- hace 2 días
Santiago está enamorado pero tiene claro que si no se compromete, no logrará afianzar su relación. Decide pedirle matrimonio a Lourditas y, aunque la declaración resulta torpe y atropellada, los dos enamorados se ponen de acuerdo para casarse lo antes posible. Antes de iniciar los preparativos, la novia presenta a su prometido a su madre, una señora mayor cascarrabias que no acepta la idea de perder a su hija y hará todo lo posible para estropear los planes de boda. La ausencia de Diego continúa causando estragos en la familia. Santiago necesita ayuda en la taberna y Marcos será el encargado de echarle una mano con el negocio. En contra de la opinión de Lucía, partidaria de que su hijo dedique todo el tiempo a estudiar, el joven se implica demasiado en el trabajo con la intención de demostrarse a sí mismo que es capaz de mantener económicamente a una familia. Marcos está convencido de que pronto llegará ese día ahora que se va a casar con Eva, asunto que el resto de la familia desconoce. Teté recibe emocionada la moto que su padre le ha enviado como regalo de cumpleaños. Mientras ella presume delante de toda la pandilla, Guille se muere de envidia. El chaval que quiere impresionar a las chicas, miente diciendo que también es suya. A pesar de que su hermana no le deja tocar la moto, Guille conseguirá robarla con la ayuda de Boliche y de Valdanito. Sin embargo, como era de esperar, el resultado de la operación resulta un desastre.
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00:00:30On the other hand, my uncle Santi has plenty of the mountain gene, bad temper, and everything else.
00:00:47He's been home all day lately. He says that while my father isn't here, he'll be my father.
00:01:00You lack the character to run a household! You lack character!
00:01:03Look, Santiago...
00:01:04And you, come on, set an example! To your bed! Come on!
00:01:07Look, Santiago, I really appreciate your help, but I know how to run a household, okay?
00:01:11So keep quiet, Marcos, how's the exam going, son?
00:01:14Look, another thermos of coffee. I don't think I'm going to get much sleep tonight.
00:01:18Young man, you're not going to sleep. I'm the one who's not going to sleep.
00:01:22I have to open it, close it, do the cash register, everything!
00:01:25My uncle Santiago, now that he's been left alone in the tavern, is grumpier than ever.
00:01:30No, no, don't talk to me about the grogui. He's more useless than a water jug without a handle.
00:01:34Sending him to do it and him doing it are two separate jobs.
00:01:36Tito, Tito, don't be such a complainer, okay?
00:01:38Don't be a complainer, don't be a complainer.
00:01:40What's wrong? Has the young master had a bad day?
00:01:42Just a moment, I'm in the middle of my final exams. I have to study.
00:01:46He has to study, he has to study.
00:01:48While your uncle works himself to the bone going to Mercadrín, talking to the suppliers, opening at 7, closing at 12.
00:01:54The young master has to study.
00:01:56Santi, you're risking your course, okay?
00:01:58The course is being played, and I'm playing with my health.
00:02:01I'm still waiting to see you lend a hand at the tavern.
00:02:05I remind you that this is a family business.
00:02:07Okay.
00:02:08You're all grown up now, aren't you?
00:02:09Santi, let him finish his exams and then you can help him out, please.
00:02:12At your age, I was studying and working with my father.
00:02:15And I still had time to spare.
00:02:17The thing is, there's no desire, no desire.
00:02:19Okay.
00:02:20I'll come tomorrow and give you a hand at the tavern.
00:02:21No.
00:02:22I get organized, I get organized, and when the gentleman has a lot of work, well, I help him.
00:02:25I'm happy.
00:02:26We'll see.
00:02:27We'll see.
00:02:28What my uncle didn't know was that he was the one who wasn't going to be able to stand it.
00:02:32That life was going to get definitely complicated for him, until it exploded like a pressure cooker.
00:02:37On a station platform, under the scorching sun.
00:02:42You were talking about a skyscraper in the sky of New York.
00:02:46Come soon to see the sea and send a postcard.
00:02:49I already knew that day was the end.
00:02:53Now I have much more.
00:02:56Red, black, odd stop.
00:02:59Finally, luck brings an ace, a crystal to look through, and a wall to hang it on.
00:03:04That's how she looked, smiling in a passport photo.
00:03:08My stories were not about tales made by chance.
00:03:15Nobody told me that destiny was giving me this opportunity.
00:03:21One plus one equals seven.
00:03:25Who would have thought?
00:03:29It was so easy to be happy.
00:03:34Who would have thought?
00:03:39INSTITUTIONS
00:03:42Subtitled
00:03:44Very good.
00:03:45Don't you have one at home?
00:03:48Help me here too, Madam President.
00:03:50I have more for you.
00:03:52I have fewer contacts at the hospital; they know they're displaced...
00:03:55The pants are missing.
00:03:55Did you ask me for pants, Santiago, please?
00:03:58I'm going to help myself, woman, I'm going to help myself.
00:04:00Okay, so what?
00:04:02Fair exams are just around the corner, aren't they?
00:04:05You can start giving me those notes now.
00:04:08What about you?
00:04:10Suspense cum laude?
00:04:11Like every year?
00:04:12To cheer up your father in the hospital?
00:04:15How strange, isn't it?
00:04:15With the excellent genes that people from the mountains have for studies.
00:04:18Well, that's how it is, that's how it is.
00:04:20Of course, you can't fight against the genes of the mountains.
00:04:22Well, what gene, what gene.
00:04:23Didn't you support your father and your family?
00:04:27Hey?
00:04:27With the gene of the mountain people?
00:04:28What you need is some encouragement.
00:04:30Now, if you fail,
00:04:32Forget about going out with your buddies.
00:04:34Ah, a crazy guy.
00:04:36So, if I fail, you'll punish me.
00:04:38But by that same logic,
00:04:39If I pass, you should give me a little present, I mean, that's what I think.
00:04:42Guillem, it is your obligation to study in order to pass.
00:04:44That's clear, no little gift or anything.
00:04:45Well, not exactly a stimulus, huh?
00:04:48Are you going to give your opinion on this too?
00:04:49Well, Santiago, don't worry,
00:04:51Because here, Guillermito wouldn't pass muster, not even at gunpoint, would he?
00:04:53Hey, hey, everyone be careful, okay?
00:04:55Barbie, the brainy one, has spoken, watch out.
00:04:57Silly.
00:04:58Look, man, what we need to do is make a pact between men,
00:05:00That's how you and I are.
00:05:01Let's see, if I pass, what do I get in return?
00:05:03Well, look,
00:05:05I can take you to the amusement park.
00:05:07You can climb the Seven Peaks mountain,
00:05:10on the ghost train
00:05:11and on the waterwheel.
00:05:12Dude, please, be a kid, damn it, it's for kids.
00:05:15That's awesome, I want to go to the park.
00:05:16Okay, okay, okay, we're getting worked up.
00:05:18We're going to the park because we're going.
00:05:20not because there is any prize,
00:05:21because my house has never worked that way.
00:05:22Neither here, nor in Barcelona.
00:05:23This is not Barcelona,
00:05:25This is Santa Justa.
00:05:26And that's how it's always worked here.
00:05:28The donkey, with the carrot in front,
00:05:30so that it works.
00:05:31Just like my father used to do,
00:05:32who approved a bike,
00:05:33that suspended two blows, well given.
00:05:35Tito, I'm going to the tavern for a while
00:05:39before going to class.
00:05:40That's what I like to hear,
00:05:41that you lend a hand.
00:05:43Well, I'll take advantage of this and go with you.
00:05:45Bye.
00:05:46Bye bye.
00:05:47See you later.
00:05:49Santi, I told you not to hug the boy.
00:05:50with the work he has to study.
00:05:52The dog, the dog.
00:05:53Work doesn't kill anyone.
00:05:55And it's good for the development of the individual.
00:05:57Yes, I'm not saying no,
00:05:58but not at all hours.
00:05:59Tete, tete, tete.
00:06:00There is a messenger,
00:06:01that has something for you.
00:06:02María Teresa Cantevila.
00:06:03Me, me, me.
00:06:04If you can sign here.
00:06:05Here?
00:06:06Wait, let me go, I'm going to leave this, okay?
00:06:07Okay, okay, okay.
00:06:08Please, Pedro, go ahead and bring the shipment.
00:06:10Mom, what could it be?
00:06:11Don't move me, daughter.
00:06:12Wait, I don't have any impatient people.
00:06:14Let's see.
00:06:14Let's see, I don't know if it falls.
00:06:15If you don't do anything, I don't see anything.
00:06:17Dad!
00:06:18Is it Dad's?
00:06:19Dear Tete, I'm sending you this little something
00:06:21for the two birthdays I missed.
00:06:23Furthermore, as I am sure
00:06:24that you will get very good grades,
00:06:26It's like I'm giving you the backlog and getting ahead.
00:06:29How do you know me?
00:06:29Well, darling, enjoy it carefully.
00:06:31But what do I know?
00:06:32Lots of kisses?
00:06:33That?
00:06:33That?
00:06:36It just can't be.
00:06:37God, I have the best father in the world, right?
00:06:39Well, that's it.
00:06:40Good morning.
00:06:41Thank you so much.
00:06:42Thank you.
00:06:43This whole gift-giving thing in Barcelona
00:06:44It wasn't carried, was it, a handful?
00:06:47I can't take Guilla to the park,
00:06:49But Tete can be given a motorcycle.
00:06:51And I'm going to visit you for birthdays, son.
00:06:54No, no, no.
00:06:55This is a preview.
00:06:56A preview that says it very clearly.
00:06:58This is more of a bribe than a gift.
00:07:00Well, it's because someone gives you some motorcycles as a gift.
00:07:02and others they want to take on time.
00:07:04Honestly, this is where I knew
00:07:05that you are a proper father
00:07:06And no, man.
00:07:07Kid, don't mess with your father
00:07:08who is incapacitated.
00:07:09Plus, it'll take you to the park.
00:07:11What the heck!
00:07:11We're all leaving
00:07:12And we stuffed ourselves with roast chicken at the kiosk, huh?
00:07:15What do you think?
00:07:18Hey, Guilla, darling,
00:07:19who is not a better father
00:07:20and who gives many gifts.
00:07:21Is that clear?
00:07:22Do you want to stop playing around with this?
00:07:23It's not a toy, please.
00:07:24Oh, Mom, can I go to school on my motorbike today?
00:07:26Finally, finally, finally.
00:07:27Well, in case I leave you today,
00:07:29But we'll see.
00:07:30What do we do with the motorcycle?
00:07:31This isn't fair.
00:07:32She is given a motorcycle as a gift.
00:07:33And he wants to take me to the Ferris wheel.
00:07:34I mean, man, you know?
00:07:36I see the saldí.
00:07:37like a crow to oil.
00:07:39Auntie, taking advantage of the fact that your husband
00:07:40is incapacitated,
00:07:42He's playing the good father,
00:07:43to show off.
00:07:44Santi, for God's sake, okay.
00:07:46Which one will it be?
00:07:50Go ahead, go ahead.
00:07:52Stop, stop, stop, stop!
00:07:54What now?
00:07:55What do we do about this now?
00:07:57Should we oil them or what?
00:07:59Okay, I'll put those lids on.
00:08:00and put them on the tables.
00:08:01Go on, go on, go on.
00:08:06Dude, let's hope your things
00:08:08have enough,
00:08:08Otherwise, what little gems!
00:08:10He's taking water away from us like a husband, huh?
00:08:11Shut up, man.
00:08:12I haven't said anything to him.
00:08:13to the family still,
00:08:14that only we know.
00:08:15But how come you still
00:08:16You haven't said anything?
00:08:16So what are you waiting for?
00:08:17upon returning from the honeymoon
00:08:18To tell the tale or what?
00:08:19Shut up, boss.
00:08:20Go ahead, tell him.
00:08:21to please the kid.
00:08:22Furthermore, that's how he practices,
00:08:23a little bit there, pim, pam, pim, pam,
00:08:25to endure having to look for work in Barcelona.
00:08:26Work?
00:08:27In Barcelona, what for?
00:08:28Well, whatever it is, I'll make a mess.
00:08:29You're going to have a family, man.
00:08:31that someone will have to carry
00:08:32Go home to the sweet potatoes.
00:08:33How are you going to live on air?
00:08:35I planned to continue studying,
00:08:37You know?
00:08:37Studying?
00:08:38Ah, my friend, that's what you want
00:08:39It's living off someone else there.
00:08:40From the father-in-law who's loaded, huh?
00:08:42A real gold digger, huh?
