- hace 2 días
Diego siente un arrebato de celos cuando un chico que no conoce contesta el teléfono de Lucía. Esta anécdota se convierte en la gota que colma el vaso de la paciencia de Diego que cree que es hora de ir a visitar a su mujer después de tanto tiempo separados. El cabeza de familia lo tiene todo pensado: Santiago y Carmen le acompañan a Houston y Fiti y Candela se trasladan a su casa para hacerse cargo de la familia Serrano. En el colegio Guille y Teté empiezan a estudiar flauta, pero mientras que Teté parece haber nacido sabiendo tocar el instrumento, Guille demuestra no tener mucha habilidad para ello y encima no puede practicar en casa porque Candela no soporta el ruido de la flauta. Fiti se convierte en su aliado para ayudarle a mejorar lo que provoca que el matrimonio se rete para ver quien de los dos sabe llevar mejor una familia de las dimensiones de los Serrano. La relación entre la profesora Raquel y Marcos sigue adelante y Candela sigue de cerca sus movimientos, porque aunque no sabe exactamente de qué se trata, sospecha que algo pasa entre ellos, ésto llevará a los dos jóvenes a tomar una decisión. Mientras, Eva se siente cada vez más celosa de la nueva relación entre su hermano y su profesora.
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00:00:00Asshole!
00:00:30I miss Lucia too.
00:00:33Especially on Sundays
00:00:35They've gone back to being as boring as they were before the girls arrived.
00:00:38My brothers are leaving
00:00:40And I have to stay alone with my father
00:00:42And my uncle and Fiti
00:00:43They always have me working as a waiter.
00:00:45Kid, go get more Panchito
00:00:48What's wrong with the phone?
00:00:52I don't know, I don't know but
00:00:53I've been trying to talk to Lucia for two days.
00:00:55And well, I don't know, he doesn't call or answer or anything.
00:00:58How odd
00:00:59That's weird, isn't it?
00:01:02Strange, very strange
00:01:03He doesn't make phone calls, he doesn't send weather reports
00:01:05Nothing at all, not at all.
00:01:06Why would it be weird, man?
00:01:07Because it's going to be...
00:01:08Damn it!
00:01:08There it goes, there it goes, there it goes
00:01:10Well, you've started
00:01:11Bring some stain remover, Sandra
00:01:13Run, run
00:01:13Once this dries, it won't come off.
00:01:14I've already explained it
00:01:16In other words, the husbands had surgery on the 23rd.
00:01:18And then comes the recovery.
00:01:20She has to be there
00:01:21We are in the dates
00:01:22We are at the dates that don't
00:01:23Frankly, it's very difficult to find the tickets
00:01:25To have caused you by powers
00:01:27In short, you were going to spend the same Christmas anyway.
00:01:28And what is a sick person taking care of?
00:01:31Please, you are caring for a sick person.
00:01:32She is alone now.
00:01:32Why don't you call on the phone?
00:01:35Well, what do I know?
00:01:35Because the phone lines will be faulty
00:01:37That's what will happen, they'll be in a bad way
00:01:38That's a hypothesis.
00:01:41As if I say
00:01:42That a sniper of these tologists
00:01:44He has hijacked the hospital
00:01:44That's another hypothesis
00:01:46But what hypothesis are we talking about?
00:01:48About what hypothesis or what hypothesis
00:01:49Go on, handsome
00:01:50Come and put some potatoes on.
00:01:51Come here for a moment
00:01:53What hypothesis?
00:01:54Let's see, what hypothesis
00:01:55This pi
00:01:57This pi is normal
00:01:58Is it a normal pi?
00:01:58Okay, tell me if it's a normal pi
00:02:00Okay, ready.
00:02:00You're a smart aleck
00:02:01Take
00:02:02Pi, because pi
00:02:03That?
00:02:04The pi of all life
00:02:05Diego
00:02:06Pussy
00:02:06What is a moment?
00:02:11What is a moment?
00:02:12What is a moment?
00:02:12What is a moment?
00:02:17Lucia, please?
00:02:22It's John.
00:02:23Sergio's friend
00:02:25He is Mario
00:02:26And those glances?
00:02:32What's with those glances?
00:02:33So, what the hell is with those looks?
00:02:34Stop looking there
00:02:35That it's making me nervous, man
00:02:36On a platform at the station
00:02:39Under the scorching sun
00:02:41You were talking about a skyscraper
00:02:43From the sky of New York
00:02:45Come soon to see the sea
00:02:47And you send a postcard
00:02:48I already knew that day was the end
00:02:52Now I have much more
00:02:55Red, black, stop and even
00:02:58Finally, luck brings an ace
00:03:00And a glass to look through
00:03:02And a wall to hang it on.
00:03:04Seven smiling faces
00:03:05In a passport photo
00:03:07My stories weren't about tales.
00:03:10Made by chance
00:03:12Nobody told me that destiny
00:03:17I was giving this opportunity
00:03:19One plus one equals seven
00:03:23Who would have thought?
00:03:26Who would have thought?
00:03:26That it was so easy to be happy
00:03:32Nothing, thank you very much for the burger
00:03:50It was delicious
00:03:51Well, I hope you didn't find it too tacky.
00:03:54The hamburger restaurant
00:03:55But oh well, it was fine.
00:03:56Yes, of course I'm going
00:03:58If only for the little doll
00:03:59It was worth it
00:04:00How cute
00:04:02For Gaby
00:04:03A kiss no
00:04:13But that's not a kiss
00:04:17That's half a kiss.
00:04:18A whole one, right?
00:04:20Marcos, we're in front of your house
00:04:21Holy shit, what's going on?
00:04:33Oysters
00:04:34My uncle, my uncle
00:04:36Your uncle?
00:04:37No, no, no
00:04:38Host
00:04:39Yours is well hidden, isn't it?
00:05:06Yeah
00:05:07It was right there, you know?
00:05:10There could have been, no
00:05:11Because I didn't know that
00:05:12My brother, please
00:05:19Already
00:05:38Already
00:05:39He's gone
00:05:39Oh
00:05:40We've caught them at rush hour, huh?
00:05:43Yeah
00:05:44You probably haven't told your whole family yet.
00:05:46Let it come out
00:05:46To put on a show, right?
00:05:48No no
00:05:48No way, no way
00:05:48I'm leaving now, really.
00:05:51A kiss, right?
00:05:53Hello
00:06:00Hello
00:06:00How are you?
00:06:14Good
00:06:15And how are your private lessons going?
00:06:17Ah, very good.
00:06:18The truth is, very good.
00:06:19How lucky, right?
00:06:20Yeah
00:06:21Ah, you seem very happy.
00:06:24Of course, that's how these stories are.
00:06:25So short, but so intense, right?
00:06:29Well, this one is extremely intense.
00:06:30But short, no, it won't be.
00:06:32This?
00:06:34With your teacher
00:06:35Marquitos, this doesn't even last two newscasts.
00:06:38Open this
00:06:39I bet you this will last.
00:06:44Dinner?
00:06:46Okay
00:06:46Run your hand over it
00:06:52Turro, stop eating chocolate nougat, man
00:07:03You're going to get cavities as big as the caves in Altamira.
00:07:05Do me a favor
00:07:06But I like that.
00:07:07Yes, I know that...
00:07:08Children, children!
00:07:09Stop messing with the tracks, man!
00:07:10You're going to burst my eardrum
00:07:11Sister
00:07:12You weren't born for the harmonic
00:07:14That's enough, okay?
00:07:15A lithic coffee in you
00:07:16Come on
00:07:17Let's see
00:07:18Look, I was just glancing at the newspaper, guys.
00:07:20I was looking at the Nero Hill
00:07:22Hey, he's really slashing prices.
00:07:23For example, household appliances
00:07:24Hey, they're throwing them away
00:07:25And the plane tickets
00:07:26Plane tickets are dirt cheap.
00:07:27I don't care if they give them away.
00:07:29I haven't boarded a plane
00:07:31I don't plan on ever going up there in my life.
00:07:33Yeah, nice.
00:07:34No, I'm telling you because...
00:07:35I'm telling you because
00:07:36You too, playing the...
00:07:39Leave it, leave it, go on
00:07:40Leave it, beautiful
00:07:41It's making our heads spin a little.
00:07:42I'm telling you this because...
00:07:44For example
00:07:45The safest means of transport right now
00:07:46Today
00:07:47The plane
00:07:47Yes, man
00:07:48Until that Bin Laden guy came out
00:07:49Yes, well, that's true.
00:07:51That's true
00:07:51But look at this offer
00:07:53See what offer is for America
00:07:54Look, in New York
00:07:55In New York
00:07:56300 euros to New York
00:07:58Okay
00:07:58And to Houston
00:07:59Houston
00:08:00Houston
00:08:00460 euros
00:08:01With hotel
00:08:03Well, look at this
00:08:05Are you going to America, Dad?
00:08:06But then he goes to severely punish my mother.
00:08:09No, no, no
00:08:10Well, no, maybe not
00:08:11That's what you call a hypothesis.
00:08:13I mean, no...
00:08:13No, no, no.
00:08:16Let's see what wasn't there...
00:08:17Come on, it's just a hypothesis.
00:08:18And nobody's signing up.
00:08:20To my friend, grab your things and head to school
00:08:21Okay, let's go
00:08:22Are you taking a break?
00:08:23Just a little while, come in, son, come in.
00:08:24To the, it happens
00:08:25No
00:08:25Come in, come in, come in
00:08:26So, what do you say, Santi?
00:08:30In other words, in the hypothetical case that I decided to go to America
00:08:33Would you come with me?
00:08:34Not even after drinking wine
00:08:35But, Santi, Santi
00:08:36But listen to me, man
00:08:37Listen to me
00:08:38Why do we spend our lives working here?
00:08:39Working like donkeys
00:08:41Without leaving
00:08:42Locked up
00:08:43Besides you
00:08:44Have you ever left Spain?
00:08:46I once went to Portugal to buy towels
00:08:48And I didn't like it.
00:08:50But, man, of course
00:08:51How can you compare Portugal to America?
00:08:53What does Portugal have to do with America?
00:08:54In other words, Portugal is beautiful.
00:08:55But America, huh
00:08:55What if I
00:08:57I'm going to invite you to
00:08:58To Houston?
00:09:00I'm not even going to Houston
00:09:01Not even to Pedrete
00:09:02Santi, for God's sake, man
00:09:03Santi
00:09:03Are you my brother?
00:09:05I'm asking you as a favor
00:09:06Because
00:09:07America is very big
00:09:08And there I was
00:09:08Alone, without knowing how to defend
00:09:10Because you know a little bit of English
00:09:11But I
00:09:11Why are you going to America?
00:09:14Hey?
00:09:14Why are you going to America?
