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00:00:00Thanks for watching the video.
00:00:30Thanks for watching the video.
00:01:00Thanks for watching the video.
00:01:30It's the crystal ball.
00:01:32You sit in front and it's like the cinema.
00:01:34Everything is controlled by a light.
00:01:36It's like a personal computer.
00:01:39It's the crystal ball.
00:01:41It's the crystal ball.
00:01:45There is no way.
00:01:59This is vulgar.
00:02:03It doesn't melt you.
00:02:06Piety!
00:02:07My poor audios.
00:02:09This is electrocuting.
00:02:11What cathode rays are you doing, sonorous master?
00:02:14I try to do tricks like the trick witch does.
00:02:16Well, that thing you're wielding doesn't exactly look like a magic wand.
00:02:22Of course not, bovine.
00:02:23Like it's a hammer.
00:02:24I had already realized that.
00:02:26Even before seeing it.
00:02:29What's all the hammering and banging about?
00:02:32Very simple.
00:02:34When you hit a piece of metal with a hammer, it makes a characteristic noise.
00:02:39So.
00:02:40Ouch!
00:02:41And so characteristic?
00:02:43Don't you get the flu?
00:02:45Well, what I'm trying to do is precisely get a different noise.
00:02:49Like when the witch tricks one of her tricks.
00:02:52To hammer a sheet of metal.
00:02:55And it sounds, for example, like a siren.
00:02:58You are missing a screw and several transistors.
00:03:03I'm leaving before you destroy my poor eardrums.
00:03:07Aaaaaaah!
00:03:15Oops!
00:03:15I can't believe it.
00:03:17He has done it.
00:03:21Congratulations, master sonorous.
00:03:23I have to admit I didn't think you'd be able to pull it off.
00:03:28C-Get what?
00:03:31So that the hammer blow would sound like a siren.
00:03:35The noise is still pretty horrible.
00:03:37Like a hyena with a toothache.
00:03:41But for a start, it's not bad.
00:03:43It wasn't a trick, you idiots.
00:03:46What happens is that I hit my whole digit with a hammer.
00:03:51And I screamed...
00:03:52...so a hyena with a toothache, huh?
00:03:56Ha ha!
00:03:57Come!
00:03:58I want to see what sound the hammer makes when it hits your hollow head.
00:04:02Come here!
00:04:03Oh, oh, oh!
00:04:06Dear children, today we are going to talk to you about magic.
00:04:13Ale, Hop?
00:04:14And the rabbit?
00:04:21I saw what you told me, Gerardo.
00:04:22Isabel, we had thought that you were in charge of the rabbit.
00:04:25No, I was in charge of the council, not the rabbit.
00:04:29Very good.
00:04:30And now what do I get out of the hat?
00:04:31If I were you, the hand, for example.
00:04:33I can't, it's empty.
00:04:35Well, I don't think that's a reason for you to spend your whole life with your hand in a top hat.
00:04:39Besides, if you look deep inside, you might find something.
00:04:46Ah, yes, yes, look, here's something.
00:04:50So, what is this?
00:04:51It's the advice...
00:04:53Yes, look, a rabbit, any magician can easily pull it out of a top hat.
00:04:58What is really difficult is getting good advice.
00:05:01Yeah, like this one.
00:05:03Dear friends, do not believe the magicians' tricks.
00:05:05Magic does not exist and what seem like wonders are nothing more than tricks.
00:05:09That is precisely the advice I want to give to our little viewers.
00:05:13Little friends, as we are going to talk to you about magic, it is very convenient that you know that wizards, witches and goblins,
00:05:20Just as they appear in stories, they do not exist in reality.
00:05:23That's not true, Isabel.
00:05:25I've told you more than a thousand times that on this very show, without going any further, there are goblins and witches.
00:05:30Calm down, Gerardo.
00:05:31This is an educational program.
00:05:33Our goal is to educate by delighting.
00:05:36And don't tell witch stories to children.
00:05:38What's their fault?
00:05:39Brrrr, cathode rays and oscillating sparks.
00:05:46If there's one thing that bothers me even more than being called fat and ugly, it's being called nonexistent.
00:05:55Next time that cheesy girl washes her hair, I'm going to make an electric arc come out of the hair dryer.
00:06:03From that hair dryer.
00:06:06Hey, Isabel, here's something else.
00:06:10Impossible, Gerardo.
00:06:11I prepared the hat myself and only put in the little piece of paper with the advice.
00:06:17Wow, what a great trick, Gerardo.
00:06:20How did you know I needed a hair dryer?
00:06:22How did I know?
00:06:23Well, you know, I'm into everything.
00:06:25How practical and manageable.
00:06:30Be careful, Isabel, these things smell bad to me.
00:06:33It's amazing, Gerardo.
00:06:34Only you would have thought of bringing a hat with a plug.
00:06:38Gerardo!
00:06:39Gerardo, help!
00:06:40Do something, do something!
00:06:42Let it go, Isabel!
00:06:43I can't, hunger threatens!
00:06:47Thank goodness.
00:06:54This is just a warning.
00:06:57That way they'll learn to laugh at me.
00:07:00Ha ha ha ha ha ha ha!
00:07:10Hey you!
00:07:12Don't laugh!
00:07:15From the witch!
00:07:17Apperia!
00:07:18Hey you!
00:07:20Don't laugh!
00:07:22From the witch!
00:07:25Apperia!
00:07:26If you laugh, madam!
00:07:28The washing machine is breathing!
00:07:30You're laughing, sir!
00:07:32The TV will crash!
00:07:34Don't laugh!
00:07:36Don't laugh!
00:07:38From the witch!
00:07:40Apperia!
00:07:42Don't laugh!
00:07:44Don't laugh!
00:07:46From the witch!
00:07:48Apperia!
00:07:50Don't laugh, don't waste!
00:07:52He's going to keep his car!
