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  • hace 5 días
Santiago, Diego y Fiti se empeñaron en arreglar sus diferencias con los nuevos y ruidosos vecinos de una manera poco cívica, se llegaron a apuntar a unas clases de judo para aprender a defenderse ante posibles agresiones, aunque creo que después de lo ocurrido nunca volverán a aparecer por el aula. Guille ha aprendido que las propias reglas que él mismo marca se pueden volver en contra y seguro que a partir de ahora nunca vuelve a reírse de nadie que lleve gafas o que sea más alto de lo normal. No nos podemos olvidar del trío amoroso que se ha formado entre Marcos, Raúl y Eva. Los celos son una manera de conseguir que la persona que te guste se fije en ti y a eso se dedican ahora Marcos y Eva, aunque el comportamiento de Eva con Raúl en el último capítulo no estuviera del todo bien.

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00:00:00The new neighbors arrived today.
00:00:12Neighbors are those people who live next to you their whole lives,
00:00:16but with whom you only talk about things like
00:00:17It looks like it's going to rain or it's starting to get cooler.
00:00:21Let's hope we're lucky and the new neighbors are good people, that's important.
00:00:25Before, the neighbors were also there to ask them for a little salt,
00:00:28if you ran out.
00:00:30But since the Chinese store they opened in the neighborhood never closes,
00:00:34It's not even good for that anymore.
00:00:36No, I was thinking, well, no,
00:00:38We'll have to give them a proper welcome, won't we?
00:00:40Guille, don't even think about it, okay?
00:00:42And that's because, even if you never talk to the neighbors,
00:00:45They're always being talked about at home.
00:00:46Dad said the lady who lived there before was a witch
00:00:50And Grandma Carmen said her house smelled like cat.
00:00:52Dad says he's gone to live in the other side.
00:00:55I'm not quite sure which one.
00:00:56It has not been weighed.
00:00:57There it goes, there it goes, there it goes.
00:00:58But they have satellite dishes.
00:01:00Maybe we can make some hooks.
00:01:01Let it hook you, let it hook you, man.
00:01:03And that thing they have there, which is a basketball hoop.
00:01:07What are you doing?
00:01:09Uh, we're hiding so they don't think
00:01:12that we're gossips.
00:01:13But he hasn't even gotten out of the truck, Dad.
00:01:14Oh, it hasn't come out yet.
00:01:15Let's see.
00:01:15We were so excited that new neighbors were coming.
00:01:40that none of us thought, not for a moment,
00:01:43what was coming our way.
00:01:44It hit us hard.
00:01:47A station platform, under the blazing sun,
00:01:51You were talking about a skyscraper in the sky of New York.
00:01:54Come soon to see the sea and send a postcard.
00:01:58I already knew that day was the end.
00:02:02Now I have much more.
00:02:05Red, black, stop and a couple.
00:02:08Finally, luck brings an ace and a crystal to look through.
00:02:11and a wall to hang it on.
00:02:13Seven smiling faces in a passport photo.
00:02:17My stories were not about tales made by chance.
00:02:21Nobody told me that destiny was giving me this opportunity.
00:02:30One plus one equals seven.
00:02:33Who would have thought?
00:02:37It was so easy to be happy.
00:02:51Dad, I can't sleep.
00:03:08Yeah, son, me neither.
00:03:10Dude, I'm so sleepy.
00:03:12But you can't sleep either, can you?
00:03:14Go with the neighbors.
00:03:17Two days of partying and it's me again.
00:03:19You're not going to do anything to make them shut up.
00:03:21Yes, yes, of course.
00:03:24Come on, let's see it.
00:03:25But for us, what we have to do
00:03:26It's also about turning the music up loud
00:03:28And let's see who wins, man.
00:03:29It's two days of celebration.
00:03:31I want to be a university student now, Dad.
00:03:33What are you saying, Marcos?
00:03:35Do you forget that you have to study?
00:03:37Hey, Diego, maybe they don't realize it, right?
00:03:40But, Eva, how could they not notice?
00:03:42If they're making a noise, that's already...
00:03:44even a speck on the crow, for example.
00:03:45For God's sake, how could they not notice?
00:03:46No, we haven't told them anything either.
00:03:48No, not that.
00:03:49Try talking to them.
00:03:52I think the best thing to do is call the police.
00:03:54No, no, I'm sure my father will keep them quiet.
00:03:56Right, Dad?
00:03:57Say yes, son.
00:03:57Yes, yes, and I'm not going to call the police or anything.
00:04:00No, no, I won't be needed.
00:04:01I'm going to introduce myself there
00:04:01And I'm going to do a couple of things for you, nicely put.
00:04:03And they're going to find out.
00:04:04They're going to find out because they haven't seen me.
00:04:05I'm angry.
00:04:07Come on, this doesn't know who it's playing with.
00:04:09because they were wrong.
00:04:10They've made a mistake about the man and the neighbor.
00:04:12Have you heard it, my children?
00:04:13Of man and of neighbor.
00:04:14Corro, what are you doing here, son?
00:04:32Go away, go home, this is something for grown-ups.
00:04:34Come on.
00:04:34Good evening, I am Diego Serrano, a neighbor from the city.
00:04:54Ah, I had noticed.
00:04:55because there was a very pretty brunette girl in your house.
00:04:58She's my daughter, the brunette girl is my daughter.
00:04:59What's happening?
00:05:00I'm going to do something for you.
00:05:01I'm here because the music is too loud.
00:05:03which is causing quite a stir
00:05:05And frankly, it seems to me...
00:05:06But I'm going to say, it seems intolerant to me.
00:05:08Hey, yes, he is intolerant.
00:05:10But he passed financial law.
00:05:12And if I didn't pass, they kicked me out of the faculty.
00:05:14Of course, this calls for a celebration, take charge.
00:05:16I'll take responsibility, I'll take responsibility.
00:05:17But you take responsibility.
00:05:17I get up early, I get up early because I work.
00:05:20Sure, so, what's wrong with grandpa?
00:05:21Hey, hey, hey, hey, don't go too far,
00:05:23that the neighbor is absolutely right.
00:05:24Our music is too loud,
00:05:26He says this is intolerant.
00:05:28Intolerant.
00:05:28Ah, okay, okay, fine.
00:05:29He's intolerant, but what's wrong, grandpa?
00:05:32That he couldn't sleep.
00:05:32Hey, hey, hey, hey, hey, he's right.
00:05:36Okay, turn the music off.
00:05:37that there are honest people in this neighborhood
00:05:39who works tomorrow.
00:05:41I'm going to be unable to sleep a wink
00:05:42And tomorrow we'll have a tragedy,
00:05:44we're not up for staying up late at all.
00:05:46Already.
00:05:47And you know, right?
00:05:48If you need anything at all, anything at all,
00:05:50Here we are.
00:05:52Come on, come on.
00:05:54At your service, buddy.
00:05:56Okay, see you later.
00:05:57The little hand, damn it.
00:05:58Come on, let's go home.
00:06:05Come on.
00:06:10Did you see that, son?
00:06:12They listened to your father
00:06:13And they've taken the music off.
00:06:15Dad, why have they called you grandpa?
00:06:17Well, I think it was because they were scared.
00:06:20Look, I'm just in the box seats, right?
00:06:21But they listened to me.
00:06:22And they've taken the music off, huh?
00:06:26Dad, haven't they listened to you?
00:06:27Do you know what happened?
00:06:30They haven't heard it.
00:06:31Because the music was very loud,
00:06:33They haven't heard it.
00:06:34These guys are going to find out, man.
00:06:35They'll find out.
00:06:40They haven't seen me like this.
00:06:41Look, they haven't seen me.
00:06:45That?
00:06:46That?
00:06:47What do you want?
00:06:48Go to bed, grandpa.
00:06:50that you'll still sleep warm.
00:06:54Come on, let's go, Jorge.
00:06:55He's in on the joke, huh?
00:06:56Since they are very young,
00:06:57That's not...
00:06:57Let's leave them and then if necessary, call the police.
00:07:00Remember, son.
00:07:01He who laughs last,
00:07:02laugh better.
00:07:03Come on, come on, let's go.
00:07:03Come on.
00:07:03Okay.
00:07:04Come on!
00:07:24Work! Work!
00:07:27Wake up, kid. Come on, brush your teeth.
00:07:29Oh! With all the commotion last night, I went to sleep later.
00:07:35I know, honey, but otherwise we won't get to school, okay? Come on, hurry.
00:07:40Tete, what are you doing?
00:07:42It's... Do you have a message?
00:07:46From... Raúl.
00:07:49Raul.
00:07:51Come on, Raúl again?
00:07:53And Raúl...
00:07:55But this Raúl I caught you with the other day. I mean, Raúl...
00:07:59Tete.
00:08:00I'll read it to you. Let's see.
00:08:02I can't wait for the day to come when I can see you again, my queen.
00:08:08What are you wearing?
00:08:10It's not that I'm going into detail about you.
00:08:12Yeah, yeah. Tete.
00:08:13But, Eva...
00:08:14Give it to me. For God's sake, for God's sake, tell me.
00:08:16Give it to me, now. Give it to me.
00:08:18Okay, okay. Wait. I'll give it to you.
00:08:21But, if you tell me.
00:08:24Gossip.
00:08:28Nothing, dude, it's just... what happened the other day was just a silly thing, okay?
00:08:32And... and well, now he's gotten his hopes up and I don't want anything serious.
00:08:37And why did you get involved with him?
00:08:39Well, because it happened.
00:08:42Well, that...
00:08:44who is my friend and makes me laugh sometimes and...
00:08:47And well, it's not so bad, is it?
00:08:50So... well, anyway, I don't want to be his girlfriend, okay?
00:08:53Wait, let me see if I understand.
00:08:56So... you like him enough to hook up with him,
00:08:59but not enough to be boyfriend and girlfriend.
00:09:02So... well, look, Eva, do you like it or not?
00:09:05It's just not...
00:09:07Come on, things don't work like that, okay?
00:09:11You'll understand.
00:09:13And besides... I have other things on my mind now, right?
00:09:17Well, aunts.
00:09:18Hello good morning.
00:09:20For me.
00:09:22I think you just have to tell Raúl right now and cut him out.
00:09:26It's not that easy.
00:09:28Because he's my friend and I don't want to hurt him.
00:09:31Aunt Eva, are you going to hurt Raúl?
00:09:33Yeah.
00:09:34I think that even if you said yes, you couldn't do that.
00:09:36Okay, that's enough, Tete, alright?
00:09:38And I'm sure Raúl has already realized and understood everything.
00:09:42Much more sensitive and intelligent than you think.
00:09:45Good morning, family.
00:09:46How are we?
00:09:47Hello hello.
00:09:48Good? Hello, honey.
00:09:49You sit down.
00:09:50Relax.
00:09:51Eat your breakfast, I didn't come for you.
00:09:52I came for my girl.
00:09:53Yes sir.
00:09:54How are you, darling?
00:09:55Good?
00:09:56Shall we go? Shall we stay? Are you finished?
00:09:57Can I sit with you?
00:09:58That?
00:09:59No, no. The sooner the better.
00:10:00Come on.
00:10:01Okay, let's go.
00:10:02I'm going to sing to you too.
00:10:04Thanks, sister-in-law.
00:10:06Come on, darling.
00:10:07Look at the face you're making, Diego.
00:10:10It's scary.
00:10:11What's up, Efe?
00:10:12Did you buy yourself some eye cream at the pharmacy or what?
00:10:15Eye cream, for dark circles.
00:10:17Earplugs.
00:10:19Okay, again.
00:10:20Another sleepless night because of the neighbors.
00:10:22Because of the neighbors.
