Tarzan é uma clássica série de aventura dos anos 60 que traz uma versão mais moderna e sofisticada do lendário herói da selva. Interpretado por Ron Ely, Tarzan é retratado como um homem culto e civilizado, que transita entre a sociedade moderna e a vida selvagem africana, sempre defendendo a justiça e protegendo os mais fracos.
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Categoria
📺
TVTranscrição
00:08What is that?
00:31What is that?
01:17What is that?
01:38What is that?
01:39What is that?
01:57What is that?
01:59What is that?
02:00What is that?
02:07What is that?
02:12What is that?
02:20Try to spare me, boy.
02:25What is that?
02:48The dangers of Charity Jones.
02:52Second part.
02:55A Water Brothers Television distribution.
02:59Brazilian version by Herbert Richards.
03:05Who are these empty shells, Jack?
03:07Untamed tribes.
03:09They prefer the old methods.
03:12Are they cannibals?
03:14You mean, they're going to kill us and eat us?
03:19To kill, yes. To eat or not to eat.
03:22So why do they want to kill us?
03:25Every Brazilian warrior thinks he is the king of other people.
03:30And that the other people are his enemies.
03:34Poor, unenlightened souls.
03:39Are you feeling pain?
03:42My wells.
03:46My wells.
03:47Stand still.
04:05I was starting to not even feel them anymore.
04:08Now you.
04:26My instrument!
04:30Go back, they're going to kill you!
04:35You vandal! You barbarian!
04:38Look what you've done.
05:28What did you do?
05:49What did you do?
06:25What did you do?
06:54What did you do?
07:18What did you do?
07:25What did you do?
07:27What did you do?
07:46They are so simple, so full of primal joy.
07:53Why are you laughing?
07:54I'm laughing because you are wonderful.
07:57I'm not very sure about that.
08:00But I'm sure they don't want to kill us anymore.
08:02I feel like I've won their hearts.
08:05Yes, he won.
08:07What are you hiding from me, young man?
08:10I've been listening to what they're saying.
08:13They were talking about the lady.
08:15Seriously, what did they say?
08:16The boss said the woman was too thin and had an unflattering complexion.
08:20But she was good enough to be wife number 4.
08:23The wizard disagreed.
08:25But I think the boss won.
08:28Listen.
08:30What is that?
08:32They are sending messages.
08:34Inviting everyone to the wedding.
08:48king, house, woman,
08:54that makes magical sounds out of a wooden box.
09:05They are the magical sounds of a wooden box, but...
09:08Look, of course, the missionary is your organ.
09:11Gather the men together, let's go for a walk.
09:23What did you say to him?
09:24They say the lady didn't want to get married.
09:26And what did he say?
09:28He said that I shouldn't be afraid.
09:30He won't mistreat the lady.
09:31He'll only hit you when it's necessary.
09:34The wedding will be tonight.
09:36But I don't want to marry him.
09:39But I think you won't be able to say no, Ms. Sheridan.
09:46My God.
09:48Come on, Jay.
09:57What are we going to do?
09:59We can do nothing but wait.
10:02What are we waiting for?
10:03Tarzan says that when things are really bad,
10:06We should wait, be patient.
10:08Because everything has to change, sooner or later.
10:11No way am I going to be that savage's fourth wife.
10:15Why not?
10:16I think it will do him a lot of good.
10:18You can teach him to read, write, and wear trousers.
10:24I suppose I deserve for you to say that.
10:48Walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk, walk,
11:03walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking,
11:04walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking, walking
11:17Let's go.
11:40What do you want?
11:44Come and get my wife.
11:48He didn't hear what he said.
11:50He told his boss that he had come to pick up his wife.
11:54His wife?
11:57I will not tolerate this.
12:18Let me go.
12:19Be quiet and do as I tell you.
12:22Come on, Jay.
12:24We might get out of here.
12:29Stop him!
12:55Stop him!
12:59Stop him!
13:01Stop him!
13:11Stop him!
13:17What does that mean?
13:18The chief challenged Tarzan to a fight.
13:21And Tarzan agreed.
13:24Fight?
13:27You mean they're going to fight for me?
14:02What is that?
14:04What is that?
14:04What is that?
14:05Ending off.
14:09Ending up making a mistake, case.
14:16No, the prochaine creates.
14:18They are finishing up.
14:18So he, don't think about it.
14:19Serví tapes daquelaquela cidade.
14:20They understand.
14:21What a copy of the cross.
14:25Leave senators alone.
14:29Bye, bye.
15:04Goodbye.
15:30Goodbye.
16:03Bye, bye.
16:05Goodbye.
16:36Bye, bye.
17:03Bye, bye.
17:06Bye, bye.
17:08We must not witness this savagery.
