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00:00:00Thanks for watching the video.
00:00:30Thanks for watching the video.
00:01:00Thanks for watching the video.
00:01:30Thanks for watching the video.
00:01:59Thanks for watching the video.
00:02:01Did you get indigestion from the kilowatts of cream you had for dinner last night?
00:02:06Do you want me to call a doctor, I mean, an electrician?
00:02:10Hello, Master Chamber.
00:02:12Why do you want to call an electrician?
00:02:14I feel perfectly fine.
00:02:16My circuits are in perfect condition.
00:02:18And those moans, howls, squeals, squeals you're letting out?
00:02:24I'm just remembering sounds.
00:02:27You know I have a very bad memory.
00:02:29And if the Video Fairy isn't around to record what I hear, I quickly forget.
00:02:34That's why I repeat it out loud so that it doesn't fade away.
00:02:37It's true.
00:02:38The same thing happens to me with images.
00:02:41The thing is, I don't make that much of a fuss when I try to remember shapes and colors.
00:02:46I have always said that the image is much cleaner and more manageable than the sound.
00:02:51You say that because you don't know how to appreciate the beauty of sounds.
00:02:56Images can be much more annoying than any noise.
00:03:00That's why we have eyelids on our eyes and not on our ears.
00:03:04Because the possibility of not seeing is more important than the possibility of not hearing.
00:03:09That's a winding!
00:03:11The thing is that hands are used to cover up the audio.
00:03:16I use them mostly for that.
00:03:18Well, you'd better use them to cover your mouth.
00:03:21That way you would avoid a really annoying noise.
00:03:25Perhaps the only unpleasant noise that exists.
00:03:29Your voice.
00:03:30Are you arguing again?
00:03:33You certainly can't be left alone.
00:03:37Instead of arguing, what you need to do is collaborate.
00:03:41There is nothing as beautiful as the harmony of images and sounds.
00:03:45Sounds, sounds!
00:03:46Mah!
00:03:47A good image is enough on its own.
00:03:50That is not true.
00:03:51What is a lion without its roar?
00:03:53A lightning bolt without its thunder?
00:03:55A bell without its ringing?
00:03:57Of course.
00:03:58A picture without sound is like...
00:04:00...like a Sunday without sun.
00:04:03Windings!
00:04:04There are many images that do not need sound.
00:04:07Don't melt.
00:04:08There are also many sounds that do not need images.
00:04:11But any image can be improved with good sound.
00:04:15Mah!
00:04:16I challenge you to do it.
00:04:18Good idea.
00:04:19Your master camera can show images.
00:04:22And the sound master can add suitable sounds to them.
00:04:26I will record the most interesting combinations in my prodigious memory.
00:04:31OK.
00:04:32Let's see, smart guy, if you can find a suitable sound for this image.
00:04:37He he!
00:04:37More of my ass!
00:04:38He he!
00:04:39He he!
00:05:04How beautiful!
00:05:06I'm recording this for my sound postcard collection!
00:05:10Trap!
00:05:11Trap!
00:05:12There is no atmosphere on the Moon.
00:05:14And therefore, there can be no sound.
00:05:17The only music suitable for a lunar landscape is...
00:05:20...the electrifying silence of outer space.
00:05:24Fake!
00:05:25What you just heard is the music an astronaut might imagine walking on the Moon.
00:05:31Just like many people sing in the shower,
00:05:33There are astronauts who are music fans
00:05:36that you imagine beautiful melodies when they travel through space.
00:05:40What an alvanoplastic imagination you have!
00:05:43Let's see, smart guy.
00:05:45Add sound to this image.
00:05:47Tecil and emptied!
00:06:04Everyone knows that giraffes are mute!
00:06:07That's why it's my favorite animal!
00:06:09That thing about them being mute is what you think.
00:06:12Because you have no sensitivity to sounds.
00:06:15But in reality, when breathing,
00:06:18the air passing through the long necks of giraffes
00:06:20produces a very soft sound,
00:06:23imperceptible to the ordinary ear.
00:06:26But if we amplify it thousands of times,
00:06:29as I just did,
00:06:30sounds like...
00:06:31Well, like a wonderful organ.
00:06:34How beautiful!
00:06:36You will have to admit, master camera,
00:06:39that sonorous teacher is right.
00:06:42The images are much more pleasant
00:06:44if a suitable sound is added to them.
00:06:47You're not a pair of bovines!
00:06:49Come on, put some music to this, big ears.
00:06:52What noise is that?
00:07:12Don't you hear it?
00:07:13A mermaid!
00:07:16What a jerk!
00:07:18This doesn't make any sense.
00:07:21I insist that most of the sounds
00:07:23They only serve to annoy.
00:07:27Horror!
00:07:28What's that?
00:07:30What a barbarity!
00:07:32I always say that all noises are beautiful.
00:07:35But the truth is that there are some
00:07:37whose beauty is very, very hidden.
00:07:45Garro! What are you doing?
00:07:47Dear children,
00:07:48It is made known that you are going to witness
00:07:51a new episode
00:07:52from the wonderful program
00:07:53The Crystal Ball.
00:07:55Report yourself!
00:07:56Report yourself!
00:07:57I knew you would like my way of presenting.
00:08:00And don't tell me you were presenting.
00:08:01If I thought you were asking for help
00:08:03or something like that.
00:08:04I was making a presentation
00:08:05in the style of the old town criers
00:08:07with a trot included.
00:08:08Oh, what an idea!
00:08:09Right, kids?
00:08:10And how did you come up with it?
00:08:12such a brilliant idea?
00:08:13Man, it's like today
00:08:14we are going to present
00:08:15to our little viewers
00:08:16a program about musical instruments
00:08:18it occurred to me
00:08:19that it was best to do it
00:08:20at the sound of a trumpet.
00:08:21Oh, that's right!
00:08:22Musical instruments.
00:08:24You know, dear children,
00:08:25that a musical instrument
00:08:26it is a device
00:08:27which is used to make music.
00:08:29For example,
00:08:30the trumpet.
00:08:30It is a very simple instrument,
00:08:32but in the end
00:08:32a wind instrument
00:08:33It is a wind instrument.
00:08:39Clear!
00:08:40It is a wind instrument
00:08:42because when he touches her
00:08:44it starts to rain
00:08:45and a hurricane breaks out.
00:08:48How awful!
00:08:49My poor audios!
00:09:02In addition to the instruments
00:09:14of wind
00:09:14the instruments exist
00:09:16stringed.
00:09:16For example,
00:09:17the bells.
00:09:20One of the instruments
00:09:21more melodious
00:09:22it's the violin.
