Tarzan é uma clássica série de aventura dos anos 60 que traz uma versão mais moderna e sofisticada do lendário herói da selva. Interpretado por Ron Ely, Tarzan é retratado como um homem culto e civilizado, que transita entre a sociedade moderna e a vida selvagem africana, sempre defendendo a justiça e protegendo os mais fracos.
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Diferente das versões tradicionais, esta adaptação mostra Tarzan viajando pelo mundo, enfrentando caçadores ilegais, contrabandistas, criminosos internacionais e ameaças que colocam a natureza em risco. Com muita ação, paisagens exóticas e histórias envolventes, a série marcou época na televisão e se tornou referência entre os seriados clássicos de aventura.
Um verdadeiro ícone das produções dos anos 60, perfeito para quem aprecia séries antigas cheias de emoção, heroísmo e trilhas sonoras marcantes.
📌 Tags:
#Tarzan
#Tarzan1966
#RonEly
#SeriesClassicas
#SeriadoAntigo
#Anos60
#AventuraClassica
#ClassicosDaTV
#TVClassica
#HeróiDaSelva
#ClássicosDasTelas
Categoria
📺
TVTranscrição
00:01What is that?
00:02What is that?
00:13What is that?
00:30What is that?
00:36What is that?
00:37What is that?
00:39What is that?
00:41What is that?
00:42What is that?
00:42What is that?
00:43What is that?
00:46What is that?
00:47What is that?
00:51What is that?
00:52What is that?
00:54What is that?
00:56What is that?
00:56What is that?
00:58What is that?
01:00What is that?
01:01What is that?
01:04What is that?
01:04What is that?
01:07What is that?
01:07What is that?
01:11What is that?
01:33What is that?
01:40What is that?
02:06What is that?
02:08What is that?
02:11What is that?
02:13What is that?
02:22What is that?
02:28What is that?
02:30And what is that?
02:33What is that?
02:33What is that?
02:34And there?
02:40You're going over my dead body!
03:00Jai!
03:01I need to talk to Tarzan. Where is he?
03:05He is coming.
03:07Coming? Coming where?
03:10To the river.
03:11Why?
03:12To achieve something.
03:15He didn't go back to the river. What did he go to the river to get?
03:20The weapon and the trap.
03:26What is that?
03:28The weapon, Mr. Basel. The real thing.
03:30Bravo!
03:31Let's go.
03:34Let's go.
03:35Let's go.
03:43How will you engage in activism?
03:46Activism won't work.
03:48Activism is coming.
03:50It's a fight, Mr. Basel.
03:51I think the slaves will believe they are attacking a city that is a trap.
03:58Fully prepared.
04:00Instead, they will go into a box.
04:02You come here with your weapons, and in a week you'll destroy a year's work.
04:06If the slaves come and Mombolo is not defended, they will destroy a year's work.
04:11But I will fight for what I believe in.
04:15That's exactly what we're doing, madam.
04:17Fight for what we believe in.
04:19Fight for what we believe in.
04:20Fight for life.
04:21Fighting for what is life?
04:23Please, Mr. Basel.
04:24I asked.
04:26If the slaves came, they evacuated the city.
04:29Women, children, and men.
04:31What?
04:32And let them destroy the city?
04:33Father, our lives?
04:34Father, our life?
04:35Father, what about your life?
04:36Father, what about your life?
04:37Father, what about your life?
04:37No, madam.
04:38And there comes a time when one can no longer become the other side.
04:41One must be there and fight.
04:44And that's exactly what Waziri and I want to do.
04:51Here they come.
04:53Chaka, make him see.
04:54Rangelo 105 rounds.
04:57Rapid fire ahead.
05:14You did a good job, Basel.
05:16I hope.
05:18I hope.
05:18I sincerely hope so.
05:25Rangelo 15 minutes.
05:26Rangelo 15 minutes.
05:27Rangelo 15 minutes.
05:28Rangelo 15 minutes.
05:30Rangelo 15 minutes.
05:32Rangelo 16 minutes.
05:35Why don't you fire?
05:37Fire!
05:38Yes!
05:43Get back! Hold back! Get cover!
05:47Go on!
05:48Go on, Basil! Go on! It's not working!
06:25Go on!
06:28Go on!
06:30Go on!
06:31Ah!
06:32Ha, ha, ha!
07:02Ha, ha, ha, ha!
07:30The women and children are missing.
07:32We won't look for them.
07:33We'll be satisfied with what we have.
07:35These waziri are magnificent animals.
07:37They should bring a good price on the market.
07:41Keep your hand, brother.
07:43It is truly written only a fool destroys his own merchandise.
07:53Keep your temper.
07:54You'll only make things harder for yourself.
07:56A day will come when I will wash my hands into bloody dark mine.
08:05Burn the village!
08:12Burn the village!
08:13hochvalentate!