17:35Bye, bye.
17:36Bye, bye.
17:37Bye, bye.
18:01Bye, bye.
18:07Bye, bye.
18:09Goodbye.
18:10Bye, bye.
18:11Bye, bye.
18:12Bye, bye.
18:14Bye, bye.
18:15Bye, bye.
18:44Bye, bye.
18:49Bye, bye.
18:50Bye, bye.
18:53Bye, bye.
18:55Bye, bye.
18:56Bye, bye.
18:58Bye, bye.
19:00Bye, bye.
19:03Bye, bye.
19:12Bye, bye.
19:22Bye, bye.
19:23Bye, bye.
19:25Bye, bye.
19:27I can't.
19:31Do you want him to do that?
19:45Let me see.
19:50Oh yes.
19:52I can feel the bullet in my muscle.
19:55I've never done anything like this before.
20:00Pay attention.
20:03Take this knife.
20:05And make a cut.
20:07Right here.
20:09Then cut further down.
20:11In a straight line. Do you understand?
20:17That's just the first few shots.
20:20I...
20:20I have nothing to stitch up afterwards.
20:24Just take the bullet out and I...
20:26I'm putting the cuts together.
20:31Joy...
20:31Give me a piece of wood, will you?
20:37There is water here.
20:53Give me a piece of wood.
21:04I want it already...
21:06I hope you can put out this little fire.
21:25AND.
21:34AND.
21:45Now you're T4, that's all...
21:46Your intention is to combine...
21:47It'll be your turn.
21:50No...
21:50No no...
21:53No...
21:53No.
21:53No no.
22:14It looks like that bullet...
22:16something went through it.
22:17One thing.
22:20Or someone before...
22:25to reach me.
22:31I think it's good.
22:33I am going to sleep.
22:42He'll be alright, Jay.
22:45He'll be fine.
22:48They fled during the fight. That man from the city...
22:52Bad. Very bad.
22:55They can't go far. Tarzan was wounded. I saw when he was wounded.
22:59You will be forced to find him.
23:01To be able to force him to tell what happened on that boat.
23:06Then...
23:07To die.
23:10Yacongra!
23:12Yacongra!
23:19Yacongra!
23:24He has chills. We have to keep him warm.
23:27But how? Can't we light a bonfire?
23:31Lie down under the leaves. Next to him.
23:34Very close. Put your arms around me.
23:37Don't be so surprised. You've never seen snow, have you?
23:42Snow?
23:43When the rain gets so cold that it turns white.
23:47Back in Massachusetts, where I'm from...
23:49When someone has chills, we warm them up with our bodies.
23:58Quỉas, por favor.
24:03Show yourself.
24:13Quis beuve.
24:19What has the person been commenting on?
24:21Could it be me?
24:21It is not?
24:22No...
24:22No.
24:23It is not...
24:23No.
24:37My God!
24:42How are you feeling?
24:49I am fine.
24:51I...
24:53I am fine.
24:56AND...
24:56He must have had a very high fever, right?
24:58No.
25:00I only got a few chills.
25:05Thanks.
25:09How did I know what to do?
25:12I came to this part of the world prepared to help people.
25:17I understand.
25:22This is the monster.
25:24Are you going to sleep all day?
25:27Are you feeling better?
25:30I am fine.
25:32And I can see much better too.
25:37Let's see.
25:40Go down there and wash those dirty ears.
25:43And this neck.
25:48Quickly.
26:01What it was?
26:03Nothing.
26:06Something. What is it?
26:12This boy.
26:14There's no doubt that he took very good care of me.
26:25Jay is a very special boy, miss.
26:29Although he doesn't wear pants.
26:31There is no doubt.
26:43Jay.
26:45Would he go looking for some food?
26:47Of course, Mrs. Schultz.
27:02What did you think?
27:05This ball didn't do that much damage.
27:08Not as high as the fever I had.
27:13Where were you born?
27:15I was born in Tasmine.
27:18My father had a church there.
27:20Was your father a missionary?
27:22And your mother?
27:25He died when I was a girl.
27:27I feel...
27:28My father took me back to Massachusetts.
27:31I know.
27:33What was your mother like?
27:37She was a devoted woman.
27:40Like you?
27:45Was she happy?
27:48I don't know.
27:49I think so.
27:51There is a great deal of satisfaction in doing the things that need to be done.
27:57No, I'm not talking about satisfaction.
28:02I asked if she was happy.
28:05What is happiness?
28:09Happiness is an illusion.
28:11That doesn't exist.
28:16Sometimes it's an excuse used by weak people to satisfy their basest instincts.
28:23Don't you have any illusions?
28:26I am a very strong woman.
28:29I have no illusions.
28:34Keep quiet.
28:42Keep quiet.
