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00:00:00Thanks for watching the video.
00:00:30Thanks for watching the video.
00:01:00Thanks for watching the video.
00:01:30Thanks for watching the video.
00:01:32Thanks for watching the video.
00:01:34Thanks for watching the video.
00:01:36Thanks for watching the video.
00:01:38Thanks for watching the video.
00:01:40Thanks for watching the video.
00:01:42Thanks for watching the video.
00:01:44Thanks for watching the video.
00:01:46That?
00:01:48Thanks for watching the video.
00:01:50Thanks for watching the video.
00:01:52Thanks for watching the video.
00:01:54Thanks for watching the video.
00:01:56That?
00:01:58That?
00:02:00Thanks for watching the video.
00:02:02I hadn't realized it until today.
00:02:03Doesn't it melt you?
00:02:05What are you doing, sonorous, with that little mirror?
00:02:08Check that I am as ugly as the witch would see.
00:02:11Don't even think about it.
00:02:12Don't even think about it.
00:02:13You are a master battery by his side.
00:02:16Ah!
00:02:18You are also very ugly.
00:02:20What do I say?
00:02:21Ugly electrocution?
00:02:23That will be you!
00:02:24That will be you!
00:02:25I am.
00:02:26You are seeing it yourself.
00:02:28We are both electrocutants.
00:02:32You're sure?
00:02:34I don't feel electrocuting, but rather stricking.
00:02:39I mean, very pretty.
00:02:41Although yes, huh?
00:02:42You'll see how not.
00:02:44You are short, chubby, with enormous hair.
00:02:48You have more head than body and a face like a coil.
00:02:51You look nothing like her, Isabel Bauza.
00:02:54And you have a heart face.
00:02:56And elephant audios.
00:02:57And Indian hair.
00:02:59And you're shorter than a toaster.
00:03:01And you don't look like Gerardo either.
00:03:05We don't even look like butter.
00:03:12We are so ugly!
00:03:15We are electrocutants!
00:03:18Can you tell what's going on?
00:03:22That we are completely rewound.
00:03:25I saw myself thanks to your glasses and I didn't like it.
00:03:29I don't like myself either.
00:03:31Take off those glasses!
00:03:33Your thing is auditioning, that's what you're the microphone for.
00:03:36And mine, to view, because I am the camera.
00:03:39You're better off this way.
00:03:41You don't see yourself anymore.
00:03:42But I do see myself.
00:03:44And I seem like a very ugly person.
00:03:46A person?
00:03:48What are you saying?
00:03:49We are not people, fortunately.
00:03:53Aren't we people?
00:03:55Well, what are we?
00:03:56See how silly you are?
00:03:58We are...
00:04:00Electro-elves!
00:04:01And we are weird!
00:04:03We have nothing to do with them.
00:04:05That they are soft and disgusting.
00:04:07We are not like Isabel and Gerardo.
00:04:10They are really ugly.
00:04:12I like them.
00:04:14They are ridiculous.
00:04:15They are the ones who are electrocuting.
00:04:17I don't want to be the way I am.
00:04:20How do you want to be?
00:04:22We want to be like them!
00:04:24You're idiots!
00:04:26Do you want to be like people and appear on television?
00:04:29No!
00:04:30Before going on television, I prefer to be ugly.
00:04:33It's true.
00:04:34Anything but TV.
00:04:36By the way.
00:04:37Talking about TV.
00:04:38Let's see what they're doing.
00:04:43Today we are going to dedicate the crystal ball to a very important topic.
00:04:46Yes, we are going to talk about the human body.
00:04:48And so we will learn things we didn't know.
00:04:50Human beings like Gerardo, you and I, have arms and legs.
00:04:54These are my arms and these are my legs.
00:04:57And hands and fingers.
00:04:59How many fingers are there on a hand?
00:05:00One, two, three, four, five.
00:05:04Five fingers on this hand and five fingers on the other.
00:05:07The human body is beautiful.
00:05:08That is why it must be kept in healthy and hygienic conditions.
00:05:12And so we will stay young and well-proportioned.
00:05:15Like these young ladies who participate in beauty pageants.
00:05:30You don't look anything like the misses, you're wider than you are long.
00:05:35I've already told you that we are different.
00:05:39It's not true.
00:05:40We are exactly the same.
00:05:42We have arms and legs and hands and fingers.
00:05:47Exactly the same but uglier.
00:05:48And we are in the crystal ball like them.
00:05:51You will be in the crystal ball.
00:05:54I'm on television because I'm an electro-elf.
00:05:57And that's the ball that comes and...
00:06:00Boom!
00:06:01I get the flu all the time.
00:06:02Well, whatever you say.
00:06:04I want to be like Isabel.
00:06:06And I'm like Gerardo.
00:06:07Alright.
00:06:08Well, you'll see what I do with Isabel and Gerardo.
00:06:11You'll tell me later if you want to be equal.
00:06:16One, two, three, four and five.
00:06:26Look what Gerardo is doing.
00:06:29This girl looks like you.
00:06:31How exciting!
00:06:33He looks like me!
00:06:38This girl, like all children, has arms and legs.
00:06:43Hands and fingers.
00:06:44And hair.
00:06:45And eyes, nose and mouth.
00:06:47And hair.
00:06:48And eyes, nose and mouth.
00:06:50This girl, when she gets up in the morning, takes a shower, combs her hair, and brushes her teeth.
00:06:56And if she didn't do so, she would become as ugly as a witch.
00:07:01This is no longer the case.
00:07:03I can't stand being insulted, and I'm bored.
00:07:07I am the breakdown witch.
00:07:09And I don't accept anyone calling me ugly, because I'm not.
00:07:14Not really.
00:07:16The best thing would be to prepare something to spoil them a little.
00:07:21Now let's see how this girl dresses.
00:07:27Gerardo, why did you do it?
00:07:29Why did he do what?
00:07:30The mustache.
00:07:32What's wrong with my mustache?
00:07:33No, not yours or the girl's.
00:07:35Don't talk nonsense, Isabel.
00:07:36That's not nonsense, he has a beard and mustache.
00:07:38Who?
00:07:39The girl.
00:07:40What girl?
00:07:41The one in the drawing.
00:07:42Don't talk nonsense.
00:07:43But it's not nonsense, but look.
00:07:45Beard and mustache.
00:07:46Come on, it's true.
00:07:48Why are you doing stupid things, Isabel?
00:07:49Nonsense, huh?
00:07:50Yeah.
00:07:51Well, take nonsense.
00:07:52And now what do you say that I ask you?