00:08:43Hey, hey, what do we do?
00:08:45Resting?
00:08:46Come on, man, take that tray.
00:08:47So?
00:08:48Is that how you hold the tray?
00:08:49Hey?
00:08:49If you don't need to learn that, great.
00:08:51No, okay.
00:08:51We mountain folk carry the tray.
00:08:52Hey!
00:08:53Aba!
00:08:54Come on!
00:08:55Well, I'm going to deduct it from your price.
00:08:56in the salary.
00:08:57But what salary
00:08:58What if you don't pay me anything?
00:08:59Oh, no?
00:09:00That's even more in my favor.
00:09:02You owe me a nation of chorizo.
00:09:05Already.
00:09:05That?
00:09:06I'm a bit fed up now, you know?
00:09:07I'm leaving.
00:09:09You see, Fiti?
00:09:09The young master says he is going to work,
00:09:11But since he doesn't like it
00:09:12And if he gets tired, he leaves.
00:09:14That's just how these young people are.
00:09:15and they have no stamina.
00:09:16And this is your sense
00:09:16of responsibility?
00:09:18So where are you going to get yourself?
00:09:19If you don't like something, you leave it.
00:09:21Tomorrow
00:09:21What will become of you?
00:09:22How are you going to maintain
00:09:23a family?
00:09:23As?
00:09:24Well, what do you know?
00:09:25if I am able to maintain
00:09:26a family or not?
00:09:27If I ever have to do it,
00:09:28Well, I'll do it like everyone else.
00:09:30Or what do you think?
00:09:30These people lack ability.
00:09:32of sacrifice.
00:09:33And they were born tired.
00:09:34But if you can't even last a day,
00:09:36not a single day working.
00:09:37Okay, one day and whatever it takes.
00:09:38I mean, I'm okay with that.
00:09:39just work two days.
00:09:40Take note of what I'm telling you.
00:09:41I'll bet you anything.
00:09:42I bet you can't last two days.
00:09:45Look,
00:09:46You're going to eat your words.
00:09:48You're going to eat them.
00:09:49We don't have to, Marquitos,
00:09:50we don't have to...
00:09:51Put seven or eight canes there
00:09:52and we celebrate the pumandas.
00:09:57Well, what has he promised you?
00:09:58Did your father give that test?
00:09:59Your father?
00:10:00My father has never had
00:10:01take that possibility into account.
00:10:02Which?
00:10:03The one about giving you something?
00:10:04No, the one I approve.
00:10:07Wow, Tuté.
00:10:23I see you've got a new motorcycle, huh?
00:10:26And are those the same?
00:10:28What a coincidence, right?
00:10:30She's a goddess
00:10:32and also motorized.
00:10:34But what's wrong, Trenko?
00:10:34Have you never seen a motorcycle before?
00:10:36No way, dude.
00:10:37And so well put together.
00:10:38Fuck.
00:10:39Okay, see you later, alright?
00:10:41Okay, see you later.
00:10:42What bad thing happened?
00:10:43It's just that I'm not made.
00:10:44for these speeds.
00:10:46But, Goli,
00:10:46if you haven't gone too far.
00:10:49The truth.
00:10:50I can't stand it
00:10:51that the helmets
00:10:51mess up your hair so much,
00:10:52the thing is...
00:10:52Well, look at how you have
00:10:56to all the boys.
00:10:58They were blown away.
00:11:01Hello, what...
00:11:03Hello.
00:11:03What I'm saying, Tete,
00:11:04So, when are you going to give me a ride?
00:11:05Well, that's it, Goli.
00:11:06whenever you want.
00:11:07No, no, no, no.
00:11:07Me first, okay?
00:11:08You haven't lost with me.
00:11:09that levels occur.
00:11:10Okay, okay, calm down.
00:11:11Guys, don't fight,
00:11:12I have a motorcycle for everyone.
00:11:13What do you say?
00:11:14There isn't, I tell you,
00:11:14But what if you have no idea?
00:11:15driving more,
00:11:16if you can't say, well,
00:11:17It fills me up.
00:11:17Calm down, kid.
00:11:19You need to be rested
00:11:20for the waterwheel.
00:11:21The boy has been promised
00:11:22if he behaves
00:11:23They take him to the amusement park.
00:11:24Tete, is it that...
00:11:27I mean, what am I saying then?
00:11:28Back to my first time, right?
00:11:29Yes, yes, yes.
00:11:29No, no, you, you shut up,
00:11:30You shut up.
00:11:37Yes, yes, I've already covered it.
00:11:40Go, go, take it away, take it away, take it away, take it away.
00:11:45Santiago, what?
00:11:47I'm going back to school.
00:11:52Well then, I hope you teach well.
00:11:56See you later.
00:11:59Come on, Lourdes.
00:12:04Quinceñiqui, quinceñiqui.
00:12:06That's definitely something you're into, man.
00:12:08He plays guard.
00:12:09What do you want me to do, Citi?
00:12:10Don't mess with me.
00:12:11You know what happened the other day.
00:12:13Yes, I know.
00:12:14Of course I know what happened.
00:12:15At the last minute,
00:12:17It cracked on us.
00:12:18You're a loser, man.
00:12:19Honestly, no beating around the bush,
00:12:21Santi.
00:12:22Look, Citi,
00:12:22He's clear about it.
00:12:24Without marriage
00:12:24There is no culmination.
00:12:26Or she gets married
00:12:26or it is not delivered.
00:12:28And I'm fed up.
00:12:30It's over.
00:12:31I didn't want to commit.
00:12:33I was waiting
00:12:34so as not to close any doors for myself.
00:12:36Which doors?
00:12:37What doors, you wretch?
00:12:38If you haven't had a girlfriend
00:12:39not even in the military.
00:12:40Yes, Citi,
00:12:41I've closed them.
00:12:42But you know what I'm saying?
00:12:44I commit.
00:12:46As?
00:12:48But commitment to...?
00:12:50Commitment?
00:12:51Yes, yes.
00:12:52I'm marrying Lourdes.
00:12:53with the church,
00:12:54in white,
00:12:55with family,
00:12:55with whatever.
00:12:56But I do it.
00:12:57Let's see, let's see,
00:12:57Just a moment,
00:12:58Just a moment.
00:12:59Which seems fine to me.
00:13:00Hey?
00:13:00That sounds good to me.
00:13:02But getting in there
00:13:03in a place
00:13:03without full knowledge...
00:13:05No.
00:13:06What am I going to ask of him?
00:13:07that she marry me
00:13:08without knowledge
00:13:09and without whatever.
00:13:10I'm not waiting any longer.
00:13:12I'm going to tell you right now.
00:13:14Right now.
00:13:14I've been
00:13:15thinking about it a lot
00:13:16And if after so much time
00:13:17it just can't be,
00:13:18There must be a reason for that.
00:13:19Of course, because you're both cowards
00:13:20and two little complaints.
00:13:22No, Candela.
00:13:23No.
00:13:23That we are very different.
00:13:24That's what happens.
00:13:25Good.
00:13:25No, and there are feelings involved.
00:13:26very beautiful and very intense,
00:13:27But hey, girl,
00:13:28well maybe
00:13:28That's not enough.
00:13:30I've seen it in situations
00:13:31that neither of you would believe.
00:13:32Yeah.
00:13:34So.
00:13:35Because I know him well,
00:13:35I mean, come on.
00:13:36But he doesn't like me.
00:13:37And for me there are very important things
00:13:39in which he
00:13:40I'm sure it won't fit.
00:13:41That's not known until it's tested.
00:13:43Lourdes.
00:13:43You have to try it.
00:13:45You're going to stay there
00:13:46crossed arms.
00:13:47No, no.
00:13:48It's not going to work.
00:13:48I know that.
00:13:50Look, I think the best thing is
00:13:50Let's just leave it at that.
00:13:52As soon as I see him,
00:13:53I tell him.
00:13:55Poor girl.
00:13:59There, there.
00:14:01Lourdes.
00:14:01To that Lourdes.
00:14:04Hey...
00:14:04Girl, girl.
00:14:06It's Santi.
00:14:07Santi has come to ask him
00:14:07that she marry him.
00:14:08Oh, impossible.
00:14:09He's going to leave it.
00:14:10There it goes, there it is.
00:14:11How much?
00:14:16I wanted to talk to you.
00:14:17Yes, yes.
00:14:18Me too, Santiago.
00:14:19I wanted to talk to you too.
00:14:20Look,
00:14:21What I wanted to tell you
00:14:22the thing is...
00:14:23If you want to marry me.
00:14:30Look at him,
00:14:31I've left it there,
00:14:32has become a suckling pig,
00:14:32He's been left speechless.
00:14:33What if I want to marry you?
00:14:37Yeah.
00:14:37But if that's what was coming
00:14:39I'll tell you.
00:14:40Yeah.
00:14:41Of course I want to marry you,
00:14:43Lourdesita.
00:14:44Clear.
00:14:46We celebrated the wedding
00:14:47and we got married.
00:14:49I see him very happy.
00:14:50Of course, because it's blocking it, man.
00:14:52What he wants so much.
00:14:52Let her start crying there
00:14:53halfway down the hall.
00:14:53But you leave your face.
00:14:56Well, Santi,
00:14:57We got married.
00:14:58But first,
00:14:58First, let's get to know each other
00:14:59Really thorough, huh?
00:15:01Do you understand what I mean?
00:15:03Yes, that's true.
00:15:05But let's be cautious, okay?
00:15:06Santiago,
00:15:07Let's give ourselves time
00:15:08to see if
00:15:08We know each other thoroughly
00:15:10and we fit in.
00:15:12Getting to know each other thoroughly
00:15:13and fit in.
00:15:15Fit
00:15:15Whatever it takes.
00:15:16Oh, good.
00:15:17Okay, but tonight
00:15:18I invite you to dinner at my house.
00:15:20At ten o'clock.
00:15:21At ten o'clock.
00:15:21Yeah.
00:15:23They kissed, didn't they?
00:15:28They kissed.
00:15:28They kissed.
00:15:30God.
00:15:30They kissed.
00:15:31It is the kiss of death,
00:15:32man,
00:15:32the farewell kiss.
00:15:33Oh well,
00:15:34They're not even made for Piti,
00:15:35For God's sake.
00:15:35Have you seen them kissing?
00:15:36ever?
00:15:36No, it's being covered up, damn it.
00:15:37that does not outwardly express.
00:15:38They kissed.
00:15:39They kissed.
00:15:40But don't say anything.
00:15:42Once the decision is made
00:15:43This man, damn it,
00:15:45not again
00:15:45He's done something awful.
00:15:46Fuck.
00:15:48Piti, son.
00:15:49No.
00:15:50Okay, so what?
00:15:51Why doesn't he want to go on the motorcycle?
00:15:52Well, DVD, my brother,
00:15:54And then you repeat with Álvaro.
00:15:56Okay, let's see.
00:15:57If it has to be repeated,
00:15:58It is repeated with DVD,
00:15:58in which it is much cuter.
00:16:00And you'll see when he comes.
00:16:00Humberto, aunt.
00:16:04Hey, Guille,
00:16:05Like a TT bike, right?
00:16:07The truth is that it's super cool.
00:16:08Yeah, well, it's not bad.
00:16:10But come on,
00:16:11that the motorcycle actually
00:16:12It's also a little bit mine.
00:16:14Is it yours too?
00:16:15Can you pick it up too?
00:16:16Yes, because, well,
00:16:17The motorcycle belongs to the family.
00:16:19Look, why try to win?
00:16:20I'm going to tell you about the motorcycle.
00:16:21The motorcycle is mine, isn't it?
00:16:22The thing is
00:16:23You already know Maritere, right?
00:16:24That it often gets heavy
00:16:25and she left it
00:16:26to take a stroll.
00:16:27But come on,
00:16:28that the motorcycle,
00:16:28what it is to be,
00:16:29It's mine.
00:16:30Yes, well,
00:16:30who says about Guille
00:16:31It says that about all of us, doesn't it?
00:16:32Yes, yes,
00:16:33We share everything,
00:16:34Right, Guille?
00:16:35That's what friendship is for.
00:16:36Okay, let's see.
00:16:37If you give me a ride one day.
00:16:38Sure, man,
00:16:38whenever you want.
00:16:39This afternoon?
00:16:40Okay.
00:16:40But how can you be such a liar?
00:16:47Why are you telling him
00:16:47Is the motorcycle yours?
00:16:49Oh, Maritere,
00:16:51Well, you see,
00:16:52That motorcycle belongs to the Serrano family.
00:16:54Because?
