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00:12There are some New York Nights that are monumental, gigantic, historic.
00:19Others are just big.
00:22Bet you can't get steaks like this in your little Napa village now, can you?
00:26Where do you think this cattle comes from, a ranch on Canal Street?
00:30Well, what we lack in livestock, we make up for in cabs.
00:34Napa has cabs.
00:35Fine, you win. I don't want to fight about it.
00:38Oh, let's fight. Then we can make up.
00:42So, what's on your New York agenda?
00:44Making some deals, breaking some hearts.
00:47Can I tell you a secret?
00:48That's not your real hair.
00:53I'm having a little heart thing done.
00:56What?
00:56They found a blockage, so I'm getting a, you know, angioplasty.
01:01Simple procedure. No big deal.
01:03But, I can kiss these goodbye.
01:10Carrie, calm down.
01:14Come on, don't be such a sissy.
01:16It's nothing.
01:18They do a million of these a day.
01:20Hey, it's like having your teeth cleaned.
01:22I can't, I can't, I can't, I can't.
01:25Um, miss?
01:27Um, she's fine.
01:30Could you bring us some extra napkins?
01:32And some violins?
01:39Uptown, there was a different kind of dinner being prepared, with less cholesterol and
01:43no tears.
01:46Oh, my God.
01:48Hey.
01:49However you got in here, I don't care.
01:52I applaud you.
01:53Miranda's new neighbor, Dr. Robert Leeds, had quickly become her new boyfriend, doctor
01:58of all trades.
01:59Magda let me in.
02:00She was very excited at the idea of someone actually using your kitchen to prepare food.
02:04Well, it's a first.
02:06I didn't know you could cook.
02:07I make one thing.
02:10Enchiladas, baby.
02:11Huh?
02:12Wow.
02:14Here.
02:16Mmm.
02:18They're spicy.
02:22You can handle it.
02:24Come on.
02:28Oh, my God.
02:31I have placemats?
02:37How am I going to repay you for all this?
02:39I only make lean cuisine.
02:41I have one idea.
02:43Done.
02:43No, it's another idea.
02:45But it's related.
02:46Oh.
02:48Take tomorrow off.
02:51From work?
02:53I don't do that.
02:54Just think about it.
02:55Brady's with his dad.
02:56I don't have to work until seven.
02:57We can spend the whole day together.
02:59I bet you have a few personal days stored up.
03:03Just think about it.
03:05Truth be told, Miranda had never taken a personal day in her entire career.
03:10Then again, no one had ever made her enchiladas before.
03:30Well, jeez.
03:31Whoa.
03:32Whoa.
03:33Hey.
03:33What are you doing here?
03:35Ah.
03:36Oh, my God.
03:36Are you okay?
03:37Ow.
03:38Ow.
03:38I'm seeing spots.
03:40Oh.
03:40Let me take a look at that.
03:41Oh.
03:42Whoa.
03:43Who the hell are you?
03:44What are you doing here?
03:45I forgot Brady's eardrops.
03:47What are you doing here?
03:48I took a personal day.
03:49I'm Robert.
03:50This is Robert.
03:51I'm a doctor.
03:51He's a doctor.
03:52And my boyfriend.
03:54I'm sorry.
03:54Is it weird that I just called you that?
03:56No.
03:56I like it.
03:58Hey.
03:58Do you want to help me here or what?
04:00Yeah.
04:00Yeah.
04:00Let's take this in the bathroom.
04:01Can you get us some ice?
04:02I bet you head forward slightly and have a seat.
04:04So, how long have you two been hanging out?
04:07Oh, about a month.
04:09I was going to mention it when the time was right.
04:11I was just waiting for the right time.
04:14Keep applying pressure.
04:15So, anyway, this is Steve, Brady's dad.
04:17Good to meet you, Steve.
04:18Oh, my God.
04:19Who's watching the baby?
04:20My ma.
04:21Ow.
04:22Hey, Debbie.
04:23Yeah, you should be fine.
04:23It's just bruised.
04:25I'm going to need a tampon.
04:26What?
04:26What the fuck?
04:27It's a little trick we use at work.
04:28And some scissors.
04:29Here.
04:31What are you, some doze guy or something?
04:33No, I'm in sports medicine.
04:35For the next, adding insult to injury.
04:39Now, this should do it.
04:49So, that pretty much solves the problem of how Robert and Steve are going to meet.
04:53I guess I can check that off my list of things to do.
04:56That's horrifying.
04:58I will continue to be horrified by that story all day long.
05:02And poor Steve.
05:03He was in such a vulnerable position with the sex and the bloody nose and the doctor boyfriend.
05:09Well, you won.
05:10It's not a competition.
05:11You're right.
05:12You're right.
05:13She's being fucked by a hot black doctor and Steve had a tampon up his nose.
05:16No contest.
05:17Okay, I hate to admit this, but there is part of me that took some pleasure in the whole thing.
05:23Is that terrible?
05:24Well, no.
05:25It's not as though you planned it that way.
05:28Did you?
05:28No!
05:30I'm crazy about Robert.
05:32So, why do I even care what Steve thinks?
05:34Because you've been through a lot with him.
05:36Some people just get under your skin and stay there.
05:38When I saw Big the other night.
05:39Big is in town?
05:40Yeah, he's here for a little heart thing.
05:42What, is he on the wait list to get one?
05:44No.
05:45And you're going to feel incredibly bad in a minute.
05:49He's here because he's having heart surgery.
05:52Okay.
05:53I'm officially a monster.
05:55Please continue.
05:55No, it's okay.
05:56It's actually a fairly routine procedure.
05:58They found a blockage.
06:01Hey.
06:04I'm sorry.
06:06This is exactly what happened the other night when he told me.
06:10I know, I know he's going to be fine.
06:13But...
06:14What is going on with me?
06:17Yoo-hoo!
06:18Ladies lunching!
06:19Bitsy von Muffling had recently married cabaret singer Bobby Fine.
