- hace 2 días
Fiti pierde puntos con Candela y su relación empeora día a día. Fiti se viene abajo y Diego y Santiago le echan una mano animándolo a apuntarse a un curso de vídeo. Desde ese momento Fiti tiene claro que quiere ser director de cine.
Marcos se enamora de Raquel y hace todo lo posible por ligársela. Las cosas no le irán muy mal del todo.
El antiguo profesor de gimnasia del Garcilaso abandona el centro y su sustituto es muy exigente, tanto, que obliga a Guille y los demás a ayudar a Boliche para aprobar el examen.
Marcos se enamora de Raquel y hace todo lo posible por ligársela. Las cosas no le irán muy mal del todo.
El antiguo profesor de gimnasia del Garcilaso abandona el centro y su sustituto es muy exigente, tanto, que obliga a Guille y los demás a ayudar a Boliche para aprobar el examen.
Categoría
📺
TVTranscripción
00:00:30This movie is awesome.
00:00:31Sure, man. He's won tons of awards at all the festivals.
00:00:35He has won a lot of awards.
00:00:36Okay, okay.
00:00:38I thought, if it's won so many awards, then it must be good, man. I don't know, idiots.
00:00:42But Dad, is it possible to always fall asleep?
00:00:44You're putting me to sleep, you're putting me to sleep. I'm not falling asleep.
00:00:46The thing is, with these good movies, you need to concentrate and make an effort. In short, an effort.
00:00:51You make an effort when you have to eat cauliflower, but not when you go to the movies.
00:00:55And sometimes my father insists on seeming smarter than he is.
00:00:59Don't you actually prefer the Jackie Chan one? It's right here.
00:01:02Oh, Fiti, you're such a pain. And you've seen it three times. Your eyes are getting squinty, you know?
00:01:06No, three times. If it's three parts. Like Star Wars. A trilogy, really.
00:01:13And of course, nobody likes to look stupid or out of touch.
00:01:17When that happens, we feel very bad.
00:01:22Brother Serrano Tavern.
00:01:24The night at the tavern.
00:01:25A warm and inviting atmosphere that will delight the whole family.
00:01:29Wide assortment of Iberian products.
00:01:32Broths from the land.
00:01:34Tapas and portions at the best price.
00:01:37Weddings, baptisms, communions.
00:01:41Their company meetings.
00:01:43Brother Serrano Tavern.
00:01:45Since 1975, offering the highest quality sausages and the most attentive service.
00:01:52Come now to Taberna Hermano Serrano.
00:02:00Because where there's ham, there's hope.
00:02:03What's happening?
00:02:05Where's the humor in that?
00:02:07Santi, maybe we should commission an advertisement.
00:02:10What man?
00:02:11With the money it cost us.
00:02:13Sorry.
00:02:18The kiss, you?
00:02:19What's the name of the movie?
00:02:21And who are you?
00:02:23V or the kiss original version.
00:02:27No, you're kidding me.
00:02:28In other words, you have to read.
00:02:32That's why I don't come to the movies, damn it.
00:02:33That's why I read Marca and it's not a pain in the ass.
00:02:35It's the end of the fuck.
00:02:38I mean, damn it, huh?
00:02:39I mean,
00:02:41Being right here next to Jackie Chan's is a sin.
00:02:43It's the end of the line for you, man, I'm sure you're hot, man.
00:02:47Give it to me like you do to my wife, I've already got her half convinced.
00:02:49Seen?
00:02:50Look, paint, you know what I mean?
00:02:52Why don't you do it with me?
00:02:53Why is this movie such a drag?
00:02:54It's about you staying here.
00:02:55These discussions, which seem small,
00:03:04They can grow very large.
00:03:06Because when a man loses points with his wife,
00:03:09He'll do anything foolish to get it back.
00:03:11Look, look.
00:03:13On a station platform, under the blazing sun,
00:03:17You were talking about a skyscraper in the sky of New York.
00:03:21Come soon to see the sea, and send a postcard.
00:03:24I already knew that day was the end.
00:03:29Now I have much more.
00:03:32Red, black, stop and even.
00:03:34Finally, luck brings an ace and a crystal to look through,
00:03:38and a wall to hang it on.
00:03:40Seven smiling faces in the ID photo.
00:03:43My stories were not about tales made by chance.
00:03:48Nobody told me that destiny was giving me this opportunity.
00:03:57One plus one equals seven.
00:04:00Who would have thought?
00:04:02It was so easy to be happy.
00:04:08Come on, guys, we're going to get the sums with breakfast.
00:04:23Marcos, son, why aren't you eating?
00:04:25Marcos.
00:04:26Huh? What's up?
00:04:27No, why aren't you eating?
00:04:28God, you bastard.
00:04:29Ah, no, because I'm not very hungry for shrimp.
00:04:31Son, dude, you don't need vitamins, you know?
00:04:33Who knows what he's doing over there, who knows.
00:04:35Come on, hurry up, I'll take you, I have a great reputation as a parent.
00:04:37Come on, Mom.
00:04:38And I'll do the shopping for you.
00:04:39because you have the saddest refrigerator in the neighborhood.
00:04:41Those kids, I don't know, they give me the impression
00:04:42that they are not fed properly.
00:04:45Carmen, let's not start, Carmen, let's not start.
00:04:47Hello, hello, hello.
00:04:48Hi Ramón, how are you?
00:04:48Hey, did you see?
00:04:54How's it going with Raquel?
00:04:56How are you?
00:04:57Was there a topic or not?
00:04:58Tell me, tell me.
00:04:58There was no topic, man, no.
00:05:00No?
00:05:00No, because, you know?
00:05:01It's your fault, I mean, because I listened to you.
00:05:03I kicked it all the way in, man.
00:05:05Is it my fault, man?
00:05:07What are you saying?
00:05:08What happened?
00:05:10What happened?
00:05:11Don't whisper sweet nothings in my ear, you know?
00:05:13With that whole thing about me having her in the bag,
00:05:15So you're bringing me the little guitar?
00:05:16and all that nonsense you come up with that...
00:05:19A kiss, uncle.
00:05:22That?
00:05:24Awesome, dude!
00:05:25Dude, dude, he's not my hero.
00:05:27What did you eat, the teacher's snout?
00:05:29Was it a wet kiss?
00:05:30Or is it with?
00:05:31No, I don't know, I messed up, you don't even realize.
00:05:33I'm not going in.
00:05:34No, I'm not going in, quite the opposite.
00:05:35I had to go out there like a sucker, you know?
00:05:37Come on, I've made a complete idiot out of myself.
00:05:39No way, no way, no way, no way, no way, man?
00:05:42Look, let's see, you've lost a battle.
00:05:43Okay, yes.
00:05:45But hey, now the rest is a piece of cake, man.
00:05:47No, it's not about that, man.
00:05:50Isn't that what it's about?
00:05:53Marcos, have you fallen for the teacher?
00:05:57I?
00:05:58No, not at all, man.
00:05:59I mean...
00:06:00And if I've gotten stuck, what happens?
00:06:03So, what's going on?
00:06:05Well, come in, come in.
00:06:06It pissed me off that one thing is that he gives you a little lesson
00:06:08and another one you want to be your girlfriend.
00:06:10Dude, I was talking to you about sex, Marcos.
00:06:12Sex, okay?
00:06:13I mean, I never once mentioned the word love, okay?
00:06:15I mean, someone has actually heard me say the word love, huh?
00:06:17Has anyone heard it?
00:06:18Have you heard it?
00:06:19Have you ever heard me say anything about love?
00:06:20I haven't heard anything.
00:06:22What's happening?
00:06:22What are you talking about?
00:06:24Well, we were talking about women, about sex...
00:06:27Let me explain.
00:06:28No, no, no.
00:06:30Stop whispering sweet nothings in people's ears, dude.
00:06:32Okay?
00:06:33Shall we go to class?
00:06:34Well-versed in little secrets.
00:06:37I mean...
00:06:37Not one, not one.
00:06:38I mean, not a word, not a word to anyone, okay?
00:06:42And let's see if you understand that from now on, excuses are no longer valid here.
00:06:46nor the silly excuses of wimps for not doing gymnastics.
00:06:50Who is this jerk and the rat?
00:06:51They say he is a legionnaire soldier who escaped from prison.
00:06:54Silence!
00:06:55For those of you who are wondering, I'll tell you that Mr. Eduardo has left the school.
00:07:02From now on, I am the gym teacher.
00:07:06We'll get to know each other.
00:07:08But know that although for many literature is more important than education
00:07:11Physics, for me, is just as important.
00:07:14I mean, dude, we're not even going to try the cute ones anymore.
00:07:17Line up.
00:07:21And now for the exercise.
00:07:29What's your name?
00:07:32José María Bellido.
00:07:33With that body, and we have a little girl's voice?
00:07:37José María Bellido.
00:07:39Bellido isn't deaf, is he?
00:07:41I said straight.
00:07:42We bend with our torso straight.
00:07:44Everyone in a line, looking at the colt.
00:07:57Bellido, what are you waiting for?
00:08:25Bellido, I've asked you, what are you waiting for?
00:08:28I don't know if I'll be able to jump.
00:08:31José María Bellido, my patience is starting to run out.
00:08:35See?
00:08:35The colt doesn't move.