08:28Come on, oh God!
08:31Mayor, come on, walk around.
08:32Come on!
08:33Keep your horse gone!
08:33Come on!
08:33Merry have!
08:54What are you doing, are you crazy?
08:57My head.
08:59Which is bad.
09:01Oh, that's bad.
09:04Don't move. I'll be right back.
09:32Here. Here's some water.
09:35Can you manage?
09:40What happened?
09:42I don't know. Everything went wrong.
09:46Guns wouldn't fire.
10:03Is that better?
10:04It's much better, thanks.
10:07No, I'm all right. I'm all right. Don't hover over me, woman. I'm not a child.
10:18Hand me that cartridge, will you?
10:23What is it?
10:25Firing pin's been removed.
10:27Probably what was wrong with all the other pieces.
10:31What a fool. What a fool.
10:33These are only practice rifles.
10:36But it wasn't your fault.
10:38It was the responsibility of the commanding officer to check the condition of his equipment.
10:44Something that even a junior company officer would have thought of, and it never occurred to me.
10:49You had so many things to do.
10:53Kindly spare me your sympathy, madam.
11:00I'd hope to be able to avoid telling you this.
11:04Tarzan and Jai both taken prisoners.
11:07No. No.
11:11What are we going to do?
11:14We, madam?
11:16Since it's all my fault that Tarzan and Jai and those other poor fellows were taken into captivity,
11:22it's my responsibility to get them out.
11:27We'll evacuate the women and children immediately by canoe.
11:31Carry five days' rations.
11:34Since Riverport is downstream, we should get there without too much difficulty.
11:38But, sir, shouldn't we go after them?
11:41Tarzan, Jai and the others, and try to help them.
11:44Madam, madam, I am still a general officer.
11:47No one tells a general officer what he should or should not do.
11:51Do you have your orders?
11:53Carry on.
12:10Leil, paint, look, I don't have to Xi Rois.
12:12You have your orders.
12:41THE CITY IN BRAZIL
12:43THE CITY IN BRAZIL
13:15THE CITY IN BRAZIL
13:23THE CITY IN BRAZIL
13:32THE CITY IN BRAZIL
13:33THE CITY IN BRAZIL
13:35THE CITY IN BRAZIL
13:37THE CITY IN BRAZIL
13:40THE CITY IN BRAZIL
14:33THE CITY IN BRAZIL
14:35THE CITY IN BRAZIL
14:35THE CITY IN BRAZIL
15:04THE CITY IN BRAZIL
15:32THE CITY IN BRAZIL
15:34THE CITY IN BRAZIL
15:36THE CITY IN BRAZIL
15:37THE CITY IN BRAZIL
15:39THE CITY IN BRAZIL
15:53THE CITY IN BRAZIL
15:54THE CITY IN BRAZIL
15:57THE CITY IN BRAZIL
16:17THE CITY IN BRAZIL
16:19THE CITY IN BRAZIL
16:19THE CITY IN BRAZIL
16:19THE CITY IN BRAZIL
16:22THE CITY IN BRAZIL
16:47You don't have to train me like a baby.
16:51Perhaps the child is right.
16:53You have to learn more than that before you leave.
16:58Don't worry, Tarzan will come.
17:42You don't have to drink.
17:44You don't have to drink.
17:46You don't have to drink.
17:47A bevel-in-a-mouth,
17:48...suffices at Sanders...
17:50...they teach you to clean your teeth...
17:52...shave...
17:53...wash your socks...
17:54...all in a pint of water.
17:56Shall we go on?
18:21The trick tracts are fresher.
18:24We should stay with them.
18:25We're going to stay here and then start...
18:28What is life?
18:30Let me see those arms.
18:34How did you manage that?
18:37What cannot be cured must be hardened.
18:41Russians.
18:44Good arms for a woman.
18:49I must wear sensible shoes.
18:52Yes.
18:53I suppose your wife does too, living with you.
18:57There is no Lady Bertrand.
18:59Oh?
19:01Did you ever want to get married?
19:04I was married once.
19:06Wife and boy both killed in the bombing of London.
19:10Never thought about marriage much after that.
19:13When I did, it was too late.
19:16Well, that's ridiculous.
19:18It's never too late.
19:22Well, I'll scout around a little.
19:26You better keep that, just in case.
20:03Move and you die.
20:06I have no intention of moving or dying.
20:09Basil, what on earth are you doing out here?
20:11Tagging after those blighters up ahead there.
20:14Have you seen them?
20:16I have.
20:17Is the camp quiet?
20:19I thought I might have a go at them.
20:22Then what?
20:23I'm not sure, old boy.
20:24I rather thought I'd let things develop as I went along.
20:28Suppose we develop ourselves out of here.
20:30But this way, I have a friend waiting for me.
20:35A lady.
20:38Basil, you amaze me.
