Los Serrano - 3x14 - Un año selvático - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

“Los hermanos Serrano” acusan en su recaudación la apertura de una terraza de moda que han inaugurado en frente de su local. Santiago propone cerrar la taberna y pasarse “un año selvático” pero Diego no se lo puede permitir. Lucía y Candela les dan consejos para revitalizar el negocio, pero ellos no consienten que sean las mujeres quienes les aconsejan. Las dos profesoras, cansadas de sus comentarios machistas les proponen subarrendar la taberna por las tardes para demostrarles sus habilidades hosteleras. África, Raúl, Chuky y Marcos han formado un grupo de música y van a tocar en el concierto de los Cuarenta Principales. Raúl cree que es la oportunidad de su vida para triunfar y hacerse un hueco en el mundo de la canción. El hijo de Fiti cree que la mejor manera para llegar a la fama es llamando la atención y para ello, el primer paso es buscar un nombre para el grupo que sea extravagante y sonoro. Los componentes del grupo deciden apoderarse “Los berberechos”. Como segunda parte de la estrategia que Raúl ha ideado está el aprovechar la rueda de prensa que van a dar los cantantes más conocidos para hacerse notar. Carmen está muy afligida porque últimamente han fallecido varios de sus amigos coetáneos. La abuela de “Los Serrano” se angustia pensando que los años pasan y se quedará sola. Guille se interesa por ella y Carmen le cuenta que le encantaría encontrar al único de sus amigos que aún queda vivo. El pequeño ve en esta situación una forma de negocio y se ofrece para encontrarle en Internet a cambio de dinero. Guille consigue localizar al prestigioso químico pero descubre que está muy enfermo y que no podrá ponerse en contacto con Carmen.

Transcript

00:00:00Good Weather

00:00:30This year they've opened the trendy terrace in the neighborhood in front of the tavern.

00:00:36which is even taking away the regular customers of the Serrano brothers.

00:01:00And look, the heights, past.

00:01:02But what direct line of passing, man?

00:01:04They are made of machaca malla.

00:01:05Okay, okay, okay, okay.

00:01:05But maybe it's because of the prices, which have driven them down to the ground.

00:01:09Santi.

00:01:11Maybe Paquillo is right, huh?

00:01:12Perhaps it's the prices that have driven them down.

00:01:15Currito, son, Currito, please, don't you mind coming over there to the terrace

00:01:19And as soon as they're distracted, you take away their tapas menu.

00:01:22Go away, go away.

00:01:22Work, work.

00:01:24Here, here, five euros and you can get a ham sandwich to pay for the equipment.

00:01:30I already have it.

00:01:31Let's see, let's see, let's see, let's see.

00:01:34Agent's return, nine euros.

00:01:35Damn calamari, ten euros.

00:01:37The prices are prohibitive.

00:01:39Prohibitive, yes.

00:01:40Let's see, let's see, genre.

00:01:42Okay, come on.

00:01:42Come on, let's get moving, man.

00:01:44It looks good, it has lint and dirt and everything.

00:01:47Yes, it fell on me on the road, but nothing, I just rubbed it really well with my pants, I cleaned it up.

00:01:51Okay, less fussiness and fussiness.

00:01:54Let's see.

00:02:00This, this is not cured in the cellar.

00:02:05And these pigs are fed with feed, black-footed, boneless shoulder and cheap meat.

00:02:12What I'm telling you, damn it, what I'm telling you, it's something from around here, you know?

00:02:16An internal, intrinsic problem here, huh?

00:02:19This is Kive's story, Bacle's story, the fall of the Serrano Empire, damn it.

00:02:24For the Empire?

00:02:25What are you doing?

00:02:25He's going to die killing!

00:02:26He's going to die killing!

00:02:26The fall of the Serrano Empire could lead us to ruin.

00:02:31And since ruin was apparently very bad, my uncle and my father set about looking for a remedy.

00:02:37And they found him.

00:02:38But the cure was worse than the disease.

00:02:42A station platform, under the blazing sun.

00:02:46You were talking about a skyscraper in the sky of New York.

00:02:49Come soon to see the sea and send a postcard.

00:02:53I already knew that day was the end.

00:02:56Now I have much more.

00:03:01Red, black, stop and stop, finally luck brings an ace and a crystal to look through.

00:03:06And a wall to hang it on.

00:03:08Seven smiling faces in the ID photo.

00:03:11My stories were not about tales made by chance.

00:03:19Nobody told me that destiny was giving me this opportunity.

00:03:25One plus one equals seven.

00:03:28Who would have thought?

00:03:31It was so easy to be happy.

00:03:36Who would have thought?

00:04:06They're looking for stars.

00:04:08Who are those stars?

00:04:09Who are they?

00:04:11Us!

00:04:12We're going to win.

00:04:13Hey, Afri, Afri!

00:04:16I've been giving you a bit of a hard time lately, haven't I?

00:04:20Eva, Eva.

00:04:23How long are you going to ignore me?

00:04:25When are you going to believe that my uncle Santiago told me we were blood brothers?

00:04:28Marcos, I'm fed up with the incest story, the blood siblings, and all your nonsense, okay?

00:04:35And me too, me too.

00:04:36So I'm going to enjoy life a little and stop suffering for you, that's enough.

00:04:40Oh, well, have a good time, okay?

00:04:42In other words, have a great time.

00:04:52It's broken.

00:04:53It's broken.

00:04:55I can't get rid of it, not even with a crowbar.

00:04:57Yeah, man, it's just that...

00:05:00Dude, you guys are going to...

00:05:02You guys are a drag...

00:05:04As well as...

00:05:06Know?

00:05:10And what the aunts really need is more like...

00:05:16Hey?

00:05:17Villas makes the difference?

00:05:18Yeah.

00:05:18Yeah?

00:05:19Come on, man, change the pace, dude, you've been doing this for a year now and you sound like a monkey.

00:05:21Goats to the monkeys, damn it.

00:05:22What's wrong, grandma?

00:05:30Well, her friend Dorita has died.

00:05:32Dorita?

00:05:32Oh, Dorita.

00:05:33Yes, two days ago.

00:05:34We were having coffee and the woman was as fresh as a daisy.

00:05:38Well, with just one lettuce we've already had a bit of a nightmare, Carmen, because she was quite wrinkled like a nightgown.

00:05:42And of course, going there in the wheelchair, since my aunt didn't have a pillbox, she was carrying a Tupperware container with medicine, well, that was it.

00:05:47Thank you.

00:05:48Do you see?

00:05:48Carmen, she really does cheer people up, doesn't she?

00:05:5127, 14, at a rate of 14.7 on average, 25 women, 50 breasts, and if you hear...

00:05:55Do you want to be quiet?

00:05:56He's confused me again, man.

00:05:57What a beast!

00:05:58That guy is the worst...

00:06:00That Roberta Cañita.

00:06:01Okay, so, Santi, what's up?

00:06:02Let's see...

00:06:03Between the meager salary, social security, suppliers, and rent, there's what's eaten up by the service.

00:06:08Fuck.

00:06:09So we can start thinking about closing now.

00:06:11Wait a minute, wait a minute, wait a minute.

00:06:13Are you thinking of closing... in Zario?

00:06:16I'll take the transfer without any problems.

00:06:19I've always wanted to open a rib shop.

00:06:21What he does is add two little lights, a propeller fan, and some girls in towels.

00:06:24Well, that's it.

00:06:25We only transferred Robert.

00:06:27And fewer worries.

00:06:28What do they want?

00:06:28Now, spend a year living in the jungle.

00:06:30Yes, we're taking a year off.

00:06:32What should we have?

00:06:32But what jungle year in what jungle year?

00:06:34I mean, you can afford it because you're loaded, but I have to feed seven mouths, you understand?

00:06:38No, I can't leave the hospitality industry, Santi, I can't.

00:06:41There's no need to leave her, Diego, please, have a little bit of compassion.

00:06:44Where there's friendship, there's work, damn it.

00:06:46Let's see.

00:06:48I become the little parrot of Santa Justa.

00:06:50And you two stay here with me, giving me a hand, that's it.

00:06:53What, man?

00:06:54Employees.

00:06:56To collect your money and run away.

00:06:58Boss, you have your limousine, wash and wax it.

00:07:21You are the greatest.

00:07:24Gerson.

00:07:24Oh, take care of me at that table.

00:07:28Then you go to the restroom.

00:07:30A pig has left my toilet seat looking worse than a chicken coop perch.

00:07:33How disgusting he was.

00:07:40I don't see it, I don't see it, I don't see it.

00:07:42No, no, no, I don't see it.

00:07:43In other words, I'm sure, fewer headaches.

00:07:44But I don't see the transfer happening, Santi, I just don't see it.

00:07:46We can't see anything.

00:07:47You can think about it calmly and then let me know what decision you make.

00:07:51Here goes.

00:07:52Leave it, leave it, you're invited, Robert.

00:07:54Thank you very much, man.

00:07:55Anyway, you're not going to get out of poverty.

00:07:57So, yeah, here.

00:07:58Now then, with God.

00:08:01Santi, wake up, we can't sink.

00:08:03In other words, we need to come up with a solution.

00:08:04We can't sink, for God's sake.

00:08:05Do you know what we can do?

00:08:06Hey?

00:08:07A brainstorming session.

00:08:08A what?

00:08:09Damn, that's a real brainstorming session.

00:08:11Damn, everyone should say whatever comes to mind and we'll write it down.

00:08:14Take out a whiteboard.

00:08:15Okay, let's take notes.

00:08:16No, I don't see it, I don't see it.

00:08:17No, this can't be, man.

00:08:18We have to think for ourselves.

00:08:19We have one thing for the tavern.

00:08:21Us.

00:08:21Something to do.

00:08:21Okay, okay.

00:08:22Let's think, let's think.

00:08:23Holy shit, a mechanical bull?

00:08:25A mechanical bull or a bull with flaming horns?

00:08:27Doesn't that piss you off, Citi?

00:08:28Come on...

00:08:29Point it out to the bull.

00:08:30Yes, write it down, damn it.

00:08:31If that's what brainstorming is about, it's about writing down everything that comes to mind.

00:08:33Pussy.

00:08:34Fuck.

00:08:35An orchestra.

00:08:36What do you say about an orchestra?

00:08:37So, what do you prefer?

00:08:38The Philharmonic or the Mondragón?

00:08:39You who don't...

00:08:40No, no, no.

00:08:40Not an orchestra, but a flamenco troupe.

00:08:42There, there.

00:08:43To give the tavern away.

00:08:45Okay, that's enough.

00:08:46The good storming is over.

00:08:48Fuck off.

00:08:49This tavern has always been a soap tavern.

00:08:52And I don't intend to prostitute her.

00:08:53Furthermore, from now on, it closes at six in the evening.

00:08:57And that's how we save money.

00:08:59At six o'clock.

00:09:01Yes, you're right, Santi.

00:09:02You're right.

00:09:03Let's see how the hell I tell Lucia.

00:09:04Let's see how I can explain it to him.

00:09:06Where we'll go for our summer vacation is a mystery!

00:09:09We always went to my grandparents' village.

00:09:11But now that my father is married to a posh girl...

00:09:14Well, we'll probably go somewhere fancy.

00:09:18Where I'm going to miss my grandparents' village.

00:09:20I'm going to miss throwing stones at the chickens.

00:09:23I'm going to miss the farting contests with my cousins.

00:09:27Hey, I'm going to miss Menta.