00:09:16Go get your wife
00:09:17What quincar or what quincar?
00:09:18What quincar or what quincar?
00:09:20I don't have to sue anyone.
00:09:21No?
00:09:22I am very confident in my wife.
00:09:23That's not it, no
00:09:23The thing is
00:09:25I haven't seen her in a long time.
00:09:27AND
00:09:28And I miss her
00:09:29That
00:09:30Well
00:09:30I imagine you can understand that, right?
00:09:33Well
00:09:33That too
00:09:34No, not either.
00:09:35No, not either.
00:09:36That's all
00:09:37In other words, not either
00:09:38That's all, nothing more
00:09:39And about going to America
00:09:40I was talking about it hypothetically.
00:09:42And I wanted to know
00:09:43In the hypothetical case
00:09:44That I decided to go to America
00:09:45If my brother would come with me
00:09:46I just wanted to know that
00:09:47In the hypothetical case
00:09:48No
00:09:48Well, I
00:09:49In the hypothetical case
00:09:51Yeah
00:09:51I do that
00:09:52And whatever
00:09:53For my brother
00:09:54But I'm not getting on a plane
00:09:56Not for all the gold in Moscow
00:09:59But, of course
00:10:01Good morning
00:10:02Auntie's plague!
00:10:05Okay, guys
00:10:06As you may recall
00:10:08For music class
00:10:08We had chosen
00:10:09The easiest topic
00:10:11Of the entire book
00:10:12The chicks
00:10:12But remember
00:10:13This is the exam song, huh?
00:10:15Teresa Catevila
00:10:16Dude, what the hell are you doing with the ink?
00:10:18Because, really, what's the point?
00:10:19Not at all
00:10:19And what about mathematics?
00:10:21Are mathematics useful for anything?
00:10:22Hey, history
00:10:23What is the purpose of history?
00:10:24If everything has already happened
00:10:25So, what for?
00:10:25Man, already
00:10:26But the flute
00:10:27Develop our sensitivity
00:10:28How do we know?
00:10:32Playing the flute is either for girls or for sissies.
00:10:34Guillermo, in my house she's a girl
00:10:36So now we know what you are
00:10:37Look, I don't know about you guys.
00:10:39But I'm not going out there to make a fool of myself.
00:10:40And neither do I.
00:10:41Let the faggot take it
00:10:42Excellent, Tete
00:10:44Keep it up, okay?
00:10:46Guillermo Serrano
00:10:47Guillermo Serrano
00:10:55Where is your flute?
00:10:57Well, look, you'll see
00:10:58This is not a flute lesson
00:10:59It's a music class
00:11:00And nobody has asked us
00:11:02What instrument do we want to play?
00:11:03So I want to play the drum
00:11:05Me too?
00:11:06The electric guitar
00:11:07Yes, and Mustafa to the chestnut sellers
00:11:08What we said before
00:11:09Valencia!
00:11:11Venútreos!
00:11:12Guillermo, I'm not going to allow it.
00:11:14Not one more stupid thing.
00:11:14So be careful, okay?
00:11:16Let's see, who can leave it on the flute?
00:11:21Tete, you leave it to her.
00:11:22Who is your brother?
00:11:23Yes, man
00:11:24So she can suck me off
00:11:25Yes, I'm absolutely right.
00:11:27Because, come on, I'm more of a dad like the sugar.
00:11:28Look, look
00:11:29I said silence
00:11:33You're all going to be punished
00:11:35Very good, Guillermo
00:11:37That sounds great to me.
00:11:38We'll see each other tomorrow at the exam
00:11:39But remember, it could be your fifth failing grade.
00:11:42What is that we are going to get together for?
00:11:52He's coming, he's coming, he's coming
00:11:53Santi, look
00:11:53Come, come
00:11:54What a great deal!
00:11:56The companion goes free.
00:11:57And we left Terminal 1 at 5:45 PM
00:11:59Look
00:12:00But you're being silly.
00:12:02You're out of your mind
00:12:03But how can we leave like this?
00:12:05Hey, don't back down now.
00:12:06You told me yes
00:12:07You told me you would accompany me
00:12:08Don't you remember?
00:12:09But, I told you
00:12:10In the hypothesis
00:12:11In what is the hypothesis itself
00:12:13Yeah
00:12:13You're always confusing me, man.
00:12:15Santi, forgive me
00:12:16But I'll take you on vacation to America.
00:12:17I mean, I'm not leading you to the gallows, am I?
00:12:19Hey, pass me that container of baking soda.
00:12:21Pass it to me
00:12:21Yes, Grandma, boy!
00:12:23I'm not going anywhere!
00:12:24Santi, please
00:12:25I ask this in the name of our father
00:12:26That which is most beloved
00:12:27I didn't just tell myself
00:12:28That America is very big
00:12:29And anything can happen to me there.
00:12:31And also
00:12:32This
00:12:33This is very important to me
00:12:34I need you by my side, Santi
00:12:35Really
00:12:36Look, look what a disaster you are!
00:12:39Really
00:12:40What have you done with this?
00:12:41And what are you going to do with your children?
00:12:43What am I going to do?
00:12:44What am I going to do?
00:12:44Leave it with grandma
00:12:45Okay, so what do I do with this now?
00:12:46Oh
00:12:47That
00:12:47I've heard that you're leaving
00:12:49AND
00:12:50Well, I was already thinking
00:12:52Go see my daughter
00:12:53Next month
00:12:54But
00:12:54Now, turning to you
00:12:56Let's go
00:12:58That
00:12:58These trips
00:12:59It's better to do them with someone.
00:13:01No?
00:13:02Okay, Carmen
00:13:03Sorry
00:13:04Sorry
00:13:04But still
00:13:05I didn't quite understand.
00:13:06I mean
00:13:06Do you mean
00:13:07What's coming with us to America?
00:13:10I mean
00:13:10To Houston, right?
00:13:12That
00:13:12Who's going to get screwed, right?
00:13:14Okay, go ahead, Fiti
00:13:15Okay, shut up
00:13:16But that
00:13:16You're saying we should stay with the kids for a few days, right?
00:13:19Wow, what a bargain!
00:13:20No, don't worry
00:13:21I'll take care of it
00:13:22We moved here
00:13:23Move?
00:13:24Man
00:13:24It's better that way
00:13:25I mean, I almost prefer
00:13:26Because
00:13:27They're such brutes
00:13:28The more vigilant they are
00:13:29Well, that's better
00:13:30I don't think so
00:13:30The matter is closed.
00:13:31Don't worry
00:13:32I'll take care of it
00:13:32Well, I'll take care of it too.
00:13:35I'll be able to take care of it too.
00:13:36Okay, then you two are in charge.
00:13:37And that's it.
00:13:37You two stay in charge
00:13:39Hey?
00:13:39Okay
00:13:40Thank you, my friends
00:13:41I'm going down
00:13:42Okay, that's all for now.
00:13:42Come on, come on
00:13:43Fast
00:13:43Chorri
00:13:46Don't tell me it doesn't turn you on.
00:13:49Sleeping in the mountain dwellers' bed
00:13:51Look
00:13:51Leave it, Fiti
00:13:54Could someone tell me about this trend?
00:13:57I
00:13:57Yeah?
00:13:58Rooms
00:13:59Well, the romantics
00:14:01These were poets like that
00:14:03Half consumptive, aren't they?
00:14:04That
00:14:05When his girls left him
00:14:07They would get frustrated and start writing
00:14:09And well, all stripes
00:14:11Well, in the end they shot themselves
00:14:12Okay
00:14:14A very peculiar vision
00:14:16Anyone else?
00:14:21Marcos
00:14:22Well, the romantics were
00:14:26Tormented souls
00:14:28In search of an unattainable ideal
00:14:30Well, the
00:14:31Maladjustment and loneliness
00:14:35Are
00:14:35They are her classmates
00:14:37Very good, Marcos
00:14:40Very good
00:14:42Could you tell us something more?
00:14:47Without looking at it in the book
00:14:48Well, yes
00:14:51As the most romantic are
00:14:53Larra, Espronceda
00:14:55Zorrilla
00:14:56Also
00:14:57José Zorrilla, Raúl
00:15:00José Zorrilla
00:15:01And Becker
00:15:02And Alejandro Sánchez
00:15:04Very good
00:15:07Do you remember any of his poems?
00:15:10Yeah
00:15:11What is poetry?
00:15:15You say
00:15:16While you fix your gaze on my pupil
00:15:18Your blue pupil
00:15:20Your blue pupil
00:15:21Your blue pupil
00:15:25What is poetry?
00:15:28And you ask me that?
00:15:29Poetry
00:15:31It's you
00:15:33Miss
00:15:35Yes, Salas
00:15:36It's just, well, all this beautiful stuff
00:15:38It arrived here
00:15:39At the bottom of the stomach
00:15:41And what's the matter? I have to go out and vote.
00:15:42Just a moment, just a moment
00:15:44For tomorrow
00:15:44All the romanticism I've learned
00:15:46Very good
00:15:47Uncle, uncle, uncle
00:15:53You're obsessed with this poetry crap.
00:15:56Marcos
00:16:01Raquel
00:16:02What's happening?
00:16:11What's happening?
00:16:12Damn, this chick is a she-wolf
00:16:14Have you seen her?
00:16:15The worst part is that for her, Marcos is nothing more than a young boy.
00:16:18And he's going to abandon him at the first opportunity.
00:16:20The she-wolf is her habitat
00:16:23Choose the company carefully
00:16:25Raul, I don't know why I'm telling you anything.
00:16:27Fuck
00:16:27Eve, Eve, Eve, Eve, Eve
00:16:28That?
00:16:30You should relax a little and enjoy yourself, okay?
00:16:33Peaceful
00:16:33Also, tonight
00:16:35You have this little yogurt
00:16:37Also at your home
00:16:38God
00:16:39Hey, girl, I'm available 24 hours a day, okay?
00:16:41Everything here is open, okay?
00:16:43I'll put on whatever ejaculate I have
00:16:44Miss, this is the one going to Houston
00:16:49Forks
00:16:50How exciting!
00:16:50He hadn't flown since 1970.
00:16:52We had to go flying on the day of the Great Flood.
00:16:56I don't know how we're going to take off.
00:16:58What's wrong? Are you afraid of flying?
00:16:59Oh, well, son
00:17:00The bad part is when the electrical appliance starts and the lightning strikes.
00:17:04Where is?
00:17:07Where is?
00:17:0723
00:17:0823, here
00:17:08Ah, here
00:17:09He rolled down the window, huh?
00:17:10Very good
00:17:11No, I don't know.
00:17:14May life not be like this.
00:17:14Gave
00:17:15I don't know, life
00:17:17I don't know, life
00:17:17No, no, no, no, no, no
00:17:19Yes, don't worry.
