Los Serrano - 1x13 - La guerra de los Martínez - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Eva anima a Marcos para que se presente a un concurso de cantautores en la radio, pero como él no se muestra muy animado, decide mandar la maqueta en su nombre. Marcos está entre los finalistas, al igual que Joan Manuel -ex novio de Eva-, quien consigue instalarse en el hogar de los Serrano con la excusa de que no tiene dónde pasar la noche. Joan Manuel reconoce ante Marcos que ha venido para recuperar a Eva, lo que hace que el hijo mayor de Diego se plantee seriamente confesar sus sentimientos ante ella. Las cosas entre Fiti y Candela cada vez están más complicadas de cara a una posible reconciliación. Ninguno de los dos quiere ser el primero en pedir perdón y, aconsejados por sus amigos, optan por mostrarse duros ante el contrario. Lo cierto es que los dos están destrozados y tanto Santiago como Diego temen que su amigo pueda cometer una locura. A Teté le gusta uno de los chicos que juega en el equipo de fútbol que entrena su tío. Su interés por entrar a formar parte de la plantilla sorprende a todos, especialmente a Santiago, que se niega en rotundo a que Teté sea uno más de sus jugadores. Carmen, viendo el disgusto de su nieta, emprende una campaña para que Teté pueda ver cumplido su propósito.

Transcript

00:00:00...

00:00:00My lord says that men and women are equal.

00:00:13It may be true, but I don't believe it.

00:00:16The women in my family like to talk, drink coffee, and make silly kisses...

00:00:21...and strange things like plucking eyebrow hairs, baking in the sun, or writing poetry.

00:00:26The men in my family don't like to talk or drink coffee.

00:00:44They have hair all over their bodies and have never read a poem in their lives.

00:00:48But when something breaks, they're the ones who fix it.

00:00:51What cannot be fixed is that men and women want to be together despite being so different.

00:00:59That's why sometimes the cold war breaks out, as happens to Fiti and Candela.

00:01:03Hello.

00:01:04Hello.

00:01:06Hello, Candela.

00:01:08What are you doing here?

00:01:09Nothing. Come on later, okay?

00:01:13Have fun, Chara.

00:01:15Oh, what a mess.

00:01:16From the cold war to war to war, there is only one step.

00:01:20And when things are like this, the best thing to do is get to safety.

00:01:23Hey, person!

00:01:24Rough!

00:01:24In the summer, my uncle Santiago coaches the students of Santa Agosta.

00:01:29And every summer, Carmen tells him the same thing.

00:01:32You guys never even give up football on vacation.

00:01:35And my uncle always answers the same thing.

00:01:37Football is in our blood, ma'am, whether it's a holiday or not.

00:01:40Let's see!

00:01:41Come on, this war will never end, because men will always be men and will think like men.

00:01:47Just the opposite of women, who, being women, can only think like women.

00:01:52It's what's called the war of the sexes.

00:02:01On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:02:09Come soon to see the sea, and you send a postcard, I already knew that day was the end.

00:02:15Now I have much more.

00:02:20Red, black, stop and even, finally luck brings an ace and a crystal to look through.

00:02:25And a wall to hang, seven smiling faces in a passport photo.

00:02:31My stories were not about tales made by chance.

00:02:36Nobody told me that destiny was giving me this opportunity.

00:02:44One plus one equals seven.

00:02:48Who would have thought?

00:02:52It was so easy to be happy.

00:02:55Fiti, listen to me, calm down, calm down.

00:03:13We already know what Candela is like, man.

00:03:16There's no understanding a woman, kid.

00:03:17Candela, yes, I understand you, sweetheart.

00:03:18But you already know what Fiti is like.

00:03:20And he's a man, and nobody can understand that.

00:03:22No, listen, listen, listen, don't talk to her, don't talk to her.

00:03:26You just wait, wait, weather the storm and that's it.

00:03:29Candela, what you need to do is talk to him as soon as possible and sort things out.

00:03:32No waiting, do you hear me?

00:03:33No waiting.

00:03:34Okay, okay, listen to me, Fiti, calm down, please, you're making me nervous.

00:03:39No, let's see, let it calm down first and then we'll see, this thing is better when it's cold.

00:03:44Oh really.

00:03:45Look, Candela, listen to what I'm going to tell you.

00:03:48Act now.

00:03:49These things need to be dealt with immediately.

00:03:51What? Can you hear me? But the longer you wait, if you do nothing, the worse it will be.

00:03:54Yes, man, of course you're right, of course you're right.

00:03:57Look, look, yes, if I don't know, you're right.

00:04:00Yes, yes, yes, I am going to tell you.

00:04:02But you don't know what I've told you, do you?

00:04:03These trucks handle worse than I do.

00:04:05And because of the pimping of others, that is, they continue to separate us.

00:04:08One second, one second, one second.

00:04:10Illidera!

00:04:11Yeah!

00:04:12Yes, yes, yes, yes!

00:04:14Yes, yes, yes!

00:04:15To participate in our contest, send your song now to P.O. Box 222-28080 in Madrid.

00:04:21We already have seven finalists and tomorrow we will announce more names.

00:04:24Marcos?

00:04:26Why? Why haven't you introduced yourself? They've been talking about it for days now.

00:04:30This is your opportunity to showcase your compositions.

00:04:32So, don't you see that if you don't take the risk, you'll lose everything?

00:04:35I mean, it's not heavy.

00:04:36Before noon tomorrow...

00:04:38I don't have anything to present either because...

00:04:40I don't have... The songs I have, I don't have them...

00:04:43They're not contests, I haven't polished them yet.

00:04:44So, that...

00:04:45And that he...

00:04:46I still need someone direct.

00:04:49But you, no.

00:04:50No, well...

00:04:51Stubborn!

00:04:52A bit.

00:04:55And you know what I'm saying?

00:04:56I don't care.

00:04:58I don't care, Santi.

00:04:59That I...

00:04:59I'm living like a king now in my bachelor pad.

00:05:02Man, I'm going to tell you something else.

00:05:04All couples should do that at some point, right?

00:05:06A little break.

00:05:08A little bit of fresh air.

00:05:10I took...

00:05:10I had another cava.

00:05:12Why do you think I'm single?

00:05:14Come on, Santi.

00:05:15Don't pull my tongue.

00:05:17Kid, will you stop clowning around, man?

00:05:20If you drop a jug, I'll deduct the price from the floor.

00:05:22Relax, I'm the pilot.

00:05:24Which pilot?

00:05:25Santi, Santi, Santi.

00:05:26Understand me, understand me, understand me.

00:05:27Imagine...

00:05:27Imagine the pleasure of throwing your dirty underwear on the floor.

00:05:31Hey?

00:05:32We'll put our feet up on the table when you've got the balls.

00:05:35That ham one, Santiago.

00:05:36Okay.

00:05:37Yes, indeed.

00:05:38Tables are for putting your feet up on.

00:05:40So much for little plates, so much for little ashtrays, and so much nonsense.

00:05:43Oh, oh, oh.

00:05:44Candelabra tells me to come back.

00:05:46Me too...

00:05:48I'll think about it.

00:05:50I'll think about it, damn it.

00:05:51Let him suffer a little, let him suffer.

00:05:53I'm feeling great now that...

00:05:54There are many gardens out there, unwatered.

00:05:59Clear.

00:06:00That pisses me off the most.

00:06:04He's kept the car, man.

00:06:06But don't mess around.

00:06:07But the car is yours.

00:06:08If you put the spoilers on it yourself, it was hard work.

00:06:11Clear.

00:06:12And who changes the oil?

00:06:13And who takes it to be washed?

00:06:14And that parrot that goes around in circles, that says...

00:06:15Spain is doing well, Spain is doing well.

00:06:17And Elvi, the rearview mirror Elvi.

00:06:18Elvi, Elvi.

00:06:20All of that is mine.

00:06:21All of that is mine.

00:06:22And do you know what I'm going to do?

00:06:24Right now, the nonsense is over.

00:06:26I'm going to get the car.

00:06:27Come on.

00:06:28There it is, man.

00:06:28The nonsense has stopped.

00:06:30Okay, I'm leaving.

00:06:31Leave.

00:06:32What was it used for?

00:06:33Ah, it doesn't have anything anymore.

00:06:34This one won't work.

00:06:35He's coming back.

00:06:37And what was I going to say?

00:06:40Diego was going to stop by here now, wasn't he?

00:06:41Well no.

00:06:42He's not coming.

00:06:43Yes, yes, he told me he was coming now.

00:06:45What am I going to wait for?

00:06:47What's happening?

00:06:47I'll wait for him.

00:06:48That?

00:06:49Are they taking away my bodyguards?

00:06:50What are you saying, kid?

00:06:51I'm perfectly capable of doing well on my own.

00:06:52The thing is, I need to discuss some things with you.

00:06:56Look, Yoli.

00:06:57All those who have failed are signed up for football.

00:07:00What a coincidence, right?

00:07:02If it doesn't stop.

00:07:03Well, it's gone to Bellido.

00:07:04Bellido has gone to my house.

00:07:05Stay, Calleza.

00:07:07No, no, but dude, look!

00:07:09Fabio has signed up!

00:07:10That guy is the street!

00:07:11Wow, we're sure to win this summer!

00:07:14You see, man!

00:07:15Hey, look!

00:07:15Fabio!

00:07:16Hey, Fabio!

00:07:16Hey!

00:07:17Fabio, Fabio!

00:07:18Fabio!

00:07:25Fabio!

00:07:26Thank you!

00:07:56Thank you!

00:08:26He has hundreds of girls after him.

00:08:30Look, it's true. He has a picture of his girlfriend stuck to his folder.

00:08:33That's his girlfriend, you idiot.

00:08:35It's Ronaldinha, her idol.

00:08:37Her idol? And who is Ronaldinha?

00:08:38That's a relief, Lucia.

00:08:40It had been a very long time since I felt so good.

00:08:42Candela, you really can't go on like this.

00:08:44But if he comes to apologize to me about the apartment in two days, you'll see.

00:08:48Well, as soon as the dirty underwear accumulates.

00:08:50Do I know him?

00:08:51Look at it, there it is.

00:08:52And all you have to do is stay calm and leave the ballad there, okay?

00:08:56Hello.

00:08:57Hello.

00:08:58What's up?

00:09:00Hello.

00:09:01Hello.

00:09:02Oh, what's wrong?

00:09:03What are you doing here? Are they giving away TVs at school or candy?

00:09:10No, it's just that I have some errands to run and I'm going to need the car. Did you leave me the keys?

00:09:15No, no, Fiti. I need the car.

00:09:21What's wrong with you? What's wrong with you? What do you want? Do you want me to give you everything I have in my pockets?

00:09:25Do you want to skin me alive? Should I drop my pants?

00:09:27What's the matter?

00:09:28What's the matter?

00:09:29I can't open the car.

00:09:31It takes me 25 seconds to do the bridge. Ready?

00:09:33But what would you think if I walked into the workshop like this?

00:09:35Come on, leave me alone, leave me alone.

00:09:36What, kid?

00:09:37Look, leave me alone.

00:09:38Go away, you thug, you're a thug.

00:09:40Okay.

