- hace 2 días
Santiago acepta encantado ser el padrino de la boda de sus sobrinos. Como tal, asume todas las responsabilidades de la organización, entre las que se encuentra organizar el convite en la taberna. Pero a Carmen no le va a parecer tan buena idea. La abuela de la familia no parece estar de acuerdo con sus decisiones y consigue ser nombrada madrina para intervenir en los preparativos. En medio de las peleas entre su tío y su abuela, Marcos intentará que se respete el deseo de Eva de una boda sencilla. Por su parte, Lucía duda si dar su autorización para que la pareja se case. Valdanito ha escrito una obra de teatro basada en la Guerra de las Galaxias y Lucía es la encargada de organizar la representación. Humberto ha conseguido el papel protagonista y cuando Teté se entera, intenta que su madre le de el papel de princesa. A pesar de que Lucía no quiere que su hija se presente al casting, la joven consigue deshacerse del resto de contrincantes haciendo trampas y es seleccionada para el papel. Mientras Diego continúa en el hospital, Fiti se encarga de los entrenamientos del Santa Justa. En un partido descubre que Guille juega muy bien al fútbol y decide alinear al chaval en un puesto de relevancia que Raúl esperaba ocupar. Por su parte, jugar en un equipo de mayores le sirve a Guille para trazar un plan que le permita entrar en una discoteca con su pandilla.
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00:00:00I don't know how many people, but...
00:00:12Organizing a wedding is very difficult, and it's even more difficult if the wedding is in the mountain family.
00:00:18Thank you so much, thank you this week, but the people who say...
00:00:20Uh, important, important, a living room, a living room, well, spacious, with the little golden lamps and all that.
00:00:27Well, my wedding reception was at the El Condado halls, man, it seems like it was yesterday.
00:00:33They were the first in Madrid to lower the cake from the ceiling, and the song Loving You by the Scorpions, by Sting, was playing.
00:00:39My head is spinning.
00:00:40Yeah man, that's great, but Eva and I wanted something more intimate, it's a small place, you know?
00:00:46Yeah, yeah, yeah, damn it, you shouldn't be involved in this, for fuck's sake.
00:00:50Damn, you have enough on your plate with your own things; the godfather, Sergio, and Eva's father have to take care of the organization.
00:00:56No, not Sergio, Sergio is traveling in Justo, for his medical check-up...
00:01:03Well, and my father, and my father, how do I tell my father? Nothing.
00:01:06Ah, your father.
00:01:07Well, and let's see if he signs the authorization, because that's another thing, the authorization.
00:01:09Well, the authorization was a complicated matter.
00:01:12Without her, Marcos and Eva couldn't get married, and with her, my father could have a heart attack.
00:01:19Hello, Marcos.
00:01:20Well, here's the wedding authorization signed by your father.
00:01:27What did he say?
00:01:28Well, the truth is that he hasn't said anything, but according to what he signed, his attention has increased so much that they told him at the hospital that he has to be under observation for another week.
00:01:35Look at yourself.
00:01:35Of course, that's all.
00:01:37And where is your authorization?
00:01:40We'll see about mine.
00:01:42Santi, have you prepared the pork loin for dinner?
00:01:43Yes, yes, there it is.
00:01:45Well, that's all, see you later.
00:01:49I'm blown away, man.
00:01:51I mean, it looked like she was kind of hung up on the wedding, damn.
00:01:54Yes, because a wedding is always a cause for celebration.
00:01:57Let's hope there aren't so many long faces.
00:01:59Look, Mom, I'm happy.
00:02:01I'm just the uncle.
00:02:03I am not involved.
00:02:05I'm just a guest.
00:02:07And I'm happy.
00:02:08Tito, why aren't you the whole godfather?
00:02:11Hey?
00:02:12I'm the godfather.
00:02:13Of course, my godfather at the baptism, well, he'll be my godfather at my wedding too, right?
00:02:17I would like that.
00:02:20Of course, nephew.
00:02:22Of course!
00:02:23Don't worry.
00:02:24Don't worry about anything.
00:02:25Leave everything in my hands.
00:02:27I am the godfather.
00:02:28The Godfather!
00:02:29The Godfather!
00:02:29The Godfather!
00:02:30My brother had found a godfather.
00:02:32But with all the fuss that was made about the whole affair of the banquet,
00:02:36Marcos almost lost his wedding and his family.
00:02:38Don't worry about anything.
00:02:40A station platform, under the blazing sun.
00:02:45You were talking about a skyscraper in the sky of New York.
00:02:48Come soon to see the sea and send a postcard.
00:02:52I already knew that day was the end.
00:02:55Now I have much more.
00:02:59Red, black, odd stop.
00:03:01Finally, luck brings an ace and a crystal to look through.
00:03:05And a wall to hang it on.
00:03:07If you have a smiling face in a passport photo.
00:03:11My stories were not about tales made by chance.
00:03:15Nobody told me that destiny was giving me this opportunity.
00:03:24One plus one equals seven.
00:03:27Who would have thought?
00:03:29It was so easy to be happy.
00:03:35Okay, Candela, who was this guy?
00:03:45Because DVD is given the pot.
00:03:47The green one, the one with the clip-on ears.
00:03:49Ah, yes.
00:03:49That.
00:03:50And what's wrong with the DVD is that it's been mesmerized watching Star Wars.
00:03:53And he's released his own version.
00:03:55And Candela, but she's...
00:03:56Something's not bad for a twelve-year-old's first dramatic work, huh?
00:03:59It's not bad, but we're putting on a show to ask the councilwoman for grants for the summer workshop.
00:04:04We need money.
00:04:05It must have changed us for the better, I say.
00:04:06Ah, don't worry.
00:04:07Curro, darling, can you put the ball down for a little while?
00:04:12Lucia, could I buy some popcorn?
00:04:14No, what are you going to have for dinner?
00:04:15But...
00:04:15No, it hasn't been weighed?
00:04:17This feels like a prison, what a waste, I need my father to come.
00:04:21What's up, Curro?
00:04:23Good afternoon, ladies.
00:04:24That?
00:04:25Another pisco in sight, huh?
00:04:26I see a thousand crabs in you.
00:04:27Oh, by the way, Lucia, don't worry about anything, I'll make dinner tonight, okay?
00:04:31In exchange for what, darling?
00:04:33Very quick, Lucia, and I saw you there, keeping a sharp look, huh?
00:04:36Well, you see, tomorrow is bowling's birthday, isn't it?
00:04:38And come on, we're going to do it, I'm going to a nightclub there, super cool.
00:04:40No.
00:04:41As?
00:04:41Let's see, Lucia, let me explain to you, please, let me explain a little, what a Starlight nightclub is.
00:04:45But Lucia, let me explain...
00:04:45No no.
00:04:46Until you turn 16, then we'll see.
00:04:49Oh, by the way, dinner is a little bit of pork loin and San Jacobos, it can be amazing.
00:04:57What joy it brings me that you are finally taking away the Sergeant's San Benito from me!
00:05:00If they don't get on my back, clothes, I'm so eager for Diego to come already...
00:05:05Have you signed the authorization for Marco?
00:05:08No.
00:05:10No.
00:05:11They're very young, Candela, aren't they?
00:05:12Well, but they've got it figured out.
00:05:14Well, but I'm not sure.
00:05:16But you left at 18 to marry Sechi.
00:05:19Your children are so blessed next to you, honey.
00:05:21They're going to do it to you with church, with family, with "let's go, let's go, let's go."
00:05:25I've never seen it.
00:05:27And who was Darth Vader?
00:05:29Darth Vader, the one with asthma.
00:05:30That?
00:05:37Go away, go away.
00:05:40Hey, run.
00:05:40There are some people who are pregnant with this child, Laura.
00:05:43Go, go to the casting call, run.
00:05:45This kid has given him such a big dose of San Jacobo.
00:05:47Hey, run.
00:05:48Look, Marta.
00:05:49Runs.
00:05:49Work, work.
00:05:51You must have been dreaming, right?
00:05:52And you knew, Teté, and the like, like, no, I mean, like...
00:05:56Humberto.
00:05:56So, that's it, Humberto.
00:05:58And was the casting like on Operación Triunfo?
00:06:00No, yes, and then a bear appeared, but I don't remember what else.
00:06:06But here they say that dreams are prophetic and the casting symbolizes success and animals
00:06:10And love, that's why the bear thing, come on.
00:06:12You're not going there, Maritana.
00:06:13No, not in that case.
00:06:14They say that dreaming about bears is great.
00:06:16Well, with bears and if Humberto is there, all the better, right?
00:06:19I'm sure it's the day.
00:06:20Look!
00:06:21And are there any asfaditas?
00:06:22Why would she want to go to the disco that night?
00:06:24No.
00:06:24Please.
00:06:25No.
00:06:25Please.
00:06:26No, I said he won't know the nightclub, period.
00:06:28I wish, but how can that be?
00:06:30Let's see, let's see that happy boyfriend.
00:06:32Give your godfather a hug.
00:06:34Godfather.
00:06:35The Godfather?
00:06:35Did the godfather say that?
00:06:37Yeah.
00:06:37Godfather, godfather.
00:06:39And as your godfather, I propose we hold the wedding reception at the tavern.
00:06:43At the tavern?
00:06:44I'm going to a banquet of trifles.
00:06:45Be quiet, lady.
00:06:47They want something intimate and familiar.
00:06:49Yes, yes.
00:06:50Does that sound good to you?
00:06:50Perfect, Tito, perfect.
00:06:51Thank you.
00:06:52And when is the event?
00:06:53Next Thursday.
00:06:55What should I wear?
00:06:57So soon?
00:06:58That?
00:06:59Impossible.
00:07:00A weekday wedding is rare, it's rare.
00:07:03Yes, but it's the anniversary of the day we met and...
00:07:06How romantic!
00:07:07Yes, very romantic.
00:07:08And what about the rest of us who are forced into it?
00:07:09Are you okay with us finding out this way that you're getting married on Thursday?
00:07:12Well, I already told you.
00:07:13Oh, you told me that?
00:07:13Yes, the thing is, you probably didn't hear me, I mean.
00:07:17I can't hear you.
00:07:18Okay, we'll get married on Thursday as long as you sign the authorization, of course.
00:07:28Thursday is fine.
00:07:30Lucia, don't worry, he'll sign the authorization for you.
00:07:33I'm going to prepare a banquet fit for a prince...
00:07:36The gypsy prince will be.
00:07:38He knows that...
00:07:38What do you know about organizing a wedding banquet?
00:07:41Oh, the old woman is going to tell me how to organize a party.
00:07:45With two ideas that have stayed here, I'm going to organize a wedding that will be so big everyone will be talking about it.
00:07:50Madero has changed the subject of weddings, man.
00:07:52It looks like a treasure hunt.
00:07:53Look, Palma de Mallorca Salon.
00:07:55Heated swimming pool.
00:07:57Solarium.
00:07:58God's.
00:07:59Chumina, chumina.
00:08:00It's to rip people off.
00:08:01Taking advantage of the fact that they are drunk with joy.
00:08:03Yes, because half a jug of sangria costs 20 euros.
00:08:06Diego, yes.
00:08:12Damn, you're really going on about Saturday's game.
00:08:15Yeah.
00:08:16Fuck.
00:08:17Yes, me.
00:08:17Yeah.
00:08:18Hello darling.
00:08:22And this?
00:08:23Well, it's a place where they organize weddings.
00:08:25Ah, okay.
00:08:26Come on, Sevilla Hall.
00:08:30Interior courtyard with fountain.
00:08:32Riding arena with horses, bullfighting arena.
00:08:35And I don't know, Santiago, I was thinking about something more intimate.
00:08:38Honey, this isn't for us.
00:08:40Okay, fine.
00:08:41It's for Marcos and Eva's wedding.