00:09:29My uncle Vicente's husky.

00:09:30It takes turds the size of a tower and is faithful.

00:09:32That's it.

00:09:33Okay, sit down.

00:09:47A four, but...

00:09:48Or didn't I, Lucia, tell you all about my vacation, down to the last detail?

00:09:51That's true.

00:09:51But for example, the bit about your cousin's burps was unnecessary.

00:09:54As the H's were also spoken of the 20 times you misspelled the word echar.

00:09:59And well, I'm sorry, Lucia.

00:10:00I've always told him it's better for them to capsize than to sink, right?

00:10:03Look, girl, it can go from four to two, okay?

00:10:05The rest of you aren't exempt either.

00:10:07Tomorrow, those who remain.

00:10:08Dear Lourdes Salgado, I am writing to inform you that although I consider you to be an excellent person

00:10:14with countless virtues,

00:10:16I don't think it's a good idea to continue our relationship.

00:10:21Very respectfully bids you farewell with a cordial greeting.

00:10:25My silly wheel.

00:10:25Why is she crying?

00:10:36What's wrong, daughter? What's the matter? Are you okay?

00:10:38Yeah.

00:10:39Sure?

00:10:42Do you remember Vicente?

00:10:44The widower I was involved with is the one I met on the Torreciudas excursion.

00:10:48Ah, yes, yes.

00:10:49Well, he says I'm an excellent person.

00:10:51Clear.

00:10:54But she rejected me!

00:10:56Oh!

00:10:59Lurditas, Lurditas.

00:11:00Look, you can't be like this, okay?

00:11:02What you need to do now is cheer up.

00:11:03Uh-huh.

00:11:04Take it off...

00:11:04Hey?

00:11:05Oh, I do.

00:11:06What I'm seeing is that I'm left to dress up, Santos,

00:11:08that one reaches a certain age, and...

00:11:10Well, I don't attract men.

00:11:12Because I'm not sexy.

00:11:14Sexy, you're not sexy.

00:11:15Well, but it can become that way, right, Candela?

00:11:17Of course, man.

00:11:18Very sexy, too.

00:11:19Because you...

00:11:21What you have is that you have...

00:11:24You have a nice chest.

00:11:26That's it, a nice chest.

00:11:27You just have to stick to it, understand?

00:11:30It's many things, but you just get started and...

00:11:32Yes, the hair, a little more like this.

00:11:33Can?

00:11:33Yes, yes, yes.

00:11:34Can you put it on?

00:11:34But why are you acting like this...

00:11:35I was asking for charity.

00:11:38Asking for charity.

00:11:38Come on, Montoya, it's not like I'm trying to stop you, man.

00:11:40But I can't let him ask for anything in here, damn it.

00:11:42Well, thank you very much for the sermon, but give me something, Zul.

00:11:45Oh, give me something for the tetablis.

00:11:48With dead bodies.

00:11:49Montoya, man.

00:11:51Yeah.

00:11:51I've already told you that it can't be.

00:11:52I know.

00:11:53That can't be, Montoya.

00:11:54Come, Jesus, accompany him.

00:11:55Well, let's see, that's a trend.

00:11:57No, but don't push him, Jesus.

00:11:59Take this, Montoya.

00:12:00For a bocateiná, the tetablis.

00:12:02Thank you.

00:12:05A toothbrush.

00:12:06Well, we're not, mate.

00:12:08Yes, yes, we're here at the end, man.

00:12:10If that's what they want, hand out magnifying glasses to look at the posters.

00:12:12Great, I mean, if before we were the worst shit, now we're Marco Serrano's worst shit.

00:12:19Hey, Afri!

00:12:20Afri, come, Churri, come.

00:12:22Come, come, come.

00:12:26Go on.

00:12:28Well, we still have a few opening acts ahead of us, don't we?

00:12:30Well, yes.

00:12:32Six.

00:12:32In other words, specifically, six.

00:12:33Six.

00:12:35Hey guys, this is the opportunity of a lifetime, man.

00:12:39Come on, fame doesn't come around.

00:12:41The opposite kind of fame, man.

00:12:43Are we the last ones?

00:12:43Okay, well, yes.

00:12:44But the last shall be first.

00:12:46Yeah.

00:12:46Okay?

00:12:47And to be the first, what do you have to do?

00:12:50Hey?

00:12:51Well, they're the last ones in the afternoon.

00:12:53Well, to be first you have to stand out.

00:12:56Okay?

00:12:56Stand out.

00:12:57And how the hell do you want to stand out, Raúl?

00:12:59Well, look, pretty girl.

00:13:01What do artists do?

00:13:02That?

00:13:03They sing, don't they?

00:13:04They sing and make a scene.

00:13:05Hey?

00:13:05Well, that's what we have to do.

00:13:06We have to make a scene.

00:13:07Know?

00:13:08You, you, you, you, you, it occurs to me, huh?

00:13:11You could, you could show a nipple like that Jackson woman did.

00:13:14Damn, of course, dude.

00:13:16I have ideas, I have ideas, you know?

00:13:18And could you also pull out your plum tree while you're at it?

00:13:20Well yes.

00:13:21Yeah?

00:13:21Well, if I have to pull out my plum, I'll pull it out, okay?

00:13:24And we got naked there and made out and whatever.

00:13:28Raul, what if you take a cold shower?

00:13:30Sometimes they cool down the neurons you have floating around out there.

00:13:32Hey, thanks for the help, okay?

00:13:35Damn, how's school?

00:13:36You guys are something else, man, you're the real deal.

00:13:38Damn, he's leaving us, man, he's leaving us, dude.

00:13:40We only got him out of the hole with the music thing.

00:13:42Dude, it's a bit of a...

00:13:43A little bit of excitement, a little bit more collaboration, joy about the concert, right?

00:13:48Dude, he's our friend who's made of it, man.

00:13:51Hey, about them taking your boobs out, huh?

00:13:53It could be, it looks great.

00:13:54Okay, fine, let's talk about it, okay?

00:13:55We'll talk about it now.

00:13:56Let's do one thing and then talk about it?

00:14:01What else?

00:14:02Are you crying over the onion, Grandma?

00:14:07No, no, son, it's not because of the onion, no.

00:14:10It's because of time, which is a monster that passes relentlessly.

00:14:15And who are these people?

00:14:17They're my childhood gang, my lifelong friends.

00:14:22Why so caught?

00:14:23Because they've left, son.

00:14:26The years go by and one becomes increasingly alone.

00:14:29It's a fact of life.

00:14:30Oh, Grandma, don't cry.

00:14:34This one is not crossed out.

00:14:35And not this one either, the one with the ears.

00:14:37Nothing, the ears are me.

00:14:40Those were different times and different hairstyles.

00:14:41And this other one is Juan Anselmo.

00:14:46She was a delight.

00:14:47I think he's the only one left alive.

00:14:49We were boyfriend and girlfriend for a while.

00:14:51And you haven't gone back to anything about him, Grandma?

00:14:52No, daughter, no, I wish.

00:14:55Well, the last she heard of him was 20 years ago through a newspaper article.

00:15:00She had won a chemistry prize.

00:15:02He was so clever.

00:15:03Would you like to see it again?

00:15:04Yes?

00:15:04Yes, it would hurt my hopes even more.

00:15:07I would give anything to see him again.

00:15:10Oh, well, Grandma, if you want, let's go.

00:15:12Can I help you find Juan Anselmo?

00:15:15Yeah.

00:15:16Now with the internet it's very easy.

00:15:18Besides, I understand computers.

00:15:20Yeah.

00:15:21Would you be able to find him?

00:15:23Well, of course.

00:15:24The thing is, look, you already know that this takes time, it takes work.

00:15:28In short, a dedication, isn't it?

00:15:31You already know that without Peter, the seals don't work.

00:15:34Oh, how delicious.

00:15:35Of course, son.

00:15:37Don't worry, if you look for it, I'll give you whatever you need for your expenses and things.

00:15:41It's because of a time change.

00:15:42So, instead of closing at eleven at night, we're going to close at six in the afternoon.

00:15:46But Diego, please, the holidays are coming and we won't make it to the end of the month.

00:15:49I know, Lucia, I know, woman.

00:15:51But the three of us arrived here all day, where we went around and didn't...

00:15:54Nothing, nothing, nothing.

00:15:55We're slicing our brains and nothing happens.

00:15:56It's difficult with sliced brains, isn't it?

00:15:59Alba, my old lady!

00:16:00Why are they laughing now, the list?

00:16:02No, look, linguistic issues aside.

00:16:04You guys have less imagination than a pee-pee, huh?

00:16:06What needs to be done is to revitalize the business.

00:16:08Look, look, Churri.

00:16:09Yes, uh, said with affection, you don't have a clue about the hospitality industry.

00:16:12Your thing is using a red pen for exams, that's it.

00:16:14Well, the engineer is going to get all dignified now.

00:16:16Engineer or anything, huh?

00:16:18I have a business vision, like I have a commercial perspective, that's why.

00:16:21That's why you invented the spark plug one.

00:16:23No!

00:16:23So you know, so you know.

00:16:26In other words, home repairs are a brilliant idea.

00:16:28Besides, what do you know?

00:16:29Damn, all you've done in your life is inherit your sister's job.

00:16:32Hey, hey, hey!

00:16:32Don't go overboard, Fiti, Diego.

00:16:34Lucia, Lucia.

00:16:35Hey, why don't you come over there and have a tapa?

00:16:38Sure, I'll take her myself.

00:16:39Talk about your little things, calmly.

00:16:40Yes, yes, yes.

00:16:41Very good.

00:16:41So you're not interested in our opinion, are you?

00:16:43Don Maruca, how are you?

00:16:44How is that?

00:16:45Uh!

00:16:45Well.

00:16:46But what's the status of the agreement?

00:16:47I'm ignoring these thugs.

00:16:48Oh, they called us savages, Candela?

00:16:49They've called us savages, the schoolteachers have called us savages.

00:16:52Hey, those teachers do your job for free, huh?

00:16:54But come on.

00:16:55What did he say no, no, no?

00:16:56Look, no.

00:16:57We're going to prove it to you.

00:16:59From today onwards, Lucía and I will be running the tavern in the afternoons.

00:17:02We'll super-sell it to you, okay?

00:17:04That's how we see if we go out on business or not.

00:17:06No, absolutely not, I mean, not at all.

00:17:08Yes, that's right.

00:17:08No, no, no.

00:17:09But if you're going to close anyway, damn it, we'll have a laugh.

00:17:12Okay, done, done.

00:17:13The electricity and water bills are your responsibility.

00:17:18No, because I don't see it.

00:17:20I don't see it.

00:17:20This is going to be something to see, seriously.

00:17:22And now the show begins?

00:17:24Okay, let's see.

00:17:25The first thing we need is a good name for the group, okay?

00:17:28And I've already thought of that.

00:17:29Yes, I've thought of that too.

00:17:30Forks...

00:17:32The Cane of Spain.

00:17:34Good.

00:17:35Stop making that stupid face and say the name already, Raúl, we don't have all day.

00:17:39Look, I'm saying it.

00:17:40The Cane of Spain.

00:17:41What part of it do you not understand?

00:17:42The Cane of Spain.

00:17:43Look at us.

00:17:45The Cane of Spain.

00:17:46Bold and direct, right?

00:17:47Look, I think the name should be something more catchy, don't you think?

00:17:50Roll...

00:17:52The Cockles.