00:09:41This guy is stupid, can't you see? He's stupid, man.

00:09:43But why don't you let him have the car?

00:09:45Because I don't want him to take the bus or buy a motorcycle.

00:09:48Don't you like motorcycles that much?

00:09:49Are you talking about the motorcycle?

00:09:50Okay, okay.

00:09:51I think you're going a bit too far, you're exaggerating, aren't you?

00:09:53No, I'm exaggerating.

00:09:54Really?

00:09:55Well.

00:09:56Where is this idiot going with the stamp press?

00:09:58Are you going to ruin the... are you going to ruin the car?

00:10:01Eve?

00:10:02Is it possible?

00:10:03Eve?

00:10:04Is it possible?

00:10:05You can't get any more of a thug than that.

00:10:06You can't get any more of a thug than that.

00:10:09Police?

00:10:10They're stealing my car.

00:10:12What are you doing?

00:10:13You're stupid.

00:10:14Are the police there?

00:10:15Are you your husband?

00:10:16Is he stealing my car or not?

00:10:18Oh, Eva, darling, keep an eye on the steelworks, make sure they don't burn.

00:10:21Okay.

00:10:23And we continue to announce the names of the finalists of this fourth edition of the singer-songwriter competition.

00:10:28For example, listen up, Marcelo Ruiz and Luis Domínguez will be with us.

00:10:33Do you see it?

00:10:34That's Ronaldinha.

00:10:35He sees it as the worst thing.

00:10:36Brazilian player Milene Dominguez, better known as Ronaldinha, has visited the facilities of her new club.

00:10:40So, Fabio likes a girl who plays soccer, right?

00:10:42The 22-year-old Brazilian player comes from playing in Italy, in the highest category of women's football,

00:10:46And she also holds the record for most ball touches by a woman, Milene, who rose to fame.

00:10:52Are you listening to that? I mean, it's like... What am I like? They stole my song.

00:11:04You're listening to one of the latest songs to arrive. It's by Marcos Serrano, and pay attention because he's been selected as a finalist in the competition.

00:11:11Have you been selected? Have you been selected?

00:11:14Lanita? What? Well, if she can't... Eva, it can't be.

00:11:18It's not even possible. Marcos, I sent you the demo because you didn't want it.

00:11:22But you've been selected!

00:11:24Fuck!

00:11:27To see? Am I a finalist?

00:11:30Eva, I don't know what to say. Thank you.

00:11:32No, yes, of course I know.

00:11:34I love you, I would kiss you all over, I would make love to you right here.

00:11:37That...

00:11:39So, you were sure that...

00:11:41Of course, Marcos, and I've told you that a thousand times.

00:11:44That your songs are very good.

00:11:46You have a lot of talent.

00:11:48And sensitivity.

00:11:49A lot.

00:11:50Thank you.

00:11:52Come on, tell him, man, Marcos. Come on, tell him.

00:11:56Hey...

00:11:57Impressive, huh.

00:11:58I mean... Eva, Tete, I have to say something...

00:12:00That?

00:12:02The... that I, uh...

00:12:04Tete, can you open the door?

00:12:06No, I'm watching TV with Yoli.

00:12:09I don't know why we have little brothers, huh.

00:12:15Yeah?

00:12:16Yeah?

00:12:17Yes, Manuel.

00:12:18Out.

00:12:19Eva Cullons, you're ruining my ankle.

00:12:21Out.

00:12:23Eve.

00:12:25That?

00:12:26Aren't you going to invite me in or what?

00:12:27No, just say whatever and get it over with.

00:12:28Okay, long version or short version?

00:12:30Okay, cut it out.

00:12:32Look, I've reached the final of the Top 40 singer-songwriter competition,

00:12:35And that's why I'm in Madrid.

00:12:39Congratulations, goodbye.

00:12:40Hey, but wait a minute.

00:12:41Is this how you greet old friends or what?

00:12:43Friends?

00:12:44You and I are nothing.

00:12:45Look.

00:12:46My wallet has been stolen.

00:12:48I'm completely lost and I don't know anyone in Madrid.

00:12:50Where are you going?

00:12:51Well, look, right next door there are some nuns who run a very nice shelter for the homeless.

00:12:54Oh, but listen to me for a moment, won't you?

00:12:56Come on, ladies, that'll only be two days.

00:12:59Okay, for old times' sake, eh?

00:13:02Hey, what's up?

00:13:03I felt really bad after that terrace incident you had with me last time, huh?

00:13:06Look, look at the scar.

00:13:07I don't have it.

00:13:08Look, how can you be so shameless, man?

00:13:10After all, you're coming here to stay at my house.

00:13:13What's happening?

00:13:14Who is this boy?

00:13:15Nothing, he came from Barcelona.

00:13:17His wallet has been stolen.

00:13:18Hello.

00:13:19Hello.

00:13:20You must be Eve's mother.

00:13:22No.

00:13:23But she looks like her sister, doesn't she?

00:13:24Hey, nice to meet you.

00:13:25I'm Joan Manel, okay?

00:13:26Well, very kind.

00:13:27Am...

00:13:28I am his grandmother.

00:13:29But it happens.

00:13:30Oh, yes, thank you, yes, thank you.

00:13:31Happens.

00:13:32So...

00:13:33You've already come from Barcelona.

00:13:34Ah, yes.

00:13:35And has your wallet been stolen?

00:13:36Yeah.

00:13:37Come on, you have to see...

00:13:38You should see how Madrid is, huh?

00:13:39Fatal.

00:13:40Madrid is in a very bad way, very bad.

00:13:41Look, you also went there at knifepoint.

00:13:42I give you that trembling of the nerves.

00:13:43I believe it.

00:13:44Look, my wallet has been stolen.

00:13:45I don't know anyone in Madrid.

00:13:46Besides, I just injured my ankle, you know.

00:13:48I have everything, everything good.

00:13:49Grandma, don't even think about it, okay?

00:13:50Hello.

00:13:51Hello.

00:13:52Hello.

00:13:53That?

00:13:54Hello.

00:13:55Mother.

00:13:56Diego, this is Sean Manet.

00:13:59Yeah.

00:14:00But...

00:14:01I, Manuel...

00:14:02Me, Manuel?

00:14:03Yes, yes.

00:14:04He himself said so.

00:14:05Yes, my wallet was just stolen.

00:14:07It's razor-sharp.

00:14:08Terrible.

00:14:09He's alive by a miracle.

00:14:10And he stays for lunch.

00:14:11Oh, no, no.

00:14:12No way, ma'am.

00:14:13Not me, uh, sorry.

00:14:14I definitely don't do that.

00:14:15I really don't want to be a bother.

00:14:16No, it's no trouble at all.

00:14:17I grab my guitar and head to the station.

00:14:18No.

00:14:19I fight a few matches to pay for my pension, that's it.

00:14:21No problem.

00:14:22It will be two days in total, woman.

00:14:23No.

00:14:24Excuse me, do you happen to know of any public restrooms around here that you could...?

00:14:27But, but what public restrooms?

00:14:28But that's indecent.

00:14:30No, you only stay friends with the girl for two days.

00:14:33Is nobody going to say anything?

00:14:35Ah, well, I'll say it.

00:14:36You stay, that's it.

00:14:38Do you like chard?

00:14:39Yes a lot.

00:14:40What is football?

00:14:42What is football?

00:14:45I'll tell you.

00:14:49Hey, why don't we just go train and not explain it to anyone?

00:14:52I'll give it a negative, mister.

00:14:53Well, one negative point.

00:14:54Let's see, Guille.

00:14:55Football is training.

00:14:57Also, very few of you have signed up this year.

00:15:00So you can't let me down, because if you do, we're screwed.

00:15:03Did you want something?

00:15:04Are you looking beautiful?

00:15:05Yes, I want to join the team.

00:15:07Ah!

00:15:08But where are you going?

00:15:10Could you repeat that? I didn't quite understand, did I?

00:15:14Well, I've looked at the lists and you're missing people.

00:15:17I want to be the first girl to sign up for school.

00:15:20I want to be like Ronaldinho.

00:15:22I think it's fine that he plays football.

00:15:24What are you saying?

00:15:25Dude, I can't coach the team.

00:15:27Dude, you start losing interest in one place and then all the others come running like flies.

00:15:31And besides, we came here to play football, not dolls.

00:15:35Out!

00:15:37Out!

00:15:38Out!

00:15:39Out!

00:15:40Out!

00:15:41Out!

00:15:42Let's see, let's see.

00:15:44The girl wants to play, doesn't she?

00:15:47Well, maybe, I'm going to vonitar you.

00:15:49It just can't be.

00:15:51That mister, huh!

00:15:55AND!

00:15:59Hello.

00:16:03And you know what?

00:16:05I think you're going to win the contest.

00:16:11Yes, yes, because I...

00:16:12I'm in crisis now, you.

00:16:15My muse has left me, you know?

00:16:17The muse, of course.

00:16:18Yes, yes, the muse, the muse.

00:16:19And it's a real bummer, isn't it?

00:16:20Because without it, your lyrics always come out sounding more urban,

00:16:24of very solitary types in search of themselves.

00:16:28Well, it's a pain in the ass, you know?

00:16:29A pain in the ass.

00:16:30But anyway, what do we poets feed off of, huh?

00:16:35Of love...

00:16:38Ah, of course, love, yes.

00:16:40And my love for you left me when I lost Eve, you.

00:16:43Well, you can't even begin to imagine what was between us, man.

00:16:46Was...

00:16:47It was just that...

00:16:49It was awesome, you, me.

00:16:52I still remember it, you know?

00:16:54Was...

00:16:54Her mouth, on my mouth, yes.

00:16:58The way he kissed me, it was.

00:17:01Well, Eva?

00:17:02Eva is pure passion, you know?

00:17:05And you see...

00:17:06It's like a volcano, you know what I mean?

00:17:09AND...

00:17:10And you realize it?

00:17:11It's like seeing her again...

00:17:12And rediscover your muse.

00:17:14Yes, Joan, yes...

00:17:16I feel really sorry that you and Eva are no longer together...

00:17:19But hey, when things don't work out, they just don't work out.

00:17:23Yes, but that's why I'm here, so they can start rolling again.

00:17:28I have come to win back my love for my Eva.

00:17:32Come on, Tete, what's gotten into you now that you want to play football with those beasts?

00:17:39Oh really.

00:17:40Nothing, but what...

00:17:41But why does something have to happen to me?

00:17:42What's happening?

00:17:43What, I can't play football because I'm a girl or what?

00:17:46Look, I want to play, period.

00:17:47The thing is, Santiago is an animal and he's treated me badly.

00:17:50No, it will be less.

00:17:51You're not exaggerating.

00:17:52But...

00:17:53Well, you're not exaggerating.

00:17:56There she is, we have little Pelé here.

00:17:59What, Maricere?

00:18:00Do you want to get some Chileans?

00:18:01Hey?

00:18:02Or don't you want to get your uniform dirty?

00:18:05How funny the girl is.

00:18:07Well, he doesn't come telling me that he wants to play on the team.

00:18:10Yes, he already told me.

00:18:11And why isn't he going to play?

00:18:13I just don't know what the problem is.

