gets stuck in his head.

00:34:36But let's see if we calm down.

00:34:37Can we all calm down, please?

00:34:39Look, Diego, what I think you should do is support Curro.

00:34:44Being with him, huh?

00:34:45In other words, the opposite of what your father did to you.

00:34:50You understand?

00:35:01Okay, 20 euros per person and that's it.

00:35:10Okay.

00:35:12And the exam?

00:35:12Don't worry.

00:35:13Don't worry.

00:35:14There are rules here, you know?

00:35:16I'm not playing for the position, kid.

00:35:18It's 20 euros and three conditions.

00:35:20They never stop, and we were asking for a mortgage, crazy.

00:35:21He's enjoying himself.

00:35:23Okay, listen carefully, I'm not going to repeat myself, okay?

00:35:26First, passing the exam is prohibited.

00:35:28Understood?

00:35:29Okay, sure.

00:35:31Second, you're failing me by answering a couple of questions.

00:35:34You guys are really stupid and the way you go out one day you'll end up singing La Traviata.

00:35:38There's no blame, don't you see we can, you stain.

00:35:40This is a UV business.

00:35:41Take it or leave it.

00:35:44Okay.

00:35:46Okay, that's fine.

00:35:47And the third one?

00:35:50The bathroom tiles.

00:35:52Like jets of red.

00:35:56Nice to meet you.

00:35:57Hey, we need to see what we're doing with the ham today, huh?

00:36:00You're cutting slices like steaks.

00:36:03Come on now, come on now.

00:36:04What's wrong with him today?

00:36:05They're up to something.

00:36:06Come.

00:36:10That?

00:36:13Violets are beautiful, they are violets, aren't they?

00:36:16They are violets, they are beautiful.

00:36:18Did you like them or not, woman?

00:36:20I just love it.

00:36:21You just have to see how we women are.

00:36:23What we like is when someone who's interested in us sends us flowers.

00:36:26Isn't that right?

00:36:27Yes, yes, yes.

00:36:28I'm going to put them on for myself.

00:36:33He has triumphed.

00:36:34Yes, yes, right?

00:36:36Man.

00:36:37I don't know, the way she talks about it, like it has nothing to do with me, it's weird, isn't it?

00:36:42Queer?

00:36:43I'm very handsome when it comes to that one.

00:36:45Nothing is strange, it's even with Ica.

00:36:46The thing is, she's one of those who likes her belly.

00:36:48The code.

00:36:49There are so many of us women, Fili.

00:36:51No, not really.

00:36:52No, don't listen to this animal, damn it.

00:36:54If there's a game, then you follow the code, because if there's a game, there's a game.

00:36:57There's code, there's code.

00:36:59Well, it seems that you-know-who has taken an important step, hasn't he?

00:37:09Yes, that's true, isn't it?

00:37:10Because he's a man who doesn't show his emotions very much.

00:37:14No, no, you know why that is, because of the typical barriers of a professional relationship.

00:37:21But hey, she did a great job with the flowers, didn't she?

00:37:24You look...

00:37:25Is it that obvious, Fiti?

00:37:28Mostly, yes.

00:37:29Well, let's do one thing.

00:37:30Fiti, let's keep it our little secret.

00:37:32And until things work out, okay?

00:37:34We'll keep it discreet.

00:37:42That he/she has declared himself/herself to me.

00:37:43I have the code in hand, but he has declared himself on me.

00:37:45Come on, he likes his belly and wants to keep it discreet.

00:37:48Look, I'm not giving advice that I don't follow myself.

00:37:52Oh, my boy.

00:37:57My fingers feel like they're carrying a load.

00:38:00Well, we still have a ways to go, huh?

00:38:01Well, I see a lot of red there.

00:38:02Clear.

00:38:03Next time, do the painting with chalk and you'll finish sooner.

00:38:14Paraúl, but we're going to open the door, man, because everyone's going to see us.

00:38:17What do you mean it bothers you?

00:38:19Well, dude, let everyone deal with their own problems.

00:38:22You know what I'm saying, buddy?

00:38:23I'm fed up.

00:38:24Show us the exam we paid for.

00:38:26Or what?

00:38:26Are you going to talk to the principal?

00:38:29Well, look, it's because they're going to give you a package.

00:38:30It's because I self-immolate.

00:38:32Oh, really?

00:38:33Look, kid, it seems to me that you don't quite understand the concept.

00:38:36I am now a respected guy in the community.

00:38:39You understand?

00:38:40And you, my little troll, you're a petty criminal.

00:38:42Who are they going to believe?

00:38:45Come on.

00:38:46Damn, but it's true that they're cleaning.

00:38:49I can't believe it.

00:38:50What am I doing cleaning?

00:38:52It's because Raúl has convinced him that the school graphite thing is fine.

00:38:55Well, my love, look at you now!

00:38:58You amaze me.

00:38:59Hey, guys?

00:39:00You haven't been a plumber before, boss, have you?

00:39:03Look, the boys are sorry too.

00:39:05What do you know, guys?

00:39:08Can I hear us?

00:39:11Yes, Raúl.

00:39:11Have you seen it?

00:39:12Raúl, society, well, what am I saying, the whole world will thank you for it, you'll see.

00:39:16A kiss.

00:39:19Yes, one, one.

00:39:20Look here, get into my robe.

00:39:24What a mess, right?

00:39:25You see.

00:39:31Man, Diego.

00:39:32That?

00:39:32What, what, what, what's up?

00:39:33How about a burrito?

00:39:34Fatal.

00:39:35Fatal, that's the same thing.

00:39:36I've tried to talk to him, but there's no way.

00:39:37It's like...

00:39:38Diego, why don't you try?

00:39:40Hey?

00:39:41Yes, yes, what it's like to talk and all that.

00:39:43Where is?

00:39:53Hello, son, how are you?

00:39:59We've had a bad day, haven't we?

00:40:01Okay, so tell me what happened, because it's better to let these things out.

00:40:05Take them out, bring them out.

00:40:06So, talking about what's happening to you is really good, huh?

00:40:08I'm going to ask you a question.

00:40:10Do you like acting?

00:40:12That's what I thought.

00:40:14Already.

00:40:15And ten, going out in front of people and leaving on the sly, right?

00:40:18Is that right?

00:40:19Well yes.

00:40:20And above all this, my son, it's been happening to you ever since your clever father, that is, me, laughed

00:40:26of...

00:40:27Tell me yes or no, no beating around the bush.

00:40:29How do you know?

00:40:31Well, I know, because apart from the king of fried chicken, there are other kinds of kings, that is,

00:40:35He's one who's called the king of...

00:40:37What is this called?

00:40:38The mouse?

00:40:38The king of handshakes.

00:40:39And do you know who laughed at the squeezes?

00:40:40Well, it's me, my son.

00:40:41Come on, I mean, what happened to me was like...

00:40:43It happened to you.

00:41:13The impression, then, was that he asked me for a kind of cramp, which is a tightness.

00:41:15And that I was going to the sidewalk, right?