28:43Are you hearing anything?
28:45No.
28:47Me either.
28:51In the jungle, that would be a very dangerous sign.
28:55Jai!
28:58Jai!
29:02Where did he go?
29:03I told him to go find food.
29:09I'm following us, and you send the boy away just like that?
29:11Look, I didn't think that...
29:13No, Miss Jones. She didn't think.
29:19With a bit of luck...
29:22He'll be fine until I get to him.
29:26Come with me.
29:40Come with me.
29:42Come with me.
29:44Come with me.
29:46Come with me.
29:51Come with me.
29:52What are you going to do?
29:54We'll use the only means of escape we have.
29:57Escape from what?
29:58Come with me, Miss Jones.
30:00Come with me.
30:03Come with me.
30:46Come with me.
30:46They couldn't have gone far.
30:47Tell the men to spread out.
30:48Come with me.
31:06They are not here.
31:07They have to be here.
31:17Come with me.
31:17What the hell are they doing?
31:19You are down there and it will bring you up.
31:22Ah, I know!
31:24That's a good idea.
31:26Boy, let's get it.
31:28But what about them?
31:29They'll catch them later.
31:30Come here. Keep an eye on things.
31:33Let's go.
31:40Watch out.
31:43Watch out.
32:32Watch out.
32:34Watch out.
32:35Let's go after Jay.
32:36We'll get there before them.
32:38It was my fault.
32:40It doesn't matter whose fault it was.
32:42We have to keep walking.
32:43Surprise.
32:44Let's go.
32:54That's alright, my son. We're your friends.
32:57If he was a friend, why did he kill the people on the boat?
33:01Kill him.
33:02And how will we find the boat?
33:04They'll never find the boat.
33:06Look here, girl.
33:08Show us where the boat is.
33:10And we let you go.
33:13If not...
33:14We'll stay here until we find your friend.
33:16We know that Tarzan is injured.
33:18I saw when he was shot.
33:20Promise you'll leave them alone if I take you to the boat?
33:23Of course.
33:24We promise.
33:25How far away is it?
33:26Very far away.
33:27First we have to go to the river.
33:29Very good.
33:36You can go all the way to the river.
34:09What happened to Jay?
34:12They caught him. They're taking him to the river.
34:16Who are these people? What do they want from us?
34:20These people are called the Cafus. Their leader is Shambu.
34:24These are the same people who murdered the river crew.
34:27They know that you and Jay witnessed the crime.
34:32And they want to silence us?
34:34Of course they want to.
34:36If they talk to the authorities, they'll be sent abroad.
34:39But why did they take Jay?
34:42Why simply...
34:44They didn't get rid of him?
34:46That's what scares me. I thought maybe they suffered.
34:50And there are other things.
34:52First of all, why was that boat stolen?
34:55For looting, I think.
34:58No, no. There's something else too.
35:00What were they carrying?
35:02Goods, caged animals.
35:04Just that?
35:05That's all we found, the door.
35:07And we examined the cargo looking for anything useful.
35:09before we abandon ship.
35:11We released the animals before we left.
35:14Or they would die if they weren't released.
35:16Animals, right?
35:19Why would anyone carry wild animals upstream?
35:22They were going to Mambulo to change trains.
35:25It's very far from the seaport.
35:26It would be much cheaper to send it down the river.
35:33Tell me, can you leave that boat abandoned?
35:36Maybe, if we get to the river.
35:39But that means we have to go back to Vassiri territory.
35:42I'm counting on it.
35:43The Mother of the seaport.
35:46The Mother of the seaport.
35:53The Mother of the seaport.
35:56The Mother of the seaport.
35:58The Mother of the seaport.
35:59The Mother of the seaport.
36:00The Mother of the seaport.
36:01The Mother of the seaport.
36:01The Mother of the seaport.
36:02The Mother of the seaport.
36:02The Mother of the seaport.
36:03The Mother of the seaport.
36:04The Mother of the seaport.
36:05The Mother of the seaport.
36:06The Mother of the seaport.
36:07The Mother of the seaport.
36:25What is that?
36:48What is that?
37:18What is Vaziri?
37:19They passed by here about two hours ago.
37:22They went west, towards the mouth of the river.
37:24We'll avoid them, won't we?
37:27Xambu has more than 20 warriors.
37:30We need all the help we can get.
37:33Of the Vaziris?
37:34There's no one else left.
37:36The Vaziri are always suspicious of strangers.
37:40They might even want to kill us for what we did.
37:43So, it's up to you.
37:46We can go back and I'll drop you off in Mambulo.
37:48And I'll come back here alone.
37:50What happens to Chai in the meantime?
37:54Don't you think you've already fulfilled your duty to that boy?
