Los Serrano - 6x15 - Soy Koala - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

En un momento en el que la relación entre África y Manu comienza a deteriorarse, la chica sospecha que podría estar embarazada. Choni se ofrece a acompañarla para realizarse las pruebas y ambas descubren que la joven espera un hijo. África no sabe cómo comunicarle la noticia a su novio y Choni se adelanta a la reacción de Manu tachándole de irresponsable. La noticia no será bien recibida por Teté, que sigue molesta con la relación entre su primo y su amiga. Por otra parte, la jornada laboral y la relación que mantiene con Míriam absorben todo el tiempo de Raúl y hacen que el joven no disponga de momentos de ocio para estar con sus amigos. Decidido, acude a hablar con su jefa para poner fin a su relación sentimental, pero cuando va a iniciar la conversación, descubre que se están produciendo despidos en la empresa y teme que su decisión ponga en peligro el puesto de trabajo de su padre. Para sorpresa de todos, Guille se transforma y se vuelve muy aplicado con los estudios. Su familia no tarda en descubrir el motivo por el que el joven se ha vuelto tan responsable, su padre le prometió que le compraría una moto si sacaba buenas notas. Cuando Diego lo recuerda, accede a comprar la moto siempre y cuando su hijo apruebe el carné y consiga costeárselo con sus propios medios. Resignado, Guille pide a su tío Santiago que le contrate en la taberna para conseguir su objetivo.

Transcript

00:00:27Subscribe to the channel!

00:00:30And his toilet brush.

00:00:31What are you going to do with the food? What do you think? That this is a boarding house? Do you really believe that?

00:00:35No, Dad, it's just that we're in a growing-up phase.

00:00:36About growing up and obeying. What did I say this morning?

00:00:38Wait, what did I say this morning? What do you mean by forgetting things?

00:00:40I said that we all have dinner together at home and that we all clean the house together.

00:00:44Did I say it or not?

00:00:45Yeah.

00:00:46Well, did I say it or didn't I?

00:00:47Okay, you said it, but please stop, it's splashing.

00:00:50What do you mean it splashes? Do you know why it splashes?

00:00:52How are you? Hello. Do you want to know why it splashes?

00:00:54Because I told you that you weren't going out this afternoon if you didn't clean the bathroom first.

00:00:57Did I say it or not?

00:00:58Why did you say that, Dad? But hey, it was my turn already. Today was Tete's turn.

00:01:00Not at all. Not at all. I did the living room. It was Manu's turn to do the bathroom.

00:01:03What? What?

00:01:04Things don't change for my brothers either.

00:01:06They're still the same as always.

00:01:07Okay, that's it. Be quiet.

00:01:09It's over.

00:01:11Well, since you won't cooperate willingly, you'll have to cooperate by force.

00:01:14In other words, the anarchy in this house is over. It's definitely over.

00:01:16Martial law will be imposed here starting tomorrow.

00:01:19And if necessary, if necessary, a curfew. Like in Zorro Muriano. Exactly.

00:01:24And what's in it for me, Dad?

00:01:26Very good, my son. That's the spirit.

00:01:27Don't notice.

00:01:28No, no, no.

00:01:29Be careful, very careful, okay?

00:01:30And if I hear you protest, house arrest too. House arrest.

00:01:34Come on, let's go up.

00:01:37But what doesn't change is that a mountain dweller

00:01:39He will always be a mountain man.

00:01:40Okay, now that all this is clear, I'll give you the new rules tomorrow.

00:01:42Come on, let's go, up to bed, let's go.

00:01:44But what's stopping you from...

00:01:45As my uncle says, a leopard can't change its spots.

00:01:48And if you don't believe me, just ask him and my father.

00:01:50What a mess they made by not knowing how to retrain in time.

00:01:53What is true?

00:01:55The son doesn't know how tough his father is. You don't know.

00:01:59On a station platform, under the blazing sun,

00:02:03You were talking about a skyscraper in the sky of New York.

00:02:06Come soon to see the sea,

00:02:08And you send a postcard.

00:02:10I already knew that day was the end.

00:02:14Now I have much more.

00:02:18Red, black, stop and even.

00:02:20Finally, luck brings an ace and a crystal to look through.

00:02:23And a wall to hang it on.

00:02:25Seven smiling faces in a passport photo.

00:02:29My stories were not about tales made by chance.

00:02:35Nobody told me that destiny was giving me this opportunity.

00:02:42One plus one equals seven.

00:02:45Who would have thought?

00:02:50That it was so easy to be happy.

00:03:03Okay, listen up.

00:03:04Manu, sit down.

00:03:05Sit down for a bit, man.

00:03:07Pay attention.

00:03:09That?

00:03:09What do you think?

00:03:10What's that?

00:03:11It's impressive here.

00:03:12Well, all night writing and deleting, writing and deleting.

00:03:15That?

00:03:16Dad, you're in a terrible state, come on.

00:03:17I'd say you're ready to go on Quintero's show, but from Pocí, come on.

00:03:20Okay, okay, very good.

00:03:21Santi, give it another try.

00:03:22No, no, don't laugh because this is no joke.

00:03:24As you can see, here are all the tasks you have to do during the week.

00:03:28and what each one has to do.

00:03:29And I don't accept excuses, no.

00:03:31In other words, whoever is supposed to clean the bathroom, cleans even the toilet brush.

00:03:33Whoever is supposed to sweep the living room, sweeps everything, even the dust bunnies.

00:03:36Lately this house looked like a John Bainer movie.

00:03:39And what happens to those who don't comply?

00:03:41That it is punishable.

00:03:42Is that clear?

00:03:43That's great about the coquis, brother.

00:03:45That's what I like to hear.

00:03:46Firm hand.

00:03:47Like the militant, remember?

00:03:48I remember, I remember.

00:03:49Hello.

00:03:49How are you?

00:03:50Good morning.

00:03:51Oh, what's that whiteboard?

00:03:52Well, you see, Grandma, forced labor.

00:03:54That's awful.

00:03:55Honey, I'm leaving.

00:03:57I'll be back late because I'm going on a trip to the zoo, okay?

00:03:59With the school.

00:04:00I can't wait to take my little Santiago to see the animals.

00:04:02Do you remember, brother?

00:04:03When we went to see the chimpanzees and instead of throwing them out, the women from Cagüense

00:04:07We threw the nuts at them to stick them on.

00:04:09Hey, I remember.

00:04:11Well, goodbye, lurditan.

00:04:13Okay, that's it, it's over.

00:04:15Silence, silence, and a little bit of respect.

00:04:16Let's not get sidetracked, let's not get sidetracked.

00:04:19Attend to me.

00:04:21I'm watching you, Curro.

00:04:22Like every family, I allow, from time to time, well, a slip-up.

00:04:26But I absolutely do not allow any joking around.

00:04:28And so that everyone knows,

00:04:29Those who arrived late for dinner yesterday and did not complete their tasks,

00:04:31They are punished by not being allowed to leave until Nueva Valle.

00:04:33Yes, but oh well, Dad.

00:04:34You heard it perfectly.

00:04:36This is no joke, listen to me.

00:04:38This is no joke.

00:04:40I'll repeat it another way so you understand.

00:04:42If you come home to eat with the family and you complete your chores, you can leave.

00:04:46Otherwise, you can't get out.

00:04:47Manu, by the way, you're just like any other mountain dweller in the cocris.

00:04:50I see it now.

00:04:51I see that, but I did the living room yesterday and I've also arranged to go out today.

00:04:59Yes, yes, you did the living room.

00:05:01Yes, well, then you're going out tonight.

00:05:03The cocris works like this.

00:05:04Thank you so much.

00:05:08One thing, one moment, Tete, one moment.

00:05:10Hey, one thing, are you going to school looking so... so... so...?

00:05:14Diego, please don't be old-fashioned, I'll go as usual.

00:05:17Well, here I go, here I go.

00:05:18In other words, new cocris, new life.

00:05:19And that includes skirts and wipes, by the way, Manu.

00:05:22The wipes also include it.

00:05:23No, no, this house was getting out of hand for me.

00:05:26But let me tell you one thing, the anarchy, the chaos, and the contemplation are over.

00:05:29Okay, if you want I'll put on a burka.

00:05:32No, but tonight, speaking of going out tonight, you're going out with your brother.

00:05:35That?

00:05:36Dad, I told you that you were grounded all week, I mean...

00:05:39Well, I'm lifting the punishment with authority... what do you say when it's a reversal?

00:05:42Revolcative.

00:05:43With character... no, it's not revolting.

00:05:44How is?

00:05:45In other words, when you lift a punishment...

00:05:46Revocatory.

00:05:47Revocative, right there, exactly.

00:05:48That's it, that's it.

00:05:49Because the girl in this neighborhood cannot return at those hours, it's too late.

00:05:52In other words, I can't go out because I'm a woman.

00:05:54No, not a woman, miss.

00:05:55Look, Diego, you're a sexist and things weren't like this before.

00:05:57Well, things have changed, okay?

00:06:05Diego, you've gone too far.

00:06:09Tell them, brother.

00:06:11You've been tough, but fair.

00:06:13By putting them in the education as a parent.

00:06:20Well, good morning.

00:06:25Hey, come in.

00:06:26Hey, man, looking for a job.

00:06:28Well, don't look too hard, okay?

00:06:29Don't worry so much.

00:06:31Your father has found you an interview for a proper job.

00:06:35The ones in jackets and ties.

00:06:36What are you saying?

00:06:38From the Jehovah's Witnesses again.

00:06:40But what Jehovah's Witnesses? No way.

00:06:42Let me tell you a little bit.

00:06:42Look, a new boss has started at the workshop.

00:06:45Come on, a new department head.

00:06:47And he's looking for someone like that to help him with the accounts and such.

00:06:51I don't know, the accounts...

00:06:53Come on, I'll do the math, but I'm taking the house there and I'm going to make a killing today, you know?

00:06:56No?

00:06:56Have you been talking about me?

00:06:57Ask if I've spoken to him.

00:06:58Come on, I'll do the math!

00:07:28Son, you're a great...

00:07:31Well...

00:07:31Yes, yes, I'll tell you.

00:07:33The boss...

00:07:34Yeah.

00:07:35A total knockout.

00:07:36A hottie?

00:07:37Yes, yes.

00:07:37But here's the crux of the matter.

00:07:39That's the problem.

00:07:40These types of women, they're as tough as they are gorgeous.

00:07:44Okay?

00:07:44Like a jellyfish, okay?

00:07:46It's very pretty, but as soon as you get close, bam!

00:07:49Lash.

00:07:51Fuck!

00:07:53Yes sir.

00:07:55You and me working together, man.

00:07:56The Martinez Empire.

00:07:57What a joy!

00:08:02Good morning, partner!

00:08:03Come on, give me a Cortay, it would be a favor.

00:08:07Damn it, Santiago, try to finish up a bit more with the rag, this stuff is so messy it could stop a train.

00:08:12please.

00:08:12Does it have shit in it?

00:08:13Well yes.

00:08:13Or do you clean it?

00:08:15Or do you think you can be a member just to see what's in the till?

00:08:18Yeah.

00:08:19Okay, okay, okay.

00:08:21Boss, are you going to show the pay-per-view game this afternoon?

00:08:24Pay-per-view.

00:08:50Santiago, are you going to teach me how to drive to the tavern?

00:08:52If those hippies with the baggy pants want pay-per-view or whatever, let them go with

00:08:57the molotov cocktail to the field.

00:08:58You'll understand!

00:08:58Hello darling.

00:09:00Hello, sweetheart.

00:09:02Little dove, what are you doing here? Weren't you on an excursion with the chimpanzees?

00:09:05I'm going right now, but I just got a call from the daycare saying the child has a fever.

00:09:0938.6.

00:09:12But hey, it's for my little one.

00:09:14Yeah.

00:09:15And who are you going to leave him with?

00:09:16Well, first, by God, with you, who are his father.

00:09:18My friend, Palomita, it can't be that Diego isn't coming to the tavern today. I can't leave her alone.

00:09:24But there's José Lito.

00:09:25Hey?

00:09:26Clear.

00:09:29Have many people signed up?

00:09:30Well, DVD and company are going to do a rap, and the second-year girls are going to do their imitation again.

00:09:36Madonna's.

00:09:38Come on, another year is shaping up to be a great festival.

00:09:40So what?

00:09:41Look, you, look on the bright side.

00:09:43The fewer people who sign up, the less stupid you are.

00:09:46Isn't it time for us?

00:09:48Hey, Tete!

00:09:50What about you? Are you going to prepare something?

00:09:51Well, we want to do a dance, but we don't know what kind.

00:09:55Besides, I'm jinxed.

00:09:56In kindergarten, I played the role of the Angel of Announcements and I gave chickenpox to Saint Joseph and the donkey.

00:10:00Come on, it's not that big of a deal. It's just nerves.

00:10:02Well, I'm leaving, okay?

00:10:03Okay.

00:10:04See you later.

00:10:05Well, when you're clear on the dance, I can lend you a hand with the choreography.

00:10:11No, thank you very much, don't bother.

00:10:20Afri, look, come, come here.

00:10:22That?

00:10:23Come, look.

00:10:25Peru, this summer.

00:10:27First-class country house.

00:10:29You and I there, in the middle of nowhere, with something better to do than just stand there, huh?

00:10:34What do you think? How's the first of July going for you?

00:10:36Hey?

00:10:37July 1st?

00:10:38I don't know, it's a long way off, isn't it?, until summer.

00:10:43Do these bargains smell?

00:10:44Yes, yes.

00:10:47We'll talk about it later, okay?

00:10:49I have to prepare the festival because otherwise this is going to be chaos.

00:10:53Okay, okay, fine.

00:10:55Okay, we'll talk about it later.

00:10:56Here, I have things to do too.

00:10:57Yeah?

00:10:57I'm making a stew.

00:11:01We'll talk about it later, okay?

00:11:02Okay.

00:11:02Come on.

00:11:03Bye.

00:11:09Diego, when was the last time you spoke to her?

00:11:13This morning.

00:11:14I was giving him a hard time about the crocodiles, which I already have...

00:11:17Okay, fine.

00:11:18A row, well.

00:11:19Yeah.

00:11:19And before that?

00:11:21We also talked last night, I mean, we had a fight about the cleaning.

00:11:23Because whether you like it or not, he'll get his head in there, but let's leave the cleaning aside because...