00:08:37It doesn't bite.
00:08:39Jump already!
00:08:41Hon jumped everyone except you, Bellido!
00:09:08All.
00:09:10You better wake up.
00:09:12Either you jump or you'll get a zero on the exam the day after tomorrow.
00:09:17Hello, hello. Come in, come in. How are you?
00:09:21What's up? I'm the director's husband.
00:09:23I am the husband's friend.
00:09:25Delighted. Finally, we see her and we're eager to ask her some things.
00:09:28Yes, she's very busy with her position.
00:09:30But hey, if you have any problems, even serious ones, just tell me and I can filter them out.
00:09:36In confidence. No problem.
00:09:38Good morning.
00:09:39Hello good morning.
00:09:41Excuse me.
00:09:43We're moving a bit fast.
00:09:44Oh well.
00:09:47Well.
00:09:48As you know, this is my first contact with the Parents' Assembly as director.
00:09:53And the first thing I want you to know is that I am open to any kind of suggestion that can improve the functioning of the center.
00:09:58Yeah.
00:09:59I simply want to express my astonishment, which I believe is shared by other parents, at the appointment.
00:10:03Yeah.
00:10:03And what is the reason for this astonishment?
00:10:08Well, many of us think it's quite a coincidence that the sister of the former director is now going to hold the position of director.
00:10:15What a coincidence!
00:10:19Please, one at a time, one at a time.
00:10:21A little bit of order. Let's get organized.
00:10:23The legal procedure has been followed through the school board.
00:10:27Yeah.
00:10:28The fact that the previous director was my brother is a mere coincidence.
00:10:31Yes, of course. No. It's just the same old coincidences.
00:10:34No, please, let them speak.
00:10:36Let the director speak for a moment.
00:10:38Yes, yes, I'll explain myself.
00:10:39I was democratically elected by the school board. All I've done is work.
00:10:44Democratically? Let's get this straight. Democratically. Let's find out before we talk so much.
00:10:53Please.
00:10:53A little more education is needed before entering.
00:10:55Let's see.
00:10:55Who are you to question my education?
00:10:59The director's husband. Is something wrong?
00:11:01That's irrelevant.
00:11:03Beside the point.
00:11:05Leave me alone, because I already know what this is about.
00:11:07But seriously, this is the last straw. The husband.
00:11:10It explains everything.
00:11:11The brother. The husband.
00:11:13There's a lot of nepotism here.
00:11:15What do you mean, nepotism? Hold on a minute, okay? No insults, okay? No insults, please.
00:11:19Without insulting, because there will be more than just words here.
00:11:21Because I'm going to tell you something, okay?
00:11:25You are very clever.
00:11:26Yes of course.
00:11:27Yeah.
00:11:27But you're also very stupid.
00:11:30But that's very silly.
00:11:31You are insulting me.
00:11:33No clown calls me stupid, okay?
00:11:36Clown?
00:11:36Yes, yes.
00:11:37Clown?
00:11:37Clown?
00:11:38You just can't talk.
00:11:39Please, gentlemen.
00:11:41Use your common sense.
00:11:43Violence sets a very bad example for our children.
00:11:47Please.
00:11:50Later we will see the privileges that Christopher Columbus obtained from the Catholic Monarchs.
00:11:54But first we will talk about the Capitulations of Santa Fe, which were a kind of contract
00:12:00between the Kings and Columbus.
00:12:02Although recent studies indicate that it was Marcos Serrano who discovered America.
00:12:11No, Marcos?
00:12:12Yeah.
00:12:18And he also killed Kennedy.
00:12:20And instant soup was invented, and cold fusion is literal.
00:12:24Pay a little more attention, okay?
00:12:27Honestly, they don't make a fuss about accomplices who can't stand them.
00:12:31Oh, girl, well, that sounds good to me.
00:12:32I believe we need to strengthen the student-teacher relationship.
00:12:34What are you going to say, Raúl?
00:12:36Remember to hand in yesterday's exercises.
00:12:38Oh, and we have some unfinished work on the origins of Columbus.
00:12:41Can we do it in groups?
00:12:43Okay, but no more than three per group, alright?
00:12:46Shall we do the work together?
00:12:48Okay.
00:12:49Marcos.
00:12:52Marcos.
00:12:53Marcos.
00:12:53Good.
00:12:54If you'd like to join us for the job.
00:12:57Okay.
00:12:58Please hand in yesterday's exercise before you leave.
00:13:00Don't forget.
00:13:01Thank you.
00:13:02Thank you.
00:13:08Please.
00:13:19Forgive me for the kiss, it was a mistake.
00:13:21But I would make that mistake a million times more.
00:13:23Thank you.
00:13:24Thank you.
00:13:25Thank you.
00:13:26Thank you.
00:13:27Thank you.
00:13:28Thank you.
00:13:29Thank you.
00:13:30Thank you.
00:13:31Thank you.
00:13:32Thank you.
00:13:33Raul.
00:13:54Raul.
00:13:56Raul.
00:13:56Raul.
00:13:57Raul.
00:13:58Raul.
00:13:59Raul.
00:14:00Raul.
00:14:01Raul.
00:14:02My lips are sealed, Eva. Well, not for you.
00:14:07What's wrong with him?
00:14:09Well, you could say that an unfavorable alignment of the planets is causing him some trouble.
00:14:13But the truth is, I don't know anything.
00:14:17They're scum, man.
00:14:20Fuck.
00:14:20And four clowns, right?
00:14:22And some guy with glasses, some guy with glasses there acting smart, who really put me in a bad mood.
00:14:27Damn, man, seriously, they really ruined the event.
00:14:30So? Like what?
00:14:31Well, man, she was the one who left, wasn't she?
00:14:33And with such a bad temper, it was frightening.
00:14:35But why? Why? Why? Because they were insulting her.
00:14:38I mean, a lot of talk and all that, huh? But they were insulting her, weren't they?
00:14:41Yes, yes.
00:14:43Let me tell you something. Thank goodness I was there to defend her.
00:14:45Because where words fail, a good slap will do the trick.
00:14:49Yes, yes.
00:14:49You're doing yourself a favor by telling yourself that's not it either, right?
00:14:52What are you doing, Marco? Wait a minute, there's still a while to go, man.
00:14:54Wait. I'll let you know.
00:14:56Curro, go with a napkin, handsome.
00:15:01Hello.
00:15:02Hello. So?
00:15:03Fiti, hello.
00:15:05Let's go home, please.
00:15:07Hello, wait a little bit, woman, I'm going to have a beer.
00:15:10Fiti, let's go.
00:15:11But what's the rush, darling?
00:15:14Come on, have a drink here with us.
00:15:15Santi, let's go see it from the garage.
00:15:17Come on, let's go.
00:15:18Where are you going?
00:15:19Algarazia.
00:15:19Let's look at one thing because...
00:15:22Damn, what a rough time, huh?
00:15:28What a bitter pill to swallow.
00:15:29Look, don't worry.
00:15:30Now you're going to worry about four dowels.
00:15:33And what about that guy with glasses?
00:15:34You with the glasses...
00:15:35Don't touch me, Fiti, don't touch me.
00:15:37Let's see if you understand that the only idiot here is you.
00:15:39How tense it must be, right?
00:15:42But what are you telling me?
00:15:44Fiti, where the hell do you think you live?
00:15:46In the west?
00:15:48When are you going to learn to keep your mouth shut, dude?
00:15:50When?
00:15:51I only went out there to support you.
00:15:53Damn, everyone was against you.
00:15:55But what do you know?
00:15:56What do you know?
00:15:57Besides, I don't need anyone to defend me, Fiti.
00:15:58I don't need a skirt guard, dude.
00:16:00You didn't even know what we were talking about.
00:16:02So, I go out there to support you and this is how you thank me.
00:16:04What the hell do I have to thank you for?
00:16:05Are you making a fool of me?
00:16:06You're a sexist, you're a sexist.
00:16:09That?
00:16:10Now I'm a sexist, aren't I?
00:16:12So, that's what you're telling me.
00:16:14Yes, Fiti, sexist.
00:16:15I'm calling you a sexist.
00:16:16And you're not any dumber because you don't train.
00:16:18The only thing I hope is that no one has realized that you are my husband.
00:16:22Because I've never been more embarrassed in my life.
00:16:27Never.
00:16:28Ah.
00:16:32I mean,
00:16:33Are you ashamed of me?
00:16:39Yeah.
00:16:39A coffee?
00:17:03Yes, yes, thank you.
00:17:04Okay, I've decided. Do you know what I'm going to do?
00:17:07I'm going to send a circular to the parents to see if they understand the procedure properly because
00:17:09They do nothing but talk and they don't know anything.
00:17:11Yes, don't worry, there are some real jerks out there, and well...
00:17:14No, no, well, I don't want to bother you or...
00:17:20But I wanted to talk to you about...
00:17:24Okay, about the note, I need you to tell me something.
00:17:27Sorry, Marcos, I can't raise your grade.
00:17:30There was a mistake in your work that I'll tell you about later.
00:17:33No, no, I mean, I didn't want to talk about work, I wanted to...
00:17:38I wanted to talk about what happened, about what happened yesterday, and about the note...
00:17:41I can't right now, Marcos.
00:17:42I'm very busy and I don't want to discuss the note with you.