00:07:54Well, let's see how the girl gets ready, how she washes her beard, how she shaves...
00:07:58No, how he shaves his mustache.
00:07:59No, well...
00:08:01Let's see it.
00:08:12Water!
00:08:13How awful!
00:08:14I don't like washing at all.
00:08:17Dry, yes.
00:08:18I like to dry myself without washing.
00:08:21Well, I don't like to wash or dry myself.
00:08:24Poor girl!
00:08:25It's true.
00:08:26Poor children are forced to do horrible, rewinding things.
00:08:32I don't want to be small.
00:08:34I want to be older.
00:08:36Well, to be a person, you have to first be a child and wash yourself.
00:08:41Also, you are the Aravid.
00:08:43Here we are with the lessons.
00:08:50This television is unbearable.
00:08:53They are polarizing.
00:08:55This is not a ball.
00:08:56It's a bummer.
00:08:59It was you!
00:09:01Why did you put a beard and mustache on the girl's drawing when Gerardo drew me so well?
00:09:08Rewind and stop talking nonsense.
00:09:11Now you want to be a girl instead of David?
00:09:14Hey?
00:09:15Yeah.
00:09:16Do you want to go to school instead of recording?
00:09:18What is school?
00:09:20School is the crystal ball but bigger.
00:09:24Bigger?
00:09:25Yeah.
00:09:26And it lasts longer.
00:09:27It lasts all day.
00:09:28No, no, no.
00:09:29Please, not that.
00:09:30And they teach things all the time.
00:09:32Shut up, you scare me!
00:09:35How beautiful it is to unteach.
00:09:38Do you want to get into the water and swim every day like a fish?
00:09:43No!
00:09:44How horrible!
00:09:45Well, boys and girls do those things.
00:09:48They have to do them because they are forced to.
00:09:52Poor little girl.
00:09:54Let's unlearn to unteach how things fall apart.
00:09:59That's how I like it, David!
00:10:01Let's unlearn!
00:10:03Let's unlearn!
00:10:04Let's unlearn!
00:10:05Let's unlearn!
00:10:06Let's unlearn!
00:10:07Let's unlearn!
00:10:08Let's unlearn!
00:10:09Let's unlearn!
00:10:10Let's unlearn!
00:10:11Let's unlearn!
00:10:12Let's unlearn!
00:10:13Let's unlearn!
00:10:14Let's unlearn!
00:10:15Let's unlearn!
00:10:16Let's unlearn!
00:10:17Let's unlearn!
00:10:18Let's unlearn!
00:10:19Let's unlearn!
00:10:20Let's unlearn!
00:10:21Let's unlearn!
00:10:22Let's unlearn!
00:10:23Let's unlearn!
00:10:24Let's unlearn!
00:10:25Let's unlearn!
00:10:26Let's unlearn!
00:10:27Let's unlearn!
00:10:28Let's unlearn!
00:10:29Let's unlearn!
00:10:30Let's unlearn!
00:10:31Let's unlearn!
00:10:32Let's unlearn!
00:10:33Let's unlearn!
00:10:34Let's unlearn!
00:10:35Let's unlearn!
00:10:36Let's unlearn!
00:10:37Let's unlearn!
00:10:38Let's unlearn!
00:10:39Let's unlearn!
00:10:40Let's unlearn!
00:10:41Let's unlearn!
00:10:42Let's unlearn!
00:10:43Let's unlearn!
00:10:44Let's unlearn!
00:10:45Let's unlearn!
00:10:46Let's unlearn!
00:10:47Let's unlearn!
00:10:48Let's unlearn!
00:10:49Let's unlearn!
00:10:50And I don't give a watt.
00:10:54What's up, is there a problem? Are you making soup?
00:10:59What soup or what eight watts?
00:11:01I'm preparing a new breakdown, the biggest ever seen on television.
00:11:07I can't stand them.
00:11:09Eight watts are used to cook with three video tapes.
00:11:15I don't care about television, because my thing is... cinema!
00:11:25Trick, yours is beyond repair.
00:11:28You can't do anything but roar.
00:11:31One day you will truly look like a lion.
00:11:34Who will I look like one day? It's Amarilin.
00:11:38I'm so sexy and I have such a good figure.
00:11:42Don't talk to me about that guy. You know I can't stand him.
00:11:45Don't lose your patience.
00:11:47You'll be beautiful too when you lose weight.
00:11:50Keep with the regimen and you'll see.
00:11:52It's just that since I started taking so few volts I'm so weak.
00:11:57I'm starving.
00:11:58It will make up to you.
00:12:00You'll see.
00:12:01Go on, go on with your breakdown.
00:12:03I'm going to see if I can do some tricks on those idiots with the crystal ball.
00:12:09Dear viewers, I beg your pardon for this moment of bad mood.
00:12:16They are actually jokes I play on Gerardo.
00:12:18Gerardo!
00:12:21What are you looking at me for? Like that? What's wrong with you?
00:12:23Aren't you angry?
00:12:25Go on, tell the viewers you're not angry.
00:12:28What's wrong with you? Why are you looking at me?
00:12:30They've given you the cold shoulder.
00:12:31Who? Who messed with me?
00:12:33No, no, no, no one, no one. They've given you the runaround, the dwarfs.
00:12:35Don't talk nonsense, we're back to normal.
00:12:37But of the dwarves, if not the dwarves.
00:12:38Yes, it was that little blonde with the Z.
00:12:41And that fat girl who screams.
00:12:42And the punk that roars.
00:12:43Please sit down, Isabel.
00:12:45Now I sit down.
00:12:46Yes, sit down.
00:12:46Now I'm sitting down. Let's see what I'm sitting down for.
00:12:49Look at yourself in this mirror.
00:12:52No, man, that's not it.
00:12:53And what do I do now with Isabel all green and fainted?
00:12:55People turn green.
00:13:06We don't turn green.
00:13:08We are not people.
00:13:10Of course not.
00:13:11We are different.
00:13:13We are beautiful, distinguished and attractive like my love.
00:13:19We are like Frankenstein.
00:13:22Let's talk about how to take care of your hair.
00:13:25To have good hair, you have to wash it frequently.
00:13:28And brush it every day.
00:13:30It's very easy, you'll see.
00:13:31You take your hair and brush it like this.
00:13:35Very easy.
00:13:36Hello.
00:13:37Gerardo.
00:13:38What happened to you?
00:13:39Nothing to me.
00:13:41But how did you get like this?
00:13:42What do you mean, like this? I'm normal.
00:13:44Normal?
00:13:45You are completely identical.
