Los Serrano - 4x11 - Lobestoris - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Diego idea un plan para que Santi y Fiti reconquisten a sus respectivas parejas. Sin embargo, Candela y Lourditas no desean regresar junto a ellos, especialmente la profesora de religión, que parece haber encontrado un sustituto en su corazón. En un esfuerzo por animar a los dos hombres, Diego organiza una cena de reconquista para que su amigo y su hermano se reconcilien con ellas desconociendo que Lourditas está a punto de casarse con un novio secreto. Por otro lado, Raúl, Marcos y Chuky suman un nuevo suspenso en sus notas a diferencia de Álex, su compañero de cates, que en esta ocasión ha sacado más de un ocho. Convencido de que Álex está liado con Candela, Chuky acaba sembrando la duda en Raúl. Cuando Teté se niega a cantar una de las canciones de “Santa Justa Klan”, Guille decide echarla del grupo y buscar una suplente. Yoli y Teté creen que si Guille se enamora dejará de mostrarse tan insensible, por lo que urden un plan para que Teté regrese al grupo.

Transcript

00:00:00ah

00:00:12Okay

00:00:16But jump out and realize that we got to be at football, man.

00:00:20calm down, let's see, calm down

00:00:24If you can tell me what to do cleaning, we don't get to football, he doesn't understand how.

00:00:27What do I do, Diego? This house is completely unhealthy, damn it!

00:00:31since Fiti and Camela separated

00:00:33Fiti has been wandering from my house to my boyfriend Santiago's house

00:00:37But as my father says, living together is never easy.

00:00:40Please let there be peace and quiet

00:00:42that you bite the hand that feeds you

00:00:45My uncle was right.

00:00:48Biting the hand that feeds you is not right

00:00:51But Fiti was right too.

00:00:53My uncle's house was disgusting

00:00:55don't worry

00:00:58very disgusting

00:00:59But that's not a finger, damn it, that's a sausage!

00:01:01is an owner

00:01:03The strange thing is that it's not glued.

00:01:05But what does Santi, the owner, say? Please, this is the same thing my father had when he ate white tolo.

00:01:08This is a drop in the ocean.

00:01:10You're abandoned, like, damn it, Santi

00:01:12You live in filth but you don't see it

00:01:14that abandoned man that abandoned

00:01:16The thing is, I'm not a scouring pad maniac.

00:01:18There's shit in this house, yes.

00:01:19But it's just enough for a man who lives alone.

00:01:21You've hit the nail on the head there.

00:01:23For a man who lives alone, you've portrayed yourself perfectly.

00:01:25What's wrong with you is that you need a lady.

00:01:27That's what's happening to you.

00:01:29You're right, Fiti, you really do need a woman.

00:01:31That's the law of life, please, that's the law of life

00:01:32Look at him there, a wild, lost soul without a partner.

00:01:36Damn, what peace from the man of Romagnon

00:01:38This is my house and here we do what I damn well please.

00:01:40If you're not careful, you'll end up with chickens from those eggs.

00:01:43and the potatoes sprouting in the drawer there

00:01:45Okay, calm down.

00:01:47Let's go, we're going to be late

00:01:49Come on, let's go

00:01:51What happened? What happened?

00:01:53But what is football? Let's go to the emergency room.

00:01:55And this is why I say it's because of the neglect and the lack of women.

00:01:58Apparently, the lack of ladies

00:01:59It's one of the worst things that can happen to a man in his life.

00:02:03It was so bad that it almost killed my uncle Santiago.

00:02:07don't come throw throw

00:02:10on a station platform under the blazing sun

00:02:14You were talking about a skyscraper in the sky of New York

00:02:18Come soon to see the sea and send a postcard

00:02:21I already knew that day was the end

00:02:25now I have much more

00:02:29red black stop odd finally luck

00:02:32He brings an ace and a crystal to look through.

00:02:34and a wall to hang it on

00:02:36seven smiling faces in the ID photo

00:02:40My stories weren't about tales made by chance.

00:02:47Nobody told me that fate would give me this opportunity

00:02:51one plus one equals seven

00:02:54Who would have thought it?

00:02:58It was so easy to be happy

00:03:01It was so easy to be happy

00:03:04and

00:03:06and

00:03:07and

00:03:08and

00:03:10and

00:03:11and

00:03:12and

00:03:14and

00:03:15and

00:03:16and

00:03:17and

00:03:18and

00:03:19and

00:03:21and

00:03:22and

00:03:26and

00:03:27and

00:03:28and

00:03:29and

00:03:30and

00:03:31and

00:03:32and

00:03:33and

00:03:34and the foot on which a snout is both the day is not the beak as cartoli

00:03:46How different the brothers are, you see with the monkeys and the sweets that Marco is

00:03:56It's not a species like...

00:04:26That's your mother, it sounds familiar.

00:04:34It might sound redundant, but this is diabolical; it was you, I know you.

00:04:40Change this noise for me immediately, because you're going to eat the covillas.

00:04:44But come on, come on, hurry up, hurry up, and watch out, I'm watching you, be very careful

00:04:50Where do you think you're going to rehearse, Diego? He's presenting a new show the day after tomorrow.

00:04:56group that are going to become famous

00:04:58That's good, son. That's good that you're launching yourselves into fame like Spusnik. Come on, everyone, into fame! Very good, I think it's great.

00:05:03Okay, goodbye

00:05:04It's a rocket that's launched like this, indeed.

00:05:10Hello, good morning, I'm running to call about Santiago's half-finished tests.

00:05:16What's wrong with Santiago?

00:05:18He has what is called a big toe, which is kind of like a sausage, and you know why?

00:05:22for lack of a lady

00:05:24Oh Diago please

00:05:26Well, well, what things you have

00:05:28Didn't you hear, Mom?

00:05:30That's definitely not what people say, not even in my day.

00:05:34I'll tell you one thing, it's good, I believe it deeply. Also, I'll tell you one thing, I'm afraid of what the doctor might say.

00:05:40fear

00:05:42High cholesterol, high cholesterol, high cholesterol, high blood sugar, a disaster

00:05:46He's not all macho and he'll last less than a soap bubble.

00:05:48trick

00:05:50But what do you do with the fame?

00:05:52The doctor told you that you can't eat cured meats, red meat, or seafood.

00:05:54that you want to eat

00:05:56Damn, well, veggies and soup, that's what your wife usually makes for you.

00:06:00We're already with the lady.

00:06:02It's true, Santi, damn it

00:06:04Didn't you know that single people live shorter lives than married people?

00:06:06because of a lack of affection, as all the polls say.

00:06:08Yes, Santi, that's what the polls say.

00:06:10Look, I

00:06:11since I separated

00:06:13I'm a mess, fat and abandoned.

00:06:15milk

00:06:17Well, come back with your hips and leave me alone.

00:06:18You don't believe I wouldn't come back if I could, do you?

00:06:19Santi has a little bit of sensitivity, man, he's serious.

00:06:21fuck

00:06:22sensitivity

00:06:23Yeah

00:06:24Well, you don't say I'm a grouch.

00:06:25At least the Gromañones had a wife

00:06:26But if it were up to you, the species would die out.

00:06:28But Santi, for God's sake!

00:06:30You don't like any of the women.

00:06:34Hey Lurditas, what's up?

00:06:35Look, we were just talking a long time ago about how Lurditas hasn't been coming to the tavern.

00:06:38That's true, Santi, we were just talking about that.

00:06:40Yes, I am busy

00:06:42Can you give me a small glass of milk, Santi?

00:06:44Oh

00:06:46sorry

00:06:49Yeah

00:06:54Oh, what a thrill!

00:06:56one of the greatest dreams of my life, of course, of course!

00:07:00Yeah

00:07:01right now

00:07:02Yes, I'm going right now.

00:07:03Excuse me, I have to go

00:07:05I don't have time, I'm sorry.

00:07:06see you later

00:07:07See you later, Lurditas!

00:07:08Lurditas

00:07:10Lurditas was there happily

00:07:11Hey

00:07:12You're giving him the eye

00:07:13Hey

00:07:14Okay

00:07:15I have to admit that I like Lurditas

00:07:17But I've lost her forever.

00:07:19because of the bullshit of faking the accident

00:07:21But the accident is over now.

00:07:23Pussy

00:07:24Don't believe my false hopes

00:07:26that I have nothing to do

00:07:27But he hasn't even looked at me.

00:07:29Did you see how excitedly I was talking on the mobile phone?

00:07:31a woman who speaks like that

00:07:32It's because there's a male.

00:07:34and if there is a male

00:07:35I have nothing to do

00:07:37So leave me alone

00:07:42Being in love is nonsense.

00:07:45that doesn't even let you sleep

00:07:48You're acting like a fool.

00:07:50the nights and the days

00:07:55We're in your backpack

00:07:56his name in graffiti painted on the wall

00:08:01Being in love is bullshit

00:08:05No

00:08:07thank you

00:08:086 seconds later

00:08:09from his phrase

00:08:10Let's see

00:08:11The thing is, we have to sing this song at the presentation.

00:08:13I've never heard a dumber lyric in my entire life

00:08:16I'm over love.

00:08:17But once with the same Mariteles

00:08:19You're right.

00:08:20People like love

00:08:21Love is beautiful

00:08:22All you need is love

00:08:24to most people

00:08:26that is actually

00:08:27Hey, hey

00:08:28Look at the poster I've made!

00:08:29hello

00:08:30handsome

00:08:31handsome

00:08:32But I'm sure Mariteles wouldn't have put a little pink heart here.

00:08:34Hello sweethearts

00:08:36and I had to laugh

00:08:38because I had to go through love and nothing.

00:08:40because the massacre attack

00:08:41That's true, Josemari.

00:08:42Remember that you even went on a diet after you got pregnant?

00:08:44Well, you'd come near me and your heart would race.

00:08:46and you'd turn as red as a tomato

00:08:48But hey Mariteles, it happens to me too.

00:08:50Except I go to the bathroom, plant a bottle of wine, and it passes.

00:08:52Let me tell you what I want to say.

00:08:54What I'm trying to say is that we SJKs are over love.

00:08:56Oh yeah?

00:08:57Well, I'm one of the SJKs and I don't pass.

00:09:00Furthermore, I refuse to sing this song

00:09:02Well

00:09:03Well then you're leaving the group

00:09:05So off to the street

00:09:07Look, you know what I'm saying.

00:09:08I hope that one day your aunt will give you a good shake and give you a hard time

00:09:10you're going to shit yourself

00:09:11for being a pimp, a thug, and an incense-monger

00:09:13Oh yes, yes, be careful

00:09:15that?

00:09:16Rooms 0 with 8

00:09:18Martinez 1 with 9

00:09:21and almost

00:09:22Serrano 2 with 5

00:09:24if 70% of the class fails

00:09:27You are absolutely unforgivable brutes.

00:09:29Or you'd better get your act together, huh?

00:09:30because syntax is half of the language grade

00:09:32Yeah, it's crazy, but this isn't a memory game.

00:09:34This needs to be understood

00:09:35If you don't understand, then...

00:09:36If you don't understand, look for some tutoring.

00:09:38as he is doing at the stake

00:09:39which has an 825

00:09:41an 825

00:09:42but?

00:09:43But this is from my grade range

00:09:44from 0 to 2

00:09:45come

00:09:46Those of you who have the recovery session, you'll have it tomorrow, okay?

00:09:49I said that the recovery

00:09:52Let's see, please, just a moment.

00:09:55I said the recovery is tomorrow.

00:09:57And I said it's tomorrow.

00:09:59So now everyone, let's study!

00:10:00Okay?

00:10:01I'm not studying at all

00:10:03Alex

00:10:05I need a moment to talk to you

00:10:07fuck

00:10:09fuck

00:10:10fuck

00:10:11kid

00:10:12The gunman's connections with your mother, dude.

00:10:14You see?

00:10:15It's clear what's going on, man.

00:10:16what's happening

00:10:17Well, there's something going on here, huh?

00:10:19I don't know

00:10:20this?

00:10:22what are you doing?

00:10:24What are you giving him?

00:10:25What are you giving him?

00:10:26What is he doing?

00:10:27a wrapped

00:10:28He's giving it to him, damn it.

00:10:29that there is attraction

00:10:30like my donkey's

00:10:31or like marijuana

00:10:32Your mother is trending

00:10:33with respect to your mother

00:10:35a little bit of

00:10:36be quiet

00:10:37Okay?

00:10:38And leave my mother alone

00:10:42It's nothing, me neither.

00:10:43Thank you Marque

00:10:44I like

00:10:45I love

00:10:46I love

00:10:47thanks a lot

00:10:48as he said

00:10:49no but yes

00:10:50Thank you for your trust.

00:10:52because

00:10:54and be

00:10:55thanks for everything

00:10:59no no

00:11:00thanks to you

00:11:01Well, you're helping me a lot.

00:11:02the classes

00:11:03I know it's very difficult for you.

00:11:05but my grades are improving

00:11:06And I thank you for that.

00:11:08Daniela

00:11:09what's the matter?

00:11:10Oh, I don't know why I'm feeling so hot.

00:11:11Do you get dizzy?

00:11:12It's hot, isn't it?

00:11:13peaceful

00:11:14Look, sit down better

00:11:15sit down

00:11:16It is a tension sheet.