00:17:47And what happened yesterday?
00:17:50Nothing, nothing.
00:17:51Nothing.
00:17:51No, no problem, nothing.
00:17:53Nothing, no problem.
00:17:55Uh-huh.
00:17:56I'll study more for next time...
00:17:58Marcos, I don't know you, okay?
00:18:00I was fighting for a grade.
00:18:01Oh, how awful.
00:18:02How have you incentivized him?
00:18:04No, it's just that, well, I had been working a lot and...
00:18:07And I was thinking that, well, that...
00:18:10That I deserved a better grade.
00:18:12Well, you'll do better on your next job.
00:18:14Especially if you focus on what's important.
00:18:16In the latter, there was a note that made no sense.
00:18:20Okay?
00:18:22But...
00:18:22Well, you could reread that note and...
00:18:25And we already discussed it again, didn't we?
00:18:27We'll discuss it later.
00:18:28But another time.
00:18:29Okay?
00:18:35Bye.
00:18:36Bye.
00:18:40The thing is...
00:18:41I told them that the assignment counted towards their final grade and...
00:18:45I don't know, maybe I've become too demanding.
00:18:47Yeah.
00:18:48You never know.
00:18:49These young kids take everything so seriously.
00:18:53Yeah.
00:18:54Yes, Santi.
00:19:00When he gets stubborn, well, whoever he wants to mess with.
00:19:02Let's go, with Matilda in her time.
00:19:04Candela is right.
00:19:06He's a lout.
00:19:08Today we learn to keep quiet and not get involved with Don Cebara.
00:19:11Watch out, here it comes.
00:19:12How's it going, Fiti?
00:19:13Hello, what's up?
00:19:14How are we?
00:19:15Did the relative calm down?
00:19:17Who, Candela?
00:19:18Hey?
00:19:18Yes, yes.
00:19:20Well, she's still a little nervous, but we had a few words.
00:19:23But, man, that's normal, right?
00:19:24Normal.
00:19:25The thing is...
00:19:26You know how women are.
00:19:28That's because they have to set it up once a month.
00:19:30Know?
00:19:30To say, here I am.
00:19:32It's been 20 years together now, Diego.
00:19:35Well, man, I'm glad you have everything under control.
00:19:37You know that after the storm comes the calm, right?
00:19:42Fiti, I'm talking to you, damn it.
00:19:44Fiti.
00:19:45Fiti, damn it.
00:19:47What's happening?
00:19:50But what's going on?
00:19:51That he is ashamed of me.
00:19:53That he is ashamed of me.
00:19:55Come on, no, calm down, come on.
00:19:57Don't be stupid, damn it, calm down.
00:19:58These things are said in the heat of the moment, don't take it so seriously, man.
00:20:01It's not in the heat of the moment, damn it.
00:20:03That's the fucking truth, damn it.
00:20:05In fact, she experiences the worst embarrassment of her life.
00:20:08Because?
00:20:09Because I'm a idiot.
00:20:11But I don't make it with a joint.
00:20:13I have no conversation, damn it.
00:20:14If I start reading and I always go back to the same line.
00:20:16But you weren't good enough for end-of-term studies.
00:20:19Hey, but you have a gift, you have a gift.
00:20:20And each one is good for what it's good for.
00:20:21For example, what are we good for?
00:20:22For the hams.
00:20:23And you, what for?
00:20:23Well, for the little shop.
00:20:24No, no, no.
00:20:25Look, look, I...
00:20:26I'm going to leave here.
00:20:28That?
00:20:28I'm leaving, I'm leaving, I'm going to...
00:20:30To my mother's village, there, with the guerrillas.
00:20:32Pussy.
00:20:33That's where I need to be, damn it.
00:20:34But, Fiti, Fiti, please.
00:20:35Let's go, think for a bit and don't talk nonsense.
00:20:37Come on, Fiti, think for a bit.
00:20:38You're a damn good mechanic, aren't you?
00:20:40Well, and one other thing too.
00:20:41If we were all intellectuals, who would fix the cars?
00:20:43This whole matter came to me.
00:20:45It's really opened my eyes.
00:20:47I'm being very serious, okay?
00:20:49Fiti, have you ever wondered
00:20:51What does a woman like Candela do?
00:20:53already the headmistress of a school,
00:20:55with a slowpoke like me?
00:20:56Huh? Huh?
00:20:57Hey, Sandy,
00:21:03He's going to the village with the pigs.
00:21:06His mother wanted a piglet.
00:21:07And he hadn't told us.
00:21:09I couldn't make a price.
00:21:11The gym guy is a monster.
00:21:12What does he think he is?
00:21:13Are we in the legion?
00:21:14Do you think I didn't notice?
00:21:15I'm fat and funny.
00:21:17Well, bowling alley, don't say that.
00:21:19Hey, throughout history
00:21:20There have been many famous fat people.
00:21:23Look, we're not going to allow
00:21:23than a simple exam
00:21:24ruin your future.
00:21:26We'll have to do something, won't we?
00:21:27Because, well,
00:21:27Do you want to pass or not?
00:21:29Yes, man.
00:21:30And also that I win the lottery.
00:21:31Okay, but what needs to be done
00:21:32It's about getting in shape.
00:21:33And do you know who's going to help you?
00:21:34Us.
00:21:34That's it, come on, us.
00:21:35And furthermore,
00:21:36with a little exercise
00:21:37and a balanced diet,
00:21:38I think I've had more than enough.
00:21:39Come on.
00:21:39I think that...
00:21:40So, we're going for a run tomorrow.
00:21:49Okay, okay, okay!
00:21:50Goes!
00:21:50Goes!
00:21:50Goes!
00:21:53What's happening?
00:21:56Piti?
00:21:57He says he doesn't get out of bed.
00:21:58Fuck!
00:21:59It's awful, Diego, awful.
00:22:01He says no, nothing, no.
00:22:02Don't get up, don't get up.
00:22:03who doesn't get up.
00:22:04I've already experienced things as they are.
00:22:05But he won't even let me apologize.
00:22:07He won't even let me apologize.
00:22:07I haven't let her tell me anything.
00:22:09Did he say anything to you?
00:22:11What won't he say to us?
00:22:12Nothing you don't already know.
00:22:14He's put his foot in it.
00:22:15and he is sorry.
00:22:17I'm so stupid, the mother who gave birth to me.
00:22:20It really got me going.
00:22:21Don't you know?
00:22:21Don't you know?
00:22:22And now, the truth is, I don't know what to do.
00:22:24What are you going to do, woman?
00:22:25Wait for it to pass.
00:22:26Santi, no, no.
00:22:27Psychology, psychology.
00:22:28We need to use psychology, that's crystal clear.
00:22:30We need to use psychology.
00:22:31The issue is much bigger than it seems.
00:22:33Yes, because the guy is embarrassed.
00:22:34It's complicated.
00:22:35In other words, her self-esteem is at rock bottom.
00:22:37Realize, Candela, that you are now the director.
00:22:39And the workshop.
00:22:40In other words, director and workshop, not a house.
00:22:42Hey, it doesn't match.
00:22:43Okay, very good.
00:22:43But what do we do?
00:22:44Well, we have to motivate him.
00:22:45He needs to be motivated because that's what he has to be working on all day.
00:22:47In other words, if it's stiff, I'm sorry.
00:22:48In other words, you're working all day and your mind is stiff.
00:22:50In the middle.
00:22:51He's got a lot of nonsense going on, man.
00:22:52No, no, no.
00:22:53You're right, Diego.
00:22:54He's been working in that workshop since he was 15.
00:22:55She's another lady and she bores everyone, son.
00:22:57Yeah.
00:22:57What you need to do is find other, I don't know, other interests, learn new things
00:23:01that distract him.
00:23:02To Fiti.
00:23:03Fiti is taken out of his mind and is more lost than a fart in a jacuzzi.
00:23:07Santi, please.
00:23:09Look, he doesn't have any hobbies or other interests or...
00:23:14Fiti likes... um, the...
00:23:18What Fiti is truly good at is...
00:23:22Fiti is the...
00:23:26The...
00:23:27The...
00:23:28The...
00:23:29Beer tasting.
00:23:30Beer tasting, beer tasting.
00:23:31That he hasn't been left with...
00:23:32Let's see.
00:23:33And when he was little, his uncle didn't like something, just like all children.
00:23:35I don't know, for example, swimming.
00:23:37I wonder if the guy won a medal in swimming or something?
00:23:38Ah, many years ago he won third prize in this competition...
00:23:44Or from your videos.
00:23:45With a silly thing he recorded.
00:23:46Candela, what is that?
00:23:49Damn, the guy should make a video course.
00:23:50Maybe the kid's good at it.
00:23:53Imagine we discover that the uncle has an innate talent.
00:23:55Someone open that door.
00:23:57Do you think that could work?
00:23:59Yes, woman, yes, yes.
00:24:00Let's do one thing.
00:24:01You go to school quietly and Santiago and I will get him out of bed.
00:24:05And leave him to us, leave him to Fiti, leave him to us.
00:24:07You place your trust in us because...
00:24:10Where will he be early?
00:24:11Let's do some exercise.
00:24:12Consider whether or not to join.
00:24:13That.
00:24:14To the...
00:24:14To the...!
00:24:15That Catalan is so strange, isn't it?
