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00:00:00The Holy Spirit
00:00:30The Holy Spirit
00:01:00The Holy Spirit
00:01:29The Holy Spirit
00:02:00Nothing, they haven't left anything, everything is missing
00:02:02Neither the public's opinions, nor the cars, nor the judges
00:02:06Not even Botilde
00:02:08Someone has stolen and I have to find out who it is.
00:02:12I, Butter, the best private detective
00:02:14I cannot allow them to leave us without the 1-2-3
00:02:17Hey, margarine, butter, hey
00:02:22Nothing, no case
00:02:24He confused us with the 1-2-3
00:02:26Who would think of that?
00:02:27We who make a program for children
00:02:29Full of sweetness, of sensitivity
00:02:31If you don't cut the crap, I'll disconnect.
00:02:42Why do you do it?
00:02:43Do you want the microphone for that?
00:02:46If you continue, I'll disconnect.
00:02:47And don't call me a microphone, but a sound one.
00:02:50I like it better
00:02:52Don't worry, Adavidio
00:02:53I'll fix this myself.
00:02:55So a program for children
00:02:58Well now you'll see
00:03:00Doesn't it melt you?
00:03:03But what is this?
00:03:04I've seen them, I've seen them
00:03:06Now no one can tell me that they don't exist.
00:03:08I've seen them and they have cables sticking out all over them.
00:03:10And there are two women
00:03:11One who speaks like this with the Z
00:03:12All the time and does horrible things
00:03:13And the other one that roars a lot
00:03:14And you dressed like that
00:03:16Look
00:03:16But calm down
00:03:18Calm down, we're on the air
00:03:20In the air?
00:03:22Well, we're going to put you on a plane.
00:03:24Let's fly, it has been said
00:03:26Oh, I'm afraid of airplanes.
00:03:31I don't want to fly
00:03:32Looks like we're going to be quiet for a while.
00:03:38I no longer need to disconnect
00:03:41We could take advantage of this to put something fun
00:03:44It's a good idea
00:03:46Hello
00:03:48You you?
00:03:53You you?
00:04:07You you!
00:04:09notes
00:04:12No
00:04:13either
00:04:16either
00:04:18to
00:04:21r
00:04:22that
00:04:27etc
00:04:31g
00:04:33c
00:04:37Oh dude and the...
00:04:41Not my my...
00:04:58Middle ...
00:05:00How do you explain it to me?
00:05:03Hello...
00:05:05Ha! Ha! Ha! Ha! Ha! Ha!
00:05:10Ha! Ha! Ha! Ha! Ha! Ha!
00:05:12Ha!
00:05:13I'm fed up!
00:05:15Dajoooo!SE number rallizió
00:05:17We're going to the garage
00:05:23Stop according
00:05:29never wait appears?
00:05:31Or he caught him
00:05:33Subscribe to the channel!
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00:07:25There. A cat? A real cat? Of course, I don't see it, because you... Silence! I know, I know, you're about to start, if you don't see, if you don't hear.
00:07:39What if? What if? Kitten! He's not coming. Of course, he doesn't exist. He's not coming because he's too heavy and can't walk.
00:07:49A fat kitten? How cute! Shut that dog up! If it takes, I'll get the cat to shut him up.
00:08:00That's not a lying cat! No, I was right, it doesn't exist. Oh, no! Does this exist or not? It does. And is it a cat or not a cat? It is a cat!
00:08:15That's not true. He's not fat, he doesn't have hair, he doesn't have a tail, and he doesn't play around. You're a liar, and I won't record you again.
00:08:25This is a jack! You don't know anything. It's used to lift cars when the witch breaks down. And that's what it's called.
00:08:34And on top of that, it's the witch's cat. Just the thing we needed. That's why it's so ugly. Besides, I don't believe it.
00:08:45I wanted a kitten, and you lied to me. I didn't do anything. I wanted my kitten. I won't record you anymore. I'll never believe what you hear or see. And I won't record you.
00:09:07Well, you'll believe us. You'll see what a cat is like.
00:09:11Gerardo, it's crazy for you to leave. We have to do the program.
00:09:20I don't want anything to do with goblins and witches. And that whole crystal ball thing...
00:09:24But if there are no goblins, Gerardo, there are no witches either, I assure you. Besides, you shouldn't believe in witches.
00:09:29There are witches and anything can happen here.
00:09:31There are no witches and absolutely nothing is going to happen.
00:09:34I don't like it. I don't like doing this, but I can't let them live in deception. I'll have to convince them.
00:09:44My goodness.
00:09:45You see? You see? So there were no witches, huh? I tell you there were. One of them is really evil and causes breakdowns. Look, look what she's done to me, look.
00:09:53I don't believe it, I don't believe it, Gerardo. The thing is, you have to take care of things. I'm sure you brought the car down the street, it's so dirty, and you didn't even drive carefully.
00:10:02You guys have to be more careful.
00:10:04It's very easy for me to do these tricks because my thing is cinema.
00:10:20They're making me feel sorry for them. They work so hard.
00:10:24Ignore it. They're polarizing.
00:10:27They get very bored.
00:10:29Let's distract them a little, shall we?
00:10:34Well, since this car is already pretty damaged, we'll leave it.
00:10:41And we're going to show you how cars are made.
00:10:43Pay attention, because it is very interesting.
00:11:04And we're going to show you how cars are made.
00:11:13And we're going to show you how cars are made.
00:11:23We're tired of being taught everything.
00:11:49I'm tired, he's always learning.
00:11:53We want to unlearn and be taught how things fall apart.
00:12:19They exist.
00:12:36I'm sure you've seen them too.
00:12:39I'm drawing them.
00:12:41They are the elves of television and I believe that is what they are like.
00:12:44What do you think?
00:12:50Are they like that or not?
00:12:52I think that...
00:12:53No.
00:12:55But I have to find them.
00:12:59From now on I'm going to keep an eye out to see if I can find them.