00:17:20Ah, cool, macho
00:17:21Are you leaving it in here?
00:17:22That's like a wall.
00:17:24Thank you
00:17:24Thank you.
00:17:34...to refill the waste, blow into the mouthpieces.
00:17:38Also, your seat bottom cushion can be used as a flotation device.
00:17:43I didn't quite understand.
00:17:45What should you wear with the mask or vest?
00:17:47What do you say to yourself?
00:17:48I'm going to ask.
00:17:49Ah.
00:17:49What? What? What?
00:17:50What? What?
00:17:50What? What?
00:17:51What? What?
00:17:51What? What?
00:17:52What? What?
00:17:52What? What?
00:17:52That?
00:17:52What's wrong? Why aren't we going out?
00:17:57No, you're a player, Spanish, sir.
00:17:59When? When does the plane arrive?
00:18:01Please.
00:18:03Put your belt on and we will go.
00:18:06Thank you.
00:18:07What are you doing?
00:18:08What are you doing?
00:18:12What are you doing, Santiago? Man, here, here, it's right here.
00:18:16Take.
00:18:17How is this done?
00:18:18Come on, I won't grab him.
00:18:19What are you doing here, man?
00:18:20No, don't tie a knot. Don't tie a knot, man. Like that.
00:18:24Look, like this.
00:18:24Look, like this.
00:18:24Yes, yes, yes.
00:18:26Okay, okay.
00:18:27And what are you doing?
00:18:28Well, he took off his shoes.
00:18:30Oh, really?
00:18:30Yeah.
00:18:34Okay. Okay.
00:18:37Oh, Santiago.
00:18:38If you're already like this, what will you do when the turbulence starts?
00:18:42I know, I know, ma'am.
00:18:44That's all well and good, Tete, but remember, corks are worth exactly half as much as black ones.
00:18:54Okay.
00:18:54Half, okay.
00:18:55Let's see those hands.
00:18:57Very good.
00:18:58Okay, buddy, this is yours.
00:19:00AND?
00:19:01Here.
00:19:02What is that green thing?
00:19:03Broccoli.
00:19:04I don't like broccoli.
00:19:06Yes, but I didn't ask.
00:19:07Come on.
00:19:10Tete.
00:19:10Well, what are you doing here? Is the game about to start?
00:19:15Okay, Citi, it's dinner time, huh?
00:19:17Oh, come on, old lady. That's why I brought the pizzas and some soft drinks.
00:19:20Long live the salon!
00:19:21Hey, hey, hey! Everyone sit down.
00:19:23But now.
00:19:24Already.
00:19:36The missing brother is here.
00:19:37That?
00:19:38Hey, have you guys decided how we're going to sleep or should we just draw straws?
00:19:41You were lucky enough to be chosen to take the extra bed to the boys' room.
00:19:46From the boys. And you go down to dinner.
00:19:47Okay.
00:19:48Come on, let's dance.
00:19:49What a bastard.
00:19:50Guille, that's enough, okay?
00:19:52Let's see if we can understand each other, Citi.
00:19:54There will be no football match shown in this house tonight.
00:19:56The children will have dinner, do their homework, and go to bed like all children.
00:19:59Don't be intransigent, Candelaria, don't be intransigent. It's a very important match.
00:20:04I couldn't care less if it's the Copa del Rey final. It makes absolutely no difference to me. I've been entrusted with these children, and these children need...
00:20:09Both of them. Both of them.
00:20:11Huh? They've put us both in charge. Diego made that perfectly clear. I'm leaving you both in charge, not just you.
00:20:15Guille, that's enough.
00:20:18Damn, I have to practice for tomorrow's exam. Just like Tete. Besides, why aren't you saying anything to her?
00:20:23Because she plays the flute and you're just being a pain. Does that sound good to you?
00:20:27Candela, that's indiscriminate, huh? Yes, yes, yes. Besides, what about the kid? The kid plays the flute badly, okay?
00:20:35Well, he'll have even more reason to rehearse, I'd say.
00:20:37Okay. But I said no. That's it. Dinner's on.
00:20:39Yes, but I think the boy has the right to rehearse. So if you want, we can talk about it.
00:20:46I have nothing to say.
00:20:48Oh, no?
00:20:48No.
00:20:49Come on, mate. Practice. Practice and I'll get it out, I'll give you permission.
00:20:56No, it's not the same.
00:20:57Yes, come on, play. Come on, play the flute.
00:21:00Think of something, Guille.
00:21:09And that's it. We live in a free country. Celebrate the game.
00:21:19When is this going to stop moving? I'm getting sick, you know? That woman. What pills has she been taking?
00:21:25He doesn't even breathe.
00:21:26No, relax, Santi. Relax, okay? Let's order a hit, man.
00:21:30Come on.
00:21:31Let's see.
00:21:31Two, gin, toni.
00:21:36Gin, toni. Two.
00:21:38Two.
00:21:38Two.
00:21:41You're missing a shoe.
00:21:44Let go, I'll let go, you already want me.
00:21:47Let go, already.
00:21:53Hey!
00:21:54Hey!
00:21:55What the fuck are you doing?
00:21:57Solid,isme!
00:21:57Shoe, shoe, mine.
00:21:59Santi, Santi, Santi!
00:22:13Thank you!
00:22:29Call! Call! Come on! Call!
00:22:32You're a pain, man!
00:22:38Yes, sir!
00:22:39A gin and tonic! One!
00:22:41Two! No! Not two! One gin and toni! One!
00:22:44One!
00:22:46Yesterday I don't know if it was gin and tonic or gin and latte,
00:22:49But my nerves are calming down, you know?
00:22:52Mother, how are you, Mario!
00:22:59Stop here, sweetie! Let's make a little dredoni.
00:23:06Dredoni, leave me alone.
00:23:11Well, you're still angry, aren't you?
00:23:13Well, in the end they did what you wanted.
00:23:15They've eaten all the damn broccoli
00:23:17and they haven't even seen the game or anything.
00:23:19Okay, but what about the little scene you made?
00:23:21They're made in front of dinner, what? What's that?
00:23:23Does it have a name?
00:23:24Let's see.
00:23:26Why are you acting rebellious in front of the children?
00:23:28Damn, in a rebellious way!
00:23:30Look, you have to understand one thing, okay, Candelat?
00:23:32That you are very good.
00:23:34But sometimes you're also very dictatorial.
00:23:36And why would we get on bad terms with the kids?
00:23:38for the few days we'll be here?
00:23:39Fiti, it's not about getting upset or anything like that,
00:23:41There are eight of us in the family, so we need to get organized.
00:23:43But also, since when do you know how to run a household?
00:23:45Always, always.
00:23:46Look, I'll bring you a house like yours or even better.
00:23:49Come on, Fiti, please leave the streets.
00:23:50That's right.
00:23:51That's right.
00:23:52The thing is, you've never stopped showing it to me, damn it.
00:23:53Yes, okay, fine.
00:23:54Okay, fine.
00:23:55I'm talking about being a father of six children.
00:23:57You haven't been able to be a father to even one child, Fiti.
00:23:59Are you telling me that you haven't been the father of my child?
00:24:00No way, dude.
00:24:01If they don't know what grade he's in, what grade is he in...?
00:24:03But that's because they change it every year.
00:24:04But I love my son a lot.
00:24:06Yes, you love him a lot, but you pay him very little attention.
00:24:09Look, look at me, the kids love me.
00:24:14The kids like me because I have charisma and I have a way with them.
00:24:17Hey?
00:24:18And I'm going to prove it to you.
00:24:19Very good, Fiti.
00:24:20I'm going to show you that I can carry and take care of eight, six, ten
00:24:24and those who are put in front of me.
00:24:26What's worth, Fiti, what's worth.
00:24:27That's it.
00:24:28You don't believe it, do you?
00:24:29Yes, I believe you, Fiti.
00:24:30That's it.
00:24:31Well, look, let's do one thing.
00:24:32While we're here, one day we'll do things your way and another day we'll do them my way.
00:24:36Hey?
00:24:37Let's see who does better.
00:24:38I think it's utter nonsense.
00:24:40But if you achieve your goals, go for it.
00:24:42I'll start tomorrow.
00:24:43No, no, no.
00:24:44Not at all, not at all.
00:24:45Heads or tails.
00:24:46Wait.
00:24:50Come on.
00:24:51Face.
00:24:54I'm in charge tomorrow.
00:24:57What are you going to do about it?
00:24:58Once you win one, you lose another.
00:25:00Come on, come here, cuties.
00:25:02I'm in charge today.
00:25:03And these docks need some strong fishing rods.
00:25:05Please.
00:25:08Where are you going?
00:25:09Damn, damn, what a sore loser.
00:25:11We have it, right?
00:25:12We are here.
00:25:13No.
00:25:14No.
00:25:15No.
00:25:16No.
00:25:17No.
00:25:19Yes, Santi.
00:25:20Are you asleep?
00:25:21No.
00:25:22You're asleep.
00:25:23How much longer?
00:25:24Yes, Santi
00:25:29Are you asleep?
00:25:32Are you asleep?
00:25:34How much longer?
00:25:36Two hours still
00:25:37Oh, God
00:25:38What's the matter?
00:25:46I'm thinking that
00:25:48Do you think Lucia loves me?
00:25:50Although she is still in love
00:25:52What's that got to him now?
00:25:55Because it was on his mind
00:25:56You in such a short time
00:25:59Can they forget about you?
00:26:01Well, it depends.
00:26:02What does it depend on?
00:26:05Well, it depends on that person's memory.
00:26:07Oh, Santi
00:26:07What was the stain?
00:26:09Has my grandmother been bitten by the sleep bug?
00:26:12She's stiffer than a bone.
00:26:13Please, man
00:26:14Please do me a favor
00:26:15Cad!
00:26:21For that?
00:26:21What is this, brother?
00:26:24Go here
00:26:25Look
00:26:26Look what you've done to me
00:26:28This is my new photograph
00:26:32dies and it's pitenda
00:26:33Das is!
00:26:34What is this, pallet?
00:26:35My suitcase!
00:26:40What? Leave
00:26:40Don't know
00:26:41Yes, yes, yes
00:26:42Wait, wait, wait
00:26:43But how could you so easily bring that up? Are you an idiot?
00:26:46You'll never fail.
00:26:46He has a shoulder to rub in for the days.
00:26:48Typical ispanic haman, haman, typical ispanic.
00:26:51Do you have it? Do you have it?
00:26:53We've given another medal to the hairy spike.
00:26:58What are you laughing at?
00:27:00Are you laughing at me?
00:27:02No, no, are you laughing at me?
00:27:04My brother, my brother.
00:27:06Oh yes, yes, yes!