00:24:17I don't even know how you deal with it.
00:24:22To the...!
00:24:23To the...!
00:24:23To the...!
00:24:26Thank you!
00:24:56Thank you!
00:25:02Thank you!
00:25:04Thank you!
00:25:06Thank you!
00:25:08Thank you!
00:25:10Thank you!
00:25:12Thank you!
00:25:14Thank you!
00:25:16Oh my god, what a stench!
00:25:18Come on, we need to air this out!
00:25:20Let it smell like goat!
00:25:22Let it smell like goat!
00:25:24Come on, come on, come on!
00:25:26I don't want to get up!
00:25:28Come on!
00:25:30You can't sink like that!
00:25:32What if you fall down crying in bed!
00:25:34That's not how things are fixed!
00:25:36Let me!
00:25:38I'm shit!
00:25:40I don't feel like doing anything!
00:25:42It's a piece of shit, what can we do!
00:25:44What are you saying? That you're a piece of shit?
00:25:46I am!
00:25:48You know it!
00:25:50Everyone knows it!
00:25:52Yes, yes, yes, it's just that I don't know how to do anything
00:25:54But how come you don't know how to do anything?
00:25:56Just happened to notice, but we were talking, Santillo
00:25:58We were talking and we remembered
00:26:00And how funny
00:26:01Dude, when did you win that prize in the Olé Tus Vídeos contest?
00:26:04That?
00:26:05Hey?
00:26:06Yes, well, but the consolation prize
00:26:08And because of my mother-in-law
00:26:10The bull has caught him
00:26:11If the bull hasn't caught him, there's no prize or...
00:26:12Well, why don't you keep doing that?
00:26:14Which was funny
00:26:15Yeah
00:26:16Clear
00:26:17I'll put the bull in front of my mother-in-law again.
00:26:19Yes, look, look
00:26:20Well, look, look
00:26:21An accelerated video course
00:26:23Hey?
00:26:24It's in the newspaper
00:26:25Or doesn't it?
00:26:26Why should I care about this?
00:26:27Leave me alone
00:26:28But Fiti, damn it, it's a video course
00:26:29A video course
00:26:30Hey, I'm telling you...
00:26:31That's what you're good for
00:26:32I mean, you have talent for that.
00:26:33And we're not the ones saying it.
00:26:34No, no, I did half of Spain
00:26:35Half of Spain, because I remind you that that contest was by popular vote.
00:26:38Popular vote
00:26:39Pussy
00:26:40You didn't take 250,000 sweet potatoes, Fiti
00:26:42Yes indeed
00:26:43Uh-huh
00:26:44Well, that's true, but...
00:26:46But how?
00:26:47That?
00:26:48How do I sign up?
00:26:50I'm not interested in a course, not a video course or anything like that.
00:26:51If there is...
00:26:52There will be well-read people
00:26:53With intellectual capacity
00:26:54Me too...
00:26:55I'm going to get there
00:26:56And I'm going to make a fool of myself.
00:26:57That's what I'm going to do.
00:26:58Let's see
00:26:59Who do you think you are?
00:27:00For example, it occurs to me...
00:27:01Almodóvar
00:27:02Almodóvar
00:27:03So, did Almodóvar start from the top?
00:27:04No
00:27:05No, it started from the bottom.
00:27:06Because?
00:27:07She was a telephone operator
00:27:08Hey, the guy had a sudden urge.
00:27:09Operator
00:27:10Boom!
00:27:11They should give the guy an Oscar
00:27:12Do you think I...?
00:27:13Yes, Fiti
00:27:14Ah
00:27:16I'm telling you
00:27:18If you sign up
00:27:19Candela looks at you with different eyes
00:27:21No?
00:27:22Host
00:27:23But do you think Candela...
00:27:25Well, that...
00:27:26Have you arranged to meet with the teacher or not?
00:27:28Shh!
00:27:29Wait, dude
00:27:30That?
00:27:31What's going on...
00:27:32I'll watch it later anyway.
00:27:33EITHER...
00:27:34Talk to her alone
00:27:35To talk, to talk
00:27:36To speak you stand up
00:27:37You get dressed and you leave.
00:27:38How funny!
00:27:39I'm going with you!
00:27:40I haven't made a champion!
00:27:41I haven't made a champion!
00:27:42I haven't made a champion!
00:27:43Very good!
00:27:44Okay, so what?
00:27:45It wasn't bad, was it?
00:27:46What do you mean it wasn't bad, dude?
00:27:47But it's been great, you almost want it already!
00:27:48It's been great!
00:27:49All you have to do is remember about breathing.
00:27:51Okay?
00:27:52let's do it
00:27:53Inspire...
00:27:54Sigh...
00:27:55Inspire...
00:27:56Sigh...
00:27:57Know?
00:27:58And you said you couldn't
00:27:59Look at the graph
00:28:00Everything rises
00:28:01Honestly, you're capable of more than you think.
00:28:03Yes, the truth is I'm getting there, huh?
00:28:05Hey, but I need to eat something, Greece
00:28:07My eyesight is getting bent.
00:28:08Why haven't you seen it before?
00:28:09I have everything here
00:28:11I am brave and I jump the vaulting horse
00:28:27I am brave and I jump the vaulting horse
00:28:30Because I'm not fat.
00:28:33Because I'm not fat.
00:28:36Anyone who doesn't jump is a chicken
00:28:39Anyone who doesn't jump is a chicken
00:28:42A bacon and a girl
00:28:45A bacon and a girl
00:28:49Bacon
00:28:50Finish this up and get on with the toilets.
00:28:54Sir, I want to jump the vaulting horse, sir.
00:28:56What? You jump?
00:28:57Hey, Tocinillo says he's going to jump the colt.
00:28:59And who's going to help you, Mom?
00:29:02No!
00:29:05Where are you from, Tocinillo?
00:29:06From the Santa Justa neighborhood!
00:29:07From the neighborhood, sir!
00:29:08In Santa Justa there are only cows and chickens
00:29:12And I don't see the horns
00:29:14Since when do chickens jump over a horse?
00:29:17Co!
00:29:18Co!
00:29:19Co!
00:29:20Co!
00:29:21Co!
00:29:22Co!
00:29:23Co!
00:29:24Co!
00:29:25Co!
00:29:26Co!
00:29:27Co!
00:29:28Co!
00:29:29I asked you if you're ready to jump
00:29:32Because you don't want everyone laughing at you again, do you?
00:29:35This is no longer your home, do you understand?
00:29:45And if you want, you can talk to my lawyer.
00:29:47Oh, no?
00:29:48Look, I'll come see my son when I damn well please.
00:29:50Do you understand, damn it?
00:29:51Get out of my house, get out!
00:29:52Get out of my house, get out!
00:30:10I said I never want to see you again, damn it!
00:30:16Marcos
00:30:17It may be that you are not someone else.
00:30:24Do you want me to come at another time?
00:30:31Raquel
00:30:34Raquel
00:30:36Hey
00:30:42Do you want me to...
00:30:43Would you like me to make you some chamomile tea or... or something?
00:30:50No...
00:30:51No, thanks
00:30:53I'm fine, I'm fine
00:30:55But I think...
00:30:56They think they're so stupid!
00:30:57He can come in here whenever he wants!
00:30:58That...
00:31:00The thing is...
00:31:02I'm sorry, Marcos
00:31:03I'm here giving you the spiel
00:31:09But...
00:31:11Don't worry, don't worry
00:31:13I can do something for...
00:31:15For you, I can...
00:31:17I can help, whatever you need, anything at all.
00:31:20I...
00:31:22I'll get over it.
00:31:23Thank you all, let's go
00:31:25Thank you all, let's go
00:31:29He has hair...
00:31:30A hair...
00:31:48Marcos
00:31:50No, no, no...
00:31:51Forgive me, forgive me...
00:31:52I can't help it, Raquel, it's just that...
00:31:54The thing is...
00:31:55The thing is...
00:31:56I don't know what, I think...
00:31:58It's just that I...
00:31:59That I...
00:32:00I'm falling in love with you
00:32:02No...
00:32:04Please forgive me also for the grade I gave you in class
00:32:07The thing is...
00:32:08That's just how I feel and...
00:32:11I love you, Raquel
00:32:12No...
00:32:14No...
00:32:18Well, so what...
00:32:20That I don't...
00:32:21I'm not going to make you cry
00:32:23Never
00:32:42No...
00:32:43No...
00:32:44No...
00:33:10Friends...
00:33:11Friends
00:33:13You were absolutely right, man.
00:33:15What's wrong with this guy? Did it appear on a spark plug or what?
00:33:18He signed me up!
00:33:20That?
00:33:20What did you write down for me?
00:33:21That?
00:33:21Damn, the video course?
00:33:24Damn, I've just been there for three hours
00:33:26And let me tell you something, okay?
00:33:28I haven't got a fucking clue
00:33:29But it can be learned
00:33:30You can learn, you're right, man.
00:33:33Yes sir
00:33:34Look, look at the awesome camera I bought second-hand, huh?
00:33:38But latest model
00:33:39High resolution
00:33:40You see, Fiti
00:33:42What did we tell you? What did we say to you?
00:33:45You thought a change of scenery was good for you, didn't you?
00:33:46Damn, man, I learned more in that short time than in my entire life, dude.