00:17:55Hey?

00:17:55Yes, yes, yes, yes.

00:17:56The Cockles.

00:17:59Hey?

00:18:00One more thing...

00:18:01Damn, that's loud, dude.

00:18:02Round.

00:18:03Like the footballer.

00:18:04Cockles.

00:18:04But why?

00:18:05Cockles, cockles.

00:18:07I only see one, man.

00:18:11Be more careful, Raúl, or I'll still get you.

00:18:13Okay, fine.

00:18:14We have the name, Los Berberechos.

00:18:15Now we need a past, okay?

00:18:17A powerful and gruesome past.

00:18:19I've been in the archives, okay?

00:18:21And I have tons of information.

00:18:22Look, for example, Sid Vicious, huh?

00:18:24He killed his girlfriend in a hotel.

00:18:26Look at that.

00:18:27Well, if you want, leave me a little something.

00:18:28I'll kill you.

00:18:29We're being aggressive, huh?

00:18:31Africa.

00:18:32Well.

00:18:33Okay.

00:18:34We have a name.

00:18:35I'll take care of the past.

00:18:37We need an image.

00:18:38Okay?

00:18:38Such an aggressive image.

00:18:40Know?

00:18:40It's an image that gives us a hard time.

00:18:42Clear.

00:18:43Oh, if you want I can dress up as a sheep, you know?

00:18:45So with piercings, tattoos, and blonde Latin hair.

00:18:48Me, well yes, yes, yes.

00:18:51Let's see, Marcos.

00:18:53Dude, what's wrong with you?

00:18:54Well, we still have two years left here at school, man.

00:18:59I don't know if you're happy with your father's tavern, but I don't see myself as a mechanic.

00:19:03Okay?

00:19:03And now we have a chance to do something with music, man.

00:19:06Are you there or not, Marcos?

00:19:09Okay then, let's get to work.

00:19:12We have a press conference with the media and it needs to be highlighted.

00:19:14You make yourself look beautiful, like...

00:19:14Don't you know anything?

00:19:16The press conference is only given by the headliners, a minor detail.

00:19:19Yes, Africa, darling.

00:19:21But the pity is that the "pecata minuta" (minor sinners) won't be able to hold that press conference.

00:19:25And instead we're going to give him the cockles.

00:19:27Okay? Get dressed up.

00:19:28And how are we going to do it?

00:19:30That... leave that to your father.

00:19:35Chemistry?

00:19:36Yeah.

00:19:37How long have you been interested in chemistry?

00:19:38I'm helping to find the grandmother or an old chemist friend who has one.

00:19:42Well, that's doing him a favor, isn't it?

00:19:46And I make a few bucks in the process.

00:19:47And stop eating already, you're leaving it all over me, damn it, dude.

00:19:51Dude, it's not that big of a deal.

00:19:52Okay, there it is.

00:19:54Juan Anselmo Narváez del Olmo, a prestigious chemist.

00:19:58Winner of the Ramón y Cajal prize and finalist for the Prince of Asturias award in 1982.

00:20:04Damn, this guy's elbows must be worn out from studying so much.

00:20:06I'm telling you.

00:20:07I mean...

00:20:08Hey, what does it say there?

00:20:09The prestigious scientist is currently active despite a degenerative disease that has kept him bedridden in a vegetative state for the past two years.

00:20:21Vegetative? So, it only eats vegetables, the more...

00:20:23You'll be zero, dude, dude. That's vegetarian.

00:20:26Vegetative means that it is asleep and doesn't wake you up or anything.

00:20:28So, I did it so I could talk to your grandmother, right?

00:20:32Unless the range left him his lemon tree.

00:20:34Take that, dark-skinned one! Take that, dark-skinned one!

00:20:36Hello hello.

00:20:37Hey, have you found my grandma's friend?

00:20:39Uh, yes.

00:20:40Yeah.

00:20:41Yeah.

00:20:42Nothing, the guy is super happy, right?

00:20:44Yes, yes.

00:20:45Okay, so you've already arranged to meet him, are you going to talk to him? Well, what then?

00:20:48Oh, well, yes, look, she told us that she wanted to talk to her grandmother via chat this afternoon.

00:20:52That's great, please. Okay, I'll let my grandmother know, alright?

00:20:54Look, okay, cool.

00:20:55But dude, how's he going to talk to her? He's a vegetarian.

00:21:00No, it's vegetative.

00:21:02And you have a word for this, huh? Got it?

00:21:06Yes, stop eating now.

00:21:10That's it! The bathrooms are as clean as a parrot's stream.

00:21:13Okay, well, I've already got everything planned out. Look.

00:21:17From seven to eight it's happy hour, two beers for the price of one.

00:21:20From eight to eleven, tortilla and the serranito canapé we talked about, remember?

00:21:23Okay. And then, at eleven, the bombshell.

00:21:26Yeah.

00:21:26The 2002 Champions League final, Bercuse Valley between Madrid.

00:21:28You can't see the mother!

00:21:30We're going to break with this.

00:21:31Okay, okay, okay, okay, change it, tazo, I almost missed this, man.

00:21:35How funny.

00:21:37Okay, what do you want? Some beers.

00:21:38Are you here for happy hour? Two for the price of one.

00:21:40Two for the price of one.

00:21:41Are there any turns?

00:21:42No, no, don't miss it, don't miss it. Let's have three beers and half a serving of soap.

00:21:47Coming right up, three small beers and half a ration of soap.

00:21:50Let's see that doll.

00:21:51Let's see that flick of the wrist there.

00:21:53That's great!

00:21:55Oh, how wonderful!

00:21:56No, no, no, no, don't hold back, sorry.

00:21:59This then settles down.

00:22:01It settles down, don't worry, darling.

00:22:02If this is for shaving, then it's a real pain.

00:22:06Very empathetic.

00:22:06Okay, here it is, half a capful of soap.

00:22:08These are a little chubby, aren't they?

00:22:11Yeah.

00:22:12I don't find it funny at all that your wife spits out the soap with half a cap on it.

00:22:16Besides, no tooth can withstand this.

00:22:18Why don't we go and demoralize ourselves at another bar?

00:22:20Hey?

00:22:21Awhile.

00:22:21We're consuming it, aren't we?

00:22:23No, no, no, you're being a bit of a pain.

00:22:25Careful, the girls are right.

00:22:26You're absolutely right.

00:22:27They are absolutely right.

00:22:28Let's leave them to keep playing at being little taverns.

00:22:33Watch out, watch out, here comes the chaos.

00:22:35No, no, gentlemen, gentlemen, there's room in the back.

00:22:37Come in, come in.

00:22:38Oh, how funny!

00:22:43Nice.

00:22:44Candela, please leave it, you've already done 500 and there's still much more white than yellow.

00:22:48Lucia, as soon as I learn how to throw them, start on your forehead, you'll see.

00:22:51Listen, remember that Juan Anselmo is a prestigious chemist, so don't put anything that might make Grandma suspicious, okay?

00:22:57Okay, kid.

00:22:58There we are.

00:22:59Up we go, eh?

00:23:00Has Juan Anselmo logged on yet?

00:23:08No.

00:23:08To whom, huh?

00:23:09Oh, God!

00:23:10Here, here.

00:23:12Honey, you're an angel.

00:23:16Oh, Juan Anselmo has logged in, let's see.

00:23:18Let's see.

00:23:19Hi Carmen, how are you?

00:23:20Ah, what a joy.

00:23:21Tell him that he's doing very well and that I'm very happy to hear from him.

00:23:31I'm glad too, it's been a while.

00:23:33Ah, yes, yes.

00:23:34And that I have many things to tell you.

00:23:36That Dori died yesterday and I remembered him because of a photo and that...

00:23:42Oh well, this is going to be slow.

00:23:44Look, tell him that if he'd like, we can talk on the phone.

00:23:47Dale.

00:23:47Think, Oriche, think, don't screw it up.

00:23:50Hey, it must be disconnected, why aren't they answering?

00:23:53Oh, what a shame.

00:23:55Oh, no, no, no.

00:23:55That?

00:23:56I have no credit on my mobile.

00:23:58What do you mean you don't have any credit on your mobile?

00:23:59Yes, yes, daughter, yes, yes.

00:24:00That was one of its weak points.

00:24:02He was a bit stingy.

00:24:04Okay, well, tell her that if she wants, we can meet at home tomorrow.

00:24:07Let's stay, let's stay for the glory of your mother.

00:24:13I'll be there and I'll finally see your refined complexion.

00:24:16Oh, refined complexion, flatterer.

00:24:18Uh, I'm going to the bathroom, okay?

00:24:20Yes, go ahead.

00:24:22I mean, dude, this is going to be a real blow to me.

00:24:24Joke!

00:24:25I'm the Antonio Gala of the chat room, dude.

00:24:27Did the refined complexion look good?

00:24:28Well, it's just that...

00:24:29You're stupid, what's wrong with you?

00:24:31But knowing that Juan Anselmo will never be able to stay with his grandmother,

00:24:34that is in a vegetative state.

00:24:36We can't play with their feelings.

00:24:38No, man, sorry.

00:24:39Have I gotten into character?

00:24:40Yeah, you've really gotten into character, haven't you?

00:24:42So, since when does an elderly person run out of credit on their mobile phone?

00:24:44My grandmother sometimes runs out of credit.

00:24:46Yes, but your grandfather cleans windows at the shopping center.

00:24:48Not a prestigious chemist.

00:24:50Come on, leave me alone, man.

00:24:52Put the address from here on it.

00:24:54And tell him I'll be waiting for him tomorrow afternoon.

00:24:56And that I have missed him a lot.

00:24:58I've missed you a lot too.

00:25:04Because?

00:25:05What a fool, I kicked you out with an H.

00:25:07The verb echar, echar la H por la venta, right?

00:25:10Anselmo was always a man of science.

00:25:13And I see that it's still the same.

00:25:15Just like the H's were unnecessary in the 20 times you misspelled the word echar.

00:25:21Grandma, wait a moment, okay?

00:25:22Yeah.

00:25:23I'll be right back.

00:25:23Look, I figured as much.

00:25:36You are the worst, taking advantage of my grandmother to get all her money.

00:25:39No, Maritere, this is not what it seems, because I swear to you that we have found Juan Anselmo.

00:25:43The thing is, it's all vegetarian.

00:25:45Vegetative.

00:25:45No, no, vegetative.

00:25:46Well, no...

00:25:47And nothing, Guille, nothing.

00:25:48I'm going to tell my grandmother right now and have her take all your money.

00:25:50But no, I swear.

00:25:50And Grandpa has logged off.

00:25:52I'm so happy.

00:25:54Tomorrow I'm going to see Juan Anselmo.

00:25:57How exciting!

00:25:58After so many years, that last time we saw each other, I think it was when he took me to the school dance.

00:26:03And it's all thanks to you.

00:26:05Oh, thank you, thank you.

00:26:07Thanks love.

00:26:08Take.

00:26:09Take.

00:26:09And to you too.

00:26:10Thank you.

00:26:12Okay, I'm going now, because I have to make an appointment at the hairdresser's.

00:26:15See you later.

00:26:16See you later, darling.

00:26:19Well, Guille, you've earned it.

00:26:22And I will have summoned Juan Anselmo to be awakened.

00:26:45Raúl, let's see if we're going to screw this up.

00:26:47Are we going to screw it up?

00:26:48Always the same, man.

00:26:49Leave me alone, leave me a little bit of freedom, man.