00:27:08Don't get like that! Don't get like that!
00:27:12Stars don't impress me!
00:27:16Churri, Churri, are you there?
00:27:27Hey, maybe I got a little angry earlier,
00:27:30But I can't help it, I mean, it turns me on.
00:27:33I don't know if it's in the mountain dwellers' bed or...
00:27:36Do you want something, Fiti?
00:27:39Hi Eva, beautiful.
00:27:42Hello.
00:27:43No, no, it's just that I haven't said goodnight to you.
00:27:46I didn't say goodnight to you earlier.
00:27:48Ah.
00:27:49And now I'll give them to you.
00:27:50Good night.
00:27:51Good night.
00:27:52Good night.
00:27:53Good night.
00:28:14Eve.
00:28:15It's you?
00:28:16It's me.
00:28:17What do you want, Raúl?
00:28:21Eva, I need to talk to you.
00:28:22It is very important, truly, to live deeply.
00:28:24Deep.
00:28:25Yes, but let's go downstairs, okay?
00:28:27My parents are here and it smells like poop, you wouldn't believe it.
00:28:30Thank you.
00:28:45What's up, Raúl?
00:28:49That...
00:28:50I like you a lot, Eva.
00:28:53You drive me completely crazy.
00:28:55I know you're in the next room and I can't sleep.
00:28:59And I would like...
00:29:01I would like to know if...
00:29:03If you ever...
00:29:06Me...
00:29:07Are you going to give me a chance?
00:29:12Okay, the opportunity thing is tough.
00:29:16And a kiss.
00:29:17Raul, uncle.
00:29:21Don't you see? That's your problem.
00:29:23Which?
00:29:25That, I don't know, that...
00:29:27You tell me all that and...
00:29:30Be sincere and you look cute and...
00:29:33And sensitive, and suddenly you snap your fingers and change.
00:29:37And you act like a goose.
00:29:39Which one do you like more?
00:29:41What do you think?
00:29:43He's telling me.
00:29:46No, that's a lie!
00:29:47He's telling me.
00:29:48No.
00:29:49Shut up, you fool!
00:29:50Shut up!
00:29:51Shut up, you fool!
00:29:53Shut up!
00:29:54Shut up!
00:29:55Shut up!
00:29:56Shut up!
00:29:58No.
00:29:59Shut up!
00:30:00Shut up!
00:30:01Shut up!
00:30:03Shut up!
00:30:05Three idiots, dude!
00:30:07I marched here with the teacher, eh!
00:30:09Yes, yes.
00:30:10But you're drinking.
00:30:11You lucky bastard!
00:30:12She's so good, damn.
00:30:14I'm so tired of throwing that woman away!
00:30:16Be quiet!
00:30:17Give it to me!
00:30:18No, I'm not telling you, man. Good night. See you tomorrow, sis.
00:30:30What's happening?
00:30:32Nothing.
00:30:34Nothing.
00:30:35Come on, guys, let's go.
00:30:38How cute!
00:30:41This is great, isn't it?
00:30:43Yeah.
00:30:43The mother who gave birth to me.
00:30:44How could you not be great, Santi?
00:30:46We're in America, in America!
00:30:48You're not excited about it.
00:30:50I'm just glad I made it out alive, now that I'm crippled, you know?
00:30:53Oh, my feet are sore and my joints are sore and on top of that I have twists and turns.
00:30:57Come on, it's like she slept through the whole flight, right, ma'am?
00:31:02We need to call Lucia.
00:31:04Carmen, I've already told you, it's a surprise. You don't announce surprises, you don't announce them.
00:31:07I should probably do it anyway.
00:31:09No, because you'll be the one getting the surprises.
00:31:10For now, really, no, no. We'll take a taxi—I have the address here—and go to his house.
00:31:14Look, Carmen.
00:31:15That?
00:31:15Look.
00:31:16Ah, okay. Alright.
00:31:18Look, Santi, here people do what they want because we're in America.
00:31:24America is a free country, the land of everything, okay? Understand, it's very nice that we're going to celebrate, man. Bring it.
00:31:28Okay, bring it here.
00:31:29Okay, let's go.
00:31:30Let's see.
00:31:30Let's go first.
00:31:31Bring it, Roberto.
00:31:32Let's see.
00:31:35Yes, please come with me.
00:31:37No, what's here?
00:31:38I know.
00:31:39What? What?
00:31:40That?
00:31:40I can't smoke here.
00:31:41Oh, smoke?
00:31:42No, no, no.
00:31:43Smoke?
00:31:44He went to the...
00:31:44Listen, listen, listen, listen, listen, it's heating up.
00:31:46What, what is he doing?
00:31:47But what's going on?
00:31:48Where are you going?
00:31:49It's okay, Carmen, you go ahead and leave, we're coming now.
00:31:51But I don't know where the exit is.
00:31:53Meat, no.
00:31:54Hey.
00:31:55Where are you going from?
00:31:56Don't worry, Carmen, we're coming now.
00:31:58No, I don't know where the exit is.
00:31:59No, I don't know where the exit is.
00:31:59No, no, no, no, no, no, no, no, no.
00:32:30Hello, friend, Fabian.
00:32:31The little hand, Raúl.
00:32:32What little hand?
00:32:33The...
00:32:33This must be it, Raúl.
00:32:34Ah, this one.
00:32:38Echo!
00:32:39Stay still, please.
00:32:41Please, I know you and I know you can't hold back, okay?
00:32:44Look, let's do one thing.
00:32:46Better.
00:32:48Take.
00:32:49I invite you to breakfast.
00:32:50Go wherever you want, like a lady.
00:32:57Good morning.
00:32:58Hi, Marcos.
00:32:58What time do you get home at night?
00:33:00Wait a minute, I'm the one who started this argument, huh?
00:33:02What time do you get home at night?
00:33:04Around one o'clock, but my dad lets me, you know?
00:33:06And who did you go out with?
00:33:10That's it, huh?
00:33:12With some female parakeet, eh, Golfo?
00:33:13Yeah.
00:33:14Yes, yes, the eggs.
00:33:15That?
00:33:16The eggs.
00:33:17Then something I have for you, okay?
00:33:19I just don't like them burnt.
00:33:30They are not burned.
00:33:31They're at their peak, kid.
00:33:32Guille, so I don't lose focus.
00:33:35Guille.
00:33:36Guille, stop it now.
00:33:38Guille, stop it now.
00:33:39Guille.
00:33:41See?
00:33:43See?
00:33:44See?
00:33:44They've already messed things up.
00:33:45To the hospital.
00:33:46Points.
00:33:47No, a better staple.
00:33:48Kid, you're stupid.
00:33:49What's the matter?
00:33:49There's nothing here, huh?
00:33:50Calm down, beautiful.
00:33:51Peaceful.
00:33:52Okay, okay, that's enough, man.
00:33:53Tranquillity.
00:33:54There is nothing, there is nothing.
00:34:24I would appreciate your cooperation, okay?
00:34:27What are you saying, Jadio?
00:34:28What are you saying?
00:34:28Go away with that little hand, man!
00:34:30I'm telling you!
00:34:30Don't worry.
00:34:31Do you know what this is?
00:34:31Violence!
00:34:32Violence!
00:34:33Sir, I will not tell you again.
00:34:35Please stand up.
00:34:37Santi, to what he says no.
00:34:39Come on, come on!
00:34:40It's all the same to us, like channels!
00:34:41Hey!
00:34:41Hey!
00:34:41The man has made a call to the embassy!
00:34:44They're handcuffing me.
00:34:45They're handcuffing me.
00:34:46Calm down, Santi, calm down, calm down.
00:34:47That?
00:34:50Ah, baking soda, baking soda.
00:34:52Yes, baking soda.
00:34:54No, no, no, no, no.
00:34:56No, salt, fruit salt.
00:35:08Very good, Yolanda, you got an outstanding grade.
00:35:09Sit down.
00:35:10My dad had me cutting kebabs all night and I burned a lot.
00:35:27Cutting kebabs, aren't you?
00:35:31Come on, sit down, you got a zero.
00:35:39I don't know what's wrong, miss.
00:35:40Doesn't it beep?
00:35:41Come on, Bellido, stop acting like a fool.
00:35:43Blow hard.
00:35:43Come on.
00:35:55Bellido, you have a zero.
00:35:56You can sit down.
00:35:57Well, you can go to the bathroom if you want.
00:35:59Guillermo Serrano, enough is enough.
00:36:02You have a zero.
00:36:03You can sit down.
00:36:04Sit down.
00:36:04Come on, Guillermo, please, okay?
00:36:06Okay, let her go.
00:36:08But hey, what did you guys think?
00:36:09Is this a comedy festival or what?
00:36:11This is going to kill the mood, but that's it, okay?
00:36:13Enough with the giggling.
00:36:17What happened to you?
00:36:19Nothing.
00:36:20A flute-like sound.
00:36:21Well, and eight points.
00:36:22Candela, I won't be able to take the flute exam.
00:36:25No, don't worry.
00:36:26You're doing great, you're excellent.
00:36:28Uh, no, no, no, wait a minute.
00:36:29So, you're failing me without even letting me finish the test?
00:36:33That's discrimination!
00:36:35That's discrimination!
00:36:36Of course!
00:36:37Discrimination!
00:36:38Of course!
00:36:38Of course!
00:36:39Guillermo, Serrano, starting today you have a half-hour music support class every afternoon.
00:36:47For stirring things up, okay?
00:36:49You're going to end up higher than me than the chicks.
00:36:52Come on, as long as there's ham, there's no shortage of enthusiasm.
00:36:55Okay, this one's for you.
00:36:57I don't eat meat, Fiti.
00:36:59Yes, yes, but this is ham.
00:37:01Take.
00:37:01Carlo?
00:37:03This one's for you.
00:37:04And this one's for your sister, with sliced bread, just like she's so loved.
00:37:07And then they say I'm not a good father.
00:37:08Let's go, let's run!
00:37:14What's wrong with you? Don't you want to?
00:37:16I'm not hungry, I'm depressed.
00:37:20At your age?
00:37:21Well, that doesn't exist.
00:37:24Yes, look, look, it turns out that Candela, your wife, has it in for me.
00:37:27Do you remember that yesterday he wouldn't let me practice the flute?
00:37:30Well, he failed me.
00:37:31And look, you already told him that, that's indiscriminate.
00:37:34But on top of that, TT gave him an envelope without him even taking the exam.
00:37:37Yeah, but how do you expect him to play the flute, TT, if he has a split lip?
00:37:40Yes, of course, but he's already judged it based on what he's rehearsed.
00:37:42And he hasn't even let me try.
00:37:44If the attempt is worth more than the rehearsal, then at least let me rehearse, right?