00:33:49Yes, yes, yes, yes, yes, man
00:33:50I'm going to say one thing, I mean, I haven't understood everything that's been said
00:33:53But I almost did.
00:33:54And I'm going to be there working hard until I catch up.
00:33:57Fiti, that's how you talk
00:33:58Fiti, that's how you talk, Fiti
00:33:59Very well, yes, sir.
00:34:00Hey, you know what the best thing about all this is?
00:34:02That you don't need to go to university to be a film director
00:34:04Oh no, no, no
00:34:06They say a little bit of...
00:34:07The teacher told us.
00:34:08A little bit of sensitivity and observational skills
00:34:10So, what am I doing here?
00:34:13In the tavern, every day, sitting
00:34:14What I do?
00:34:15Hey, normal
00:34:16Yes, this too observe
00:34:18Ah, you saw it like that, yes?
00:34:20Of course, and that's where I realized it, damn it
00:34:22That's where I realized it
00:34:22I have the potential for this.
00:34:24I have wood
00:34:25I was thinking
00:34:27I was thinking about it on the way
00:34:28I mean, what topic can I choose for an assignment that they've already given us?
00:34:32And what can I choose?
00:34:33What do I control the most?
00:34:36Well...
00:34:36Damn, well, the tavern, fuck
00:34:37We have to give it our all, more carefully.
00:34:38The tavern
00:34:39Ah, so hold on tight!
00:34:41What am I going to do to you?
00:34:42The tavern's new advertisement
00:34:44Hey?
00:34:45The ad, what an ad, man.
00:34:46Why don't you go make an announcement to your mother-in-law?
00:34:48That will give you more gameplay.
00:34:49But what better way to make the new tavern announcement
00:34:51What is a better customer?
00:34:52Hey, Santiago?
00:34:54On one hand, I practice
00:34:55And on the other hand
00:34:56You guys are renewing that movie ad
00:34:58That's older than dirt.
00:34:59Come on
00:34:59That's all there is to it.
00:35:01I'm making the new announcement for the tavern
00:35:03Oh, by the way
00:35:04To Candela
00:35:06Not a peep about this, huh?
00:35:07But not a peep, huh?
00:35:08I want to give him the...
00:35:09The surprise of his life
00:35:10Okay?
00:35:12See you later
00:35:13What is he going to announce to us?
00:35:15The one
00:35:22Where is Marcos?
00:35:25No
00:35:25You don't know
00:35:26Well, what a nerve, right?
00:35:28We arranged to do a job.
00:35:29And it doesn't even appear
00:35:30Brilliant
00:35:30Well
00:35:31Let the kid enjoy himself, man
00:35:33Come, bring
00:35:35You seem very tense
00:35:35Come on, Raúl
00:35:36Enjoy it, right?
00:35:38Damn, I want to enjoy myself too.
00:35:39And here I am, getting stuck.
00:35:40Well, let's enjoy it, man.
00:35:41Let's enjoy.
00:35:43You're a little stiff, aren't you?
00:35:45You're a tourist
00:35:46But I immediately
00:35:46I'll do it to you like this
00:35:47And I'll put you...
00:35:48The octopus
00:35:49And keep your hands still, okay?
00:35:50Quiet
00:35:51Hey, where's Marcos?
00:35:52Let's see
00:35:52I don't know
00:35:53He probably went to study with a classmate.
00:35:54Study with a classmate
00:35:56Already
00:35:56That?
00:36:01Hello
00:36:02What's happening?
00:36:02Do you think this is a pension or something?
00:36:04Okay, Dad
00:36:04I'm running a little late
00:36:05I've been out with my colleagues
00:36:07Already
00:36:07With colleagues
00:36:08At one o'clock in the morning on a Tuesday
00:36:09There's nobody in the street
00:36:10With colleagues
00:36:11Come on, enough with the exaggerations, man.
00:36:12That...
00:36:13I'm hungry, aren't I?
00:36:14I'm so hungry
00:36:14Wait, wait
00:36:15I see you're very happy
00:36:16Come on, give me a little breath.
00:36:17The breath
00:36:18No
00:36:20Well, he hasn't been drinking.
00:36:21No
00:36:22Despite the bright little eyes
00:36:23He hasn't smoked, has he?
00:36:24Dad, what's wrong?
00:36:25Can't one be happy?
00:36:26Yes, one can be happy
00:36:27But...
00:36:27But be careful
00:36:28Be careful, we know each other, okay?
00:36:30And you, come on
00:36:31Quickly, it's not the right time.
00:36:33Okay, so what?
00:36:41What's going on here?
00:36:42That?
00:36:43What's going on here?
00:36:44That?
00:36:45Shall we meet to work on something?
00:36:46And you're going out partying?
00:36:47Okay, little sister
00:36:47Don't get like that
00:36:48That...
00:36:49That's great!
00:36:50I'll finish it now.
00:36:51Just a moment, huh?
00:36:52That's cool
00:36:52Because we still have a lot to go.
00:36:53Besides, you looked relaxed.
00:36:54No, not cool
00:36:56Okay?
00:36:57Cool no
00:36:57Because I'd like to be there too.
00:36:58And I've been here all afternoon
00:36:59Getting stuck
00:37:00Okay, fine.
00:37:02I'll finish it
00:37:03Now
00:37:04Okay, and I'll do the next one, alright?
00:37:05I'll do it next time.
00:37:06Hey?
00:37:07Well, if you do it for me
00:37:08Okay?
00:37:08Which is only
00:37:09Put your shirt on properly
00:37:11You're wearing it backwards.
00:37:12Moron
00:37:13This is premenstrual syndrome.
00:37:17What she told my mother
00:37:18It happens to all of them, you know?
00:37:20Okay, so what?
00:37:20He says that...
00:37:21Do you smell like females or pigs?
00:37:23Raúl, that is
00:37:23Give me some time
00:37:24Watch out, man
00:37:25Out
00:37:25There
00:37:26I'll pay you
00:37:26To the left, to the left
00:37:32Okay, okay
00:37:33To the left
00:37:34To the left
00:37:34More, more
00:37:35There, put it, put it
00:37:36Put it there
00:37:37Put it there
00:37:37Come on, hurry up, hurry up
00:37:38Raúl
00:37:39We're going to be late
00:37:39You go to class and I'll go to the workshop
00:37:40Come on
00:37:41Goes
00:37:41Slightly tilted
00:37:42Slightly tilted
00:37:43Okay?
00:37:44Is everyone ready?
00:37:44Good
00:37:45There, that's fine
00:37:46Come on
00:37:46Come on, man
00:37:47A little smile
00:37:49Fuck
00:37:49You look like the brothers from Puerto Urraco
00:37:51Hey?
00:37:52There, joy, joy
00:37:53Come on
00:37:53Let's see
00:37:54Come on, you're ready, right?
00:37:56Good
00:37:56Okay then
00:37:57Come on, secretary
00:37:59Let's record
00:38:00A
00:38:01Two
00:38:02And three
00:38:04Let's go
00:38:05Come on, man
00:38:10Come on
00:38:10Come on
00:38:11Take action, Dad.
00:38:12Oh, yes, sorry.
00:38:13That I made a mistake
00:38:14Ready again?
00:38:15Come on
00:38:16Action
00:38:16Action
00:38:17Hanging
00:38:18Hang up, hang up, hang up
00:38:22Turn it off, turn it off
00:38:23Turn off
00:38:23Cut, cut
00:38:23That's it, cut
00:38:24Let's see
00:38:25Santiago, Santiago
00:38:26Santiago, with you
00:38:28Santiago, we have a problem.
00:38:30But fat
00:38:32We're going to get along, Fiti
00:38:33We're going to get along
00:38:35No, look, look
00:38:35No, it's just that...
00:38:36That your image is not
00:38:38It's not modern
00:38:39As if we were to say
00:38:39So, what we need here
00:38:41It's something new.
00:38:42Something refreshing
00:38:44For the tavern
00:38:45Know?
00:38:45Are you calling me ugly?
00:38:46No, no, no
00:38:48So that you understand me
00:38:49George Clooney
00:38:50Yes, yes
00:38:51But you don't
00:38:52No, it's like no
00:38:54You don't give it to me on camera, man.
00:38:57Let's see
00:38:58Paquillo
00:38:59Please come closer for a moment.
00:39:00Get out of the field
00:39:02Santi, get out of the field
00:39:04Go there, where he was.
00:39:05Come on
00:39:05It takes me out of the ad
00:39:07It takes me out of the ad
00:39:08Be careful, you're risking your job, eh
00:39:11Your job is at stake
00:39:12The director sent F
00:39:13I
00:39:13Come on
00:39:14Okay, Diego, Diego
00:39:17Diego, Diego
00:39:19Diego
00:39:19Diego, come here
00:39:20A little bit of joy, damn it
00:39:22You're stiff there
00:39:24Like without sorghum
00:39:24The ham
00:39:27The ham
00:39:28You think about the ham
00:39:29As if it were another character
00:39:30Okay?
00:39:31Fiti
00:39:32Fiti
00:39:32Fiti
00:39:33Fiti, don't mess with me, eh
00:39:34So, let's see
00:39:34A ham is a ham
00:39:35No?
00:39:36What do you want?