00:08:42I'm getting ideas because I'm the godfather.
00:08:45Ah.
00:08:46Of course, since we don't even have a date.
00:08:48No, but it's good that you're thinking about your nephews.
00:08:51Grogi, give me a coffee.
00:08:51That?
00:08:56He's annoyed.
00:08:57Damn it, give him a date, for fuck's sake.
00:08:59Christmas, your birthday, theirs.
00:09:00But give him a date, for God's sake.
00:09:02Little crybaby.
00:09:03That?
00:09:04Come, come, darling, come.
00:09:07I was thinking that if we all got married at the same time,
00:09:11before god and men,
00:09:13And I say yes, in private, with my nephews, as a family.
00:09:18Hey, if we organize it together, we'll save ourselves a little leader.
00:09:21And when would that be?
00:09:22Well, on Thursday, next week.
00:09:24No, it's too soon.
00:09:26Besides, you're not going to be the groom and the best man at the same time.
00:09:28I'll cut it off, I'll cut it off for her.
00:09:30I don't care.
00:09:33You're stupid.
00:09:34How do you tell him that?
00:09:35Fuck.
00:09:36She's going to get married there as the sixth moon.
00:09:37Tosa mogollón.
00:09:38She wants her wedding.
00:09:39Just for her.
00:09:41And did you get it?
00:09:42The first thing you have to do is reconcile with her.
00:09:45Just ask him to help you with your nephew and that's it.
00:09:47Hey, the godmother passed by, lucky her.
00:09:51Yes, Marco, tell me.
00:09:52Well.
00:09:53Great, great.
00:09:53I'm organizing a wedding for you.
00:09:56Tell him I'll be at training at three.
00:09:58Hey, I don't know what he wants to tell you.
00:09:59You have it, you have it.
00:10:01Marcos.
00:10:02Yes, listen, you know that at three training sessions.
00:10:07Marcos, wait a moment.
00:10:08Let me explain.
00:10:09Ronaldo stopped going to training because he was getting married, and he was getting married in none other than Chantilly, France.
00:10:15And you, for a neighborhood wedding, are going to back out now?
00:10:19As?
00:10:21What's happening?
00:10:21What's happening?
00:10:22The bitch.
00:10:23Your nephew.
00:10:24Don't you go and tell me I'm like a vangal?
00:10:25Always negative?
00:10:26Never positive.
00:10:27Never positive.
00:10:28Look, your police force is becoming more and more like a vandal every day.
00:10:31Well, don't miss it.
00:10:32Since my father is having a bad day, my aunt goes and tells me no to everything.
00:10:35But that's about everything.
00:10:35And the best part is, she says she won't go to any nightclubs until she's 16.
00:10:39As?
00:10:39What do you mean I'm not going?
00:10:40Dude, if we go to the club, what a shitty birthday.
00:10:42I know, I have it, but...
00:10:43But look, look at the talent I have.
00:10:45Not even Harrison Ford could move it like I did.
00:10:47Let's see, 10, 10.
00:10:49Humberto looks better as Han Solo, dude.
00:10:50That's it.
00:10:51Wait a minute.
00:10:52Hey, what's this about Han Solo?
00:10:54Nothing, Humberto is the protagonist of the play I've written.
00:10:57Conversations with the dark side.
00:10:59We're launching on Saturday.
00:10:59A blatant rip-off of Star Wars, huh?
00:11:01Okay.
00:11:02And how did you come up with the idea?
00:11:03So, one day I was there, playing there, listening to the indie tracks and all that...
00:11:07And the pill.
00:11:08Oh, well, nothing much, my father got angry, so he punished me and I told him...
00:11:11And who are you to punish me?
00:11:13And then he tells me, I am your father.
00:11:14And then a story comes to mind.
00:11:17Okay, is there any paper for me?
00:11:18Since that marital one is for you, there's that one from Chiwaka.
00:11:24No, no, no, that's why it belongs to Princess Leila.
00:11:26No, no, Chiwaka.
00:11:27But Princess Leila is the one who gets involved with Han Solo, right?
00:11:30They've paid, Popi.
00:11:31And could you make them want that role for me?
00:11:35Well, I'm just an airplane pilot.
00:11:37Lucía is the one putting the whole thing together.
00:11:39Hey, if you want the paper, ask her for it.
00:11:41But she's not the one with the croissants on her head, she's that one and she's bad.
00:11:43That's a bad trick.
00:11:44Mom, I want to be Leila in the play.
00:11:52If the protagonists are the ones from third grade.
00:11:53Hey, look, the mask of... What's the name of that creature?
00:11:55That he has forgotten me.
00:11:55Yoda.
00:11:56Okay, Mom, Han Solo is a third-year student, fine, but Leila is younger, she'll have to be a second-year student.
00:12:00Look, here I am.
00:12:03Okay, fine, I'll let you go to the casting.
00:12:05Here's the number.
00:12:06Thirty-two, daughter.
00:12:09Thirty-two?
00:12:09No.
00:12:10Well, Mom, a little favoritism, isn't it?
00:12:12No.
00:12:13Mom, please.
00:12:15No.
00:12:15The first one, the second one, or something, Mom?
00:12:17No.
00:12:18What difference does it make to you?
00:12:18She's heavy, isn't she?
00:12:19You're going to the casting like everyone else, is that clear?
00:12:21Let's see.
00:12:22Thank you so much.
00:12:22Thank you.
00:12:27Careful.
00:12:27Oops!
00:12:28The telephone.
00:12:29Oops!
00:12:29Oops!
00:12:30Oops!
00:12:31Let's see.
00:12:33Marcos.
00:12:34And?
00:12:36So that I don't forget the appointment I have with the notary to sign the authorization.
00:12:39Go on.
00:12:40Come on.
00:12:41And that face?
00:12:42Daughter, even Diego has said yes.
00:12:44I don't know what problem you have.
00:12:46Well, I've already told you.
00:12:47They're very young, Candela.
00:12:48They are very young.
00:12:49Auntie, you look like my grandmother, daughter.
00:12:51You made your life, didn't you?
00:12:52Well, your children will have to do the same.
00:12:54The more you resist that, the worse it is for you, you know?
00:12:57Are you going to be the godmother?
00:12:58Are you going to wear a wide-brimmed hat, a hair comb, or something like that?
00:13:00That looks great on you.
00:13:01I'm funny, aren't I?
00:13:02I think you've convinced me with this.
00:13:03It's the final straw.
00:13:04I'd rather die than be a godmother.
00:13:05Just so you know.
00:13:07Hello.
00:13:08Ah!
00:13:09That!
00:13:10That!
00:13:12Honey, who?
00:13:13What I come from the market.
00:13:15Know?
00:13:15Yeah.
00:13:16And I've bought some beef shank steaks to eat.
00:13:19And some green beans for a stew.
00:13:22What do you think?
00:13:23Mom, I've been in school for two years and this is the first time you've given me the menu.
00:13:26What do you want?
00:13:28Well, that...
00:13:30Well, no, it's just that I've been thinking about it and...
00:13:33And I would like to be Marco's godmother, if you don't mind.
00:13:36I know that's your responsibility, but...
00:13:38I haven't had any sons and...
00:13:41And at my age, well...
00:13:44I no longer know if I'll be able to attend Tete's wedding or Guille's and...
00:13:47That?
00:13:50And also that...
00:13:51Since Santi is the godfather...
00:13:53Yes, Santi is the godfather.
00:13:55Yes, yes, daughter, yes.
00:13:56And since you're not on top of him, he throws you one of those feasts where you have to hold on tight and don't move.
00:14:00And my daughter deserves better.
00:14:05That?
00:14:05That?
00:14:06What, what, what?
00:14:07Okay, two things.
00:14:08One, check with Marcos.
00:14:10Two, don't mess things up with Santiago, I know you.
00:14:11No, no, no.
00:14:13Okay.
00:14:13No, well, nothing.
00:14:15This is just one more little thing.
00:14:16See you later at the notary's office.
00:14:19Because if you don't sign the authorization...
00:14:21Well, there is no wedding, no banquet, and no Christ who founded it.
00:14:24Yes, Mom, I'm going to the notary.
00:14:27Well, then...
00:14:29See you later, okay?
00:14:30Goodbye, Carmen.
00:14:35Be quiet.
00:14:36I feel sorry for the hair comb.
00:14:39Thirty-two.
00:14:39Thirty-two girls in front of you.
00:14:42If I were you, I'd leave it, okay?
00:14:43No way, I'll think of something.
00:14:57You won't be able to.
00:14:58As?
00:15:04Come on, throw it.
00:15:07Now we've had to go home, because of all the backpacks, everything.
00:15:09Hey, who called you to train here, huh?
00:15:11Well, that's it.
00:15:12Have you touched the elderly?
00:15:13Yeah, man, but Fiti says it's mostly essential that we go.
00:15:16Well, it's a pain in the ass, I know.
00:15:17It is mostly essential that we go.
00:15:19Yeah.
00:15:20Yes, it's done, it's done.
00:15:21Okay, fine, fine, fine, fine.
00:15:26Yes, Diego, fuck yes.
00:15:27Guys, guys, just a moment.
00:15:29Come on, come here, quickly.
00:15:31Just a moment.
00:15:31Listen up, let's hear the manager's voice.
00:15:37Diego, here they are, whenever you want them.
00:15:40Sacrifice, damn it, we either win the last game or we're going down, we're going to be relegated.
00:15:45Get well soon, we're going down a category!
00:15:48Don't laugh, Raúl, you'll ruin it, okay?
00:15:53And you go out, throw the boy away, damn it.
00:15:55Martí, I'm leaving you in charge, and pay attention to this, because we're fighting to stay up, got it?
00:16:01Okay, okay, okay, don't worry, Diego is playing the man.
00:16:05Yes, go on, look, at some point I'm going to suggest a 4-4 voice chord, which is a classic,
00:16:10and then we'll see how...
00:16:12Diego, Diego!
00:16:16What's with the giggling, huh?
00:16:18What do you think you are, Galactics now?
00:16:20Are they incompetent?
00:16:22Let's see, the strategy.
00:16:24I've proposed a friendly match against the youth team players,
00:16:28I brought them from asparagus, you know?
00:16:29And so I'm already figuring out how to approach the matter.
00:16:32Come on, hurry up.
00:16:33And warm up properly, okay?
00:16:34Then come the little problems, the strains, and the stories.
00:16:37Well, that brunette is going to play with the monkeys, man, you're kidding me.
00:16:41Did he carve the incense sticks for you to use for penalties?
00:16:44Look, Raúl, I'm going to tell you something.
00:16:45You're a dog, fine.
00:16:47But as a person, bad.
00:16:48You're very stupid.
00:16:50And I'll tell you something else, you're very weak.
00:16:51But me?
00:16:52Yes, we're lacking and it's jeopardizing your position.
00:16:54Come on, shoot.
00:16:55Runs.
00:16:56Together, thank you.
00:17:00Together, thank you.
00:17:04Together, thank you.
00:17:05Okay, okay, okay!
00:17:35Come on!
00:17:37Come on!
00:17:43It's over! Bullshit!
00:17:45Let's eat! But this fat!
00:17:47Dad sets the rules for us!
00:17:49He doesn't bother us, he doesn't even bother us! Hey, hey! Come here!
00:17:51And what about Guille? What about Guille, who kept leaving?
00:17:53And what about you? What about you?
00:17:55You have no blood in your veins, you don't fight, damn it!
00:17:57What, I don't fight? You don't fight, no, not here, not in the studios, not anywhere.
00:18:00Well, the kid isn't 16, otherwise...
00:18:02If not, I've signed him right now, mark my words.
00:18:05That's very good, huh. Very good, Guille.
00:18:07He has legs like bubblegum, but like your father, the king of the churrigol.