00:11:27So, what's the usual routine at home when Tete has a problem?

00:11:30Who does he tell?

00:11:31To you?

00:11:32No, not me.

00:11:32Never me, come on, as far as I know.

00:11:34I don't know.

00:11:34In other words, who does he tell it to?

00:11:35Not me, that's for sure.

00:11:37Diego, Tete is desperately asking for a father figure who spends more time with her.

00:11:41That's clear.

00:11:42Excuse me, I spend all my time with her, so I want to too.

00:11:45spend more time with her.

00:11:46Look, we've done something.

00:11:48In other words, we all get together in the living room at night.

00:11:50Hey, also, to make something a little more homey, you know?

00:11:52For example...

00:11:53No, no, no, and sorry to interrupt you.

00:11:55Out of consideration for her and her sensitivity.

00:11:57I mean, for example, action movies that you know we like at home, you know,

00:12:00They only see each other once a week.

00:12:01And whose do we see it?

00:12:02Van Damme, look at him.

00:12:03Van Damme?

00:12:04Damn, by Van Damme.

00:12:05Van Damme is more sensitive when it comes to fighting.

00:12:07I mean, what an idiot.

00:12:07He's a guy who's got some build, I mean, he's a strong guy and all, but when it comes to punches...

00:12:11sensitive, Van Damme.

00:12:12In other words, girls like it more.

00:12:13That's what I mean, you know, right?

00:12:15I know, I know, yes.

00:12:16Okay, fine, fine.

00:12:17But I think something more is needed, you know?

00:12:19Because Tete is in the middle of adolescence.

00:12:27Does he sympathize more with your daughter?

00:12:28Bring out your feminine side?

00:12:29Well, the thing is, I don't know how to empathize with my daughter.

00:12:32I mean, it's not that you can't understand it.

00:12:34I don't know what to do with her.

00:12:35So, I mean...

00:12:36I'm afraid to sympathize, do you understand?

00:12:37And also something else.

00:12:38When I have a hormonal teenager, well, frankly, there are certain kinds of topics I prefer.

00:12:42do not remove.

00:12:43Diego, do you remember The Sound of Music?

00:12:47From the movie?

00:12:47Yes, the movie.

00:12:48Yeah.

00:12:48Look.

00:12:49A family loses their mother.

00:12:52Father is very strict, remember?

00:12:54Okay, okay.

00:12:55And do you also remember what the eldest daughter did?

00:12:59The eldest daughter...

00:12:59Well, the eldest daughter, well, like everyone else.

00:13:01I mean, he was singing about the animal being called res elevatico and all that.

00:13:03Yes, well, apart from singing, apart from singing.

00:13:05Ah, I know where you're going with this.

00:13:06Ah, you're right.

00:13:07That the eldest daughter was getting involved with the bad guy, the Nazi.

00:13:10There you have it, Diego.

00:13:11There you have it, huh?

00:13:12In the movie, the daughter cannot communicate with her father.

00:13:15And a communication gap opens up between the two.

00:13:17Yes, yes, yes.

00:13:18Among them.

00:13:18Yeah.

00:13:19Do you want that to happen to you with Tete?

00:13:21No, no, no, no, no, for God's sake, no, no, no, no.

00:13:23Yes, Mone, yes, Mone, no, no, no, no abyss.

00:13:25No, no, no, she's caught you.

00:13:26Well, I'll make the most of my new opportunity to do something with it.

00:13:29Something that is important to Tete.

00:13:30The two of them together.

00:13:31I'm going to do it.

00:13:32And bring out your feminine side.

00:13:34Okay, I'll do it first.

00:13:35I mean, I'm going to try it with my feminine side, frankly.

00:13:37Fermín, I'm going to tell you something that I don't know if I have.

00:13:39Careful.

00:13:40In other words, I'm looking for it.

00:13:41And if I find it, I'll get it.

00:13:42And don't get too cocky, I know you, okay?

00:13:45You're a jerk, we both know that.

00:13:48So, nothing, just like in the army, damn it.

00:13:49To go unnoticed.

00:13:51The sergeant is hot, so you stand firm and don't get flustered.

00:13:54Yes, old man, yes, how funny.

00:13:55No, don't suck me, damn it.

00:13:58Don't let him find out I'm your father, damn it, because being from Chufre is very frowned upon here.

00:14:01Okay.

00:14:01I'm sorry, I'm sorry.

00:14:03How are you doing?

00:14:04Good?

00:14:05Look at her.

00:14:05As you told me.

00:14:06Look at her, she's mine, that's her.

00:14:07Is that it?

00:14:08Come on, come on.

00:14:08Let go and stop.

00:14:09Thanks, famo.

00:14:13Hey, uh, hello.

00:14:22Does it matter to you?

00:14:23No, no, no, no, no, no.

00:14:24Ladies first.

00:14:25Hey, do you have any change for two euros?

00:14:28Yes, yes, yes, yes, yes, yes, yes.

00:14:29Sure, sure, sure.

00:14:30Come on, I'll give you two euros and whatever else you ask for.

00:14:34Oh, sorry, sorry.

00:14:36Sorry, I'm just a little nervous, I have a job interview and...

00:14:38Thank you.

00:14:40I'm getting ready...

00:14:41Here, here.

00:14:42No, it's my treat.

00:14:43So, how's it going?

00:14:44Good, bad, fatal, fatal.

00:14:45Very bad, very bad.

00:14:46Yes, because I've already greeted the boss twice and she hasn't even looked at me.

00:14:48Well, I had already been warned that my aunt is an unbearable witch.

00:14:54Well, let me tell you something.

00:14:56It's not that great either, you know?

00:14:57Look, I've seen plenty of women out there.

00:15:03Well, improving on the present.

00:15:05She's stopped, I mean, the witch might hear you.

00:15:07And you get overloaded with interviews.

00:15:09No way, no way, no way.

00:15:10I don't know, besides, I always come alive in interviews and I'm not afraid, you know?

00:15:13What worries me most is the curriculum vitae.

00:15:16What does "flojillo" mean?

00:15:17No, not weak.

00:15:21False, you know?

00:15:22Yes, a high level of English proficiency, mastery of Office here, there, come on, girudingo, niquelago.

00:15:28Raúl Martínez?

00:15:28Yeah.

00:15:29Take the call above.

00:15:31Yeah.

00:15:34Good luck.

00:15:36Thank you so much.

00:15:38See you later.

00:15:39Please come with me.

00:15:50Without hitting that point.

00:16:11Miriam Delgado, head of the department.

00:16:17Okay, so, let's start with your resume, we won't even talk about driving, right? Nope.

00:16:25I have six points left.

00:16:32Let me ask you, what do you retirees do to pass the time in the afternoons?

00:16:40Well, instead of going occasionally, I watch TV.

00:16:45Do you like tomatoes?

00:16:47The tomato?

00:16:48Yeah.

00:16:48Yes, ma'am. Fried and without any fuss.

00:16:52No, Breno, I mean the gossip show.

00:16:57Well, I don't really watch it much because I don't really like it, but since it was there...

00:17:02I don't see it.

00:17:04Some of us work, you know?

00:17:10Oh, yes.

00:17:14He wasn't dead.

00:17:16Yeah.

00:17:17Yes, yes, but the issue of inheritance has come up and now the whole family is...

00:17:21throwing things at each other.

00:17:22But, well, how can they talk about the dead like that?

00:17:25Come on, do they really talk like that, like a father?

00:17:27I lower the cudgel and say it.

00:17:28Well, you shut up, you seem to be from Pescaílla's family.

00:17:35That?

00:17:36Isn't that Obregó?

00:17:39She was dating that guy.

00:17:42Who is that?

00:17:43Well, that's Bea, the ugly one, the protagonist.

00:17:48Ugly? What do you mean, ugly?

00:17:49But he's very handy.

00:17:51She's very good-looking, a very pretty girl.

00:17:53If you say so.

00:17:54Look, those glasses suit her well.

00:17:58That?

00:17:59So, I tell you to be careful with the boss, and then you go and blurt it out to her face.

00:18:03that you have marked the resume.

00:18:05But well, well, it hurts me to tell you this, Raúl, damn it, because I'm your father and it's just that

00:18:09Sometimes you seem...

00:18:10Silly.

00:18:10I mean, you just seem stupid, Raúl.

00:18:13So why do all you women come to the same conclusion?

00:18:17Damn, how did I know that woman was a judge?

00:18:20Know?

00:18:21Dad, it's just that...

00:18:24Little girl, look, see if there's a newspaper around.

00:18:26Let's see if we can find a job in this intelligence service.

00:18:29Sure, sure, sure, sure.

00:18:32Sure?

00:18:32Yes, yes, no, I was here first this afternoon, I swear.

00:18:35Yeah?

00:18:36Cool, thanks.

00:18:38Work rules!

00:18:40Work rules, work rules!

00:18:41Have I been told that I have to be there this afternoon?

00:18:45Relax, brother, he talks to the little one all the time and everything is under control.

00:18:49And you stay calm too, okay?

00:18:50Remember that thanks to José Luis we didn't work on the donkey.

00:18:52Come on.

00:18:53Strip.

00:18:57Damn, I was born.

00:19:00Very good, very good, Santi.

00:19:02A 10 in the tavern, of course, it was about time they modernized there, damn it.

00:19:05But what is this?

00:19:07Happy hour, sir.

00:19:08All cups half price.

00:19:10And two for one, two children.

00:19:11What do you mean, two for one and three for four?

00:19:13As if everything were going to expire?

00:19:15Should I contribute anything?

00:19:16But what?

00:19:17Why, if you put something on me, girl?

00:19:18Do you know who I am?

00:19:20Do you know who this tavern is?

00:19:22This tavern is mine.

00:19:24And do you know who founded this tavern?

00:19:27Is...

00:19:27Pussy.

00:19:30And that black guy?

00:19:33Respected!

00:19:34You're a criminal!

00:19:36Pure usurper!

00:19:37A criminal!

00:19:38Damn it, Santi, for God's sake.

00:19:40He's filled the tavern with riffraff!

00:19:41Plasma TVs!

00:19:43And on top of that, he's changed my father's role!

00:19:45What else is there to put on the canyon!

00:19:47Okay, stop shouting, Santiago, please.

00:19:48Let's talk like...

00:19:49Like normal people, damn it.

00:19:51Also, don't be racist.

00:19:52That guy is the rapper MC Scooby.

00:19:54Or I don't care if they read McFari!

00:19:56Hey, okay, okay, okay.

00:19:57And this?

00:19:58So, Luis, what is this?

00:19:59That's what we've gained, huh?

00:20:00Tell me, tell me, please, tell me.

00:20:02Santi, how is it going to be?

00:20:04Dude, what's up?

00:20:05What did the guy do? He took in almost 500 euros in half a day!

00:20:07Who?

00:20:07500.

00:20:09See?

00:20:09It's been great.

00:20:10And why?

00:20:11Well, that's very easy, damn it.

00:20:12Because people need to be given what they want.

00:20:14Chabalas, youth, plasma television, two for one.

00:20:17Concept, what people want.

00:20:18People want the same old thing.

00:20:20No, no, wait, Santi, wait, wait.

00:20:21Maybe José Luis is right, damn it.

00:20:23Maybe we need to open up a little more.

00:20:25Maybe we're getting a little old-fashioned.

00:20:27And I say that with affection.

00:20:27We're a little bit...

00:20:28Hey, what do you say now that the thirds are finished?

00:20:30And do they tell us the thirds are finished?

00:20:31Already too?

00:20:31I'll tell you where there's more.

00:20:33Don't worry.

00:20:33You've finished the thirds.

00:20:35More plasma and less chicken giblets.

00:20:37But when have we ever made 500 euros in takings in a single day, Santiago?

00:20:40You're like the painting, you've fallen behind and you don't even realize it, damn it.

00:20:42You don't connect with young people, and of course, you look more outdated than the music of the little horses.

00:20:46Respect.

00:20:47I've been showing my face in this tavern for over 30 years.

00:20:50But I respect you, but think about the business, damn it.

00:20:53Even your brother says so.

00:20:54What, what, what, does he say it?

00:20:54Shot!

00:20:55Shot!

00:20:56Well, if you want this to work, step aside!

00:20:58Fuck!

00:20:58Make way for the young people.

00:21:01Santi.

00:21:02Business.

00:21:04It's business.

00:21:08Percent, percent, damn it, where's the percent?

00:21:12And no, here it goes.

00:21:13But no, no, no, nothing more.

00:21:16Raul, are you finished yet?

00:21:17Yes, yes, no, no, but phenomenal, huh?

00:21:19Great, I'm here now, I've been getting distracted by something, but I hardly have anything left.

00:21:22Well, let's see if it's true, because I have to hand it in before I lock up.

00:21:25Yes, yes, yes, yes, yes, yes, now.

00:21:29I brought coffee and donuts, here you go.

00:21:31I don't know if you deserve it, but oh well.

00:21:35You don't like donuts.

00:21:37Yes, yes, yes, yes, yes, yes, yes.

00:21:39He thought the coffee brought the intern to him.

00:21:42Nah, well it's the first day, huh? Don't get used to it.

00:21:44Sugar?

00:21:45Yes, very much, please.

00:21:46I'm so hungry.

00:21:49Well, I haven't eaten anything, I'm so nervous.

00:21:51And three hours thinking about the shirt.

00:21:52Excellent!

00:21:53Hey, wait, wait, wait, wait, wait, no, what have you gotten dirty?

00:21:58Oh, really?

00:21:58No.

00:21:59Wait, wait, you're not coming here...

00:22:01Wait, come, come, come, come, come, come, come.

00:22:04Uh, let's see if...

00:22:07Already.

00:22:08Hey, you smell great.

00:22:09What cologne are you wearing?

00:22:10Don't be ridiculous.

00:22:12I've showered, I mean, I've showered every day, but today I felt more eager.

00:22:17Okay, then, let's get to work, we're not going to finish today.

00:22:20Yeah.

00:22:27Hey guys.

00:22:29Hey, hey, dad, dad, listen to me.

00:22:31Look, the bathroom is a mess, I think the last person who uses it should clean it.

00:22:34And besides, I think Manu has been responsible for the rest.

00:22:36Manu, let's see, what does the cocris say?

00:22:38Because if the cocris says you clean the bathroom, then you clean the bathroom.

00:22:40And that way you also learn to take responsibility for your things.

00:22:42Go on, pull!

00:22:43Okay, okay.