00:39:36Have him talk to him
00:39:37Let me tell you about my life
00:39:37No, no, let's not go crazy
00:39:39Fiti
00:39:40No, no, let's not go crazy
00:39:40Okay, let's go
00:39:41One of the hands is fine
00:39:42One of the hands is fine
00:39:44Leave him alone, damn it
00:39:45Let him be, he's the artist.
00:39:46And let what it does come out.
00:39:46And don't restrict him
00:39:48Don't restrict him
00:39:48It's falling apart
00:39:49It's falling apart
00:39:50There
00:39:50Beautiful, beautiful
00:39:52Fuck
00:39:53Your mother when she sees this
00:39:54He's going to be blown away
00:39:54Okay, let's record again, shall we?
00:39:57Come on
00:39:58Silence
00:40:00Ready, set, go
00:40:03Start
00:40:04Short
00:40:09Martinez, that button
00:40:11Rodrigo hasn't learned yet
00:40:14Time to tie your shoes
00:40:15Nettle
00:40:17The glasses
00:40:18To raid the whole world
00:40:27And you don't think anyone is going to get away with it.
00:40:29Due to lack of time
00:40:30We continue tomorrow.
00:40:32And quickly
00:40:34I'm not in the mood today.
00:40:34We jumped with energy
00:40:46The exam begins
00:40:49Nettle
00:41:11Are you lame?
00:41:14Or has he lost?
00:41:16The sense of balance?
00:41:17My glasses have fallen off.
00:41:18Go back to the queue.
00:41:20And we're going to be here
00:41:23Until he learns to jump
00:41:24As the canons dictate
00:41:25Let's see
00:41:28Does anyone know where the hell
00:41:30Has Bellido gotten involved?
00:41:35What are you doing?
00:41:36What are you doing?
00:41:37We'll see each other
00:41:37Come on, come on
00:41:38Come on, come on
00:41:38Come on, come on
00:41:39It kills us
00:41:42It kills us
00:41:43Come on, come on
00:41:43Come on, come on
00:41:44Come on, come on
00:41:46Come on, come on
00:41:47Come on, come on
00:41:47Come on, come on
00:41:48Please, please
00:41:49Come on
00:41:50Come on, come on
00:41:52God
00:41:53Calm down, is that you?
00:42:03Yes, yes
00:42:03Yes, it's me, Camila
00:42:05Is something wrong?
00:42:06No, no, no
00:42:07Nothing, nothing
00:42:08Don't worry
00:42:09The thing is
00:42:11I thought you were talking to someone
00:42:13No no
00:42:14Yes, yes
00:42:15Via mobile
00:42:16Well, so far, huh?
00:42:24See you later
00:42:25See you later
00:42:25You're crazy
00:42:35It just can't be
00:42:36This cannot be
00:42:37Raquel
00:42:37Hanging
00:42:49Hanging
00:42:50I mean, cut it out
00:42:51Cut, cut
00:42:52Very good, very good
00:42:53Well, nothing.
00:42:53With this little plan already
00:42:54We've ended the ad
00:42:56Hey, Dad
00:42:56It's something that makes me late to class
00:42:58Come on, I'll pick her up
00:42:58Okay, okay
00:42:58I'll pick it up myself.
00:42:59I'll save this one for you, okay?
00:43:01I'll save this one for you.
00:43:0230 years cutting ham
00:43:04But what do you want me to do?
00:43:04If you don't give, you don't give, damn it
00:43:06That's it, that's it
00:43:07If you don't have commercial appeal
00:43:08Well, you don't have it.
00:43:09You lack commercial appeal.
00:43:11If you don't have commercial appeal
00:43:11Even if you add it
00:43:12But
00:43:13You'll see it in the neighborhood cinemas
00:43:14I don't go out
00:43:15I don't go out
00:43:16Santi, just stop it already, man.
00:43:17That's enough, leave it.
00:43:18No, but if the principal tells you
00:43:18You don't have commercial appeal.
00:43:19He's the one who knows
00:43:20Well, you don't have commercial appeal.
00:43:21And besides, you don't give, you don't give
00:43:22You lack commercial appeal.
00:43:23And you don't give
00:43:24And take care
00:43:24Your self-esteem
00:43:25Your self-esteem
00:43:26But that his self-esteem
00:43:27Your self-esteem
00:43:28And what is mine?
00:43:29And what is mine?
00:43:30Yeah I know
00:43:30Come on
00:43:31What are the fishmongers doing there?
00:43:32And the funeral director?
00:43:34Well, nothing.
00:43:34What I have told you
00:43:35So, when I'm done with this
00:43:36I'll get started on yours.
00:43:37In a moment
00:43:38I'm going to the fishmonger's
00:43:40I don't need any advertising.
00:43:42Yes, yes, yes
00:43:42Tomasín
00:43:43Careful, careful
00:43:43What is competition?
00:43:44She's really messed up, huh?
00:43:45I mean, and this
00:43:46Advertisements in the cinema
00:43:47Well, this can capture
00:43:48Customers, tons of them
00:43:50In addition, presentations
00:43:51For you
00:43:52And also, look
00:43:53I'm going to put it on for you.
00:43:53The exit
00:43:54The exit
00:43:55Hey, one thing
00:43:57Tomasín
00:43:57One thing that
00:43:58This
00:43:59How much is spent
00:44:00Cinnamon in fish once a month?
00:44:02Let's see
00:44:02It gets used up
00:44:04It gets used up
00:44:05Well, that's it
00:44:05Hey?
00:44:06That
00:44:06In other words, give the statement to Fiti
00:44:08Okay, I'm coming for you.
00:44:09Tomorrow for me
00:44:10And everyone was happy
00:44:11What do you say?
00:44:15Just to try it out
00:44:16Well, then
00:44:17Well, come on over
00:44:18And we finalized the details.
00:44:19Hey?
00:44:20That's done.
00:44:20Bye
00:44:21Bye
00:44:21Bye
00:44:22See you later
00:44:23See you later
00:44:24See you later
00:44:25Thank you so much for your support
00:44:28That have come out
00:44:29Two new clients
00:44:30Congratulations Fiti
00:44:30Congratulations
00:44:31Pombo Tomato
00:44:32My idea based on 1
00:44:33How's the situation over there?
00:44:34Change
00:44:34Base 1 here
00:44:35There are no Moors on the coast
00:44:37Well, apart from the coast
00:44:38Clear
00:44:38Base 2 to base 3
00:44:41Have you seen the target?
00:44:42And base 3
00:44:42Target not located
00:44:43I repeat
00:44:45Target not located
00:44:46Attention!
00:44:48Attention!
00:44:48Runs!
00:44:49Change and photo!
00:44:49No, Raúl
00:44:51Don't mess with my head now
00:44:52They're not studying
00:44:53I've told you that if you're going to be late
00:44:55You call me on the phone
00:44:56What work does it cost you?
00:44:56But Mom, I'm studying, okay?
00:44:58Studying
00:44:59Hey, for once you study
00:45:00Instead of complaining
00:45:01Hey, well
00:45:01One second
00:45:02That...
00:45:03Hey, what's wrong with you?
00:45:05Are you angry about the bathroom incident?
00:45:06We're taking a risk, Marcos
00:45:08Not now, please.
00:45:09Well, I'm off, I'm in a hurry.
00:45:17Hey, Raúl
00:45:19One moment
00:45:21How's it going with Raquel in class?
00:45:25Good, good, good
00:45:27She's a very pretty girl
00:45:29And he has a great talent for teaching.
00:45:33Okay, fine.
00:45:34Okay, enough with the beers
00:45:35"Good" means better with some than with others.
00:45:38Well, man
00:45:40Now that you mention it
00:45:41No
00:45:41Raúl
00:45:43Let it go
00:45:44No, Mom
00:45:46There really is nothing.
00:45:46No...
00:45:48Nothing
00:45:48How are you doing?
00:45:50Savings for the stereo equipment?
00:45:56Bad, Mom
00:45:56What a load of crap, why are you giving it to me?
00:45:58I thought that now that you're studying so much
00:46:02And applying yourself
00:46:03Well
00:46:03Maybe it was worth it
00:46:05Change the home stereo system, right?
00:46:07And put a...
00:46:08Good team
00:46:09One with...
00:46:13With...
00:46:14With double CD?
00:46:16Yeah
00:46:17And with...
00:46:18And with...
00:46:19With her down?
00:46:20Yeah
00:46:22And with...
00:46:23And with a recorder?
00:46:25Is it more expensive?
00:46:26Yeah
00:46:27Let it go
00:46:28Know?
00:46:32Do you know what's happening?
00:46:35That...
00:46:35That's better.
00:46:37No, well...
00:46:38Buy all the equipment
00:46:39AND...
00:46:40And the one with DVD
00:46:41And with cinema
00:46:42AND...
00:46:43And that's not what it's going to take.
00:46:46Already
00:46:47So you know that
00:46:49You're going to be left without a DVD
00:46:50For your whole fucking life
00:46:51That I am your mother
00:46:53I know something's up
00:46:55And that with or without your help
00:46:56I'm going to find out.
00:46:57To class
00:46:58Here, you know what you have to do
00:47:13Come on, hurry up, hurry up
00:47:14What are you going to give yourself for?
00:47:25The goal is being reached.
00:47:25I repeat, it is...
00:47:26Oh, I've got it!