00:41:17Because I couldn't act.

00:41:20Well, it's better.

00:41:22No.

00:41:22And why?

00:41:24Because we have evolved.

00:41:25So, you are going to act.

00:41:26At that time there was no one in my family who supported me, but I do support you.

00:41:30I mean, I support you, I support you to the death, I support you in whatever is needed, my son.

00:41:33That's it.

00:41:34And has it been a long time since you last sang that day?

00:41:37Yes, I haven't been back to...

00:41:38I never returned from that day on, no.

00:41:40Well, I'd like to hear you sing.

00:41:43My little worker's time has passed.

00:41:45In other words, I'm too old because I don't have any hair.

00:41:47I'm out of luck with melodic things.

00:41:50If you sing, I'll act.

00:41:55Okay, come on, I'm going to sing you a little something, right?

00:41:56No, no, no, no, but not like this, with people.

00:42:00What? In front of people?

00:42:05Look, I think it's best to check the reservations with the agency beforehand.

00:42:08Does that sound good to you?

00:42:10Emilia.

00:42:11Oh, sorry, yes, yes, of course.

00:42:12Yes, yes, yes.

00:42:13Perfect.

00:42:14Hey, what do you think of the flowers here?

00:42:17These are the flowers, do you like them?

00:42:20Yes, yes, they seem good to me, they're very good, yes.

00:42:24Okay, so that's it, I'll check with the accounting firm and when I have the balance sheet, I'll call you, okay?

00:42:31Aren't you going to tell me anything else?

00:42:33No no.

00:42:34No, I'll call you when I've checked with the manager.

00:42:44Okay, so, see you then?

00:42:47Yeah I know.

00:42:47And for now, we need to change the barrel.

00:42:49How's it going?

00:42:50No, no, it's a matter of...

00:42:52What shouldn't I do, for God's sake, to get it done quickly? It's giving me a headache right here in my trachea.

00:42:55with the Iberian ham, which doesn't happen to me.

00:42:57Let's see, let's see, let's see, let's see, let's see, let's see, let's see

00:43:02Let's see, let's see, let's see, let's see, let's see, let's see, let's see, let's see

00:43:02Let's see.

00:43:16The flowers, and well, if I've seen you, I don't remember.

00:43:28Let's see, let's see, let's see, let's see.

00:43:49A Korean?

00:43:50No, that's the same thing.

00:43:53The amusement park, no, no, it's cold, it's cold.

00:43:57The bulls.

00:43:58They're behind him.

00:44:03Pussy!

00:44:04That?

00:44:05I've got it now.

00:44:06What, what, what?

00:44:07I've got it, I've got it.

00:44:08It's a surprise, damn it.

00:44:09And start cleaning?

00:44:11I can't believe it.

00:44:12That's a miracle.

00:44:13Well, I can vouch for that, you know?

00:44:18Excuse me, Raúl, we've finished cleaning the brushstroke.

00:44:21Ah, very well, nothing.

00:44:22Well then, time to study, okay?

00:44:24And make sure nobody makes a mess, okay?

00:44:27The kids, who are at a very difficult age.

00:44:29What they mostly need is a little bit of composure and guidance, you know?

00:44:34Come on, champ.

00:44:36See you later.

00:44:36See you later, okay?

00:44:37See you later.

00:44:40Did you see?

00:44:42Come here, come on, come.

00:44:44What a mule you are.

00:44:44Come here.

00:44:50Hey, they're going, they're coming, they're going, they're coming.

00:44:52Before that, I think you'd be interested in something I have.

00:44:57As?

00:44:57No, no, that's not it.

00:44:59Well, that's not it at the moment, is it?

00:45:02But that's an academic topic.

00:45:04Okay, fine.

00:45:07Hello good.

00:45:09And my Fiti?

00:45:10He's just stepped out for a moment, but sit down.

00:45:12Sit down, I'm going to give you a small beer and a portion of ham.

00:45:14And you take it there like a queen.

00:45:16Santi, one ham coming right up.

00:45:18Marching.

00:45:18Diego, you look splendid, don't you?

00:45:19Yes, Choni, splendid and desperate.

00:45:23And so?

00:45:25Well, you see, I wanted to ask you a favor.

00:45:27Of course, what is it?

00:45:29Well, you see, I'm wondering if you could lend me a hand with the song thing,

00:45:33from the singing, that is, to clear the voice a little.

00:45:35Damn, Diego, well, if I'm going to sing like that, I'll have one ham, coming right up.

00:45:38You seem pretty cocky.

00:45:39No, no, no, no, that's not it.

00:45:41In other words, what they say is to sing, to sing.

00:45:43In other words, so that you can tune my voice, so that my voice is more in tune.

00:45:45You understand?

00:45:46Oh, the damage that Operación Triunfo is doing.

00:45:48No, no, no, she already promised to sing with Currito.

00:45:53And it's out of tune.

00:45:55Out of tune?

00:45:55But have you ever sung in your life?

00:45:58Well, that's a big secret I've always kept.

00:46:01Come on, I even had a duet with a fellow soldier back in the day.

00:46:04In Cerro Muriano.

00:46:04That's where we did our military service in Cerro Muriano, indeed.

00:46:06I already knew it, that the sensitivity you exude is because you have a special touch.

00:46:10Well, don't worry, I'm going to make you sound finer than Mecano's organ.

00:46:12Thank you very much, Choni.

00:46:13Hello.

00:46:14Museum?

00:46:16What have you got there?

00:46:18A small box of chocolates.

00:46:20Emilia invited me to dinner tonight at a small museum.

00:46:24I don't know.

00:46:25"To have dinner at a museum at night," you say.

00:46:27Unless it's the ham museum.

00:46:28No, sir.

00:46:29To the wax museum.

00:46:31Something sophisticated yet informal.

00:46:35Look.

00:46:36Nine thirty.

00:46:37Wax Museum.

00:46:38You already know.

00:46:40And off we go.

00:46:42That was so funny.

00:46:44They give dinner.

00:46:45There isn't much wax.

00:46:46Of course they serve dinner.

00:46:47Romantic stuff and all that.

00:46:48People are very savvy these days.

00:46:49I didn't know that.

00:46:50I didn't know that.

00:46:51Hello, good afternoon.

00:46:52Good afternoon, Emilia.

00:46:53Good afternoon.

00:46:59And this?

00:47:01That?

00:47:02That's a very nice touch.

00:47:05You just left it here.

00:47:06A delivery driver.

00:47:07The funniest kid in the neighborhood.

00:47:10Delivery person for this.

00:47:10Is he from the neighborhood?

00:47:11Yeah.

00:47:12Oh, I'm going to do it here on yours, you know?

00:47:20Look closely, things have to take a turn for the worse.

00:47:23As?

00:47:29So, is the neighborhood cool or not?

00:47:31I'm getting used to them, man.

00:47:33Hey kids, what's up?

00:47:35Hey, I had it!

00:47:39You don't have this at your feet!

00:47:41Lucía and Lurdita congratulate you.

00:47:43Did you know?