00:18:16The girl wants to try new experiences, period.

00:18:18Just a moment, just a moment.

00:18:19But...

00:18:20But what is he saying?

00:18:21What are we saying?

00:18:22What's happening?

00:18:23What, she can't play football because she's a girl or what?

00:18:28That?

00:18:28Are you serious?

00:18:30Clear.

00:18:30Oh boy, they want to foist the girl on us.

00:18:33And?

00:18:35But Lucia, haven't you ever kicked a ball in your life?

00:18:38Well, learn.

00:18:39But these are beasts that can destroy her breasts or knees.

00:18:45This is not for women.

00:18:46My stomach is turning.

00:18:48Oh, so it's not for women, you say?

00:18:50We're going to do the dishes, right?

00:18:51Of course, man.

00:18:52I've decided to become a dancer.

00:18:55Well no.

00:18:56If the girl wants to play sports,

00:18:58Well, she should go to the pool or sign up for a macrame course or...

00:19:02He'll be a sexist, a troglodyte.

00:19:04Right now you're going to sign the girl up for the team.

00:19:06Look, ma'am, I'm the team's coach

00:19:08and I sign whoever I want.

00:19:10The girl doesn't play, period.

00:19:11Oh, he says he doesn't play.

00:19:13We'll see about that.

00:19:15We'll see about that.

00:19:16We'll see about that.

00:19:17Of course we're going to see it.

00:19:18You should dedicate yourself to poetry, which is your thing.

00:19:20and don't get involved in things you don't know about.

00:19:22TRUE?

00:19:23Let's go.

00:19:23Hey man, but I'm going to be able to be your assistant and...

00:19:26I shit on the...

00:19:32Curro, curro, but man, he thinks he can play Tarzan with the curtains.

00:19:36Look, he's being punished...

00:19:38Two centuries.

00:19:40Okay, time for bed!

00:19:41What a bad night.

00:19:42Okay, see you later, sweetheart.

00:19:43You've gone too far, dude.

00:19:44Yes, but...

00:19:45No, I realize it.

00:19:46Sorry.

00:19:46I realize it.

00:19:48No to the capes, you bastard!

00:19:49But what's going on, Citi?

00:19:51Diego, Candela.

00:19:52Burns car, steals car under cover of darkness and with malice aforethought.

00:19:54And on top of that, he almost ran over the animal.

00:19:57As you can see, I'll strangle him, huh?

00:19:58I'll strangle him.

00:19:59Yes, but...

00:20:00Open up, open up!

00:20:01Yes, but don't shout, don't shout, there are children here.

00:20:04Really?

00:20:04This is a...

00:20:05Yeah.

00:20:08I'm fed up with him!

00:20:09I'm fed up!

00:20:10Fuck!

00:20:11With the money I've invested in that car.

00:20:13And on top of that, he has me running after the car like an idiot.

00:20:16Ah!

00:20:18I'm not going to...

00:20:18What's gotten into me?

00:20:19Yeah!

00:20:20Candle!

00:20:21Calm down, calm down, you're making me nervous.

00:20:23Yes, yes, I'll open it for you.

00:20:24Okay, fine.

00:20:28Forgive me.

00:20:29That?

00:20:30Said.

00:20:30That?

00:20:31Candela, who is there.

00:20:32Don't mess with me.

00:20:33Well, off to the kitchen, because as you can see, these two haven't eaten a thing.

00:20:40You bastard!

00:20:41That's it, you bastard!

00:20:42Well, you have no idea what she told me.

00:20:43And look, look, look how I'm coming.

00:20:44That pig of a guy is already leaving balls on me, throwing his shirt at me while I was finishing him off.

00:20:47No, no, no, no.

00:20:47You tell me everything.

00:20:48Come on.

00:20:48I'm going to cut it all, all, all.

00:20:52What happened?

00:20:53What happened?

00:20:54So naturally I went to get the car back.

00:20:57And that lout, Paleto, came running after me, insulting me, saying all sorts of things to me, and pulling at the clothes he leaves me at home...

00:21:04Look, see how I'm coming.

00:21:05Come on, Lucia, if I get my hands on him, I'll gouge his eyes out.

00:21:09I'll gouge his eyes out!

00:21:10No, no, it's not canceled, okay?

00:21:12Just calm down, because...

00:21:13That car belongs to both of us, Lucia, to both of us.

00:21:16And he thinks it's his simply because he's put four stickers and two single German women on it.

00:21:19And...

00:21:20Come on, if I run into him, I'll castrate him.

00:21:22Le capo!

00:21:23Look.

00:21:24An ashtray.

00:21:25No!

00:21:25No, no, no, I'm saying, leave the scissors alone.

00:21:30That's it, here.

00:21:31Okay?

00:21:32I'm going to get the ashtray, okay?

00:21:34That you don't...

00:21:35If you're half-naked, the kids are going to give it to you, huh?

00:21:38No, what's wrong?

00:21:38No, you stay there, fifteen-year-old.

00:21:40Yes, I'm not betting anything.

00:21:40Hey, who doesn't know what he's been through.

00:21:45She tried to run me over, the murderous woman.

00:21:47Tomorrow you and I are going to go and get the car back, okay?

00:21:49And if she acts cocky, she'll find out.

00:21:52I'm going to the kitchen to get a beer.

00:21:53No!

00:21:54No, what I mean is, why bother, just like that, I'll go to the kitchen.

00:21:59And leave the little hammer alone.

00:22:00Come on, please.

00:22:10Thank you.

00:22:12Get ready, because this morning you'll show up at school with your hubby to steal my car again.

00:22:16And then yes, right?

00:22:17Then yes, because this guy doesn't know me.

00:22:19And when I run into him again at school, Lucia, I'm going to crack his skull open.

00:22:22I'll crack his head open.

00:22:24He doesn't know me.

00:22:26Lucia, please pay a little attention, I'm your friend.

00:22:28Fuck.

00:22:28Yes, Lucia.

00:22:29I'm going to the bathroom.

00:22:30No!

00:22:32So that?

00:22:34Man.

00:22:36Ah.

00:22:37Okay.

00:22:38But cover yourself up a little, come on, there are children around.

00:22:41I'll see if they're there.

00:22:44Okay, fine.

00:22:44Let's go to the bathroom.

00:22:46Yeah.

00:22:46Here.

00:22:46Come on.

00:22:48Why are you talking like that, Lucia?

00:22:49Because the children are sleeping.

00:22:50Hey?

00:22:51To the bathroom.

00:22:54Don't tell me anything.

00:22:59Don't tell me, don't say a word, because I don't know what I'm doing, okay?

00:23:01I don't know what I'm doing.

00:23:02Little beer.

00:23:03Thank you.

00:23:04I'm going to the restroom.

00:23:05No.

00:23:05Oh, no.

00:23:07It's broken, that is, it doesn't work, that is, the... that doesn't work is broken.

00:23:11In other words, the whole trump card...

00:23:13What has happened to your little friend?

00:23:16What's wrong, murderer, thief?

00:23:17Hey, abuser, asshole?

00:23:19I'll take you home, because in the end we won't talk another day, because frankly I'm not very inspired.

00:23:22No, no, no, no, to talk, this, this is not going to be talked about.

00:23:24No, no, no, I'm going to keep quiet, because, because, because...

00:23:26Because?

00:23:26Why are you going to shut up, you little box?

00:23:27Well, not even the one who doesn't have the guts to...

00:23:29I don't have the balls, you'll come begging me to come back on my knees.

00:23:32No, God, I'm not laughing, you idiot!

00:23:33How can I ask you that it's worse on your knees?

00:23:35She'd be even dirtier if she judged!

00:23:36Please, let's never let this happen to us again, okay?

00:23:38No, no, no, it's not going to happen to us, no.

00:23:40But also, I mean, I can't bring that into this because they're in a really big mess and it's silly, I mean, it's silly.

00:23:47We have to do something to make them react, right? Because this can't go on like this.

00:23:51That?

00:23:52I don't know, maybe...

00:23:53What if we push them to the brink of separation?

00:23:56They need to realize that this is nonsense, that they can't live without each other.

00:24:00No?

00:24:01Well, girl, it's the same.

00:24:02I don't know, though.

00:24:03Wait, sorry.

00:24:04That?

00:24:05Let's see.

00:24:11Oh, hello!

00:24:12Good, Anit.

00:24:14Good, good, good.

00:24:15Hey, I'm reminding you, in case you don't remember, this is your room.

00:24:20The other one is Eva's room.

00:24:22So you don't go to the wrong door, eh?

00:24:24Okay, don't worry, I've already learned it.

00:24:27Okay.

00:24:28Hey, you sleep well, okay?

00:24:30Come on.

00:24:31Let's see, let's see if I'm lucky, I'll go to Manuel.

00:24:33Let's hope I'm lucky, because I'm a very light sleeper.

00:24:35Come on, I wake up for nothing.

00:24:37And I wake up in a bad mood that I can't even imagine.

00:24:39Good, good, good.

00:24:41Good, good.

00:24:41Good, good night.

00:25:11Good, good night.

00:25:36You said it!

00:25:46SUBSCRIBE!

00:26:06No, no, no.

00:26:36Eva, Eva, it's Marcos.

00:26:48Yes, yes, yes, yes, I know it's late, but I have to tell you something.

00:26:53I never, ever thought I'd be able to tell you this, but...

00:26:57But, I don't know, it's just that, look, John Manuel, John Manuel, has come home because he wants to get back together with you and me.

00:27:09Look, I want to tell you something before he tells you anything, you know?

00:27:12I don't know where to start, because it's difficult, Eva.

00:27:19From the moment I saw you, I knew you were a special person, I mean, from the moment I met you.

00:27:24I want to be a better person and...

00:27:26And John Manuel, well...

00:27:29Well, I think he didn't realize what he had until he lost you.

00:27:34And I don't, no, I don't need to realize it.

00:27:41That's why, because, because I, I love you.

00:27:45I love you, Eva.

00:27:46And I know this because, no, I can't think of anything else but you.

00:27:52Yes, yes, I know it's difficult because we're siblings.

00:27:55Well, we're stepbrothers.

00:27:57How should I know, Eva, what...

00:27:58The thing is, I'm going crazy, why?

00:28:03Don't you know how difficult it is?

00:28:08Being in love with someone you live with.

00:28:12You know, it's torture, Eva, it's...

00:28:25You're not saying anything, are you?

00:28:28Talk tomorrow.

00:28:58I, Manuel, for God's sake.

00:29:16Wait a moment, please.

00:29:17It's not what you think, just a moment.

00:29:18I have to tell you something, okay?

00:29:19It will only be a second.

00:29:20Get out of my room now, get out.

00:29:21Eva, please, you're going to wake up the whole family.

00:29:23I don't care.

00:29:24I'm going to tell you whether I'm in front of you or not.

00:29:26You understand me?

00:29:26You tell me.

00:29:27Say it, quickly and out.

00:29:29Okay.

00:29:30Look, you see, I promised myself I'd never tell you this, but anyway, I entered the contest

00:29:38I left the radio just to be with you again, Eva.

00:29:42Because from the moment I saw you, I knew you were an important, special person, really.

