Tarzan é uma clássica série de aventura dos anos 60 que traz uma versão mais moderna e sofisticada do lendário herói da selva. Interpretado por Ron Ely, Tarzan é retratado como um homem culto e civilizado, que transita entre a sociedade moderna e a vida selvagem africana, sempre defendendo a justiça e protegendo os mais fracos.
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Categoria
📺
TVTranscrição
00:21THE CITY IN BRAZIL
00:30TARCÊN
01:14Stay where the Dutchman is.
01:16Otherwise, throw that boy off the cliff.
01:19Hand over the diamond.
01:21First, try to let go of the boy.
01:23THE CITY IN BRAZIL
01:35THE CITY IN BRAZIL
01:39THE CITY IN BRAZIL
01:48It's me, Jair
01:49Everything is fine now.
01:50Everything is fine
01:53You just had a nightmare.
02:06You miss Dutch, don't you?
02:08Yes, more or less.
02:11He's always getting into trouble.
02:13And it's unintentional
02:15No, not anymore, Jair.
02:17He got out of prison.
02:18And he escaped from prison?
02:20No no
02:21He did not run away.
02:22He is on probation.
02:25And this means that
02:27As long as you work well
02:27And not to get into trouble.
02:29He is a free man.
02:29Do you think the Dutch gentleman...
02:31Can you do that?
02:33He attracts trouble.
02:36And yes
02:37But he's fine now.
02:39Hopefully so.
02:43Jair, would you like to visit the Dutch gentleman?
02:46When can I go?
02:49How about we talk about this tomorrow?
02:52All good
02:53Now try to get some sleep.
03:12Government Palace of Colana
03:19Jair
03:19I want you to tell the Dutchman
03:23I'll be there as soon as possible.
03:24Why can't you go now, Tarzan?
03:28No, I need to stay here.
03:29And to help organize the search.
03:30Boltonas
03:31While he is still in this area
03:32It will only take him about two weeks.
03:34I preferred to go with you, Tarzan.
03:36Yes, I know that, Jair.
03:38But it can't.
03:39It's a manhunt.
03:40And it's dangerous.
03:41And then I'll move quickly.
03:45Now listen
03:46If you really want to
03:48I'll leave it here.
03:48With the commissioner and his family.
03:53No, Tarzan
03:54It's because I would have to go to school.
03:57Well, I think the school
03:58It wouldn't hurt you.
04:00Including the school
04:01That wouldn't be a bad idea.
04:05Tarzan, what is the Dutchman doing?
04:08The Dutchman is
04:10Capturing animals
04:12For a circus
04:14Oh, for a circus?
04:16Does that mean he owns the circus?
04:28Honesty is the best policy.
04:30They say
04:34Honesty is the best policy.
04:37Honesty is the best policy.
04:45Look what you've done!
04:46Please excuse me, I'll clean it up.
04:50See how he acts, coordinated.
04:52I'll break you in two.
05:02The circus
05:17A distribution
05:19Warner Brothers Television
05:26Brazilian Version
05:28Herbert Richards
05:33Slower
05:53They didn't listen to that.
06:03Careful
06:32The Dutch gentleman
06:36Oh, Mr. Dutchman
06:38Oh, Captain Chai
06:39My little captain
06:41What are you doing here?
06:43Tarzan sent me
06:44I'll have to stay with you for a few days.
06:46Watching you run your circus
06:49Watching me drive mine
06:52Well, then.
06:53It's a very interesting thing to see.
06:55And you'll be surprised to see how difficult it is.
07:02But wait a moment.
07:04I want to introduce Miss Ilona.
07:05She owns all of this.
07:07Miss Ilona, this is Jay.
07:09Hello
07:10Nice to meet you, Jay
07:11You have a very brave friend.
07:13And I am very grateful to him.
07:15Jensen, check the rest of the lessons.
07:16Now
07:22Sorry, he's nervous.
07:23It's a very difficult time.
07:25My dear lady
07:26His kindness makes up for all of that.
07:28Let's go, captain!
07:30Let's go
07:32Dutch gentleman
07:33You don't own this circus, do you?
07:37Ah
07:38But one day I'll have my own circus, Jay.
07:41As soon as they learned the difference between the circus ring and the trapeze
07:45I'm starting from the bottom, checking the load.