00:26:51Hey guys, how's it going?

00:26:52How are you?

00:26:52Minor sins, right?

00:26:53Yeah.

00:26:54How are you?

00:26:54I'm Jimmy, from the organization.

00:26:55Look, there's a small problem with the microphones, so we're going to delay the press conference a little bit, okay?

00:26:59In about half an hour.

00:27:00Ah, well, we'll be right back.

00:27:01You get on, have a drink in peace, I invite the organizers, of course.

00:27:04Okay, see you later.

00:27:07Now we have to get in there and make him talk about us somehow, okay?

00:27:12We have to monetize it, okay?

00:27:15But if it means that to get in there we have to pretend to be innocent, what do we do about it?

00:27:19With this, with this, the same as with this.

00:27:20Do it and think a little, for God's sake.

00:27:22How would you define the style of the pecataminutas?

00:27:27For everything.

00:27:29Well, look, I'm glad you asked me that question.

00:27:31Uh, because right now we have no idea.

00:27:35Let's see, I mean, we're actually the velvet ones.

00:27:41And we spent that much...

00:27:44Life turned upside down, you see what it is

00:27:49And while I have you out on the street...

00:27:52Please, wait, wait, this press conference was going to be done by the peccaminutas, the breakout group of 2003.

00:27:59Where are they?

00:27:59Well, look, I had a euro ready here for the first person who asked me that question, and it's going to be for you.

00:28:03Here you go, kid.

00:28:04What are you on about?

00:28:11Dude, we're losing the game.

00:28:12Hey buddy, he's leaving us.

00:28:14Okay, okay, okay, okay.

00:28:15Africa, Africa, take out a boob, take out a boob.

00:28:17Are you stupid?

00:28:17What's happening?

00:28:23Do you have bad blood between you?

00:28:26Since we've mostly led shitty lives, it's no surprise that it's a damned band, you know?

00:28:34Sorry.

00:28:35Did you say earlier that sex has been the only source of inspiration?

00:28:39How could they be, man?

00:28:40You know, we have a really messed up sexual past.

00:28:44Yes, well, here from Africa, our pelista, the nymphoma.

00:28:49Well, you don't know how.

00:28:51A little bit is the most, right?

00:28:53Chucky, our drummer, has been sniffing glue since he was five years old.

00:28:57Well, yes, yes, I've been a drug addict since I was born, huh?

00:29:00And hermaphrodite.

00:29:01Our leader has a perverse sexual past, man.

00:29:04He had his first sexual experience with his sister.

00:29:06His blood sister.

00:29:10Dicks?

00:29:11Dicks?

00:29:12Dicks, yes?

00:29:13Dicks and homophobes and fems?

00:29:15That's really great.

00:29:29A craving for vomit.

00:29:29Don't give it to me directly because it's not necessary, okay?

00:29:32Isn't that what Candela is?

00:29:32I ate half the tortilla and I felt like a rock.

00:29:36What are you laughing at?

00:29:36That I don't find him funny?

00:29:38I don't know.

00:29:39Perhaps to avoid crying.

00:29:41So, in the end you're not right, huh?

00:29:43There's no way to fix this.

00:29:44Nobody's come in, Candela, it's twelve o'clock.

00:29:46Dignity.

00:29:47Above all, dignity.

00:29:49Dignity of what?

00:29:50You and I have to focus on what we have to focus on.

00:29:53And let's forget about taverns and grandparents.

00:29:54Lucia, never do that again.

00:29:56And even less so from these types of people, huh?

00:29:58Things have gone completely crazy here tonight.

00:30:00God's.

00:30:00All hell has broken loose.

00:30:01What do you think you are?

00:30:02Are they not going to notice, please?

00:30:06No.

00:30:07No, Candela.

00:30:08No, no, no.

00:30:09Why are you cutting me off?

00:30:10No, Candela.

00:30:11Candle.

00:30:12Candle.

00:30:14Perfect.

00:30:16And when you finish, you put on the saw.

00:30:18Okay?

00:30:18Yes, no, it's done.

00:30:19Hey, do you think this is going to fly?

00:30:21Come on, keep in mind that we're talking about our husbands.

00:30:23Yes, but our husbands, like you said, the first thing they do to me, you know what it is?

00:30:28I bet you haven't thought of that.

00:30:29Well, I'll tell you.

00:30:29And the box, the box is empty.

00:30:31Oh no, I have thought about it.

00:30:32Yes, I've thought about it.

00:30:33The box isn't empty because I'm going to put in 300 euros right now and you're going to put in another 300.

00:30:39Are you kidding me?

00:30:40No, no, no.

00:30:41Candela, I'm not going to put in 300 euros, but that's a fortune, isn't it?

00:30:43Lucia, do you know what kind of teasing we're going to have to endure if we lose the bet?

00:30:49Okay, is that 300 euros or not?

00:30:54Come on, rat, it's a lucky rat.

00:30:55What do you mean, rat?

00:30:56That's all I have, Candela.

00:30:57Me too, what do you think?

00:30:59Well, that's all I have.

00:31:00Here it goes.

00:31:00Look, this is for the auspicious ones.

00:31:03Very good, everything weighed very well.

00:31:05Everything's under control now, kid.

00:31:06Now?

00:31:08Due to a complete sell-out.

00:31:11The services.

00:31:12That?

00:31:17Leave it there, leave it there.

00:31:18Hello.

00:31:19Stay still.

00:31:20Hello good morning.

00:31:21You look beautiful, Grandma.

00:31:22Oh, thank you.

00:31:23So if that's true, what happens?

00:31:24Do we have another funeral?

00:31:25Take it away, take it away.

00:31:26Thank God, this is something much nicer.

00:31:29I have found an old friend again.

00:31:31Oh, really?

00:31:32I was going to come for a snack today.

00:31:33That's great, very good.

00:31:35Come on, kids, let's go to school.

00:31:36Quick, let's go.

00:31:37Come on.

00:31:39And all thanks to you, you're a sweetheart.

00:31:41Here, so you can buy yourself a little present.

00:31:47Are you not ashamed to keep taking money from her or what?

00:31:49But hey, it's so he doesn't get suspicious until I find a solution.

00:31:51And if the solution required money, well...

00:31:54Look, the reality, kid, is that Juan Anselmo isn't coming.

00:31:58But anyway, maybe you can stop by.

00:32:00You wear a little white fur, eh?

00:32:03Good morning, guys.

00:32:04Hello, let's begin.

00:32:05Hey, how are you?

00:32:06Good morning, Mom, you look beautiful.

00:32:08Yes, yes.

00:32:08Good morning.

00:32:11How was your first day of leisure?

00:32:12Great, my first day of leisure went wonderfully.

00:32:14Very good, it went wonderfully.

00:32:15And what about the tavern?

00:32:16The tavern?

00:32:17The tavern, the tavern.

00:32:18Yeah, we filled up.

00:32:21But how did you fill it up?

00:32:22So, you mean filling up?

00:32:24So, how many people are we talking about, Lucia?

00:32:26How many people?

00:32:27I don't know, I don't know how to calculate.

00:32:28Two hundred people?

00:32:29It looked like a treasure hunt.

00:32:31"Three beers this way, all the ham that way."

00:32:33Well, a terrible dizziness.

00:32:34I don't know how you can do that every day.

00:32:36That?

00:32:36As?

00:32:38Ana, you're pulling my leg.

00:32:39See?

00:32:40He was pulling my leg.

00:32:41Of course, of course, it's nonsense.

00:32:43I almost believe it, you know?

00:32:45What am I saying?

00:32:46What is true?

00:32:47When you guys left, people started coming in and it got really busy.

00:32:51A job.

00:32:52I'm not taking the bait, Lucia.

00:32:54No pear.

00:32:55No pear.

00:32:56Well, you'll see it with your own eyes.

00:33:02They really filled it up, didn't they?

00:33:04Damn, man, this is shit, man.

00:33:06The rest is nonsense.

00:33:07The mother who gave birth to her.

00:33:09Well, things must have gotten pretty messy here.

00:33:10What is this?

00:33:13Has no one entered here?

00:33:14What are you saying, Santi?

00:33:15What are you saying?

00:33:16Okay, what's come in here is a zero stone.

00:33:19Santi, Santi, Santi, look.

00:33:20Look at the box, look at the box.

00:33:22Let's see if they really did do business or not.

00:33:24But damn it, there's at least 600 euros here.

00:33:28But we wouldn't do this even at a fair.

00:33:30Oh, oh, oh.

00:33:30Eye.

00:33:30Look, in the end, damn it, we're going to have to surrender to the imminence.

00:33:34Eh, eh, eh.

00:33:37Just a moment, just a moment.

00:33:38Anyway, this seems strange to me, you know?

00:33:41Are you with the weirdo yet, Fiti?

00:33:43No, no, no, damn it, fuck.

00:33:44Look, look at the ground.

00:33:45That?

00:33:46Carefully.

00:33:46Look at the pieces of pork loin.

00:33:48How are you?

00:33:48Wholes.

00:33:50Look, they're not fooling us with these.

00:33:52They haven't touched the barrel.

00:33:54They haven't used any ham.

00:33:55And they've only opened one bottle of wine, which they've surely devoured here and will be quite content.

00:33:59There you go, my old lady.

00:34:00They're putting on a charade for us, all in the name of female pride.

00:34:04No, no, I don't see the humor in it, Fiti.

00:34:05I mean, I don't see it.

00:34:06Yes, damn it, yes.

00:34:07They're making lists and they're silly.

00:34:09They're stupid.

00:34:10They've lost 600 euros.

00:34:11And they're going to keep dying.

00:34:12And we come and laugh.

00:34:13Hahaha.

00:34:15Hi there.

00:34:16We're going to do a check because we have to run to school.

00:34:18Ah, very good, very good.

00:34:19Okay, okay.

00:34:21Hey.

00:34:22I eat my words.

00:34:23What a huge success, huh?

00:34:25The Midas queens of the hospitality industry at the tavern level.

00:34:28And tonight, what's on again, right?

00:34:30Come on, with the tapas, with the shredded cod.

00:34:32Hey, I dress like this to take advantage, you know?

00:34:34We have already proven that we can do it and the striped laying is already in place.

00:34:37It's going well, it's going well, what are you saying?

00:34:39You're on a roll now.

00:34:40Clear.

00:34:40Also, we're going to pay a visit tonight.

00:34:43Ah, yes, yes, yes, yes.

00:34:44But?

00:34:45Yes, yes, yes.

00:34:45Well, very good, very good.

00:34:47A small table for three, what time?

00:34:49Well, we have to go, okay?

00:34:51We already talked.

00:34:54Come on, long live the hospitality industry!

00:34:55The one from Santa Justa, oh, beautiful ones.

00:34:58Santi, you're already giving me the 300 euros for Lucida.

00:35:01Yes, yes, yes, the one about Candela, right?

00:35:02They were for the gas bill, mate.

00:35:04That's not it, that wasn't the deal.

00:35:06But what deal are you talking about? That money isn't ours.

00:35:08Yes, the money will be yours.

00:35:10But your lady's pee too.

00:35:12So now, time to scrub the bathrooms.

00:35:14Whose turn is it?

00:35:21Montoya, if Jesus catches you, you're going to get yourself killed.

00:35:23But she came to the bathroom alone, which isn't because she didn't want to do it in the street.

00:35:26But when it comes to teeth, you're the one who gets me up.