00:10:23You haven't told them something.
00:10:24What was I going to say?
00:10:25I went there to have a dialogue.
00:10:26In other words, to have a dialogue.
00:10:27In other words, to have a dialogue.
00:10:28What is meant is dialogue.
00:10:29I have spoken.
00:10:30But of course, these kids, well, they're always getting on his nerves.
00:10:33The bad thing is that he was covered in front and saw the joke that was going on.
00:10:37Did they laugh at you in front of the little one?
00:10:39So, what about laughing?
00:10:40To say we'd laugh, well, no.
00:10:41Laughing, no laughing.
00:10:43Seriously, the guys weren't there either.
00:10:45Well.
00:10:46Well, yes, they've been teasing me.
00:10:47Few have tried to fool me.
00:10:48Fuck.
00:10:49Damn, damn.
00:10:53No, Diego, that's not how it is, Diego.
00:10:55That's not the case.
00:10:56That's not the case.
00:10:57That a father is a hero to a child.
00:10:58And you can never look like a loser in front of a kid.
00:11:01That then leaves a mark on them and creates a trauma for life.
00:11:05Clear.
00:11:06And why didn't you call the police?
00:11:08Yes, I called the police.
00:11:09But the police come, measure the decibels, and leave.
00:11:12He tells them not to make noise and leaves.
00:11:13And as soon as the guys leave, well, next time he plays it again.
00:11:15Look what I'm going to tell you.
00:11:16Your child's admiration is at stake.
00:11:18It can't be solved with dialogue or with those decibel levels.
00:11:21Already.
00:11:22And let's see, you who are so smart.
00:11:23How do you solve that, Einstein?
00:11:24Look, dialogue with these kids is useless.
00:11:27We have to go there and scare them, put a little fear in their hearts.
00:11:30What are you saying, Fito?
00:11:31I pick up a stake and you read me a big stake.
00:11:33Are you saying that?
00:11:34No, no, no.
00:11:35It's not that.
00:11:36It's not that.
00:11:37That?
00:11:38It's not that.
00:11:39It's about...
00:11:40Intimidation.
00:11:41Hey?
00:11:42The eye of the tiger.
00:11:44That?
00:11:45One thing I learned in karate when I was young.
00:11:48In other words, there are people who intimidate.
00:11:50They're intimidating, you see them and think, damn, this guy is dangerous.
00:11:52That when there's a fight, you know they're not going to back down.
00:11:54Those are the ones who have the eye of the tiger, mostly.
00:11:57And then the numerical factor.
00:11:59The numerical factor is essential.
00:12:01You are one and they are three.
00:12:03So the numerical factor needs to be balanced as soon as possible.
00:12:06As?
00:12:09So, going there tonight, the three of us, we'll stand there and scare the hell out of them.
00:12:14Damn, of course, Diego.
00:12:16Look, Diego, if you want, you can stay behind.
00:12:18Okay?
00:12:19I do the tiger's gaze.
00:12:21And you, Santiago?
00:12:24Just being there is enough.
00:12:26Okay, okay.
00:12:32Okay, we'll stop.
00:12:36Just one more word back there and I'll have you doing push-ups all morning.
00:12:39Is that clear?
00:12:41Well, I see we can still understand each other.
00:12:45Today we will finish the class with a basketball game.
00:12:49You, Capdevila, captain of the first one.
00:12:52Tour captain.
00:12:53Were you saying something, Serrano?
00:12:55No, no, no.
00:12:56Well, that...
00:12:57Captain, my sister?
00:12:58Anything to object to?
00:13:00Okay, then you're the captain of the other team.
00:13:05Choose your teams and start playing.
00:13:06I'll be back in five minutes.
00:13:08Well, we're late.
00:13:12Chocolate?
00:13:13No.
00:13:14Carrot?
00:13:15No.
00:13:16Dumbo?
00:13:17No.
00:13:18Lice?
00:13:19Less.
00:13:21Mustafa?
00:13:22Okay.
00:13:23What is this, what nerve?
00:13:24Why do you have to start?
00:13:25Because it's always been that way, giraffe.
00:13:27Hey, come on, hurry up or you'll miss the turntable, okay?
00:13:31Okay, Esther.
00:13:35Jack.
00:13:36David.
00:13:37Martinez.
00:13:39Lole.
00:13:41Cristian.
00:13:42Hugo.
00:13:44Maria.
00:13:45Robert.
00:13:47Lorena.
00:13:48Die.
00:13:50And finally, the best.
00:13:52The four eyes.
00:13:54The owl, the windshield, the ten and the Yoli.
00:13:57Who will see the ball first?
00:13:59Hey, it has the name, huh?
00:14:00Just like you and me.
00:14:03Let's see, do you see anything?
00:14:06Okay, fine.
00:14:07Sorry, guys.
00:14:09Don't go too far, she's my sister.
00:14:11Yes, but does it have magnifying glasses or not?
00:14:13Look, dude, this isn't an NGO.
00:14:15The first thing is the team.
00:14:17What are you on about?
00:14:19Do you think you're perfect or superior to others or what?
00:14:22Well, now that you mention it,
00:14:25It's not my fault they treated me so well.
00:14:27And as you can understand, I'm not going to surround myself with blind people if I want to win the game.
00:14:31Oh, by the way.
00:14:33If you want to win more, you'd better leave the disabled players on the bench.
00:14:38Come on, come on!
00:14:43Come on!
00:14:45Come on!
00:14:46Come on!
00:14:47Come on!
00:14:48Come on!
00:14:49Come on!
00:14:50Come on!
00:14:51Come on!
00:14:52Come on!
00:14:53Come on!
00:14:54Come on!
00:14:55Come on!
00:14:56Come on!
00:14:57Come on!
00:14:58Come on!
00:14:59Come on!
00:15:00Come on!
00:15:01Come on!
00:15:02Come on!
00:15:03Come on!
00:15:04Come on!
00:15:05Come on!
00:15:06Come on!
00:15:07Come on!
00:15:08Come on!
00:15:09Come on!
00:15:10Come on!
00:15:11Come on!
00:15:12Come on!
00:15:13Come on!
00:15:14Come on!
00:15:15Come on!
00:15:16Come on!
00:15:17Come on!
00:15:18Come on!
00:15:19Come on!
00:15:20Come on!
00:15:21Come on!
00:15:22Come on!
00:15:23Come on!
00:15:24Come on!
00:15:25Come on!
00:15:26Come on!
00:15:27Come on!
00:15:28Well, it's not exactly the end, it's more Melivea's attitude that's the end, because...
00:15:36I know why he doesn't fight for the relationship if he loves Calisto so much.
00:15:39Calisto and Melivea are very different and have incompatible lives.
00:15:44Melivea will have to leave Calisto and it will hurt Calisto, but he will have to understand.
00:15:49Hm?
00:15:50Ah!
00:15:51Hey, we could go to the movies tonight, okay?
00:15:55It's because they're showing a new Jacky movie.
00:15:57Ah!
00:15:58Raul.
00:15:59She wasn't stupid!
00:16:00He told you to choose, man.
00:16:01No, Raúl.
00:16:02Our first movie, okay?
00:16:03Raúl, we need to clear something up, okay?
00:16:05No, no...
00:16:06Hey!
00:16:07Look!
00:16:08Hey!
00:16:09Look!
00:16:10Hey!
00:16:11Look!
00:16:12Hey!
00:16:13Look!
00:16:14Hey!
00:16:15Look!
00:16:16Look!
00:16:17Look!
00:16:18Dude, man, you were telling me that...
00:16:21Well, I have a secret, you know?
00:16:23Let's see if he stops babbling.
00:16:24No, damn it!
00:16:25Spy on yourself, at least.
00:16:26Leave him alone, he's in love, right?
00:16:28Yeah!
00:16:29You seem to be doing very well, don't you?
00:16:32Well, then...
00:16:33Well, then...
00:16:34Yes, that's true.
00:16:35But, well, you guys aren't doing too badly either.
00:16:37He's already coming to pick up your girlfriend from home and everything.
00:16:39Man, kid.
00:16:40To leave her alone.
00:16:41There are a lot of vultures out there, you know?
00:16:43Already.
00:16:44Oh!
00:16:45Hey man, since we're all in the same boat, why don't we go out for dinner?
00:16:50Forever?
00:16:51Like a couple?
00:16:52Clear!
00:16:53Okay?
00:16:54That's fine by me.
00:16:55No, that's not it.
00:16:56Already...
00:16:57Because you know that Raquel prefers that she doesn't see us together.
00:17:01Come on, we always meet at his house.
00:17:02So...
00:17:03Hey!
00:17:04You're the fucking boss, dude.
00:17:06Right there, straight to the point.
00:17:07Bastard.
00:17:08Already.
00:17:09Well.
00:17:10How do you manage it?
00:17:11If you give me a little something.
00:17:12But anyway, what about you guys?
00:17:14No.
00:17:15Marcos!
00:17:16Yeah.
00:17:17Me...
00:17:18Me...
00:17:19Leave.
00:17:20Leave.
00:17:21Okay?
00:17:22Come on, kid.
00:17:23Let's go, shall we?
00:17:24But hey, you already have a copy of Romantics.
00:17:25Hey.
00:17:26It's always there...
00:17:27So you can see that I'm a romantic guy too.
00:17:28Well, move aside and leave it to me.
00:17:29Come on.
00:17:30Psst.
00:17:31Pille.
00:17:32The magpie appears.
00:17:33If she goes fast, she'll escape us if she catches us.
00:17:36Okay, fine.
00:17:37But hurry up, okay?
00:17:40Good afternoon.
00:17:41What are you doing here?
00:17:42Come to class.
00:17:43This?
00:17:44Yes, no, no.
00:17:45I have to...
00:17:46No no.
00:17:47I have to...
00:17:48No no.
00:17:49Come on, come on.
00:17:50Come on, come on.
00:17:53Pille.
00:17:54What are you doing here?
00:17:55Come to class.
00:17:56This?
00:17:57Yeah.
00:17:58Yes, Candela, yes.
00:17:59That?
00:18:02Period.
00:18:03Does the saw cut well?
00:18:04Yeah.
00:18:05Miss, this isn't what it looks like, is it?
00:18:07Yes, of course, naturally.
00:18:08This is the marquetry class.
00:18:10Come on.
00:18:11Everyone to their place.
00:18:12Fast!
00:18:14There are certainly some who teach us a lesson, aren't there?
00:18:17Look.
00:18:18It's just occurred to me.
00:18:19Could we all come on Saturday at 9 a.m. to remove the chewing gum from the entire classroom?
00:18:23No no.
00:18:24No no.
00:18:25No no.
00:18:26No no.
00:18:27No no.
00:18:28No no.
00:18:29No no.
00:18:30No, no, no.
00:18:31But what are you on about?
00:18:32Hey man, I'm sorry.
00:18:33I got distracted by Chucky and the other side attacked me from behind.
00:18:36Imagine the fright I got.
00:18:38No, yes.
00:18:39Let's see.
00:18:40Very good.
00:18:41Serrano.
00:18:42I see that punishment alone isn't enough, is it?
00:18:43Or not?
00:18:44Look, maybe I'm wrong and what's happening to you is that you already know how to analyze the sentence.
00:18:47Clear.
00:18:48Come on.
00:18:49Get up.
00:18:50Vela and separate the main one from the subordinate one.
00:18:55The thing is...
00:18:56I don't know if it's going to turn out well, you know?
00:18:58Uh-huh.
00:18:59But I'll tell you that.
00:19:00Come on.
00:19:04These...
00:19:07These are the roosters that go and fly.
00:19:10Very good, Serrano.
00:19:11I see the comedy festival has already begun.
