Los Serrano - 7x12 - Papá cumple 50 años - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Apatía, desinterés y desgana son algunos de los sentimientos que embargan a Diego pocas horas antes de la celebración de su 50 cumpleaños. Tras conocer el preocupante estado anímico del tabernero, Santiago, Guille y Fiti se reúnen para debatir la cuestión y acuerdan organizarle una fiesta sorpresa. En su afán por buscar un regalo original para su padre, Guille pide ayuda a Teté y Curro. Tras descartar varios artículos, los jóvenes Serrano deciden hacerle un vídeo con los mensajes y felicitaciones de toda la gente que le quiere. Sin embargo, la fiesta de celebración y la entrega del original regalo se van al traste cuando Diego sale a cenar a un restaurante el día de su cumpleaños. Posteriormente, el tabernero descubre la cinta y se emociona al ver los mensajes de su familia y amigos, especialmente el de Marcos, quien se presenta inesperadamente en casa para felicitar a su padre. La velada deja de ser íntima cuando el clan Martínez al completo, Ana y varios docentes del Garcilaso acuden al domicilio de los Serrano para celebrar por todo lo alto la onomástica de Diego. Por su parte, Celia, obsesionada con la feroz competencia con Ana, decide ser la primera en entregar el regalo a Diego. Pero, una vez más la hermana pequeña de Candela se adelanta a la sorpresa de la mexicana. Esta situación, unida a los celos despertados por la relación entre Ana y el tabernero, abrirán la caja de los truenos entre las dos mujeres. José Luis regresa de su visita al pueblo con una inesperada carga en su maletero, un inmigrante desnutrido y asustado. Pese a las reticencias iniciales de su marido, Choni acoge a Abdoulaye en su casa para alimentarlo. Con el fin de no levantar sospechas, ambos inventan que se trata de un músico que conocieron en Francia hace unos años, un relato que anima a África a llevar a Abdoulaye al Garcilaso para que realice una demostración musical.

Transcript

00:00:05And when is José Luis coming?

00:00:07He talks a lot, but he works less than Ronaldinho.

00:00:10He's coming tomorrow, but as for working, you know.

00:00:12Here, daughter.

00:00:13What's wrong with you here?

00:00:15You're a little overwhelmed with work, aren't you?

00:00:17No, I have to write an essay.

00:00:19with something important that is half a century old.

00:00:21And I don't know what to do it with.

00:00:22Well, I'm going to tell you about a very important event.

00:00:25Fifty years ago, on this day the day after tomorrow,

00:00:28Your father was born.

00:00:30Is that true, Dad?

00:00:3150 years.

00:00:32Oh, Diego, Diego, Diego, damn it, is it your birthday, for fuck's sake?

00:00:35Four kilos, the weight of a suckling pig.

00:00:37And you wouldn't believe how long it took to come out.

00:00:38You spent two days doubting, two days.

00:00:40Okay, okay, that's it.

00:00:41Okay, listen, you didn't tell me you had a list of anniversaries there.

00:00:44I don't know what happens to older people when you talk to them about age,

00:00:47who become defensive.

00:00:49The fine print says no, I'm not going to take you.

00:00:51Go on, catch it here, go on, Mr. Magician.

00:00:55Let's see, the lollipop is invented.

00:00:57Damn, that's cool.

00:00:58He was chubby, very chubby.

00:01:01And you should have seen how he was screaming, he wouldn't shut up with just two slaps on the back of the head, you know?

00:01:04He had a voice, like the tuto paparote.

00:01:06And give the tone some cocaine, damn it.

00:01:07Santi, let's leave it at that, we're focused on helping with Curro's work.

00:01:12Because we kids want to grow up so we can do whatever we want.

00:01:15However, grown-ups are like Peter Pan, who always want to be children.

00:01:20And damn, but '58 was awesome.

00:01:23The best, like when my brother was born.

00:01:25Okay, that's it.

00:01:25Okay, and that's it for...

00:01:27Okay, let's see, keep reading because we're going to tell you again.

00:01:30And as Carmen says, when you're older, birthdays and Christmas are just like when you were at school

00:01:36They take attendance to see who is absent.

00:01:37And that's when you realize that some will always be missing.

00:01:41Damn, Diego, you look amazing.

00:01:44That?

00:01:44That you were born the same year as Michael Jackson.

00:01:47AND?

00:01:48That?

00:01:48She looks better.

00:01:51Ah.

00:01:52Uh!

00:01:53Uh!

00:01:55A station platform, under the blazing sun.

00:01:59You were talking about a skyscraper in the sky of New York.

00:02:02Come soon to see the sea and send a postcard.

00:02:06I already knew that day was the end.

00:02:10Now I have much more.

00:02:13Red, black, stop and even.

00:02:16Finally, luck brings an ace and a crystal to look through.

00:02:19And a wall to hang it on.

00:02:21Seven smiling faces in a passport photo.

00:02:25My stories were not about tales made by chance.

00:02:31Nobody told me that destiny was giving me this opportunity.

00:02:38One plus one equals seven.

00:02:41Who would have thought?

00:02:45It was so easy to be happy.

00:03:05Look at him, how strong.

00:03:06Oh my God, he looks like a Bourbon!

00:03:08Come here, darling.

00:03:10You don't know how much I've missed you, darling.

00:03:12But I left yesterday, you chatonga.

00:03:13That's why.

00:03:14Because you left yesterday.

00:03:15Well then, let's make up for lost time.

00:03:18Oh, Josico, Josico, I'm getting lost.

00:03:20I'm lost.

00:03:21Now at home.

00:03:22Now at home we recommend the work.

00:03:23Okay then.

00:03:24And well, your grandmother and uncles who...

00:03:26Just like last week, Choni.

00:03:28Yeah.

00:03:28There in the village, then, it is calm, peaceful, and tranquil.

00:03:33Clear.

00:03:33A real pain, let me tell you.

00:03:35What are you saying?

00:03:35The silence there stresses me out.

00:03:36Don't say silly things.

00:03:37You're back...

00:03:38Yes, yes, yes.

00:03:39You look taller and all the air you've gained.

00:03:40Hush, hush, hush.

00:03:41Be quiet, look at how they've messed up my car, it looks like...

00:03:43There's going to be a nuclear war, damn it.

00:03:45Yes, but look at these peppers, look at these cabbages.

00:03:47Just like the ones we buy at the market, which are made of plastic.

00:03:49Well, just wait and see what I have in the trunk.

00:03:51Oh, a stew from your grandmother!

00:03:51You'll lick your fingers.

00:03:53Come on, come on.

00:03:53Open it up, my grass is getting ruined, damn it.

00:03:55This, cooked properly, is something a gypsy wouldn't pass up.

00:03:57Open.

00:03:57Open!

00:03:59Aaah!

00:04:00Aaah!

00:04:00Cosico!

00:04:01Out!

00:04:02Go!

00:04:03Go for it!

00:04:03Out!

00:04:04Out!

00:04:05Out!

00:04:05Sunday!

00:04:06Go, go, go!

00:04:08Reba, and I ask you, why don't I fast for them if you stop looking for work now?

00:04:12Let me think.

00:04:14Maybe because someone got me fired.

00:04:18Did you know that tomorrow is Dad's birthday?

00:04:20Clear!

00:04:21He's already turning 50.

00:04:22But, damn, well, we'll have to get organized to give him something, right?

00:04:26What interested me?

00:04:29Well, let's hope they let us have the hamburger.

00:04:32Hey, by the way, where's Dad?

00:04:34It will be possible, it will be possible.

00:04:36Hello.

00:04:37Hello, hello, hello.

00:04:39Is something wrong?

00:04:40Yes, it happens to me, yes, there's no coffee.

00:04:41And I've said 50 times that we had to buy coffee.

00:04:43Who was in charge of buying coffee?

00:04:44Let's see.

00:04:45But I mean, how can there not be coffee if I bought some last week?

00:04:47But I bought some last week, but it sold out and right now there's no coffee.

00:04:50Because?

00:04:50Because there is a lack of organization and responsibility here.

00:04:51That's what's missing in this family.

00:04:52Organization and responsibility.

00:04:54Yes, all that is missing, but not coffee.

00:04:56No, well, if you put it somewhere I don't know what it's there for, then no.

00:04:59I can find it, of course.

00:05:00It's a normal thing.

00:05:02And we see in action the survivor of the last organization, Diego Saurio.

00:05:08Okay, so what's up?

00:05:09How much do you never see or the celebrations for tomorrow?

00:05:11Yes, are you going to let us choose the restaurant?

00:05:13No, we're not going to choose anything because we're not going to celebrate anything.

00:05:16So I don't want any celebrations, or gifts, or anything.

00:05:19Excuse me, but I have to go.

00:05:20Okay, see you later.

00:05:21Hello.

00:05:24But what's wrong with Dad?

00:05:26Nothing, little worker.

00:05:27It's probably just a bad day.

00:05:32Afri!

00:05:33I'm coming in, I need the sympathizer.

00:05:36Where could it be?

00:05:38Oh, thank you.

00:05:40Hey, tomorrow is Diego's birthday and I'd like to give him a special gift.

00:05:45Will you come with me?

00:05:47Hey, are you almost there?

00:05:49I'm finished.

00:05:51Cool.

00:05:51And that's it, right?

00:05:52I'm saying we should make a special one for him since he's turning 50.

00:05:57Of course, absolutely.

00:05:59And what are you going to give him/her as a gift?

00:06:00Hey, can you pass me the shampoo? We're out of it here.

00:06:02Take.

00:06:04Okay, so what? What are you going to give her?

00:06:06To avoid repeating myself?

00:06:07A book?

00:06:08Am I going to give him a book as a gift?

00:06:16Relax, come in.

00:06:17Come in, king.

00:06:18Police, no.

00:06:19Please.

00:06:20No.

00:06:20Police, no.

00:06:21No, don't worry.

00:06:22The police and the army had to be called.

00:06:24How could you even think of squeezing yourself into the trunk of a car like that, man?

00:06:27My heart is in my mouth.

00:06:29Do you want to keep quiet so you don't scare him anymore?

00:06:31Fuck.

00:06:32You sitting there.

00:06:33Come on.

00:06:34That is.

00:06:35Don't worry.

00:06:36Hey?

00:06:36Don't worry.

00:06:37I'm going to cover for you, you must be feeling off, you little rascal.

00:06:39Tony, what are you doing?

00:06:40That's the blanket for watching TV.

00:06:41What are you doing?

00:06:41Even if it's the Shroud of Turin.

00:06:42Please?

00:06:43Damn it.

00:06:43A little bit of charity.

00:06:44Can't you see how the creature is?

00:06:45His eyes are going to pop out of their sockets.

00:06:47I don't want to bother you.

00:06:49It's a good thing you don't want to bother us.

00:06:50You're not bothering me.

00:06:52You're not bothering me.

00:06:53Take it, king.

00:06:54Oh, the terrible times you must have been through.

00:06:58The creature will die if you put it in the apple orchard and leave it dry.

00:07:01No.

00:07:03What's your name, sweetheart?

00:07:05Abdullaye Drame.

00:07:08Because?

00:07:09Abdullaye Drame.

00:07:10Choni, Choni, don't get close to him.

00:07:12The more you know him, the worse he is.

00:07:13My name is Choni.

00:07:15Choni.

00:07:16I Choni.

00:07:16Asunción Martín.

00:07:17Okay, Choni.

00:07:18And he is my husband, José Luis.

00:07:20And with the introductions, that he is a refugee, an illegal immigrant, one of those people who come in a boat.

00:07:25I'm a dinghy.

00:07:26See?

00:07:28We arrived in Almería.

00:07:31Escape there and get on the truck.

00:07:34Then fall on the road.

00:07:36My God.

00:07:37And then run, run, and run.

00:07:40And you ran and ran and ran some more across the plateau until you got into our trunk.

