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00:10I'm very happy that yesterday is over. I mean, how do you feel about Han Miao going home? Of
00:15course, I, you know, felt a little bad given the situation. You are so fortunate to have had
00:20immunity because I had a feeling that if you didn't, you probably both would have gone home.
00:24Probably so. Honestly, I still stand behind what we did, Gabby. I mean, I loved it. I
00:29would wear it. Watching you walk down the runway, I felt pretty good. Second time in
00:34three weeks to be at the bottom sucks. I really don't understand what the judges
00:40want, so I'm feeling really crappy. Let's get out of, ladies. Let's go. Let's go make this happen.
00:52We see Tim and Louise on the dock. Behind us, I see buildings. A boat could pull up at any
00:58minute.
00:59There's always a twist or a turn. Good morning, designers. Good morning, team.
01:04You all know Mary Kay global makeup artist, Louise Casco. Hello, designers. This is the
01:09Mary Kay challenge. Yay. I grew up with Mary Kay. Everybody had Mary Kay parties. The people
01:16who sold a lot had a pink car. So I am really excited that this is a Mary Kay challenge.
01:21We brought you here because from this vantage point, you have a spectacular and inspiring view
01:26of the city. Just as New York has its iconic architecture, fashion has its iconic designs.
01:32Think about the pencil skirt, the wrap dress, the trench coat, just to name a few. So for this challenge,
01:39we'd like you to take one of these iconic fashion designs and bring your own interpretation to it.
01:45Mary Kay's new city modern makeup collection is both modern and metropolitan. It was inspired by city
01:50landscapes and the sleek architecture of timeless buildings, which is why we brought you here.
01:57So you will have a Mary Kay makeup consultation with me to give your look the modern beauty that will
02:02bring it to life. How wonderful. Yes. The winner of today's challenge will appear with their winning
02:07design in an exclusive Mary Kay ad in Marie Claire magazine. My dresses are so editorial that I feel like
02:14it will fit right in there. Oh, there's Blake's dress in the Mary Claire magazine. And receive a cash prize
02:21of $5,000, courtesy of
02:24Mary Kay. Designers, you will have 30 minutes to sketch your design ideas. Then we are making our first trip
02:32to mood.
02:35Head off and sketch.
02:40For the Mary Kay challenge, we're creating a modern look based on a classic. I am making a black and
02:47white wrap dress,
02:48something that's basic with a twist. So that way I can't get called out on having a million things going
02:54on again.
02:58I'm making a very classic princess themed cocktail dress. Black and white, which is my thing. Leather,
03:05which is my thing. Modern classic silhouettes, chic, sexy, fierce, strong. I am extremely excited.
03:15I'm trying to do something a little architectural. I am designing a tent coat with a ruffle sleeve and a
03:23turtleneck dress in white with a little bit of pink popping out. I'm also keeping my dress rather
03:27simple so that I have enough time for everything. It's the best strategy for me. Designers, time is up.
03:35We're headed to mood. Mood, finally. I have been waiting for this moment for a really long time.
03:42That sounded like a musical. All right, designers, it's our first trip to mood, which is very exciting.
03:49You have your $250 budget and you have 45 minutes to shop. So shop away.
03:59It feels really good to go to mood. Just being able to pick our own fabrics is like a godsend.
04:03I want something. I want a contrast. I am inspired by that classic nude, your look.
04:09I know what luxury fabric is. Once you have good fabrics to work with, then everything just like,
04:13just glides. Let's just do three yards of this. Two yards of this. Do we have something like faux?
04:18That's something close to it, maybe? They don't have the leather that I want, but I find something even better.
04:25Vegan leather. Designers, time is up.
04:30Thank you. Let's head back to the work room. Thank you, Mood. Thank you.
04:35Bye, Swatch.
04:42All right, designers. You have one day for this challenge. You have until 1 a.m. tonight.
04:49But there are a lot of things happening. You're going to have a session with me,
04:53your Mary Kay makeup consultation with Luis, and you're going to have a model fitting.
04:58All right, I will check back with you later. Take care.
05:01Thank you. Bye.
05:06No biceps. She's making fun of me.
05:11Please, can I use you as a model? You have no biceps.
05:14This is really exciting. It's a Mary Kay challenge to take inspiration from New York,
05:20cityscapes, and to take a classic silhouette and put a modern spin on it. I can't wait for the runway.