00:18:09That's not fair!
00:18:10Hey! Where are you going?
00:18:12Come on, let's go for a run around the field!
00:18:14Ten!
00:18:15You heard right!
00:18:23You see, I had something to tell you.
00:18:25Well, we've been thinking that for Boli's birthday,
00:18:28There are also designated hours for under-16s at the nightclub, and I'm wondering if I can go...
00:18:31Guille, the disco? No.
00:18:33Please! Please, Lucia! Please, don't be like that! Please!
00:18:36Come on, Guille, you have permission to go to the disco!
00:18:38Pick up Lucia at 8:30 and no trouble, okay?
00:18:40Thank you so much! Uh! Uh! Uh! Uh!
00:18:42Uh! Miss!
00:18:44Why are you saying anything to the child?
00:18:46I?
00:18:47Because she doesn't know how to let go, Lucia, my daughter.
00:18:48Leave the kid alone.
00:18:49If I took something, I'll leave.
00:18:50This is the age, isn't it?
00:18:51This is a disaster.
00:18:52It's already two o'clock and we still don't have a casting director.
00:18:54We need one now, Yoli.
00:18:55You're so infatuated with Humberto.
00:18:57Really?
00:18:58Is it a bathing suit now?
00:18:59And what are they doing at the casting call today?
00:19:00Well, I don't know, a friend, a servant, a slave, whatever you want, Afri, finally.
00:19:01Right now, you're the closest thing I have to a sister.
00:19:02And you promised me.
00:19:03I'm so lonely.
00:19:04Yes, I love you.
00:19:05I had never felt anything like this for anyone.
00:19:06I felt the true meaning of love.
00:19:07Damn, very good.
00:19:08Very, very good.
00:19:09Yes sir.
00:19:10But that's not going to happen.
00:19:11No.
00:19:12No.
00:19:13No.
00:19:14No.
00:19:15No.
00:19:16No.
00:19:17No.
00:19:18No.
00:19:19No.
00:19:20No.
00:19:21No.
00:19:22No.
00:19:23No.
00:19:24No.
00:19:25No.
00:19:26No.
00:19:27No.
00:19:28No.
00:19:29Affected.
00:19:34Too short.
00:19:36Let's begin.
00:19:37Too high.
00:19:40Too dark-skinned.
00:19:41Too thin.
00:19:42Too blonde.
00:19:43Too much.
00:19:44Too much…
00:19:45Too much.
00:19:46M?
00:19:47Come on.
00:19:48Following?
00:19:49Clear path.
00:19:50Little owner power.
00:19:51Yes, yes, yes, yes, yes, yes, yes, everything is there.
00:19:57Bien boulet attends.
00:19:58Okay, honey, me, haha.
00:19:59Everything's under control, yes.
00:20:01Nerves too.
00:20:02Ah, the rings, the rings are missing.
00:20:05Yes, and my penguin suit, Eva.
00:20:07No, no, man.
00:20:09Oh, and one small detail: your mother hasn't signed the authorization.
00:20:13Yeah.
00:20:14Well, what do I know? Why hasn't she signed it?
00:20:15Because she has already signed it.
00:20:17Ah, she's already signed it, your grandmother tells me.
00:20:19Give it to me, give it to me.
00:20:20Eva, Eva, darling.
00:20:21Hello hello.
00:20:23You're welcome, you're welcome, woman.
00:20:26Of course, yes, because I'm going to be the godmother.
00:20:31Well, if it matters to us, of course.
00:20:33No, it's just that your mother can't.
00:20:35No, because she's very busy.
00:20:38Of course, how do you get married so soon?
00:20:41Yes, yes, darling, of course.
00:20:43See you, we'll keep talking.
00:20:45A little kiss, a little kiss.
00:20:46Bye bye.
00:20:47Here, I would have liked to tell you in a different way.
00:20:51But what do you think?
00:20:53Okay, that sounds good to me.
00:20:54Okay, oh, well.
00:20:55A little kiss for the godmother.
00:20:57Here is the best godfather in the world.
00:20:59How's it going?
00:20:59Look, look, look.
00:21:01Ah, that's great, isn't it?
00:21:02And here behind, the signs of the banquet.
00:21:04Ah, very good.
00:21:05What do you think?
00:21:05Very good.
00:21:06This is from charts to the stock market sonar.
00:21:08My hair stands on end.
00:21:10Come on, you could have already made them on brown paper.
00:21:14I hate myself a little, do you like it or not?
00:21:16I do like them, yes, yes.
00:21:17But, what do you mean, yes?
00:21:18But, but they are horrible.
00:21:19Horrible.
00:21:20And besides, my granddaughter's last name is misspelled.
00:21:23Because it says Cap de Villa here.
00:21:24And it's Cap de Vila.
00:21:26Because it's a Catalan surname.
00:21:28Catalan.
00:21:28This girl doesn't know.
00:21:29The Christian, the Christian Vila, is a lifelong Villa.
00:21:32Oh boy, those steaks are going to be drier than soma with crickets.
00:21:36At seven o'clock, it's time for the menu tasting.
00:21:38Nothing, just as long as the menu is as carefully crafted as the invitations.
00:21:40Look, I don't know about you, Marcos, I don't know about you.
00:21:43But Eva, seeing her surname misspelled like that, is not going to be happy at all.
00:21:46No, no, no, no.
00:21:46If you want to keep quiet, if you want to keep quiet, nobody has given you a say in this matter, I mean, in this wedding.
00:21:52Just so you know, I'm going to be the godmother, okay?
00:21:55And I have just as much right as you to have an opinion.
00:21:56Right, Marcos?
00:21:57The godmother?
00:21:58But what have you done, Marcos?
00:21:59This has ruined the wedding.
00:22:00Oh, show some respect, huh?
00:22:01A respect that is present.
00:22:03Don't you know the song?
00:22:05A rose garden, inside a thicket of thorns.
00:22:08Okay, fine, fine, fine, fine, fine, fine, fine, please.
00:22:11Please, okay.
00:22:13It's my wedding, okay?
00:22:15Stop, stop arguing.
00:22:18Well, girls, I don't understand.
00:22:20It's very late, there were a lot of girls signed up.
00:22:22No, it's probably because they found out I'm going to the casting call and of course, they're down there, Mom.
00:22:26Ah, yes, I like it.
00:22:27Daughter, with very high self-esteem.
00:22:29Well, well, it's between you and Yoli.
00:22:33What's wrong, Yoli?
00:22:34Yes, but do you want to be Princess Leia, daughter?
00:22:36Of course.
00:22:39Although, on second thought, no, because the nerves give me gas and...
00:22:45Maria.
00:22:46Hey, I'm thinking, you wouldn't happen to have anything to do with this, would you?
00:22:50I?
00:22:50She?
00:22:51About what?
00:22:51Not at all.
00:22:52Listen, Maria Teresa, if I find out that you're the one who caused no girl to come to the casting call, you'll be in serious trouble.
00:22:58Is that clear?
00:22:59Well, he's sorted this out now.
00:23:01It doesn't work on Saturdays.
00:23:02So I want you to come to rehearsal tomorrow afternoon with your character memorized.
00:23:06Okay, thanks, Mom.
00:23:07Come on, help her, Yoli.
00:23:10Oh, God.
00:23:11Yoli, I am Leia now, I am Leia, I am Leia, I am Leia.
00:23:15Humberto, have I told you I'm Leia?
00:23:17You.
00:23:18But if you're not the third one.
00:23:20Well.
00:23:20Man, Humberto.
00:23:21Humberto said that...
00:23:22What I see here is called nepotism, isn't it?
00:23:25What are you talking about?
00:23:26Because the perfect Princess Leia was Elena Martínez, from the third year.
00:23:30It would have been Elena Martínez if she had auditioned.
00:23:32Besides, I have to give you explanations, come on, man.
00:23:34By the way, we have rehearsal tomorrow afternoon.
00:23:37You've learned the text well, huh?
00:23:38And with enthusiasm, he coughed.
00:23:40I don't know how you're going to play the role of Tea.
00:23:42Tea, you're too small.
00:23:43I?
00:23:44But for God's sake, Humberto, I'm already going to first grade.
00:23:46Already.
00:23:49Tea, I think you're going to get a real shock.
00:23:52Oh, Yoli.
00:23:53Hey, but with this little cheese, we're all set.
00:23:55Because look, we've got a ton of sausage, huh?
00:23:57Yeah.
00:23:57What are you saying, Santiago?
00:23:59Thank you so much for helping me.
00:24:01Everything looks beautiful, absolutely beautiful.
00:24:03Well, if I'm going to be the godmother consort, what else can I do, huh?
00:24:06Hey, with some things from the parish.
00:24:07And what about the flowers for First Communions?
00:24:09And look.
00:24:11So, you're not mad at me anymore?
00:24:15Of course not, Santiago.
00:24:17The thing is, marrying you is the most important step I'm going to take in my entire life and...
00:24:21...and I don't want it to be rushed.
00:24:30What a beautiful decoration!
00:24:32How cool!
00:24:34Good Lord, this looks like a Curros birthday party.
00:24:36Oh well...
00:24:37These clowns send me...
00:24:41What? What do you think?
00:24:45Today I served sangria and plastic cups.
00:24:48But on the wedding day I will serve the best quality wine.
00:24:51And I'll bring out the good china, the one with the little gold engravings.
00:24:53I'm a coward.
00:24:54Well, here, here, on the wedding day, the best quality Iberian products will be available.
00:24:58Clear.
00:24:59Today I've brought you a finger-licking good goat cheese.
00:25:02And there you have a goose and duck pâté, it's absolutely delicious.
00:25:06And aren't you going to put out some hot food?
00:25:09Well, if I get what's there, we can always go home, Manolo, for some roast chicken.
00:25:12Some chips in the conomato.
00:25:15But what? What? How do you see it?
00:25:16Very good, I like it a lot. Simple, just like Eva and I wanted.
00:25:20Well, and plastic tablecloths, because if anything gets stained...
00:25:24...and that my Santi is involved in everything.
00:25:26Well, it's a little spicy.
00:25:29Come on, let's grab a bite...
00:25:30Well, well, well, what does Santi look like? I can't believe this happened...
00:25:36Mom, can you tell me what's wrong?
00:25:39Well, this isn't a party or anything, man.
00:25:42And for the amount he's spent, we could celebrate at Chiqui Park.
00:25:45Mom, it's Marcos and Eva's wedding, right?
00:25:47Yeah.
00:25:47And Marcos likes it, that's clear.
00:25:48Yeah.
00:25:49Well, that's that.
00:25:50OK?
00:25:51That's clear, right?
00:25:52Yes, of course, absolutely.
00:25:54Okay guys, I'm going to get Guille, he's getting all disheveled and it scares me.
00:25:57Okay, see you later.
00:25:58See you later.
00:25:59Oh, watch out.
00:26:00Okay, come on, come on, what are you waiting for?
00:26:06What is this, man?
00:26:10Are the Smurfs from Marcaquina here or what?
00:26:12Dude, we screwed up.
00:26:13This Light nightclub is a mess, it's full of kids.
00:26:16But we've been here for two hours and nothing's happened.
00:26:18Dude, he even gave me the stew three times, man.
00:26:21What a shitty birthday.
00:26:23And on top of that, there are more lights here than at the Bernabéu, mate.
00:26:25No one can get involved here, Guille.
00:26:26Let's see, Raíz, champion.
00:26:27Why are you going to put everything in here by hand, huh?
00:26:29Look at how it all is.
00:26:31Who's coming this way?
00:26:32The root they made here in Africa and I to trunks.
00:26:36What's coming, what's coming?
00:26:39Hello.
00:26:41You come here a lot because your face seems familiar.
00:26:44Brother-in-law!
00:26:45That's what's new!
00:26:47I am too.
00:26:48Hello.