00:07:46Huh, you damned soul?

00:07:46It's no wonder he wins every marathon.

00:07:49Why does it make me run?

00:07:50Mother, son, what you must have been through.

00:07:51Where should I be?

00:07:53You're in Santa Justa, sweetheart.

00:07:55Santa Justa, Madrid.

00:07:56Madrid, the capital city.

00:07:57Spain.

00:07:58Hey, Madrid?

00:07:59He knows that, doesn't he?

00:07:59That's it, Madrid, Madrid.

00:08:01He knows it.

00:08:02Nothing, son, I'm going to prepare you a breakfast that will make you lick your fingers.

00:08:05What am I saying?

00:08:05I'm going to make you some macaroni with chorizo, damn it.

00:08:07What am I saying?

00:08:08No, you won't be one of those who don't eat pork.

00:08:11It's the same.

00:08:12I'm going to make you some macaroni that will taste heavenly.

00:08:14Blessed glory, glory.

00:08:15What are you going to prepare for the macaroni?

00:08:17I mean, here.

00:08:19Prince of Zamunda having breakfast.

00:08:21And what about me?

00:08:21What about me?

00:08:22You pull down.

00:08:23I.

00:08:23I don't understand why you're not leaving.

00:08:26Hey?

00:08:26What, I'll give it to you?

00:08:27Come on, they're going to close your email.

00:08:29That's at eleven, Santi.

00:08:30That at eleven o'clock.

00:08:31That at eleven o'clock.

00:08:31Well, you know the queue there, because the other day I went there at half past eleven.

00:08:35Okay, I'm leaving, okay.

00:08:36Don't give me...

00:08:36Okay, I'm leaving.

00:08:37And three of them, the ones we have are from when Franco was hot.

00:08:41Okay.

00:08:43Guille.

00:08:44Guille, you can come in now, there are no more Diegos on the coast.

00:08:46Happens.

00:08:49Thankfully, I don't think my father will ever leave, huh?

00:08:52So, what's this about your father not wanting to celebrate anything?

00:08:56I don't know, that's what he told us.

00:08:58It can't be him.

00:08:58My brother has never missed a birthday celebration, never in his life.

00:09:02No problem.

00:09:03Here we are, the men of the family, to solve the problems.

00:09:06The problems were invented on the same day as the solutions.

00:09:09Look, Fiti, I don't think this is that easy.

00:09:10Well, it can't be that difficult, damn it.

00:09:13Let's not fall into defeatism.

00:09:14What your parents are mostly experiencing is a temporary midlife crisis.

00:09:20Christian, Fiti, in Christian.

00:09:22Well, to put it simply, don't you remember what he said yesterday when we were there with Currito?

00:09:25that he didn't even want to hear about the fifties.

00:09:28He feels old, damn it.

00:09:29We've screwed up over decades.

00:09:31I'm over fifty, five decades old now, and I'm still here, like a duck.

00:09:34Yeah, but that's because you're simpler, more basic, but your brother is much more sensitive, damn it.

00:09:39And after the year he's been at it, damn, this is the final high.

00:09:42Why do you say that, Fiti? We're all there, and we love him a lot.

00:09:44And besides, he's with Celia, who keeps giving him the eye, please, look at Celia!

00:09:47You said it, you said it.

00:09:49Yes, she's a woman in her thirties, blonde, tall, and your father is already fifty.

00:09:55with little hair, a few extra pounds, let's not kid ourselves, and entering our sixties.

00:09:59Well, you're leaving it all sorted out.

00:10:01So what do we do? Don't we celebrate?

00:10:02So, how should we celebrate, man? We'll give him a surprise, whoever he wants.

00:10:05That's what family is for.

00:10:06There, there, Santi. Lord, make him feel alive, damn it.

00:10:10And with the gift, with the gift we have to go out.

00:10:13We need to give an original and unique gift.

00:10:16Okay.

00:10:19Original and different.

00:10:20But you'll see, Curro. Do you see this? Do you see all this?

00:10:23Well, these are the typical things you can't give a father as a gift again, man.

00:10:26Do you understand now or not?

00:10:28But what a museum of horrors, right?

00:10:30And this? Diego never smokes.

00:10:32What's wrong? It was the best thing I could do in crafts.

00:10:35Also, that he was six years old.

00:10:36Hey Maria Tere, don't criticize her because, come on, that rascal is something else, huh?

00:10:40Yes, well, your physical exercise book is useless, Diego does less exercise than a tile.

00:10:44Okay, fine, okay, fine. That's enough, we get the message.

00:10:49You have to give him something that touches his heart, that excites him.

00:10:53Well, unless we give him a DVD with the best goals from Real Madrid.

00:10:59I've got it, I've got it, I've got it, I've got it, I've got it, I've got it.

00:11:01Why don't we make a DVD with all the people who want to congratulate him, huh?

00:11:04And we called Marcos and Eva, for example.

00:11:06And what about the little girl? Would she like that?

00:11:08Yes, of course, everyone there was congratulating him.

00:11:11I'm a genius, I'm not a genius, huh, Maria Tere?

00:11:13Yes, yes, and look, after such a rough year, she's going to love it, what do you think?

00:11:16Well, it's not a bad idea, but I was planning to give him something myself.

00:11:22What are you saying, Maria Tere? Do we get her something together every year?

00:11:25Okay, well, we already talked about it, fine, I'm going to school.

00:11:31Santiago, something unexpected has come up.

00:11:35Yeah?

00:11:35Okay, yes, I'll go later.

00:11:38Yes, yes, yes, I did your hands, look at your hands, take care of yourself, doctor.

00:11:41He's coming, he's a doctor.

00:11:42Doctor, I'm Minister of Culture, right?

00:11:44Don't mess around, come here, come here, Johnny, come here.

00:11:47Come here.

00:11:48You can see he's not messing around, damn it.

00:11:51This guy who's going to be a doctor, or a tribal shaman, is...

00:11:54Johnny, you're very stupid and people take advantage of you.

00:11:57You'll see what happens.

00:11:59Hey!

00:12:00Hey, wait a minute.

00:12:02So, what are your plans for life?

00:12:04Because you, no papers, no papers, and less work, huh?

00:12:10Do you have it?

00:12:11René, a friend from Senegal, is here in Madrid.

00:12:14Look, you have a friend here in Madrid.

00:12:16He'll come ahead and find a job for me.

00:12:18See? She has a friend who's looking for a job for her.

00:12:20René, and the telephone.

00:12:21Well, you'll see.

00:12:23We call your friend and you're there in a flash, huh?

00:12:27A few clicks?

00:12:28In a... well, just a moment.

00:12:30I'll buy you a bond meter.

00:12:32So that no one can say later that Spaniards are not supportive.

00:12:34Come on, Johnny, let's let him talk on his own.

00:12:36That is.

00:12:38There's nobody there, I'm telling you.

00:12:40There's nobody here.

00:12:44Just wait and see if what the little friend said is true, just wait and see if he's pulling our leg.

00:12:47What do we do? What do we do?

00:12:48He's eating, he's drinking, he should grab the door and leave.

00:12:50How can he leave if the man is lame?

00:12:52Well, I'll buy him a crutch, but the black guy is leaving.

00:12:55Black people are people and have names.

00:12:58It's a lie that he's so racist.

00:13:00But no.

00:13:01Me, I'm a racist.

00:13:02No no.

00:13:02No, not racist.

00:13:03I don't care if it's green, yellow, or white, nuclear.

00:13:05He's a stranger on the street and he has to leave, Johnny.

00:13:07He is an immigrant, and not so long ago we were like him.

00:13:11Yes, I've seen Vente a Alemania, Pepe too, but we weren't in a dinghy.

00:13:15Johnny.

00:13:16Let him finish eating, talk to his friend, and then leave, please.

00:13:21No one else is allowed in here.

00:13:24No, take it away.

00:13:27That?

00:13:29Nothing, right?

00:13:31Goodness gracious, tell me.

00:13:32Hello darling.

00:13:33Hey, a little bird told me that tomorrow is your birthday, so happy birthday in advance!

00:13:38Thank you very much, Celia.

00:13:39The thing is...

00:13:41Are you okay, Diego?

00:13:42Yes, yes, no, no. I'm fine.

00:13:44Well, with a bit of stress from work and all that.

00:13:46I don't even have time to look at the delivery notes.

00:13:49Well, that's it.

00:13:50I don't want to bother you, I know you're busy.

00:13:52Don't bother me, Celia, please, okay?

00:13:55Well, thank you very much for calling.

00:13:56Okay.

00:13:57A little kiss.

00:13:58Bye.

00:13:58A kiss.

00:14:03But, Fiti, where are you going like that?

00:14:05Hey?

00:14:06Cool, right?

00:14:07Fixed by reporting.

00:14:09Nothing, what?

00:14:09Let's see if Dieguito is up for doing a little jogging.

00:14:11Hey?

00:14:12Come on, Fiti, we're not getting it very well.

00:14:14So, you want me to go racing with you?

00:14:17But, well, but come on.

00:14:18So, are you out of your mind or what's wrong with you?

00:14:20Oh well.

00:14:20But I don't realize it, Fiti, listen to me, you're on sick leave and you have a dodgy arm.

00:14:23Well, let's take it slow.

00:14:25Damn, there at a piggish trot.

00:14:26And well, if in a month you see that you're doing well and that you like it, damn, we'll increase the pace.

00:14:30You're all wet.

00:14:31I'm soaked.

00:14:32Hey, listen to me.

00:14:32In other words, neither slowly nor quickly.

00:14:34I'm not going with you.

00:14:36Damn, exercise is really good.

00:14:37Is exercise good for you?

00:14:38Yes, yes.

00:14:38The exercise is very good.

00:14:40It releases bilirubin.

00:14:41Damn, we're alive, Diego.

00:14:43Exact.

00:14:44We are alive.

00:14:45And since I'm alive, I don't plan on dying acting like an idiot in a tracksuit.

00:14:48Okay?

00:14:49Hello good.

00:14:50Damn, it's gotten all stale now, fuck.

00:14:52I'm going to the bank.

00:14:57What are they dressed as?

00:14:59Like an idiot.

00:14:59Because it's been good for nothing...

00:15:01Yes, I think we won't get there through sports without Efiti.

00:15:04Look what I found of my brother from when he was a little boy.

00:15:07And he doesn't know I have it.

00:15:08Let's see, let's see, let's see.

00:15:10And a lot of other things.

00:15:11And here I've seen that I have an agenda of things he wanted to be when he grew up.

00:15:18Well, I don't think it's ethical to read other people's things.

00:15:24But it's damn.

00:15:25Let's see what it says.

00:15:30Look, look, look.

00:15:31Things I want to do.

00:15:33It's a list.

00:15:34Yeah.

00:15:35Go on.

00:15:35Plant a tree.

00:15:37We've already done that.

00:15:38That's just how we are, from a small town.

00:15:40To have a child.

00:15:41Yes, I have fulfilled my promise.

00:15:43Write a book.

00:15:44Well, we don't have time for that.

00:15:47Assemble the balloon.

00:15:48Assemble the balloon.

00:15:50Look, well that's where we were surprised.

00:15:52Damn, with the desire of the eggs.

00:15:54Well, I'm going to tell you something.

00:15:56If my brother wants to ride the balloon, he's going to ride the balloon.

00:15:59And tomorrow she's going to have a party with balloons, cake, candles, and whatever else is needed.

00:16:03It's going to have it.

00:16:04What's up, button?

00:16:07Tantito, parión.

00:16:08There's nobody here, Chony.

00:16:09He doesn't answer anyone.

00:16:10There's nobody here.

00:16:11Even if the man is an immigrant, he has the right to his own life, doesn't he?

00:16:13The man must have gone for a walk or to the movies.

00:16:16Or to the opera.

00:16:18And what time is it?

