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  • 2 days ago
First broadcast 9th October 1974.

Larry has moved into the flat but his slovenly ways and habit of nicking the others' food are not exactly endearing him as a house-mate.

Richard O'Sullivan - Robin
Paula Wilcox - Chrissy
Sally Thomsett - Jo
Yootha Joyce - Mildred Roper
Brian Murphy - George Roper
Doug Fisher - Larry
Norman Chappell - Mr. Morris

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📺
TV
Transcript
00:00I
00:30Oh, my God.
01:00Oh, my God.
01:29Hey, Chrissie, you're up and you're dressed.
01:35Hell, I thought it was Saturday.
01:37You could have given us a shot, couldn't you?
01:39I'm going to be so late, I could have sworn it was Saturday.
01:41It is Saturday.
01:42If you could just go into my bedroom, get my shoes, get a tie or something.
01:45I'm out of time.
01:47You what?
01:49Robin, it is Saturday.
01:51What are you up so early for?
01:52Well, it's the only way I can get in the bathroom before he hogs it.
01:55Yes, I know what you mean.
01:57I mean, how can he be in there for three quarters of an hour and still come out with a stiff flannel?
02:02He's probably a soapy handman.
02:04Very likely.
02:05But, I mean, I know he splashes about a lot.
02:07He leaves a ring round the walls.
02:08Look, I know you don't like Larry, but he is a friend of mine.
02:13He's eaten all your breakfast.
02:14There's no bacon left.
02:16I've gone off him.
02:18There's no milk either.
02:19He's had that.
02:20Oi, wake up.
02:20Oi, oi.
02:22Her husband's coming.
02:23What?
02:24Charming.
02:27You've been having midnight snacks again, haven't you?
02:29Oh, yeah.
02:29Well, what happened was, see, I got up for a glass of milk and the bacon fell out of the
02:34fridge.
02:35Well, knowing how fussy you are, rinsed it under the tap, put it under the grill to dry
02:39it, and it smelled so good I ate it.
02:42Not good enough.
02:44No?
02:44Well, how about I was walking in my sleep and I went to the...
02:47They were my fags.
02:49They were half full last night.
02:51I was smoking in my sleep.
02:52He's got to go.
02:53He's got to go.
02:54He's got to go.
02:56What's she trying to say?
03:00Larry, do you want me to give it to you straight, or do you want me to be diplomatic?
03:06Oh, be diplomatic.
03:08You're a thieving, scrounging, pain in the neck, and you're getting on everybody's wick.
03:13Yeah, I'm glad you didn't give it to me straight.
03:16Do you want your Rice Krispies dry, or do you want cooking sherry on them?
03:19Oh, no, I don't think so.
03:20Do you snap, crackles?
03:21No.
03:22Two days, you said we'd put him up.
03:23He's been here two weeks.
03:25Morning, all.
03:26Do I have small bacon?
03:27Not unless your nose is slow.
03:30Is he no hurry to leave?
03:32Last night, he was talking about where to put the Christmas tree.
03:34Oh, no, come on, Chrissie, don't exaggerate.
03:35Okay, sometimes, you know, he may be in the bathroom when you want to use it.
03:39Like now?
03:40No, no, no, he's not in there now.
03:41Oh, isn't he?
03:42Morning, Joe.
03:42Lendish, it's our line.
03:43Shon't be long.
03:45He's got to go.
03:47Right, he's got to go.
03:48As a matter of fact, so must I.
03:49I hope he's not going to be in there long.
03:50What?
03:51Grab him by the scruff of the neck and boot him out.
03:54He's your friend.
03:55All right, all right.
03:55I'll tell my best mate you're out, okay?
03:59Nowhere to go.
04:00Sleeping on the embankment in the rain.
04:02Yeah, I'll tell him.
04:03But I'll tell you this.
04:05I don't know how I'm going to stop laughing.
04:08Who's drunk all the milk?
04:10Oh, don't start that again.
04:10I'll tell you what, I'll go down a Mrs. Rope and scrounge some milk off her, okay?
04:13With no trousers on.
04:14I still stand by what I say, George.
04:19You are not giving me enough.
04:22I need more.
04:24Yeah, well, I'll do the best I can, dear.
04:28But it's not enough, George.
04:30I mean, £9 a week goes nowhere these days.
04:33Do you know what a fillet estate costs?
04:34No.
04:35No.
04:35Neither do I.
04:36I can't afford it.