00:16:55Because you live at home
00:16:55of the Serrano family.
00:16:56Therefore,
00:16:57who supports you,
00:16:57The Serrano family.
00:16:58What do you think, Rico?
00:17:00Look, Maritere,
00:17:00You live in my house
00:17:01and you use my bathroom,
00:17:03my refrigerator,
00:17:03my kitchen.
00:17:04So that motorcycle
00:17:05It's mine too.
00:17:05Is that clear?
00:17:06Well, I have a feeling you're not going.
00:17:07to get on that motorcycle
00:17:07because it turns out
00:17:08that she gave it to me
00:17:09to me, my father.
00:17:10And you know
00:17:11that instead of taking me
00:17:11to the waterwheel,
00:17:12well my father
00:17:12He gave me a motorcycle.
00:17:14Ah,
00:17:15Your father, right?
00:17:16Yes, yes,
00:17:16I know you are your father.
00:17:17The one who didn't remember
00:17:19to call you on your birthday,
00:17:20the one you can't see
00:17:21No way,
00:17:22that one who ignores you.
00:17:23You're talking
00:17:23From that father, right?
00:17:30And you've already gone way overboard, huh?
00:17:34Yes, brother,
00:17:34yes,
00:17:35I'm getting married,
00:17:35I'm getting married.
00:17:36Yeah,
00:17:37discreetly,
00:17:38discreetly.
00:17:39Not yet,
00:17:39We're not going to make it public.
00:17:41Physics.
00:17:43Okay, okay,
00:17:43We'll talk later, brother.
00:17:44Come on,
00:17:45come on,
00:17:45bye bye,
00:17:46bye bye,
00:17:46see you later.
00:17:47Hey, piglet!
00:17:49Yes, I already knew,
00:17:50man,
00:17:51I already knew that thing
00:17:51It was going well.
00:17:52No, I couldn't hear you.
00:17:54but I could even read you
00:17:54the lips and...
00:17:56And well,
00:17:56that?
00:17:56How often do you tell your family?
00:17:57No, little by little.
00:17:59We don't want to yet.
00:18:00to make the relationship official.
00:18:01We have to wait
00:18:02a few days.
00:18:03Well,
00:18:03Wait for what?
00:18:04Well,
00:18:05Lourdes says that she still
00:18:06She's not sure.
00:18:07That we have each other
00:18:08that know well
00:18:08before taking the step.
00:18:10Oh,
00:18:11to get to know you well,
00:18:13Hey?
00:18:13Yeah,
00:18:13what is said
00:18:14get to know each other thoroughly
00:18:15to see if we're a good fit.
00:18:17But Santi,
00:18:19that he's spelling it out for you.
00:18:21To get to know you thoroughly,
00:18:22fit,
00:18:22that,
00:18:23all of God's life
00:18:23has meant one thing.
00:18:26You think?
00:18:26Damn, man,
00:18:27if it's a figure of speech
00:18:28since the beginning of time,
00:18:29Pussy.
00:18:30Fit,
00:18:30The word itself says it.
00:18:32Fit.
00:18:33Clear,
00:18:34That's why he invited me
00:18:35to have dinner at his house
00:18:36tonight.
00:18:36There you have it,
00:18:37There you have it,
00:18:38because he's tired
00:18:39to expect,
00:18:39Lourdes,
00:18:39and what you want
00:18:40It's about knowing the genre
00:18:41before the wedding.
00:18:42Wait,
00:18:43wait,
00:18:43Fiti,
00:18:44I'll see if I'm going to turn it back on.
00:18:44go to hell.
00:18:46That she has told me
00:18:46than without marriage.
00:18:47Okay,
00:18:48Okay,
00:18:50firm,
00:18:50and if there is a firm commitment
00:18:51There is a dispensation.
00:18:53Well,
00:18:53if there is a dispensation,
00:18:54Well, that's it.
00:18:54The floodgates open
00:18:55and fit in.
00:18:56Look,
00:18:56Santi,
00:18:57You'll get wet tonight,
00:18:58But be careful.
00:18:58that you're taking a risk.
00:18:59That's great.
00:19:00She wants to meet
00:19:01the genre
00:19:02before getting married,
00:19:03No?
00:19:03That's it,
00:19:04What you're going to go through
00:19:05It's an exam,
00:19:06You're not going to have a good time.
00:19:07You're going to take an exam
00:19:08And if you don't pass the exam,
00:19:09Say goodbye to Lurditas.
00:19:11Hey,
00:19:11Well, maybe you're right.
00:19:12that now women
00:19:13We're on the loose.
00:19:14And I'll tell you more,
00:19:15I'll tell you more,
00:19:15Passing is not enough,
00:19:16because this is like
00:19:18an opposition,
00:19:19that there is only one place
00:19:20And that's where the note is worth,
00:19:22You have to get a good grade there.
00:19:22and you have to take out
00:19:23registration of donation.
00:19:29Huh, huh, huh?
00:19:29Where are you?
00:19:30Are you only going to eat that?
00:19:31Yeah,
00:19:31I'm going to the tavern
00:19:33because my uncle told me
00:19:34What do I have to do?
00:19:35the inventory.
00:19:36Already,
00:19:36And when do you study?
00:19:37Because tomorrow you have
00:19:38the first exam.
00:19:39No,
00:19:39the notes.
00:19:40Oh, really?
00:19:41Yeah,
00:19:41I study there to review
00:19:43And I'm handling it well.
00:19:44Lucia, really.
00:19:44Good, huh?
00:19:45Yeah.
00:19:46You'd better.
00:19:46And so?
00:19:52Dessert, huh?
00:19:53A real man of your kind.
00:19:55What's happening?
00:19:57What's happening?
00:19:58Hey.
00:19:58That's it,
00:19:59trunk.
00:19:59Look,
00:19:59I've made up my mind.
00:20:00You call Lorena
00:20:01and you tell him that I've had you
00:20:02to accompany her
00:20:02by some relatives
00:20:03to the airport.
00:20:04But let's see,
00:20:05little girl,
00:20:05Do you think you're so stupid?
00:20:07Yeah,
00:20:07I know,
00:20:08trunk,
00:20:08But the thing is,
00:20:09what I do?
00:20:09Should I tell you the truth?
00:20:11Trunk,
00:20:11I have to call her
00:20:11and tell him I can't
00:20:12meet with her.
00:20:13Well, I'm going to stay
00:20:14like a loser.
00:20:14Well yes,
00:20:17You're going to have to tell him
00:20:17that the motorcycle is not yours,
00:20:19which is from tete
00:20:19And if that's the case,
00:20:21well, someday
00:20:21He leaves it for you.
00:20:22My sister won't let me have it.
00:20:23Not a chance,
00:20:24nor less as I spent
00:20:24with her.
00:20:26Come on,
00:20:26that I would have to humiliate myself
00:20:27too much.
00:20:28Come on,
00:20:29I'm going to call Lorena
00:20:29And I'm going to tell him
00:20:30that I can't meet up with her,
00:20:31that she if that
00:20:31We'll meet another day.
00:20:33Or never.
00:20:34But let's see,
00:20:35Guille,
00:20:36let's see,
00:20:36uncle,
00:20:37that you can't disappoint her,
00:20:38Yeah,
00:20:38that the aunts don't forgive,
00:20:40neither Lorena
00:20:40nor the other girls in class.
00:20:41Clear,
00:20:42uncle,
00:20:42that we have already agreed
00:20:43with them.
00:20:46No,
00:20:46that I don't think
00:20:47take the motorcycle
00:20:47And that's it.
00:20:48Let's see,
00:20:48Guille,
00:20:48Let's see.
00:20:50Tete asks for permission
00:20:51to you when it catches
00:20:51the things in the fridge,
00:20:52when he turns on the TV.
00:20:55The motorcycle belongs to the family.
00:20:56of the family.
00:20:57Well,
00:20:57OK, that's property
00:20:58be from Tete,
00:20:59but the right
00:20:59in a sufruct
00:21:01It's yours.
00:21:02What use?
00:21:04A sufruct.
00:21:05What if she doesn't ask you?
00:21:05permission to take things,
00:21:07Well, don't ask him either.
00:21:08Clear,
00:21:08hey,
00:21:09the truth is that
00:21:10if you pick it up
00:21:10and he doesn't even realize it,
00:21:11because it gives booty,
00:21:11uncle.
00:21:12Hey,
00:21:12If he finds out,
00:21:13Well, a little squabble
00:21:13And that's it.
00:21:14Clear,
00:21:15and so
00:21:15we can bear fruit
00:21:16everyone with the motorcycle.
00:21:20Come on,
00:21:20come on,
00:21:21Okay,
00:21:21Yeah,
00:21:21Yeah,
00:21:22Sir,
00:21:23Yeah,
00:21:23Sir.
00:21:24Hey,
00:21:24silk,
00:21:25remind yourself a little bit,
00:21:26take care of yourself,
00:21:26He doesn't control that much either.
00:21:27Hey?
00:21:28There it is.
00:21:29Well,
00:21:29uncle,
00:21:30I've got it under control now.
00:21:30No?
00:21:31Yeah,
00:21:31Yeah,
00:21:31very good,
00:21:31come on,
00:21:32now that we control
00:21:32We're all going to ask her again.
00:21:33Hey?
00:21:34Guille,
00:21:34guille,
00:21:34guille,
00:21:35Don't be a prude.
00:21:35uncle,
00:21:35Don't be a prude.
00:21:36that this is for a good deed,
00:21:38just to take a little stroll
00:21:38to the girls in class.
00:21:39Goes,
00:21:39uncle,
00:21:40guille,
00:21:40the last one,
00:21:41I swear,
00:21:41the last one,
00:21:41goes,
00:21:42uncle,
00:21:42please,
00:21:42Hey?
00:21:43Ah,
00:21:44fuck.
00:21:44Come on,
00:21:44fuck,
00:21:44uncle,
00:21:44Come on,
00:21:45Come on,
00:21:46Come on,
00:21:47Come on,
00:21:47Come on,
00:21:48Come on,
00:21:48when,
00:21:50Come on,
00:21:50come on,
00:21:50uncle,
00:21:51yours,
00:21:51uncle,
00:21:52uncle,
00:21:53uncle,
00:21:53uncle,
00:21:54uncle,
00:21:56uncle,
00:21:57uncle,
00:21:58uncle,
00:21:59uncle,
00:21:59uncle,
00:22:00uncle,
00:22:01uncle,
00:22:01uncle,
00:22:06I'm sorry.
00:22:06You're an idiot.
00:22:07guys.
00:22:07I've lost all my...
00:22:08It's gone from me,
00:22:09uncle.
00:22:10Hey,
00:22:10don't worry,
00:22:11nothing's wrong,
00:22:12uncle,
00:22:12that we managed to get this out,
00:22:13uncle,
00:22:14that...
00:22:14Hey...
00:22:15Yeah...
00:22:15If bubbles appear
00:22:16Is it good or bad?
00:22:17Damn, first I messed up with Tetéji and now I'm going to ram their bikes, they're going to kill me.
00:22:21No, I, I, I, I'm going to kill you.
00:22:23Calm down, calm down, dude.
00:22:25Calm down, okay? This mud will dry up and we'll get it out.
00:22:27Well, if it hasn't been swept away by the current, of course.
00:22:33You're going to hell, dude!
00:22:37Dude, he's pissed off, isn't he?
00:22:39What do you think?
00:22:41Hey kid, give us a couple of beers and a tapa of ham before we put him with the dog.
00:22:46Marching.
00:22:47Santi, I see you're renewing the staff.
00:22:48You really know how to run a tavern.
00:22:50Yes, yes, it's been years.
00:22:52What are you doing, man?
00:22:54It looks like you're cutting a steak.
00:22:56Sometimes I doubt that you're my nephew.
00:22:58Tito, if you don't let me practice.
00:23:00This is not practiced.
00:23:01This is cutting ham.
00:23:02You are either born or you are not.
00:23:04Here, put the gentleman on the lid.
00:23:05Oh, God.
00:23:14These young people don't even know how to cut ham.
00:23:18Testing.
00:23:18You'll see how it is.
00:23:21Delicates.
00:23:22This gentleman, Antonio, apart from being a great connoisseur of ham, is one of the greatest and best wine connoisseurs in this city.
00:23:29Be careful with him.
00:23:30Which, by the way, I have a genre for you that you're going to like.
00:23:33I'll be right back.
00:23:33Take a look at this.
00:23:35But what are you doing, man?
00:23:37What are you doing?
00:23:38Bring it, bring it.
00:23:39Start with simpler things.