05:27My design just does not feel right to me, so I'm just waiting around to see what Tim has to
05:31say,
05:32and it kind of feels like a waste of time at this point. Like, I'm sitting here looking at this
05:36garment and thinking, I need to change something, but I cannot pinpoint what it is.
05:42I'm here to check in with you and to see what you're doing.
05:46How are you, Candace? Hi. How are you?
05:50I'm extremely eager to know what you're doing. I'm intrigued by this. What are you doing?
05:53It's a jacket, pleated in the front and belted here. So it plays with a woman's silhouette. It
05:59gives it a bit of a drama effect. I'm in love with it. I think it's so chic and modern
06:06and just
06:06strong and edgy and feminine all in one. Carry on. Thanks, Tim. Thank you.
06:12Lindsay, what are you contemplating? I don't know, everything. Okay.
06:17I'm going to do kind of a riff on a pencil skirt and a shift dress at the same time,
06:21and then I'm
06:22doing almost a full-length blazer. Oh, interesting. I used to live in New York and thought about, like,
06:28if I went on a date with New York and I hadn't seen New York in three years, what would
06:31I want to wear?
06:32Oh, that's a wonderful way to think of it. I feel like I could possibly win this challenge. I am
06:39concerned about the coat, but I think it's going to come together really well. Hi, Gabrielle. How are you?
06:45I'm a little lost. I'm so relieved to see what Tim has to say and see if I'm going in
06:51the right
06:51direction, but I'm not making any, like, fatal mistakes. You know, last time I got critiqued for
06:56having too many details, and I'm just trying not to make the same mistakes again, you know? I'm hesitant.
07:02You're hesitant about what? About the length? I'm just getting the proportion right.
07:05Well, when your model's here, you'll know, and you have enough here to put something on her.
07:08Yeah, definitely. I think that Gabby's creating this worried, anxiety situation.
07:14And it's affecting her work. It's like, you feel like your work's going to be .
07:19I find this to be the star player. Yeah. I'm questioning whether or not I actually want
07:24to make it a sleeve or if I just want to leave it open like that. I'm completely intrigued.
07:28Tim actually has positive things to say about the coat. He likes the direction I'm going in,
07:33which is a relief, but I have a long way to go. Thank you.
07:37I'm working on the little black dress. Okay.
07:39So there's all this ruffle, and there's going to be pockets. And then, of course, the back is
07:45like a bare back. And there was a texture that I wanted to add here, and I'm tied up whether
07:51I
07:51should do the straps in this or just stick with all black.
07:56I don't think you need to introduce any gimmicks, and this is going to cheapen it. It takes it from
08:01breakfast at Tiffany's to breakfast in Las Vegas. I get you. I get you. Hi, Tim.
08:10Amanda, what's the matter? I'm feeling a little discouraged. I'm usually the most positive,
08:16optimistic, confident person. That's how I know you. I'm not feeling mean. Why?
08:22It's hard being in the bottom two times in a row. It gets in your head. It's just been,
08:28it's not my day. Put that behind you. Okay. And focus here. Okay. So what is the iconic design
08:37that you're using as a point of departure? Well, my first idea was like a wrap dress,
08:41but am I going to get scolded for doing like a little wrap dress? You need to bring your
08:48interpretation to it. Reimagine the engineering of the wrap. Wrap. Wrap, wrap, wrap. Okay. I
08:55appreciate you so much, Tim. You're going to be fine, honestly. I'm going to be fine. After my critique,
09:00I'm feeling rejuvenated, and I feel like, okay, you know what? I've got this, so I'm just ready to
09:06get moving. On one hand, I'm thinking my inspiration for this music-wise, because that's what I'm inspired
09:12a lot by, is like Whitney Houston's I'm Your Baby Tonight, a zip-up jumpsuit. Okay. And this one,
09:16I'm going in the direction of like a young Annie Lennox. Personally, I'm much more intrigued by this.
09:23This steps up and out in a way that really distinguishes you. I agree. I agree. Kelly,
09:29I've gotten to a point where, and this is a compliment, I'd know this was you. I wanted to
09:34take a basic white t-shirt and give it like a modern industrial New York feel, and I wanted to
09:40do
09:40something fun, because I like fun. I think you have a really interesting, compelling look here.