20:45Let me get this straight.
20:47The last time you saw Jai, he was on his way to me,
20:50and that was before the fight, right?
20:52Yes.
20:52And no one has seen him since.
20:55They must have him.
20:57This is the last straw.
21:01Charity, why don't you go to him?
21:03Tell him it'll be all right.
21:04I'm going after Jai now.
21:06He loves that boy very much, doesn't he?
21:10Don't we all?
21:31Please, Jabazel, you mustn't.
21:34Jabazel, you mustn't.
21:35You mustn't blame yourself for what's happened.
21:38You're not responsible for the lives of those people.
21:41Calm yourself, madam.
21:42Calm yourself.
21:43I was merely checking my gun.
21:45Oh.
21:46Forgive me.
21:49I felt you were going to do some violence to yourself.
21:53You obviously don't know me, madam.
21:57Node.
21:58We don't know each other at all.
22:01Never will, I fear.
22:03We seem to have absolutely nothing in common.
22:14Oh.
22:15We do have one thing in common.
22:18Yes.
22:24Miss Jones.
22:33Charity.
22:37Oh.
22:39Oh.
22:42Oh.
22:43Oh.
22:45Oh.
22:45Oh.
22:46Oh.
22:54Oh.
23:09Oh.
23:10Oh.
23:11Oh.
23:12Oh.
23:13Oh.
23:13Oh.
23:13Oh.
23:14Oh.
23:14Oh.
23:15Oh.
23:15Oh.
23:16Oh.
23:17Oh.
23:44THE CITY IN BRAZIL
24:15THE CITY IN BRAZIL
24:43THE CITY IN BRAZIL
24:50Bye, bye, bye, bye.
25:27Bye, bye.
25:55Bye, bye.
26:12Bye, bye.
26:14Bye, bye.
26:15Bye, bye.
26:51Bye, bye.
26:54Bye, bye.
26:58Goodbye.
27:30Bye, bye.
27:35Bye, bye.
27:47Bye, bye.
28:06Bye, bye.
28:12Bye, bye, bye.
28:14Bye, bye.
28:18Bye, bye.
28:18Bye, bye, bye.
28:20Bye, bye, bye.
28:36Bye, bye.
28:38Bye, bye.
28:46Bye, bye, bye.
28:49Goodbye.
28:51Bye, bye.
28:53Bye, bye, bye.
28:57Bye, bye, bye.
28:59Bye, bye, bye.
29:02Bye, bye.
29:04Bye, bye.
29:06Bye, bye.
29:08Bye, bye.
29:11Bye, bye.
29:22Bye, bye.
29:24Bye, bye.
29:28Bye, bye.
29:30Bye, bye.
29:32Bye, bye.
29:34Jolly well. Dried goat's flesh.
29:36Delicious when it's prepared properly.
29:39Never look a gift goat in the mouth, Miss Charity.
29:43I'll make you a ragu that you'll never forget.
29:46Well, I must say we seem to be in fine shape.
29:49Food, water, transportation.
29:51What's the next move, Tarzan?
29:53We go on.
29:55Together.
29:56Look for weapons.
30:00A silent weapon, Sir Lazzle.
30:18A silent weapon, Sir Lazzle.
30:35What on Earth?
30:37Basil, let me have your canteen cup.
31:04Be careful with those. Don't touch them. They're poison.
31:19Okay, Cheetah. Stick them up.
31:33I'm going to need something more to hold that together.
31:35Will adhesive tape work?
31:37It might.
31:37I have a roll of it in the first aid kit.
31:40Are you by any chance making a pea shooter?
31:45No, Sir Basil. I'm making a blow gun.
31:48Oh.
31:53Do you suppose he's gone crackers after all he's been through?
32:06Come on.
32:26Unload the axe.
32:27Okay, Mo!
32:29He's ahead!
32:31He's ahead!
32:40What was that?
32:42We can't do anything like that, OCD.
32:45Oh, let us tear ourselves down from Arfrids and Dins.
32:48Don't be so superstitious, fool.
32:50Move the slaves into a group.
33:12Ha! Ha! Ha! Ha! Ha! Ha!
33:27Ah! Ah!
33:36Ibrahim Ibn Yaqob is dead. Not a mark on him.
33:39Perhaps the heat.
33:40He's the true son of the desert. The heat would not kill him.
33:42Then there was something else.
33:47He died a natural death, you fool.
33:50Perhaps his heart or maybe his brain is curdled. Could be anything.
33:53That sound we heard.
33:54That sound we heard.
33:55Are we children to be frightened by strange noises?
34:02Quiet! Quiet!
34:09I will shoot the first man who gets on a truck.
34:14You are a fool!
34:18Would you leave a great fortune because of our freets and deans which don't exist?
34:22We will set a close watch tonight. And if anything comes, a bullet from one of these is certain to
34:27Stop it.