00:07:53And tomorrow you'll be walking to work!
00:07:56No hitting!
00:07:57You have to give!
00:07:58The elevator isn't working!
00:08:01And the air doesn't move either!
00:08:03Please!
00:08:04How hot!
00:08:05Everyone is crazy!
00:08:07The computer burned down!
00:08:09Don't laugh!
00:08:10Don't laugh!
00:08:11Don't laugh!
00:08:12From the witch!
00:08:15Apperia!
00:08:16Don't laugh, don't laugh
00:08:20From the witch's breakdown
00:08:24Neither at home nor on the street
00:08:38Neither in the subway nor in the plane
00:08:40Don't laugh, don't laugh
00:08:43From the witch's breakdown
00:08:47Don't laugh, don't laugh
00:08:51From the witch's breakdown
00:08:55Don't laugh, don't laugh
00:08:58Don't laugh, don't laugh
00:09:13Master Chamberlain
00:09:21What are you doing with that thing on your head?
00:09:24It is a soundproof helmet
00:09:25Anti-sound?
00:09:27Oh, don't talk nonsense.
00:09:28That helmet doesn't prevent you from hearing the sounds.
00:09:31You would need earmuffs to cover the audios.
00:09:35I said antisonorous, not antisound
00:09:37It's to prevent the sonorous master from hammering me on the head.
00:09:43Hammer blows to the head?
00:09:45I can't believe it
00:09:46How peaceful is Master Sonorous
00:09:49I just wanted to do an acoustic experiment.
00:09:54What kind of experiment?
00:09:56I wanted to hear what sound a hammer makes when hitting a hollowed-out pumpkin.
00:10:00You are a savage
00:10:01Of course, the culture of image is much more advanced than that of sound.
00:10:07And it has to be noted in something
00:10:09You are as always
00:10:10You guys are rewinders, aren't you?
00:10:13I was so calm trying to do sound tricks
00:10:16Tricks?
00:10:17And why did you want to do tricks?
00:10:20Because it's so much fun
00:10:21When the witch tricks she does her tricks with images and sounds
00:10:25But I, dear sonorous
00:10:30I am a dolphin
00:10:33That's why I know how to do so many tricks
00:10:37My grandmother was the magic lantern
00:10:40A real witch from the old days
00:10:42And I have learned all his skills
00:10:44And I have even improved them with the resources of modern technology.
00:10:49By the way, trick witch
00:10:50And us?
00:10:52Where do we come from?
00:10:53Who are our ancestors?
00:10:56Nobody knows exactly.
00:10:57Maybe the witch would know.
00:11:00But it is not safe either
00:11:02If I have to be completely honest
00:11:04The thing about my grandmother being the magic lantern
00:11:07It's just an assumption
00:11:09The truth is that our origin is quite mysterious
00:11:13Maybe we were born in abandoned television studios.
00:11:17On a stormy night
00:11:19Like my beloved Frankenstein
00:11:21Was Frankenstein born in a television studio?
00:11:25No, bovine
00:11:26He was born in a wonderful laboratory
00:11:29In a very romantic castle
00:11:32Well, I don't see the resemblance.
00:11:34Because a television studio looks like anything but a castle
00:11:39The similarity is that he received life from electricity and science like us.
00:11:45Otherwise, they are all differences
00:11:47He is so tall
00:11:49We are so short
00:11:51He so slender
00:11:53The witch has such a big breakdown
00:11:56Am I fat?
00:11:57Am I fat?
00:11:58Doesn't it melt?
00:11:59That conceited girl is going to pay for it.
00:12:01Where is?
00:12:04Ah!
00:12:05Here it is
00:12:05Ha ha ha!
00:12:07Ha ha ha!
00:12:09Hey, Truca, darling!
00:12:12Come for a moment
00:12:13I have something for you
00:12:16For me?
00:12:17What is it, dear breakdown?
00:12:18A surprise?
00:12:21Exactly
00:12:22Ha ha ha!
00:12:24A surprise!
00:12:26Look what a picture I found!
00:12:29Oh!
00:12:30No!
00:12:31It's not possible!
00:12:33He cheats on me with another girl
00:12:35Have you read what it says there?
00:12:39Franz Kenstein's Bride!
00:12:41Ha ha ha!
00:12:44The bride?
00:12:45No!
00:12:46It's not possible that his girlfriend is someone else!
00:12:49Mine or nobody's!
00:12:51Oh!
00:12:52Poor Truca!
00:12:56Now I feel sorry
00:12:57having given him this displeasure
00:12:58It is clear that it is not enough
00:13:00with being thin and attractive
00:13:03to be happy
00:13:04Probably
00:13:06I resist losing weight because of that
00:13:08For fear of discovery
00:13:10that being thin
00:13:12I wouldn't be happy either
00:13:14Oh!
00:13:16Cruel world!
00:13:18Too bad!
00:13:20Yeah
00:13:20The truth
00:13:21It's that sometimes
00:13:22the witch would see
00:13:23it doesn't seem so bad
00:13:24They are entering me
00:13:27want to cry
00:13:28Well
00:13:30let's see
00:13:32What are those fools doing?
00:13:33let's see if we
00:13:35we distract
00:13:35a little while
00:13:36Gerardo!
00:13:41You're sure
00:13:41that this is going to turn out well?
00:13:43Oh!
00:13:43Calm down Isabelita
00:13:44This trick never fails
00:13:45Dear children
00:13:46you are going to witness
00:13:47one of the most
00:13:48impressive shows
00:13:49of the world
00:13:49that only the best magicians
00:13:51we dare to do
00:13:52Gerardo, be careful!
00:13:55You tickle me!
00:13:56What is that fool going to be?
00:13:58Poor Isabel!
00:14:00It's about Colombia!
00:14:01Something must be done
00:14:02before it's too late
00:14:03Trick Witch!