37:58Why do you have to make the word "must" sound so hateful?
38:04We're wasting time.
38:05Let's get out of here.
38:16Greetings, my friend.
38:19Greetings, Tarzan.
38:24I'm looking for the Vaziris.
38:27Where are they?
38:29We are the Vaziris.
38:31Don't lie to me.
38:33The Vaziris are brave warriors.
38:36They're nothing but a bunch of beaten-up dogs.
38:41These are what's left of the Vaziris.
38:44The others are dead.
38:47They are not so badly injured that they cannot fight.
38:50Why aren't these men hunting down the murderers of their own people?
38:53They're tired, Tarzan.
38:55They have spears.
38:57The others have weapons.
39:00We don't want to go to war.
39:03Tarzan!
39:16Now, look at me, Chaka.
39:19Come here.
39:26I could have killed you that time, Chaka.
39:29And I could do that now.
39:31What do you want?
39:32I want these men to go with me to the river.
39:36I want men willing to exact a blood price from those who killed the Vaziris.
39:40Did you hear what the wizard said?
39:42We are men with spears against weapons.
39:45But we are men, Chaka.
39:48Aren't you the boss?
39:52When the sun passes over that hill, I will return.
39:55Perhaps a few of us will go with you.
40:33Listen to me.
40:34Listen to me.
40:35They are on the boat.
40:36AND.
40:45The good thing about this shipment is that no nosy inspectors...
40:48You're going to end up on a boat full of wild animals, aren't you?
40:57I always deliver the goods.
41:00Not everything can be here.
41:02The entire bottom of the boat is full of them.
41:10With a weapon like this, I can control the entire country.
41:16I will get the other bosses to accept my plan.
41:18Yes, but first there's the small detail of the money you owe me.
41:22Don't worry about it. The money is in my car.
41:26How about sending someone down a river to fetch the money?
41:29Perhaps you should take the weapons with you.
41:32You are not in a position to order me around.
41:36Isn't that right?
41:39You think not?
41:50What does this mean?
41:53It seems his men think I would make a better boss.
41:56Don't worry, Shambu.
41:58All your dreams will come true.
42:02For me.
42:08All dreams will come true.
42:16All dreams have already become reality.
42:21All dreams are already used.
42:27All dreams are already the same, Balk堂.
42:30All dreams are already spent.
42:32All dreams are now part of the departure.
42:32I say your dream is already an adventure.
42:36Go to the Yakuza!
42:40Go to the Yakuza!
42:48Go to the Yakuza!
42:50This is where we part ways. You're going with Chaka.
42:53I want to get on board as soon as possible.
42:55Someone has to stay with Chaka.
42:56Chaka will tell you when.
42:57Take good care of her, Chaka. Good luck.
43:08Come on! We have to get this boat out of the mud.
43:10Let's go! Let's go!
43:12Move! Move!
43:32Push yourself!
43:33Come on! Get moving!
43:34Push yourself! Push yourself! Come on!
44:01Get moving!
44:03Let's go!
44:23No, no, no, no, no!
44:43No no!
45:24I knew you were coming, Tazán. Where's Dona Sherick?
45:29She's waiting for you further ahead.
45:48No no!
45:48No funny business, jungle man, I'll kill her!
45:55What do you want?
45:56Tell your people to throw away their weapons.
46:01I am not a patient man.
46:04It is true.
46:06Put down your weapons!
46:09Grab him!
46:16No, no! Wait! Wait! Wait, George!
46:26I will make you all rich.
46:28I will be king.
46:29We will all have an empire.
46:35Is she dead?
46:36No. She is badly injured.
46:40Let's take her to the village.
46:42As soon as possible.
46:55Mrs. Sherick said she was coming here right now.
46:58He said?
47:00Here she is.
47:09X.
47:19And you know quewać cinco ars.
47:24The prize of 弟!
47:27They told me that you asked them to bring him to me while you were in the hospital.
47:31And it's almost as good as the new one.
47:35And where are you going now?
47:38Go upriver to Mambul.
47:40From there I'll go to Kral dos Vazires, where I intend to open a school.
47:45I don't know what has already happened here?
47:47We tackle a duty when it arises, Jay.
47:51That's what I want to do. That's what I'll enjoy doing.
47:59You know, meeting you and Jay changed my whole life.
48:11Why don't you give it a try?
48:13You and the boy will wear pants.
48:20Be careful, okay?
48:35Be careful, Jay.
48:36Be careful, Jay.
48:41Be careful.
48:43Be careful.
48:46What kind of woman is she, then?
48:51She's unforgettable, Jay.
48:56Unforgettable.
49:18Be careful, Jay.
49:21Be careful.
49:38Be careful, Jay.
49:49Caption by Adriana Zanotto
Comentários