00:22:43Okay, see you later.

00:22:45Hi, Dad.

00:22:45How are you, son?

00:22:46Very good.

00:22:47That?

00:22:48She's upstairs with Joli.

00:22:49Ah.

00:22:50He's already finished doing his sketching.

00:22:52Cocris, cocris.

00:22:53Cocris.

00:22:54Okay.

00:22:54No, cocris.

00:23:00Bring out my feminine side.

00:23:02Good.

00:23:06Hello, are you a rat?

00:23:08Sorry.

00:23:08How are you? What are you doing?

00:23:10Well, just school stuff.

00:23:12But don't worry, as soon as we finish dinner I'll get started on the cooking.

00:23:14No, no, no, no, no, I didn't come for that, no, no, carry on, carry on with what you were doing and as if

00:23:19I wouldn't be here, and that's it, huh?

00:23:22We're preparing a musical number for school and we need to be focused, Diego.

00:23:27A musical number.

00:23:27Yes, well, it's great that you're preparing a musical number.

00:23:29And what is it like?

00:23:30Quite a topic, huh?

00:23:33Well, in the end it's a tango with a Latin touch, kind of like J-Lo.

00:23:38Also?

00:23:38Good.

00:23:39Okay, so, well, keep preparing it, I'll leave you now.

00:23:42Okay, see you later, see you later.

00:23:44Take advantage of every opportunity, Diego.

00:23:46But what are you asking of me, Fermín, for God's sake?

00:23:49One thing, I've been thinking, since it was a tango, that I've been thinking about it from here to the door,

00:23:52I've always been good at tangos, so I'm going to help you.

00:23:56I've thought about it.

00:23:57No, Diego, really, don't bother, it's not necessary.

00:23:59Don't bother us, Tete.

00:24:00And besides, that way, well, you and I spend more time together, right?

00:24:04And we started to have a more normal relationship, what you'd expect from a father and daughter, with more communication.

00:24:10We talked about these things, about what you do, and so on.

00:24:13I'm here calmly with you all, and you do what you have to do, okay?

00:24:16Quietly.

00:24:16Damn, look.

00:24:17Super Pop.

00:24:19Diego, it's called super pop.

00:24:21Ah, yes, you really like it.

00:24:22Well.

00:24:23Look.

00:24:24I know this one, brinipir.

00:24:26With the hair and the little skirt and all.

00:24:28What a beard.

00:24:29The mother.

00:24:32But damn it, Tete, in this photo, he's not wearing underwear...

00:24:35Diego, please.

00:24:38And what are you doing, Yoli?

00:24:39There, drawing.

00:24:41Let's see.

00:24:44Yoli, let go, damn it.

00:24:50It's a test.

00:24:52Discover what animal you are in bed, but...

00:24:53Diego, yes, Diego, please.

00:24:54But this has to be filled in, Tete, damn it, it has to be filled in.

00:24:57What is this?

00:24:58That's a scam test.

00:24:59Tete thinks she's a cat, and I think I'm a sheep.

00:25:02That?

00:25:06Well, the catering idea wasn't bad, was it?

00:25:08Since I don't pay you overtime, at least.

00:25:10Well, without even realizing it, we're having quite a lovely dinner.

00:25:13The wine is going to my head, I don't know about you.

00:25:16Why do you think I brought it?

00:25:20Well, I was just remembering the face you made this morning when you found out I was the boss.

00:25:25Ah, well, well.

00:25:27I thought you were going to throw me out on the street.

00:25:28Well, you were kicking me out, weren't you?

00:25:30Because you hadn't hired me.

00:25:32Come on, you weren't going to hire me.

00:25:34Well, you're still on probation, so be careful and get your act together.

00:25:38Hey, I won't let you down, okay?

00:25:39I'm telling you, I mean, I'll do whatever needs to be done.

00:25:41Sixth hour, whatever you need, you'll see.

00:25:44I won't let you down, Miriam.

00:25:45Why did I hire you?

00:25:48Well, based on my resume, it's not going to happen.

00:25:52It's not going to happen.

00:25:54Well, I hired you for several reasons.

00:25:56Because of your boldness, because you needed the job,

00:25:59Because you have a nice ass and because you know how to use Windows.

00:26:02Because you have a good what?

00:26:06Well...

00:26:08Well, look, we're still in time.

00:26:10In time for what?

00:26:11In time for what?

00:26:14That...

00:26:14Okay, if you want, we can keep this strictly professional.

00:26:20I perform well in all areas.

00:26:38Before making love,

00:26:40Do you like it when I...?

00:26:41What are you...?

00:26:42Damn, you...

00:26:45Do you know what we're going to answer?

00:26:47No, he knows.

00:26:48Tea, Dani.

00:26:49Discover what animal you are...

00:26:50What animal are you in bed?

00:26:52Damn, that girl.

00:26:54You're finished.

00:26:55Shit, shit.

00:26:57Out!

00:26:58You see, you see, you see, you see, you see, you see, you see, you see, you see, you see,

00:27:03It looks...

00:27:07I'm a koala.

00:27:13Good morning, Dad.

00:27:14I've already made my room, okay?

00:27:15Very good, son.

00:27:16Did you see?

00:27:16With organization and discipline, everything works.

00:27:19Very good.

00:27:19Okay, let's go.

00:27:20Hey, can you teach me some of your dance steps?

00:27:22Clear.

00:27:24Look, Manu, come here.

00:27:26Okay, fix this.

00:27:28This is it.

00:27:28That?

00:27:29What do you want?

00:27:29Oh my God, son, you're so dry.

00:27:31This is a dance, you have to dance it close.

00:27:33So, a little bit over there, like this.

00:27:35There?

00:27:36Yeah.

00:27:36And a little bit more, so you go a little broke, okay?

00:27:38I just can't take it anymore, man.

00:27:39Okay, so?

00:27:40And so, a little bit further over.

00:27:41There.

00:27:42But now it's not like that, adding a yellow twist, like...

00:27:45No?

00:27:46Well, to give it a modern touch, that's how it is.

00:27:48She, stop swaying, or your churros will get cut.

00:27:51Help me with the pimo.

00:27:52Hey, I was just wondering who that guy is, Yoli.

00:27:55Please, Guille, come on, please do me a favor, okay?

00:27:56Okay, come on, everyone get on with it, you're late.

00:27:58Come on, let's go.

00:27:59You want me to know that I haven't had breakfast, huh?

00:28:00Come on, hurry up.

00:28:01Come on, come on.

00:28:02Come on.

00:28:02I'll get some coffee, Santi.

00:28:03See you later.

00:28:04See you later.

00:28:05Come on.

00:28:06One thing, just between you and me, Santi.

00:28:11What is a koala?

00:28:12A koala?

00:28:13Yeah.

00:28:14Ah, damn, that lad who sings that opal corral thing, they say he looks like me when I was young.

00:28:19Well, now that you mention it, you do have a certain youthful air about you.

00:28:21No, but that's not it, it's just that last night I found some of those magazines that kids are buying now,

00:28:26because it was getting a little more heated.

00:28:27Oh, a magazine?

00:28:30Well, remember that we used to spend money on those things at Guille's age too.

00:28:34Yeah.

00:28:34And the one we took from the shepherd, I have it burned into my memory.

00:28:37Yes, yes, but no, the problem is that the magazine doesn't belong to Guille, it belongs to Teté.

00:28:41Don't mess with me, women spend money on that too.

00:28:44Well, no, it's not exactly a magazine, like the one from...

00:28:47No, no, it's one thing, it's more of a reading thing, you understand?

00:28:50Well, you can't even imagine the things that babies learn, I mean, things that I didn't even know.

00:28:54that existed.

00:28:56The new generations, brother, are overtaking us on the right.

00:28:59From the right and from the left, that is, from both sides, because we're going in a little train, chug, chug,

00:29:02chup, chup, chup, and these go at the same time, like this, fum!, at the same time.

00:29:04We are worthless, an expired piece of paper, we are good for nothing.

00:29:08Damn, you're really in a good mood, huh? I need your help... Okay, come on, let's go to the tower, come on.

00:29:13Well, I'll stay here, my child is feeling unwell.

00:29:16Is he still feeling unwell?

00:29:17Yes, what's wrong?

00:29:18That?

00:29:18Your children read slutty magazines and my son is feeling unwell. Is something wrong?

00:29:23No, damn it, nothing's wrong.

00:29:24So.

00:29:25Nothing, nothing.

00:29:37What's up, Raúl? What's up? How was your first day at work?

00:29:40Auntie, I need you, it's an emergency.

00:29:42Uh, I'm not available for emergencies.

00:29:44Look, my first day at work. Huh? What do you think? This is what my boss did to me last night.

00:29:49Well, it certainly pays me for the night.

00:29:51Hey, hey, what are you doing? What? Can't you see what he's busy with, man? Where are you going?

00:29:56Raul.

00:29:56Peño, macho.

00:29:58Auntie, I've hooked up with my boss. What do I do?

00:30:02Well, and there's been more than just a hickey, I suppose.

00:30:05That's a good guess, that's a good guess.

00:30:08Let me tell you something.

00:30:10I learned more last night than in my entire life.

00:30:13And well, the best part is that I didn't have to do anything.

00:30:15I didn't have to nag him, or lie, or insist there.

00:30:19It's not like you're pulling the hair out of those annoying things you have to read.

00:30:23Nothing.

00:30:24Huh? What the hell, she looked just like the guy!

00:30:26Well, that's great, isn't it? Congratulations.

00:30:35What's up, Raúl?

00:30:38I don't know, that...

00:30:41She's my boss and my dad's boss, and it was all a big, chaotic mess.

00:30:49very fast.

00:30:50And well, he did whatever he wanted with me.

00:30:55AND?

00:30:58Maybe he's taking advantage of me.

00:31:03Okay, Raúl, if you want we can take the child advocate later or...

00:31:10It has to do with technological advances, right?

00:31:13Damn, you can count the hairs in Lana Rosa's nose.

00:31:17The truth is that it's good, I mean, Diego, he captures it well, it's there, I mean, because it's good.

00:31:20But wait, listen, José did something to me, the TV is...

00:31:23No, I'm asking you, are you sure it's free?

00:31:25Yes, Diego, yes, this is a favor a friend owed me.

00:31:29What's up? You like it, don't you?

00:31:30Hey?

00:31:31Plasma.

00:31:32Plasma.

00:31:35Choni, Choni, Choni, look.

00:31:39Can I ask you a question, man to woman?

00:31:42Diego, for God's sake, my husband is there.

00:31:44No, damn it, no, that's not it, no.

00:31:47José Luis, pass me this magazine, the one with the girls.

00:31:50This one over there, the one from...

00:31:51This.

00:31:52Yes, yes.

00:31:53That?

00:31:55What do you think of this?

00:31:56So, is this weird or not?

00:31:59What animal are you in bed?

00:32:01Koala?

00:32:02Nothing.

00:32:03And girl, you're a mammoth.

00:32:06But no, no, no, no, no, no, no, no, no, no,

00:32:10This is a magazine that Tete reads.

00:32:12Already.

00:32:13What's up, Citi?

00:32:15This.

00:32:15So what? What's wrong with the magazine?

00:32:18Damn, because I don't think it's normal for Tete to read these kinds of magazines, with animals in bed, I mean,

00:32:22No, let's see, kids these days know things I don't even understand, and they

00:32:26They teach things to these magazines that I don't even recognize.

00:32:28In other words, no.

00:32:28Oh, Viguito!

00:32:30What's up, Viguito?

00:32:30You've fallen behind, you've fallen behind, you've become stagnant, just like your brother.

00:32:34Those mountain folk who don't have a fucking clue what recycling is, man.

00:32:38Citi, would you mind taking a walk today or checking out your brother-in-law's square?

00:32:41This is a private conversation between Chon and me.

00:32:43Look, I'm going to tell you something you're not going to like.

00:32:45Girls these days know Latin, but real Latin.

00:32:48And before, well, they used to play hide-and-seek, but not anymore, now they play tag.

00:32:53What does he say they're playing teto? What teto? What does the teto say?

00:32:55I tell you, for God's sake, you really are a mamú, but for poetic rhyme, my son, well, the teto, the

00:33:00teto.

00:33:01You touch me, you bend down and I...

00:33:02No! Oh my God!

00:33:03Sorry, sorry, sorry, sorry.

00:33:04But don't say that, for God's sake, don't say that.

00:33:05It's true that the parents of today's girls, do you really think your own children are still like that?

00:33:10Some offspring.

00:33:11And no, look at the panorama, look at the panorama.

00:33:15Now they know.

00:33:16Thank goodness, thank goodness I haven't had a daughter at this stage of my life, because...

00:33:20What are you like?

00:33:21I've saved myself a lot of trouble, Choni...

00:33:23Okay, do me a favor, don't draw any more blood, Fiti, don't poke around, please, don't poke around.

00:33:27Hello, hello everyone, darling.

00:33:29Hey, is my Santiago around?

00:33:30No, no, he stayed with Santiagoín, who told me he was feeling a bit under the weather, Santiagoín, I mean.

00:33:34But how can he be feeling unwell?

00:33:35But she did tell me that he was fine and that she was taking him to daycare and that she was coming to

00:33:38work.

00:33:39Did I tell you...?

00:33:40Take charge, Choni, please do it for me.

00:33:42Yes, man, please.

00:33:43I'll change and we'll go.

00:33:44And relax.

00:33:45Good heavens.

00:33:47What is the first lady doing here?

00:33:49And the first brother-in-law?

00:33:51Mona, come on, give me a peppermint.

00:33:53Let's see if we can do something.

00:33:54And you, damn it, let the air circulate.

00:33:56Pipermin, pipermin, pipermin, pipermin!

00:33:58Oh!

00:33:58The girl is learning the trade.

00:34:01The job?

00:34:02Do you know more than...

00:34:06They are twice his age.

00:34:08Inside, inside.

00:34:09Out.

00:34:10No, then another one.

00:34:11Okay.

00:34:12Okay, okay.

00:34:15Wait, you relax a little with the rhythm.

00:34:18What is the message?

00:34:20We need to think about what we want.

00:34:23Are you taking me backwards?

00:34:24Yes, yes.

00:34:24Yo, Joli!

00:34:26I told him that tomorrow I see us eating the ground.

00:34:29I'm sorry, Tete, but...

00:34:30I just can't stand you.

00:34:32It's a matter of stances.

00:34:34Yes, actually.