00:26:48Hey, hey, I divided, I divided, calm down.
00:26:50Hey girls, I'm thinking why don't you call your mom and wait at home, huh?
00:26:54Come on, air.
00:26:55Why which edge?
00:26:56Do you have my Veron?
00:26:57Come on, I divided it.
00:26:58Hey man, this sucks.
00:27:02I want to see real women.
00:27:04Oh, your mother!
00:27:06Yes, it's good.
00:27:06I mean, yeah, dude.
00:27:07Lucia is hot, but she's not your type.
00:27:09Well, dude, if you want, I'll ask him because he's there.
00:27:12Oh, yeah, no, dude!
00:27:14Well, go find yourself a blowjob.
00:27:16Disgusting!
00:27:17You have to go in at night.
00:27:18Let's see, let's see.
00:27:19How are we going to get in at night?
00:27:20Yes, he is 16 years old.
00:27:21You tell me how we do it.
00:27:24Because the kid isn't 16 yet.
00:27:26If not, I've signed him right now.
00:27:27Take note of what I'm telling you.
00:27:28We'll come in here tomorrow after 10, I swear my name is Guillermo Serrano.
00:27:34And we're going to celebrate your birthday here at your Ciphlén.
00:27:37If it really contains it, no.
00:27:38Lucia, Guille.
00:27:40Guille.
00:27:41Guille, come down, we're going home, I'm in a hurry.
00:27:43Lucia, come down now, your mother is waiting for you.
00:27:44You call your mom.
00:27:46Guille.
00:27:46They're giving out the shoelaces.
00:27:47Come on down, let's go.
00:27:48Come on.
00:27:49Come on, you have to see what happens on Mondays, when your mother calls you.
00:27:52Okay, and for dessert, peaches in syrup with cream.
00:27:56Today the cream is from a carton.
00:27:59But on my wedding day I'll order it from the best bakery on the river.
00:28:03Yeah.
00:28:03So what happened was, you order some of those really fine colored sugared almonds.
00:28:07Or better yet, some candied almonds.
00:28:09Ma'am, the peach is a classic.
00:28:11And very fine.
00:28:13Tito, let's get the cab.
00:28:15Go on.
00:28:16Let's take the cab, that's better.
00:28:17Okay, yes.
00:28:18Put that in.
00:28:19I'd eat something, but...
00:28:20Hello.
00:28:21I'm here now.
00:28:22Did I miss something?
00:28:23Yes, yes, yes.
00:28:24Lobsters, lobsters and canapés.
00:28:26Caviar and...
00:28:27Oh, sorry, sorry.
00:28:28I just forgot that...
00:28:29Point in the mouth.
00:28:31Okay, and now I've prepared some...
00:28:34A little surprise and a few words.
00:28:37Here, Santi, take this cool drink.
00:28:39The boys.
00:28:39Ready?
00:28:40Yes, the girls.
00:28:41Oh, sorry.
00:28:43Okay, okay.
00:28:44I don't wear it anymore.
00:28:44Let's see, because...
00:28:45This needs to be included.
00:28:45But, well, please, I'll put it on.
00:28:47But on my wedding day I'm sure I'll be dressed as a chulapa.
00:28:49Yeah.
00:28:49As a godfather, I am proud to host my nephew's wedding reception.
00:28:56Marco, my nephew and godson, was born almost 18 years ago.
00:29:02He was ugly and hairy like a demon.
00:29:05But today he is a man of great stature and with a good heart.
00:29:11And he's marrying Eva, my niece, whom I love and cherish like a daughter.
00:29:18But wait.
00:29:20But today, not only is the meeting of two families taking place here, but much more.
00:29:27The Catalan people unite with the people of Madrid.
00:29:31Barça with Ramadin.
00:29:33The Stew with the Palatumaca.
00:29:37The Retiro Park with Park Güell.
00:29:40The Sardana with the Chioti.
00:29:42The Puerta de Alcalá with the Sagrada Familia.
00:29:45The Montjuí with the Casa de Campu.
00:29:48Tito, Tito.
00:29:49I think we've got the picture, huh?
00:29:51Yes, yes, yes, I'm all for it.
00:29:53Okay, that's it.
00:29:54Well, sorry, sorry for the delay.
00:29:57Good night.
00:29:58And now, the final surprise.
00:30:00The best wedding symphony orchestra in Santa Justa.
00:30:03The Marelas!
00:30:04Bravo!
00:30:06Everything is known, even the last thing my mother said.
00:30:08One, two, three, and...
00:30:10I've wanted to tell you for a long time, my love, that what we had is over.
00:30:21There is nothing left in this heart.
00:30:26I'm with you, no.
00:30:28Don't tell me anymore, my love, now it's better that I ask you and you say goodbye to me.
00:30:36Don't insist on this relationship anymore because leaving you breaks my heart.
00:30:44Let go!
00:30:44Let go!
00:30:46Let go!
00:30:46Currito, currito, currito!
00:30:48Thank you so much!
00:30:50But you're not sucking my face!
00:30:51No, Curro, I got the part in the casting, I'm going to play her with Humberto, your dreams are his reality!
00:30:55Curro, you have a gift, please!
00:30:56Yes, of course, mother, you're like the fortune teller Lola.
00:30:58Hey, I'll give you two black beers, hey!
00:31:00Well, look, you have to dream, okay?
00:31:02You dream about Humberto and me tonight and you notice every detail.
00:31:05But Mom, do you want to calm down?
00:31:06You're going to develop my little dwarf, huh, posh girl?
00:31:09No, I don't work, no, ignore him.
00:31:10Look, you have to dream, okay?
00:31:12And tomorrow you'll tell me everything in detail, okay?
00:31:14But I don't know if I'm going to quit.
00:31:16Hey, buddy, make an effort, please, my future depends on you, okay?
00:31:19Okay, come on, let's not waste any time, off to bed.
00:31:21You, completely naturally, huh?
00:31:23You sleep, you close your eyes, you think about doing nice things, Humberto and I, all that, okay?
00:31:27Okay, fine, go ahead.
00:31:29Are you okay? Do you need anything?
00:31:30Support your head, yes.
00:31:31Very good.
00:31:32Are you going to sleep?
00:31:33Very good.
00:31:35Hey, a little silence, please?
00:31:37The child needs to sleep.
00:31:38You see it, work?
00:32:02See how it's not so difficult to dream about me?
00:32:04Come with me.
00:32:05But, Tete, what's wrong?
00:32:13Well, whatever you want to happen, dude.
00:32:15Come on, concentrate, make him kiss me, okay?
00:32:17But...
00:32:17Curra, make him kiss me.
00:32:22She?
00:32:23Tete, Tete, is in danger.
00:32:36Tete.
00:32:36And another little night, we shouldn't go on vacation with this kid, really.
00:32:39Tete.
00:32:41Tete.
00:32:43Work, work.
00:32:44What's wrong, Tete?
00:32:45What's wrong with him?
00:32:45You were with Humberto doing the work and the priest fell on top of you.
00:32:50Contro, Contro, misfortune will fall upon your head.
00:32:54Do you want to stop acting like an idiot?
00:32:55This is serious.
00:32:56Currito, this is nonsense, absolutely nothing is going to happen.
00:32:59But you said my dreams were going to be destroyed, please, you can't do that work.
00:33:02Okay, buddy, whatever you want.
00:33:03What's wrong with him?
00:33:05Good morning.
00:33:07Good morning, Raúl.
00:33:08Good morning, Carmen.
00:33:10That's really embarrassing, isn't it?
00:33:11With their caps on, everyone there.
00:33:14But you didn't wait, you had to see these Melendis, instead of letting my jaw drop.
00:33:18The girl with the very simple sequined dress who said...
00:33:21So, was this a party or a carnival?
00:33:25I just don't understand.
00:33:25Well, look, don't be fooled, because, daughter, your husband's family seems to have come from a slum.
00:33:30Look, do you really think this is a souvenir from a wedding reception?
00:33:33Toothpicks, man.
00:33:35It's true, and he says he doesn't give out napkin holders because he only has enough.
00:33:38But, look, I've put a really cute little bow on it.
00:33:40Look, if Santiago organizes the wedding banquet, I'm telling you, Eva will have a stroke.
00:33:45Oh, Mom, please, what are we going to do?
00:33:47But what are we going to do?
00:33:48We're going to organize the banquet somewhere else, period.
00:33:50Clear.
00:33:51Well, my uncle is a bumpkin, but he has feelings, you know?
00:33:57Already.
00:33:57And she's really excited about the wedding, huh?
00:34:02The thing is, you're right, it's gotten a little out of hand, okay?
00:34:04But I don't want to hurt him.
00:34:06No, sorry, sorry, Marco, yes.
00:34:08If you're absolutely right, then yes, I agree with you.
00:34:11Look, if you want, I'll talk to him.
00:34:12I promise I won't be cruel, cynical, or sarcastic, okay?
00:34:17Really.
00:34:17Are white lies acceptable?
00:34:24Okay, speak, but gently, please, alright?
00:34:27Please.
00:34:28Yes, yes, yes, yes.
00:34:29If it's just to see you happy, well, listen, I'll do anything, I'll do anything.
00:34:33Everything was great, huh, Santi?
00:34:34Very good.
00:34:34But maybe the pâté.
00:34:37Exquisite.
00:34:38I would have liked the prince if you had organized his wedding banquet.
00:34:41To the point.
00:34:42Get to the point, ma'am.
00:34:44All this back-and-forth makes me think something's fishy.
00:34:46Oh, how dirty-minded.
00:34:47But nothing happens.
00:34:49No, no, it's just that my granddaughter, Eva, has been talking to her father.
00:34:56Sergi?
00:34:57Yes, Sergi, yes.
00:34:58And he's going to take care of the wedding banquet.
00:35:01Normal.
00:35:02That's normal, because he's her father.
00:35:04And since he can't come to the ceremony, well, of course, his guilt turns into generosity.
00:35:09Well, if Sergi is so generous and is going to organize and pay for everything, it doesn't make any sense for me to be the godfather.
00:35:17Well, but, but, take it on the bright side, Santi.
00:35:22But it's a weight off your shoulders.
00:35:24Tito, it's not that, really, you are, well, you will always, always be the godfather, right?
00:35:28Except the man is there, in Barcelona, and that's why the banquet was organized.
00:35:33And Grandma is here.
00:35:35And she can organize everything, which is what you want.
00:35:38I may be the tree, but I'm not a fool.
00:35:42And now we see that I have a job.
00:35:48Okay, we've already messed up this, alright?
00:35:51Come on, Mommy's going to read this soon, okay?
00:35:57I understand them.
00:35:59Well, if you want, we'll put on our carnival hats and call the menenguyesos or whatever they're called.
00:36:04They were missing nothing but the goat.
00:36:08No, Santi, damn it, no, no.
00:36:09The defense is here, huh?
00:36:11Let's see if you understand.
00:36:12We need to get our minds right and believe we have to win this game.
00:36:14We're fighting relegation, damn it.
00:36:15Ah, yes, yes, yes, I've had such a terrible day...
00:36:17Furthermore, this looks more like a bullring than a football field.
00:36:20Okay guys, our goal is to make it to carnival, okay?
00:36:23So just go along with it and no giggling.
00:36:26Look, I would do what I always do.
00:36:29Ball hit and cough forward.
00:36:30And even if we're on the opposing team, it's a quick machete and that's it.
00:36:33Like my brother does.
00:36:34Stop hacking at people, come on.
00:36:35Well, besides, I know exactly what needs to be done, damn it.
00:36:37Italian defense, gatenacho.
00:36:39When we can, we'll go on the counter-attack.
00:36:41Well, you see how Fiti controls it, right?
00:36:42Yes, but Raúl isn't feeling well.
00:36:44And of course, without goals, winning is very difficult.
