- hace 7 meses
Marcos decide marchar al pueblo con sus abuelos para olvidar a Eva y además aprovechar para estudiar. Cuando está listo para salir llegan a la casa Eva y su antiguo novio, Joan Manuel. Raúl le pide a Marcos que no se vaya ya que el catalán viene dispuesto a conquistar a Eva. Sin embargo, a pesar de los consejos de su amigo, decide partir. Raúl le promete que él hará de guardián y velará porque no pase nada entre ellos. El hijo de Fiti se mete tanto en el papel de velar por los intereses de su amigo que incluso se hace pasar por él ante una discográfica. A Candela le roban en la escuela un ordenador portátil en el que guardaba los exámenes y los expedientes de los alumnos. Ella cree que los autores del robo son los más pequeños pero no tiene pruebas y no puede tomar medidas. El enfado de Candela aumenta con una carta que recibe de la asociación de padres en la que argumentan que la causa del fracaso escolar y el vandalismo en el colegio son fruto de una mala gestión de dirección. Candela, preocupada por la seguridad en el colegio, decide poner cámaras de video en todo el edificio para controlar a los alumnos. Candela está preocupada por los problemas que tiene en el colegio y se muestra reacia ante los intentos seductores de Fiti. El mecánico ha encontrado un remedio para atraer a su mujer, se trata de un potenciador de la libido femenina que consiste en un extracto de feromonas de ñu. Por otra parte Santiago se enamora de una enfermera y hace todo lo posible por conquistarla. Tanto es así que para acercarse a ella va al hospital a someterse a varios reconocimientos y en uno de ellos le detectan almorranas. Su pretendida es la encargada de curárselas.
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TVTranscripción
00:00:00I love paella, that's why I like Sundays, because there's paella and for dessert... pastries!
00:00:18Careful, careful, there's enough for everyone. Marcos, son, try the paella, man, you haven't eaten anything.
00:00:24No paella, no cakes, nothing. My brother Marcos has been acting very strangely these past few days.
00:00:29Now he's decided he can't study at home, so he goes to the village to stay with his grandparents.
00:00:33Marcos, you're going to take a long time to come back, huh?
00:00:37No, not much. I hope.
00:00:40Did Uncle Santiago dump you again?
00:00:42The decoder?
00:00:44Yes, it was paid for by me, so it's mine. Well, ours.
00:00:49And now you'll be able to see all the drawings you want.
00:00:51And the girl, the movies, yes.
00:00:54And when is Eva coming back?
00:00:56And why are you all leaving?
00:00:57Don't worry, before you know it, I'll be back here again, giving you a hard time, okay?
00:01:03That must be Raúl.
00:01:06Can't.
00:01:08Marcos, Marcos, wait, wait a second.
00:01:10Don't give too much to the elderly grandparents.
00:01:14I'm not going out to party, why would I study?
00:01:15But the truth is that even I, who am little and supposedly don't understand anything, don't believe that Marcos is going away to study.
00:01:22This guy, Marcos, is like a lost soul, isn't he?
00:01:25Have you spoken to him? Have you gotten into any trouble?
00:01:28What a mess, ma'am! What a mess, right?
00:01:30She's sick and lovesick.
00:01:32Ah, I knew it.
00:01:33And why hasn't she introduced it to us?
00:01:35Ah, we can tell her to bring her sometime and that way we can meet her.
00:01:37Let him bring it, let him bring it, how could there not be any, no.
00:01:40But I'm going to explain that they've broken up.
00:01:41They've broken up.
00:01:42In other words, there's no heartbreak.
00:01:43Yeah.
00:01:44Put that body on.
00:01:45God gives teeth to those who have no mouth.
00:01:47If I had that body style...
00:01:49Oh, Santi, please, Marcos can have all the girls he wants.
00:01:52But let me tell you something, that won't save him from suffering or from falling in love.
00:01:55What's the point, what's the point of falling in love?
00:01:57So, what's it for?
00:01:58To have your clothes washed and to have your food cooked.
00:02:00TRUE?
00:02:01That's not what he's looking for.
00:02:02Yes, ma'am.
00:02:03That's how I see it.
00:02:05But that's not love.
00:02:06That's called marriage.
00:02:08One does the housework and the other works.
00:02:11Love is nonsense.
00:02:12But don't be rude, Santi, don't be rude, because you're not what happens once you fall in love.
00:02:15Well no.
00:02:16You know what I'm saying?
00:02:17You want to fall in love.
00:02:18One thing they've invented.
00:02:19Good-looking people to show off, to make themselves seem interesting.
00:02:22Well, you need the impertado that I've been staining.
00:02:25I don't know if falling in love is an invention or not.
00:02:28But I know from experience that when it appears, you do whatever it takes to keep it.
00:02:32And if you don't believe me, just ask my uncle Santiago.
00:02:36On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:44Come soon to see the sea and send a postcard.
00:02:47I already knew that day was the end.
00:02:52Now I have much more.
00:02:55Red, black, stop and even.
00:02:57Finally, luck brings an ace and a crystal to look through.
00:03:01And a wall to hang it on.
00:03:03Seven smiling faces in a passport photo.
00:03:06My stories were not about tales made by chance.
00:03:13Nobody told me that destiny was giving me this opportunity.
00:03:20One plus one equals seven.
00:03:23Who would have thought?
00:03:25It was so easy to be happy.
00:03:30Come on, and he told me, take it, take it, take it.
00:03:41Don't be silly, come on.
00:03:42Yes, I've had enough.
00:03:43But what can happen if you invite the locals over and have a drink?
00:03:47Why are you inviting the girls?
00:03:48Okay, there are girls there.
00:03:50Girls, so be...
00:03:51Of course there are girls, Raúl.
00:03:52How could there not be girls?
00:03:52There are girls in every little place.
00:03:53By the way, Marco has a private [female] who is something else.
00:03:57No, maybe we'll leave the cousins, Marco, I mean, we'll leave the family.
00:04:01Come on, son, don't worry, don't worry, because well, if we don't pass, we still have the recovery option.
00:04:07Come on, a hug.
00:04:08I want a hug too, I want a hug.
00:04:10Come on, a hug.
00:04:11I'm at home.
00:04:13Hello, what can I find?
00:04:17Oh, thank you.
00:04:19Oh, what a welcome.
00:04:20Okay, okay.
00:04:21I'll tell you now.
00:04:22How handsome.
00:04:23Hello.
00:04:29I'm going to my grandparents' house.
00:04:32A few days in the village and we'll see each other.
00:04:38Do you remember me, Manuel?
00:04:40Hello, family.
00:04:42I'm back here again.
00:04:43Oh, I'm going to speak.
00:04:44Hello, Alcía.
00:04:45Hello, Mrs. Carmen.
00:04:47How are you?
00:04:47Hello.
00:04:47I'm so glad you're here.
00:04:48Hello.
00:04:49Hello.
00:04:50Diego, how are you?
00:04:51That?
00:04:52What should we send?
00:04:52Good?
00:04:53That?
00:04:54I think something's wrong with these guys.
00:04:56I'm sure.
00:04:57Look.
00:04:57No, no, no.
00:04:59No, no.
00:04:59We are studying.
00:05:00Dude, how are you going to jump now?
00:05:05Dude, no way, this is a vulture, man.
00:05:08All you need to do is roll out the red carpet to the bedroom, because this is what's coming.
00:05:11Raúl, let Eva do whatever she wants.
00:05:14Okay, I mean, I, I, I, I'm leaving, it's not my business, it's not my business, it's not my business.
00:05:18Of course it's your business, man, it's precisely your business, dude, you've worked hard for it, it's yours, man.
00:05:22You can't throw in the towel now, Marcos.
00:05:24Yes, well, I'll throw it away.
00:05:27Okay, okay, we're tired.
00:05:28Okay, rest, rest, I'll take care of it.
00:05:31No, no, Raúl, I mean, I know you.
00:05:34What are you going to do?
00:05:35Okay, fine, let's forget about the violence.
00:05:37Okay, but, but, but we have to do something, man.
00:05:38Someone has to stay on as guard dog, and who's going to do it?
00:05:40This.
00:05:43See you later.
00:05:45Goodbye, have a good trip, son, have a good trip.
00:05:47So, you've been there in Begur for a few days.
00:05:50Yes, yes, a few days, yes.
00:05:52So what? Did you have a good time?
00:05:55Very good, Diego, yes, yes, well, wonderfully, really, you.
00:05:58Besides, Eva needed it, you know?
00:06:05Ah, of course, you're right, here.
00:06:07And one, one thing, Raimon, this, sorry, I, I, this, and what, do you want, do you want,
00:06:13Were you there with other friends?
00:06:15Yes, you'll see me, let's see, if we were Eva, yes, me, yes, and the magic of the Costa Brava.
00:06:24Was this where the magic was?
00:06:25Yes, what, what, what, horny, Eva said.
00:06:27No, Eva, I told you one weekend and you've stayed for a whole week.
00:06:30No, no, it's this guy who's doing here.
00:06:33Well, my mom and I, Manuel, have been very good to me, huh?
00:06:35And besides, he needed to come to Madrid, so I told him he could stay at home.
00:06:42Here?
00:06:43No, honey, absolutely not. Diego doesn't like that at all, and neither do I, so no way.
00:06:46Come on, please, I'm not going to tell you to leave now.
00:06:48Please, Eva, I've told you it doesn't end here, period.
00:06:54Is that clear?
00:06:54Should she go to a boarding house?
00:06:56Please, how can we send him to a boarding house?
00:06:58They are friends.
00:07:00Well, they're friends, but I don't trust that guy one bit, not one bit.
00:07:02No, shut up and don't scream.
00:07:04Stay here doing this while I see if he wants something for dinner.
00:07:05Okay.
00:07:07Oh, I was going to ask if you wanted something for dinner, but I see that...
00:07:10No, Lucia, don't worry, woman, I'll manage with this, really.
00:07:14You're not going to manage, you're not going to manage, a really good ham, pata negra, that soap.
00:07:17Lucia, I'm sorry, I forgot.
00:07:20I've brought you a little gift from Barcelona.
00:07:23Look, wait, huh?
00:07:24One moment.
00:07:25You saw that, didn't you?
00:07:26No, not this, because this is mine, of course.
00:07:29Wow, son, you've got a lot to take in that bag.
00:07:31Well, here I ended my entire life.
00:07:37Hey, some drums from my uncle.
00:07:39Well, Diego, I like you there.
00:07:41Well, bravo, there's a little bit of humor.
00:07:43Humor is energy, how could it not be?
00:07:45Look, here it is.
00:07:47Do you know what your stone is?
00:07:48No, right?
00:07:50Topaz.
00:07:52Stop my hand for a moment.
00:07:53Go on.
00:07:53Stop me, stop it for me.
00:07:54Look.
00:07:56You have to leave this, the topaz, tonight.
00:08:01With water and salt, okay?
00:08:02All night.
00:08:03When it's dry, you pick it up with both hands, okay?
00:08:06Like, really tight, you squeeze it really, really tight, like against your heart, okay?
00:08:10So you can capture all of its energy, huh?
00:08:14All of his energy.
00:08:14Then you'll see how you'll eat like a glutton all day long.
00:08:18Know?
00:08:18Well, look, I'm going to put it in salt, which is all I have left.
00:08:20Okay?
00:08:20Yeah?
00:08:21Okay then.
00:08:21Come on.
00:08:25No, well, it happens.
00:08:26Come on, he's acting silly.
00:08:28One thing, one thing, Raymond.
00:08:30This, I, Manuel, sorry.
00:08:32This, I'm going to tell you, in confidence, just between you and me.
00:08:37What the hell are you doing here?
00:08:40Diego, can I be honest?
00:08:42You can and you drink, son.
00:08:43You can and you drink.
00:08:45Look, Diego.
00:08:46I am here because...
00:08:48Because I'm really worried about Eve.
00:08:51Ah.
00:08:52Eve, Diego, Eve is a flower.
00:08:55But it's a flower that needs a lot of water.
00:08:59And the other day in Barcelona I was...
00:09:00It was pansideta, huh?
00:09:03Yes?
00:09:04Pansideta.
00:09:04Pansideta.
00:09:05Pansideta.
00:09:06Withers.
00:09:07Ah, withered.
00:09:07Withers.
00:09:08Yes, yes, yes.
00:09:08Sure, now it seems to be okay.
00:09:10Already.
00:09:10But of course, I, Diego, I'm afraid that...
00:09:14Well, if I'm not careful, it'll just dry out again.
00:09:16If you come back...
00:09:17Yes, and I understand, I understand that you're worried because, of course, you're friends.
00:09:22Since you're friends, you're worried.
00:09:24Because having concerns about friends is perfectly normal.
00:09:27But I'm going to tell you something, I'm going to tell you something.