00:09:24His music
00:09:25it is only comparable
00:09:25to the song of the nightingales.
00:09:27Mispo!
00:09:32What's happening?
00:09:36What is this noise?
00:09:37electrocuting?
00:09:39It will not be another
00:09:40from your acoustic experiments,
00:09:42right, Master Sonoro?
00:09:43How can you call?
00:09:45to this experiment,
00:09:46Trick Witch?
00:09:47This is an attack!
00:09:49Dear Truca,
00:09:50do something, please.
00:09:52Yeah.
00:09:54I think this requires
00:09:55a forceful intervention.
00:09:57We are going to put in the hands
00:09:58of that girl
00:09:59something that lives up to expectations
00:10:01of their abilities
00:10:02musicals.
00:10:07What piece is that, Isabel?
00:10:09It sounds familiar to me,
00:10:09but just like that
00:10:10I can't believe it, can I?
00:10:11Ah, oh.
00:10:13Well, okay.
00:10:15Well, you know
00:10:16that the musicians
00:10:16cutting-edge
00:10:17use as an instrument
00:10:18the most varied things.
00:10:21Look, I think that
00:10:22we are going to offer you
00:10:23to the children
00:10:23a very interesting report
00:10:24about the Symphony Orchestra
00:10:25from London.
00:10:26Oh no, no!
00:10:28No more music.
00:10:29Please do something.
00:10:31to Davidio.
00:10:31before they plug us in
00:10:33to a lot
00:10:33of gilibats
00:10:34making noise
00:10:35with his devilish ones
00:10:36gadgets.
00:10:40No, no, no, no, no!
00:10:41Okay, okay, okay!
00:10:44Let's put a little bit in
00:10:46marching
00:10:46in the midst of so much boredom, right?
00:10:48No, no, no!
00:10:49No, no, no!
00:10:50No no!
00:10:50can't be seen
00:10:52already
00:10:54already
00:10:56already
00:10:58already
00:11:00already
00:11:02already
00:11:04already
00:11:06already
00:11:08already
00:11:10already
00:11:12already
00:11:14already
00:11:16Hey?
00:11:25Ouch!
00:11:27What is this?!
00:11:29Hey?
00:11:30Ah, I know I would see, I steal!
00:11:32Get out there, guys!
00:11:34Hey, is it an interesting day?
00:11:36Is it a new day?
00:11:38Hmm, yeah, annoying.
00:11:39Are you doing well here?
00:11:40It's here, isn't it?
00:11:41They have?
00:11:42Is it a new day now?
00:11:44Oh?
00:11:45Is it a new day for you?
00:11:46No, no, no, no, no, no, no, no, no.
00:12:16No, no, no, no, no.
00:12:46No, no, no, no, no, no, no.
00:13:16No, no, no, no, no, no, no.
00:13:46What about the organs?
00:14:16Calculators used to be huge, but now they fit in a pocket. Hey, they even do square roots. Look, look.
00:14:24All of this is possible thanks to miniaturization, that is, the ability to make things increasingly smaller.
00:14:31Much progress has been made in this field. For example, machines are becoming smaller and smaller.
00:14:35And the smaller apartments?
00:14:36And the smallest salaries.
00:14:39But weren't they talking about music?
00:14:41Oh?
00:14:44Let us rewind to another roll.
00:14:47Otherwise, we run the risk of continuing to be punished with those horrifying noises.
00:14:51And the most wonderful thing about miniaturization is that the smaller the devices are, the better they work.
00:14:59For example, watches. Before, a watch had to be taken to the watchmaker frequently because they were always breaking down.
00:15:05However, these digital watches, which are extremely small electronic devices, almost always work well and always tell the exact time.
00:15:12Hey, that's true. With miniaturization, breakdowns have practically disappeared.
00:15:19I'm voting for a thousand megavolts? How dare those jelly-brained idiots claim there are no more breakdowns?
00:15:29You think my reign is over, huh?
00:15:32Cathode rays and globular sparks!
00:15:36You'll see what's good!
00:15:40Nobody laughs at the witch breakdown!
00:15:56Hey you!
00:15:59Don't laugh!
00:16:01From the witch breakdown!
00:16:04Hey you!
00:16:06Don't laugh!
00:16:08From the witch breakdown!
00:16:12If you laugh, madam!
00:16:14It will break the washing machine!
00:16:16You're laughing, sir!
00:16:18He'll break the TV!
00:16:20Don't laugh!
00:16:22Don't laugh!
00:16:24What a witch!
00:16:28Don't laugh!
00:16:30Don't laugh!
00:16:31What a witch!
00:16:35Don't laugh!
00:16:36Don't laugh!
00:16:36Don't waste!
00:16:37He's going to be left without a car!
00:16:39And tomorrow you'll be walking to work!
00:16:42No hitting!
00:16:43When I arrive the elevator doesn't work!
00:16:47And the air doesn't move either!
00:16:49Please, how hot!
00:16:51Everyone is crazy!
00:16:53The computer burned down!
00:16:55Don't laugh!
00:16:57Don't laugh!
00:16:58What a witch!
00:17:02Don't laugh!
00:17:04Don't laugh!
00:17:06What a witch!
00:17:09Don't laugh!
00:17:17This noise of the witch breakdown!
00:17:22Not even in his house!
00:17:23Not even on the street!
00:17:24Not even on the subway!
00:17:25Not even by plane!
00:17:26Don't laugh!
00:17:28Don't laugh!
00:17:29What a witch!
00:17:33Don't laugh!
00:17:35Don't laugh!
00:17:37What a witch!
00:17:38What a witch!
00:17:39Breakdown! Don't laugh! Don't laugh! Don't laugh! Don't laugh!
00:17:48Don't laugh! Don't laugh! Don't laugh! Don't laugh! Don't laugh! Don't laugh!
00:18:08Gerardo, I thought you had quit smoking.
00:18:11I do, but my watch doesn't seem to think the same.
00:18:14What a curious phenomenon! Isn't it, children?
00:18:16By the way, can you tell me what time it is?
00:18:18Well, according to my watch, it's 7 a.m. on December 25th.
00:18:22Come on, guys, so it's Christmas.
00:18:24Come on, it's true.
00:18:25Hey, this can't be wrong.
00:18:26And how we haven't noticed.
00:18:28Well, look, anyone can make a little mistake.
00:18:31They are crazier than an oscilloscope.
00:18:34Anyway, if you're excited to have Christmas early,
00:18:37I'll give you a hand with one of my tricks.
00:18:42Bethlehem, Bethlehem bells,
00:18:44that the angels play, that you bring us news.
00:18:50No, no, no!
00:18:52They're making electrocuting noises again!
