Saltar al reproductorSaltar al contenido principal
  • hace 2 días
Diego, Santiago y Fiti están en la taberna intentando elegir un disfraz para una fiesta de carnaval que ha organizado el ex marido de Lucía. Candela, Lucía y Carmen, se entretienen respondiendo un test de una revista. Cuando se marchan, Fiti se lanza desesperado a la papelera para examinar los resultados. Eva está cansada de que Marcos no se fije en ella, pero no pierde las esperanzas y para conquistarle sigue los consejos de su amiga África. Teté se enamora de un compañero del colegio y Yoli le anima a que le pida salir. Su mejor amiga cree que es la chica más guapa de la clase y la que más posibilidades tiene. Teté se decide a invitarle a tomar un helado pero él no acepta la invitación. Bruno le dice que es aburrida y que es la que más pregunta de la clase, aunque si fuera un poco más divertida no dudaría en salir con ella. Teté pide ayuda a su hermano Guille para que éste le enseñe a ser un poco más gamberra y así conquistar a Bruno.

Categoría

📺
TV
Transcripción
00:00:00Hey Eeba, what's wrong? You seem a little down. Are you perhaps in love?
00:00:20Since we've had sisters, my father is very concerned that we don't mix with the boys in the bathroom.
00:00:45Guille says the girls that their dad is like those internal affairs cops, but for families, and that's why
00:00:51That's always keeping a watchful eye out, but what are you going to do, honey?
00:00:58Why are you giving me your penis? Look how we're going to look at your penis.
00:01:03Well, it's one of Guillermo Serra's most wonderful jokes, but what do you think?
00:01:16They don't approach me because they're weird or stupid for just showering, but I stay, they give me faces like that.
00:01:22They make you more interesting, yeah, it's silly
00:01:25My father thought that Guille was hiding to see my sisters naked, so he decided to get to the bottom of it.
00:01:47And boy, did he go so far that he had no choice but to change, but as always, in his own way.
00:01:54a station platform under the blazing sun you were talking about a skyscraper in the New York sky
00:02:03Come soon to see the sea and you send a postcard, I already knew that day was the end
00:02:09Now I have much more red, black, stopped odd, finally luck brings an ace and a crystal to look through and a wall to hang on
00:02:22Seven smiling faces in a poster photo; my stories weren't about tales made by chance.
00:02:30Nobody told me that fate would give me this opportunity
00:02:40one plus one equals seven
00:02:43Who would have thought it?
00:02:47It was so easy to be happy
00:02:51The bathroom has been damaged because it hasn't been installed.
00:03:03Yes, a tap has broken, I know that already.
00:03:05Look curious, you are the one who invited us to a party, the Venetian carnival
00:03:09the palace of life
00:03:11Now we'll have to think of a costume.
00:03:13Venetian carnival
00:03:15Hey, I've already thought about it.
00:03:17But it's like you've got it planned in three seconds, you order a costume.
00:03:21Diego, hurry up!
00:03:22Yes, but let's see, the costumes need to be thought about a little because they're called costumes.
00:03:26I'm going to think of one that's going to be a real hit, you know.
00:03:29They call me the Mortadelo of Santa Justa
00:03:31Diego, were you seeing something?
00:03:32no, I'm not going to anything.
00:03:35Yeah
00:03:36hello
00:03:37I had arranged to meet Eva
00:03:38Oh, well, come in, come in
00:03:40Marcos, tell your sister
00:03:42Put some water on yourself, man, there's always a bowl.
00:03:46Please do me a favor
00:03:47come
00:03:48hello
00:03:54Eve
00:03:56Eve
00:03:58hey
00:04:01hey
00:04:02that this
00:04:03hey
00:04:07Eve
00:04:08hello
00:04:11hello
00:04:12hello
00:04:14that
00:04:15Your friend Africa has arrived and is waiting for you downstairs.
00:04:18Okay
00:04:19Okay
00:04:24I'm sorry, ....
00:04:27We had agreed on fourth place, beautiful.
00:04:29I already know
00:04:30But the thing is, I haven't slept at all.
00:04:32What a night, Auntie, dreaming about Marcos
00:04:35Well
00:04:36That's not so bad.
00:04:37No
00:04:38No
00:04:39No
00:04:40Please don't get so intense this early in the morning.
00:04:44Do you have something sweet?
00:04:46Oh
00:04:47Auntie, that's too bad.
00:04:48It's because I'm transparent to him
00:04:51Even if they ripped off my nose, he wouldn't notice me.
00:04:55A naked woman would notice something.
00:04:57Yeah, sure.
00:04:58I say good morning and I get naked
00:05:00look at that
00:05:01I can't believe it! First the faucet breaks, now the shower breaks!