07:48It's the only way to get to know the ship.
07:53Now let's go, we have to work.
07:55Otherwise that commissioner will come down on us again.
08:26Otherwise that commissioner will come down on us.
08:55Commissioner
09:14THE CITY IN BRAZIL
09:35There...
09:59There!
10:44Thomas!
10:46Go, Thomas!
10:52Thomas!
10:54And there
11:07Here we are, city cousin, right in the middle of my farm.
11:10And I see nothing.
11:11Ah, you city folks really don't see anything.
11:13Oh, really? And I don't see any animals either, just you.
11:17Okay, smarty pants. I'll show you my prize-winning chicken.
11:21Come here, Mrs. Hen, come here.
11:25Wow, is that a chicken?
11:26But of course it's a chicken. Show that it's a chicken, Mrs. Chicken.
11:30I don't see anything so ridiculous.
11:31Why do you call your chicken?
11:32Just look.
11:34Because she's a respectable chicken, isn't she?
11:51For you.
11:53Thank you, Donnie.
11:57He thinks I have all the time in the world.
11:59Ilone was broke, he couldn't pay the staff.
12:01The box office was down for weeks, there were illnesses, we cancelled the shows.
12:05When he inherited the circus, it was already in trouble.
12:08You should have warned me; I would have made other plans. I would have used something else as a front.
12:11No, there is no other way for you to cross the border without being asked questions.
12:15When I arrange the accident, you can take someone else's place.
12:18You're stalling me.
12:19I already told you, he sold all the trained animals.
12:22They made a good amount of money.
12:23We came here to look for other new beasts.
12:26A native hunter has a good supply.
12:28So what?
12:29He wants a lot of money.
12:31We obtained permission to set our traps.
12:33This takes time.
12:35How long do you think my men will wait for me to cross the border?
12:37The police are after me.
12:39It's leaking now.
12:39I have to go.
12:40I can't rush anything.
12:42We need animals.
12:44And what about this hunter?
12:46Motumba.
12:47How much does he want for the animals?
12:48Very.
12:49And in cash.
12:52I have enough for a revolution.
12:54I can buy some beasts.
13:05Mrs.
13:09I can...
13:10Can I help you, Dutchman?
13:12I can help you, ma'am.
13:14The lady is having problems.
13:19You can come in.
13:33No, Dutch.
13:34I waited too long.
13:35I...
13:35I took a big risk.
13:37And now there is neither time nor money left.
13:39You're not going to give up now, are you?
13:41He has a lot of support.
13:43All the circus personnel.
13:45Well, they...
13:46They adore her.
13:47They depend on me.
13:49And without animals, there is no show.
13:51I cannot pay the price of Motumba.
13:53And I can't wait until we get ours.
13:55Ah, miss.
13:57You shouldn't have told me so soon.
13:58And it would prevent so much suffering.
14:02Perhaps it's not too late yet.
14:06What are you going to do?
14:07You can leave that to me.
14:09And you can rest assured, ma'am.
14:11A man doesn't spend his life fighting against the wind and the sea.
14:14Without learning anything about naval strategy.
14:17Ah, Dutch.
14:19Where are we in the jungle?
14:20In the jungle?
14:21On land?
14:21At sea?
14:23Dry those pretty eyes and let the old Dutchman take care of everything for you, ma'am.
14:28Come on, boy.
14:31Dutch.
14:31What do you intend to do?
14:33Now listen.
14:34No questions, miss.
14:35Leave the problem in my hands and I will solve it.
14:38It can leave.
14:41Why don't you try to rest a little?
14:52No.
14:56You're going to sell the animals to her, understand?
14:58Welcome, someone. We'd better focus.
15:00Let's stay back there. Do as I tell you.
15:15Ah, mutumba, old friend.
15:19Miss Ilona wants animals, doesn't she?
15:21What?
15:22You want to buy animals for the circus, don't you?
15:24Oh, did I say that?
15:27But look, we have a lovely young woman who needs a little help.
15:31And that's why we men are in the world—to help women.
15:35Huh?
15:36Do you agree?
15:37I sell animals.
15:39Very cheap.
15:40Of course.
15:42I don't deny it.
15:43If I had the money, I would buy all of their animals.
15:48Oh, I love animals.
15:50And children love animals.
15:53But, mutumba, old friend.