00:34:35Look closely.

00:34:37Does it matter to you?

00:34:38Give me your hand.

00:34:40The leg.

00:34:41You open this leg and distribute the weight much better.

00:34:44Do you see it?

00:34:44Hey?

00:34:45And then, to make it look nicer, up high and close up.

00:34:48Holding on.

00:34:52Afri, I think it's perfectly clear to me now.

00:34:54Yeah?

00:34:55Yeah.

00:34:55Good.

00:34:56Yeah, we rehearsed that at home...

00:34:58Brilliant.

00:34:59Very good, girls.

00:35:00Whatever you need, okay?

00:35:02Until now.

00:35:05Come on, you.

00:35:06Come on.

00:35:12Fuck.

00:35:13Well, the bagul should have already arrived.

00:35:16Well, that's bad, isn't it?

00:35:17With all the money you save on beer, well...

00:35:19You can use your mobile phone, right?

00:35:20Sometimes he's working and he hasn't even realized what he's supposed to eat.

00:35:23A creature.

00:35:23If the Martins really get going when they dedicate themselves to a job.

00:35:26Poor.

00:35:31Damn, how timely.

00:35:40Yeah?

00:35:42Child.

00:35:43What's happening?

00:35:44I've been here waiting for you for half an hour to have a beer.

00:35:46Where are you?

00:35:47That...

00:35:47I can't go now.

00:35:49I'm working.

00:35:51At this hour.

00:35:52Excellent?

00:35:54Fuck.

00:35:55Are you still dealing with that paperwork?

00:35:58Look, just skip the boring one and tell her you're meeting your dad for lunch.

00:36:01Please.

00:36:01That...

00:36:02No...

00:36:03I can't go now, Dad.

00:36:04I'm working.

00:36:04Damn, I'm leaving right now.

00:36:05Okay?

00:36:05Come on, goodbye, goodbye, goodbye, goodbye.

00:36:08Fuck.

00:36:09He's about to start working for me and that witch is already blowing up in his face.

00:36:12Clear.

00:36:13No, he's probably discovered the gene responsible for Lon Martinez and he's working on it...

00:36:16I wonder if the little creature is going to have me there all day long, pick and shovel, pick and shovel, pick and shovel.

00:36:20and without eating.

00:36:21That doesn't have to be a good thing.

00:36:23You could take a small lunchbox with something for the baby to eat.

00:36:26You're there doing calculations, doing calculations, and without putting anything in your stomach, that's what we get out of it.

00:36:31Well, look, yes, you're going to be right.

00:36:33Put me on?

00:36:33Come on, give me a little piece of tortilla and a bit of pork loin, whatever, on a little tape.

00:36:37I'll take it.

00:36:38Classic pork loin.

00:36:40Thank you.

00:36:43What is so narrow about this?

00:36:45Narrow.

00:36:45Me man, everything that's good.

00:36:48I prefer a little scraping to this than a body shop.

00:36:50You too, galla!

00:36:51There, hanging around all day, hanging around.

00:36:55Mine is closer, man.

00:36:57No, it's fine for him, okay?

00:36:58And on top of that, we invited you.

00:36:59On top of you inviting me, this is free, man, this is free.

00:37:02This is free.

00:37:02No, you'll find out, don't...

00:37:03And what is this man doing playing pétanque?

00:37:05Santi?

00:37:06Santi, Santi.

00:37:09But what?

00:37:10Santi, what are you doing that you're not working?

00:37:12Oh boy, with the kid, but you're okay.

00:37:14I'll be entitled to a day off, I say.

00:37:16Hey Santi, something's wrong with you.

00:37:18And you're lying to us too, because you only miss the tavern if you absolutely have to.

00:37:21elderly.

00:37:21What's happening?

00:37:21It's a bit strange, isn't it?

00:37:22Because this passion for Sudoku...

00:37:25But, darling, you're okay.

00:37:27Santi.

00:37:28Hey?

00:37:28Santi.

00:37:29Santi, what's wrong?

00:37:30Santi.

00:37:31500.

00:37:32500 euros at midday.

00:37:35I know Radul has the little one.

00:37:37That I am a burden, a disgrace, a blight, a clod for the tavern.

00:37:41Santi, Santi, I'm listening, but why are you listening to José Luis?

00:37:43Why are you listening to him?

00:37:44Let's see.

00:37:44Santi, Santi, Santi, let's rationalize.

00:37:46I'm retiring.

00:37:48I spend my time playing petanque and in the afternoons watching the soap opera "La Fea" (The Ugly One).

00:37:52Which, by the way, isn't that ugly.

00:37:54Don't tell me that, Santi.

00:37:55She's not that ugly.

00:37:55The telephone operator is uglier.

00:37:57And people say nothing.

00:37:58But what am I saying? Don't tell me about the tavern, not the ugly one.

00:38:02I'm a failure.

00:38:05A disgrace.

00:38:06For my family, for the tavern, and for my father.

00:38:09And on top of that, they've removed it.

00:38:11They put someone there with his pants soiled.

00:38:14Relax, you're not a failure.

00:38:15And don't say that again, man, please.

00:38:16Don't say that.

00:38:17Please.

00:38:17I can't believe you've already thrown in the towel for just one day.

00:38:20But it's spiraling, Fermín.

00:38:21When this one enters a spiral, the other one is the spiral.

00:38:23No, no, no.

00:38:23Let's see.

00:38:25Let's see, Santi.

00:38:27What was your father's name?

00:38:29Father?

00:38:31Goes.

00:38:32Father.

00:38:33Well, that's it.

00:38:34What do you think your father would have done in a situation like that?

00:38:38Faced with that setback.

00:38:40Would I have given up?

00:38:41Would I have thrown in the towel?

00:38:42No.

00:38:43I would have thrown the club.

00:38:44But above my brother-in-law's head.

00:38:46Well, well, I don't think it was that big of a deal, was it?

00:38:49Oh no.

00:38:50Yeah.

00:38:50That's it, that's it.

00:38:52No, well, the important thing here is to get the message, right?

00:38:56We mustn't give up, okay?

00:38:57Fight for the tavern.

00:38:59Show that you're still useful, Santi.

00:39:01There, there you are right, Fermín.

00:39:02Yes sir.

00:39:03In other words, you can be outsmarted when it comes to modern things.

00:39:04But nobody can beat you as a tavern owner, eh?

00:39:06Let's go.

00:39:06But wait a moment, Fermín.

00:39:07Do you have anything to do at midday?

00:39:09Well no.

00:39:15Hello, beautiful.

00:39:16Is my boy upstairs?

00:39:27Have you closed the door?

00:39:39Come here.

00:39:40Okay, fine, right?

00:39:41No, no, no.

00:39:42Let's go.

00:40:12What are you doing?

00:40:14Nothing, nothing.

00:40:16Yeah.

00:40:17Go on, open it.

00:40:20Yeah?

00:40:22No, I'm not involved, am I?

00:40:25Already.

00:40:28Okay, okay.

00:40:29Come on.

00:40:33Yes, yes, okay, see you later.

00:40:36Gold, go.

00:40:36What's happening?

00:40:37Well, we have to fire the last person we hired.

00:40:41Lastly?

00:40:41No, no, but I'm telling you it's not you.

00:40:43Oh, damn, that was a scare.

00:40:44I thought you were throwing me out.

00:40:45No no.

00:40:46He's one of the guys from the workshop.

00:40:47Can you find it for me?

00:40:48Come on, right now.

00:41:01Do you have it yet?

00:41:02Uh, no, yes, yes, yes, but no, I don't know, no, this is messed up, it won't work, you know?

00:41:07It's just shit.

00:41:11I've been blocked.

00:41:12Okay, okay, well, let me know when you have it.

00:41:14Okay.

00:41:18But hey, have you seen how it shines?

00:41:19Hey, I love the fabrics, Fernando, where did you get them?

00:41:22No, no, don't ask, daughter.

00:41:24No, I had a theater group with some friends, years ago.

00:41:26A theater group.

00:41:28And with this I wouldn't get my revenge for Olmendo, that's for sure, come on.

00:41:34Ah, well, come on, let's see, what tango shall we prepare?

00:41:36What do you think of Gardel?

00:41:37Well, what beautiful songs, I loved Uncle Gardel.

00:41:42Hey...

00:41:42No, no, Diego, we want something more.

00:41:44modern and truly, you don't need to be bothered by it.

00:41:47All we need is the choreography.

00:41:48The choreography, we're missing the choreography now.

00:41:51Damn, it doesn't fit, and it's the one I like the most.

00:41:52It's like the one Madonna wore at the concert.

00:41:54It's true?

00:41:55You'll see it fits, because I didn't put it on myself.

00:41:57This is it.

00:41:59Hello good.

00:42:00How are you?

00:42:01Hey, I'm going to sing some things, right?

00:42:02This is for the party.

00:42:03Yes, this is for the party.

00:42:04Hey, hey, hey, this has to turn out amazing.

00:42:06Hello.

00:42:07How are you?

00:42:08Okay, let's see.

00:42:09Damn, Tete, this is going to make your ideas clear, isn't it?

00:42:12Let's see, Tete.

00:42:14But, Tete, with this, I mean, you're visible, I mean,

00:42:17So, if I look through the glass and I'm seeing you, then what?

00:42:20Diego, please.

00:42:25Guille, but look at that download, man.

00:42:27This thing is set up for what is a show

00:42:28and simply to make it a little more of a show,

00:42:30a little more...

00:42:31More visual.

00:42:32More visual, yes, more visual, yes

00:42:34Because dance, well, it's an art, dance.

00:42:36And we are a modern and cool family,

00:42:38and that we're open and read Super Pop

00:42:40and then we read what the 'I see' is and so on.

00:42:41And one thing, Tete, I wanted to ask you something,

00:42:44Regarding the magazine issue, now that it's been published,

00:42:46That thing about the animal test in bed, that...

00:42:51I mean, it's very good.

00:42:53In other words, it's the kind of test I like.

00:42:54Because it's fun, it's very entertaining.

00:42:55For example, I got the result that I'm a koala.

00:42:58Sure, I answered it randomly.

00:43:00Because it's something that...

00:43:02Because how are these tests answered?

00:43:03I mean, it's...

00:43:04I imagine it's like the lottery, right?

00:43:06That...

00:43:06So, you do it, just in case...

00:43:10Or that it is based on real events.

00:43:14Hey...

00:43:14No, I did it randomly, Diego.

00:43:16I did it randomly, fine.

00:43:30José Luis,

00:43:31come here, come.

00:43:34Your reign is over, my friend.

00:43:37This tavern has a name,

00:43:38Serrano.

00:43:39And as far as I know, yours is.

00:43:41Of course, man.

00:43:42Well, look, that's precisely what I wanted to tell you.

00:43:44I know a guy who makes neon signs

00:43:45And this gentleman did me a favor,

00:43:46So I had thought about changing the name of the tavern,

00:43:49to give it a more cosmopolitan feel,

00:43:50something in English, like Golden Pit.

00:43:53What do you think?

00:43:53I shit on the Golden Pit

00:43:55and in everything that moves.

00:43:57This tavern is mine

00:43:58and I've brought her through

00:43:59since I was no taller than you.

00:44:01Okay, let's see, just a moment.

00:44:02Let's see, just a moment.

00:44:03So, here's the problem we have

00:44:04There are two ways to get to the tavern, right?

00:44:06Yeah.

00:44:06Okay, let's come to an agreement, gentlemen.

00:44:08There's no need to agree on anything here.

00:44:09This tavern is ours

00:44:10And we carry it the way we always have,

00:44:12just like always.

00:44:13Hey,

00:44:14That's not it either, is it?

00:44:15If it weren't for my husband,

00:44:17You were still giving to Catarfino

00:44:18He got on a scooter.

00:44:19Amen!

00:44:20That's it, Santi, Santi,

00:44:20And Chony is right about that.

00:44:21Damn, too,

00:44:22José Luis is a partner,

00:44:23He's a partner, isn't he?

00:44:23The temporary partner

00:44:24and he's not a tavern keeper.

00:44:26So, since he's not a tavern owner,

00:44:27He doesn't know how to run the business.

00:44:28No, no, no,

00:44:29No, Chony,

00:44:30Don't make that face.

00:44:30because he is reasonable.

00:44:31That's a tavern keeper.

00:44:32A tavern keeper is not a tavern keeper.

00:44:33What do you say?

00:44:34Now,

00:44:34But let's see how much money we made last night.

00:44:36Sir.

00:44:36That.

00:44:37500 euros,

00:44:38Am I or am I not a tavern owner?

00:44:39That's it, that's where it hit us,

00:44:39That's where it's given us

00:44:48This tavern until tomorrow.

00:44:50And if I don't make more money than him...

00:44:51No, Santi,

00:44:52Listen to me,

00:44:52be quiet,

00:44:53temper,

00:44:53Don't say it,

00:44:53Don't say it.

00:44:54If I don't make more money than him,

00:44:55I'm leaving this tavern

00:44:56forever.

00:44:57But I say it,

00:44:57fuck off.

00:44:58Come on, let's go!

00:44:59Very good,

00:44:59Pride got the better of you,

00:45:00Santiago.

00:45:01Now let me tell you something,

00:45:02You've thrown me a curveball,

00:45:02No?

00:45:03I accept it.

00:45:05God be with you.

00:45:06But why did you have to say it?

00:45:07Santi?

00:45:07What did I tell you?

00:45:08What composure,

00:45:08shut up,

00:45:09Don't say it.

00:45:09Why did you have to say it?

00:45:10let's see?

00:45:11What are you doing now?

00:45:14And I'm taking this with me.

00:45:15because you're not going to take advantage

00:45:16you of my progress.

00:45:17Well, take the black one too.

00:45:18Also.

00:45:19That here the only one who presides

00:45:20The tavern is father.

00:45:22No, no problem.

00:45:23Not 20,000 more words.

00:45:24I'll take the black one,

00:45:25I love,

00:45:25that, that, that, that,

00:45:26that, that, that,

00:45:27You're so stubborn, son.

00:45:29A little bit of knowledge

00:45:30And you know about the looks.

00:45:31The black guy is already here.

00:45:32Oh!

00:45:32Out!

00:45:47Yeah.

00:45:48Can?

00:45:49For God's sake, come in!

00:45:50You here as Peter

00:45:51for your house, king.

00:45:53How are you?

00:45:53Listen, my nephew.

