- 5 weeks ago
First broadcast 6th November 1974.
An anonymous admirer is sending Chrissy flowers and chocolates, which she gives to Mildred.
Richard O'Sullivan - Robin
Paula Wilcox - Chrissy
Sally Thomsett - Jo
Yootha Joyce - Mildred Roper
Brian Murphy - George Roper
Christopher Chittell - Alan
Colin McCormack - Bernard
An anonymous admirer is sending Chrissy flowers and chocolates, which she gives to Mildred.
Richard O'Sullivan - Robin
Paula Wilcox - Chrissy
Sally Thomsett - Jo
Yootha Joyce - Mildred Roper
Brian Murphy - George Roper
Christopher Chittell - Alan
Colin McCormack - Bernard
Category
📺
TVTranscript
00:00To be continued
00:30Oh, my God.
01:00George! It says in my stars it's going to be my lucky day.
01:16So I should watch your step when you're crossing the road.
01:18Oh.
01:20Some sort of special occasion, is it?
01:22Yeah, yeah.
01:23Yes, I thought so. You've washed your neck.
01:25Yes, the dance match at the British Legion.
01:28Oh, that nonsense. I don't see the point, George.
01:32It's on the front end of the dart.
01:34Oh, my God.
01:37Look, George, does it never occur to you that I might like to come out with you one evening?
01:40Well, you don't play darts.
01:42Look, George, London has got a lot more than that to offer.
01:44I mean, there's the opera, ballet, theatre, cinema, train spotting, rooting throg, dustbins, anything.
01:55Well, I'm taking you out.
01:56Oh, yes, the Festival of Britain.
01:58You know, one of these days, George, you're going to come back here and you're going to find me gone.
02:02Some other man will have snapped me up.
02:04Tch, that's all I ever get, innit? Promises.
02:09Oh, dear, I don't know. Women.
02:11Hey, tell me something.
02:13Would you always be nagging at me to take you out?
02:16No, I would not.
02:17Yeah.
02:18Yeah, well, there you are, you see.
02:19I mean, she's always been telling me.
02:21Yeah.
02:22A dash, a mere dash of tarragon, a little hint of cinnamon, and a suspicion, no more, of basil.
02:34Basil?
02:34Yeah, one of the nicest fellas that ever got shredded.
02:38Oh, come on. Come on, George, just look at that, eh? Just look at that.
02:41Eat your heart out, Fanny Craddock.
02:44Shall I put the tomato sauce on the table?
02:46Don't you dare.
02:48Mmm, it smells nice. What is it?
02:49Well, it's an old Polynesian recipe, baked long pig and banana leaves.
02:54What?
02:55Well, actually, I've had to use chicken.
02:57Do you know, Tesco's didn't have one missionary left on the shop.
03:00They're not exactly famous for their banana leaves.
03:02That is true, so I had to use lettuce.
03:04So it's chicken and salad?
03:07Yes.
03:09Tomato sauce.
03:12Oh, that's it, fine. Just let me to do it all by myself.
03:15Do you want me to help you?
03:16Oh, go on, just push off.
03:17Hey, you'll get it coming back. What kept you?
03:20Oh, the usual thing. Five minutes before knocking off time,
03:23old Wilkins comes out with a stack of reports to file.
03:25I'd have told him what he could do with his reports.
03:27Yeah, I did. That's what kept me.
03:29Hey, they're nice.
03:31Oh, yeah, they're for you. They're on the hall table.
03:33Really?
03:35Oh.
03:36From an admirer.
03:38Er, the chicken will be read in five minutes, all right?
03:40Hasn't it got a name?
03:42Er, all right. Fred the chicken will be read in five minutes.
03:46That's all it says, just from an admirer. There's no name.
03:49There's a name on the envelope.
03:50Yeah, Chrissie Plummer. That's me.
03:52Look, I don't even recognise the handwriting.
03:54Actually, can I have a look?
03:55Because I know a little bit about this sort of thing, you see?
03:57You see there?
03:58You see the loop there on the Y?
04:00Now, that is very, very common in a certain type of man.
04:03Jack the Rip used to use it.
04:04Oh, Wyatt.
04:06Oh, I think it's really romantic.
04:07Yeah, so do I. He's most probably a very nice guy.
04:09Oh, I'm not so sure.
04:11Rebels.
04:13Oh, fuck off.
04:15Don't you like them?
04:16Well, if Robert Redford sent them, yeah.
04:18If El Roper sent them, no way.