00:13:48Calm down, calm down, calm down.
00:13:49You're here running over yourself.
00:13:51Come on, let's see.
00:13:51Bald!
00:13:52Bald?
00:13:52Am I bald?
00:13:53Don't talk nonsense.
00:13:54Don't talk nonsense.
00:13:55That?
00:13:56That?
00:13:58Bald?
00:13:58I'm bald.
00:14:00Completely bald.
00:14:00I don't have a single hair left.
00:14:02Here, pass this.
00:14:03Maybe you're thinking about it.
00:14:05No, not that.
00:14:07That was his fault.
00:14:08From brushing so much, it has worn down.
00:14:10Don't talk nonsense.
00:14:11Look, hygiene and care never harm anyone.
00:14:14You're right.
00:14:15So it was them.
00:14:16If I catch them, I'm going to leave them bald.
00:14:18Ha ha ha!
00:14:20Ha ha ha!
00:14:21Ha ha ha!
00:14:21Ha ha ha!
00:14:24You see?
00:14:25How ugly Gerardo looks!
00:14:27Humans make each other green.
00:14:30And they also go bald.
00:14:33We don't.
00:14:33I like my hair.
00:14:36And I don't want to be like them anymore.
00:14:39Thank goodness.
00:14:40It took me a lot of work to convince you.
00:14:43And it took me a couple of tricks.
00:14:44But now that we've convinced you, let's give Gerardo his hair back.
00:14:53Okay, let's get on with the show.
00:14:56Let's continue talking about the human body in the crystal ball.
00:14:58Well, let's watch a gymnastics class.
00:15:01What we were missing.
00:15:02This bores the stones.
00:15:04Change it to Davidio!
00:15:06Swap it for plastinots!
00:15:08Yes, I'll change it right now.
00:15:09Swap it for plastinots!
00:15:39Trade it for crystal!
00:15:45Golaro!
00:15:45Rensa well!
00:15:48No, no, no, no.
00:16:18No, no, no, no.
00:16:48No, no, no, no.
00:17:18No, no, no, no.
00:17:48No, no, no, no.
00:18:18No, no, no, no, no, no.
00:18:48No, no, no, no, no.
00:18:50No, no, no, no, no.
00:18:52No, no, no, no, no, no, no.
00:18:54No, no, no, no, no, no.
00:18:56No, no, no, no, no.
00:18:58No, no, no, no, no.
00:19:00No, no, no, no, no, no.
00:19:02No, no, no, no, no, no.
00:19:34No, no, no, no, no, no, no.
00:19:36No, no, no, no.
00:19:38No, no, no, no.
00:19:40No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:19:42They will be very useful when you get dressed.
00:19:44Yes, because you have to learn to dress yourselves.
00:19:47So I don't need Mom so much.
00:19:48You'll soon be very grown up.
00:19:51Gerardo?
00:19:52What is that noise?
00:19:56Shut up, shut up and continue.
00:19:57It's them. I'm sure it's them.
00:19:58and anything can happen here.
00:20:00It's nonsense, it's nonsense.
00:20:02We are going to show you how to fasten buttons.
00:20:04Gerardo, you start.
00:20:06Button up your button.
00:20:07With one hand you grab the buttonhole
00:20:08and with the other the button.
00:20:10And then...
00:20:12And then, it buttons up, it buttons up.
00:20:14You're dressed, now, now.
00:20:15Leave it, already, I'm dressed.
00:20:18Well, since I'm already dressed,
00:20:21Well, we're done, we're done, now, now.
00:20:26Gerardo!
00:20:27But no, but cover here.
00:20:29You couldn't do that.
00:20:31Cut, cut, please!
00:20:38Have you seen?
00:20:39And since they are very ugly.
00:20:41Yes it's true.
00:20:43They are tall and big.
00:20:45They have their heads up there.
00:20:48Yes, and they are soft.
00:20:51They are disgusting.
00:20:54Do you see it?
00:20:55It's better to be an electro-elf.
00:20:58Yes, yes.
00:20:59It's better to be short and fat
00:21:00and not go to school.
00:21:02And never wash.
00:21:03Not even passing that thing
00:21:05with spikes on the head.
00:21:07His name is Comb.
00:21:09It's better to be an electro-elf.
00:21:12It's even better to be the breakdown witch.
00:21:17Yeah.
00:21:19I'd rather be the breakdown witch
00:21:21to be like the humans who appear on television.
00:21:24I'd rather be fat
00:21:26to be like them.
00:21:27Also, with gymnastics
00:21:29and a low wattage regime
00:21:31I will lose weight.
00:21:33And then
00:21:33I'll come back with my broom
00:21:36and I will arrange breakdowns everywhere.
00:21:39It will be wonderful.
00:21:45Marvelous!
00:21:45I'm happy too
00:21:50of being as I am
00:21:51because every day
00:21:52I look more like Marilyn
00:21:53because mine is
00:21:55the cinema!
00:22:00That's how humans are.
00:22:02We are different.
00:22:04We don't look alike
00:22:05to those idiots.
00:22:06Clear,
00:22:07it doesn't melt you.
00:22:08It's that we
00:22:09we are master battery.
00:22:11We are handsome
00:22:13and good and happy
00:22:14because we are
00:22:16the celestroduendes.
00:22:20The machine that crossed
00:22:23has given birth again
00:22:25me too
00:22:27What am I going to do?
00:22:28with this new being?
00:22:32That measures vibrations
00:22:34invents his songs
00:22:37what am I going to do with it?
00:22:43I am an electro-elf
00:22:57and nobody understands me
00:23:01I am an electro-elf
00:23:03and nobody understands me
00:23:06I emit vibrations
00:23:09I invent my songs
00:23:11I am an electro-elf
00:23:13I am an electro-elf
00:23:15and nobody understands me
00:23:19And I have transistors
00:23:32of all colors
00:23:34A man put them on me
00:23:37with tin and soldering iron
00:23:39I am an electro-elf
00:23:43I am an electro-elf
00:23:44and nobody understands me
00:23:47I am an electro-elf
00:23:49and nobody understands me
00:23:53I emit vibrations, I invent my songs, I am an electro-elf and nobody understands me.
00:24:05And I have some circuits that are very small, but here they are Japanese with the meters of the feet.
00:24:27I'm an electro-elf and nobody understands me, I'm an electro-elf and nobody understands me.
00:24:39I emit vibrations, I invent my songs, I am an electro-elf and nobody understands me.
00:24:57I'm an electro-elf and nobody understands me.