00:16:19And the family, the family is...

00:16:20Well, you explain everything to him calmly and that's it.

00:16:22Let's see, Chony.

00:16:24What are we going to tell him? We're getting ourselves into a real mess.

00:16:27Is providing documented shelter illegal?

00:16:30And I have a history.

00:16:32Don't make me nervous, José.

00:16:35Hello.

00:16:37Look at that...

00:16:38She leaves clean clothes for you in the room.

00:16:39Robica, to change you.

00:16:41Hey?

00:16:41There, in the room.

00:16:42If you find it's not your style, let me know, okay?

00:16:46Okay?

00:16:47And a bathrobe.

00:16:48And a bathrobe, which was designer, damn it.

00:16:50Don't make me more nervous than I already am, José Luis.

00:16:52I'm asking you, please.

00:16:56What's up?

00:16:57Hello darling.

00:16:58Hi how are things?

00:16:59How are you?

00:17:00Very upright.

00:17:01Yes, look at that...

00:17:01Yeah.

00:17:02I have to say one little thing.

00:17:04One thing, Raúl, but, son, you have to promise me that you're going to be very discreet, okay?

00:17:08Of course, woman.

00:17:09Yes, because it's a very social issue.

00:17:12Well.

00:17:14It's a very social issue.

00:17:15Hello good.

00:17:16How are you?

00:17:17How are you?

00:17:18How are you?

00:17:19How are you?

00:17:20I have it with my cousin, Angela.

00:17:21Now I'll introduce her to you.

00:17:22Hello.

00:17:23José Luis, Raúl and Chony.

00:17:25Hello darling.

00:17:27Hello.

00:17:27How are you?

00:17:28How are you?

00:17:28I am José Luis.

00:17:30Well, she's the smart one in the house.

00:17:32The competitive examinations for the Ministry of the Interior have just been announced.

00:17:35To the Ministry of the Interior.

00:17:37Well, that's interesting.

00:17:38Well, and...

00:17:39That's great, isn't it?

00:17:40What are you going to do?

00:17:40Well, I don't know yet, but they've put me in immigration.

00:17:43Well, since I'm the new one, I'll have to deal with all the problems.

00:17:46All the problems you'll face are going to land you in immigration, that's for sure.

00:17:48You know, doing community service.

00:17:49Yes, yes, yes.

00:17:50Do you have visitors?

00:17:51Hello.

00:17:52Yeah.

00:17:53He's a friend.

00:17:54A visit.

00:17:54A friend.

00:17:55He's a French friend.

00:17:58From France, from France.

00:17:59Your name is Yeye.

00:18:01Well, Yeye for friends.

00:18:02Excellent.

00:18:03How are you?

00:18:03I am from Africa.

00:18:07Africa.

00:18:08Africa.

00:18:09Yes, yes.

00:18:10Yeah.

00:18:11Hey, when were you guys last in France?

00:18:15Well, uh...

00:18:16Well, I was there on tour years ago.

00:18:19I went on a tour of France.

00:18:21Yeah.

00:18:21And I met him there.

00:18:23He is also an artist.

00:18:24Yes, yes, yes.

00:18:25Do you remember Valezun?

00:18:27Valezun?

00:18:28The Valezún.

00:18:28Woman, the Valezún.

00:18:29Holy shit, yes, Valezun.

00:18:30The black man who was dancing was also from Valézún.

00:18:33That is.

00:18:33What are you saying? Is that you?

00:18:33No, no, no, no.

00:18:34He, well, the black man, the black man from Valezún.

00:18:37Well, his nephew is quite a character.

00:18:39You tell me this one.

00:18:40And do you dance too?

00:18:41Man, yes, dance, dance.

00:18:43That?

00:18:43Well, no, she danced.

00:18:45She danced.

00:18:45He was selected, but now it's time...

00:18:47Play the saxophone now.

00:18:48Oh ok.

00:18:49Yeah.

00:18:49Well, he seems shy, but you have to see how he transforms on stage.

00:18:53It looks like a Spanish rose, doesn't it?

00:18:54How does it play, how does it play?

00:18:55How does it play?

00:18:55Hey?

00:18:56Yes, yes, yes, yes.

00:18:57Yes, it's time, yes, yes.

00:18:58Yes, yes.

00:18:58Yes, it's time, yes.

00:18:59Well, that's it.

00:19:00That's it.

00:19:01Hey, I'm glad you passed.

00:19:04What was your name?

00:19:05Angela.

00:19:05Angela, we're going to celebrate.

00:19:07Hey, do you want to come?

00:19:08Yes, yes.

00:19:09Come on.

00:19:09Wait, I'm going to take a shower.

00:19:10Okay, wait.

00:19:11I need to take a shower.

00:19:11Stay for dinner.

00:19:13Ah, great.

00:19:14Okay, we'll stay.

00:19:14Come on.

00:19:15I'm supervising.

00:19:15And that way you can tell me a little bit about your life and things like that.

00:19:18Come on.

00:19:18It's 150 euros more, but a good one, and only.

00:19:21Already?

00:19:22Is there no other way?

00:19:24In other words, it's just a simple up and down without dwelling on it too much, right?

00:19:28That.

00:19:28Same thing, same thing.

00:19:29Whatever.

00:19:30Okay, let's see.

00:19:31Yes, we do one thing.

00:19:34Yes, no, now.

00:19:35Yes, no, it's not that I don't want to go, but just a moment, just a moment.

00:19:38That?

00:19:38A pure masseur of this kind.

00:19:40For my arm.

00:19:41Well, I don't know, it's more profitable for me to invest in the stock market than to get a massage.

00:19:43So, that...

00:19:44Okay, I'm going to...

00:19:45Yes, no, let me take a moment to make a note, okay?

00:19:48But then...

00:19:49Yes, yes.

00:19:55Hello.

00:19:56Hello.

00:19:58Look, man, I know you're not into presents, but tomorrow's your birthday, right?

00:20:03Yeah.

00:20:03Well, since it gives more pleasure to give than to receive, I'll indulge myself.

00:20:08Yes, but...

00:20:10You found me a bigger box for...

00:20:12Okay, no, the gift is pretty average, but I put it here because this won't fit

00:20:15in the trash, so you have no choice but to open it first.

00:20:18Congratulations.

00:20:21Thank you very much, but you didn't have to...

00:20:23Yes, I don't want...

00:20:23No, look, nothing.

00:20:25It's your birthday.

00:20:27Hello.

00:20:28Hi how are things?

00:20:29Oh, hello, Celia.

00:20:30Hello, Diego.

00:20:32I came to congratulate you, to see, to give you this gift.

00:20:35I wanted to be the first, but oh well, someone beat me to it.

00:20:37Yes, actually, I really did tell everyone that I didn't want any gifts, Celia.

00:20:39Well, now you have two, Diego.

00:20:41Already.

00:20:43Come on?

00:20:44Aren't you going to open it?

00:20:45Yes, no, no, yes, open it, I'll open it, but maybe tomorrow would be better, right?

00:20:49Come on, it's his birthday.

00:20:50Okay, whatever you want.

00:20:52So what do you want us to do to celebrate?

00:20:55I'm just not in the mood to celebrate my birthday.

00:20:59Come on, Diego, how can you not celebrate such a special day, for God's sake?

00:21:01No, really, Celia, I just prefer it to be a normal, ordinary day, like all the others.

00:21:05days.

00:21:05Nothing else.

00:21:08Well, whatever you want, Diego.

00:21:11Okay, then I'm leaving.

00:21:13Okay, then.

00:21:15And thank you.

00:21:19Five and action.

00:21:21Hi, Dad.

00:21:22I'm Curro and I want you to know that...

00:21:24Let's see, Curro.

00:21:25Dad already knows who you are, you don't need to say anything, okay?

00:21:27Come on, again.

00:21:28And it would be...

00:21:29Action.

00:21:31Hi, Dad.

00:21:32On this special day, your birthday...

00:21:34Cut, cut.

00:21:36Curro, please, you sound like the king in the Christmas speech.

00:21:38Please hold Carmen.

00:21:39Yeah.

00:21:40You have to talk to the camera as if it were your dad's eyes.

00:21:43With certainty, with confidence.

00:21:45Look, Curro.

00:21:46What you need to do is think of something nice you've done with him recently.

00:21:52That's great, Carmen.

00:21:53Clear.

00:21:54Come on, case.

00:21:54We need to give him clues, we're ready.

00:21:56You're good at this, Carmen.

00:21:57Vouchers.

00:21:59Well.

00:22:00AND...

00:22:00In the air.

00:22:01Hi, Dad.

00:22:03Do you remember the essay I had to write?

00:22:06She had to find something important, something that was half a century old.

00:22:10Well, I've found it.

00:22:13Because I want you to know that for me you are the most important thing that has ever happened to me in the world.

00:22:19Congratulations, Dad.

00:22:20I love you.

00:22:22How did it turn out?

00:22:26Well, it hasn't turned out too bad, Curro.

00:22:28No, but not bad at all.

00:22:31Well, with this and the party we're going to throw for him tomorrow, you'll see how happy he'll be.

00:22:35to take your father.

00:22:38Okay, let them make me do it, it's your turn.

00:22:40Already?

00:22:40Yeah.

00:22:40And why isn't he recording, Tete?

00:22:41That's how I'm preparing for it.

00:22:44Because I didn't know what to say.

00:22:45But come on, I've got it figured out.

00:22:47Okay, fine.

00:22:48Shoot.

00:22:50Well, not here.

00:22:51My room is better, okay?

00:22:52It has more color and all that.

00:22:53But I'm the director.

00:22:54What's up with you guys doing to me?

00:22:54No, but you have no idea about aesthetics or anything.

00:22:56I am the prop.

00:22:58I combine it so that it sets much better.

00:23:00Damn, that's globalization for you, huh?

00:23:02I have a t-shirt just like that one, no way.

00:23:04No, not exactly the same.

00:23:05It's yours.

00:23:08The thing is...

00:23:09The airport staff have lost your suitcase, son.

00:23:12And we had to leave him something.

00:23:13She had no name or anything to wear.

00:23:15It fits you like a glove, doesn't it?

00:23:17We're both into athletic comprehension, huh?

00:23:20Well, whatever you want, huh?

00:23:21Whatever you need.

00:23:22That, exactly, is what Spanish hospitality is all about.

00:23:26Well, don't go overboard, okay?

00:23:27There are a lot of jerks out there.

00:23:28My father, for example, sees you on the street

00:23:30And the first thing he does is ask you for your papers, huh?

00:23:34Papers?

00:23:35Well, normal.

00:23:36As things stand.

00:23:37The more control measures, the better.

00:23:38Okay, fine.

00:23:40Now, let's get up,

00:23:42because we have to get up early tomorrow.

00:23:43So come on.

00:23:43I get up at seven.

00:23:44No, man, no.

00:23:45The idea is to show him Madrid, Lanús and Dalí,

00:23:47And yeah, yeah, man.

00:23:48Come on, damn it, let's have a few drinks.

00:23:50A little outing.

00:23:51Copritas?

00:23:51No, no, it can't, no.

00:23:53No, no, no.

00:23:54No, no, no, no, no, no.

00:23:54Which one can?

00:23:55He can't.

00:23:56So, that...

00:23:58What ye, ye...

00:24:00He was an alcoholic.

00:24:01Of course, and he can't.

00:24:02I make things artistic.

00:24:04Things will also feed you.

00:24:05It can't be, I mean, that...

00:24:06That the man is better off staying home

00:24:09Or lest he get the urge to...

00:24:11People in show business are always the same, Nacho.

00:24:12Well, I'm going to bed.

00:24:14I have things to do.

00:24:15Of course, if we leave too,

00:24:16Because it's getting late, and tomorrow...

00:24:18Okay, well I'm not going to say anything, okay?

00:24:20Come on, have a good time, okay?