00:23:40Start taking the trash out to the alley.
00:23:42Come on, let's go.
00:23:50And what about them?
00:23:51Good wine or bad wine?
00:23:52The one from '97.
00:23:54But what about '97?
00:23:54No, it's not ready today.
00:23:56This is from '99.
00:23:57This one, the fighter.
00:23:58This guy knows a lot about ham.
00:24:00But as for wine, nothing, not a clue.
00:24:01Okay, and a gift box, as always.
00:24:04What gift box, man?
00:24:05No, no.
00:24:06That was alferitangas.
00:24:07The one from the bar before, right?
00:24:08One day he stood up to us, didn't he?
00:24:10There'll be a couple of bottles and soon.
00:24:12You leave her to me.
00:24:17No way, Grandma!
00:24:17It's not there, I left it parked in the Porsche and it's no longer missing.
00:24:20Hey, stop, stop, calm down.
00:24:22Come on, it can't be that you left it parked on the street.
00:24:24No, Ruth, I'm sure I left it parked there, judge.
00:24:27Guille.
00:24:28Guille, you took my motorbike.
00:24:29Seriously, tell me, it's okay, I promise I won't get mad.
00:24:32Tell me, what did you get her for?
00:24:33No, why? What's wrong?
00:24:36My motorcycle has disappeared, grandma, it's been stolen.
00:24:38What do I do now?
00:24:39I told you to put a lock on it.
00:24:42Oh, honey, I'll talk to the neighbors, because they're such gossips, I'm sure one of them has seen something.
00:24:46Sure.
00:24:47Hey, Guille, can't you and your friends look for her around the neighborhood?
00:24:49Oh, yes.
00:24:50I mean, man, of course, of course, a padlock.
00:24:51Yes, yes, we looked for it.
00:24:52I can help too, okay?
00:24:53So, little worker...
00:24:53No, well, I haven't had her at my house, Grandma.
00:24:55It's okay, look, if it hasn't turned up by tomorrow, we'll go to the police and report the theft.
00:25:00It's okay because it's going to appear, don't be upset.
00:25:03My darling, the motorcycle will appear shortly.
00:25:13Which ship?
00:25:14Hey?
00:25:15What had I told you, Antonio?
00:25:17An expert.
00:25:18And how much will you charge me for this?
00:25:21Five?
00:25:22No, no, let's see, Santiago, we're friends, and friends don't steal from each other.
00:25:28Look, I can let you have this for eight, then.
00:25:31And I end up losing out.
00:25:33I'm not going out, the most I can do is give you three bottles.
00:25:35Tito, can we talk for a bit?
00:25:36Be quiet!
00:25:37Come on, get to work cleaning the bathrooms.
00:25:39Come on, let's go.
00:25:42No, have you tried the panchitos?
00:25:44Try them.
00:25:45Freshly brought from the factory.
00:25:46Well, you're the first one to try them, aren't you?
00:25:49And if we reach an agreement, we'll give you a bag.
00:25:54It's good, huh?
00:25:55And leave, little pingo on your fingers.
00:25:57No, this is a very good offer, Santiago, but I don't know how long I'll be able to keep it.
00:26:03And why not?
00:26:04Hey, what if we end up like the fry cook?
00:26:07What did he say to you, man?
00:26:08Come on, continue with the baths.
00:26:10And don't talk about what you don't yet know.
00:26:11Come on.
00:26:12Well, this wine isn't even good for cooking, huh?
00:26:14Even the dumbest person knows that the 1999 harvest wasn't good.
00:26:20You know what I'm saying, right?
00:26:21From '97 to '5.
00:26:23No, no, let's see.
00:26:24No, that can't be, I'll lose that way.
00:26:26Ah, well, that's it.
00:26:27So we'll look for another one, because we don't want anyone to lose because of us, okay?
00:26:29No, no, no.
00:26:30Okay, fine.
00:26:31Okay, fine.
00:26:32That's it.
00:26:33And a gift box.
00:26:34No, no, let's see.
00:26:35We've already given him a bag of chips.
00:26:37Yes, yes.
00:26:38But our customers don't like stale panchitos.
00:26:40They like peanuts.
00:26:41So a sack of peanuts is the right one.
00:26:43OK?
00:26:46OK.
00:26:47Seriously, Santiago, what a real attack dog you've picked for yourself.
00:26:51Come on, we'll bring the order tomorrow.
00:26:53Let's see.
00:26:53You almost ruined my plan.
00:27:00But you have to see how well my story has turned out, huh?
00:27:02Look at him, how clever.
00:27:04It's like a lynx.
00:27:08Tell me, Lourdes.
00:27:10But woman, how could I forget about dinner?
00:27:13I'm all set, huh?
00:27:14I'm leaving, I'm leaving.
00:27:15Lourdes.
00:27:29Lourdes.
00:27:32I was so eager to take this step, finally.
00:27:35Getting to know each other thoroughly and fitting in.
00:27:37Me too, Santiago.
00:27:40Mother!
00:27:40Mother!
00:27:41That?
00:27:42Santiago, my mother.
00:27:46Adela.
00:27:47Ah, your mother.
00:27:49Nice to meet you, ma'am.
00:27:51The pleasure is mine.
00:27:53No alcohol has entered this house since my Adolfo died.
00:27:58Well, Mom, apart from the after-dinner snack, which you never miss a single day of.
00:28:02That's a digestive aid, you know the doctor prescribed it for me.
00:28:06But serve me a little more.
00:28:07Okay, I'm going to get some pastries.
00:28:09I think I'm going to be rude to the visitors.
00:28:10Yeah.
00:28:12This is my Adolfo.
00:28:15He left us ten years ago.
00:28:17The most elegant man.
00:28:19Man.
00:28:20He was a notary.
00:28:21A career.
00:28:23And you're a waiter, aren't you?
00:28:27Innkeeper, innkeeper.
00:28:29The table of the mountain folk, the one that is on the corner of the pharmacy.
00:28:32Yes, I know which one it is.
00:28:34A good business.
00:28:35Although I don't frequent bars.
00:28:38Especially if she's a widow.
00:28:40Here's my Adolfo.
00:28:41Here?
00:28:42Here are his remains.
00:28:43But mother, for God's sake, not again.
00:28:45He's your father, daughter.
00:28:48Well, we were thinking of scattering the ashes in his hometown, Mota del Cuervo.
00:28:53But, my mother, she preferred to leave it like that, with the body present.
00:28:56Of course, because I do have the impression that it hasn't completely gone away.
00:28:59Oh, look at that nonsense.
00:29:01But I still have the habit of talking to him every night.
00:29:04I tell him how I spent the day, what I did.
00:29:07Having him so readily available, it makes sense.
00:29:11Mother, I had something to tell you.
00:29:13That?
00:29:14Well, and it's even better now, because it's also cool.
00:29:17Santi and I...
00:29:19Santi and I are going to get married.
00:29:21And we're going to get married now, mother, because we're in a big hurry.
00:29:27Mother.
00:29:30Mother.
00:29:30Mother, what's wrong, mother?
00:29:36The air.
00:29:36The air.
00:29:37No problem.
00:29:38Okay, now, let's get some fresh air.
00:29:39I undo.
00:29:40I can't breathe.
00:29:41I unopen it a little.
00:29:42Mother.
00:29:43Oh, I owe you one, aunt.
00:29:45Oh, mother, I'm scared, for God's sake, help me, I'm going to faint.
00:29:48What's happening?
00:29:57Here's your mother.
00:29:58I'll pick up your father.
00:30:01The collector is in the kitchen.
00:30:03No, mother.
00:30:04In the kitchen, yes.
00:30:07Mother.
00:30:10Hello.
00:30:23Oh, what a fright!
00:30:25Hey, don't tell me you'll be working now.
00:30:28Yeah.
00:30:30My uncle had to leave and it fell to me to close up shop.
00:30:35Hey, it's your first day of work and they leave you to do the closing.
00:30:38He does trust you, doesn't he?
00:30:40Yeah.
00:30:40Don't tell me I'm getting the hang of the tavern and that I'm already dealing with suppliers and everything.
00:30:49It's going to be true after all that you have it in your blood, dude.
00:30:51Mr. Serrano, man?
00:30:54No, seriously, the boys have the bust and I are going to work.
00:30:59And you can make a fortune, huh?
00:31:01It's not the box that's made every day.
00:31:04And it's not all going to be studying.
00:31:05No.
00:31:06You have to work hard because you don't know what life will throw at you.
00:31:10No, of course it's like that.
00:31:12Don't tell me you just brought it?
00:31:14Yeah.
00:31:15From the tavern, of course.
00:31:17And when do you study?
00:31:19I was going to start now.
00:31:21You're going to put it on now.
00:31:22Look, Marcos, you're risking your course.
00:31:24And I'm going to tell your uncle what's what.
00:31:25Because it's one thing to lend a hand, and another thing entirely to abuse it.
00:31:28I didn't say that I have time to study.
00:31:32See you tomorrow.
00:31:33Good night.
00:31:34See you tomorrow.
00:31:34Good night.
00:31:38Marcos, we are at the end of the course.
00:31:39And it's not like you're dressed very loosely either.
00:31:41So now is not the time to let up.
00:31:44What am I not going to give up on, Lucia?
00:31:46The thing is, I have to take responsibility because my father is in the hospital.
00:31:50Excuse me, but your father wants the same thing as me.
00:31:52Study and stop hanging around the pub.
00:31:54Is that clear?
00:31:55Because at your age, what you should be doing is studying.
00:31:57And then we'll see.
00:31:58No, you can pass and work at the same time.
00:32:00Oh, really?
00:32:01Because if there are people my age who do it, right?
00:32:03Me too.
00:32:04Look, stop with the stories, Marcos.
00:32:06Because you don't need to work.
00:32:09What's happening?
00:32:11Is something wrong?
00:32:15No problem.
00:32:17Except that...
00:32:18Lucia, don't worry, I'm going to pass the exam tomorrow, okay?
00:32:23Very good.
00:32:25If you don't pass the exam, you leave the tavern.
00:32:27Is that clear?
00:32:28Okay.
00:32:28Okay.
00:32:28Okay.
00:32:29Okay.
00:32:38What's up, Ben?
00:32:39Hey, what's up?
00:32:40Hey.
00:32:42Hey, dude, dude, what's up?
00:32:43Are you still annoyed?
00:32:46Well, dude, if it's my fault, I don't know the worst.
00:32:49This is terrible.
00:32:50Well, dude, I've got the solution.
00:32:52A Paraguayan maca.
00:32:59My uncle brought it to me from Brazil.
00:33:01So what do you want us to do there?
00:33:02Shall we go to sleep?
00:33:02Well, dude, what I thought was that we use it as a net and catch the bike.
00:33:06So our plans are to either get the motorcycle with a Paraguayan maca (a type of Paraguayan motorcycle) or buy one and pay for it.
00:33:10in installments over the next 12 years.
00:33:12Or tell the truth?
00:33:13No, no, no.
00:33:14What are you saying, dude, that we're all going to lose our hair?
00:33:16I mean...
00:33:16Look, let's see, DVD.
00:33:17Lucía is about to file a complaint, and that's when we'll really go home.
00:33:20Damn, damn, and all because of acting silly in front of the class beers.
00:33:23And that's enough already, you could have been more careful.
00:33:25Look, man, it was an accident.
00:33:26Look, man, it was an accident.
00:33:27Look, I'm just going to tell you, okay?
00:33:29What are you saying, no way, man?
00:33:30What are you saying?
00:33:31Wait, Guille.
00:33:32Come on, man, he's going to win everything.
00:33:34Holy shit, what's wrong with him?
00:33:35He's a softie and he's going to screw up.
00:33:36He's going to call the police on me and...
00:33:37God, we have to do something now.
00:33:44If we catch her in...
00:33:46Those photos.
00:33:50I'm so sorry, I'm so sorry, Lurdita.
00:33:52An accident, an accident without any bad intentions.
00:33:55It doesn't happen.
00:33:56And how is your mother?
00:33:58Well, a bit of a mix, Santi.
00:34:00Well.
00:34:00Scramble.
00:34:01They are the ashes of my father.
00:34:03And now, because of the ballot box, it weighs less.
00:34:05Fuck.
00:34:06No, but don't worry.
00:34:08Don't worry.
00:34:09Oh, wait, let me fill you up.
00:34:10Oh.
00:34:11Oh, sorry.
00:34:12Look, all I want you to understand is that...
00:34:14Come, sit down.
00:34:15If we're going to get married, then we're going to have to share a lot of things.