06:22Wow!
06:23Known to everyone but Bitsy as the gayest gay man alive.
06:26Hi!
06:26Oh, my goodness.
06:29Look at you.
06:30Can you believe it?
06:31Me?
06:32Pregnant?
06:32It's a girl.
06:34Bobby is so excited he's already got two names picked out.
06:36Judy or Barbara.
06:38We're going to wait to see what she looks like.
06:40I like Judy.
06:41And I owe it all to Dr. Mao.
06:43Or as we call him, Dr. Wow.
06:46Acupuncturist slash miracle worker.
06:48Seriously, I couldn't take it anymore with the IUIs and the IVFs and the I give up.
06:53Anyway, then I go to this guy and poof, I'm with child.
06:56Just from going to acupuncture?
06:58I don't know how the hell it works, but this guy could get a cactus pregnant.
07:01Anyway, I've got to run.
07:02Or shall I say, waddle.
07:04Well, it was great seeing you girls.
07:06Bye.
07:10How is that physically possible?
07:12That woman is like 50 years old.
07:14And married to a fag.
07:16I have got to go see that Dr. Mao.
07:28Hello.
07:29Hi.
07:29I have a three o'clock with Dr. Mao.
07:31Anyway, I said to her, go see Dr. Mao.
07:34I know someone who tried for five years and never saw results.
07:37Did she drink the teas religiously?
07:39Tell her to drink the teas.
07:40They're smelly, but they work.
07:41My friend Lois got pregnant on her third visit.
07:44I know a woman who was told she'd never get pregnant.
07:47Ever.
07:48Because she wasn't ovulating.
07:49And guess what?
07:50She's expecting her fourth this Christmas.
07:52That's fabulous.
07:53And then this woman said that the teas and the herbs were really important.
07:56And I'm just wondering, because I started fertility treatments with my first husband,
08:00but now I'm remarried.
08:01And so this woman thought that I should...
08:02Mrs. Goldenblatt, I have all that information.
08:05Let's just concentrate on what we're doing here in this room.
08:08And I'll be back in 20 minutes.
08:10Just relax with your own thoughts.
08:21I know a woman who was told she'd never get pregnant.
08:25Ever.
08:25Because she wasn't ovulating.
08:26And guess what?
08:27She's expecting her fourth this Christmas.
08:31From Eastern Medicine on the Upper West Side...
08:34Hello?
08:35To Western Medicine on the Upper East Side...
08:45Hey, kid.
08:46How are you?
08:51I'm alive!
08:54Asshole.
08:56What did you think?
08:57I'd be dead already?
08:58I don't know.
09:00Hospitals scare me.
09:01Oh, I'm fine.
09:02I'm great.
09:03I've never felt better.
09:04Boy, you should have seen your face.
09:09You're such an easy mark.
09:13Oh, oh, it's Ruby time.
09:16Ruby's my favorite.
09:17He says that to all the nurses, doesn't he?
09:19It's a safe assumption.
09:23All right, darling.
09:24Come on.
09:25Oh, that hurts.
09:26That's it.
09:27Oh, boy.
09:28There she goes again.
09:29Old water works.
09:30Come on.
09:31Take it easy.
09:32I'm sorry.
09:33You just ignore me.
09:34Oh, you're so sweet.
09:37She's worried about you.
09:39Oh, don't cry.
09:40Your husband will be fine.
09:42No, no.
09:43No, I'm not.
09:43He's not my husband.
09:46Meanwhile, Samantha welcomes Smith back from his movie location with open arms.
09:50Now, put your index finger on my clint.
09:54Oh, God.
09:56But less pressure.
09:59Okay, now two fingers.
10:02Mmm.
10:04A little higher.
10:06A little bit more to the left.
10:09Oh, now you feel that ridge.
10:11Why don't you take a directing seminar while I was gone?
10:13I did some summer reading.
10:15Okay, now keep your finger there, but move your thumb higher.
10:20Higher.
10:21Oh, I miss those hands.
10:24I got it.
10:27So, what do you want to eat?
10:28Later, without direction, Smith tried the most intimate hand position of all.
10:32I don't know.
10:33What do you feel like?
10:35Sushi, maybe.
10:37Or time.
10:38No, I just had to.
10:40Oh, please.
10:44Babe?
10:46You okay?
10:54I have a new sympathy for the disabled.
10:56What happened to you?
10:57Oh, I'm fine.
10:58I just fell into one of those hatches on the sidewalk.
11:00It was stupid.
11:01Oh, my God.
11:02That's my biggest fear.
11:03How did that happen?
11:03It was Smith's fault.
11:05He did something to me that was so perverse.
11:07Okay, I'm just going to say it.
11:09I tried to hold my hand.
11:11Do you want to tell me that Smith is a hand holder?
11:16And to think he once served us food.
11:18You laugh, but it's part of a bigger problem.
11:21Do you know that I didn't fuck a single or married guy the whole time Smith was out of town?
11:26And I'll tell you something else.
11:29I missed him.
11:30Well, it sounds to me like he missed you, too.
11:32Hence the deviant behavior.
11:34Like it or not, that little tadpole is wide open and there for you.
11:38Life's short.
11:39You might want to consider holding his hand.
11:41Look.
11:45Okay, it happened again.
11:46The crying when I visited Big at the hospital.
11:49That's three times now.
11:50I suggest waterproof mascara.
11:52I finally figured out that the only way to have Big in my life was to block out certain feelings.
11:56And now every feeling that I ever had is bubbling up all over the place with nowhere to go except
12:01out my eyeballs.
12:02So what are you going to do about it?
12:04Nothing.
12:04There's nothing to do.
12:05Big is who he is.
12:06He's never going to change.
12:07He's limited and I accept that.
12:09So he'll go back to Napa and I'll go back to not crying.
12:13The end.
12:14Ow.
12:14Honey, if it hurts so much, why are we going shopping?
12:17I have a broken toe, not a broken spirit.