00:25:27You have 15 seconds to imagine.
00:25:43If you haven't thought of anything, maybe you should watch less TV.
00:25:48You haven't thought of anything, maybe you should watch less TV.
00:25:50And you haven't thought of anything, maybe you should watch less TV.
00:25:52Thanks for watching the video.
00:26:22Thanks for watching the video.
00:26:53Through all the electrodes of an electric generator.
00:26:56In this ball today I only see duck.
00:26:59By Viricon, God of the camera.
00:27:01What can a witch like me do with a magic ball that looks like it's going to start quacking?
00:27:06You just can't stop bothering us again here and making a fool of yourself.
00:27:15I only do what your ball tells me to do.
00:27:16My ball doesn't send anything.
00:27:19It teaches me what is happening in the world.
00:27:21I see it and I tell it.
00:27:23Very well, madam witch.
00:27:25I thought I heard that according to you, the world is full of ducks today.
00:27:31You are really clumsy, rich.
00:27:34What's a taste attack like, huh, babe?
00:27:36By Farad, God of neon.
00:27:39May your beak grow and you lose your voice.
00:27:42We're back to normal, aunt.
00:27:43But hey, now there's no need to worry.
00:27:49I can't see anything anymore.
00:27:51And all because of you.
00:27:52But who will let you on television?
00:27:55And now what do I tell you?
00:27:57Any nonsense.
00:28:00I know.
00:28:02You are a child.
00:28:05And I'm going to tell you a story.
00:28:09Look, no.
00:28:09Not that, eh.
00:28:12Come here, rich man.
00:28:13Every time you come, I'm going to tell you a little story.
00:28:17Today I'm going to tell you...
00:28:19I know.
00:28:20The one with the ugly duckling.
00:28:22Relief!
00:28:22Every man for himself.
00:28:25No.
00:28:26I'm not going to talk about the ugly duckling story because we all know it.
00:28:29It is the story of that duck who was different from his brothers
00:28:32and whom everyone rejected because they thought he was ugly.
00:28:38Would it be a duckling like this?
00:28:39Or like these other Egyptian ducks.
00:28:47And then, when he grew up, he became a swan like these by the painter Marcel Vertes.
00:28:53Or like these Egyptian ducks.
00:28:58Thanks for watching the video!
00:29:28Thanks for watching the video!
00:29:58Thanks for watching the video!
00:30:28I don't know why Butter doesn't like stories.
00:30:35It must be because he thinks he's too old and is obsessed with making a TV show.
00:30:39Bat tabs! Magnetic baud!
00:30:47See ducks in my ball again!
00:31:18Who would be a duck to swim?
00:31:21Swim around the world.
00:31:24Duck to travel without a passport and review, pass, pass borders like someone passing the time.
00:31:31Duck, wandering duckling, silver of the north, gold of the south, dancing duckling.
00:31:40Please allow me, my God, to be a duck.
00:31:43Why all the fuss, all the paperwork, all the nonsense?
00:31:47Duck, duck, look, like someone who goes along the river honking the horn.
00:31:52Duck, duck, look, like someone who goes along the river honking the horn.
00:32:22And review, pass, pass borders like someone passing the time, duck.
00:32:33Wandering duckling, silver of the north, gold of the south, dancing duckling.
00:32:49Northern silver, southern gold, northern silver, southern gold, stray duckling, duck, duck.
00:33:02Why all the fuss, all the paperwork, all the nonsense?
00:33:16Stray duck, duck, duck.
00:33:21Who would be a duck to swim, to swim, to swim around the world, around the world, a duck to travel without a passport.
00:33:43And review, pass, pass borders like someone passing the time, duck.
00:33:55A hundred times zoom and a thousand times baa ...
00:34:15—I understand. Fairytale things always happen. And speaking of the ugly duckling, we've received news of a scientific expedition at the South Pole that found a bear adopted by a penguin family. The scientists are appalled by the deplorable state of neglect in which they found the bear. Of course, the penguins despised him, since the bear doesn't wear a tailcoat.
00:34:40—As you've just seen, penguins look alike, like twins. Pictures, please.
00:34:49—What can you do when there are two of them and they look alike? A twin contest? The one who most resembles their twin will win the contest. Two by two, four by four, they come from all over the world.
00:35:10—As you have just seen, penguins are the same, as if they were twins they are the same, as if they were twins they are the same, as if they were twins they are the same.
00:35:17—As you have just seen, penguins are the same, as if they were twins they are the same, as if they were twins they are the same, as if they were twins they are the same.
00:35:24—As you have just seen, penguins are the same, as if they were twins they are the same, as if they were twins they are the same, as if they were twins they are the same.
00:35:31—Pas un salaria et dos, nous fumes toutes deux elevateds par maman, qui pour nous se priva, travailla baillamment.
00:35:40—Elle voulait de nos pères des érudite, et pour ce lavandite, toute sa vie desfrite.
00:35:48—Nous sommes toutes deux nés de pères inconnues, cela ne se va pas mais quand nous sommes nues,
00:35:56Before continuing with this interesting story, let's hear the opinion of a well-known figure.
00:36:10Rosa, what influence have children's stories had on your life?
00:36:14A huge, huge influence. I was always reading stories; I had every one I could get my hands on. A huge influence.
00:36:23Generally, they didn't let me read books that were a bit mysterious, because I was very nervous as a child and they forbade me from doing that, but they were the ones I liked the most and the ones I preferred.
00:36:38And speaking of stories, what do you think of the ugly duckling?
00:36:40Well, that story is very complicated, because that story, well, we already know what that means, the rejection of the ugly duckling.
00:36:52But it's generally said—that word I hate, marginalization—that he was marginalized. It's said he was marginalized because he was different.
00:37:00The gentlemen ostracized him because he was ugly, because a swan is ugly when it is born.
00:37:05If the swan had been born a beautiful little swan, it would not have been marginalized.
00:37:10But since the poor thing was ugly, they ostracized him, of course. Because they couldn't understand, they knew his mother was very pretty, a beautiful hen, and his little brothers.
00:37:21And that ugly bug came out, well, they marginalized it.
00:37:24Clear.
00:37:24So, what is your opinion of traditional tales and all tales?
00:37:29Well, very good, about traditional tales, a wonderful opinion, because they were tales perfectly congruent with the cultural moment of all peoples.
00:37:42That is to say, they were stories, it is said, for children, for the children, for the people.
00:37:46The people, who at that time were children, of course, and were perfect, understood each other.
00:37:53In addition, it was very common for children to be with the people.