00:35:29Alright, Montoya, we've got a little job for you, okay?

00:35:31I work to work.

00:35:33It's not because I don't want to work, you know?

00:35:34If we have to work, we work.

00:35:37The flexones and malagatones are working.

00:35:40The thing is, I've lost the knack for it.

00:35:43Well, it's okay because we can just pick this up again, you know?

00:35:45Look, this is also a super easy thing.

00:35:47That's intense, mate.

00:35:50Scandal on the airwaves.

00:35:52The vulgar note was struck by the group Los Berberechos.

00:35:54What do you think?

00:35:55See you later.

00:35:59Hey, hey, have you seen this?

00:36:01They call us the new Nirvana.

00:36:03There you go, huh?

00:36:03They describe themselves as pro-Castro, homophobic, sex addicts.

00:36:07How handsome!

00:36:07Isn't that beautiful?

00:36:08Thank goodness my father doesn't read the newspaper.

00:36:10They just don't read, they don't read, they don't read.

00:36:12Oh, dude, what did I tell you, what did I tell you?

00:36:13What did I tell you?

00:36:14Here we are.

00:36:15They're just making us look closed off.

00:36:17Sure, dude, is that bad?

00:36:18No, that's good, man, that's good.

00:36:21The important thing, Marcos, is that they talk about us, even if it's bad news, man.

00:36:23Well, that's how the music business works.

00:36:25Look at these women, even the tattoos, you know?

00:36:28You, tattoos.

00:36:28It doesn't matter anymore, whatever happens.

00:36:29Do you really think they're lesbians?

00:36:30Hey?

00:36:31Of course not, of course not, but what does it matter, who cares.

00:36:33Come on, let him roll around and provoke.

00:36:35Look, it's like Madonna and Britney Spears, who ate each other's mouths.

00:36:37What fish?

00:36:37Do you like fish?

00:36:38No, dude.

00:36:39No, dude, the important thing here is to provoke.

00:36:41Marcos, provoke to stand out, okay?

00:36:43That's how it is, man, we haven't even been to the cinema yet and they're already talking about us.

00:36:46Dude, when we get off, we're going to wreck it.

00:36:49We're going to sweep the board.

00:36:50Yeah.

00:36:53The organization of the 40.

00:36:54I need the amp, man.

00:36:56And my drum set and hair.

00:36:58It's me, it's Marcos, yes.

00:37:00Yes, me.

00:37:02A normal amp.

00:37:03How does nothing have to be?

00:37:06Okay, okay, okay.

00:37:07Okay.

00:37:08The amp isn't working!

00:37:11Yeah?

00:37:13Nothing, no, no, nothing.

00:37:14We're not going to be a sensation when we get off the stage because we're not going to go on stage.

00:37:19They were not dismissed because of the statements.

00:37:22Well, Marcos, Marcos, almost better.

00:37:24Look, it's either meat or we save money, man.

00:37:27Come on, guys, we can't leave this like this, man.

00:37:29No, we have to make this concert a reality, no matter what.

00:37:31But not one more move.

00:37:33We are?

00:37:34Guys, excuse me, just a moment.

00:37:36We are Iria Fernández and Frank Blanco from the 40s.

00:37:38How are you, Frank?

00:37:39How are you?

00:37:40Very good.

00:37:41Hey, beautiful ladies!

00:37:41Hello.

00:37:42How are you?

00:37:42What's up?

00:37:43Hello.

00:37:44Well guys, we're really sorry, but the decision has already been made.

00:37:48You have to understand that after all, you won't be able to play at the concert.

00:37:53But...

00:37:53Well, AIDS, sweetheart.

00:37:55Echado, anyway, is a little glimpse into our home, isn't it?

00:37:59Yeah.

00:37:59In any case, it might change our minds, right?

00:38:02Good.

00:38:0360 euros.

00:38:0865, 65, 65.

00:38:09If they lose trust, it won't work...

00:38:11Already.

00:38:13Let go, let go.

00:38:13Let go.

00:38:13Life is possible!

00:38:14Life is possible!

00:38:15Life is possible!

00:38:17Life is possible!

00:38:18I'm hopeless with acting.

00:38:20What are you going to have, you idiot?

00:38:20You're not stupid.

00:38:21The thing is, this is one that's meant to be celebrated.

00:38:23Hello, Lucia.

00:38:26What's happening?

00:38:27Hey, Candela, I'm really anxious.

00:38:28I can't pay any more money.

00:38:30And we're also ruining the tavern.

00:38:31Okay, okay, calm down, alright?

00:38:33Calm down.

00:38:33Calm down?

00:38:34Yeah.

00:38:34Look, let's end this charade, please, I'm begging you.

00:38:37We tell him the truth and that's it.

00:38:38But, Lucia, come on, please, think.

00:38:40Our honor is at stake, do you understand?

00:38:42Our pride and our thing.

00:38:48Okay, fine, that's it.

00:38:49Come on, we'll tell him and the charade will be over.

00:38:52That's it.

00:38:52Okay, that's it.

00:38:53The problem is, now I have to figure out how to tell Diego, because he's about to get the surprise of his life.

00:38:59Surprise?

00:39:00But what a surprise, Lucia!

00:39:01Do you think we didn't know?

00:39:04Ah, you already knew that.

00:39:05And why haven't you told us anything?

00:39:07Yes, we weren't going to say it.

00:39:08We weren't going to say it, but we were, come on, ha, ha, ha, ha, laughing our heads off and it had slipped our minds.

00:39:14But yes, yes, we understand because it's very normal.

00:39:16In other words, being an entrepreneur is a very serious profession.

00:39:19Serious and creative.

00:39:21Of course, and you'll have noticed that a little bit of hip-shaking is needed here.

00:39:24And you, of course, are mostly civil servants.

00:39:27And you don't arrive, you don't arrive.

00:39:29You're not coming, you're not coming.

00:39:30And I'll tell you why?

00:39:31Because it's not the same as every day, I mean, for example, I always stay away.

00:39:34The thing about the rivers.

00:39:34In other words, the rivers.

00:39:35Which rivers?

00:39:36The rivers of Spain?

00:39:37Tagus, Guadiana, Guayaquil, the hanger, the child.

00:39:40Anyway, the rivers, what the rivers of Spain are.

00:39:41Those don't move, the rivers don't move.

00:39:43And that's something else entirely...

00:39:44Improvising solutions.

00:39:48And be very careful, because they are experts in their field.

00:39:52Because repeating the same thing every year is the same, okay, it's the same, but it needs to be remembered.

00:39:56Okay, let's see, let's see.

00:39:57What the hell are you saying?

00:39:59Well, look, it's not all about the tone, Candelí, sorry.

00:40:02What's bothering you?

00:40:03He's getting annoyed, the tavern's reeds are getting annoyed, he's getting annoyed.

00:40:06No, no, no, don't get annoyed, darling, don't get annoyed, really.

00:40:09Don't worry, even if you're lacking water, well...

00:40:13Lack of irrigation?

00:40:14Do you feel like rivers or what?

00:40:15Come on, come on, let's see.

00:40:17There is a lack of irrigation, there is a lack of irrigation and I'll tell you why.

00:40:20I mean, I'm leading you into trouble, because you're all teachers.

00:40:23No, teachers, no.

00:40:25No, Candela!

00:40:26Ah, la, la, la, there it is, the violence, the violence.

00:40:30When there are no arguments, well, violence.

00:40:31No, no, and that's not it, because the simplest thing in the world would have been for you to say,

00:40:34Calm down, calm down, listen, we're not capable of filling the tavern.

00:40:37Because?

00:40:38Why not.

00:40:39So what happens?

00:40:40You have won, and no, no, don't start with the pretense.

00:40:43Stop, he was telling me that he...

00:40:44Candle, candle, candle, candle!

00:40:45This, this, this, this, this, this, this, this, this, this, this, this, this, this, this.

00:40:46Are you not that much?

00:40:47Calm down, calm down, okay, look, do you know what we're saying?

00:40:49That?

00:40:49We're taking over the tavern again tonight, okay?

00:40:53Let's see if we fill it or not, she didn't even know she was there.

00:40:56Man, we filled it, I'll die filling it.

00:40:57And me too.

00:40:58And if not, this will eat the words up the coffee maker, come on.

00:41:00You're all so closed off.

00:41:00That you are closed.

00:41:01That you are closed.

00:41:02We're out.

00:41:03That?

00:41:03That it was both of them.

00:41:04Come on.

00:41:06Ugh, yes, oh my god, we're in the same boat as yesterday!

00:41:09Let pride follow us, damn it, that's what happens to us.

00:41:11No, no, no, what, what pride, what pride?

00:41:14What's happening to us is that we've married twelve otters who aren't worth their weight in meat.

00:41:19Because there's no going back now, it's over.

00:41:21Look, let's do some practice.

00:41:22Let's see, Eva, you, what are you going out on, daughter?

00:41:25Can you think of any solutions to fill the tavern tonight?

00:41:27Yes, to cheer her up a little, like that.

00:41:29Yes, today.

00:41:31Oh, daughter, yes.

00:41:33I'm thinking of one.

00:41:35No, you, fire.

00:41:36Lourdes.

00:41:39Can you see without glasses?

00:41:41Up close?

00:41:45Clear, it's just a little mess.

00:41:47Come on.

00:41:47Dude, get some rest.

00:41:50Which boy?

00:41:50What do you think?

00:41:51Fuck!

00:41:52Be careful, you might break it.

00:41:53And boy!

00:41:55But what do you have there?

00:41:59Montoya?

00:42:00Yeah.

00:42:00Wow!

00:42:02Well then, let's get to work, shall we?

00:42:04Let's see.

00:42:05Okay, what?

00:42:06Where do we begin?

00:42:09I think it's to get rid of the Bengal tiger's smell, right?

00:42:11Yeah.

00:42:11Delighted.

00:42:12Today, at the dawn of day, I looked at the sky, and I could see such intense and clear light, overflowing with life, reaching me.

00:42:29And you, without knowing she existed, have ended her life; I can no longer feel her presence.

00:42:39And now, what fills the void, since it is no longer here, in me.

00:42:52I'm looking for a dream, a new one, and a dream...

00:43:02Ta-da! Ta-da!

00:43:04Wow!

00:43:05He's... he's bored, huh?

00:43:07I'm telling you, we're the citizens of style, huh?

00:43:09Ville!

00:43:10Hey, my father!

00:43:11Your father, your father!

00:43:14Hey, have you seen my striped shirt?

00:43:16The striped shirt?

00:43:17No, not at all.

00:43:18Okay, okay.

00:43:18What is this crap?

00:43:23No, bowling, he's been sweating a lot in gymnastics and, of course, he had to change, right?

00:43:33Eruc, no, grandpa, right? How does this look?

00:43:36But, bowling alley, please, a little bit of hygiene, you're in my house.

00:43:39No, it's just that, hey, I've had stew, haven't I?

00:43:41And that, well, because of the mess and all that, well, you drowned...

00:43:44No, no, yes, yes, yes.

00:43:45This friend of yours, apart from being a pig, is humble, let's just say.

00:43:50Yes, yes, you can tell he's the son of a fried food vendor, he is.

00:43:57Hey, we're going to move on to phase two, okay?

00:43:59Montoya needs to be turned into a chemist.

00:44:01That's a piece of cake.

00:44:02They also call me the chemist, because I make caliposo like nobody else.

00:44:06Excellent.

00:44:07Guillén?

00:44:07Yeah.