12:20Well, come on then.
12:21Move that booty.
12:26If New York City's signature fruit is the apple, then its signature sound is the ambulance siren.
12:33It seems like all day, every day, people are getting hurt.
12:36And the whole city has to hear about it.
12:40But what about the injuries that don't get a siren?
12:43Whether you're falling into a hole in the street or possibly falling back in love.
12:48Just how dangerous is an open heart?
13:02Hello, Mount Sinai Hospital.
13:03Hi, can I please be connected to room, um, 817?
13:07Let me see.
13:09That patient left the hospital this morning.
13:18Well, how'd you find me?
13:19When you weren't at the morgue, I figured you were at the Four Seasons and here you are.
13:23You know I'd invite you in, Sniffles, but I've run out of Kleenex.
13:27Should I call the concierge or did you bring your own?
13:29Oh, I'm sorry.
13:31You must have me confused with someone else.
13:34I'm Candy.
13:36You're a candy striper.
13:39Stop.
13:40Put your coat back on.
13:41Are you trying to kill me?
13:42I can't smoke, I can't drink, and I can't get excited about anything.
13:47I'm in the union.
13:49I know the rules.
13:50It's a damn shame, too, because I love a cute candy stripper.
13:54This isn't about stripping, it's about striping.
13:56It's a complete waste of a hotel room, if you ask me.
13:59What are we going to do now?
14:01Oh, Candy's got a whole bag full of PG fun in here.
14:05Oh, goody.
14:06Starting with?
14:08Domino's.
14:09Classic.
14:10In Day Glow.
14:11Domino's?
14:12Why don't you just take off your dress and kill me now?
14:14Get it over with.
14:15Nobody wins with that kind of attitude.
14:22Meanwhile, across town, another caregiver is taking precautions.
14:26I know, I know.
14:27Almost done.
14:29Yeah, there we are.
14:30Now we're...
14:36Steve might have gotten knocked out the other night, but Miranda had no idea his girlfriend
14:41was a knockout.
14:42Hey.
14:43Hi, Miranda.
14:44Hello.
14:45It's nice...
14:45Oh, my gosh.
14:48I'm fine.
14:49Oh, I'm fine.
14:50It's nice to meet you.
14:52Hi, Miranda.
14:53This is my girlfriend, Debbie.
14:55Are you sure you're okay?
14:56You really came down hard there.
14:58I'm fine, really.
15:00Hey there, pretty lister.
15:02Hi.
15:03Oh, good.
15:05You're back.
15:08Robert, this is Debbie, and you remember Steve.
15:11Yeah, yeah.
15:12You sure you're all right, babe?
15:13I saw you go fly in there.
15:16What?
15:18I'm fine.
15:19It was nothing.
15:21Robert is just overprotective because he's a doctor.
15:24Oh.
15:24For the Knicks.
15:25Get out.
15:26Did you hear that, Stevie?
15:28The Knicks?
15:28Yeah, yeah, I know.
15:29What a cool job.
15:30That is, like, crazy cool.
15:32Yeah.
15:33Debbie works for MasterCard, corporate headquarters.
15:36Really?
15:37I have a MasterCard.
15:39You know, Steve won't even let me talk on the phone when there's a Knicks game on,
15:42even if I'm in the other room.
15:43I didn't know you were a Knicks man.
15:45Yeah, I follow all the New York teams.
15:46He lives for the Knicks.
15:48One time he took me to a game and our seats were so high up.
15:51What do they call that section?
15:52The nosebleed section.
15:54I can usually scrounge up a few courtside seats if you're ever interested.
15:57That's okay.
15:58I like my seats.
15:59Take the seats.
16:00I don't need it, sheets.
16:01Take the seats.
16:02As Miranda and Steve continued needling each other on the playground,
16:06Dr. Mao was busy needling Charlotte in his office.
16:09And this time, she was determined to drown out the voices in her head.
16:13I'll be back in about 20 minutes.
16:15Just try to relax and find your center.
16:18Okay.
16:30Unfortunately, she couldn't drown out the voices on the street.
16:36When Charlotte opened her mind to Chinese medicine,
16:39she didn't expect a visit from the Cuban Liberation Front.
16:43Dr. Mao?
16:48Hello?
16:51Dr. Mao?
16:52I can't get centered.
16:56Is there quieter room?
16:58Because I'm trying to relax and find my center,
16:59but I just can't do that with all this noise.
17:01Charlotte,
17:03the city will never quiet down.
17:05You're going to have to learn to block out that New York noise
17:07and listen only to yourself.
17:13Charlotte was beginning to think that the solution to her problem
17:15wasn't finding her center,
17:17but finding some earplugs.
17:21No, the actors were cool.
17:22The location was great.
17:23The whole thing was off the hook.
17:26Man, I missed you.
17:27Look,
17:29I know where you want to put your hand,
17:31and I'm sorry,
17:32but I'm just not that kind of girl.
17:34Samantha,
17:35I like you.
17:36You like me.
17:38I've had enough of this horse yet.
17:40Just fucking roll my hand.
17:46Fine,
17:47but only until my foot heals.
17:51And that's how Samantha
17:53lost her virginity to Smith.
18:05You've got too many on that end,
18:06and they're crooked,
18:07especially those last four.
18:09Hey,
18:09I'm doing all the heavy lifting here.
18:11You're sitting there like a log.
18:13I'm in recovery.
18:14Oh,
18:15excuses,
18:16excuses.
18:17And they're too closely spaced together.
18:19Well,
18:19see,
18:20you don't understand the delicate balance of physics involved in this.
18:23Well,
18:23that's true.
18:24This is really more your generation's game,
18:26whereas I came of age in the Parcheesi era.
18:30So,
18:31I guess this is what we'd be like in our 70s,
18:33huh?
18:33Hmm.
18:34No sex and board games?
18:35Oh,
18:36you already thinking about your next birthday?