00:19:13Don't test my patience and read.
00:19:15Come on.
00:19:18These...
00:19:28These are the roosters my grandmother has.
00:19:31Very good.
00:19:32Congratulations, Serrano.
00:19:33You have already formed the consciousness.
00:19:34You're getting on my nerves with your nonsense, aren't you?
00:19:36You have a zero.
00:19:37Sit down.
00:19:39Yeah.
00:19:41Thank you.
00:19:43Ah, yes.
00:19:44You have a medical exam first thing tomorrow.
00:19:46At nine o'clock analysis and at nine thirty eye exam.
00:19:50Early morning and without breakfast, okay?
00:19:52No.
00:19:53Can I say which ones are going to come out?
00:19:54No, no, no.
00:19:55No.
00:19:56No.
00:19:57No.
00:19:58No.
00:19:59No.
00:20:00No.
00:20:01No.
00:20:03No.
00:20:04No.
00:20:05DAD.
00:20:06Hey dude, this is all about girls.
00:20:32Yes, I want to buy her a gift, right?
00:20:34Ah, that does the trick.
00:20:36No.
00:20:37No.
00:20:39Marcos, dude, gifts have always been given before...
00:20:45Ah, okay, this is a gift from Ford.
00:20:48No, no, that's not it, Raúl, that's not it.
00:20:50No?
00:20:51No.
00:20:52Well, man, I still think about that, about not wasting money.
00:20:55No, it's just that we've had a rough few days, haven't we?
00:20:58No, but nothing important, right?
00:20:59But I want to fix it as soon as possible, you know, neither do you?
00:21:03Ah, okay, okay, just a lovers' quarrel.
00:21:04That's it, nothing, nothing.
00:21:05Okay.
00:21:06Well then, let's...
00:21:08Well then, let's...
00:21:10Marcos, come, come, come, come.
00:21:22Dude, I have the perfect solution.
00:21:27Just so you know, I'm telling you that you're family, okay?
00:21:31Raul.
00:21:32I'd start off well, kid.
00:21:33Raúl, who never fails, man, my father says so.
00:21:35That's 20 years of success.
00:21:36Raúl, dude, how am I going to give the lynx and Raquel, dude.
00:21:39Yeah, man, but it's a gift for everyone.
00:21:41Like a candle, dude, even my aunt, it clogs up my pipes, you.
00:21:44Look, look, standard, look, it's very difficult.
00:21:48I don't know, it's short like that, look at it.
00:21:50It's a bit...
00:21:51Oh, dude, no, Carmen Díez, the name of another row, no, no, no, no, I don't see it.
00:21:58Carpe, carpe diem, corte diem, la tiñez.
00:22:04Seize the moment, seize the moment, the tour of the dead toys, the movie.
00:22:10Raúl, this means that life goes by very quickly and that we have to enjoy every moment as if it were the last, right?
00:22:16That's what you need, man.
00:22:21One message, dude.
00:22:23Dude, dude, you're awesome, man.
00:22:24You're capable of extracting poetry from a plate of meatballs, it's amazing.
00:22:28And the aunts love that.
00:22:30Of course, of course.
00:22:31Yes sir.
00:22:32If the shirt is right, man, of course it is.
00:22:35Girls, let's get to the point and the rest is nonsense.
00:22:38Of course.
00:22:39Very good.
00:22:40Okay, no, no, the first line, do you see it?
00:22:52Yeah.
00:22:53A, C, H, P.
00:22:55And I also see the one below.
00:22:56You can also see the second line.
00:22:58The fifth, M, O, R, H.
00:23:01Dinner is ready.
00:23:04What were you doing?
00:23:05And what's it to you, Maricera?
00:23:07We're playing a game to see who has the letters.
00:23:10I don't know, but he's not getting anything right.
00:23:14Now I understand everything.
00:23:16You weren't being silly this morning, were you?
00:23:18You're really blind.
00:23:20Well, I know someone who's not going to pass the eye exam tomorrow.
00:23:23What are you saying, giraffe?
00:23:25Yes, I can see.
00:23:26And besides, if not, it doesn't matter either.
00:23:27Because I tell Abeliche to give me the lyrics, so you better shut up.
00:23:31Already.
00:23:31Abeliche, right?
00:23:32You know what your friends are going to say when they see you're blind, right?
00:23:35They're going to call you blind, a magnifying glass, a snob.
00:23:41You're going to be the new ceiling-breaker of the class.
00:23:44Oh, and by the way, who's going to pick you for football?
00:23:47Don't be mean, Teté, don't tell her that.
00:23:49They're going to laugh at you for being smelly and four-eyed.
00:23:51Well, don't worry, with ten you'll be able to talk.
00:23:54As long as he forgives you.
00:23:55What are you saying, you little brat?
00:23:57They're not going to put glasses on me.
00:23:59And if we don't go, I'll think of something.
00:24:01You're going to sign your death warrant as class leader.
00:24:05Why do you say "I," Teté?
00:24:06Okay, Teté, wait.
00:24:11Okay, maybe you have a point.
00:24:15But hey, if you want you can help me.
00:24:17Oh, thank you.
00:24:18Not a chance.
00:24:19It's not just what I'm going to enjoy about seeing you in a corner.
00:24:21And just so you know, your friends will only remember you to play pranks on you.
00:24:25Just like you do with ten and with Yoli.
00:24:26Okay, fine, Teté.
00:24:27I promise that if you help me, I won't mess with them again.
00:24:30It would be, it would be good.
00:24:34Are you serious?
00:24:36Yes, I swear I will never laugh at them again.
00:24:39And what about me?
00:24:41Don't you have anything to say to me?
00:24:43Okay, you're not a giraffe.
00:24:47You're more like...
00:24:49Coyocisme.
00:24:50Very good, kid.
00:24:53You're making progress.
00:24:55Keep it up, okay?
00:25:08Well.
00:25:09It looks like there's no party tonight.
00:25:12Let's say...
00:25:13I'm going to sleep.
00:25:14But we couldn't sleep last night, could we, Dad?
00:25:17Yes, José, he's going to give it to me.
00:25:18Go to sleep and get some rest.
00:25:19Come on, give me a kiss.
00:25:20See you tomorrow.
00:25:21See you tomorrow.
00:25:22See you tomorrow, Fite.
00:25:23See you tomorrow, Trongo.
00:25:26That?
00:25:28He's devastated.
00:25:30Of course, he's seeing that his father is a shit-eater.
00:25:33You have disappointed him, Diego.
00:25:34You have disappointed him.
00:25:35Stay still with your little hand, Fite.
00:25:36Stay still, man.
00:25:36Be quiet.
00:25:41That's bad luck too, isn't it?
00:25:42Every night they start a row in Norte Menés
00:25:44And it just so happens that you guys have to come.
00:25:46It seems they want to make me look bad.
00:25:47The panchitos are gone.
00:25:50We're bringing more.
00:25:51And bring a little bit of that good ham you have too.
00:25:53Yes, to wait.
00:25:54I'm not even going to tell you what a little tortilla is.
00:25:56What about you?
00:25:56Come on.
00:25:57This thing is better done on a full stomach, Diego.
00:25:58Listen to me.
00:25:59This is absurd.
00:26:00I'm leaving, I'm dead tired.
00:26:02Wait a bit, Santi.
00:26:03Go, wait.
00:26:05There, Diego.
00:26:06There, there, there.
00:26:07There, there, there it is.
00:26:08Can you hear it?
00:26:09Damn, what bastards, but...
00:26:11I have no choice.
00:26:13Logical.
00:26:14Come on.
00:26:15No way?
00:26:16Let me speak, okay?
00:26:17The important thing is not what is said, but how it is said.
00:26:19Okay, fine.
00:26:20But, but...
00:26:21Very good.
00:26:21What are you doing with the club?
00:26:23Come on, come on, come on.
00:26:24But did the guy bring his cudgel to the tavern?
00:26:25This is better than staring at the tiger.
00:26:27What are you saying?
00:26:28Bring it here.
00:26:28Come on, throw it, throw it.
00:26:29Come on, come on, shoot.
00:26:29Come on, we have to intimidate, huh?
00:26:30Intimidation.
00:26:31Strip.
00:26:31Stay still, stay still, just a moment.
00:26:38Come here, damn it.
00:26:38Stay still, let me speak, let me speak.
00:26:41You have to look directly into their eyes, okay?
00:26:42Hey?
00:26:43They'll definitely be terrified.
00:26:44I'll call you, don't worry, don't worry.
00:26:47Calm down, please, please, calm down.
00:26:51Damn, grandpa.
00:26:52Well.
00:26:53Which are more of the two, grandpa?
00:26:54It's time to go to bed.
00:26:55I'm going to tell you something, brother.
00:26:57The music is a little loud.
00:26:59It's starting to bother me.
00:27:00So maybe you want me to come in and rip all your snoods off.
00:27:03Either you lower it willingly, or you lower it by force.
00:27:07No, those people at the incess can be rude, huh?
00:27:09I dress however I want.
00:27:11I come in here, grab the landlord and throw it away to see so.
00:27:13You're wrong, kid.
00:27:14You're wrong.
00:27:15Let's see, we're right.
00:27:17We're right, because this isn't white.
00:27:18You can't sleep at night, don't you understand?
00:27:20What's going on there?
00:27:22We've already thrown it away.
00:27:24Why do you think that just because your little friends are coming over we're going to get bored?
00:27:26Equal.
00:27:29Pussy.
00:27:30A guy bigger than you is a bun.
00:27:34But that's how you'll test me with that grumpy face tomorrow.
00:27:37But here you insult me every half meter.
00:27:39Half a meter, half a dozen wafers.
00:27:40What's going on there?
00:27:41Let's see, because everyone fell.
00:27:44Let's talk.
00:27:45Because people can understand each other by talking.
00:27:46You're wrong, guys.
00:27:48You're making a mistake.
00:27:49That's enough, man.
00:27:50That's enough.
00:27:51We all want to sleep too.
00:27:53He remains silent for you.
00:27:54What time should this burial take place?
00:27:55Let's see if you're going to bed all hot and bothered.
00:27:57What a witch.
00:27:58View account.
00:27:59You're all a bunch of clowns.
00:28:01Come on.
00:28:02There are you too.
00:28:03Let's go, let's go.
00:28:04Come on.
00:28:04You, you and all those like you.
00:28:05If you need a ladder.
00:28:07Look, my arm is getting hot.
00:28:08When he punches you, you'll even take the noise with you.
00:28:10Grandfather.
00:28:10Look, look, look.
00:28:11You're making a slight mistake, you know?
00:28:13Yes, yes.
00:28:13I feel a tingling here in my fists.
00:28:14Yeah.
00:28:15But that's going to be the route.
00:28:16Man, look at the grandparents.
00:28:18Grandparents.
00:28:19Grandparents, you will not be your father.
00:28:20You, monkey.
00:28:21Be jealous.
00:28:21It's not the Chanti!
00:28:22The Chanti!
00:28:23It's not the Chanti!
00:28:24It's not the Chanti!
00:28:25It's not the Chanti!
00:28:25It's not the Chanti!
00:28:34Come on, Curro, you really overslept today, huh?
00:28:38I just couldn't sleep again.
00:28:40No, neither you nor anyone else.
00:28:41What a mess.
00:28:42We need to see what they organized yesterday.
00:28:43Ah, this youth.
00:28:44Then again, they probably won't even go to class.
00:28:46How many days are there here?
00:28:48And here?
00:28:49Good morning!
00:28:50Hello.
00:28:51What's up, family?
00:28:52What's happening?
00:28:52Those faces we have while asleep.
00:28:54Please.