00:18:55Please, Trick Witch, be careful with your tricks,
00:18:58which can have terrible consequences.
00:19:02Gerardo, very strange things happen here.
00:19:05Look, to start with, your watch seems a little fast to me.
00:19:10I've told you more than a thousand times that very strange things happen here.
00:19:12The thing is, like you, you never want to listen to me...
00:19:18What are you doing, margarine?
00:19:22My name is Butter.
00:19:25Margarine is what you have in your brain,
00:19:27instead of gray matter.
00:19:28Okay, all right.
00:19:29Well, what did you find?
00:19:31A snowflake.
00:19:32What we were missing, gorillas in the studio, of course.
00:19:38Well, a gorilla in the studio wouldn't be so strange.
00:19:41After all, we already have a couple of macaques here.
00:19:46This is really strange.
00:19:48A real snowflake.
00:19:52Well, it's not that strange.
00:19:53Because just a moment ago I was carrying.
00:19:56Isn't that right, Gerardo?
00:19:57Of course, it was like Christmas.
00:19:58Wait, I'll see if I can find them.
00:20:03But what?
00:20:05Well, the screws you are missing.
00:20:08But hey, do you realize?
00:20:09Lack of respect.
00:20:10What child?
00:20:10Let's go, huh?
00:20:12Well, nothing, speaking of screws,
00:20:13We are going to offer you an interesting educational report.
00:20:16Come on, let's see if the game.
00:20:21Thanks for watching the video.
00:20:51Thanks for watching the video.
00:21:21Thanks for watching the video.
00:21:51Thanks for watching the video.
00:22:21Thanks for watching the video.
00:23:21Thanks for watching the video.
00:23:23Thanks for watching the video.
00:24:53Thanks for watching the video.
00:25:23Thanks for watching the video.
00:25:53What are you doing?
00:25:55Did I scare you, huh?
00:25:56That?
00:25:58What are you doing?
00:26:00What are you doing?
00:26:02Come on, I say.
00:26:03You didn't scare me, I just expressed myself poorly.
00:26:06You've surprised me.
00:26:08As you arrive ringing bells, bleating, shouting...
00:26:12I chime?
00:26:14I bleat?
00:26:15You are completely crazy.
00:26:17By the watts of neon, if you lie...
00:26:19Less wolves, Little Red Riding Hood.
00:26:21I already know that.
00:26:23That if I lie I'll lose my voice, that I won't watch TV anymore...
00:26:26No, aunt, no, you're short for a witch.
00:26:28Look, your ball, bullet.
00:26:33Yeah.
00:26:36I'm not sure if he's telling you that you're crazy...
00:26:39Or she's asking you to milk her, because...
00:26:45No?
00:26:46How old.
00:26:47It tells the time like the clock at my school.
00:26:49I could modernize it.
00:26:51If you don't shut up, I'm going to get angry.
00:26:54When you're angry, you look prettier.
00:26:56What a hateful child.
00:26:58Ah, look.
00:26:59I see it.
00:27:00I see it now.
00:27:01And?
00:27:02What do you see?
00:27:03There are seven.
00:27:04Seven kids.
00:27:06Oh, right.
00:27:08I understand now.
00:27:10Your ball wants you to put up a farm.
00:27:12One week it's about ducks, another about goats...
00:27:15Who knows?
00:27:16Maybe with a little luck you'll even get a cow.
00:27:19Butter.
00:27:21I'm going to tell you a story.
00:27:24No!
00:27:25Stories no.
00:27:26You leave those tortures for schools or concentration camps.
00:27:31Once upon a time there were seven little goats.
00:27:34No, no, please.
00:27:35I like you, aunt.
00:27:36I will endure your nails and your curses.
00:27:39But not that.
00:27:39And these seven little goats lived in a little house with their mother.
00:27:46Relief!
00:27:48Thank goodness he's gone.
00:27:51Anyway, these seven little goats were happy and fun.
00:27:54Like these children, they played like them until one day...
00:27:59I don't know why I'm telling you this story, since I've managed to get rid of butter.
00:28:03But anyway, since I started it, I'm going to finish it.
00:28:06One day their mother, who loved them very much, like all mothers.
00:28:10Like these mothers we are seeing in Dürer's paintings.
00:28:13Well, one day mom went to the market.
00:28:16And then, taking advantage of the fact that the goats were alone, the wolf appeared.
00:28:20And deceiving them, he entered the house and ate them all.
00:28:25All except one, the smallest, who hid inside a clock.
00:28:31Have you finished telling that story about those seven idiots who are fooled by everyone?
00:28:35The wolf was very clever and pretended to be the mother.
00:28:39Clear.
00:28:40A mother like a goat.
00:28:42Of course, the mother was crazy and the goats decided to replace her with another one to see if things would go better for them.
00:28:47You're the one who's crazy. Go away and leave me alone.
00:28:51Come on.
00:28:52The wolf ate many eggs to refine his voice and covered one of his paws with flour so the goats would think it was white.
00:29:01And he shaved his beard.
00:29:03Pictures, please.
00:29:12Pictures, please.
00:29:33Neither my tongues, nor me...
00:30:03Well, the truth is that they told me a lot of stories.
00:30:05So, the influence of stories on me when I was little was very small.
00:30:09However, now that I am 24, 25 years old, because I am 36 or quite a bit older,
00:30:15I have been reading a lot of stories for almost 10 years that belong, let's say, to the common cultural element of Europeans.
00:30:25I mean, it turns out I found out that from Ireland to India,
00:30:31and from the Urals practically to Portugal,
00:30:36Because the stories have common elements, common words and common meanings.
00:30:43This is a product of a long, long, long time ago,
00:30:462000 years before Christ, some people called Indo-Europeans,
00:30:51They started from Asia and invaded all of Europe.
00:30:53So those people had, well, a common language and common stories back then.
00:30:58This town later branched out, in Spain, in France, in Germany, in England,
00:31:03But despite this branching, they have retained common elements of these stories.
00:31:09So you can meet, for example, Little Red Riding Hood, for example,
00:31:11or the story of the Grail exists from Ireland to India and from, right, Denmark, well, to Portugal.
00:31:19And so I'm already studying that one day, I even think about writing something about the stories.
00:31:23Now there is a lot of influence and before there was none, you see.
00:31:25Well, now that we see that you also know the stories, how could you interpret the story of the Seven Little Goats?
00:31:30The Seven Little Goats is a tale, like many others in Europe, with different variations, isn't it?
00:31:37Be it, for example, the Little Goats, or, for example, Little Red Riding Hood.