00:44:11Hey, Montoya, what a change, huh?

00:44:14I'm going out for a moment.

00:44:15Let's go, okay?

00:44:20Tell me.

00:44:22What are you doing?

00:44:23Well, Grandma has arranged to meet Juan Asselmo this afternoon and...

00:44:25Yes, with Juan Asselmo, not with Montoya.

00:44:29You're not going to fool him again, are you?

00:44:30Okay, so what do you want me to do?

00:44:31What keeps him from his heart?

00:44:33Should she start crying again or what?

00:44:34Can't you see how excited she was?

00:44:35Which hair salon is this way?

00:44:36What are you having for a snack over there?

00:44:38Come on, let's go.

00:44:39Peaceful.

00:44:41Okay guys, let's get back to business, shall we?

00:44:43Let's get back to business.

00:44:44Damn, Montoya.

00:44:47Have you won the Ramón y Cajal prize?

00:44:49Uh-huh.

00:44:50Have you been studying at a university in San Francisco?

00:44:53Uh-huh.

00:44:53And you have been a professor for 15 years at a university called Jorge Chau.

00:45:00I'm not understanding anything.

00:45:07Gentlemen, your lads are making the papers.

00:45:11The frame and Raúl.

00:45:12What frame is Raúl in the newspaper?

00:45:14Yes, yes, with his little group, the cockles, he says they're called.

00:45:16Oh, they're so talented.

00:45:17Hey, let's see if these guys become famous and get us out of poverty, right?

00:45:20Let's see, bring the freckle over here.

00:45:21Efe, efe, efe, efe.

00:45:22I don't know if you're going to like what they're saying, huh?

00:45:24They're calling it a probe scandal, right?

00:45:26Scandal in the probe, it's from the same time.

00:45:29Fuck.

00:45:29"I started having sex with my own sister," confesses Marcos Serrano.

00:45:33My mother is here.

00:45:35That's it, Diego.

00:45:36It's slipping away.

00:45:37This family is leaving you.

00:45:39Marcos, Marcos has it, God forgive me.

00:45:41Because if being a pervert is bad, it's worse to write it down.

00:45:45Don't tell anyone, Santi.

00:45:46Not mentioning it just inflates the story.

00:45:47But what blood brothers, what blood brothers.

00:45:49What are you talking about, blood brothers, for God's sake?

00:45:51That's weird, isn't it?

00:45:52He always says they're half-siblings.

00:45:53Wow, you're weird.

00:45:54Go on, go sweep.

00:45:56It was bound to happen.

00:45:57Marcos's situation was predictable.

00:45:58Remember.

00:45:59When he pierced his nipples, like a carima.

00:46:02My son is rolling in the mud, my wife is lying to me.

00:46:04But where did I go wrong, ma'am?

00:46:05Where have I gone wrong, for God's sake?

00:46:06Look, it pains me to tell you this, Diego.

00:46:08But in everything, mostly, in everything.

00:46:10But just like me, because look what mine says.

00:46:12Hey?

00:46:13He's homophobic, a sex addict, a misogynist, and an idiot.

00:46:18Yes, you idiot.

00:46:19I agree with that.

00:46:21Fiti, Fiti, I'm going to tell you something.

00:46:23Our children are depraved.

00:46:25And this situation is beyond me.

00:46:26The situation is overwhelming me.

00:46:27I don't know how to control it.

00:46:28So, what do we do?

00:46:29To the specialist.

00:46:30We're sorry we had to take you out of the house, Fermín, but this is an emergency.

00:46:32So, this is...

00:46:33Fernando, Fernando, Fernando, Fernando, Fernando.

00:46:34Excuse me, Fernando, what?

00:46:34But this is an emergency.

00:46:36Because our children here are depraved.

00:46:39Perverts?

00:46:39Degenerates, indeed.

00:46:41Look, look, Fernando.

00:46:43Look at this, look at this, look at this.

00:46:45Look what that clown, the firstborn, has written in the press.

00:46:47That he started having sex with his own sister.

00:46:49Oh my God!

00:46:50But oh well, but oh well.

00:46:51Eva and Marcos aren't blood siblings, are they?

00:46:53Of course not, man, of course not.

00:46:55But this inflates it.

00:46:56He inflates it and gloats over me.

00:46:57What's the worst part?

00:46:57Their majesties rejoice in me.

00:46:58The majesties revel in me.

00:47:00Calm down, calm down.

00:47:00Calm down my ass.

00:47:02Fernando, I'm sorry.

00:47:03But that newspaper is being distributed at subway entrances.

00:47:06And I read everything, God.

00:47:07Indeed, indeed.

00:47:08And besides, I mean, they're dragging the family name through the mud.

00:47:12And you don't mess with the Serrano family name, gentlemen.

00:47:14Don't mess with the Serrano family name.

00:47:16And that's it.

00:47:16Yes, yes.

00:47:17Well, what about you?

00:47:19Do you have anything to say?

00:47:21Well, I really...

00:47:22What are you going to say, man?

00:47:22What are you going to say?

00:47:23But if you don't have the right to life, you wretch.

00:47:24No, no, Diego.

00:47:25No, no, no.

00:47:26That's no way to do things.

00:47:27We need to let people explain themselves.

00:47:29Okay?

00:47:29Good.

00:47:30Yes indeed.

00:47:31Look what's been happening here.

00:47:32Okay, okay, okay.

00:47:33Careful, careful.

00:47:37Look, Fernando, here's what happened, I mean, us, this song about life turned upside down,

00:47:46So we said everything backwards, come on, and we said the homophobic thing and the Phoebus thing, but it's all backwards.

00:47:51We said, I mean, we said you.

00:47:53We're all sitting there.

00:47:54We said you, dude.

00:47:54No, no, we said you.

00:47:55And then one of them got heated and the stuff about sex, using glue, and other things came up.

00:48:00What do you mean you need glue?

00:48:01But what is glue?

00:48:03The carpet glue?

00:48:04Are you into the stock market?

00:48:04But okay, but okay, but okay, but okay, it's a lie, that's a lie, okay?

00:48:09It's all a lie.

00:48:11It's like life turned upside down.

00:48:13Look, Marcos, I turned your head upside down.

00:48:15But no, let's reason, let's have a dialogue.

00:48:18Good, very good.

00:48:19In other words, it's all a lie.

00:48:20Well, I admit, I admit that the thing about homophobes, ephebes and homophobes is a lie.

00:48:23Okay, I admit that.

00:48:25But anyway, let's...

00:48:25But what your sister said isn't a lie.

00:48:27But wait, why are you telling everyone, you pig?

00:48:31I'm sorry, I'm sorry, Dad, I really am.

00:48:34Well, but don't worry because, I mean, nothing's going to happen because we're not going to give that concert.

00:48:39We've been kicked out.

00:48:40Already.

00:48:41Okay?

00:48:41And I'm going to quit music.

00:48:45So, how?

00:48:47That?

00:48:47I'll leave it.

00:48:48Yes, Dad, well, that's the best thing.

00:48:49Well, look, yes, I don't think it's a bad idea, son.

00:48:50I don't think it's a bad thing, really, because it's fine that you're giving up music.

00:48:53That's it.

00:48:53Alright.

00:48:54No, because also, I wanted to tell you that in this world, which is very rotten,

00:48:58Well, I'm not saying, I'm not saying glue, am I?

00:48:59But other substances do remain, I know that.

00:49:01We've already discussed it.

00:49:02Okay, Diego, Raúl, Fiti, can you give me a moment to talk to the waves with Marcos?

00:49:07Yes, yes, yes.

00:49:09You wouldn't happen to have any little secrets between you, would you?

00:49:10Marcos, well, let's see, maybe you can fool your father, huh?

00:49:31But I know you care about music and you care about that concert, right?

00:49:35Yes, yes, but well, there are many things that matter to me in life and they're not going to turn out well.

00:49:39I mean, I'm used to losing.

00:49:42I am a failure, I am a failure.

00:49:44A failure?

00:49:45No, chaos.

00:49:46Sorry, that's not my style, okay?

00:49:47But the word "failure" really makes me feel sick, you know?

00:49:49Let's see, let's see.

00:49:50Marcos, you're 17 years old, so what you have to do is go out and conquer the world, okay?

00:49:55And knock, knock on every single door, okay?

00:49:59Before I call you a failure, okay?

00:50:01Music is your thing, huh?

00:50:03So fight for it, okay?

00:50:05Fight for what you want.

00:50:06Let others think what they want, okay?

00:50:09It's an order.

00:50:14The changeover has arrived.

00:50:15The relay.

00:50:17Hey, fatty, are you coming to the tavern too?

00:50:19Yes, you see, Santiago, there's everything to do in this life.

00:50:21Oh, one thing.

00:50:25You clean up the mess you make.

00:50:27Thank you!

00:50:28Thank you!

00:50:29Thank you!

00:50:30Thank you!

00:50:31Thank you!

00:50:32Thank you!

00:50:33Thank you!

00:50:34Thank you!

00:50:35Thank you!

00:50:36Thank you!

00:50:37Thank you!

00:50:38Thank you!

00:50:39Thank you!

00:50:40Thank you!

00:50:41Thank you!

00:50:43Thank you!

00:50:44Thank you!

00:50:45Thank you!

00:50:46Thank you!

00:50:47Thank you!

00:50:48Thank you!

00:50:49Thank you!

00:50:50Thank you!

00:50:51Thank you!

00:50:52Thank you!

00:50:53Thank you!

00:50:54Thank you!

00:50:55Thank you!

00:50:56Thank you!

00:50:59Thank you!

00:51:00Thank you!

00:51:05For the Mega Party!

00:51:27And for us.

00:51:28That!

00:51:33Hello.

00:51:34Is it closed there?

00:51:36Isn't this the tavern, brother Serrano?

00:51:38No!

00:51:39Oh, sorry.

00:51:39Yes!

00:51:42I came to pick someone up, but I don't see them, so I'm leaving.

00:51:47Well, maybe it'll come later, huh?

00:51:48We're having a party, stay.

00:51:50Okay.

00:51:51If I wait for it, it might come.

00:51:56Let's do a...

00:51:57Look, better.

00:51:58Are you going to give this gentleman something and we'll change?

00:52:02What a great idea!

00:52:03It's because she's a little bit married, Eva.

00:52:04But it's still closed.

00:52:06Yes, but don't worry.

00:52:07We'll take care of it.

00:52:12Would you like something to drink?

00:52:13Yes of course.

00:52:17What can I get you?

00:52:19Whatever you want.

00:52:20It doesn't matter.

00:52:24Daisy?

00:52:24Okay.

00:52:26Yeah?

00:52:26Okay, Margarita.

00:52:27Okay.

00:52:29Okay, fine.

00:52:30And bring Juan from the jungle to the kitchen.

00:52:31With the son.

00:52:32Montoya.

00:52:32Okay, what's your name?

00:52:36Come on, go on, go on.

00:52:37Yes, yes, yes.

00:52:37Nobody is laughing.

00:52:38No no.

00:52:38Come on.

00:52:41It turned out perfectly.

00:52:43You think?

00:52:44He.

00:52:45Here, take the flowers.

00:52:47Careful.

00:52:47He is grace.

00:52:50I love daisies.

00:52:52I had a girlfriend named Mari Carmel and she loved daisies.

00:52:56Well, it's a lovely story, really, but let's review, okay?

00:52:59So, who are you?

00:53:00How strange are those non-Gypsies.