00:09:28Don't worry.
00:09:29Stay calm.
00:09:30Because we're the ones who water here.
00:09:32In other words, we water.
00:09:33And here we water, and sometimes we even use sprinklers.
00:09:36In other words, we water with sprinklers.
00:09:38Do you understand?
00:09:38No, well I don't understand you, Diego.
00:09:39Well, I'll explain it to you.
00:09:40Eva's room is next to my room.
00:09:42And my room will have its door open.
00:09:44And who's going to be inside the room?
00:09:45I eat with my eyes open.
00:09:47Because?
00:09:47Because I've had three coffees to keep my eyes open.
00:09:51Well, if you happen to go out to water the plants at night.
00:09:56That.
00:09:59That he sleeps well.
00:10:09Fernando, I know Candela very well and this mess is going to drive her crazy.
00:10:12But a lot.
00:10:12Come on, what's under the police in this club.
00:10:15I'm going to give you a lot.
00:10:17Oh, what's this?
00:10:18Have you already sold it?
00:10:19Don't make me pay, Candela.
00:10:21Guillermo Serrano, for the last time.
00:10:22What did you do yesterday afternoon?
00:10:24I have the right to a lawyer.
00:10:25You have the right to tell me where the computer that was there yesterday afternoon is.
00:10:28Where is?
00:10:29Candela, it wasn't us...
00:10:30You stay silent, I've spoken to you.
00:10:31Come on, tell me.
00:10:32Candela, please.
00:10:33And what did you lead?
00:10:39Who did you become, please?
00:10:41Candela, forgive me, but it's either so many or bad, I know.
00:10:44It's just one of many robberies; it could have been anyone.
00:10:46Fernando, I'm sorry, but it's my computer and I'm going to fix it my way, if you don't mind, okay?
00:10:49Lucia, where were you yesterday afternoon?
00:10:51At home, Candela.
00:10:53But do you really think it was them?
00:10:54Okay, please.
00:10:55Look, I insist.
00:10:56You can't treat children like criminals without any proof, Candela.
00:10:59Fernando, I'm telling you that I treat children like criminals because that's what they are, criminals, do you understand?
00:11:02And that's what they deserve.
00:11:03Please, Fernando, leave me alone.
00:11:04Go away, go to...
00:11:05Go to sixth grade, he's probably causing trouble, damn it.
00:11:07Candle.
00:11:08And Fernando, please, thank you very much.
00:11:13Are you going to class?
00:11:16Come to class!
00:11:17And you'd better have nothing to do with all this, because if you do, you're in for a surprise.
00:11:20At least with me you're in trouble.
00:11:22But, Lucia, please.
00:11:23Okay.
00:11:24Lucía, the files, the exams, the work of months were already on the computer.
00:11:29Look, Lucia, I'm not even living this month.
00:11:31Okay, okay.
00:11:31Okay, that's it.
00:11:32That's it.
00:11:33That's it.
00:11:34Peaceful.
00:11:34Peaceful.
00:11:35That's it.
00:11:35Candela, please.
00:11:37I'm fed up with these thugs.
00:11:38I'm fed up with these thugs.
00:11:39I can't stand them anymore.
00:11:39I'm going crazy.
00:11:40We're raising prison meat, Lucia.
00:11:42But on top of everything, it's my fault.
00:11:43What are you saying?
00:11:44What the hell are you saying?
00:11:45No, no, look, look, no.
00:11:47Letter from the Parents' Association.
00:11:48Wait.
00:11:49Here.
00:11:50School failure and vandalism at Garcilaso are the result of poor management by the administration.
00:11:55little concerned about safety and discipline.
00:11:58Damn, I have a reputation as a Sergeant, Lucia.
00:11:59On top of everything, I have to take a dump with this.
00:12:01Please ignore him.
00:12:02They're always the same.
00:12:03You already know that.
00:12:04Okay?
00:12:04Do they want us to do here what they don't do at home?
00:12:06Check what the missing items are and sign below.
00:12:09Sorry.
00:12:11Don't they have any safety measures in place?
00:12:14Catching.
00:12:15What does that suggest to me?
00:12:16Electrified fences, Doberman.
00:12:19There are easier and more effective methods.
00:12:21I don't know.
00:12:22Come on.
00:12:23Come on.
00:12:23That's it.
00:12:24Thank you so much.
00:12:24Well, God.
00:12:24Thank you, thank you very much.
00:12:26Methods, methods.
00:12:27You see.
00:12:27Well.
00:12:27Clear.
00:12:31That's it.
00:12:37Paquillo.
00:12:38How much are a couple of ham sandwiches to go?
00:12:40I'm throwing myself out.
00:12:42Diego.
00:12:45You.
00:12:46What do you think this smells like?
00:12:50Eye.
00:12:50Shit, fuck.
00:12:51That smells like shit, damn it.
00:12:52But what is this?
00:12:53What is this?
00:12:53It does smell a little like shit.
00:12:55Yeah.
00:12:55What is it?
00:12:55It's a...
00:12:56Bring.
00:12:56It's a product.
00:12:57Let me, let me see it.
00:12:58Shut it up, man.
00:12:59Shut it up, man.
00:13:00My new female libido enhancer.
00:13:03But, but...
00:13:03But this is an aphrodisiac.
00:13:05An aphrodisiac to attract the aunts.
00:13:06But you're stupid, Fito.
00:13:08What's the matter?
00:13:08There's no need for the whole bar to know, damn it.
00:13:10Calm down a little, damn it.
00:13:12Yes, it's just a few drops.
00:13:13Well, yes.
00:13:14It is a female aphrodisiac.
00:13:15What's happening?
00:13:21No, but yes, yes.
00:13:22I understand.
00:13:23I understand, Fiti.
00:13:23I understand because you eventually get to one of the things, right?
00:13:26Sometimes it's needed like...
00:13:27Don't be mistaken.
00:13:28Don't be mistaken.
00:13:29I feel better than ever.
00:13:30It's fire, damn it.
00:13:31It's fire.
00:13:32No, it's not.
00:13:32There's no way.
00:13:33We don't make use of marriage, damn it.
00:13:35Neither through civil nor criminal means.
00:13:37What are you saying, what are you saying, but it can't be.
00:13:39It can't be, but...
00:13:40But you and Candela are role models.
00:13:42Have you spoken to her, Fiti?
00:13:43Yes, I've tried.
00:13:45I've tried.
00:13:45But there's just no way, I'm telling you.
00:13:47I mean, the other day, at night, that is, after the usual no,
00:13:52because it's already a custom,
00:13:53I started watching the infomercial on Belay.
00:13:55And he foreshadowed it in his actions...
00:13:58Power.
00:13:59The power of the wildebeest.
00:14:00Trunk.
00:14:01It works like a charm.
00:14:02It works like a charm.
00:14:02Fiti, don't be a panorí, for God's sake.
00:14:04So, you think that by putting that on, which smells like shit...
00:14:06I mean, because it smells like shit.
00:14:07So, you think that by putting that on,
00:14:09In other words, you're going to light the frolic.
00:14:10Come on, go away, man.
00:14:17Santiago.
00:14:18Hey?
00:14:18You haven't opened this can of mussels, have you?
00:14:20Because it expired in February.
00:14:23Expired, it says.
00:14:24It's so obvious you haven't done your military service.
00:14:26They put that there to protect their health.
00:14:27But it lasts much longer, man.
00:14:28Yes, yes, yes, yes.
00:14:36Hello good morning.
00:14:38Santiago Serrano, please.
00:14:39There it is, there it is.
00:14:40Yes, here I come.
00:14:42Give it to me.
00:14:45There it is.
00:14:46Get out of the way.
00:14:47Leave it.
00:14:48He's gotten so nervous, hasn't he?
00:14:56Oh dear, oh dear, oh dear.
00:14:57Dark paper, no return address.
00:14:59This is for people over 18 years old.
00:15:01Come on, tell me, man.
00:15:02For real.
00:15:03But you, do you really think everyone is as horny as you?
00:15:06Mainly.
00:15:07But hey, it's their business, isn't it?
00:15:09So, just leave it.
00:15:10Well, yes, it's their business, but is it weird or not?
00:15:12Yes, it's strange, yes, it's strange.
00:15:13It's strange, it's strange, but since it's their business and not yours,
00:15:15It could be, then, that's it, we are.
00:15:16I'm not saying it's not his business, but it's strange.
00:15:24Look.
00:15:26Well, they're already dressed.
00:15:28Yes, yes.
00:15:28They've even scammed her, they've scammed her.
00:15:29Look, look, look, look.
00:15:30Ina, 1.70m, 30 years old, green eyes, I like the countryside and family life.
00:15:34Fiti, this isn't...
00:15:35So, this is a catalog for finding a partner.
00:15:37And they are Russian.
00:15:38Look.
00:15:39Look.
00:15:40Russians.
00:15:40What is it?
00:15:41Hey!
00:15:41Hey!
00:15:42What's going on, son?
00:15:44My things are mine!
00:15:45Fepi!
00:15:45And it gives you the taste of the sea!
00:15:46Don't worry.
00:15:47Damn, you're so sick that...
00:15:49What is possible?
00:15:53Fiti, my brother is looking for a girlfriend through a catalog.
00:15:55Things are terrible, even worse.
00:15:57Okay, internal.
00:15:57Okay, internal.
00:15:58God.
00:15:59How are you?
00:16:00I love your hair.
00:16:01Do you like my dreadlocks?
00:16:02Yeah.
00:16:02I can make one for you if you want.
00:16:03Oh really?
00:16:04Yes, yes.
00:16:04Look, I have your hair here.
00:16:06How do you get started?
00:16:06Hey!
00:16:07How are you, how are you, darling?
00:16:08How are you?
00:16:08Good?
00:16:08Hey?
00:16:09Hey man, it was about time you came back to see us, wasn't it?
00:16:12You never visit us.
00:16:13As?
00:16:14How are you?
00:16:14Did you like Madrid?
00:16:15I have a good business here because I've been thinking about it, haven't I?
00:16:18Doing the return trip and all that.
00:16:19And I, well, I'm going to tell you, right?
00:16:21What, what...
00:16:23I have about ten colleagues around here at school trying to break legs.
00:16:28They'd love that, you know?
00:16:30Sorry, but I can't follow you, okay?
00:16:32Well, I'll explain it to you again calmly and without any problem, you know?
00:16:35I'm going to tell you...
00:16:39Uh, what...
00:16:40No, but this year, this year Barça started terribly, didn't they?
00:16:43Hey, Nen, what are you on about?
00:16:44Hey man, don't get mad, it's football, man, it's a sport, you know?
00:16:48But I had such a good time, man.
00:16:50I've gone bungee jumping, I've bathed naked, I've bought all this and this and many more things.
00:16:55I see, I see.
00:16:56I don't know exactly what you've done.
00:16:58Or what could they have done to you, but girl, you look radiant.
00:17:01No, no, don't go that way, okay?
00:17:03Yes, Manuel has taken care of me, and that's it, that's it.
00:17:07When a guy takes care of you and that's it, it's because he's being nice, okay?
00:17:11So that you become overconfident, lower your guard, and then take a risk.
00:17:14Careful.
00:17:14Well no, smarty pants, there won't be any risk.
00:17:17Well, yes, there will be one, but not with this one.
00:17:19Not with Marcos either.
00:17:21That's it, auntie, I've had enough, okay?
00:17:22I'm going to do a very extensive market study.
00:17:25Yes, finally, Eva Captevila enters her pendo stage.
00:17:27Yeah.
00:17:33What happened, dude?
00:17:35Hey, how's it going?
00:17:35How are things going over there?
00:17:37Good.
00:17:37Well, this Jean Manuel guy is a real jerk.
00:17:41Yes, I've already done it.
00:17:41Relax, okay?
00:17:42I've got him under control.
00:17:43Know?
00:17:43I've already subtly told him that I'll be there keeping an eye on him.
00:17:47Know?
00:17:47Okay, okay, cool, cool.
00:17:48And how is Eva?
00:17:49Eve.
00:17:50Yeah.
00:17:51Well, I guess it's the same...
00:17:52Bad, bad, bad, bad, dude, it's obvious he misses you, dude.
00:17:56Hey, why don't you come over, man, and explain what happened?
00:17:59No, dude, Raúl, no, no, I mean, I'm not going to say anything to him.
00:18:02And well, don't even think about telling him...
00:18:03Hey, hey, have I ever let you down?
00:18:05No.
00:18:05Didn't they associate you?
00:18:05No, no, you've let me down.
00:18:06Okay, okay, okay.
00:18:07Well, now the important thing is to keep that fox away from the hen.
00:18:12Know?
00:18:13Don't worry, I'll be there.
00:18:15Know?