00:36:46Sure, yes.
00:36:47The kid's right about that, huh?
00:36:48Difficult, difficult.
00:36:50Furthermore, considering what it would imply from the second one, which would be a shame.
00:36:53That's a shame.
00:36:55A disgrace, a disgrace.
00:36:56Okay, that's enough, with the little hand, that's enough.
00:36:58What do you want me to do?
00:36:59If I don't have a youth academy.
00:37:00Which quarry?
00:37:02What is this?
00:37:03We put in these salsalinas that strain them all and that's that.
00:37:06He's not 16 years old, so we can't give him a federation card, damn it.
00:37:09A Fiat 60 can do that for you, come on.
00:37:12If it weren't for that, I would help with anything.
00:37:15It's a shame.
00:37:22Fiti, we need goals like we need food, like we need food.
00:37:25Besides, the kid is excited, he's excited.
00:37:29Oh no, put your hand there.
00:37:31Look how the tension is pulling.
00:37:32If we descend, he dies.
00:37:34He's bringing up the team, Fiti, he's bringing up the team.
00:37:36Okay, okay, okay, okay, okay, okay.
00:37:39Okay, you're right.
00:37:42Let me tell you something, Guille, that...
00:37:45Damn, you're not going to miss out on playing just because of a piece of paper.
00:37:48I'll take care of the license.
00:37:49Here.
00:37:49Ah, okay, very good.
00:37:51But come on, I'm only doing it for you guys and to help the team.
00:37:54Are you testing yourself yet?
00:37:55I almost know something.
00:37:56Are there people?
00:37:57No, you have free rein.
00:38:04Auntie, you look gorgeous.
00:38:06You think?
00:38:07Yes, thank you, yes, it's just embarrassing.
00:38:08I just don't quite see it.
00:38:09How about the ensimadas?
00:38:10I'm sure Humberto will love it.
00:38:12Sure?
00:38:12It just didn't turn out the same for me.
00:38:14Wow, you look beautiful.
00:38:15Come on, let's rehearse.
00:38:16Come on.
00:38:16Leia, Leia, Leia, Leia.
00:38:28Tete, tete.
00:38:30In my dream I saw you like this, dressed like this.
00:38:33No, you can't do that now, really.
00:38:34Hey, please stop bothering me, I'm really nervous.
00:38:38He, he, he was also dressed.
00:38:40Yes, yes, yes, yes, him too.
00:38:42But he looks so handsome, please.
00:38:43Look, Sica, with this, more than a boy, I appear like these same ones, right?
00:38:46You look fantastic, Pancho, really.
00:38:48And you put on the mask, try it on me, okay?
00:38:50No way, not even my parents recognize me.
00:38:52I really saw it.
00:38:53You yourself told me that I had powers.
00:38:55Okay, Curro, I admit it, I said it, okay?
00:38:57But now I take it back, you have neither powers, nor anything.
00:38:59Leave me alone, dude.
00:39:01Look, I'm not going to do Yoda, not a chance.
00:39:05And where am I going to find one so tiny to dress up as Yoda?
00:39:10Oh, hello.
00:39:11Hi guys.
00:39:12Hello, Grandma, you look beautiful.
00:39:14Hey, where is Marcos's classroom?
00:39:19Marcos.
00:39:20Marcos, son.
00:39:21Hello, Grandma.
00:39:22Hello.
00:39:22Grandma, what's wrong?
00:39:23Well...
00:39:24What are you doing here?
00:39:25Well, I came here, and you've given me some ideas for the wedding banquet.
00:39:28Hey, hey, hey, what about the wedding?
00:39:29A wedding? What if I don't have an invitation?
00:39:31Oh, well, I don't have one either.
00:39:32Sure, but this is a wedding for the old-timers, those of us with a long history.
00:39:35It's a family thing; we'd already thought about having a few beers another day, but...
00:39:39But these are also your friends and Eva's friends, aren't they?
00:39:40Yeah.
00:39:41And I'll have to invite them.
00:39:42Look, look, look what I've found.
00:39:44Don't tell me it isn't beautiful.
00:39:45Look at the senators I've set up next to the swamp.
00:39:48Very nice, yes.
00:39:49TRUE?
00:39:49Okay, let's see, dream weddings in a natural setting.
00:39:52You have thousands and thousands of ideas and places to choose from.
00:39:55Yes, Grandma, yes, Grandma, I like it, but...
00:39:58I like it.
00:39:58It's a bit excessive, maybe, I don't know, something simpler and more thought out.
00:40:04Yeah, listen, I...
00:40:04Yes, yes, of course, of course.
00:40:06Marcos, Marcos, let's see.
00:40:08What is your girlfriend?
00:40:10He...
00:40:10Well, a woman.
00:40:11And every woman dreams of a fairytale wedding, a princess wedding.
00:40:14Look, wherever I am, a wedding, in a dreamlike setting, with a good menu, its waiters,
00:40:20Your whole family, your friends...
00:40:22Oh, the letter coming down from the ceiling there, the bride's garter.
00:40:26You only marry the love of your life once.
00:40:30Are you going to take that dream away from Eva?
00:40:32Of course she's not going to take it off, because we're all going to be there...
00:40:35Yes, yes, yes, and on top of that, don't forget the invitation to your cousins.
00:40:38Hers, hers.
00:40:40Okay, can we talk for a moment?
00:40:42Yes, yes, of course, of course.
00:40:43Hey, hey, Eva hasn't said a word about this, huh?
00:40:47Tell me.
00:40:48Let's see.
00:40:50You might be right, okay?
00:40:52Maybe so.
00:40:54Anyway, can I ask you a favor?
00:40:56Yes of course.
00:40:57Why don't you and my uncle decide the seat, just the two of you, huh?
00:41:00Because look, he's excited about all this, you know?
00:41:02And I don't want her to be left out.
00:41:05Hey?
00:41:06Please.
00:41:09That's the provisional lineup, take a look and see what you think.
00:41:13Hey, look, Dad, mister, look, Marcos always plays as a striker, but Marcos isn't here.
00:41:19So, since Marcos is number nine, I'll play as number nine.
00:41:22No, that's not going to happen.
00:41:24What do you mean, no?
00:41:24So, nine there, but it's not going to be Marcos.
00:41:27From now on, Guille will be the one playing as a number nine.
00:41:30That?
00:41:32Serrano by Serrano.
00:41:33The kid plays, period.
00:41:39Come on, muddy!
00:41:41But he's not old enough, he's a dwarf, man, he's not a member of the federation, man, don't mess with me, you're going to make me angry.
00:41:44I'll decide who plays this afternoon and who doesn't, okay?
00:41:47And wait a minute, I don't want to say another word.
00:41:49A little bit of discipline, huh?
00:41:51Let's see if it's true.
00:41:52Your passport to fame.
00:41:59A masterpiece of graphics.
00:42:00Take.
00:42:01Keep it, keep it.
00:42:03Hey!
00:42:04See me, Lucia!
00:42:05No, I'm not Lucía, I'm Carmen.
00:42:08Don't hang up on me.
00:42:09Don't hang up on me.
00:42:11But, ma'am, I want to stop once and for all, please.
00:42:14Wait, wait, wait.
00:42:14I just wanted to tell you that, you see, I'm going to ask you to resume your duties as godfather.
00:42:20and that you give me a hand in choosing the banquet.
00:42:22Why's that?
00:42:23Well, because, since you work in the hospitality sector, it's obvious you have more experience than me.
00:42:28And, well, I don't want to be taken for a ride.
00:42:31But it's worth it, I'm doing it for my nephews, okay?
00:42:33What the cost.
00:42:35I know, I know.
00:42:36Thank you very much, Santiago.
00:42:40What has he given the old woman now because she helps him talk about the banquet?
00:42:44Oh, how strange.
00:42:46Weird? Why?
00:42:47Damn, Grandma's so nice now, she's not even trying to process it.
00:42:49She wants to manipulate you.
00:42:51Don't go alone.
00:42:51Okay, come with me.
00:42:54I've got training, damn it.
00:42:55Hey, take Lurditas with you, she's the lucky godmother.
00:42:57And your stick comes out too.
00:42:59You'll have to take that Lurditas, damn it.
00:43:01Run, run, run, run.
00:43:02Hey!
00:43:03You, Bank Force!
00:43:04Pay me for the drinks.
00:43:07"You, come here, come here," he said.
00:43:09Holy shit!
00:43:12Gutiérrez.
00:43:14Goat wolf, take it.
00:43:16Alonso.
00:43:19Garcia.
00:43:19Hey man, what's up, dude?
00:43:21Let's play a little game, okay?
00:43:23Let's see how you behave up front, okay?
00:43:25Ah, okay.
00:43:26Come on, champ.
00:43:28Are they really going to be the ones with the videos?
00:43:29Eh, eh, eh.
00:43:29Leave the stories to yourself, okay?
00:43:31Okay, I'm not going to play with substitutes.
00:43:32Don't give me that crap now, mate.
00:43:35Hey?
00:43:35You have blood like horchata.
00:43:37Happens.
00:43:37Come on, go ahead and I'll decide who plays and who doesn't.
00:43:40Come on.
00:43:41Strip.
00:43:41Okay.
00:43:42Come on!
00:43:42What's wrong, Raulito?
00:43:53What, you don't play ball or what?
00:43:54Hey, hey!
00:43:56Change it!
00:43:56Change it!
00:43:57Ah!
00:43:58Ah!
00:43:58Hey, hey!
00:44:04What great milk!
00:44:05Fair play, damn it.
00:44:06Fair play.
00:44:06Are you OK?
00:44:08Come on, this is missing.
00:44:11Come on!
00:44:23Only!
00:44:24Strip!
00:44:27No!
00:44:28Come on, kid, you're a monster.
00:44:32They go out that far.
00:44:33Happens.
00:44:33Come on.
00:44:38Come on!
00:44:41Hey, hey!
00:44:43What's happening?
00:44:43Are you crazy?
00:44:44Hey?
00:44:45Are you crazy?
00:44:45Are you going to injure the kid?
00:44:46Come on, let's take a shower.
00:44:47I shit on your father.
00:44:48That?
00:44:48What about what?
00:44:49Are you deaf?
00:44:50I told you to take a shower.
00:44:52Pussy!
00:44:53And the little kicks to the ball.
00:44:56Are you okay, kid?
00:44:57Yes, yes, yes.
00:44:58Hey, the job's yours, okay?
00:45:00Thank you, mister.
00:45:02Come on.
00:45:02Lurdita.
00:45:10Yeah.
00:45:10Help me for your father.
00:45:12And if we don't stop that old woman, I can see Marcos and Eva going to the wedding in a horse-drawn carriage.
00:45:16No, no, of course, Santiago.
00:45:18You already know how I think.
00:45:19I believe that the sacrament of marriage should be free of opulence.
00:45:22There, there.
00:45:22Santiago.
00:45:24Santiago, mine.
00:45:25Danilo Sigüenza.
00:45:27What's up?
00:45:27Delighted.
00:45:28Danilo.
00:45:28Here is my future wife, Lurdita.
00:45:30The bride is gorgeous.
00:45:32I thought the couple were younger.
00:45:36Oh, no, no, no.
00:45:37They are going to get married, but later on.
00:45:39Ah.
00:45:39Santiago, he is the godfather of my grandson Marcos.
00:45:42Very good.
00:45:42The godfather, not the bride's father.
00:45:44Well, and uncle to his grandson.
00:45:46And the granddaughter too.
00:45:47Because the couple, besides being young, are step-siblings.
00:45:50Oh, endearing.
00:45:52Okay, let's keep it simple.
00:45:54We'll start with the decoration.
00:45:55We have four rooms.
00:45:57Provençal, Bohemian, British, and Castilian.
00:45:59Will you accompany me to the first one, please?