34:29Did I not lead you to a great fortune?
34:31Then be men. Trust me. All will be well.
34:40Parsi. Make camp.
34:45Thank you! Thank you!
35:16Arigat!
35:41Thank you! Thank you!
35:50I do hope that Tarzan returns soon.
35:54He will, Miss Gerardy. Don't worry.
35:56You're always so sure.
35:58The boy has faith, Miss Jones.
36:01You're talking to me about faith?
36:03I'm talking about giant faith.
36:05He doesn't preach it. He lives it.
36:08He believes that Tarzan will return and...
36:13I'm not sure.
36:14You see?
36:15Yes, yes, of course.
36:18Well, how was the small arms fire? Effective?
36:22Yes, it was, to a degree.
36:24Now it's time for the heavy artillery.
36:26Break this camp up. We're moving.
36:28Alright, here you are, man.
36:31Take the Florence Nightingale kit.
36:53You see?
36:58I can't wait.
37:00I can't wait.
37:01You see?
37:01I can't wait.
37:01You don't need a footer.
37:02I can't wait.
37:04I can't wait.
37:08I can't wait.
37:14Mother, Mother, Mother, Mother!
37:39Mother, Mother, Mother, Mother!
38:25Mother, Mother, Mother!
38:33Mother, Mother, Mother, Mother, Mother, Mother!
38:42Mother, Mother, Mother, Mother, Mother, Mother!
38:46Mother, Mother, Mother, Mother, Mother!
38:50Mother, Mother, Mother, Mother, Mother, Mother!
39:06Mother, Mother!
39:26Mother, Mother!
39:29Mother, Mother!
39:31Listen to me! You have been untied.
39:34In a few moments, you will be taken aboard that ship anchored offshore.
39:39There, you will be put in sails with the other prisoners we have already taken.
39:43I warn you, I want no trouble. None from any of you.
39:47There is a troublemaker.
39:51Take heed how we deal with him.
40:19A little closer next time.
40:31I don't have anything to offer except a promise.
40:34I pledge you my life for your safety.
40:37This time, through the heart.
41:02Shoot them!
41:10Watch this!
41:17Get rid of that! Get rid of it!
41:19Not yet! Not yet!
41:23Now!
41:26Right down the alley!
41:30Who threw that?
41:31I did. I was high school softball captain.
41:37How much do you pay for these things?
41:39Wait a minute. It's those two I want.
41:51I've got it. Jai! Chaka!
41:54In that truck there, there's a parachute and some rope. Bring it here.
41:57I've got to figure out a way to get past them.
42:00I'll need that.
42:02Sir Basil, the 4 o'clock army is about to take to the high seas.
42:08Provided you can operate that boat right down there, can you?
42:11Of course, if we can get past those blighters.
42:14You'll need some diversion, though.
42:17Do you think you can still keep throwing strikes?
42:18Yes.
42:21All right, I want you to light and throw every ten seconds.
42:23Right.
42:28And what can I do?
42:30You?
42:32You'll stay here and remain umpire.
42:34Starting right now.
42:36Let's go!
42:53Get back.
42:53We've got it.
43:01Comekö!
43:01We've got it!
43:03Go, definitely!
43:05Back on our candidacy!
43:07Chaka, give it to me.
43:10Take the kick.
43:21Take the kick.
43:22Hey, hey, sir.
43:23I'm going to take a guess.
43:25I'll put this rope on for lunch, and then for myself.
43:28You're going to take my sound away, and you're going to take the sound off the air.
43:32The 4 o'clock army is flying.
43:34Yes, that's right. Are you ready?
43:36Okay, Chaka, give me the kick.
44:11There, there, there.
44:24He speaks.
44:26He speaks!
44:27He speaks!
44:28He speaks!
44:29He speaks!
44:29He speaks.
44:30He speaks!
44:49Okay, Chaka.
44:50Get back there and hold up the chute to get air in it.
44:57Okay, Barlow, let's go!
45:02Boo!
45:04Boo!
45:06Boo!
45:09Boo!
45:13Bye, bye.
45:46Goodbye.
46:14Goodbye.
46:40Goodbye.
47:24Goodbye.
47:36Goodbye.
48:08Goodbye.
48:08Goodbye.
48:09Goodbye.
48:10Goodbye.
48:15Goodbye.
48:24Goodbye.
48:29Goodbye.
48:31Goodbye.
48:34Goodbye.
48:36Goodbye.
48:36Goodbye.
48:39Goodbye.
48:42Goodbye.
48:48Goodbye.
48:50Goodbye.
48:51Goodbye.
48:56Goodbye.
48:58Goodbye.
48:59Goodbye.
49:01Goodbye.
49:03Goodbye.
49:06Goodbye.
49:08Goodbye.
49:09THE CITY IN BRAZIL
49:39THE CITY IN BRAZIL
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