00:29:48And when I'm with you, I kind of get the urge to be a better person, you know what I mean?

00:29:51I, Manuel, please.

00:29:53No, no, no, no, no, let me go on, let me go on, yes.

00:29:56Look, I don't need to lose you again, Eva, to realize, darling, that I care about you.

00:30:05Eva, I know it's difficult because you and I are siblings, well, like soulmates, or

00:30:12Yeah.

00:30:13Eva, I had to tell you because I was going crazy.

00:30:16But, darling, I do nothing but think about you.

00:30:22Look, you don't know how difficult it is to be in love with the person you live with.

00:30:26Well, a couple of days or...

00:30:30Eva, it's torture.

00:30:35Don Joan, we'll talk tomorrow, okay?

00:30:38Please leave it.

00:30:40Go away, come on, go away.

00:31:07Hello.

00:31:10Okay, so what?

00:31:23What a mess, Marcos.

00:31:26Yes, I believe that.

00:31:29So, have you...

00:31:30Have you thought about what you, well, are going to do?

00:31:36I don't know, it's just that something happened last night that made me think, you know?

00:31:43But I'm so confused.

00:31:46Of course, of course, I understand, I understand too.

00:31:50The thing is, at the same time I'm happy, you know?

00:31:53And it's a very strange feeling.

00:31:56Are you happy?

00:31:57So, you feel something?

00:31:58I didn't think so.

00:32:02But I suppose there's something there, isn't there?

00:32:05I can't deny it.

00:32:09What should I do, Marcos?

00:32:10I don't know, don't ask me.

00:32:12I mean that...

00:32:13Well, I don't know if you feel anything, I think...

00:32:17I don't know, you could try it, right?

00:32:19You think?

00:32:23I don't know, on the one hand it makes me...

00:32:25I'm afraid to take the risk.

00:32:27I don't want to suffer again.

00:32:30Yes, I understand, of course.

00:32:33But I don't know, on the other hand, I think you're right.

00:32:36Yes, maybe I should...

00:32:39Yeah.

00:32:40Yes, I'm going to give it another chance.

00:32:43Whom?

00:32:44Jean Manuel, Marcos, who else would it be?

00:32:47Ah, of course.

00:32:49It was last night when...

00:32:51When I came back from the bathroom, he was waiting for me in bed.

00:32:54AND...

00:32:55And he said some very nice things to me.

00:32:57He told me that...

00:32:58That I made him want to be a better person.

00:33:01Clear.

00:33:02AND...

00:33:03I don't know, I just got the feeling...

00:33:05That for the first time he was really talking to me.

00:33:09Know?

00:33:10Yeah.

00:33:11Okay.

00:33:11Excellent.

00:33:12Thank you.

00:33:13Oh, you're a saint.

00:33:17Hello.

00:33:19Hello.

00:33:19And then we'll talk, okay?

00:33:22Okay.

00:33:25Good day, nen.

00:33:29That...

00:33:30Yesterday you were saying some very nice things to me.

00:33:34Come on.

00:33:34Don't kiss me on the lips, you.

00:33:38I...

00:33:38I love you.

00:33:41I love you, Eva.

00:33:43You're a son of a bitch.

00:33:44Oh, oh, oh, oh, oh, oh.

00:33:47You weren't telling me this yesterday, you bastard.

00:33:50You've got a way with guys, huh?

00:33:52Have...

00:33:53You're a smooth talker.

00:33:54Look.

00:33:55I was kind of out of it yesterday, but you...

00:33:58I liked everything I had to say to Eva.

00:34:03Well...

00:34:04Eve...

00:34:05Eva doesn't deserve a piece of shit like you.

00:34:07I'm going to tell you something, kid.

00:34:16You don't have very good feelings towards your sister, do you?

00:34:20If I were you, I'd look at it.

00:34:21Wait a moment, I'll go get the girl, okay?

00:34:42Miss, it's only three tenths, I really tried this time.

00:34:46What effort have you put in?

00:34:48You've put in a lot of effort, haven't you?

00:34:49This exam is rubbish, like all of yours, huh?

00:34:54Do you know what's going on, Salas?

00:34:56When you act like a fool and a blockhead, you get grades that reflect that of a fool and a blockhead.

00:35:00So please, don't waste any more of my time, which I don't have, Salas, okay?

00:35:06Until September.

00:35:17Are you okay, Mom?

00:35:19No.

00:35:21Okay, I'll apologize to Salas later.

00:35:26What's up?

00:35:27Hey, what...

00:35:28This argument you and Dad are having...

00:35:31That's enough, isn't it?

00:35:33That you could try to fix it.

00:35:35Yeah.

00:35:37Well, I don't know.

00:35:39Don't worry, okay?

00:35:40We'll fix it.

00:35:42Do you want me to talk to him?

00:35:43No, no, no, no, darling, thank you.

00:35:45Why don't you ask him to come back, Mom?

00:35:47And the three of us are going on vacation.

00:35:49We're going to the beach, okay?

00:35:50Let's go to the east apartment.

00:35:51No, please.

00:35:53Raúl, let's not rub salt in the wound with the little apartment thing, okay?

00:35:56Well, we're going camping, Mom.

00:35:58What does it matter?

00:35:58You can't be like this.

00:36:00Yes, well, don't worry, okay, honey?

00:36:05Hello.

00:36:05Then, we can talk about it at home, okay?

00:36:08How are you, Raúl?

00:36:17That's bad.

00:36:19I.

00:36:21I've never seen you so worried, have I?

00:36:23And you?

00:36:24Were you able to get any sleep?

00:36:27No, not even a wink of sleep.

00:36:29I don't know what to think.

00:36:32We've argued about Fitillo 500,000 times, but...

00:36:35I've never seen her, have I?

00:36:38I really think you're taking things too far, don't you?

00:36:41Candela, who has bought an apartment that isn't all that great.

00:36:45Okay, fine, yes.

00:36:45Yes, yes, they have feared him.

00:36:48But...

00:36:48What is fetish?

00:36:50Yes, but...

00:36:51He just doesn't care.

00:36:53You understand me?

00:36:53He doesn't give a damn that we've broken up.

00:36:56He's delighted.

00:36:57Yes, I don't know...

00:36:58But what...

00:36:59The thing is...

00:37:00What are you saying?

00:37:01The thing is, he thinks it's not serious.

00:37:03It's pricking you a little.

00:37:04No way?

00:37:11Hey, look, Candela, listen to me.

00:37:13No, no, no.

00:37:13As you always tell me, we have to move on to the second phase.

00:37:17What you need to do is meditate on everything you are going to do.

00:37:19OK?

00:37:19You have to make a move and that's how Fiti sees the wolf's ears.

00:37:23You understand?

00:37:24Move piece?

00:37:25Uh-huh.

00:37:26Are you saying I'm looking for a lover?

00:37:28No, no, no, no.

00:37:29That's not it either.

00:37:30Make it seem like you can have it, that's for sure.

00:37:32But what you need to do is bring up things like...

00:37:35Like, I don't know, like a separation of property.

00:37:37Or selling the house.

00:37:38Yes, that's what he thinks.

00:37:40That divorce is imminent.

00:37:42You're in the market and Fiti reacts.

00:37:45It's that easy.

00:37:46Well, what if he doesn't react?

00:37:48I beg you to come home.

00:37:50It really seems unbelievable.

00:37:52Candela, as soon as Fiti sees himself alone.

00:37:55It's collapsing, I'm telling you.

00:37:56Fiti, do you know what the problem is?

00:38:05Candela is convinced that you're not serious.

00:38:08That in the end you'll end up crawling in front of her.

00:38:11Well, like always, Diego, like always.

00:38:13If everyone has what they have, damn it.

00:38:15Fiti, listen to me, do you really want to get her back?

00:38:18Well, I'm going to tell you something.

00:38:19Force the machine.

00:38:20Let them see that you're serious.

00:38:21Force the machine.

00:38:22Does the machine force it?

00:38:22But what do you want that forces the machine?

00:38:25Let me find myself a Lumi, a call girl, to make her jealous, right?

00:38:30With the money that costs.

00:38:32What's that worth?

00:38:32Well, it's definitely worth it.

00:38:33But that's not necessary, man.

00:38:35You listen, let's see.

00:38:36The key.

00:38:37The key is that they see you as happy, friendly, cheerful, and good-looking.

00:38:41So, you're having a good time.

00:38:42Then the aunt will think that she doesn't need her at all.

00:38:45Don't you understand?

00:38:45And it's going to scare him.

00:38:46And since she's going to be scared, she's going to be the one who comes begging you to come back.

00:38:50There.

00:38:50You think?

00:38:51Yeah.

00:38:52What is she?

00:38:56What is Candela?

00:38:57What is Candela?

00:38:57No, no, no.

00:38:58You take it, you take it.

00:38:59But what isn't?

00:38:59But what does it say?

00:39:00No, I don't know if I do.

00:39:01Talk to her.

00:39:01But calm down, without begging.

00:39:03Firm, tough.

00:39:03There.

00:39:03Speak, come on, go ahead.

00:39:04Firm.

00:39:05Ah, firm.

00:39:05Hard.

00:39:06There.

00:39:06Hard.

00:39:07Yeah?

00:39:09Hello, Candela.

00:39:12Hello, yes.

00:39:13I'm very busy.

00:39:15Very complicated.

00:39:16Yes, I don't know.

00:39:17Yeah.

00:39:18Ah, what do you want...

00:39:19Do you want to meet up?

00:39:20You want to meet up, right?

00:39:21Do you want to meet up?

00:39:22Okay, okay, now let's see if I can find some time.

00:39:26Yes, this afternoon or tomorrow or the day after.

00:39:30Ah, now at noon.

00:39:34Well, I don't know if I'll be able to escape.

00:39:37I don't know if...

00:39:39Okay, fine.

00:39:41Okay, yes, see you later.

00:39:42See you later.

00:39:43What do you want to leave?

00:39:44What do you want to leave?

00:39:45Nothing, in 0.3 I'll have it eating out of my hand.

00:39:47Perfect.

00:39:48Perfect.

00:39:48Exactly eating out of my hand.

00:39:49And why?

00:39:49Because he has been firm, tough.

00:39:50In other words, without begging.

00:39:51Okay, and something's going to happen.

00:39:53You're firm and tough, and she's the one who's going to soften up.

00:39:55Oh, look, look.

00:39:56What's your mother-in-law like, huh?

00:39:58A poet, an artist is made.

00:40:00Look, Santiago has dedicated some very committed verses of love to her.

00:40:03There's no need to go far to find examples of the worst kind of sexism.

00:40:10Santiago Serrano, coach of the Santa Justa youth team, has marginalized a girl whose greatest dream was to play football.

00:40:17What's this old woman up to?

00:40:18As poetry, I mean, as poetry it leaves much to be desired, but that's because it doesn't rhyme, come on, no...

00:40:23Look, look, look, look.

00:40:24Hello, good afternoon.

00:40:25Can a girl play on a boys' football team?

00:40:28The response has been resounding.

00:40:30We found her here, in this neighborhood of Santa Justa.

00:40:32Hey?

00:40:33But, but, but, but, what is this in our house, Marco?