00:47:27Let's all go, our in-person staff!
00:47:28Come on, hurry up, hurry up!
00:47:29Get up!
00:47:30Come on, run, run, run!
00:47:31Down!
00:47:32Come on!
00:47:34Come on!
00:47:44Come on!
00:48:14God
00:48:21We've loaded it.
00:48:23Now that we've arrived home
00:48:42And we take a bath
00:48:43Ready?
00:48:46Oh, yes, yes!
00:48:47What are you doing here, Marcos?
00:48:48Nothing, I just wanted to talk to you
00:48:49Gaby, hey, hi
00:48:52May I come in?
00:48:54Come in, come in, come in
00:48:56We're going
00:48:59Let's see
00:49:00There's a small bathroom, right?
00:49:02Yes, yes, yes, yes
00:49:03How beautiful
00:49:05I'll be right back, okay?
00:49:09Let's see
00:49:10A little bath
00:49:11Marcos
00:49:19I'm sorry, but
00:49:21You almost got me into trouble today.
00:49:24If Candela sees us
00:49:26I don't know what would have happened
00:49:27No, I don't want it to happen again.
00:49:30Do you understand?
00:49:32Of course I understand.
00:49:32But I'm sorry
00:49:33I mean, I'm not going to do it again at school.
00:49:35You don't understand.
00:49:39Not even at school
00:49:41Not anywhere
00:49:42Are you leaving me?
00:49:44So, you're telling me we're over.
00:49:45What have we finished?
00:49:47But we haven't even started.
00:49:49Marcos
00:49:51I think that
00:49:53You've misunderstood
00:49:55What happened yesterday
00:49:55It was a moment of weakness
00:49:57And I didn't know what I was doing
00:49:58AND
00:49:58But Rachel
00:50:00Yesterday was wonderful
00:50:01What happened yesterday shouldn't have happened
00:50:04And it won't happen again.
00:50:06Forget it
00:50:08Don't make it any harder for me
00:50:10Please
00:50:10Forget it
00:50:12I mean, well
00:50:15Can you at least tell me why?
00:50:16Because I'm your teacher
00:50:18Because I don't want to get involved in another relationship
00:50:19And because you're a kid
00:50:20What, am I a kid?
00:50:22Well, yesterday he didn't seem so young to you, Raquel.
00:50:23Yesterday I was devastated
00:50:25And I let myself go
00:50:26And that's what happened
00:50:28I have to bathe the child
00:50:31That's easy for you, isn't it?
00:50:36And what am I?
00:50:37A Kleenex guy?
00:50:38Sorry
00:50:39A Kleenex child?
00:50:41Is this how you treat people, Raquel?
00:50:44Marcos
00:50:44Get out of my house
00:50:55When you grow up a little
00:51:00You'll understand.
00:51:02How are you, son?
00:51:26Are you OK?
00:51:27Sure, Dad
00:51:29And great!
00:51:29Today I'm going to get dressed
00:51:32I'm going to...
00:51:33Wait, wait
00:51:34Wait, wait a little bit
00:51:35Marcos, you've been coming home very late lately.
00:51:38And that seems strange to me.
00:51:40But it seems strange to me.
00:51:41Because it's weird
00:51:42Well, it's not unusual, Dad.
00:51:43So, I'm out and about with my friends.
00:51:45Don't worry
00:51:46No, but I do worry.
00:51:47I'm worried because it's like your father
00:51:48I have an obligation to care
00:51:49So, that...
00:51:51Could it be that you've been dating...
00:51:53With some girl or...
00:51:54No?
00:51:56Yes of course
00:51:57Because I have friends, both male and female.
00:51:59Good, good, good
00:52:00No, that sounds good to me.
00:52:00Besides, you're at the age to go out.
00:52:01No, but I meant
00:52:03Isn't that good?
00:52:04That you go out with...
00:52:05With some girl
00:52:06Yeah
00:52:06As long as it's from a street girl
00:52:08Yes indeed
00:52:08Let her be a street girl
00:52:09That's it
00:52:10Street?
00:52:13What are you saying, Dad?
00:52:14No, it's not what you're thinking.
00:52:15Man, for God's sake
00:52:15No, what I mean is
00:52:16It's not that it's from...
00:52:17From home
00:52:17In other words, not someone from the family
00:52:18You understand me, right?
00:52:19Can you leave me alone about that?
00:52:22But wow, I'm just amazed
00:52:23In other words, I care about you
00:52:25And the only thing you can think to say to me
00:52:26Just leave me alone
00:52:26Marcos, you're in a really bad place.
00:52:28And then what happens, happens.
00:52:30We don't want it to happen
00:52:31Because if what happens happens
00:52:32And we don't want it to happen.
00:52:33Let's see what we can do, huh?
00:52:34Dad, dad
00:52:34Well, you can rest easy.
00:52:35Because I'm not with any girl, okay?
00:52:37Not even from the street
00:52:38Not from anywhere.
00:52:39Have a good day, son
00:52:41Have a good day
00:52:42Diego, Diego
00:52:49No, no, no
00:52:50That I was leaving
00:52:51I was leaving
00:52:52One question I was going to ask you
00:52:54You
00:52:55You to Marcos
00:52:56Don't you think he's acting a little strange lately?
00:52:57I'm telling you this because I'm worried.
00:53:01Since I am his father
00:53:01I have an obligation to be concerned
00:53:02And I worry about him
00:53:03And because
00:53:04Of course, he's at an age where
00:53:05But you know
00:53:07I was 17 years old too
00:53:08And it's not like I was a bad guy
00:53:10But of course now
00:53:11That's what I was telling you.
00:53:14Well, have a good day
00:53:16See you later
00:53:17As?
00:53:21I'm selling the workshop.
00:53:21Yes, yes, uh
00:53:23And don't believe
00:53:24It's a decision that was taken so lightly.
00:53:26I've done my calculations.
00:53:27And things mostly add up.
00:53:28But what calculation are you going to make?
00:53:30Have you been unfortunate?
00:53:32Respect
00:53:33That I know
00:53:34What is the life of an artist like?
00:53:35I know it's not easy.
00:53:36And I know I have to take the risk.
00:53:38And I've seen this
00:53:39Well, thanks to me
00:53:40Fifth sense
00:53:41And to you
00:53:42That you have supported me
00:53:43I owe this to you.
00:53:45No, no, no
00:53:45Fiti, no, no
00:53:46I told you
00:53:47No, we're going to
00:53:48In other words, we told you
00:53:49No, we told you
00:53:49But for God's sake, Fiti
00:53:50One thing is to be entertained
00:53:52With that nonsense from the video
00:53:53And another very different one
00:53:54It's telling your life to go to hell.
00:53:55Fuck it
00:53:56Yeah
00:53:56What a load of rubbish
00:53:57What a load of rubbish
00:53:58But I already have a ton of orders.
00:53:59What looks
00:54:00I have the fishmonger's advertisement.
00:54:03The one from the funeral home
00:54:04I have a lot of things
00:54:05Well, what if at the beginning
00:54:06I have to start planning a wedding
00:54:07Baptisms and confirmations
00:54:08Well, it's done.
00:54:09Pussy
00:54:09I'm not going to dress up now
00:54:11And then, well, that's how it went.
00:54:11Well, it'll get worse.
00:54:13Furthermore, yes
00:54:14Furthermore, I'm telling you
00:54:15With that
00:54:16And with all the studying I have to do
00:54:17That's already a ton of work.
00:54:19I know I have to study
00:54:20I need to keep preparing.
00:54:21I haven't lost my mind, Diego.
00:54:23Fiti, you've lost your mind
00:54:24You've lost your mind
00:54:25No, it's not that easy.
00:54:27That can't be.
00:54:28No, Fiti
00:54:29But it's not you
00:54:29You were telling me about Almodóvar
00:54:31And how he left everything
00:54:32He risked everything
00:54:32His life
00:54:33And it has reached where it has reached
00:54:35Wasn't that you?
00:54:36Yes, yes
00:54:36Well, yes, but
00:54:37Damn, not the same
00:54:38Which is more
00:54:39It is more sensitive
00:54:42And I, and I
00:54:43No, no, not you
00:54:44Sensitive?
00:54:44No no
00:54:45What do you mean, no?
00:54:46Look, with what I got from the workshop
00:54:47With what the workshop asks for
00:54:48I'm sure I'll get it.
00:54:49One million
00:54:50That gives me a surplus.
00:54:51Just to get by
00:54:52Until my thing rules
00:54:53That
00:54:53And Candela's salary
00:54:56That's great!
00:54:57That's great!
00:54:58Well, that'll do for now.
00:54:59Pulling a cart
00:55:00You go there
00:55:00Fiti, one thing
00:55:02Let's see
00:55:02You didn't tell Candela anything, did you?
00:55:03No
00:55:06No
00:55:07No, I'll tell Candela later.
00:55:09After
00:55:09After me
00:55:10The premiere of my first film
00:55:11I'll just tell him like that.
00:55:12By surprise
00:55:13I want you to
00:55:15Excellent
00:55:16That the husband has
00:55:17That he deserves
00:55:17That she feels proud of me
00:55:20Tonight
00:55:22Grand Premiere
00:55:23I want to see you there
00:55:24I'll pay for this.