18:41Seriously,
18:41kid,
18:43you and me,
18:46the early bird special?
18:48Yeah,
18:49save me a big potato,
18:50I'll meet you there.
18:58Are you okay?
19:03Oh my God.
19:04You're burning up here from all of the eating bed.
19:07Uh-huh.
19:08Okay.
19:10Um,
19:11well,
19:11it's down to
19:13101.
19:13question one.
19:15Well,
19:15that's good to hear.
19:18Right.
19:19So,
19:19I'll just keep doing what I'm doing.
19:23Okay,
19:23thank you so much,
19:24doctor.
19:27Well,
19:28he thinks you're gonna be fine.
19:31Is this washcloth still cold?
19:33Yeah,
19:34that feels nice.
19:35Good.
19:38You're an angel,
19:39you know that.
19:40I'm just doing my job.
19:45I'm serious.
19:48What are we doing?
19:51I'm talking about us.
19:56Life's too short.
20:01What are we doing?
20:12I don't know.
20:40It took the best heart surgeon in New York,
20:42but Big's heart
20:43was finally unblocked.
20:45In fact,
20:46it was wide open.
20:54The next morning,
20:56by the light of day,
20:57both injured parties
20:58were rebounding nicely.
21:00Hi.
21:01Hey,
21:01bubs.
21:02Hey.
21:02How was he?
21:03Good.
21:04A little cranky when he woke up.
21:05Yeah?
21:06So,
21:08that was funny the other day.
21:09Yeah,
21:10it was fun.
21:12Wait,
21:12did you say it was fun or funny?
21:13I said funny,
21:14I think,
21:15but I guess I meant fun.
21:17Debbie seems really nice.
21:20Thanks.
21:20I think so.
21:22So,
21:22does Robert,
21:23is it Rob or Robert?
21:25Robert.
21:26Yeah.
21:27He seems like
21:28a really good guy.
21:29Yeah.
21:35Miranda.
21:36Miranda.
21:42Hey.
21:42Morning, Steve.
21:43How's that nose?
21:44Hey,
21:45little guy.
21:45Much better.
21:46Keep telling people that
21:47Debbie punched me.
21:49She loves that.
21:50Well then,
21:51I'm out of here.
21:53Hey.
21:54Later.
22:06Heather Grayson told me
22:07she saw you at Dr. Mouse.
22:09Didn't you love him?
22:10You feel like a pincushion,
22:11I know,
22:11but can't you feel it working?
22:13Sort of.
22:14Well,
22:14do you know Isabel Reed?
22:15Horrible woman,
22:16but she's got a great story.
22:18She tried everything,
22:19and I mean everything,
22:20before she went to Dr. Mao.
22:22Anyway,
22:22she started going
22:23four times a week,
22:24taking the herbs.
22:25You have to take the herbs.
22:26Are you taking the herbs?
22:27And Dr. Mao...
22:28It turned out that Dr. Mao
22:29was a miracle worker,
22:30because in just two short sessions,
22:32he taught Charlotte
22:33to block out
22:33all the New York noise
22:34she didn't need to hear.
22:45Hey.
22:46How long have you been up?
22:48Just a few minutes.
22:49How are you feeling?
22:51Better.
22:53I feel like myself again.
22:55I'm fine.
22:57Bye.
22:58Excuse me.
23:00Oh.
23:08It was a shift
23:09imperceptible to anyone but me,
23:11but I knew
23:12a big's heart
23:13had closed again.
23:15Maybe it would reopen
23:16in another five years,
23:17maybe it wouldn't.
23:19But I knew myself
23:20well enough to know
23:21that that's not enough.
23:28Hey, I'm gonna order breakfast.
23:29What do you want?
23:30Just get me some
23:31cornflakes and juice.
23:32Thanks.
23:33For the first time
23:34all week,
23:35I didn't feel like crying.
23:45Life's too short.
24:04Okay, come on, let's hurry.
24:06Uh-uh, I'm not going to ask you a hustle.
24:07When Charlotte and I heard
24:09that there was a woman in Chelsea
24:10not talking or eating,
24:13We were there in a New York minute.
24:25And she's doing this for how long?
24:2816 days.
24:2924 hours a day.
24:31It's day six.
24:32It gets worse.
24:35By changing my personal energy field,
24:37I'm attempting to change
24:39the energy field of this room,
24:40and perhaps that energy shift
24:42will shift the energy of the world.
24:44Good for her.
24:45So besties for lunch?
24:47When I was working in the galleries,
24:49performance art was more theater
24:50than installation.
24:52She's moved it to the next level.
24:54Well, girlfriend needs to move
24:56a comb through her hair.
24:57She has company.
24:59She has company.
25:28There's a man over there
25:29staring at me.
25:31Where?
25:32Over there.
25:37Oh.
25:39He's not there.
25:41I don't know.
25:43Can you tell Circe
25:45that Charlotte from his gallery
25:46on Spring Street
25:47sends her very best?
25:49Shontai Gallery.
25:51Okay, that's him again.
25:53Sorry.
25:54Oh, my God.
25:56That's Alexander Petrovsky,
25:58the artist.
25:59He is the full...
26:05Thank you very much.
26:06Do you want to do it?
26:07No, it's okay.
26:08Um, excuse me,
26:09Mr. Petrovsky.
26:10Yes?
26:11I don't mean to bother you,
26:12but I just have to say
26:14thank you.
26:15When I first moved to New York
26:17and was working in the galleries,
26:18your abstract number one
26:19was my first important sale.
26:22And this is such a thrill.
26:25I mean, you defined the 70s
26:26in terms of progressive...
26:29And what did you think
26:30about this work today?
26:31Very moving.
26:32Significant.
26:33And what did you think?
26:36Good.
26:37But you thought it was funny.
26:40I've heard you laugh.
26:42I'm not very arty.
26:43You don't think it's significant?
26:46Oh, please.
26:47There are depressed women
26:48all over New York
26:49doing the exact same thing as her
26:50and not calling at art.