04:37I'll give you me wage packet every week.
04:40Yes, George, but you never leave any money in it.
04:43No, I mean to show you what I earn.
04:45Anyway, my mother brought up eight kids on £30 a week.
04:48And there was love and laughter.
04:50It was a very happy home, considering we were all starving.
04:54Everybody was poor in those days, George.
04:57No, it's just us.
04:58I mean, why don't you get yourself a proper job
05:00instead of that part-time job round the betting shop?
05:02Yeah, well, it's me health, Mildred, isn't it?
05:04There's nothing wrong with you but dandruff.
05:07Well, that's clearing up nicely now, you're going bald.
05:10Look, just for once, Mildred, just for once,
05:12why don't you mention one of my good points, eh?
05:18You're well insured.
05:20That is it.
05:21I've had enough.
05:23I'm going up to my den.
05:25Nag, nag, nag, nag, nag, nag, nag, nag, nag, nag.
05:28Morning.
05:28Morning.
05:29Oh, morning, love.
05:30Come on in.
05:31Hello.
05:32Er, can you spare a drop of milk?
05:34Oh, I'm sorry, love.
05:36That young man that's staying with you,
05:37he borrowed my last pint yesterday.
05:38Oh, he's got to go.
05:40Wouldn't he mind?
05:40The milk will be here in half an hour
05:42and there's enough in there, you know, for a cup.
05:44Sit down.
05:44Oh, thanks.
05:46Er, is the rope of feeling all right?
05:49Oh, he's just gone for a sulk in the attic
05:50along with the rest of the rubbish.
05:52The attic?
05:53Mm.
05:54He's supposed to be clearing it out.
05:56Mind you, he's been doing it for seven years.
05:57Hey, what's it like up there?
06:05Oh, I don't know.
06:10Give her any peace.
06:21Oh, boy.
06:22Ah, there we go.
06:27Oh, dear.
06:36Sounds as though he's out of the bath.
06:39We've gone down the plug hole.
06:41We couldn't be that lucky.
06:44Right, then.
06:44What's for breakfast?
06:45Oh, nothing.
06:47This restaurant is for residents only.
06:49What does that mean?
06:50Robin will tell you.
06:51Fine.
06:52Oh, your towel fell in the loo.
06:54Sorry.
06:55Tell him!
06:58Tell me what?
07:01You've got to go, Larry.
07:02OK, I'll go.
07:04Look, look, I mean, not now.
07:05Not, you know, not this instant.
07:07No, neither do I.
07:08Oh.
07:09Well, I mean, you wouldn't put me on the embankment
07:10sleeping in the rain, would you?
07:11Well.
07:12No, but I've got to find myself somewhere, haven't I?
07:15I'll find someone to share with.
07:16You've got to be very careful who you share with.
07:18Some people can get on your nerves very quickly.
07:20You know what I mean?
07:20Yes, I know what you mean.
07:21On second thoughts, I withdraw what I just said.
07:23What, about me going?
07:24No, about you not having to leave right away.
07:26Now, Larry, please leave, go.
07:28Right?
07:29I mean, you don't know what I've been getting
07:30from those two girls.
07:31Yeah, I've got me suspicious, though, eh?
07:34Not that, the other.
07:35Yeah, that's what I mean.
07:37No, I mean the complaints.
07:39The moans.
07:41Now, Larry, they've laid it on the line.
07:43One of us has got to go.
07:44Tricky.
07:49It isn't tricky.
07:51You're going.
07:53But we're mates.
07:54Muckers.
07:55We've been friends for years, you and me.
07:57I remember the face, but the name escapes me.
08:01Give me one more week, mate.
08:03One day, stranger.
08:06Yeah, OK.
08:08If I'd have been you, I'd have kicked me out weeks ago.
08:10You would.
08:10Yeah, if you hadn't said something soon, I'd have mentioned it myself.
08:14I'll go and get the local papers.
08:16Oh, Larry, listen, I've got something to tell you.
08:18That's all right.
08:18He's already told me.
08:19See you, mate.
08:20Uh, sorry.
08:21Stranger.
08:25Well, Chrissy, I told him I've given him till tomorrow to get out.
08:31Oh, that was a bit harsh, wasn't it?
08:34I give up.
08:34I give up.
08:36Actually, there's an attic upstairs.
08:38It'd suit him down to the ground.
08:39Pardon?
08:41Mr Roper's clearing it out, or he's supposed to be.
08:43That must be those noises we hear sometimes.