00:13:03Do you want to watch with me?
00:13:03Ah, now we're really going to Colombia.
00:13:09Now he's really going to bother us.
00:13:11Yes, he's going to be on a beating.
00:13:14Mom, we have to stop it.
00:13:16If not, he'll leave us alone.
00:13:18Now you'll see.
00:13:19Well, I would like to tune in and have a car.
00:13:29Not me.
00:13:31Wouldn't you like to go very fast on the roads, almost flying, in a fantastic car?
00:13:38It would be a master battery.
00:13:39If you were in the movies, you would have one of those wonderful cars with a chauffeur like the great actresses.
00:13:48Really?
00:13:49Clear.
00:13:50In the cinema you can be very important.
00:13:54While in the video...
00:13:56I am very important.
00:13:58But you don't have a car.
00:14:00You neither.
00:14:01Because I don't want it.
00:14:03You say that because you don't have it.
00:14:04No, I say this because...
00:14:07I'm going to tell you a secret.
00:14:09I want to have a flying broom.
00:14:12But I can't do it.
00:14:14I can't get the trick.
00:14:17Does the witch have it?
00:14:19Yes, but how else?
00:14:21Because she's so fat, she can't get more than a meter off the ground.
00:14:26The broom can't handle it.
00:14:29This gives me the creeps.
00:14:30I only fly low to the ground.
00:14:33That's why he's gone on a diet and uses very few watts.
00:14:37He is in a good mood and does gymnastics every day.
00:14:43I think if I were the witch I would see how broken I am.
00:14:48It's me!
00:14:48And what do you want a flying broomstick for?
00:14:53A good car is better.
00:14:55I want it to visit my beloved.
00:14:58To your beloved?
00:14:59Note, I didn't know that.
00:15:02Yes, I want to leave him stunned, electrified.
00:15:07As soon as he sees me flying on the broom, he'll fall in love with me.
00:15:12I'm already seeing it.
00:15:14So tall, so strong, so serious.
00:15:20Now yes, huh?
00:15:21Now I have drawn it very similar.
00:15:27Or maybe it doesn't look so much like that.
00:15:29Maybe I have to keep watching.
00:15:31And why don't we continue with the program?
00:15:34Come on, Gerardo, don't be a maniac.
00:15:36Do you know what's going to happen to you?
00:15:38You're going to be out of a job.
00:15:40There you go, I got it.
00:15:42I remember his face now.
00:15:43She is the ugliest.
00:15:44It's horrible, frightful.
00:15:47Come on, a real witch.
00:15:48You'll see, I'll draw it in a moment.
00:15:50You'll see, you'll see.
00:15:52How is the witch going to look?
00:15:58That's right, huh?
00:15:59That's how it is.
00:16:00I was not wrong this time.
00:16:01Look, look, look, look.
00:16:03Don't let him hear it.
00:16:05Don't let him hear it.
00:16:06Look, oh, how he's going to get.
00:16:08What imagination.
00:16:09Look, it's absolutely impossible.
00:16:11that there exists such a strange and ugly woman.
00:16:14Plus, with that head full of cables.
00:16:16Leave.
00:16:17I don't want to see it.
00:16:19I don't want to see it.
00:16:22Nobody calls me ugly.
00:16:24I'll get my revenge!
00:16:29Isabel, don't come.
00:16:32Amplify.
00:16:33Amplify it, I can't hear it.
00:16:36Ah, what a beautiful noise.
00:16:41This time the witch did it right.
00:16:44I enjoyed watching the pieces of those idiots' cars fly off.
00:16:49Have you recorded it, Adavideo?
00:16:51No way.
00:16:52I select very well.
00:16:54I don't want to keep anything from this program.
00:16:57That's it for today.
00:16:59Oh, how peaceful!
00:17:09It seems unbelievable.
00:17:10Such a cool show and how it's downgraded.
00:17:13They used to give away good, new cars.
00:17:15And now it's all rubbish and broken.
00:17:17I never thought 1, 2, 3 could end like this.
00:17:20If one day they put the TV on and people come out backwards.
00:17:39Just turn the chair around and you'll see how well you'll see.
00:17:46If suddenly the vacuum cleaner reveals itself and sucks up a foot.
00:17:54Take courage and try something.
00:17:57Oh, may it last!
00:18:01Ha ha ha!
00:18:02We are the electro-elves.
00:18:07Villains around you.
00:18:10We are in a very good mood.
00:18:14Electro, fuck off!
00:18:16The mixer may get into your room.
00:18:21And I'll make the room ready to snow.
00:18:26Oooh, no, fury!
00:18:28Or maybe you listen to the radio with the razor.
00:18:35Don't be a torben, that is, don't hold back when you read.
00:18:40He's going to talk!
00:18:43Ha ha ha!
00:18:45We are the electro-elves.
00:18:49Villains around you.
00:18:52We are in a very good mood.
00:18:54Electro, fuck off!
00:19:11Ha ha ha!
00:19:14We are the electro-elves.
00:19:17Villains around you.
00:19:21We are in a very good mood.
00:19:23Electro, fuck off!
00:19:26Thank you!
00:19:56It's crystal time!
00:20:26Thank you!
00:20:56Thank you!
00:20:59Only?
00:21:04You can't
00:21:17Only?
00:21:18You can't
00:21:19With friends?
00:21:21Yeah
00:21:21Thank you!
00:21:26No, no, no, no, no!
00:21:56No, no, no, no!
00:22:26No, no, no, no!
00:22:56No, no, no, no!
00:22:58No, no, no, no!
00:23:00No, no, no, no!
00:23:02I'm already hurting from auditioning so much nonsense.
00:23:05What are you doing here?
00:23:11Expecting.
00:23:11I'm going to tell you the latest news.
00:23:17Here it is.
00:23:19A truly unusual piece of news has appeared in the international press in recent days.