00:34:18Yes, yes, yes.
00:34:19I agree, Lurditas.
00:34:20I'll share whatever is needed.
00:34:21And I fit in, I fit in, whatever.
00:34:24But to me, this seems a bit...
00:34:27Santi, for me my beliefs are paramount, okay?
00:34:30So if we're going to be together and get married, then we'll both have to start from scratch.
00:34:33Yes, yes.
00:34:34Clean, clean and immaculate.
00:34:36Lurdes, daughter, how are you?
00:34:39Very good and well done.
00:34:40Hello, son.
00:34:41What a surprise.
00:34:42I don't see you around here much, do I?
00:34:44The tavern, father, the tavern, it's keeping me very busy.
00:34:47Yes, yes.
00:34:48Okay, Dad, I'll leave it here for you.
00:34:50Very good.
00:34:50Don't be too hard on him, okay?
00:34:51Don't worry.
00:34:52Well, I have to go.
00:34:54Well.
00:34:55You talk to Don Anselmo, then come by my house and tell me about it.
00:34:57Okay.
00:34:57Goodbye, Don Anselmo.
00:35:01See you later.
00:35:03Well.
00:35:06Sometimes I get nervous and swear.
00:35:10Not much, but blasphemous, blasphemous.
00:35:13And what about the sixth commandment?
00:35:15Which one is that?
00:35:16The meat, son.
00:35:17The temptations of the flesh.
00:35:18Ah, that's the case.
00:35:20One does what one can, but I mean not much.
00:35:24There must be something, right?
00:35:25Well, I'm a man who's lived a lot and has had his share of things.
00:35:31I once had something with a welcome guide.
00:35:34She looked for me.
00:35:37One is a man.
00:35:38You know what I mean.
00:35:39Okay, okay.
00:35:40Do you have anything else?
00:35:41No.
00:35:42Well, yes.
00:35:43There's the thing with my brother's mother-in-law.
00:35:45Your brother's mother-in-law, Doña Carmen?
00:35:47Yes, yes, a favor I did for him.
00:35:48My brother thought it was for money.
00:35:50But no, no.
00:35:51There was no coupling, huh?
00:35:52Okay.
00:35:53And then there's the thing with my sister-in-law.
00:35:54My sister-in-law's thing.
00:35:55Your sister-in-law, Lucia?
00:35:56Yes, a couple of times I saw her all worked up and stuff.
00:35:59Just like that, without meaning to.
00:36:01It's for the fish.
00:36:02For the fish.
00:36:03And again.
00:36:04Look, son, it's about her.
00:36:06It's about her.
00:36:07Look, say ten Our Fathers and go in peace.
00:36:11Go on.
00:36:12I press myself.
00:36:13Whatever.
00:36:14That's it.
00:36:15Come on.
00:36:16Oh, Camela, no.
00:36:17I love that he works at the tavern, but only in the summer.
00:36:19Not during peak salmon season, man.
00:36:20Maybe he's developed a taste for it, the bandit and the shovel.
00:36:22Ah, the pleasure, the bandit, and the baize.
00:36:24Look, Camela, you and I know how Marcos is doing with the course.
00:36:27Shaved, shaved.
00:36:28No?
00:36:28Well, I think he's going to need a lot of help to test.
00:36:31Yeah?
00:36:32A lot of help.
00:36:33What do you mean?
00:36:33You try it.
00:36:34This is corruption, Lucia.
00:36:35You're going too far...
00:36:35Camela, Camela, Camela, Camela.
00:36:37What's happening in your magazine?
00:36:38What I'm trying to tell you is to give it your all.
00:36:41He should try harder.
00:36:42He should focus on his studies.
00:36:43And that he should leave the tavern once and for all.
00:36:44Well, if what you want is for you to give it your all, then it's definitely the right person to ask.
00:36:48See?
00:36:49Shh!
00:36:49Hey!
00:36:50Come on!
00:36:53Come on!
00:36:55Everyone sit down!
00:36:58He's rushing you, huh?
00:37:00Let's see.
00:37:02Good luck to everyone.
00:37:04And let's begin.
00:37:05Raúl Martínez.
00:37:07To the firing squad.
00:37:08Closing the books immediately.
00:37:09Let's see.
00:37:15Tell us about Impressionism and how it relates to the painting.
00:37:19Hey...
00:37:20Impressionism.
00:37:25Well, Impressionism is like...
00:37:29That's the impression it gives you.
00:37:30No?
00:37:31In other words, you look at the painting and it gives you an impression and impresses you.
00:37:38Very good.
00:37:39Impressionism is about impression, and expressionism is about being very expressive.
00:37:42Mainly.
00:37:43Mainly.
00:37:44Well, it's mostly suspended.
00:37:46Raúl Martínez, I'm going to sit you down.
00:37:47You have an impressive and very expressive zero.
00:37:52Hey...
00:37:52Serrano.
00:37:54Let's see what you can tell us about this.
00:37:59It's a...
00:38:00It's a sculpture, isn't it?
00:38:02Of a woman like that, almost naked.
00:38:06Very good.
00:38:06I see that men and women know how to distinguish themselves in some kind of problem.
00:38:10And now, if you like, stand up, drop that book and leave it wherever it falls.
00:38:14Hey?
00:38:14And we continue talking about art.
00:38:19Continue.
00:38:20Well, it's made of marble and it's Roman.
00:38:25Ah, Roman.
00:38:27Greek.
00:38:27Greek.
00:38:28Greek.
00:38:29Yes, and well, you can see it because she's naked and it's in the Greek style.
00:38:33In other words, when she's naked she's Greek, and when she's dressed she's Roman.
00:38:37Not always, no, but according to the Greek canon of beauty.
00:38:40The standard of beauty?
00:38:41What is it?
00:38:45The heads.
00:38:47The heads?
00:38:49Many heads.
00:38:52Let's see, Marcos, how many heads is the Greek canon of beauty?
00:38:57Whose canon is it?
00:38:59Nothing?
00:39:00Well, another one who's taken the subject lightly and finished his exam.
00:39:03I remind you that everyone who fails today will be able to retake the exam tomorrow.
00:39:07And those who don't recover tomorrow go directly to September.
00:39:09OK?
00:39:10Let's see, Salas.
00:39:11Salas, that's great.
00:39:13Tell us something about this.
00:39:17Paint.
00:39:17That is...
00:39:19Painters...
00:39:22The gladiators...
00:39:23Let's see if I repeat myself.
00:39:25Hey, Don Anselmo, be here.
00:39:27Fixed, yes, like every Thursday, for the last 30 years.
00:39:30You already know that Santiago is going to be part of this family, right?
00:39:34Let the girl get married.
00:39:36There is always joy at this time of year.
00:39:38Yes, Adela, I've already been told.
00:39:41Well, I have to go.
00:39:44Adela, take care of your health, okay?
00:39:46Thank you, Father.
00:39:47Bye bye.
00:39:47I'll go with you, Father.
00:39:49All the way to the door.
00:39:49Well, now we're on the road.
00:39:51Ma'am, one small detail.
00:39:53Oops!
00:39:53But what more could I want?
00:39:55You were in the thick of it, Clapot.
00:39:57I'm sorry.
00:39:58Sit down, sit down, Santiago.
00:39:59Well, she'll have to get better, because the wedding is coming up soon, so she needs to recover.
00:40:05The way I am, I think I'll be around for a while.
00:40:09My whole body hurts, it's broken, son.
00:40:12Just a little effort, Adela, just a little effort.
00:40:15You continue with your plans.
00:40:17So, what difference does it make to you that I'm here, right?
00:40:19If all I'm going to do is bother people.
00:40:22Mom, don't say that.
00:40:23I'm not getting married without a godmother.
00:40:24My daughter, well, I think I'll be dealing with this for a while.
00:40:28Maybe you'll get lucky and the Lord will take me with him sooner than you think.
00:40:33And that way you have one less obstacle.
00:40:35Don't even joke about that.
00:40:36Well, you can also go on a stretcher.
00:40:39We'll put an ambulance outside, just in case.
00:40:41Well, Santiago, as long as my mother isn't well, we can't get married.
00:40:45We'll wait as long as it takes.
00:40:46I'm going to put on some eye drops.
00:40:47That.
00:40:50Ma'am, you'd have to do your part.
00:40:53Your daughter's happiness is at stake and you're not cooperating, you're not cooperating.
00:40:57What happiness?
00:40:58It'll be yours, won't it?
00:40:59Because, as far as my daughter is concerned, I've got you figured out.
00:41:02My daughter is a sweet little darling to you.
00:41:04What expert, what expert, man?
00:41:06You're already worn out and you're looking for one last chance.
00:41:10Oh, it was catching the most clueless one.
00:41:12To my daughter, you're just a surplus, let that be clear.
00:41:14A mother's duty is to prevent her children from making mistakes.
00:41:17So make sure you understand this very clearly.
00:41:18I will do everything in my power to prevent my daughter from marrying you.
00:41:21Here's the drop!
00:41:23Oh, oh, oh.
00:41:24Oh, oh, that's it.
00:41:26Oh, daughter, he didn't forgive me.
00:41:28Oh, girl, yes, that's what I was thinking.
00:41:31When I tired you out, you started thinking about where the three of you are going to live together here.
00:41:36But what do you mean, all three of you are here?
00:41:38You already know, ma'am.
00:41:40A married man wants a house.
00:41:42Man, Santiago, while my mother is bedridden, can't we just leave her alone?
00:41:45Yes, friend, let me go out taking care of myself, stretching my pension a lot, it's all the same to me.
00:41:52Even if I have to spend the nights alone.
00:41:54You're coming to live with us as soon as we get married.
00:41:57Yeah.
00:41:58That would be good.
00:41:58Oh, isn't that right, Santiago?
00:41:59Oh, that's great.
00:42:01What's happening?
00:42:02What's happening?
00:42:02Hey, what is it?
00:42:10Are you sure it's okay for us to do this?
00:42:11Yes, yes, I take it for Guillem, for the value of friendship.
00:42:14Well, and so that he doesn't spill the beans and throw us in jail.
00:42:16Yeah, dude, yeah, I know, yeah.
00:42:18But I've never stolen a motorcycle in my life, man.
00:42:20And we got rid of the TT one.
00:42:21And now we've stolen this.
00:42:22No, don't steal, don't steal, borrow.
00:42:25Besides, you destroyed the other one, didn't you?
00:42:26So don't back down now.
00:42:28But stand there or you'll ruin your vision.
00:42:31You put yourself in charge, right?
00:42:32That you...
00:42:33Okay, fine, fine.
00:42:36You have arms, come on.
00:42:39Cut the chain and scratch it, but make it look like an accident, okay?
00:42:41Come on, man, come on.
00:42:43There, good, good, good.
00:42:44Come on, come on, come on, come on, dude, hurry up.
00:42:46There, you draw a strong line, a strong line without fear.
00:42:49It doesn't bother me anymore.
00:42:50Okay, okay, there.
00:42:52Come on.
00:42:53Careful, careful, careful.
00:42:54Uncle, uncle, uncle.
00:42:57Well, maybe it's not so bad that you dropped it.
00:43:00Okay, let's continue.
00:43:04I already told you, huh?
00:43:05I told you so, be careful with your mother-in-law.
00:43:07Beware of your mother-in-law.
00:43:08And you, what about you?
00:43:08What is a lady?
00:43:09Well, here you go, ma'am.
00:43:11With the little spots and the few things that seemed to be there,
00:43:14lying down on the sofa.
00:43:16I don't care, people.
00:43:17I'm going to marry Lurditas and I'll face it.
00:43:20I'll deal with whatever comes.
00:43:21Cheese is a lot of hardship, damn it.
00:43:22Yes, it's perfectly clear.
00:43:24Your mother-in-law is a real clingy model.
00:43:27The kind that get on your neck and suck your blood.
00:43:29But Fiti, who is the mother of little Lurditas, what do you want me to do?
00:43:33Or what is done with all ticks.
00:43:35No, no.
00:43:38I love Lurditas very much and I'm going to marry her.
00:43:41If that's not the case, damn it.
00:43:42This is war.
00:43:43A war to the death.
00:43:44This looks very much like it's going to turn into a three-way marriage.
00:43:47What about Carlos and Camila?
00:43:48What the guy from Camila says.
00:43:49Don't compare me to the big-eared one, okay?
00:43:51A three-way marriage.
00:43:53Look how Lady Di ended up.
00:43:54How did Lady Di's life end?
00:43:55Hey?
00:43:55Because he didn't know how to mark his territory.