00:14:05Runs!
00:14:06This is terrible!
00:14:07Terrible!
00:14:08Terrible!
00:14:10Terrible!
00:14:10It's not enough!
00:14:12It's tragic!
00:14:14Trememundo!
00:14:16Electrocuting!
00:14:17I can't stand it
00:14:18that he loves another!
00:14:20But!
00:14:21But!
00:14:21But he doesn't love her!
00:14:22He's cutting it
00:14:24in half!
00:14:26As?
00:14:27What are you saying?
00:14:29Clear!
00:14:30Well looked at!
00:14:32He's so energetic!
00:14:34So passionate!
00:14:35Witch Trick, please!
00:14:37Do something that cuts it!
00:14:40Don't you mean
00:14:41that he is here?
00:14:43Of course it's here!
00:14:44Like every Saturday!
00:14:46There is no one who is free
00:14:47from that bore Gerardo!
00:14:49Gerardo?
00:14:50And who cares about Gerardo?
00:14:52I guess Isabel
00:14:54He cares a lot about Gerardo
00:14:55since it is about to
00:14:57to close it in half.
00:14:59About to close it?
00:15:01Why didn't you tell me before?
00:15:03Something must be done
00:15:04immediately!
00:15:11But, but...
00:15:13But...
00:15:14Isabel,
00:15:15This is sabotage
00:15:16it can't be done like this
00:15:16no magic tricks.
00:15:19Oh!
00:15:20Thank goodness you arrived.
00:15:21on time,
00:15:21Truca witch.
00:15:22If we hadn't had
00:15:24to call the doctor
00:15:25Frankenstein
00:15:26so that she could sew
00:15:27to poor Isabel.
00:15:28Don't name me
00:15:29to Frankenstein!
00:15:30I hate it!
00:15:31I thought you loved him.
00:15:34Clear!
00:15:35I love it, I hate it!
00:15:37I love it, I hate it!
00:15:39I love it, I hate it!
00:15:41I love it, I hate it!
00:15:42This girl
00:15:44he brings a roll
00:15:45rarest
00:15:46than the plastinots!
00:15:47Clear!
00:15:54Welcome,
00:15:56let's see...
00:15:59Clear!
00:16:02Estábora, I'm a little bitch...
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00:19:12Show it to the telepatients
00:19:15Already
00:19:17Now, put it here
00:19:18Now you'll see how it turns out this way.
00:19:22Deck of cards, doll
00:19:22Give me the other deck
00:19:23How annoying
00:19:30Enough, don't you believe?
00:19:33What will it be worth?
00:19:35You can't fool me, licillo
00:19:36Well, well, you can shuffle until your fingers fall off.
00:19:40I just wanted to show the viewers a little trick.
00:19:43They must be bored or with samples
00:19:46But at least
00:19:47Look, I think that talking about teaching
00:19:48The best thing is that we pass an interesting educational report
00:19:51Seem to you?
00:19:52Very good
00:19:52Let's see it
00:20:10They are trying to teach us again
00:20:26Kilibatadas
00:20:27And that integral bovine
00:20:28Deck that shuffles you
00:20:30I never tire of repeating it.
00:20:32It's much more fun
00:20:34Unteach to unlearn
00:20:35How things fall apart
00:20:37Music
00:20:40Music
00:21:09Eduardo, don't you think you're going a bit too far?
00:21:11All right, all right, you're really impatient, aren't you?
00:21:15Come on, now Isabel takes a letter.
00:21:17Come on, take a card.
00:21:21Amazing?
00:21:23Clear.
00:21:24I did it! I did it!
00:21:26And how did you do it?
00:21:28Oh, how did I do it? How did I do it? How did I do it?
00:21:31Professional secrecy.
00:21:33A good magician never reveals his tricks.
00:21:35Clear.
00:21:35Come on, give it to me.
00:21:37Take.
00:21:39That?
00:21:41That?
00:21:44Well.
00:21:47It's the crystal ball!
00:21:51We believe!
00:21:55Tea!
00:21:58Us!
00:22:01Tell us!
00:22:03Tales!
00:22:08Is it that simple?
00:22:14This one doesn't read, this one does read, this one doesn't read either, this one does read, this one does read, this one doesn't read either, this one does read, if you don't want to be like these, read.
00:22:34It's the crystal ball.
00:22:40Do you remember the story of the chocolate house?
00:22:43Yes, it's the one where two children, two children like these, who were called Hansel and Gretel, are abandoned by their parents in a forest like the one in this painting, and they find a house similar to this one you're about to see.
00:22:58Well, today, through my crystal ball, I received some truly surprising news.
00:23:18You've often heard that children have to lick the walls because they have a calcium deficiency, but this has always been discussed as a curiosity, not as a public hazard.
00:23:30After all, a poor, rickety little boy licking a wall may seem a bit pathetic, but not dangerous.
00:23:41Well, an elderly woman who lives alone in a remote forest in Germany has filed a complaint because she says a pair of children, a boy and a girl to be exact, are tearing down her house with their teeth.
00:23:56Yes? You heard right? Biting!
00:24:00It seems that the children, who are siblings and respond to the name Hansel and Gretel, very blond and very cute, approached the little house and asked the old woman for permission to lick the walls of her house.
00:24:17How filthy! They could have eaten buttered toast, which also has calcium, and not gone around licking walls.
00:24:26You again?
00:24:27Yeah?
00:24:28If you don't shut up, I'm going to turn you into a jug, and I don't think anyone will notice the difference.
00:24:37Don't worry, doll, I'll do it for you.
00:24:41A little bird told me that the day you don't see me, you cry.
00:24:45Rael, Belén!
00:24:46Well, as I was saying, the children asked permission to lick the walls of the house a little, and the kind old woman, of course, granted it.
00:24:59And while she went in to make them a cup of hot chocolate to help their calcium levels go down even more, the angelic little children started to munch on the house.