00:40:35We have María Teresa Cardevila.

00:40:38Hello, Maria Teresa, please tell us about your experience.

00:40:40Hey Tete, well, I wanted to join the football team to be part of the team, like any other kid,

00:40:46But they told me it couldn't be because I was a girl.

00:40:49Yes, wow.

00:40:50And how are you feeling, Tete?

00:40:51Are you going to keep fighting to be accepted?

00:40:53Ah, of course we're going to keep fighting, because this is an injustice.

00:40:56And the worst part is that it is precisely the girl's uncle who has prevented the girl from playing.

00:41:00Well, your own uncle?

00:41:01Yes, yes, yes.

00:41:02And his uncle, yes, Santiago Serrano, the team's coach.

00:41:05He is the sexist who is shattering their dreams.

00:41:08Damn that old woman!

00:41:10This is an insult!

00:41:11Manipulation!

00:41:12Gentlemen, this is the news.

00:41:15We support this girl from here...

00:41:16Okay, baby, let me have the microphone for a moment, let me have it for a moment.

00:41:19Hey, give me a moment, please, yes, thank you, just a moment.

00:41:21Hey, it's unbelievable that these things are still happening in the 21st century, man, for God's sake.

00:41:26Look, from here I'm going to make an appeal for dialogue within this family.

00:41:30But who is that turkey?

00:41:31That's Eba's ex-boyfriend, me, Manuel, the singer, remember me, right?

00:41:36What's going to happen in two days to me...

00:41:38Because I'm the kind of guy who, otherwise, would try to seduce your mother-in-law.

00:41:42Yes, let it be, let it be, Doña Carmen, besides, the creature has to have its moment of glory, man.

00:41:46I have shattered their dreams.

00:41:48I'm fed up with bullfighting!

00:41:49Okay, calm down, Santiago, Santiago, Santiago, listen, damn it.

00:41:52Listen to me.

00:41:53But why don't you think about it for a little while?

00:41:55Why don't you think for a little while?

00:41:56And give in, give in.

00:41:57What's it to you if the girl plays?

00:41:59This is getting out of hand, Santi.

00:42:00What mother, what did she do to him?

00:42:02You're on your team, go with whoever you want.

00:42:04To girls, to goats, to whoever they want.

00:42:06In my team, only men play.

00:42:08And now I'm going to train with the lads.

00:42:10With the kids!

00:42:23Very good, very good, Fabio!

00:42:25Okay, next!

00:42:27Come on, Mustafa, it doesn't seem to bother him, man!

00:42:32Sexist!

00:42:33Sexist!

00:42:34Treat a poor girl like that!

00:42:35I hate all those kids!

00:42:38I hate all those kids!

00:42:39Come on, castellans!

00:42:42Sexist!

00:42:45Sexist!

00:42:50What are you doing?

00:42:51Well, look, I'm composing the song

00:42:56that I'm going to sing in the radio contest.

00:43:02And this is the song

00:43:04of an old love I had

00:43:07and that I'm going to recover.

00:43:14And what will yours be about?

00:43:17Well...

00:43:18It's a love that's about to begin.

00:43:21I am his true love

00:43:27She will soon find out.

00:43:31and he will love only me

00:43:36The love we had

00:43:43she will never forget

00:43:47and a second chance

00:43:51it will give me

00:43:55She will know that she can only love me.

00:44:02that only I can love

00:44:07that only I can love

00:44:08and the phony will abandon you

00:44:11I can see in their eyes

00:44:16who only knows how to love me

00:44:20and that bastard

00:44:23that broke your heart

00:44:26will return to you

00:44:30and you will lose your mind

00:44:32He'll always be a jerk.

00:44:35Forget about her

00:44:37She's not for you

00:44:39and the rhyme

00:44:40Boom!

00:44:48Hello

00:44:49What's happening?

00:44:50Hello

00:44:50That?

00:44:53Did you get in the washing machine?

00:44:55Perhaps your ideas have shrunk

00:44:56Your bad temper could have shrunk

00:45:00and with a joke

00:45:02Shall we talk?

00:45:04Come on

00:45:04Let's see

00:45:09We'll fix this

00:45:10today I'm sure of it.

00:45:10come on

00:45:11already

00:45:11Yeah

00:45:12Well, Fiti

00:45:14I think that's enough, don't you?

00:45:17I've come here ready to talk.

00:45:19and we'll solve it

00:45:19Clear

00:45:20Sure, sure

00:45:21like you

00:45:21However you see it

00:45:23Are you in a hurry?

00:45:25Yes, well

00:45:26I have a few things to do

00:45:27but

00:45:28Say, say

00:45:28I'm listening to you

00:45:29Well

00:45:30Well, first of all

00:45:31How are you?

00:45:33How are you handling it?

00:45:38Okay, okay

00:45:39come on

00:45:39Holy shit!

00:45:41Happy

00:45:41Candle

00:45:42happy

00:45:42really

00:45:43Oh really?

00:45:45What do you mean, seriously?

00:45:47Yeah

00:45:47my own thing

00:45:48in my little house

00:45:49I'll make it enjoyable.

00:45:50you already know

00:45:51and

00:45:52And you?

00:45:54How are you?

00:45:55I?

00:45:55Ah, I'm fine.

00:45:56happy

00:45:57in my little house

00:45:58my own thing

00:45:59I'll make it enjoyable.

00:45:59you already know

00:46:00Well, nothing.

00:46:01Well, then

00:46:03What did you want to tell me?

00:46:04It's because I have

00:46:05I'm a little confused there

00:46:06and so?

00:46:06Well, Fiti

00:46:07you'll see

00:46:08I want

00:46:09if you're going to let yourself go

00:46:11from looking at the clock

00:46:11No?

00:46:11One moment

00:46:12Forgive me, forgive me, forgive me

00:46:13yes, yes, yes

00:46:14no, it's just that

00:46:14I have an appointment for a spa

00:46:16a spa

00:46:17a

00:46:18a spa

00:46:19of these city ones

00:46:20that

00:46:20that leave you looking brand new

00:46:22that make you a

00:46:22Turkish baths

00:46:23sauna

00:46:24in the end

00:46:24you should

00:46:25You should go

00:46:25some day

00:46:26Tell me, tell me, tell me

00:46:27sorry

00:46:27I'm listening to you

00:46:28I'm listening to you

00:46:29Well

00:46:33Don't worry

00:46:37that I'm not going to take away from you

00:46:38too long

00:46:38We're going to fix it

00:46:40this civilly

00:46:41No?

00:46:42Fiti

00:46:42That

00:46:43that always

00:46:44Well, tomorrow then.

00:46:47I'm going to talk to a lawyer

00:46:48and they will arrive.

00:46:48the separation papers

00:46:50Clear

00:46:55Sure, sure

00:46:56those things

00:46:57the sooner the better

00:46:59OK

00:47:00This ends up being screws instead of screws

00:47:02sure

00:47:03You'll see

00:47:03We need to go to the bank

00:47:05to separate the accounts

00:47:06in a good mood

00:47:07and

00:47:07Okay, Raúl

00:47:09for now

00:47:10Naturally, it stays with me.

00:47:11Clear

00:47:11And regarding the car

00:47:13What's wrong with the car?

00:47:17No, nothing

00:47:18I was going to tell you

00:47:18that you will keep.

00:47:19that I don't need

00:47:20except for weekends

00:47:22Okay

00:47:25Okay

00:47:25good

00:47:26good

00:47:27Well, then

00:47:28I think we could talk

00:47:29More things another day

00:47:30Don't be in a hurry.

00:47:31and don't have a spa

00:47:32and masseuse

00:47:33Yeah I know

00:47:34When I have a little free time

00:47:35Well, we talked.

00:47:36and so?

00:47:37Okay?

00:47:38Me...

00:47:38And you...

00:47:39That

00:47:39See you later, Diego

00:47:42See you later

00:47:42Camila

00:47:46That?

00:47:47That?

00:47:48That?

00:47:49That?

00:47:49Nothing

00:47:50Damn, nothing

00:47:50Everything was very peaceful.

00:47:51We are civilized people

00:47:52Pussy

00:47:53Yes, that's true.

00:47:54But, but so what?

00:47:55That?

00:47:55Well, we're going to the lawyer.

00:47:57to sort out the divorce papers

00:47:59We're going to separate the accounts

00:48:01in a good mood

00:48:02Raúl, for now

00:48:03she keeps her

00:48:04For now

00:48:05And that's true.

00:48:06I've put my balls on the table

00:48:08And I'll keep the car.

00:48:10Weekdays

00:48:12Then on weekends

00:48:14Well, she, of course.

00:48:15Don't mess with me

00:48:18Santiago, stop making noise

00:48:24Damn, and it's like this or that it's

00:48:25Come on, Fiti, what's up?

00:48:27Come on, it's for today

00:48:28Fiti

00:48:29Shit

00:48:30I shit on the whore

00:48:32What's up with the shit?

00:48:33Fuck

00:48:34Well, now I'll know what a color ladder is.

00:48:36I've lost everything

00:48:37Damn, I've lost everything

00:48:39Damn, overnight

00:48:40Host

00:48:41I'm a miserable wretch

00:48:44Don't mess with me, Fiti

00:48:45Don't mess with me, don't mess with me

00:48:47Yes, Diego

00:48:47I was a happy guy, damn it.

00:48:49That my sweetheart had

00:48:50And my boy

00:48:51A home

00:48:52And a family

00:48:53And now that I have five fucking euros

00:48:54At the bank

00:48:55A little knife, not shit

00:48:57I am the king of the losers

00:48:59Fuck

00:48:59That's not how it is, Fiti

00:49:01That's not the case

00:49:02Are you going to see how Candela's situation gets resolved?

00:49:04Are you going to see how it gets fixed?

00:49:04No, I've lost Candela

00:49:06Fuck

00:49:06That I've lost her

00:49:07He skipped a click

00:49:09That has passed like a threshold

00:49:11And a weight has been lifted from his shoulders

00:49:13She's not coming back to me.

00:49:14He probably doesn't love me anymore, damn it.

00:49:16Don't exaggerate, man

00:49:17Don't exaggerate

00:49:17That's not the case

00:49:18Yes that's how it is

00:49:20That's right.

00:49:21I'm finished.

00:49:22It's over

00:49:23My life without Candela

00:49:25It's not worth it anymore, damn it

00:49:27Do you know what I'm going to do?

00:49:38No, what are you going to do, Fiti?

00:49:40What are you going to do?

00:49:40I'm going to take my own life

00:49:41That's what I'm going to do.

00:49:42What are you saying?

00:49:45What are you saying?

00:49:45What I'm saying

00:49:46I know perfectly well what I'm saying.

00:49:47I'm going to commit suicide

00:49:48Okay?

00:49:49I don't feel like it anymore.

00:49:49If I continue to live

00:49:50Okay, Fiti

00:49:51Don't talk nonsense

00:49:52Today you see everything in a negative light.

00:49:54But tomorrow you'll see it in a different light.

00:49:55Don't be a fool

00:49:56No, no, no, Diego

00:49:57For the first time in my life

00:49:58I know what I'm saying

00:49:59I'm absolutely certain of it

00:50:00I let go of what I wanted most

00:50:01Because you're an idiot

00:50:02So I kill myself

00:50:03And that's it.