09:46Here, I'm taking the basketball jersey, and updating it more to a dress. Nina could
09:53very likely say to you, Jeffrey Bean did this in the 1980s. I'm not necessarily selling to the client
09:59who bought that in the 80s. Perfect answer. I found this really, really cool fabric.
10:04It was in the scuba section. Mood has a scuba section? Who knew? I'm playing up the pencil skirt,
10:11and then the peplum, but I'm making it modern with the textiles that are used. I'd also drop that back
10:16as far as you can. Yeah. The style that Joseph decided to do is very matronly, and all I see
10:23is
10:23him continuing to do the same style over and over again. How would you describe this iconic design?
10:29Like, you know, Dior's new look with the accentuating the, the waist, but I still want to keep it mean,
10:35because I'm using this stuff. Well, it has to be you. Yeah. It's your interpretation. Yeah, yeah, yeah,
10:37but I'm keeping the front kind of modern, like having the pencil skirt come a little bit in the
10:42front, so it's kind of like, um, so it's kind of like too, it's hard to describe, but I want
10:50to start it
10:50up here. It'll come in front of it. What do you mean, this will come in front of it? So
10:54this will be the
10:55whole front. Yeah. And then this is coming in the back. Oh, so it's not a separate piece. No,
10:59it's all together, but it'll, it'll... It's not often that I'm presented with a design which baffles
11:07me. Yeah, okay. And I personally feel baffled by how you're actually going to execute this.
11:13Blake is in trouble. I mean, Blake doesn't make any sense. I feel bad for him. Even Tim is like,
11:18huh?
11:29I want all of you to know how energized and excited I am about what you're doing. Keep up this
11:36great
11:36trajectory. I want those judges to not know what to do. Your models will be in soon for a fitting,
11:42and don't forget that later today, you'll have your Mary Kay makeup consultation with Luis.
11:46Thanks. Thank you so much. Thanks, Tim. I'll see you in the morning.
11:57Hi. Hello. How are you doing? I'm Lori. Nice to meet you as well. I have a new model. Her
12:05name's
12:05Veronica. She's just like, okay, okay, so what's it going to be, and how are you going to do this?
12:10Are you okay that it's like opening when I'm walking? Yeah, that's fine. I'm like, girl,
12:14just wear these clothes and let's go. It's perfect. The challenge is tied in with Mary Kay.
12:21Whoever wins gets $5,000, so hopefully we'll crush it tomorrow.
12:27Maybe add a little bit because it's, I have seam allowance on here, so it's basically,
12:32it's going to be a lot of side boob. I wonder how the judges feel about side boob.
12:38Tim was a little confused on how I was going to execute this dress. I mean, I just need to
12:43figure
12:43out what goes where because I need to have my base done and then build around it. All right,
12:49let me make you set it and make the dress, and then we'll see. Okay.
12:58Hello. Good morning. How are you? The inspiration came from Breakfast at Tiffany's. When we think of
13:04Audrey Hepburn, we think about those amazing cheekbones. I want the look to be very fresh,
13:09to be very young. Just remember, she's a city woman. Did you have something in mind already?
13:15I'm in charge of here down. You're in charge of here up. This is where you're the expert. I think
13:22we
13:22should go for a very chic neutral palette. I like where this is heading so much. Why would I change
13:28for us now? I like that Grace Kelly, like that new classic look. The 50s was all about eyeliner,
13:34but why not do it in a color? Yeah. And then we can do a really classic lip. This is
13:40from the New
13:40City Modern Collection called Naturally Chic. Awesome. So I brought you some swatches so you
13:46could see my inspiration. You know, so we need a Papa Pink. Are you bringing a little pink in there?
13:49We're doing a Papa Pink French. Oh, that's so cool. Yeah. This right here is a cheek and lip product
13:54that you can actually dab it on. Right. And make it as light or as strong as you want. I
14:00liked it before. I love it now.
14:02Yep. Cool. Look at her eyes, right? We'll take the Metro Modern palette right here and just do a
14:11really modern smoky eye. There's something architectural about the shape on the eye.
14:16That's exactly what I'm going for. She's a cool city lady. I love that like neutral. You know those
14:22girls, they go to sleep and the next day they look like they got makeup. So unfair, you know what
14:27I mean?
14:27But that's the look I want. So we're going to give it a matte finish and
14:31is that your little jumping when you're like... I know. This is my little dance when I'm like...