00:37:57Their maids, women, even those who had nursed them at their breasts, and others who...
00:38:06And so many people, not so much in Spain, but in France, so many have sent their children to the countryside,
00:38:13to be raised, a terrible thing, but anyway, it is common.
00:38:19So the stories were understood very well by the children and the people.
00:38:24And the children and the people were in a cultural moment that they are not in today.
00:38:30So, although they still seem beautiful to us, they are still very far away.
00:38:35Thank you, Rosa.
00:38:36Here we have Professor Bichín, author of the extraordinary zoological discovery.
00:38:46Tell us, Professor Bichín, under what circumstances did you find this unique bear?
00:38:51In very cold circumstances.
00:38:54The difficult part was breaking the ice.
00:38:56However, the bear expressed his joy at seeing us.
00:39:00Of course, of course, with his last name and his coat, do you understand?
00:39:05No, it didn't take much effort to convince the bear that it wasn't a penguin,
00:39:10and that there are many bears in the world.
00:39:13Bears and she-bears.
00:39:26Well, what happened to the bear?
00:39:28Well, we named him the ugly duckling, because of the similarity with the story,
00:39:34and we took him to the zoo, where he constantly repeats,
00:39:38I am the most handsome, I am the most handsome, I am the most handsome, I am the most handsome, I am the most handsome.
00:39:42I've messed up.
00:39:44You're the only thing television was missing.
00:39:47More bears!
00:39:48Half moon will shine,
00:40:07The razor
00:40:10Will take hold
00:40:12Brave eyes
00:40:14Of woman
00:40:15What poison it was
00:40:18Of the macho
00:40:37Africa
00:40:38Your only one
00:40:40Your anico will be bloodied
00:40:42So
00:40:44And I watched
00:40:46What poison it was
00:40:48The heart that was attriting
00:40:54It will never come back
00:40:56It will shine
00:40:58With what passion
00:41:00With what passion will you fall in love
00:41:02And it will bewitch you
00:41:04It will shine
00:41:06She remains alone
00:41:22Loneliness
00:41:24The guitar
00:41:26He will cry
00:41:28Sortileño
00:41:30It will fall on you
00:41:32And a tear
00:41:34A perfume
00:41:37A perfume
00:41:37By chance
00:41:39To the mouth
00:41:41Of the truth
00:41:43Pulse and a bass
00:41:45It will shake
00:41:46But it will kill
00:41:49And at dawn
00:41:53White
00:41:54I'll tell you
00:41:55How much I loved you
00:41:57It will shine
00:41:59Bandit
00:42:00There I die for you
00:42:03I was your dove
00:42:04Seville
00:42:06I will sing
00:42:12And I will go crazy
00:42:16I will feel
00:42:20Silver daggers
00:42:22The heart that was attriting
00:42:29It will never come back
00:42:31It will shine
00:42:33With what passion will you fall in love
00:42:37And it will bewitch you
00:42:39It will shine
00:42:41And at dawn
00:42:42And at dawn
00:42:42White
00:42:43I'll tell you
00:42:44How much I loved you
00:42:46Seville
00:42:48Bandit
00:42:50Today I die for you
00:42:52I was your dove
00:42:54Seville
00:42:56Your dove my
00:43:13And at the white dawn I will tell you how much I loved you, Seville
00:43:34Bandit, there I die with you, your dove was, Seville
00:43:41I will cover you with gold and diamonds, I will seduce you, Seville
00:43:49I will honor you like a queen and adore you, Seville
00:43:57Seville
00:44:11I love how these music video images sound so much.
00:44:30And I love the way these kids from the gang talk.
00:44:35Alfalfa awakens
00:44:42Come on, up
00:44:45Where am I?
00:44:48You are in my house
00:44:49Don't move, don't forget our plan
00:44:54Do you think it will work?
00:45:03It's a perfect plan
00:45:04Unbutton it, you'll see how cool it is.
00:45:08Be careful
00:45:11Oh, oh, how cold!
00:45:14Wouldn't it be better if I had a fever?
00:45:17No
00:45:17You've gotten cold, start complaining
00:45:19Chupi, keep it up
00:45:22Mom! Mom!
00:45:26Come! Run, run!
00:45:28Hurry up!
00:45:29What's going on?
00:45:30Alfalfa is complaining
00:45:31My God, what's wrong with you?
00:45:34You are shivering
00:45:34I'm frozen
00:45:36Do you mean you have a cold?
00:45:38A cold?
00:45:39Don't you have a fever?
00:45:42It will pass soon.
00:45:43Don't uncover yourself, I'll bring you a hot water bottle.
00:45:46Panky, do you think he's bought it?
00:45:51No, you have to complain more.
00:45:53Get out of bed
00:45:53What are you going to do?
00:45:55You'll see.
00:45:55Sit down
00:45:56On the ice?
00:45:58Oops!
00:46:05Oops!
00:46:06Oops!
00:46:09Good morning
00:46:21Hello
00:46:21Good morning
00:46:22Are Spanky and Alfalfa ready to go fishing?
00:46:25How to fish?
00:46:26Yes, to catch some fish
00:46:28You're not going to school, are you?
00:46:32No, today we are taking a vacation.
00:46:33Vacation
00:46:34Well, come back in a bit.
00:46:37I'm sure they'll be ready by then.
00:46:40Torky, do you think we did something wrong?
00:46:45Holidays are good
00:46:46Sure, why don't we go catch some worms?
00:46:49Okay?
00:46:50Okay
00:46:50Yes, your son too
00:46:56But I'm going to teach them a good lesson.
00:46:59Yes, I'll call you later.
00:47:03Bye
00:47:05Poor Alfalfa, how sick he is.
00:47:11Oh!
00:47:15Oh!
00:47:16I've spoken at length with your mother, Alfalfa.
00:47:19Oh yeah?
00:47:20Uh-huh
00:47:21You'll see how alcohol affects me, Spanky.
00:47:23But what nonsense
00:47:25Your mother said that if you are sick
00:47:27You must stay home
00:47:30I think it's getting worse.
00:47:33I'm not surprised
00:47:35I've never seen anyone so pale.
00:47:37I had to go shopping
00:47:39But I can't leave him alone
00:47:41Why don't I stay?
00:47:43You?
00:47:44And what about school?
00:47:45Well, I would like to go
00:47:47But I have to sacrifice myself for my friend
00:47:49Yes, Spanky and I are thick as thieves.
00:47:52Well, let's not talk about it anymore.
00:47:55Will you manage without me?