00:25:12The old woman called the fire department, but it seems the cure was worse than the disease, since all they did was break down the door with sledgehammers and put out the wood stove with a fire extinguisher.
00:25:27In this way, the little children were able to enter the house and begin to eat it from the inside as well.
00:25:36By the way, speaking of firefighters, the tests that candidates for the force undergo are becoming increasingly difficult.
00:25:45Firefighters must have great courage and a sense of balance, as they sometimes have to walk on rooftops and ledges.
00:25:52We're going to see some tests of courage and balance from some candidates for the corps.
00:25:58They are called tests of courage and balance, because those who lack balance throw themselves.
00:26:10Other strange inventions.
00:26:12Jean Graal's gyroplane in 1925 and then the helicopter in 1933.
00:26:22He turned in 1925 and then the helicopter in 1925 and then the helicopter in 1925.
00:26:52We have more information on the strange case of the house that was bitten down.
00:27:01It seems that the house was built with materials much tastier than calcium.
00:27:08And that is the reason why the parents of the children Hansel and Gretel refuse to pay the compensation demanded by the elderly owner of the house.
00:27:16And not only that, but she's been sued for encouraging children with her sweet and delicious little house to skip school and binge eat, which inevitably always ends in indigestion.
00:27:31If that lady doesn't want her house to be demolished, why doesn't she build it with tree trunks like the other cabins in the forest?
00:27:40The children's father said very angrily.
00:27:43Oh, by the way, they've been on a diet of white rice and mineral water for several days.
00:27:50How romantic!
00:27:52A log cabin in the woods.
00:27:54How I would like to live in a nice cabin with my beloved!
00:27:58Speaking of trunks, I know a very beautiful poem dedicated to a tree that says...
00:28:03No, no, no, no, no, please!
00:28:05No little poems!
00:28:06It doesn't melt you!
00:28:07Don't complain, bovine.
00:28:09If we add images to the poem that we know has sound, it will surely turn out very well.
00:28:13The old elm, split by lightning and rotten in half, has sprouted some green leaves with the April rains and the May sun.
00:28:33The century-old elm on the hill licked by the Duero.
00:28:36A yellowish moss stains the whitish bark of the rotten and dusty trunk.
00:28:46It will not be like the singing poplars that guard the road and the riverbank, inhabited by brown nightingales.
00:28:55An army of ants in a row climbs up it, and spiders weave their grey webs in its entrails.
00:29:03Before the woodcutter and the carpenter cut you down, elm of the Duero, with their axe, they will turn you into a mane of bells, a lance of a cart, or a yoke of a wagon.
00:29:16Before tomorrow you burn red in the hearth of some miserable shack on the side of the road.
00:29:24Before a whirlwind sweeps you away and the breath of the white mountains breaks.
00:29:29Before the river pushes you through valleys and ravines to the sea.
00:29:36Elm, I want to note in my wallet the grace of your green branch.
00:29:43My heart also waits, towards the light and towards life, for another spring miracle.
00:29:59To the old elm split by lightning and rotten in half, with the April rains and the May sun,
00:30:19Some green leaves have come out, the century-old elm on the hill, a yellowish moss.
00:30:36It stains the bark whitish, the trunk rotten and dusty.
00:30:50Before the woodcutter and the carpenter cut you down with their axes,
00:31:04turn you into a bell's mane, a chariot's spear, or a cart's yoke.
00:31:22Before the river pushes you through valleys and ravines to the sea.
00:31:51Elm, I want to note in my wallet the grace of your green branch.
00:32:04My heart also awaits, towards the light and towards life, another miracle of spring.
00:32:21Conflicting news continues to arrive about the strange case of the devoured house.
00:32:33We don't know what to think anymore.
00:32:36It's hard to believe that innocent little children could have created such a mess.
00:32:40What's up?
00:32:43Tender little children are capable of that and much more.
00:32:46Doesn't it melt you?
00:32:48Of course.
00:32:49There are the kids from the gang.
00:32:52They are there to prove it.
00:32:54The gang.
00:33:04Pay on your way out.
00:33:05Saturday matinee, Spanky presents Romeo and Juliet.
00:33:20By Alfalfa, Darla, Buki and Porky.
00:33:22Written by Spanky and Saxby.
00:33:24Thank you, teacher.
00:33:46You are welcome.
00:33:46Come and don't miss the biggest show in town.
00:33:52Much more, the greatest show on earth.
00:33:55Start right now.
00:33:57There is no need to wait.
00:33:58Go see it and you won't regret it.
00:34:00See you later.
00:34:01Music.
00:34:03Where is Buki?
00:34:04Here.
00:34:05Come on, teacher.
00:34:06Go ahead, Alfalfa.
00:34:17Tickets, tickets, tickets.
00:34:20Come and buy your tickets.
00:34:23Don't crowd together.
00:34:24There are plenty of seats in there.
00:34:25And is it worth paying?
00:34:27You are uneducated.
00:34:29Many people have paid a fortune to admire Romeo and Juliet.
00:34:34It was with other actors.
00:34:35Well, let's do one thing.
00:34:38If you like the show, you can pay on the way out.
00:34:41Can we pay on the way out?
00:34:43Yes, pay on your way out.
00:34:45It's our motto.
00:34:46Then I think I'll go in.
00:34:48Come on, guys!
00:34:49Add!
00:34:59There are no tickets.
00:35:01There are no tickets.
00:35:05To be or not to be?
00:35:24Juliet, I am your Romeo.
00:35:26There are no tickets.
00:35:37Chupi, bring it!
00:35:41And the money?
00:35:43Don't worry.
00:35:44It's like we have it.
00:35:46If they like the work, they will pay upon leaving.
00:35:48And what if they don't like it?
00:35:50Of course they will like it.
00:35:53He thinks I'm going to play Romeo.