26:51I mean,
26:52if you put a phone up
26:53on that platform,
26:53it's just a typical Friday night
26:55waiting for some guy to call.
26:57She's kidding.
26:57And frankly,
26:58I don't buy the whole
26:5924 hours not eating thing.
27:01I bet if anyone bothered
27:02to come down here
27:02at 3 in the morning,
27:03she wouldn't even be up there.
27:04She'd be around the corner
27:05having a Big Mac.
27:06Why do you think
27:07she has the knife ladders
27:08to keep her from running out
27:10for a snack?
27:11And who are you?
27:12What do you mean?
27:14Your name?
27:15Oh.
27:16Carrie Bradshaw.
27:17You are a comic.
27:20And I'm Charlotte York.
27:22I mean, Goldenblatt.
27:23I forgot my married name.
27:25I just got married,
27:26so it's...
27:27Can I just say again
27:29how very, very important
27:32your work is?
27:33What's up?
27:36Oh, my God.
27:38We just met
27:39Alexander Podrovsky.
27:43You want a comic?
27:47That night,
27:48over at New Couple Central.
27:50Mm-hmm.
27:51Hot pizza.
27:52And in less than 30 minutes,
27:54I think I missed my calling.
27:55You just passed by me
27:57without a kiss?
27:58I wanted to wait
27:58till I could use my hands.
27:59Uh-huh.
28:00Oh.
28:01Mm-hmm.
28:05See?
28:06Oh.
28:08What's with the little pizza box?
28:11Ah.
28:12One is a pizza.
28:13Uh-huh.
28:14The other is a surprise for you
28:15after the pizza.
28:17Oh.
28:18After.
28:18I love surprises.
28:20Yeah?
28:20What are we drinking?
28:22Wine?
28:24Oh.
28:25Oh.
28:26What?
28:27Uh, one of my guys
28:28busted his knee
28:30after the hospital.
28:31Oh!
28:32What are 6'8 pro basketball stars
28:33doing on a skateboard?
28:35I don't know.
28:36Hey,
28:37don't wait up.
28:39I'll see you tomorrow.
28:42All right, then.
28:44Night, beautiful.
28:51There they were.
28:52The sweetest words
28:53you could ever say.
28:54In the sweetest way
28:55you could ever say them.
29:03Turns out Miranda
29:04didn't like surprises
29:05as much as she thought.
29:12Last night,
29:13Robert said I love you.
29:14Wow, that's wonderful.
29:16On a cookie.
29:17Uh-huh.
29:18I need more information.
29:20He brought it over,
29:21I guess,
29:22as a surprise,
29:22but before we got to it,
29:24he had to leave.
29:25And then I panicked
29:26and I ate the entire thing.
29:29Because?
29:30If it wasn't there,
29:31I wouldn't have to deal with it.
29:32Oh.
29:33Uh-huh.
29:34Now,
29:35was it the fact
29:35that he said it on a cookie
29:36or that he said it period?
29:39Had to be the cookie.
29:41Robert is great.
29:43Right?
29:43Well,
29:44I didn't want to be the one
29:45to have to tell you
29:46this about him,
29:47but, uh,
29:49he's perfect.
29:50I'm sorry
29:51if your best friend
29:52can't tell you.
29:53Who will?
29:53He is perfect.
29:55Really.
29:56You should see how cute he is
29:58helping plan Brady's birthday party.
30:00Uh-huh.
30:10...some of Steve's family.
30:12I'm not coming
30:12if there's a clown.
30:14No clown.
30:15Good.
30:15Nothing scarier than a clown.
30:18Oh,
30:19we're going to be four.
30:19Thanks.
30:20What are you getting?
30:25Yes,
30:25I need glasses
30:26and I am not ashamed.
30:27I have a sexy young man
30:29who loves to fuck me
30:30and I'm fabulous.
30:31Have you considered
30:32putting that on a t-shirt?
30:33Are those the kind
30:34you get at the drugstore
30:35next to the Bengay?
30:36How dare you?
30:37These are Chanel.
30:38There you go.
30:41Oh.
30:42Hey,
30:42have you ever heard
30:43of that artist
30:44Alexander Petrovsky?
30:45Who?
30:47Alexander Petrovsky?
30:48Oh my God.
30:49He was the number one
30:50hot guy at Studio 54.
30:52Dated every top supermodel
30:54in the 70s.
30:54Oh,
30:54my nipples are getting hard
30:55just thinking about him.
30:57Why?
30:58Well,
30:58I met him yesterday.
30:59No.
31:00How did he look?
31:01Is he still gorgeous?
31:02We need more time.
31:03Where did you meet?
31:04What's he like?
31:05Uh,
31:06well,
31:06we met at a gallery
31:07and
31:09he was odd.
31:11How old is he now?
31:12Oh,
31:12let me see.
31:13When I was 22,
31:14he was about 30.
31:15Studio 54 was 79,
31:17so that would make him
31:18what?
31:1953.
31:20And that would make you?
31:23I'm 40 fucking five.
31:25I have nothing to hide.
31:26All right.
31:29Hello.
31:34What?
31:35I'm pregnant.
31:37Congratulations.
31:39God.
31:40Oh.
31:40Oh my God.
31:41It's very,
31:42very early,
31:43but I am.
31:44I just heard from the doctor
31:45and we don't know
31:46if it's the acupuncture
31:47or all of the herbs
31:48that I've been taking
31:48or maybe Harry and I
31:49are just a better fit
31:50or whatever,
31:51but I am.
31:51I'm pregnant.
31:52How far along are you?
31:53About three weeks.
31:55Oh,
31:56please excuse me.
32:01What was that?
32:02Well,
32:03I'm growing it out.
32:04My hair,
32:04down there.
32:06Smith enjoys
32:06the full bush.
32:08Isn't this great?
32:09Everything is exactly
32:11like it always is,
32:13but I'm pregnant.