00:53:02I am Montoya here to serve God and you.

00:53:04No, no, you're not Montoya.

00:53:05You are Juan Anselmo.

00:53:06Juan Anselmo, okay?

00:53:08Hey, couldn't it have been a different name that wasn't so difficult?

00:53:11No no.

00:53:12Carmen, Carmen.

00:53:13Come on, come here.

00:53:14Come on, come here.

00:53:14Hello, Carmen.

00:53:18Hi guys.

00:53:19See you later.

00:53:20We'll do our homework later, okay?

00:53:21Yes, we'll call you later.

00:53:22Come here, hello.

00:53:23Hello, what?

00:53:24Juan Anselmo has arrived.

00:53:26Yeah.

00:53:26Juan Anselmo.

00:53:29Oh, thank you so much.

00:53:31You didn't have to.

00:53:33It's beautiful.

00:53:35What I like are daisies.

00:53:37Me too.

00:53:38I had a girlfriend.

00:53:40But, but, but come here.

00:53:41Aren't you going to give me a hug after all these years?

00:53:44Oh, oh, oh.

00:53:46Oh, Juan Anselmo.

00:53:48What, what impetus!

00:53:51How you've changed, huh?

00:53:53Yes, yes, yes.

00:53:54If I saw you on the street, I wouldn't recognize you.

00:53:56Of course the same thing will happen to you.

00:53:59Okay, sit down.

00:54:02I've made you a coffee.

00:54:03Or would you prefer a glass of wine?

00:54:06No no.

00:54:07What, no, what?

00:54:08What's wrong, son?

00:54:09What, what?

00:54:09That?

00:54:10That?

00:54:11That?

00:54:11Okay, sit down.

00:54:15Thank you so much.

00:54:16And tell me, what have you done these past few years?

00:54:21I was studying at the University of San Francisco until 1984.

00:54:26After that I studied at Jorge Tano University until '92.

00:54:31Later I taught some classes at AUCLA.

00:54:35Very interesting.

00:54:36And are you married?

00:54:38I married Guadalupe Fernández de la Vega in '44.

00:54:42Two bastards were born from that relationship.

00:54:45José Esteban and María Victoria.

00:54:47Oh my God.

00:54:48Juan Anselmo, it seems you're reading my resume.

00:54:52And what do your children do for a living?

00:54:56About what...

00:54:57Oh, you don't know what your family does for a living?

00:55:01They used to be in the malagatones, now they're in the caltones.

00:55:12Is he laughing?

00:55:15How funny.

00:55:17I'm going to tell you a joke.

00:55:19Yeah?

00:55:19A non-Gypsy and a Gypsy playing chess.

00:55:23The gypsy tells him, "Go ahead and kill with the horse."

00:55:27And the gypsy says to him, "Ha, let me kill you with the van."

00:55:32How funny.

00:55:34It's funnier that I could get if you served me a little wine.

00:55:37Well.

00:55:38Well, well, bottle brunette.

00:55:40Well, I...

00:55:41Juan Anselmo, I just remembered that you have a convertible double-parked and...

00:55:45Well, no, but let him have his wine.

00:55:47The one with the glass sounds so much better.

00:55:52No, no, no, it's just that the fines end up being very expensive.

00:55:54Yes, well, give it a little longer.

00:55:56Nothing, Carmen, they're taking me to jail.

00:55:58Okay, okay, don't worry.

00:56:00We call each other and go for a walk.

00:56:03We're going to the movies.

00:56:04Goodbye, goodbye.

00:56:05Hello, Rafael, we'll meet with this gentleman who left his convertible at the office.

00:56:07Runs.

00:56:08Guille, Guille.

00:56:10Okay, we'll talk later.

00:56:11How strange everything is.

00:56:17How are you, Carmen?

00:56:20Good.

00:56:21I'm going to the tavern for a moment to see the girls.

00:56:22Ah, well, very good, yes.

00:56:24I might go to the movies later.

00:56:39Juan Anselmo?

00:56:40But then...

00:56:44Hey!

00:56:45Hey man, what's up?

00:56:46Go ahead, how are you?

00:56:47He did great, man.

00:56:48I never thought I'd have so much fun watching our ladies work so hard.

00:56:51Working hard and getting dirty.

00:56:53I haven't wasted a lifetime's worth of energy cleaning up the "look at me" thing.

00:56:55Look, damn it, man.

00:56:56And the laughs we're having?

00:56:57What's happening?

00:56:58That's not valid?

00:56:58Laughter, laughter.

00:56:59I'm getting sick just thinking about those witches messing with my kitchen counters...

00:57:03Hey, wait a minute, one of those witches is my wife.

00:57:06Okay?

00:57:06She may be your wife, but she's useless. She moved my bottle openers, and they're very delicate. What's wrong with you, man?

00:57:12And the starters?

00:57:13It's not like they're pearls, come on.

00:57:14Let's go, man, I'm already eating the whole box.

00:57:17To the tavern?

00:57:18Come on.

00:57:18Yes, come on, come on, come on.

00:57:19Yes, come on.

00:57:19You're not going to stay here.

00:57:20No, no, no.

00:57:21You're not going to stay here.

00:57:51Okay, is it one, two, and on the count of three, or is it one, two, three, and we go up?

00:57:55Okay, Raúl, let's do one thing.

00:57:57We're going up, don't follow.

00:57:58No, no, we're going to get confused, we're going to get confused.

00:58:00Another one, another one, another one, another one, another one!

00:58:08Another one, another one, another one, another one!

00:58:09Another one, another one, another one, another one!

00:58:11Another one, another one, another one, another one!

00:58:14Another one, another one, another one, another one!

00:58:19Another one, another one, another one!

00:58:49Wait a minute, wait a minute. Okay, what do you want? Are you listening to the cockles?

00:58:54Well, you're going to have them because here they are, cockles.

00:59:19Just a moment, just a moment.

00:59:49Just a moment, just a moment.

01:00:19Hold on a minute, hold on to these costumes because it seems like this place is full of truckers and I don't know if I can stand this much longer, or Hattie, right?

01:00:23Well, it seems like Hattie would be there, right? It's Lourdes.

01:00:26Hey, guys, help!

01:00:31I'm going that way!

01:00:32Come on, Lourdes! Lourdes! Very proud!

01:00:41Wow, we're having a great time!

01:00:43Candle!

01:00:44What do we do with Lourdes?

01:00:45I think we should let him vent.

01:00:48It looks good, doesn't it?

01:00:48Sorry!

01:00:50Oops, sorry!

01:00:51I've been at the bar for two hours and nobody has put up with me.

01:00:55Can I have a gin and tonic?

01:00:56Yes of course.

01:00:57Look, I'm there.

01:00:59Okay?

01:00:59Candle!

01:01:03Candle!

01:01:04Hey!

01:01:05A Gin and Tonic!

01:01:08Let's go!

01:01:22Candle!

01:01:23Candle!

01:01:24Candle!

01:01:26Well, what the hell, we're not really such bad guys, are we?

01:01:33What we are...

01:01:34We're very ordinary.

01:01:36Well, that...

01:01:37That...

01:01:38This song we're going to play is called "Life Upside Down," I composed it, well, that...

01:01:42My life isn't just upside down now, it's a complete mess, isn't it?

01:01:45AND...

01:01:46AND...

01:01:46Well, I'm not going to tell you because...

01:01:48The point is that...

01:01:49That...

01:01:50Well, it's about...

01:01:51This song is dedicated to the girl who...

01:01:53Well, that I will always want, that...

01:01:54If she's already listening to it, then it's for her.

01:02:02Eva, Eva, child!

01:02:04Have the Gin and Tonic.

01:02:05You have to leave the radio and come here, look what we have.

01:02:09No, no, no, no, it can't be, Marcos, no.

01:02:12It's over.

01:02:14It has to end now, I just can't take it anymore.

01:02:16And this boy...

01:02:21It's very nice.

01:02:23What if I give you some conversation?

01:02:25Or better yet, no conversation at all?

01:02:34It's just that I do it better, no.

01:02:35No, no, no, no.

01:02:36It's just raining.

01:02:37My goodness, what...

01:02:38Camila, listen, maybe the girl is going a little overboard.

01:02:43No?

01:02:43Hey?

01:02:43The little girl, the little girl is delighted.

01:02:45Let her enjoy herself.

01:02:46Long live youth!

01:02:46Girls, for the boat.

01:02:48They're broken.

01:02:51What's happening to your daughter, huh?

01:02:52Because?

01:02:52Oh, be careful, okay?

01:02:56I'm not going to break you.

01:02:57Let's see.

01:02:58How's the blonde?

01:02:59Have you seen how the blonde looks?

01:03:01Air, air, air.

01:03:02Lots of air.

01:03:03Lots of air.

01:03:05Hey?

01:03:05Pretty.

01:03:06Yeah.

01:03:10The violence is making us a little stupid.

01:03:11Violence is turning us into fools from its own home.

01:03:14And there's also the president of the parents' association against violence.

01:03:17There, don't look, don't look, it's there.

01:03:19So we're going to surprise everyone at this party, but you know, but now.

01:03:22No, no, no.

01:03:26Sorry, sorry, sorry.

01:03:28Didn't this steal from you?

01:03:29How are you?

01:03:30No, no, no.

01:03:30Where are you?

01:03:34Lucia.

01:03:35Lucia.

01:03:36They're there, they're out there.

01:03:37Who's there?

01:03:38Your husband, mine, and the other one.

01:03:39The immunity process is complete.

01:03:40What a forum, my boss!

01:03:41We are the owners!

01:03:42They're out there, they're going to come in and they're going to see us.

01:03:43So there's no other option.

01:03:45There's no more fucking around.

01:03:45Get on the bar and dance.

01:03:46To the bar?

01:03:47Yes, run.

01:03:49No no.

01:03:51Canton, dear!

01:03:52Close them, brothers, close them.

01:04:06Taverns, close down, that's us.

01:04:07Yes, and I am David Ismael.

01:04:09Well, you know who you want.

01:04:10Come on, deflate a little, we'll see.

01:04:12Yes, yes, yes.

01:04:13Looking like that, you're not getting in here, not a chance.

01:04:15Thug.

01:04:15Oh.

01:04:16Chulopera.

01:04:17Chulopera.

01:04:17Chulopera!

01:04:17What a shame, I'm wasting my life, huh!

01:04:19Oh my god, he moves so badly!

01:04:22Oh my god, he moves so badly!

01:04:23Hey, you're the one who brings the light!

01:04:24But hey, my old lady and her fire, where did I learn to move my ass like that?

01:04:27But anyway, whether I was influenced by the little hat, the miniskirt, and the pillow fight, whatever, I'm not going to...

01:04:32Yes, yes, yes, yes!

01:04:32Yes, yes, yes!

01:04:33Yes, yes, yes!

01:04:35The first thing is to ruin Popeye.

01:04:37Come on, let's get the tools.

01:04:38Come on, let's get the tools!

01:04:38And the window and hanging the problems in the sun, swimming through the streets talking about you.

01:05:05To gaze into the rain and drink in a new song!

01:05:12Play cards using your love letters!

01:05:17Paint the roofs the color of loneliness!

01:05:22Send an email to the moon!

01:05:24And the moon answers no, life is upside down.

01:05:30If you know what it is, and while I have you in my head, always thinking of you, counting to three, and you never know what happens.

01:05:44Life turned upside down.