00:47:44You're the woman!

00:47:45You're the woman!

00:47:46I'm not staying!

00:47:46Hey, what was it that he said?

00:47:47Am I a...

00:47:49Does it leave a drinkable residue?

00:47:49So, I'm going to talk to Lucia.

00:47:52When I'm finished, wait for me and we'll leave together, okay?

00:47:54Okay.

00:47:54By the way, how's the exam going?

00:47:57Phenomenal.

00:47:58Come on, that's top-notch, I think.

00:48:01Don't watch it, what do you say?

00:48:0480 bucks, kid, and 100 in September.

00:48:06I think we could invest.

00:48:07Why are they making me stay here?

00:48:10What's happening?

00:48:11Do you have 1,050,000?

00:48:12Wow, what power, man, what a bunch of clowns.

00:48:15No, not for Guille, who doesn't have change for...

00:48:17You already know.

00:48:21For tomorrow's exam, to buy it.

00:48:26Exam tomorrow?

00:48:27Raúl, let's go for a moment...

00:48:30Yeah.

00:48:31Now...

00:48:34I have an exam!

00:48:36Not even a test with the answer, man.

00:48:40Everyone studies at the last minute.

00:48:42Leave her alone.

00:48:43What else can we do?

00:48:46Hey, Lucia, do you know the lawyer has run away?

00:48:51What are you saying?

00:48:53And it was about time, wasn't it?

00:48:54It's been tough, hasn't it?

00:48:55It has been difficult for him.

00:48:56Because, come on, when he's with me, nothing.

00:48:58But as soon as she leaves, little gifts, surprise notes...

00:49:03Let's see.

00:49:04Oh no, I'm late, he's staying with it.

00:49:06What are you saying?

00:49:07Well, you should call him now; you can't be late on the first day.

00:49:12He answered me.

00:49:15Hi Carlos, how are you?

00:49:16I'm Emilia.

00:49:17Look, instead of nine thirty,

00:49:20We'll meet at ten o'clock, at the Wax Museum.

00:49:22A little kiss.

00:49:25Have you arranged to meet at the Wax Museum?

00:49:27Yeah.

00:49:28It was his idea.

00:49:29It's a bit strange, isn't it?

00:49:32Daughter, well maybe that's what I like about him, isn't it?

00:49:35That one day he'll meet me at the Wax Museum,

00:49:37Another day he sends me flowers,

00:49:38Another day he talks to me about corporate law.

00:49:41Oh, please, don't tell me about that.

00:49:42Hey, speaking of wax.

00:49:44Laser.

00:49:45Yeah?

00:49:50You start by releasing what is essentially the diaphragm.

00:49:52Okay, well, I'll start here.

00:49:52Don't tuck your guts in, you bastard.

00:49:54Relax your belly and clench your butt.

00:49:56Clench your butt, it'll do you good.

00:49:58Santi, don't mess things up, you're very sensitive, aren't you?

00:50:00Come on, what you have to do is sing to yourself here,

00:50:02with my guts.

00:50:03Choní, choní, do me a favor,

00:50:04I've seen Operación Triunfo,

00:50:05They don't join in our groping.

00:50:06And don't touch me in that area.

00:50:07My body is very delicate and I'm not responsible for my actions, do you understand?

00:50:09Come on, let's warm up the device.

00:50:11The device?

00:50:12The device?

00:50:14The vocal apparatus.

00:50:15Ah, the vocal apparatus.

00:50:16Go.

00:50:17Come on, good exercise.

00:50:18I'm going, I'm going, I'm going.

00:50:20My, my, my.

00:50:22As?

00:50:22My, my, my, my.

00:50:24My, my, my!

00:50:27Jaime!

00:50:29Well, I, man,

00:50:30The teacher taught it to me.

00:50:31when I sign up for the zarzuela.

00:50:32Sure, technique, technique, technique.

00:50:34I'll go, I'll go, I'll try.

00:50:35Okay, fine.

00:50:36My, my, my, my.

00:50:38My, Jaime!

00:50:40Jaime!

00:50:41But...

00:50:41No, no, I can't, I can't.

00:50:43Choní, choní que, que...

00:50:44which are causing me anguish,

00:50:45that my father is looking at me,

00:50:46Oh my God, they're looking at me.

00:50:47Oh my God.

00:50:48What you have is stage fright.

00:50:50Please, get over it.

00:50:51Imagine him naked.

00:50:52Ah, father!

00:50:53But they'll even go dressed up.

00:50:56Okay, let's see, Diego,

00:50:57come here.

00:50:58Come here, creature, come.

00:51:00This is about...

00:51:01Let's see.

00:51:01It's about enjoying yourself.

00:51:03Come on, go on, go on.

00:51:03Just imagine

00:51:04This place is packed with people

00:51:06who has come to see you.

00:51:07Yes, I do.

00:51:08It's your audience.

00:51:09My audience.

00:51:09This is between you and the audience.

00:51:11Yeah.

00:51:11Between you and the audience.

00:51:12Yes, yes, yes.

00:51:14And among that audience are

00:51:15the beings who love you most.

00:51:16Who?

00:51:16Doña Carmen, Currito, Lucía.

00:51:19I'm sorry, I'm sorry, Choni,

00:51:21But I can't.

00:51:22What do you mean I can't?

00:51:28Well, Currito wanted

00:51:29come for Diego and Fiti.

00:51:30By the way, where's Fiti?

00:51:32It's been left.

00:51:34Is it agreed?

00:51:35Everyone's here today.

00:51:36Yes, but my brother has been left

00:51:37at the Wax Museum.

00:51:38Get over that.

00:51:40At the Wax Museum.

00:51:42What's up, baby?

00:51:43I'm telling you along the way.

00:51:44Honey, wait until I get my purse.

00:51:45Diego, Diego, make dinner, please.

00:51:48I'll be late, okay?

00:51:48But where is it going?

00:51:50Here, start with this,

00:51:51I don't think you're having dinner tonight.

00:52:01Oh, my old lady!

00:52:05You scared me so much, what are you doing here?

00:52:06I have to tell you that

00:52:08we're going home.

00:52:10We're going home.

00:52:11I've made a zarangollo

00:52:11and tell you, Lucia.

00:52:12Okay, I'm going out.

00:52:13A really good zarangollo.

00:52:14Go home.

00:52:15Let's go, tell the house.

00:52:16There's the zucchini.

00:52:17Tiennico, tiennico,

00:52:18Just the way you like it.

00:52:19Hey, can you leave me alone?

00:52:20Please.

00:52:21God.

00:52:22Huh? Don't you realize?

00:52:22Choní, please,

00:52:23Don't you realize that...

00:52:25Stop messing around with me.

00:52:27I've arranged to meet here.

00:52:29with whom you already know.

00:52:30Yes, Fiti.

00:52:31But look,

00:52:32Lucia is informed of everything.

00:52:34You know who,

00:52:35No, we know, well...

00:52:38That?

00:52:41Oh, girl,

00:52:41attend to Lady Di.