00:31:41Well, it is a story that is a product of popular wisdom, intended primarily for children,
00:31:47to try to instill in children, therefore, prudence, in the sense of not rushing,
00:31:52in the sense of being careful with dangers, in the sense of thinking that sometimes what you see is not what it really is,
00:32:00but rather an appearance that does not correspond to what is true.
00:32:04So you have to be careful not only with what you see, but try to see beneath what you see,
00:32:08whether what is seen is really what is seen or not what is seen.
00:32:11And do you think that in real life, just like in fairy tales, virtue always triumphs?
00:32:17Well, virtue is a very elastic term, because, as you know, virtue remains in one part throughout the entire history of man.
00:32:27and elsewhere it changes. There are things that are virtue forever, and there are things that are virtue for a time and then cease to be so.
00:32:34I would say yes, that virtue always triumphs in the medium and long term,
00:32:38Because in the long and medium term, truth always triumphs, logic always triumphs, and reason always triumphs.
00:32:44That is, a person can be wrong and the facts, however, do not prove him wrong.
00:32:50But after a certain time, the facts always prove that person wrong.
00:32:55And, as they always prove in the end, one could say the same thing about reason as about virtue.
00:33:01In the medium and long term, if it is true, virtue always prevails, it is true.
00:33:04Well, and finally, tell us if you've encountered many wolves disguised in sheep's clothing.
00:33:11That is, if we refer to the famous theme of the goats, where it is about some goats that are deceived by a wolf
00:33:17that shows a little goat's mother's paw, well if that is the story, I must say that it is applicable, yes, to real life.
00:33:27Many times yes.
00:33:27The thing is that the wolf is not always a wolf, nor is the kid always a kid or a lamb.
00:33:34It means that every man has a bit of wolf and a bit of lamb.
00:33:38And the proportions vary from one to another.
00:33:41And it is also true that although we often see wolves in sheep's clothing,
00:33:45Many times there are lambs that the poor try to disguise themselves as wolves and not with much success, by the way, in general.
00:33:51But yes, there is everything in the world and there are people who come with the appearance of a person with whom you can talk,
00:33:58a person with whom you can argue, a person willing to understand others,
00:34:02and then it turns out that you can't talk to her, you can't argue with her, you can't understand her with others.
00:34:07Yes, politics is influenced by many other things, by all facets of human life.
00:34:12I think that seeing lambs disguised as wolves can be seen from a school playground to the Congress of Deputies.
00:34:20or even any market or any company where the children's parents work, for example.
00:34:26And the reverse too, right?
00:34:28Wolves, little lambs who try to disguise themselves as wolves and who even then cannot exactly fulfill their role until the end.
00:34:35But I say, no one is totally a lamb and no one is totally a wolf,
00:34:39Because in life things are not black or white, but rather they are whiter or blacker,
00:34:45but the blackest ones have some white and the whitest ones have some black too.
00:34:49Well, since we're neither wolves nor lambs here, we're very grateful that you've been here.
00:34:53I knew we were goats, that is, not wolves or lambs.
00:34:56Well, it's something similar.
00:34:57Well, that's it.
00:34:59We were talking about the story of the little goats.
00:35:02When the mother returned from the market and learned from her young son what had happened,
00:35:06He looked for the sleeping wolf, opened its belly, took out its children and filled it with stones.
00:35:13When the wolf woke up, he went to drink water from a well and since the stones were so heavy, he fell in.
00:35:19And so the mother and the goats were reassured.
00:35:23Calm like this family.
00:35:25What a beast!
00:35:28The mother was more brutal than the wolf and I don't even take into account the water pollution, nothing at all.
00:35:35They did have to shave the mother's beard with an axe.
00:35:38May all the TV witches agree to make you grow up!
00:35:42I'm little, I'm a little goat.
00:35:45Look, Emanuel takes it away.
00:35:46Oh, get out of here, you're going to stain me with that filth!
00:35:49Hey, please tell me how the story ended, come on.
00:35:55I want to know how it ended.
00:35:57Well, you see, butter, the story has a very simple ending.
00:36:03I'll tell you, yes.
00:36:06A witch turned the little goat into a lamb.
00:36:13Sometimes people are so stupid that you have no choice but to play the witch.
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00:41:195 by 5, 25, 5 by 6, 30, 5 by 7, 30.
00:41:25We're supposed to be there.
00:41:27Yeah.
00:41:28Well, I don't feel like it at all.
00:41:31School can wait.
00:41:32Shall we go for a walk around there?
00:41:34Yeah.
00:41:39Goodbye, Spanky.
00:41:40Goodbye, Darla.
00:41:42School is a pain.
00:41:43And you can tell me, Spanky, going to school is a real pain.
00:41:46This weekend I'm not going to lift a finger.
00:41:50It's a good idea.
00:41:51Wait, there's someone who wants to talk to you.
00:41:54Who is that someone?
00:41:56Me, because I'm the strongest in the neighborhood.
00:41:59So far no one has been able to knock me down.
00:42:01Is that clear?
00:42:04I usually demonstrate this by shaking everyone.
00:42:07But to save time I'm going to hit only the strongest one.
00:42:11Let's see who is the strongest.
00:42:12Let him come!
00:42:17Oops!
00:42:17All right, let's fight.
00:42:20Come on, be on your guard!
00:42:21Now he can't fight.
00:42:22If you do, we'll be late for our train.
00:42:25So when?
00:42:26Well, what do you think about tomorrow afternoon, Boots?
00:42:29Where?
00:42:30Behind my barn, at the Ajax sports club.
00:42:33Okay, but if you don't go to the fight, I'm going to beat up every boy in this school.
00:42:39Understood?
00:42:39That, understood?
00:42:41Come on, Bobby.
00:42:42Yeah.
00:42:42Please try to attend.
00:42:45Very well said.
00:42:46We're going to show you that you don't scare us.
00:42:49Very well said.
00:42:51You're a big guy, Alfalfa.
00:42:55One moment.
00:42:56What's all the congratulations about?
00:42:58Because tomorrow you're going to fight Boots.
00:43:01Oh really?
00:43:02Why don't you fight?
00:43:04I have never shaken anyone.
00:43:06I don't know how to fight.
00:43:08Don't worry.
00:43:09I will teach you.
00:43:10I have a book that explains everything.
00:43:12Come on.
00:43:13I'm very clumsy, Spunky.
00:43:15Three cheers for Alfalfa!
00:43:17Hurrah!
00:43:18Hurrah!
00:43:19Hurrah!
00:43:22How to be a fighter?
00:43:24Well, I've arrived.
00:43:34Formidable.
00:43:35You've had a good race.
00:43:36How are you feeling now?
00:43:38Destroyed.
00:43:40How can you say that?