00:37:47Yes, mostly...
00:37:51So, to sum it up, what are you trying to tell me, Guille?
00:37:56No...
00:37:57Well, I would have tried right now if Candela had let me study.
00:38:00Of course, on top of everything, my father isn't here, so nobody can defend me.
00:38:04Hey, hey, hey, wait a minute!
00:38:05Your father isn't here, but I am, which is the same thing, okay?
00:38:08I am your surrogate father.
00:38:10So don't worry, buddy, I'll talk to Candela and this will be sorted out, right now.
00:38:13Thank you.
00:38:19What a bastard!
00:38:22Hey!
00:38:24It runs in the air!
00:38:25Ah!
00:38:27Oh!
00:38:28What the hell is going on?
00:38:28I cut myself, man, I cut myself, and I cut myself badly.
00:38:30Fiti, coño, fit.
00:38:31Holy shit, Fiti, damn it!
00:38:33That's really killed the mood, huh?
00:38:34Raul!
00:38:34Raul!
00:38:35Come on, let's go, let's go, come on.
00:38:43Were you looking for someone?
00:38:50Uh, no.
00:38:51Well, I've been copying some notes and I'm going home now.
00:38:54Marcos, I do want to talk to you.
00:38:57Can you come in?
00:38:57Hello.
00:39:08What's wrong, Candela?
00:39:10Well, it so happens that I've heard certain rumors and I'd like you to clarify them for us.
00:39:15And what... what rumors?
00:39:19What kind of relationship do you two have?
00:39:20Well, uh...
00:39:24In other words, teacher, student.
00:39:25Well, Candela, that's what it is.
00:39:26Okay, teacher, student.
00:39:28Professor, student.
00:39:30Only.
00:39:31Well, is there also a friendship?
00:39:34Yes, yes, I mean, we're friends too.
00:39:38That's great.
00:39:40That's great.
00:39:42And do you know why it's so good?
00:39:44Well, because if it were something more than friendship, I mean something a little more intimate between you.
00:39:50Both of them, because I would have no choice but to take matters into my own hands.
00:39:56What kind of letters?
00:39:58Well, to begin with, I would have to give the student's father some background information.
00:40:01and open a file on the teacher
00:40:03which would not only mean his expulsion from this center, but his definitive expulsion from teaching.
00:40:10I know the rules, but that's not the case.
00:40:15I'm very glad that's not the case.
00:40:17Because if that were the case, I would have no choice but to intervene.
00:40:21Sure, yes.
00:40:22Have you explained it?
00:40:23Yeah.
00:40:25Thank you.
00:40:33How did you find out?
00:40:34Damn, I don't know, you get into everything, you smell it, you feel it like Hannibal Lecter.
00:40:40No, Marcos, we haven't stopped fooling around here at school.
00:40:45Well, from now on we don't do anything at school, that's it, right?
00:40:49But you haven't heard what he said.
00:40:53Yes, but well, but that, then, then, I mean, here at school we don't do anything.
00:41:00In other words, we can keep it a secret, meaning we stay out.
00:41:03We're going on a trip, I don't know, I'll go wherever you want, Raquel, really.
00:41:06Marcos, I have a son and I can't lose my job.
00:41:10Yes, Raquel, but I love you.
00:41:22I can't think straight right now, huh?
00:41:24We'll talk later.
00:41:30It's hot, do this.
00:41:33This is a crematorium, a crematorium.
00:41:36Wait, and don't gas us, you fucking Nazis.
00:41:43What are we accused of? What are we accused of?
00:41:45Possession of the sausage?
00:41:47Huh? The chorizo?
00:41:48This is a kidnapping, a kidnapping!
00:41:58Come on, come on.
00:42:02Hey, hey!
00:42:03And what about us? And what about us?
00:42:06I'm going to give you such a beating you'll shit your pants.
00:42:08You're going to shit yourselves! Bastards!
00:42:12It's my fault for coming to America.
00:42:15He sent me to come to America.
00:42:17America! America!
00:42:19The land of freedom, freedom.
00:42:22I shit on freedom.
00:42:23I shit on freedom!
00:42:25What's wrong with you?
00:42:29Nothing.
00:42:30What do you mean, nothing?
00:42:32Hey?
00:42:34Something's going to happen to you, right?
00:42:36No.
00:42:37Okay, calm down, man, calm down.
00:42:39Okay, so it's like when Lucía calls the embassy and it gets resolved like...
00:42:42Isn't that it, Santi? Isn't that it?
00:42:44So what?
00:42:46Well, what else can it be, damn it.
00:42:47What's it going to be?
00:42:48Why do you think I came running all this way here to look for Lucia?
00:42:50Because I'm an obsessive, neurotic, and jealous jerk.
00:42:53I'm a jealous jerk, that's what I am.
00:42:55Whose? That guy from the other day? Me?
00:42:57Well, yes, of course, you're right, damn it.
00:42:59When you tell me that I came here for what, to steal, to steal, to spy, to see if I could catch her.
00:43:04And on top of that, I've dragged you into this story, Santi, I've dragged you into it.
00:43:07He hasn't told me any stories, man.
00:43:08Yes, I've put you in, I've put you in, I've put you in.
00:43:09I came here because I felt like it.
00:43:10I really wanted to leave Spain, imagine that.
00:43:14Don't worry, man, this is an adventure, a little adventure to tell there at the table.
00:43:18Good, good, that's great, Santi.
00:43:22Good!
00:43:25I am Campbell, Inventor of Customs, and I am Jimmy Mendoza, who will be your sampler.
00:43:30translector.
00:43:33We're analyzing the powder we found this afternoon because the boys at CSI want to find out exactly
00:43:37what it is.
00:43:39Let's see, brothers, things are very, very complicated.
00:43:43Already.
00:43:44Because they're analyzing those white powders they brought me.
00:43:47That's carbs, right?
00:43:48Yes, yes, well, now they're going to do an inspection.
00:43:52Good.
00:43:52Jimmy, Jimmy, stop, stop, you can't stand that, that.
00:44:05Please take the little rock off me.
00:44:08The little rock, the little rock.
00:44:12Are you going?
00:44:14Can.
00:44:15Good afternoon.
00:44:15What are you doing here, Citi?
00:44:17What have you done?
00:44:19Oh, no, nothing, just cutting cheese.
00:44:21Wow.
00:44:22I had a cut, 14 stitches, I mean, you could see the tendon, and of course, the thing is, the bone didn't...
00:44:26Okay, okay, okay, I can imagine.
00:44:28Well, no, but anyway, that's not the point.
00:44:30I've come here to talk about something else.
00:44:33I've come to talk about...
00:44:33of the student Guillermo Serrano, that is, from acting father to teacher.
00:44:45Well, you'll have to tell me about it.
00:44:49Well, well, I understand that you, Mrs. Candelaria, have failed my boy in the flute exam.
00:44:59That's right, I'm correct.
00:45:01You are right, Don Fructuoso.
00:45:04And may I ask why?
00:45:06Naturally, Don Fructuoso.
00:45:08Simply because her boyfriend knows as much about the flute as I do about Forestry Engineering.
00:45:15But, Candela, how can you be so unfair?
00:45:18So, last night, last night when I was there, the kid was trying to practice, huh?
00:45:23And you forbade it.
00:45:24Is that so or not?
00:45:25That's right.
00:45:26AND?
00:45:27AND?
00:45:27Oh, my old lady.
00:45:28AND?
00:45:29AND?
00:45:29Damn, if the kid doesn't practice the flute, why would you want him to?
00:45:32Does he learn through divine inspiration or how?
00:45:34Let's see, Fiti.
00:45:35Today is the first day of Guillermo's flute lesson.
00:45:38Imagine.
00:45:39That kid is a cheeky one.
00:45:40That's what I wanted to get to.
00:45:41That's what I wanted to get to.
00:45:42In other words, you've labeled him as suspended forever, and there's no getting him off that bandwagon.
00:45:46It's very easy to dismiss someone when they're different, when it could be constructive and positive.
00:45:53It's very hard when someone doesn't trust you.
00:45:55Very tough, Candela.
00:45:56Fiti, what's happening to you?
00:45:58You don't have to take multiple parenthood so seriously, okay?
00:46:00Candle.
00:46:01It's just a few days and...
00:46:02Candela, Candela, Candela.
00:46:03One moment.
00:46:04I have come to ask you to give Guillermo Serrano another chance.
00:46:09Another chance for what?
00:46:10Well, to show you that all the kid needs to try is a little affection
00:46:13and that someone trusts him and is there for him.
00:46:17Already.
00:46:18And you'll be there.
00:46:20Yeah.
00:46:32Yes!
00:46:33Yes!
00:46:34Yes!
00:46:35Nobody should trust Fiti.
00:46:36It's been tough, hasn't it?
00:46:37It's been difficult.
00:46:38How's it going?
00:46:38Are you going to try it on your face?
00:46:40Just like that...
00:46:41Not just because of looks.
00:46:41Now you have to go tomorrow and take the exam properly.
00:46:44And that's it?
00:46:46What do you mean, the exam, Fiti?
00:46:48Of course, mate.
00:46:49Look.
00:46:50The Fiti trusts you.
00:46:51So now what we have to do is rehearse.
00:46:53Come on.
00:46:53We have all afternoon.
00:46:54Goes.
00:47:02Relax your fingers.
00:47:03Relax.
00:47:04It seems you have arthritis in your fingers.
00:47:06Man.
00:47:06No bow, bow.
00:47:08Fa.
00:47:08Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Mi, fa.
00:47:09Don't concentrate.
00:47:10Hey, Fiti.
00:47:11How many apples does a child eat if they eat a quarter of an apple?
00:47:16Little, little, little apple.
00:47:18That boy doesn't like apples very much.
00:47:20Come on, bring it here.
00:47:21Bring it here.
00:47:22Bread, bread, bread.
00:47:24This is free.
00:47:25Bread, bread.
00:47:26Good.
00:47:27A little bit of...
00:47:28Such.
00:47:36And so, and so on.
00:47:38One after another, one after another, one after another, one after another, all you have to do is look at the instructions here and show a little bit of interest, man, please, come on, show a little bit of interest.
00:47:45Come on, give it your all, mate, work for a while and I'll get the snack ready.
00:47:49Goes.
00:47:49Hey, hey, hey, you, what are you doing?
00:47:57You go inside, you don't sing the ham until you do at least the first verse.
00:48:01And loud enough for me to hear you from here.
00:48:02Come on.
00:48:04Come on, put another beer in, Marcos.
00:48:06Oh, don't look at how you play, Guille, huh?
00:48:08Oh, a wild beast.
00:48:09He has one ear here and another a small one.
00:48:10But you, but you, what do you know about music?