00:52:43How funny

00:52:43with his little fringe and all.

00:52:45Oh, Mother Teresa.

00:52:46Come on, he must have suffered a lot.

00:52:48nor will he have gone hungry.

00:52:49Tell him, okay?

00:52:50Let's see, Choni.

00:52:50What? What? What is it?

00:52:52Damn, Fiti.

00:52:53Well, Emilia

00:52:55that hasn't arranged to meet you.

00:52:57No no.

00:52:58It was a misunderstanding.

00:53:00She believes that...

00:53:02who has arranged to meet with the lawyer.

00:53:04Go on, go on, go on.

00:53:05Don't talk nonsense.

00:53:06Tell me, eh.

00:53:07Fiti.

00:53:08Besides, if it's there, look at it.

00:53:11He's there with...

00:53:14with the...

00:53:14With the lawyer, huh?

00:53:16Go on.

00:53:18Let's go, calmly.

00:53:19Yes, damn it, slowly.

00:53:27Girl, pay attention.

00:53:28How funny, baby.

00:53:29The Holy Father.

00:53:30May he rest in peace.

00:53:31And this man too.

00:53:32The number of trips she's taken,

00:53:33in the car, that one, very uncomfortable

00:53:35because you're standing all the time,

00:53:36your measurements.

00:53:36No, no, no, no.

00:53:37Youth, clap harder.

00:53:43Well, I didn't think so...

00:53:44that we were never going to meet up.

00:53:46Already.

00:53:47Yeah, well, the truth is that

00:53:48I also believed

00:53:49that we were never going to meet up.

00:53:50And, well, finally, nothing.

00:53:52we have stayed here

00:53:53in the wax museum.

00:53:54Just look at this...

00:53:55At the wax museum.

00:53:57At the wax museum.

00:54:03This site is...

00:54:06It's curious, isn't it?

00:54:07Yes, that's certainly curious.

00:54:09Yes, it's for a while, yes.

00:54:10But well, I imagine

00:54:11that when one likes something,

00:54:13Well, she likes it, doesn't she?

00:54:14Come on.

00:54:15Of course, he likes it.

00:54:17Of course, he likes it.

00:54:18He likes it.

00:54:19And this is the wonderful room

00:54:22of artists and celebrities.

00:54:25A nudge to the group.

00:54:26Thank you.

00:54:28In it we can find

00:54:29artists and icons

00:54:30of the music of all time.

00:54:32We have artists of the caliber

00:54:33by Montserrat Caballé,

00:54:35Spanish singers

00:54:36also of great size,

00:54:37like Rafael.

00:54:38And, of course,

00:54:39icons of Spanish music.

00:54:46Okay, how do I tell the child?

00:54:47What if I'm not going to sing now?

00:54:48By not telling them.

00:54:49And singing like a man.

00:54:50No, no, no, no.

00:54:52That these things

00:54:52It's always best to tell the truth.

00:54:54To be honest no.

00:54:54You're going to traumatize him completely.

00:54:56No, but the thing is

00:54:56with the children

00:54:57Let's be honest,

00:54:58that's important.

00:54:59I'm coming there, you'll see, let me.

00:55:02Currito, son.

00:55:03Yeah.

00:55:05A little more ham.

00:55:07No, no, no.

00:55:08Okay.

00:55:11Currito, son, you'll see.

00:55:12Yeah.

00:55:13A little more loin.

00:55:14No, thanks.

00:55:15Not much.

00:55:16You're going to say it,

00:55:17Tell him now.

00:55:18That?

00:55:18What do you have to tell me?

00:55:20Well, you see, son,

00:55:21So, your father

00:55:22He told you that,

00:55:23I mean,

00:55:24your father,

00:55:24I who commented

00:55:25that she was going to sing and all that,

00:55:26But due to circumstances

00:55:28which are not relevant now,

00:55:29Well, that's not going to be possible.

00:55:31Because?

00:55:32Well, son,

00:55:33Because life sometimes

00:55:34It's very complicated.

00:55:34And it's not that...

00:55:35Dad, you promised me.

00:55:37But little worker, son,

00:55:38wait.

00:55:44And this is the magnificent carousel

00:55:47where they are

00:55:48the most beloved characters

00:55:49for the little ones,

00:55:51for the children.

00:55:52Let me say this

00:55:54It may lack its charm,

00:55:55but...

00:55:56Shall we go for a drink somewhere?

00:55:58Well, well, well.

00:55:59That's fine by me.

00:55:59Yes, yes, yes.

00:56:01What do you think?

00:56:01Health.

00:56:02Good night.

00:56:03Sorry.

00:56:03As you can see,

00:56:04within it are found

00:56:05real people

00:56:06so beloved by children

00:56:07like the clowns on TV.

00:56:10Gabi,

00:56:11Flabby,

00:56:12Miliki

00:56:14and...

00:56:17and...

00:56:18Emilio Aragón,

00:56:19Heidi,

00:56:22Yoda

00:56:26and...

00:56:26Chacho.

00:56:28And the inventor gache

00:56:29or he crossed that

00:56:30with the mother who gave birth to me

00:56:31which shows a lack of imagination.

00:56:33Can!

00:56:33What a big onion, girl!

00:56:35Look, Manolo,

00:56:36The girls were entertaining,

00:56:38Nicole Kidman

00:56:38and Mara's inside.

00:56:40Well,

00:56:41me,

00:56:41I do like Kidman,

00:56:42But this has not been achieved.

00:56:47Os chochos sí que te traen un aire.

00:56:49What are they bringing you?

00:56:50Holy shit!

00:56:51What are you accepting?

00:56:52Well, you're seven times prettier.

00:56:53that Mara's inside

00:56:54and turns to the sea.

00:56:55Over there,

00:56:55that's where they've gone.

00:56:56Around there.

00:57:17Emilia,

00:57:18What happened to you?

00:57:19Long.

00:57:21You're such a loser,

00:57:22Fiti.

00:57:22So much code,

00:57:23so much code

00:57:24And finally, I arrived

00:57:25and riasca.

00:57:30Fiti,

00:57:31Pass me the butter.

00:57:34Fiti, son.

00:57:35That?

00:57:36Pass me some butter,

00:57:37please.

00:57:37Sorry, no.

00:57:38That?

00:57:39What a night, huh, Fiti?

00:57:42No, no, no.

00:57:43I'm sick.

00:57:44I'm sick, really sick.

00:57:45I think I'm incubating

00:57:46Something there that doesn't...

00:57:48No, man, no,

00:57:48that's nothing.

00:57:50You'll see how it will pass soon.

00:57:51Good morning.

00:57:52Hello.

00:57:53Some warm churros,

00:57:54just the way Diego likes them.

00:57:56Where is Diego?

00:57:57Diego?

00:57:58Above.

00:57:59And Curro too,

00:57:59I've called him twice already.

00:58:01Come on, Curro, son.

00:58:02Please stand up.

00:58:05No, my throat hurts a lot.

00:58:07And I'm sure I have a fever.

00:58:08But how can your throat hurt?