00:24:22Come on.

00:24:22Okay, see you tomorrow.

00:24:23I'm saying we're leaving.

00:24:24Ah, we're leaving.

00:24:25Yes, yes, yes.

00:24:26Yes, you need to rest, beautiful.

00:24:27Goodbye, darling.

00:24:28See you later.

00:24:29Come on, Africa, see you tomorrow, okay?

00:24:30Nena, nice to meet you.

00:24:31May everything go very well for you, queen.

00:24:32I'll go with you.

00:24:33Hello.

00:24:34Come on.

00:24:34Well.

00:24:35See you later.

00:24:36Bye bye.

00:24:36Come on, right now.

00:24:38No, it won't take long.

00:24:39Sure, well look, no.

00:24:41Can I take a while?

00:24:45Holy shit, Mica, he said.

00:24:46You're right, forgive me.

00:24:48It's very ugly.

00:24:49Throwing away food is very wrong.

00:24:50I'll keep it for you, I'll keep it for you in a toupee.

00:24:52Okay, well, that's it.

00:24:53Let's call that René guy again.

00:24:56Ah, yes.

00:24:57Come on, call it again, that's it.

00:24:58Take a look.

00:25:20What happened that they told you?

00:25:26What happened?

00:25:26That?

00:25:27My friend.

00:25:30He didn't arrive.

00:25:32He never arrived.

00:25:34What do you mean, no?

00:25:40But I'm very sorry.

00:25:43My daughters.

00:25:47What am I going to do with them?

00:25:50Poor René.

00:25:52Cheer up, cheer up, Yeye, man.

00:25:55Very sorry.

00:26:01It's okay, man.

00:26:03Where are you going?

00:26:04What are you doing?

00:26:04Where are you going?

00:26:05I don't know.

00:26:06What do you mean you don't know?

00:26:07No, no, damn it...

00:26:07Hey, you're not going anywhere.

00:26:09Wait here.

00:26:10Just in case I can do it.

00:26:12What are we going to do?

00:26:13It's very illegal.

00:26:13We can't do anything.

00:26:15Just in case, just in case that man walks out the door,

00:26:17I'll follow him.

00:26:19Is that clear?

00:26:33Yes, hello, good evening.

00:26:35I wanted to reserve a table for two people.

00:26:38For tomorrow, for dinner, yes.

00:26:40Wait.

00:26:44Thank you, at ten o'clock.

00:26:45Thank you.

00:26:46See you later.

00:26:55Good morning, children.

00:26:56Good morning.

00:26:57Good morning, Carmen.

00:26:57A small cup?

00:26:59Yes, thanks.

00:27:03Dad, since we can't celebrate your birthday,

00:27:07Can we congratulate you?

00:27:11They believe me, of course they do.

00:27:14Congratulations, handsome!

00:27:16Congratulations!

00:27:18Happy Birthday!

00:27:20Okay, okay, okay.

00:27:22Okay, okay.

00:27:22I have to tell you, even though we're not celebrating your birthday,

00:27:25that I cannot be congratulated.

00:27:28That...

00:27:30Congratulations, Diego!

00:27:31Okay, thank you, thank you.

00:27:37Well.

00:27:38Man, Dad, I don't know what's wrong with you being so grumpy,

00:27:41Anyone can do it, right?

00:27:42Come on, I don't want to see you at 60.

00:27:45Guille is always very funny.

00:27:47That's Guille for you, how funny.

00:27:48Thank goodness you're smiling, huh?

00:27:49Because you looked so bad I wanted to pull your ears,

00:27:51but really loud.

00:27:53Already.

00:27:53Right, Tete?

00:27:56I'm leaving, okay?

00:27:58I'm late for school.

00:27:59Wait, we're coming with you.

00:28:01Well, Dad, congratulations.

00:28:03Okay, thank you very much, son.

00:28:04Has this ever happened to you?

00:28:04Have you enjoyed me yet?

00:28:05Me?

00:28:06Come on, let's go.

00:28:07See you later.

00:28:10He's going to be blown away by the party.

00:28:12You're going to love it.

00:28:14Well, I think you should have a really good breakfast.

00:28:17because the day can be long.

00:28:20Oh, really?

00:28:21And why might it be long?

00:28:23You're welcome, man, you're welcome.

00:28:32Have you heard it?

00:28:33The poor Costa Rican spends the whole night crying.

00:28:36Of course, of course.

00:28:37Of course I've heard it.

00:28:42And why couldn't you tell me where you're going?

00:28:44Pussy.

00:28:45That?

00:28:45I know you're going to wake him up.

00:28:47Because it's a secret matter, damn it.

00:28:49And here we all know each other.

00:28:50And if it leaks, it doesn't leak, it doesn't leak, it doesn't leak.

00:28:52Lower the price!

00:28:54Look at it.

00:28:54You have already woken her up.

00:28:57Good morning.

00:28:59Fumalek.

00:29:01I was left with that thing yesterday...

00:29:04The murmur of asking you a move.

00:29:07Do you know Valerio?

00:29:10Valerio?

00:29:10Damn, Valerio Lázaro, the fucking master of Valezum.

00:29:13I'm not saying that the one from Valezum isn't him, that it's his uncle.

00:29:16Well, given the family relationship, I say there's even more reason to be.

00:29:18No, well, look, don't wait up for me for dinner, okay?

00:29:21I'm not getting confused.

00:29:22Let's throw.

00:29:23See you later.

00:29:24Bye bye.

00:29:29What's the plan now?

00:29:31Well, I'm going to school for now, I don't know about you.

00:29:34Me too?

00:29:35I'll have to go to work too, won't I?

00:29:37Yes, I should, Josito, I should.

00:29:39And what are we going to do with the...

00:29:42With the duyeye?

00:29:43What are we going to do?

00:29:44Well, we can't just leave him here alone.

00:29:46And why not?

00:29:47Let's see, Choni.

00:29:48Let's see.

00:29:49I'll list the reasons again.

00:29:51Because?

00:29:52Why is this our home?

00:29:53Why is he a stranger?

00:29:54Why is he illegal?

00:29:55To me he is a doctor, a very respectable, very polite gentleman, who has three daughters.

00:29:58Just like Mengele, look later.

00:30:01The dark-skinned boy doesn't just stay here alone and that's it.

00:30:02Well, you tell me what you're doing, because I'm going to school.

00:30:05Damn it, already.

00:30:06Choni, choni.

00:30:08Strip.

00:30:11Mother, who gave birth to me.

00:30:17This one is not spoken about.

00:30:18This one is not spoken about.

00:30:21Santiago, that's me, José...

00:30:23Hey, hey, hey, calm down.

00:30:25Well, no, no, I won't be able to go, will I?

00:30:28No.

00:30:28Because I feel terrible.

00:30:30Or are you not listening to me?

00:30:31My stomach is upset, I feel bad.

00:30:33Santiago, don't let me be gray.

00:30:37She hung up on me.

00:30:40My boss hung up on me.

00:30:44Let me tell you, if you don't work, what difference does it make to you whether you have a boss or a female boss?

00:30:49Works.

00:30:49Oh, tough luck.

00:30:50Let's see where I can hide such a big taco like this.

00:30:52But wasn't there a smaller one?

00:30:54No, because things get done.

00:30:55It's not done on a grand scale.

00:30:56And besides, where do you put 50 candles?

00:30:59Okay, where to?

00:30:59Let's see, let's see, let's see, let's see.

00:31:01Guys, pay attention.

00:31:02Uh, I've got everything arranged.

00:31:04You should see the balloon.

00:31:05Come on, Jules Verne's book is rubbish compared to...

00:31:07We're going to take my brother, so he can go to the party first and then to the party.

00:31:11First to the balloon and then to the party.

00:31:12But hey, don't be simplistic, damn it, this is a surprise, we need a strategy.

00:31:16Give me a flight.

00:31:16Okay, here we go.

00:31:18Damn, relax, I've got it all planned out.

00:31:20Beware, he's attacking again.

00:31:22Okay, come on.

00:31:23Let's see, the plan is as follows.

00:31:26Santi, you're A, okay?

00:31:28I am B.

00:31:29B.

00:31:30And Ana is C.

00:31:32OK?

00:31:32So, A and B are going to prepare the party where the balloon is.

00:31:36Okay?

00:31:37Okay, so how's Diego doing where the balloon is?

00:31:38Uh, damn, well that's where C comes in, he's the hook.

00:31:41In other words, mostly the innocent hand, which, with subtle strategies, you have to take Diego there.

00:31:47but without knowing where he's going.

00:31:48Uh-huh.

00:31:49Well, dear, who's going to play the innocent hand?

00:31:52But I'm not telling you that C, which is Ana.

00:31:54Damn, C.

00:31:56And there can be no other innocent hand.

00:31:58So, what's up, Santi?

00:32:00That?

00:32:00Don't you think I'm innocent enough or what?

00:32:02Wait a minute, wait a minute, calm down, think it over, Santi.

00:32:05Lurdita can't be because she doesn't know how to lie.

00:32:07Choni is too exaggerated.

00:32:09And Celia, well, Celia, well, she has a closeness with the Interfesto, which is that she has no secrets between them.

00:32:14That's it.

00:32:15What do I have to do?

00:32:16Okay, at 5, you come here to point H and you take Diego with you however you can, but like

00:32:24that is, up to point G,

00:32:25That's where most of these majestic balloons are, and that's where we'll give you a signal.

00:32:32Well, if you have to get to the G-spot, do you get there any way you can?

00:32:36But the G wasn't a hook.

00:32:38No, the G is for hook.

00:32:38Good morning.

00:32:40Hey, congratulations!

00:32:42My friend, yes sir, congratulations.

00:32:4650 sticks, 50 blows.

00:32:50This one is truly innocent; he doesn't know what awaits him.

00:32:52Is that the face of a woman in love?

00:32:53What do you want?

00:32:54I think it's clear that this is all a setup.

00:32:56You're one question away from winning the 6,000 euros, Julian.

00:33:01Are you ready?

00:33:02Well, here it is.

00:33:04A small boat was found in Tenerife this morning.

00:33:07Seven of the migrants have died.

00:33:08The rest have been attended to.

00:33:11Fuck.

00:33:14The more channels, the worse.

00:33:18We used to have channels 1 and 2.

00:33:22But now, many channels.

00:33:25In my village, a canal.

00:33:28One.

00:33:28When football isn't on TV.

00:33:31Clear.

00:33:33Well.

00:33:37Well, that's it.

00:33:41I go to the bathroom to...

00:33:44Okay, what?

00:33:46What, am I going to the bathroom?

00:34:02I don't know if he'll be there.

00:34:03Africa, with a cabage.

00:34:04Hello.

00:34:05Africa.

00:34:06It's great that you're here.

00:34:07I need you to do me a favor.

00:34:08That?

00:34:09I have a little job for you.

00:34:10A job?

00:34:11Yeah.

00:34:12Don't look at me, this is her business.

00:34:14Come with me and I'll tell you along the way, okay?

00:34:15Come on.

00:34:16And you hurry up, please.

00:34:17Let's go.

00:34:18Come here and I'll explain.

00:34:20Okay, let's see.

00:34:27A false alarm, Adoyelle.

00:34:31Adoyelle.

00:34:32Adoyelle.

00:34:33Hey.

00:34:35Adoyelle.

00:34:36Adoyelle.

00:34:38Hey!

00:34:39Mother who bore him.

00:34:41I knew he had escaped.

00:34:43I didn't know that he had escaped and had his hand in it.

00:34:49I knew this...

00:34:51That he had...

00:34:52That he had escaped.

00:34:56My father's watch, my father's watch, damn it.

00:35:00I knew it...

00:35:02I knew it.

00:35:03If you can't trust these guys, man.

00:35:06Diego, there are two great qualities I want to highlight about you.

00:35:10That the...

00:35:11What's happening?