00:48:12Go ahead and cut some ham here for myself, because I can't handle the bandage.
00:48:15But, Fiti, ham again?
00:48:17Are you going?
00:48:18Fiti, I prefer chocolate.
00:48:19Me too.
00:48:20Oh, really?
00:48:20Well, look, mate, you see chocolate bars hanging around here, don't you?
00:48:25What do you see?
00:48:26Hams, right?
00:48:26Well then, let's eat ham, but good ham at that.
00:48:28Guille!
00:48:29I can't hear the flute!
00:48:31I can't hear her!
00:48:31Fiti, dude, look, I dropped it and it broke.
00:48:44Damn, what bad luck.
00:48:46But, dude, where did you drop this?
00:48:49Okay, it's okay, calm down, calm down, alright?
00:48:51Another one is bought.
00:48:52Okay, what time is it?
00:48:53Yes, that's the problem, everything will already be closed, and of course, if there's no flute, there's no...
00:48:57No, no, we'll find somewhere, we'll see.
00:48:59Okay, come on, let's get changed, we'll grab our jackets and come on, let's go there, okay.
00:49:07Hey Marquitos, you're stuck with this mess, aren't you?
00:49:11Dude, two beers.
00:49:13Okay, see you later.
00:49:14Bye bye.
00:49:14See you later.
00:49:15See you later.
00:49:15Come on.
00:49:17What a face.
00:49:19What's happening?
00:49:20Did your private tutor scold you?
00:49:22Did he give you little pinches on your bottom for being a bad boy?
00:49:25Why don't you stop saying such nonsense, will you?
00:49:27Oh man, I have to keep an eye on things, I remind you that we made a bet on dinner.
00:49:31I say you don't last very long, you say you don't last a long time, I don't know, we'll see.
00:49:34Oh, and what can I get you?
00:49:36Damn, you get so late.
00:49:39I'm hesitating.
00:49:40Yeah, I'm hesitating, but, girl, I don't know what's going on, I get the feeling that, I don't know,
00:49:45Why do you want my relationship with Raquel to be ruined?
00:49:47Fuck.
00:50:07Me too?
00:50:08What about me? I have to go. My father told me to fix the plants and...
00:50:13No, no, no, not even my little girl, okay?
00:50:14Kid, I'm not going to leave myself here, okay?
00:50:15I'm going to use more now than the cigarette machine that makes me tired, which gives me...
00:50:18Oh!
00:50:21Hello.
00:50:22How are you?
00:50:23How are you?
00:50:23What a bastard, what a bastard, what a bastard.
00:50:25Okay, see you later.
00:50:30That aunt who breaks down is really hot, man.
00:50:34Improving the present.
00:50:35Do you know where they're going?
00:50:39No, I don't know, and I don't care, why are you asking me?
00:50:42Raul.
00:50:43Hey, don't go on videophone, okay?
00:50:46I'm not on VideoSona.
00:50:47Come on, man, please, we're going to your house to watch this movie and I'll give you...
00:50:52You do what you want.
00:50:54Said with affection.
00:50:57Go on, throw it away.
00:50:58Come on, let's go.
00:51:01Bye, buddy.
00:51:01Bye, buddy.
00:51:02Bye, buddy.
00:51:02Bye, buddy.
00:51:02Bye, kid.
00:51:05In Spain, not a word about the glove.
00:51:11To no one, ever.
00:51:13Come on, it didn't happen.
00:51:16I don't think I know what you're talking about, Santi.
00:51:23Well, brothers, they've analyzed the substance and it turned out to be harmless.
00:51:29So, with a gratuity.
00:51:31They won't be held any longer, will they?
00:51:33In other words, we can't leave now.
00:51:35Yes, they are sending him back to Spain.
00:51:37To Spain?
00:51:39But what do you mean, to Spain?
00:51:40So, are we going to be deported?
00:51:42Better, better.
00:51:43Let's go home.
00:51:44Let's go.
00:51:44But, but, but, but, but, but, but, but, but, but, but, but, what are you saying?
00:51:46No, no, no, wait, my wife, my wife is waiting for us.
00:51:49And I have spent many hours flying to see her, to see my wife.
00:51:53Hey, I, well, I'm not even going to bother translating this, huh?
00:51:55You understand me, right?
00:51:57Well, have a great trip and long live Spain and bullfighting!
00:52:00The inspector says you confiscated the pig's feet, shoulder of lamb, and sausage.
00:52:13Well, don't let anyone in Spain tell you that I've remembered your faces, eh, I've remembered both of your faces.
00:52:23I've stayed for everything.
00:52:24What about you?
00:52:26No, no, he doesn't say anything, damn it, that, that, that, that they've confiscated our, our shoulder hams...
00:52:30I don't care about anything anymore.
00:52:33The only thing I don't want is to end up a good dwarf.
00:52:37But anyway, everything is already closed at this time.
00:52:39What's going on here?
00:52:41What country do we live in?
00:52:42So much capitalism and so much milk.
00:52:44No, no, yes, it's a shame, but of course, if it's impoverished, well...
00:52:48Already.
00:52:50Wait, wait, wait, wait, I'm just getting an idea.
00:52:54And that's it.
00:52:56Hey kid, what was I going to say, huh, how much did he charge me for the flute?
00:53:01Uh, one hundred.
00:53:03Hundred.
00:53:05Come on, go on, go on, go on.
00:53:06Here, here.
00:53:07Twenty and you're going to be crazy.
00:53:11Look, why is it you, kid?
00:53:14And what a price I'm paying myself, huh.
00:53:17Okay, I'm going.
00:53:18Okay, let's go.
00:53:18Come on, buddy, why don't you practice a little?
00:53:22No, yes, yes, but the flute and I just don't get along...
00:53:24A little bit of optimism, damn it, Guille.
00:53:27That I am trusting in you.
00:53:29But do you really trust me?
00:53:30Sure, man, sure.
00:53:31What are you right now?
00:53:33You are a horse.
00:53:36You're my winning horse right now.
00:53:38Excuse me, Fiti, but have you seen Curro?
00:53:40Curro.
00:53:41Curro.
00:53:42Curro.
00:53:43Curro.
00:53:45Don't worry, we'll go find him, but with...
00:53:47Take your time.
00:53:50I gave my life, but...
00:53:52But where has this child gone?
00:53:54But how is that possible?
00:53:55Curro.
00:53:56Curro.
00:53:57Curro.
00:53:57Curro.
00:53:58Curro.
00:53:59Curro.
00:53:59No, Lupe, I don't think that would work.
00:54:10How do you know if I haven't tried?
00:54:12You know the movie, right?
00:54:17Yeah.
00:54:18Damn, I can't get Marcos out of my head.
00:54:21I'm becoming obsessed with Marcos and it doesn't make sense because I have nothing to do.
00:54:25If Marcos is head over heels for Raquel and doesn't even look at you, don't let him look at you and you'll be suffering here.
00:54:28like an idiot.
00:54:29I picked it up thinking of you.
00:54:32What is it like, let's say...
00:54:34Yes, horny girl, to get you in the mood.
00:54:40You need to get it out of your head.
00:54:42You need to think about something else.
00:54:44He doesn't want anything.
00:54:45In another guy.
00:54:45No, it's just that when they say no they mean yes, man, go for it, go for it.
00:54:48You need to hook up with someone else, Eva, with anyone.
00:54:50Of course you can, if she makes that slutty face she wants, man, she really does want it.
00:54:53But, but...
00:54:54Even if it's...
00:54:54Yes, go for it, go for it, it's a little...
00:54:56She's desperate, my aunt, go for it, man, go for it.
00:54:58No, they can't throw you.
00:55:04So, what are we going to do?
00:55:04Of...
00:55:05Just a casual fling, no sex, right?
00:55:07Yeah.
00:55:08Light.
00:55:09Light.
00:55:13Light.
00:55:14Light.
00:55:15Light.
00:55:15Light.
00:55:16Light.
00:55:17Light.
00:55:17Light.
00:55:17Light.
00:55:18Light.
00:55:18Light.
00:55:19Light.
00:55:19Light.
00:55:20Light.
00:55:20Light.
00:55:21Light.
00:55:21Light.
00:55:22Light.
00:55:22Light.
00:55:23Light.
00:55:23Light.
00:55:24Light.
00:55:24Light.
00:55:24Light.
00:55:25Light.
00:55:26Light.
00:55:27Light.
00:55:28Light.
00:55:29Light.
00:55:30Light.
00:55:31Light.
00:55:32Light.
00:55:33Light.
00:55:34But what is this?
00:55:35What is this?
00:55:36What is this?
00:55:37Sodom and Gomera?
00:55:38Now here?
00:55:39Put on your shirt, come on, put on your shirt.
00:55:43Dad.
00:55:44Dad, this isn't...
00:55:45Shut up, shut up.
00:55:47Has work come in?
00:55:48No.
00:55:49No.
00:55:50No.
00:55:51I shit on my fucking skull.
00:55:52Don't tell me you've lost the child.
00:55:54In a moment.
00:55:55We lost track of him for a moment.
00:55:57Have you called the police?
00:55:59Yes, yes, yes.
00:56:00We come from the police station.
00:56:01I'm a miserable wretch.
00:56:02I am miserable.
00:56:03Your mother already says I'm a shitty father.
00:56:05Fiti, why don't you call Candela?
00:56:08To Candela?
00:56:09Yes, Dad, call her.
00:56:10Yes, be quiet.
00:56:11I'm going to call her, I'm going to call her.
00:56:21Candela, hello.
00:56:22Hello, what's up?
00:56:24Look, let's see if he can come.
00:56:27Something has happened.
00:56:29No, I can't tell you right now.
00:56:32No, it's not urgent.
00:56:35Well, a little, a little urgent.
00:56:37Yeah.
00:56:38But no, there's no one hurt, or anything, okay?
00:56:41Come on, run.
00:56:42Run, come on, come on.
00:56:44Until now.
00:56:45It's coming.
00:56:47It's coming.
00:56:52Hello, the shoulder blades.
00:56:53In other words, pig feet.
00:56:54My, my, our, our.
00:56:56What a mess! They were calling you a pig!
00:56:57No, Santi, this...
00:56:58That everyone is capable of putting us back in again.
00:57:00This is an abuse, man.
00:57:01If they send us back to Spain, they should give us back our things.
00:57:02That's it.
00:57:03Well, well, he'll eat ham when we're home, man.
00:57:05That's not it, for God's sake, Santi.
00:57:06That's not it.
00:57:07That they have humiliated us, that they have arrested us.
00:57:08Well, he says, man, they deport us and apologize.
00:57:10Because?
00:57:11Because they are arrogant.
00:57:12They are arrogant people, that's what they are.
00:57:13Let me tell you something.
00:57:14Democracy in the United States is a cover-up.