00:11:19Relax, sit down in my chair

00:11:20Come on, relax.

00:11:21candle

00:11:22candle

00:11:23candle

00:11:24peaceful

00:11:25peaceful

00:11:26please

00:11:27mother

00:11:28remove

00:11:29mother

00:11:30yes yes yes

00:11:31Are you unconscious?

00:11:32no no no

00:11:33I'm going to call Dad

00:11:34wait

00:11:35no no no no no

00:11:36Please, your father, just one word, okay?

00:11:37He told me because it's his duty.

00:11:39and because we are together or apart

00:11:41I mostly, because I'm still your husband

00:11:43Okay Fiti, I really appreciate your interest.

00:11:45But I'm perfectly fine.

00:11:46Okay?

00:11:47Let's look at one thing

00:11:48you don't

00:11:49You will not be pregnant

00:11:52I'm in a bad mood

00:11:53Does that ring a bell?

00:11:54Come on, don't play hard to get.

00:11:56I know perfectly, perfectly, what's happening to you

00:11:59Oh yes

00:12:00Yeah

00:12:01What's wrong with you?

00:12:02Well, it's because you and your sweetheart are naturally affectionate.

00:12:05And you don't have your Fiat there next to you to give you some love.

00:12:08and mischief, eh

00:12:11And that's precisely why you've gotten sick

00:12:13Well, because you lack that, you're lacking it, and you're very dependent on me.

00:12:17dependence?

00:12:18well yes

00:12:19if dependency

00:12:20you of me

00:12:21Because without me you are nothing.

00:12:22And without some good love, you'll die.

00:12:24Oh Fiti, for the love of God

00:12:25Stop being so sweet

00:12:26I certainly don't lack for someone to give me love, eh?

00:12:28come

00:12:29at the door

00:12:30both

00:12:32yes

00:12:38that dad

00:12:39that we take into account

00:12:40You know who I did it for, I said

00:12:42Mom

00:12:43then mom in the end

00:12:45What happened?

00:12:48Oh man, that's the worst.

00:12:50that

00:12:51that

00:12:52which I think

00:12:53that he told her

00:12:54that someone has

00:12:55who has found a replacement part

00:13:00son

00:13:01No, Diego, no.

00:13:02that we're not coming back

00:13:03Do you know what he told me?

00:13:04who already has another one to give love to

00:13:06This is over

00:13:07fiti

00:13:08I don't believe it.

00:13:09Andela has done to you the same thing that Lurditas did to Santi.

00:13:12Damn, they've thrown a skunk at you and you!

00:13:15no no no no not even close

00:13:16We speak Christian

00:13:18Sorry Santi

00:13:19which is more Christian than mus

00:13:20Let's see what a nórdago is.

00:13:21a nórdago is a bluff

00:13:23I mean a

00:13:24I'll be waiting for you here.

00:13:25They've thrown you a hook to see if you'll bite.

00:13:27No

00:13:28No

00:13:29Diego no

00:13:30I told Candelaya

00:13:31I'd come back a thousand times.

00:13:32And he told me what's happening.

00:13:33but

00:13:34Fiti please but

00:13:35He wants you to come up with it.

00:13:36So, what happened to you is what happened during the conquest.

00:13:37I

00:13:38In Candela's case, I see it

00:13:40in the case of Lurditas

00:13:42Santi, in the case of Lurditas, the same applies.

00:13:43Let's see

00:13:44But why else would my aunt show up here with a mobile phone?

00:13:45and talking to Melius

00:13:46or something

00:13:47Santi was putting on a show

00:13:48I have found that strange.

00:13:50Yes, yes, we're going, aren't we?

00:13:51He hasn't even drunk his glass of milk

00:13:52I think she's come here to provoke you and make you jealous.

00:13:55Well, Fiti

00:13:56Fiti Candela the same

00:13:57But there's going to be another one, please.

00:13:58Let me explain so you understand.

00:14:00I mean

00:14:01the horns of suicides

00:14:02when he's serious

00:14:03They don't give notice

00:14:04Hey

00:14:05I didn't say that.

00:14:07It could be, listen, because

00:14:10Because Candela is very clever, huh?

00:14:11and he doesn't do anything without a reason.

00:14:13This always does

00:14:14He does everything for a reason.

00:14:15Well, I have one thing

00:14:17Wait a minute

00:14:18that it wasn't Candela who set everything up

00:14:20I mean, his and Lurditas's.

00:14:22and with Lucia

00:14:23that when two get together in company

00:14:25They do this kind of thing, damn it, it's true.

00:14:27Damn, that's true!

00:14:29And what if that thing about Lurdaku were true?

00:14:31How did you win her over?

00:14:33Well, we have to do something original.

00:14:35Well, it's a surprise, but it's a surprise nonetheless.

00:14:37Made by us with our own hands

00:14:39that

00:14:40with candles tonight

00:14:42at my place

00:14:44No, no, no, Santi, not in your house.

00:14:46because the concept of romanticism

00:14:48And your house doesn't really match up, huh?

00:14:50so

00:14:51They're already messing around at Diego's house, damn it!

00:14:53and inviting them

00:14:55you can't win

00:14:56And they won't turn you down.

00:14:59and for dessert

00:15:00the reconquest

00:15:02a declaration of love

00:15:03public

00:15:04and completely

00:15:05Yes, of course.

00:15:06I'm going to Lurdaku

00:15:07in pairs to girl

00:15:08and there

00:15:09and there in everything

00:15:16You've got quite the poker face.

00:15:18Yeah?

00:15:19Yeah

00:15:20Well, no, the truth is I should be happy, but

00:15:22That's life.

00:15:24that sometimes joys bring sorrows in passing

00:15:28Lourdes, stop talking like an architect and tell us what's wrong, okay?

00:15:32So I'm dropping out of school

00:15:35And is that sorrow or joy?

00:15:37But it's a real bummer.

00:15:38I know it's a bit rushed, but I'm going to leave you without a teacher.

00:15:41It's already premature, yes, but is something wrong, Lourdes?

00:15:43Is something wrong?

00:15:44I'm getting married

00:15:47that I can't, that you know

00:15:48What happened tomorrow?

00:15:49What happened tomorrow?

00:15:50What happened tomorrow?

00:15:51What happened tomorrow?

00:15:52What happened tomorrow?

00:15:53What happened tomorrow?

00:15:54that there is no Lourdes

00:15:55Now you can, okay?

00:15:57Yeah?

00:15:58I mean, yes, tell me.

00:16:01And so?

00:16:03Okay, I'll tell him.

00:16:05Yes, I'm telling both of them.

00:16:07Okay, see you later.

00:16:08Girls, come to my house tonight.

00:16:10Let the boys organize it.

00:16:11And that's before what?

00:16:13Well, I don't know.

00:16:16Hey!

00:16:17Do you know what we could do?

00:16:18Celebrating your farewell tonight?

00:16:20Well yes.

00:16:21No, well, I don't know if...

00:16:22Yes, yes, please.

00:16:23I think it's great.

00:16:23We set everything up, then they tell us.

00:16:25Okay, don't worry,

00:16:26that we're going to do it in a big way.

00:16:27Okay.

00:16:28Okay, bye.

00:16:30How cute, please.

00:16:31It's great that we're passing this by.

00:16:33Hey, and you're on the other side, huh?

00:16:34What do we have tonight?

00:16:35bachelorette party

00:16:35And you have to be on top.

00:16:36Yes, for all I care it's like it's the last supper.

00:16:38You know I use Citi.

00:16:39I don't even want to go for sunflower seeds.

00:16:41Poor thing, he came this morning

00:16:42everyone worried.

00:16:43He should mind his own business.

00:16:44which is what you have to do.

00:16:45And if I go smoke another cigarette,

00:16:46Don't look at me like that.

00:16:47Because I'm going to smoke it anyway.

00:16:48It's really heavy, damn it.

00:16:49Look, but I haven't told you anything.

00:16:51Smoke, smoke.

00:16:52No, he won't smoke it anymore.

00:16:53Shit.

00:16:53Bye.

00:16:54Thank you, Antonio.

00:16:56Thank you, then.

00:16:58Who do the Lournitas marry?

00:17:01The next one.

00:17:02Okay, this is Stonehenge,

00:17:04which is in the south of England.

00:17:06It is the megalithic monument

00:17:07most extraordinary in the world.

00:17:10And as you can see here,

00:17:12It is built

00:17:12with large rectangular blocks of stone.

00:17:16The work was carried out

00:17:17in different stages

00:17:18ranging from the mid-

00:17:19of the third millennium

00:17:20until the middle of the following year.

00:17:22I haven't received it.

00:17:27Cristina, you are very beautiful.

00:17:34Silence, please, guys.

00:17:36Guilla is a brute.

00:17:37How does love happen?

00:17:39That's what he says.

00:17:40But you'll see.

00:17:41that one day she will fall in love

00:17:41what he is going to suffer.

00:17:44Clear.

00:17:46If Guilla falls in love,

00:17:47I could no longer sing

00:17:48the past of love.

00:17:50and there would be

00:17:51that they have to swallow their words.

00:17:52You could rejoin the group.

00:17:55That is.

00:17:56Auntie, what a great idea.

00:17:58That's what happens

00:17:58Let's see

00:17:59Who is going to make Guilla fall in love?

00:18:01Well, who else could it be?

00:18:03Who?

00:18:04Well, you.

00:18:04I.

00:18:05I.

00:18:05Oh well,

00:18:06Are you crazy?

00:18:07What's wrong with you?

00:18:08I,

00:18:09and leave Guilla to me.

00:18:12If you want to log back in

00:18:13in the group,

00:18:14It's going to be a yes.

00:18:17Well,

00:18:17Hurry up,

00:18:18I'll stay here and keep watch.

00:18:19There is no longer any news of recovery,

00:18:20Okay?

00:18:20Okay,

00:18:21come on,

00:18:21Come on.

00:18:21Go to the police

00:18:22and you,

00:18:22that he has to go to Guilla.

00:18:26Go to those who receive you,

00:18:27God is not someone.

00:18:27That was a little down.

00:18:28of sugar.

00:18:29A slight drop in blood sugar.

00:18:30Look,

00:18:30Candle,

00:18:30since you separated

00:18:31You are completely abandoned.

00:18:33You don't eat,

00:18:34You don't even sleep,

00:18:35and you don't smoke like a chimney

00:18:35that we are at school.

00:18:36Man,

00:18:36Turn that off.

00:18:38Okay.

00:18:39Ah,

00:18:40Yeah,

00:18:40I like that.

00:18:41Second,

00:18:41We need to work less.

00:18:42Let's see,

00:18:43private lessons

00:18:44to the sick man,

00:18:45Are they necessary?

00:18:47Strictly necessary.

00:18:48And do you know why?

00:18:49I'll tell you,

00:18:49because that boy

00:18:50He is making an effort

00:18:51And he deserves it.

00:18:52You understand?

00:18:52For me,

00:18:53as a teacher,

00:18:53It is very rewarding.

00:18:55Here they are.

00:18:57The exams?

00:18:59Yeah,

00:19:00Yeah.

00:19:01Uncle,

00:19:02and antidepressants.

00:19:06No,

00:19:06that I'm being given pills

00:19:07to my mother,

00:19:08with the logs.

00:19:09No,

00:19:09no,

00:19:09that my mother is a fighting bull,

00:19:11uncle,

00:19:11that I didn't get discouraged

00:19:11not even when my gluttony died

00:19:12or anything.

00:19:13Sorry.

00:19:14Sorry.

00:19:15What are you playing, man?

00:19:17This?

00:19:20Thank you for trusting me,

00:19:21for being and existing.

00:19:24That?

00:19:25How are you?

00:19:26That?

00:19:27That?

00:19:28That?

00:19:32Look,

00:19:32I want to be absolutely honest,

00:19:33Lucia.

00:19:34Alex Chacón is the only incentive

00:19:36that I have today,

00:19:37You know?

00:19:37Yes,

00:19:38But I'm telling you

00:19:39that's not good for you.

00:19:39Which is convenient for me,

00:19:40women.

00:19:41That the boy

00:19:42He looks committed

00:19:43with me.

00:19:44I am engaged

00:19:45with the.

00:19:46And he deserves it.

00:19:46And I'm not going to let it go.

00:19:47by many husbands.

00:19:48No, man,

00:19:49I just burst out laughing.

00:19:56But,

00:19:57Let him go after the firefighter.

00:20:00Frame,

00:20:01What should I do?

00:20:02What should I do?

00:20:03What should I do?

00:20:04No,

00:20:04It's definitely not what it seems.

00:20:05uncle.

00:20:05Don't go crazy,

00:20:07uncle.

00:20:07No,

00:20:08No,

00:20:08No.

00:20:08Frame,

00:20:09He's a guy.

00:20:10How are you?

00:20:10Thank you for being

00:20:12and for being

00:20:13and why,

00:20:15Frame,

00:20:15for being his lover.

00:20:16Yes,

00:20:17Frame,

00:20:17please,

00:20:18and for being where it can

00:20:19his bed,

00:20:19uncle.

00:20:19It's obvious.

00:20:20Raúl,

00:20:20That's clear.

00:20:22Guys.

00:20:22That?

00:20:23Well,

00:20:24We study or want

00:20:24because the exam is tomorrow.