00:35:11Are you all stupid or what?

00:35:13Excuse me, Lurditas.

00:35:14Could you start again, please?

00:35:15You didn't like the part about qualities.

00:35:17No, no, no, no.

00:35:18Yes, yes, we loved it.

00:35:19I think so.

00:35:20But they hadn't given it to her to record.

00:35:23Sorry, sorry.

00:35:25Come on.

00:35:27He's recording now.

00:35:28We're on the air.

00:35:31Well, you're a great brother, Diego.

00:35:33And an even better father.

00:35:35Well, what do I mean, a father?

00:35:36A father and a mother at the same time.

00:35:37You're earning your place in heaven, Diego.

00:35:39And that I love you very much.

00:35:41Congratulations and a little kiss.

00:35:44Fuck.

00:35:46It's perfect, isn't it, Lurdes?

00:35:47Thank you.

00:35:48Well, it's going to look beautiful.

00:35:49And when can we show the whole movie?

00:35:51Tonight.

00:35:51We're going to throw a surprise party for my father.

00:35:53What a great idea!

00:35:55Great.

00:35:55Okay guys, I'll see you later tonight.

00:35:57I think I have a lot of things that...

00:35:58Thank you so much.

00:35:59See you later.

00:36:00Thanks, bye.

00:36:01Don't you understand that I knew I had nothing better to do or what?

00:36:03Yes, yes, yes, look.

00:36:04Get warm.

00:36:05I wanted to say one little thing to your godfather before.

00:36:09Well, I wanted to ask...

00:36:11How can you be dating a woman like Celia when you're already half a century old?

00:36:15No, but you're stupid.

00:36:16What's the matter?

00:36:16Come on, everyone out on the street now.

00:36:18Come on, get out.

00:36:19No, don't worry.

00:36:19Okay.

00:36:20Don't worry.

00:36:21Okay.

00:36:21You don't like it.

00:36:24I'll tell you that you pass everything.

00:36:26You'll tell yourself in the end.

00:36:27I'm going to experience it.

00:36:27He didn't bother him anymore.

00:36:29Come on, now.

00:36:31It's turning out phenomenal.

00:36:34We're acting like idiots.

00:36:35Hey, Manitela, it's not turning out so bad either.

00:36:37One is better, the other is worse.

00:36:38It's not because of the video, Guille, it's because of your father.

00:36:40Let's see.

00:36:42Do you know why he doesn't want to celebrate anything with us?

00:36:46Because he wants to celebrate it only with Celia.

00:36:48But wait, what are you saying?

00:36:50That's a lie.

00:36:51Seriously, Manitela, when you start to stir things up, you're one of a kind, aren't you?

00:36:54Well, you're not stupid, what?

00:36:54It's true that I heard her already reserve a table at a restaurant.

00:36:56Let's see, Tete.

00:36:57My father would never do that.

00:36:59You're listening to it.

00:37:00Never.

00:37:02Okay.

00:37:03You'll tell me all about it tonight.

00:37:09Well, today we have a professional musician with us in class.

00:37:15His name is Abdulaye Dramé and he is French.

00:37:18She comes from a family of artists.

00:37:20He's given concerts, well, what can I say, in France, in Spain, a star.

00:37:25This is a saxophone.

00:37:27Abdulaye is going to give us a demonstration and then we can ask him whatever we want.

00:37:31OK?

00:37:32Okay.

00:37:37I don't...

00:37:38Don't hold back.

00:37:40Touch.

00:37:46Well, first we need to fine-tune it a little and then we'll be there.

00:37:56Abdulaye, Abdulaye, wait.

00:37:58Abdulaye, wait.

00:37:59I'm not leaving!

00:38:03It's coming, it's coming, it's coming.

00:38:05Relax and try to hide the tension that's showing.

00:38:12Thank goodness you're here, Diego.

00:38:13What's happening?

00:38:14I need you to come with me, because I have to supervise a hostel for a kids' camp and I want

00:38:18that I'm getting the green light.

00:38:19No, no, but are they from here?

00:38:22Right now.

00:38:22Do we have to go there right now?

00:38:24Look how nice.

00:38:24Hello.

00:38:24But you feel it, because of the life force.

00:38:26Look, I'll go with you, I have no problem going with you, but the thing is, right now,

00:38:31If I'm here at the tavern...

00:38:33Hello.

00:38:33How are you?

00:38:33How are you, Celia?

00:38:34Hello.

00:38:35Hey, I wanted to talk to you, Diego.

00:38:37Well, it won't be possible now, it won't be possible because we have to go and supervise a shelter

00:38:40for a camping trip with the kids.

00:38:42Children's.

00:38:43A camp?

00:38:44Childish, yes.

00:38:44But I don't recall anything being said about the last cloister.

00:38:48Ah, well, but that's because I've discussed it informally with Lurditas and Fernanda.

00:38:52Informal.

00:38:53Wait, wait, wait, just a moment, just a moment.

00:38:54Do I need to see it?

00:38:56Yeah.

00:38:56But how do I know?

00:38:57Diego, please, is it necessary?

00:38:58Of course, it's the boys who will be making their campfires and doing their things there.

00:39:01No, they're here right now.

00:39:01There's plenty of time, brother, the camps lately.

00:39:04Yes, and children are sacred.

00:39:05We're going to be late.

00:39:06We're going to be late and we're going to crash, for real.

00:39:10Well, thank goodness.

00:39:11Diego, listen.

00:39:11I can't right now.

00:39:12What I have to...

00:39:13What's wrong with that face you're making?

00:39:15That...

00:39:15Well, I'd better not tell.

00:39:17Well, yes.

00:39:17Come here, I'm going to tell you because this is...

00:39:20Come on, come on.

00:39:23I'm going to tell you.

00:39:25I'm going to tell you.

00:39:27Because it's so bad you can't even pee a drop.

00:39:29I'm going to have a shot, a little rum.

00:39:31This one.

00:39:33So, what happened today?

00:39:35That...

00:39:36Everyone's ignoring me, ma'am.

00:39:38You're good enough for yourself too.

00:39:39You have to have courage to bring him here to school.

00:39:41Johnny, why are you lying to me?

00:39:42What were you thinking?

00:39:42Were you going to report him or something?

00:39:43I don't know, since your father is a policeman.

00:39:44What, what?

00:39:45Well, yes, he also smokes cigars, he serves cognac, but I don't.

00:39:48Come and see if I'm here.

00:39:52Fuck.

00:39:53Mother, who gave birth to me.

00:39:54He won't know he's involved.

00:39:56Well, Kike, I'm just looking for something I've lost.

00:40:00Oh, really?

00:40:01What, what?

00:40:01Which?

00:40:02Damn it!

00:40:02You have to know everything.

00:40:04Jesus.

00:40:04Women's stuff, women's stuff.

00:40:06Well, I'm off to a meeting.

00:40:08Go ahead, you're taking too long.

00:40:10Yeah.

00:40:12Tone it down a bit, beautiful.

00:40:14Then I'm really going to have a fit.

00:40:15Well, calm down, Johnny.

00:40:19Let's see, Ana.

00:40:23Are you sure it's this way?

00:40:25I'm telling you this because we've been in the car for a while and now we have to walk on top of that.

00:40:28Yes, Diego.

00:40:30That's true, you really don't trust me much, do you?

00:40:32But woman, I do trust you.

00:40:34I mean, I don't distrust you, but the place is very nice, but there are no facilities.

00:40:38So there are no facilities for children.

00:40:39Okay, fine, you caught me.

00:40:41That I have come here to seduce you.

00:40:45No, frankly, I don't have the time right now.

00:40:47Careful, careful.

00:40:52Thank you.

00:40:54You're welcome, come on, let's go, no...

00:40:56Oh no, no.

00:40:58Look, we're in the countryside, Diego, relax a little.

00:41:01I don't know.

00:41:02Listen, listen to the silence.

00:41:06I'm not saying anything.

00:41:08Because you have to make an effort, Diego.

00:41:10Okay, focus.

00:41:11Yes, yes, yes.

00:41:13Listen.

00:41:14Peace.

00:41:18The birds.

00:41:19What are you saying?

00:41:20The peace of the birds.

00:41:21What are you saying?

00:41:22Did I make you laugh?

00:41:23At last.

00:41:25You're being way too serious, Diego, really.

00:41:27Ana, come on, hurry up, I don't have time.

00:41:30Okay, fine, stressed out.

00:41:37Mother!

00:41:38Go!

00:41:41Holy shit.

00:41:43Here, man.

00:41:43Sorry.

00:41:44Come on, I'm feeling...

00:41:47What's up, Tito?

00:41:48Have you left him alone?

00:41:49What's happening?

00:41:50Get yourself some beers, shall we?

00:41:51And a little bit of ham.

00:41:52It's very easy to take advantage of others, Raúl.

00:41:54Very easy.

00:41:55As soon as you turn your back, everyone starts bossing you around.

00:41:58Hey, hey, hey, calm down, hey, I'll pay for my own, okay?

00:42:01If I don't say it for you, I'm not saying it for myself.

00:42:02Well, I do.

00:42:03Take.

00:42:04I'm in a really bad mood today, this is really bad.

00:42:06What's happening?

00:42:07What's happening?

00:42:08The black man, who robbed us.

00:42:10The black man has screwed us over.

00:42:11He's screwed us over.

00:42:12Hey, the bulle, your friend.

00:42:14No, my friend, no.

00:42:15No friend.

00:42:16An immigrant, that's for sure.

00:42:18We came across it.

00:42:19Well, we found it.

00:42:20She controls us, and your aunt, who is a saint, is into the Saint Teresa vein.

00:42:25and takes it inside.

00:42:26And now, he steals from us and runs away.

00:42:28What has been stolen?

00:42:29It has been stolen.

00:42:30He robbed us.

00:42:31Damn, well he's gone to Africa.

00:42:32He has gone to Africa.

00:42:34But how come he's gone to Africa?

00:42:35What are you saying?

00:42:36With Africa.

00:42:37José with Africa, damn it, my, my, my, the one who's over there with me.

00:42:39Where are they from?

00:42:40Where are they?

00:42:40At school?

00:42:41At school?

00:42:43He's going to shit himself.

00:42:44Calm down, calm down, calm down.

00:42:45But what?

00:42:46Relax, wait, the tavern.

00:42:47What's happening?

00:42:47It's because it's gone, wait a minute.

00:42:48Wait, the tavern, mate.

00:42:49Let's see, gentlemen.

00:42:53A regrettable incident has occurred.

00:42:54You must pay for your drinks immediately because we are closing due to a death.

00:42:59No, no, he pays you first.

00:43:04What are you doing in here?

00:43:05My soul, come outside.

00:43:06But, soul of God, come out.

00:43:08Do you think you've been hiding your whole life?

00:43:10How do I know?

00:43:12Safe disinfectant.

00:43:13Right, where are we taking it?

00:43:17First things first, stay calm.

00:43:19Let's see where we can put it where nobody will see it.

00:43:21Okay, let's calm down a bit, shall we?

00:43:23Nobody's going to stop him because he's black.

00:43:25Yes, you talk to the father you have.

00:43:26That the police stand at the subway entrance and start arresting everyone who

00:43:29It's a little darker.

00:43:30It's sad, but it's the truth.

00:43:32Look who's here.

00:43:33Calm down.

00:43:34Look who's here.

00:43:35Look who's here.

00:43:36Where is?

00:43:36What are you doing?

00:43:37Where is?

00:43:38Where is it that goes for a walk with its hand?

00:43:39Where is?

00:43:40Where is?

00:43:41Where is?

00:43:44Talking?

00:43:45We have shelter and look how he behaves.

00:43:47You have a very long reach, you scoundrel, thief, shameless person.

00:43:50No, I'm not a thief.

00:43:52Do not steal.

00:43:52Lower your hand.