00:23:25A well-known nobleman is looking for a wife who meets the following conditions.
00:23:29What a drag.
00:23:30But with all the electrons in an electric generator, what are you doing here?
00:23:37Expecting.
00:23:38Well, keep quiet then, okay?
00:23:42Okay, that's it.
00:23:45The wife must be beautiful, simple, hard-working, a good cook, and most importantly, she must wear a size 28.
00:23:52That is, you must have a hard foot.
00:23:54What are you doing?
00:23:56Look, you're really getting on my nerves.
00:23:59Take that disgusting, smelly piece off.
00:24:02Polarizing, you are a polarizing child.
00:24:07In short, so far none of the candidates who have come forward have met the requirements.
00:24:13We didn't start off on our feet.
00:24:17Let's take a look at some images sent to us by our photojournalist colleagues.
00:24:24How funny!
00:24:29Don't you know that if you laugh you could lose the little electricity supply that irrigates that big head?
00:24:35Man!
00:24:35Yes, yes, if you laugh anything can happen to you.
00:24:39If you laugh at witchcraft.
00:24:48Man!
00:24:49You don't laugh at witchcraft.
00:24:56You don't laugh at witchcraft.
00:24:57You don't laugh at witchcraft.
00:24:58You don't laugh at witchcraft.
00:25:02You don't laugh at witchcraft.
00:25:03If you laugh, ma'am, you'll break the washing machine; if you laugh, sir, you'll break the television.
00:25:11Don't laugh, don't laugh, at the witch's breakdown, don't laugh, don't laugh, at the witch's breakdown, don't laugh.
00:25:27Don't waste money, you'll be left without a car, and you won't be able to walk to work tomorrow without worrying.
00:25:34And when I arrive, the elevator doesn't work, nor does the air conditioning, please, what a jerk.
00:25:42Everyone is crazy, the computer burned down.
00:25:45Don't laugh, don't laugh, at the witch's breakdown, don't laugh, don't laugh, don't laugh,
00:25:56Don't laugh at the witch's breakdown, don't laugh at the witch's breakdown.
00:26:11Neither at home, nor on the street, nor on the subway, nor on a plane, don't laugh, don't laugh, at the witch's breakdown.
00:26:30Don't laugh, don't laugh, don't laugh, don't laugh, don't laugh, at the witch's breakdown.
00:26:40Be careful not to laugh at me, for you are acting like Coulomb.
00:27:05I'll break your pocket calculator, record player, and watch.
00:27:11Nobody laughs at the witch breakdown!
00:27:17We already have images of today's news, of the beauty pageant, of course.
00:27:24But nothing is more curious than a grimace contest.
00:27:28To attract women, the contest is ideal.
00:27:32These men have talent and they know how to do it.
00:27:34And it makes you want to go to the fair booth.
00:27:56It will end up taking me out of my circuits.
00:27:58Anyone can make a mistake.
00:28:00The images did not correspond to the candidates, but to the nobleman who wants to get married.
00:28:07Or to his cousins, who apparently want to use the contest to find a girlfriend.
00:28:12Those strange gestures must be a custom in your country.
00:28:15Here, here is the candidate.
00:28:17Her name is Cinderella.
00:28:18Thank you!
00:28:19Thank you!
00:28:20Thank you!
00:28:21Thank you!
00:28:22Thank you!
00:28:23Thank you!
00:28:24Thank you!
00:28:25Thank you!
00:28:26Thank you!
00:28:27Thank you!
00:28:28Thank you!
00:28:29Thank you!
00:28:30Thank you!
00:28:31Thank you!
00:28:32Thank you!
00:28:33Thank you!
00:28:34Thank you!
00:28:35Thank you!
00:28:36Thank you!
00:28:37Thank you!
00:29:08Thank you!
00:29:09Thank you!
00:29:10Thank you!
00:29:11Thank you!
00:29:12Thank you!
00:29:41Thank you!
00:30:11Thank you!
00:30:13Thank you!
00:30:14Thank you!
00:30:28Thank you!
00:30:29Apparently this young woman has feet so small that she washes them in an ashtray.
00:30:36And that's why they call her Cinderella
00:30:38According to our sources, he has more sisters
00:30:40So let's talk to one of them.
00:30:42I would like to know the reason for the enmity between you and your sister Cinderella.
00:30:51Simply put, the reason is envy.
00:30:56Cinderella has never been able to stand the fact that we are so much prettier than her.
00:31:01Don't you realize?
00:31:04Pretty?
00:31:05This woman doesn't have her antenna in place.
00:31:08Well, beauty is something very particular.
00:31:13Not even for a thousand transistor batteries would I dare to give my opinion on such a delicate subject.
00:31:19So it would be best if someone else gave their opinion.
00:31:21For example, someone famous
00:31:23What influence has Cinderella had on your life?
00:31:27Well, specifically in my childhood
00:31:31I haven't read Cinderella.
00:31:35No, no, we didn't used to read stories.
00:31:38I went to a school where traditional stories were not recommended to us.
00:31:42And in my life, of course, Cinderella has had no influence either.
00:31:46But yes, on the other hand, in my children's childhood
00:31:48And I think that my daughter Elena, who is already an adult and a woman and all this
00:31:53He has a habit of taking off his shoes and losing them.
00:31:57I don't know if with the hope of finding some prince
00:31:59Or find, I don't know what
00:32:01What do you think happened to Cinderella and the prince after the wedding?
00:32:05I imagine that, like in these traditional tales
00:32:13Well, they would eat partridges
00:32:16And they were very happy
00:32:18And with the stepsisters?
00:32:20Oh, poor things.
00:32:23I feel very sorry about the bad and the good.
00:32:29I guess they would be good.