00:46:01Yeah.
00:46:02Voila!
00:46:04This is my favorite.
00:46:06Absolutely beautiful.
00:46:06The Provencal living room.
00:46:08I don't know what Provençal or Provençal this is, it looks like a house on the prairie.
00:46:11We are not Spanish, so we are going to Castilian.
00:46:13Well, it's a matter of opinion.
00:46:15But I think Provençal is the most suitable for a young couple.
00:46:18And besides, Castilian Spanish is perhaps a little, how should I say, old-fashioned.
00:46:23Are you calling me old-fashioned?
00:46:25No, no, no, sir, excuse me.
00:46:26You're not old-fashioned, you're...
00:46:28Well, I just wanted to give some advice.
00:46:30What do the ladies think?
00:46:32Well, I love this one.
00:46:34What do you think, Lurditas?
00:46:36That?
00:46:36Well, I don't know.
00:46:39Well, if I'm to be honest...
00:46:41Hey, I think it's very cheerful.
00:46:42And it has a very nice line.
00:46:44Oh, perfect!
00:46:46I'm writing down the Provençal, okay?
00:46:48Also, if we put the bows in green bichon, it's perfect for summer.
00:46:53In Bichon.
00:46:55What bug and what bug?
00:46:56What's happening?
00:46:56Are they going to put a haster on every table?
00:46:59How witty you are, Santiago!
00:47:01It kills me!
00:47:02Now, if you'd like, we could choose the details.
00:47:05Here.
00:47:05Yes, the details.
00:47:05Because you are truly precious.
00:47:07So elegant and so refined.
00:47:09That's the fine part.
00:47:09What had we agreed on?
00:47:10What had we agreed on?
00:47:11Hey?
00:47:12The glamour festival begins.
00:47:15This is how the Provencal living room would look.
00:47:17Look at the lighting outside.
00:47:20Wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash, wash.
00:47:25Chanson, chanson, chanson, chanson, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour, chanson d'amour
00:47:55It's over!
00:47:55No, no, finally, finally, finally.
00:47:57Work!
00:47:57Work!
00:47:58Curro, finally, finally, finally, finally, finally, finally.
00:48:00Time!
00:48:02Okay, work, you're making me cry, honey.
00:48:05Oh!
00:48:11Curro, what are you doing?
00:48:13Protect yourself so that nothing happens to you.
00:48:14Okay, no offense, but you're being really annoying, aren't you?
00:48:17I'm going to take a nap now.
00:48:19Curro, what did I just tell you?
00:48:21Dude, get some air, huh?
00:48:22The job, understand it, leave us alone.
00:48:24But I have it because...
00:48:25Look, guys, Guillermo Serrano, license to show off.
00:48:30But, but, he's a fool in Fiat, man, he just went in guns blazing.
00:48:33Guys, all the way to the bottom, but here he's more innocent than my brother, Curro.
00:48:36Okay, let's get to the important stuff.
00:48:38Tonight we're going to celebrate your birthday.
00:48:40To the truth of living with you!
00:48:45You wouldn't believe how Laderón sings to you, mate.
00:48:47He sings to you in the style of bulería, huh?
00:48:49Bulería!
00:48:52Pintrafilla, you're going to get hurt.
00:48:54Come on, why don't you tell the dwarf where the exit is?
00:48:57Yeah.
00:48:59That way!
00:49:03Okay, I'm a dwarf, but starting tomorrow I'm going to be 16 years old.
00:49:07I'm going to play in your position.
00:49:09Pringa!
00:49:10Please stop stirring things up, or you and your friends might get what's coming to you.
00:49:15Hey, what are you going to do? Are you going to put the penalties on credit or something?
00:49:18Hey, why don't you shut up?
00:49:20Because you're going to suck up to the benches like Michael Jackson.
00:49:22Yes, I'm telling you what you're going to suck.
00:49:23And make me a pri行了.
00:49:23Hey, hey, hey!
00:49:34Get out of here!
00:49:38Get out of here!
00:49:39Fuck!
00:49:40Okay? What's wrong? Are you crazy or what? And you? What the hell is wrong with you?
00:49:45Me? What's wrong with me?
00:49:46He is insecure and shows his vulnerability through violence, and that, well, is dangerous, that's for sure.
00:49:52But all I've done is take him out of a game because he was acting like a fool on the field, not giving me the time of day.
00:49:58Well, Fiti, have you ever wondered why he doesn't go all in?
00:50:00Hey, what is it? Because he's a moron.
00:50:04In Burgos, was Ronaldo asked about his performance when he wasn't playing well?
00:50:07Are you sure? Why? Because there's something behind it, you know?
00:50:09Sure, but to a little model who would be taking all the juice from her.
00:50:13No, leave it, leave it. It's a bad example. Forget about it.
00:50:17Look, Fiti, besides being his father, you're now his coach. So, he has two role models.
00:50:24If you don't reward their effort, are you going to lose them?
00:50:29Adolescence is very fragile.
00:50:32Don't mess with me, Fermín, I'm getting sensitive now.
00:50:35Yes, he's a kid, he's just a kid.
00:50:37Yeah, my kid. Okay, fine, maybe I went too far, but I have my own pressures too.
00:50:42Let's see.
00:50:45So what do I do?
00:50:47Look, I'm not going to ruin the kid's entire adolescence.
00:50:50Look, just explain to him why you've stopped trusting him.
00:50:53Chat with him?
00:50:54Yeah.
00:50:55From man to man.
00:50:59From man to man.
00:51:00Wow, that lobster moss is so good!
00:51:02Yeah.
00:51:02It turned out delicious!
00:51:04And very fine, isn't it?
00:51:05Yes, very fine.
00:51:06Are you inviting yourself into a texture?
00:51:07Sure, that's it.
00:51:07But I find it a bit bland.
00:51:10And what does this say it is?
00:51:12It's a Burgundy, a reserve from '82.
00:51:13Dung, dung of Tetabri.
00:51:20Santiago, I'm charmed by your sense of humor.
00:51:22It's true.
00:51:23Good.
00:51:24Okay, sir, please.
00:51:25Clear.
00:51:26Oh, mother.
00:51:27Let's see.
00:51:29Let's see.
00:51:32Oh, well.
00:51:33What is this?
00:51:33What is this?
00:51:34But what are you doing?
00:51:35It's ostrich fume.
00:51:36What ostrich are you talking about?
00:51:38He says no.
00:51:39The ostrich for the Zuluz, man.
00:51:40It's very good.
00:51:41I think it's very tasty.
00:51:42Yeah.
00:51:44Lurditas, you're getting a taste for contradicting me.
00:51:48What things you say, Santiago.
00:51:50Come on, don't drink any more wine, mixing it doesn't agree with you.
00:51:52Mixture, what a mix.
00:51:53I'm tasting it.
00:51:55She's acting really strange, Lurditas, huh?
00:51:56She's acting very strange.
00:51:58Between the grandmother and the bichon, your sex life was being drained by all that bee-related nonsense.
00:52:01But hey Santiago, calm down, okay?
00:52:04If you'll excuse me for a moment, please.
00:52:06Yes, yes, of course.
00:52:10Santiago, let's have a peaceful celebration.
00:52:12It's not a party, not even close.
00:52:14This seems like a festival of kitsch.
00:52:16It's not like the Countess of Pitimini was getting married.
00:52:18This guy is pulling a fast one on us.
00:52:21Well, I like it.
00:52:23But how?
00:52:24But didn't you say that marriage and wealth don't mix?
00:52:27Yes, but opulence is one thing and taste is another.
00:52:30Why the taste?
00:52:31Are you telling me that you don't like me?
00:52:32You don't like my taste.
00:52:33That's it, that's what you're saying.
00:52:34Well, what I'm saying is, if you don't like my taste, maybe you won't like it when we get married either.
00:52:38So start growing up.
00:52:40Voila, the perfect finishing touch.
00:52:43We're leaving, we're leaving.
00:52:45We need to talk to Don Anselmo, because at this rate we'll be left without a date for the kids.
00:52:48Don't go, sir.
00:52:50Since he didn't like ostrich, I brought him noisete de solomía de cer.
00:52:53And just squeeze into an Aissé wherever you can.
00:52:55And I'm going to devour a good chickpea stew with chorizo and blood sausage.
00:52:59So that it forms a good mass in the stomach, you know.
00:53:01I can't stand you!
00:53:03The house cake!
00:53:05Damilo's jewel!
00:53:06A symphony of flavors!
00:53:08Sorry, sorry.
00:53:09Leia, I've been lost in the galaxy of your heart.
00:53:13He who seeks the beast is beside himself...
00:53:15The bitch, Humberto, the bitch, not the bitch.
00:53:17Okay.
00:53:18Thank you, Han.
00:53:19For the first time in my life, I'm not so afraid.
00:53:21No, hold me, Han, before the darkness consumes us.
00:53:31Teté, okay, okay, okay, Teté, come here for a moment.
00:53:35Come here, darling, we need to talk to you.
00:53:37Yeah.
00:53:38Don't you think you're overacting a little?
00:53:41No, no, I surrender.
00:53:42What are you giving up?
00:53:43But your tongue has reached her uvula.
00:53:45No no.
00:53:46And do you know what all those girls told me?
00:53:48You were the one who changed the time of the test.
00:53:51Teté, do you think I'm stupid?
00:53:53Did you set all this up just to make out with a guy in front of me?
00:53:56Teté, you're out of the play.
00:53:59So yes.
00:53:59But, Mom.
00:53:59Neither mom nor anything else.
00:54:00Sit down.
00:54:01But they're just girls.
00:54:01Teté is out of the play.
00:54:03He's performing very well.
00:54:04Is it filling.
00:54:06Lucia, Lucia, how are you going to be?
00:54:08The protagonists are the protagonists.
00:54:10Tomorrow is the performance, we're gambling with the grant.
00:54:12But what subsidy?
00:54:12But do you know the mess he's made?
00:54:13We take the other one.
00:54:14It gives me...
00:54:14We gambled the grant.
00:54:18Okay?
00:54:18Okay.
00:54:20Teté.
00:54:21That?
00:54:22Don't answer me like that.
00:54:24We continue the work.
00:54:25Because?
00:54:25But he...
00:54:26And you follow her.
00:54:26Come on.
00:54:27That?
00:54:29And with the next scene.
00:54:30This is over.
00:54:33Hug me, Han.
00:54:34Before darkness catches us.
00:54:36Stop, stop.
00:54:37Hey, Mom, I can't do this.
00:54:39Hey, calm down.
00:54:40Curro, please.
00:54:40This is the fifth time I've told you, darling.
00:54:42Not now.
00:54:43I have to protect Teté.
00:54:44Look, nothing's going to happen to him.
00:54:46Please move to the other side.
00:54:47Get on the other side.
00:54:51Everything is under control now.
00:54:58Okay, let's review the plan.
00:54:59I say I'm going to sleep at your house.
00:55:00And I went home from DVD.
00:55:02And DVD?
00:55:03What's happening?
00:55:05Ah!
00:55:05Damn, you smell!
00:55:07Holy shit, my old man's colony.
00:55:08Supreme seduction.
00:55:10Hey, with this, the girls will be eating out of your hand, huh?
00:55:12So, guys, we're going to a real club, okay?
00:55:16You need to be a little more in tune, more stylish, more glamorous.
00:55:19What's happening?
00:55:21It's really cool, it's cool.
00:55:22And now, guys, the final touch.
00:55:25What is this?
00:55:26What is this, dude?
00:55:26Girls don't put padding in their bras.
00:55:29Hey!
00:55:29Let's see, let's see.
00:55:32So.
00:55:33Wow, that's cool!
00:55:34Well, I'm going to look at the shoe mirrors, because I'm sure there are mini skirts.
00:55:38Yes, I'm going to get some lighters.