14:34Is she always jumping like that? Okay, okay. My iconic look is a basic white t-shirt. Is she
14:40going to have some hoops on? I don't know. Hopefully. I want to do like something very like street,
14:46a nice plump red lip and some cat eyes. Something really fierce. You make that lipstick look good. It does.
14:52Done. Done and done. Let's do it. Bye. Thank you.
15:03Okay, what you're doing is really awesome, Kelly. So it's really awesome until the leather just won't
15:07stop stretching. And now it's looking like and I just had to take it all out and I'm redoing it
15:11again.
15:12The lightweight leather that I am using is the biggest pain in the ass material I have ever
15:17worked with in my whole entire life. It is just like bunching up and puckering and it is stressing
15:21me out because this execution needs to be perfect or it's going to look like a child project.
15:26This was supposed to be the simple dress that only took it out. And now it's turning like to the
15:32dress from hell. Just don't think about the flaws. Yeah. There's just no point. There's no time to
15:39think about it. Just finish it. I'm wishing that I had just like ditched this white dress seven hours
15:44ago when I started it. I hate this dress. So what's remaining now? It'll be just the front
15:51and then it cuts to the back like that. Why did you cover the blue? The blue was the best
15:56part.
15:56It's the end of the day and Blake is still hand stitching his dress together. I'm a little concerned
16:02that he won't have enough time tomorrow morning to do the the last fitting with the model that it's
16:06not going to lay proper. I think I'm gonna have to sleep on this one. Exactly. Just sleep it out
16:11and
16:11finish it tomorrow. You're not going to finish this in 10 minutes anyways, right? I think Blake's
16:15look looks like it could be beautiful, but I feel like Blake has not sewn or done anything. All right,
16:23guys, time to go home. He's going to be sending his model down the runway with no clothes on.
16:38Oh man, I'm nervous about doing this. I have a lot to do this morning. So I just need to
16:43get in and
16:43get to use a serger and get my stuff sewn. Yay, we have a white serger thread.
16:55Good heavens, what a quiet room. Hi, Tim. All right, designers, your models are coming in
17:01very soon. You will have two hours to send them to the Mary Kay Color Design Studio
17:07and the Sally Beauty Studio. Use the Just Fab Accessories wall very carefully, please. All right?
17:15Yes. I'm sending in your models. Thank you. Thank you. I'll see you a little later. Bye.
17:19Bye.
17:25Hi. It's just like that last final go, you know? And then let's do the top. Oh, that's news.
17:32My dress is pretty much ready. She's looking elegant. She's looking sophisticated. The hands
17:36in the pocket at all time. I love it. I so love that. It's nice. It's nice. I love Swapnil's
17:42piece.
17:43It's really beautiful. Swapnil, Ashley and Edmund are probably the biggest competition anyone here
17:48could have. Okay. Come. You're good. Welcome back to the Sally Beauty Studio. Thank you. So I was
17:59thinking away from the face and the rest is kind of bone straight. What if we bring it back then
18:04we'll
18:04just iron this pin straight? Yes. Beautiful. Yes. I want to see some like flat iron pieces at the
18:12bottom so it's just really cool. That sounds perfect. We'll make it beautiful.
18:17Why don't we do like a really cool textured braid just so it looks a little more editorial braid versus
18:23like she did this herself. We'll create this beautiful magic for you.
18:31She was our city girl, right? Yes. Like I started with this little
18:35purples and then we added a little bit of black. Yeah. For kind of a smoky eye.
18:41So we're still going with our firecracker lady? Yes.
18:43We're going to do that soft smoky eye with the silver. I love it.
18:50What I was thinking for you is that we would do a base of black with a little
18:55bit of the blue on top. Perfect. Designers in 10 minutes you and your
19:01models and I are going down to the runway. All right.
19:07Oh, sorry, sorry, sorry, sorry, sorry, sorry. Can I get the medic? Can I get a band-aid?
19:13We were doing last minute touches and then I got a blood stain on the front of my dress.
19:19I'm like, oh, there's too much happening. I think I can stick away from the dress.
19:23I just need to cover up the neckline. Designers and models, we are going down to the runway.
19:29All right, everyone. Off we go. Come on, darling. You did it.
19:34Something's happening. I want to hear how you did it.
19:36Please stop moving. I like my coat, so I'm not feeling like it's the worst design out there.
19:42In the end, this is a design competition and I think that my design at least has promise.