04:20I just want to know who it is.
04:21Perhaps they're from Larry.
04:22What? Flowers?
04:23No, it's not his style.
04:24It's wham, bam, thank you, ma'am.
04:26That's Larry.
04:27You've just heard it set the fact that you've gotten a secret admirer
04:29who's most probably got his binoculars trained on you at this very moment.
04:32Oh, that's it. You can have them.
04:34I don't want your cast-offs.
04:35Yes. Okay, come on, girls.
04:38Come and get it.
04:39Oh, I'll let Mrs Roper have them.
04:40Hey, hey, don't go and wash your hands now.
04:43You do this every time dinner's ready.
04:45You come in, you wash your hands, and it gets cold.
04:47Now, it's not fair on me, and it's not fair on Fred.
04:50Fred?
04:51Fred, Arthur, Bill, who knows?
04:54The unknown chicken.
04:56Perhaps he'd like the flowers.
04:58Oh, yeah.
04:59Do you know, the sad thing about it is he never knew he was going to be superbly cooked by me.
05:02It might have given him a little peace at the end.
05:04He's got a little peace at the end.
05:07Shut up.
05:08All that talk about missionaries and long pig.
05:10Ah, I was only joking.
05:11Right, who wants Fred's leg, eh?
05:13Oh, they're lovely, dear.
05:19Thank you over so much.
05:21And you really don't know who they're from?
05:22No, just from an admirer.
05:24I mean, that could be half the men in the country.
05:26Well, yes.
05:27I don't suppose you've noticed any strange men hanging about?
05:30No, dear.
05:31Only George.
05:33I did wonder if it could be that new milkman.
05:36I mean, he's made a pass at every woman in the street.
05:38But, er, not every woman, dear, no.
05:41Oh.
05:41Well, every young woman.
05:43Er, every, er, every...
05:45It could be the Coleman.
05:47I mean, he's always chatting up the women, isn't he?
05:49No, he's not, no.
05:50Not many of them at all, no.
05:52Oh, it's all right, dear.
05:53I know I'm past it.
05:54George keeps telling me so.
05:56Well, that's absolutely ridiculous.
05:58I mean, if you had your hair done...
05:59I had it done this morning.
06:01And it really looks nice, which absolutely proves my point.
06:04And I'm sure Mr. Roper thinks so.
06:05And, I mean, even if he doesn't, what does he know?
06:07Should we get back to the flowers now?
06:09Good idea.
06:09Yes.
06:10You know what I'm going to do?
06:11I'm going to get my best flowers out,
06:13and I'm going to put them in the window.
06:15Perhaps that'll catch the milkman's eye.
06:19You know, I think it's really daft.
06:21Time to give me a chicken a name just before you eat it.
06:23Yes, I agree with you.
06:24And so does Lottie, too.
06:25What?
06:27Lottie Lettuce.
06:27What a woman.
06:28Mrs. Roper was thrilled to bits with the flowers.
06:31Don't expect she gets a lot off, old Roper.
06:33Well, we didn't discuss that,
06:34but she was thrilled to bits with the flowers.
06:37Listen, I'll be fine.
06:38Yeah, um...
06:39Who might have sent you the flowers?
06:41No.
06:42I wonder if it could be someone from the office.
06:44Oh, yeah.
06:45It might be, uh, what's her name?
06:46Uh, the one, uh, who wears the tweeds,
06:48with a small moustache.
06:49Miss Butcher?
06:51No, um, accounts.
06:53Uh, Grimes.
06:53Mr. Grimes.
06:54But he's over 60.
06:55Oh, I tell you what, they're the worst, you know.
06:57They're quick, could write a job with their pension book,
06:59slinging over the back of their wheelchair
07:00and off into the night.
07:02Hey, it could be Ginger, the office boy.
07:04No, double writing.
07:06Yeah.
07:06I'll tell you what, you know,
07:07you've had some very weird boyfriends.
07:09It's most probably one of them.
07:10Right.
07:11Yes.
07:15Who's that one who used to write you poetry?
07:17You know, the one with the big nose.
07:19Clive?
07:20Anyway, he didn't have a big nose.
07:21Just had a small face.
07:24Anyway, he went all Harry Krishna.
07:26Tom?
07:27No.
07:28Trevor?
07:29Never.
07:31Could be Bernard.
07:31He used to quite fancy me.
07:33Oh, yeah, he was always around here
07:34with his tongue hanging out on the doormat.