00:35:59Have you eaten spring onions?
00:36:01They're really good for my voice, Spanky.
00:36:03Come on, give them to me.
00:36:05Now hurry up and get ready.
00:36:07The first thing is representation.
00:36:09When is the show going to start?
00:36:20Go ahead, Porky.
00:36:21Happy is me, Romeo!
00:36:40In love at heart!
00:36:41Juliet, my Juliet, where are you, love?
00:36:50My Romeo!
00:36:53Juliet?
00:36:57Why have you come, Romeo?
00:36:59You are reckless.
00:37:00Because I love you, Juliet.
00:37:03You haven't eaten spring onions.
00:37:05When will you come with me, my love?
00:37:10Tonight.
00:37:15Miss Julieta, your dad is here.
00:37:20Daughter, to your room.
00:37:23Romeo, prepare to die!
00:37:35Romeo, prepare to die!
00:38:06I'm not following!
00:38:09What's wrong, spring onions?
00:38:13You are an onion Romeo.
00:38:16Now we'll have to find another Juliet.
00:38:19Where will we get it from?
00:38:21Don't know.
00:38:22You created this problem.
00:38:24So you have to fix it.
00:38:26Take.
00:38:27And don't come back until you find a good Juliet.
00:38:32Mmm, spring onions.
00:38:35We want the show to continue!
00:38:38We want more!
00:38:40We want more!
00:38:42We want more!
00:38:44We want more!
00:38:46We want more!
00:38:47No, no, no, no.
00:39:17No, no, no, no.
00:39:47No, no, no, no, no.
00:40:17No, no, no, no, no, no, no, no.
00:40:47No, no, no, no, no, no, no, no.
00:41:17Your eyes are like two bright stars in the firmament.
00:41:24Come fly with me!
00:41:25Hold the ladder, please, ship.
00:41:44Don't worry.
00:41:46Let's hurry, my horse is waiting for us.
00:41:54My luck is?
00:41:55Spring onions.
00:41:57Spring onions.
00:41:57Oh yeah, yeah, yeah!
00:41:59Ah, ah, ah, ah!
00:42:29A spring onion.
00:42:59Everything goes wrong, I don't know what's wrong with me.
00:43:11My glasses don't work, the clock is slow.
00:43:16And the Inquisition is after me.
00:43:21My colleagues say I'm finished.
00:43:27My logs don't work, I can't get anything.
00:43:31Retirement is so close.
00:43:37Going back to failure, I can't bear it.
00:43:48There is not one more day.
00:43:52I don't leave my house, I live locked up.
00:44:14Everyone ignores me, I haven't been invited to the witchcraft convention.
00:44:24My cat has escaped, he couldn't stand me anymore.
00:44:30The boot makes fun of me, I am not respected.
00:44:33My reputation for salaries.
00:44:40Going back to failure, I can't bear it.
00:44:50There is not one more day.
00:44:52There is not one more day.
00:44:54Going back to failure, I can't bear it.
00:45:09Going back to failure, I can't bear it.
00:45:17We have with us, in person, the old lady of the house bitten to death by Hansel and Gretel,
00:45:44and we are going to hear his version.
00:45:47Madam, many accuse you of being a witch for having built a house with nougat, candies, chocolates and other sweets,
00:45:56instead of using materials like wood or bricks, like everyone else.
00:46:01What do you have to say about this?
00:46:04Me, a witch? This is a fake. I don't know what they're basing this on. It certainly won't be my appearance.
00:46:14I look as much like a witch as you, for example.
00:46:19As for the construction materials I used, the explanation couldn't be simpler.
00:46:33I am diabetic and for this reason I cannot eat the nougat, candies and other sweets that they give me every year for Christmas.
00:46:49And since I feel so bad about throwing them away, because they are so expensive, I have been saving them and saving them and saving them,
00:47:01until finally I came up with the brilliant idea of building a little house with them.
00:47:09But do you think a house built with candy is solid?
00:47:14Very solid?
00:47:16Nougat, for example, is a very resistant material.
00:47:22It has the texture of concrete.
00:47:26And since it already comes in the shape of hers, well...
00:47:30Yes, but you didn't think of a great danger.
00:47:33The children.
00:47:35What do you plan to do in the future to prevent your children, who have such a sweet tooth, from taking over your house again?
00:47:43Very simple.
00:47:45The part of the house that your vandals called Hansel and Gretel have eaten,
00:47:52I'll rebuild it, with products bought at a joke shop.
00:48:03Do you know what they do?
00:48:06Bitter sugared almonds, sugar cubes that you throw into your coffee.
00:48:12It fills with foam.
00:48:15Candies that taste like fried eggs and many houses.
00:48:22So the children won't dare lick my walls,
00:48:27because real sweets are indistinguishable from fake ones...
00:48:33What a great idea!
00:48:38It's an idea worthy of me.
00:48:41I'm going to leave around bitter kilowatts and effervescent amps
00:48:46to trick those electrocuting electro-elves.
00:48:52Today we have not one, but two famous people who will answer our questions.
00:49:02These are Ana Belén and Víctor Manuel, whom you all know.
00:49:06Oh, right? The one every week? The one about Fortunata and Jacinta?
00:49:11Forgive them, this child is very rude.
00:49:13Is this Charles Lauton as a child?
00:49:15No, this isn't anyone. This is a television error.
00:49:18Well, let's start with the questions.
00:49:20What influence have traditional tales had on your life?
00:49:26Well, a lot, because when we were very young we didn't have what we have now,
00:49:32This huge medium that exists now, which is television.
00:49:35So, as children, we supplemented that with stories,
00:49:39from listening to those old recordings of records that were played on the radio.
00:49:46Of course, we heard a lot.
00:49:47There was an hour, I think it was eight o'clock at night,
00:49:50when we had already finished doing our homework and all that,
00:49:52that we met while we were all having dinner, my brothers and I,
00:49:57we gathered to listen to the stories.