00:20:26Yeah,

00:20:26come on,

00:20:27Let's...

00:20:28No,

00:20:28It's not going to happen.

00:20:29I'm overwhelmed.

00:20:29I'm going for a walk.

00:20:30See you later.

00:20:31No,

00:20:31come on.

00:20:35See you later.

00:20:36Raul.

00:20:36See you later.

00:20:38That's in the ear.

00:20:40Already,

00:20:41But I just can't pass.

00:20:41to give Guille a kiss

00:20:42in the ear.

00:20:43Well,

00:20:43The truth is, I'm passing.

00:20:44of kissing him.

00:20:47I don't know,

00:20:47Tete,

00:20:47if you want to fall in love

00:20:48to Guille,

00:20:49You have to put

00:20:49something from you.

00:20:50Good afternoon.

00:20:54Guille,

00:20:54Do you want to study with us?

00:20:56Yeah, man,

00:20:56You're delusional about what it is,

00:20:57Maritene,

00:20:57I've come to teach you

00:20:58Pepe dances

00:20:58And she sings better than you.

00:20:59Look,

00:21:00I'm done with the lamp.

00:21:01But,

00:21:02What is an imbecile?

00:21:02I want...

00:21:03Let's go,

00:21:03Pepe,

00:21:03that she took it badly.

00:21:04That would be idiotic.

00:21:06Oh,

00:21:07Yoli,

00:21:07that I'm watching

00:21:10There's no one who can...

00:21:10I made him fall in love.

00:21:12Well yes,

00:21:13Tete.

00:21:13Already,

00:21:14And how do I do it?

00:21:15No,

00:21:16I have no idea,

00:21:16I'm not into flirting, not even flowers.

00:21:19Ask your sister

00:21:20who knows Latin.

00:21:25Come on,

00:21:25come on,

00:21:26come on,

00:21:26That's right.

00:21:32Look,

00:21:32look.

00:21:34Fuck,

00:21:35What does that look like?

00:21:36male?

00:21:36Well,

00:21:37Hey,

00:21:37and the wine

00:21:38It better be good.

00:21:3912 euros per bottle

00:21:40I liked it.

00:21:41Oh well,

00:21:41a day is a day.

00:21:42What do you mean, "one day is one day"?

00:21:43Today is the day,

00:21:44Today is the day

00:21:44of the reconquest,

00:21:45sirs.

00:21:46Look,

00:21:46Look how we've put it

00:21:47the table.

00:21:47Look how well it turned out!

00:21:48But I hadn't noticed,

00:21:49Hey!

00:21:50Yeah,

00:21:51Yeah,

00:21:51It's in water,

00:21:52water,

00:21:53water.

00:21:53Wait,

00:21:53still,

00:21:54still,

00:21:54that's it.

00:21:55Come on,

00:21:55don't worry,

00:21:56that everything will be alright.

00:21:57Come on,

00:21:57don't worry,

00:21:57that's it.

00:22:00Hello good.

00:22:00Hello.

00:22:01Man,

00:22:01man.

00:22:02How are you?

00:22:06Oh,

00:22:06handsome,

00:22:07please.

00:22:08But not.

00:22:10Oh well,

00:22:11what a feast

00:22:11that's why all this is happening.

00:22:13Well, that's it.

00:22:13nothing special,

00:22:14I told myself,

00:22:15I was there and I said to myself,

00:22:16Pussy,

00:22:16We're going to celebrate something special,

00:22:18Let's prepare something.

00:22:19And Lurditas?

00:22:20Lurditas is coming now.

00:22:21By the way,

00:22:22It has a surprise.

00:22:23Hold on tight.

00:22:25Is she getting married?

00:22:27Is she getting married?

00:22:29Well,

00:22:30That's great news!

00:22:31No?

00:22:33Well,

00:22:33I'm glad about that.

00:22:34But how,

00:22:35What do you mean, she's getting married?

00:22:36With who?

00:22:36Well, I don't know.

00:22:37The truth is, he told us.

00:22:38This morning, out of the blue,

00:22:39who is getting married the day after tomorrow.

00:22:40It's great,

00:22:41He is happy.

00:22:41Hey?

00:22:42I think so,

00:22:43brilliant,

00:22:43Yeah,

00:22:43I imagine he's happy.

00:22:44But it's amazing,

00:22:46No?

00:22:46Because it's like...

00:22:47No,

00:22:47and so amazing,

00:22:48come on,

00:22:49which is incredible,

00:22:50fuck.

00:22:50Incredible,

00:22:51But true.

00:22:52Well,

00:22:53And we took advantage of this little dinner

00:22:54to throw her a bachelorette party,

00:22:55So we're going to change,

00:22:57You put this on yourselves

00:22:58And you change that face

00:22:59a little more cheerful,

00:22:59please.

00:23:00Yes,

00:23:00man,

00:23:00come on.

00:23:00Until now,

00:23:01until now.

00:23:05What did I tell you?

00:23:06It had stopped.

00:23:07Well,

00:23:08I have nothing to do here.

00:23:10Wait,

00:23:10Santi,

00:23:11Santi,

00:23:12Santi,

00:23:13Santi,

00:23:13Let's see,

00:23:14Let's see.

00:23:15Do you think so?

00:23:16Do you believe that stuff about your little girls getting married?

00:23:19No.

00:23:20No,

00:23:20Pussy,

00:23:20That's what a charade is.

00:23:22pretense,

00:23:22the all-out challenge.

00:23:23Yes,

00:23:23who is right,

00:23:24who is right,

00:23:24Fiti,

00:23:25Let's see,

00:23:25People don't just suddenly announce they're getting married one day and the next.

00:23:29And furthermore,

00:23:29another thing,

00:23:30The girls don't know who they're marrying either.

00:23:31So no.

00:23:32No,

00:23:32come on,

00:23:33We are moving forward with the plan.

00:23:35Reconquest.

00:23:36And for dessert,

00:23:37statement.

00:23:38Come on.

00:23:38We're going there.

00:23:39Man,

00:23:40which is a lie,

00:23:40don't worry.

00:23:44How wonderful this homosexuality is.

00:23:46Already,

00:23:46So, the ability to connect is genetic.

00:23:49or you learn it.

00:23:50Well,

00:23:51I don't know,

00:23:52It comes out.

00:23:52Let's see,

00:23:53You get it, and then there's the practice.

00:23:54No?

00:23:55That's the law of the country most.

00:23:56Country is practiced more,

00:23:58You'll do better in the country.

00:24:01Already,

00:24:02And if you set your mind to it,

00:24:03Can you reach anyone?

00:24:04Or some are impossible.

00:24:06Let's see,

00:24:07Nothing is impossible in this life.

00:24:08my daughter.

00:24:09Let's see,

00:24:09Man is single-celled by nature.

00:24:12What does this mean?

00:24:13That it only has one neuron.

00:24:14And where is it?

00:24:15She has it in Africa.

00:24:17They are 12 years old,

00:24:18aunt.

00:24:19That's why,

00:24:19It's better that they're informed now before everything goes wrong.

00:24:21No?

00:24:22Or not?

00:24:23Getting back to the point,

00:24:23Boys like meat.

00:24:25Let's see,

00:24:26Boys like the same things as girls because they are people.

00:24:30Yeah,

00:24:30But there are only two things that matter to boys in this life.

00:24:33Well,

00:24:33three things.

00:24:35Two tits

00:24:35and a nice ass.

00:24:37Being sexy is...

00:24:38The key to making a guy fall in love with you is for him to know that,

00:24:42So you like him,

00:24:44that you find special,

00:24:46that you understand him,

00:24:47See?

00:24:48What do you find special about him?

00:24:49Yeah,

00:24:49And that's it.

00:24:50Okay?

00:24:50Come on,

00:24:51see you later.

00:24:51Africa.

00:24:53Already,

00:24:54So how do I get to hook up with Guille?

00:24:56Okay, that's fine.

00:24:57clear.

00:24:58More like that and you tell him.

00:25:00Terrible,

00:25:00No?

00:25:00Surprise!

00:25:07Happens,

00:25:07man!

00:25:08That,

00:25:09Lucitas?

00:25:10What do you think of the barbecue?

00:25:11Santi did it,

00:25:12Isn't that good?

00:25:13Well,

00:25:13Before you say anything to me,

00:25:15I want to tell you that...

00:25:16that I haven't invited you,

00:25:17well,

00:25:18because it is a very private ceremony.

00:25:20What's happening?

00:25:20That the boyfriend is a bit of a cheat,

00:25:22Hey?

00:25:23He is very generous,

00:25:26very generous,

00:25:27prodigal.

00:25:27Come on,

00:25:28I'm sure he's really nice.

00:25:29Good person,

00:25:30Right?

00:25:30Goodness itself.

00:25:32Well,

00:25:32You'll have to tell us where you got it from,

00:25:33little girl,

00:25:33Because with those characteristics...

00:25:35TRUE,

00:25:35It doesn't happen to you.

00:25:36Then,

00:25:36No,

00:25:36Hold on,

00:25:37Hold on,

00:25:38which is the hortago,

00:25:38the sagebrush.

00:25:39Is that what you're having for dinner?

00:25:41Your cigarette?

00:25:42Well yes,

00:25:43That's what I'm going to have for dinner.

00:25:43a cigarette.

00:25:44And stop watching me

00:25:45And I'll be on police duty that night.

00:25:46Hey, hey, hey,

00:25:47Don't be angry,

00:25:48Hey?

00:25:48I'm going for dessert.

00:25:49Fiti,

00:25:49come with me.

00:25:51But Lucia,

00:25:52I just don't know how to talk to him anymore.

00:25:54Well, look,

00:26:00That's just being arrogant.

00:26:01like a pibu cup.

00:26:02But?

00:26:03Well,

00:26:05Well, let's see if I do better this time.

00:26:06Did you know?

00:26:07What I've thought

00:26:08declare

00:26:09Now for desserts

00:26:10as if it were the first time.

00:26:11What do you think?

00:26:12A load of rubbish.

00:26:14Fiti,

00:26:15Let's see if you understand me.

00:26:16This needs to be done

00:26:16in private,

00:26:18with heart,

00:26:19with affection.

00:26:21Fuck,

00:26:21in private,

00:26:22with heart.

00:26:23But if you don't want to

00:26:23Don't even talk to me.

00:26:24Hey,

00:26:24hey.

00:26:26And a letter?

00:26:28Well,

00:26:29well now that

00:26:30I'm going to ask you

00:26:30a little more wine.

00:26:33Attention,

00:26:34the gift.

00:26:36For your wedding night

00:26:37You're going to put him on his feet.

00:26:39Well.

00:26:42Thank you.

00:26:42But the fact is that

00:26:43him,

00:26:44He's not into these things.

00:26:45Come on,

00:26:45Santi,

00:26:46worth,

00:26:46worth.

00:26:47Verita,

00:26:48Brita,

00:26:48Tell him.

00:26:49Yeah,

00:26:49who was sexy.

00:26:50That wedding night.

00:26:50Florita,

00:26:52that I wanted to tell you...

00:26:53Just a moment,

00:26:54before offering any of that,

00:26:55I believe that what follows

00:26:56right now,

00:26:56Lourdes,

00:26:56because I can't take it anymore,

00:26:57daughter,

00:26:57Tell us,

00:26:58please,

00:26:58who is the lucky one.

00:27:00Yeah,

00:27:00please,

00:27:01that we're going to have a heart attack.

00:27:02Account.

00:27:02Well,

00:27:03Well, it's...

00:27:05It's Jesus.

00:27:10Which Jesus?

00:27:12Jesus,

00:27:13Christ.

00:27:14Christ?

00:27:15Ah,

00:27:16that,

00:27:17family of the lion tamer?

00:27:18No,

00:27:18The day after tomorrow she ordained me as a novice

00:27:20in a cloistered convent.

00:27:23Go on.

00:27:31What happened?

00:27:32It's terrible,

00:27:33It's terrible.

00:27:34Look,

00:27:34at nine in the morning

00:27:35She ate a can

00:27:35of these large mussels

00:27:36and from a stained sap.

00:27:38That's awful!

00:27:38who sacrifices himself for love.

00:27:39That he sacrifices himself for love.

00:27:40Santi,

00:27:41For God's sake,

00:27:41But what did the doctor tell you?

00:27:43You can't try the preserves,

00:27:44But you don't realize it

00:27:45that you have your finger like you use the bump.

00:27:46We might have to have an amputation.

00:27:47Bring it.

00:27:49Campute!

00:27:50But from the waist down.

00:27:53That in one night

00:27:54They haven't aged seven years.

00:27:55The poor guy is there

00:27:56with the blanket,

00:27:56who doesn't come out of the blanket

00:27:57to make a snail,

00:27:58that's leaving us,

00:27:59He's leaving us.

00:27:59That's it.

00:28:00Good cop,

00:28:01bad cop.

00:28:01I'm a bad cop.

00:28:02Bad.

00:28:03Come on.

00:28:05Santi,

00:28:06Santi,

00:28:06Don't sink on me

00:28:07For God's sake.

00:28:08The love of God,

00:28:09nor any versions,

00:28:10which is the cause of my misfortune.

00:28:13I've lost her, brother.

00:28:14To the woman I love

00:28:16I have lost her forever.

00:28:17How can you not lose it?