07:36Do you know, I tell you what,
07:37I never knew girls kept little black books.
07:38I mean, that's against nature.
07:39Well, I do.
07:40Hey, hey, what are those little stars there
07:43by the side of the name?
07:44Mind your own business.
07:46I know what they're for.
07:48No, they're not.
07:49They're just the number of times
07:50I went out with them.
07:52Hey, come to me with it.
07:54Bernard was always sending you flowers
07:55and chocolates and things.
07:56Hey, and what's that there?
07:58L-H-O-T-M.
08:00Left hand on thigh merchant.
08:01You know, I haven't seen Bernard for ages.
08:04Well, maybe he's trying to re-establish contact.
08:07Yeah, something about you, you know,
08:08has brought the memory flooding back.
08:10Yeah?
08:11You know, a faded rose.
08:13It's a snatch of some romantic song.
08:16A pair of knickers in the glove compartment, you know.
08:18Well, why don't you ring him up
08:19and ask him if he sent them?
08:21Oh, I don't like to.
08:22Besides, he might not still be at this number.
08:26Huh?
08:33Cynthia, could you shut him up just for a minute?
08:36The phone's ringing.
08:37Hello.
08:46Hello, Bernard.
08:47Who's that?
08:48It's Chrissie.
08:50Chrissie?
08:51Oh, Chrissie.
08:52Hello.
08:53It's ages since we had a chat.
08:54How are things?
08:55Fine.
08:55Listen, have you sent me any flowers?
08:57Flowers?
08:58Well, not for 18 months.
08:59Have you only just got them?
09:01No, I mean recently.
09:03No, but, um, I'm quite willing to.
09:07Hey, um, look, Chrissie, why don't we get together?
09:09I come round to your place, pick you up,
09:10you've quite like old times.
09:12Um, it's still in very good condition.
09:15It's, uh, dark blue.
09:16It's got two canvas handles on either side
09:18so you can lift it.
09:20What about the carry pot?
09:22Uh, yes, it's, uh, it's second-hand, of course.
09:24Um, well, I mean, we bought it second-hand,
09:26so it'd be third-hand when you, um...
09:29Oh, fourth-hand, maybe.
09:31And then we could go to that little bistro,
09:32you know, the one we used to go to?
09:33Well, it's got canvas handles on so I can lift it.
09:37Ah, well, um, the carry pot.
09:40You see, um, the wife wants to sell it
09:43now that the twins have grown out of it.
09:45Bye, Bernard.
09:46No, no, Chrissie, now, listen,
09:47honestly, she doesn't really understand.
09:49No, but I do.
09:50Yeah, but, Chrissie, look, now, look,
09:52we had a thing going together.
09:54I mean, don't let's throw it all
09:55just because it's, uh, white plastic line
09:57with a...
09:58Any luck?
10:02Not unless you want to buy a carry cot.
10:04I wonder if Colin could have sent them.
10:10Sure.
10:11I was robbed, Mildred, robbed.
10:13I should have been runner-up.
10:15You know, that fellow who chops up the score,
10:17he's got it in for me.
10:18I'm not surprised.
10:19You've had a dart through his hand twice.
10:21I am headed on.
10:23No sympathy.
10:24All right, George.
10:25I'm sorry, you're such a rotten darts player.
10:28You resent me popping across
10:29to the British Legion, don't you?
10:31I don't care if you pop across
10:32to the Foreign Legion.
10:34Look, what have you been doing
10:35to my best flower vase?
10:36Ah, yeah, I was mixing a bit of polyfiller in it.
10:41It's awful and rock hard.
10:43Well, it's all right, putting short flowers.
10:44Oh.
10:45Oh, you cut the stalks down.
10:47Here.
10:48Have you been throwing away
10:49good housekeeping money?
10:49They were given to me, George.
10:51Oh, come off it.
10:52It'll give you...
10:53from an admirer.
10:55What?
10:56I see.
10:57All right, Mildred, who is it?
10:59George, it...
11:00It's that new milkman, isn't it?
11:01He's not particular.
11:02Oh, thank you.
11:04Well, who is it, then?
11:05Look, George, I don't know what...
11:07Now, come off it.
11:08I'm not that darted out with it.
11:10Now, who is it?
11:10I...
11:11Wouldn't you like to know?
11:17I've got it.
11:20Pull up.
11:21Feels handy.
11:26Just...
11:26You can come.
11:26Just like,
11:27come off it.
11:28You can come on all signed,
11:30and it's all ready.
11:31Nice.