00:05:04It's a total mess, I'm going to take a shower in your bathroom, okay?
00:05:06Marcos is not here
00:05:07Yes, Marcos is there.
00:05:08Oh, Marcos is here.
00:05:09Well, we'll be late because it's a quarter to.
00:05:11minus a quarter
00:05:13miracle uncle miracle
00:05:16It fell from the sky
00:05:18that fell from the sky
00:05:20a single shower
00:05:22many people
00:05:23There's a lot of rushing around, and we have to share because sharing is living.
00:05:27No
00:05:28Yeah
00:05:29Yeah
00:05:30See if you want to stop being transparent
00:05:32It's already going up
00:05:33You take off your brother suit and get in her shower, and don't tell me that's not exciting.
00:05:38Africa, I got into bed with her last week and it was a disaster, don't even start.
00:05:42No, no, no, it wasn't a disaster, it wasn't a disaster, it was an attempt and an interruption.
00:05:45There were attempts and interruptions because his father, that beast, intervened, but this time it's different; we must persist, persist, not give up, no.
00:05:50No way
00:05:52But you don't watch documentaries
00:05:56All animals do the same
00:05:59the seals
00:06:01They sway on a rock
00:06:03The penguins wag their tails
00:06:05I get in the shower and wiggle my butt
00:06:07It's a day
00:06:08Damn, you're in a terrible state.
00:06:10let's see
00:06:13uh-huh
00:06:14uh-huh
00:06:16uh-huh
00:06:21uh-huh
00:06:34uh-huh
00:06:35What are you doing here, aunt?
00:06:45The other bathroom is broken and since there are fewer than a quarter of them, well, you can pass me the other one.
00:06:51Auntie, you're crazy, you're losing your mind, wait.
00:06:55Okay, if you're finished, I'll continue, alright?
00:06:57Yes, yes, yes.
00:06:57Come on, let's go.
00:07:00What do you mean?
00:07:10Give me, give me the size, give me the size, give me the size.
00:07:13Lucia, things are getting out of hand.
00:07:29The fact that?
00:07:29What? What?
00:07:30I caught Marcos and Eva there, there, there, there, showering, showering, frolicking naked.
00:07:35Lucia, I didn't want to upset you, but she's leaving us, she's leaving us, and I'm upsetting you because she's leaving us, she's leaving us.
00:07:39Okay, okay, okay, don't get nervous, can you tell me exactly what you saw?
00:07:42What exactly did I see? I mean, you're asking me what exactly I saw.
00:07:45Well, I'll tell you, I've seen Sodom and Gomorrah, Sodom and Gomorrah, I mean, my son and your daughter, there, together, in the bathroom, I mean, showering, they were showering and rubbing each other, rubbing each other.
00:07:55Look, I was 17 years old and I already know what this story is about.
00:07:58He's leaving us, he's both leaving us, he's leaving us, he's leaving us.
00:08:00Of course, like when Marcos was giving Eva a massage because she had a muscle spasm, and what you saw was that they were copulating, Lucia, they were copulating.
00:08:07I wasn't saying if they were copulating, Lucia, they were copulating, no, no, and it's possible, well, this won't be a contracture.
00:08:11I wasn't found, but they were there in the bathroom, I mean, in a square meter and with the little soap, and rubbing and rubbing, rubbing and rubbing, rubbing and rubbing.
00:08:16Eva, Eva, Eva, darling, just a moment, come on.
00:08:21Mom, I'm wet, I'm going to make a mess of everything.
00:08:23One minute.
00:08:23Come.
00:08:28Yeah.
00:08:31Can you tell me what you were doing in the bathroom, Marcosito?
00:08:34Uh, nothing, it's just that, well, it's a quarter to and we're not there yet, so while one of us showers, the other dries off.
00:08:42We're running late.
00:08:44Thanks love.
00:08:45Okay.
00:08:45Don't look at me like that, I mean, don't make that face because, well, okay, maybe they weren't having sex, but, but frankly, this isn't going to make me break up, because with, with, with 17 years old there, and the guys were, together, naked, they were together naked.
00:09:00You don't have a problem with me about the balls, Diego, but what's your problem with the body, if it's the most natural thing in the world?
00:09:04For me, it's natural, natural, well frankly, I mean, depending on which parts, because I was already talking.
00:09:07No, depending on the parts, no, all parts are natural, or is the butt less natural than the head?
00:09:11Ah, the ass, the ass, the ass.
00:09:12Please, Diego, it's not your body, it's your gaze.
00:09:16But what, what are you saying? I mean, that I have a dirty look.