32:16One lazy Wednesday
32:17afternoon later.
32:19Hello?
32:20Hello.
32:20Good afternoon.
32:22Wrong number.
32:23Sorry.
32:32Hello?
32:33I'm sorry.
32:34Yes,
32:35I'm sorry too.
32:36Wrong number.
32:37Wrong number.
32:51Yes?
32:53I'm afraid it's me again.
32:54I have really
32:55a bit of a trouble here.
32:57Sir,
32:57I cannot understand you.
33:00This is Alexander Petrovsky
33:01calling for Carrie Bracho.
33:03Oh,
33:04I'll get her.
33:05Hold on.
33:11Carrie!
33:15Hello?
33:16That was you before,
33:18yes?
33:18Sounded just like you.
33:20Oh,
33:20no,
33:20that was my sister.
33:22She's visiting.
33:23Oh,
33:23that's nice.
33:25I hope you don't mind
33:26me calling you.
33:27I've got this number
33:28from the friend of yours
33:29who knows the girl
33:30who works at the gallery
33:31at Cersei.
33:32I hope it's okay.
33:33Okay?
33:34Are you still laughing
33:35at that artist?
33:38Excuse me?
33:39Saying that she eats
33:40all night Big Macs.
33:42Well,
33:43I'm sticking to my guns.
33:45I thought you would.
33:46So,
33:46let's go see her
33:47at 3 a.m.
33:48to be sure.
33:50How's Saturday for you?
33:52You're not serious.
33:54I am serious.
33:55She is serious.
33:56You're the one
33:57who is not serious.
33:59You're expecting me
34:00to get out of bed
34:00and go meet you
34:01at some art gallery
34:02at 3 a.m.?
34:04Not 3.
34:05Let's say 1.
34:06We'll have dinner first.
34:09Add the Russian samovar.
34:101 a.m.
34:11A mysterious place.
34:12I'm not going to get
34:12sold into white slavery,
34:14am I?
34:15I don't know
34:16what this means.
34:17It was a joke.
34:20Okay,
34:21comic.
34:23Goodbye.
34:25Goodbye.
34:25Goodbye.
34:26Goodbye.
34:40Hello again.
34:41Carrie,
34:42it's Harry.
34:43Harry,
34:44hi.
34:45What's wrong?
34:48What happened?
34:49It just,
34:50you know,
34:51went away.
34:52Doctor says
34:53it happens all the time.
34:55How is she?
34:56It's not good.
34:58She's just been
34:59sort of sitting
34:59and staring
35:00since this morning.
35:01She didn't want me
35:02to call anybody,
35:02but I thought...
35:03No, you did the right thing.
35:05She's in the living room.
35:06I told her you were coming.
35:11How are you?
35:13Yeah.
35:15Yeah.
35:19Yeah.
35:22Yeah.
35:31She's in the living room.
35:32I'm so sorry.
35:33The doctor said
35:34the good news is
35:35we got pregnant.
35:36He said lots of women
35:37miscarry and go on
35:38to have perfectly healthy kids.
35:40That's true.
35:42Would she like
35:43to eat some mint tea?
35:44How about that?
35:45I can't go to Brady's
35:46party on Saturday.
35:48Okay.
35:49She'll understand.
35:55napkins,
35:56cups,
35:57party favors.
35:59Done,
35:59done,
36:00done.
36:00And on Saturday,
36:01all Steve has to do
36:02is bring the cake.
36:03What kind?
36:04Uh,
36:04chocolate
36:04with white icing.
36:06Uh,
36:06baby's first sugar.
36:08Look out.
36:10You like chocolate,
36:11don't you?
36:12Hmm?
36:14Were you ever
36:14going to mention
36:14anything about the cookie?
36:16You know what?
36:18Yes,
36:19I was.
36:20If you'd give me a minute.
36:22It was five days ago.
36:25I'm embarrassed.
36:27I ate the whole thing.
36:30It was delicious.
36:32Good.
36:34What about what it said?
36:38Sweet.
36:39So sweet.
36:43I love you,
36:44Jules.
36:46I love you,
36:46Mimi.
36:47I've loved you
36:48ever since I first
36:49saw you.
36:50It feels so right
36:52to finally say it.
36:54Don't have to hold
36:54the words back anymore.
36:56I love you,
36:58Jules.
36:59I love you.
37:08Hello?
37:09I am so fucked up.
37:10I am so fucked up.
37:13Okay,
37:13we need to divide and conquer.
37:14What's going on?
37:15I can't say I love you.
37:16I just can't.
37:17It's not in my DNA.
37:18And everywhere I look,
37:19it is just flying
37:21out of people's mouths.
37:22Whose mouths
37:23is it flying out of?
37:24Everyone.
37:25Jules and Mimi?
37:26They're fictional.
37:27But they say it.
37:28Robert said it.
37:29He said it on a cookie.
37:30I am so fucked up.
37:33I am so fucked up.
37:34Robert asked about the cookie
37:35and it was the perfect time
37:36to say it
37:36and I couldn't.
37:37He was just hanging there
37:39waiting and I couldn't.
37:40I am never going to be happy.
37:43It's just not going to happen
37:44for me.
37:45Do you love him?
37:46How can I love him
37:48if I can't even say the words?
37:50Well,
37:51I always thought
37:52that when the right guy
37:53came along,
37:53all of my bullshit
37:54would calm down
37:55and go away
37:56and the words
37:56would just fall
37:57out of my mouth
37:58because I would know
37:59he was the one.
38:01And here he is.
38:02The perfect guy.
38:05And I...
38:07Is he the one?
38:08I don't know.
38:10I don't know.
38:11Because I am so fucked up.
38:13And I am going to ruin my life.
38:15Stop.
38:16It's too late
38:17to ruin your life.
38:17The only thing
38:18you're going to ruin tonight
38:19is your night and mine.
38:22I was kidding.
38:23I'm laughing on the inside.
38:25Okay, listen.