00:32:33And they would start losing shoes
00:32:35And they found, if not princes
00:32:38A couple they married
00:32:39And with whom they also ate partridges
00:32:42And they were happy
00:32:43And it occurs to me
00:32:47Do not recommend, because you should never recommend anything
00:32:49But it does occur to me
00:32:50That young people and children
00:32:53Well, what they give off is love
00:32:56And wishes for happiness
00:33:00Even if they are without partridges
00:33:02We have received news, however
00:33:04That Cinderella is locked in her house
00:33:06What do you have to say to this?
00:33:09Indeed
00:33:10This is a security measure
00:33:13Its hideous ugliness
00:33:15Could cause traffic disturbances
00:33:17And the occasional heart attack
00:33:19So we have decided to protect society
00:33:24From its nefarious influence
00:33:27But do you think it's that big a deal?
00:33:30Is it really that important?
00:33:31And for much more
00:33:33We cannot allow that cheesy
00:33:36With her little Japanese feet
00:33:38And her innocent little smile
00:33:40Now I want to marry a prince.
00:33:43Well
00:33:44Who is going to make us food?
00:33:50Ungrateful
00:33:51And to think that we even gave him
00:33:55Even our used dresses
00:33:58I hate her!
00:34:04I hate her!
00:34:05I hate her!
00:34:08Bat tabs and magnetic baud
00:34:11This woman is not well tuned
00:34:13In the end
00:34:14After this little incident
00:34:16We can only wish Cinderella
00:34:18Don't let her stay locked up much longer.
00:34:20The lizard is crying
00:34:50The lizard is crying
00:34:53The lizard and the lizard with white aprons
00:34:57They have accidentally lost their wedding ring
00:35:02Oh! Her little lead ring
00:35:05Oh! His little lead ring
00:35:08A big sky without people
00:35:11Ride the birds in your balloon
00:35:14The sun, round captain
00:35:17He wears a satin vest
00:35:20Look how old they are.
00:35:22How old are the lizards!
00:35:26Oh! How they cry and cry
00:35:28Oh!
00:35:30Oh! How they are crying!
00:35:32Oh! How they are crying!
00:35:32Oh! How they are crying!
00:35:35Oh! How they are crying!
00:35:39Oh! How they are crying!
00:35:51The lizard is crying, the lizard is crying, the lizard and the lizard with little white aprons.
00:36:09They have accidentally lost the lizard and the female lizard, they have accidentally lost their wedding ring.
00:36:29There is its little lead ring, there is its little lead ring.
00:36:59Look how old they are, the lizard and the lizard, look how old they are, how old the lizards are.
00:37:15Oh, how the lizard and the caterpillar cry and cry, oh, how they cry and cry, oh, oh, how they are crying.
00:37:45But the nobleman who was looking for a wife did not find Cinderella ugly and decided to marry her.
00:37:53From here we congratulate you.
00:37:55Well, I'm leaving now, baby.
00:37:57But by Franklin's lightning rod, weren't you waiting?
00:38:00Not anymore.
00:38:01Oh, not anymore. And what the hell were you expecting?
00:38:05To you, doll.
00:38:15To you, doll.
00:38:45To you, doll.
00:39:15To you, doll.
00:39:45Thanks for watching the video.
00:40:15Thanks for watching the video.
00:40:45Thanks for watching the video.
00:41:15Thanks for watching the video.
00:41:17Thanks for watching the video.
00:41:19Thanks for watching the video.
00:41:21Thanks for watching the video.
00:41:23Thanks for watching the video.
00:41:55Thanks for watching the video.
00:41:57If I were to make this program, only galactic ships would be recorded.
00:42:01For galactic ships, those in the movies.
00:42:06I would know, because cinema is my thing.
00:42:10Thanks for watching the video.
00:42:12Now, next, we are going to watch an educational program for adults.
00:42:19By Viricón, let's see if they realize once and for all that children are much more adult than they are,
00:42:24thanks to this new episode of The Gang.
00:42:26The Gang, the escape from home.
00:42:30This is a pain.
00:42:47And you can say it like that.
00:42:48All week at school, and today being our day off, they've been doing this to us.
00:42:52I don't like babysitting.
00:42:57Very good.
00:42:59Eat!
00:43:04Since this insect came to my house, it has only brought me problems.
00:43:07Issues?
00:43:09They don't even have half of what I have.
00:43:15Being so handsome, how can I have such ugly brothers?
00:43:22I'm coming, I'm coming.
00:43:33These monsters make my life miserable.
00:43:36You're right.
00:43:37One of these days I'll run away from home and teach my mother a lesson.
00:43:40Me too.
00:43:41You know what I'm telling you?
00:43:42I won't take long to do it.
00:43:44Neither do I.
00:43:46Stanky!
00:43:47What do you want?
00:43:48Alfaja has to give his dance lesson, and so do you, Spanky.
00:43:53My mom said it.
00:43:54Dance lesson?
00:43:56That's not it.
00:43:57I'm getting out of here.
00:43:58Are you coming with me?
00:43:59Of course.
00:44:00Together until death.
00:44:13This walk has made me hungry.
00:44:15Me too.
00:44:15I would eat a horse.
00:44:17Spanky, come here.
00:44:20I like that one, that one, and that one.
00:44:23Hey, they look good.
00:44:26It's a shame we don't have any money.
00:44:38Have you seen the same thing as me?
00:44:39Yeah.
00:44:40Come on.
00:44:41What are you going to do?
00:44:42You look and keep quiet.
00:44:44Let me do the talking.
00:44:47Ma'am, could you give me some cakes for my dog?
00:44:50He's hungry.
00:44:52Cakes aren't for dogs, but I'll give you something better.
00:44:55Ah, thank you.
00:44:57Great.
00:44:57Come, this way.
00:45:08This is something special.
00:45:10Thank you, ma'am.
00:45:11You are welcome.
00:45:14They must be Carrico chocolates.
00:45:17dog biscuits.
00:45:18Oh, dog biscuits.
00:45:23Take one.
00:45:25Thank you.
00:45:30Come on, doggy.
00:45:32Aram, look at that.
00:45:41What's going on?