00:43:53What are you talking about?

00:43:54He took her gold watch.

00:43:55Yes, the clock.

00:43:56But what do you say?

00:43:57Cerebrao.

00:43:58What are you saying?

00:43:58Where is the clock?

00:43:59Where is?

00:44:00But what watch?

00:44:01What are you talking about?

00:44:02It belongs to my father.

00:44:02I took it to the jewelry store the other day because of your father.

00:44:04Change the battery.

00:44:05And I told you so.

00:44:06But you don't listen to me.

00:44:07You don't listen.

00:44:08You don't listen.

00:44:10Good heavens.

00:44:10And why did he escape?

00:44:11We're not stupid, what's wrong with us?

00:44:12Tito, I'll go to his house to get him and bring him here.

00:44:16Oh ok.

00:44:17And why didn't you tell me before?

00:44:18No way.

00:44:19That's how things change.

00:44:20You're poisoning yourself.

00:44:21You poison yourself and sometimes you go too far, Tito.

00:44:22Trunk.

00:44:23You're very stupid.

00:44:24The evidence pointed to that.

00:44:25I bet there was something there.

00:44:27You're very stupid.

00:44:29And you're calm, king.

00:44:30Nothing's wrong.

00:44:31Come on, apologize to him right now.

00:44:32Already!

00:44:34Forgive me, Yeye.

00:44:36Forgive me.

00:44:36It's been a...

00:44:37I've become obsessed.

00:44:38You're right.

00:44:39There's my nephew.

00:44:39Forgive me.

00:44:39What you did is jail time.

00:44:40Who goes through the courthouse?

00:44:44We need to call the police.

00:44:46That?

00:44:46Aren't you stupid?

00:44:47Call the police.

00:44:48No police!

00:44:49No, no, calm down!

00:44:50No police, please!

00:44:52No, no, no!

00:44:53No, no, no!

00:44:54Hey, hey, hey!

00:44:55No police!

00:44:55Please, no police!

00:44:56Don't worry, I'm here.

00:44:57No, no, no, no, no!

00:44:58Don't worry.

00:44:58They're taking my hands away, clot, they look like they're two kilos away.

00:45:00Relax.

00:45:01But what beautiful murals!

00:45:04It makes you want to take the whole class on the pilgrimage.

00:45:06Go on, give me another one.

00:45:07Hey, changing the subject, where's the summer camp going to be this year?

00:45:11Not today, but we don't set up camp here anymore.

00:45:13Oh, no?

00:45:14No.

00:45:16I thought something was being organized with the PTA.

00:45:18Nothing.

00:45:19Do you know what a mess that is?

00:45:20Taking all the kids with them, despite the dangers in the countryside.

00:45:23With wildlife.

00:45:24Well, we're not talking about the rivers, are we, Lourdes?

00:45:26The last camp fell into the river.

00:45:28We almost drowned.

00:45:30Of course, if you don't let go, you won't be at peace, huh?

00:45:32Go on, give me another one.

00:45:32Hey, are you sure?

00:45:34I thought Ana had come to look at hostels for this summer.

00:45:37Unless it's to pick up a date.

00:45:39No, I had taken the afternoon off for personal reasons.

00:45:41But come on, tomorrow when you ask him you'll see it's not camping at all.

00:45:46And then they say that young people don't care about religion.

00:45:49Have you seen?

00:45:53Come on, Ana, this is indeed a very bucolic place.

00:45:55But I don't see any facilities.

00:45:57Where do the children bathe?

00:45:58And where do they eat? Why not?

00:45:59Well, trust me.

00:46:00Once you see what we've got going on, I'm sure you'll change your mind.

00:46:03Okay, I'm not saying it's good.

00:46:04Yes, okay.

00:46:05Here.

00:46:09Fuck.

00:46:11That?

00:46:12Was it worth it or what?

00:46:14What are you doing, Antifite?

00:46:16But, Ana, Ana, I get the impression that...

00:46:18No, there's no camp here, no, surprise, but...

00:46:21But then, why...?

00:46:23Congratulations, Diego!

00:46:25Thank you!

00:46:25Thanks, buddy!

00:46:27Look, look!

00:46:28Well, can you tell me what that is?

00:46:30The wish you had left to fulfill as a child.

00:46:33Of course, damn it!

00:46:33Yes, look, you've already done a lot of things.

00:46:35You've planted a tree, you've had children.

00:46:36And now, damn it, go ballooning like Salcedo's stable.

00:46:39What about riding in a hot air balloon like the ones from Salcedo's block?

00:46:41So, where did you get that nonsense from?

00:46:43Did I want that, that nonsense?

00:46:44From your notebook, then?

00:46:46Which notebook?

00:46:46Well, the notebook I had when you were little.

00:46:50Look, look!

00:46:51Read it, read it!

00:46:54This is not my handwriting.

00:46:55Hey?

00:46:55That's not my handwriting!

00:46:57What do you mean, no?

00:46:58Read this, Santi, please.

00:47:01And I want to be a bullfighter.

00:47:02Did you also want to be a bullfighter like Francisco?

00:47:04No!

00:47:05I wanted to be a singer.

00:47:06Damn, what is Francisco's notebook, it's not mine?

00:47:08Well, I can't.

00:47:10But well, yes.

00:47:11Well, Diego, how awful, if...

00:47:13In other words, it's an effort.

00:47:14I say, I say, I have put...

00:47:16Since it's happening.

00:47:16But no, no, no, I don't want to ride in a hot air balloon.

00:47:18Look, forgive me for saying it like this.

00:47:19I say, go up, go up, go up, go up.

00:47:21Listen to me, I told you I didn't want any celebrations.

00:47:24Damn it, Diego, come on.

00:47:25Come on, Ana, come on, I'll take you to Madrid.

00:47:27Okay.

00:47:30Oh, come on...

00:47:31And now?

00:47:32What do we do about the party now?

00:47:34To set it up with more reasons.

00:47:35You're really something, damn it.

00:47:36You don't know your brother's handwriting.

00:47:39Listen!

00:47:39Make more humble!

00:47:40Make more humble!

00:47:42Cut, cut!

00:47:43Court!

00:47:46Total false alarm.

00:47:47No, I thought I had seen a suspicious individual enter the house.

00:47:51When he called her, he said he was African.

00:47:52African?

00:47:54Well, yes, it was dark.

00:47:56It could be any color.

00:47:57It was all sorts of colors.

00:47:58Come on, I followed him.

00:47:59I followed him as he left.

00:48:01And I thought, I thought I had gotten into this school, but...

00:48:05I can assure you, officer, as you see

00:48:08And as the person responsible for security at this center...

00:48:11As a teacher...

00:48:12That is, no one with those characteristics has passed through here.

00:48:17Nobody.

00:48:17Anyway, since we're here, let's take a look.

00:48:20Ah, well, very good, very good.

00:48:23I'd be delighted, I'd be delighted.

00:48:24I'd be happy to join you.

00:48:26Is that also a waste of time?

00:48:28Well, I'm telling you yes.

00:48:30It's silly, because all the children are in class.

00:48:33Look, they can look in the courtyard if they want.

00:48:34That's it, but in the yard, for example, let's see if...

00:48:37Do you know what's going on?

00:48:39Since he has been on the other side for a long time,

00:48:42He understands it from the other side, within the wall, within the wall.

00:48:45For the sake of the child, let's see, a crime where there is none.

00:48:48I'm very sorry, because I know your time is extremely valuable.

00:48:52And you perform a job that...

00:48:54Okay, okay, okay, well next time make sure before you call.

00:48:57Next time, I'll tell you,

00:48:59Don't worry, I'll make sure and call and...

00:49:02Yes, yes, yes, I made sure beforehand, before calling, because...

00:49:04Mexico!

00:49:06What happened?

00:49:08Police, call an ambulance for him, just in case.

00:49:10What happened, King?

00:49:15Calm down, what happened?

00:49:19A doctor or something?

00:49:21What a dead man!

00:49:22What a dead man!

00:49:24What is this man doing here?

00:49:25What is this man doing here?

00:49:26Don't worry.

00:49:27This gentleman here.

00:49:28I won't move.

00:49:29No!

00:49:30What's a doctor, donkey?

00:49:33God!

00:49:34No!

00:49:36Okay, okay, okay, okay, that's fine.

00:49:38Are you OK?

00:49:39Doctor?

00:49:40Far better?

00:49:42Inside?

00:49:45May I see the documentation, please?

00:49:47Okay.

00:49:52Okay, here's the plan.

00:49:54We reviewed the plan.

00:49:55Your father is at home, isn't he?

00:49:57She's wearing her quilted gown, her pajamas, and her slippers, just walking around the house.

00:50:01Yes or no?

00:50:01Yeah.

00:50:02Okay, everyone in position by 10:00 PM.

00:50:05Put us at the door.

00:50:06Shall we go in?

00:50:07Ta-da!

00:50:08Surprise party.

00:50:09Okay.

00:50:19Thank you!

00:50:28Thank you!

00:50:46Thank you!

00:50:58Thank you!

00:50:59Thank you!

00:51:01Thank you!

00:51:02Thank you!

00:51:03Silence, please!

00:51:08Silence, silence, silence!

00:51:10Thank you!

00:51:11Thank you!

00:51:22Thank you!

00:51:37Thank you!

00:51:39Thank you!

00:51:50Thank you!

00:51:51Reassure him, let's see if he's there.

00:51:53But where is Diego?

00:51:54But how strange.

00:51:56Yeah.

00:51:57Hey, where's up there?

00:51:58Where is your father?

00:51:59Why should I feel sorry for you, since I came with you?

00:52:01Well, it's not up there, is it?

00:52:04Okay, okay, okay, let's see.

00:52:05Don't worry, did he just go to buy bread or a can of cockles?

00:52:09But how are we going to get a can of cockles at this hour, man?

00:52:14I don't know.

00:52:15Okay, calm down, eh, calm down.

00:52:17Let's see.

00:52:18We're not going to lose focus and we'll each go to our positions.

00:52:22We move on to plan B.

00:52:23Let the surprise come when he enters.

00:52:24Okay, come on, come on, kid, well, that's it.

00:52:26Let's get the reds out, let's get this ready, come on.

00:52:30Birthday, sir?

00:52:31That's it, birthday.

00:52:32Good night.

00:52:33Good evening, Mr. Sacano.

00:52:35Please follow me.

00:52:43The same table setting as every year, and the wine as always.

00:52:46Very good.

00:52:52Thank you.

00:52:53Hello.

00:53:00Very good.

00:53:06Will they also want the survey?

00:53:08Yeah.

00:53:08Of course.

00:53:09Excuse me.

00:53:10Thank you.

00:53:11Thank you so much.

00:53:24For you, Lucia.

00:53:27For you.

00:53:27Thank you.

00:53:30Thank you.

00:53:45Thank you.

00:53:48Thank you.

00:54:07It's coming, it's coming, it's coming.

00:54:18Congratulations!

00:54:20Congratulations!

00:54:21Congratulations!

00:54:37Congratulations!

00:54:38I mean, it's his 50th birthday, man.

00:54:43Guys, why don't you go to bed?

00:54:45Hey?

00:54:45That morning and that early morning, if there's even class.

00:54:47Let's see.

00:54:50He was right.

00:54:54Good night.

00:54:56Bye bye.

00:54:56Good night.

00:55:01Okay, so what?

00:55:02Should I call Celia or what?

00:55:03No way, man, no way.

00:55:04My brother doesn't do that.

00:55:05Yes, yes, call her.

00:55:06Call her.

00:55:07Call her and we'll clear things up.

00:55:08Come on.

00:55:09Yeah.

00:55:09Okay.

00:55:10Okay.

00:55:11Celia.

00:55:12Hello.

00:55:13That?

00:55:13Hey, a little something.

00:55:14Are you with Diego?

00:55:17No.