19:46Merlene. I'm coming. Off we go. Thank you. That's it.
20:01Hello, everybody. Hello. Hello. Welcome to the runway.
20:06As you know, in fashion, one day you're in and the next day, you're out.
20:10There are 13 of you here and after tonight, there will be 12.
20:13Did you all enjoy working alone again?
20:18For this challenge, you were inspired by the beautiful skyline of New York City.
20:23You were to take iconic designs from the world of fashion and put your own modern spin on them.
20:28The winner of today's challenge will appear with their winning design in an exclusive
20:32Mary Kay spread in Mary Claire magazine and receive a cash prize of $5,000 from Mary Kay.
20:38All right, let's say hello to our judges.
20:41First, we have creative director of Brooks Brothers Women and fashion designer, Zach Posen.
20:46Hello, designers. Hello.
20:47Hi guys.
20:48Creative director for Mary Claire magazine, Nina Garcia.
20:51Welcome back, designers. Hi.
20:53And today's guest judge, the very fashionable actress from the hit series Mad Men, Kiernan Shipka.
20:59Welcome. Hello.
21:01Good to be here.
21:02Also, we have Tim Gunn here for the runway show.
21:04And as you know, he is your mentor and will not be judging your looks.
21:07That said, he will have the Tim Gunn save.
21:10If at some point during the competition, he disagrees with the judges,
21:14then he can use his save to bring that designer back.
21:17We also have an anonymous runway show, which means we, the judges, do not know which designer created which look.
21:23All right, let's start the show.
21:33I feel like my design definitely stands out.
21:35Like the pillow in the back.
21:38My construction could be a little bit better.
21:41Actually, I'm one, but I just hope the judges like it.
21:45They're either going to love it or hate it.
21:53I like putting materials together that you normally wouldn't see together.
21:57She's got these like mod crazy white black heels and like a wicked high bun and a crazy graphic t
22:05-shirt.
22:05I think it looks freaking awesome.
22:15I think the garment looks absolutely stunning.
22:18I think that the top and the skirt fit her wonderfully.
22:20One concern that I do have is that you're not really able to see the detailing from all the top
22:25stitching I've done.
22:26The top stitch is huge.
22:29I really do hope the judges are able to see it from where they're sitting.
22:38I like my look.
22:39She looks pretty and she looks comfortable.
22:41Did you just buy that jacket?
22:43We did not buy the jacket.
22:44I made the jacket.
22:45I think the orange is a little more potent than I was aware of.
22:49You don't really know how things are going to look.
22:57I feel like this is a Mary Kate girl look.
23:02I am proud of this look and I do think that I have the potential of being on the top
23:07three.
23:15I was staying true to the challenge by creating
23:18something that you would see walking through the city.
23:21Something that's inspired by architecture and thinking about the Mary Kay woman.
23:26I think I nailed it.
23:28She goes to the office like that.
23:31She's her own boss.
23:38I don't think this is a look for everyone.
23:40This is a look for a very specific person.
23:44And I think the judges might get that.
23:48It's a dangerous look.
23:49But some women like to play dangerously.
23:59Standing back and looking at my model Hannah in my dress.
24:02I'm actually feeling pretty good.
24:05It looks like something a girl living in New York City would actually wear.
24:15My favorite part of this piece is the element of surprise.
24:18It's got a pretty high neckline on the front.
24:20And then when you turn around and there's pretty much no fabric.
24:23I like drama in all my clothes.
24:25I like to tingle the senses.
24:27And this one did exactly that.
24:28And it's got a look.
24:34Watching my look come down a runway is so awesome.
24:39I like it in every angle.
24:41She looks powerful.
24:42I love it.
24:51I do feel like this garment represents me, the coat, the style of it, but I'm a little
24:58uneasy about the white dress.
25:05I'm just not happy with the dress.
25:14I look at my look and I think Mary Kay, she looks fierce.
25:19I definitely think that I'm going to win, I'm absolutely loving it.
25:33She comes out and I'm like wow, she looks really good, it looks unique, it represents
25:41me.
25:41I feel strong about it.
25:50If I call your name, please step forward.
25:53Marlene, please step forward.
25:56Ashley, please step forward.
25:58Marlene, Joseph, Edmund, Laurie, Kelly, Jake.
26:07If I've called your name, congratulations.
26:10Your scores have qualified you to move on to the next round and cleave the runway.