11:32Thanks, gentlemen.
11:35I'll watch.
11:37I don't this one anymore.
11:38I'll watch.
11:40You can't wait.
11:40My man, seus backpриз.
11:42My doof...
11:43You can wait a minute.
11:44I won't wait,
11:45my love.
11:45Hey, I've just realised something.
11:53It's Jo's turn to do the tidying up this week.
11:55Oh, I know, it was, but do you remember, you swapped
11:57because she did your turn to do last week's laundry.
12:00No, no, no, no, that was in exchange for my turn at the washing up,
12:03which was originally your turn, but you changed the beds instead.
12:05Yeah, well, whose turn was it to ride out the rotor?
12:07Yours, but I said I'd do it instead if you weren't...
12:09Oh, forget it, forget it, forget it.
12:12Listen, Jo, it's your turn to do the tidying up.
12:14Yeah, I know. I'm going to do it when you two have gone to the pub.
12:18Are we going to the pub?
12:20Well, it's your turn.
12:23The post has just arrived. Only gas and electric do.
12:27Oh, great, thank you.
12:30Well, I mean, they're not final demands.
12:32Oh, and this was left on the step for you.
12:35I thought I'd better bring it straight up in case it was important.
12:37I recognise that handwriting.
12:40Yeah, it's that fair, I don't know.
12:42Oh, chocolate.
12:45Oh, from an admirer.
12:47As the motor strikes again, the bells.
12:51Oh, I think it's really romantic.
12:53Well, I don't. I don't like this sort of thing.
12:56I mean, for all I know, they could be...
12:58Well, they might be...
12:59Drugged?
12:59Yes.
13:01No, calories don't do drug chocolates.
13:04Look, if you think it's romantic, you can have them.
13:07I'm on a diet.
13:08Well, I don't want them.
13:09Well, I think I'm...
13:10Oh, Mrs Roper, would you like them?
13:12Oh, no, dear, no.
13:14No, I couldn't.
13:15No, no, no, really.
13:16I mean, it's such a lovely box.
13:18All right, then.
13:20Thank you, Hermes.
13:21Oh, um...
13:22Could I have the card as well?
13:28Robin, thank you.
13:29Cheers.
13:29Oh, come on, Chrissie.
13:36What's it matter who sent them to you?
13:38I mean, you never know.
13:39It might have been me.
13:41Well, all right, it wasn't,
13:42but it might have been somebody as nice as me.
13:44I doubt it.
13:44Frankly, so do I.
13:47Seriously, though, Robin,
13:48do you really think that it could be someone as good-looking as, well, you?
13:54Well, it's possible.
13:57Somebody with the same sort of personality as you.
14:00Well, you never know your luck.
14:01That's all I need, a big-headed twit sending me flowers and chocolates.
14:05Oh, come on, Chrissie.
14:06Now, listen, let's put a male mind on this, right?
14:08Let's forget intuition and guessing and apply reason and deduction.
14:12Now, I've been giving this some considerable thought,
14:15and there is only one logical conclusion.
14:17What?
14:18It could have been anybody.
14:19And that's the male mind?
14:20No, what I mean is he signed himself an admirer,
14:23so the chances are he doesn't know you.
14:24Oh, thanks very much.
14:25Oh, what I mean is he's a stranger,
14:28so it could be anybody.
14:29Well, it could be anybody in this very pub.
14:38Oh, drink up and let's go.
14:43Oh.
14:44Oh, I'm torn.
14:46I mean, the caramel creams are lovely,
14:49but so is the hazelnut crunch.
14:51What do you think, George?
14:53Yeah, I'll find out, you know.
14:54I'll find out who's been sending you cows and chocolates.
14:56You don't have to tell me.
14:57I'll find out.
14:58You could try asking me.
14:59Who is it?
15:00I'm not telling you.
15:02Have a new go.
15:03Yeah, you're enjoying this, aren't you?
15:05George, what nonsense, of course I'm doing.
15:07Yes, you are.
15:08You're enjoying this.
15:09Well, let me tell you something, madam.
15:10You'll be sorry.
15:12Just because I've got iron self-control
15:14doesn't mean I can't lose my temper.
15:15And when I do lose my temper,
15:17there'll be blood on the moon.
15:18George, we're communicating.
15:21Eh?
15:21You were talking to me.
15:23No, I'm not.
15:23I'm telling you off.
15:25Yeah, I'm going for a drink.
15:27Mm.
15:28Mm.