00:28:55How's my girl?
00:28:57How are you?
00:28:57Shall we go to school?
00:28:58Uh, no.
00:28:59No, I just need to get ready, okay?
00:29:01You go.
00:29:01Yeah?
00:29:02Okay.
00:29:02Well, I'm leaving.
00:29:04Well, I'm leaving.
00:29:04Oh, hey, one little thing.
00:29:05He is a sympathizer.
00:29:06I've reserved a table at a restaurant tonight,
00:29:09Just you, me, and the moon.
00:29:12Okay?
00:29:13Good?
00:29:14Okay.
00:29:14Okay, see you later.
00:29:16See you later.
00:29:17See you later.
00:29:18See you later, mate.
00:29:22Okay, good morning.
00:29:23Good morning.
00:29:24You can see how the kid is getting the message, huh?
00:29:26But not me.
00:29:27What's the matter?
00:29:28What's the matter?
00:29:29Okay, I'm going to do what you thought, okay?
00:29:31No no.
00:29:32What happened to you?
00:29:32No, nothing.
00:29:33Nothing.
00:29:34I fell in the shower.
00:29:35Come on, I treated myself and fell in the shower.
00:29:36In the shower now?
00:29:39Yes, that's already purple.
00:29:41Yes, but well, it couldn't have been now.
00:29:43It must have been 20 minutes ago, I don't know.
00:29:44Yes, Dad, I haven't been able to sleep at all.
00:29:47Oh, well, what a mess, don't you think these are the neighbors?
00:29:51Well, I slept great, mate, with a log.
00:29:52I didn't understand anything.
00:29:53What happened to you?
00:29:54What happened to you?
00:29:55What happened to you?
00:29:57And you?
00:29:58What I do?
00:29:59Dude, have you fallen in the shower too?
00:30:01What shower?
00:30:02Oh, what the heck, those kids you have as neighbors.
00:30:06Well.
00:30:10So, you guys got into a fight with the...
00:30:12Did they beat you up or not?
00:30:13No, no, no, we haven't hit each other or been beaten up.
00:30:16We have, let's see, we have gone to talk.
00:30:18We have talked.
00:30:19The thing is, things have gotten complicated.
00:30:20Yes, Dad, you guys beat them up, right? But how am I supposed to give?
00:30:22Yes, you definitely won.
00:30:24Look, nobody ever wins in a fight, right?
00:30:27Sister-in-law, she fights and on top of that, she's a dog.
00:30:29So, so, so, so.
00:30:29Go, go, go, go.
00:30:30Violence is something that...
00:30:32You shut up too.
00:30:33You're right, but they were just kids.
00:30:35I mean, kids, they looked like the Spanish national basketball team.
00:30:38On top of that, they were ambushed.
00:30:40Yes, there was an ambush.
00:30:41I mean, because there was an ambush, no, there was an ambush, sorry, there was an ambush.
00:30:44Yes sir.
00:30:45You have to see that to believe it, huh?
00:30:46There is an example for the children.
00:30:47Yes, ma'am, she understands this too.
00:30:49Deis, let it be the stoves.
00:30:50Santi, Santi, you're right.
00:30:52You are right, Carmen, you are right.
00:30:55From now on, nobody will ever fight in this house again.
00:30:58Understood?
00:30:59Good.
00:31:00Now, come on, wake up and what's your name?
00:31:02Fight, you're so tired!
00:31:03Guille, you're taking a big risk, Guille, huh?
00:31:05You're taking a risk.
00:31:06Guille.
00:31:10Okay, guys, the last six.
00:31:13What's your name?
00:31:13The manager.
00:31:16Come on, hurry up.
00:31:18Okay, you sit down there.
00:31:20How old are you?
00:31:21Eleven.
00:31:22And what class are you in?
00:31:23Sixth.
00:31:26Come on.
00:31:29Read on until the fifth row.
00:31:32Isn't it enough for me to read the first two?
00:31:35Have you heard?
00:31:35Dupo four eyes!
00:31:36No, that's what you were missing, kid.
00:31:38Silence.
00:31:39Are you going to read it or not?
00:31:40Yes, yes, I do read it.
00:31:42But what are you going to read if you're completely shut down?
00:31:45Come on, hey.
00:31:47Come on, don't worry.
00:31:49Go see the nurse.
00:31:49The next one.
00:31:52What's your name?
00:31:54We're going to do what we agreed, right?
00:31:56Ten.
00:31:57Come on, read me up to the fifth row.
00:31:59What are they catching Diez with?
00:32:02It's a big cat.
00:32:03I didn't come to the third row.
00:32:04And that's with the magnifying glass on.
00:32:06Well, it's not that big of a deal, is it?
00:32:08No?
00:32:08Listen, listen.
00:32:09R.
00:32:10The...
00:32:10The...
00:32:12The...
00:32:13The D.
00:32:14What are you saying?
00:32:15You're not going anywhere, man.
00:32:16Well, you.
00:32:17Okay, that's enough.
00:32:19Let's see, Ten.
00:32:21Most likely, you need new glasses.
00:32:24But it's okay.
00:32:25Damn, that's more or less a jazón is chiro.
00:32:27The crystals are just as thick.
00:32:29Hey, let's see.
00:32:30To make the candlestick outside, huh?
00:32:32If you stay here, in silence.
00:32:34We're not going.
00:32:37Chabete will take this.
00:32:39Thank you.
00:32:40Okay, you.
00:32:42María Teresa Capdevila.
00:32:44Excuse me.
00:32:45If you don't mind, I'd like to go first.
00:32:48Come on, my sister doesn't mind.
00:32:50I have violin lessons.
00:32:52That's fine with me.
00:32:53Guillermo Serrano, right?
00:32:55Okay, come on, sit down.
00:32:57You're going to start with line 5.
00:33:01The P.
00:33:03The E.
00:33:05The D.
00:33:07And the O.
00:33:08But!
00:33:09Come on, no joking around.
00:33:13It was a little joke.
00:33:15Now, seriously.
00:33:20The C.
00:33:22The U.
00:33:24The L.
00:33:27The O.
00:33:33Ass!
00:33:35Ass!
00:33:35But seriously, can't you see it or are you just joking?
00:33:50Okay, fine, I don't see anything.
00:33:53I don't know what's happening to me.
00:33:55Well, don't worry, nothing's wrong.
00:33:57You probably have myopia, and that can be fixed with glasses.
00:34:00Oh, what happened yesterday too, Fiti.
00:34:13We should stop going around looking for trouble.
00:34:15Well, old lady, what are you telling me, Diego?
00:34:19Fiti, I'm telling you that we're not young anymore, that we're not young anymore, and also that we've
00:34:22set a bad example for my children.
00:34:23So, they're going to think their father goes around fighting and looking for trouble.
00:34:27quarrel.
00:34:27No, no, it's not a fight, damn it.
00:34:30That what we were seeking was justice.
00:34:31There, there, there, there you've got it, there you've got it.
00:34:33Justice.
00:34:34What are we?
00:34:34What are we?
00:34:35What are we?
00:34:36Men or wimps?
00:34:38What are we?
00:34:38But listen, Fiti, what does that have to do with being men, with giving
00:34:42of milk?
00:34:42Hey?
00:34:43Or a lot, a lot.
00:34:44Damn it, Diego, please, Diego, don't let them fool you with the story of the sensitive man.
00:34:48This isn't a Cosmopolitan quiz, this is the real world.
00:34:51In the real world, if a man has to fight, then so be it.
00:34:53Fuck.
00:34:53No, no, Fiti, no, no, this isn't how it is, Fiti, no.
00:34:56We can't let those kids get away with it and cause trouble every night.
00:35:01I'm freaking out, man, I mean.
00:35:03Are you so satisfied?
00:35:05I?
00:35:05So, you're happy the way you are?
00:35:07What's wrong with you?
00:35:07Don't you have any pride?
00:35:08Or what?
00:35:08That I have no pride?
00:35:10Yes, yes, but do you know what hurts me more than my pride?
00:35:12The bad example my children set.
00:35:13That hurts me more.
00:35:14Yes, no, no, no, and now you're going to let four bald guys keep your family awake.
00:35:19Look, I'll tell you something, Diego, if the police can't do anything, you can.
00:35:23You can and you should.
00:35:25As someone once said, it's better to die on your feet than live on your knees.
00:35:31And let them laugh at us.
00:35:32What are they doing?
00:35:32Well, that's where I know about the others!
00:35:33But let me make you realize that yes, they laughed at us and beat us up.
00:35:37We've been beaten up.
00:35:38So, how do we give them what they deserve?
00:35:40So, we're going back again, so what?
00:35:42Well, the element of surprise, because they caught us unprepared.
00:35:44The surprise factor.
00:35:45You call that the surprise factor, staring like an idiot into eyes that seemed nearsighted.
00:35:49That's the look of the tiger.
00:35:50The gaze of the tiger, the gaze of the idiot.
00:35:52And the idiot's gaze is his own.
00:35:54And what about you?
00:35:54Santi, skipping so we can't reach the chalk patch.
00:35:56Yours?
00:35:56I got the biggest one!
00:35:58Ah, he played the biggest one, yes.
00:35:59So, we're coming back again tonight and they're going to get us pumped up.
00:36:02The batteries.
00:36:03He's going to be right.
00:36:04He's going to be right.
00:36:05If only...
00:36:06I'm going to need a strategy, mostly.
00:36:10Yes, but which one?
00:36:12This sport, unlike the previous one, in addition to cultivating body and mind,
00:36:16It is considered one of the best methods of defense.
00:36:19Due to its variety of movements and holds, judo is an excellent exercise that provides...
00:36:24No way, Cite.
00:36:25No way.
00:36:26...a great capacity for concentration.
00:36:29But how could you be such a pig?
00:36:32How could you?
00:36:33That?
00:36:33How could I have what?
00:36:34But you're the one who kept laughing at 10 and Yoli.
00:36:36You'll find out, you piece of shit giraffe.
00:36:38Yes, you'll find out.
00:36:39Four eyes.
00:36:39You're going to get a taste of your own medicine.
00:36:40Your own medicine, your own medicine.
00:36:42But will you be accurate, you damn giraffe?
00:36:44Four eyes!
00:36:45But what?
00:36:46Hey, Guille!
00:36:47What are you doing?
00:36:48Stay still!
00:36:49Guille stops.
00:36:50I'm shitting myself.
00:36:50But hey, can you tell me what you're doing?
00:36:52Look, I don't want to see any more fights in this house, okay?
00:36:54That's how they fix things for us.
00:36:59No, yes, I was already leaving.
00:37:00Oh, by the way, Diego, the school doctor gave Guille a very important note for you.
00:37:05Oh, really?
00:37:06Read it.
00:37:07Okay.
00:37:09Guille, the note.
00:37:12The note, Guille.
00:37:13The note.
00:37:14Sit down, come on, sit down.
00:37:17Here.
00:37:19Nothing, it just says you have myopia.
00:37:21It didn't give a triangular shape, young man, but no, you need glasses.
00:37:23But it's okay.
00:37:24Come on, let's go to the optician.
00:37:25What do you mean nothing's wrong?
00:37:27This is it, it's all over.
00:37:29They're going to ostracize me, they're going to laugh at me, and my friends are going to abandon me.
00:37:32Guille, would you mind not exaggerating?
00:37:33Because you really like to exaggerate, don't exaggerate, okay?
00:37:35So, when you were in school, what did you do to children who wore glasses?
00:37:38I?
00:37:38Nothing, what was I going to do to the children who...
00:37:40Well, look, I'm remembering an uncle named Casimiro, his name was Mom.
00:37:44We would take off his glasses and put them in the toilet cistern.