00:45:42Look at those two brats.
00:45:43They take our dog.
00:45:45Yes, that's our dog.
00:45:47I wonder what they're up to.
00:45:48I don't know, but as Shinsville's police chief, it's my duty to investigate.
00:45:55Don't worry, leave it on me.
00:45:58That's it.
00:45:59Where are you going with that dog?
00:46:01He is very hungry.
00:46:02Don't waste your time.
00:46:04Get out of there.
00:46:05No way.
00:46:06Now you'll see.
00:46:07Come on, doggy.
00:46:08Come on.
00:46:09Come on.
00:46:11You'll see how disappointed they are.
00:46:14Hi guys.
00:46:16What is being offered to them?
00:46:17Our dog is hungry.
00:46:19Can you give him something?
00:46:20Clear.
00:46:23Do you think he'll like this?
00:46:25Yes a lot.
00:46:27Thank you.
00:46:28It is very big.
00:46:29Maybe you need to eat something else.
00:46:31How about a cake?
00:46:33Oh.
00:46:34He is a greedy dog.
00:46:37Any special flavor?
00:46:39Apple.
00:46:40Apple.
00:46:41Very good.
00:46:43Anything else?
00:46:45That cake.
00:46:50And cream puff.
00:46:55Some of those too, please.
00:47:00Anything else?
00:47:02Do you have any gum?
00:47:04Gum...?
00:47:05Chewing gum drives you crazy, doesn't it?
00:47:07Because?
00:47:09Tell me, do you think he'll have enough?
00:47:13What do you say?
00:47:14Yeah.
00:47:15You've had enough.
00:47:16Thank you so much.
00:47:17It has been a pleasure.
00:47:18These dog biscuits are impossible to swallow.
00:47:22You're right.
00:47:23I think they put cement on them.
00:47:25I don't think Buki and Porky can handle them.
00:47:27They are very tough.
00:47:28And you can say it like that.
00:47:29Goodbye, guys.
00:47:35I must be dreaming.
00:47:41Where did you get that from?
00:47:42That man gave it to us.
00:47:44There's a lot of stuff, huh?
00:47:45You're going to share it with us.
00:47:47Of course, there is something for everyone.
00:47:49I want a cream cake.
00:47:51Buki, you're a big guy.
00:47:54A guy with a full beard.
00:47:56We didn't have this at home.
00:47:59What makes you glad you left?
00:48:00I believe it.
00:48:01Our mothers will be going crazy.
00:48:04Hey, that would be running away from home.
00:48:07Adam, take the car and take them to their parents.
00:48:09No, because they would escape again.
00:48:11My obligation is to teach them a good lesson first.
00:48:14Come with me.
00:48:16This is what you call a massive cake binge.
00:48:19We will live like kings.
00:48:20Pastries for breakfast, cake for lunch.
00:48:22And sweets for dinner.
00:48:24We will give each other life, father.
00:48:26Is there any more cake left?
00:48:27As much as you want.
00:48:28I want more.
00:48:31Take.
00:48:32Thank you.
00:48:33Well, I'm not going to shoot, but I'm going to give you a good scare.
00:48:50Stay here. I'll be back soon.
00:48:52I can't fit in even one more little friend.
00:48:55Let's go, let's go.
00:48:56Wait a minute, young people.
00:48:58Who among you is going to pay for that food?
00:49:01I...
00:49:01I don't have a penny.
00:49:03Me neither.
00:49:05Well, you are being detained in the name of the law.
00:49:08Let's go into the store and no tricks.
00:49:11I have a lot of charges against you.
00:49:13Scam, dog kidnapping, abandonment of home.
00:49:16You're going to get a few years.
00:49:20Under way!
00:49:21High!
00:49:33Come on, let's have a bite.
00:49:34And you said we would live like kings.
00:49:51Already.
00:49:51With all the dogs in the world, you had to take the police chief's.
00:49:55Sorry, Spanky.
00:49:56Me too...
00:49:57Adam, it's too late.
00:50:01Don't you think you should take them home?
00:50:03Yes, it will be the best.
00:50:06They've had enough.
00:50:09Inmates, keep chopping until I get back.
00:50:12They're gone.
00:50:21Let's take advantage of it to escape.
00:50:24Let's get our act together!
00:50:31Hey, guys!
00:50:32Come back here!
00:50:36He's shooting!
00:50:38Every man for himself!
00:50:42Come back here!
00:50:43Come back here!
00:51:03Do you think he's caught the others?
00:51:05I hope not.
00:51:06That brute is capable of hanging them.
00:51:07Come back here!
00:51:12Yes, try, she's not an aunt!
00:51:17My mother!
00:51:18Where is?
00:51:19That one has me by the hair!
00:51:21It's your imagination!
00:51:24Will it leave me like a billiard ball?
00:51:26Don't joke at such a serious time.
00:51:36Oh, my darling!
00:51:38The fact that?
00:51:38My personality!
00:51:39Let's get going!
00:51:48Where are you, criminals?
00:51:50Get out of there!
00:51:52Ah, I got you!
00:51:53Get out!
00:51:54You are surrounded!
00:51:55Come back here!
00:52:09You have 15 seconds to imagine.
00:52:39If you haven't thought of anything, maybe you should watch less TV.
00:53:09You haven't thought of anything.
00:53:39To play, the most important thing is not the toys.
00:53:45You haven't thought of anything.
00:54:15Studying and playing sports are the most beneficial things for you to become a man tomorrow.
00:54:20And you see, of course, no, I'm not interested in any of that.
00:54:24What I want is to make a movie, my movie.
00:54:26And you see, I was going to tell you a secret.
00:54:30Toast with butter inspires me to do something.
00:54:35I need to eat buttered toast to write the plot of my movie.
00:54:39If it's not that I can't, it's impossible.
00:54:42And then, you see, it's the script that I have to do.
00:54:44You don't know what a script is?