00:43:41I've been with you the whole time and I'm in great shape.
00:43:45Well, let's continue.
00:43:51Spunky, let me rest for a while.
00:43:54There is no rest.
00:43:56The book says that you have to monitor your weight continuously.
00:43:59Come on, sit there.
00:44:03Good boy.
00:44:10How wonderful, boy!
00:44:12This is going well.
00:44:14You have lost three kilos.
00:44:21Come on, get up!
00:44:23You have the perfect weight for training.
00:44:25What a pity!
00:44:26I was dreaming that it was super bad.
00:44:35Hey!
00:44:36What's that about?
00:44:38We are practicing!
00:44:39And who are you carrying on the stretcher?
00:44:41Alfalfa!
00:44:48Spunky, I don't like this.
00:44:49I think we'd better stop fighting.
00:44:51No way.
00:44:52You have to train.
00:44:54Hey, Bucky!
00:44:54Be prepared.
00:44:56Understood, boss.
00:44:57What do they have to prepare for?
00:44:59Shut up and lie down!
00:45:00I have a feeling you're up to something.
00:45:04And is it necessary to do all this?
00:45:07The book says so.
00:45:08Turn around.
00:45:09What are you doing?
00:45:12I loosen the joints.
00:45:21Don't loosen them too much.
00:45:24How rude!
00:45:26Go, champion!
00:45:27Now you have to box with your shadow.
00:45:30Follow me!
00:45:34I think my legs won't hold up.
00:45:38Stop complaining.
00:45:39Look how excited I am.
00:45:41There you have it.
00:45:45What are you waiting for?
00:45:47Well, for her to attack me.
00:45:49Don't be a clown!
00:45:57Oh!
00:46:08What's the matter?
00:46:10My shadow has shaken me.
00:46:12Forget the shadow.
00:46:14The book says that a boxer must have confidence.
00:46:17Do you have it?
00:46:18I don't have a single bit.
00:46:20Don't worry, when you shake Butch you'll have a lot.
00:46:25He doesn't know what he's saying.
00:46:28Hey, Buki!
00:46:30Where are you?
00:46:31Here I am.
00:46:34Ready for combat?
00:46:36Ready, boss.
00:46:37That's how I like it.
00:46:41What's that?
00:46:44Trust.
00:46:45Take it off.
00:46:48Shake hands!
00:46:50Here's the bell!
00:46:57You just lost his trust.
00:47:21And what do I do now?
00:47:23Lie down on the canvas.
00:47:25I'll do the rest.
00:47:28Up, alfalfa.
00:47:32What happened?
00:47:33What happened?
00:47:34Look!
00:47:35Did I knock him down?
00:47:39Of course.
00:47:40What a right hook you threw at him.
00:47:43Where's Butch?
00:47:44Calm him down here!
00:47:45I'm going to kick his ass.
00:47:47Where are you hiding, Butch?
00:47:58I don't hide.
00:48:00Come on, Bobby!
00:48:01Calm him down!
00:48:02Calm him down!
00:48:03Atrámen!
00:48:03To the part!
00:48:05Very good!
00:48:06Lie down!
00:48:07Very good!
00:48:09Very good!
00:48:10Very good!
00:48:11Very good!
00:48:15Very good!
00:48:17You!
00:48:18Where are you going in those pants?
00:48:20No blows from the waist down.
00:48:22Don't be a jerk!
00:48:24All of you, Bush Rafferty
00:48:31And Alfalfa, the wild kangaroo of Australia
00:48:41It's a mess
00:48:46Yes, I don't think I'm going to let him down in the first round.
00:48:50But in the second I will leave you tis
00:48:52Okay, Bush
00:48:53Bush, I feel sorry for you.
00:49:18Come on, Alfalfa, get up.
00:49:20One, two, three, four
00:49:25Bell, five, six, seven, eight, eight and a half
00:49:32Bell, nine, nine and a half
00:49:36The bell has saved you
00:49:44Street to you
00:49:44Hey, Bush, are you going to leave him alone?
00:49:47Yes, I'll wink at you when I'm going to give it to him.
00:49:49I don't want you to miss it.
00:49:51Thanks, Bush
00:49:52Hey, where are you going?
00:49:58Go referee, tell him not to step aside
00:50:00Go on, a referee, tell him not to move aside.
00:50:13What a referee, tell him not to move!
00:50:18What a referee, tell him not to move!
00:50:20What a referee, tell him not to move!
00:50:22What a referee, tell him not to move!
00:50:23What a referee, tell him not to move!
00:50:24What a referee, tell him not to move!
00:50:24What a referee, tell him not to move!
00:50:25What a referee, tell him not to move!
00:50:26What a referee, tell him not to move!
00:50:271, 2, 3, 4, 5 and 5, 10. I won!
00:50:57I saw everything that happened. That's why I came here to tell everything, but... but no one interviewed me.
00:51:16Oh, this is so good. Looking here, you learn everything that's happening everywhere.
00:51:25Although in reality I don't care because I'm not at all curious.
00:51:33Ma'am, what are you doing here? Leave me alone.
00:51:36I'm sorry, I've been lax. Look, I came to tell you everything that happened.
00:51:43What happened? Where?
00:51:46You see, I'm a neighbor of that family you were talking about. The woman who went to the market.
00:51:54From the story?
00:51:56Yes, yes. Indeed, he had a lot of stories.
00:52:01That mother always wanted her children to be very responsible, but she also wanted them to feel very free.
00:52:07And of course, with that mess what happened happened.
00:52:10Tell, tell.
00:52:11Well, first of all I must tell you that I am not at all curious.
00:52:18I never look out the windows, well, and much less would I stand there with my ear to the door listening.
00:52:25But you, that day, by pure chance, I was standing on the balcony to see if my Manolito was coming.
00:52:33And that's when I saw the mom leave.
00:52:38To the market.
00:52:39Oh, oh, to the market.
00:52:41Oh, but what did I say, isn't it you?
00:52:44Look, that mom, I'm embarrassed to say it.
00:52:48Look, look.
00:52:49That mom was an intellectual.
00:52:52Yes, she was an intellectual with seven children and she went straight to a bookstore.
00:52:57Leaving her seven little children alone.
00:53:01Oh, well, what do you want me to say?
00:53:03It doesn't seem strange to me at all.
00:53:06What do you mean it doesn't seem strange to you?
00:53:08Well, when the mother returned, the children had already organized the party.
00:53:13And don't you see what a river.
00:53:14No.
00:53:27No wonder I called the police.
00:53:35Because my Manolito couldn't sleep with that noise.
00:53:38And that's why I called the police.
00:53:40But not even remotely.