00:18:15I mean, I'm going to be there behind Eva and do whatever it takes.
00:18:18Okay?
00:18:18So, don't worry, I have everything under control.
00:18:20Okay, okay.
00:18:20Okay, see you later.
00:18:22Grandmother?
00:18:25Okay, then I'll pick you up and we'll go partying.
00:18:27Of course, I'm going to leave.
00:18:28What a mess, what a mess, I need your help, you know?
00:18:34Because I have an art exam, you know?
00:18:37I'm having a terrible time, auntie, a really bad time, and I need you to lend me a hand.
00:18:40I'll stop by your house this afternoon and...
00:18:41This afternoon...
00:18:43Uh, yeah, well, go study yourself in neoclassicism, okay?
00:18:46And then I'll arrive, when you're finished.
00:18:49Nothing, see you later.
00:19:04Hey, hi.
00:19:05Hey, Fructuoso.
00:19:06The husband here.
00:19:08Thank you so much.
00:19:09And you'll see how school security will no longer be a problem.
00:19:12Thank you.
00:19:13Thank you.
00:19:14Fiti, is something wrong? You look unwell, don't you?
00:19:17But okay, okay.
00:19:19Well, I'm not very Catholic, but I've come to talk to you about a few things.
00:19:23Okay, then, spit it out. Run.
00:19:28Fiti, I don't have all day, you know?
00:19:32Fiti.
00:19:33What's wrong? Can't I come and talk to my wife and see my wife?
00:19:36Yes, you can come and talk to your wife, but you look like you might be thinking about something.
00:19:39No, no, you really do look unwell, Fiti, nothing's wrong with you.
00:19:43No, no, it's just a congestion I have, no, nothing's wrong with me.
00:19:46No, no, no.
00:19:48You have a fever.
00:19:48You have a fever.
00:19:49And you look more beautiful than ever.
00:19:50Yes, today I look more beautiful than ever.
00:19:51Yeah.
00:19:52Oh, what a stench, you're using car oil, my dear, really.
00:19:54Oil, what oil, you have been so dizzying that I'd sweat a piglet.
00:19:58Fiti.
00:19:58You're not going to come for what I'm thinking, are you?
00:20:02What are you thinking?
00:20:03Hey?
00:20:03Close the door and close the blinds and make a fantasy come true.
00:20:07Fiti, how many beers have you had, huh?
00:20:10How many beers have you had?
00:20:11Uh, nothing, the silly girl, eh.
00:20:13Nothing, the silly girl.
00:20:14I've heard you say a thousand times that you had a fantasy here in the teachers' lounge surrounded by exams.
00:20:18And with a ballpoint pen, right?
00:20:19Fiti, when are you going to realize that this is a school?
00:20:22Can you hear me?
00:20:22A school.
00:20:23You're such an animal, dude.
00:20:25I know something always happens, something always happens.
00:20:30When it's not a headache, it's school.
00:20:32We've been like this for two months now.
00:20:40Forgive me, darling, you know I would do anything for you.
00:20:43But you know that I can't do that, I can't go on like this.
00:20:48I...
00:20:48It has nothing, it's a mess.
00:20:52Fiti, what's wrong?
00:20:53Fiti.
00:20:54Fiti.
00:20:55It was a case of poisoning.
00:20:56Did he eat something that was spoiled?
00:20:57Do you have any expired preserves?
00:20:59Clear.
00:20:59You really have to be careful, Candela, with cans and jars that expire without you even noticing.
00:21:03But anyway, it's very mild.
00:21:04Tonight, with a little bit of luck, I'll be going home.
00:21:06Okay?
00:21:07Come on.
00:21:08Thank you.
00:21:09What does it smell like in here?
00:21:10It smells great.
00:21:11Oh, that's true.
00:21:12It smells good.
00:21:12No, it doesn't smell good.
00:21:13It smells good, it smells bad.
00:21:14Something smells fishy to me.
00:21:15Don't breathe.
00:21:16Lucia, take Candela with you, she'll want a coffee.
00:21:19What is equal to her?
00:21:21Yes, just like her.
00:21:22Don't breathe because it smells bad.
00:21:23No, but what are you saying?
00:21:24Something smells fishy to me, man.
00:21:26No, think about it.
00:21:27Let's see, let's see, Candela, she smells bad.
00:21:29Musculay?
00:21:31That?
00:21:31For the catalog?
00:21:33Did he already give me his opinion?
00:21:35Ah.
00:21:36Ah, to check, yes.
00:21:39Well.
00:21:40Is he with the Russians again?
00:21:41Yes, look, she's given it to him, she's given it to him again.
00:21:43And spring has come and of course, well, man is alone, he feels alone.
00:21:46When it's not spring, it's summer and winter.
00:21:48Hello.
00:21:49Hello.
00:21:50Well, no, no, no, I don't care about the kilos.
00:21:55No, I'm not doing badly.
00:21:59What's in the picture?
00:22:01Well, he's not exactly a thief, is he?
00:22:04Well, fruitful.
00:22:06Hello.
00:22:06Let's take down this curtain and have a bite to eat.
00:22:09Let's see how this broth turns out.
00:22:11A little broth?
00:22:12Yeah.
00:22:12Well, I added a little sherry to cheer him up a bit.
00:22:14Oh, Fructuoso, what a mood we're in.
00:22:17I wonder if I'll have to feed him like I would a child.
00:22:20Come on, let me take off the drip, don't hurt him.
00:22:22Okay, fine.
00:22:23Wow, what a load of junk, huh?
00:22:25Namely, to do each thing.
00:22:28Okay, and when the broth is gone, call me again, alright?
00:22:30That's done.
00:22:31Well, that's it.
00:22:33I'll leave you here, in good company.
00:22:35Well.
00:22:36See you later.
00:22:37See you later.
00:22:37What's happening?
00:22:44Do I have moles on my face?
00:22:45Santi, what's got you so cross?
00:22:47I'm fed up with you.
00:22:49Fed up!
00:22:49You've got me.
00:22:50You're right, Fitt, man.
00:22:51You're right.
00:22:52No, I was looking for a woman like that.
00:22:53A tender woman, a woman...
00:22:54No, no, a maternal woman, the perfect woman.
00:22:56What nonsense to talk, man.
00:22:57What nonsense to talk.
00:22:58Furthermore, this woman is surely already in the room.
00:23:02Hey Mike, what's up?
00:23:20How are you?
00:23:21How are you?
00:23:22How did the baby do the other day?
00:23:24There it goes, there it goes, there it goes.
00:23:26What are you?
00:23:27As far as?
00:23:28I have a problem with my father, aunt.
00:23:30What is she, baby?
00:23:31Are you serious, auntie?
00:23:31She told me that at least a brief one before
00:23:33that he's going to kick me out of the house.
00:23:34Come on, Raúl, please, I haven't already kicked you out...
00:23:36No, aunt, no, I've already taken it off.
00:23:37She needs to drink seriously, damn it.
00:23:39Look, Eva, aunt, I wouldn't ask you if it wasn't important.
00:23:43But the thing is...
00:23:44Damn, I don't want to end up sleeping on the subway, you know?
00:23:46Don't exaggerate.
00:23:47No way, auntie, no way, really.
00:23:48This baby is serious, Eva, I'm asking you as a friend.
00:23:50Please give me a hand, okay?
00:23:53She'll sleep here if necessary, auntie, whatever it takes.
00:23:55And we study, okay?
00:23:56AND...
00:23:56Can you give me a hand, please?
00:23:58Well, look, aunt, aunt.
00:23:59Okay.
00:23:59Okay, honey, we're not going to make it!
00:24:01Yes it's true.
00:24:04Where are you taking it now?
00:24:05Can you tell me?
00:24:06Well, to the post office, man.
00:24:07But I'm not taking this walk to the office.
00:24:09Okay, man, go on by yourself, alright?
00:24:10Look, I'll draw you a little map so you don't get lost.
00:24:12Look, you go outside, you go outside, and you go down the street until...
00:24:14You can no longer pay...
00:24:15That's it, Raúl, that's it.
00:24:16Let's go.
00:24:16What's happening?
00:24:23What's happening?
00:24:24Hello.
00:24:36Damn, God exists and he's here.
00:24:39Hello.
00:24:40Hello, I'm Marina Maillo.
00:24:43I wanted to talk to Marco Serrano.
00:24:45Damn, what a hottie.
00:24:48Excuse me, are you Marco Serrano?
00:24:52Yes, yes, Marcos, yes, it's me.
00:24:56How are you?
00:24:57Well, you're so cute, so cute, really adorable.
00:25:02Nothing, I received the material you sent and I don't know if you remember, do you remember?
00:25:09Hey?
00:25:09Do you remember?
00:25:09Oh, of course, of course, that I, yes, of course, that's it, yes, I sent it to you.
00:25:16Yes, I was going to call you, but I told myself, what you have to do is go see him.
00:25:18And do you know why?
00:25:20Because what I want is a face, a face and a body.
00:25:24Look, just like me.
00:25:29And will mine work for you?
00:25:30Man, I'd go to the ends of the earth with your face and your body.
00:25:34Okay, but there's something I need to know first.
00:25:37Do you have any commitments?
00:25:38God, what jokes.
00:25:41I?
00:25:42I?
00:25:44I look like I might have some of that, don't I?
00:25:46That's what I wanted to know.
00:25:48Can you come and see me later?
00:25:50Now?
00:25:50Okay, let's go.
00:25:52I don't have any cards, but I'll put the address here, okay?
00:25:54And I'll pass it on to you.
00:25:54What am I saying?
00:25:55What are you doing, auntie?
00:25:56Hey, and please, make yourself look good.
00:25:58No favor.
00:25:59Hey?
00:25:59God, your bear is going to be discharged today.
00:26:13Glad?
00:26:14Well, well, I'm happy, happy.
00:26:16Especially because of how well you have treated us.
00:26:18Well, he's treated me well, right, Santi?
00:26:20Well, top-notch.
00:26:21Oh, I wish everyone who comes were like that.
00:26:24What do I say?
00:26:25Well, your husband must be delighted with you.
00:26:28Yes, I am not married.
00:26:31Oh, she's not married.
00:26:33I don't want to get married.
00:26:33That she is not married.
00:26:34Okay, I'll be back in half an hour with the doctor and then I'll go home.
00:26:37Okay.
00:26:38Goodbye, thank you very much.
00:26:39Hey, in the end, these stomach cramps are going to be my payment, man.
00:26:42There's chemistry here.
00:26:43There's a spark here.
00:26:44Here we go again with the nonsense.
00:26:46Hey?
00:26:46What nonsense?
00:26:47I mean, you're talking nonsense to me.
00:26:49Look, I'm going to tell you something with all of them included.
00:26:50I mean, that whole catalog thing and the Russian women thing is nonsense.
00:26:53But let's see.
00:26:53Have you ever been to Russia?
00:26:56I bet you don't!
00:26:57No, I haven't been.
00:26:58And do you know anything about Russia besides Russian salted fish?
00:27:00Nothing.
00:27:00Nothing, you don't know.
00:27:01And do you speak Russian?
00:27:02Not a chance.
00:27:02Not a chance.
00:27:03So, what do you have to do, Santi?
00:27:05Find yourself a girlfriend who's from here, man.
00:27:06One that understands you.
00:27:07Damn, those Russian women are so cold.
00:27:09They are very cold.
00:27:10And it's not good for you because you are all passion.
00:27:11Won't you leave me alone, man?
00:27:12I'm already old.
00:27:14Besides, the ones here are stuck-up.
00:27:16And I like it, I like it.
00:27:18Nothing.
00:27:19A Russian woman.
00:27:19Let's see.
00:27:22Listen to me, because I prefer the traditional method for this.
00:27:24In other words, no mail-order catalogs, and no buffalo hormones.
00:27:28From new, from new, from new, from new.
00:27:29In other words, the best way to find a girlfriend is the classic method.
00:27:32And what is the classic method?
00:27:33Well, invent a little drink or a coffee, a small dinner, a bouquet of roses.
00:27:37And then, well, you do what you can.
00:27:39Quietly.
00:27:39And let me tell you, classic style never goes out of fashion.
00:27:41Take, for example, the Synchroni.
00:27:43Or Arturo Fernández?
00:27:44There, there.
00:27:45Let's see, why should I even try if they're just going to say no?
00:27:48Stop wasting our time.
00:27:49And on and on you go, you're such a donkey.
00:27:51He's been giving you the eye, I mean, he's been giving you the eye, the eye.
00:27:54And you like it, I can tell, you like it.
00:27:56Hey, damn it, but she told him she wasn't married, that she gave him a "free" card.
00:28:01Yeah, look how it looks.
00:28:03Yes, Santi, Santi, we have the Russian ones.
00:28:05The Russian women are there.