00:28:18if you didn't open your mouth

00:28:18all night?

00:28:19You're right about that,

00:28:20fixed, sir.

00:28:21If you had spoken to her

00:28:22and you would have said it

00:28:22that you loved her,

00:28:23Well, maybe he wasn't going to leave.

00:28:24We have to fight, Santi.

00:28:25Struggle,

00:28:26There's no need to fight.

00:28:26If my opponent were a man,

00:28:29Well, we fight.

00:28:30But my rival is God.

00:28:31There,

00:28:32omnipresent,

00:28:33with all his powers.

00:28:35Against that,

00:28:36There's no one who can.

00:28:37It's a nipico,

00:28:37as if it's a corner ornitho,

00:28:38fuck,

00:28:39He left me,

00:28:39say,

00:28:39If it's a chicken,

00:28:40He's a chicken.

00:28:40In this case

00:28:45He's right.

00:28:46My brother is right.

00:28:46I mean,

00:28:46that face

00:28:47to what is the very

00:28:48creator,

00:28:48Hey, kid,

00:28:49well no,

00:28:49frankly.

00:28:50But what you can do

00:28:51is to share it,

00:28:52Lurditas,

00:28:53say,

00:28:53I mean,

00:28:53You get to keep Lurditas

00:28:54And she loves him.

00:28:55him,

00:28:55to the creator,

00:28:56as a parishioner.

00:28:57What I'm going to do

00:28:58It's like isolating myself too.

00:29:00I'm going to put Friar in,

00:29:01and I'm worth it, bread,

00:29:03I'm useless,

00:29:05a gromagnon,

00:29:06a talapuerca.

00:29:07You're a coward.

00:29:08and a baby doll,

00:29:09Pussy,

00:29:10Stop crying already

00:29:10and do something.

00:29:11Hit me, dude!

00:29:12What are you doing to me?

00:29:13But Santi,

00:29:13don't worry,

00:29:14let's see,

00:29:14Santi,

00:29:14Remember,

00:29:15Lurditas told us

00:29:16that the ordering

00:29:17It was tomorrow,

00:29:17No?

00:29:17Well, we're still here

00:29:18on time,

00:29:19Santi.

00:29:21Cluck, clluck,

00:29:22closet, closet, closet,

00:29:23closet, closet, closet.

00:29:25Okay, okay,

00:29:25very good,

00:29:26Santi, Santi,

00:29:27Santi,

00:29:27that we can go and look for her,

00:29:28We can go and look for her.

00:29:29Hey?

00:29:29Come on,

00:29:30above.

00:29:31Very good,

00:29:31very good,

00:29:32Santi,

00:29:32very good.

00:29:32No,

00:29:33come on,

00:29:33Be careful with your finger.

00:29:34Go away,

00:29:34Go and get yourself a little bit of exercise,

00:29:37Because you smell

00:29:38a little bit cocky,

00:29:38But very good,

00:29:39very good.

00:29:42Fuck,

00:29:43male,

00:29:43Well, if they are

00:29:44from '87,

00:29:44How could she not have gout?

00:29:46This is believed to have

00:29:47Save this,

00:29:47like wine.

00:29:49I'm totally freaked out.

00:29:50about my mother

00:29:51and Alex,

00:29:52extremely scratched.

00:29:53Raúl,

00:29:53We've already talked about that

00:29:54and what we have said

00:29:54that we are not sure,

00:29:55yes or no?

00:29:56No, man,

00:29:56which is that my mother

00:29:56He has made that very clear,

00:29:57Marcos,

00:29:58You know?

00:29:58I mean,

00:29:59Alex is his only stimulus,

00:30:02uncle,

00:30:02You know?

00:30:03Uncle,

00:30:04that has fallen apart,

00:30:04Marcos,

00:30:05You know?

00:30:05She needs affection,

00:30:07You know?

00:30:08Now,

00:30:09Let me tell you something,

00:30:09I mean,

00:30:10It's not my mother's fault.

00:30:10It's her fault.

00:30:11who is taking advantage of her,

00:30:12I mean,

00:30:12It's that firefighter's fault.

00:30:13you understand?

00:30:14I mean,

00:30:14I swear

00:30:14who set Marcos on fire,

00:30:15He set it on fire.

00:30:16Let's see,

00:30:16If you have any doubts,

00:30:18So you talk to him,

00:30:19You talk to him,

00:30:19Okay?

00:30:20But don't worry,

00:30:22nightcap,

00:30:22uncle,

00:30:22nightcap.

00:30:24Okay,

00:30:24quiet,

00:30:24quiet.

00:30:29No, Raúl,

00:30:30What have you done to my mother?

00:30:31What have you done to my mother?

00:30:32Hey?

00:30:32Are you crazy?

00:30:33What's the matter?

00:30:33Yeah,

00:30:34I'm crazy,

00:30:34I'm very crazy.

00:30:35So, is that how you're telling me how long you've been with my mother?

00:30:37Hey?

00:30:37But you're crazy,

00:30:38but that he had been involved with your mother.

00:30:40Like what?

00:30:40And then you come here to me.

00:30:42Cap yourself,

00:30:42although I don't shit on milk.

00:30:44Do not touch me.

00:30:45What should I do, Marcos?

00:30:45Should I smash him?

00:30:46I'm opening a channel,

00:30:47I'll break his head.

00:30:47What I do?

00:30:48Raúl, Raúl, Raúl.

00:30:48Okay, okay,

00:30:49for,

00:30:49We stopped.

00:30:51Let's see.

00:30:52Let him speak, right?

00:30:53We need to listen to both sides.

00:30:54There's no need to listen to both sides,

00:30:55that my mother has made very clear.

00:30:56What did your mother say?

00:30:57What did your mother say?

00:30:58If all he does is give me private language lessons,

00:31:00all.

00:31:01Did you say "language"?

00:31:01Of tongue.

00:31:02Did you say "language"?

00:31:02Of tongue.

00:31:03But I'm not involved with your mother,

00:31:05man,

00:31:05I swear to you,

00:31:06I swear to you,

00:31:06Is that okay with you?

00:31:06No, to be honest,

00:31:07He is sincere.

00:31:08Okay?

00:31:08No problem.

00:31:08Come on,

00:31:08Okay, fine.

00:31:13Maybe they're not involved.

00:31:15But dude,

00:31:16My mother is weak,

00:31:17Marcos,

00:31:17You know?

00:31:18And I curse my life,

00:31:19wishes you,

00:31:20Okay?

00:31:20And he wishes her,

00:31:21because?

00:31:21Because?

00:31:22Because she has seduced me,

00:31:22because she has seduced me.

00:31:23I'll kill you!

00:31:24Let's see,

00:31:25But you're wrong,

00:31:26Raúl,

00:31:26that you're wrong,

00:31:27kid,

00:31:27that the only thing that goes wrong here is

00:31:28it's you,

00:31:29you understand?

00:31:29You're targeting the wrong prey.

00:31:30and my mother is mine

00:31:31and from my father,

00:31:33Okay?

00:31:33And you're not going to mess with the family,

00:31:34you understand?

00:31:35So you're already going to cut it.

00:31:36But cut what?

00:31:37Let's see,

00:31:37Private lessons?

00:31:38Private lessons?

00:31:39Well,

00:31:39private lessons.

00:31:40Private lessons are being discontinued.

00:31:42And let me tell you something,

00:31:43Do it very gently,

00:31:44Okay?

00:31:45Because I see my mother suffering,

00:31:46Alex,

00:31:47I swear I'll kill you.

00:31:49We are?

00:31:50You're crazy, man.

00:31:52Are you crazy, for fuck's sake?

00:31:53But...

00:31:54How is?

00:31:59Well,

00:31:59Here we have the Venus of fleeing.

00:32:00Are you sure?

00:32:01What do you want me to joke about?

00:32:02So that he'll like it?

00:32:02I'm here, okay?

00:32:03I'm not very sure about that.

00:32:05What a huge joke!

00:32:06I know they will do it.

00:32:07Guille,

00:32:08the next time you make a comment

00:32:10You leave the class.

00:32:11Hey?

00:32:12Well,

00:32:13as I was saying,

00:32:13It represented fertility.

00:32:15Well, it seems Africa was right, huh?

00:32:17This highlights feminine attributes.

00:32:21Especially the chest and belly.

00:32:24Neglecting the treatment of the extremities,

00:32:26as you can see here.

00:32:33Intercepted.

00:32:33What we think is...

00:32:34And don't read it.

00:32:35Not really for me

00:32:36that they are going to punish me.

00:32:39Let's see,

00:32:40Hey?

00:32:43Dew,

00:32:44In the end, I can't go to your party.

00:32:45I'm standing up.

00:32:46The boy I like

00:32:47Ignore me.

00:32:49Is...

00:32:49He's very crude,

00:32:50but so handsome.

00:32:52You know how it is.

00:32:53Let's move on to the next one.

00:32:55Okay, so here I go...

00:32:55Dude, what are you doing?

00:32:56What are you doing?

00:32:57What are you doing?

00:32:58What are you doing?

00:32:59What are you doing?

00:32:59You know how it is.

00:33:04Ille.

00:33:05God.

00:33:07Uncle, uncle, uncle, uncle.

00:33:08How lucky.

00:33:08T.T. likes you

00:33:10What are you saying, pingao?

00:33:11He's making a big deal out of me.

00:33:13Tss.

00:33:14You,

00:33:14even if you're trying to flatter me

00:33:15You don't know where the group was from,

00:33:15Huh, little girl?

00:33:16Ille,

00:33:17Okay, that's enough.

00:33:18Give me that paper.

00:33:21What role?

00:33:22What role?

00:33:22I'm not going to give out any paperwork.

00:33:24Hey,

00:33:24Enough with the laughter, right?

00:33:26Next time you're leaving

00:33:27And I'm also suspending you.

00:33:28look.

00:33:29And everyone pay attention.

00:33:30I want to see you

00:33:31taking notes.

00:33:32Welcome,

00:33:32come on,

00:33:32As I was saying before,

00:33:34It's a very small cure.

00:33:36Okay, fine.

00:33:36He already knows I like him.

00:33:37So what now?

00:33:38Who will cut you off?

00:33:41Sure, man,

00:33:43that is,

00:33:43the love of a huge court.

00:33:45Let's move on to the second phase.

00:33:48Cut with pots

00:33:49and a lick.

00:33:51You're great.

00:33:51Let's see,

00:33:53don't you realize

00:33:53which is all a lie.

00:33:54Do you like them?

00:33:55Yes, no,

00:33:56I'm going to love it.

00:33:58What do you like?

00:33:59What do you like?

00:34:00What do you like?

00:34:00Yes, hey, Cap,

00:34:01Change my mobile ringtone.

00:34:03I'm going to get some buns,

00:34:04the little animals,

00:34:05The little pigs and everything, huh?

00:34:07I'm going to give you the little hair

00:34:07that I'm going to give you

00:34:08right here in your face,

00:34:08man,

00:34:08come on,

00:34:09a person,

00:34:09Where are the ruditas?

00:34:10I don't know,

00:34:11He's in the teachers' lounge.

00:34:12Last time,

00:34:13Be careful with the hair

00:34:14What can I give you, huh?

00:34:15Forward.

00:34:22How are you?

00:34:23Man,

00:34:23Uncle Calavera,

00:34:24So much is owed, isn't it?

00:34:25Well,

00:34:25Sorry to bother you,

00:34:26But the thing is,

00:34:27Do you know where the ruditas are?

00:34:29Yeah,

00:34:29in the convent.

00:34:29But one thing,

00:34:33Lucia,

00:34:33Wasn't the ordination tomorrow?

00:34:35Yeah,

00:34:35It's tomorrow,

00:34:35But I had to be there a day earlier.

00:34:37Already,

00:34:38I already told you that everything was lost.

00:34:40Hey,

00:34:41Lucia,

00:34:41I'm sorry to bother you,

00:34:43This convent

00:34:44Where does that leave us?

00:34:45Yeah,

00:34:45What are you going to do?

00:34:50Because I know you.

00:34:51Lucia,

00:34:51For God's sake,

00:34:52well,

00:34:52What are we going to do?

00:34:53You asked me,

00:34:54you asked us

00:34:54What are we going to do?

00:34:56Well,

00:34:56write it,

00:34:57because of Santi yesterday

00:34:58He forgot to ask her a question,

00:34:59last night,

00:35:00No?

00:35:00And I wanted to write it.

00:35:06Convent of the Poor Clares,

00:35:07in the province of Guadalajara.

00:35:09Well,

00:35:10Clarissa,

00:35:10Guadalajara.

00:35:11Well,

00:35:11Well, we won't bother you anymore.

00:35:12and continues working.

00:35:14That?

00:35:14Yeah,

00:35:14later...

00:35:16Come on.

00:35:16And taking the car out?

00:35:17Anything about me?

00:35:17Okay.

00:35:19Lucia,

00:35:20Lucia,

00:35:20I did what you told me,

00:35:24I've written a letter to Candela

00:35:25expressing to him all my feelings,

00:35:28but without arrogance

00:35:30no nonsense or anything,

00:35:31Hey?

00:35:31You've done it,

00:35:32Hey?

00:35:33The thing is,

00:35:33clear,

00:35:34as I'm not very used to it

00:35:35to give him the pen,

00:35:35well,

00:35:36well,

00:35:36I'm not really sure,

00:35:38Let's see if...