00:53:42Because I was interested in what was happening at that lady's house.
00:53:45Look, this is a person I'm not at all curious about.
00:53:47I'm not a gossip.
00:53:49I am discreet.
00:53:49Well, I'm the ideal neighbor.
00:53:51And then...
00:53:51Sometimes adults say so many stupid things
00:54:01that it is much better to hear children speak.
00:54:11The girl calls her father tatadada.
00:54:15The girl calls her mother tattooed.
00:54:18Seeing the soups, the girl said...
00:54:23Tatadada.
00:54:25Just like when he was on the train, when he saw the green mountains and the fine sea,
00:54:30He confuses everything, said his mother.
00:54:33And it was true.
00:54:36Because when I heard her say tatadada,
00:54:40I saw the ball of the world roll, roll.
00:54:44The world, all a ball.
00:54:46And in it, dad, mom, the sea, the mountains.
00:54:53Everything is a confusing ball.
00:54:56The world.
00:54:58Tatadada.
00:55:14The girl calls her father tatadada.
00:55:26The girl calls her mother tattooed.
00:55:33Seeing the soups, the girl said...
00:55:39Tatadada.
00:55:44Everything confuses him, his mother said and it was true.
00:55:50Everything confuses him, his mother said and it was true.
00:55:55Because when I heard her say tatadada,
00:56:14I saw the world ball roll.
00:56:18The world is all a mess.
00:56:21And in it, dad, mom, the sea, the mountains, everything.
00:56:31He threw a confused ball.
00:56:35The world is tatadada.
00:56:39The world is tatadada.
00:56:43Everything confuses him, his mother said and it was true.
00:56:49Everything confuses him, his mother said and it was true.
00:56:56Seeing the soups, the girl said...
00:57:01Tatadada.
00:57:03Everything confuses him, his mother said and it was true.
00:57:19Everything confuses him, his mother said and it was true.
00:57:26Everything confuses him, his mother said and it was true.
00:57:31Everything confuses him, said his mother
00:57:36And it was true
00:57:38What are you doing here again?
00:57:51Tatadada
00:57:52What do you say now?
00:57:55Tatadada
00:57:55Why do you talk like that?
00:57:58Tatadada
00:57:59Go away!
00:58:00Tatadada
00:58:02Well, if you don't go, I'll go.
00:58:04Goodbye, good morning
00:58:05Which proves you don't have to be a witch to make people disappear.
00:58:15Just say "tatadada" and that's it, you're on television.
00:58:20From now on, everything will be different.
00:58:23Because I already have my program
00:58:25From now on, nothing will be the same
00:58:28From now on, I will schedule an actress
00:58:31The one I want
00:58:32The one I love
00:58:33From now on, he will sing continuously
00:58:35Forgot
00:58:46In winter, in winter it's better
00:59:11Because in summer it is not healthy, it is very hot
00:59:14And you sweat, and you sweat
00:59:16Although there is a great atmosphere, people go anyway.
00:59:18Since it is low season, there is a special price
00:59:22And if you go, and if, and if you go with your family or your girlfriend
00:59:25Go in July, I'll follow in August, there's always a terrible tourist rush.
00:59:29Hellish vacation
00:59:34Hellish vacation
00:59:38Hellish vacation
00:59:42Hellish vacation
00:59:46For you
00:59:47The coolest one is the tail with the bug at the end.
00:59:53It's what fashion calls people, it creates it
00:59:57And it goes, and it goes
00:59:58The same for dressing up as for going casual
01:00:00It is an exclusive design by Pedro Cotero
01:00:05It is known that in the winter the flea market costs you money.
01:00:08And wealthy people add a pride that is already your ideal
01:00:11Total
01:00:13Hellish vacation
01:00:17Hellish vacation
01:00:21Hellish vacation
01:00:25Hellish vacation
01:00:28Hellish vacation
01:00:32Hellish vacation
01:00:34Hellish vacation
01:00:35Hellish vacation
01:00:36Hellish vacation
01:00:40Hellish vacation
01:00:42Hellish vacation
01:00:43Hellish vacation for you
01:00:45Hellish vacation for you
01:00:46And if you decide to go to a hotel reservation
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01:04:29I know, I know. You can't understand anything. How can you? It doesn't make sense. I haven't said anything. I made up all the words. Absolutely all of them. None of you could understand what I said. Except for me, who's the only one who knows. And since I haven't said anything, I can't tell you.
01:04:46No, I'm not crazy. Not at all. Despite all this trouble, they still haven't been able to pull off a guy like me on television. Because I'm a master at cooking. I even have some toast to eat. Not this one, because this one's a souvenir. I found the key to the buttered toast.
01:05:05Well, what I was talking about. I'm not completely screwed up or anything like that. What I was doing before was all that "guachi guachi" and all that stuff. My latest research into cinema and movies.
01:05:20Dialogue. Well, that thing actors say in movies. The... I love you. Or... back off, stranger. It's very important. I wanted to show you that with the "wachi-wachi" thing.
01:05:31With a gesture, we can tell if a person is sad, happy, or worried. However, we can't tell why that person is that way. With dialogue, however, we can. You'll see.
01:05:47Here, since there's no voice, we don't know what Feliciana is saying. We can only imagine. She could be saying many things. What she was really saying.
01:05:56EITHER...
01:05:58Fortunata has hit the market. It can't take long.
01:06:02Have you heard?
01:06:05EITHER...
01:06:05You're late, Dad. He's soaked. He'll punish you.
01:06:10Where have you been?
01:06:11Or also...
01:06:14I don't love you anymore. I hate you. I hate you.
01:06:18You didn't know?
01:06:19I've learned that when making a film, what they record, all the sounds and the voice, nothing at all is done.
01:06:27All you do is film it. The actor, even though he speaks and moves his mouth, is useless.
01:06:32When the film is finished and edited, it is silent, without music, voices, or anything.
01:06:38They then put everything else afterward.
01:06:40And to know how to make movies, you even have to know tricks, like the Americans who make fantastic films, because they know many tricks.
01:06:49When they're going to give voice to a film, they pass it to the actors and they tell everything that happens.
01:06:55And it looks fantastic. Then you can't even notice anything from your mouth. That's great.
01:06:59Also, for example, if a film is in a foreign language, I don't know, in English, so that we can understand it later,
01:07:04There are other actors who dub everything so we can hear it in our language.
01:07:11Dubbing is very important.
01:07:14For example, if an actor is very handsome and does everything very well and has a horrible squeaky voice,
01:07:19Then they dub it with a better voice so people can say, oh, what a handsome actor, and with that voice...
01:07:25To make movies, you have to know a lot of tricks. And I can do even more.