38:26Get a good night's sleep.
38:27See how you feel tomorrow.
38:29Turn off Jules and Mimi
38:31and go to bed.
38:33You've seen enough love
38:34for one night.
38:34You're right.
38:37You know what used
38:38to make me feel better?
38:40Cookies.
38:41Good night.
38:42Good night.
38:46I blame Valentine's Day.
38:48Hundreds upon hundreds
38:49of cards
38:50all decreeing
38:51you're the one.
38:53Just imagine
38:54the hundreds and hundreds
38:55of wrenching
38:55late night phone calls
38:56all over this one idea.
38:58And it's not just with love.
39:00It seems we're always
39:01looking for that one thing
39:02to make our lives complete.
39:03That job,
39:05that chance,
39:05that family.
39:06I couldn't help but wonder
39:08when we're waiting
39:09for the one
39:10to be done.
39:21Samantha was never
39:22a woman who looked
39:23for the one.
39:26But today,
39:27she found one.
39:50She figured a box in the hand
39:52was better than one in the bush.
39:55turns out,
39:56left on too long.
39:58Nice and simple
39:59was not so nice.
40:01Here we go.
40:02Happy birthday today.
40:04Hey, right there, boy.
40:06How are you?
40:08Yes.
40:08Wait there.
40:09Who got the clown?
40:10Who got the clown?
40:11I did.
40:12Hey, Ma!
40:14I got my grandson
40:15a clown.
40:16The kids love it.
40:18Brady's the only kid.
40:20Well, I paid him.
40:22He can open the door
40:23or something.
40:25Put that cake
40:26somewhere cool
40:27where it won't get
40:28knocked over.
40:29Um, laundry room.
40:31And tell the clown
40:32to open the door.
40:35I hope you're not insulted.
40:37I brought my own beer.
40:39No, not at all.
40:42Hi, Ma!
40:43Debbie!
40:44Hi!
40:45There's my Debbie.
40:47Oh, Miranda,
40:49the baby looks so cute.
40:51Thanks.
40:52God bless him.
40:53Hey, you want a beer?
40:55Uh, sure.
40:57Did you see my clown?
41:00Woo!
41:01Woo-hoo!
41:03Hey!
41:06Mwah!
41:07Thanks for coming.
41:08Of course.
41:09How is she?
41:10The same.
41:11Just stares at the TV.
41:13She said she wasn't
41:14strong enough to come.
41:15I don't know what to do.
41:16She'll be okay.
41:18She just has to feel it.
41:21Come on, there's food.
41:22Good.
41:23Get 12 bigs, you...
41:26That needs all you need.
41:28This is the story
41:29of Elizabeth Taylor,
41:30The E,
41:31True Hollywood Story.
41:33We'll give you
41:34an exclusive,
41:34revealing look
41:35at one of Hollywood's
41:36greatest treasures,
41:37a talented and courageous woman
41:39who is above all
41:40a survivor.
41:54There you are.
41:55I was told there'd be no clowns.
41:56Nothing scarier
41:57than a clown.
41:58I need to talk to you
41:59in private.
42:00All right, well,
42:00I'll have to wait
42:01till I get something to eat.
42:02I'm starving here.
42:03Oh.
42:04Come.
42:07Come.
42:08Where are you working?
42:14Okay.
42:16What is so important
42:18that it couldn't wait?
42:19I found a gray hair.
42:20And a food?
42:21In my hair.
42:23Down there.
42:26Well, what am I going to do?
42:27It's a disaster.
42:28It's not a disaster.
42:29It's all part of getting older.
42:30You said that yourself.
42:31My eyes getting old
42:32is one thing,
42:33but this,
42:34this cannot get old.
42:36What will Smith think?
42:37Smith is well aware
42:39of the fact that you're older.
42:40Older, not old.
42:41And this is old.
42:43No man wants to
42:44fuck grandma's pussy.
42:45Oh, God.
42:46This is a child's
42:47birthday party.
42:49Oh, I was going to tweeze,
42:50but if you pluck it,
42:51six more will come
42:52to his funeral.
42:53Well, that's what they say.
42:56Bye.
42:57Stop.
42:58Please.
43:01I'm not telling you
43:01the whole story.
43:02It gets worse.
43:03I dyed it.
43:05And I left it on too long.
43:07And it's the wrong color.
43:08Okay.
43:09You have ten seconds
43:10and then I'm leaving.
43:11Ten, nine.
43:13It's red.
43:14And when Smith sees it,
43:15I'm going to have to explain
43:16why it's red.
43:17Five, four, three, two, one.
43:18Carrie, I don't think
43:19you get the magnitude of this.
43:20Three, two, one.
43:21I'm both of the bush.
43:24Fuck.
43:24Turns out,
43:25there is something
43:26scarier than a clown.
43:27Elizabeth endured
43:28a difficult tracheotomy operation.
43:30hovering near death
43:32for three days.
43:33Elizabeth Taylor's story
43:35is an epic
43:35and an inspiration.
43:37Now is the time
43:39for guts
43:41and guile.
43:43This is the story
43:44of one of Hollywood.
44:10Everything's so nice, Miranda.
44:12Oh, thanks.
44:14I'm real glad
44:15everything worked out.
44:16You and Robert,
44:17me and Steve,
44:19because I really love him.
44:26There's my girl.
44:29I got my pipes
44:30all warmed up to sing.
44:32Where's that cake?
44:33I'll get it.
44:34Hey, hey, hey, hey.
44:36You okay?
44:38Okay.
44:40Okay.
44:55Hold up, hold up.
44:57Forget those
44:57wimpy little ones.
44:59Wait till you see
44:59what I got here.
45:01Look at that, huh?
45:05I love you.
45:06I love you, Steve.
45:08I'm sorry.
45:09I should never have said that.
45:10It's just that
45:11I love you
45:12and I fucked everything up
45:14and now it's too late.
45:15I'm sorry.
45:16I'm doing this.