00:55:40Hey, hey, hey!
00:55:41One thing.
00:55:43There are three of us and only one ID card.
00:55:44How are we all going to get through?
00:55:45Let's see, bowling alley.
00:55:47This is very simple.
00:55:48You'll see.
00:55:49You wait for me outside while I get in line with my ID.
00:55:53And when the gorilla has taken the bait, wham!
00:55:56We move on to the next phase.
00:55:56You wait a few seconds and...
00:56:10Welcome to paradise!
00:56:14The night is ours, gentlemen!
00:56:16Thank you!
00:56:18Watch where you're going, you idiot.
00:56:20Sorry, man!
00:56:23Well, what?
00:56:24Do you study or work?
00:56:25We study.
00:56:26And you?
00:56:26Study, study.
00:56:28Second year of architecture.
00:56:29And don't you think you're a little young to be studying architecture in your second year?
00:56:32Oh, okay, I see!
00:56:33Well, but many, many people tell me that.
00:56:35But I'm super gifted, you know?
00:56:39I don't know, it's obvious.
00:56:42Hello!
00:56:43Hi!
00:56:43That?
00:56:44Hi!
00:56:45Uncle, uncle, uncle, uncle!
00:56:46I've got them in the mountains, man!
00:56:47I've got them in the mountains!
00:56:48What you have is a snack like Julio and the log!
00:56:50Do you want to put the package on?
00:56:51Doesn't it do it for you?
00:56:52Go, go, go, go!
00:56:53Sorry!
00:57:00Are you looking for something?
00:57:01No no!
00:57:02Hey, he smacked me right in front of you, huh?
00:57:05Do you come here often?
00:57:08Yes, we'll come here.
00:57:09Would you like to have a drink?
00:57:10Ah, well, a chocolate mate.
00:57:19You've definitely gone overboard with the lurditas, haven't you?
00:57:21There she is, devastated.
00:57:24Don't stress me out, ma'am, don't stress me out.
00:57:25Okay, okay, fine.
00:57:27Hey, didn't you say that Don Anselmo arrived at seven?
00:57:30Because it's ten o'clock.
00:57:31What do I know, what's it to me?
00:57:33He must have had a last-minute emergency.
00:57:35Hey, there it is!
00:57:36Don Anselmo, pal!
00:57:37Yes, thank you, Santi.
00:57:39Hey, sorry for the delay, but I had to go to the bishopric to resolve an urgent matter.
00:57:43Okay, so what's the topic to be discussed?
00:57:46Thursday?
00:57:47Impossible, Thursday is fully booked.
00:57:49And when might that be?
00:57:50Well, at the earliest, next month.
00:57:53And I don't know, huh?
00:57:53I don't know.
00:57:54Chato, father.
00:57:55Thank you.
00:57:56But seriously, are we crazy or what?
00:57:57What do you have to do with this?
00:57:58What do you have planned for Thursday?
00:57:59A funeral?
00:58:00A funeral?
00:58:01But no, father, the wedding has to be on Thursday.
00:58:03The dead man is dead and can wait, but the children cannot.
00:58:06What do you mean, no?
00:58:08Thursday.
00:58:09Yeah.
00:58:09It is the anniversary of the day it was known.
00:58:11I know, Santi, but it's full, there's no room.
00:58:14Is there space?
00:58:15Let's see if there's room for this one.
00:58:17Let's see, Santiago.
00:58:18It's not because we don't want to make the hole.
00:58:21Look, if it has to be done, it gets done.
00:58:24Now, a question.
00:58:26Have they taken the premarital course?
00:58:28Hey?
00:58:29No.
00:58:29Well, like that, neither a hole nor milk.
00:58:32Take.
00:58:32But, father, they have to get married on Thursday.
00:58:36That?
00:58:36The girl is pregnant.
00:58:39What if we wait until they're going to draw the drum?
00:58:41I'm sorry, Santi, but you and I have nothing more to love.
00:58:45Father Anselmo.
00:58:46Father Anselmo.
00:58:47Yes, Father Anselmo.
00:58:49Don't...
00:58:49But what do you have in your acorn-like animal brain?
00:58:53We've been left without a wedding.
00:58:55How could you tell the priest that my granddaughter is pregnant?
00:58:58Well, I've tried as much as I could.
00:58:59Not like you, who has kept your mouth shut.
00:59:01Look, look, Santiago, I've kept quiet until now because Marcos asked me to, but that's over.
00:59:06You're a lump!
00:59:08Thank you.
00:59:09Hey, we're still going there.
00:59:10I have nothing to do with you.
00:59:11Yes you do, Raúl, yes you do, damn it.
00:59:13Okay, maybe I've gone too far with you.
00:59:15But you're holding a grudge, man.
00:59:16And a grudge against your father that I'm going to take away.
00:59:18What, what, what are you trying to tell me?
00:59:21Hey?
00:59:21About what?
00:59:22What are you telling me?
00:59:24That's it.
00:59:25What, love, dad?
00:59:25Well, that's it, damn it, football is like life.
00:59:28Fuck.
00:59:29And you have to fight and give it your all.
00:59:31And that's where I don't see you.
00:59:33Raul, I can't see you.
00:59:34Sure, but you can't see me because you kicked me out.
00:59:36You don't know.
00:59:37Look, you're not reasoning with me, are you?
00:59:38You're not reasoning with me.
00:59:40And you have to reason with me, Raúl.
00:59:42Can we have two beers?
00:59:46Hey?
00:59:48Fixing my girlfriend's bass?
00:59:50No way, dude?
00:59:50Yes, yes.
00:59:51I was just leaving, okay?
00:59:52I'm sorry.
00:59:53Oh, there it goes.
00:59:54I'm so sorry, I really am not.
00:59:55Well, listen, I don't know anymore if it's that...
00:59:58You're taking me off the team, Dad.
01:00:00Know?
01:00:00If you bring Guille in, damn it, you don't trust me or...
01:00:03Maybe I'm worthless, or something.
01:00:05Yes, okay, yes.
01:00:06But how could you not be worth it?
01:00:07The thing is, you have to prove it, damn it.
01:00:08And how is that proven?
01:00:09Well, fighting, huh?
01:00:11Football is like life.
01:00:12And how you are in football is how you are in life, you know what I mean?
01:00:15Yes, Dad, Guille.
01:00:16We're not talking about Guille right now, damn it, go visit the center.
01:00:18No, no, no, no.
01:00:19They're beating me up, they're beating me up.
01:00:20There, he's beating me up!
01:00:21Hey!
01:00:23Hey!
01:00:24Alber!
01:00:25Alber!
01:00:27What are you doing here?
01:00:29How did you get in?
01:00:33Come on, go outside.
01:00:34We'll talk about you later.
01:00:36That's enough, it's okay.
01:00:37Everything's already been given away.
01:00:37Grandpa, your kid spilled two drinks on me.
01:00:39So you either pay or you get paid.
01:00:40But who's going to get paid here?
01:00:41What crying?
01:00:43Hey!
01:00:43Hey!
01:00:43Do you really think what happened is normal?
01:00:50I swear I feel like going to the hospital and staying there with Diego so we don't have to put up with each other anymore.
01:00:53But Mom, what was the job?
01:00:54What job?
01:00:56If you hadn't put those absurd ideas about nightmares and dreams in his head, nothing would have happened.
01:01:01But you, my daughter, go about your business.
01:01:03You always do your own thing.
01:01:04Mom, I'm going to...
01:01:05Neither mom nor anything else, nothing would have happened, but you are an alliance.
01:01:08Tete, so it's over.
01:01:10There is no work, no death, nothing.
01:01:13Is that clear?
01:01:17To your room.
01:01:29Hello, Lucia.
01:01:31Hello.
01:01:32Another one injured?
01:01:34But seriously, what happened to you guys?
01:01:36Your son.
01:01:38That...
01:01:38What?
01:01:40Well, he gives his all in training, just like his father.
01:01:43The training sessions?
01:01:45No.
01:01:46Already.
01:01:47From the Marines, right?
01:01:49No, what marines?
01:01:50Not even marines.
01:01:50No, it's tomorrow's game, the one where we're playing for promotion, Lucía, and we've been really pushing it.
01:01:54Look at how we're doing.
01:01:55Already.
01:01:56Look, I find it incredible, Fiti.
01:01:57You take the boy without telling me anything and bring him back to me at midnight looking like a mess.
01:02:01Do you think this is normal?
01:02:02Normal, no, no.
01:02:03No, right?
01:02:03This is not normal, this is normal.
01:02:04I ask for your forgiveness, Lucia.
01:02:05Well, the kid is really good and I went a little too far with him, but it's not going to happen again.
01:02:09I hope so.
01:02:11Does it hurt you, son?
01:02:12No, no, I'm fine now, Fiti cured me.
01:02:15But anyway, I'm going to bed, okay?
01:02:17Okay, yes.
01:02:18Okay, time to rest, shall we?
01:02:19Tomorrow is the big day.
01:02:21No, and watch out, what are you wearing, huh?
01:02:24How late.
01:02:24Very late.
01:02:25It's very late.
01:02:26Hey, I want to get some for Eva and I don't know which ones.
01:02:46Let's see, you who are an expert in jewelry.
01:02:48What do you think about this?
01:02:49Oh well.
01:02:51Will Eva like them?
01:02:53For sure yes?
01:02:54Yeah?
01:02:54Sure?
01:02:55They're beautiful, man.
01:02:56Did you choose them?
01:02:57Yes, look at the description.
01:02:59Look, look at the description.
01:03:01Marcos always, Eva always.
01:03:04How romantic.
01:03:06Your father gave me the same thing.
01:03:08Already.
01:03:09Who do you think gave me advice?
01:03:13Ah, the mountain touch.
01:03:14Clear.
01:03:15Have you seen the jewel?
01:03:16Good morning.
01:03:17Hey, dude.
01:03:17Look.
01:03:18Look, look.
01:03:19Carmen, look.
01:03:20I'm here to tell you that there's no wedding.
01:03:24As?
01:03:24What does it say?
01:03:27Ask him.
01:03:30Well, things haven't turned out the way I thought they would.
01:03:33We have neither a banquet, nor a church, nor anything.
01:03:37I'm sorry, nephew.
01:03:38I have failed you.
01:03:40What you're telling me, you want two for one thing.
01:03:44Ma'am, say something.
01:03:46I came here in good faith to apologize, and you're being very quiet.
01:03:49On top of that, you're the one who ruined the wedding.
01:03:52Well, yes, it's better if he keeps quiet.
01:03:54That I will be a lullaby.
01:03:55But I do things from the heart.
01:03:56And what about you?
01:03:57He thinks of nothing but appearances.
01:03:59But how dare you?
01:04:01You, you, you are a...
01:04:01I don't dare, I don't dare.
01:04:03I don't dare.
01:04:03No, I don't dare.
01:04:04No, I don't dare.
01:04:04No, I don't dare.
01:04:04But you don't understand anything, man.
01:04:06The world needs to be a little more loving.
01:04:07He can't be a little bit of a lover.
01:04:08Will you all be quiet?
01:04:13No, thank you, really.
01:04:14For one thing I ask of you.
01:04:17You guys are doing great.
01:04:18It's amazing that you can't even agree on anything for my sake.
01:04:21Awesome.
01:04:30Look, let me tell you something.
01:04:31This wedding is going to happen.
01:04:33Did you understand me?
01:04:34So do whatever you want.
01:04:36But let there be a wedding.
01:04:40What have you done to me?
01:04:41Do you see it?
01:04:41Don't start, Santiago.
01:04:42Don't start, okay?
01:04:47Dude, the car's definitely waiting there.
01:04:49What's happening?
01:04:50Are you going to play the game?
01:04:51Of course, buddy, what do you want?
01:04:52But you haven't been punished.