01:07:31Don't go.
01:07:33I'm not leaving.
01:07:35If you want to love me, I will love you more than my life.
01:07:41I'm unhappy. I mean, I'm good. I'll settle for today. As long as we're friends.
01:07:47I haven't met any women yet.
01:07:51And?
01:07:55I'll come tomorrow at half past eight.
01:07:57Do you give me your word not to go out or to wait for me to go out with me?
01:08:01And there's more?
01:08:02I have, I have, I have.
01:08:06You don't have anything?
01:08:09I have vacuum cleaners.
01:08:11Hair dryers.
01:08:12Kitchen utensils in a basket.
01:08:18I'm very unhappy. I have to sell everything today.
01:08:21Come see it. It's very practical.
01:08:23I don't want to.
01:08:26I don't want to.
01:08:29I'll be back in five minutes.
01:08:31Call your neighbor.
01:08:32And I'll show them to both of you.
01:08:35Phew.
01:08:35I hope he's not seeing my father.
01:08:37Because if he sees me and realizes how many botched jobs I'm doing, he'll kill me when I get home.
01:08:42I'm going to have some toast with butter to calm down.
01:08:45Oh, and there are even more stories about that voice thing.
01:08:53In silent films, the old ones like Charlotte and Laurel and Hardy, sound had not yet been invented.
01:08:59And then little signs would come out and tell everything that was happening.
01:09:02But then, when the soundtrack was invented, boom! Everything went to hell.
01:09:07And then a voice came out that told everything they said and what they thought.
01:09:12This voice was called voice-over.
01:09:14And they still do it.
01:09:16I'll prove it to you.
01:09:18It was a dark night.
01:09:20Moonless.
01:09:21The poor, frightened boy feared that he might meet Count Dracula at any moment.
01:09:27I knew he was in town.
01:09:28That if he could, he would jump on his neck to suck his blood.
01:09:32He heard the tram.
01:09:34What happiness!
01:09:35I would take it.
01:09:36He was sure that the count would not look for him there.
01:09:39He was too old to understand such things.
01:09:43The voiceovers are very funny.
01:09:45You can always tell different stories with the same film.
01:09:48You'll see.
01:09:50The poor boy had no home.
01:09:53Neither mother, nor father, nor dog, nor cat.
01:09:56He walked through the streets, freezing cold, thinking about what he could do for work, even though he didn't like working at all.
01:10:00But winter was near.
01:10:03He heard the tram in the distance.
01:10:05He would spend his last coins on that piece of junk.
01:10:08It was hot in there.
01:10:09And taking a walk at that time wasn't bad at all.
01:10:13Knowing all these things never hurts.
01:10:15I've told you before that tricks are very important.
01:10:18Furthermore, voice-overs can be used to make very different films.
01:10:22I have to say it quietly because there are always idea-stealing spies watching you.
01:10:27My goal is to make a single film, completely silent.
01:10:31And then give it different voices.
01:10:33And so I can watch it 20 or 30 times in a row and never get tired of it.
01:10:37To celebrate our wonderful idea, I'm going to eat our lausada.
01:10:40And so I can see her.
01:11:10Attention population, leave the city.
01:11:18Don't spread terror, leave things in their place.
01:11:24A radioactive leak.
01:11:31A radioactive leak.
01:11:43Girls in nightgowns run with great passion.
01:11:49A band is going to play full of radioactivity.
01:11:56A radioactive leak.
01:12:00Take off running.
01:12:02A radioactive leak.
01:12:07Take off running.
01:12:08A radioactive leak.
01:12:12A radioactive leak.
01:12:13A radioactive leak.
01:12:14A radioactive leak.
01:12:15A radioactive leak.
01:12:16A radioactive leak.
01:12:17A radioactive leak.
01:12:18A radioactive leak.
01:12:19A radioactive leak.
01:12:20A radioactive leak.
01:12:21A radioactive leak.
01:12:22A radioactive leak.
01:12:23A radioactive leak.
01:12:24A radioactive leak.
01:12:25A radioactive leak.
01:12:26A radioactive leak.
01:12:27A radioactive leak.
01:12:28A radioactive leak.
01:12:29A radioactive leak.
01:12:30A radioactive leak.
01:12:31A radioactive leak.
01:12:32A radioactive leak.
01:12:33Thanks for watching the video
01:13:03Thanks for watching the video
01:13:33Thanks for watching the video
01:14:03Thanks for watching the video
01:14:05I have to find it
01:14:07I've been viewing everywhere
01:14:10And I can't find it
01:14:11Well, if you haven't seen it, Master Chamber
01:14:13He who sees everything is not there.
01:14:15And if I don't hear him bark
01:14:17I hear everything, that's it.
01:14:19That is not
01:14:20Don't despair, we'll come up with something.
01:14:23It has already occurred to me
01:14:27Television is useless
01:14:30Just to rewind our heads
01:14:32Why don't we make it serve some useful purpose?
01:14:35That's impossible
01:14:37I can't think of how
01:14:39If it weren't for me
01:14:40And with how bovine you are
01:14:42Let's put an ad
01:14:45Not a bad idea
01:14:46I put it
01:14:47It's very easy
01:14:48Lost puppy
01:14:52That's it
01:14:56Is that an advertisement?
01:14:59Well, it sounds like a war cry.
01:15:00Don't you get the flu?
01:15:02I'm going to do it myself
01:15:03You'll see
01:15:04Do you think we're in the era of silent movies?
01:15:09What if we put it together?
01:15:11Let's try
01:15:12Lost dog
01:15:18No, no, no
01:15:21And a thousand times no
01:15:22You still make worse television than them.
01:15:25And that's already difficult, huh?
01:15:27They should have employed you on the bulletin board.
01:15:29I'm fed up with you bauds
01:15:32That's well thought out.
01:15:34It would be a way to boycott television
01:15:37We get into that program
01:15:39And we changed everything
01:15:41Should we trade the TV for a basketball group?
01:15:44Let's see if they can shoot the crystal ball?
01:15:47Yeah, yeah, yeah, I got it.
01:15:49It's here
01:15:51Does it sound like before?
01:15:52Equal
01:15:52You can only audition coils
01:15:55I'm looking forward to seeing it
01:15:56Is it that funny?
01:15:58Funny is like everyone else
01:15:59How are they all on television?
01:16:02It's true
01:16:04They are funny
01:16:05They are galvanoplastic
01:16:07I won't let you laugh at my little dog.
01:16:10Your dog?
01:16:11Have you found your puppy yet?
01:16:14Did you say it?
01:16:15Yeah
01:16:16You said you already have it.