08:44Oh, and I thought he was up there building a glider trying to escape from Mrs Roper.
08:48Yeah, but there's a proper room up there.
08:50It's dirty, untidy and vacant.
08:52Who does that remind you of?
08:53Larry.
08:54Right.
08:54Yeah, but, well, they rent it out, you know.
08:56You know who wears the trousers?
08:57Yes, I do.
08:58And she said she will.
08:58Oh, he's used the hot water, all of it.
09:02Never mind.
09:03With a bit of luck, he'll be going up there.
09:05Oh, good idea.
09:06Let's murder him.
09:10Got me now.
09:12Oh, Swedish.
09:16Oh, 17.
09:21Oh, God.
09:26Ah, er, er, hold on.
09:29Just a minute.
09:31I'll, er, I'll be right with you.
09:33Er, yeah.
09:34Right.
09:36Don't worry, a minute.
09:42Just doing a bit of polishing.
09:44What are you doing here?
09:46Er, Mrs Roper said we could come and have a look.
09:48Look at what?
09:50The attic?
09:50Oh, er, yeah.
09:52All right, well, come in.
09:54Yes, er, this is it.
09:57Yes, I've, er, I've been tidying up.
10:00What was it like before?
10:02Well, these things take time, you know.
10:04I mean, Rome wasn't burnt in a day.
10:06Yes, and some of this junk is very valuable.
10:09I mean, you take that, for instance, you see this moose there.
10:11Oh, that was magnificent before the moths got at it.
10:13That was, er, killed by moths.
10:15You could do quite a lot with this place.
10:18You could put a stove and a sink over there, bed over there.
10:21No, I only pop up here for an hour or two.
10:23I don't want to live up here.
10:24What, and we could paint the walls, put some lino on the floor?
10:27No, no, no, it's just to get away from her, you see.
10:29Look out here.
10:30Have you listened to her voice?
10:31It goes on and on like a rusty flexor.
10:34Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
10:38Well, dears, what do you think?
10:41Well, I think you'd be very comfortable up here.
10:43Yeah, and he'll be out of everybody's way.
10:45Yeah, hang on a minute.
10:46Oh, I mean, we may have our tiffs, Mildred, but, well, you can't make me live up here if I don't want to.
10:51George, well, you're talking...
10:52Have I said something to upset you?
10:53No, no, no, no, no, no, it's Larry.
10:55I've hardly spoken to him.
10:57He's moving in up here.
10:59Oh.
11:01I thought for a moment you'd be...
11:03No, he's not.
11:05Right.
11:06That's agreed, then, dears.
11:08Now, all you've got to do is to just shift all this rubbish yourself.
11:11Yeah, that'll be fine.
11:12Yeah, I'm not having it, do you hear me?
11:13And, of course, it need redecorating.
11:15No, Larry will do that himself.
11:16I'm putting my foot down, do you listen?
11:18You see, all you're going to do is to board up that water tank, a bit of new pane in the windows.
11:22Well, it'll be lovely when it's all finished.
11:24That'll be marvellous.
11:24Yeah, yeah.
11:25I said no, and when I say no, I mean no.
11:27Oh, shut up, George.
11:30Either you rent this room or you go out and get a proper job.
11:33Oh, yeah, well, I'm quite willing to sell him some of the furniture.
11:37Well, actually, he's got some rubbish of his own, dear.
11:39Oh.
11:42This turned out very nicely, dears, didn't it?
11:44Oh, George, there is just one problem.
11:48What's that?
11:48Where are you going to put all your dirty books now?
11:52Oh.
12:10No, it's great. You'll absolutely love it.
12:26Yeah, it's a super room, just what you've been looking for.
12:28And it's got tremendous, um...
12:30Uh, possibilities.
12:32That's the word.
12:33Of course, you'll have to sort of use your imagination a bit.
12:36Well, quite a lot, really.
12:36Yeah, yeah. But, I mean, you know, if you sort of...
12:38Just sort of, um, prepare your mind, you know.
12:42And don't so much look at the room as much as the, um...
12:47Possibilities.
12:48Right, right. Right, now, what do you think?
12:54Bloody hell!
12:56You're not looking at the possibilities, Larry.
12:58No, I mean, you know, get rid of the rubbish, you know, tidy it up, curtains,
13:02the sun's shining through the window.
13:03Now, just think about it.
13:05Yeah, I'm thinking about it.
13:06Bloody hell.
13:10You'd just want to get rid of me, didn't you?