00:55:18No, no, don't worry.

00:55:20No, no, not with Ana.

00:55:22Yes, when they went to do the balloon thing, mostly...

00:55:25Okay, fine.

00:55:26But don't worry, okay?

00:55:27Come on.

00:55:28Okay, see you later.

00:55:29He knows nothing.

00:55:30My God.

00:55:31What if something has happened to him?

00:55:32Well, I don't know.

00:55:32But for now, I'm going to the hospitals to look for them.

00:55:35Let's go.

00:55:35Come on, come on.

00:55:36Come on, come on.

00:55:37We'll call each other, okay?

00:55:38Yes, yes, with whatever.

00:55:40Careful.

00:55:40Yes, see you later.

00:55:41See you later.

00:55:43It's really strange, it's really strange.

00:55:54Hello.

00:55:55I'm dead.

00:55:56How are you?

00:55:58Phew, great.

00:55:59What do you think?

00:56:02Well, I don't think you'll care much about what I think, will you?

00:56:06Can you tell me that you were with Diego riding the hot air balloon on his birthday?

00:56:10Nothing.

00:56:12Celia, Fiti and Santi asked me to help them surprise Diego, that's all.

00:56:16Couldn't you have told me earlier in the tavern?

00:56:18It was a surprise that Diego was in the tavern.

00:56:22Celia, what did you want me to do?

00:56:23Well, something, Ana, something.

00:56:26I'm tired of always being the last to know everything.

00:56:36Look.

00:56:38You're sleeping here tonight.

00:56:39And we'll see tomorrow.

00:56:41Look, I've already told you that I'm really sorry about Ayuyeye.

00:56:44It was a misunderstanding.

00:56:46Misunderstanding?

00:56:46Yes, a misunderstanding.

00:56:47Look at this.

00:56:49It's called Dulalle.

00:56:51They're going to deport him, José Luis.

00:56:53They're going to deport him.

00:56:54They send him back to his country with nothing but the clothes on his back.

00:56:56Damn, we're stuck in a bad way of life.

00:56:57A, a, a, a, a, without money, without a job.

00:56:59Okay, okay, okay, okay.

00:57:00Okay, Choni, it's not my fault all that, man.

00:57:03Oh, no.

00:57:03No.

00:57:04I didn't take the blame, who called the police?

00:57:05Well, if it hadn't been today, it would have been tomorrow or the day after in two weeks.

00:57:09They were going to arrest him.

00:57:10Look, shut up, shut up, you still sleep on the street, huh?

00:57:14What's happening?

00:57:15What have we awakened in you, darling?

00:57:17No way.

00:57:18If he was there, turning it over in his mind, unable to sleep, thinking about...

00:57:21The other.

00:57:22Okay, I already said I'm sorry.

00:57:23I'm sorry.

00:57:24What more do you want me to say?

00:57:25I feel really sorry for the woman, man.

00:57:27And I, I feel sorry for you too.

00:57:28I have to come sleep here on the sofa, because they kicked me out of my bed.

00:57:35But what do you want me to do?

00:57:36What I do?

00:57:37Should I self-immolate?

00:57:38Do I, do I, do I, crucify myself?

00:57:39Me, me...?

00:57:40I've never seen more selfish people in my life, José Luis.

00:57:42At least you'll sleep trembling.

00:57:44God only knows...

00:57:45God knows where He will spend the night in the other creature.

00:57:49Come on, Raúl.

00:57:53I already said I'm sorry, damn it.

00:58:00He wants, he wants, what for, I love you, to the me.

00:58:10You haven't.

00:58:13You have done the same thing to me.

00:58:18You haven't.

00:58:21You haven't.

00:58:39Where have you been?

00:58:40Damn, damn, Fiti.

00:58:42No, no, those scares, damn it.

00:58:45Scare?

00:58:46You didn't give us that scare, Diego.

00:58:48Your birthday.

00:58:49You walk away without saying anything, with your phone turned off.

00:58:51Fiti, I told you I didn't want any celebrations.

00:58:53I don't care what Diego said.

00:58:55We were worried, damn it.

00:58:58Can you tell me where you've been?

00:59:04I mean, hiding the cake all damn day.

00:59:06We have inflated hundreds of balloons.

00:59:08Why? Huh? So you don't mine?

00:59:10You have Santiago looking for you in the hospitals.

00:59:13Don't mess with me, Santi.

00:59:17You're not going to tell me anything, are you?

00:59:19Yes, I'm sorry.

00:59:21All I wanted was to be left alone.

00:59:24What I most don't want to talk about is the subject.

00:59:27That sounds great to me.

00:59:30But it was your fiftieth birthday, Diego.

00:59:33You don't have to give me any explanations.

00:59:34But what about them?

00:59:36To your family?

00:59:39I don't think it's fair, Diego.

00:59:41Okay, I'm going home.

00:59:43You'll take care of calling your brother, right?

00:59:44Yes of course.

00:59:45Fiti, Fiti.

00:59:48But I'm really sorry.

00:59:51The rest of us have felt it too.

01:00:02You'll take care of calling your brother, right?

01:00:03You'll take care of calling your brother, right?

01:00:04You'll take care of calling your brother, right?

01:00:07You'll take care of calling your brother, right?

01:00:10You'll take care of calling your brother, right?

01:00:17You'll take care of calling your brother, right?

01:00:22He hasn't even gotten off his cell phone with us.

01:00:26Guille will be fighting.

01:00:28What's wrong, are you going to take their side or what?

01:00:31No, I'm not going to take sides, because there are no sides here.

01:00:37He must have a reason.

01:00:39Okay guys, I'm going shopping.

01:00:43See you later.

01:00:46Reason?

01:00:47Yes, ignore us.

01:00:53He's in the living room.

01:01:21Alright?

01:01:46I don't know anything about Valezum, musician, or anything like that.

01:01:50No way?

01:01:52Those who come in boats.

01:01:54Fuck.

01:01:56And we're giving Diego a gift he doesn't even want and wasting money on it, poor people, really.

01:02:04This is how the man ate.

01:02:05It's just unfair, damn it.

01:02:06We're here, with all the comforts and conveniences, and they have nothing.

01:02:12Have you seen Tony?

01:02:14I'm calling her and she's not answering, and she's not at school.

01:02:16Maybe he preferred to have breakfast somewhere.

01:02:19It happens to this guy.

01:02:21Okay, if you see her, tell her to call me, it's urgent, okay?

01:02:23Tell him to call me, okay?

01:02:24Okay.

01:02:25Come on, now.

01:02:27No, no, no, no, no, don't go in, don't go in.

01:02:29Finish your breakfast, there are many people who have nothing to eat.

01:02:32What is the woman who is unfolding her back?

01:02:34He must do nothing, without speaking out against the rights of immigrants.

01:02:39We listened to her.

01:02:40For integration, not deportation.

01:02:43For integration, freedom for Abdulaye.

01:02:46We are all different colors.

01:02:48Sanolatite?

01:02:48Who is Abdulaye?

01:02:50Who is Abdulaye, please?

01:02:53Abdulaye is a gentleman who is a doctor, and he had to come by boat.

01:02:57And they won't give the boy the papers.

01:02:59And that's not fair, so to whomever the lady of the...

01:03:01Damn her, but she's mine.

01:03:04Let's go.

01:03:05Where are we going?

01:03:06Damn, to TV.

01:03:17And look, I see, at the black round one or the red bird.

01:03:22There, to the black people.

01:03:24My brother, the best brother in the world.

01:03:28Brother, congratulations, brother.

01:03:31Okay.

01:03:33Hello, Dad.

01:03:34Well, the truth is I wanted to tell you that you're a legend, man.

01:03:38You're a star.

01:03:39You're the galactic one of the family, the galactic one, the one who encompasses it all.

01:03:44And, well, I like that you're my father.

01:03:48Well, Diego, if I could choose my family, I would choose you again.

01:03:57Congratulations!

01:03:59Where is?

01:04:00Yes, but the child tells me.

01:04:02Okay, hi, Dad.

01:04:05That's 50 years already, isn't it?

01:04:08Congratulations, many congratulations.

01:04:10Although I know that for you, years are like something in Pinuro that improves with time.

01:04:14Say hello to grandma.

01:04:16Say hello.

01:04:16Hey?

01:04:16Well, hello, there.

01:04:18At the red light.

01:04:20He says nothing.

01:04:22The girl turned out to be very shy.

01:04:23I don't eat, I don't eat.

01:04:24So, what?

01:04:26Well, we miss you so much.

01:04:27That sometimes, when I do something wrong, I still dream that you're chasing me with the toilet brush.

01:04:33We miss you, Dad.

01:04:35Marcos, son.

01:04:36What someone?

01:04:37Hey, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

01:04:40Well, even though it's a day late, happy birthday.

01:04:43Thank you.

01:04:45Marcos.

01:04:47Hey!

01:04:48What thing!

01:04:48What am I touching? I heard you. What happened to your arm?

01:04:50Well, what a surprise.

01:04:51Yes, yes.

01:04:52It was a surprise, wasn't it?

01:04:53Yes, surprise.

01:04:58Thank you very much, children.

01:04:59Thank you so much.

01:05:10But, Chony, for God's sake, how could you even think of chaining yourself up?

01:05:14Something had to be done, right?

01:05:15Not everyone is going to stand idly by.

01:05:17But I'm going to see you arrested.

01:05:19I know, but I don't care.

01:05:20I am like the passionflower.

01:05:22And I've fallen short, haven't I?

01:05:22Next time I'm going to chain myself to the Royal Palace.

01:05:24But I'm not staying there.

01:05:25But that's not how things are done, Auntie.

01:05:27That's not how they're done.

01:05:28You know what I'm saying?

01:05:29You're absolutely right.

01:05:30Damn, everyone there is like sheep.

01:05:33That's the way the world is.

01:05:34That's how it goes.

01:05:35Let's go to Moncloa.

01:05:36Let's go to Moncloa Palace so Zapatero can hear us.

01:05:38Look at him, it had to be Martínez...

01:05:40You know what I'm saying?

01:05:41I'm going to make some sandwiches and we'll be there in a jiffy.

01:05:43Okay, fine.

01:05:43Look, you know what I'm saying?

01:05:44If we have to go and show solidarity, then I'm going too.

01:05:47But, Chony, in a civilized way, okay?

01:05:49Are you serious?

01:05:50Am I really telling you this?

01:05:51Well, we're already taking too long.

01:05:52I'll grab some blankets in case I have to see if I'm not there.

01:05:54But if you're listening to yourselves, you're listening to yourselves, you're hooked.

01:05:58Chatunga!

01:06:00Chatunga!

01:06:01Chatunga, what great news!

01:06:02Big news! I've been working on the...

01:06:05About...

01:06:06Come on, about this little black guy.

01:06:07And I have some big news for you.

01:06:09Big news!

01:06:09Come on, stop, stop, you've already messed things up.

01:06:11No, no, no, don't stress, please, Maria Asunción,

01:06:13I've been dealing with this kid's situation and, well, I've been really busy all morning.

01:06:17And it turns out he looked into the law

01:06:20And if you have an employment contract, you don't act like a country boy.

01:06:22Okay, that's it.

01:06:24But Azdulaya doesn't have a job.

01:06:26And what am I doing here?

01:06:26What am I doing here, Choni?

01:06:28I've been on calls all morning and...

01:06:30I've gotten the kid a job.

01:06:32But what are you saying, brother?

01:06:33Very good.

01:06:34What do you say?

01:06:35All morning.

01:06:35Dear.

01:06:36But which hospital?

01:06:37Which hospital?

01:06:38Well, hospital, hospital...

01:06:40Come on, he's going to start a contract as a bricklayer, as a mason.

01:06:44Well.

01:06:45Well, look.

01:06:45What do you mean, "good"?

01:06:47A respectable doctor working as a bricklayer?