00:37:47No, no, no, no, no, no, no, no, no, no.
00:37:48It was in other times and we had more free time, that is, we studied less.
00:37:52Okay, come on, you guys are much smarter now and you don't do things like that, that's all.
00:37:54Come on, Dad, please, we're talking about bowling and Mustafa, and those guys don't forgive.
00:37:59But it's my fault.
00:38:01I taught them everything they know, and now it's turning against me.
00:38:03But I mean, man, no, no, they're your friends, man, don't worry.
00:38:06Besides, now they make glasses that, well, they don't even look like they're for seeing, do they?
00:38:12We just grab some that are nice and that's it.
00:38:14Come on, let's go.
00:38:15I'm not going, not a chance.
00:38:17So what if they break in?
00:38:19No, I'm staying here, I don't care.
00:38:22Okay, fine, do whatever you want, but if you don't come, I'll go with Uncle Santiago and we'll pick out some trendy glasses and stuff.
00:38:27Ah, if you don't like them, well that's your problem, dude.
00:38:29The place is good, right?
00:38:49Romantic?
00:38:50I was going to take you to the Chinese restaurant, but then I thought, would it be more romantic or a Mexican one?
00:38:53Clear.
00:38:55I don't know if it's more romantic than the Chinese one.
00:38:58Yeah.
00:39:00Raúl, maybe this isn't the best time, but I think we need to clear some things up as soon as possible.
00:39:13Look.
00:39:16Oh no, no, quote, please, okay?
00:39:18No, no, no.
00:39:19That?
00:39:19Don't be like that, don't do this to him.
00:39:22Well, well, well, well, the little wall, he doesn't see the little wall, but he's having a good time.
00:39:26What is this?
00:39:28How are you?
00:39:30Hello.
00:39:30Piti, why don't you and I go out for dinner and leave these boys alone at the Chinese restaurant?
00:39:34Want to see more?
00:39:35What are you saying?
00:39:36What else do we have here, the whole family?
00:39:37What guides to tutti play?
00:39:38What are you saying?
00:39:40I.
00:39:42Yeah.
00:39:43Yeah?
00:39:44What is it, darling?
00:39:45No?
00:39:45Sure?
00:39:46Well.
00:39:49What do we say?
00:39:53Well, that...
00:39:54Okay, you caught us.
00:39:56It's our first dinner.
00:40:01Wow, we're dating.
00:40:05Are you serious?
00:40:06So, am I officially in a relationship?
00:40:07Yeah.
00:40:08Here it goes.
00:40:09Waiter, waiter.
00:40:10Let's see, a little bit like this.
00:40:11It goes to everyone.
00:40:12What am I doing?
00:40:12No.
00:40:13Oh, oh, oh, oh!
00:40:14My lord!
00:40:17Yes, that little glass.
00:40:19Anaya, you're getting a treat.
00:40:21Hey?
00:40:22The prettiest girl in the neighborhood.
00:40:23Mister.
00:40:24My camp has that one that they're not going to get married.
00:40:26It's not because I'm his father.
00:40:28But you get the best of Santa Justa.
00:40:31Hey?
00:40:31Carerita en rama.
00:40:32Here it is.
00:40:33Come on, let's have a toast.
00:40:35Because of the little health we have left.
00:40:36I'm done with my life.
00:40:37Marcos.
00:40:53Marcos.
00:40:54Hello.
00:40:54What are you doing here?
00:40:55What, what...
00:40:55Okay, I'd like to talk to you for two minutes.
00:40:58Okay?
00:40:58Two minutes and I'll get you drunk.
00:40:59Okay?
00:41:00Happens.
00:41:01Happens.
00:41:01Look, I've been thinking and...
00:41:13I was turning it over in my mind.
00:41:14I know what you feel and what you think about...
00:41:17But, well, I wonder if there's anything I can do to get you back.
00:41:21I mean, whatever.
00:41:22I mean, me, me, me, I don't know, me...
00:41:24I don't know, I, I...
00:41:24I'll get myself expelled, I'll leave school, it's necessary.
00:41:27Whatever you tell me, I'll do it.
00:41:28It's done, Marcos.
00:41:31This has been crazy and it's over now.
00:41:35So, that...
00:41:36And what is the...
00:41:37It's the very end, isn't it?
00:41:41Yeah.
00:41:41Well, I had to try.
00:41:44I'm sorry, I was supposed to be the adult in this relationship.
00:41:48But...
00:41:48I really didn't mean to hurt you.
00:41:53Well, and this, I was going to do this in private.
00:41:57But...
00:41:57But yes, I'm very happy.
00:42:01Here you go, darling.
00:42:03A detail that I wanted to have.
00:42:06I saw you there, loose.
00:42:09Wait, let me help you.
00:42:10Thank you.
00:42:14Carmen Díez.
00:42:15No, Carpen Díez, Carpen Díez.
00:42:17Look, look, do you see?
00:42:18Carpen Díez, dad.
00:42:19Carpen Díez.
00:42:19Look, do you see?
00:42:20It's like in the movie.
00:42:22From Fight Club.
00:42:25No, the dead, the dead.
00:42:26Have you seen it?
00:42:27That's great.
00:42:28The movie is really good, huh?
00:42:29It's basically saying that life ends, right?
00:42:35And we're going to do what's left of our lives happily.
00:42:40This kid, this guy is a poet.
00:42:44This guy is a poet.
00:42:45Damn, how it reminds me of myself when I had a salary!
00:42:48Fuck.
00:42:49Do I like it, darling?
00:42:50Thank you.
00:42:57Where did you find her?
00:42:58Where did you find her?
00:42:59It's broken.
00:43:02Well, and you?
00:43:02Dead poet, are you going to ask me to dance?
00:43:04What's wrong, did you bring me?
00:43:05As?
00:43:06Catch.
00:43:07For.
00:43:08Until reconquest!
00:43:15Miss?
00:43:17No, Raúl, I just didn't feel well after dinner.
00:43:20My stomach hurts a lot.
00:43:21Come on, honey, I know girls love this, man.
00:43:23No, really, Raúl, I'd rather stay serious, okay?
00:43:26Well, darling, I'm not going to let you ever accuse me of not giving my all to make this work.
00:43:35Come on, let's go.
00:43:37Come on.
00:43:39Okay, watch out, watch out.
00:43:45I'm really looking forward to tonight.
00:43:49I'm going to ask them to put our name on the table.
00:43:51No, Raúl, I don't know if it is.
00:43:53I don't know your name, kid.
00:43:54Thank you, Raúl, yes.
00:43:58Okay, Fitch, but don't cry, man.
00:44:05A gift, well, it's not really a small token, it's so that, well, so that you feel like you own something.
00:44:13Well, take it as a parting gift.
00:44:18Very nice, thank you.
00:44:20That's when it says carpe diem, which, well, means seize the moment, so let yourself go and enjoy life.
00:44:29Well, I mean, I know it's over.
00:44:32Well, as for me, I hope you enjoy life with someone else, right? Enjoy the moment with whoever you're with.
00:44:36Leave.
00:44:40Okay.
00:44:41Leave.
00:44:44Yeah.
00:44:51I'll leave you with one little thing, okay?
00:44:54That?
00:44:54What, what, no, why don't you try it on? It might be too big or too small, I don't know. Well, if I have to exchange it, I'll just take it and exchange it.
00:45:04Okay.
00:45:05Come in, let me try it on.
00:45:06Turn around.
00:45:15Yes of course.
00:45:21Marcos.
00:45:22Sorry, no, it's just that my neck hurts and...
00:45:24Already?
00:45:28Yeah?
00:45:30Very pretty.
00:45:32Okay, it looks great on me.
00:45:33Yes, it really does look beautiful on you.
00:45:38That...
00:45:38I'm so excited that you might wear it someday.
00:45:43Okay.
00:45:44Yeah.
00:45:46Yeah.
00:45:50Good night.
00:45:51Bye bye.
00:46:01Well, what peace and quiet now, with the alarm.
00:46:03Because some hooligans have moved in as neighbors and we'll see if they try to break into the house.
00:46:08Because this is easy to handle, right?
00:46:10Yes, very easy.
00:46:11You enter the chosen number, go, enter all the digits and that's it.
00:46:18I'm going to school.
00:46:18Guille, goodbye.
00:46:20Thank you.
00:46:21AND?
00:46:22What do you think?
00:46:22Guille.
00:46:23What ends?
00:46:23Guille, guille, guille, guille.
00:46:24Wait, wait, look.
00:46:25I passed by your room and saw the glasses that he left you.
00:46:28Here, look.
00:46:29Put them on, put them on.
00:46:30Look, huh?
00:46:31But Dad, they're horrible, they look like Civil Guard officers.
00:46:33No way, man, don't talk nonsense.
00:46:34Man, they're going to be awful.
00:46:35Okay, I've done the optician, which is the last thing.
00:46:37You'll see how much they like them at school.
00:46:38No, go on, put them on, come on.
00:46:40Take this too.
00:46:41Let's see.
00:46:41Man, Guille.
00:46:45Damn, you're doing a great job, man.
00:46:46Good morning.
00:46:48What's happening?
00:46:48Man, that trendy daughter-in-law.
00:46:51What's happening?
00:46:52Good morning.
00:46:54What does "daughter-in-law" mean?
00:46:57What does "daughter-in-law" mean?
00:46:58Because you don't know who we caught the brave one and me having dinner together at a restaurant yesterday.
00:47:03Very romantic.
00:47:04To Eva and my Raúl.
00:47:05They're a couple, man.
00:47:07They are an official couple.
00:47:08Forgive me, forgive me.
00:47:08Look, no...
00:47:09I mean, this...
00:47:10To this Eve.
00:47:11That is, Eva and your Raúl.
00:47:12Raul, go over there.
00:47:13And it can't be, my love, there was at that table.
00:47:15But a good little love.
00:47:16I'm telling you this because I understand these things.
00:47:18And the best part is that it makes you and me something.
00:47:21In what?
00:47:22In the in-laws.
00:47:23We're family, dude.
00:47:24What in-laws?
00:47:25That's just kid stuff.
00:47:26Come on, no.
00:47:27Yes, damn it.
00:47:29Well, well.
00:47:30Having dinner with my in-laws.
00:47:32That's great.
00:47:32But it seems there are some who trust him.
00:47:34Come on, come on, come on.
00:47:35We don't have time and we need to learn a few keys.
00:47:38We're going to go and help.
00:47:38Wait, wait.
00:47:39I think that "I'll help" thing is stupid.
00:47:41And not...
00:47:42What are we going to learn in help?
00:47:43Let's see.
00:47:43What are we going to learn?
00:47:44Take it, and maybe me, man.
00:47:45Listen to your son-in-law's father.
00:47:47I don't feel like a graffiti father-in-law.
00:47:48I don't feel like a father-in-law.
00:47:49Don't resist, Diego.
00:47:50I cannot resist, for I do not feel like a father-in-law.
00:47:52Don't you realize that it's something that happened a few days ago?
00:47:54Yes, yes, Diego.
00:47:56What is needed?
00:47:57I feel it on my table.
00:47:57Don't worry about the language exam, we'll just repeat it.
00:48:01He wanted to believe the guy was joking.
00:48:03Okay, the glasses thing isn't helping me.
00:48:05Come on, a kiss.
00:48:06Bye.
00:48:06Good morning.
00:48:09A hug.
00:48:09Good morning.
00:48:12Guillermo, from today you will sit up here.
00:48:16That?
00:48:17But why?
00:48:18If he is our friend.
00:48:18He's always been sitting here with us.
00:48:20I've spoken with your father and we think it's the best idea.
00:48:22So pack your things and go change with T.T.