00:45:55Look how handsome he looks.

00:45:56Oh my God!

00:45:58That's what I like.

00:45:58Seeing you in a suit,

00:45:59that you feel really good, you fucked up.

00:46:00You always seem to be going to weddings.

00:46:02Oh!

00:46:03What's the matter?

00:46:04That gloomy face.

00:46:05What happened to you?

00:46:06Is it from work?

00:46:09Worse, aunt, worse.

00:46:10It's a woman's thing.

00:46:12Yes, that's right.

00:46:13which is also from...

00:46:14That everything gets mixed up.

00:46:16Come and tell your aunt here.

00:46:18But give me a summary.

00:46:19Give me a summary

00:46:20I need to get this party started, okay?

00:46:23I've hooked up with my boss.

00:46:26And he's going to fire my father.

00:46:29But my father doesn't know anything.

00:46:30Nor have I slept with my boss

00:46:31nor that they're going to fire him.

00:46:33And I don't know what to do, Auntie.

00:46:35Jesus.

00:46:36Yes, it's because you asked me

00:46:37the short version.

00:46:38Yes, but damn it, explain yourself.

00:46:39What have you done?

00:46:40So that they fire your father?

00:46:41No, no, no.

00:46:42That I mostly haven't done anything.

00:46:43They don't even know

00:46:44that he's my father or anything.

00:46:45So, what are you waiting for?

00:46:46to tell him?

00:46:48No, no, no, Auntie.

00:46:49No, this is a serious company.

00:46:51Know?

00:46:51Those things aren't the norm here.

00:46:52Know?

00:46:53They don't like them here.

00:46:53nor favoritism,

00:46:54nor nepotism,

00:46:56nor improve professionally

00:46:57with the personal.

00:46:58It's not liked, it's not liked.

00:46:59Well, that's not something you'd like.

00:47:00It has mixed well.

00:47:01You've been mixed up quite well.

00:47:03Look, you're already telling him.

00:47:04right now.

00:47:05And even more in my favor,

00:47:06that we have it firmly in our grasp.

00:47:07Don't you see that he's...

00:47:08making stalking, movie?

00:47:10No, no, no,

00:47:11No, no,

00:47:11that he hasn't even harassed me

00:47:13or anything.

00:47:13That I,

00:47:15which is

00:47:15that aspect, aunt,

00:47:17with sense.

00:47:19With sense and with taste,

00:47:21You know?

00:47:22You should see the state of that lady.

00:47:24Raul, don't get lost on me

00:47:25in eggplant fields,

00:47:26Don't get lost on me

00:47:26in eggplant fields.

00:47:28Look, let's see,

00:47:30You talk to her,

00:47:32You explain it to him

00:47:32fire someone else

00:47:33And holy Easter.

00:47:34Hey, the rules

00:47:35They're meant to be broken.

00:47:36And if not,

00:47:37What has he done?

00:47:37Already with you?

00:47:38Didn't you skip them properly?

00:47:42You're such a Martinez,

00:47:43fucking,

00:47:44You're very Martinez-like.

00:47:50Africa,

00:47:51how are you?

00:47:52That?

00:47:52Have you thought about it yet?

00:47:53What about the trip?

00:47:54Yes, that's what I wanted to talk to you about.

00:47:56I've been thinking,

00:47:58I hadn't told you,

00:47:59Perhaps it's my fault,

00:48:01but I had thought

00:48:03to go see Eva.

00:48:05Cool, let's go see it then.

00:48:06No, let's see,

00:48:08It's just a bit of a hassle, girls.

00:48:11You know?

00:48:12For us,

00:48:13as friends,

00:48:14you already know.

00:48:18Anyway,

00:48:19It's a bit early,

00:48:20No?,

00:48:20to plan now

00:48:21summer vacation.

00:48:23We're not going to get overwhelmed either.

00:48:24Sure, sure.

00:48:26I'm telling you this because maybe...

00:48:27No, no, yes, yes.

00:48:29Well, look,

00:48:29I have things to do,

00:48:30Okay?

00:48:30I leave you.

00:48:32See you later.

00:48:37That?

00:48:38A little tapa?

00:48:39I have Iberian ham,

00:48:41chorizo de cantimparos,

00:48:42that revitalizes

00:48:43and removes wrinkles,

00:48:44Hey?

00:48:45If you don't mind,

00:48:46I just want

00:48:46a small glass of room temperature water.

00:48:48Weather.

00:48:48Yes, that's it.

00:48:52Well,

00:48:52What's wrong?

00:48:54What are you doing with kindness?

00:48:56with what is essentially

00:48:56the elderly sector?

00:48:58What, what, what, what?

00:48:59Before what happens to him

00:48:59I want to do

00:49:00the same box

00:49:01that my little boy last night.

00:49:02Come on,

00:49:02that you don't have to put

00:49:03coffees with milk.

00:49:04My little son already said it,

00:49:05people who spend their money

00:49:06It's the young people,

00:49:08which is what they consume.

00:49:09Those of your generation

00:49:10You are all

00:49:10from a closed fist.

00:49:11That's where my sister gave it to me.

00:49:12Hey?

00:49:12Because kids these days,

00:49:13up to 40

00:49:14with their parents at home,

00:49:15fuck,

00:49:15without lifting a finger,

00:49:16Well, they have some money.

00:49:17and they have to spend it.

00:49:18Clear.

00:49:20What's happening?

00:49:21That youth,

00:49:22How cool!

00:49:23Hello, good day.

00:49:24Don't worry,

00:49:25There are tables and chairs made of envelopes,

00:49:26We have to get rid of the old women.

00:49:27to the facts.

00:49:27No, no, no,

00:49:28It's not necessary,

00:49:29we just came to see

00:49:29the Champions League match.

00:49:31It still understands satellite,

00:49:33Hey?

00:49:33Something much better,

00:49:34look.

00:49:37Yifi stereo.

00:49:38What do you think?

00:49:38More exciting!

00:49:39because when it seems

00:49:40that they're going to score a goal,

00:49:41It turns out they're going halfway to the field.

00:49:43And where is the waitress?

00:49:44The waitress?

00:49:45Why do you want the waitress?

00:49:47Yes, here I am,

00:49:48I'll serve you a calimacho,

00:49:50a resmull,

00:49:51and whatever else is needed.

00:49:52Perhaps another day.

00:49:53Yes, much better.

00:49:54Don't go,

00:49:54Don't go, you go.

00:49:55Don't go.

00:49:55I'm offering a 2-for-1 deal on Iberian ham.

00:49:57Another day.

00:49:57What am I going to throw at you all at once?

00:49:58What am I going to throw at you all at once, man?

00:49:59What am I going to throw at you all at once, man?

00:50:00What am I going to throw at you all at once, man?

00:50:01Damn Iberian ham,

00:50:02What cool guys.

00:50:03I filled up with popcorn,

00:50:03What cool guys.

00:50:05And the giggling.

00:50:07You still have a long night ahead of you.

00:50:09You have to see that, Santiago,

00:50:10with all the times pride has blinded you

00:50:11And don't teach me a lesson yet, son.

00:50:14You have to do something, man.

00:50:15Hey, sell ham there,

00:50:16I rent or whatever,

00:50:16A little bit of initiative, damn it.

00:50:18You could do something too.

00:50:20You could start by paying what you owe.

00:50:22Two canes.

00:50:23Come on, that's done, damn it,

00:50:24which is 200 pesetas.

00:50:26200 pesetas,

00:50:27plus everything you drank for free

00:50:28in these last 22 years,

00:50:30which will rise at least

00:50:31to 10,000 euros.

00:50:32Omar!

00:50:33Are you listening to him?

00:50:34I'm so embarrassed!

00:50:35What courage!

00:50:36Taking money from friends like that,

00:50:38with premeditation and malice aforethought.

00:50:40Well, look, I don't have any change.

00:50:41He doesn't even want to drink.

00:50:42that my town has been cut off.

00:50:44Shut me up, for bringing it!

00:50:45Seriously, what courage!

00:50:46You have so much courage, Santi.

00:50:48He's got some serious guts, son.

00:50:51Hey, do you have the mechanic's name?

00:50:53What are we going to fire?

00:50:55Yeah.

00:51:06I mean,

00:51:07which is the last mechanic who arrived

00:51:09This is the one here, right?

00:51:13And I say,

00:51:16Can't they stay here?

00:51:17everyone working

00:51:17And everyone's happy?

00:51:20So, what difference does it make?

00:51:21One more salary,

00:51:22one less salary.

00:51:23In the end, it doesn't matter.

00:51:24Oh, I'm just following orders.

00:51:26Let's see, Cristóbal Ferraz,

00:51:28because it sounded familiar to me that he was wearing

00:51:29more time here.

00:51:30Boom!

00:51:31Well, that's what it says on the computer,

00:51:32You know that's not true...

00:51:33Oh my goodness!

00:51:34Christopher has five children.

00:51:35Five children?

00:51:36Well, if nobody has five children anymore,

00:51:38it just can't be.

00:51:39Venezuelan,

00:51:39Well, I hope he finds a job.

00:51:41before they kick him out of Spain,

00:51:42because he has a temporary permit...

00:51:45Buah, 52 years old,

00:51:46Well, he's in a tough spot.

00:51:47Anyway, look,

00:51:48This is what I hate the most.

00:51:49It's my profession, really.

00:51:50Well, I'll fire him tomorrow.

00:51:51Because today...

00:51:54Wait, no, no, no, no.

00:51:55They look, they look, they look.

00:51:57Auntie who...

00:51:57I lied to you.

00:52:01The one you have to fire

00:52:02It's not Christopher East,

00:52:03but to Fructuoso Martínez.

00:52:08But why did you lie to me?

00:52:10Because you can't kick Fructuoso out.

00:52:12They look, not at Christopher either.

00:52:14but less so Fructuoso.

00:52:16Does he have five children too?

00:52:18No, it only has one.

00:52:20I.

00:52:24You can't throw it out, Miran, aunt.

00:52:26that my father is a fantastic mechanic,

00:52:28You know?

00:52:29AND...

00:52:30And he is my father.

00:52:32Yes, but this is a job

00:52:33and you can't mix the personal

00:52:35with the professional.

00:52:37Did the frying pan tell the saucepan?

00:52:43Well, I follow orders.

00:52:44I have to cut a salary.

00:52:46Very good.

00:52:49Well, if you have to cut a salary,

00:52:53crop mine.

00:52:54There you have it.

00:52:55Give me my severance pay, I'm leaving.

00:52:56Goodbye.

00:52:57You already have one less salary.

00:52:59Trau,

00:53:00that you have an internship contract.

00:53:02It's because of your salary

00:53:04We do nothing.

00:53:09Look, I...

00:53:11I'm sorry,

00:53:12But I have to fire your father.

00:53:13I can't do anything.

00:53:22Come on, the twist...

00:53:24That's it, that's it, she wins.

00:53:25Backwards, backwards.

00:53:26Cambré, cambré.

00:53:27Yoli, Yoli,

00:53:28which has put me a little further behind you, Yoli, damn it.

00:53:30The end, the end.

00:53:31Smile, smile.

00:53:32More energy, more...

00:53:32Come here, Diego, just a moment.

00:53:34Look,

00:53:35Yoli, you hold it tightly.

00:53:36So, uh,

00:53:37you, you,

00:53:38Hey,

00:53:38leg

00:53:39and back.

00:53:40Cambré,

00:53:40I fell,

00:53:41back.

00:53:41Good, with grit,

00:53:42Okay, that's it.

00:53:43Don't worry,

00:53:44and lower your leg,

00:53:44Pussy,

00:53:44that knows friction.

00:53:45Damn it, let go.

00:53:46Okay, okay, okay.

00:53:47Look, I think this part is already...

00:53:48Do you have it?

00:53:48We did it.

00:53:49Yes, yes.

00:53:50Very good, perfect.

00:53:50Let's get to the sexy part.

00:53:52Okay, fine.

00:53:52Like, with the sexy part,

00:53:53But this wasn't the sexy part.

00:53:55Relax, Diego.

00:53:56Don't worry,

00:53:56Support and don't panic.

00:53:57Come on,

00:53:58Come on.

00:54:01That.

00:54:12Good, good, good, good, good.

00:54:15Come on, come on.

00:54:18That.

00:54:19There, you, you.

00:54:22Come on, come on, come on.

00:54:23Let's go outside, outside, outside, outside.

00:54:26Have an abortion, Fermín, have an abortion, have an abortion, have an abortion.

00:54:28Because?

00:54:28Get an abortion now, because I say so.

00:54:30Let's see, this is getting out of hand.

00:54:32You can't do that dance at school, dude.

00:54:34Diego, Diego, that's how tango is.

00:54:35Well, leave it to me, Fermín, leave it to me.

00:54:38This story has been aborted.

00:54:38No, because it starts with tango,

00:54:39Then you continue with those little magazines with the tests and such,

00:54:42And then it turns out she was a cat.

00:54:43Do you know why this happens?

00:54:44Because of me, because I consented, because I consented and because I encouraged it,

00:54:46And no, it's not my fault.

00:54:47Diego, Diego, I'm going to do that dance, okay?

00:54:49I'm not saying you shouldn't do the dance,

00:54:50What I'm telling you is that it does one thing, well, damn it,

00:54:52a little more demure,

00:54:52a little more suitable for all audiences,

00:54:54For example, the consortium is like this,

00:54:56then novelties, a little bit,

00:54:57And then the little sign, it's kind of normal, right?

00:54:59What's going on? Were you helping us keep tabs on us?

00:55:01As always, in a sexist way or what?

00:55:02No, sorry, not in a sexist way, in a fatherly way.

00:55:04And I can't allow you to do this dance at school, damn it.

00:55:06Look, Diego, I'm going to do that dance and that's it at the end, okay?

00:55:08Do you like it or not?

00:55:09Well, let me tell you something,

00:55:10You're not going to do that dance,

00:55:11And especially not in front of 200 hormonal and horny teenagers.

00:55:14Why aren't you going to do it?

00:55:14Because I forbid it, and that's that.

00:55:15You're not the one who's going to forbid me from doing anything, okay?

00:55:33Wow, wow, wow, wow, what a great atmosphere here today!

00:55:35What a great atmosphere!

00:55:36Josilito?

00:55:36But if.

00:55:38Now I'm going to make some cash,

00:55:39Everyone has to pay.

00:55:40Come on!

00:55:41Pay now!