00:35:39Let's see what happens to you.

00:35:40Take a look at it.

00:35:42It's beautiful,

00:35:43Fiti.

00:35:44Beautiful,

00:35:45precious.

00:35:46And it's written with a lot of freedom,

00:35:48spelling above all.

00:35:50It's beautiful,

00:35:51really.

00:35:51Do you want me to give you a hand?

00:35:52Review it for me.

00:36:01Ah,

00:36:01with V,

00:36:02with V,

00:36:03with V.

00:36:07Well,

00:36:10We do one thing.

00:36:11I'll put it here in the envelope.

00:36:13and we'll leave it here as...

00:36:17so that she might find it.

00:36:18Ah, yes,

00:36:18that he finds her unexpectedly.

00:36:20Are you in charge?

00:36:21Shoulder!

00:36:22But,

00:36:22Fiti,

00:36:23what are you doing?

00:36:24Santi's car is idling,

00:36:25We didn't arrive.

00:36:26I'm coming, I'm coming, I'm coming now.

00:36:26To the tavern,

00:36:27that we didn't get to...

00:36:28Since she is alone,

00:36:28We didn't make it to the tavern.

00:36:30To the tavern.

00:36:30We left him alone.

00:36:31See you later.

00:36:31Come on,

00:36:32Then I'm going to...

00:36:33Come on.

00:36:40Let's see,

00:36:41with V.

00:36:41I have to be sexy

00:36:42so that he'll notice me.

00:36:44But I also have to be cut

00:36:45because he knows I like him

00:36:46And that's really embarrassing.

00:36:48Let's see.

00:36:49Sexy,

00:36:50cut.

00:36:51Sexy,

00:36:52cut.

00:36:54Sexy,

00:36:54cut.

00:36:54Sexy,

00:36:54cut.

00:36:54Sexy,

00:36:55cut.

00:36:55Partere,

00:36:55Stop texting, it's not your thing.

00:36:57Hey?

00:36:57Go on,

00:36:58take,

00:36:58a little pate that you've earned.

00:37:00I laughed my head off

00:37:01because you like me,

00:37:02Hey?

00:37:05Already,

00:37:05Well,

00:37:06better.

00:37:07Well,

00:37:07better for me and for you

00:37:09Because you're not coming back to the group

00:37:10in your life.

00:37:11Already,

00:37:12But it's just that I

00:37:13what matters to me

00:37:13It's not the group.

00:37:15You matter to me.

00:37:16Besides, I really like you.

00:37:20Already,

00:37:20well,

00:37:21Well, you have to be up for it.

00:37:23aunt,

00:37:23Because I've given you more grief than I have.

00:37:25They haven't been able to give it to you.

00:37:27Already,

00:37:27but...

00:37:28But what?

00:37:29Let's see what you come up with now.

00:37:31Me too,

00:37:31I don't make anything up.

00:37:33I like you

00:37:34because I know deep down

00:37:35all the stupid things you do,

00:37:37well,

00:37:37They are nothing more than a pose

00:37:38Because you like to act tough.

00:37:41Oh well,

00:37:41I see you and I understand you

00:37:43and know everything you really like.

00:37:47I think you're a very special person.

00:37:49Super special.

00:37:49Wonder,

00:37:52let's see,

00:37:52list,

00:37:52What do I like?

00:37:56Well,

00:37:56Do you like X-Men comics?

00:37:59Green Day's music,

00:38:02Do you like spaghetti with tomato sauce?

00:38:03and without cheese,

00:38:04of course.

00:38:05And furthermore,

00:38:05I know that I'm hiding from you now.

00:38:06watching Finding Nemo.

00:38:08But why should I cry?

00:38:09Maritere.

00:38:10Besides,

00:38:10I also know a lot of things about you.

00:38:12Look,

00:38:12Today is the zavada,

00:38:13You're crazy about Orlando Bloom

00:38:14and at night

00:38:16You listen to Andy Lucas

00:38:16and you get excited.

00:38:18And how did you do all that?

00:38:19Well, look,

00:38:20very simple,

00:38:21We live in the same house.

00:38:22Except I like you less.

00:38:23with a pimple on his ass.

00:38:24Flat-chested.

00:38:25Oh,

00:38:26You seem like a person to me

00:38:27super special.

00:38:47Well,

00:38:47in the end,

00:38:48We've arrived in a flash,

00:38:49because we are in Guadalajara,

00:38:50not in Pernambuco.

00:38:51You do it,

00:38:52Santi,

00:38:52let's see,

00:38:52how are you?

00:38:53How are you, son?

00:38:53How are you?

00:38:54Let's see,

00:38:54salt.

00:38:56How are you?

00:38:57How are you, man?

00:38:58How are you?

00:38:59My heart is in my stomach

00:39:01and on the tip of the big toe.

00:39:03Fuck,

00:39:03with the belly of mussels

00:39:05that you've hit.

00:39:06That's not why,

00:39:07which is due to his own nerves.

00:39:10I mean,

00:39:10that what is at stake

00:39:11is his future wife,

00:39:12Do you understand?

00:39:13Right, brother?

00:39:14Andy,

00:39:15don't worry,

00:39:15man,

00:39:15This is a love story.

00:39:17I have to reach the end,

00:39:18by a hair.

00:39:19And the lovers kiss

00:39:20And that's it.

00:39:20and they eat partridges.

00:39:21Either quail or something.

00:39:25Come,

00:39:25come,

00:39:26come,

00:39:26go on,

00:39:28come on,

00:39:29come on,

00:39:29We'll have to go in.

00:39:30No?

00:39:30Come on,

00:39:30come on,

00:39:31Come on.

00:39:32That?

00:39:32We're going in there.

00:39:34What do we say?

00:39:35We are from butane

00:39:36and that a nun

00:39:37He hasn't paid for a bottle.

00:39:39That's closure, brother.

00:39:40That's closure.

00:39:42You're right about that,

00:39:43Santi,

00:39:43Hey?

00:39:43Yeah,

00:39:44please,

00:39:44that to the closure

00:39:44Not even God can get in.

00:39:45God,

00:39:46God,

00:39:47God,

00:39:47who is getting married

00:39:48with a thousand little warts.

00:39:50So what do we do?

00:39:50Because if we're not at the door,

00:39:52This is more than a convent

00:39:53It looks like a fortress,

00:39:54Hey?

00:39:54Well,

00:39:56There has to be some access.

00:39:59Come on.

00:40:00Come on,

00:40:01come on,

00:40:01pitch,

00:40:02come on,

00:40:02pitch.

00:40:03Come on,

00:40:03come on,

00:40:04come on,

00:40:04Pussy,

00:40:04No,

00:40:05No,

00:40:06No,

00:40:07No,

00:40:08No,

00:40:09No,

00:40:10No,

00:40:11No,

00:40:13No,

00:40:14No,

00:40:15No,

00:40:16No,

00:40:17No,

00:40:18No,

00:40:19No,

00:40:20No,

00:40:21No,

00:40:22No,

00:40:23No,

00:40:23take care of yourself,

00:40:24There you go, guys.

00:40:32here,

00:40:33access,

00:40:34there,

00:40:35Pussy,

00:40:36a hip,

00:40:38or the little nun,

00:40:39Yeah,

00:40:40uncle,

00:40:41uncle,

00:40:42What are you going to do?

00:40:43What are you going to do?

00:40:44uncle,

00:40:45uncle,

00:40:46uncle,

00:40:47uncle,

00:40:48uncle,

00:40:49uncle,

00:40:50uncle,

00:40:51uncle,

00:40:52uncle,

00:40:53uncle,

00:40:54be

00:40:57uncle,

00:40:59I'm coming,

00:41:00there,

00:41:01Oh,

00:41:04Ah,

00:41:18hayhow,

00:41:19already,

00:41:20Ah,

00:41:21Ah,

00:41:23My dearest love, I want to express to you what I carry in my heart and what is killing me.

00:41:32Because I don't know how to express myself well and I say a lot of silly things

00:41:36But I want you to know that you are the woman of my life and that I love you with all my heart

00:41:41And even though we can never be together again, I will always be close to you.

00:41:46To support you and for whatever you need, my love

00:41:53Am I catching you at a bad time, Candela?

00:41:56No, no, it happens

00:41:57One little thing, well, since I have the firefighter exams coming up very soon

00:42:04And I have to start studying harder, going to the gym and everything, because I have to...

00:42:10Do you want to quit classes?

00:42:13Damn it, it's not that I want to, Candela, I really...

00:42:18Damn, I'm under a lot of pressure.

00:42:19Have you thought it through?

00:42:20Yes, yes, I've thought it through, yes

00:42:23Well, that's it, it's your decision. I'm going to be very sorry, but it's your decision.

00:42:27Thank you so much for everything.

00:42:28What? How was it taken?

00:42:38I don't know, I think it's okay, but forget about me, I'm not doing anything else.

00:42:40Hey, thanks, man, Alex, listen, that... that... that... that... that... sorry for the violence, eh

00:42:44I'm sorry

00:42:45Hey, well, well, I... I'd say so-so, eh

00:42:48He's taken it now

00:42:49Look, he's having a bad day, man, he's really fallen apart, dude.

00:43:00I've really hammered a nail into it, man, you know?

00:43:03That's the...

00:43:04Look, I've forgotten, I've forgotten, I've forgotten, I've forgotten, let's go

00:43:12Watch out, man

00:43:14That's too much, I'm not going to quit, I can't stand the obligation

00:43:17Let's see... what the nuns are doing... nothing, I knew it

00:43:24Not a deck of cards or anything

00:43:25Hey, Fiti, you're like this, right? This is a convent, isn't it?

00:43:29It's also a desire to live in ostracism and austerity, man.

00:43:33They don't even have cameras, poor things, the room

00:43:36In the cell, it's my turn, Fiti

00:43:37Well, in the cell or whatever you want, but I'm sure the Canamico has better performance than here.

00:43:41Robicides, robocides

00:43:59Now this is a bachelorette party, huh?

00:44:07There's no big party

00:44:08Who was the bird, Pino?

00:44:11Fiti, for God's sake, it's a sacred place

00:44:13Hey, a little sense of humor wouldn't hurt either.

00:44:16Iran, they'll say, so quietly

00:44:18To the chapel, I say.

00:44:20There, to the robot killers, that's where it is.

00:44:22How beautiful

00:44:24It's impossible to get near there

00:44:54Whatever he wears, I'll dare him.

00:44:56Because that is a holy legion

00:44:57And I don't want to offend the Most High.

00:44:59Sentimisa un poquito, os, que el almighty no se te offendable just like that

00:45:02That's my leg

00:45:03Oh, I'm leaving.

00:45:04Why did I speak?

00:45:06Santi, with his mouth

00:45:07Why would he fish?

00:45:08Why is it sleep?

00:45:10Hey?

00:45:11Hey?

00:45:11From throwing in the towel to nothing?

00:45:13You're not leaving here until you know if Lurditas really loves you.

00:45:16Unless

00:45:18It may be a sign from the Most High

00:45:21Nothing here

00:45:24Nothing, I say

00:45:25Andela

00:45:30Andela

00:45:31Look, I confiscated them in the first place.

00:45:34Look

00:45:35Look, it's a disgrace what they publish for girls these days

00:45:38Look, and on top of that they put it on one shoulder

00:45:40And so who's going to miss out?

00:45:41Gutiérrez

00:45:42Excuse me a moment

00:45:43Gutiérrez, you're first.

00:45:45My dearest, Mom

00:45:55But I want you to know that you are the woman of my life

00:45:59Are you OK?

00:46:05Hi, Candela

00:46:06I'm your friend, Lucia

00:46:07Yeah

00:46:10Will you tell me about it?

00:46:13You'll see

00:46:14Fiti has written me a letter

00:46:16And I'm very confused.

00:46:19You'll see

00:46:28I

00:46:29I love Fiti, I love him very much

00:46:32But it's clear that we see life from different points of view

00:46:37Thank you, Lucia

00:46:37And I'm going crazy

00:46:39Because that's how you see me now, right?

00:46:41Well, I'll be thinking about it in a little while.

00:46:42What's the best thing I can do to get it out of my head?

00:46:44It's about hooking up with the first guy who comes along, you know?

00:46:48Mother

00:46:48Yeah?

00:46:51No, that this

00:46:53He...

00:46:54Hey?

00:46:55The makeup exam

00:46:56That...

00:46:57There's no makeup exam, Rafa

00:46:58I heard?

00:46:58No

00:46:59Your mother needs to rest and she will rest

00:47:01Hey?

00:47:02There is no exam

00:47:03Dude, we screwed him over.

00:47:10We've screwed him over

00:47:11My mother is in terrible shape.

00:47:12About Alex, dude

00:47:14She says she's going to hook up with the first guy who comes along.

00:47:15Raúl, if it doesn't happen

00:47:17He's asking for it, huh?

00:47:18That...

00:47:18Look, in the contacts section

00:47:20It is underlined

00:47:21Fuck

00:47:24Damn, damn

00:47:27Anyone can be handed over to me.

00:47:28No no

00:47:28Not just anyone

00:47:29That...

00:47:30That he wants them with...

00:47:31With firm flesh, huh?

00:47:34Yeah

00:47:35Well, none of them make it past 20.