13:11Anywhere I'd do.
13:12Yes.
13:14It's a crummy attic.
13:16Yeah, but, I mean, paint it white and you've got a...
13:18Uh, a white-painted crummy attic.
13:21Who's that are you on?
13:23Joe, you tell him.
13:24You can see the possibilities, can't you?
13:26Bloody hell.
13:28They are, see?
13:30She speaks her mind.
13:31She doesn't just want to get rid of me.
13:33Oh, yes, I do.
13:34Oh, charming.
13:35That's gratitude for you.
13:36After all we've done for you, and that's the thanks we get.
13:38Ain't about.
13:39I haven't said I don't like it yet, have I?
13:41Not in so many words.
13:42Well, then.
13:43Do you like it?
13:43No.
13:47That's it.
13:48I wash my hands of him.
13:49So do I.
13:50Me too.
13:51Let's all wash our hands, eh?
13:52He's filthy up here.
13:53Hello, son.
13:53What do you think of the place?
13:54Well, I've never seen him...
13:55Oh, he loves it.
13:55Loves it.
13:56Loves it.
13:57Listen, Larry, I'll tell you something.
13:58I wouldn't mind living up there.
13:59There you are, you see?
14:00She wouldn't mind living up there.
14:02No, I'm serious.
14:03You what?
14:03Well, it's self-contained, private.
14:05No one to pinch your make-up or tights.
14:07I don't wear make-up or tights.
14:09Neither do I half the time.
14:11They keep getting pinched.
14:12I don't wear your make-up.
14:13Well, somebody does.
14:14Or I admit it, it's me.
14:16They keep my shameful secrets in the news of the world.
14:21How about you borrow them and you don't give them back?
14:23That's better.
14:24I'd have the whole place to myself.
14:26No more arguments about snoring.
14:28I don't snore.
14:29No, but I do, and I'm fed up with feeling guilty about it.
14:32And £7 a week.
14:34That's less than I'm paying here to share.
14:36£7?
14:37That's not bad, actually, because that room has got a lot of...
14:40Possibilities.
14:41Yes.
14:42Actually, I wouldn't mind living up there.
14:44No, just a second, girls.
14:45I don't want you two falling out over a crummy attic,
14:48so I'll take it.
14:50Why?
14:52Well, I mean, you're right.
14:53It's private.
14:54I could take a girl up there any time I like, give her a...
14:56You ain't no bounce.
14:59Let's not forget it's my room we're talking about.
15:02I do hope my husband hasn't given you the wrong impression
15:05about all the stuff in the attic, Mr Morris.
15:07A treasure house of objet d'art and antiques?
15:10He has given you the wrong impression.
15:15Oh, hello, Mr Morris.
15:18We have met on the phone.
15:20Yes.
15:21I'd just like to say I do know the value of what I got.
15:24I watch Arthur Negus.
15:26Oh, yes, you take that for instance, you see.
15:28Now, that could be Ming or even Tang.
15:31Well, there's an easy way to tell.
15:33If it was Ming, it would go Ming.
15:36If it was Tang, it would go Tang.
15:39This one goes Woolworth.
15:43George, why don't you show him your Chippendale pram wheel?
15:46Now, you keep out of this.
15:47Oh, hey, here.
15:48Now, here, here, here.
15:49This is interesting, you see.
15:51Yes, you get a new set of strings,
15:53a new bridge,
15:55and a new back.
15:56Be good as new.
15:57Haven't you got any Mycine or Rococo Save or Mayonica?
16:02Yeah, I may have.
16:04If he knew what it was.
16:05Oh, I tell you what,
16:06I've got quite a collection of the Beano and the Dandy.
16:09They might be worth a few, Bob, to a collector.
16:11They are pre-war, are they?
16:12Well, no.
16:14Last year's most of them.
16:15The only thing that fetches a price nowadays
16:18is really old stuff.
16:19I mean, really old.
16:21Oh, you ought to come down and have a look through my wardrobe.
16:23Oh, here.
16:26I'll tell you what I've got.
16:27I've been saving this.
16:28This is my granddad's old clock, you see.
16:30What do you think of that?
16:32Is that in working order?
16:34Well, no.
16:35Thank God for that.
16:36I thought I was late for my next appointment.
16:39All right.
16:40I don't want to be unfair.
16:41Ten quid the lot.
16:43Certainly not.
16:44Please yourself,
16:45but no one else will shift this junk for less than ten quid.