26:20The six of you have the highest and the lowest scores.
26:24One of you will be named the winner and one of you will be out.
26:48Blake.
26:48Hi.
26:49So what are you today, a high or a low?
26:52I don't know, I feel low.
26:54Maybe on the bottom.
26:56You are...
26:57Oh, hi.
26:58Oh, wow.
27:00Okay, good.
27:01I love playing that game with you.
27:02I don't like it at all.
27:05Tell us about your look.
27:07I got really inspired by the 1950s.
27:09I loved the new classic look when it was accentuating the hips, you know, with the full
27:13skirt and everything and yeah.
27:17I think it's really interesting that you mentioned the new look because this is a totally, really
27:22fun interpretive take on that and I really, really liked it.
27:27I like the drama of the dress.
27:30There's something old but something new.
27:32Blake, I think you did an excellent job.
27:35It definitely had great runway effect.
27:37I love the play on the colors.
27:39Is the necklace hiding anything?
27:41No.
27:41Because I just got a glimpse and you know I have an eagle eye.
27:44At the last minute I sliced my finger and I got a little blood on the front.
27:49Oh.
27:49So I just decided to cut it so you wouldn't see.
27:51Listen, I think that kind of impromptu quick dress making can result in really great pieces
27:58and today it really worked.
28:00Ah, thank you.
28:01You should be really proud.
28:02Blake, I like that you created a new shape, a new silhouette that we haven't seen before
28:06and that's important for Project Runway.
28:08We want to see new things.
28:10Thank you guys.
28:11Swapnil, tell us about your look.
28:13When I saw the skyline, of course New York, the first thing that came to my mind was breakfast at
28:17Tiffany's.
28:18So I wanted to take the classic little black dress and make it modern, make it sexy.
28:23I really, really like this look.
28:25There's something that's really youthful about it that I'm really drawn to.
28:28It's playful and it's fun and it's the right amount of being simple and streamlined but also having a lot
28:34of interest.
28:35I would wear it.
28:36Well, I think this is a party girl dress and, you know, the best party girls in the world live
28:42in New York and it was original.
28:45I like the fact that there's so much fabric but when she turns around, she's bare.
28:50No, it was a nice surprise. She turned around and was like, whoa, this is sexy from the back.
28:56Really nice, the way you cut the super low.
29:00Lindsay, tell us about your look.
29:01So I decided to create something that was really approachable.
29:04I definitely wanted to make a jacket and then I also did like a pencil skirt but initially the idea
29:09was to like split up just like the classic like shift dress really.
29:13On the positive note, you made a lot of pieces in one day.
29:18Yes.
29:19But I'm not loving this look, I have to tell you.
29:21Here you have your model swallowed by all of this stuff.
29:26And then the material for the two piece, it looks so thick that you can really see that.
29:32I'm not loving this.
29:32The whole thing looks thick.
29:33I'm not going to even try to understand who this girl is.
29:37Gabrielle, tell us about your look.
29:39So my original inspiration was the 1950s.
29:42A tent coat and a sheath dress were my original inspirations.
29:45And I took from the skyline the kind of architecture and then I added a pop of pink in the
29:50dress to kind of reference Mary Kay.
29:52Say a pop of pink?
29:53Yeah.
29:57Smidgen.
29:57Smidgen.
29:58Smidgen of pink.
30:00The first thing that jumped out at me was the hem.
30:04You know, I thought somebody chewed it up.
30:06Did something go wrong?
30:07I've dropped my scissors like six times and they just don't cut anymore.
30:10Also, why did she never take the coat off so we could see the dress?
30:13Because I don't really like the dress.
30:14This is too wet.
30:14Can we have a look at it now?
30:15Sure.
30:16It's rough.
30:17I know.
30:18Now I know why you never took it off.
30:20Forget the technical problems with this dress.
30:24There is a serious problem with a proportion.
30:27The jacket hits very low.
30:30The skirt, it's an awkward length.
30:32The jacket has no shape.
30:34So it's almost swallowing the model.
30:37She's got the wrong hairdo.
30:39She's got the wrong makeup.
30:40She looks very mumsy.
30:43This isn't my best work but I do like the silhouette.
30:45I think the jacket is actually really fun and there's something really fun about the sleeves and it's interesting and
30:53exciting.
30:53I just think that the pieces together don't make the impact that they could have if they were done a
30:59bit differently with different items.