01:06:49Where has that ever been seen?

01:06:50That's not fair.

01:06:51Woman, Choni, the important thing is that she's staying.

01:06:53Hey, we're not going to bother the president over every little thing.

01:06:56Uh, well.

01:06:57Against all odds.

01:06:58Choni, it's a job.

01:07:00Yeah.

01:07:04Can?

01:07:06What do you want?

01:07:08Well, uh...

01:07:09I wanted to explain something to you.

01:07:11Explain what to me.

01:07:13Why did you have dinner with Celia on your birthday instead of with us?

01:07:17And why do you think I had dinner with Celia?

01:07:19Come on, Diego, please.

01:07:21I heard you make the reservation.

01:07:24Ah.

01:07:25Good.

01:07:27Yes, I did make the reservation, but...

01:07:30But I didn't go with Celia.

01:07:32No, you went alone, didn't you?

01:07:35Yes, you could say I went alone.

01:07:37Well, I didn't feel alone.

01:07:41That's what I wanted to explain to you about you...

01:07:43You'll see.

01:07:46Every year since we got married...

01:07:49Your mother always took me to that restaurant on my birthday.

01:07:54It was his gift.

01:07:56To be alone.

01:07:59Year after year.

01:08:02And we always thought that when I turned 50...

01:08:08Well, no, not because I'm turning 50, of course.

01:08:11Well, that's it...

01:08:14That would mean that...

01:08:16That we were still together.

01:08:20That's why...

01:08:21Well.

01:08:27You know what I'm saying?

01:08:29Tonight we're going to celebrate my 50th birthday.

01:08:33All together?

01:08:34Yes, of course, everyone, yes, yes.

01:08:36Well, well, it's us and our close friends, and that's it, right?

01:08:40I'm not saying, please, just us, like before.

01:08:44Okay, fine, just us.

01:08:46Really?

01:08:47Really.

01:08:49Thank you so much.

01:08:51Come on.

01:08:52Come on, I'm going to...

01:08:54I'm going to warn your brothers, okay?

01:08:56Okay.

01:08:58No, you bastard!

01:09:00Mother...

01:09:01But...

01:09:01Tete, what do you want?

01:09:02Okay, but...

01:09:03There is no respect in our family, that's what I'm asking.

01:09:06There is no respect.

01:09:06No, Mom, it wasn't me, it wasn't me.

01:09:07What's happening?

01:09:08No, no, no.

01:09:09It was all his idea.

01:09:11Marcos' idea.

01:09:11But Marcos, for God's sake, you're the greatest, but what do you want?

01:09:14Put me to work delivering right now, put me to work delivering.

01:09:15But I would say, he's a bit older.

01:09:17Dad, don't do it.

01:09:18Dad, don't do it.

01:09:19Dad, don't do it.

01:09:20Dad, don't do it.

01:09:20There's no denying that the girl has good taste.

01:09:22He has good taste.

01:09:23No, all I was saying is that it might be a bit juvenile for me.

01:09:26What are you saying?

01:09:27It fits you perfectly.

01:09:29Celia has you figured out, damn it.

01:09:30It seems there's a connection there.

01:09:32That shirt is made for you just like you're made for it.

01:09:34Okay, for Celia.

01:09:35Let's see, what did he give you?

01:09:36Come on, come on.

01:09:44It's because all women are the same.

01:09:46Ana connects too, doesn't she?

01:09:48Yes, yes.

01:09:49It's just a shirt.

01:09:50I don't know, if it were underwear, then the connection would be obvious.

01:09:54But, to be honest, look on the bright side.

01:09:57Whatever they give you, both of them will think it's theirs.

01:09:59If not, I'll keep one for myself.

01:10:04Hello.

01:10:06Diego, can we bring a little watch?

01:10:08Yes, yes, of course.

01:10:13Tell me.

01:10:14Diego, how do I tell you?

01:10:16Yeah.

01:10:18Look, I know that everyone has their private things.

01:10:21And that we shouldn't be asking for explanations about everything.

01:10:24No, no, no, no.

01:10:25No, if you mean...

01:10:26No, no, no, Diego, really, really.

01:10:28I'm not asking you for explanations.

01:10:30All I want to tell you is...

01:10:33I want to be more present in your life, Diego.

01:10:36I want to be more present in your things, this...

01:10:39Even the ones I don't understand.

01:10:40But being there...

01:10:41Celia, that's really what I want too.

01:10:44Oh really.

01:10:45Well, that's great, because I had thought that, I don't know, that...

01:10:48Today we could go out to dinner, just the two of us, and celebrate your...

01:10:52Not a birthday?

01:10:54You and I?

01:10:55I'd love to...

01:10:56Diego.

01:10:57Hello.

01:10:57Hi, Tete.

01:10:59But...

01:11:00Tonight is the night...

01:11:02That?

01:11:02Not tonight.

01:11:05No, I really prefer to rest.

01:11:07Tonight...

01:11:08Know?

01:11:11Okay, then rest.

01:11:13Whatever you want.

01:11:14Okay, see you later.

01:11:19See you later.

01:11:20See you later.

01:11:21See you later.

01:11:21Santi!

01:11:23Ham would be better, please.

01:11:29I already told you that you've spoken to her.

01:11:31Yeah.

01:11:32You know, Carmen, we find it hard to get going here, but once we do...

01:11:35Oh, we've got the prawns, the freshest treat!

01:11:39Hey Marco, next time you're bringing the girl along, okay?

01:11:42Oh yes, please, how are you?

01:11:44Well, well, considering the mother she has, you see...

01:11:47Well, blood of your blood, of your sister, look at how you are.

01:11:49Clear.

01:11:50Well, well, well, well, well, well, well, well, and what does he ask for today, that he asks for everything himself.

01:11:56A little bit of wine, a little bit of wine, what peace, what peace.

01:11:59A toast, right?

01:12:00Yes, yes, yes, yes, a toast, come on, let's go.

01:12:02You all have them, right?

01:12:03Yes, yes.

01:12:04That?

01:12:06For you.

01:12:07Dad can't beat me by your fiftieth.

01:12:10No, what are you saying?

01:12:11Fiftieth.

01:12:12For your fiftieth birthday.

01:12:13For your fifty tacos, dad.

01:12:14That is.

01:12:15That half-century.

01:12:16There.

01:12:16Let's go.

01:12:17Chin, chin, chin.

01:12:18Health!

01:12:19Health!

01:12:20Health!

01:12:21Health!

01:12:22Health!

01:12:22Okay, let's try it out and see how it goes, let's see if this one worked.

01:12:25What do you think?

01:12:26Excellent.

01:12:27Okay, very good.

01:12:28It's delicious.

01:12:29Man!

01:12:30Thanks to you!

01:12:32Man!

01:12:32How are you doing?

01:12:33How are you doing?

01:12:34Brother!

01:12:35That?

01:12:35Smooth!

01:12:36Man!

01:12:37Man!

01:12:38If she hadn't told Carmen, I wouldn't have known.

01:12:40And with the cold weather, I almost forgot to call Fiti.

01:12:43Yeah.

01:12:43Fiti, Fiti is coming too.

01:12:44Well yes!

01:12:45Oh, I'm going to sit down!

01:12:46Hey!

01:12:47Go France!

01:12:48Good, good, good!

01:12:49Good, good!

01:12:49Good, good, good!

01:12:50Yeah!

01:12:51Yeah!

01:12:51Well, we're working hard there!

01:12:53Good, good!

01:12:55Good, good!

01:12:57Good, good!

01:13:06Oh, with a t-shirt!

01:13:10Good!

01:13:10It isn't true!

01:13:11Good, good, good!

01:13:11Come on in!

01:13:12Come on!

01:13:12What do you mean, is he coming?

01:13:13Who?

01:13:14Good, good!

01:13:15Good!

01:13:15Good, good!

01:13:15Congratulations!

01:13:16How are you?

01:13:17Happy Birthday!

01:13:18Good!

01:13:19Thank you so much.

01:13:20Good!

01:13:20Thank you so much.

01:13:21Come in, come in, they're all there at the back.

01:13:23Come on!

01:13:23Okay, that's it.

01:13:25Good, good!

01:13:26Good, good!

01:13:27Good, good!

01:13:31Good, good!

01:13:37Eve!

01:13:38Good, good!

01:13:39Don't eat it

01:13:40But anyway, I've already told you I'm going to eat it myself.

01:13:44But this is silly.

01:13:46I'll eat it myself at first.

01:13:47clown

01:13:49Let's light the candles

01:13:50Hey, have you counted them?

01:13:52Well, look

01:13:53Let's see, 24, 25

01:13:56I get scared, I jump.

01:13:5826, 28, 29

01:13:591, 2, 3, 4, for

01:14:03guillem

01:14:09I'll get the lighter, okay?

01:14:12Let's open another bottle

01:14:13Let's open another bottle

01:14:16Let's open another bottle

01:14:19Hey

01:14:21that?

01:14:22that?

01:14:24about what?

01:14:25I don't know, you tell me.

01:14:27Hey Marcos, don't look at me like that, you're scaring me.

01:14:30No, you have nothing to tell me.

01:14:33I

01:14:33No, no, nothing.

01:14:36already

01:14:38I'm going to give you some advice, little brother.

01:14:41Feelings need to be expressed.

01:14:44I'm telling you this because I'm your older brother.

01:14:45Huh? Cute? Huh?

01:14:52Come on, come on, come on

01:14:53let's see

01:14:57Happy birthday

01:15:01Happy birthday

01:15:02Happy birthday

01:15:03Happy birthday

01:15:04We wish you two

01:15:08Hello Celia

01:15:09Hi Curro

01:15:10What a party they've got going on, huh?

01:15:12Yes, my father's birthday

01:15:13Come in, come in

01:15:17thank you

01:15:18thank you

01:15:27Celia

01:15:28Celia, wait

01:15:32Celia, wait

01:15:32no, no, no

01:15:34Celia, please wait

01:15:40It was my fault

01:15:41It's my fault.

01:15:42I am not to blame

01:15:43I'm partly to blame too.

01:15:44It's my fault, it's my fault

01:15:45We take a day off and go off together to think.

01:15:47because a woman cannot be left to think

01:15:49It leaves you safe

01:15:51But what's going on? Are we selling tickets to friends now or what?

01:15:53You were the first one who gave it to me here

01:15:55This woman has been able to go to

01:15:57to Mexico, the Congo, or Alaska

01:15:58But damn, since you're here

01:16:00Take advantage of the fact that it's Holy Week and ask the Virgin for your blessings.

01:16:04José Luis!

01:16:05And what's mostly been happening is that he's seen me naked and they've seen her in

01:16:08the retina

01:16:08He is dead

01:16:09that we've killed Valdano's future stepfather

01:16:11This is a prank; we've killed an Argentinian.

01:16:15We're trying to find out where she might have gone to think.

01:16:18Don't worry, brother, knowing they're in town

01:16:20We found them for sure

01:16:22I thought...someone would go to the dinner table too

01:16:25What is that? What is that? A pregnancy test?

01:16:27I was there at the altar with...

01:16:28I say that everything fits together.

01:16:29that Celia is...

01:16:31Are you having a party?

01:16:34Look at me... stirrups!

01:16:35Well, you're all pigs.

01:16:36And you'll see what a joy it is when

01:16:39when you pick up the little dwarf in your arms

01:16:41LONG LIVE SPAIN! AND LONG LIVE THE POST OFFICE!

01:16:44VIVA!

01:16:45VIVA!

01:16:51VIVA!

01:16:54VIVA!

01:16:54VIVA...

01:16:55VIVA!

01:16:56VIVA 인 network

01:16:56VIVA!

01:16:57...and...

01:16:59...and...

01:17:09...and...

01:17:14...and...

01:17:15Thank you.

Los Serrano - 7x12 - Papá cumple 50 años - HD 1080

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