00:48:27That?
00:48:28But it's not fair.
00:48:29Why do I have to change?
00:48:31Perhaps because I'm ordering you to.
00:48:33Hey, whatever you do, I always end up paying for it, huh?
00:48:46That?
00:48:48Anything to say?
00:48:50No, but...
00:48:51Damn, you, you're a girl.
00:48:52We couldn't express naturalness any better.
00:48:55Ah, Guille, put on your glasses.
00:48:58That?
00:48:58Guille, we don't have all day, put on your glasses.
00:49:03Your father told me you have them in your backpack.
00:49:05The thing is...
00:49:06I left them at home.
00:49:08Come on, Guille, put them on.
00:49:09Okay, that's it, huh?
00:49:29Okay, that's it.
00:49:30We all opened the book to page 58.
00:49:33Exercises A, B, C and D.
00:49:36You guys start, I'll be right back, it'll only take a minute.
00:49:38Well, anyone who causes trouble will be hanged by their feet, okay?
00:49:43Guille is a blind man.
00:49:46Guille, four eyes.
00:49:49Wow, the cow, the donkey, and the giraffe have become friends so quickly!
00:49:59It's going to be much worse.
00:50:01I think I'm going to have to teach you the two basic rules of the marginalized.
00:50:05When someone messes with you, you have to keep quiet.
00:50:08I don't intend to stay silent.
00:50:10Two, when someone in the class approaches you in a friendly way,
00:50:15Be careful, because someone's coming to do something to you.
00:50:17Look, Jolly, I'm not an outcast.
00:50:20We all say that at the beginning.
00:50:23It's a little tough at first, but you'll see how you get used to it.
00:50:26Fiti, I don't know how you convinced us, huh?
00:50:36When?
00:50:37I don't understand.
00:50:38Well, I don't understand this, you know?
00:50:40Everything is loose, everything is hanging all over me.
00:50:43Not even naked.
00:50:44Judo does not attack.
00:50:48It's not a fight, it's an offense.
00:50:50They say that judo is more than a fighting method.
00:50:56More than a fighting method.
00:50:58But then we come here to kick a ball.
00:51:00Go ahead, go ahead.
00:51:02Put it in now.
00:51:03Dale.
00:51:05Please stay still, you're making me dizzy, sorry.
00:51:07Attack, damn it.
00:51:08Attack.
00:51:08Okay, okay, okay.
00:51:14Okay, let him go now.
00:51:16Don't get too attached.
00:51:17Take it, man, they fall apart.
00:51:18Attack.
00:51:19Attack.
00:51:20You look a little older.
00:51:22Let's hope we don't have a tragedy.
00:51:24Attack.
00:51:26Attack, Sandy, damn it.
00:51:28Shadow!
00:51:29Shadow!
00:51:29Shadow!
00:51:29Shadow!
00:51:31I'm going to tear you to pieces, man!
00:51:37Shadow!
00:51:38Shadow!
00:51:40Shadow!
00:51:41Damn, not heard.
00:51:42Of course, if anger betrays her and makes her vulnerable.
00:51:45If the boy is telling him.
00:51:47No, no, no!
00:51:48What's wrong with you!
00:51:50For both of us!
00:51:52He's finished it off, Fiti, he's finished it off.
00:51:54End.
00:51:55What do you mean, "end"?
00:51:56He hasn't done anything.
00:51:58End.
00:51:59No, no, no, no, no.
00:52:01No, end, no.
00:52:03But what are you doing?
00:52:04What are you doing?
00:52:05What are you doing?
00:52:06So much anger.
00:52:07So much anger trying to anger trying to anger you, man!
00:52:10How cool!
00:52:10Judo is very old!
00:52:12Let's see what happens when you put the egg on the leg!
00:52:14And the potato kills luxury!
00:52:17Luxury!
00:52:18Leave me alone!
00:52:19Leave me with the luxury!
00:52:21Leave me alone!
00:52:22Stop, damn it!
00:52:22Jamme!
00:52:23A bowling alley!
00:52:27Dude, forget about it from before, okay?
00:52:29I didn't want to call you, you macaburra.
00:52:32Don't worry, it's been forgotten.
00:52:34Silence, Bellido, I'm bringing out the colt.
00:52:38Above!
00:52:39Okay, let's play a little game like the other day.
00:52:43Make two teams, I'll be right back.
00:52:44Tete, captain.
00:52:46And, I don't know, a volunteer, the other captain.
00:52:48Hey, hey, hey, where are you going?
00:52:54Four eyes, get out.
00:52:58Dude, bowling alley, we're friends.
00:53:00Four-eyed people cannot be captains.
00:53:02Those are the rules.
00:53:03You said it yourself.
00:53:05Let's see, Martinez.
00:53:07Hey, hey, why do you have to start?
00:53:09Well, because it's always been that way.
00:53:11Come on, hurry up or you'll lose your turn.
00:53:16Mustafa.
00:53:18Yoli.
00:53:28Ten.
00:53:31It's because it has the finest magnifying glasses.
00:53:33As you rightly said, the team comes first.
00:53:37Come on.
00:53:37Come on.
00:53:48Okay, but have you told Raúl or not?
00:53:54I can't, Tete, every time I try something happens.
00:53:57Yeah, well, it was, but, I'm telling you, since it's not papillary, you're going to suffer a lot with men.
00:54:02Well, either that, or you become the easy one of Garcilaso's.
00:54:05Tete.
00:54:06I'm telling you, or what?
00:54:08Sister-in-law, sister-in-law, sister-in-law, sister-in-law, sister-in-law.
00:54:11What's happening?
00:54:11Okay, I'm leaving now.
00:54:12How beautiful.
00:54:14Please?
00:54:16You didn't mess with the sister-in-law, huh?
00:54:18Hello darling.
00:54:19Hello.
00:54:21Can I eat you?
00:54:22Raul, I want to talk to you, okay?
00:54:24And me all day.
00:54:26Oh really.
00:54:26Well, first of all I wanted to thank you for the shirt, it's beautiful.
00:54:33For you.
00:54:34And, well, you're a great guy.
00:54:38And you're a great aunt too.
00:54:40And when I'm with you...
00:54:42No, Raúl, wait a moment, let me finish, please.
00:54:44Okay.
00:54:47Okay.
00:54:48And, well, these days with you have been wonderful and I haven't...
00:54:53Thank you.
00:54:54I don't know.
00:54:56Raul, I can't continue with you.
00:55:01Okay.
00:55:03Do you want to quit?
00:55:06But we haven't even started yet, so to speak.
00:55:09I'm sorry.
00:55:13Eva, I can do better.
00:55:15I really will do what you say.
00:55:16I can learn.
00:55:17Give me time, okay?
00:55:18That's not it, Raúl.
00:55:19Yeah, I'm a great guy, the kind you'd rather have as a friend, right?
00:55:32That's it.
00:55:34I'm sorry.
00:55:34Leave.
00:55:36Leave.
00:55:36Leave.
00:55:36Leave.
00:55:37I'm going home, okay?
00:55:38I'm leaving, I'm tired, I'm going home, okay?
00:56:04Raúl, I'm sorry
00:56:28Oh my God, oh my God, I'm sorry
00:56:34Raúl, forgive me, I didn't...
00:56:40I don't know why I did it, I don't want you to think I'm using you
00:56:44And I'm stupid, I know, and you don't deserve that, but...
00:56:47My God, what have I done?
00:56:50Raúl, forgive me, you, I'm sorry, no...
00:56:53No, don't feel it, don't feel it, Eva, Eva, don't feel it
00:56:55Look, if you have to use me to be with me, then fine.
00:57:01Use me
00:57:04Use me, don't be stupid, I don't care
00:57:08Raúl, but how am I going to do that?
00:57:11You're my friend, man, I...
00:57:13Do you think I don't know what's wrong with you?
00:57:14Do you have another one in mind? What can we do?
00:57:19But really
00:57:20If the only way
00:57:22The only way you'll pay attention to me is by using me
00:57:25Then do it.
00:57:28Yeah
00:57:29Use me
00:57:30like whatever you want
00:57:38No, sorry.
00:57:39Hey, what...
00:57:49Nothing, you're not thinking
00:57:50I've given it a try and that's it
00:57:51that I can't
00:57:52No...
00:57:53I haven't fought with anyone
00:57:54I don't feel like fighting with anyone.
00:57:55Because this...
00:57:56This is life
00:57:57This isn't one of those slapstick movies.
00:57:58Jackie Chan's or whoever's
00:57:59I don't fight with anyone
00:58:00But let's allow it
00:58:01that those children get off scot-free
00:58:03after having humiliated them
00:58:04Leave it, leave it
00:58:05Leave him alone, Santi
00:58:06If we live in a country of softies
00:58:07Soft
00:58:07They hit us, they insult us, they humiliate us
00:58:09And what do you propose?
00:58:11Stay home
00:58:11While...
00:58:12Your family can't sleep a wink
00:58:13night yes, night too
00:58:15Pussy
00:58:16And what will happen tomorrow?
00:58:17What's it going to be?
00:58:18Are they going to steal your children's bikes?
00:58:20And you're just going to stand there?
00:58:21Besides, don't mess with me, Diego.
00:58:22We're not going to stand idly by.
00:58:24No, don't count me in.
00:58:26Okay, do you understand?
00:58:26Don't count on me
00:58:27And that's it.
00:58:28So you're backing out, huh?
00:58:30You're backing down, aren't you?
00:58:30I knew it...
00:58:32That you saw that...
00:58:33What do you mean I'm backing down?
00:58:33That you saw that...
00:58:34What did you see?
00:58:37Every time you saw a fight
00:58:39You ran away
00:58:40Yes, yes
00:58:41For as long as I can remember
00:58:42For as long as I can remember
00:58:42Hey?
00:58:44Because, as you can see, we were in...
00:58:46In the boycott
00:58:47Do you remember?
00:58:48In the boycott
00:58:48It was just you and me
00:58:49And Candela and Lucía
00:58:51Yes, we would be 20 years old
00:58:52No more
00:58:52AND...
00:58:53And some guys come along
00:58:54They touched their butts
00:58:55Service road
00:58:56And what did you do?
00:58:57Hey?
00:58:58What did you do?
00:58:58Well, I don't know, I don't remember.
00:58:59I don't remember what I did
00:59:00Yes, yes, yes, yes, yes, yes
00:59:01I don't remember
00:59:01I don't remember
00:59:02I don't remember
00:59:03You did nothing
00:59:04You did nothing
00:59:05Let's have some fun
00:59:06Come on, it's okay.
00:59:07No problem
00:59:07You're a coward
00:59:08I'm telling you this out of love.
00:59:10Hey?
00:59:10But you're a coward, man.
00:59:11And that's the moral of the story.
00:59:12It is possible to be
00:59:13Can
00:59:14But not here in Santa Justa
00:59:15Here in the law of the jungle
00:59:17Here, it's either you step on someone or you step on someone else, buddy.
00:59:19There, there
00:59:19There's the area
00:59:20But seriously, what is this?
00:59:21So, do you want to tell me what this is?
00:59:23Even my own brother
00:59:24He's calling me a coward
00:59:25She called me a coward
00:59:26You're going to look like a chicken
00:59:27In front of your children
00:59:28Like a chicken
00:59:29But come on, don't worry
00:59:31Just remember one thing, okay?
00:59:33One thing
00:59:33While you're in bed
00:59:34Nice and warm tonight
00:59:35Your brother and I
00:59:37We're going to beat the crap out of each other.
00:59:38For you and your family
00:59:39Well, that's great.
00:59:44Well, that's it.
00:59:45Decided
00:59:45You've convinced me
00:59:46Yes, we're going to have a fight.