31:01Okay.
31:02Thanks.
31:03Thank you, Gabrielle.
31:04Thanks.
31:05Amanda, tell us about your look.
31:06So I really wanted to play on the wrap dress with two different types of fabric so it's not just
31:12one.
31:13And make it comfortable, soft, but had a little bit of architectural lines and stiffness because it's New York so
31:21you have to have a little bit of toughness.
31:22Not your finest moment.
31:26Looks unbalanced.
31:28I didn't even really get the wrap dress.
31:30I thought sort of like half a 50s toga.
31:33And I just don't see any originality.
31:35It's sort of like Miss Muffet, meh.
31:37It is looking like a maternity dress from the mall.
31:40Yeah, I wrote maternity.
31:41Oh, goodness.
31:41That's awful.
31:42Bring on the crazy and leave the mall clothes in the mall.
31:46Sure.
31:46What I would have loved to see is the waistline dropped maybe one inch.
31:52Okay.
31:52I think that would have made it kind of a little more complete.
31:55Sure.
31:56But overall it's got a very nice vibe to it.
31:59I appreciate it.
32:00I don't see the New York skyline here at all.
32:03I think the styling is awful.
32:05Then at one point I thought you were maybe dressing the Statue of Liberty with this one toga thing.
32:10I didn't understand what came out of here.
32:13Okay.
32:13Thank you, Amanda.
32:16Candice, tell us about your look.
32:18Well, for the Mary Kay challenge, I wanted to play with the basic princess seam dress.
32:22So I wanted to play with the lines and kind of accentuate the woman's silhouette.
32:27Well, as you guys know, this is an anonymous runway show.
32:30But with your look, I knew immediately that it was you because you told us that you love working with
32:36leather.
32:37So when I saw this look come out, I knew this was you, Candice.
32:40I as well knew immediately that this was yours.
32:43And that's a great thing.
32:44That means your signature is coming out and that you have a look.
32:48I really like this look.
32:50I think that the dress is really so sculptural.
32:53And there's something about the shine of the leather that really feels like a very New York skyline for me.
33:02Keenan, what do you think?
33:03I love this.
33:04It's the right amount of fierce and chic, but still remains super classic, just like New York.
33:11Thank you, Candice.
33:12Thank you, guys.
33:13Okay, we've heard what you had to say.
33:15We're going to take a closer look at your designs and then I'm going to bring you back out.
33:20We can leave the runway.
33:28The winner of Project Runway will receive $100,000 to launch their line.
33:32A celebrity cruises modern luxury vacation for two to almost anywhere in the world.
33:37A year's supply of Sally Beauty products and the opportunity to consult with Sally Beauty to create a limited edition
33:43finger paints nail color collection.
33:45Travel in hotel accommodations to inspiring destinations around the world from Best Western International.
33:51A 2015 Lexus RC 350.
33:55From Mary Kay an entire year's worth of beauty products for their fashion shows and professional makeup artist services for
34:00their debut show.
34:01A complete sewing and crafting studio from Brothers Sewing and Embroidery.
34:06And the winning designer and model will receive a fashion spread in Mary Claire magazine.
34:11Hello, Heidi, Zach, Nina, Kiernan.
34:14Hello.
34:14Up close and personal, everything changes.
34:17Would you like to start with the looks that are on the top?
34:21Yes.
34:21All right.
34:22Ashley is wearing Candace.
34:23So much work went into this.
34:25A lot.
34:25You know, these seams that she has on the side gives the illusion that she has curves.
34:32Yeah.
34:32I like it.
34:33The back is also, I was just noticing, so nice too.
34:35I like the different lengths as well.
34:37And amazing in one day.
34:38Amazing.
34:42Imani is wearing swapnel.
34:45It's not too sexy in the back.
34:47But it's like the perfect spot.
34:48Got a nice balance.
34:50Yeah.
34:50Well, it's high neck at the end of the day and obviously short, but it's still very tough and sexy.
34:55And it has ruffles on it.
34:57And the thickness of the strap is also really nice, I think, especially with the rest of
35:02it being very feminine.
35:06We have Obe wearing Blake.
35:08I really like it.
35:09It definitely gives this really nice movement that I think is New York sort of fun.
35:16I also love the way he decided to do her hair and makeup.
35:20Like she looks young.
35:22Listen, it's not well made.
35:24But at least it's here.