00:47:37Mira, Senegalese, 19 years old

00:47:38Look for friends

00:47:38Friends

00:47:39Magician, it's just that my mother

00:47:40Already

00:47:40If he hits on me, I swear, man

00:47:43So you say it in Senegalese?

00:47:44There's not everything, you know?

00:47:46Whites

00:47:46Sorry

00:47:49Dude, what your mom said is really intense, man.

00:47:52It's just awful.

00:47:54Poor thing, uncle

00:47:55Poor thing

00:47:56That's normal, man.

00:47:57If only...

00:47:58And my mother needs some love, uncle.

00:47:59Like eating

00:48:00Know?

00:48:01And when you're hungry

00:48:02Well, he'll look for you wherever he is in life.

00:48:04Know?

00:48:04Yeah

00:48:05This is dangerous

00:48:06Because of what's out there loose

00:48:07Well, that's mostly my fear.

00:48:09Marcos

00:48:09Look

00:48:18Look

00:48:19If it has to be

00:48:21Let it be

00:48:22But...

00:48:23But at least with someone she wants.

00:48:25Know?

00:48:25Raúl

00:48:26Someone...

00:48:27Someone who is well-known and...

00:48:28And manipulate

00:48:29Raúl

00:48:30Raúl, wait

00:48:31Look, man, Raúl

00:48:33Homer

00:48:33You need to talk to my mother

00:48:36Raúl, Raúl, Raúl

00:48:37What do you want?

00:48:38Are you going to mess things up or what?

00:48:39No, leave the dick alone

00:48:40Yes, look, she's very calm.

00:48:41Look, my mother is in terrible shape.

00:48:42You understand?

00:48:43Because you've driven all the tacks into his heart

00:48:44No, the one with welts in the heart

00:48:44Know?

00:48:45The one with wedges in the heart

00:48:45Come on, you've screwed up

00:48:47In other words, she's devastated by your breakup

00:48:49But what breakup? No breakup at all.

00:48:51Yeah

00:48:51Raul, you're in a very bad way.

00:48:53What happened?

00:48:54No, no, no, yes

00:48:55Alex

00:48:55You're going to hear

00:48:56Yeah

00:48:57Listen

00:48:58First

00:48:59Come on

00:49:00You're going back to private lessons.

00:49:02You tell him you're sorry

00:49:03You're wrong.

00:49:04Okay?

00:49:04And that you need her wonderful classes

00:49:06We are?

00:49:07Second

00:49:08You tell her you love her

00:49:09That?

00:49:10That you love her and that you're head over heels for her

00:49:11No way

00:49:13Firefighter

00:49:14Alex

00:49:14I don't believe a single word of your house story.

00:49:16Ales!

00:49:17Ales!

00:49:18Ales!

00:49:24So what do I do now?

00:49:26What do I do now, man?

00:49:27I'll take care of your emergencies, man.

00:49:29I surrender to the flesh of the Senegalese.

00:49:32You'll see

00:49:33Sister Lourdes

00:49:51Little Flowers

00:49:56Oh, sorry.

00:50:00No

00:50:00Ori, Ori, Ori

00:50:02Sister Lourdes

00:50:11Go to confession

00:50:12Father Mary Most Pure

00:50:26Let's see, let's see

00:50:28Yeah

00:50:29granted without sin

00:50:31granted without sin

00:50:33What do you want to confess?

00:50:39Father, I confess that I have desired

00:50:41Material goods

00:50:44Impure thoughts

00:50:45Have you had impure thoughts?

00:50:47That?

00:50:48If you have had impure thoughts

00:50:50Well yes

00:50:52Sometime, yes

00:50:54Alajo, alajo

00:50:55Alajo

00:50:56Alajo

00:50:56What did you say, Father?

00:50:59With whom, the hell?

00:51:00With who?

00:51:01With who?

00:51:01With whom have you had impure thoughts?

00:51:06Oh, Father, then

00:51:07With a man I was in love with

00:51:09But I can't be

00:51:10What was the man's name?

00:51:16Like the apostle

00:51:17Santiago

00:51:18But don't remind me, Father.

00:51:21Because it hurt me

00:51:22And if I'm here, it's so I can forget it.

00:51:24No no

00:51:29You can't forget him, daughter.

00:51:31You can't forget him

00:51:32We haven't been able to find the cassock, Father

00:51:37Water, water

00:51:39The Mother Superior

00:51:40Oh, weakling.

00:51:41Have you already left for one at your usual spot?

00:51:48It's very strange.

00:51:49We won't take any more time.

00:51:51He has to go in and confess.

00:51:53Tell me, sister

00:52:03From the beginning, Father

00:52:05Light it

00:52:08What does it do first?

00:52:09She's making a mess of things.

00:52:10Yeah?

00:52:10Yes, she's messing things up.

00:52:11Thank you

00:52:12Look

00:52:24Runs

00:52:27Runs

00:52:29Good

00:52:39Good

00:52:39Okay

00:52:41Well, the first one doing macrame, what are you messing around with?

00:53:02The little strings.

00:53:12Wow, dude, I wanted to see you.

00:53:14What's happening?

00:53:14Well, nothing, I just have a cedilla, which...

00:53:17How do you know if you're starting to like a girl, huh?

00:53:20Are you falling in love?

00:53:21What a nice thing to do, man, but no, it's for a class assignment.

00:53:25For a class assignment?

00:53:26Yes, yes, yes.

00:53:28So, if you're really laughing and the guy can't make up his mind, what do you do?

00:53:31Well, use the infallible weapon.

00:53:32Jealousy.

00:53:34Jealousy, that is, if I go around flirting with someone else right in front of him.

00:53:38Maybe your heart will stop, dude.

00:53:41And then, then you spend the whole day with that knot in your stomach, right?

00:53:45Definitely there.

00:53:48Hey, what subject does the job teach?

00:53:52Nothing, nothing, just a little math thing, a problem, look.

00:53:55You know, a man leaves Teruel in love at a hundred kilometers per hour and...

00:53:59Bam!

00:54:00Yes, but thank you very much, okay?

00:54:02Okay, see you later.

00:54:02Bye bye.

00:54:03Hello.

00:54:06Dude, this is like a Jenca.

00:54:07Let's see who I can get to give her a design.

00:54:09Hey, Tete, I really didn't like that Guillet kicked the group out.

00:54:13If you need help with anything, count me in, okay?

00:54:16You're awesome.

00:54:18Ah, well thank you very much, DVD, because I think I know I can count on you.

00:54:22Okay, whenever you want.

00:54:25That's it.

00:54:26You have nights.

00:54:36You have nights.

00:54:50Let's go, just knowing that Lurdita, my dearest, already has enough of a name, no, stay put here, this is a new story, and in the new story things don't end like this, we have to finish the job, don't you understand, it has hurt her.

00:55:11No, no, listen, listen, the damage is repaired, it's repaired, and also, and also, Lurdita, because of its reality a practical pardon, then you go into the cell, you ask for forgiveness, you tell yourself that you love her and then you're going to take her out like the one from Charger in his arms, but take out the one from Icon.

00:55:27Come on, come on, come on.

00:55:32Lurdita.

00:55:33Be quiet, be quiet for life.

00:55:35Santiago, for God's sake, why are you doing here?

00:55:37Listen, listen, Lurdita, I wanted to say...

00:55:40Here it is! Here it is! Here it is!

00:55:44Here it is! Here it is!

00:55:46It's mine! Let it stay!

00:55:49Go, Mario! Go, Mario!

00:55:56Which venues? Which venues?

00:55:58There are no stores!

00:56:00Access specialty!

00:56:11Sister Lourdes.

00:56:12Yes, mother.

00:56:13I thought I saw someone come in here.

00:56:16Whom?

00:56:17Mother?

00:56:18No.

00:56:19I'll leave the habit in the closet.

00:56:21Mother!

00:56:22I have thoughts.

00:56:24Impure thoughts.

00:56:26Now?

00:56:26Now, mother, now.

00:56:28What should I do, Mom?

00:56:29Enlighten me, for God's sake.

00:56:30How can impure thoughts be combated?

00:56:32With pure thoughts.

00:56:34I'm in the relationship.

00:56:36It's good, shut up, we're doing fine.

00:56:37You're going to fall.

00:56:38I think you're going to fall.

00:56:41With other plans.

00:56:45Jaúl, jaúl!

00:56:46Hey, what's up!

00:56:47Dude, I'm totally overlooked.

00:56:48Because?

00:56:48Did you send me a message from your mother?

00:56:49What do you say?

00:56:50Look at me!

00:56:52Look, I don't think you should quit classes.

00:56:54See you this afternoon at 8.

00:56:56I love you.

00:56:57I need to know if you love me too, Candela.

00:57:00Oh my God!

00:57:01Sorry, man.

00:57:02I'm sorry.

00:57:02Me, me, come on, me...

00:57:04That's all very taken, isn't it?

00:57:05I...

00:57:06I saw this coming.

00:57:07I saw it coming, you know?

00:57:09What I do?

00:57:09What do I do now?

00:57:10Well, well...

00:57:11She's the one asking you, huh?

00:57:13It tells you that you need to know if you love her, right?

00:57:15And you want it, okay?

00:57:17Yes, yes.

00:57:18And he loves her very much because she has done many things for you.

00:57:20Yes, but I want her as a teacher, right?

00:57:21But, but that's love too.

00:57:23Yes, and besides, she doesn't have to specify to her either, right?

00:57:26Dude, what more could I want in life than all things, huh?

00:57:30Because my father and I will be together again, uncle.

00:57:31But that, well, that's not feasible today, it's not feasible, Alex, man.

00:57:36You understand?

00:57:36My mother is in terrible shape, man.

00:57:38That he's already seen it, that he's taking things and everything.

00:57:40She needs a little bit of love.

00:57:42Alex, dude, do it for me, okay?

00:57:45Please.

00:57:46What's it to you, man?

00:57:47A pretty word, it's a bit of...

00:57:49Very good, Alex.

00:58:08Shoot.

00:58:09Let him shoot.

00:58:11Okay.

00:58:14That...

00:58:15That I...

00:58:17I love you too.

00:58:23And what are your doubts?

00:58:25My doubts?

00:58:27Normal doubts.

00:58:29Well, a few doubts.

00:58:31Doubts.

00:58:33I just don't understand your doubts, Alex.

00:58:36It's very simple.

00:58:38Who loves you?

00:58:40I.

00:58:44Yes, I know, but well, it's very easy for you.

00:58:46But I, being young, think you are a wonderful teacher.

00:58:51I'm flattered, you know?

00:58:54I'm flattered that I flatter you.

00:58:56Well, I'm flattered that you're flattered that I'm flattered.

00:58:59Come on, it's your turn.

00:59:01Yeah.

00:59:07Well.

00:59:07Let's continue.

00:59:13You had said...

00:59:15I love you too.

00:59:17Okay then.

00:59:20Come on, Alex.

00:59:22Come on, man, it's unbelievable.

00:59:26Don't be afraid.

00:59:28Alex, I'm going to help you.

00:59:29Come on.

00:59:29It's unbelievable how easy it is.

00:59:42I'm awesome.

00:59:45I'm awesome.

00:59:49Even if you don't love me.

00:59:49Do you have to see what you're doing later?

00:59:51Are they going to have little tantrums, huh?

00:59:52What is it that I'm composing a song?

00:59:56Even if you don't love me, no.

00:59:59It's just that the website is cute.

01:00:08Even if you don't love me.

01:00:09But you will be a traitor.

01:00:10Out on the street right now.

01:00:12Out on the street right now.

01:00:13Dude, what's wrong with you, Guille?

01:00:14Are you jealous or what?

01:00:15That?

01:00:16What? Me, jealous?

01:00:17Camaritano won't be able to help himself, man.

01:00:18That she is not in the group.

01:00:19Dude, that's the bad vibe.

01:00:21Come on, Guille, let me come back.

01:00:23We couldn't find anyone and...

01:00:24And she's the best.

01:00:27I'm awesome.

01:00:28God, God, God, God.

01:00:29What have I found?

01:00:30What have I found?

01:00:30The perfect girl.

01:00:31The perfect ten.

01:00:32My neighbor.

01:00:33Paula!

01:00:36Hello.

01:00:37Paula, this is Guille.

01:00:38Do you know how to sing?

01:00:42Of course, man.

01:00:43Every day it's in the morning in the shower.

01:00:45I was originally a CD.

01:00:46But what happened this morning has been scalded by the water and...

01:00:48Well, is this what we were looking for or not?

01:00:57Hey, well, yes.

01:00:59Thank you.

01:01:01Eh, eh, eh.

01:01:01Less, less Chuchones and more rehearsals, we have a lot of work to do.

01:01:04Come on!

01:01:05Yes, let's rehearse, let's rehearse.

01:01:10It just can't be.

01:01:13He's always there.

01:01:15And so impure thoughts will no longer prevail, my daughter.

01:01:17Thank you, mother.

01:01:18Now I understand.

01:01:20Against impure thoughts, sacred thoughts.

01:01:23Renounce Satan and welcome God.

01:01:26That's the way.

01:01:27The path to the bathroom.

01:01:28It's not going to make me that bladder.

01:01:31He can't stand you, well, he can't stand you.