00:43:57And you're headed down the same path as the other one.
00:43:58You have to go there and make it clear who's in charge, damn it.
00:44:01I'm going to marry some lazy bums and I'm going to swallow it.
00:44:04Swallow it, accept it, and have a lot of patience.
00:44:08Yes, Santi, you're right, damn it.
00:44:10You're right.
00:44:10In other words, here, whoever gets married, well, well, they have to pay the price.
00:44:13And that's it.
00:44:14Yes it's true.
00:44:15Now, yes, patience.
00:44:17You're going to need patience.
00:44:19Especially when Grandma starts to get angry.
00:44:21Hey?
00:44:22Of course, damn it.
00:44:24Doña Adela, there is no girl.
00:44:25That.
00:44:25And now she is bedridden.
00:44:27But then she will be prevented.
00:44:29And we'll have to give him the injections, the bullet, clean his undercarriage.
00:44:32There.
00:44:32What injections and what bass?
00:44:34What did he say, man?
00:44:35Hey, she's not your mother-in-law.
00:44:36Well, you have to work with everything.
00:44:38I'm going to tell you something, Santi.
00:44:40Or you finish her off...
00:44:42Or she'll end up killing you.
00:44:44You need to get there this afternoon and make it clear who the hell is the king of the jungle.
00:44:48With a pair.
00:44:53See you later, guys!
00:44:53Fiti, Fiti.
00:44:54Wait, you'll see I wanted to do something to you and...
00:44:58AND...
00:44:59Can you fix this motorcycle for us?
00:45:02Fuck.
00:45:03It's not ours, it's Guille's.
00:45:05Guille's?
00:45:06Since when have you had a motorcycle, Guille?
00:45:07Well, no, it's Guille's, it's Tete's.
00:45:12Tete's?
00:45:15Clear.
00:45:16Taking advantage of his father's disability, he steals his sister's motorcycle.
00:45:19Of course, they had probably forbidden it and he took the motorcycle whenever he felt like it, as if he were seeing it coming, come on.
00:45:23And besides, he's completely wrecked it, scratched it all up and everything.
00:45:26Well, you're going to help him, aren't you?
00:45:28This kid is a total jerk, let's see.
00:45:31I'd help you guys, but it's like...
00:45:33Since his father is currently incapacitated, it's like I'm helping you guys make fun of him, damn it.
00:45:37And to mock someone who's been crippled, well, no, no.
00:45:40Let's tell his uncle, Santi.
00:45:41No, no, Fiti.
00:45:42There's more to it than that...
00:45:46That it was a mistake.
00:45:48A mistake...
00:45:49A mistake of love.
00:45:50Love?
00:45:51Guille is in love with Tete.
00:45:56Fuck.
00:45:58Damn, Diego has a real cross to bear in that house, my god.
00:46:01If you don't help me paint his motorcycle, he's going to lose his Tete forever.
00:46:05You know how resentful women can be.
00:46:07Besides, we men have to help them, right?
00:46:09And for you, tomorrow for me.
00:46:10Among firefighters, no, no.
00:46:11Let's paint...
00:46:11Ya, ya, ya, ya, ya, ya, ya, ya, ya, ya.
00:46:11Don't get carried away now, don't get involved.
00:46:16So, what needs to be done?
00:46:17Fix that motorcycle.
00:46:18And paint it.
00:46:20Yes, and paint it.
00:46:21Well, since you're painting it, you might as well paint it orange.
00:46:24Yes, it's her favorite color.
00:46:26To surprise him.
00:46:29Well, yes, it has to be ready by this afternoon.
00:46:31This afternoon?
00:46:31Come on, we'll pay for everything, really, okay?
00:46:33Yes, yes, we'll pay for everything.
00:46:33In installments?
00:46:34In installments?
00:46:34In installments.
00:46:35Okay, fine, fine, fine.
00:46:36Look, take my motorcycle to the workshop.
00:46:38But one very important thing, pay attention, okay?
00:46:40In other words, don't even bother telling Diego about this.
00:46:42Isn't man suited for these kinds of troubles now?
00:46:44Fuck.
00:46:45Isn't it there?
00:46:47Okay, see you later.
00:46:48So far, Fiti.
00:46:55Yes, a black scooter, yes.
00:46:57Okay, I'm going there right now, okay?
00:46:59Okay, fine.
00:47:01Hey Candela, I'm going to file a report at the police station because my motorcycle has been stolen.
00:47:04You too?
00:47:05What's happening in this neighborhood is that your motorcycle has been stolen.
00:47:08Me, me in the park and at school.
00:47:10Well, tell me what the police say.
00:47:11Okay, fine.
00:47:11Hey, congratulations, huh?
00:47:15Thank you.
00:47:16See you later.
00:47:16See you later.
00:47:19What about you? Are you already talking about the wedding dress?
00:47:21Well, no way.
00:47:22But I can't get married right now.
00:47:24And so?
00:47:25Well, you were really going for it, Santiago, and you, weren't you?
00:47:27Yes, that's not it, Candela.
00:47:29Look, suddenly my mother has become very ill.
00:47:32I have her bedridden and as you can understand, well...
00:47:35Well, we can't get married until I'm well.
00:47:38He's very old.
00:47:39Okay, let's see, Lourdes.
00:47:40Yeah.
00:47:41Getting married is just a day, you're not going to live at the North Pole, you know?
00:47:43Your mother could make an effort.
00:47:45Santiago said the same thing this morning.
00:47:48But, I don't know, I think maybe Santiago and my mother...
00:47:52...they don't quite get along very well.
00:47:54Oh, well, what did you want?
00:47:56But it's a classic.
00:47:58The fact that?
00:47:58Well, I mean, for example, the first night they spend at my mother-in-law's house,
00:48:03in Gloria Este, and keep her locked up there, well locked up, because what a beast my mother-in-law was.
00:48:07Because?
00:48:07No, no, I'm telling the truth.
00:48:09That dirty day threw a bowl of soup on top of my new dress.
00:48:12For no reason at all.
00:48:14And look at how things are.
00:48:15After all the years that have passed, when he first came to frisk at home,
00:48:19I poured the paella on her dress.
00:48:21Know?
00:48:21What I mean by this is that fathers-in-law, sons-in-law, daughters-in-law, and mothers-in-law,
00:48:25This is like oil and water.
00:48:27This isn't working, you know?
00:48:28No, no, I will never leave my mother.
00:48:30Well, it's about time you did it, you're not a child anymore.
00:48:33And your mother will have to accept it.
00:48:35No, Candela, I can't, she's feeling very unwell right now.
00:48:37What a coincidence that just when you're about to get married, your mother is going to have a terrible meltdown.
00:48:41Do you realize?
00:48:43She's controlling me, acting like a mother.
00:48:45No.
00:48:45Of course you should, and you shouldn't allow it, right, Lourdes?
00:48:48Because that eats you alive.
00:48:48No, no, not if she doesn't...
00:48:50No, you have to think for yourself.
00:48:52You have decided to marry Santi and your mother has to accept it and do her part.
00:48:56Monette, Esplenoir, Pizarro, God.
00:49:04There are millions.
00:49:04Yes, I've been thinking that I didn't think you were cut out for this.
00:49:11But I've realized that you're a true mountain man.
00:49:15Exactly the same, just like me when I was your age.
00:49:17Blood of my blood.
00:49:19Thanks, Tito.
00:49:20Well, the time has come for you to learn the ins and outs of the business.
00:49:24Like my father did with me when I was 15.
00:49:28I'm going to teach you the ten commandments of every good, self-respecting tavern owner.
00:49:32In this profession, the most important thing is psychology.
00:49:38You study at the same time.
00:49:40You must look innocent.
00:49:41You put a little more fat there.
00:49:46One at each table.
00:49:47And tightly.
00:49:49At that table in the back, none.
00:49:52Carmen's friends sit there.
00:49:53And for the three coffees they drink, they use up all the napkins.
00:49:58Tito, but give me another one, that's two bathrooms.
00:50:00No.
00:50:01In the women's section, one.
00:50:02In the men's category, none.
00:50:04They need to get used to coming home evacuated.
00:50:07Just so you know, you'll always have a job here.
00:50:10Thanks, Tito.
00:50:11You've finally become a man.
00:50:13What a joy for your father.
00:50:17Hello.
00:50:19Hello.
00:50:25I see you all get along very well here, huh?
00:50:27The kid who has the tavern in his blood.
00:50:29The kid, the one who just failed an exam.
00:50:32And you were pressuring him to stop studying.
00:50:33Hey, nobody's pressuring anyone here, okay?
00:50:36Call Jordito.
00:50:38We are in a free country.
00:50:39Yes, but do you think I'm stupid, or are you just playing dumb?
00:50:41Santi, when kids see easy money in their pockets, they don't go back to studying.
00:50:45Well, if you want to study, fine.
00:50:47And if not, hey, not all of us can be ministers.
00:50:49Ah, that's what you want the tavern keeper to be for life, isn't it?
00:50:51What's happening?
00:50:52Do you have something against tavern owners?
00:50:54Sir, I remind you that your husband is not a professor.
00:50:57You already had one of those and you left him for my brother.
00:51:00What a coincidence, tavern keeper.
00:51:01And I'm very proud of it.
00:51:02Sorry, okay.
00:51:03I didn't mean that, Santi.
00:51:05Well, you said it.
00:51:06I am very proud of that tavern owner.
00:51:08Like my father, like your husband.
00:51:10And there you have the third generation showing promise.
00:51:14So start getting used to that idea.
00:51:15Hello.
00:51:35How are you?
00:51:37That's great.
00:51:38The motorcycle still hasn't turned up, but hey, I've already bought another one for my dad.
00:51:41Since that's all he knows how to do, right?
00:51:42Buy me things.
00:51:45No no.
00:51:49Even I wanted to...
00:51:50I wanted to tell you that...
00:51:52That?
00:51:54Well, what happened with...
00:51:55Yet...
00:51:56That...
00:51:59That?
00:51:59Hey, your motorcycle!
00:52:00What has appeared?
00:52:01Your motorcycle!
00:52:02Of course, I haven't escaped.
00:52:03Yes of course.
00:52:04Honda, what a life!
00:52:05Look, can you see yourself?
00:52:06That's it.
00:52:06Some cattle driver probably took it for something and then got tired of it and brought it back to you.
00:52:10Oh, that little brat deserved to be punished, didn't he?
00:52:13But you see, it's very good.
00:52:14Why isn't the motorcycle here?
00:52:14Yes, why isn't it bad? Because he's going to call the police.
00:52:16Hey, but...
00:52:17But the motorcycle is finished.
00:52:18Hey, Tete?
00:52:18Yeah.
00:52:18To the garage, for a little while.
00:52:20Is that clear?
00:52:21It's changed a bit, hasn't it?
00:52:22The little mirrors are given in different ways.
00:52:23Oh, what is that?
00:52:23She's here, woman.
00:52:24Please, if you've had it since yesterday, Mom, come here for a moment.
00:52:27No, no, no, no, let's go.
00:52:27No, no, no, no, no, no.
00:52:27It's your motorcycle, enjoy it.
00:52:31But hey, if they don't want it, you can't give it away, right?
00:52:34No way, kids.
00:52:35No, if you behave yourselves, maybe it'll be closer to the bus stop, but...
00:52:38Tete, we have to go, okay?
00:52:43We're leaving.
00:52:44Yes, thank you very much.
00:52:45Come on, greetings.
00:52:51But, Grogi, have three beers, I asked you for them yesterday, remember?
00:52:57What a great waiter!
00:52:59Don't mess with me, my uncle left me alone with Grogi, dude.
00:53:01Yes, well, you can have a beer, right?
00:53:04But, let's see, Raúl, have you seen how I have this?
00:53:06What do you mean, no, man?
00:53:07No?
00:53:08Hey, never mind, I'll put them up myself if that's the case, okay.
00:53:10See if you can clear the tables in the back, okay?
00:53:13Oh, man!
00:53:14You see, man, I have to study for the exam.
00:53:15AND?
00:53:16What's the problem?
00:53:17Go into the back room, start studying, because I've put you to bed in front.
00:53:20Come on.
00:53:20Are you studying it or what?
00:53:21I've already told my mother that I'm going in September.
00:53:23I personally prefer studying the homeland in art.
00:53:26Dude, this is more important to you.
00:53:27Marcos, you're going home where you have to pass.
00:53:29And what are colleagues for?
00:53:31Come on, go inside.
00:53:32If there's a problem, I'll call you, no worries.
00:53:34Sure?
00:53:34Yes, sure.
00:53:35Sure.