00:55:42Oh, brother-in-law, what's up?

00:55:43Trying to make the numbers work, huh?

00:55:44From what I can see.

00:55:47Okay, thanks.

00:55:49And the child?

00:55:50Hey?

00:55:50I left it with my mother.

00:55:54Santi, who also now has the right to see the child,

00:55:56even if it's just once a month.

00:55:57Spout,

00:55:59who was talking to Joselito,

00:56:00This whole betting thing is nonsense.

00:56:03Why does it matter who gets more?

00:56:04If the tavern belongs to both of them,

00:56:05It all stays in the family, right?

00:56:08Look,

00:56:09when a mountain man gives his word,

00:56:11It fulfills it,

00:56:12even if his life depends on it.

00:56:14Come on!

00:56:15Cough inside!

00:56:26How much is there?

00:56:29240.

00:56:31I'm going to tell you again,

00:56:32because maybe I misplaced it

00:56:33some of 500 and...

00:56:34If 500 euro notes don't exist, brother-in-law,

00:56:36If that's a popular invention,

00:56:37What do you think, Lee?

00:56:38José Luis has won.

00:56:40I'm going to this tavern tomorrow.

00:56:42But seriously, what are you saying?

00:56:44No, man.

00:56:44It doesn't matter what he said,

00:56:45Don't be an animal, man.

00:56:47Does Zapatero, our president, benefit from our success?

00:56:48Aren't you going to do it?

00:56:49Look,

00:56:49The tavern is yours.

00:56:51Well,

00:56:51The tavern belongs to both of us,

00:56:52But it's yours too.

00:56:53Santi,

00:56:53If you can't leave,

00:56:54What is Father's Tavern?

00:56:56I love this tavern so much

00:56:58so that it can stay afloat

00:56:59I have to get out of the way,

00:57:01I'm out.

00:57:02I only ask one thing of you,

00:57:04that you respect me, father

00:57:05And don't put me there

00:57:06to one of those with the soiled pants.

00:57:08We are?

00:57:09That's asking too much.

00:57:12Well no,

00:57:12No,

00:57:12Well, I'll leave Father there.

00:57:14Okay, okay.

00:57:15Where are you going?

00:57:16Brother in law.

00:57:18But it was a bet, damn it.

00:57:20A bet?

00:57:20A bet that the game takes you on?

00:57:21Well, don't bet.

00:57:22Don't you see there are people

00:57:23that you can't bet?

00:57:24Fuck.

00:57:25Okay, I'll bet more.

00:57:26I'm not betting anymore.

00:57:26The little knowledge we have,

00:57:27the disappointment my sister-in-law has felt.

00:57:31How are they doing?

00:57:33Draw.

00:57:35But Real Madrid is playing well, huh?

00:57:37Fuck.

00:57:38It was about time, damn it.

00:57:40Score again, Raúl.

00:57:42How late is it for you?

00:57:43The throat thing.

00:57:43Hey,

00:57:44Okay, there's still a little bit there.

00:57:46But I'm better now.

00:57:48Good, good, good.

00:57:48If you're there all day with your clothes,

00:57:50if I take it off,

00:57:50If I put it on,

00:57:51the air conditioning.

00:57:54Come on, eat.

00:57:55Eat it all, okay?

00:57:56You have to

00:57:57to gather strength for work.

00:58:01By the way, dude,

00:58:02the thing is

00:58:03That aunt is exploiting you, damn it.

00:58:05And you have to make one thing clear to him.

00:58:07That's what overtime is.

00:58:09Extraordinary, huh?

00:58:10That,

00:58:11That costs money.

00:58:13I'll tell him tomorrow, too.

00:58:15when I stop by the office.

00:58:17What's wrong? What's happening?

00:58:19Nothing,

00:58:20who told me he wanted to talk to me.

00:58:22I imagine it will be for

00:58:24I want to get a permanent position or something.

00:58:30I've been mulling this over lately, you know?

00:58:32What have I thought?

00:58:35As soon as you loosen up a little

00:58:36with the papers and everything else,

00:58:39We set up a workshop.

00:58:40Own workshop.

00:58:43What do you think?

00:58:45What do you think?

00:58:48Milk?

00:58:49Clear,

00:58:50male,

00:58:50as usual,

00:58:51as usual.

00:58:52And now the Martinez family,

00:58:53The two of them there.

00:58:54Like the Rockefellers and the Botíns,

00:58:56That's how they started.

00:58:57Open a car repair shop?

00:58:58Which car repair shop?

00:58:59Pussy,

00:58:59No,

00:58:59with family businesses.

00:59:01Fuck.

00:59:01Ah,

00:59:01Well.

00:59:02Clear,

00:59:03Me tomorrow.

00:59:05I'll ask him for a raise tomorrow.

00:59:07Hey?

00:59:07Yeah,

00:59:08Yeah,

00:59:08I'm asking for a raise.

00:59:09We saved a little bit.

00:59:10You cut yourself

00:59:11And we launched ourselves,

00:59:12Pussy.

00:59:13Does that sound good to you?

00:59:21Dad,

00:59:23that,

00:59:24that,

00:59:25fuck,

00:59:25look,

00:59:25that,

00:59:26I mean,

00:59:26I,

00:59:28If not you,

00:59:29I mean,

00:59:29even if you didn't arrive

00:59:31never,

00:59:31You know?

00:59:32Not to be a Rockefeller or anything,

00:59:33You know?

00:59:35Dad,

00:59:35that I will love you just the same.

00:59:37Did you know that mostly

00:59:39I'll be there

00:59:40always?

00:59:42Okay.

00:59:43Dad,

00:59:44dad.

00:59:45Well,

00:59:46son,

00:59:46Okay,

00:59:47Okay.

00:59:47Hey,

00:59:48There's no need to get so worked up,

00:59:49Hey?

00:59:49Okay,

00:59:50Okay.

00:59:50Fuck.

00:59:52And in Madrid, on top of that

00:59:53and playing incredibly well,

00:59:54male.

00:59:55Yes, it's enough to make you feel like that.

00:59:56dad,

00:59:57Yes, it's enough to make you feel like that.

00:59:59Son,

01:00:01I'll make you another pizza.

01:00:03You need a girlfriend

01:00:04that you eat me.

01:00:08Advantages of the thong

01:00:09over the panties

01:00:09and easier to remove

01:00:11for your boyfriend.

01:00:12I'm fed up

01:00:12in everything that moves.

01:00:15Well,

01:00:17How to set it up

01:00:18at your house

01:00:18without him finding out

01:00:20Your father?

01:00:21Is this made?

01:00:21Bad temper?

01:00:22This?

01:00:26Discover

01:00:27if you are multiorgasmic.

01:00:30Multiorgasmic.

01:00:40Discover

01:00:40if you are multiorgasmic.

01:00:41But for God's sake,

01:00:42For God's sake,

01:00:43but like a child

01:00:4315 years old

01:00:44He's going to know

01:00:44if she is multiorgasmic

01:00:45or not,

01:00:45that they don't know

01:00:46not even his own mother,

01:00:47They know it.

01:00:47They know it,

01:00:48They know it,

01:00:49because,

01:00:51Thank goodness,

01:00:51Thank goodness

01:00:52that I had Raúl,

01:00:53male.

01:00:53It's my turn to have a girl

01:00:54now in times

01:00:54that runs,

01:00:55I'm going to faint.

01:00:56Man,

01:00:56And you're poking around too,

01:00:57I mean,

01:00:57On top of that, he pokes around.

01:00:58Let me tell you a story

01:00:58which is very important

01:00:59And you rummage around,

01:01:00that good,

01:01:00What's wrong, son?

01:01:01That?

01:01:02It's mine,

01:01:02It might rotate

01:01:03the brush

01:01:03and I can't keep cleaning.

01:01:04Come on,

01:01:05Don't worry,

01:01:06Don't worry.

01:01:06Let me,

01:01:07Don't worry.

01:01:08It must be because of the brushes.

01:01:09Take,

01:01:09come on,

01:01:09Keep cleaning.

01:01:10Take.

01:01:11Come on,

01:01:12strip.

01:01:17What's happening?

01:01:18I've come to say goodbye.

01:01:20What are you going on a trip for?

01:01:21I quit my job

01:01:22in the tavern.

01:01:24I'm going to gather my things

01:01:25And I won't be coming back here.

01:01:27I mean,

01:01:27Santi,

01:01:27very good,

01:01:28that you still follow

01:01:28Regarding José Luis,

01:01:29No?

01:01:29I mean,

01:01:30Why don't you take it off?

01:01:30That idea already exists.

01:01:31and that stubbornness

01:01:32What's on your mind?

01:01:33There's no way.

01:01:33to convince him,

01:01:34hey,

01:01:34It's been like this all night

01:01:35and it doesn't give in.

01:01:36Really,

01:01:37hardest head

01:01:37This man has it.

01:01:38And what pride.

01:01:40Stubborn,

01:01:40nor pride,

01:01:41or anything.

01:01:42I am a man of my word.

01:01:43as my father taught me

01:01:44And that's how I'm going to continue.

01:01:45But,

01:01:45Do you want to leave your father alone?

01:01:46which has nothing to do with this?

01:01:47Yes, it is related.

01:01:48Yes, it is related.

01:01:49brother.

01:01:49If you had to tear yourself away

01:01:50the eyes

01:01:51so that your children could see,

01:01:52Would you pull them out?

01:01:53Or wouldn't you tear them off?

01:01:54Santi,

01:01:55What are you saying?

01:01:55of tearing out one's eyes?

01:01:56What do you see, things?

01:01:56Are you telling me?

01:01:57And besides, you can't donate.

01:01:58if they tear out your eyes,

01:01:59It cannot be donated.

01:01:59Yes, yes,

01:02:00can.

01:02:00Can,

01:02:01I saw it on TV once

01:02:02and he left.

01:02:03It's because, brother, it assumes

01:02:05who says the eyes

01:02:05says the liver

01:02:06or the spleen.

01:02:09Leave

01:02:10so that it doesn't sink

01:02:11Father's tavern.

01:02:12I sacrifice myself,

01:02:13I'll get out of the way.

01:02:14Santi, please,

01:02:15Listen to me,

01:02:15reason,

01:02:16reason that when you close yourself off

01:02:17You get as angry as a kestrel

01:02:18And you're a moron.

01:02:20I mean,

01:02:20Think about it, Santi.

01:02:21That's just how I am.

01:02:21And that's how I'm going to be.

01:02:23Or I am accepted

01:02:25Or they don't love me.

01:02:26Well,

01:02:26Well, you can't go through life like that.

01:02:27You can't be like that,

01:02:28I mean,

01:02:28who thinks a little.

01:02:29You need to change,

01:02:30recycle yourself,

01:02:31Santi,

01:02:31Recycle yourself.

01:02:32Ah,

01:02:33how beautiful!

01:02:33And what about you?

01:02:34Don't you recycle?

01:02:35You won't last longer with your children,

01:02:36No?

01:02:37I'm blindfolded.

01:02:38What a curse I have!

01:02:40Let's go,

01:02:40acrobat,

01:02:41let's go.

01:02:44Little step of the day.

01:02:49It's hit you there too

01:02:50your brother,

01:02:51Hey?

01:02:51I'll tell you the same thing.

01:02:52I'll tell you the other one.

01:03:00What else?

01:03:03Oh,

01:03:04I think you're going to pass

01:03:05a little bit cold,

01:03:05What if you don't have clothes?

01:03:06Tell me

01:03:06if I lend you something.

01:03:08And on and on with the mountain-centric views,

01:03:09what's happening?

01:03:09Why aren't you modernizing?

01:03:10Not even at 15 or what?

01:03:11Look,

01:03:12Just so you know,

01:03:12The dance is going to be phenomenal.

01:03:14Despite your father,

01:03:15clear.

01:03:16Well,

01:03:16Did you think so?

01:03:17that my father was poti.

01:03:18Well,

01:03:18Did you think so?

01:03:19that I wanted

01:03:19having him on top of you all day

01:03:20as if he were a bodyguard.

01:03:23Clear,

01:03:24as a bodyguard.

01:03:26I don't know,

01:03:26deep down, me

01:03:27I understand you,

01:03:27No?

01:03:27Because if it were Kevin Costner

01:03:29Well, there with its features,

01:03:30the man and such,

01:03:31but my father

01:03:31without any form and without anything,

01:03:32Right, Maritana?

01:03:33Well, look,

01:03:33the truth,

01:03:33If I were Kevin Costner, maybe.

01:03:35Well, look,

01:03:35Look at this,

01:03:37the thing is,

01:03:38I don't know why,

01:03:38But I'm not so sure.

01:03:39that Kevin Costner

01:03:40It would have taken two days

01:03:40acting like a fool

01:03:41to teach you the little dance.

01:03:42You know what I'm sure of?

01:03:43What wouldn't Kevin Costner have done?

01:03:44I'm measuring my length

01:03:44of the skirt every second.

01:03:46Because he's not a sexist

01:03:46He's not a caveman,

01:03:47Just so you know.

01:03:48Already,

01:03:49Yes, yes, yes.

01:03:50Oh, poor me!

01:03:51Poor me

01:03:52that I live here

01:03:53in a house full of chauvinists

01:03:54and cavemen

01:03:55with how modern I am.

01:03:58Look,

01:03:59The truth, Maritana,

01:04:00I don't understand

01:04:00What are you doing living

01:04:00in a cave.

01:04:02Okay,

01:04:02that maybe

01:04:03I don't love him...

01:04:05No, look,

01:04:06probably

01:04:07It's that man

01:04:07from Atapurca,

01:04:08my father,

01:04:09He's wasted time with you.

01:04:10for some reason.

01:04:12I'll give it to you.

01:04:14Well,

01:04:15yes indeed,

01:04:16between wiggles,

01:04:17that I don't want

01:04:17interrupt nothing.

01:04:24Thank you.

01:04:58Santi,

01:04:59Santi,

01:05:00Hey,

01:05:01back off a little,

01:05:02Hey,

01:05:02And don't get like that

01:05:03from Serrano,

01:05:04fuck,

01:05:04that get into you

01:05:04between the eyebrows

01:05:05things

01:05:05And there's no way.

01:05:06Pussy,

01:05:07that you can continue here,

01:05:09Hey.

01:05:10Pussy,

01:05:11that simply

01:05:12as long as you let me take

01:05:13I make the decisions

01:05:14management,

01:05:14Whatever you want,

01:05:15Everyone was happy.