00:28:06So, what are we going to do now?
00:28:07Let's get nurses.
00:28:08Please, go out, invite him for coffee, for a meal.
00:28:11Damn it, go, go, be yourself, Santi.
00:28:12Come on, come on, let's go, come on.
00:28:15Good afternoon, uncle.
00:28:16Is the hurricane under control?
00:28:17Yes, he's in a meeting, but what's going on?
00:28:20Operation Infinite Support.
00:28:22Hold on, hold on.
00:28:22Yeah.
00:28:24Do you know what's behind that?
00:28:25No.
00:28:27There's something back there that no guy has ever seen.
00:28:30The aunts' wardrobe.
00:28:33Are we going to open it?
00:28:34Yeah!
00:28:35Take!
00:28:36This is a nervous moment, this is nervous.
00:28:38This is a time when prosperity will pass.
00:28:40It needs to be mapped and marketed now.
00:28:42Place.
00:28:43Shoot everything so well that it moves.
00:28:45That?
00:28:46Let one thing be perfectly clear.
00:28:48If my sister is in there, we'll stop looking, okay?
00:28:50Okay, fine.
00:28:51If there are sisters, we'll pass.
00:28:52Goes.
00:28:52Okay, okay.
00:28:53Yes, but she's your half-sister and I want to see her.
00:28:55Okay, fine, go ahead.
00:28:58They're not okay, watch out, man.
00:29:02Uncle, uncle, uncle, uncle.
00:29:03They're putting on their sandals, I'm not rushing you.
00:29:04Don't make me nervous.
00:29:05You haven't seen, I'm not rushing you.
00:29:07Okay, fine, out, out.
00:29:08Yes, yes, yes.
00:29:09Wait a minute.
00:29:10That?
00:29:11Do you see Kuntanga?
00:29:13No!
00:29:13No!
00:29:15Come!
00:29:16Kiki!
00:29:16But what are you doing, braca?
00:29:19I wasn't in a meeting.
00:29:20Crazy, he can smell it, he can smell it, for sure, he can smell it.
00:29:22He can smell it.
00:29:23This just doesn't make sense to me.
00:29:24Let's see, if nobody has snitched, what's going on?
00:29:26Something strange.
00:29:30God, I have an explanation, but...
00:29:35Lord San Román, azura reduction.
00:29:38I have, I have...
00:29:39Man, no, but for God's sake, no.
00:29:41How do I...?
00:29:42But, man...
00:29:43There it is.
00:29:45Well, thank you.
00:29:47Very kind.
00:29:48Well, then...
00:29:49I wanted to tell him that...
00:29:50I don't know if he's seen me.
00:29:51I was there in Fructuoso's room.
00:29:53Ah, yes, that's right.
00:29:54Well, we are very grateful for the way they treated us.
00:29:58And then they complain about social security.
00:30:00So, yeah, I...
00:30:02Come on, we're very happy.
00:30:04Oh, well, thank you very much.
00:30:11Hey...
00:30:11Now that I think about it...
00:30:13I also have a cousin who is a practicing physician.
00:30:16Uh-huh.
00:30:16His name is Ramón Serrano.
00:30:19He works at the 12th of October.
00:30:21Ramón Serrano?
00:30:22Doesn't that sound familiar?
00:30:23No.
00:30:25Well...
00:30:26I also wanted to tell you that...
00:30:29Come on.
00:30:30And that's it, and that's it, and that's it, and that's it.
00:30:32If I feel like it, a thank you.
00:30:35I could offer him a pastry or something.
00:30:40Oh, thank you, but I'm really busy.
00:30:42Ah, well, then, a little beer, nearby.
00:30:47Listen, it's just that between shifts I'm putting in long hours and I practically live in the hospital.
00:30:51A coffee.
00:30:52What are you doing, what are you doing?
00:30:53I'm reading his lips.
00:30:55So that one can take that concoction from the machine that's around here, huh?
00:30:57Oh, don't worry, I'm used to it.
00:30:59She says, she says she hasn't swum.
00:31:01That?
00:31:02That's my grandfather.
00:31:03We are entrepreneurs.
00:31:04Huh?
00:31:04Yes, yes.
00:31:05And we have a very nice tavern.
00:31:07And well, just so you know, you're invited to have a glass of wine whenever you like.
00:31:11It's because I don't drink.
00:31:12I mustn't, he says, I mustn't, I mustn't.
00:31:13That?
00:31:14A monster without alcohol.
00:31:15Oh, I'm sorry, but I don't like them.
00:31:17What scares you, man?
00:31:18What scares him?
00:31:18Damn, Santi, be careful, I'm calm.
00:31:21Miss Aurora Blanco, go to third.
00:31:23You call me.
00:31:24It has been a pleasure.
00:31:25Okay, okay, wait, wait.
00:31:27I wanted to give him my card.
00:31:29In case he ever passes by the tavern.
00:31:32Let her know that she is invited to eat and drink whatever she likes.
00:31:35Well, thank you very much.
00:31:36Aurora Blanco, go to the third one.
00:31:37Wait, wait!
00:31:41That?
00:31:41Have you made plans?
00:31:42Have you made plans?
00:31:43Like an idiot.
00:31:44I've made a fool of my life.
00:31:46Well, what did you want?
00:31:47Throw her on a stretcher there today.
00:31:49Take it easy, tiger, this takes time.
00:31:51I'm shitting myself.
00:31:52Santi, Santi, man.
00:31:54He's stupid, he's stupid, he's stupid.
00:31:56I already had it, damn it.
00:31:57If you already had it, it was already in.
00:31:58Fiti, you have what you've earned, please.
00:32:00Yes, man, yes.
00:32:01He was laughing.
00:32:02Look, a woman is laughing because she's about to.
00:32:04Daniela has made me laugh throughout our entire relationship.
00:32:07You know what I'm saying?
00:32:07Yes, yes.
00:32:08What he needs to do is attack now.
00:32:09Here, there, there, there.
00:32:10With a heart-shaped butt, Chucky, dude.
00:32:12With round, round hips, dude, I want saddlebags, you know?
00:32:15Careful.
00:32:16It's a tiny waist, I mean, really, really, really narrow.
00:32:22It's going to reach the crown jewel, huh?
00:32:24I mean, two tits, like two carts, dude, you know?
00:32:27Made of silicone.
00:32:29Negative.
00:32:30Naturals.
00:32:30Job.
00:32:31Yeah.
00:32:32And we get to the face, no, no.
00:32:33And we get to the face.
00:32:34So, you know that expression...
00:32:36You and I aren't going to have sex, but not yet, okay?
00:32:40Well, that was exactly the face she made when she invited me to her house.
00:32:44Ah!
00:32:44But the girl wasn't even going to hit Marcos.
00:32:46Look, dude, you're going to focus on the details.
00:32:48That?
00:32:49Hey, I tried to tell him I wasn't Marcos, you know?
00:32:51He didn't give me a choice.
00:32:52I mean, my aunt was coming there on a regular basis, you know?
00:32:54In other words, he was looking for a face and a physique, and he found it.
00:32:57You know what I mean?
00:32:58Yeah, yeah, but it's a real bummer.
00:32:59I mean, Marcos is your friend and hitting on him, well, that's not right.
00:33:02No, no, that's why I did it.
00:33:04Exactly, dude, I mean, Marcos can forget about Eva, right?
00:33:06Time to break the habit, you know?
00:33:08This would be like giving a bottle of Urge to an alcoholic, you know?
00:33:12Yeah.
00:33:12Hey!
00:33:12Hello.
00:33:13How are you?
00:33:14Hey, have you seen Iba?
00:33:16That?
00:33:17Oh, and can you tell me where it is?
00:33:19Who?
00:33:20Oh, Rabolito.
00:33:22Rabolito, we have a problem, huh?
00:33:24Yes, yes, look, yes, I have a problem.
00:33:26Yeah.
00:33:26You?
00:33:27I?
00:33:27Yeah.
00:33:28You come here like a carrion vulture, do you understand?
00:33:30He takes advantage of the fact that the girl is in a bad mood to steal what belongs to Marcos.
00:33:33Hey?
00:33:34We are?
00:33:35Ah, Marcos.
00:33:35Yeah.
00:33:35Marcos.
00:33:36Yeah.
00:33:36The same Marcos who ignored her I don't know how many times and left her stranded like shit.
00:33:40That scoundrel, you say.
00:33:41Unpresentable, my friend?
00:33:42Unpresentable, my friend?
00:33:43Hey!
00:33:43Hey!
00:33:43Hey!
00:33:44Shut up, shut up, you don't have a fucking clue!
00:33:46You understand?
00:33:46So, if Marcos left her, it wasn't her fault, right?
00:33:49It was his uncle who told him a tall tale.
00:33:50Okay?
00:33:50Yeah.
00:33:51And what a tall tale he told her, yes.
00:33:53That if he played with girls he would get pimples.
00:33:56No, you idiot.
00:33:57Hey?
00:33:58He said they were blood brothers.
00:33:59Okay?
00:34:00You understand?
00:34:00Do you know what that is?
00:34:01Brothers.
00:34:01Hey?
00:34:01And that's why he had to leave her, but it wasn't his fault.
00:34:03Sweet potato.
00:34:05Oh, really?
00:34:05And where did she get that from?
00:34:07From one of those soap operas?
00:34:09It's funny.
00:34:10I'm sorry, David, thank you.
00:34:11They're going to fall out of your eyes.
00:34:12Hey!
00:34:12No to violence!
00:34:13You're throwing milk at me!
00:34:14Let's see, hippie.
00:34:15You just get lost, okay?
00:34:16At once.
00:34:16And you come to the bathroom with me to relax.
00:34:18Beware of me.
00:34:19Beware of me.
00:34:20Know?
00:34:20Go on, pull, pull, pull.
00:34:20She's missed out, she's missed out.
00:34:22He missed out.
00:34:22He missed out.
00:34:22He missed out.
00:34:23Come on.
00:34:26Okay, fine.
00:34:27Go inside and close the door now.
00:34:28You're going to devour it.
00:34:32The hurricane has installed cameras all over the school.
00:34:35Yes, that's true.
00:34:36There are cameras around the school.
00:34:39That is a violation of the right to privacy.
00:34:41And we cannot allow it.
00:34:42Come on, Dede, confess.
00:34:44How many hours of Big Brother have you watched?
00:34:46Yes, you laugh, beautiful.
00:34:47But it's not being looked at.
00:34:49This has gone too far with the fetas, fetas.
00:34:51Let's see, Tete.
00:34:52How can there be cameras?
00:34:53That's illegal.
00:34:53You're stupid.
00:34:54Look, he knows we're really going to do it before we even start doing it.
00:34:57How is that possible, huh?
00:34:58As?
00:34:58Maybe it's because you have less of a repertoire than ketchup and you need to refresh your sound a bit.
00:35:02Okay, fine, fine.
00:35:02What do you do, entertain?
00:35:05Let's check it out live.
00:35:07Come on, you, since you're laughing so much, do something illegal.
00:35:10And why would I do that?
00:35:11Because you've become cocky and everyone expects you to.
00:35:14Pretty.
00:35:14You've been caught.
00:35:16Do something.
00:35:17Okay, fine.
00:35:17You've caught me in a good mood.
00:35:19Chucky.
00:35:20Oh, how cursed!
00:35:21The cigar.
00:35:22Oh my God.
00:35:25Poor fire.
00:35:26And so.
00:35:28Well, since we're on the subject of something illegal, huh?
00:35:30I have a ribbon here.
00:35:32Hot holes.
00:35:34La Moncloa XXX.
00:35:35Three euros each.
00:35:36Guille.
00:35:36The anus and the anus.
00:35:37Guille, go home.
00:35:38To the rooms.
00:35:39To the address.
00:35:40Thank you.
00:35:42Come on, now.
00:35:43No, don't freak out.
00:35:44This must have been a coincidence.
00:35:45Look, pretty girl.
00:35:46Just so you know, he's watching us right now.
00:35:49Oh, really?
00:35:49Wait.
00:35:50Okay, what?
00:35:50Magpie, which one is my camera?
00:35:52Where is?
00:35:52Oh!
00:35:53Shh!
00:35:53I'm not going out!
00:35:54Look at that creature.
00:35:56Hey?
00:35:56Trafficking in tapes that God knows what's on them.
00:35:58And there's that one smoking.
00:36:00Come on.
00:36:00Look, why would I go to the hallways?
00:36:01If the hallways come to me.
00:36:03Candela, you're worrying me, aren't you?
00:36:04I think things are about to come to a head.
00:36:05Don't you think this is a little...?
00:36:06Oh!
00:36:06Look!
00:36:10But hey, what a pig, right?
00:36:11But seriously, how disgusting.
00:36:13My belief in the myth has been completely shattered.