45:17I'm sorry.
45:17Please don't look at me.
45:22I love you too.
45:26You do?
45:30I mean, come on.
45:32What about Debbie?
45:36I know, but
45:38Miranda,
45:40you're the one.
45:47We're getting the candle.
45:49Hello, where is the cake?
45:51Will you look at the candle
45:52that Steve brought?
45:59Look at the candle, yeah.
46:01You see that, right?
46:02You see that, right?
46:03There you go.
46:04Say hi to Nana.
46:05Yes, is that my boy?
46:07Happy birthday to you.
46:10Happy birthday to you.
46:14Happy birthday, dear Rene.
46:18Happy birthday to you.
46:23Make a wish, Brady.
46:25Oh, you're so beautiful.
46:28Oh, I miss you.
46:29Precious.
46:30Jesus.
46:37Did you make a wish?
46:40Give me a kiss.
46:43Three weeks later,
46:45Miranda and Steve got their wish.
46:46They were back together.
46:51From a one-year-old's birthday party
46:53to a 1 a.m. dinner party.
46:56Hi, I'm here to meet Alexander Petrovsky.
47:00Office dance.
47:21Good evening.
47:25Don't you mean good morning?
47:27You look lovely.
47:29Oh, I'm just wearing my pajamas.
47:31You know you're late.
47:32It's 1.03.
47:34Sorry, I don't wear a watch.
47:35How did you ever know your time?
47:37I find that someone will always tell me.
47:401.03, did you say?
47:431.04.
47:47Well, it's very red downstairs.
47:51Sadly, it's what expected of Russia.
47:55So, what's all this?
47:58Potatoes with little dill.
48:00Herring.
48:02Beet salad, more red.
48:04Um, really an aspic.
48:07What exactly is aspic?
48:10Kind of a meat jello?
48:13Try it.
48:14It's yummy.
48:16Do you always eat this late at night?
48:17I usually work all night.
48:19For me, it's not late.
48:20You work all night painting?
48:22Yeah, painting, sculpture, whatever.
48:23I have a bit of an art question.
48:26As you know, Alexander...
48:28Alexander.
48:30Oh.
48:31Alexander.
48:33Alexander.
48:35Say Alec.
48:37Alec.
48:38Alexander.
48:40Alexander.
48:41Call me Bob.
48:42Okay.
48:47So, I'm a writer.
48:49I write a column for a newspaper.
48:54Congratulations.
48:59Excuse me, please.
49:00Everything is good?
49:01Everything is wonderful.
49:02How can you take the cheese?
49:03Everything is good.
49:04Drink?
49:05Um, what are you drinking?
49:06Water.
49:07Oh.
49:08In that case, I will have a vodka martini, please.
49:12Yes, sir.
49:13Well, Bob.
49:15This is the latest I've been up in quite a while.
49:18I even had to take a little disco nap.
49:20Do you remember those?
49:22My spies told me you were quite the regular at Studio 54.
49:26That must have been an amazing time.
49:32Why don't you tell me about that?
49:35What is there to remember?
49:38Martha Graham's face, Andy Warhol's wig.
49:41That's about it.
49:42I rarely think about the past.
49:44What I care about, what can happen today, tonight, what may happen tomorrow.
49:51Yes.
50:02I have something to show you, and I don't want you to freak out.
50:09Oh, ma'am.
50:12Where did it all go?
50:13I shaved.
50:14I'm alright.
50:16Look, I know you enjoy a full bush, but there's something I should tell you.
50:22There is one moment in every relationship where you risk letting someone know the real you.
50:29I'm a working woman, and I don't have time for you to be down there searching for it.
50:34So, I wanted to make everything nice and simple.
50:38This was not that moment.
50:41For how long have you lived in New York?
50:42Long time.
50:44Often known Paris, London, and a few other places.
50:47I like New York.
50:48It's honest.
50:49Honest?
50:50There's no big smile on its face.
50:52It's dark, painful.
50:54I like it.
50:55Okay, you are way too Russian.
50:58You get a girl out of bed to tell her you like pain?
51:02It's two in the morning.
51:04Lighten up, Bob.
51:06Don't you know any jokes?
51:09More meat?
51:10Fruit and tea.
51:12We sweeten our tea with black cherries.
51:15It's good.
51:17Try it.
51:18You like it?
51:24Fruit?
51:25I'm not really a fruit person.
51:26Take a banana.
51:27Put it in your purse for breakfast.
51:29And cyst.
51:37There is banana in your purse, or are you just very happy to see me?
51:42Oh, God.
51:43You asked for a joke.
51:50At exactly 3.01, we pulled up in front of the gallery to see if Art was alive and awake.
51:58Oh, my purse, I left it in a cab.
52:00Taxi!
52:02Hey!
52:06Wait!
52:07Hold on!
52:08Wait a minute!
52:09Hey!
52:10Hold, hold, hold, hold.
52:12Okay.
52:13Oh, forget.
52:14Here we go.
52:33Do you want to give her a banana?
52:57Where do you want to go?
52:58Where do you want to go?
52:59Where do you want to go?
52:59Where do you want to go?
52:59Do you speak Russian, right?
52:59In Russian, yes?
53:00No, no, no.
53:01You can park for a few minutes.
53:03I'll be back.
53:03Well, it starts a few minutes.
53:05Only a few minutes?
53:06Well, a few minutes.
53:07The score is a slow, slow.
53:08You know how it is.
53:09I know, I know.
53:10It's already in the bag.
53:14Where is he going?
53:15I asked him to wait so we can have proper good night.
53:19Oh.
53:24Well, thanks for dinner.
53:25You're welcome.
53:27I live right near here.
53:29I thought you lived way downtown.
53:31Love is near.
53:35You can take the boy out of Studio 54, but you can't take Studio 54 out of the boy.
53:41You are funny.
53:43White.
53:47So, not tonight, huh?
54:09And he tasted like black cherries.
54:12And he tasted like black cherries.