15:30Turkish delight.
15:31Oh, lovely.
15:36Yeah?
15:36Who are you?
15:37I'm Bernard.
15:38Do you mind if I come in?
15:39Hey, hey, just a minute.
15:40Just a minute.
15:41Who are they for, eh?
15:42Who are they for?
15:43I don't see what's any of your business.
15:44They're for your fancy bit, aren't they?
15:46You sent the son before, didn't you?
15:47Oh, yes, I did, as a matter of fact.
15:48Now, would you mind standing out of the way?
15:50You've got a nerve.
15:50You're not coming in here.
15:52Wait, where are you going?
15:53Well, I'm just going upstairs.
15:56Oh, hello, Chrissie.
15:57Hello, Bernard.
15:58Uh, I'll go on up.
15:59No, you stay here.
16:00I've, er, got some flowers and chocolates.
16:03And a wife and twins.
16:04Goodbye, Bernard.
16:05But, Chrissie, I thought you didn't follow me for...
16:07Just a minute.
16:08I wanted a word with him.
16:10He's the one who's been sending me all the flowers and chocolates.
16:12Well, he has.
16:13Bernard?
16:14Well, someone has, from an admirer.
16:16No, someone's been sending them to me.
16:18Well, you as well.
16:19No, only me.
16:20Yeah, and she didn't want them.
16:21So I gave them to Mrs. Roper.
16:23Yeah.
16:24Yeah, but she's...
16:25Oh, that was a quick drink.
16:34Er, no, I didn't go.
16:35Er, I thought I'd better stay here
16:39in case your secret admirer decides to send you something else.
16:42Well, you know, a diamond necklace or a yacht, maybe.
16:46Well, now you never know.
16:49Oh.
16:50Have a chocolate, George.
16:52Yeah, why not?
16:53Yeah.
16:54Yeah, I don't mind if I do.
16:56Very nice, I'm sure.
16:57What's going on to you?
17:00I've, er, I've been communicating with her upstairs.
17:04I see.
17:05You haven't gotten an admirer, have you?
17:07I never said I had.
17:09You jumped to that conclusion.
17:11That's all fairy tale stuff, that, isn't it?
17:13That's in your mind.
17:14That's what kids do, isn't it?
17:15You make up imaginary friends.
17:17Ah, I should have known.
17:20Why should anyone in their right mind send you for...
17:23Mildred?
17:24Go away.
17:26Now, don't start the waterworks.
17:28I mean, you did lead me on a bit, didn't you?
17:31Well, I mean, can you blame me?
17:34I mean, when have you ever given me anything?
17:36Paid me any little tensions?
17:39I mean, a woman likes to be reminded occasionally that she is a woman.
17:43Well, yeah.
17:45Well, you're a woman, Mildred.
17:48No, no.
17:49Me?
17:50Well, I'm a man.
17:51Well, let's not take any votes on that, George.
17:53There's no need to take that attitude.
17:55After all, I have given you the best years of my life.
17:57The best?
17:59If those are the best, what are the rest going to be like?
18:01I think I'll go for that drink, Mildred.
18:03You!
18:04Oh!
18:06Well, I feel a bit sorry for it, though.
18:08Because maybe his wife really doesn't understand him.
18:10Look, they've got twins.
18:12She must have understood something.
18:13I'll tell you what, Jay, you've done a very good job here, you know.
18:15You've moved the dust around very nicely.
18:17I mean, there wasn't any on there before, was there?
18:18Look at that.
18:19Oh, no one would have noticed if you hadn't made a clean mark.
18:22Anyway, dust is nature's way of telling you to move about occasionally.
18:27I'll tell you what, one day you'll make somebody a wonderful slut.
18:30Hello.
18:32Hello, hello.
18:33Um, can I speak to Chrissie Plummer, please?
18:35Oh, it's for you.
18:36Who is it?
18:40Who are you?
18:41Well, my name is Alan, but she doesn't actually know me.
18:45I was just phoning to see if she got the flowers and chocolates all right.
18:48It's him.
18:50Babels.
18:52I'll hand you over.
18:54No, I won't.
18:57Would you just hang on a sec, please?
19:00He says his name's Alan, and you don't know him.
19:02I don't know anyone called Alan.
19:04And his story's true.
19:05Just a sec.
19:06Ask him what he's playing at.
19:09Um, Alan, what are you sort of, um, you know, playing at?
19:16Nothing, honestly, Dad.