00:59:48This afternoon
00:59:48Come on, let's get drunk.
00:59:49That's enough.
00:59:51Enough with all this dialogue.
00:59:53And so much milk
00:59:54Man, for God's sake
00:59:54That's my brother.
00:59:55I was really looking forward to taking it down.
00:59:58Hey, young man
00:59:59Hey, one thing
01:00:01Wouldn't it be better if we came up with another class?
01:00:03Okay, fine.
01:00:04I mean, to be prepared
01:00:05There, there, there
01:00:05You've hit the nail on the head.
01:00:06You've hit the nail on the head.
01:00:06But tomorrow
01:00:08Tomorrow without fail, okay?
01:00:10Justice
01:00:10Hello
01:00:34Hi how are things?
01:00:35I thought you'd already be asleep.
01:00:38And you don't...?
01:00:41Didn't you have dinner again?
01:00:43With your boyfriend
01:00:43And your in-laws?
01:00:46What have you gone
01:00:47To a Chinese or Mexican restaurant?
01:00:48Hey, hey, tell Raul
01:00:49Seriously, tell Raúl
01:00:50I have one open
01:00:51Caramá sandwiches
01:00:53And it tastes super romantic.
01:00:54Wow!
01:00:56Sweetheart
01:00:56That's so cool, isn't it?
01:00:58Can you take your teacher there?
01:01:00No, we'd rather meet at your house
01:01:03Yeah I know
01:01:05That...
01:01:07What a pain, right?
01:01:10I mean, you guys look like criminals, man.
01:01:12I feel a little sorry for you, I don't know.
01:01:14I prefer...
01:01:16Well, but that's me, you know?
01:01:17I'd rather go out with someone
01:01:18With whomever I want
01:01:20And holding hands and all that
01:01:22But...
01:01:23Hey, that's just how it is today.
01:01:25According to a teacher
01:01:25I guess
01:01:26Yes, yes, yes
01:01:27You're right
01:01:28The thing is, of course, also
01:01:29The thing is, Raquel is more mature
01:01:30You know that's not true.
01:01:31She's like the girls from your...
01:01:32That is, of our age.
01:01:33That's normal at her age.
01:01:35Yes, of course, it's more...
01:01:37What's more...
01:01:37She is more mature
01:01:38But don't get your hopes up, okay?
01:01:40That...
01:01:41That...
01:01:42Do...
01:01:44Things...
01:01:45For the first time
01:01:46With someone who also does them
01:01:47For the first time
01:01:48It has a lot of charm.
01:01:50Yeah
01:01:50The thing is, you'll figure it out soon enough.
01:01:52With time and experience, Eva
01:01:53That...
01:01:54The more you practice
01:01:55Well, more...
01:01:57You'll have a better time, you know?
01:01:58The more you enjoy it, the more you learn.
01:01:59Hey, you've grown so much, haven't you?
01:02:01I mean, never
01:02:03I had thought you were an uncle
01:02:05Ripe
01:02:06No...
01:02:09No, man, of course not.
01:02:09As mature as...
01:02:11Like your boyfriend
01:02:11No, I mean, like Raúl
01:02:12No, I mean, everyone knows
01:02:13That Raúl is a man and...
01:02:14What's wrong with Raúl?
01:02:17Well, nothing.
01:02:17That makes me laugh, aunt
01:02:18That...
01:02:18That...
01:02:19That you're done with him
01:02:20Want?
01:02:22No, do you want to?
01:02:23No
01:02:23No, that...
01:02:25Know?
01:02:25What did you think?
01:02:26He was a lout.
01:02:27That I could never get out
01:02:27With someone so insubstantial
01:02:29And so immature
01:02:30That...
01:02:32What a silly thing to say, right?
01:02:33Don't you think so?
01:02:34Well, look, now that
01:02:36I've gotten to know him better
01:02:37I'm discovering things about him
01:02:39That before...
01:02:40I hadn't seen it, you know?
01:02:42Ah
01:02:42So you're going to tell me?
01:02:44That...
01:02:45You see him as a really great guy
01:02:46Because they are my best friends
01:02:47Already
01:02:47No, and so what...
01:02:50And I'm very glad
01:02:51That things are going so well for you
01:02:52Thank you
01:02:53Look
01:02:54That's what you were thinking
01:02:55That we weren't going to last
01:02:56Not even two days, huh?
01:02:57What a surprise
01:02:58You thought the same thing.
01:02:59From Raquel and me
01:03:01And look
01:03:02We're doing great!
01:03:04It seems that...
01:03:07Well...
01:03:09That we were wrong
01:03:11Both of them, right?
01:03:13Yeah
01:03:14That seems to be the case.
01:03:16Well
01:03:22Well, listen
01:03:23That...
01:03:24I'm glad everything
01:03:25I hope everything goes well for you.
01:03:26Okay?
01:03:27Look, good night
01:03:28Hey, I'm happy for you too, okay?
01:03:30Thank you
01:03:30Bye
01:03:31No no
01:03:42Guille
01:03:42Guille, I don't know...
01:03:45One!
01:03:45Guille isn't going to stay in bed
01:03:46Guille
01:03:47Dad!
01:04:00Guille, son
01:04:01Is something wrong?
01:04:02I'm sick
01:04:03I don't want to go to class
01:04:04I never want to go to class again
01:04:07Come on, man, come on, come on
01:04:08Let's see
01:04:09Tell me, is it because of...
01:04:11Because of the glasses?
01:04:12They laugh at me as they walk by.
01:04:13They call me with magnifying glasses
01:04:15It's probably not that bad, man.
01:04:17No...
01:04:18Well, look at this
01:04:19It just came to me...
01:04:19I'm remembering, aren't I?
01:04:20When I was about your age
01:04:21Well, something similar happened to me at school.
01:04:24Come on, they gave me one of those nicknames that kids give.
01:04:26Anyway, the truth is
01:04:27And look at that...
01:04:29They used to call me the big-headed one.
01:04:31Look at that nonsense.
01:04:31The big-headed one
01:04:32Man, Dad
01:04:33You're very smart.
01:04:34What do you mean I have a big head?
01:04:36I'm not very bright.
01:04:36I mean, I have a normal head
01:04:37Like everyone else, like everyone else
01:04:39You have a huge head
01:04:40Lifetime
01:04:41Another one just like it
01:04:41So, I have a huge head.
01:04:42But I don't have a huge head.
01:04:44Come on, I mean, I have a big head
01:04:45But hey, an adult's head
01:04:46Because I am an adult
01:04:47In other words, standard type
01:04:48Like all heads
01:04:49In other words, there are heads...
01:04:50Dad, but...
01:04:51I don't know if...
01:04:52I'm getting traumatized
01:04:53I understand your problem perfectly, you know?
01:04:55And me when I was your age
01:04:56He also had a nickname
01:04:57Oh, really?
01:04:59And what was your name?
01:05:00Just out of curiosity, you know?
01:05:01No, that's nonsense.
01:05:02Stay with me, tell us about it, man
01:05:04Well, since I had glasses
01:05:05And the eyes like that
01:05:06Well, they were calling me...
01:05:08The Mole
01:05:08The mole says!
01:05:10Host
01:05:11No, sorry, no
01:05:12What are children like?
01:05:14That's just how they are.
01:05:15Cruel as hell
01:05:16The important thing, Guille
01:05:17There's no such thing as bad.
01:05:17May it not turn out well?
01:05:18For example, me
01:05:19Being discriminated against
01:05:20It helped me discover other things
01:05:22Books, for example
01:05:23And having other interests
01:05:25Well, it led me to study psychology.
01:05:26Take note, Guille
01:05:27Take note
01:05:27And now look at me, huh?
01:05:29Look
01:05:29With my career, my office
01:05:31And helping children like you
01:05:32And where are they now?
01:05:33Those who laugh at me?
01:05:34Where is Jesús Bermejo now?
01:05:36Who's laughing now?
01:05:38Who's the mole now?
01:05:43The glasses
01:05:44The glasses don't change anything.
01:05:45Is...
01:05:46Well, maybe you can't be
01:05:49Firefighter, airplane pilot, but...
01:05:51But I don't want to be
01:05:52Airplane pilot
01:05:52I just want to have friends.
01:05:55Look
01:05:56Well, if your friends
01:05:59They are not able to see you
01:06:00Equal
01:06:00With or without glasses
01:06:01Perhaps they don't deserve your friendship
01:06:03Although perhaps the problem
01:06:05There are rules in place.
01:06:06And now they've turned against you
01:06:07No, Guille?
01:06:09Well, you know what you have to do
01:06:11You already know
01:06:13Yes, Guille
01:06:14You know what you have to do
01:06:15You know that perfectly well.
01:06:16What do you have to do?
01:06:21Change the rules
01:06:22No, dude.
01:06:26It just can't be
01:06:27You won't have anything to do with that shirt
01:06:30Hey?
01:06:31As?
01:06:32Which one?
01:06:33With Eva's?
01:06:35Hello
01:06:35Hello
01:06:36What did I put on it, Raúl?
01:06:38I love
01:06:39Thank you
01:06:40Did you see that, kid?
01:06:44I'll have it broken in two days.
01:06:46Raul, you bought the same shirt
01:06:47And I bought it from the one the other day
01:06:48No, man
01:06:50Yeah?
01:06:52Holy shit, dude
01:06:53I hadn't even noticed, you know?
01:06:55But
01:06:55Fuck
01:06:58Hey, well, a bit of an air
01:06:59They do have a certain air about them, don't they?
01:07:01HE
01:07:01I look like him, man.
01:07:02That they are the same
01:07:03So, it's the same shirt, Raúl
01:07:04But you...
01:07:04What have you done?
01:07:05Good morning
01:07:06Hello
01:07:07Hi there
01:07:07Won't they release these shirts?
01:07:09They give them away with supermarket points.
01:07:10Or how does this work?
01:07:12You?
01:07:17Oh
01:07:17What a coincidence
01:07:19We wear the same shirt
01:07:21Yeah
01:07:22Normal, normal
01:07:25Because it's super cool, right?
01:07:26I mean, why didn't I have one as a guy?
01:07:27Otherwise I'll get it too
01:07:28Raúl, I mean, on top of everything else, he was joking around.
01:07:36Do you find it funny?
01:07:37Dude, what...
01:07:38Marcos, this is a free market, dude.
01:07:40Well, and that you had the monopoly there
01:07:42Of the 10 cards
01:07:43You're an idiot, dude.
01:07:44He thinks I'm some kid.
01:07:45He buys gifts in pairs.
01:07:46With his friend, uncle
01:07:46Okay, so what?
01:07:48Well, the thing is, I'm risking my relationship, Raúl.
01:07:50I really care about this woman
01:07:51And what does he think, that I'm a kid?
01:07:52And a kid like you
01:07:54Hey, chill out, buddy
01:07:56No, mate, nothing.
01:07:57It's a mental disability.
01:07:57It seems like you're going to screw me over
01:07:58Or maybe that's all that happens
01:08:00You're an idiot.
01:08:01Okay, that's enough, shall we?
01:08:01It's not my fault
01:08:02And that your teacher ignores you
01:08:03Oh, no, no
01:08:03So, it's my fault.
01:08:04No, not anymore
01:08:05What's happening?
01:08:05What, huh?
01:08:06I mean...
01:08:07What's happening?
01:08:09Here?
01:08:10What's happening?
01:08:10What's happening?
01:08:10Let's see
01:08:11Can someone tell me what's going on here?
01:08:17Hey?