00:50:04And it's over

00:50:04Hey?

00:50:05Where are you going?

00:50:06Where are you going?

00:50:06There it goes, there at your service

00:50:07Let me

00:50:08Don't you think I'm serious?

00:50:17Well, what do I know, Santi?

00:50:17How should I know?

00:50:18Fuck

00:50:18So what do we do now?

00:50:20He'll need to see a psychiatrist.

00:50:21Or something, right?

00:50:23Okay, leave me alone

00:50:24To the parish

00:50:26So that I see her dark

00:50:27Fuck

00:50:28And at the moment

00:50:30Don't lose sight of her

00:50:32Yes, that's a good idea.

00:50:35Don't lose sight of her

00:50:36Let's do one thing, Santi

00:50:37Some shifts

00:50:38Let's see if we can get it out of our heads

00:50:39The idea of suicide is absurd.

00:50:40No?

00:50:44No

00:50:44I haven't been in the bathroom for long.

00:50:46Santi

00:50:47Santi

00:50:48There are razor blades in the bathroom, damn it

00:50:49Fiti

00:50:51Fiti, get out of there

00:50:52Leave me alone

00:50:53That's it

00:50:54That's it

00:50:55With the blades

00:50:55Fiti, get out of there immediately

00:50:57Don't do anything stupid, okay?

00:50:58Leave me alone

00:50:59I'm leaving now.

00:51:00He is bleeding out

00:51:01He is bleeding out

00:51:02Yes, Fiti

00:51:02We went in

00:51:03We went in

00:51:03Give it to him

00:51:04What are you doing?

00:51:06You're all idiots

00:51:07You've already broken my door

00:51:09Fuck

00:51:09Man

00:51:10You won't even be able to take a shit in peace here anymore

00:51:12Or what?

00:51:12Come on, bury it

00:51:13Sorry, we thought

00:51:14That...

00:51:14Come on, you big sack, huh?

00:51:17What the hell is he going to be doing with the blades?

00:51:19It is

00:51:20He's being pampered

00:51:21Fuck

00:51:22Alright, fan clubbers

00:51:28Well, we'll continue here in the Top 40.

00:51:30And the participants in this grand final are already starting to arrive.

00:51:34From our singer-songwriter competition

00:51:36You know they come from all over Spain

00:51:39And the demos of his songs

00:51:41They have passed through the hands of our jury

00:51:43I think I'm going to leave her, Eva

00:51:44Because my mind has gone blank.

00:51:46I don't remember right now.

00:51:47I don't even know how it's going...

00:51:48Are you stupid?

00:51:48Now

00:51:49Now that you've gotten through the hardest part

00:51:50Marcos

00:51:51Breathe

00:51:52Close your eyes

00:51:53I can't breathe

00:51:54I have a knot here

00:51:55Let's see

00:51:55Marcos

00:51:56You're very good, okay?

00:51:58Very good

00:51:59You say it

00:51:59And I'm good.

00:52:00Am?

00:52:02I'm good

00:52:03Am?

00:52:07What am I?

00:52:08Well

00:52:09There you are, well

00:52:09Okay, seriously

00:52:10And your song is wonderful.

00:52:12Wonderful

00:52:14Joan is going to sing.

00:52:19From the city of Barcelona

00:52:21Joan Manuel is here

00:52:22Truyols

00:52:23Welcome!

00:52:24Hi, Toni

00:52:25Thank you so much

00:52:26First of all

00:52:27I wanted to ask you

00:52:28If you would let me dedicate this song

00:52:30I wanted to dedicate it to her

00:52:31To someone very important to me

00:52:33He is a very special person.

00:52:35That I carry deep, deep, deep inside.

00:52:36And no, she's not my mother.

00:52:38She is

00:52:39She is my muse

00:52:42My princess

00:52:44Eva, darling

00:52:46That

00:52:47It's for you

00:52:49This that I'm about to tell you

00:52:55It's more than a lament

00:52:59A song full of truth

00:53:04My love

00:53:09I remember clearly.

00:53:10That shines in my sky

00:53:14Give me another chance

00:53:19Eva, my air and my luck

00:53:25You are my life and my death

00:53:29I'm dying of need

00:53:35If we continue waiting

00:53:40Loving and desiring

00:53:45Give me another chance

00:53:50Give me another chance

00:53:57Loving and desiring

00:54:05Come on, kid!

00:54:06Come on, kid!

00:54:07Come on, hit it here! Quick, let's go!

00:54:26We're the best!

00:54:30What are we going to do!

00:54:32Gain!

00:54:33We're tall enough! And nothing scares us!

00:54:39Come on, everything with her! Go for more of them! Hey, come on! Me too! Come on, come on! Let's go, quick! Let's go!

00:54:47Avrio, Fabio! Avrio!

00:54:52Very good, Fabio! Very good!

00:55:00Let's see, here!

00:55:03Avrio, Fabio!

00:55:04What's Mohamed doing? He's touched you!

00:55:07He's hit the girl, you wretch!

00:55:09To your father!

00:55:14Oh, young man! I love it!

00:55:16No, package!

00:55:16He's handsome

00:55:27I'm telling you, but he doesn't even look at me.

00:55:29Yeah, I don't think Ronaldinho is always warming the bench.

00:55:33And tell your uncle to get lost, right?

00:55:35Well, you're not going to stay with me in my life

00:55:37Very good, suck!

00:55:39Come on, suck it!

00:55:40Very good! Come on, suck it!

00:55:41Come on, suck it!

00:55:43Very good, suck!

00:55:44What is it that...?

00:55:45What about me?

00:55:46What about me?

00:55:47You're already closed!

00:55:48I've already realized that I can't play anymore, okay?

00:55:50Damn that Moor!

00:55:51Yes, Mom!

00:55:52Yes, Mom!

00:55:53How soft! How soft you are, son! How soft!

00:55:55Come on, come on!

00:55:57Aleta, you're coming out! Let's go!

00:55:58Now?

00:55:59Now! Yes, now! Let's go!

00:56:00Come on, let's go to the towel, let's go to the towel.

00:56:05I can't, mommies.

00:56:08You've been here for five minutes.

00:56:10I gave it my all.

00:56:15Let's go to the bottle.

00:56:17Hello, girl.

00:56:19It's making me angry that you're coming out for the second half.

00:56:22Tito, we're going to lose.

00:56:24We're already losing, kid, we're already losing.

00:56:25Come on, everyone to the locker room.

00:56:30A song that has been beautiful.

00:56:36You are truly beautiful.

00:56:38So, what do you say to that?

00:56:40Is he a boyfriend again?

00:56:41Or what?

00:56:42We've reached the fifth participant.

00:56:45He comes from Madrid and is here with us ready to participate.

00:56:48None other than Marco Serrano.

00:56:50Welcome from here, from the fan club.

00:57:00From the station, under the scorching sun.

00:57:03You were talking about a skyscraper in the sky of New York.

00:57:07Come soon to see the sea and send a postcard.

00:57:10I already knew that day was the end.

00:57:13Now I have much more.

00:57:18Red, black, unemployment and my peace, finally luck brings an ace.

00:57:22And a window to look through and a wall to hang on.

00:57:25Seven smiling faces in a passport photo.

00:57:29My stories were not about tales made by chance.

00:57:33Nobody told me that destiny was giving me this opportunity.

00:57:41One plus one equals seven.

00:57:45What was he going to tell me?

00:57:48That it was so easy to be happy.

00:57:53How many years have I been here?

00:57:55How many can I have left?

00:57:57What is the exact price of faith?

00:57:59Who will remember me?

00:58:02Who will ever look at you again?

00:58:03Who pulls the handles of chance for me?

00:58:07A caress from yesterday, some unsigned postcards.

00:58:11And that Burning album isn't something to keep.

00:58:14Today I smile when I remember that you dreamed of flying.

00:58:18You can't see the sea from the banks in Madrid.

00:58:22My stories were not about tales made by chance.

00:58:28Nobody told me that destiny was giving me this opportunity.

00:58:33One plus one equals seven.

00:58:37Who would have thought?

00:58:41That it was so easy to be happy.

00:58:46Our vote was two points for Marcos Serrano.

00:58:57Very well, thank you very much.

00:58:58We're noting your vote from here.

00:58:59We'll move on to the next jury member, Alaska.

00:59:02And pay attention because the moment everyone has been waiting for has arrived: our last jury member.

00:59:07What is your vote?

00:59:08Well, look, I'm absolutely sure about it.

00:59:10Three points for the young man from Santa Justa, Marcos Serrano.

00:59:14Well, listen up because we already have a winner for this fourth singer-songwriter competition.

00:59:20It's Marcos Serrano.

00:59:22Congratulations!

00:59:24Congratulations.

00:59:26Do you see it?

00:59:27You're going to get what you want.

00:59:29Whatever you want.

00:59:29Yes, yes, I would like that.

00:59:30Well, kid.

00:59:32How are you?

00:59:33Well, what about justice in the world?

00:59:34But?

00:59:35Did you win the contest?

00:59:36And well, I have won Eva's love.

00:59:38What do you think?

00:59:39You can't have everything in this video, dude.

00:59:41That?

00:59:41Come on.

00:59:41Good luck, kid!

00:59:42Good luck!

00:59:44Fire!

00:59:45Fire!

00:59:46Fire!

00:59:51Come on!

00:59:52Come on!

00:59:53With joy!

00:59:53Come on!

00:59:54Come on!

00:59:55Come on!

00:59:56Come on!

00:59:57Come on!

00:59:57If he's in the locker room, he says he doesn't want to come out.

01:00:00What do you mean he doesn't want to go out?

01:00:01You've already told her, you wretch.

01:00:02What are we going to say to him?

01:00:03We haven't said anything before!

01:00:04Come on!

01:00:07What's wrong, girl?

01:00:08We're waiting for you.

01:00:09I didn't want to play.

01:00:10Okay then!

01:00:11Can't.

01:00:13What do you mean you can't?

01:00:14Come on, you're coming out now!

01:00:20Well.

01:00:22I didn't want to play.

01:00:23Come on, let's play!

01:00:24He's arrived.

01:00:29Has he come?

01:00:30Who?

01:00:31That.

01:00:34I don't see anyone.

01:00:37The rule.

01:00:39Ah.

01:00:40The rule.

01:00:44Clear.

01:00:45Menstruation.

01:00:49Well.

01:00:49AND...

01:00:50And it's the first time.

01:00:53Already.

01:00:54Clear.

01:00:54Already.

01:00:55Tito Santiago.

01:00:56He's very nervous.

01:00:57We have to go out and play.

01:00:58Wait, damn it.

01:00:58Wait.

01:00:59Come on.

01:01:03AND...

01:01:04AND...

01:01:04Does it hurt?

01:01:06Does it hurt a lot?

01:01:07Do you want us to call your mother?

01:01:12Well.

01:01:14Well...

01:01:15That's great, isn't it?

01:01:15Is...

01:01:16Is...

01:01:16It's a fact of life.

01:01:22You're a young woman now.

01:01:24I used to be a child.