00:47:57Don't worry, Mom
00:47:58All you need is a little air and sun
00:48:01It's a good idea
00:48:02Get dressed and sit in the garden
00:48:05Don't worry, mom.
00:48:06It worked! It worked!
00:48:10Ow! Ow! Ow! Ow!
00:48:12Wait, Alfalfa
00:48:13Hurry up
00:48:15Oh!
00:48:16Oh!
00:48:17Thank you
00:48:18I hope you like my child!
00:48:24High five!
00:48:28This is life!
00:48:29This is nothing
00:48:30When my mother leaves
00:48:31You and I will go fishing with the gang
00:48:33Spanky
00:48:34You're a cool guy
00:48:36Guys, I'm leaving now.
00:48:40Take care of your little brother until he returns
00:48:43Hey, Mom!
00:48:49Why don't you take it with you?
00:48:51Oh no
00:48:52He'll be better off at home.
00:48:53And you will take care of him
00:48:55Your mother has ruined our plan.
00:48:59Don't be a downer, let me think
00:49:02I got it! Listen!
00:49:09We're leaving
00:49:16Because he repented and went to school
00:49:19Oh, to school, huh?
00:49:21Well, it's his loss.
00:49:22Because we have a surprise for you.
00:49:24Really?
00:49:26Really
00:49:26Tell him, Spanky
00:49:27You see, we decided to leave you here in the care of my brother.
00:49:31Don't you think it's great?
00:49:33No
00:49:33You'll have a lot of fun with it.
00:49:36I said no
00:49:37What bad luck
00:49:39We'll have to take it with us.
00:49:41Insect!
00:49:44Hey, bug!
00:49:46Where are you?
00:49:54I feared it, but not so soon.
00:49:56Listen, insect
00:49:59Don't start creating problems for us.
00:50:01No, let's go
00:50:02Get out of there right away
00:50:03Let's go for it at once
00:50:04Look how you've become
00:50:06Mom will be furious
00:50:08I wouldn't stay with him for six marbles.
00:50:11By the time we've cleaned it up it'll be too late to go fishing.
00:50:15Don't worry, I'll fix this right away.
00:50:17Come on
00:50:18And what do you want with clothes?
00:50:20The washing machine will take care of everything
00:50:22Soap flakes
00:50:24Listen, insect
00:50:27You're going to be very clean.
00:50:29And it won't hurt you
00:50:30Ready, alfalfa?
00:50:31All set
00:50:33Get it going
00:50:34Up and down
00:50:37Up and down
00:50:38Up and down
00:50:39Up and down
00:50:40Isn't that funny, bug?
00:50:42You'll see, you're going to have a great time.
00:50:44Well, now it's your turn.
00:50:46Hang on a minute
00:50:47Throw it all in
00:50:50You have to remove all the dirt well.
00:50:52All the soap is coming!
00:50:54Come on, bug!
00:50:57What are we going to do now?
00:50:58What do I know?
00:50:59Charlie!
00:51:01Charlie!
00:51:03Where are you, insect?
00:51:04As soon as I turn my back, it disappears.
00:51:06It's a nuisance
00:51:07Of course, that's enough.
00:51:13You've got me fed up
00:51:14If you're not good, I'll spank you.
00:51:16Come on, get out of there right away.
00:51:20Have you heard it yet?
00:51:21Out!
00:51:22He is very stubborn
00:51:23We'll have to get him out ourselves.
00:51:25Hey! The door has closed!
00:51:31You who are thinner
00:51:33Try to get out there
00:51:34I can't, just turn your head
00:51:44Get off
00:51:45Come on, bug
00:51:48You go out and open the door for us.
00:51:50Want?
00:51:52And hurry up
00:51:53Do you think he'll open the door for us?
00:52:00I hope so
00:52:00I'm afraid of being locked up
00:52:02What a mess we've made, Spanky.
00:52:05You say it!
00:52:09Your brother has turned on the lights
00:52:11Charlie, stop playing and open the door!
00:52:13Come back here, Charlie!
00:52:18I told you to open the door!
00:52:20I'll ask Bucky to open the door for us.
00:52:25You can start preparing yourself
00:52:26Bucky!
00:52:27Come right away and help us get out of here.
00:52:30Oh, I can't!
00:52:31This has stopped you from going around in circles!
00:52:34Please, Charlie
00:52:36We need you
00:52:37Come on, come help us.
00:52:39I didn't know
00:52:43This insect is getting revenge on me
00:52:46Well, you'll have to apologize.
00:52:48I'm very scared
00:52:49Okay, I'll try to sweet talk him.
00:52:51Hang on a minute
00:52:53Here I have something you will like
00:52:55These are some firecrackers I bought the other day.
00:52:57Charlie, you have to save us.
00:53:00If you get us out of here
00:53:02I'll give you these firecrackers
00:53:03Alfalfa, I don't allow you to bribe my brother.
00:53:08I will convince him
00:53:10Please, Charlie
00:53:14Open the door
00:53:15Tonight I'll eat your spinach
00:53:17And tomorrow too
00:53:20How are you?
00:53:32Charlie!
00:53:32It was our door!
00:53:38Spanky!
00:53:39The Indians are attacking us!
00:53:42Relief!
00:53:44Hello, Charlie
00:53:45Has Mommy's treasure behaved?
00:53:48Spanky!
00:53:49Alfalfa!
00:53:50Spanky!
00:53:51What are you doing here?
00:53:53Have you gone fishing?
00:53:54I want to go to school!
00:54:00Spanky!
00:54:01Alfalfa!
00:54:01What the hell are you doing in there?
00:54:03See you later, Mom!
00:54:05I'm going to school!
00:54:06Me too
00:54:07School is the best thing in the world!
00:54:10To school!
00:54:10To school!
00:54:10To school!
00:54:11To school!
00:54:11To school!
00:54:11To school!
00:54:20To school!
00:54:21To school!
00:54:23Music
00:54:52Music
00:55:22Hellish vacation
00:55:26Hellish vacation for you
00:55:31Music
00:55:34The coolest thing is the tail with the pigeon at the end.
00:55:36This is what people call fashion scorpion.
00:55:40And it goes, and it goes
00:55:42The same for dressing up as for going casual
00:55:44It is an exclusive design by Pedro Guterro
00:55:48It is well known that in hell the pointer costs you money.
00:55:52And wealthy people add pride, which is already ideal.
00:55:55Total
00:55:57Hellish vacation
00:56:00Hellish vacation
00:56:04Hellish vacation
00:56:08Hellish vacation
00:56:12Hellish vacation
00:56:22Hellish vacation for you
00:56:29And if you decide to leave, book a hotel.