16:49That room was offered to me.
16:51I'm entitled to first refusal,
16:52and I haven't refused, right?
16:54It's just it took me a while to see the possibilities.
16:57Bringing a girl back any time you like?
16:58Yeah, and painting her white.
17:00So I'm having it, OK?
17:03Listen, he only wants it because we want it.
17:06I told you it would work.
17:07You're a bit of a psychologist on the quid.
17:09Well...
17:09On the other hand,
17:11I don't want to be unfair.
17:12What?
17:13Well, I mean, you did find a room.
17:14I don't want to live up there with you three resenting it.
17:16Why not?
17:17You live down here with us three resenting it.
17:18Larry, you go up there
17:21and have that attic with our blessing.
17:23Yeah, I see.
17:24Sarcasm, bitterness creeping in already.
17:27Here, I hope.
17:28We're drawing lots through, has it?
17:29Oh, that's fair.
17:31What it is.
17:32Look, Larry,
17:33there is no need for this, mate.
17:34Four bits of paper,
17:35four names.
17:36Is it Chrissy with a Y?
17:37Yes.
17:38Yeah.
17:38Right.
17:40Robin,
17:40my 1B.
17:43Right.
17:44Joe.
17:44I think I can manage that.
17:47And myself,
17:49Larry.
17:51Well, Giz,
17:51you can clear it out as soon as you like.
17:53It's all for the rubbish tip.
17:54Nicely timed, Mrs R.
17:56Pick a name.
17:57Pardon?
17:57Oh, this is dark.
17:58Just take one bit of paper.
18:00Oh, all right.
18:01That's fine.
18:01Would you read out the name, please?
18:04Larry.
18:05Oh, congratulations.
18:06Well, I'll just go and borrow a van
18:10and I want you to start clearing out
18:11my little penthouse.
18:13Er,
18:13I don't know if it's important, dears,
18:15but all the rest of these slips
18:17have got Larry written on them as well.
18:20I rather thought they would have.
18:21Don't worry.
18:27Oh, come on.
18:29That's enough.
18:29I can't take any more.
18:30I'll do myself a mischief.
18:31Love you, Miles.
18:32Eh?
18:33All right.
18:34All right.
18:34You're not helping me very much.
18:41I'm working on something.
18:43Right.
18:43This is next.
18:44One good heave and we'll...
18:47Oh, leave it where it is.
18:49Oh, perhaps a bit empty at first.
18:51Right.
18:51Oh, look.
18:54I used to have a teddy bear just like this.
18:57I used to take him to bed with me every night
18:59and tell him all my secrets.
19:00Oh, yeah?
19:01Throw him in the pond eventually.
19:03Well, he knew too much.
19:06Oh, girls.
19:07Girls, I thought so.
19:07Look.
19:08Look on this violin.
19:09Look.
19:11Stred.
19:12We're rich.
19:14Stred.
19:14Wicc and son.
19:16This is my arcade burken head.
19:18We're poor.
19:19Come on.
19:20Come and do some work.
19:21All right.
19:22What have you got there, anyway?
19:23Oh, well, just old papers and things.
19:25Oh, letters.
19:26Yeah, well, don't look at them
19:28because they might be private.
19:29I'm not looking at them.
19:30I'm just looking at the words
19:31to see if they are private.
19:33Well, I'd better look at one as well.
19:35Double check.
19:35Dearest Mill.
19:41All my love, Georgie.
19:43Hey, they're love letters from him to her.
19:45God, that's typical of women, isn't it?
19:47You'd sit there and read all those letters
19:48and leave me out.
19:55Look, actually, you know,
19:56we shouldn't really be reading these.
19:58No.
19:59No, actually, you are right
20:00because, you know,
20:01some of this stuff is pretty,
20:04well, personal
20:05and private, you know.
20:07Listen to this bit.
20:12I pant for your caresses.
20:15For you, my precious flower,
20:17I would climb the highest mountain
20:18and ford the deepest river.
20:21Nowadays, he won't even bring
20:22the coal in for us.
20:24I shall never forget last night.
20:27Your tiny hand in mine.
20:29The butterfly touch of your hair
20:31against my cheek.
20:32I hope my cold sore
20:33didn't put you off.
20:35It's all right, then.
20:37Listen to this, listen to this.
20:39We wandered through the Daffo Dills
20:41beside the railway line.
20:43A train came past you didn't hear
20:45when I said,
20:46please be mine.
20:48There's another bit here.