00:58:09Let's see if you have a fever.

00:58:11Let's see.

00:58:13Nothing.

00:58:14Come on, let's go.

00:58:15No?

00:58:18Okay, let's do one thing.

00:58:19You see,

00:58:20I count to three

00:58:22and then you get up

00:58:23and we had breakfast together.

00:58:24Hey?

00:58:25Start.

00:58:26A,

00:58:28two,

00:58:29two thirty.

00:58:31What do you mean you're not going to work for me, man?

00:58:32What do you mean you're not going to work for me?

00:58:33Come on, man, come on.

00:58:34Get up!

00:58:34I can't, Santi, damn it,

00:58:35I feel terrible.

00:58:37I don't know,

00:58:38I asked him for a virus

00:58:39of these dodgy ones that are around.

00:58:40My mouth feels like a San Jacobo.

00:58:41Yes, yes, Santi,

00:58:42which is exactly the same thing

00:58:42What happened to my friend Paquita?

00:58:43Exactly the same.

00:58:44That's a hangover.

00:58:46Hey?

00:58:46Hey.

00:58:48No, no, no, no,

00:58:49I've heard it from someone else.

00:58:50Hey, stick close to Fiti, right?

00:58:51Let's see if it infects you.

00:58:52and you get out of the exam.

00:58:54Look, Marita,

00:58:54It's not a problem in the exam.

00:58:55because I studied for a good grade.

00:58:57Hey, Lucia?

00:58:58For your information.

00:58:59You seem very confident, don't you?

00:59:01By the way, hey, hey, hey,

00:59:02we need to talk

00:59:04Yours, right?

00:59:04Business,

00:59:06You know?

00:59:06Yours, mine,

00:59:07Ours, let's go.

00:59:08Of...

00:59:11Of all humanity.

00:59:12Santi.

00:59:14Go ahead, throw it.

00:59:16Oh, what a silly age

00:59:18the one from these two.

00:59:19Well, don't go overboard,

00:59:20Carmen, who doesn't...

00:59:21No, son,

00:59:21If not, then what about you guys, right?

00:59:23What are those?

00:59:24I'm devastated, Santi.

00:59:25destroyed.

00:59:26Well, not destroyed,

00:59:27hopeless.

00:59:28Now I understand

00:59:29Perales' songs, damn it.

00:59:30It's not that big of a deal, man.

00:59:31Come on, composure.

00:59:33That I can't,

00:59:33that I can't,

00:59:34What a shame.

00:59:34Imagine that Emilia

00:59:35has seen me

00:59:36Inspector Gache dress.

00:59:37Well, his wife likes it

00:59:38to your childlike side.

00:59:39That's not an excuse.

00:59:40Come on, alright,

00:59:40finishes breakfast

00:59:41and get to work.

00:59:42Come on.

00:59:47But what's going on?

00:59:48That?

00:59:48What are you doing in bed?

00:59:49Hey?

00:59:50We're feeling unwell.

00:59:51What are you sick about?

00:59:52That's the virus you have.

00:59:53of Arcangelo.

00:59:54Come on, you take action

00:59:55And you sing.

00:59:56A trauma

00:59:57It carries another trauma.

00:59:58And we're going to finish.

00:59:58all traumatized.

00:59:59No, don't leave us.

01:00:00that we don't even want to sing

01:00:01nor act.

01:00:02You don't understand,

01:00:03Santi, no.

01:00:03What I understand

01:00:04It's because when you don't get up

01:00:04You're going to ruin it.

01:00:05Okay, fine.

01:00:05I'm putting an end to this.

01:00:06and giving me a hard time

01:00:07that...

01:00:12What are you two doing?

01:00:13in bed?

01:00:14Well, that's it.

01:00:15Well, it's okay.

01:00:16We are here

01:00:16currullo speaking

01:00:17our little things,

01:00:18Right, son?

01:00:18Let's see if a father

01:00:19and a son

01:00:19cannot speak

01:00:20of their little things.

01:00:24But what's going on?

01:00:25You all get out

01:00:25Right here, right now!

01:00:26Out!

01:00:27But you look like Pibla,

01:00:28what's happening?

01:00:29What a shame!

01:00:33Diego.

01:00:35Really

01:00:36Nothing's wrong?

01:00:37No problem.

01:00:38No, leave us alone, man.

01:00:39because we're feeling a bit unwell.

01:00:40What does our head give us?

01:00:41Let's see.

01:00:42I'll pay you double.

01:00:43And we forgot about the exam.

01:00:44And to talk.

01:00:46Okay.

01:00:47Alright.

01:00:50How much money?

01:00:51Are we talking?

01:00:54It's not an issue

01:00:54of pasta, Raúl.

01:00:56It's a topic

01:00:56of respect.

01:00:58I mean,

01:00:58You have humiliated me,

01:00:59Okay?

01:00:59And there is a code

01:01:00of honor

01:01:00that you skipped.

01:01:02And there are things, man,

01:01:03that he cannot pay on a daily basis.

01:01:14I shit on all Malaysianism.

01:01:17Chucky,

01:01:17how has it remained without having

01:01:18that I am corrupt

01:01:20And I'll make myself a daiquiri, man.

01:01:21Ah, well, not me.

01:01:22and in tonic.

01:01:23They're going to catch me, man.

01:01:23They're going to catch me

01:01:24and my hair is going to fall out.

01:01:25And on top of that, these damn dwarves,

01:01:26They have no stamina, man.

01:01:27Chucky,

01:01:27They're going to ask him,

01:01:28They're going to ask him

01:01:28and they're going to crack

01:01:29It was me, okay?

01:01:30Hey, let's go.

01:01:30To the classics, huh?

01:01:32Operation Wilson.

01:01:38He says that...

01:01:39What a pair of legs!

01:01:40for a bank.

01:01:41Chacho,

01:01:42I'm getting depressed

01:01:42more than see you

01:01:43that when Chanquete died.

01:01:46Good morning, Emilia.

01:01:48Look,

01:01:48I'm sorry, Carlos.

01:01:52And what does she do?

01:01:53Find a lawyer,

01:01:55one that has breasts.

01:01:56Tits?

01:01:57Well yes,

01:01:58because you already know

01:01:59He's got more face than guts.

01:02:00Very shy,

01:02:00much mystery

01:02:01and then a freeloader.

01:02:03That's what lawyers are like.

01:02:05No?

01:02:05What they charge you

01:02:06even high

01:02:06Good morning.

01:02:08Yeah.

01:02:09Well, he gave this one to me because of you.

01:02:11But of course,

01:02:11after...

01:02:15After...

01:02:15About the fireworks.

01:02:17Yeah.

01:02:17Thereafter,

01:02:18I met Rito,

01:02:19He tells me that if there had been

01:02:20purple of his wife

01:02:20and that he's going to come back to her.

01:02:22Hey,

01:02:22He's a real bird.

01:02:23But that,

01:02:24That's to charge her

01:02:25the entire pavilion.

01:02:25And don't get my hopes up.