15:55I didn't come here to talk to you about money.
15:59Without... money?
16:01We here, mutumba, we all need to be good tricksters.
16:05When the sea is rough, it's always in agreement.
16:08You bring animals.
16:10No money.
16:12You did it, Mr. Dutchman.
16:13He said to take the animals.
16:15You succeeded.
16:18It was too easy.
16:21He said yes.
16:23Let's go.
16:23Don't speak anymore.
16:24Let's go.
16:25Please.
16:27It carries animals.
16:28No money.
16:29Mutumba, you are the best sailor I have ever known.
16:33And thank you.
16:35Come on, son.
16:36Mrs. Itelona is waiting.
16:43No.
16:43I thought we'd have to shove the gun down his throat to shut the old black man up and take the...
16:47animals.
16:49I don't know.
16:50I don't like that.
16:52What is it, Abelak?
16:53Do you think it's not enough money, or are you just scared?
16:56You're dangerous, Bull.
16:58It's a bombshell.
16:59There's a clock about to explode that's sitting on my lap.
17:01Of course I'm scared.
17:04Ultimately, I don't know why it's so important for you to cross the border.
17:07Why don't you go to the port, take a ship and leave the country?
17:10Because I have a small army waiting for me to cross the border.
17:13An army that I can use to attack.
17:14To unite the tribes.
17:16To start a war.
17:17War, my friend Belak.
17:18The source is the cause of profits.
17:20More money than anyone ever imagined possible.
17:24You don't know me, Bull.
17:26I don't reject a stop like that.
17:28Of course.
17:29He doesn't want to be a real, third-rate circus manager for the rest of his life.
17:32That's what you're thinking.
17:33I'm talking about money.
17:35A black note.
17:35The chance to become someone.
17:37I don't like killing.
17:39Slaughter.
17:40Kill a man and murderer.
17:42Killing Mila is a holy war.
17:44You will be a national hero.
17:47We're wasting time.
17:48When we leave.
17:49When you get into an accident with Dominique, make sure he's safe.
17:52Take care of him until we reach the border safely.
17:56Safe. Take care of him.
17:57He's going crazy.
17:59When he said he was going to have an accident, he meant we were going to kill him.
18:07How can I express my gratitude?
18:08How did you manage that?
18:10That motumba was difficult to convince.
18:13When we return to the city, there will be a much more important job.
18:16at the circus.
18:17Rest assured that I will be prepared for them.
18:19Hey, John.
18:20Did you hear that?
18:27What happened?
18:29I don't know.
18:30Let's go.
18:31Take him to my trailer.
18:33Don't just stand there.
18:34Let's load it.
18:35I still intend to leave here today.
18:36But what happened?
18:37See for yourself, ma'am.
18:45He'll be okay, guys.
18:47I'll take care of him.
18:47It can leave.
18:48I'll take care of him.
19:08I'll take care of myself.
19:09We'll have to go to the hospital because of the accident.
19:11You and the boy will come with us.
19:12That way I'll feel much better.
19:14Okay, Mr. Vigilano.
19:29If I don't speak, that's fine.
19:32Tell them I have a sore throat.
19:34I'll tell them I need to take him to the hospital urgently.
19:36That way he'll stay away from them.
19:41I should be able to send a truck to pick them up within a week.
19:46Be ready.
19:48I would like to stay with you, but I have to take Dominique to the hospital.
19:53You have enough provisions for everyone for two weeks.
19:55There will be no problems.
19:57Alright, let's go.
19:59Do you think I should stay here with the trick?
20:01I know how you feel, but you need to be with us at the border.
20:05She's the owner, the only one they know.
20:07I'm going to drive to the trick.
20:08You're coming with me, ma'am.
20:14Cita, you stay here, okay?
20:16I would be back in a few days.
20:18Be nice.
20:38What is that?
21:02It appears here.
21:02From the door to the door to the door of the Rio Grande do Rio Grande do Rio Grande do Rio Grande
21:02from the South.
21:02You who believe in the door of the uncovered door.
21:03You and the boy gather sticks and make a bonfire.
21:06The lady will have to cook.
21:07Let's move on to our seat.
21:08Good evening here. I'll be taking care of D. Mickey.
21:18She is charming, without a doubt.
21:23So soft, so smooth.
21:26You like her, huh?