01:01:26A little bud.

01:01:27A little bud.

01:01:28And now...

01:01:30You're already a little flower.

01:01:34Flowering.

01:01:36Hey?

01:01:36Now then...

01:01:37Now then...

01:01:38You have to...

01:01:39You have to...

01:01:40Be careful with the boys.

01:01:42And so.

01:01:44Well.

01:01:45But that...

01:01:46Your mother will explain it to you, okay?

01:01:48And if you don't want to play, then don't play, okay?

01:01:50Don't do it for me.

01:01:51No, no, but yes.

01:01:52I want to play, but...

01:01:53If you could bring me something earlier.

01:01:56Some?

01:01:57Ah, of course.

01:01:59Yeah.

01:01:59Yes, yes.

01:02:00Okay, then...

01:02:02Now you're going to go out there...

01:02:05And you're going to show what a great woman you are, huh?

01:02:08Come on.

01:02:21Ta-da!

01:02:24You're seeing the new candle.

01:02:25What do you think, Lucia?

01:02:26Hey?

01:02:27Well, I've really maxed out my credit card, girl.

01:02:29But he's wrecked the mall, man.

01:02:32Do you remember which place delivers the hats?

01:02:34Well, of course.

01:02:34So many years of repressing myself, daughter, that I've bought four at once.

01:02:37From now on we'll be talking to you wearing a hat like Audrey Hepburn.

01:02:40Hey?

01:02:41Bun?

01:02:41Hey?

01:02:42Yes, well, you haven't seen anything.

01:02:44Cocktail outfit.

01:02:45Okay, I'll try it on later, it looks like a job.

01:02:46It's very practical.

01:02:48A nightclub outfit to make a splash.

01:02:49Sorry, baby, we're going to let loose and tear up the dance floor, you and I.

01:02:52What do you think, huh?

01:02:54Well, you haven't seen the best part.

01:02:56The greatest.

01:02:57The dream of my entire life.

01:02:58Yes, do you remember?

01:03:00Thigh-high boots.

01:03:01And this one held it and this one burns it, look.

01:03:03They're very practical, but not anymore, are they?

01:03:05When your daughter sees me wearing this jacket, she'll die.

01:03:08She's dying, she begs me on her knees.

01:03:10It's for a quinceañera, isn't it?

01:03:11But the saleswoman herself had told me, she was telling me.

01:03:14It looks like it's been done on you, girl.

01:03:16Like it's been done on top, look.

01:03:19Okay, I'm finishing it now.

01:03:22Zippers are such a difficult thing to work on.

01:03:26Milk!

01:03:30Lucia, it's over.

01:03:31No, no?

01:03:32Yes, it's over.

01:03:32This is serious.

01:03:33This is completely serious.

01:03:35Fiti leaves me.

01:03:36Yeah.

01:03:37But no, woman.

01:03:38Just because?

01:03:39Yes?

01:03:39I know him.

01:03:40I know him very well.

01:03:42And Fiti is going to leave me, really?

01:03:44You have no idea how annoying he could be, do you?

01:03:47And I've tired him out, I've tired him out.

01:03:51This is beyond repair.

01:03:55Oh, Candela, for God's sake.

01:03:56And if I make a little money with this music thing, darling, well maybe I'll rent an apartment in Barcelona and you can come with me, eh, princess?

01:04:10Well, if not, I'll just come here to Madrid on weekends, okay?

01:04:14I'm perfectly fine in your brothers' room, darling.

01:04:17I'm very comfortable.

01:04:17People have to go to hell.

01:04:22Marcos, son, Marcos, son.

01:04:24Congratulations! Congratulations, man!

01:04:26I haven't said anything to you about the contests.

01:04:27What? Tell me, how was it?

01:04:29Nothing. I got there, sang, and won.

01:04:33Hey, kid, you say it like you have to give the last one.

01:04:36Is something wrong?

01:04:37No, nothing, I'm just tired.

01:04:40Good.

01:04:41So, you win a contest that's amazing, because this contest is amazing.

01:04:43And I catch you here at one in the morning, watching infomercials and with a face like crazy.

01:04:47And nothing happens.

01:04:48Okay. Well, if you don't want to tell me what's going on, then don't tell me, but honestly, it seems to me that...

01:04:54A girl.

01:05:00Yeah.

01:05:01Good.

01:05:02Okay, Marcos, a girl, very good.

01:05:04So what happens? You're head over heels and you don't pay any attention to yourself.

01:05:08Yeah.

01:05:10Do I know her?

01:05:12Yeah.

01:05:13Who is it?

01:05:15No, no, no, my dad, nobody, nobody.

01:05:16No, Marcos, damn it, I'm your father, man.

01:05:19Open up a little, man.

01:05:21Open up, because I'm going to be eighty years old and I still won't know you.

01:05:24And that's a shame, man. Open up, Marcos.

01:05:26Eve.

01:05:27It's Eve.

01:05:29Dude, I'm not falling for Eva.

01:05:31Is the baker's daughter named Eve?

01:05:34No, Dad, Eva, Eva.

01:05:36But, but, but, but, but, but, what do you mean, Eve? What do you mean, Eve? I mean, you, you, your sister Eve, our Eve, our Eve.

01:05:52No, no, no, no, no, no, no, she's not my sister, she's my sister, our Eve.

01:05:55No, but how can she be your sister? Yes, she's your sister, she's your sister to her and for that, yes, she's your sister, yes, your sister, but you're an animal, a delinquent, a sicko, a normal person.

01:06:02Wait, wait.

01:06:04Wait, no, no, no, no, it's not that you've grown fond of her and, no, no, no, and you've made a mess of things, Dad, no, no, no, I'm in love, okay?

01:06:11Well, you fall out of love, you fall out of love, and that's it, it's over. But Marcos, Marcos, what is Eva? Marcos, what is Eva? Don't you realize that? Damn, there are plenty of other women in the world, and hey, Eva.

01:06:22No, you haven't done anything, have you?

01:06:24No, Dad, no.

01:06:24But.

01:06:25Okay, well, forget about this story, forget about it. But you know what this is, do you know what it's called?

01:06:29Okay, please turn the volume down a little.

01:06:30Turn down the volume, but it's called incest, incest, incest, incest. That's normal, that's insane, so it's over.

01:06:38Well, you can relax, okay? Because he's ignoring me.

01:06:40And she's back with Joan Manuel, okay?

01:06:44Ah, there's no danger.

01:06:47Yes, Joan, everything you're saying sounds great. And a few months ago I would have loved it, but now I know it's not going to work.

01:07:04Does she know something?

01:07:07Okay, well, so that he never finds out.

01:07:09Not Lucía, for God's sake. Not Lucía, well, between Lucía, oh my god, well.

01:07:12This is a matter between... between you and me.

01:07:17Okay, okay, hang in there, son. Hang in there, we'll get through this, we'll get through this together.

01:07:22The truth is that these things can happen to anyone.

01:07:25Well, not just anyone, just anyone who is a degenerate like you, because you are a degenerate.

01:07:27Marcos, you're a degenerate, that's it. And you're going to screw things up.

01:07:30No, don't even think about it.

01:07:31Things are bad because of their name. You're a degenerate.

01:07:33That's it.

01:07:34But that's it, we'll both pull together and we'll get through this. Side by side.

01:07:38Very good. Well, and also, if he has a boyfriend, hey, dude, all the better, if he's happy now, if it's easier, because it can be easier.

01:07:48Okay, we'll talk later, alright? I've broken up with Joan Manuel.

01:07:52What? Why? With Joan Manuel? With Joan Manuel? And why did I break up with Joan Manuel? Because Joan Manuel is a really great guy from my point of view.

01:08:01And he's more of a future star. Singer-songwriter, future star. And he's a good catch, isn't he?

01:08:07Yes, well, but we've definitely broken up.

01:08:15Marcos.

01:08:15But, but, what are you laughing at, you fool? What are you laughing at? Why are you making that stupid face?

01:08:37Dear.

01:08:40Is my little sweetheart asleep?

01:08:44What a day, what a day.

01:08:46Well, we'll have to do something to relax, won't we?

01:08:48So, what have you done to your hair?

01:08:54And she's getting thinner and thinner, huh?

01:08:55Of course, so many vegetables and so much lettuce, well, no...

01:08:57Ah!

01:08:58Hey!

01:08:59This wasn't it!

01:09:00Hey, you're comforting me, that's fine, but isn't this crazy?

01:09:04Did I hear "sweetie" or was I dreaming?

01:09:07No, I was dreaming, Candela, I was dreaming. I didn't make a little candy, and neither did anyone else.

01:09:09By the way, what are you doing here?

01:09:10No, no, no, no. What are you two doing here in bed?

01:09:12No, no, no, what are you doing here? Because you shouldn't be at Citi's house.

01:09:15No, but Santiago has come to relieve me and he's...

01:09:17Hey, son, I'm going to relieve you, for God's sake, I'm not a baby.

01:09:20Ugh, okay.

01:09:20Well, he hasn't done anything stupid, has he?

01:09:23No, no, she hasn't done anything stupid. It's okay, it's okay, calm down.

01:09:26Sure?

01:09:26No, Candela, no, no, I'm going to tell you the truth. No, it's not okay. It's ruined, it's a mess, it's wrecked.

01:09:33Candela is thinking about committing suicide.

01:09:34Yes, yes.

01:09:34And that's why, yes, that's why I'm here, watching over them, so they don't do anything stupid, okay?

01:09:38And that's why we take turns, but we can't keep taking turns like this forever, you understand?

01:09:41I know him because he is capable of...

01:09:42Candela, let me tell you something. I mean, your husband is a moron, his clutch slips, and he's capable of putting an exhaust pipe in his mouth or locking himself in the workshop and inhaling carbon monoxide, you understand?

01:09:51Yes, well, well, Candela, we'll accompany you.

01:09:53Yes, well, okay? Relax. It can't be that bad, I'd say.

01:09:56Okay, calm down, Candela, calm down, calm down, you're making me nervous, calm down, listen to me, listen to me, listen to me, listen to me, she's in good hands, she's with Santiago.

01:10:04Santi, Fiti! Santi, Fiti!

01:10:19Where is Fiti?

01:10:20It's empty, it's empty right now.

01:10:22Okay, explain.

01:10:23Fiti!

01:10:25Damn it, Santi, didn't I tell you not to take your eyes off him?

01:10:27I was resting my eyes.

01:10:29Where is it, huh?

01:10:30Did you see if he jumped anywhere? Did he already commit suicide? Or something?

01:10:32Where has this man gone?

01:10:34Diego, the window.

01:10:35Still, still, still, still. Back, back, back.

01:10:50Nothing, calm down, calm down.

01:10:52What's there? What's up there on the roof?

01:11:03Come on, let's go upstairs, this guy's going to jump.

01:11:04No, no, no, no, no, no. You guys stay here and call the fire department, okay?

01:11:08I'll fix it.

01:11:16Fiti!

01:11:16Fiti! Don't do it!

01:11:18No, no, no, no, no.

01:11:22No, please, darling, don't do it.

01:11:25Go, go, go, go, go, go!

01:11:27No no.

01:11:28I want to put an end to this once and for all, okay?