01:16:18I don't have your dog
01:16:19Who I have is Emiliano Pedraza
01:16:22The bulletin board manager
01:16:24Well, it is funny.
01:16:29A humanoid is as electrocuting as the others
01:16:32Well, it doesn't seem like that to me.
01:16:34It seems stressful to me.
01:16:36He has hair my color
01:16:38Yes, yes
01:16:39I like it
01:16:41Don't you think you're the annoying one, Emiliano?
01:16:45Why don't you advertise on your board?
01:16:47You would be very successful
01:16:49More than making television
01:16:51Are you a filmmaker?
01:16:54Hey, do you like the television you do, Emiliano?
01:16:57And what is this director thing?
01:16:59You never know anything, Davidio
01:17:01I know it very well
01:17:02Me too?
01:17:03Well, I want him to explain it to me.
01:17:05I just want to talk to him
01:17:06Tell me, what is a director, Emiliano the strisante?
01:17:11Well, I'm going to give you an explanation.
01:17:14The thing is, I don't know if people are going to like it or not.
01:17:17Imagine that in a school
01:17:19The children are working with modeling clay
01:17:22And they have to make, then, a town
01:17:23With their houses
01:17:25With its people
01:17:26With their cars
01:17:27So
01:17:28Let's say there are a lot of people who are working
01:17:32The one who puts everything in its place
01:17:35He would be the director
01:17:35And he is also supposed to be the one who would say
01:17:38From what place do you see that town best?
01:17:40Something like that
01:17:41I knew it
01:17:43The filmmakers
01:17:44They are the ones who do the stupid things
01:17:47What we see on television
01:17:48Notice board, for example
01:17:50What do you advertise on your noticeboard?
01:17:53We advertise absolutely everything
01:17:55Because it's a hell of a program
01:17:56For young people
01:17:57Then he writes to us
01:17:58Well, from theater groups
01:18:00Who want to act
01:18:01Even rock groups
01:18:02About music
01:18:03Many restless people
01:18:05People who publish fanzines
01:18:06People who want to take a trip
01:18:08People who want to find a boyfriend or girlfriend
01:18:10Twenty Thousand Crazy Things
01:18:12Instead of a plank
01:18:14They could make a brick
01:18:16It would be less effective
01:18:17This is how they give us a blow every week.
01:18:20I don't allow you to mess with him anymore.
01:18:23It is the stinging one
01:18:25You go over to the enemy
01:18:27We're not going to let you boycott our television anymore.
01:18:31I will boycott it with him
01:18:33Do you want to boycott TV with me, Emiliano?
01:18:37I would be absolutely delighted
01:18:39I can even give you many ideas
01:18:41For example
01:18:41We can change the elevators
01:18:43And put slides
01:18:44We can remove the armchairs
01:18:46And put swings
01:18:47We can put a clown
01:18:49In each of the corners
01:18:50So he can tell us jokes
01:18:51While we work
01:18:52We can put machines
01:18:54Let them hand out candy
01:18:56And free chocolate
01:18:57Many things
01:18:58Well
01:19:00The most important thing is my dog.
01:19:03Make us an announcement in a moment
01:19:05Go on
01:19:05That
01:19:06Show if you are capable
01:19:08Yeah
01:19:09Something that is not mine
01:19:11It's not original
01:19:11But it is very pretty
01:19:12Find me my puppy
01:19:15Or I get off the world
01:19:16Leave him alone
01:19:19You are electroplating
01:19:22Gilibats and bovines
01:19:23It would be best if you left, Emiliano.
01:19:26I'll come see you on your show sometime.
01:19:29That's the best
01:19:30Let him go!
01:19:33I hear you
01:19:34Where is?
01:19:36Where is the puppy?
01:19:37I don't see it
01:19:38It sounds familiar to me around here.
01:19:39Ah
01:19:41It's under your hat
01:19:43You're sure?
01:19:45Could it be that he has hidden?
01:19:47To avoid looking into the crystal ball?
01:19:49Your dog is very intelligent.
01:19:51For the next program
01:19:53Save us a place under your hat
01:19:56To Davideo
01:19:57Leave me alone
01:19:58Change
01:20:01Change, change
01:20:03What, what, what are you saying to Davideo?
01:20:05I'm writing an ad
01:20:07I already have it
01:20:10I exchange two ugly assholes
01:20:13By a humanoid the stricken
01:20:15And if you are careless
01:20:18I'm changing programs
01:20:19That would be wonderful!
01:20:21That would be a master battery!
01:20:24And if you give it to me video
01:20:25No more recording could be done
01:20:28The crystal ball
01:20:30That would be wonderful!
01:20:33That would be wonderful!
01:20:34Thank you!
01:21:04Thank you!
01:21:34Thank you!
01:22:04Thank you!
01:22:05Thank you!
01:22:06Thank you!
01:22:07Thank you!
01:22:08Thank you!
01:22:09Thank you!
01:22:10Thank you!
01:22:11Thank you!
01:22:12Thank you!
01:22:13Thank you!
01:22:14Thank you!
01:22:15Thank you!
01:22:16Thank you!
01:22:17Thank you!
01:22:18Thank you!
01:22:19Thank you!
01:22:20Thank you!
01:22:21Thank you!
01:22:22Thank you!
01:22:23Thank you!
01:22:24Thank you!
01:22:25Thank you!
01:22:26Thank you!
01:22:27Thank you!
01:22:28Thank you!
01:22:29Thank you!
01:22:30Thank you!
01:22:31Thank you!
01:22:32They are the fools, we are alone and you arrive, what happened to me, you could pay dearly, pay dearly my love.
01:22:47Either you lose or I win, and I wonder what you're looking for, what you find, what I owe.
01:22:57Is something wrong? Is something unfair between you and me? Why do you put up with it? Always bearing the full weight of my humor.
01:23:16Everything I left I thought was funny, now it's not.
01:23:24If there's something out of reach, you'd better hide it first.
01:23:30Open your eyes now, don't see that it's not others, it's me who destroys what I will pay for.
01:23:57When I'm alone, I look in your drawers and paint on our photos, you pay dearly for your humor.
01:24:06You pay dearly for humor, you pay dearly for humor.
01:24:18You pay dearly for humor, you pay dearly, you pay dearly for humor.
01:24:29My love, we're alone and you arrive, what happened to me, you could pay dearly.
01:24:35Who has this ball that everyone loves?
01:25:03You sit in front and it's like a movie theater, everything is controlled by a light.
01:25:08It's like a personal computer, it's a crystal ball.
01:25:12You sit in front and it's like a movie theater, everything is controlled by a light.
01:25:17It's like a personal computer, it's a crystal ball.
01:25:21It's the crystal ball.
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