00:55:25And I want to see you
00:55:26Cute hairstyles and handsome
00:55:27Okay?
00:55:27Okay, see you later
00:55:28Hairstyles
00:55:29Have you seen the one she sent?
00:55:32So much self-esteem
00:55:33And so much milk
00:55:34So what do we do now?
00:55:35I don't even know why I listen to you.
00:55:37So much psychology
00:55:38So much psychology
00:55:38Listen to me, listen to me
00:55:39Listen to me
00:55:40That this Candela
00:55:41He strangles him
00:55:42Don't you understand?
00:55:42That strangles him
00:55:43First he strangles him
00:55:43And then it comes for us.
00:55:45Come get us
00:55:46Eve
00:55:49What's wrong with Marcos?
00:55:51Is he sick?
00:55:53Yes, I don't know.
00:55:53I think he was unwell.
00:55:54This morning
00:55:55Well
00:55:57Let's look at some slides
00:55:59To differentiate
00:56:00The Ionic columns
00:56:01Of the Dorics
00:56:01And the Corinthians
00:56:02Good morning
00:56:09Please, Marcos
00:56:11Don't interrupt the class
00:56:12And turn off the light
00:56:13Clear
00:56:13Your wish is our command
00:56:15For me, Raquel
00:56:15Well, if Marcos
00:56:25It leaves us
00:56:25We will be able to see an example
00:56:26Doric column
00:56:27Here we have
00:56:35Marcos, if you were so tired
00:56:38You could have stayed in bed
00:56:39Okay, where was I?
00:56:42By the Doric column
00:56:44Don't get nervous
00:56:46Don't get nervous
00:56:46Chati
00:56:46What's the matter?
00:56:54Do you have a problem?
00:56:55Kids' stuff
00:56:56Oh, that's not something to talk about here in class.
00:56:58The poor people already have enough to deal with.
00:57:01Or how boring your explanations are
00:57:02Can you turn me off there, professor?
00:57:06Perhaps you'd like to liven up the class for us.
00:57:08Since you woke up feeling so inspired
00:57:10Go to the blackboard
00:57:12Marcos, come to the board
00:57:15Draw a Doric column
00:57:28Do you think you're that smart?
00:57:37What's going to be extra?
00:57:44Is this all I've learned in your class so far?
00:57:49Shut up!
00:57:52Leave the classroom right now.
00:57:53And you'll wait for me in the teachers' lounge
00:57:54Already!
00:57:58Marcos, come outside
00:57:59I will not tolerate this type of behavior in my class
00:58:14Is that clear?
00:58:23Hey, he's not coming!
00:58:30I couldn't escape Rambo!
00:58:35Take that, it's time to fly, dude!
00:58:53Line up!
00:58:58As I told you
00:58:59In this subject, the following are not valid:
00:59:01Not even the supporting documents
00:59:02Not even babyish excuses
00:59:04Not for me
00:59:05Not for anyone.
00:59:06And I see that Bellido has understood it too.
00:59:10So let's continue with the exam
00:59:13Everyone seated
00:59:15José María Bellido!
00:59:17Like I told you, you're the first to jump in.
00:59:19Forward!
00:59:45Bellido, let this saying jump
00:59:46Or are you deaf as well as fat?
00:59:54Yes, I'm fat.
00:59:55And?
00:59:57You haven't even tried
00:59:58You have a zero
01:00:01You know what I'm saying?
01:00:13I don't care about you, the colt, or the zero.
01:00:16What did you say?
01:00:19What he said
01:00:20And I don't think it's that important
01:00:22Jumping over a piece of wood while being agile
01:00:23And that's what I've learned.
01:00:25Thanks to your damn exam
01:00:27I've learned that it doesn't matter.
01:00:29Being fat or clumsy
01:00:29The only thing that matters is...
01:00:33The only thing that matters is friends
01:00:35Having friends
01:00:37I don't think you have many
01:00:39But I know
01:00:40The next one
01:00:47Guillermo Serrano
01:00:49I can't jump
01:00:55I also feel fat
01:00:57Suspended
01:01:00Mustafa Rashid
01:01:02I'm fat too.
01:01:05And I can't jump
01:01:06María Teresa Capdevila
01:01:12You too?
01:01:16Yes sir
01:01:16It's an epidemic.
01:01:17We all feel very fat
01:01:19Does anyone want to pass the subject?
01:01:26I feel fat too.
01:01:28I'm fat too.
01:01:31I'm fat too.
01:01:32I'm fat too.
01:01:35I'm fat too.
01:01:36I'm fat too.
01:01:37Very good
01:01:43You are all suspended
01:01:46But this isn't going to end like this.
01:01:48But you're an idiot.
01:02:11Or what the hell is wrong with you?
01:02:14What's happening?
01:02:15Have you run out of swagger?
01:02:17Hey?
01:02:18Look, I'm not going to allow it
01:02:19May you disrupt my classes
01:02:20Is that clear?
01:02:22How dare you treat me like this?
01:02:24Luckily, Raquel
01:02:25Look
01:02:27From now on
01:02:28Forget what happened
01:02:29Among us
01:02:30Forget everything
01:02:31I am your teacher
01:02:32And you are my student
01:02:33And you will only speak to me.
01:02:35Regarding academic matters
01:02:35Is that clear?
01:02:46I'm an idiot.
01:02:50Because
01:02:54Because I always fall in love
01:02:57From the wrong person
01:02:58Marcos, I'm sorry
01:03:07Don't worry, Raquel
01:03:09It's passing now.
01:03:13No, I won't bother you again.
01:03:21I promise you
01:03:22No, I won't bother you again.
01:03:23No, I won't bother you again.
01:03:24No, I won't bother you again.
01:03:25Dude, I can't believe it
01:03:55My God, what's coming his way
01:03:59To Marcos, uncle
01:04:00I had never seen her like that before.
01:04:02Do you think they'll fire him?
01:04:07Man, Charlo doesn't
01:04:07But he opens a file on fixed-term contracts.
01:04:10They're taking a long time, aren't they?
01:04:16Dude, I'm getting nervous
01:04:17I'm going to see what happens
01:04:21Vines
01:04:22Dude, they've probably called my mom.
01:04:25I'll pass.
01:04:26I'm coming
01:04:27Well, it gives me trouble, doesn't it?
01:04:35Dude, I'm getting nervous
01:04:36Dude, I'm getting nervous
01:07:23Come on, come on, you're a clown, a clown, man, a clown.
01:07:26Get lost, man.
01:07:27Come on.
01:07:31Wait, I'm going to leave.
01:07:33I'm going to leave because of something like this.
01:07:35Yes, yes, he's in a hole.
01:07:36I'm nervous.
01:07:37Something, he'll tell me later.
01:07:39Okay, you're a smart aleck.
01:07:42Serrano Brothers Tavern.
01:07:45A blend of tradition and modernity.
01:07:48Upscale atmosphere, affordable prices,
01:07:51Local wines and a wide selection of tapas and portions.
01:07:56What are you waiting for?
01:07:58Come now.
01:08:00Serrano Brothers Tavern.
01:08:03Santa Justa Street, number 18, semi-corner, General Cifuente.
01:08:07That?
01:08:09What, am I the director?
01:08:12From... from the ad.
01:08:15I mean, the one they put in front of the movie.
01:08:18I can't watch it because if I'm inside I get very nervous.
01:08:22Oh, and Thursdays are ham day.
01:08:25Two tapas for the price of one.
01:08:29Oh, late and no!
01:08:30I haven't done anything I've never done before, damn it.
01:08:33I'm going to tell you something, Fití.
01:08:35Very good, huh?
01:08:36Shh, so he'll like it.
01:08:38Very good, really very good.
01:08:42Okay, so what?
01:08:44Well, I have to watch it again, you can't hear it.
01:08:47I, Fití, don't know what people will say, I mean, what people will say to him, but I don't know.
01:08:50But I liked it.
01:08:51I liked that.
01:08:53Yeah.
01:08:53You've taken a bold step, and I like it.
01:08:55Well, listen, I just got a call, huh?
01:08:58That it's an emergency.
01:08:59I'm leaving because I'm not going to make it, okay?
01:09:00Okay, see you later.
01:09:01If that's the case, I'll call you next week and you can speak for everyone, okay?
01:09:06Come on, come on, customer, you're in charge, huh?
01:09:08There's no rush when he comes to look.
01:09:09Okay, see you later.
01:09:15That?
01:09:18Froglillo, right?
01:09:26Damn it, I'll poke a stick.
01:09:28I love that you did it for me.
01:09:35Really.
01:09:38And what were you going to tell me about the workshop?
01:09:40From the workshop?
01:09:41Oh, no, nothing, nothing, nonsense.
01:09:44Don't forget.
01:09:45I'm telling you, we'll have to celebrate, right?
01:09:48This.
01:09:49Shall we go to the Chinese place?
01:09:50To the Chinese place?
01:09:51Well, you've left me with a stone.
01:09:52Dreaming of doors that will not open for me.
01:09:58I'm that boy next door.
01:10:04And as time passed,
01:10:08Disillusioned, I couldn't wait any longer.
01:10:11I have to accept it, there will be no signal or place.
01:10:20Because you're just the girl next door.
01:10:26I feel the girl next door.
01:10:56You're the girl next door.
Sé la primera persona en añadir un comentario