35:25It's here and there's an idea there.
35:27But you know what?
35:27It is effective.
35:28I would give him the pass on the detail of not being perfectly made, but it was perfectly
35:34innovative.
35:39Dominica wearing Lindsay.
35:41I was surprised what Lindsay created this week too.
35:43Well, can I tell you what surprised me?
35:45This was all about the look underneath the coat.
35:47And then she hit it.
35:49It's just a little snoozy.
35:51It looks thick.
35:51It is thick.
35:51It looks thick.
35:52But it ain't that thick.
35:53It looks like a couch material from far away.
35:56You know, I like the idea of a long jersey skirt.
35:58It's just not enough.
36:02So we have Victoria wearing Gabrielle.
36:05The proportion here is all terrible.
36:07Yes.
36:07I mean, look at this close up.
36:09Oh, I know.
36:09It looks like I stitched it together.
36:11The underdress truly is one of the worst made pieces I've ever seen on this show.
36:16Horrible.
36:16We're truly.
36:20Now we have Hannah wearing Amanda.
36:23This also, I don't know.
36:25I'm so confused.
36:26I know.
36:26How is this New York?
36:27I don't get it.
36:28The look as a theory is really, really fun.
36:31But I just think that if there is more time and execution.
36:37Okay, so we've made our decision.
36:41Let's bring them back out.
36:48Designers, you have the highest and the lowest scores.
36:52One of you will be named the winner and taking home $5,000.
36:56And one of you will be out.
37:03Blake.
37:08Congratulations.
37:08You are the winner of this challenge.
37:10Okay.
37:11Thank you, guys.
37:13That feels awesome.
37:14We love that you experimented with this dress.
37:17We really feel that you turned the corner and wowed us today.
37:21You're also going to get $5,000.
37:24Oh, yeah, that's good.
37:25Are you excited?
37:26Yeah.
37:27I'm really excited.
37:29You also have immunity for the next challenge and cannot be eliminated.
37:32That's nice.
37:33You're all in.
37:34You can leave the runway.
37:36I'm so elated that I won this challenge.
37:38Like, this is the one that I wanted to win.
37:40I'm so happy that I won.
37:41And it's like, ah, I can't wait to be in Mary Claire magazine.
37:46Who won?
37:47You won.
37:48I knew it.
37:48I knew it.
37:50I knew it.
37:51I knew it.
37:52I knew it.
37:53That's so good.
37:54Mary Kay, girl.
37:56Mary Kay is such a good makeup brand.
37:57And to be in one of their ad editorials is like, it's so exciting for me.
38:03Lindsay, you're in.
38:05You can leave the runway.
38:12Gabrielle, Amanda, one of you will be out.
38:20Gabrielle, your white dress was a disaster.
38:23There was some potential in your coat, but the proportions were all off.
38:28Gabrielle, Amanda, your maternity dress did not say in New York at all.
38:33Nor was it fresh or modern.
38:37Gabrielle, Amanda, one of you will be out.
38:43Gabrielle.
38:49I'm sorry, you're out.
38:53Amanda, that means you're in.
38:55You can leave the runway.
39:04I'll feed you.
39:09I'm disappointed and embarrassed to be going home this early.
39:12Just not proud of my work.
39:16And that's a bad feeling to have.
39:21Aw, sweetie.
39:23Okay.
39:24Gabby, I love you so much and I believe in you so much.
39:27And I'm coming to buy your stuff when I get out of here.
39:30You're so talented and I love you so much.
39:33Oh, we're gonna miss you so much, Gabby.
39:35We're not gonna let her go.
39:37Well, I don't want to let her go either.
39:38I'm really a nerd by this, Gabrielle.
39:41What happened?
39:42The execution of that was your downfall.
39:45What happened to you?
39:46I just didn't listen to myself.
39:48I just never wrote this scenario.
39:50It's just disappointing, you know, to go out on something that I wish I could make better.
39:57Well, I have to send you to the work room to clean up your space.
39:59I'm sorry to say.
40:00Thank you, Gabby.
40:02Well, we know how talented you are.
40:04We know we're gonna hear a lot more from you.
40:06Bye, Gabby.
40:07Bye, Gabby.
40:08Bye, Gabby.
40:08Bye.
40:09I'm grateful to have been here.
40:11I definitely learned a lot about my mistakes.
40:16I love to design, and I'm always gonna do it.
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