00:36:15Hey, why don't you switch off a bit and go to the locker room?
00:36:18Go on, let's see what the teacher is doing.
00:36:19No, you, you, you!
00:36:19Let's see if things are changing.
00:36:20Take it as a joke if you want, okay?
00:36:22But tomorrow I have a meeting with the Parents' Association and they're coming for me.
00:36:25Just so you know.
00:36:26Now they're going to find out that this school does have security.
00:36:30Yes sir.
00:36:30We're going to be blown away by your method.
00:36:32And onward!
00:36:34Close the door.
00:36:35Hello.
00:36:37Very good.
00:36:37Sara?
00:36:38Africa?
00:36:39For a start?
00:36:41Yes, tell me.
00:36:43Candela, this doesn't work.
00:36:45We need to use the hands-free option, okay?
00:36:46Yeah.
00:36:46Yes, tell me.
00:36:47Hey, sweetie.
00:36:49Fiti, Fiti, Fiti.
00:36:50Fiti, not now because I'm busy, okay?
00:36:51Polita, that's missing, huh?
00:36:53And tonight they're going to give you the all-clear because you're going to take home the accumulated jackpot from three weeks.
00:36:57Fiti, Fiti, we're not alone, eh?
00:36:59We're leaving.
00:37:00Fuck.
00:37:01We're already dealing with excuses.
00:37:01Hello, Fiti.
00:37:03Oh, damn it, you can hear me.
00:37:05Sure, that's what happens when you're handsless, huh?
00:37:06Hey, nothing, well, that's it, well, that's it, if that's it...
00:37:08Come on, it's Saturday.
00:37:10Okay, Candela, I'm leaving, alright?
00:37:12Okay.
00:37:12Remember, you want to talk without shouting.
00:37:14Hey?
00:37:20What the hell is going on here?
00:37:22Hey?
00:37:23What, am I not speaking clearly?
00:37:25You can't play in class.
00:37:36Marcos!
00:37:36Hey!
00:37:39I thought you weren't coming.
00:37:40Sorry, I haven't set up the steering yet.
00:37:41Oh, they're for me!
00:37:42Yes, yes, of course.
00:37:43Oh my goodness, how cute!
00:37:46Hey, what?
00:37:47Is this not your house?
00:37:48No, it's from my job.
00:37:50Come on, let's go to my distance.
00:37:52Come on?
00:37:53In the office?
00:37:54Are we going to do it in the office?
00:37:55Ah, ah, ah, ah, wait a moment.
00:37:57Mmm, perfect, you look perfect.
00:37:59Come on, let's hurry up, we've been waiting a long time.
00:38:01Come on?
00:38:02Come on?
00:38:03Who are we taking, girl?
00:38:04Are we going to close the line or what?
00:38:09Let's do it again.
00:38:10Excuse me for a second?
00:38:11Yeah.
00:38:12Marina, can I talk to you for a moment?
00:38:15Yes, right away.
00:38:16What does it tell you?
00:38:17Then.
00:38:17Yes, yes.
00:38:18It's just that I...
00:38:19No, it's just that every hour of studying costs a fortune, Marco.
00:38:21And we've started bringing it because of you.
00:38:22So please, let's talk later.
00:38:24Okay, Marco, let's see.
00:38:25What do you think?
00:38:26Okay, okay.
00:38:27It seems we weren't looking for someone, were we?
00:38:29Young?
00:38:30Handsome?
00:38:30Now I want you to jump, okay?
00:38:34To help you unblock yourself a little, to get moving a little.
00:38:37Real jump.
00:38:39Yes, if you have to shout, shout.
00:38:41Okay?
00:38:42Ah, that's it.
00:38:43Very good.
00:38:43What instrument do you play, Marcos?
00:38:45Well, mostly the...
00:38:47The tambourine, the bongos a little.
00:38:51And the little flag.
00:38:53Okay, okay, the percussion.
00:38:54Yes, yes.
00:38:55And well, girl, the bass has faded a bit.
00:38:58Now I want you to dance.
00:39:00Come on, with a little more enthusiasm.
00:39:03Oh, oh, very good.
00:39:04Start letting it out there.
00:39:05Now I have much more.
00:39:08Red, black, odd, finally luck.
00:39:11Bring an ace and a crystal to look through.
00:39:13And a wall for...
00:39:15The demo he sent us didn't sound so bad.
00:39:17A photo of...
00:39:18Stop, stop.
00:39:20My throat is sore.
00:39:22What is it that I can...
00:39:23It could be a little water...
00:39:25Of course, of course, he's coming.
00:39:27She can't sing, she can't dance.
00:39:29Marina, he's useless.
00:39:30And since when is that a problem for succeeding in the music world?
00:39:33That's it.
00:39:34Darling, your water is coming, king.
00:39:36Come on.
00:39:36I hope it's not the last one.
00:39:47Wow.
00:39:49Look, kid, you're stupid.
00:39:49You always do the same thing to me.
00:39:51I mean, of course, I'm not going to let you have it.
00:39:51And Marcos?
00:39:53What do you know about him?
00:39:53Did he call you?
00:39:54Yes, yes, yes.
00:39:55In the playground, in the bathroom, in the bathroom there are very good rice and beech trees.
00:39:57That?
00:39:58And since they've stopped the exam now, he has time to concentrate.
00:40:02This suits you.
00:40:03Okay, guys, come on.
00:40:03And if that's the case, grab something, if that's the case.
00:40:08Buy me a little more juice.
00:40:09Come in.
00:40:09See you later.
00:40:12Good morning, guys.
00:40:14What's up, Fiti?
00:40:15What's up?
00:40:17The wildebeest again?
00:40:18So, you've gone wild again, Fiti?
00:40:19Yes, yes, I've had a wildebeest hunt.
00:40:21Damn it, let me live already, let me live.
00:40:23Hey, by the way.
00:40:24That?
00:40:24Has Santi gone out with the nurse yet?
00:40:26I don't know.
00:40:26I don't know, what does it smell like, Fiti?
00:40:28What does it smell like?
00:40:28Good morning.
00:40:29What's happening?
00:40:30Good morning.
00:40:30That?
00:40:32Aurora what?
00:40:33Well, what do you want?
00:40:34You make a fool of yourself every day, huh?
00:40:36What the hell is ridiculous about that?
00:40:38That?
00:40:39Damn, when a woman laughs, it means there's something going on.
00:40:42Aurora laughed.
00:40:43Serious.
00:40:44And you, what you'd call funny, well, to be honest, you're not.
00:40:47And besides, damn it, if he was laughing, then hell yeah,
00:40:49And she's also an educated woman.
00:40:50She's not stupid, she's a nurse.
00:40:51No, one thing, excuse me.
00:40:53Are you back to your old ways again?
00:40:54Why don't you do me a favor and take a look at it?
00:40:56And it doesn't surprise me that you're busy with your own thing,
00:40:57Because you're eating chili peppers all day long,
00:40:59Well, it doesn't surprise me.
00:40:59You can see him, he's already hooked.
00:41:01She must not be a fool, I'd completely forgotten about her.
00:41:04He's totally smitten, because that kind of thing is very noticeable.
00:41:07When you're smitten, your eyes wander.
00:41:09That's all, unless you focus on going on any particular day.
00:41:11And the other one gave him the eye too,
00:41:13Because that's what it means to be, yes, he gave her the eye.
00:41:15When there's chemistry, there it is.
00:41:16Okay, look, listen to me for something, Santi.
00:41:18Please listen to the voice of experience.
00:41:22This takes time.
00:41:23Damn, what's the concept?
00:41:24Always think about it.
00:41:25Time.
00:41:26Time.
00:41:27Yes, time.
00:41:27You're not going to seduce a woman in five minutes.
00:41:31Decent, I mean, unless it's George Clooney,
00:41:33which is not your case.
00:41:33That's not the case, I mean, George Clooney is not the case.
00:41:36Well, that's it, all you have to do is take the plunge.
00:41:38Go see her.
00:41:39How am I going to see her?
00:41:40If he's in the hospital all day, if he doesn't leave there.
00:41:42Well, that's it, off to the hospital.
00:41:44To the hospital, that's not his life, that's not his job.
00:41:46Watch out, then, to the hospital.
00:41:47I think you're right, Fiti, to the hospital.
00:41:48In other words, if the hospital won't come to Muhammad, who will go to the hospital?
00:41:50Muhammad, Muhammad is going to the hospital.
00:41:51How am I going to get to the hospital?
00:41:53If I see a syringe, I faint.
00:41:55If I don't get tested from here, I'll have done my military service.
00:41:57Besides, I'm like a gold-level top performer.
00:41:59Gold.
00:42:00So, they call him from a record label and they don't say anything to Marco.
00:42:02Of course, my friend, dude, what's he going to say to me?
00:42:04Oh, well, damn.
00:42:05Man, if they pick up his girl, well, stop and move on.
00:42:07Because in Spain we have girls to export.
00:42:09That's good.
00:42:10Now, finding a job is more complicated.
00:42:12Oh, and unemployment, unemployment.
00:42:14That's why, that's why, man, I do it.
00:42:16I mean, I put it on first, you know?
00:42:20And then we'll tell Marcos, you know?
00:42:22And everyone's happy, man, that's it.
00:42:24Look, I don't know if you're a jerk or the fucking boss, honestly.
00:42:30Marcos, son, what's wrong?
00:42:31Well, did I tell you or not?
00:42:33There are cameras everywhere, here, here, here.
00:42:35Let's see, Guille, are you sure about that?
00:42:38Yes, Eva, don't you remember the men in ties from the other day?
00:42:40Well, companies specialize in installing them.
00:42:42But that's not legal.
00:42:44Yes, yes, it's legal.
00:42:45As long as they don't put me in the bathrooms and changing rooms...
00:42:47In bathrooms? You're kidding me, no, no, no, no.
00:42:49Now I understand the magpie's anger.
00:42:51And then I called my dad to tell him he'd caught me smoking.
00:42:54They almost put me in a detox center.
00:42:57Well, hey, we have to do something.
00:42:58Gentlemen, this is war.
00:43:00These cameras won't make it to Monday alive, as far as my name is Serrano.
00:43:03Look, Guille, stop messing with me.
00:43:05You didn't install it outside.
00:43:07And you first, out.
00:43:08I?
00:43:08But of course, right?
00:43:09Well, I'm not going, okay?
00:43:10How are you doing, old ladies?
00:43:11Me too.
00:43:12Can you do it now?
00:43:14Oh, dude, man.
00:43:15In my case it's a father, Poli.
00:43:17Here is a concentration camp.
00:43:19I'm not leaving.
00:43:20This is the out, father.
00:43:22Something has to be done.
00:43:25It is a female aphrodisiac.
00:43:26What's happening?
00:43:27Yes, sweetheart.
00:43:28Tell me what you're wearing, come on.
00:43:31Candle.
00:43:31Huh? Where?
00:43:32No, no, no, no, no.
00:43:33We're going to give Candela a hard time.
00:43:34I'm getting an idea.
00:43:36We need a mobile phone, Afri.
00:43:38The bag is on the table.
00:43:39Okay, then I'll go get the phone.
00:43:49But hey, honey, do me a favor.
00:43:50That?
00:43:51Yes, yes, yes, yes.
00:43:54What's happening?
00:43:54What's happening?
00:43:55What's happening?
00:43:55When I'm here at home,
00:43:56But I'm not up for the tiger's leap.
00:43:57I'm ready to be eaten by lions.
00:43:58And what's wrong with him?
00:43:59It's just that when...
00:44:00He's not a person.
00:44:01He's not a person.
00:44:02It's a bug.
00:44:02Listen to my moment.
00:44:03I tell you that in a tiger's leap, reins
00:44:06It takes away so much tiger rein.
00:44:07AND...
00:44:07What's happening?
00:44:08What's happening?
00:44:09What's happening?
00:44:09What's happening?
00:44:09What's happening?
00:44:10What's happening?
00:44:10What's happening?
00:44:11Let's see.
00:44:12Let's see.
00:44:13Oita guapa.
00:44:14What's the matter?
00:44:15What's the matter?
00:44:16What's the matter?
00:44:17What's the matter?
00:44:18Does anything hurt?
00:44:19Do you want to vomit?
00:44:20Oh, my daughter.
00:44:22Honey, take comfort in yourself.
00:44:23Look, at least you're not pregnant, you know?
00:44:24Like...
00:44:25No, I'm saying it, I'm saying it, I'm saying it, I'm saying it,
00:44:26Because like Raúl and you...
00:44:27Candle.
00:44:28Okay, don't stress.
00:44:29Okay.
00:44:30I'm going to give you an ibuprofen that...
00:44:31No no.
00:44:32I just don't like it.
00:44:33Is it just a matter of removing the pain?
00:44:34No.