01:01:34Daughter, it's normal to have fears before surrendering yourself to God body and soul.

01:01:40But pick yourself up.

01:01:42And now, with heaven, I know you.

01:01:44Prayer will enlighten you.

01:01:48Mother, allow me.

01:01:50Jesus.

01:02:02Thank you.

01:02:08Yes, yes, yes, yes.

01:02:12Ah, yes, yes.

01:02:14Yeah.

01:02:15The structure is fine, but the bar needs to be reinforced.

01:02:21There the...

01:02:21Can you explain this to me, Lourdes?

01:02:25Sorry, mother.

01:02:26Sorry, I'll explain it to you.

01:02:27You see, we were on our way to the mayor's office and we remembered Lurditas and we said,

01:02:31Well, let's go and say hello, and that way we'll say goodbye to Lurditas and all that.

01:02:33But we're leaving right now.

01:02:35God be with you!

01:02:40They can't walk around the convent!

01:02:43Wait!

01:02:44Mother goalkeeper!

01:02:45Lourdes!

01:02:53What has happened is unprecedented.

01:02:55Forgive me, mother, I didn't know anything.

01:02:57I...

01:02:57Come with me to my cell.

01:03:09Oh!

01:03:10Hey!

01:03:11Other people!

01:03:12So much austerity, yet you don't even have coverage.

01:03:31Diego!

01:03:42Diego!

01:03:43Hey!

01:03:45What a terrible job I've done locking up!

01:03:46Yes, where are you?

01:03:51Ah!

01:03:52Yes, yes, yes, I see it, I see it.

01:03:53Hey!

01:03:54You all go away!

01:03:55Yes, I'll leave, I'll manage on my own, okay?

01:03:58Come on!

01:03:59Diego, Diego!

01:04:00Diego!

01:04:01Diego!

01:04:10Diego!

01:04:11Diego!

01:04:11Oh, Diego smells like incense!

01:04:18No

01:04:19It just can't be

01:04:21I don't know if they went

01:04:24To the convent

01:04:25Lurdita, she's gone to the convent

01:04:27Damn, Santi

01:04:29So what are you going to do now? Let's see.

01:04:31To be left alone like a dog

01:04:34Let's see what at least

01:04:35God, and this is not wine

01:04:37What is jealousy?

01:04:39I wouldn't have fallen in love

01:04:41No, she can't have fallen in love.

01:04:42Maria the firefighter?

01:04:45For being and existing

01:04:47Thanks for everything

01:04:49Okay

01:04:50I don't know, the dedication is fine

01:04:53What you don't understand is ending up making out, it's

01:05:09Hello, this is Fructuoso Martínez's answering machine.

01:05:20Leave your message when you hear the beep

01:05:21Fiti, it's me

01:05:26It must be a little late

01:05:29Nothing, that...

01:05:32Your letter

01:05:33That I...

01:05:37That...

01:05:38That's touched my heart.

01:05:41And I would like...

01:05:45That we would fix it

01:05:46Okay?

01:05:48Well

01:05:48Rest, okay, my love

01:05:51Hey, see you tomorrow

01:05:53At two o'clock in the palm

01:05:54Hey, see you in La Palma

01:05:56Hey, see you in La Palma

01:05:57Have you thought it through?

01:06:25Are you taking these vows with full awareness?

01:06:28Yes, mother

01:06:29Although I don't want to deceive her

01:06:31If Santiago had said he loved me, I wouldn't have taken them.

01:06:33But God has not been present.

01:06:35And I accept His will

01:06:38Go to the chapel

01:06:45I'm going to see if Father Ayerra's witch has arrived.

01:06:57Hey, Tete, what's up?

01:07:04I'm going to make you breakfast and I am...

01:07:06I'm not hungry, my stomach hurts.

01:07:08Okay

01:07:09And my stomach hurts too.

01:07:11Not me

01:07:12Yeah, because that's what debut jitters are all about, right guys?

01:07:17I'm not going to sing

01:07:19And so?

01:07:21Because I have a cold

01:07:23Let's see, let's see, let's see, let's see

01:07:26Look at me.

01:07:27Open your mouth

01:07:28Good morning

01:07:28Hello hello

01:07:29But hey, what has he done?

01:07:32What have you done, you pig?

01:07:33You gave me an orgasm on my phone

01:07:34But, Diego, please, we're having breakfast

01:07:36Dad, dad, dad, what's an orgasm?

01:07:38What is an orgasm?

01:07:39I said orgasm, my son.

01:07:40No, no, no, orgasm does not exist

01:07:42I said he played organ music on my phone, do you understand?

01:07:45And that's why you're giving him the balls?

01:07:47Yes, son, yes

01:07:47Because where there's a Spanish guitar, the organ should take a back seat.

01:07:49And for God's sake, man, for God's sake

01:07:50Put me in the ring of my life

01:07:51Put me on the ring

01:07:52Let's see

01:07:52Hey, that organ shouldn't be working.

01:07:56Because I was calling you, I was calling you yesterday

01:07:57And you didn't answer me.

01:07:58And can you tell me where you've been?

01:07:59Well, nowhere special, for God's sake.

01:08:01Look, Diego, yesterday you had a clue about incense.

01:08:04That pulled me back

01:08:05Were you at the convent?

01:08:07But seriously, do you think we're crazy?

01:08:09But let's see...

01:08:10Yes, yes, yes, we went to the convent

01:08:12But it was to save time.

01:08:13Because the letter was very important

01:08:14And you know how he is with God.

01:08:15It's because of your brother.

01:08:17Because of course, now that he doesn't have Lourdes

01:08:18He realizes how important it is to him

01:08:19This is typical, it's typical, typical

01:08:21What did you find out about her? Did you kidnap her?

01:08:23Come on, don't talk nonsense.

01:08:24Please, how are we going to kidnap her?

01:08:26Because it's possible they kidnapped that fictional character.

01:08:28Because I don't know where you put this

01:08:29No, no, no, no, no

01:08:59You don't need

01:09:02Come to the dealership with me

01:09:03Come on

01:09:04Father

01:09:08Father

01:09:10That the relatives expect

01:09:15We need to start the ceremony.

01:09:17Peaceful

01:09:18Mother

01:09:20Before

01:09:21I have to free this sister

01:09:24One peso

01:09:25It's very big.

01:09:27In what amounts to the soul

01:09:29I would drink it pure.

01:09:38No prick granted

01:09:40Okay, Lourdes

01:09:41We don't have time.

01:09:42You

01:09:44You marry the Most High

01:09:46Because of the disappointment you had with Santi

01:09:48Yes or no?

01:09:49Come on

01:09:49Confess

01:09:50You're still in love with Santi

01:09:52And what about him?

01:09:53The fructose that is bothering me

01:09:55That?

01:09:55I

01:09:56What are you robbing me of?

01:10:00Ah

01:10:00Ah, that

01:10:01Okay, then go

01:10:02What's going on with Santi?

01:10:04Well yes

01:10:05What can I be?

01:10:06But it's too late.

01:10:07But how late!

01:10:08And so on.

01:10:09Let's see

01:10:10Lourdes

01:10:11Lourdes

01:10:12What you want to know is

01:10:13If Santi loves you

01:10:14I'm telling you.

01:10:15Yes, he loves you.

01:10:16Come on, let's go back to civilian life.

01:10:17No, that's not how it works.

01:10:19He has to tell me in his own words.

01:10:21No, look, you're going to be lucky

01:10:33Because?

01:10:34Because he sends you a letter

01:10:36A letter?

01:10:38Good

01:10:40I'll forgive the presentation

01:10:43From you, the autograph

01:10:44It's not his thing.

01:10:44The truth I hold in your heart

01:10:46Hey?

01:10:53My dearest love

01:10:54I hereby wish to express to you

01:10:57What I carry in my heart

01:10:58And it's killing me

01:11:00Because maybe I don't know how to explain myself well.

01:11:03I say a lot of silly things

01:11:04I say a lot of silly things

01:11:05But I want you to know

01:11:06That you are the woman of my life

01:11:07And that I love you with all my heart

01:11:10And even though we can't be together

01:11:13Anymore

01:11:14I will always be close to you

01:11:16To support you

01:11:17And for whatever you deem appropriate.

01:11:20My life

01:11:22No one has ever written anything so beautiful to me.

01:11:27Thank you very much, Lourdes.

01:11:31How are you?

01:11:39For God's sake

01:11:40Who are you?

01:11:42Frutuoso Martínez

01:11:43So, is your mother better or not?

01:11:45Well, man

01:11:46Yeah

01:11:47I don't know if I just don't understand anything.

01:11:54It's rarer than seeing a dog.

01:11:55Okay, so what?

01:11:56Come on, from a lot

01:11:57I saw my mother very happy this morning

01:11:58No, be quiet, be quiet

01:11:59Be quiet

01:11:59I have to kiss her

01:12:01Did he say to kiss her?

01:12:05Ah, yes

01:12:07He said he would kiss her

01:12:07Kiss her, he said, yes

01:12:08Did Candela kiss him?

01:12:10Damn, let's see

01:12:11He insisted, man

01:12:12He insisted

01:12:12That he had no other choice

01:12:14No, no, no

01:12:15Oh, oh, oh, oh, oh

01:12:16I'm getting sick

01:12:17I'm getting sick

01:12:18But who told you anything?

01:12:19Alex Chacón

01:12:20Alex Chacón

01:12:22To my office

01:12:23Yeah, kid, but what did you give him?

01:12:24But what did you give him?

01:12:25I'm just like this in the morning, man.

01:12:26You've untied it for me

01:12:27I'll kill you, kid

01:12:27I'm going to kill you

01:12:28Alex

01:12:34I've been thinking tonight about what happened yesterday

01:12:36Yes, well, I've been asking for turns too.

01:12:45Well, you've gone way too far.

01:12:46Hey?

01:12:47I suppose you're confused

01:12:49Because you must be confused.

01:12:51Yeah

01:12:51Have I made a mistake?

01:12:53Yeah

01:12:53Could it be that you've mistaken me for someone else, Candela?

01:12:55I didn't start this whole thing, okay?

01:12:57No, let's see, Alex

01:12:58Let's get one thing straight, okay?

01:13:00I am your teacher

01:13:01Hey, son?

01:13:03I am the principal of this school

01:13:04And now I am a married woman

01:13:06Which, on the other hand, could be your mother, Alex

01:13:08Have you thought about it?

01:13:09I really don't know what you're thinking.

01:13:10Let's see if you can explain it to me.

01:13:10But what do you mean, am I thinking?

01:13:12But, but...

01:13:13Well, I'm talking shit, man.

01:13:14But I'm sure I went through a bit because I'm going back now.

01:13:15Hey, what happened?

01:13:20You've been giving me pulses in three days, damn it, huh?

01:13:21Three days

01:13:22You must have done something.

01:13:23Yes, yes

01:13:25Fiti

01:13:26Finally, man

01:13:27But I hadn't put you in

01:13:28Already

01:13:30You're arriving, okay

01:13:32Hey, what about Lurditas?

01:13:37Well, what can we do?

01:13:39Okay, that's all for now.

01:13:40Fiti, who has already been here

01:13:42At this time

01:13:45He will have already surrendered to the lord

01:13:47Well, don't give in to the plank

01:13:48That we've always done what we could.

01:13:50That's it

01:13:50I loved her

01:13:51And I lost her because I was a coward.

01:13:53And you were right.

01:13:54I am sick and abandoned.

01:13:57And that's how I'm going to die

01:14:00Only

01:14:01Like a dog

01:14:02Surprise!

01:14:05We liberate you depending on how you look at it

01:14:06Damn, what are you doing here?

01:14:18Well, there's always time to shut yourself away in life, right?

01:14:21And what have you touched me for, Santiago?

01:14:25But let's take it slowly

01:14:27You're not telling me anything.

01:14:30I'll give you a chat

01:14:32Well, the truth is that I don't feel like it right now.

01:14:36I have to go to school to let them know I'm coming back.

01:14:38Damn it

01:14:42Yeah

01:14:43No, it's just that with the pen he's a Seneca

01:14:45But that's how it gets cut off in the bisavisto

01:14:47Thank you so much

01:14:48Okay, but Santiago, let's see

01:14:54You could have been a little more expressionistic, damn it

01:14:56The kids have gone wild because they love you

01:14:58No, it's become disordered due to claustrophobia.

01:15:01And for not being locked up for life

01:15:02But you, Santiago, don't you realize that it's slipping away?

01:15:04It's slipping away, Santi, it's slipping away

01:15:06Leave me alone

01:15:07I know very well what I have to say

01:15:08What I don't have to say

01:15:10How can someone be so rude?

01:15:14I'm over love.

01:15:17I want trouble instead of so much love

01:15:20I prefer just talking nonsense

01:15:22How beautiful, huh?

01:15:23Yes, I love it.

01:15:23Yoli, what have you come here for?

01:15:26Support me or let me sink?

01:15:27Very good, very good, very good

01:15:28Incredible

01:15:29Incredible

01:15:30Very good, very good

01:15:31Very good, very good

01:15:31No, we're going to destroy you, man.

01:15:34We're going to crush it

01:15:35Yoli, yes, we're going to kill it!

01:15:36Hey, I thought if I tried we were doomed, huh?

01:15:38But almost better

01:15:40There's something that's wrong with me, I don't know.