00:54:48How few of you know about cinema.
00:54:50Well, look, the script is a kind of book in which everything that has to happen in the film is found,
00:54:56the conversation, everything.
00:54:58It may be taken from a book or invented.
00:55:00And then the whole ending can be changed or not.
00:55:02Look, I have it here, over here, yes, look, here it is.
00:55:07Here I have a piece of a book that we stole from my father in the library.
00:55:15And if you want, I'll read you a little bit to see how it turns out, and then from here we'll write the script, okay?
00:55:20Let's see.
00:55:22Maximiliano arrived breathless at the door and there he debated whether to turn right or left on the street.
00:55:27His heart told him to go towards San Marcos Street.
00:55:30He quickened his pace, thinking that Fortunata must not burn too quickly and that he would catch up with her soon.
00:55:35He walked down streets and streets, backtracked and turned around this block and the other.
00:55:40If he found her, he was even capable of speaking to her and saying a few words of love.
00:55:44At last it became so late and he was so tired that he had no choice but to take the Chamberlin streetcar and leave.
00:55:49In the morning he was able to overcome his shyness a little, Feliciana helped him by skillfully stimulating him.
00:55:54But Fortunata listened to him with indifference and answered him in a disdainful manner.
00:55:58Finally, he was alone with her. She wasn't the same man.
00:56:03He looked at Fortunata without blinking and, taking her hand, said in a trembling voice.
00:56:07If you want to love me, I will love you more than my life.
00:56:10Fortunata looked at him in surprise as well. She seemed to laugh at the young man's passion, which made him realize he was about to make a fool of himself.
00:56:18He said nothing more than, we will be friends.
00:56:21I'm happy with that. I'm unhappy, I mean, I'm good.
00:56:25Until now I have not loved any woman.
00:56:27And he added, I'll come at half past eight.
00:56:29Do you give me your word not to go out or to wait for me to go out with me?
00:56:33God read the word that he so desperately asked the young man for.
00:56:36And so the interview concluded.
00:56:38Massimiliano ran home, carefully closed the door to his room, and grabbed the piggy bank.
00:56:44You don't have to tell me anything. I already know it's a drag. No one can stand this.
00:56:48But well, then doing it in the cinema is much better.
00:56:52Besides, you know I took it from my father, the green one, and you can see what a bunch of people have come out. No one can stand this.
00:56:57Well, what I was telling you.
00:56:59From this book here, you can then start making the script.
00:57:02And it looks much better.
00:57:04Well, let's see.
00:57:10Let's start at the beginning.
00:57:12Look, there's this boy, Massimiliano.
00:57:16This doesn't have to be put in, right?
00:57:18Well, the script has to be much more serious.
00:57:20More or less like this.
00:57:21He walks down the street, it's outside and it's night.
00:57:25Street, outside, night.
00:57:27Massimiliano Rubin goes out in search of Fortunata.
00:57:32Suddenly the tram is heard.
00:57:35What will happen?
00:57:36Look, here comes the tram.
00:57:40Some guards.
00:57:42Go up.
00:57:44Get on the tram.
00:57:47He's looking for the girl.
00:57:49I mean, Fortunata.
00:57:50He sits down.
00:57:59Come on, you've already seen it.
00:58:00Look at her, there she is, the one with the white handkerchief.
00:58:06Keep looking at her.
00:58:07He is worried.
00:58:10He sees her and looks at her.
00:58:11Look, it's already daylight.
00:58:12Now it's morning.
00:58:13So, in the script you have to put street, exterior, day.
00:58:17Because, of course, it's daytime.
00:58:18Massimiliano paces up and down with the air of not knowing anything.
00:58:21He runs into some ladies, looking around to see if he can find Fortunata's gate.
00:58:30Keep looking.
00:58:31Over there, see if you see anyone.
00:58:37Now we are inside the portal.
00:58:39That is, portal, interior, day.
00:58:41Feliciana goes down the stairs and calls Massimiliano.
00:58:46Maxi.
00:58:47Feliciana begs Massimiliano to come closer.
00:58:50How he likes to complicate his life.
00:58:51Now we are inside the portal.
00:58:54That is, portal, interior, day.
00:59:03Again street, outside, day.
00:59:10He's walking around, hoping to find Fortunata's portal again.
00:59:15He crosses paths with some ladies.
00:59:17And there we see him again, looking, let's see, he's in the store window.
00:59:28There you have Fortunata.
00:59:31You've already seen it.
00:59:32So now he quickly goes to the portal.
00:59:38Now portal, interior, day.
00:59:40Fortunata has just entered.
00:59:42Now it is already being presented.
00:59:44He takes off his hat.
00:59:45Poor Massimiliano tells him, don't go.
00:59:49The girl says, I'm not leaving.
00:59:52Here we are again with love.
00:59:54This shouldn't be put in the script, right?
00:59:55So yes, he declares.
00:59:57If you want to love me, I will love you more than my life.
01:00:01What a phrase.
01:00:02And she looks at him and leaves.
01:00:06I am unhappy.
01:00:07I mean, I'm good.
01:00:08I'm happy that we're friends today.
01:00:11I haven't met any women yet.
01:00:13The girl throws her hand away.
01:00:16That?
01:00:18He wrings out his hat.
01:00:19I'll come tomorrow at half past eight.
01:00:21Do you give me your word not to go out or to wait for me to go out with me?
01:00:24What a bore of a guy.
01:00:27Keep looking.
01:00:29Go down the stairs.
01:00:30Wow, what a girl.
01:00:34You freak me out like Bogart, but as an aunt.
01:00:36Massimiliano we already see here.
01:00:38Outside street day.
01:00:39Well wrapped in his cloak.
01:00:40There is a junk stall and he goes to buy a piggy bank.
01:00:49What the hell is the piggy bank for?
01:00:57Outside street day.
01:00:58We are on another street.
01:01:01People are passing by.
01:01:02There we see Massimiliano again.