00:57:16They are what they are.
00:57:17Democracy is a cover-up.
00:57:20What is Lucia?
00:57:21Lucia, my, my, my, my wife.
00:57:22I need to talk to her.
00:57:23Lucia.
00:57:24Do you have to talk to her for me?
00:57:26Lucia.
00:57:27Lucia.
00:57:28Send us to Spain for the shoulder hams.
00:57:29Through the shoulder blades.
00:57:30Through the shoulder blades.
00:57:33Hey.
00:57:34Oh.
00:57:37Please, please, please, please, please.
00:57:38Lucia.
00:57:39Lucia.
00:57:40Lucia.
00:57:41Lucia, darling.
00:57:42I love you.
00:57:43I love you.
00:57:44I love you very much.
00:57:45That's it, that's it.
00:57:46That's it.
00:57:47That's it.
00:57:48That's it.
00:57:49Have you seen Santi?
00:57:50She looks so beautiful, huh.
00:57:51Yeah.
00:57:52That alone makes it worth coming.
00:57:53Hey?
00:57:54Hey?
00:57:55Hey?
00:57:56Hey?
00:57:57Hey?
00:57:58Hey?
00:57:59Hey?
00:58:00Hey?
00:58:01Hey?
00:58:02Hey?
00:58:03Hey?
00:58:04Hey?
00:58:05Hey?
00:58:06Hey?
00:58:07Hey?
00:58:08Hey?
00:58:09Hey?
00:58:11Hey?
00:58:12Who is that guy?
00:58:13Who is that guy?
00:58:14Who is that guy?
00:58:15I wonder if it was John.
00:58:16John?
00:58:17John!
00:58:18Lucia!
00:58:19Lucia!
00:58:20Lucia!
00:58:21Fuck!
00:58:22The mother who...
00:58:25But how...
00:58:25Dad, come on, don't worry too much, listen, anyone can lose a child.
00:58:37Yes, your mother already told me.
00:58:39I'm no good at this.
00:58:40And here I am, stubbornly, stubbornly.
00:58:43And now he's coming.
00:58:45And how am I supposed to look him in the eyes now and tell him that I've lost the child?
00:58:48To our son.
00:58:53I'm going to see it.
00:58:59Hello!
00:59:03You're leaving the kids behind, man.
00:59:06The mother of...
00:59:08Thank you very much, kid.
00:59:10You are welcome.
00:59:10Thank you so much.
00:59:12The kid is a monster.
00:59:13You should take him to an academy, I think, you know?
00:59:15You wouldn't believe how good the daisy is made of soy.
00:59:22Take it, take it, take it.
00:59:24Thank you very much, uncle.
00:59:25Take.
00:59:25Here, stand like this.
00:59:27Ponte trabric.
00:59:28And here, for a transverse flute, buddy.
00:59:31Wow!
00:59:31I'm not going.
00:59:32Thanks, huh?
00:59:33I'm not going.
00:59:38Come on, come inside.
00:59:39Go on, you little worker.
00:59:41What a scare you gave us!
00:59:43Damn, I called the police.
00:59:45I called Candela.
00:59:45Candela, Candela, Candela.
00:59:47Just a moment, just a moment, just a moment.
00:59:48Let's see.
00:59:49Listen to me.
00:59:50I'm thinking that...
00:59:52Why would we worry Candela now?
00:59:54Telling him that the child wasn't there.
00:59:56When it's done.
00:59:57When it's done.
00:59:59So it's probably best if we don't say anything to him, okay?
01:00:01Fuck.
01:00:07Come on, let's go!
01:00:09Take.
01:00:10Take.
01:00:11And here everyone's keeping quiet and backing down, okay?
01:00:13So you can buy yourselves anything.
01:00:14Because of the fright you had.
01:00:16There, that's it!
01:00:17Man, Fiti.
01:00:18I think the best thing to do is to tell the truth.
01:00:20What truth, what truth!
01:00:21Here, take it!
01:00:24Quickly, quickly.
01:00:25You, start playing the flute.
01:00:26You, turn on the TV.
01:00:28Start reading.
01:00:29And you'll bring something to snack on, okay?
01:00:30Come on.
01:00:31Quick, quick!
01:00:38What has...
01:00:39What happened?
01:00:40Hey?
01:00:41Oh, no.
01:00:42No, nothing.
01:00:43That...
01:00:43That...
01:00:44So that you could relieve me.
01:00:45I've already finished for the day.
01:00:46Well, and so you can see that I'm capable of handling this family
01:00:48and seven families like this one.
01:00:51Are you saying you made me run out of the evaluation meeting?
01:00:53Why are you telling me this?
01:00:54Sure, sure.
01:00:55You were denying it.
01:00:56And look, here it is.
01:00:58Here's a family.
01:00:59Here's a great dad.
01:01:00How are you all?
01:01:01Good!
01:01:02Hi, Mom.
01:01:03Hello.
01:01:05Fascinating, truly.
01:01:06You've given me goosebumps.
01:01:08What's wrong with Curro's face?
01:01:10Older than the same.
01:01:11Very good, kid.
01:01:15Creativity and artistry.
01:01:16You've spent one day with me and a future has already been created.
01:01:18Hey, kid?
01:01:19And then they say.
01:01:20Oh, no, I was looking at the cars from underneath.
01:01:29Hello.
01:01:30Hello.
01:01:31Hello.
01:01:31Hello.
01:01:36I was hearing noises.
01:01:48Yeah.
01:01:48I was preparing something.
01:01:49What's happening?
01:01:50Can't?
01:01:50Yes, man.
01:01:52Are you coming now?
01:01:53Give me another telling-off, if you want.
01:01:57Oh.
01:01:58My limit is one per day.
01:02:00Well, three confetti.
01:02:01Marcos, do you want to talk about this morning's?
01:02:09Well, almost not, Candela.
01:02:10Yes, well, but I do want to talk about it.
01:02:13Well, if what you want to know is whether Raquel and I have broken up, then yes.
01:02:16You can be happy.
01:02:20We just cut now.
01:02:23Can I leave now?
01:02:25Yeah.
01:02:25Yes, but I would prefer that you stay.
01:02:30Okay, please.
01:02:31Let's see.
01:02:43I'm neither happy nor sad about what happened to you, Marcos.
01:02:48They're just the rules, okay?
01:02:50Yes, but I don't care about rules, okay?
01:02:52I haven't done anything wrong.
01:02:53I've only fallen in love, Candela.
01:02:55Yes, but that relationship isn't good for you, Marcos.
01:02:58You understand?
01:02:59No.
01:03:01Well, that must be it, no...
01:03:04I only fall in love with what's not convenient.
01:03:09Marcos, I know what it's like to be 17 and in love and...
01:03:13And I know that what I asked you this morning is very difficult.
01:03:15When I was 17, I fell head over heels in love with my cousin Manolo.
01:03:24We were dating secretly for a month until my mother caught us and made a huge fuss.
01:03:28Well, he caused a huge scene until we finally let him go, naturally.
01:03:30I...
01:03:32I went crazy because I thought my cousin Manolo was the love of my life and...
01:03:37I stopped eating, drinking, sleeping and...
01:03:40I hated my mother.
01:03:43I was so desperate that I started dating the first guy who walked by.
01:03:47A kid from the neighborhood I'd known my whole life.
01:03:51And...
01:03:52Fiti.
01:03:52Fiti.
01:03:54Fiti.
01:03:56And what are things like?
01:03:58It turned out that...
01:03:59That guy I'd hooked up with to get the same Manolo out of our heads...
01:04:03She was the love of my life.
01:04:07That's why I'm telling you that...
01:04:09You never know where the love of your life is, Marcos.
01:04:11Never.
01:04:16When you least expect it, it will appear.
01:04:22I hope, I hope you're right.
01:04:45Good night.
01:04:46Good night.
01:04:52Sweetie, who...
01:04:53What's happening?
01:04:56That you too are...
01:04:58The love of my life.
01:05:18I got up at a quarter to seven just to see you coming down those stairs.
01:05:20Look, look, orange juice and continental breakfast for my queen.
01:05:26Raúl isn't fazed by the...
01:05:27Orange juice is enough, okay?
01:05:29Nothing is ever enough for my girl.
01:05:31But you, Raúl, Raúl.
01:05:32Oh, come here, silly girl.
01:05:34Well, we have to tell him someday.
01:05:35He's your brother.
01:05:36He's your brother.
01:05:37That?
01:05:38What's happening?
01:05:39Give me a bullet, your brother.
01:05:41What's wrong with him?
01:05:44Your brother and I are dating.
01:05:46Brother in law!
01:05:46Brother in law!
01:05:49Brother in law!
01:05:50What's wrong, Marti?
01:05:56You're not happy.
01:05:58Sure, dude.
01:05:58They don't congratulate him.
01:06:00Otherwise, I'll be really...
01:06:01I'm very happy about that.
01:06:03That I...
01:06:03Congratulations to both of you.
01:06:05Come on, let's have breakfast.
01:06:06Runs.
01:06:06It cools down.
01:06:07Yeah.
01:06:08Take.
01:06:09Raul.
01:06:09Me too?
01:06:10Raúl, I know how to eat, you know?
01:06:11Good morning.
01:06:12Good morning.
01:06:13Good morning.
01:06:14Good morning.
01:06:14Good morning.
01:06:15Fiti, I swear to you, I've been fingering myself every night, but I'm disgusted by sucking it.
01:06:20Marcos.
01:06:21The elegy.
01:06:24Okay.
01:06:24That's it.
01:06:25But Fiti...
01:06:26Nothing, nothing.
01:06:26Look, you're confident in the exam.
01:06:29Above all, trust.
01:06:30Hey, show us what you've learned.
01:06:32Let Candela know that Fiti gave his all for you.
01:06:37But I'll do what I can, I really will.
01:06:39Furthermore, you have trusted me.
01:06:40I'd like to try it to make you happy, but...
01:06:43If they don't tell me the grades, I get lost.
01:06:45Good.
01:06:47Okay, look.
01:06:48Here you go.
01:06:49The Pied Piper of Saint Justin.
01:06:51Let me tell you something, this kid has talent, you know?
01:06:53But?
01:06:53Okay.
01:06:54Okay, fine.
01:06:54Fiti, at this moment you leave the house.
01:06:56Wait.
01:06:57I don't want you to leave, Fiti.
01:06:58No no.
01:06:59Calm down, little donkey, calm down.
01:07:00This is just one day, okay?
01:07:01Tomorrow I'll be back here again, giving orders.
01:07:02Okay?
01:07:04Who's leaving?
01:07:04Fiti, the king.
01:07:06Hey?
01:07:06Fiti, Fiti?
01:07:07You!
01:07:07Fiti, Fiti!