01:02:26But what...

01:02:27But what does he think?

01:02:28that I'm going to marry him?

01:02:30Aunts are like

01:02:30the dog in the manger.

01:02:31They neither eat nor let others eat.

01:02:33It's because it takes it for granted.

01:02:34that I'm crazy about him.

01:02:35And what about him?

01:02:35Sending me little notes

01:02:36all the time?

01:02:37Now let me tell you something.

01:02:39I mean,

01:02:39to get to the point

01:02:40very good,

01:02:40but then commitment

01:02:42zero.

01:02:42Don't get my hopes up.

01:02:43But who does he think he is?

01:02:44Well, woman,

01:02:45Don't get so worked up,

01:02:46Don't get heated,

01:02:46Don't get heated.

01:02:47that somehow

01:02:48It won't work for you

01:02:48Stop, right?

01:02:49No, it's already going to cost me.

01:02:50to get me hot.

01:02:51But they're all the same,

01:02:53Choni,

01:02:53They're all the same.

01:02:54To the lions,

01:02:55the girl to the lions.

01:02:56What's happening?

01:03:01What's happening?

01:03:02Nothing.

01:03:02No, I mean,

01:03:03that we are not all the same

01:03:04No, either, huh?

01:03:05No, no, no,

01:03:06What's it going to be?

01:03:07It's the same

01:03:08a Kike Camoiras

01:03:09than a George Clooney.

01:03:10Oh, really?

01:03:11Well, now I could go in

01:03:12George Clooney in a thong

01:03:12through that door

01:03:13that it wouldn't matter to me.

01:03:14And the flowers

01:03:15Take them away from me,

01:03:16But now.

01:03:18Tss, baby.

01:03:22Take a look

01:03:22if you aim

01:03:23on the other hand.

01:03:24Because this,

01:03:25This one is more beaten up

01:03:25with Miura.

01:03:27Don't worry,

01:03:28There are more women

01:03:29those little bottles,

01:03:30Fiti.

01:03:35Look,

01:03:35troubadour,

01:03:36Okay, buddy?

01:03:36Here I go, I'm going.

01:03:37Holy shit!

01:03:38What's happening?

01:03:39The trobo lighter

01:03:40that's not going to happen.

01:03:40Make some matches,

01:03:41uncle,

01:03:41You need to have some matches.

01:03:43Don't mess with me.

01:03:45Okay, catch it, catch it, catch it.

01:03:46Come on, go on, go on.

01:03:49Chay,

01:03:49You need to have matches.

01:03:54What is this?

01:03:56My girlfriend works here.

01:03:57That's why it's all like this.

01:03:58I don't have one, man.

01:03:59Wait.

01:04:01Notes and books

01:04:02off the table.

01:04:03I don't want anything on top of me.

01:04:04Just make the pens

01:04:05and the exam.

01:04:08Very good.

01:04:11You can turn the exam over

01:04:12and from this moment on

01:04:13You have one hour.

01:04:14Begin.

01:04:22Shit milk!

01:04:38Shit milk!

01:04:39Take that, man!

01:04:39Take it, take it, take it!

01:04:49Well, this is awesome.

01:04:52How are you?

01:04:53How are things with you?

01:04:54Okay, is that it?

01:04:54Okay, come on, come on.

01:05:02Come on, come on.

01:05:03Come on, pick me up.

01:05:03That?

01:05:04Pick me up, come on.

01:05:06Come on.

01:05:06One, two, three.

01:05:10Careful, but, damn it.

01:05:11What are you guys doing?

01:05:13Hey, dude,

01:05:14This isn't what it seems, huh.

01:05:20You already know how to evict

01:05:21Come on, guys, let's go

01:05:23Come on, guys, we're clearing out

01:05:24As in the drills

01:05:25See?

01:05:26Without running each other over

01:05:27Come on, let's go

01:05:28Lucia, Lucia

01:05:30I was thinking we could continue with Alex in the yard

01:05:32Forget it, Alex

01:05:33Please, it's coming out now.

01:05:34But maybe it's going to be a false alarm

01:05:36What are you saying, please?

01:05:38But already

01:05:38Well, Lucia, I think that knowledge is above all else.

01:05:41Know?

01:05:41And that's it, I don't see any llamas, I'm not moving from here.

01:05:43Well, what point does honor have now?

01:05:44Guille, get out!

01:05:45But come on, come on

01:05:46You're making me nervous.

01:05:46Come on

01:05:47That's been revealed, isn't it?

01:05:48It has been given by the bell

01:05:49I'm so pissed off at the braca

01:05:55But if the braca isn't in school yet

01:05:57Yes, but she's still Raúl's mother, right?

01:05:58Come on, let's go

01:06:03Romil, we need to talk

01:06:05Not now, we have to evacuate

01:06:06Evacuate

01:06:07Evacuate, my brother, through your lower leg

01:06:09From San Conao

01:06:10This is going to be the slaughter of the pig for the pig.

01:06:12As?

01:06:13Well, that's a tragedy, damn it.

01:06:15It doesn't recover

01:06:15This is going to be a disaster.

01:06:17It's going to be a disaster if we get burned here

01:06:19Well, we're already burned and charred from lack of it.

01:06:21But I'm not moving from here

01:06:23Until you give me a solution

01:06:25Okay, okay

01:06:26Look, I don't know

01:06:27Let him try to relive the experience

01:06:30Father

01:06:30Father, he is already deceased

01:06:32Well, with whomever.

01:06:33With the other

01:06:34Or with the three South Americans

01:06:36But let's get out of here

01:06:37For the love of God

01:06:38Thank you, for me

01:06:40With you, psychology is a risky profession.

01:06:42Go on, throw it, throw it

01:06:42Pull, pull

01:06:43No, throw

01:06:47It's over

01:06:48Anymore

01:06:48I'm such an idiot.

01:06:50What is he going to hear?

01:06:51I don't care, damn it.

01:06:53That what we have is impossible.

01:06:54If George Clooney gets a tan in a thong

01:06:56You'll tell me what I'm going to do.

01:06:58Shall I do the zipper hair dance for you?

01:06:59No

01:07:00I can't see you, Fiti

01:07:01I don't see you there

01:07:01And on top of that, they're pimps from the day they get into law.

01:07:04Of pimps

01:07:04You can't sink any lower, damn it.

01:07:06Let's see, let's see, Fiti

01:07:07No, no, no more blood will fall from you.

01:07:08Don't beat yourself up

01:07:09Up, damn it

01:07:09I am more woman than milk bottles

01:07:11Hey, Diego

01:07:12What kind of way is that to talk about women?

01:07:14But, excuse me, Choni

01:07:15But you said it.

01:07:16Yourself

01:07:17Yes, but now in a different context.

01:07:19Okay

01:07:20And you, Fiti, don't worry

01:07:22Damn, that's life, that's love

01:07:24Love is a bitch and a sin.

01:07:25That's what it is

01:07:28Fiti, man

01:07:32Fiti

01:07:32It hasn't passed yet, because no

01:07:33What's wrong with him?