01:05:16So you don't listen,

01:05:17what you hear.

01:05:18So many times

01:05:18I defended the tavern with him

01:05:20and I claimed the orders.

01:05:22Yeah,

01:05:23I remember.

01:05:23And the suppliers

01:05:24They also remember.

01:05:25Much to my regret,

01:05:27If you want to take it,

01:05:27Well, look,

01:05:28You take it,

01:05:28What can you do?

01:05:30Listen,

01:05:30But what are they doing?

01:05:30Leave that there.

01:05:31Joselito,

01:05:32Listen,

01:05:33Listen.

01:05:33I already told you last night.

01:05:35Either they pay me or they pay me.

01:05:36This thing is worth a fortune.

01:05:37the thousand euros

01:05:37What's this thing worth?

01:05:38or I'll take it.

01:05:39Pepito,

01:05:40Pepito,

01:05:40I'm working on it,

01:05:41Pussy,

01:05:41that tomorrow,

01:05:42if we know each other

01:05:43since I was a child,

01:05:44of all time.

01:05:44That's precisely why,

01:05:45because I know you

01:05:46I don't trust you.

01:05:47Well,

01:05:47go,

01:05:48hey,

01:05:49you,

01:05:51Are we here to collect payment?

01:05:52the money you owe us?

01:05:53I?

01:05:54Yeah,

01:05:5450 euros per head,

01:05:56for bringing people to the bar.

01:05:5750?

01:05:58But,

01:05:58Have you all gone mad or what?

01:05:59Go on,

01:06:00come on,

01:06:00Have a drink here at the bar

01:06:01and spliced.

01:06:01No, look,

01:06:02Stop taking anything,

01:06:03Hey?

01:06:03Because with the jug

01:06:04that you put on for us last night,

01:06:05I've been throwing up all night.

01:06:07Catch me up on the bet!

01:06:07with a jug!

01:06:08Ah!

01:06:09That's the guisalto!

01:06:10That's how he won that too!

01:06:12That's how he won that too!

01:06:13Santi!

01:06:14Oh well,

01:06:14Don't you see that these people

01:06:15all he wants

01:06:15is getting drunk

01:06:17on a shoestring,

01:06:18Pussy?

01:06:18Even if he gives them a little star.

01:06:20Hey?

01:06:21With that

01:06:21and with Serrano ham

01:06:22that we put

01:06:23instead of Iberian

01:06:23because we are saving ourselves

01:06:24some money, Santiago.

01:06:25He's put out discounted ham!

01:06:26for Iberian!

01:06:27For Iberian!

01:06:27Half of the people

01:06:28Santiago doesn't get it.

01:06:30Hey?

01:06:30If everything is burnt ham.

01:06:31This has always been

01:06:32the Prado Museum of Ham.

01:06:34And you have come here

01:06:36to market

01:06:37and to finish

01:06:38with reputation

01:06:39of this temple

01:06:39that my father founded.

01:06:40Yes, that's right.

01:06:41that this tavern

01:06:42I needed some water

01:06:42and I gave it to her.

01:06:43Damn, Santiago,

01:06:44that only with jarajillos

01:06:45and with discount football

01:06:46You cannot leave

01:06:46forwards

01:06:47a little bit of...

01:06:48Push it a little, damn it,

01:06:49Damn,

01:06:49Things are the way they are.

01:06:50and with my brother-in-law's touch

01:06:52because it has relaunched him

01:06:53a little bit of business.

01:06:54Santiago Serrano,

01:06:55please,

01:06:55lower the stick,

01:06:56lower the stick

01:06:56and engage in dialogue.

01:06:57Go ahead, have a dialogue.

01:06:59I'm going to do one thing,

01:06:59brother in law.

01:07:01I am a man

01:07:02of a good nature, right?

01:07:02Well, let's make a deal.

01:07:04Look, to begin with,

01:07:06I'll pay out of my own pocket

01:07:07the money it cost

01:07:07the plasma television.

01:07:09Okay, okay,

01:07:10Do you see, do you see, do you see?

01:07:11That's the attitude, that's the spirit!

01:07:12fuck.

01:07:12Yes indeed,

01:07:13In return we offer

01:07:14the painting of...

01:07:15of the circuit.

01:07:15Oh well,

01:07:16We were doing well,

01:07:16little thing, damn it!

01:07:17Oh well,

01:07:18Let's put the father one back on!

01:07:19That's it!

01:07:26God,

01:07:27You don't know, do you?

01:07:28Yoli, please,

01:07:29we've been rehearsing

01:07:30since we heard from home.

01:07:30Let's see.

01:07:32Tete!

01:07:34Oh well,

01:07:35You look very pretty.

01:07:36How are you, Yoli?

01:07:39You'll see what I wanted to tell you

01:07:40I'm sorry about yesterday,

01:07:42You're right.

01:07:42And I'm an old fogey.

01:07:43Yeah,

01:07:44You know what I get.

01:07:45the mountain vein,

01:07:46It swells up,

01:07:46It comes out and I get stuck.

01:07:48Diego,

01:07:48I also wanted to ask you

01:07:49I'm sorry for everything I said to you.

01:07:50No, no, no, no.

01:07:51No, really,

01:07:52no beating around the bush.

01:07:53I'm from another era,

01:07:55You're more into what is

01:07:56Brinespeed and such,

01:07:57I'm still here

01:07:58with the consortium

01:07:58and the little train

01:07:59and all this.

01:08:00No, those are different times.

01:08:01Yeah,

01:08:01She goes without underwear,

01:08:02in the end,

01:08:03There are multi-organic thongs

01:08:04And I, being a koala,

01:08:05I am a koala,

01:08:06Yeah,

01:08:06It's a different mindset,

01:08:07So no.

01:08:08Well,

01:08:08What I'm getting at is,

01:08:10nothing,

01:08:10I trust you

01:08:12and that I have no right

01:08:13to tell you nothing.

01:08:15Yes, Diego,

01:08:15You have every right

01:08:16of the world.

01:08:18When I asked you

01:08:18that I could stay with you

01:08:20at your house,

01:08:20Well, it was like telling you

01:08:21that you had every right

01:08:22to tell me what you had for me

01:08:23What can I say?

01:08:25But,

01:08:26please,

01:08:27that?

01:08:28Don't read me again

01:08:29the magazines,

01:08:30please,

01:08:30No, no, no,

01:08:30I swear,

01:08:31no, no, no,

01:08:32no no,

01:08:32No, I'm leaving.

01:08:33that you have to leave.

01:08:34Remember,

01:08:35the camber,

01:08:36I fell,

01:08:37that comes after the wiggle

01:08:38that you always forget.

01:08:39Okay,

01:08:39Diego,

01:08:39Can you do me a favor?

01:08:40Shut me up,

01:08:41Yeah,

01:08:42if you can stay here

01:08:43while I dance.

01:08:45Of course,

01:08:46I'll be here.

01:08:47Thank you so much.

01:08:48Nothing.

01:08:57Permission.

01:08:58Yeah.

01:08:58Good morning.

01:09:02You called me, didn't you?

01:09:03Yes, yes,

01:09:04Sit down.

01:09:04Raúl,

01:09:05please,

01:09:06Are you going to eat now?

01:09:06Okay?

01:09:07and leaves us with only that fruitful

01:09:08and me.

01:09:08Yeah.

01:09:14Enjoy your meal.

01:09:16Thank you.

01:09:17Well,

01:09:18which is,

01:09:18I have a remounted radiator there,

01:09:20I have to reassemble,

01:09:21I have a little bit,

01:09:22What did you want?

01:09:23Yes, yes,

01:09:23Well,

01:09:24Let's see,

01:09:24fruitful.

01:09:28In the end,

01:09:28as you know,

01:09:29Your contract ends now.

01:09:31Yeah,

01:09:31And we have made a decision.

01:09:34Good.

01:09:35She's beautiful,

01:09:36She's beautiful.

01:09:37Well,

01:09:38Well,

01:09:39that's it,

01:09:39That's next,

01:09:40do you remember?

01:09:40Three in half a minute,

01:09:41Okay?

01:09:42Okay,

01:09:42let's see,

01:09:42Calm down,

01:09:43Okay,

01:09:43I'll do the chair thing.

01:09:44then the arm thing

01:09:45And then you come in,

01:09:46Okay?

01:09:46He's clear about it,

01:09:47Okay.

01:09:48It's perfectly clear to me now,

01:09:48look,

01:09:49luck,

01:09:50luck,

01:09:51luck,

01:09:51It's not that I'm not going to act,

01:09:53that...

01:09:53And yes,

01:09:54And yes,

01:09:54and well,

01:09:55a lot of shit.

01:09:56That,

01:09:56that,

01:09:57Yoli,

01:09:57a lot,

01:09:57that,

01:09:58cheer up,

01:09:59cheer up.

01:10:02Yoli,

01:10:03The best day to come has already been chosen.

01:10:04daughter,

01:10:05the spring festival,

01:10:05Oh my God.

01:10:06Ah,

01:10:06It's the festival,

01:10:07Yeah,

01:10:08Well,

01:10:08If you saw how eagerly the kids demand it,

01:10:10They pretend to be...

01:10:11Hi Celia!

01:10:12how are you?

01:10:13Let me introduce you,

01:10:14Fernando,

01:10:14Celia.

01:10:15New teacher.

01:10:16Welcome,

01:10:17how are you?

01:10:17Well,

01:10:17happens,

01:10:17happens.

01:10:18Thank you.

01:10:18Look,

01:10:19There are all your new students,

01:10:21look,

01:10:21David,

01:10:21Matías,

01:10:22Well,

01:10:22You'll get to know them soon enough.

01:10:23Guillermo.

01:10:23Hello,

01:10:23how are you?

01:10:24Well, I hope they treat me well.

01:10:25Miss,

01:10:26I wanted to tell him,

01:10:27Well,

01:10:28With all due respect,

01:10:29but with great admiration.

01:10:30Matías,

01:10:31Don't say it.

01:10:32That's a goddess.

01:10:33Well,

01:10:34come on,

01:10:34backwards,

01:10:35come on,

01:10:36sorry,

01:10:36who forgives,

01:10:36Guillermo,

01:10:37come on,

01:10:38work,

01:10:39backwards,

01:10:40backwards,

01:10:40for work,

01:10:41backwards,

01:10:42wait,

01:10:43I hope you treat her well.

01:10:45and don't make her feel any kind of sting,

01:10:46OK?

01:10:47Yes, yes, yes,

01:10:47good,

01:10:47OK,

01:10:48very good.

01:10:48Come on,

01:10:48come on,

01:10:48goes,

01:10:49that begins.

01:10:49come on,

01:10:49come on.

01:10:50Well,

01:10:50this number,

01:10:51the next issue,

01:10:52I have to say it again.

01:10:53Oh, really?

01:10:53You are the music teacher.

01:10:55No, the psychologist.

01:10:56Oh, look!

01:11:18And on top of that, she dances tango.

01:11:19look,

01:11:20You can't ask for anything more,

01:11:21She is a goddess.

01:11:22What's wrong with you?

01:11:22Don't you have another line or what?

01:11:24Look,

01:11:24the beautiful child,

01:11:25You'll see how you dance.

01:11:30But,

01:11:31Diego,

01:11:31What are you doing here?

01:11:32Yoli?

01:11:34It has been similar in combat.

01:11:35What, please, Diego?

01:11:36This isn't going to end well.

01:11:37Dese mujer,

01:11:38come on,

01:11:38strip.

01:11:40Please,

01:11:41tell me that's not my father.

01:11:44Hey,

01:11:45And did your sister arrive?

01:11:46Was she not my sister?

01:11:48I don't want you to continue,

01:11:50Just stop it.

01:11:54Too many lies

01:11:55to forget.

01:11:58I no longer surrender at your feet

01:12:00not a single day.

01:12:02You can't imagine

01:12:04You're so small now.

01:12:08Now you can continue

01:12:11with your life.

01:12:14Buried in your middle

01:12:16sad,

01:12:17You'll do very well.

01:12:19It doesn't matter anymore.

01:12:20night or day.

01:12:25You're a gray stain

01:12:27on my wall.

01:12:29Have a good one.

01:12:32Cambré!

01:12:32Yeah!

01:12:43Did you see?

01:12:44That's my father.

01:12:44Did you see her dancing the tango for me?

01:12:45Yeah.

01:12:46Is he Argentinian?

01:12:46No way.

01:12:47It's summer.

01:12:48Handsome!

01:12:49Beautiful too.

01:12:50Handsome!

01:12:50Beautiful, Diego!

01:12:57And what a tango!

01:12:58that have been danced

01:12:58Diego and the baby.

01:13:00Hey, girl,

01:13:01What a pepper!

01:13:02I didn't know

01:13:02that I had that idea.

01:13:04Very good.

01:13:04And Diego, look,

01:13:06hairs like goosebumps

01:13:07They've gotten hard, baby.

01:13:08How are you getting hooked?

01:13:09Hi how are things?

01:13:11Hello.

01:13:11How are you?

01:13:12Hello.

01:13:13Very good.

01:13:14This is the teachers' lounge.

01:13:15This is where we work,

01:13:15we met,

01:13:16We relaxed too,

01:13:17which we also have a right to.

01:13:18Sure, but...

01:13:18How are you?

01:13:19Are you enjoying school, Celia?

01:13:20Yes, a lot, really.

01:13:21It all feels very familiar,

01:13:23very warm.

01:13:24Well, family-oriented.

01:13:25Últica, we are brothers-in-law,

01:13:27I don't know if you knew that.

01:13:27No, I had no idea.

01:13:28No, but apart from that

01:13:29because here we're very affectionate,

01:13:30We really love each other.

01:13:31Well,

01:13:31You're going to have a blast.

01:13:33For sure yes.

01:13:33What beautiful hair you have, daughter.

01:13:35I'm telling you the truth.

01:13:36Hey, quality and it kills.

01:13:38What chamomile do you use on yourself?

01:13:39on the tips?

01:13:39No, the truth is that

01:13:40I haven't done anything to myself.

01:13:41No?

01:13:42I've done it once.

01:13:43It turned green on me.

01:13:44But look,

01:13:45What were the eighties like...

01:13:46The eighties, Chony,

01:13:47Where are they?

01:13:48Where are they?

01:13:49Where are they?

01:13:50Look, here's a list

01:13:51of the fourth-rate ones.