01:08:20What a shame
01:08:21To the office
01:08:23Yes, yes
01:08:25No no
01:08:25Yes, Lucia
01:08:26I don't think they're serious
01:08:27But we have to do it
01:08:29Fiti with so many in-laws around here
01:08:31And so many in-laws over there
01:08:32Are you talking to Eva?
01:08:35Well, if necessary, I'll speak up.
01:08:37If you agree
01:08:38And if not, I'll send her to Fermín.
01:08:40Hey, wait a minute, huh?
01:08:43Wait
01:08:44Lucia
01:08:50I'll call you later
01:08:51What is it?
01:08:52I have to do one thing
01:08:53I love you too
01:08:56A lot
01:08:58Okay, that's all for now.
01:09:06Lille, Lille, Lille
01:09:07Your glasses are fogged up.
01:09:09Guille, you have two seconds
01:09:15To explain to me why you did that
01:09:17But, man, I
01:09:18I thought that
01:09:19That we had already spoken with the psychologist
01:09:21With Fermín
01:09:21And that's it.
01:09:22But, Dad
01:09:22That I'm an outcast
01:09:24But this is over
01:09:27I'm signing up for Help this afternoon.
01:09:29Aid
01:09:30And why are you going to sign up for Help?
01:09:32Let's see
01:09:32Well, for punching him in the face
01:09:33The first person who laughs at me
01:09:34I just can't take it anymore
01:09:36No, Guille
01:09:37No, that's not how things are solved.
01:09:39Son, no
01:09:39You can't be fighting with everyone.
01:09:41Because you punch the first one in the face.
01:09:42But then the next one will come.
01:09:43And then another one next.
01:09:43There will always be someone
01:09:44Let him laugh at you
01:09:45Well, always
01:09:45And there will always be another neighbor
01:09:48What a Montefollón
01:09:48But you signed up, no doubt.
01:09:50Help to give them
01:09:51No?
01:09:51Well, not exactly.
01:09:54But you can't be acting like a beast your whole life.
01:09:57This needs to be...
01:09:58We have to break the chain, Guille
01:09:59We must break the chain
01:10:00Yes, of course, Dad.
01:10:01That's very nice.
01:10:01But I'm going to have to wear glasses forever.
01:10:04One of two
01:10:05Or I'll stick myself to you
01:10:06Or I give up
01:10:07No
01:10:09In this family, no...
01:10:12Nobody's going to get hit
01:10:12And that's it.
01:10:13Let's stop slapping each other around.
01:10:14So there won't be a fight tonight.
01:10:15Come on, man
01:10:17Damn it, put your glasses on.
01:10:20Put on the lame one, I've got an idea
01:10:21Put on your glasses
01:10:22Here, put them on
01:10:22Come on, come
01:10:23Come with me
01:10:23Come
01:10:24That's already better
01:10:25To the bathroom with you, huh
01:10:34To the bathroom
01:10:35You're going to end up like this.
01:10:36Hello
01:10:41What's happening?
01:10:43Do they no longer carry magnifying glasses?
01:10:44No, I use contact lenses now.
01:10:45Ah
01:10:47Are there any rules against contact lens wearers?
01:10:49I don't know, it doesn't ring a bell.
01:10:51No, there isn't one.
01:10:52I looked up the rules
01:10:54Okay, then
01:10:56I guess you're one of us again
01:10:58Uncle
01:11:04We've missed you, man.
01:11:07Already
01:11:07Well, but you know
01:11:09Rules are rules.
01:11:10Okay, let's see.
01:11:10What were you doing?
01:11:12Nothing, just making a 10 out of the prank
01:11:13You're going to do it every week
01:11:15The prank on the owls
01:11:16It's exhausting
01:11:17Well, I'm thinking I'm going to change the rules.
01:11:19Yeah?
01:11:20Come on, come here, 10
01:11:21Come here, man
01:11:22I'm not going to hit you
01:11:23Let's see
01:11:24Call the bowling green cow
01:11:26What are you saying?
01:11:28Call him a little bacon
01:11:29What are you saying?
01:11:30What are you saying?
01:11:31Don't even think about it, dude, I mean
01:11:32No
01:11:32Vacaburra
01:11:34Very good
01:11:35Now Mustafa, call him a Moor
01:11:36Hey, let's see
01:11:37Are your contact lenses affecting you or something?
01:11:39Yes, a little bit
01:11:39Go ahead, call him a Moor
01:11:40No, Guille
01:11:41Call him a Moor
01:11:42Mora shit
01:11:43Very good
01:11:43Hey, on top of that
01:11:44That alone, only
01:11:45He called you a Moor
01:11:46Very good
01:11:46So, what do you have in mind for me?
01:11:48Go ahead, call me four-eyes
01:11:49Are you kidding me?
01:11:50What do you mean, no?
01:11:50Call me four-eyes
01:11:51Come on, come on
01:11:52Call me every day
01:11:52Four eyes
01:11:54Gazotas
01:11:56Magnifying glasses
01:11:58Roofbreakers
01:11:59But, but, Guille
01:11:59What are you on about?
01:12:01You don't like it, do you?
01:12:02Not you either, of course.
01:12:03Well, look at that.
01:12:05These are the new rules
01:12:06From now on
01:12:07We're not going to mess with anyone.
01:12:08Because of his physical appearance
01:12:09Not even because he's a four-eyes
01:12:12Not even because he's a Moor
01:12:13Not even a cow-donkey
01:12:14Not a single giraffe
01:12:15We are all under the same command.
01:12:18Besides, we all have something
01:12:20So they can laugh at us, right?
01:12:25Yes, I suppose so.
01:12:26But
01:12:26If we don't mess with them
01:12:28How are we going to have fun?
01:12:31Well
01:12:31The enemy remains the same
01:12:34What's wrong, what's wrong?
01:13:00Have you had enough?
01:13:02Are you here for more or what?
01:13:03Hey, be careful!
01:13:03Be careful, you won't catch us by surprise anymore.
01:13:05We came prepared.
01:13:06Coyo, look!
01:13:07The cross-eyed person
01:13:07The cross-eyed man!
01:13:08The cross-eyed man!
01:13:09Five hundred, man!
01:13:10Five hundred, man!
01:13:10Let's calm down
01:13:11Otherwise we'll end up saying
01:13:12All nonsense
01:13:13Oh my God!
01:13:13What's wrong with you, half-dust?
01:13:15Try a ladder
01:13:16If you don't reach us
01:13:17I haven't arrived to see
01:13:17You're not going to kill the eggs
01:13:18I have plenty
01:13:19But what are you going to give?
01:13:20With that body like a water jug?
01:13:21Water jug!
01:13:21Give your father a water jug!
01:13:22Clear!
01:13:22No!
01:13:23Stay still, stay still!
01:13:24Everyone freeze!
01:13:25Damn it, please!
01:13:26Stay still first!
01:13:27Stop, damn it!
01:13:28Stay still!
01:13:28Stay still!
01:13:29Please stay still!
01:13:30But don't realize it
01:13:31We look like animals
01:13:32Stay still!
01:13:33Damn it, we're people, for fuck's sake.
01:13:34And let's think about it for a little while.
01:13:36All of you too
01:13:37Remember the saying "an eye for an eye".
01:13:39And so
01:13:40That in the end everyone ends up on fire
01:13:41So let's behave like human beings
01:13:43Let's calm down
01:13:43Let's think a little.
01:13:44Let's do one thing
01:13:45Let's hold hands
01:13:48Shut him up!
01:13:50Hello good evening
01:13:51Come on, everyone to the police station
01:13:53And there are three complaints
01:13:54Come on
01:13:54Just a moment
01:13:55I don't live here, okay?
01:13:57Okay, let's go
01:13:57It's over.
01:13:58To the police station, come
01:13:59Come on, let's go
01:14:00No, no, no
01:14:00But wait, Ms. Guard
01:14:01We are good friends
01:14:03And everything is sorted now
01:14:04Everything is sorted out
01:14:05We are, well, people who know each other.
01:14:06Colleagues, anyway
01:14:07Buddies
01:14:08I said everyone to the police station
01:14:09Yeah
01:14:09And you first
01:14:10Good
01:14:11Come on, unveil
01:14:11Come on
01:14:12Come on, get out
01:14:12Come on
01:14:13Come on
01:14:14Come on
01:14:16One Hundred Years of Solitude
01:14:18He is the ultimate exponent
01:14:20From magical realism
01:14:21Remember that the work is due tomorrow.
01:14:24Yes, miss
01:14:25Did you see?
01:14:26It's like yours
01:14:27Hey?
01:14:28Well, if I take advantage of the moment
01:14:29And I wanted to take this opportunity to tell you
01:14:30It's just that we have chemistry.
01:14:31In other words, we have something that unites us.
01:14:32Okay, go on, go on
01:14:33And I don't know
01:14:34I believe that perhaps in another life
01:14:36I'm not going to download it
01:14:36Well, I was Prince Charming.
01:14:38Really
01:14:38Sorry about the shirt, dude
01:14:56I wasn't very ready
01:14:58But you know, I
01:14:59Well, that's my style, isn't it?
01:15:01Is anyone home?
01:15:03No
01:15:03Don't worry
01:15:04I wasn't there either.
01:15:05I wasn't very ready.
01:15:07Not very mature
01:15:08Not at all
01:15:09What about things?
01:15:10Are you still on bad terms?
01:15:13No way.
01:15:13Ah
01:15:14He left me
01:15:15Definitely
01:15:17Damn, dude
01:15:18I'm sorry
01:15:19Fuck
01:15:20Do you want me to...?
01:15:22I can tell you if you want.
01:15:23That all of this is someone's fault
01:15:24I don't care
01:15:24He was like an idiot, huh?
01:15:25No no
01:15:26Fuck
01:15:26I'm sorry I left you because of that.
01:15:28No no
01:15:28Well, it's not like that.
01:15:29Don't worry
01:15:30No, not anymore
01:15:30We had already broken up
01:15:32I mean
01:15:32Huh?
01:15:35Huh?
01:15:36Well
01:15:36Uncle, Marcos
01:15:38I want you to know
01:15:39That above
01:15:40All the aunts
01:15:41And of all the t-shirts
01:15:42Well, that's where we come in, right?
01:15:48Come here
01:15:48Ah, dude
01:15:52And what's the harm in women, man?
01:15:54Nothing that there aren't any aunts
01:15:55There are more women than there are cans of soda out there
01:15:57Teachers
01:15:58In other words, there's one in each class
01:15:59Raúl, but not like Raquel
01:16:00I mean
01:16:00What do you mean, no?
01:16:01You, you, you
01:16:02You've set it, look
01:16:02For example, Lurditas
01:16:03Lurditas
01:16:04Underneath all those clothes
01:16:05There's a body, you know?
01:16:07A body
01:16:07And my mother
01:16:08And what does my mother say?
01:16:08My mother has a slammed door.
01:16:10Your mother?
01:16:10No, look
01:16:11I'll leave you with me for a day
01:16:12I'm taking my father to the movies
01:16:13I'll leave you there with my mother.
01:16:14Yes, man
01:16:15Your mother is capable of devouring
01:16:16My mother was going to teach you Latin
01:16:18Yes, Mom
01:16:19Who do you think you are?
01:16:19Dawn surprised me
01:16:26Counting the lines of light
01:16:30What your blinds leave behind
01:16:32I can't stop looking
01:16:37Your sun-streaked back
01:16:40And to know that you're light years away.
01:16:43Being the girl next door
01:16:46What you know about me
01:16:51They are just pieces of the puzzle
01:16:55What can I show you?
01:16:57I'm missing a piece of you
01:17:02A gesture to beg you
01:17:05Stop seeing me
01:17:07Like that boy next door
01:17:10Being the girl next door
01:17:14You're the girl next door
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