01:07:35We Martinezes are very sensitive

01:07:38Go on, Diego

01:07:39Give yourself a little bit of human warmth.

01:07:41You're a monster at that.

01:07:42Oh, yes

01:07:46Hey, Choni

01:07:47A rose

01:07:49You who are a singer

01:07:50Yeah

01:07:51You guys from the guild

01:07:53How do you find him?

01:07:55Well, if it wasn't a drill

01:07:56And it wasn't a fire.

01:07:57What happened?

01:07:59Prank

01:08:00What name?

01:08:01No, Lurditas

01:08:01That the usual suspects

01:08:03They were taking an exam.

01:08:03Yeah

01:08:04Well, and with a point of honor

01:08:07Guille preferred to become like Saint Lawrence

01:08:08Before leaving the exam

01:08:09What do you say?

01:08:11And Chucky?

01:08:12Chucky has a history that's something else!

01:08:14What have I seen of you around here?

01:08:15No, no, no, no

01:08:16No, Chucky is there but he was leaving

01:08:19He's gone

01:08:19He said his goodbyes and left.

01:08:20That I had to go to Torrevieja

01:08:22She missed her grandmother the most

01:08:24Forgive me

01:08:24Can I get some paper?

01:08:26Yes, take it from here

01:08:26A photocopier

01:08:28Raul, this is weird.

01:08:29It's strange.

01:08:30Didn't you see anything?

01:08:31Where were you?

01:08:32I

01:08:33I

01:08:34Was

01:08:35He was with me

01:08:37Yes, we were collecting the gym equipment

01:08:39There

01:08:40Well, then what could it have been?

01:08:42A short circuit

01:08:43Yes, yes

01:08:45It's because the cables get cut.

01:08:47They're fighting there

01:08:49One positive, one negative

01:08:50Yes, whoever it is

01:08:52Clear

01:08:52It's sneezing there

01:08:54Well, we'll have to be careful.

01:08:56Let's all snap

01:08:57Maintenance

01:08:59Hey?

01:08:59So good?

01:09:00Yeah

01:09:01That?

01:09:01Let's get to it, let's set up the network

01:09:03They have already come

01:09:03That?

01:09:04The hoops, dude

01:09:05And that thing about the basket move

01:09:06Okay?

01:09:14Yes, tell me

01:09:16Fructuoso Martínez

01:09:17Yes, from whom?

01:09:18The flower shop

01:09:20The daisy of Santa Justa

01:09:22The card had no funds.

01:09:28One moment

01:09:29The order wasn't for violets, was it?

01:09:34Okay, some violets

01:09:36Thank you

01:09:36I throw them away, right?

01:09:40Uh, no

01:09:41No, don't throw them away

01:09:42It's best to keep them.

01:09:46Excuse me, look

01:09:46I'll personally go and pay them.

01:09:48Yes, yes, yes

01:09:49Where is he from?

01:09:50Okay, thanks.

01:09:55That?

01:09:57Do you know anything about draining?

01:09:58Yes, I've spoken with Lucia.

01:09:59And nothing like that.

01:10:00Equal

01:10:00They've had to rehearse without him

01:10:03Hey, Fiti

01:10:04Hey?

01:10:06That...

01:10:09Let's give him an aspirin

01:10:11No?

01:10:12Okay

01:10:13Yeah

01:10:14Hello, what's up?

01:10:15Good night

01:10:18So this is the Serrano brothers' tavern

01:10:21Santiago

01:10:22It's so nice to see you

01:10:23How are you?

01:10:25Fuck

01:10:25Did I remember you being taller?

01:10:27And I do remember

01:10:27Well, rock and roll, you know

01:10:29It's been a while, Ramón, mate.

01:10:30I am the same, yes

01:10:31He's the same as always, man.

01:10:35He had a singing duo

01:10:36When the thousand

01:10:37It was one thing

01:10:38A rather melodic group

01:10:40The Whispers

01:10:40Wait, let me introduce you

01:10:42Emilia, my boss

01:10:43Hello

01:10:43How are you?

01:10:45And Uncle, a great friend and companion

01:10:47How are you?

01:10:49What's happening?

01:10:50Hey, dude

01:10:51How are you?

01:10:51Okay, so when are we singing, Diego?

01:10:52What do you mean, when are we singing?

01:10:53Yes, sing a little bit

01:10:54Just like the old days

01:10:55I mean, I mean

01:10:56You used to sing with Ramoncín

01:10:57Love, don't mess with me

01:10:58I'll find out any day now.

01:10:59You were black like Michael Jackson, Diego.

01:11:00Please

01:11:01He's a horndog.

01:11:02He's a horndog.

01:11:08Hello

01:11:09How are you?

01:11:10Good

01:11:11Wow, what a mess with the fire!

01:11:13No?

01:11:14Yeah

01:11:15I've brought you a little something

01:11:17Oh, really?

01:11:17It's because of your birthday.

01:11:19But what if it's tomorrow?

01:11:20Yes, but let it be the first one already.

01:11:32They're beautiful, Raúl

01:11:33No, they're horrible

01:11:34No, I love them

01:11:36Yeah

01:11:36No

01:11:37No, they're horrible, darling.

01:11:38But I couldn't do anything else.

01:11:40I haven't had a penny

01:11:41I had to buy it at the Chinese store.

01:11:44You deserve the best

01:11:45And I haven't been able to this year.

01:11:46But I promise you

01:11:49From now on

01:11:49I'm going to be the best boyfriend in the world

01:11:51Raúl, Raúl

01:11:52Stop talking nonsense

01:11:53I love them

01:11:55They are beautiful

01:11:55Yeah

01:12:01Forgive

01:12:02I didn't want to bother you.

01:12:06Hey

01:12:07I'll change and we'll have a drink, okay?

01:12:09Okay

01:12:09Thank you

01:12:12I love you

01:12:13Me too

01:12:15I love

01:12:23Everything's fine, right?

01:12:32I owe you one

01:12:37Diego, macho

01:12:38I owe everything to you

01:12:40Yes, I did leave you stranded, Ramón

01:12:41That's exactly why.

01:12:42That's exactly why.

01:12:44Yes, you're right.

01:12:45That's sportsmanship.

01:12:46And elegance

01:12:47If it was breaking the hard

01:12:48And for both of them to succeed.

01:12:49You with the music

01:12:50It comes out of the meringues

01:12:51And you with the soaps

01:12:52I'm telling you

01:12:53Okay, let's sing a little bit

01:12:55Let's sing

01:12:56Yes, come on

01:12:56I'll wait for you

01:12:57Yes, yes, I'm going now.

01:12:58I'm going now

01:13:00Santi, I can't

01:13:01I can't go out and sing

01:13:02That I can't

01:13:03Yes, you can.