00:49:58And now they've re-released them, the same ones, with the same voices.
00:50:02So, it's wonderful to be back.
00:50:04I bought them because they are the voices I remembered from when I was little.
00:50:07And then also, well, those diseases that were had
00:50:11and that you were spending, well, maybe a week in bed, right?
00:50:13An older friend of yours, an older neighbor, would always come over to read you stories and stuff.
00:50:18Very good.
00:50:19I perfectly remember a tremendous scolding when I was four or five years old,
00:50:24because I bought a duro of stories, which were 50 alley stories.
00:50:29And well, my parents thought it was outrageous that I...
00:50:32The truth is that I was, I devoured everything that fell into my hands and, of course, all the stories.
00:50:36Clear.
00:50:37Well, and you guys are going to see.
00:50:38Isn't there an image of a very close-knit couple standing together in the face of danger, like Hansel and Gretel?
00:50:44Is this a publicity stunt or is this image true?
00:50:48Image of unity, yes, certainly not like Hansel and Gretel.
00:50:51I don't know if it will work. I don't think I have Gretel's cleverness.
00:50:56She was very clever and very bad, huh?
00:50:58That the children were very good and the bad ones were the witch and the stepmother, not at all.
00:51:02Because you have to see Gretel when she throws the witch's ass into the oven, you have to see the girl as she was.
00:51:09I don't think so.
00:51:09Man, united there is.
00:51:12No, I think the stepmothers in life bring us together a lot, right?
00:51:15That is full of stepmothers.
00:51:16So that makes you stand shoulder to shoulder, which is always easier to push or lean on, right?
00:51:22That separately.
00:51:23Well, in this case.
00:51:24Children and stepmothers, the bad guys, we witches are very good.
00:51:27Well, and now, let's see, to finish.
00:51:30Do you tell each other many stories?
00:51:32This is very storytelling.
00:51:33Yes, I know.
00:51:34I know, maybe that's why, right? Because of that familiarity that stories have had for me since I was little, right?
00:51:41And sometimes I feel a need for someone, in this case, Victor, to tell me a story.
00:51:48But there is no way, there is no way.
00:51:50No, the truth is that we don't tell stories.
00:51:52Nothing, we have children to tell and we bear all the costs with the children.
00:51:56Very well, thank you very much.
00:51:58Thank you.
00:51:59Thank you.
00:51:59Thank you.
00:51:59Thank you.
00:52:00Thank you.
00:52:01Thank you.
00:52:01Thank you.
00:52:29Thank you.
00:52:31Thank you.
00:52:32Thank you.
00:52:34Thank you.
00:52:36Thank you.
00:52:38Thank you.
00:52:40Thank you.
00:52:42Thank you.
00:52:44Thank you.
00:52:46Thank you.
00:52:48Thank you.
00:52:50Thank you.
00:52:52Thank you.
00:52:54Thank you.
00:52:56Thank you.
00:52:58Thank you.
00:53:00Thank you.
00:53:02Thank you.
00:53:04Thank you.
00:53:05Thank you.
00:53:07Thank you.
00:53:09Thank you.
00:53:11Thank you.
00:53:13Thank you.
00:53:15Thank you.
00:53:17Thank you.
00:53:19Thank you.
00:53:21Thank you.
00:53:23Thank you.
00:53:25Thank you.
00:53:27Thank you.
00:53:29Thank you.
00:53:31Thank you.
00:53:33Thank you.
00:53:35Thank you.
00:53:37Thank you.
00:53:39Thank you.
00:53:41Thank you.
00:53:43Thank you.
00:53:45Thank you.
00:53:47Thank you.
00:53:49Thank you.
00:53:51Thank you.
00:53:53Thank you.
00:54:23Thank you.
00:54:53Thank you.
00:55:23Thank you.
00:55:25Thank you.
00:55:53Bodies attract each other.
00:56:21with a force directly proportional to the product of their masses and inversely proportional to the square of the distance.
00:56:51Thank you.
00:56:53Thank you.
00:56:55Thank you.
00:56:57You'll never go to bed without learning something new.
00:57:01When he was little he was also afraid at night.
00:57:06He also used to stand up when he was little in bed.
00:57:11She also wore glasses.
00:57:13Before, he was ashamed of everything.
00:57:17It's not bad that pigeons don't last forever.
00:57:21That.
00:57:23That's the crystal ball.
00:57:25It's the crystal ball.
00:57:27It's the crystal ball.
00:57:29Thanks for watching the video.
00:57:59Thanks for watching the video.
00:58:29Thanks for watching the video.
00:58:59Thanks for watching the video.
00:59:29Thanks for watching the video.
00:59:59Thanks for watching the video.
01:00:29Thanks for watching the video.
01:00:59Thanks for watching the video.
01:01:19Fortune has come to you on the market.
01:01:21It can't take long.
01:01:23Have you heard?
01:01:24Yes, yes, I've heard.
01:01:26Thank you.
01:01:26What are you looking for here?
01:01:37Yes, you look pretty.
01:01:40Go on, get lost.
01:01:41Ugly, ugly, ugly.
01:01:42If you don't get out of here, I'll kick you.
01:01:45And this happens because the soundtrack, which is what the music in movies is called, is added after the film is made.
01:01:55Like dialogue or noise, that is, effects.
01:02:00Movies have always had music.
01:02:02When movies were silent and had no dialogue, no noise, no effects.
01:02:10So, movies already had music.
01:02:13And it's not like I was with them.
01:02:14It doesn't melt you.
01:02:15That couldn't be done even then.
01:02:17But there was a man who carried a piano everywhere the movie was shown.
01:02:23And then he would start playing, non-stop, non-stop.
01:02:26But he didn't always play the same thing.
01:02:29And he didn't play what he wanted, no.