01:01:04A man passes by on horseback.
01:01:07And Massimiliano enters his house.
01:01:09Massimiliano's room.
01:01:11Interior day.
01:01:12Massimiliano enters his room.
01:01:15Close the door.
01:01:17Leave the books.
01:01:19And puts the piggy bank on the bed.
01:01:20Now open the closet and look for something.
01:01:23What could he be looking for?
01:01:25There's another piggy bank.
01:01:26So that two identical piggy banks would close.
01:01:30Are you comparing yourself yet?
01:01:32Look, there the door opens and the maid appears.
01:01:35I hate him.
01:01:36What are you looking for here?
01:01:37She tells him.
01:01:38He's already sticking his tongue out.
01:01:39And she comes to my father.
01:01:40You look pretty.
01:01:41He says.
01:01:41Go on, get lost.
01:01:44Ugly, ugly.
01:01:44The maid lets him go.
01:01:48That was more or less a script.
01:01:50There you have it, like what I read before, which was a bore.
01:01:54Seeing it now with images.
01:01:55Then it looks much better.
01:01:57But a script doesn't have to be like the book.
01:01:59That is, you can take the book for an idea.
01:02:02And then change the end or the beginning.
01:02:04Make it more exciting.
01:02:05If it's a sad ending, make it happy.
01:02:07The other way around.
01:02:09That's how you start from a book, from a story, to make a script.
01:02:13But my script won't be like that.
01:02:14The one in my movie will be much better.
01:02:17An aunt, well, good.
01:02:19And not even that Massimiliano, who is not a tough guy.
01:02:22Because the movie, the protagonist, do you know who it's going to be?
01:02:25It's going to be me.
01:02:27The protagonist.
01:02:28But neither Roger Moore nor Bogart.
01:02:30Much better.
01:02:32The girl hasn't thought about it yet.
01:02:33Maybe Bodeck, but I don't know.
01:02:36I'm not quite sure.
01:02:37The girl hasn't thought about it yet.
01:02:50Do you know what happens when you say you love me?
01:03:13Do you know what happens when you say you love me?
01:03:18Do you know what happens when you say you love me?
01:03:20Do you know what happens when you say you love me?
01:03:26Do you know what happens when you say you love me?
01:03:28Do you know what happens when you say you love me?
01:03:46Do you know what happens when you say you love me?
01:03:49Do you know what happens when you say you love me?
01:03:54Do you know what happens when you say you love me?
01:03:59Asa! Asa! Asa! Yes!
01:04:19Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle! Handle
01:04:49Thank you!
01:05:19Thank you!
01:05:49Thank you!
01:06:19Thank you!
01:06:49we should do our own programming.
01:06:51You'll see.
01:06:52It's a galvanoplastic idea.
01:06:55I, for example, could host a variety show.
01:07:00and sing, accompanied by an orchestra of electropunk reels,
01:07:04a version of carnations with polarizing synthesizer.
01:07:09I'm afraid, Sonoro, that your blood pressure has gone up.
01:07:13If you have no idea how to sing,
01:07:16You have a lot of audio, but very little hearing.
01:07:19Look who went to talk.
01:07:22With that photometric snout of yours.
01:07:24Well, well.
01:07:25Stop arguing and listen to me.
01:07:28The entire programming needs to be changed.
01:07:31That.
01:07:33I mean that.
01:07:35Let's see.
01:07:37Do you know that every day, from Monday to Friday,
01:07:40at six thirty and on the first channel,
01:07:43Is there that program that is enough to make anyone's hair stand on end?
01:07:49The one from Espinete.
01:07:50Sesame Street.
01:07:53Espinete.
01:07:55Oops!
01:07:56Oh, what a scare!
01:07:57You have given me.
01:07:58What were they looking for?
01:07:59I'm looking, I'm looking for a little black bug with legs.
01:08:03A beetle?
01:08:05No, no way.
01:08:06Beetles I already have one.
01:08:07This one is also black, it has legs too,
01:08:10but it is smaller and longer.
01:08:13Is that an ant?
01:08:15That's an ant!
01:08:17Yes sir!
01:08:17An ant!
01:08:21And what do you want an ant for?
01:08:24It's a secret.
01:08:26Nothing, nothing.
01:08:27That one has to be removed.
01:08:28And what will we see instead?
01:08:31What do you think of a begomio race or a kilowatt vs. stowatt match?
01:08:41It can be a lot of fun.
01:08:42Yes, it is a good idea.
01:08:44I love horse riding.
01:08:45Well, well, let's continue.
01:08:47What else needs to change?
01:08:49There's a new program out there.
01:08:51The kiosk.
01:08:53Tuesdays, Wednesdays and Thursdays on the first channel from six thirty to ten to seven.
01:08:59Children come out imitating their elders and old songs are sung and stories are told.
01:09:07I'm already getting sick with so many stories.
01:09:10The best thing would be to watch a nice movie.
01:09:14Gone with the Wind.
01:09:16No, no, no.
01:09:17That one is very old.
01:09:18The best thing would be to show a documentary about the life of the director of the crystal ball in the asylum.
01:09:26That's a brilliant idea.
01:09:30Colossal!
01:09:31Cathodic!
01:09:32This is going on over the radio.
01:09:35Let's continue.
01:09:36Here's another one we can change.
01:09:39It's called Zipper.
01:09:40And it's a program in which you can see some reports about young, very modern people.
01:09:47It's on Mondays at seven on the first channel.
01:09:50We hope you have a pleasant hour with Cremallera.
01:09:53Today we've prepared a fresh mix of activities carried out by young people that you can participate in.
01:10:00A contest! A contest!
01:10:02That's it, that's it.
01:10:03Let's see who electrocutes the most contestants.
01:10:06You are a beast indeed!
01:10:10You are more brutal than a turbo generator.
01:10:14The best thing would be a beauty contest.
01:10:18How misses?