01:07:08You!
01:07:09Fiti, Fiti, Fiti, Fiti!
01:07:12Enough!
01:07:16When is my father coming back, Candela?
01:07:24So, which saint of what?
01:07:26I mean, why the hell does it have to...
01:07:27A guy who hugged my wife at an airport, huh?
01:07:29Why the hell?
01:07:30So, why the hell?
01:07:31I already told you they were doing it so openly, there's no need to worry.
01:07:34What are you telling me, Santiago?
01:07:35What do you mean there's nothing to worry about?
01:07:35For God's sake, man, for God's sake.
01:07:37I made this trip all the way here to get rid of my paranoia and I'll come back, but I didn't leave.
01:07:41What worries me is what we're going to say when we get back.
01:07:46You'll see when we start to lengthen things, huh?
01:07:49They're trying to get us to talk and we'll end up talking about the glove, and that's not the way to go.
01:07:53No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
01:07:55The glove no.
01:07:56And what did they see in him?
01:07:58Where?
01:07:59Where will it be?
01:08:00Well, to America, damn it.
01:08:01I know how to go without the sausage.
01:08:02Because we can try again, right?
01:08:04Well, we'd have to be really unlucky for it to be the same police officers.
01:08:06But they don't give us that look that says, 'Relax, Santiago, relax.'
01:08:10Because I was speaking hypothetically, right?
01:08:12Why were you speaking in hypothetical terms?
01:08:14Well, I'm going to talk to you, Cristian.
01:08:16I'm never leaving Spain again.
01:08:18That's life!
01:08:19That's life, huh!
01:08:20Okay?
01:08:21Is that clear?
01:08:21Yes, yes, yes.
01:08:22Okay.
01:08:25Raul, what's wrong?
01:08:26Hello.
01:08:27I was waiting for you.
01:08:29I wanted to talk to you about an important matter.
01:08:32Yes, yes.
01:08:34But let me tell you one thing before anything else, Dad.
01:08:36What you had yesterday, that's it, love.
01:08:39As?
01:08:40And not sex, you know?
01:08:41Love, yes, yes, love.
01:08:43Love that is very good.
01:08:44Hey, but, I don't know, a little discretion, please.
01:08:46Clear.
01:08:47We children are there, your parents, right?
01:08:50A little bit of...
01:08:53What's happening?
01:08:53You like Evita, huh?
01:08:55Hey?
01:08:57Hello.
01:08:57It's broken my heart.
01:09:00That's the thing, living under the same roof, well...
01:09:03Already.
01:09:03I don't know what's wrong with it.
01:09:04No, but you have to cut yourself, you have to cut yourself.
01:09:07I know that's just how it is, that it's a certain age, age is just a fact and all that, but...
01:09:13And then there's the girl, who is frankly, huh?
01:09:17You scoundrel, huh?
01:09:18It's a little...
01:09:19Let's...
01:09:21No, no, no, no, but that, I know, I understand you, because one is waiting there for the love of their life to appear, right?
01:09:28And suddenly, the love of your life appears, you're waiting for it, and suddenly...
01:09:36Or I'm going to die.
01:09:37Really.
01:09:39See you later, okay?
01:09:39Wait, wait a moment.
01:09:40No, no, if in the end...
01:09:41Yeah...
01:09:41What I wanted to tell you wasn't that, it was...
01:09:44Or I wanted to tell you something else.
01:09:45In other words, I've been a good father to you.
01:09:51Are you serious?
01:09:52Yes, I mean, do you think or have you had the feeling that I haven't listened to you or something...?
01:09:57I mean, like I never know what grade you're in, dude, or if you've had these vaccines or those, right?
01:10:02It doesn't matter.
01:10:04That's already done, Mom, right?
01:10:05They have more data than the tax authorities.
01:10:08Damn.
01:10:08Damn.
01:10:09Yes, yes.
01:10:10Well, that's it, so you like it...
01:10:14You like that I am, well, or mostly the way I am.
01:10:18A lot.
01:10:19Well, that's it.
01:10:21Come on, give this little guy a hug, Dad, because...
01:10:27Okay.
01:10:33Okay.
01:10:35Holy shit, do you have it for me?
01:10:37Guille's exam, dude.
01:10:39Come on, come on.
01:10:39Guille's exam is coming up.
01:10:40Goes.
01:10:40Run, run to class, run.
01:10:45There are three minutes left.
01:10:47Guillermo Serrano, the moment of truth.
01:10:49Take out the flute.
01:10:51My God, did you find the whole trail?
01:10:53Lucky you, man.
01:10:54Luck.
01:10:56Come on, Guille, the song.
01:10:58Honestly, I don't know if I'm going to be able to do it, you know?
01:11:00Well, give it a try.
01:11:01Or whatever comes to mind, right?
01:11:02Go ahead, do whatever comes to mind.
01:11:07What's happening?
01:11:08And yesterday there were no chicks, no support, no pickled chickens, right?
01:11:12Of course, but...
01:11:14Let's see, Guillermo, we're waiting for you.
01:11:18I will value your effort, I promise you.
01:11:19Okay?
01:11:20Try it.
01:11:20No, no, no, no.
01:11:25Thank you!
01:11:55Well, okay, it was fine, wasn't it? We were practicing yesterday and all, but well, Zamora wasn't won in an hour either.
01:12:08Pella de la horraca is a crack!
01:12:10Hey, that's enough, class is over.
01:12:13Okay, so what?
01:12:13Serrano, you're approved, barely.
01:12:18Hey, kid!
01:12:21Of course, you, man, you're really something, huh? Come and make a scene at school again.
01:12:25You have two minutes left, honey, what does it matter?
01:12:27What two minutes? What for? Why are you coming here acting like you're Luis Cobos? What has music ever given you?
01:12:33Music? Well, it's been a part of my life, it's just that there are many things you still don't know about me.
01:12:37Yes, many, too many. For example, I don't know where you took the children yesterday afternoon, because Curro came along who knew how to play the field.
01:12:43Yes, if we start with mistrust, right, Candela? I told you I was going to take care of the children and I took good care of them, right?
01:12:51Okay, yes. Give me a kiss.
01:12:52Hey, and when are we going to try out the Serranos' bed, huh? It's going to get away alive.
01:13:00Check if he's approached you.
01:13:01Come on!
01:13:03Come on!
01:13:04Come on!
01:13:05Come on!
01:13:06Come on!
01:13:07Come on!
01:13:08Come on!
01:13:09Come on!
01:13:10Come on!
01:13:11Come on!
01:13:12Shut up, man! You're making so much noise you'll wake everyone up!
01:13:14This! This is pure bliss!
01:13:16Hey!
01:13:17Mister!
01:13:18You know what I'm saying? The Americans know it.
01:13:20That's why they don't allow chorizo in there.
01:13:22Because as soon as they castrate him, they get hooked.
01:13:24And to hell with the burlesque business.
01:13:26Shut your mouth, man!
01:13:27Jao!
01:13:28Jao!
01:13:29Jao!
01:13:30Jao!
01:13:31Hey, so who the hell are you?
01:13:33Who the hell are you?
01:13:34Pita?
01:13:35What's that all about?
01:13:37But what's that beeping about?
01:13:38No, bitch!
01:13:39He's so quiet, he's...
01:13:40Ah!
01:13:41Pita?
01:13:42Does boyfriend John whistle?
01:13:43It's boyfriend John!
01:13:44It's boyfriend John!
01:13:45Wow!
01:13:46I mean, John's boyfriend!
01:13:47I mean...
01:13:48John, Sergi's friend?
01:13:49Yes, yes, yes.
01:13:50Congratulations.
01:13:51Hey, that's really good, huh?
01:13:52Very...
01:13:53Hey, where's my wife, Lucia?
01:13:54Is it around?
01:13:56Hospital.
01:13:57Very well, at the hospital.
01:13:59Okay.
01:14:00Okay.
01:14:01Okay, pita.
01:14:02Delighted.
01:14:03Bye bye.
01:14:04What is gay?
01:14:05Hey?
01:14:06Is that John the fuck gay?
01:14:07I mean...
01:14:08And she has a boyfriend named Pita, who...
01:14:10You gave me such a fright!
01:14:11What the hell?
01:14:12What are you doing here?
01:14:13How did you get back so soon?
01:14:14Hey...
01:14:15That's what I'm telling you, Candela.
01:14:16Yeah.
01:14:17It's like in Spain.
01:14:18You're not going to live anywhere.
01:14:20Quotation marks in America...
01:14:21Fucking shit!
01:14:23And what do they say about freedom?
01:14:25A lie!
01:14:26But you didn't see, you didn't see...
01:14:28You didn't see!
01:14:29Shh!
01:14:30How are you?
01:14:31But you're not in Houston.
01:14:32Dad!
01:14:33Sweetie!
01:14:34Sweetie!
01:14:35What's happening?
01:14:36Are you going up or not?
01:14:37Fiti!
01:14:38Fiti!
01:14:39What are you doing dressed like that?
01:14:40Hey?
01:14:41Welcome at the worst possible time, buddy!
01:14:42Dreaming of doors that will never open for me...
01:14:43I'm that boy next door...
01:14:44And as time passed...
01:14:45Disillusioned, I couldn't wait any longer...
01:14:48I have to settle...
01:14:49There will be no sign, no place...
01:14:50There will be no sign, no place...
01:14:51And it's just that you...
01:14:52You're the girl next door...
01:14:53You're the girl next door...
01:14:54For me...
01:14:55I'm that boy next door...
01:14:59And as time passed...
01:15:02Disillusioned, I couldn't wait any longer...
01:15:09I have to settle...
01:15:13There will be no sign, no place...
01:15:15And it's just that you...
01:15:19You're the girl next door...
01:15:24Meanwhile, the two...
01:15:27We have glances for breakfast every morning...
01:15:34Meanwhile, the two of them...
01:15:37We are lost reflections...
01:15:40At your window...
01:15:42Being the girl next door...
01:15:46Being the girl next door...
01:15:49You're the girl next door...
01:15:52Just the girl next door...
01:15:56Just the girl next door...
01:16:04There's no chance...
01:16:06Well...
01:16:07Job...
01:16:08Job...
01:16:09Job...
01:16:10She's the girl next door...
01:16:12Well...
01:16:13During...
01:16:14And no'dayne ku' pror...
01:16:15Job...
01:16:16Job...
01:16:18Job...
01:16:18Job...
01:16:19profitable...
01:16:20Assess...
01:16:21Job...
01:16:22Job...
01:16:23Job...
01:16:24Our...
01:16:25Job...
01:16:26Job...
01:16:27And...
01:16:28Ro...
01:16:29Job...
01:16:30Crabajo...
01:16:31Job...
01:16:32YO...
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