00:44:35If it's not a question of...
00:44:36Let's see.
00:44:38No.
00:44:39No.
00:44:39No.
00:44:40No.
00:44:40No.
00:44:41No.
00:44:41No.
00:44:41No.
00:44:44I just can't believe it, you know?
00:44:47I just can't believe it, you know?
00:45:03Nothing, I have it.
00:45:04Candela and Javi.
00:45:05Wait.
00:45:06No, it's because you haven't found it.
00:45:07Tona.
00:45:08This.
00:45:08Yes, ma'am.
00:45:09You are welcome.
00:45:10If you take one, you go to class,
00:45:11which is a miracle cure.
00:45:11Yeah.
00:45:12Okay, we need to go in, alright?
00:45:13Now.
00:45:13Well, it looks better.
00:45:15Yeah.
00:45:17The voice of the trunk.
00:45:19Fuck.
00:45:20It's a good thing you had to warn us.
00:45:22Let me go, won't you?
00:45:24Well.
00:45:25And now the show begins, honey.
00:45:30Let's see.
00:45:31What are you putting on?
00:45:34And you?
00:45:35I don't know what's wrong with me, but it's thinking.
00:45:38You?
00:45:38And get horny as hell.
00:45:42Chucky, I love that line.
00:45:44It's from the ibuprofen leaflet.
00:45:48Puma?
00:45:49A bit.
00:45:50Breathing problems?
00:45:52None.
00:45:53Techycardia, rhythmia, hot flashes.
00:45:55Nothing, nothing, nothing.
00:45:55No.
00:45:56Good.
00:45:57Excuse me, do you know if Aurora was working today?
00:46:00No.
00:46:01Uh, yes, yes, yes.
00:46:03Work, work today.
00:46:04Uh, digestive problems, constipation.
00:46:07Constipation?
00:46:08Treñimiento, that is, constipation.
00:46:10Sometimes it's difficult for me, but that's because I really like spicy food.
00:46:14Like a lot of chili pepper.
00:46:15And what shift does Aurora have, do you know?
00:46:19How have you been able to put up with those hemorrhoids for so long?
00:46:22I haven't seen hemorrhoids like that in years.
00:46:25As well as?
00:46:26Well, like cherry tomatoes.
00:46:28There!
00:46:29Yes, yes, yes, yes, yes, it's done, it's done, it's done.
00:46:31If nobody pays attention to the rectum, you know?
00:46:33And it's very important.
00:46:35Because, of course, it's like a soap opera.
00:46:37Many things happen, and they happen every day.
00:46:39But don't worry, don't worry, we're going to relieve you.
00:46:42Aurora, darling, I need you at the doctor's office.
00:46:46No Aurora! No Aurora!
00:46:47Hey, what did your brother end up doing?
00:46:49Did he go to the hospital?
00:46:49No, he got off.
00:46:50What happened, Fipti? What happened?
00:46:52He must be showing off his charms in front of Aurora right now.
00:46:55I'm going to shave you, Santiago.
00:46:56So relax.
00:46:58But yes, I already shaved this morning.
00:47:00Oh, Santiago.
00:47:01Not the face.
00:47:03There.
00:47:04Oh, no.
00:47:05Ah, no, that's not it.
00:47:06No way, no way.
00:47:07Santiago.
00:47:09Come on.
00:47:10Come on, relax, come on.
00:47:11If it's just going to be for a moment.
00:47:13That's all, if it's not important.
00:47:15Relax, okay?
00:47:16Santiago, you're not relaxed.
00:47:18How am I going to relax?
00:47:20All that's missing is for some hunk to come along and hit on me.
00:47:23Oh no.
00:47:25Come on, you're going home this afternoon.
00:47:28Yes, Aurora.
00:47:28And I was wondering if after work we could meet up for dinner or something.
00:47:33What a man.
00:47:36Not even in the worst of times.
00:47:37Well, since I have no more secrets from you, then...
00:47:41Man, for God's sake, it wasn't that big of a deal.
00:47:45Come on.
00:47:46Come on, Moorish king.
00:47:47It just made an impression on you, that's all.
00:47:49It was nothing.
00:47:50Fiti, I don't know what's wrong with me.
00:47:58But just thinking about you makes me incredibly horny.
00:48:00Damn, damn.
00:48:11What's happening?
00:48:13The wildebeest.
00:48:14The wildebeest that works, dude.
00:48:15It works, the wildebeest.
00:48:16Go away, go away, go away.
00:48:17Yes.
00:48:18Paquillo.
00:48:19Yes ok.
00:48:19Go this way.
00:48:20Let's have a punch here with three egg yolks, mate.
00:48:22What a great evening tonight!
00:48:23Mr. Fiti, Mr. Fiti.
00:48:25Yeah.
00:48:26Yeah.
00:48:27What's wrong, Marco?
00:48:29That?
00:48:29What's wrong, Lamento?
00:48:30No, no, your father isn't going to answer right now.
00:48:33The one here is Eva.
00:48:34I'll send it to you.
00:48:36Oh, no, no.
00:48:39Oh, no, no, no.
00:48:39It's okay, it's okay.
00:48:41I won't let you have it.
00:48:42Nothing, beast, no way.
00:48:44Come on, beast.
00:48:45Yeah.
00:48:45There I am.
00:48:47Hey.
00:48:49Princess.
00:48:51Has Marcos ever told you why he left you?
00:48:56I know, I know.
00:48:57He's given me so many excuses already.
00:48:59I just don't understand anything.
00:49:01This means Marcos has done something to you.
00:49:04Marcos has done something to you, I'm sure, but he's not going to tell you.
00:49:07But what is he going to do to me?
00:49:08Well, some and fat, Eva.
00:49:11Because if he hasn't told you the truth by now.
00:49:13Oh, Marcos, that Marcos.
00:49:15Come on, I'm telling you, I'm the uncle of...
00:49:16From Jale.
00:49:17Eva, darling, Eva, eh.
00:49:20That all guys are the same, that all guys are like that, that we're all jerks, that...
00:49:23Well, not me anymore, eh.
00:49:25Now, but before, when I was playing a trick on an aunt, afterwards I'd tell her a tall tale that, well, you can laugh at that...
00:49:34And if I didn't have anyone to tell, I would go to a colleague and tell him.
00:49:39Well, to a good colleague, you know?
00:49:40Like, to cover me and all that.
00:49:43Look, it's true, you should go to this Raulito guy and ask him what happened.
00:49:47I'm sure I'll tell you a tall tale that will make mine look like child's play.
00:49:50You think?
00:49:51I'm going along with what I'm telling you, okay?
00:49:53The bigger the milonga, the bigger the screw-up.
00:49:57Ask him, ask him.
00:49:58Okay, fine, I'll tell you if you tell me the story that brought you to Jean Manuel.
00:50:04Okay.
00:50:08We are friends.
00:50:10Spot.
00:50:11Letting go.
00:50:14Get out of here...
00:50:15Okay, okay, let me explain.
00:50:19Diego's in the hospital with the stroke, okay?
00:50:24So Santiago takes Marcos, right?
00:50:27And he accuses her of being responsible for Diego's heart attack, okay?
00:50:33And he gives her a hell of a time, so much so that she'll let him.
00:50:37Oh, and what kind of ball is that?
00:50:44That you are brothers.
00:50:45That is, brothers of flesh, that is, of blood.
00:50:51I mean, brothers, brothers, you know?
00:50:54And Marcos believed it.
00:50:55And he didn't want to say anything to you so as not to hurt you.
00:50:58Then Santiago told Marcos that it was all a lie.
00:51:02And Marcos was going to tell you, it was all a misunderstanding.
00:51:04Eva, you know?
00:51:05I was going to tell you.
00:51:06That it's all been a complete and utter horror, that we didn't mean to...
00:51:08Hello handsome.
00:51:11Marcos, I have some amazing news that you won't believe.
00:51:14Marcos, but it's not Marcos.
00:51:17The child is funny.
00:51:20Do you know what's happening?
00:51:21He's angry.
00:51:22He's angry with me because I didn't sing to him last night.
00:51:24And when I do that to him, he acts like he doesn't know me.
00:51:26And so?
00:51:27Well, I don't know, daughter.
00:51:28Go on, go upstairs and study, and then I'll come and sing you yesterday's and today's song.
00:51:31Come on, run, let's go.
00:51:32Come on, little brother, run and study, run, come on.
00:51:35Come on.
00:51:36Hey, the producer is crazy about you, he loved you.
00:51:38Oh, that's great.
00:51:39And you, what about you? How are you? I mean, am I your type?
00:51:45You're my type, I've told you, I'd go to the ends of the earth with you.
00:51:47Musically speaking, for the moment.
00:51:50Look, to give you an idea, this is...
00:51:54Well, these are the provisional covers.
00:51:58My intention is to release a single for the summer
00:52:01And then, at Christmas, the final launch.
00:52:05Which release?
00:52:09Well, you sent us a model
00:52:10And you could imagine that this could happen, right?
00:52:14And that's not all.
00:52:15No?
00:52:16No.
00:52:17He's not answering?
00:52:19Yeah.
00:52:23Look, what a coincidence.
00:52:25He's my manager.
00:52:26Yeah.
00:52:26Now you...
00:52:27Yeah.
00:52:27Hi Raúl, how are you? How's it going over there?
00:52:31Hey, if he's your manager, I really want to talk to him, absolutely, okay?
00:52:34Hey, are you with Eva?
00:52:37Hey, it's...
00:52:38It's Eve, huh?
00:52:40Mainly.
00:52:41Pass it to me.
00:52:41Yes, you know that...
00:52:43Hey, now, for the moment, you know?
00:52:45I prefer now...
00:52:46Then, if that's the case...
00:52:47Well, why are you telling me this like this?
00:52:49Raul, is something wrong?
00:52:51Raul.
00:52:53Raul!
00:52:54Hey.
00:52:54Good, good, good.
00:52:55Yes, yes.
00:52:56That's great, man, I'll tell you about it later, dude.
00:52:58But then you leave and...
00:53:01And?
00:53:01And pimba, pimba, things keep happening, man.
00:53:03I'm like crazy.
00:53:05No, I can imagine.
00:53:05So, Eva and I are with Manuel, right?
00:53:07I mean, this guy is a loser.
00:53:09No, no, no.
00:53:10No way, no way.
00:53:10Go on, go on.
00:53:11That's not the point right now, you know?
00:53:13Don't worry.
00:53:13I'll call you later, that's under control.
00:53:15Okay, call me, but...
00:53:16I'll do it for you, man.
00:53:17Raúl, listen.
00:53:19Any problem?
00:53:21No problem at all.
00:53:22Okay, so here's your contract, which has what the company has to offer, and now
00:53:27All that's missing is your signature.
00:53:29Here.
00:53:30Hey?
00:53:32Here.
00:53:39Are these four zeros?
00:53:41Are those four zeros?
00:53:42And that's just the beginning.
00:53:46Hey?
00:53:47Hey, Marcos, you and I are going to do great things together.
00:53:49Yeah?
00:53:53Here.
00:53:53Do you know what's happening?
00:54:09I mean, I love you.
00:54:11I mean, I really like it, you know?
00:54:13Everything is great, very good, very correct and all that, and wonderful.
00:54:18But...
00:54:20So, you know what's going on?
00:54:21That...
00:54:21That...
00:54:21That...
00:54:22It's just that I...
00:54:22I don't...
00:54:24I...
00:54:25I don't...
00:54:26No...
00:54:27No...
00:54:28I don't sign anything without having had my bad day yesterday.
00:54:31That.
00:54:40Damn, wait.
00:54:42This afternoon there is a parents' meeting to explain the cameras to them.
00:54:45And what time is it?
00:54:46At eight o'clock.
00:54:47At eight o'clock.
00:54:59I'm still like a monkey, Fiti.
00:55:01But now with fantasies.
00:55:03I want to make love with my favorite mechanic covered in oil.
00:55:06We will be alone.
00:55:07Come here, Fiti.
00:55:07Come and make me yours.
00:55:09I don't speak to him at eight o'clock.
00:55:10He's come in, man.
00:55:12He's even come into the kitchen, man.
00:55:14That...
00:55:14That...
00:55:14That I am...
00:55:15The...
00:55:16The...
00:55:16He left her completely bewildered.
00:55:17Pussy.
00:55:18I don't know, man.
00:55:19This day is really draining me.
00:55:20That's squeezing me dry today.
00:55:21And I'll let you, man.
00:55:22And I let myself.
00:55:23Damn, I think I overdosed on everything, man.
00:55:25What's up, Fiti?
00:55:26What's happening?
00:55:26I don't understand.
00:55:27And on top of that, with oil, dude.
00:55:28We've spent our whole lives trying to hook up.
00:55:30Whether with jokes.