21:28Beautiful, young man. Really beautiful.
21:34It's what every good sailor would want to have all to himself.
21:39I know what you mean. She really is very beautiful.
21:44Well, now, to be absolutely honest, young man,
21:48any sea captain who doesn't know how to treat her with the proper tact,
21:55I guarantee you it will make the boat list.
21:58What?
22:00Nothing, nothing. It's a nautical term, kid.
22:04To explain it better, it will be located slightly below the waterline.
22:07That's what I meant.
22:09Miss Ilona?
22:10Miss Ilona?
22:11You're deaf, boy.
22:13That's who I'm talking about.
22:15The amazing pickup truck.
22:20At certain moments, I even thought I was going to suffocate.
22:22I'll bring your dinner.
22:24No, it's better if they see me walking around.
22:26Later tonight, we'll take care of our friend Dominique.
22:32And there?
22:44He is well.
22:45How are you?
22:47It's better. A little hungry.
22:49We'll eat in a little while.
22:50That fire scared him a lot.
22:52I think it will do him good to be with us, but don't force him to talk.
22:55He has completely lost his voice.
23:06Would you like some more coffee, Dominique?
23:11Or would you like water?
23:18Do you feel no pain when you swallow?
23:20I once had a sore throat and couldn't eat.
23:23You must not be feeling well.
23:25Don't ask questions, Jake.
23:26He shouldn't even try to answer.
23:30Sorry. I forgot.
23:43Don't be sad, boy.
23:45It's something that few people know how to do.
23:47You know?
23:48No, no, wait a minute.
23:50He's the one who knows how to do that.
23:52But be patient.
23:53If you can't learn now, Dominique will teach you when you're better.
23:58Can you teach me now, please?
24:10He's never been this nervous before.
24:12Look, he's tired.
24:15Don't forget that he's in pain all the time.
24:18Goodnight.
24:19Goodnight.
24:23Goodnight.
24:32If they didn't suspect anything before, now they do.
24:34You ran off like an antelope.
24:36The boy was annoying me.
24:38Forget about it.
24:39I hope they forget.
24:40Avoid acting that way again.
24:43I'll let you get ready for bed.
24:45You'd better stay here.
25:08Somebody.
25:10A grave would be better.
25:15Yes.
25:53THE CITY IN BRAZIL
25:54THE CITY IN BRAZIL
26:25He's the man Tarzan is looking for.
26:27I promise you, kid.
26:29He won't live to tell him that he's Bill Thomas.
26:31THE CITY IN BRAZIL
26:51I think we should keep walking.
26:53Let's take the risk and cross the border.
26:54Not with me.
26:56Even if they went through the police, they would raise the alarm and not give up.
26:59Then they would be looking for me too.
27:01Once we cross over, we will be safe.
27:03My men will be there.
27:05I would have a price on my head.
27:07No thanks.
27:08This time we're going to do things my way, or you can leave now by yourself.
27:11Right now.
27:12Come on, you...
27:13Go ahead.
27:14Continue.
27:15Continue.
27:16I have nothing to lose.
27:17You have.
27:18If you push too hard, you might not be able to cross the border.
27:21Together with her, we have a chance to cross over without anyone suspecting a thing.
27:25She owns the circus.
27:25They know her.
27:26You can cross without anyone asking questions.
27:29We crossed over.
27:29And then what?
27:29We don't need them.
27:31None of them.
27:32For now, she can drive one of the pickup trucks and answer the questions.
27:35You know you still can't show your face.
27:38Can you control it?
27:40She is a woman.
27:42As long as you think you won't harm others, I can.
27:45All good.
27:46Go take care of it.
27:47Make a deal with her.
28:09She's fine.
28:10Keep your weapon handy.
28:14They should remain seated.
28:16The road is bad.
28:17They are fine.
28:18They could fall and hurt themselves.
28:21Don't worry about them.
28:24Which car should I drive?
28:25My?
28:26No, drive mine.
28:27Bo, go with the lady.
28:58Bo, go with the lady.
29:28Bo, go with the lady.
29:29Bo, go with the lady.
29:30Let's go.
29:57What there was?
29:58I thought he might go down the wrong path.
30:02Let's move forward.
30:44Sorry.
31:19I thought he could go into the river and look for a village and ask for a canoe and go up on the water.