01:02:31He played a piece of music for each scene.
01:02:34If the scene was the one where the boy declares his love to the girl, then he would play very romantic, soft music.
01:02:42What if it was shooting?
01:02:58Well then...
01:03:09Bam!
01:03:10One of those, very exciting ones.
01:03:12To take your breath away.
01:03:28On the other hand, if the movie was a horror movie, a few notes here, a few notes there, to make you very, very nervous.
01:03:42Bam!
01:03:43Bam!
01:03:44Bam!
01:03:45Bam!
01:03:46Bam!
01:03:47Bam!
01:03:48Bam!
01:03:49Bam!
01:03:50Bam!
01:03:51Well then...
01:03:52All this was done by that piano man who lost his job when talking pictures were invented...
01:03:58This is what the soundtrack in movies does today.
01:04:02Although it's much better now.
01:04:04They don't hold back.
01:04:05They don't hold back.
01:04:06Many violin and trumpet defeats...
01:04:09And the fact is that it seems to me that the piano was better.
01:04:13When I make my movie, I'll play the piano.
01:04:16But not always.
01:04:17From time to time.
01:04:18Of course, I'll have to learn first.
01:04:22And my father is going to like that.
01:04:24He says that music tames beasts.
01:04:27Although I'm not quite sure if that's a hint to me.
01:04:31And the thing is that my father has a very bad opinion of his son.
01:04:35Gosh!
01:04:36I'm already getting started.
01:04:37And when I start talking about my father...
01:04:40What I was getting at.
01:04:42Music is very important in movies.
01:04:44And if we take it away and just leave it and keep changing it...
01:04:48Well then things are very different.
01:04:50I'll prove it to you with that Fortunata and Jacinta thing.
01:04:53I managed to catch them on television.
01:05:01Maximiliano walks down the street at night.
01:05:19Something's going to happen to him tonight with that music.
01:05:23We're all hoping Count Dracula or Frankenstein will show up somewhere...
01:05:28Or a gaster with a gun.
01:05:51But now, with that cheerful music...
01:05:54Maximiliano is walking down the street, taking a stroll in the moonlight.
01:05:59Nothing can happen.
01:06:00It's impossible.
01:06:01It is very important to know this.
01:06:03Because when we're watching the movie, if we hear music like that...
01:06:06It's a chance to go into the kitchen and make some toast with lots and lots of butter.
01:06:12Of course, sometimes they do the music to distract.
01:06:16There are other movies where you don't just hear the soundtrack in the background.
01:06:24If you want, you don't hear it and that's it.
01:06:26But they also sing.
01:06:28They are singing all the time.
01:06:30One gets angry with another and boom!
01:06:32He goes and sings it to her.
01:06:34And to top it all off, in English.
01:06:36That nothing is understood.
01:06:37Some are very funny.
01:06:39But others are a dud.
01:06:41It's as if Maximilian told Fortunata no and said it while singing.
01:06:46Wait, wait.
01:06:49He told me.
01:06:53Don't go.
01:06:54I'm not leaving.
01:06:56If you want to love me, I will love you more than my life.
01:07:01I'm unhappy, I mean, I'm good.
01:07:05I'll settle for us being friends for today.
01:07:08I haven't met any women yet.
01:07:13And?
01:07:17I'll come tomorrow at half past eight.
01:07:19He gives me his word not to go out or to wait for me to go out with me.
01:07:26That's it.
01:07:27I have already fulfilled my duty and all the things my father says.
01:07:30Now I can indulge myself with buttered toast.
01:07:35Butter.
01:07:54What's going on here?
01:07:56Hey, the music guy.
01:08:03This is a boycott.
01:08:07A boycott that TV makes me.
01:08:09Me and my buttered toast.
01:08:11I'll find out who it is.
01:08:13That's why I'm a private detective.
01:08:15And I'll keep eating the toast.
01:08:17With music and everything.
01:08:19But that was all that was missing.
01:08:28Don't melt.
01:08:29Don't melt.
01:08:30Don't melt.
01:08:39Don't melt.
01:08:40Don't merge.
01:08:41Don't melt.
01:08:43No rest.
01:08:44Don't trust me.
01:08:48What they told you with me.
01:08:51Thank you!
01:09:21Thank you!
01:09:51Thank you!
01:10:21Thank you!
01:10:51Thank you!
01:11:21Thank you!
01:11:51Do you know what I'm thinking?
01:11:57Well, I like television.
01:11:59Actually, I am the television
01:12:03You are rewinder
01:12:05You always want to attract attention
01:12:07You want to be everything
01:12:08You want to be the smartest and the prettiest
01:12:11That's because I am.
01:12:12Because for that I am the only girl
01:12:15I've told you a hundred times that you're not a girl.
01:12:18Also, the trick witch is also a girl
01:12:20Yes, but she's not from TV
01:12:22It's from the movies
01:12:25She always says it
01:12:28There is also the witch, you see.
01:12:30Yes, but it's very ugly
01:12:32Shut up!
01:12:33Who will hear you?
01:12:34On TV there are pretty boys and girls.
01:12:37I have kidnapped one who is galvanoplastic
01:12:41I want to see her
01:12:42Sonorous
01:12:43But if you hardly see
01:12:45You hear
01:12:46Well, I want to hear it.
01:12:48Well, I don't.
01:12:49I'm leaving
01:12:50Hey, who is it?
01:12:52It's the girl
01:12:54Tuning
01:12:56I also knit
01:12:58It has nothing to do with it
01:13:00It's another point
01:13:01It is an electrifying point
01:13:05You're going to watch it right now.
01:13:07Here it is
01:13:08Well, it's not that bad.
01:13:11Let it be heard, let it be heard
01:13:14Maybe he doesn't speak
01:13:15It's just for viewing.
01:13:17Yes, maybe he only knows how to count to eight.