00:55:31Whether you study or work.
00:55:32And it was the wildebeest.
00:55:33The wildebeest that was there.
00:55:33But, but, but, but, but, but, what?
00:55:35What are you saying about Beño?
00:55:36Here comes Santi.
00:55:37Santi!
00:55:39Oh.
00:55:41I think this guy's poop's been broken, huh?
00:55:42So, Santi, what, what, what happened?
00:55:44What has become of Aurora?
00:55:45Has this happened to me?
00:55:46Yeah?
00:55:47They've pruned my tomato plant.
00:55:49That's what happened.
00:55:49Have they pruned what?
00:55:51Ah, the tomatoes that have taken away his lunches.
00:55:53He's hurt, he's hurt, Santi.
00:55:58Fuck.
00:55:59Santi, it hurt you, man.
00:56:01It has hurt me to the core.
00:56:03If you see the embarrassment I've been through.
00:56:05I had spread my legs wide as if I were about to give birth.
00:56:07And Aurora watching as they were messing with me in the lower levels.
00:56:11That's good, Santi, that's good.
00:56:13Why is it good?
00:56:13Because you already have trust.
00:56:14Now you really have no secrets from each other.
00:56:16Now's the time to attack, damn it.
00:56:18Don't tell me nonsense, don't tell me nonsense,
00:56:20that I don't have any more range of the cigarette.
00:56:21Yes, damn it, oh my God.
00:56:23He's sending you signals, huh?
00:56:24He's sending you signals, he just doesn't realize it.
00:56:26He doesn't notice, because you don't give it in seduction, well no.
00:56:29Take my word for it, there's oil there.
00:56:31Hey?
00:56:31Okay, one little thing.
00:56:33Was he very kind?
00:56:35You, kind one, yes.
00:56:37But how is everything going?
00:56:38No, no, no.
00:56:39You analyze, analyze.
00:56:42Look for some detail.
00:56:47Now that you mention it,
00:56:49He stroked my cheek
00:56:50And I asked for a little kiss.
00:56:54Did I give you a little kiss, dude?
00:56:55But, well, that's it, that's it.
00:56:57Who do you want to do more for you?
00:56:58What do you want me to do?
00:56:58We have to attack there, damn it, I'll tell you how.
00:57:00Get out of here, get out of here, get out of here, I don't want to hear it.
00:57:03Listen, Santi, man, listen to him.
00:57:05Listen, listen.
00:57:06Listen.
00:57:06The concept is time.
00:57:08Yeah.
00:57:08You won't seduce a woman in an afternoon, but you can in one night.
00:57:12And a hottie like Aurora isn't going to leave you just because she saw your junk.
00:57:17The cerete?
00:57:17The ass, Santi, the ass.
00:57:19That's it, that's it.
00:57:20What he does is pretend.
00:57:21To fake food poisoning like I had.
00:57:23Damn, that's it.
00:57:24You have her there all night for you, taking care of you.
00:57:26The room just for you.
00:57:27There, there, there, there, look, there, look.
00:57:29So, you want to see it?
00:57:31Well, you're already ringing the doorbell and I can't say no, I can't say no.
00:57:33And even less with this, damn it, even less with this, with the wildebeest.
00:57:36Damn, with this you've got her on a silver platter.
00:57:38Leave.
00:57:40Good shit.
00:57:40Yes, of course, it's good shit, good shit indeed.
00:57:42Yes, they don't draw my blood, because it makes me dizzy.
00:57:45Santi, if they draw your blood, you just suck it up and look the other way, man.
00:57:48Do me a favor, do me a favor.
00:57:50And what do you say the symptoms are like?
00:57:52I think it's like a general malaise, a general malaise.
00:57:54And vomiting and nausea.
00:57:57But anyway, what happened was that I ate some mussels that were past their expiration date.
00:58:01Let's see, does it hurt here?
00:58:03Yes, yes, yes, that way too, too.
00:58:06Listen, I want to ask you a question.
00:58:08Do you know if Aurora is on duty tonight?
00:58:11It responds to pressure in the right iliac fossa.
00:58:16Let's see.
00:58:17Tell me if this hurts.
00:58:21Yes, yes, yes, yes, also, also.
00:58:23Hey, what about Aurora?
00:58:25Positive number.
00:58:27As?
00:58:27This confusing set of symptoms could be appendicitis.
00:58:31Appendicitis?
00:58:32Yeah.
00:58:33What are you saying, man?
00:58:34What I have are some expired mussels.
00:58:37Take this seriously, surgery will be necessary in less than 12 hours to prevent it from developing into peritonitis.
00:58:41But to be sure, we're going to do a rectal exam.
00:58:44A rectal exam?
00:58:46What are you saying?
00:58:47So much, touch, touch, touch, touching.
00:58:49Why do they have to operate?
00:58:50No, look, you know what I'm saying?
00:58:52Yes, I'm feeling better now.
00:58:54No, no, no, no, stay here for observation.
00:58:56We're going to run some tests and then we'll check...
00:58:59Now, now!
00:59:00Poor Santiago, how are you?
00:59:01God, they need to prepare the operating room now.
00:59:11No, no, no, no, no, no, no, no, no.
00:59:41No, no, no, no, no, no, no.
01:00:11What lack of security?
01:00:13The association was complaining about a lack of security, wasn't it?
01:00:15I wanted solutions.
01:00:17Well, here are the solutions.
01:00:18Yes, but don't you think that's a bit much?
01:00:20No.
01:00:22Come with me.
01:00:24As you can see, we have installed cameras in the hallways and classrooms.
01:00:30This way we can prevent robberies, because there are tapes where everything is recorded.
01:00:33And we can see them and know who committed the crime.
01:00:36Come on, it's like Big Brother.
01:00:38Okay, but no nominations or confessions.
01:00:40And instead of Aida and Fresita, there are their children.
01:00:45Well, as you can see, in this way we can not only prevent robberies, but also misdemeanors.
01:00:50of student discipline.
01:00:52You can't imagine the things we have to see in these classrooms.
01:00:55Oh, Candela, isn't that your husband?
01:00:57No.
01:00:58Well, I could swear that...
01:00:59No, no, it's not...
01:01:01I mean, it's not at all.
01:01:04Uh, uh, this, this isn't what it seems, naturally, but there's an explanation, of course.
01:01:10And I can't give it to her until I...
01:01:12I'll be right back, okay?
01:01:13Hey, Lucia.
01:01:13Okay, please, okay.
01:01:14Welcome to the mechanic's shop of love.
01:01:26Come here, baby, I'm going to eat your whole crankshaft.
01:01:29You're crazy, crazy.
01:01:30Between fasting and text messages, you've got me now...
01:01:33Citi, please, uh, no, uh, uh, uh, Citi, please, uh, Citi, Citi, Citi, they're watching us.
01:01:42And all those groups of parents of students are watching us, look at all the cameras.
01:01:45Camera, camera.
01:01:46Camera.
01:01:47Marcos, son, your friend Raulito has come to see you.
01:02:07Hey Leopoldo, how's it going? How are we doing?
01:02:08Hi, have a good time.
01:02:09Pass it on?
01:02:10No, no, no.
01:02:11Do you want something to eat, handsome?
01:02:12No, no, no, no, no, no...
01:02:15Grandma, go to bed if you want, I'll clean up, I'll clean up.
01:02:19I've been calling you all afternoon, what's wrong?
01:02:22Nothing, nothing, relax, man, nothing's wrong.
01:02:24No?
01:02:26Raul.
01:02:26Well, yes, yes.
01:02:27That?
01:02:29Dude, I have something to tell you, Marcos.
01:02:33Nothing, man, it's just that I was there at your house, man, keeping watch, you know?
01:02:37And?
01:02:37And that's it, she came, man, she came, she came, she came, man, and that's it, and she came like that with, with...
01:02:43A suit is provoked, they know how to provoke, man, they know how to provoke, dude, and no...
01:02:47You know what, you bastard?
01:02:48I can't, Raúl, do it, I'm sorry, man, I'm sorry, man.
01:02:50Dude, I'm taking the days off and you're hooking up with Eva.
01:02:52Eva, Eva, Eva, no Eva, dude, no Eva, leave me alone, okay?
01:02:55Who the hell am I on about?
01:02:55Damn, Marina, dude, Marina.
01:02:57Marine?
01:02:57Yes, Marina.
01:02:58But I don't know any Marina, Raúl, what's wrong?
01:03:00Well, you're going to meet her, dude, because she's absolutely stunning, man.
01:03:03I mean, a total knockout.
01:03:04And the thing is, Marcos, since you weren't there, man, I thought to myself, hey, let's see if this guy's going to miss his turn.
01:03:08And that's it, I gave him a good time, man, and...
01:03:10And what did you like?
01:03:13Raúl, you come to the village to tell me this, I mean, you couldn't even tell me what to do...
01:03:18Well, no, no, no, it's just that I haven't told you the best part, I mean, I haven't told you the best part, you know?
01:03:22The thing is, this chick works at a record label, dude.
01:03:27No.
01:03:27Oh yeah, man, I swear, and well, I went there, man, and...
01:03:29And you told him that...
01:03:30Marcos Serrano, your servant, you know?
01:03:33Sure, nothing much, bam, bam, bam, bam, some photos, some tests, I don't know what, some questions, one thing leads to another, that's it.
01:03:39Look what they've offered us, kid, four big zeros, man.
01:03:43And look, the first single, one plus one equals seven.
01:03:47It's scary, isn't it?
01:03:50So, shall we sign?
01:03:51Raúl, no, no, we won't sign.
01:03:58I mean, I've been waiting for months for an audition with a record label and you come and ruin it for me, Raúl.
01:04:01Ah, ah, so it's my fault, no, it's always my fault.
01:04:03Well, you know what I'm saying, Marcos?
01:04:05You know what I'm saying, man?
01:04:05If you didn't come here hiding, scared shitless, man, instead of facing Eva,
01:04:09I would have to be at your front door like a guard dog and pretend to be you.
01:04:12Go away, go away, go away, go away, go away, get a cut.
01:04:15Boys, don't shout, you're scaring the chickens.
01:04:17Forgive me, okay, okay.
01:04:20Santi.
01:04:21Santi, Santi.
01:04:23Damn, how?
01:04:26What happened?
01:04:27We're having one scare after another, Santi, we're having one scare after another, how are you?
01:04:29What happened?
01:04:31So surgically enhanced, blessed and sharp, thank goodness we didn't catch her in time.
01:04:34A blessed and sacred one.
01:04:36Come on, take it easy.
01:04:37Have they had surgery?
01:04:38They've had surgery, yes?
01:04:39No, no, don't move, don't move, stay calm.
01:04:41Be careful with the stitches, Santi, be careful with the stitches, man, you can skip them.
01:04:44Don't worry.
01:04:46Ah, hello, hello, doctor.
01:04:48How are we doing, Santiago?
01:04:49To the eggs.
01:04:50What did he say?
01:04:51Even the balls, that must be the effects of the anesthesia.
01:04:54You had surgery for acute appendicitis, Santi, it's no joke.
01:04:57And, well, he saved you by a miracle.
01:05:00You tell him, doctor.
01:05:01No way, in the end I didn't have appendicitis.
01:05:03Oh, no?
01:05:05No, we've analyzed the appendicitis and that's it, fine.
01:05:08So we're going to have to keep running tests to see where those pains are coming from, okay?
01:05:12Already.
01:05:13Come on, calm down.
01:05:14See you later.
01:05:14Goodbye, thank you, thank you, doctor.
01:05:17Nobody can test me!
01:05:18Move aside, no, no, no, no, no.
01:05:19Please stay still, your stitches are coming undone.
01:05:22Move aside and don't...
01:05:23It's not your fault!
01:05:24No, Santiago!
01:05:26Well, Santiago!
01:05:28Oh, what are you doing!
01:05:31Lie down!
01:05:31I'm telling you, miss.
01:05:33The thing is, he doesn't listen to me because he's like a child.
01:05:34I'm going to have to take care of it myself.
01:05:37I've changed my shift.
01:05:39And tonight I'm going to keep a close eye on you, Santiago.
01:05:43So if you misbehave, or if you need anything, just press the button.
01:05:50Goodbye, thank you.
01:05:51Did you hear that, Santi?
01:05:53You've changed your shift.
01:05:54You changed your shift and said that if you need anything, you've said it.
01:05:58No, not that either!
01:06:00No, not at all, he's the one to blame now, isn't he?
01:06:02And why did you change your shift?
01:06:04You've changed not because he forces anyone to, but because he wants to keep a close eye on you.
01:06:08What did he say to you?
01:06:08But if that's not a live broadcast, then I don't know what is.
01:06:10What are you looking at? Don't make me nervous, what are you looking at?
01:06:13Okay, so, have you changed your shift?