00:53:36Marcos, yes, man.
00:53:37Thanks, man.
00:53:39Come on, let's go.
00:53:44Straws.
00:53:45Here's a complimentary tapa of ham.
00:53:47And a solivita.
00:53:49Thank you.
00:53:50Blue stream.
00:53:51A splash of orange.
00:53:52Kid, kid, tell the boss.
00:53:59What boss?
00:54:01I'm here for whatever you need.
00:54:02So, what's going on?
00:54:03Well, we've come to deliver your wine and appetizer order.
00:54:07Very well, then come on, let's see that wine.
00:54:08Hey, give me a good wine, okay?
00:54:09Let's see if you're going to give me a year or a cool harvest.
00:54:12No, no, no.
00:54:13It's clear you know about this.
00:54:15We had thought of giving you 99, which was a very good year.
00:54:19Damn, Real Madrid are European champions.
00:54:20That says it all.
00:54:21How many boxes?
00:54:24Well, here it all is.
00:54:26Just a bag of chips?
00:54:28This is a disgrace, man.
00:54:30The fondness for Mexicans in this bar.
00:54:32Nothing, just two bags, that's it.
00:54:33Well then I have to charge you...
00:54:35Let's see, let's see, let's see, let's see.
00:54:38Martin.
00:54:38Martin.
00:54:40How much is the bag worth?
00:54:42At 10 euros?
00:54:42Well, me too.
00:54:43For me, because it's me and in this tavern, eh?
00:54:45You're going to leave it at 9.
00:54:47Oh, really?
00:54:48Well, yes, but I end up looking lost.
00:54:5218 euros for the panchitos, a total of 300 euros.
00:54:57Well, I'm going to warn Marcos.
00:55:01No, no, no, hey, hurry up, we have the van double-parked.
00:55:05Okay, okay, okay.
00:55:05Marcos.
00:55:15Do you know where they keep the money?
00:55:18Yeah.
00:55:19The large bills are under the cash register tray.
00:55:24Okay, thanks.
00:55:25Nothing.
00:55:25What, ma'am?
00:55:35How are you?
00:55:36Better?
00:55:37Worse than ever, son.
00:55:40Now I have arthritis and I can't even get up.
00:55:43But, ma'am, get up a little, you're getting fat from sitting on the sofa so much.
00:55:48Make an effort.
00:55:49Mom, are you sure you're not feeling a little better?
00:55:51No way, honey, I wish.
00:55:53Look, I have a pain here in my back.
00:55:57Oh!
00:55:58Santiago, I've already told Don Anselmo that there's no wedding until my mother recovers.
00:56:02We'll wait as long as it takes.
00:56:05I'm going for the wall.
00:56:06Because?
00:56:08We can't get over the wedding.
00:56:10We have to get married.
00:56:11No, yes, I also want to get married, Santiago.
00:56:13I have my own emergencies too.
00:56:15Don't think I don't understand.
00:56:16But with my mother like that...
00:56:18Oh, your mother isn't so bad.
00:56:19If you want to, you can.
00:56:21He's exaggerating.
00:56:22No, Santiago, no.
00:56:24Don't put me in this awkward position.
00:56:27Hey!
00:56:28It's here!
00:56:28He's standing right here!
00:56:29What's happening?
00:56:29I saw it!
00:56:30He was standing here putting the sheep out!
00:56:32This man is crazy.
00:56:33Hey!
00:56:33That's what he's got!
00:56:35Stand up!
00:56:35It's moved!
00:56:36It's moved!
00:56:37Come on, let him get up!
00:56:39Whatever he wants, whatever he wants.
00:56:41She wants to sabotage our wedding because she doesn't want her daughter to get married.
00:56:44So come on, stop with the comedy.
00:56:46I don't want my daughter to marry the wrong man.
00:56:49You're a mother-in-law with a scab.
00:56:50Worse!
00:56:51She's a mother-in-law...
00:56:52Tick.
00:56:53The hair is stuck and won't come off!
00:56:55The only tick here is you, who comes to take advantage of my daughter.
00:56:59Tell her, tell her what she told me before, that she seemed like the girl who was a sorceress.
00:57:03Yes, I'm telling you!
00:57:04To my daughter, you're just a leftover; she doesn't deserve you.
00:57:07And I will do whatever it takes to stop that wedding.
00:57:09Tavern keeper, you're a tavern keeper!
00:57:11Okay, that's enough, it's over.
00:57:15Santiago, please leave the house.
00:57:18Lurditas.
00:57:18No, Lurditas, it's not over, Santiago.
00:57:20There is no wedding, not today, not ever.
00:57:23It has broken me.
00:57:28It finished me off.
00:57:33That's it, it's over.
00:57:36Now it's just the two of us again, all together.
00:57:41And so happy.
00:57:44No, mother.
00:57:45I'm leaving home.
00:57:48I'm becoming independent.
00:57:49I love Santiago, he's the man of my life
00:57:52What father was to you, Santiago is to me
00:57:55And if you don't accept him and he doesn't accept you either, then I won't keep either of you.
00:58:00You are selfish people.
00:58:01I'm fed up, I'm leaving
00:58:02Where to?
00:58:04To Burundi, if necessary
00:58:05Well
00:58:15Well, that's it.
00:58:17Fiti, thank you so much for coming, I just didn't know who to call
00:58:21Because Santi isn't answering his mobile phone
00:58:23Yes, he's using a plumbing excuse to flirt with me, Ms. Benchu
00:58:27Sure?
00:58:30What things, what silly ideas come to mind?
00:58:32No, no, no, no
00:58:33This plumber fantasy is something all women have, it's in their subconscious.
00:58:38Come on, Guille, scene, Fiti's got some ideas
00:58:42Fiti, Fiti, the police, enter the police station
00:58:44But what about the police? What's going on?
00:58:47Fiti, Fiti, they've arrested me
00:58:50Good evening, are you the head of the household?
00:58:53No, well, well, the head of the family is disabled and the woman has taken precautions.
00:58:58Come on, I'm already acting like a family man now.
00:59:00What's happening?
00:59:01Do you recognize this motorcycle?
00:59:03Of course, I'm not going to meet her, I've spent all afternoon working on her
00:59:06I haven't even left it, new mode
00:59:07But is something wrong?
00:59:09So, do you know where this motorcycle came from?
00:59:11Of course, I know her.
00:59:13I saw the kid was in need and it made me feel sorry for him, I felt sorry for him
00:59:16Is this sticker from your workshop?
00:59:19Yes, a little bit of advertising is also necessary.
00:59:21Here you put a man
00:59:22But what about my granddaughter's motorcycle?
00:59:25Hey kid, do you have anything to do with this?
00:59:27No, no, I don't know anything about this motorcycle, really.
00:59:29What do you mean you don't know anything, you idiot?
00:59:30What do you mean you don't know anything?
00:59:31What's mostly going on here?
00:59:33What's happening is that when we checked the chassis number, it appeared to us that this motorcycle was stolen.
00:59:37But no, that can't be, I've already told you that this motorcycle is mine, really, my father gave it to me.
00:59:43According to the frame, it belongs to a certain Fernando González who has claimed its disappearance.
00:59:47What's going on here?
00:59:48Oh, please, Fiti, I don't know anything
00:59:49What's going on here?
00:59:49No, you don't know anything.
00:59:50What's going on here?
00:59:51Tell me!
00:59:52Excuse me, excuse me!
00:59:53Come with us to the police station
00:59:54Hey?
00:59:54And there it will be.
00:59:55Dude, wait a minute, I'm not a criminal, please.
00:59:57I didn't know anything about the motorcycle; it's the kid's doing.
00:59:59Carmen, call Candela
01:00:01Yes, yes, I'm going right now.
01:00:02Guys, come on, then come in
01:00:03What a surprise, huh?
01:00:15I asked them there
01:00:16They send their regards, by the way.
01:00:18Nothing, they wanted to charge me 10 for the bag of Panchitos.
01:00:20But I told them there wasn't one, or that they took her home.
01:00:22Let's see, Raúl
01:00:23It wasn't this wine, man, it was the '97 wine, right?
01:00:26And the Panchitos
01:00:27They told us they were giving it to us for free and we said no, Raúl
01:00:30Well, they're not getting paid, period, okay?
01:00:36Raúl
01:00:36Don't tell me you paid them
01:00:38Okay, so mostly, 300 euros that was in the till there
01:00:43300 euros, Raúl?
01:00:44But you, you...
01:00:45Dude, I'm sorry, I'm sorry, Marcos, I didn't know, I didn't know they were...
01:00:48My uncle
01:00:48What's up?
01:00:55Satito
01:00:56What wine?
01:01:02The day of '99
01:01:02And these Panchitos are stale
01:01:05Not even the horses want them.
01:01:07Yes, that's right, Tito, it's just that I...
01:01:09I wasn't there...
01:01:11What do you mean I wasn't there?
01:01:11What do you mean I wasn't there?
01:01:12You didn't pay for this, did you?
01:01:13No, no, no, mostly...
01:01:15I paid from there, from the till.
01:01:18What have you done, you wretch?
01:01:20What have you done, Tito?
01:01:21You're going to ruin me!
01:01:22Go away!
01:01:23It ruins it!
01:01:24And you too!
01:01:25And you too!
01:01:25You're going to ruin me!
01:01:27Spoil!
01:01:31Already...
01:01:32That's it...
01:01:34Everything's better now, isn't it, Tito?
01:01:36Here, take this, and you'll see how...
01:01:42I'm sorry, really, it's my fault, it was my fault and...
01:01:45We tell them to give us our money back and that's it
01:01:48Yes, it doesn't matter anymore.
01:01:50What a day I've had
01:01:52As if I'd looked at a port
01:01:54Has this ever happened to you?
01:01:56Nothing, I'm not getting married anymore.
01:01:58Lurditas prefers the tick
01:02:00The wedding is cancelled
01:02:02Were you going to get married?
01:02:06Yes, son, yes
01:02:07It was my last chance.
01:02:09And now you see
01:02:10I'll be left alone and single in life
01:02:12Hey Tito, we're right there, you know?
01:02:16What are you saying, man?
01:02:17Nephews, it's not the same
01:02:18Oh, I can just picture myself lying there in the nursing home.
01:02:22What a life!
01:02:23Now let me tell you something
01:02:25I'd rather die than go to the other side.
01:02:27All
01:02:28I would have liked to go to a wedding
01:02:30Well, maybe...
01:02:32Equal...
01:02:33Maybe you'll get lucky with that.
01:02:35Hey?
01:02:38But no one in the family has told him yet, have they?
01:02:41But what...
01:02:42That Eva and I got married
01:02:45But anyway, this...
01:02:47Your father knows this.
01:02:48No, no, no, no, I haven't told him
01:02:49I haven't told him
01:02:50Why do you think I'm here, Tito?
01:02:53Why do you think I'm working at the tavern?
01:02:55No, because of what you said
01:02:56By...
01:02:56To see if I'm capable tomorrow
01:02:59Raising a family, you know?
01:03:01You're going to make everything so complicated.
01:03:02But how complicated, man.
01:03:04You're good for that and more.
01:03:06You are a mountain man
01:03:07A mountain dweller
01:03:08Do you think I'm stupid?
01:03:10I don't know why this happened
01:03:11It's happened to you because of what amounts to love.
01:03:13Damn, you're at an age
01:03:15There it is
01:03:16We've all done silly things for women
01:03:19But there is a fundamental rule
01:03:20If you act like an idiot for a girl
01:03:22Make sure he likes you, at least.
01:03:23Otherwise...
01:03:24Going there for nothing is just silly.
01:03:25Look, you're going mute, aren't you?
01:03:31Listen to me for one thing
01:03:32I imagine this to your father
01:03:34You'll say that carefully, won't you?
01:03:36Yes of course
01:03:36Churri
01:03:38Damn, thank goodness
01:03:39Thank goodness he came
01:03:40You wouldn't believe how creepy the dungeon is.
01:03:42Okay, okay
01:03:42Everything is clear now
01:03:43The boys have told us
01:03:45Which seems to be
01:03:46It's a prank.
01:03:48And let's see if next time
01:03:49What's a motorcycle doing here?
01:03:50He makes sure that nothing has been stolen
01:03:51Yeah, yeah
01:03:52Honey, even children can deceive you.
01:03:54No, no, they haven't fooled me
01:03:55I'll talk to you later.
01:03:57It has been a collaboration
01:03:58Stealing a motorcycle
01:03:59The latest thing that has been seen
01:04:00But it was because of the value of friendship.