19:18I've just seen her once or twice in The White Swan and around, and I thought, well, flowers,
19:25and that would be a good way of breaking the ice, getting to know her.
19:29He's seen you in the pub and he fancies you.
19:31Oh, why didn't you say hello?
19:35Then why didn't you say hello, Alan?
19:38Um, I didn't like to.
19:40She's, she's often with friends, and there's a rather scruffy type in a striped jersey.
19:49I'm not her boyfriend.
19:50I just have a room here.
19:51Listen, ask him what he looks like.
19:54What do you?
19:56I'll tell you what, Alan, I'll tell you what.
19:58Why don't you come round here, say, in about half an hour, you know,
20:01give her a chance to get her teeth in, get her curlers out, all right?
20:04Oh, yes, fine.
20:04See you then.
20:05All right.
20:05Bye.
20:07What did you do that for?
20:08Hee, hee, hee, hee.
20:10Oh, ran out of beer, have they?
20:18No, I, I didn't go.
20:20I went for a walk instead and did a bit of thinking.
20:24Thinking?
20:25You?
20:26Well, you know, about what you said, not paying you any attention, that sort of thing.
20:30Well, there's a grain of truth in that, Mildred, and, well, I've, I've got you those.
20:37Oh, George.
20:40Now, don't get emotional, they're only flowers, that's all.
20:43Oh, and after all the things I said to you.
20:45Well, steady on.
20:47I can't win, it's water works either way, innit?
20:49Oh, look.
20:51You've even put a little card in with them.
20:53Eh?
20:53To Granny.
20:56Rest in...
20:57Oh!
20:57Pick up on the cemetery!
20:59Oh, my God!
21:00Bring the man!
21:01Push one!
21:02Push one!
21:03Push one!
21:03Pull it!
21:04Oh!
21:05Do it!
21:06I don't know why you're bothering to dolly yourself up if you're going to hide in the kitchen.
21:10Well, I might come out when I've seen what he looks like.
21:13Well, supposing he's ugly?
21:14Then I've emigrated.
21:15What, in the last half an hour?
21:16Look, you invited him, you can get rid of him.
21:21Hey!
21:22To New Zealand!
21:26Ah, hello.
21:27Alan?
21:28Yes.
21:28Ah, come in.
21:29I'm the, er, scruffy type in the striped jerseys.
21:35Sorry.
21:36Okay.
21:36Sit yourself down.
21:42Listen, listen, just relax, you know.
21:44Make yourself at home, because Chris is spying on you from the kitchen.
21:48What?
21:48Don't look, Alan.
21:51So, Alan, tell me a little bit about yourself.
21:54Well, I've been in London a couple of...
21:56Not so loud, not so loud.
21:57Sorry, weeks.
22:00Um, um, I have a flat in the next road.
22:03You may have noticed my Lotus Land Park outside.
22:06The road.
22:08And, er, like I said, I don't know many people round here.
22:12And, er, when I saw Chrissie,
22:15er, you share with her?
22:17Only the bills.
22:19Oh, good.
22:20I mean, it's only her name on the bell push.
22:22That's where I got it from.
22:23I saw her coming in one day.
22:24She really is one of the most attractive girls I've ever met.
22:28Oh, I like him.
22:31And, like I said, to break up the ice, I...
22:33I think you've, er, already done that.
22:38Hello.
22:39Hello.
22:39Hello, Chrissie.
22:44I hope you don't mind me saying the flowers and the chocolates.
22:46Huh.
22:47Huh.
22:47Huh.
22:47Huh.
22:47Huh.
22:47Huh.
22:48Huh.
22:48Huh.
22:48Huh.
22:48Huh.
22:49Huh.
22:49Huh.
22:49Huh.
22:49Huh.
22:50Huh.
22:50Huh.
22:50Huh.
22:51Huh.
22:51Huh.
22:52Huh.
22:52Huh.
22:53Huh.
22:53Huh.
22:53Huh.
22:54Huh.
22:54Huh.
22:55Huh.
22:55Huh.
22:56Huh.
22:56Huh.
22:57Huh.
22:57Huh.
22:58Huh.
22:59Huh.
22:59Huh.
23:00Huh.
23:00Huh.
23:01Huh.
23:01Huh.
23:02Huh.
23:03Huh.
23:03Huh.
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23:05Huh.
23:06Huh.
23:07Huh.
23:08Huh.
23:09Huh.
23:10Huh.
23:11Huh.
23:12Huh.
23:13Huh.
23:14Huh.
23:15Huh.
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