01:15:43What? What?

01:15:44Yeah.

01:15:46The styling.

01:15:47The styling.

01:15:49The styling.

01:15:49Take a cool spin like that, gorgeous, okay?

01:15:52What do you mean by styling?

01:15:53Styling and what is not styling.

01:15:55My God.

01:16:07Oh.

01:16:10Jesus?

01:16:15Jesus?

01:16:17Hey, are you okay?

01:16:19You don't have allergies, do you? You might not be able to sing.

01:16:22No, no, no. It's just that, yes, it'll pass.

01:16:32Hey man, she looks like a snotty Barbie. What do we do?

01:16:35Jesus, Jesus.

01:16:36Hey, hey, you.

01:16:38This one, this one just won't stop, huh?

01:16:40Let's see if we have to tell Tete to come back.

01:16:42Are you crazy?

01:16:43But no, no, no, Tete doesn't want to sing "yo pasado".

01:16:46No, no, not a chance.

01:16:47Okay, the presentation is in half an hour.

01:16:51If this keeps up, we can sing along with Tete at full speed.

01:16:55At full speed?

01:16:56I don't feel like it either.

01:16:59Fuck.

01:17:03Look, okay, whichever one you want, really.

01:17:05Yeah?

01:17:06Well, I'm awesome.

01:17:08Ah, well, but you guys will sing backup for me, of course.

01:17:11Okay, fine by me.

01:17:13That's for you too, right, guys?

01:17:14So what now?

01:17:17What now? More fresh meat?

01:17:19In other words, more meat, you know?

01:17:21Raúl, Raúl.

01:17:23Damn it...?

01:17:25Raúl, Chucky, Chucky, no.

01:17:27Chucky, no, no.

01:17:28Chucky is not in the...

01:17:29Okay?

01:17:30No, no, no, no.

01:17:31No.

01:17:32Did he kill himself?

01:17:33No no.

01:17:34Hi guys.

01:17:35Hello, hello, Lucia, how are you?

01:17:36Hello.

01:17:37Hey, Chucky, hey...

01:17:42Come on, let's watch for a moment, just you and me.

01:17:43Come, come, come.

01:17:44Yes, yes, come, come, come.

01:17:45Oh, you, a big hello.

01:17:46Fabio, if you're sober, okay?

01:17:50I'm meeting Fiti in a little while.

01:17:51In the tabema, let's see if we can fix it.

01:17:53Really?

01:17:55Well, you know what?

01:17:55I'm telling you, I'm glad.

01:17:56Because you love him.

01:17:57And he's totally crazy about you,

01:18:00But let's see who's going to look at you with those little eyes of a lamb being led to slaughter.

01:18:03Fiti looks at you and starts drooling.

01:18:04Oh, no.

01:18:05Well, don't swear to it, okay?

01:18:07Don't swear to it, because it came out as belonging to me.

01:18:09That?

01:18:12Well, tall, handsome, a three-door mother, you can't imagine.

01:18:15Professor, do I know you?

01:18:17Please, just spill the beans, let it all out.

01:18:19That's Chacón.

01:18:21Nothing, we were just doing syntactic analysis here yesterday,

01:18:23calm, and suddenly, without coming to Kenya,

01:18:25Right there, he planted a kiss on your lips, you.

01:18:29Hey, do you think this should have a positive impact on my self-esteem?

01:18:33Or how should I take it?

01:18:33I don't even know how to raise my self-esteem.

01:18:37No, no, I can't.

01:18:37Oh, Lutitas!

01:18:39But hey, what are you doing here?

01:18:41No, but...

01:18:41They weren't good votes.

01:18:42Yes, but...

01:18:44...that I've changed my mind.

01:18:47Like what...?

01:18:48I have decided to remain a layperson.

01:18:50And to return, if you readmit me, of course.

01:18:52It's a resounding one.

01:18:53Oh well...

01:18:55Well, I imagine that Santiago has nothing to do with this, right?

01:18:59Yes, yes.

01:19:00No, the truth is that not in a face-to-face meeting, but...

01:19:03...writing is like Seneca.

01:19:04I haven't written a beautiful letter, to be honest.

01:19:07Well, let me see...

01:19:08No, it's not your daughter's.

01:19:10Leave a little bit of everything to pass it.

01:19:12It's this charge of romanticism.

01:19:14But seriously, have you really changed your mind like that?

01:19:16Well, yes, if they don't want to be together,

01:19:19Well, they can hook up with whoever they want.

01:19:20But at least they should be happy, right?

01:19:21Yeah.

01:19:25Well, mate, your dad doesn't waste any time.

01:19:27But this...

01:19:27He's put on his war dress, hasn't he?

01:19:29Yeah.

01:19:29Well, Fiti, how elegant.

01:19:31You look like a gentleman.

01:19:33So what?

01:19:34I didn't know what to wear.

01:19:35I mean, well, we have to give it our all,

01:19:36Because a family doesn't recover every day.

01:19:39That?

01:19:39Your mother, your mother, who called me,

01:19:40He told me he wants to fix it.

01:19:42Oh really?

01:19:43Diego, Diego!

01:19:44That's why he's given her doors.

01:19:47Sure, I'll give it a try.

01:19:49Okay, see you later.

01:19:50How are these?

01:19:51Well, I don't know, they're probably around somewhere in there.

01:19:53How are you? How are you? How are you?

01:19:55Okay, tell me.

01:19:56Oh my god, I'm so nervous.

01:19:57Your mother is running late.

01:19:59Nervous about what, Dad?

01:20:00Nervous about what?

01:20:00If the worst is over, now everything will be alright.

01:20:02Believe it or not, everything's good, everything's good.

01:20:03Yes, sir, this is a love story

01:20:04with its happy ending

01:20:05and with their parrots they ate and with everything.

01:20:06There it is, there it is.

01:20:08Oh my god, thank goodness, huh?

01:20:09Thank God, damn it,

01:20:10that I already saw myself alone,

01:20:11without family, without anything.

01:20:13I've had a really hard time.

01:20:14With this separation, huh, son?

01:20:17Well, both of them.

01:20:18Well, all three of them.

01:20:19So, from now on

01:20:20now together, as a family.

01:20:22As before.

01:20:23Like before, of course.

01:20:25Let's see if I don't screw it up any more, damn it.

01:20:26No, well, you'll see how that won't happen.

01:20:27Give me a hug, for sure.

01:20:33River, Dad.

01:20:38Where could he have gone?

01:20:39I'm awesome, I'm awesome,

01:20:45Even if you don't love me, no,

01:20:49I'm awesome.

01:20:53I'm awesome, it's awesome,

01:21:00Even if you don't love me, no,

01:21:03I'm awesome.

01:21:04Kill my strong heart.

01:21:18Yes, and you.

01:21:20And it's as red as a tomato.

01:21:22Hey, guys!

01:21:27Hey, one little thing.

01:21:29You're already dead, aren't you?

01:21:30Like I said, it does seem genetic.

01:21:33It happens to all the brothers too.

01:21:33with the faces of Vila.

01:21:34But let's see,

01:21:35that I'm no longer in love

01:21:36of this brat.

01:21:37And I'm over love.

01:21:39Yeah, you're over love.

01:21:40And I'm awesome.

01:21:41And you are the lame ones

01:21:42that you've swallowed

01:21:43the whole act.

01:21:44All I wanted was

01:21:45It was about returning to the group.

01:21:46And I did it, yes?

01:21:47And also entering

01:21:48through the front door.

01:21:48Damn, with Maritere.

01:21:52They've pulled a fast one on you.

01:21:53Wow, that's how it is.

01:21:57Sorry.

01:21:58I'm leaving now, Candela.

01:22:00Thank you for everything.

01:22:02And forgive me,

01:22:03But I got very confused

01:22:04with the message.

01:22:06What message?

01:22:08The message, huh?

01:22:12I just don't know

01:22:12What message are you talking about?

01:22:15Thanks, man.

01:22:18Haven't I already written this?

01:22:20No?

01:22:21Well, look how the idiot gets it.

01:22:23Hey, it's just that I've been chosen

01:22:24the jerk.

01:22:25My Lord.

01:22:27Look,

01:22:28Forget about the expulsion, okay?

01:22:30Oh.

01:22:31Okay, okay.

01:22:32Okay, okay.

01:22:34Okay, that one, Candelaria?

01:22:35Has your watch stopped or what?

01:22:36An hour ago

01:22:37that we had agreed

01:22:37already at the tavern.

01:22:38Already.

01:22:39Given that?

01:22:40What do you mean by "ya"?

01:22:42That's it.

01:22:44Yes, Candela,

01:22:44I'll start with the monosyllabic ones

01:22:45And tell me what's going on

01:22:46You've got me on tenterhooks.

01:22:47Raúl,

01:22:48Can you leave me alone?

01:22:48Your little moment, Daddy, and me?

01:22:55Look,

01:22:56Here we have two little love letters.

01:22:58One of yours for me

01:22:59and another one from Santiago

01:23:01for lurditas.

01:23:02Identical.

01:23:03Ah.

01:23:04Romantic, huh?

01:23:06This.

01:23:07Are you going to get wet for this?

01:23:08I'll explain it to you in a jiffy.

01:23:09Wait.

01:23:09Petita,

01:23:10From this I have to deduce

01:23:11either you

01:23:12when you write a love letter

01:23:13photocopies

01:23:13and you pass it on to your buddies

01:23:14or worse

01:23:16that my love letter

01:23:18I have written it to Santiago.

01:23:21No,

01:23:22it's not that.

01:23:23Look.

01:23:24Petita,

01:23:24You will always be the same.

01:23:29How are you, Mommy?

01:23:29Okay, that's good, right?

01:23:34What happened?

01:23:35What happened?

01:23:36What happened?

01:23:38I am a wretch.

01:23:40Spot.

01:23:41Wait, Dad,

01:23:42What a man,

01:23:42no...

01:23:45Up you go, man, up you go!

01:23:50What am I saying?

01:23:51Come on, Sandra!

01:23:52Santi!

01:23:53We're here!

01:23:55Santi!

01:23:57Good.

01:23:58What's happening?

01:23:58Have you put on a bullet?

01:23:59To watch the game or what?

01:24:01I'm not going to watch the game.

01:24:03I've arranged to meet a Lurditas.

01:24:05That?

01:24:06I'm going to surprise her.

01:24:07I'm going to take her to the theater.

01:24:08And yes, Santi, damn it,

01:24:10I swear to God.

01:24:12The day in Madrid,

01:24:12Barça, to the theater.

01:24:13Very good, Santi.

01:24:14Very good, damn it, very good.

01:24:15Or to the circus.

01:24:16Where are you going with those clunky shoes?

01:24:17man of God?

01:24:18Well, I'm not going to get frisky.

01:24:20What's happening?

01:24:21These are the biggest numbers,

01:24:22It's very noticeable.

01:24:23He's making a toolbox,

01:24:24güeyo.

01:24:25No, no, no,

01:24:26Don't make a big deal out of it, Fiti.

01:24:26who is always there,

01:24:27He looks very elegant.

01:24:28And very handsome, sir.

01:24:30Hello good.

01:24:30What's up, Lurritas?

01:24:32Hello, Santiago.

01:24:32Okay, so what play are you going to see?

01:24:41Ah, Don Juan Tenorio.

01:24:43It's about love with novices.

01:24:46Everything is a mess.

01:24:48I thought you'd like to watch football.

01:24:52which is a Madrid-Barça.

01:24:54But do you like football?

01:24:56Well.

01:24:57Okay, okay, welcome, welcome.

01:25:01Where was I going?

01:25:02Where was I going?

01:25:04That's what you call an offside.

01:25:07Let me tell you.

01:25:09That's when he's the striker

01:25:10who is ahead of the last defender,

01:25:12to what is the reception of the ball.

01:25:14Yes, of course, Santiago,

01:25:15But that was a positional offside.

01:25:18But that's what an offside is.

01:25:21No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.

01:25:27Vol, vol, vol!

01:25:29Vol, vol!

01:25:30What a load of rubbish!

01:25:32Blessed are you!

01:25:33Give them an honor!

01:25:35Vol, vol!

01:25:39Nobody frolics in this house.

01:25:40No, and especially not with rice.

01:25:41But, by God, they're doing it with your consent!

01:25:43Le, I'm leaving your house.

01:25:44The first time for what?

01:25:46The first time you experienced carnal desire.

01:25:49Lourdes.

01:25:49Who's hot, Mom?

01:25:51Because you weren't talking about drinks.

01:25:52Goodbye, Raúl.

01:25:53Are you going to throw this course out the window over something so trivial?

01:25:55For me, Marcos is the most important person in the world.

01:25:57So I feel sorry for being silly.

01:25:59Come on, girl, the old folks are getting angry!

01:26:02I already have the separation papers signed.

01:26:05But sexuality and beyond.

01:26:07Come on, let me run.

01:26:08The kid, the acurros, is not permeable.

01:26:10He is not receptive to what we try to teach him.

01:26:11I don't quite understand.

01:26:12What do you mean?

01:26:13What do you mean?

01:26:14What do you mean?

01:26:44And with the stutterer, then, here's Marcos, since we can't see him.

01:26:48I can't take it anymore.

01:26:51This is over.

Los Serrano - 4x11 - Lobestoris - HD 1080

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