00:56:42Buy yourself an apartment or better yet, a chalet
00:56:45With pool, with pool
00:56:47But don't go camping with a tent or a bum.
00:56:50And you rent a car so you don't even think about hitchhiking.
00:56:54You don't buy a bottle at the disco
00:56:57Don't drink alcohol, people are very refined.
00:56:59You might marginalize yourself and not go all out.
00:57:01Hellish vacation
00:57:07Hellish vacation
00:57:11Hellish vacation
00:57:15Hellish vacation for you
00:57:20Hellish vacation
00:57:27Hellish vacation!
00:57:57Hellish vacation!
00:58:27Hellish vacation!
00:58:57To play, the most important thing is not the toys.
00:59:27Hellish vacation!
00:59:37Hellish vacation!
00:59:47Hellish vacation!
00:59:57Hellish vacation!
01:00:07Hellish vacation!
01:00:11Hellish vacation!
01:00:13Hellish vacation!
01:00:15Hellish vacation!
01:00:23Hellish vacation!
01:00:33Hellish vacation!
01:00:35Hellish vacation!
01:00:39Hellish vacation!
01:00:41Hellish vacation!
01:00:43What do you think you are!
01:00:45What do you think?
01:00:47Hellish vacation!
01:00:49Hellish vacation!
01:00:51You are wrong. To make a film, which is what I want, it is necessary, apart from
01:01:01of the set and the script and the costumes, well having a lot of stuff like this, and
01:01:08rolls, lots of rolls, one or two or three cameras and lights. Light is very important. The Americans
01:01:17who know their thing about movies, they have made fantastic films thanks to gossip
01:01:22like these and a bunch of other stuff. Above all, the more the better, because if you're a director
01:01:28novice, because it is necessary in case you make a mistake or many things like that. When I already caught
01:01:33a camera, I'd start taking shots and shots. I'm sure you don't even know what a shot is.
01:01:40Well, you see, I don't know how I could explain to you what a shot is. A general shot,
01:01:47A three-quarter shot, a medium shot, a close-up, I don't know. Well, I'll explain it to you.
01:01:55Look, this is a long shot. Here's a three-quarter shot. This is a medium shot.
01:02:03And this, a close-up. And this, although it sounds very strange, is a word called
01:02:08traveling. And this, a zoom.
01:02:14Now, the camera shoots me from above. It's a high-angle shot.
01:02:38And here, it's the complete opposite. The camera shoots me from below. It's a low-angle shot.
01:02:44Yes, I know it's very difficult. You don't need to tell me anything. It was hard for me.
01:02:55many years of hard research and a lot of buttered slices to be able to
01:03:00understand it. But don't worry. I, the best detective in the world, will help you.
01:03:05Let's explain. You'll see. Here begins the first sequence. What is a sequence? Well,
01:03:13everything that happens in the same space of time within the same setting. It's very
01:03:17easy. From the moment Maximiliano begins to walk down the street, until the moment he goes up
01:03:22the tram is a sequence.
01:03:23Once inside the tram, it is a different place, because the scenery has changed. Inside each
01:03:28sequence, there are many shots. That is, the different shots the camera has taken, it is already a sequence.
01:03:33Once inside the tram, it's a different story because the set has changed. Within each sequence, there are many shots. That is, the different takes the camera has taken.
01:03:58I've already told you this before. Now let's go back and take a closer look at the shots the director took in this sequence. Here's a three-quarter shot of Maximilian. To put it simply, you can see almost all of him, but not all of him. There's also a tracking shot, as the camera follows Maximilian during his walk.
01:04:16Now for another sequence. We're inside the bus. The boy looks at the girl. First at him. He's seen in a medium shot, and she's seen in a three-quarter shot. Then we see him in a medium shot. And her too.
01:04:29What a lack of variety. Besides, in a medium shot, you see even less people than in a three-quarter shot. There won't be any shots like that in my film. We're already watching another sequence. We're on the street, and it's daytime. The set and the action have changed. The strange thing is that they haven't changed Maximilian too. Let's see the shots.
01:04:50We have a panoramic shot. What's that? Well, like a long shot, but bigger. And a tracking shot. A very, very long tracking shot. Inside the doorway, we change the sequence. We find ourselves with a three-quarter shot of Feliciana.
01:05:07Now, since Maximiliano is back on the street, it's not the same sequence. We see him in a long shot with a tracking shot. What a complicated word. Until he reaches the bakery's goal.
01:05:19And again, we have a medium shot. What a mania. Inside the doorway, when the boy and girl can't stop talking, comes a very interesting part. And I'm not referring to the love scene, of course.
01:05:34In what I'm telling you, the plot doesn't matter. The camera begins to rise. Maximiliano and Fortunata talk nonstop at the top of the stairs. And... we have a medium shot.
01:05:46High angle of the boy. High angle of the boy. Because the camera is shooting him from below the stairs. And a medium shot. Low angle. Of the girl. Because the camera is shooting her from above.
01:05:58Then the same thing happens all the time. The director is using his imagination. Medium high shot of him. Medium high shot of her. Medium high shot of him. Medium low shot of her. How tiresome.
01:06:13Then we have a pan. Because the camera can't go down the stairs. And chase the boy.
01:06:20There's also a long shot of him on the stairs. And a tracking shot. That complicated word again.
01:06:28The next sequence is on the street. It begins with a long shot, with a tracking shot, and ends with a three-quarter shot.
01:06:36In the following sequence, already inside Maximiliano's room, almost nothing happens. And I'm talking about shots, right?
01:06:42For my taste, they've gone too far with the three-quarter shots. What can we do? And now that I realize it, there's no zoom in this film.
01:06:51And the damn zoom is used in bad movies. And now that no one can hear me, on television. I've done some research.
01:07:01My film, as you might have guessed, isn't going to be like this. When I finally pick up a camera, there won't be any wide shots.
01:07:08And three-quarter shots. And medium shots. None of that. I'll do close-ups. I'm thinking maybe just close-ups.
01:07:16And it'll look fantastic. The problem I have is that I haven't yet thought about how a buttered toast might look more flattering.
01:07:24But hey, it's just a matter of time. For me, a private detective, it's phenomenal.
01:07:29Thank you!
01:07:30Thank you!
01:07:31Thank you!
01:07:32Thank you!
01:08:02Thank you!
01:08:03Thank you!
01:08:04Thank you!
01:08:05Thank you!
01:08:06Thank you!
01:08:07Thank you!
01:08:08Thank you!
01:08:09Thank you!