01:11:29There's nothing left to finish, Fiti.

01:11:31Please listen to me for a moment.

01:11:32It all started over something silly.

01:11:34No, no, don't move, don't move or I'll jump, okay?

01:11:36I'm going to jump!

01:11:37Look!

01:11:42Fiti!

01:11:42Tell Raúl that I love him very much and that he should study hard, that he should study medicine, that I want him to be a doctor.

01:11:57Fiti, Fiti, forgive me, forgive me, I'm a fool and I know you feel sorry for me, I know,

01:12:05And that you don't deserve it because you are the most wonderful man in the world and I don't want to lose you.

01:12:14I don't even want to leave you, it was a lie, it was to see if by pressuring you you would change your baldness and come back home.

01:12:19That's what I want because I love you and I want you to come home.

01:12:21No, no, no, no! Get out, get out! Stay away, stay away, eh!

01:12:24I don't want pity, okay? I don't want pity.

01:12:27Fiti, please, it's not you.

01:12:30I love you more than anything in the world.

01:12:31Do you really love me?

01:12:44Sure, sure.

01:12:47But...

01:12:49How much?

01:12:52A lot, a whole lot.

01:12:53And you say I'm the most...

01:13:01More than?

01:13:03The most wonderful in the world.

01:13:06And let me tell you something else, I'm right behind you, just like you are.

01:13:15Yes, but remember that, okay?

01:13:17That I'm the idiot who bought the apartment.

01:13:19Okay, fine, but I don't care, I don't care.

01:13:22And if you want, we can get in the car right now and go on vacation wherever you want.

01:13:25To the apartment, to the campsite, wherever, but...

01:13:27What do you want?

01:13:33What do you want?

01:13:35You cheated, huh?

01:13:37Did you know that for you I am the father of anything?

01:13:40To kill me, to save me, to do whatever.

01:13:43I'm going to do my churro, whatever.

01:13:45Whatever it is?

01:13:46Whatever it is?

01:13:47Whatever it is?

01:13:48Whatever it is?

01:13:49Yes, yes.

01:13:50And one more thing, okay?

01:13:51You and I are going to forget about this forever.

01:13:53Yes, forever.

01:13:54We're going to treat ourselves properly.

01:13:56Yeah.

01:13:57Come on, kid.

01:13:58Sure, sure.

01:13:59Dude, you know me.

01:14:09Let's see that it happens!

01:14:10Shut me up!

01:14:11Shut me up, little one!

01:14:12Shut me up!

01:14:13Careful!

01:14:14And that's how it was when it was time to go on vacation,

01:14:18The waters had returned to their course.

01:14:20More or less.

01:14:21Because now it turns out that everyone is saying that Teté is a woman now.

01:14:25According to Guille, her breasts have grown.

01:14:27But it seems to me that it's flatter than an airport runway.

01:14:31Oh, my child!

01:14:32She's quite the young lady!

01:14:34Muah!

01:14:35Fly, or the whole car will find out!

01:14:36Oh, what does it matter!

01:14:37My father says that women always get what they want.

01:14:40There's no doubt that Teté is a real woman.

01:14:43Because without ever having kicked a ball in his life,

01:14:45He was able to score a great goal that will go down in the annals of Santa Justa's history.

01:14:50Muah!

01:14:51Muah!

01:14:52Muah!

01:14:53Muah!

01:14:54Muah!

01:14:55Muah!

01:14:56Muah!

01:14:57Muah!

01:14:58Muah!

01:14:59Muah!

01:15:00Muah!

01:15:01Muah!

01:15:02Muah!

01:15:03Muah!

01:15:04Muah!

01:15:05Muah!

01:15:06Muah!

01:15:07Muah!

01:15:08Muah!

01:15:09Muah!

01:15:10Muah!

01:15:11Muah!

01:15:12Muah!

01:15:13Muah!

01:15:14Muah!

01:15:15Muah!

01:15:16Muah!

01:15:17Muah!

01:15:18Muah!

01:15:19Muah!

01:15:20Muah!

01:15:21Muah!

01:15:22And all to get a sweaty shirt from a guy on the team

01:15:38And with the fussiness that's for other things

01:15:41It seems that his sweat smells like roses.

01:15:43And the thing is, girls change their minds at lightning speed.

01:15:48Like Eva, who we all thought had gone back to the singer-songwriter poet.

01:15:52But it turns out that in the end she rejected him

01:15:55When Marcos found out, he made a very strange face.

01:15:58But when Dad found out, he made an even stranger face.

01:16:02Marcos, come, come, come

01:16:04I was thinking it would be better if you went on holiday to the village with your loved ones.

01:16:10No, no, no, Dad, no, no, no, no

01:16:12Marcos, you're going to mess things up, I know you and you're going to mess things up.

01:16:15You're going to cause trouble with your sister and it's going to make a huge fuss here

01:16:17Be very careful, I promise I'll behave, okay Dad?

01:16:21Do you swear?

01:16:22I swear, I swear, okay?

01:16:23Okay, okay, fine

01:16:24Well, but like a monk, indeed.

01:16:25Cold showers and keeping your distance from your sister, huh?

01:16:28Stay away from your sister, I'll be watching you.

01:16:30There are things that will never change until the end of time.

01:16:35Like my grandma Carmen and my uncle Santiago are always arguing.

01:16:39Or that Fiti and Candela, despite everything, stay together

01:16:43Fiti has not only made us commit suicide, but we're all going on vacation together.

01:16:48Even Raúl and Eva, who were going to India, have decided to come with us.

01:16:53Yes, yes

01:16:55Work?

01:16:57That?

01:16:58What job?

01:16:59No, no, no, no, it's not you, no

01:17:01That?

01:17:05Francisco?

01:17:06That?

01:17:07But, but, Francis, brother

01:17:09What? How long? How long?

01:17:12Wait, wait

01:17:12Knock?

01:17:13Santi, Santi

01:17:14Who is Francis, our brother?

01:17:17Yeah

01:17:18Francisco, but what...

01:17:21What a joy!

01:17:21Are you in Spain?

01:17:23So, yes

01:17:24You'll see...

01:17:26But how is that possible? How long?

01:17:29Oh, of course, man, of course we're going to welcome you with fireworks, brass bands, tambourines, whatever it takes, you deserve it.

01:17:34Yeah

01:17:35Okay, okay, we'll talk.

01:17:37A big hug, Curro

01:17:39See you later

01:17:40That?

01:17:42That?

01:17:43That?

01:17:44That?

01:17:44How are you?

01:17:45How are you?

01:17:45That?

01:17:47Our brother Mallorca

01:17:48How are you?

01:17:49How are you?

01:17:49Yeah

01:17:49That's great, that's great

01:17:50How are you?

01:17:51Yeah?

01:17:52Hey, if you have a photo

01:17:53No doubt about it, the other mountain man, huh?

01:17:55How handsome

01:17:56It's bovine pressure and jaw in the wind

01:17:58Ma'am, really

01:17:59And that's how my uncle Curro, who is that relative that everyone in America has and who has become incredibly rich, entered our lives

01:18:07Well, not now, after the holidays, but that, that's another story.

01:18:13Now we're going to the beach, and as Uncle Santiago says, may God have mercy on us.

01:18:37And that's how, when it was time to go on vacation, things had changed again.

01:18:41And that's how, when it was time to go on vacation, things had returned to normal.

01:19:07More or less, because now it turns out everyone is saying that Teté is a woman now.

01:19:12According to Guille, her breasts have grown.

01:19:15But it still seems flatter to me than an airport runway.

01:19:18Oh, my child!

01:19:20She's quite the young lady.

01:19:21Muah!

01:19:23Grandma's going to find out everything!

01:19:24Oh, my flower!

01:19:24My father says that women always get what they want.

01:19:27There's no doubt that Teté is a real woman in that respect.

01:19:30Because he's never kicked a ball in his life

01:19:33He was able to score a fantastic goal that will go down in the annals of Santa Justa's history.

01:19:37Little one, more woof, more woof!

01:20:01Sinnip top!

01:20:04And all to get a sweaty shirt from a guy on the team.

01:20:27And considering how picky he is about other things, it seems that his sweat smells like roses to him.

01:20:31And the thing is, girls change their minds at lightning speed.

01:20:36Like Eva, whom we all thought had gone back to the poet-turned-cat.

01:20:41But it turns out that in the end she rejected him.

01:20:44When Marcos found out, he made a very strange face.

01:20:46But when Dad found out, he made an even stranger face.

01:20:50Marcos, come, come.

01:20:52Hey, I was thinking it would be better if you went on vacation to the village with your friends.

01:20:58No, no, no, dad, no, no, no, no, no, no.

01:21:02Marcos, you're going to cause trouble, I know you, you're going to cause trouble, you're going to cause trouble with your sister and we're going to have a real mess here.

01:21:06No, no, I promise I'll behave, okay, Dad?

01:21:09You swear.

01:21:10I swear, I swear, okay?

01:21:11Okay, okay, fine, okay.

01:21:12Well, but like smoke, indeed.

01:21:14Cold showers and keeping your distance from your sister, huh?

01:21:16Stay away from your sister, because I'll be watching you.

01:21:18Come on.

01:21:18There are things that will never change until the end of time, like my grandmother Carmen and my uncle Santiago arguing all day long, or Fiti and Candela, despite everything, still being together.

01:21:32Fiti has not only made us commit suicide, but we're all going on vacation together.

01:21:37Even Raúl and Eva, who were going to India, have decided to come with us.

01:21:41No, no, no, no, no, it's not you, no.

01:21:50That?

01:21:53Francisco?

01:21:54That?

01:21:55But, but, Francis, brother.

01:21:58How long? How long? Wait, wait.

01:22:01Santi, Santi.

01:22:03Who is Francis, our brother?

01:22:05Yeah.

01:22:07Francis, what the heck?

01:22:09How wonderful! Are you in Spain?

01:22:11Yeah, I mean, yes, you'll see, but how is that possible? How long will it take?

01:22:17Oh, of course, man, of course we're going to welcome you with fireworks, brass bands, tambourines, whatever it takes, what you deserve.

01:22:22Yeah.

01:22:24Okay, okay, we'll talk. Big hug, Curro.

01:22:28See you later.

01:22:30That?

01:22:31That?

01:22:32That?

01:22:32Which heel?

01:22:34That?

01:22:36Our brother, Mallorqui.

01:22:37Which one were you?

01:22:37Yeah.

01:22:38That's great, that's great.

01:22:38That?

01:22:39Let's see.

01:22:40So, if you have a photo in your...

01:22:41There's no doubt about the two brothers, huh?

01:22:43How handsome.

01:22:44It's bovine pressure and jaw to the wind.

01:22:46Ma'am, really.

01:22:47And that's how my uncle Curro, who is that relative that everyone in America has and who has become incredibly rich, entered our lives.

01:22:56Well, not now, after the holidays.

01:22:58But that, that's another story.

01:23:01Now we're going to the beach and, as my uncle Santiago says, may God have mercy on us.

Los Serrano - 1x13 - La guerra de los Martínez - HD 1080

Categoría

Transcripción

Sé la primera persona en añadir un comentario

Recomendada