01:10:20Yes, like my world.
01:10:23No! That's very boring.
01:10:26How very boring?
01:10:28I would be my electrodynamics.
01:10:31Well, well, well.
01:10:32Stop messing around and let's get on with our programming.
01:10:36Well, from Monday to Thursday, also on Channel 1, you can watch the youth news at five to seven.
01:10:44A program dedicated to informing children and young people about things that interest them.
01:10:50And why doesn't anyone care about what interests an electro-elf, huh?
01:10:54I'm an electro-elf and nobody understands me.
01:10:58Oh, how well I sing!
01:11:00They should hire me at Tocata, right?
01:11:02You're right. Nobody cares about the electro-goblins.
01:11:07And the truth is that, given how necessary it is, a newscast about electro-duendes is absolutely essential on Spanish television.
01:11:17Yes, I would be the host and we would give electro-recipes for macroionic cooking.
01:11:24For example, for four electro-goblins, take a watt head and fry it with alternating current.
01:11:34Add a very mature micro farradio and mix with a little striped rheostat.
01:11:41Please serve well electrified.
01:11:44You've whetted my appetite!
01:11:47You're like adults, all you think about is eating.
01:11:49Why don't we continue with our programming?
01:11:52How sensible you are!
01:11:55Let's see.
01:11:57On Saturdays, at six in the evening and on the first channel, you will see, if we don't prevent it, the wise men.
01:12:06That game show in which a child and an adult participate and in which you learn so many things.
01:12:12Learn?
01:12:13I already know everything a good electro-elf should know.
01:12:17No?
01:12:18But your fuses blew many years ago.
01:12:21For weights, we already have enough with those in the crystal ball.
01:12:26Let's not fight, okay?
01:12:28It's best to see what other nonsense the programming has in store for us.
01:12:33If that's the case, go on, I'm singing the kilowatt of Seville.
01:12:37Every day, from Monday to Thursday, on the second channel and at seven thirty in the evening,
01:12:44tuning will teach you how to be in shape so you are not as fat as the witch would see.
01:12:50Tuning throws me off focus.
01:12:53I don't want to move the baud.
01:12:55It would be best to change it for something quieter.
01:12:58Great!
01:13:00Children need peace and serenity.
01:13:03A long, all-day test card might do the trick.
01:13:07Yes, you're great, Maestro Sonoro.
01:13:12We will change all programs to the adjustment letter.
01:13:16Leo against everyone too.
01:13:18Of course.
01:13:19On Thursdays, from eight to nine in the evening, on the second channel, we'll be switching between Leo vs. Everyone.
01:13:26By the way, Father Leo, you haven't given them the percentage score for the game.
01:13:32While they write in the percentage game, group number one, zero points.
01:13:41Group number two, five points.
01:13:45You've heard it before.
01:13:46Zaragoza, zero.
01:13:49Asturias, five.
01:13:51For now.
01:13:56Please can we stand up and team one start by saying what we think it is.
01:14:07I think it's the castle of the mota.
01:14:12The other one, please.
01:14:16What did he say?
01:14:19Asturias.
01:14:20Wait a moment.
01:14:21Yes, yes, yes, yes.
01:14:27The castle of what?
01:14:29What did he say?
01:14:30Time is running out for you.
01:14:32Well, the same, Castillo de la Mota.
01:14:41Look how easy, hey.
01:14:43The easiest thing in the world.
01:14:45Well no.
01:14:46No, no, no, no.
01:14:48Leo.
01:14:48Correct, both, zero points.
01:14:52Leo against everyone.
01:14:54What's that?
01:14:55Yes, man, yes.
01:14:57That game show in which top singing stars perform.
01:15:01Well, everyone against Leo.
01:15:05I'll record a circus act instead, where a bunch of kids tame a lion and put cans on its tail and all that fun stuff.
01:15:16I'm happy to change the programming.
01:15:20We're going to laugh so much.
01:15:23There are more programs left, huh?
01:15:25For example, bulletin board.
01:15:28Yeah.
01:15:29You can audition for that film and watch it on Tuesdays from eight to eight-thirty in the evening on the second channel.
01:15:35A program where you can exchange a second-hand reel for three fresh filaments or a collection of Mesozoic fossils for one of King Kong's shoes.
01:15:47Well, we'll change it for a romantic 730-episode series that will tell the passionate story of a blender who falls in love with an electric juicer, who in turn falls in love with a state-of-the-art iron.
01:16:04Well, they're all very unhappy, and in the end the mixer kills itself trying to beat the iron that has stolen its love.
01:16:13Bravo, Adavidio! Sometimes you're completely stupid.
01:16:17Oh yeah! It's not even three volts in front of you, and it's great.
01:16:23Thanks, guys. But let's move on now, we've almost got the hang of the programming.
01:16:29Well, what other program can we change?
01:16:32What do you think about the outdoors?
01:16:35Outdoors? Yes, that eco-friendly program that talks about animals and forgets about us, and airs Sundays at 3:30 on the second channel.
01:16:45Well, instead, we should audition and watch a documentary in defense of machines in danger of extinction, such as the gramophone, the steam engine, the velocipede, the propeller airplane, and the Mississippi paddlewheeler.
01:17:04Not forgetting the magic lantern.
01:17:07Very well, that's very good. Let these idiots know how beautiful machines are.
01:17:15Well, we're done.
01:17:20Finished? Not at all. The most important thing is missing.
01:17:24That?
01:17:25How to destroy, crush, and put an end to the crystal ball forever?
01:17:31What is this ball that everyone loves?
01:17:59You sit in front of it, and it's like a movie theater. It controls everything, it's a mind-blowing experience. It's like a personal computer. It's a crystal ball.
01:18:08You sit in front of it, and it's like a movie theater. It controls everything, it's a mind-blowing experience. It's like a personal computer. It's a crystal ball.
01:18:17It's the crystal ball.
01:18:19It's the crystal ball.
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