01:04:53What's up, dude?
01:04:54Look, my whole little tree blocked the view in front of Lucia.
01:04:56Wow.
01:04:57Well then, you're very good.
01:04:58Yeah.
01:04:59Look, buddy, you know what I'm saying?
01:05:00I've made up my mind.
01:05:01When I grow up I want to be a footballer, you know?
01:05:03Playing, winning money, getting group sex,
01:05:05and faithful.
01:05:06No, no, no, no, no!
01:05:06What is it that he's going to have to go?
01:05:08Man!
01:05:09Look who's here, the missing one.
01:05:11Where did you go last night?
01:05:13Uncles.
01:05:14Brunette.
01:05:16Green eyes.
01:05:17Metro 70.
01:05:19Natacha.
01:05:20We chatted, man, and something came up.
01:05:23Come on, you got lucky.
01:05:25Well, they're all rude now.
01:05:27Look, bowling alley, there are no rude women, only neglected ones.
01:05:30You have to know how to listen to girls, man.
01:05:32We need to make them feel unique.
01:05:35Okay, so you're coming to the construction site.
01:05:37Natacha is coming too.
01:05:38What is he going to bring?
01:05:39I have a game.
01:05:40What's true, pen?
01:05:41How's the cafeteria going yet?
01:05:42How are you, Cecilin?
01:05:42If this is natural.
01:05:43Oh!
01:05:44My family has to open up!
01:05:46Dad!
01:05:46On my video chat!
01:05:47Come here, little one!
01:05:48It hits the whole wall!
01:05:50Hi, Santi.
01:06:02Are you OK?
01:06:04No, Lurdita.
01:06:05I have failed my nephew, my niece, my brother, my sister-in-law.
01:06:11And yesterday I spent too much time with you.
01:06:13I said horrible things to you.
01:06:16Will you forgive me?
01:06:16Yes, because you've already been punished enough.
01:06:21In other words, I'm a hick.
01:06:23A mess.
01:06:25I don't deserve you, Lurdita.
01:06:26I don't deserve you.
01:06:27Well, the truth is, no.
01:06:30But here.
01:06:33Marcos and Eva's premarital course.
01:06:37Signed!
01:06:38Those guys from Tráfica Salonso are the best.
01:06:41If I come back, it'll be like this.
01:06:43Hey, I guess I'll have to get used to familiar things.
01:06:46And we're going to be related.
01:06:47So, can they get married?
01:06:49Yes of course!
01:06:50I've already sorted everything out with Don Anselmo.
01:06:52And the wedding will be...
01:06:53On Thursday, as planned.
01:06:56In other words, as authentic as the nails of Christ, Carmen.
01:07:00Saint!
01:07:01Well, here the boorish godfather has done his part.
01:07:05Now it's your turn.
01:07:06You can start looking for a banquet and choosing invitations.
01:07:10Wow!
01:07:11Bye bye!
01:07:11He's left like someone who swallowed a wooden spoon.
01:07:17God, you're so clever, Urdita.
01:07:20July 7th.
01:07:22San Fermín.
01:07:24No way, you fool!
01:07:26We already have a date for our wedding.
01:07:29July 7th!
01:07:30Okay, and then you can start asking for vacation time because we're going to Burundi.
01:07:34To Burundi?
01:07:35Don Anselmo has made room for Marcos and Eva's wedding.
01:07:38But in return, he asks us to go to Burundi for our honeymoon.
01:07:41To lend a hand at the refugee camp, at the hospital.
01:07:43Well, you can tell Don Anselmo to shove Burundi up his ass.
01:07:47Santiago, I told Carmen about the graphs for Alonso, huh?
01:07:49And there's no wedding on Thursday.
01:07:51To Burundi.
01:07:52To Burundi.
01:07:53Yes, damn it, I'm clear on that.
01:07:575, 4, 1, that's it.
01:07:59But I'll leave you now, this is just getting started.
01:08:00Okay, see you later.
01:08:01Okay.
01:08:02Yeah.
01:08:04Yeah.
01:08:05Where are you going, Pink Floyd?
01:08:06Damn, you're going to score some goals, Fiti.
01:08:08But what kind of fried fish?
01:08:09No.
01:08:09You're warming the bench.
01:08:11Fuck you.
01:08:14Raul!
01:08:15Come on, warm up, you're going out.
01:08:17Yeah?
01:08:18Yes, come on.
01:08:19Yeah?
01:08:19Yes, damn it.
01:08:20Good.
01:08:20Okay, okay, stop, stop, stop.
01:08:21Okay.
01:08:22I won't let you down, I promise.
01:08:24You'll see.
01:08:25No, no, no.
01:08:25Thank you, thank you, thank you.
01:08:26Thanks to you.
01:08:26Thanks to you, buddy.
01:08:27Yesterday, damn it, if it weren't for you, that fat guy, well, I wouldn't be here to tell the tale.
01:08:31Huh?
01:08:31Come on.
01:08:32Down the wing, huh?
01:08:33On the wing, but also defending, okay?
01:08:34Okay.
01:08:35Come on.
01:08:35Come on, let's win today, you'll see.
01:08:38Come on, guys, let's go!
01:08:39Let's get them!
01:08:43Come on, lads, come on!
01:08:50Come on!
01:08:51Don't mess with me!
01:08:55Dude, man, please, get me out of here, they're going to crush us!
01:08:59Come on, guys, come on, it's okay!
01:09:03Come on, come on!
01:09:13Fuck!
01:09:14Is it possible?
01:09:18Come on, man!
01:09:19Come on, man!
01:09:25Will you excuse me for a moment?
01:09:27Come on, come on.
01:09:28Come on, come on.
01:09:30And let us know.
01:09:30For God's sake, Lucia, my concierge is going to commit suicide.
01:09:33For God's sake, Candela.
01:09:36Understand it a little longer.
01:09:37Just a minute, because I already have substitutes, but I need a little bit for the last scene.
01:09:42Okay?
01:09:42Nothing else.
01:09:43Everyone is in their place now.
01:09:43Okay, we're about to start, huh?
01:09:50And in the meantime, who's up for a coffee and some pastries?
01:09:52No, no, thank you very much.
01:09:54Can water, an infusion?
01:09:55No.
01:09:56Well, the play is a modern adaptation of a timeless classic, you know?
01:10:01But from a more heartbreaking and dramatic point of view, you know?
01:10:05Hey, have you seen Star Wars?
01:10:06Yeah.
01:10:07AND...
01:10:07Hey, what's up?
01:10:08Hey, let me introduce you.
01:10:09This is Natasha at the bowling alley.
01:10:11No, José María.
01:10:12How cute!
01:10:14You're one of those who have you, aren't you?
01:10:18But what happened to the actors?
01:10:22And who's going to do the work?
01:10:23That?
01:10:26These!
01:10:28Come on!
01:10:29Good luck, kid!
01:10:31Come on, infinite and beyond!
01:10:35Bravo!
01:10:38Bravo!
01:10:41Bravo!
01:10:42Bravo!
01:10:44Bravo!
01:10:45Bravo!
01:10:46Bravo!
01:10:50But hey, he didn't tell me it was a drama.
01:10:52Yes, a drama, a drama.
01:10:54With lots of comedy.
01:10:57Well, I haven't laughed that much since the empanada in Móstoles.
01:11:03How funny!
01:11:04Count on the grant, okay?
01:11:05How funny!
01:11:08Damn, I did a great job.
01:11:10Hey, Tete, that...
01:11:12I have to tell you something.
01:11:14Already.
01:11:16That...
01:11:16This is all my fault, isn't it?
01:11:19And that I deserve it, that...
01:11:21That I'm a pain and that you're fed up with me.
01:11:25Well, you are a bit of a pain.
01:11:27But what...
01:11:27I like that.
01:11:29AND...
01:11:30I don't know, you've really put a lot of work into it and...
01:11:32And I've behaved like a jerk.
01:11:35That?
01:11:36Do you want to go out with me?
01:11:42Zero four, Fiti!
01:11:43Oh my God, they've given us a zero-four!
01:11:45My father is going to have a heart attack.
01:11:46It's not that I don't understand why he hasn't taken me out, really.
01:11:47Oh, you don't understand!
01:11:48Well no!
01:11:49No, well I'm going to tell you now.
01:11:50Now that it's just you and me left, now that everything has happened...
01:11:53Guille is out of the team.
01:11:55That?
01:11:55But why?
01:11:56Come on, give me the card I made for you.
01:11:58And the t-shirt.
01:12:00But what are you doing?
01:12:01But what's going on?
01:12:01What, am I not going to play anymore?
01:12:03You told me he was a genius, right?
01:12:04A diamond in the rough.
01:12:05I wanted to be a player.
01:12:07That's precisely why.
01:12:07Because you have abused my trust.
01:12:09Know?
01:12:10You're good, Guille.
01:12:11You're very good.
01:12:12You have a lot of talent, but very little talent.
01:12:14And that way you won't even get around the corner.
01:12:18Fuck.
01:12:20Now that your father is in the hospital with a broken leg.
01:12:22Hey?
01:12:23And your uncle has gotten himself into a mess about the wedding.
01:12:24I wanted to be there, Guille.
01:12:25Damn, what do you think, my son?
01:12:27Guillermo is calling you for me.
01:12:30For you?
01:12:30My name is Fructuoso Guillermo.
01:12:32And now you go and do all this nonsense and ruin it.
01:12:39Football is like life, you know?
01:12:41We need to score goals and that's great.
01:12:44But you also have to know how to play by the rules of the game.
01:12:46When you find out about this, think about it for a little while.
01:12:52I mean, maybe I've changed my mind.
01:12:55For now, it's on the upswing.
01:12:56What are you going to tell my father?
01:12:57Well, don't leave me any other option.
01:13:00Come on, think it over and move forward.
01:13:01Concert.
01:13:14Concert.
01:13:19This is Fructuoso Martinez's answering machine.
01:13:22Leave your message after you hear the beep.
01:13:24Oh, Santi, what a surprise that is!
01:13:31One for our wedding.
01:13:32A very nice surprise, Lourdes.
01:13:34And one, one, two, three.
01:13:58And one, one, two, three.
01:13:58I've wanted to tell you my love for a long time.
01:14:06That ours is over
01:14:09There is nothing left in this heart
01:14:13And I'm with you, no.
01:14:17You no longer ask me to love you, now it's better.
01:14:20That I forget you
01:14:22Santiago
01:14:22Tell me, tell me, tell me, love
01:14:24What don't they know about Chibone?
01:14:27Why leave you inside my heart?
01:14:33Guys, we're home now
01:14:35My granddaughter has her wedding video, period.
01:14:37Are you going to do it?
01:14:38The wedding video
01:14:39Come on, there's no single pawn shop here
01:14:41Okay, now we need to bring a girl
01:14:42That's not it, she's mostly a single woman.
01:14:43How many people have you invited?
01:14:45He's not going to like me, and he hasn't liked me.
01:14:46Marcos, can you explain what's going on here?
01:14:48This wedding is going to be more expensive than the prince's.
01:14:50What could we possibly be missing?
01:14:52Let's see
01:14:52The boyfriend?
01:14:53And where is Marcos?
01:14:54Marcos
01:14:55To avoid getting burned, period.
01:15:03So I can see you without straining my eyes
01:15:07I won't try to find you
01:15:10There will be no second part.
01:15:13To avoid getting burned, period.
01:15:17So that you can see me without straining.
01:15:21I won't try to find you
01:15:24It's better, period.
01:15:29I know I can't walk
01:15:33I walk again
01:15:34Following the Footprints of the Past
01:15:37Tired of talking
01:15:39Ready to get involved
01:15:42Tan Però
01:15:46What can it see from us?
01:15:49There was no
01:15:50Exposed to entanglement
01:15:53Alejandra
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