20:50Look, look.
20:50My dearest, my dearest, darling-ist, Bill.
20:54My heart cries at full.
21:01We were just sort of tidying up,
21:04you know, and we came across...
21:05Yes, I know what you found.
21:07Can I?
21:11Sorry, Mr. Erker.
21:11It's all right, it's all right.
21:12We didn't mean to laugh,
21:14but we couldn't help it.
21:16Yes, I know.
21:18I can see it's probably quite funny
21:19to you youngsters
21:20that a man should pour his heart out
21:23on paper like that.
21:24Well, no, it wasn't so much
21:26the words as, you know,
21:28the way you spell them.
21:29Well, I never claimed
21:32to be an educated man.
21:33No, no, no, I didn't mean that.
21:34No, no, it's all right.
21:35I know these letters are silly.
21:37Well, you write things like that
21:39when you're younger
21:40and still got hope.
21:41A bit daft, I suppose.
21:46Oh, I thought your little poem
21:48was really...
21:48Yes, I know, it's all right.
21:50It's not important.
21:52Not now, none of it is.
21:53Just throw them out
21:54with the rest of the junk.
21:58God, it's murder.
21:59Rumping stuff up and down these stairs.
22:01Yes, I know what you mean.
22:02Yeah, that looks heavy.
22:03Yes, it is.
22:04Yeah, well, after you.
22:05Oh, thanks.
22:08I know, leave them there.
22:09They're just a load of old junk.
22:11Oh, they're not?
22:11Yes, they are.
22:12Well, you know how it is.
22:14I was a bit over-sentimental
22:16and romantic in those days.
22:17Perhaps I still am.
22:19Yeah, watch what you're doing,
22:20you silly cow.
22:24Language, George.
22:26I mean, I didn't do it on purpose.
22:27I thought we might all like
22:29a nice cup of tea.
22:30Oh, it's marvellous.
22:30Shall I...
22:31Oh, thank you, dear.
22:31Oh, while you're here,
22:32I might as well give you
22:33the first week's rent.
22:34Oh, no, there's no hurry, son.
22:35It's all right.
22:36Seven quid, you said, right?
22:37Seven?
22:38You told me you're only
22:39going to charge him five.
22:40Well, it's been a little
22:41misunderstanding here, you see.
22:42No, it's five, then.
22:44No, it's not.
22:45Oh, you're going to pocket
22:46the difference, were you?
22:47You nasty, greedy little man.
22:50Ah, language, Mildred.
22:51I'll give you language.
22:52For 20 years, I'll put up
22:53with your sneaky,
22:54penny-pinting little ways.
22:55Oh, what about you, then?
22:56Ah, nah, nah, nah, nah, nah.
22:57Ah, please, please don't quarrel.
23:01Look, it doesn't seem right.
23:02Not after, well,
23:03after reading these.
23:04Look, I know we were wrong.
23:05Nobody should read
23:06other people's love letters,
23:07but, well, look,
23:08if you read them again
23:09and remembered how you felt
23:11about each other
23:12when he wrote them to you.
23:14He's never written me
23:15a love letter
23:15in the hour of his life.
23:19Mild?
23:20Who's Mild?
23:21Ah, yeah, well,
23:21it's all over now, love.
23:22That's why she sent them back.
23:24Ah!
23:26Millicent Briggs!
23:27She was my maid of honour
23:28at our wedding.
23:29Yeah, I know, but...
23:30Oh, you dirty little devil.
23:37Oh, you dirty little devil.
24:07Oh, you dirty little devil.
24:08Oh, you dirty little devil.
24:09Oh, you dirty little devil.
24:10Oh, you dirty little devil.
24:11Oh, you dirty little devil.
24:12Oh, you dirty little devil.
24:13Oh, you dirty little devil.
24:14Oh, you dirty little devil.
24:15Oh, you dirty little devil.
24:16Oh, you dirty little devil.
24:17Oh, you dirty little devil.
24:18Oh, you dirty little devil.
24:19Oh, you dirty little devil.
24:20Oh, you dirty little devil.
24:21Oh, you dirty little devil.
24:22Oh, you dirty little devil.
24:23Oh, you dirty little devil.
24:24Oh, you dirty little devil.
24:25Oh, you dirty little devil.
24:26Oh, you dirty little devil.
24:27Oh, you dirty little devil.
24:28Oh, you dirty little devil.
24:29Oh, you dirty little devil.
24:30Oh, you dirty little devil.
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