31:28Our problems will end.
31:30Come on, boy.
31:31The sun is disappearing quickly.
31:33But Elon is still a prisoner.
31:35That's what I was going to say, boy, before you interrupted me.
31:39And we'll go to the police and tell them.
31:42You promised to help her.
31:44And I keep my promises.
31:45I got the animals for her, didn't I?
31:48Ah.
31:51Look, we don't even know where they are at this hour.
31:55Oh, be reasonable, girl.
31:57Be reasonable.
31:59It's just the two of us.
32:01Now listen to you constantly telling me to face the truth.
32:05Now face the truth.
32:06So let's seek help.
32:08He wants to seek help.
32:10Ah, yes, suddenly seeking help.
32:12Very good.
32:14Excellence.
32:14Captain Jai.
32:16Let's go straight somewhere where I can send a...
32:19One...
32:20What happened, Mr. Dutchman?
32:21Where can I send a telegram?
32:25That's what we're going to do, Jai.
32:27That's exactly what we're going to do.
32:29Let's send a telegram to Tarzan.
32:32A telegram from the jungle, delivered by drums.
32:36Come on, boy.
32:47Search the jungle.
32:48A little boy and a man.
32:57You will be rewarded.
33:04They will receive money and gifts.
33:07A little boy and a man.
33:15Search the jungle...
33:17A little boy...
33:20And you.
33:23They will receive money and gifts.
33:27What are they saying about me?
33:30I can't translate.
33:33But he doesn't like you.
33:38And the neighboring river and the canoes.
33:42Neighboring river and the canoes.
33:55Come, let's stay here until nightfall.
33:58And very quietly.
34:02Neighboring river and the canoes.
34:35Come on, let's stay here.
34:49That food smells.
34:52Calm.
34:53We have to be strong.
34:55I am strong, but I am hungry.
34:59Ah, yes, boy.
35:01Hunger is a terrible thing.
35:04Well, I remember one time in 1939,
35:07when I boarded each one for Singapore
35:09in an open reed bed
35:11A reed?
35:12What is a reed, Dutch sir?
35:15Ah, it's like a ferry.
35:16It's more like a raft.
35:18with a good candle.
35:19Like those of the Spanish galleons.
35:21that you've heard of.
35:22A triangular sail made of matting
35:24It's a great engine.
35:27There are hundreds of them in the seas off China.
35:29Where is China?
35:31Look here, young Jai.
35:33I'm telling you a story.
35:34I'm not giving you a geography lesson.
35:38Well, as I was saying,
35:39The ship left from Singapore, you know?
35:41And then, yes, I realized,
35:43He was in Recife.
35:44on the Skeleton Coast, in Africa.
35:57It's always good to feel hungry.
36:00sometimes.
36:01But let's be more attentive,
36:03This is where it matters most.
36:04Especially when you are
36:05in a difficult situation,
36:06How we are now.
36:08We need to be smart and strong.
36:11So, how do you feel?
36:13I'm not hungry yet.
36:14Ah, Jai.
36:18We don't have to get to those drums.
36:21It seems like I can't think straight.
36:23Quite a distance from the water, isn't it, Mr. Dutchman?
36:26That's right, Jai.
36:28That's right.
36:30A native might be able to get close.
36:32Yes it is true.
36:34If we were natives, or...
36:37Or if we started to look like a native.
36:40Great, kid.
36:42I bet we'll fool them.
36:43Let's go.
36:44Uh-huh.
36:45Uh-huh.
36:49What is that?
37:16What is that?
37:50What is that?
37:54What is that?
37:55What is that?
37:56What is that?
37:56What is that?
37:57What is that?
38:00What is that?
38:02What is that?
38:02What is that?
38:14What is that?
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38:19What is that?
38:20What is that?
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38:52What is that?
38:55What is that?
39:27What is that?
39:32What is that?
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40:21What is that?
40:29What is that?
40:29What is that?
41:04What is that?
41:08What is that?
41:36What is that?
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41:49What is that?
41:59What is that?
42:02What is that?
42:27What is that?
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44:17What is that?
44:57What is that?
45:39What is that?
45:57What is that?
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47:25What is that?
47:38What is that?
47:46What is that?
48:16What is that?
48:33What is that?
48:34What is that?
49:06What is that?
49:34What is that?
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