01:13:20Hey, Eva
01:13:22That of one, two, three, four, five, six, seven and eight
01:13:34Is it gymnastics or is it mambo?
01:13:39Now I'll tell you
01:13:40Well, and to you too because
01:13:41Phew, thank goodness.
01:13:43No, it's not mambo
01:13:45It's gymnastics
01:13:47And do you know what it's for?
01:13:48To coordinate these exercises with the background music
01:13:51This way you carry it better
01:13:52The rhythm and they come out more beautiful
01:13:54Aerobic, aerobic, aerobic
01:13:57What a word!
01:13:59Is aerobics really a new way of exercising?
01:14:03Or is it just the same old stuff with a little music?
01:14:06No
01:14:09Yes, yes, there is music
01:14:11But it is a gymnastics that we need air to oxygenate our cells
01:14:15And so have a lot of energy
01:14:17That's aerobics
01:14:19I don't know why this program doesn't teach how to make sweaters and things like that.
01:14:25I don't know why they don't teach cooking.
01:14:27This girl would be very good saying
01:14:31The chicken is cooked to perfection
01:14:34No, the cars and machines are ready.
01:14:37Do you think, Eva, that people today are rewound?
01:14:42Or is life so hectic these days that people want to go crazy?
01:14:47Well, look, I know how to cook Davidio very little.
01:14:51I am very good at making points because I like it.
01:14:53And the tuning thing is like cars, workshops, right?
01:14:58No, we have always said in our program that our body is a machine that must be kept in very good condition.
01:15:03But we are not like a motorcycle
01:15:05Maybe a little nervous because of all the stress we're all under, right?
01:15:09And by exercising we relax
01:15:11And this tuning thing, who is it for?
01:15:14I know it
01:15:15I answer that I speak better than her.
01:15:17It is a youth program
01:15:20Youth?
01:15:20Youth?
01:15:21Ah!
01:15:22It's that young people have to get ready
01:15:25I would say rather that it is a program for floats
01:15:29That
01:15:29Tell us who it's for
01:15:31Well, it's not a program for young people or for oldies.
01:15:35That would be more of a family program for everyone to do.
01:15:38From little children to the third youth, as we call it in our program
01:15:42Because they are very simple exercises, everyone can do them.
01:15:45You too, huh?
01:15:47Because sometimes you miss our appointment
01:15:49Leave it to me!
01:15:51Leave it to me!
01:15:52I want to get in shape
01:15:53Do you think you'll make it?
01:15:57Can you get me ready even though I'm chubby?
01:16:02My lens is out of focus
01:16:04They call anything fat
01:16:07Of course I'm going to get it
01:16:09Are you chubby?
01:16:10No, I saw you...
01:16:11No, no, no, if you're okay
01:16:13Do you exercise?
01:16:14The important thing is that you are healthy and strong.
01:16:17And you really have a lot of that, huh, witch?
01:16:20Do you think any girl, even if she doesn't have a very good figure, can become like you?
01:16:28Well, like me, I'm a little thin
01:16:30A little thicker would be better.
01:16:33But the important thing is not being pretty or ugly, witch.
01:16:37It is being comfortable with yourself and feeling good
01:16:41And have a little of that inner beauty
01:16:43If your physique is good for you, even better.
01:16:46But you are pretty
01:16:47You are very pretty to me, witch.
01:16:49Well, come on, let's get to work right now, Eva.
01:16:52To work with me
01:16:54Because either you make me thinner or I'll stick to you.
01:16:57Let's get started
01:16:59one two three
01:17:01Phew!
01:17:02Go on!
01:17:03Let him stay
01:17:04So much bragging?
01:17:07Well now let her stay to lose weight, the witch breakdown
01:17:10That, let it stay.
01:17:11I like to hear it
01:17:13I'm going to focus on you well to watch you for a while.
01:17:16Four, five, six, seven, eight
01:17:22Mambo!
01:17:24Or you put me in shape
01:17:25You won't have to destroy the television.
01:17:30Because I will be the one who leaves her in a comma
01:17:35Come on, hurry up!
01:17:38Come on, hurry up!
01:17:38One, two, three, four, five, six, seven, eight, nine!
01:17:47Yes, yes, yes, don't worry
01:17:48I'm staying
01:17:49We are going to have a very special class today.
01:17:51All five of us together, okay?
01:17:53Are you going to do it right?
01:17:55Sure?
01:17:56Yes, yes, yes
01:17:56Well, then I'll stay.
01:17:57Oh well, then I want to rest!
01:18:12Caral, there is no style or personality anymore
01:18:31Well, very well, I'll tell you.
01:18:34Being distinguished is a great quality
01:18:39And I fulfill it without difficulty
01:18:48My other lineage lets me look
01:18:55Above the shoulders of others, of others
01:19:03Caral, every time
01:19:07People dress worse
01:19:11Ok, I'm the king
01:19:13Of keeping the crease of the pants
01:19:18I want to observe standards of education
01:19:28Carry seats on the bus
01:19:35It is a habitual attitude for me.
01:19:41Attitude, remove, to pass, please
01:19:48Because here I am
01:19:52It's not good, it's not bad
01:20:06I am a model to trace
01:20:10When I walk down the street
01:20:13They say, oh, oh, oh, be careful, sir.
01:20:17I smile with satisfaction
01:20:27Looking in the mirror once again
01:20:34I advise everyone without hesitation
01:20:40Without hesitation, without hesitation
01:20:42Remove, set aside, please
01:20:47Because here I am
01:20:51What does this ball have that everyone likes?
01:21:15You sit in front and it's like the cinema
01:21:18Everything controls a light
01:21:20It's like a personal computer
01:21:22It's the crystal ball
01:21:24You sit in front and it's like the cinema
01:21:27Everything controls a light
01:21:29It's like a personal computer
01:21:31It's the crystal ball
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