01:13:52OK?

01:13:52They're a little mischievous,

01:13:54But women are of that age.

01:13:56Nothing, but don't worry.

01:13:57I think he'll be able to

01:13:57with them perfectly.

01:13:58I mean, divine.

01:13:59You're going to make a great impression,

01:14:00You'll see.

01:14:01They'll get what's coming to them.

01:14:02But you should have seen it

01:14:02to Guille and company

01:14:04in Vélezahí

01:14:04You had them, baby.

01:14:05TRUE?

01:14:06Okay, so what?

01:14:07Shall we continue with the tour?

01:14:07Okay.

01:14:08See you later,

01:14:09See you, girls.

01:14:09Goodbye, queen.

01:14:15Bonica Rematá.

01:14:17Bonica Rematá.

01:14:18I'm going to tell you something.

01:14:20You'll tell me no,

01:14:21But a teacher like that

01:14:22to a private school

01:14:23It gives it cachet,

01:14:24It gives it a certain glamour, man.

01:14:26Let's see if it lasts.

01:14:26because we need teachers

01:14:27like Agüita de Mayo.

01:14:29Man, it lasts!

01:14:30It's camped here.

01:14:31I've seen her very relaxed,

01:14:32Very good and very comfortable.

01:14:33It's a divine campsite.

01:14:36See?

01:14:36I told you I was unlucky.

01:14:38Teté,

01:14:39It's been very good.

01:14:40And the dance with Diego was beautiful.

01:14:41Thank you so much, Nati.

01:14:42Premium,

01:14:43You did a great job!

01:14:45Did you really like it?

01:14:46Well, I'll be left there.

01:14:47hands clapping.

01:14:48Right?

01:14:49It's been wonderful.

01:14:50Hey, Manu,

01:14:50one little thing.

01:14:51Hello.

01:14:54How cute.

01:14:56I had thought that later

01:14:57We could go to the movies

01:14:58and have a drink.

01:14:58Can't.

01:14:59And that's what you agreed on?

01:15:00Yeah.

01:15:01Hey, is something wrong?

01:15:04It won't be because of what happened the other day.

01:15:06Manu, if only...

01:15:07Look, Africa,

01:15:07a week ago

01:15:08I'm telling you we should move in together

01:15:09And you tell me no.

01:15:10Yesterday I told you we should leave

01:15:11vacation

01:15:11And you tell me I'm overwhelming you.

01:15:14It looks fucking great,

01:15:14But come on,

01:15:15If you don't want to live with me

01:15:15or come on vacation

01:15:16or prepare anything

01:15:17more than a week in advance,

01:15:18Well, you tell me.

01:15:19What is this relationship?

01:15:20Manu,

01:15:20I'm great with you.

01:15:22If so...

01:15:23The only thing I told you

01:15:24Let's not get overwhelmed.

01:15:26Nothing else.

01:15:26Okay.

01:15:27Brilliant.

01:15:28Do you get the whole picture?

01:15:30Well, from now on

01:15:30nor overwhelmed,

01:15:31no commitment,

01:15:32nor ask for explanations.

01:15:39OK,

01:15:40He buys a plasma TV.

01:15:41What is it?

01:15:42But we're only going halfway.

01:15:43Hey,

01:15:43You said you would take responsibility for it.

01:15:45But if we are partners,

01:15:46We are partners for everything.

01:15:46Pussy,

01:15:47We sanction.

01:15:48You're right, José Luis.

01:15:49Pussy.

01:15:49Let's have a dialogue

01:15:50but without preconditions.

01:15:51Okay?

01:15:52And the matches?

01:15:53One is bought per week.

01:15:54And from Madrid.

01:15:55Okay.

01:15:55And buying everything is very expensive.

01:15:57Okay?

01:15:57Perfect.

01:15:58Ah,

01:15:58and after eating,

01:15:59we see,

01:16:00I'm the ugly one, you see.

01:16:01Okay.

01:16:02No,

01:16:02That's not true because it encourages stampedes.

01:16:04forgive me.

01:16:04Because of the boy,

01:16:05Oh boy, and with what you say about the vee,

01:16:07that I've changed sides,

01:16:08Hey?

01:16:08Okay.

01:16:08And no cod at all.

01:16:09Radio Lé is played here.

01:16:10No,

01:16:11No,

01:16:11Radio Lé no.

01:16:12I'm sorry,

01:16:12No?

01:16:13And so you can see that there's a willingness to cooperate,

01:16:14I already give in quite a bit regarding the father's painting.

01:16:16I'm sorry,

01:16:16No?

01:16:16Radio Lé no.

01:16:18Damn it...

01:16:19Santi,

01:16:22hey,

01:16:22No,

01:16:23with my deepest respect,

01:16:24But the team isn't very youthful.

01:16:27José Luis,

01:16:28exact,

01:16:29We're going to get along,

01:16:30José Luis.

01:16:31We changed the mold.

01:16:31No,

01:16:32José Luis,

01:16:32We're going to get along.

01:16:33There it is,

01:16:34the painting.

01:16:34Sacañita.

01:16:35There it is.

01:16:37Fuck,

01:16:39no hay chevo en mi culpa.

01:16:40The thing is...

01:16:41I don't know,

01:16:42Are you that bad in bed or what?

01:16:46Well,

01:16:47I,

01:16:48I'm leaving.

01:16:49me...

01:16:51Hello,

01:16:51little girl.

01:16:52Yeah,

01:16:52Yeah.

01:16:58What the hell is that witch aunt?

01:17:01How could they do this to me?

01:17:02Hey?

01:17:03With who I am,

01:17:04in the world of spark plugs,

01:17:05I almost refloated it all the way to the workshop,

01:17:07Don't mess with me.

01:17:07What a bitch,

01:17:08dad,

01:17:08What a bitch.

01:17:09I am the only one,

01:17:09The only one there who knows how to tell the difference between a spark plug and a lighter.

01:17:12I went to my aunt's and she kicked me out.

01:17:13What a bitch,

01:17:15fuck.

01:17:16He doesn't kick me out,

01:17:16What are you telling me?

01:17:17He doesn't kick me out.

01:17:18Well, he kicked you out.

01:17:19No?

01:17:19No,

01:17:20who has taken away my bonuses and extras,

01:17:21Do you think that's not enough?

01:17:24No,

01:17:25hasn't it...

01:17:25I mean,

01:17:26no...

01:17:28That sucks.

01:17:29male,

01:17:30taking off your blouses, or taking off your extras, or milk,

01:17:33male,

01:17:33That's not it...

01:17:33Slow down a little,

01:17:35for the car.

01:17:37What did he tell you?

01:17:38Was he going to fire me?

01:17:40No.

01:17:42Oh yes,

01:17:42Well,

01:17:43equal,

01:17:43I mean,

01:17:43Not entirely,

01:17:44but a...

01:17:44I mean,

01:17:45which she commented on,

01:17:46but it was something that was still very much up in the air,

01:17:48You know?

01:17:48Already,

01:17:49And if you knew,

01:17:49Why didn't you tell me?

01:17:51Well,

01:17:52You said something to him.

01:17:54Don't mess with me.

01:17:55Don't mess with me,

01:17:56Raúl,

01:17:57The thing is, I'm not going to lose my job because of you now.

01:17:59No,

01:17:59But no,

01:17:59that this,

01:18:00that this was a...

01:18:01a destor of...

01:18:03that we randomly throw people out,

01:18:04You know?

01:18:04That it wasn't...

01:18:05Yes,

01:18:06yes,

01:18:07yes.

01:18:07Look,

01:18:08On closer inspection,

01:18:09Hey?

01:18:10I prefer,

01:18:11that if I owe a favor,

01:18:13Well, I owe it to my son.

01:18:15No,

01:18:15no,

01:18:16no,

01:18:16Listen to me,

01:18:16What do you think this is...

01:18:18She's stupid.

01:18:19Miriam,

01:18:19Hey?

01:18:20She's not stupid,

01:18:20This aunt is a mule driver.

01:18:21You know?

01:18:22That this,

01:18:22She knows,

01:18:23who saw you and told you,

01:18:24Pussy,

01:18:26This is a mechanic.

01:18:27You know?

01:18:27of the Champions League,

01:18:29You, damn it,

01:18:29You're a galactic workshop expert,

01:18:30dad,

01:18:31You know?

01:18:32Yeah.

01:18:32And it shows.

01:18:33Already,

01:18:33already.

01:18:34But you tell him one little thing,

01:18:35Hey?

01:18:35Yeah.

01:18:35As soon as you see her.

01:18:36Yeah.

01:18:37That in this country for a long time

01:18:38We work by agreement,

01:18:40Hey?

01:18:40And overtime,

01:18:41if they work,

01:18:42They are charged,

01:18:43Hey?

01:18:43So you charge them,

01:18:44Do you collect them or not?

01:18:45Yeah,

01:18:46I charge them,

01:18:47I charge them.

01:18:49We workers are not spare parts,

01:18:52Okay?

01:18:53So much capitalism,

01:18:54So much globalization and so much bullshit.

01:18:58So much crap.

01:19:07So much crap.

01:19:08Not what?

01:19:10That?

01:19:11What is that exit?

01:19:11That's enough.

01:19:12Tiger.

01:19:13To you?

01:19:13Ha!

01:19:13What am I going to get?

01:19:14Me.

01:19:14Damn, tiger.

01:19:15If these three don't fail.

01:19:16They never fail.

01:19:17So what?

01:19:18What do I care?

01:19:19Hey?

01:19:20What, what?

01:19:20What did you get?

01:19:23That?

01:19:25That?

01:19:26The monkey, damn it.

01:19:27The monkey came out.

01:19:29The monkey.

01:19:30Less giggling,

01:19:31Less giggling,

01:19:32which it clearly states here

01:19:33that monkeys are,

01:19:34Well,

01:19:34We are monkeys,

01:19:36agile and dedicated in bed.

01:19:38Careful.

01:19:38They have sore butts.

01:19:39They don't put that.

01:19:42Okay.

01:19:42What are you up to?

01:19:43Eh, eh,

01:19:44worth,

01:19:45Don't cheat.

01:19:46Do it,

01:19:47Do it,

01:19:47Do it.

01:19:48Do it.

01:19:49You've turned out to be a sheep.

01:19:50This is a sheep.

01:19:51Like Jolly.

01:19:52You as Jolly.

01:19:53I thought you were going to turn out to be a pig.

01:19:54Look.

01:19:55Less joking around,

01:19:55that you turned out to be a koala.

01:19:56Yes, well,

01:19:57But let's see,

01:19:57I'm talking about the pig.

01:19:58because it's something like

01:19:59more lustrous,

01:19:59more familiar,

01:20:00So it reminds me

01:20:01a little bit like Faust.

01:20:02And by the way,

01:20:03What is a koala?

01:20:04But go,

01:20:05It's just a little bit,

01:20:06So then they look

01:20:07a dictionary

01:20:07and it's an animal,

01:20:08that,

01:20:08as you can see there,

01:20:09like a species

01:20:10like a small, ugly bear.

01:20:11That's strange.

01:20:11It's a rare animal.

01:20:12Don't mess with me,

01:20:12Santi.

01:20:14Hey?

01:20:14What's happening?

01:20:14Don't they take your socks off?

01:20:15to make use of marriage?

01:20:16Hey,

01:20:17That's private.

01:20:18Man,

01:20:18So what?

01:20:18So as not to scratch Lurdita?

01:20:20No,

01:20:20Damn, my sister is something else.

01:20:21It's left her cold.

01:20:22when my feet are cold.

01:20:23Well,

01:20:23But you're disgusting.

01:20:24But I work standing up,

01:20:25At least it's gone cold.

01:20:26at night.

01:20:27I think it suited her well

01:20:28from the beginning.

01:20:29With that sympathy

01:20:30And that smile.

01:20:32Miriam doesn't do those things.

01:20:33Miriam doesn't do those things.

01:20:34She does others.

01:20:35No, no, no, Miriam,

01:20:36Let me tell you something,

01:20:37Things aren't done like that.

01:20:38you understand?

01:20:39Things aren't done like that.

01:20:41What worries me most

01:20:41What's going to happen to this tavern?

01:20:43when we retire.

01:20:44This is a tap

01:20:45to throw the straws.

01:20:47Straws.

01:20:48Have it in the pot,

01:20:48Don't put your...

01:20:49Black pudding.

01:20:50A piece of black pudding

01:20:51and a fishing rod.

01:20:52If the kid wants to work here,

01:20:53who works two months working

01:20:55in the tavern

01:20:55and I'm no longer there

01:20:56in this world of losers

01:20:57that are walking.

01:20:58Yes, to hug.

01:20:59Bye!

01:21:00I'm late.

01:21:02That?

01:21:03Yes, that's right.

01:21:04which is what Rosica is.

01:21:10That all guys are the same,

01:21:11You get us pregnant and then,

01:21:12to the,

01:21:12no obligation.

01:21:13What do you want?

01:21:14No, what you promised.

01:21:15Well, what I promised you,

01:21:16that I don't remember the same

01:21:16that I was expecting.

01:21:17Come on, that's done.

01:21:18A motorcycle, of course.

01:21:19Well, a motorcycle, a...

01:21:19You'll see,

01:21:20when Sancaguín you believe

01:21:21who asks you for a motorcycle,

01:21:22You'll see.

01:21:23Attend.

01:21:24Look at that young man.

01:21:25They are going to be parents.

01:21:27Do you plan to have many?

01:21:28I don't think so.

01:21:30Hey,

01:21:30Stop by my office later

01:21:31I want you to check me.

01:21:36Haven't I told anyone?

01:21:37Oh, really?

01:21:38Well, the whole school knows it.

01:21:40Oh yes, yes, yes,

01:21:41with acid, yes.

01:21:42How are things with my wife?

01:21:44Does he treat you well?

01:21:45Good.

01:21:55Martinez.

01:21:55Martinez,

01:21:56I know the relationship

01:21:57boss employee is dangerous,

01:21:58But danger excites me.

01:21:59I'll be waiting for you at the Chateau Hotel.

01:22:00at 10.

01:22:01Yes, put whatever you want in there.

01:22:02and get comfortable.

01:22:03No, you don't like it.

01:22:04Dude, game.

01:22:05Take,

01:22:05take

01:22:06And take it.

01:22:09And they ask themselves

01:22:11Why am I?

Los Serrano - 6x15 - Soy Koala - HD 1080

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