01:05:46Thinking with my feet, and dancing with my ideas, laughing for you and crying, although yes, I give you a mess you wouldn't believe.

01:06:00Life turned upside down.

01:06:02Life turned upside down.

01:06:06And to build your house, and your house that never existed, I look in the mirror and there I am.

01:06:17Talk to the park benches, and send a message out to sea.

01:06:24With my head down hanging in a gas balloon

01:06:29It starts snowing in the middle of summer

01:06:33Always with you in mind, in a world of mind

01:06:37You see life all around you, you see what it is

01:06:43And while I have you on my mind

01:06:47Always thinking of you, telling you about

01:06:51And they never know what's going on

01:06:55Life upside down, thinking about feet

01:06:59And while they dance with the ideas

01:07:03King for you, crying for no reason.

01:07:07He's in a real mess, you wouldn't believe it.

01:07:11Life in reverse

01:07:13Life in reverse

01:07:21I experience it in reverse, you see what it's like

01:07:31And while I have you on my mind

01:07:35Always thinking of you, count to three

01:07:39And they never know what's going on

01:07:42Life in reverse

01:07:44I experience it backwards, thinking with my feet

01:07:47And while they dance with the ideas

01:07:50King for you, crying for no reason.

01:07:54He's in a real mess, you wouldn't believe it.

01:07:58Life in reverse

01:08:00Life in reverse

01:08:02Life in reverse

01:08:04Life in reverse

01:08:06Life in reverse

01:08:08Life in reverse

01:08:10Life in reverse

01:08:12Life in reverse

01:08:13Hold on a moment

01:08:14We're going to apply the toasting technique

01:08:16Beware of the fiddly cat

01:08:17There won't be any damage.

01:08:18If this technique is clean

01:08:20You'll see how today

01:08:21Let me see, permission

01:08:22Excuse me, excuse me

01:08:23Demete

01:08:25Arrives

01:08:26I have a moment

01:08:27I have a moment

01:08:28Popelle

01:08:29Look

01:08:30What are you doing?

01:08:31Let that go

01:08:32Above

01:08:33Below

01:08:34To the center

01:08:35Come inside!

01:08:36Come inside!

01:08:37Come inside!

01:08:38Come inside!

01:08:40Come inside!

01:08:43Look what he does!

01:08:44Come inside!

01:08:46Come inside!

01:08:47It's not what it seems!

01:08:48It's not what it seems!

01:08:50It's not what it seems!

01:08:51It's not my fault my wife goes to you!

01:09:04Diego! I've been picking on the goalkeeper!

01:09:07I've put you facing Cuenca!

01:09:08But what does the end do? Are you crazy? What's wrong with you?

01:09:10Yes! I'm dead!

01:09:11But!

01:09:21No! No, I don't have the police!

01:09:24I'm not going to tillly sia!

01:09:25No, I don't have the police!

01:09:27No! You have a tillyıyor!

01:09:30No, no! There is no Boldicia!

01:09:40Marcos, Marcos, uncle,

01:09:41that they're talking about us on the radio

01:09:42And we're not acting like clouds.

01:09:43Great, I appreciate it.

01:09:45Ron, cute.

01:09:48The most notable event was the unexpected appearance of the Berbers.

01:09:51Us?

01:09:52Yes, man, we've triumphed.

01:09:56And Eva, what did he say? Did he like the dedication?

01:09:59I haven't told her, I haven't seen her.

01:10:02Well, now that you're up there,

01:10:04You go up, but with confidence, security, Marcos, up.

01:10:07Okay, I'm coming up, so, do you want a coffee first or what?

01:10:09I haven't had breakfast, I haven't had breakfast.

01:10:13Oh, my aunt!

01:10:14You won't believe what happened to me yesterday.

01:10:16That?

01:10:16I think I've fallen in love with you again, haven't I?

01:10:18I have to tell you, hurry up.

01:10:19Yeah.

01:10:21Dude, dude, dude, dude, we've split the cod,

01:10:29that we're on the radio, that we're on the radio,

01:10:30They're talking about us, man, yeah.

01:10:32That?

01:10:33I'm a little...

01:10:34What I just heard, what Eva told Africa

01:10:36She's fallen in love with me again, dude.

01:10:38That?

01:10:38Yes, really?

01:10:40Uncle, uncle, uncle, uncle, uncle, uncle, uncle, uncle, uncle, uncle.

01:10:41But what was it like? Tell me about it.

01:10:42No, no, no, no, no, no, no, no, no, no.

01:10:48No, no, no, no, no.

01:10:48No, no, no, no, no, no, no.

01:10:49Stay still, stay still there, stay still.

01:10:50But either you tell me right now, or you tell me right now

01:10:53Where did the T.S. get the idea that you introduced yourself to the grandmother?

01:10:55Or we have it, DJ.

01:10:57That?

01:10:57Okay, if you let me go, I'll tell you, alright?

01:10:59I'm letting you go.

01:10:59You're a beggar of the core.

01:11:04That?

01:11:05A beggar?

01:11:06Sure, I understand, that way of speaking.

01:11:08How can you think that a beggar can pass for a chemistry expert?

01:11:12Your brain's failing you, Guille, seriously.

01:11:13But you realize that doesn't fly, for God's sake.

01:11:15Well, come on in, sneak in.

01:11:16Come on, sneak in!

01:11:17Look, seriously, Guille, you're a psychopath, a psychopath.

01:11:20a juvenile delinquent.

01:11:22And how? Well, for money, by playing with the feelings of this poor old woman.

01:11:25Or maybe she was just too much of a poor old woman, huh?

01:11:27And leave the boy alone, just leave him alone.

01:11:28Yes, yes.

01:11:28Come on.

01:11:29Okay.

01:11:29Give me my money back, that's enough.

01:11:31Okay.

01:11:31I'm already quite upset about what happened with Juan Anselmo.

01:11:33Come on, let's go.

01:11:34No, Grandma, I'm sorry, but I promise you I didn't do it for money.

01:11:36Okay, then you give me back the 60 euros he gave you.

01:11:38You don't leave that often.

01:11:39Sufin, I'll leave it to you.

01:11:40Lucia, Lucia, forgive me, forgive me for a moment.

01:11:42Sorry.

01:11:43You, you, you haven't by any chance seen my striped shirt, this one from the...

01:11:48Is she annoyed?

01:11:51Annoyed?

01:11:51Yeah.

01:11:51Why would I be annoyed?

01:11:52Why does my husband make such a fuss at my party and why doesn't he believe in me?

01:11:55It's not that...

01:11:56Oh!

01:11:56What a load of rubbish!

01:11:56No, no, but of course, if you tell it like that, well, I'm telling you this with all the love and respect in the world.

01:12:01I get the impression that you went too far.

01:12:03What did we go overboard with?

01:12:03Yeah.

01:12:04Or perhaps the box we made was too much for your tavern-owner pride.

01:12:07No, no, no, no, no, it wasn't because of that, because of course, seeing you there, with those t-shirts, on my lap,

01:12:11And teaching, well, you teach me a little bit, everything marked and such.

01:12:13So, of course, I understand that the guys were there, that they were all young,

01:12:16They got excited, I mean, they got like donkeys,

01:12:18And what do we do?

01:12:18We could have milk with them, what are we going to do?

01:12:20Is what I'm hearing true?

01:12:26Yes, yes, for love.

01:12:28Or was it out of jealousy?

01:12:30A little bit out of jealousy too, but very little, but mostly out of love.

01:12:34Good.

01:12:35Will you forgive me?

01:12:37No.

01:12:44Calm down, boss, let it get cut, man.

01:12:46I'm not going to cut it, man.

01:12:48Oh!

01:12:48Damn it!

01:12:49Do you see it?

01:12:50I told you, I told you.

01:12:51What do you think about us getting worked up when we get worked up?

01:12:54Damn it!

01:12:55But, but, but, my God, this has made a real mess of things by your door.

01:12:58Let's see, what were they?

01:13:00Four taps or the one from San Quintín?

01:13:02No, no, no, it's more likely to be the second one, huh?

01:13:04Fuck!

01:13:05Santi, at least we'll have made some money, right?

01:13:081990...

01:13:092,000!

01:13:112,000!

01:13:11Of the 2,200 damages, 800!

01:13:152,000, huh?

01:13:16Well, tonight again, right?

01:13:17Is it a bit fiery?

01:13:18Of course!

01:13:18No, no, no, that's not it, that's not it, no, no, no.

01:13:20That's not it, no, no.

01:13:21Well, I was saying one thing, you don't need to show your cash register to make money.

01:13:24So this is our responsibility, the tavern's responsibility.

01:13:27And we're going to fix it.

01:13:28And that's it, it's over.

01:13:29Well, we're going to school and you're going to what you have to do.

01:13:32Wow!

01:13:33See you later!

01:13:33Come on, it looks good, huh!

01:13:34I'm sure you don't want to!

01:13:35No!

01:13:36Bye bye!

01:13:36This is 1,000 euros, po, po, po.

01:13:38Okay, listen to me.

01:13:40Listen to me because we're back to square one.

01:13:41In other words, humble yourselves as you did at the beginning and in ruin.

01:13:44Well, I see Robert's offer.

01:13:46The ones taken are jungle damages.

01:13:47But what do you mean, a jungle year?

01:13:49I mean, like, I don't see the offer, I don't feel like selling the tavern, you understand?

01:13:52Calm down, damn it, calm down, it'll only be a moment.

01:13:54It's like these women just gave me the idea, it's like the lightbulb went on in my head.

01:13:59The point here is to show the box.

01:14:02And who's showing the box?

01:14:03Your mother?

01:14:04My mother?

01:14:04Leave my mother alone, man, leave my mother alone, my mother.

01:14:07Fiti, okay, Fiti.

01:14:08Leave the family alone.

01:14:09Okay, but listen to me for a moment.

01:14:10Who has to show the cash register?

01:14:11Well, at any given moment anyone can show off their cash.

01:14:15All we need here is a little bit of choreography, damn it.

01:14:19No way?

01:14:20Hello.

01:14:21Did you enjoy the concert?

01:14:22I don't understand.

01:14:23And did you like the dedication?

01:14:25No, I couldn't.

01:14:26I'm in a hurry.

01:14:29She's made it for me, because she has a broken filter.

01:14:34I have something.

01:14:47Don't worry.

01:14:50Hey, guys, guys, guys.

01:14:53Don't worry.

01:14:54And you don't have to worry about Eva anymore.

01:14:55Do you know why?

01:14:56Because now you're a cockle.

01:14:58Think about it, man.

01:14:59See rights, frames, frames, dude, we're going to succeed, man, there's more

01:15:10aunts who give the shade that is dressed yesterday we came down from the stage we have them

01:15:13One, two, all of them, come with me to my dressing room, that's it

01:15:16And that must be a canapé that Diego invented.

01:15:27But you're going to tell everyone that, aunt.

01:15:29How awful!

01:15:32But you're not seeing all that.

01:15:37oh well

01:15:39Yeah

01:17:17I'll measure it again, you see what it is

01:17:21And while I have you on my mind

01:17:25Always think of me, count to three

01:17:29And never knowing what's happening

01:17:33Life in reverse

01:17:35Thinking with your feet

01:17:37And while they dance with the ideas

01:17:41Laugh for yourself, cry just because

01:17:45He's in a real mess, you wouldn't believe it.

01:17:49Life in reverse

01:17:51Life in reverse

Los Serrano - 3x14 - Un año selvático - HD 1080

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