01:08:10Thank you!
01:08:11Thank you!
01:08:12Thank you!
01:08:13Thank you!
01:08:14Thank you!
01:08:15Thank you!
01:08:16Thank you!
01:08:17Thank you!
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01:09:32You think in circles. Rewind, you fool, you don't know what you're talking about. If you were in the cinema like
01:09:37Me, you too would meet handsome boys and fall in love. But here on television
01:09:42You don't see much of anything. Everything's on TV, you know? And what's that guy like?
01:09:51Oh, he has such a gorgeous figure. He's tall, strong, handsome, so attractive. I've fallen in love with him.
01:10:02Subscribe to the channel!
01:10:32Ow! Ow! Ow!
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01:12:20It's here! We've got it!
01:12:30It was very easy!
01:12:32Since his vision is so bad, he won't find his way back in this smoke.
01:12:36Why don't we shock her a little?
01:12:39Yes! That would be wonderful!
01:12:41There would be no more crystal ball!
01:12:43What are you saying?
01:12:44Electrocuted would be more dangerous.
01:12:47You may lose the few circuits you have left.
01:12:50Let's see it!
01:12:54We want you to tell us who is to blame for this stupid program!
01:13:00The guilty ones, the guilty ones are you.
01:13:03You know very well that there are many electro-elves, that there are electro-elves almost everywhere.
01:13:08Well, I discovered you, but no, no, I think it was you who discovered me.
01:13:13You got into my head here and then this program came out to the culprits.
01:13:17You are the electro-elves.
01:13:19What kind of witch are you?
01:13:22Are you like the Witch Vería?
01:13:24Well, it sounds very similar to me.
01:13:26With that hunter's voice, they ruin my audios.
01:13:30Well, I'm not like the Witch Vería, I'm worse than the Witch Vería.
01:13:36Keep in mind that I can invent the Witch Vería and I can invent many breakdowns.
01:13:41For example, this program.
01:13:43No, I'm worse.
01:13:44In my free time, outside of television, I dedicate myself to, do you know what?
01:13:48I'll tell you a secret.
01:13:50To look into a crystal ball and charm snakes.
01:13:52I have one that wraps around my arm and lives with me.
01:13:55Does this seem okay to you?
01:13:59Is it really hard to do it so badly?
01:14:02Yes, very difficult, very difficult.
01:14:04That's why we do it this way, because we really like difficult things.
01:14:07Anything else?
01:14:11Are those confusing things that I have such a hard time recording mistakes or are you practicing the confusion technique?
01:14:21No, no, they are mistakes.
01:14:22Mistakes made intentionally.
01:14:25Because, of course, I just told you that I like difficult things.
01:14:29And if we like difficult things and want to do them badly, then we have to do them with errors and mistakes.
01:14:34Anything else?
01:14:34Do you want to ask me anything else?
01:14:36Are you making this show for just yourself or for more viewers?
01:14:41Man, I do it for whoever wants to see it.
01:14:44But it would certainly be worth it to do it for myself.
01:14:48I would have almost the same fun.
01:14:51Let's see, more questions.
01:14:53And that butter that keeps swallowing?
01:14:56What baud rate is in this program?
01:14:59The one who paints is the other one, the one with the mustache.
01:15:02The truth is that everyone paints.
01:15:06Everyone paints something.
01:15:07It's really you who don't matter.
01:15:10Well, and I admit that maybe not butter either.
01:15:12But you see, butter is a child who wants a television show.
01:15:16And it has been in the offices of all the directors, everywhere.
01:15:20And nobody has given it to him.
01:15:21So he came here, he got in, he snuck in, and, well, we've grown fond of him.
01:15:25And here it continues.
01:15:26That's why, that's why, paint butter.
01:15:28And that short witch who invites the trick witch?
01:15:32Why don't you teach storytelling?
01:15:34It's that in this program you live off the story.
01:15:37And we don't count for anything.
01:15:41Hey, you guys count for a lot.
01:15:43We precisely intend to live off everything you tell us.
01:15:47We've seen that you have a knack for messing things up.
01:15:52Do you want to join us in the grand plan to destroy your vision?
01:15:57Yes, yes, I want to join you for that plan and any other plan you can imagine.
01:16:02Only it will have to be in my free time.
01:16:04Because if I do it during working hours I could get fired.
01:16:07And this? And what are you giving me?
01:16:08What is it?
01:16:09Is it for our pact?
01:16:12Thank you.
01:16:13It is a very pretty flower.
01:16:14But let it go, let it go.
01:16:17Are you giving it to me or not?
01:16:18That's it.
01:16:20I am more than enough to ruin everything.
01:16:23Your car, the elevator, the television, and anything else they put in front of me.
01:16:30It doesn't melt you.
01:16:32And let no one laugh.
01:16:34That's where the witch breakdown is.
01:16:37If you laugh, ma'am, you'll break the washing machine.
01:17:04If you laugh, sir, you'll break the television.
01:17:07Don't laugh, don't laugh at the witch breakdown.
01:17:15Don't laugh, don't laugh at the witch breakdown.
01:17:22Don't laugh, don't laugh.
01:17:23Don't laugh, don't waste.
01:17:25That he's going to be left without a car.
01:17:27And tomorrow there is grace walking to work.
01:17:30Without affecting and atigar.
01:17:32The elevator is not working.
01:17:35And the air doesn't move either.
01:17:37Please, how hot.
01:17:38Don't laugh, don't laugh at the witch breakdown.
01:17:49Don't laugh, don't laugh at the witch breakdown.
01:17:56Not at home, not on the street, not on the subway, not on a plane.
01:18:13Don't laugh, don't laugh at the witch breakdown.
01:18:20Don't laugh, don't laugh, don't laugh at the witch breakdown.
01:18:28Don't laugh, don't laugh, don't laugh, don't laugh at the witch breakdown.
01:18:58It's like a personal computer, it's a crystal ball.
01:19:02You sit opposite him and it's like a movie theater.
01:19:04The opposite is a light.
01:19:06It's like a personal computer, it's a crystal ball.
01:19:11What's wrong with this ball?
01:19:29That everyone likes
01:19:32You sit in front and you're like the cinema
01:19:34He controls everything, it's a hallucination.
01:19:36It's like a personal computer
01:19:38It's the crystal ball
01:19:40You sit in front and you're like the cinema
01:19:43He controls everything, it's a hallucination.
01:19:45It's like a personal computer
01:19:48It's the crystal ball
01:19:50It's the crystal ball
01:19:52It's the crystal ball
01:19:59Thank you.
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