01:06:14Yes, I've changed it.
01:06:18See you later.
01:06:19See you later.
01:06:19They're friends, they're thinking because they're friends.
01:06:22Why are you looking at me like that?
01:06:24Santi, I...
01:06:25Hang in there, hang in there!
01:06:26I was stark naked.
01:06:33I mean, I've been stark naked.
01:06:35The mechanic, he said he was.
01:06:37Well, I should have seen the parents' faces, it was a small town, I didn't even know where to put her.
01:06:40And the same thing always happens to me, I mean, the one time I'm absent, I mean, I miss the best part.
01:06:43So, hello, are you here already?
01:06:46Hello.
01:06:46How is Santi?
01:06:47Okay, okay, that's it...
01:06:49Well, he had a good night and I've already sent him home.
01:06:52Lucia already told me that you slept here.
01:06:54Clear.
01:06:54The thing about sleeping is just a figure of speech.
01:06:56Were we supposed to meet now?
01:06:57Because of your friend's little stunt yesterday.
01:06:58Haven't you finished?
01:06:59And Fiti knows you're here because he's worried too.
01:07:05Hello good morning.
01:07:07Candela, your husband is out there.
01:07:10Candela, don't look now because it's back there.
01:07:12He's terrified, he doesn't dare go in or anything.
01:07:19I'll be right there.
01:07:21Candela, for God's sake.
01:07:22At least talk to him.
01:07:24Stop trying to explain.
01:07:27No, I'll clean this up for you.
01:07:29No, girl.
01:07:33Well, I'm off to the party.
01:07:35Okay.
01:07:36You've gone a bit too far, haven't you?
01:07:38What you did yesterday is unspeakable.
01:07:39You made a complete fool of yourself.
01:07:41I knew you were stupid...
01:07:42Candela, Candela, Candela, just a moment.
01:07:44Let me speak.
01:07:45Weren't you the one who told me to go there?
01:07:47Don't get me all worked up, Fiti, it's eight in the morning.
01:07:49Don't get me all worked up.
01:07:50Hot, hot was how you were,
01:07:51that all you did was send me pornographic text messages on my mobile.
01:07:54If you were horny as hell,
01:07:55that I was the mechanic of love or I don't know what the hell.
01:07:57Damn, but you were the one who arranged to meet me.
01:07:59But I'm going to send messages, Fiti.
01:08:01If my mobile phone is broken,
01:08:02I don't know what's wrong with the battery or whatever.
01:08:03Damn, damn, I'm not making this up.
01:08:06Look, damn my luck.
01:08:07Come on.
01:08:08I have it engraved in my memory.
01:08:09I'm making it up, I don't know if that's your number.
01:08:13Because I didn't send this, Fiti, for God's sake.
01:08:17What did I order?
01:08:18My card has been stolen, it's not broken.
01:08:20They stole my card and they're not gluing it back on.
01:08:22Aren't they hitting the mark?
01:08:25They're going to be in deep trouble.
01:08:25Okay, okay, okay.
01:08:35Yeah.
01:08:36Who are you?
01:08:37Who are you?
01:08:37I can hear you breathing.
01:08:38Hey, calm down, eh, firecracker, that's not my phone.
01:08:41One moment.
01:08:42Damn, some idiot is calling me, what a moron.
01:08:46Dad?
01:08:47What do you mean, dad?
01:08:48What do you mean, dad?
01:08:49Damn my luck.
01:08:50What do you mean, dad?
01:08:50Who the hell are you?
01:08:51Hey, who the hell are you?
01:08:53Hey?
01:08:54Who am I?
01:08:55And on top of that, you're teasing me?
01:08:57This is my wife's phone number, smarty pants.
01:09:01Oh, damn.
01:09:02Did I forget to take out the candle card?
01:09:05Did you hang it up?
01:09:06Who was he?
01:09:06How should I know, he hasn't told me.
01:09:08Who has become more accomplished?
01:09:10Take out the card.
01:09:11Dude, take it out.
01:09:12Damn, where's the card in this thing?
01:09:14That?
01:09:14Well, it's a colquillated one.
01:09:15This is fantastic.
01:09:17My card has been stolen and they're sending messages to Fiti.
01:09:21That's intense.
01:09:22Oh really?
01:09:23Or take whichever one it was, of course.
01:09:25I'm going to take it apart.
01:09:26I'm going to pick it up, I'm going to...
01:09:27Clear.
01:09:28Oh, pick up that phone, for God's sake.
01:09:30Already.
01:09:31Look, dude, go to hell.
01:09:33Do you understand?
01:09:33Leave me alone, please.
01:09:35Uncles sometimes don't realize.
01:09:36No, never, never.
01:09:37Shall we go?
01:09:39Okay, bye, Candy.
01:09:41Goodbye, Dad.
01:09:41See you later.
01:09:44This is amazing.
01:09:46This is amazing.
01:09:47Well, that dirty aunt insults me and hangs up on me.
01:09:50She'll get caught and she'll find out.
01:09:55Well.
01:09:57Well, it seems everything has been cleared up, hasn't it?
01:10:01I say you won't be able to forgive me anymore.
01:10:04A little bump there in...
01:10:07At one point, right there in the house of the herrán family.
01:10:09Citi, you're not thinking about anything else, are you?
01:10:12You can't think about anything else.
01:10:16Man, the resident joker.
01:10:17What have you come up with today?
01:10:19Right...?
01:10:20How did you find out?
01:10:22You talked to Marcos about it, didn't you?
01:10:23Yes, he's inside doing a test.
01:10:26He called us and told us everything, so please, if you don't mind, thank you very much.
01:10:30Wait, Marina, Marina, wait, please.
01:10:32Look, what am I saying?
01:10:33Well, whatever the name is, no.
01:10:35Because, well, mostly, I'm not Marcos Serrano.
01:10:38But what about the body and the face, huh?
01:10:40Well, I still have it.
01:10:43Already.
01:10:45What, what did he talk to me about?
01:10:47Hey, what...
01:10:49Look, I know I've screwed up.
01:10:51Yeah.
01:10:52But my colleague is good.
01:10:53Very good.
01:10:55Treat him well.
01:10:56Okay?
01:10:58Look.
01:10:59Marcos, what are you doing here?
01:11:06You see, they were looking for me, and I also remind you that I am Marcos Serrano.
01:11:09Excuse me, excuse me, but who are you?
01:11:12Look, this is Marina, you know?
01:11:13I am...
01:11:14Well, he is Marcos Serrano.
01:11:15I am Marcos Serrano.
01:11:16Excuse me, but Marcos Serrano is recording in there, please.
01:11:18Are you please not recording in there?
01:11:19I'm going to be recording myself.
01:11:20If I just walked in the door, no, no, I didn't...
01:11:22Take out your ID, take out your ID, dude.
01:11:24You won't believe it, we have a third Marcos Serrano.
01:11:27Just a moment, just a moment.
01:11:27So, who the hell is recording inside?
01:11:51It's great that he's back home.
01:11:53That you brought me something from the village.
01:11:54Marcos hugs me!
01:11:55Hey, you didn't sleep in my bed or have to do my things, did you?
01:11:57I'll smash your...
01:11:58No!
01:11:59Hey Marcos, how's it going?
01:12:01Good.
01:12:03Already.
01:12:04AND...
01:12:05And are you here to stay?
01:12:07Mmm, yes.
01:12:09Ah.
01:12:10That's great, isn't it?
01:12:13Eve.
01:12:15Yeah.
01:12:17He is here.
01:12:18Okay.
01:12:21Alright.
01:12:25Do you want me to say something to him?
01:12:29Hello.
01:12:30Hello.
01:12:30You're going out, right?
01:12:43Uh-huh.
01:12:45With me, Manuel?
01:12:46No, with Africa.
01:12:48Manuel has returned to Arna.
01:12:50After the falling out with the record label, he wasn't going to stay.
01:12:53Another smart one.
01:12:54Well, in case you're wondering, I've been offered a concert for next week.
01:13:01Uh-huh.
01:13:01I also play with the band, with Chucky, with Raúl and with África.
01:13:07Can I tell you something?
01:13:09No.
01:13:11It's best if you don't say anything else, okay?
01:13:13I'm very tired now.
01:13:15No, but I need to tell you something...
01:13:16Let me tell you something...
01:13:17I need to tell you something.
01:13:19So, well, I have to give you...
01:13:21Well, I'd like to give you an explanation.
01:13:23No.
01:13:24You have no explanation for this, Marcos.
01:13:27We're going to rent an apartment together and...
01:13:30Suddenly you tell me that you don't love me anymore.
01:13:32You leave me feeling like shit.
01:13:34And then you tell me you have a girlfriend.
01:13:36But your girlfriend turns out to be Raúl.
01:13:39Then you send me a little message saying you're really sorry.
01:13:42I tell you to go away together for a few days and you don't even show up.
01:13:46Are you listening to me?
01:13:48Do you think there's an explanation for all of that?
01:13:51It's just that when...
01:13:54Well, when my father became ill, my uncle told me that...
01:13:57That you and I were blood brothers.
01:13:59And he told me it was a family secret.
01:14:01It was right when my father...
01:14:02Already.
01:14:04The great explanation, yes sir.
01:14:06What's wrong? Can't you think of anything better?
01:14:09I don't know, maybe you're back with Raquel or something because she's pathetic.
01:14:12That's not the truth.
01:14:13So, my uncle Santiago told me that...
01:14:14Dude, your father can be whoever you want, Marcos.
01:14:16But I'm very tired.
01:14:18I'm fed up with you laughing at me.
01:14:20Now it's my turn to laugh, okay?
01:14:21Well, but no, I mean, it's not even going to be...
01:14:23Ma'am, could you leave us alone for a moment?
01:14:42Lady.
01:14:43Lady.
01:14:44If you leave us alone for a moment.
01:14:46Goodbye, Candela.
01:14:49See you tomorrow.
01:14:50See you tomorrow, Antonia.
01:14:52Thank you.
01:14:57Well, Getty.
01:14:59Wait.
01:14:59Wait a moment.
01:15:00Okay?
01:15:01It's a moment.
01:15:01If I don't want to bother you...
01:15:03I've come to tell you two things.
01:15:09Well, three.
01:15:09Three.
01:15:11The first is that I'm not here for you to forgive me.
01:15:13I brought the flowers because I felt like it.
01:15:16Because...
01:15:17I know you have every right in the world to leave me because of the embarrassment I caused you.
01:15:24That's the first one.
01:15:25The second one.
01:15:26Which has to do with the third one.
01:15:28Well, you know...
01:15:30Well, all those crazy things and stuff, I did them because I was dying to be with you.
01:15:37Being with you.
01:15:39You understand?
01:15:42AND...
01:15:42And the third one, well...
01:15:44That I wanted to be with you, well...
01:15:47Because mostly I love you...
01:15:50A lot, and that's it.
01:15:56So...
01:15:58Wildebeest pheromones.
01:16:02But he was desperate.
01:16:05He was desperate.
01:16:06You know I'm addicted to you.
01:16:07You can't just take the dose away from me like that, all at once.
01:16:13Oh...
01:16:17The cameras.
01:16:19Yes, there's nobody here.
01:16:20I'll also remove them tomorrow.
01:16:21It doesn't matter.
01:16:21Yes, yes, but, but...
01:16:23And the lady, the lady, let's go home.
01:16:25Better to go home.
01:16:26She's as deaf as a post.
01:16:27Besides, I've left, haven't I?
01:16:28Haven't you seen it?
01:16:28You didn't want any trouble here in the classroom.
01:16:30Okay then.
01:16:32But...
01:16:32Okay, okay.
01:16:33You are welcome.
01:16:35If he has to stay, well...
01:16:37If it turns out well.
01:16:38If that's not all.
01:16:39Oh, the glasses, what about them?
01:16:40That's not all.
01:16:40That's not all.
01:16:41That's not all.
01:16:41Music
01:17:09Were you there during the Russian one?
01:17:23No, I wasn't.
01:17:24And always with you in my thoughts
01:17:28In a world of mind
01:17:30You see?
01:17:32Life at once
01:17:35And do you know anything about Russia besides Russian watermelon?
01:17:37Nothing
01:17:37Nothing, you don't know
01:17:38And does he speak Russian?
01:17:48My dad
01:17:49My dad
01:17:49Life in reverse
01:17:50Kissing with your feet
01:17:52And while dancing with the ideas
01:17:56Laugh for yourself
01:17:58Crying for no reason
01:18:01I'm in a mess
01:18:03You wouldn't believe it.
01:18:05Boys, don't shout, you're scaring the chickens!
01:18:09Life in reverse
01:18:12And we have repeated, my brothers
01:18:17Music
01:18:17Music
01:18:19Music
01:18:20Music
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