01:13:04You don't realize

01:13:05I have something here

01:13:05That controls me

01:13:06That possesses me

01:13:06A bout of diarrhea

01:13:07You know how to sing there

01:13:08Even if it's a stiff grip

01:13:09We are

01:13:10Come on

01:13:11This, Ramón

01:13:12Just a little thing

01:13:14What I wanted to tell you

01:13:14A great photo

01:13:15That

01:13:16There it is

01:13:19As you know

01:13:21As you know

01:13:21Here, the one who doesn't have a godfather is the one who doesn't have a godfather.

01:13:23They baptize him for us

01:13:24And it's so complicated

01:13:25This world

01:13:25You have more hands

01:13:26And so

01:13:26Because I have some around here

01:13:28A model

01:13:28It's very nice

01:13:29Very curious

01:13:30And all

01:13:30But we have had

01:13:30Bad luck

01:13:31Soni

01:13:32Whatever you want, darling

01:13:33Okay?

01:13:35Okay

01:13:38Friends

01:13:38Please

01:13:39Welcome

01:13:40To the most important member

01:13:41From the duo

01:13:42The Whispers

01:13:55Everyone believes in love

01:13:58It's passion and abandon

01:14:01And that like Peter Pan

01:14:06They will always be young

01:14:09More than playing with love

01:14:14It's like playing with kerosene.

01:14:18It's going to be with a little spark

01:14:21And whole

01:14:22And you will burn completely

01:14:25To love is to compromise

01:14:27To love is to compromise

01:14:29May happiness

01:14:35It's about giving, not demanding.

01:14:41To love is to compromise

01:14:43More like receiving

01:14:45Because love

01:14:47It's compromising

01:14:53From Rome to Beijing

01:15:00It's known everywhere

01:15:02Everyone

01:15:04You know it.

01:15:07To love is to compromise

01:15:09To love is to compromise

01:15:13May happiness

01:15:17It's about giving, not demanding.

01:15:19Na na na na na na

01:15:21Come on Lucia

01:15:22Curro

01:15:22Let's go

01:15:23To love is to compromise

01:15:25To love is to compromise

01:15:27Na na na na na na

01:15:31May happiness

01:15:33It's about giving, not demanding.

01:15:35Na na na na na

01:15:36Na na na na

01:15:39Damn it, Diego

01:15:40It seems unbelievable.

01:15:41That someday

01:15:41We had sung this guy

01:15:42TRUE?

01:15:43Well, I'm right.

01:15:43Okay, come on

01:15:50If you liked the work

01:15:52Applaud

01:15:53If you haven't done so

01:15:54I ask for your forgiveness.

01:15:55Because with this reverence

01:15:56The show ends

01:15:57Bravo!

01:15:59Bravo!

01:16:00Bravo!

01:16:00Bravo, they're children!

01:16:02This is my son

01:16:03Bravo!

01:16:04It shows.

01:16:04Screw the artistry

01:16:05This is my son

01:16:07The one with the green hat

01:16:07A hug

01:16:08A hug

01:16:09Okay, okay

01:16:10How are you?

01:16:12You're very good at it.

01:16:13My love

01:16:13Good

01:16:13And you, Dad?

01:16:14Did you like it?

01:16:15Because, the way you've been going out

01:16:16All the time

01:16:16Yes, I liked it a lot

01:16:17I went out because

01:16:19From time to time

01:16:19It gives me a slight stomach cramp.

01:16:20Know?

01:16:21And so?

01:16:22Because

01:16:22Being an actor

01:16:23It's complicated.

01:16:24But the thing about being a father

01:16:25It's much more difficult.

01:16:26A hug, my son

01:16:27Very good

01:16:28Well

01:16:28This calls for a celebration!

01:16:29No?

01:16:30Man, of course

01:16:30Come on

01:16:31I have us prepared

01:16:32Some surprises

01:16:33To the tavern

01:16:35Come on, right Santi?

01:16:36Is Ramón still there?

01:16:38Ramón

01:16:38Well, it's still the same.

01:16:40What's wrong with Ramón?

01:16:41No problem

01:16:42Okay, let's go

01:16:43I'm closing

01:16:44I'll stay to close up.

01:16:45See you later Marisa

01:16:46The kids were great!

01:16:48Excellent

01:16:52Come on

01:16:52Santi, don't lie to me.

01:16:53That information is hidden

01:16:54To a wife is a sin

01:16:55And the fat ones

01:16:56Where are you going?

01:16:56So happy?

01:16:57To Milan

01:16:58With my father

01:16:59Hey, no

01:16:59Raúl

01:17:01Why don't you come back in a second?

01:17:03Uh, I'm really busy right now

01:17:04Will you go further ahead?

01:17:05But what do you mean, "later"?

01:17:07You promised me.

01:17:08Okay, I promise you that when there's a long weekend you'll go

01:17:10Really

01:17:10Fuck off

01:17:11But what does it have that I don't?

01:17:13Well, he's handsome, he's a nice guy, you know?

01:17:16Be like me, mostly

01:17:17Hey?

01:17:19Yeah

01:17:19A film club?

01:17:19Clear

01:17:20Yes, yes

01:17:21Furthermore, we can suddenly do a cycle of churros

01:17:25We've switched to Raul's class

01:17:26Yeah

01:17:26What are you saying?

01:17:27But Raúl's don't fly well.

01:17:29Well, that's it

01:17:30In the witch's tavern

01:17:32And here's my wife

01:17:32Twice subjected to the female yoke

01:17:35No?

01:17:35What would Father say?

01:17:36If I lose myself

01:17:36Okay

01:17:37Santi, we jumped in to fight the policeman

01:17:39I feel like I'm in a spy movie

01:17:41Hey?

01:17:41That when tomorrow fills up

01:17:42And if your little worker, your little worker

01:17:44She tells you that you're going to marry a hunk.

01:17:46Let's see what happens to you.

01:17:47Stop it already

01:17:47You're telling me I'm getting a little chilly.

01:17:49And why are you mentioning the worker?

01:17:50It's because he always has to personalize things.

01:17:51I don't know how to communicate with the masses

01:17:53Do you want me to tell you a story, Santi?

01:17:54Yeah

01:17:56He's going on a cruise through the Fitz Islands with his wife, the model.

01:17:59That?

01:18:00That...

01:18:01Say...

01:18:01Scum

01:18:02Things, well, they affect me deeply.

01:18:04Yeah

01:18:04The girl touches your heartstrings

01:18:06And your mother touches you

01:18:07What I know

01:18:08She went from flower to flower

01:18:09There, like a free bumblebee

01:18:10And promiscuous

01:18:11And so happy

01:18:13Until a girl appeared

01:18:14That touched my heart

01:18:16There are the old folks, man!

01:18:17There are the old folks!

01:18:18I'm no good at this, brother

01:18:19No, yes

01:18:20Maybe I was born to be a father

01:18:21Look what I'm telling you

01:18:22Therefore, I must condemn

01:18:23And I condemn Don Santiago Serrano

01:18:25To a sentence of six months in prison

01:18:27Oh!

01:18:36Come to the potato

01:18:36And no, yes

01:18:36He does it for the potato!

01:18:36To the potato!

Los Serrano - 6x06 - Amar es transigir - HD 1080

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