01:04:01Mom, believe me, really
01:04:02Friendship
01:04:03Friendship
01:04:04Delinquent!
01:04:05You're a petty criminal.
01:04:05Please, let's see
01:04:06Do you want to file a complaint?
01:04:09Look, leave it.
01:04:09I'm riding the bike and it's a tie
01:04:11That's it
01:04:11Okay, okay
01:04:12Very good, Fermín
01:04:13Nothing
01:04:14There's no need, right?
01:04:15A review if necessary
01:04:16If the motorcycle's color needs to be changed
01:04:18It changes
01:04:18That's it
01:04:19Hey, can you tell me what you told Fiti?
01:04:24Us?
01:04:25Nothing
01:04:25Oh ok
01:04:28We told him you were there for your sister so he'd sneak in.
01:04:31That?
01:04:33That?
01:04:33Hey
01:04:33You're all idiots
01:04:35But?
01:04:35But do I do it?
01:04:36Leave me alone!
01:04:37Go to hell, Ciro!
01:04:37But that was made up, kid!
01:04:39That's great, man!
01:04:40Has he gotten angry again?
01:04:41Uncle
01:04:41Hey
01:04:43It's not true that he likes her, is it?
01:04:47No
01:04:47No
01:04:47No
01:04:48What are you doing here?
01:04:55Man, Santiago
01:04:56Is this how you make a living?
01:04:58Cleaning glasses
01:04:59No
01:05:00You weren't there yet.
01:05:01She has had the strength to get up
01:05:03And come here
01:05:04To get on my nerves
01:05:05To gloat
01:05:06Lurditas has left me
01:05:09No no
01:05:10The one he's left is me.
01:05:11Me
01:05:11Me too
01:05:12He said that if he can't have both of us
01:05:15He prefers not to keep any of them.
01:05:17So
01:05:19Considering that she is my daughter
01:05:22And that at least I do love her.
01:05:23I, I, I love her too.
01:05:25That remains to be seen.
01:05:26Oh well
01:05:28The thing is, if we don't want to lose her, we both have to.
01:05:30We'll have to learn to put up with each other.
01:05:32No?
01:05:36Is there no other option?
01:05:37Just so you know, I still think the same about you.
01:05:39I didn't trust you one bit.
01:05:41But if she has chosen you
01:05:43I'll have to accept it.
01:05:46Well, I don't like you one bit either.
01:05:48But I'll have to accept that she's my mother-in-law.
01:05:49Much as I hate to admit it
01:05:51And Lurditas?
01:05:54Where is Lurditas?
01:05:55Oh well
01:06:03We've come to talk
01:06:06We've come to talk
01:06:06We didn't come here to eat.
01:06:07Lurditas
01:06:09Lurditas
01:06:10Your mother needs to talk to you.
01:06:12Come on, ma'am
01:06:13Say
01:06:13It's too late, Mother.
01:06:14It's too late
01:06:16Respect my decision
01:06:17Lurditas
01:06:18Let me tell you
01:06:19Santiago
01:06:19Respect my decision
01:06:20Hey?
01:06:21Clear
01:06:21One moment
01:06:25Is there no one here who can help or what?
01:06:27Are these people hungrier than the soldiers of the Army of Christ?
01:06:30You shut up
01:06:30This is a private matter
01:06:32But what do you mean, private, ma'am?
01:06:33Let's see Lurditas
01:06:34What's going on here?
01:06:36Go back to the queue, Bernardo
01:06:37Well, they're selfish.
01:06:39This is my boyfriend Santiago
01:06:41And this is my mother.
01:06:42And since they can't stand each other
01:06:44Well, I'm freeing myself from both of them.
01:06:45No, no
01:06:47The problem isn't me.
01:06:48The problem is the mother.
01:06:49He pretends he can't move.
01:06:51But he certainly moves to lend a ear.
01:06:52Don't set bad goals
01:06:53Lurditas
01:06:55What we have come to tell you
01:06:57We do what we can.
01:06:58To put up with us
01:06:59Lurditas
01:07:01That I love you
01:07:02I love you, Lurditas
01:07:03Tell her I want to marry her
01:07:06And if I have to accept the mother
01:07:08Well, I accept.
01:07:09That's it
01:07:09Lurditas
01:07:11Me too
01:07:11So as not to lose it
01:07:13I have to accept this man
01:07:15I'm making the effort.
01:07:18Let's see Lurditas
01:07:20They can't swallow each other
01:07:22But they will be accepted
01:07:24Tell them that if they loved me
01:07:26They would have been accepted long before.
01:07:27Oh Lurditas, you're right.
01:07:30What do you know?
01:07:31Lurditas
01:07:32No
01:07:32That I love you
01:07:33That I truly love you
01:07:34Bernard
01:07:35Ask him if he will be able to love my mother
01:07:38Hey
01:07:39As much as I want
01:07:41Want
01:07:41Sin
01:07:43I'll try
01:07:44I'll try
01:07:44And you?
01:07:47Will she like her son-in-law?
01:07:50Look
01:07:50Lurditas too
01:07:52That they will be accepted
01:07:54And they're going to love each other
01:07:55So
01:08:03Shall we pass them?
01:08:05Light?
01:08:05Yes, Santiago
01:08:10Of course
01:08:11You are all invited to the tavern
01:08:19A Jamón del Bueno
01:08:21Aha!
01:08:22Aha!
01:08:26Aha!
01:08:26Aha!
01:08:26Aha!
01:08:33I dressed him
01:08:33In the end, it's not so bad.
01:08:34Clear
01:08:35I knew that at the first drought
01:08:37We would manage to get her out of the river.
01:08:38God, my motorcycle
01:08:39She was so beautiful
01:08:40Look, don't worry
01:08:41Pretty
01:08:42With the new parts
01:08:43What am I going to put on you?
01:08:44What are these thugs going to pay for?
01:08:45It'll look brand new.
01:08:46That's enough already
01:08:46This is not funny at all
01:08:48Okay, we're going to have dinner.
01:08:50It's getting late
01:08:50It looks like it will be.
01:08:51And that was the end of that darn little motorbike.
01:08:53Hey?
01:08:53Until you turn 18
01:08:55It doesn't leave the garage
01:08:55At least
01:08:56Help me, Fiti, please
01:08:57Well, us too.
01:08:58We have to have dinner
01:08:59Come on, let's go
01:08:59Let's prepare
01:09:00Well, Maritere
01:09:05Don't worry, okay?
01:09:05You'll see, Fiti
01:09:06It leaves it like new.
01:09:07Well, look what he did
01:09:08With the psychologist's
01:09:10Come on, it's not like it matters.
01:09:10Hey, Guille
01:09:11What did Fiti tell me?
01:09:12That you were worried
01:09:13Well, and he also told me
01:09:14Why have I said all this?
01:09:15And why?
01:09:18Well...
01:09:19Because you like me
01:09:19Go on, Maritere
01:09:23Don't be conceited
01:09:24That you know desaura
01:09:25I like you, Lorena
01:09:26That's why I picked you up on the motorcycle
01:09:27Yeah, sure.
01:09:28And it didn't make you jealous.
01:09:29To think that anyone
01:09:30He could come with me on the motorbike, right?
01:09:31Come on, man, Guille
01:09:32Admit it
01:09:32If you like it or you like
01:09:34No problem
01:09:34Look, Maritere
01:09:35That's the kind of desire you have, okay?
01:09:36So stop seeing yourself in novels
01:09:38Come on, and I'm going to tell you something
01:09:39And I'm going to make it very clear to you.
01:09:39Before I get involved with you
01:09:40I get involved with bowling
01:09:41Come on, man, Guille
01:09:42But if every time you look at me
01:09:43You're losing your lazy streak, dude.
01:09:44Look, Maritere
01:09:45What's up with your ass?
01:09:46Yeah, yeah
01:09:47Of course I've made you feel less than you
01:09:50Clear
01:09:51No, no, no
01:09:54Nobody told him.
01:09:55Well, he told my uncle
01:09:56No, Eva, don't worry
01:09:58I'm handling it discreetly.
01:09:59Okay?
01:10:00The thing is...
01:10:01No
01:10:01No, he definitely won't crack it
01:10:03The thing is, I was screwed.
01:10:05I mean, well, I'll give him the news
01:10:06That we got married
01:10:07Eva, I'll call you now
01:10:13In a little while, okay?
01:10:14A little kiss
01:10:14Are you getting married?
01:10:18Hey?
01:10:19Tell me it's not true
01:10:21That you and Eva are going to get married
01:10:22Say it
01:10:22Yes, we're not going to get married, yes
01:10:26No
01:10:27Yes, yes
01:10:27Marcos, please
01:10:29If we haven't spoken
01:10:29If you are very young, how...?
01:10:31I wanted to tell you, Lucia
01:10:32I wanted to tell you.
01:10:33Ah, yes
01:10:33That's what I was going to say
01:10:34The boys are getting married
01:10:35They get married
01:10:37Oh, what joy!
01:10:38What a joy!
01:10:39What great news!
01:10:40What great news!
01:10:42Did we know that?
01:10:43We would have liked to handle it discreetly.
01:10:44What a joy!
01:10:45What a joy!
01:10:45Yes, yes!
01:10:46The girls are marrying Marcos!
01:10:48Eve!
01:10:49Oh!
01:10:49Oh!
01:10:50Are you going to be my boyfriend?
01:10:50No, yes
01:10:51Long live the newlyweds!
01:10:52That's awesome, dude!
01:10:53Long live the newlyweds!
01:10:54Long live the newlyweds!
01:10:55Ah, Santiago, you know that Marcos was getting married!
01:10:59Ma'am, I'm the one getting married!
01:11:01Well, and Marcos too.
01:11:02But I'm with Lurdita
01:11:03Wow!
01:11:04What great news!
01:11:06What great news!
01:11:07So, you too
01:11:08Ah, well we are good looking.
01:11:10Everyone gets married here
01:11:11Except me, of course.
01:11:12You because you are older
01:11:13But we are not in the ADMDC
01:11:15Hey, Santiago, look
01:11:16That I will accept
01:11:17The small glass for the wine bag
01:11:19For the wine glass bag
01:11:20Because...
01:11:21Mommy
01:11:22But what's wrong, woman?
01:11:24That's not such a big deal either.
01:11:25Well, I'm happy, daughter
01:11:27Where are you?
01:11:28I'm very happy
01:11:29But I'm thinking
01:11:30How will he take it well?
01:11:31Calm down
01:11:32No, no, no
01:11:33Calm down
01:11:34Calm down, calm down, darling
01:11:35Calm down
01:11:36But if in the end we knew
01:11:37That Eve could say yes
01:11:38TRUE?
01:11:39We knew it, didn't we?
01:11:40Well, that's it
01:11:40Why get nervous?
01:11:42I bet you don't!
01:11:43Do you love yourself?
01:11:44If the boys laugh
01:11:45Why are you the godfather?
01:11:48Of course, nephew
01:11:49Do you want to go to a nightclub tonight?
01:11:50No
01:11:51Please
01:11:51No
01:11:52Please
01:11:52Please, Lucia
01:11:53Hey?
01:11:54Joining you is the most important step
01:11:56What am I going to give in my whole life?
01:11:57Ah! Welcome to paradise!
01:11:59The godfather has to take care of the organization
01:12:01The godmother?
01:12:02But what have you done, Marco?
01:12:03What's so ruined, Boba?
01:12:04Your passport is fame
01:12:05Ariñato!
01:12:06Hey?
01:12:07That?
01:12:07What's wrong, Raulito?
01:12:08What, you don't play ball or what?
01:12:09We're getting married on Thursday
01:12:10As long as you sign the authorization
01:12:11That?
01:12:21Oh!
01:12:22Oh!
01:12:22You're sucking on my face!
01:12:23I'm going to play in your position
01:12:24Pringa!
01:12:26Hurro, what are you doing?
01:12:28Protect yourself so nothing happens to you
01:12:29If you do not sign the authorization
01:12:31For there is no joy, no banquet, and no Christ to found it.
01:12:33No!
01:12:35Well, Lucia, to you
01:12:36And I've seen you there in glimpses, eh?
01:12:37Ronaldo stopped going to training
01:12:39Because she was getting married
01:12:40And she was getting married in none other than Chantilly.
01:12:42In France
01:12:42And you for a neighborhood wedding
01:12:44Are you going to back down now?
01:12:45Gamble, win money, pick up girls
01:12:48Point in mouth
01:12:49That
01:12:49Cale, let's go!
01:12:50Tired of talking
01:12:52Ready to get involved
01:12:56EITHER
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