00:09:23Okay, well yes, yes, maybe, maybe you're right, yes, but yes, yes, I have a dirty look, a dirty look, yes, because I think and obsess, and well,
00:09:30You don't know the things I think about, I mean, I think the worst things, because I think and I get obsessed.
00:09:33Do you know where this might be coming from? This could be coming from the Catholic school, because of the type of education there, yes sir.
00:09:37Well, besides, in my house, I've never seen anyone naked, what do you want me to say?
00:09:40I mean, no, and this has probably created a trauma for me, or rather, a taboo.
00:09:43Okay, Diego, you don't have to make yourself look so small, because we were raised in a time of great repression and we think everything is a sin.
00:09:51Well, it must still seem that way to me, what can I say?
00:09:53Yes, but we have to evolve, Diego.
00:09:55Already.
00:09:55We need to evolve.
00:09:56Yeah.
00:09:56Okay, I've tried to raise my family to be natural.
00:10:00In fact, in the other house all the bathroom doors were open.
00:10:03Of course, because they were all girls, so it's not the same, you know?
00:10:07Sergi, same.
00:10:08Sergi, you are a husband.
00:10:09Yes, kid.
00:10:10So, your husband is, of course, to be.
00:10:12And with a clear gaze, she has a clear gaze, doesn't she?
00:10:15Well, look, don't worry, because if there's one thing I don't know, it's how to learn quickly.
00:10:20In other words, I know that I cleanse my eyes, so I cleanse my eyes.
00:10:22Well, I'll clean it and that's it.
00:10:24I'm going to clean my eyes, yes.
00:10:26Oh, girl, I think I'm falling in love with Richie all over again.
00:10:29Oh, girl, well we have a problem, because I think I do too.
00:10:32And the other day he saved my life.
00:10:34Well, it was a joke, but it saved my life.
00:10:36I grabbed my arm, it's a monkey.
00:10:38So it's clear, he's back for you.
00:10:41But what are you saying?
00:10:42If I ruin what we have, Jolie.
00:10:44Besides, I no longer have any chance.
00:10:46Oh, honey, well, you don't stand a chance, you're the prettiest girl in the class,
00:10:51I don't know what's left for the rest of us.
00:10:52That?
00:10:52That?
00:10:52That?
00:10:52That?
00:10:52That?
00:10:52That?
00:10:53That?
00:10:53That?
00:10:53That?
00:10:54That?
00:10:55Hi, Richie.
00:11:01That?
00:11:01Hey, I was thinking you might like to go to...
00:11:04for an ice cream at Moli this afternoon.
00:11:06I would love to, if it weren't for one small detail.
00:11:09You're the one who raises my hand in class.
00:11:12So what?
00:11:16And what does that have to do with anything?
00:11:18Now I know you much better.
00:11:20I think you're a bit boring.
00:11:22And I'm not really into boring girls.
00:11:24Okay, fine.
00:11:26Goodbye, Maritere.
00:11:26What did he tell you?
00:11:35I can't believe it.
00:11:36That I'm boring.
00:11:37And that I raise my hand a lot in class and...
00:11:39And I don't know, I'm really boring.
00:11:42Yes, my mother says so.
00:11:43Boys and girls are made of different stuff.
00:11:46What do they think they are?
00:11:46What, I can't be just as mischievous as them or what?
00:11:48Can I speak to him alone for a moment?
00:11:59OK.
00:12:02Guille, I need your help.
00:12:05So, what's wrong now, Maritere?
00:12:08I want to learn how to be a troublemaker.
00:12:10Yes, I want to learn everything.
00:12:12I want to learn to joke around, to make jokes, to be a mischievous person about everything.
00:12:15Since you've brought up that interest now, little sister.
00:12:18See?
00:12:19Yes, yes.
00:12:24Fiti!
00:12:26What are you doing here?
00:12:28Are you sick?
00:12:29Ha ha ha.
00:12:29I'm screwing up the whole box.
00:12:31Diego, let's have a few beers.
00:12:33Hey, hey, listen, listen.
00:12:34Tess, they say...
00:12:34That?
00:12:35Are your relationships with your partner sexually satisfying?
00:12:38Oh, let's do it.
00:12:39Yes, come on, come on.
00:12:39I'll ask you the questions.
00:12:40They're already with the Tess.
00:12:42The mother who bore them.
00:12:43They're already going to find fault with us.
00:12:44And one more thing, Fiti.
00:12:46You do get invited to a carnival,
00:12:48But it's an elegant place, I mean, posh, important, isn't it?
00:12:51What would you dress up as?
00:12:54Wow, I really like Jesus Christ.
00:12:56It's easy, too.
00:12:58You put up four sticks, a beard and a loincloth and that's it.
00:13:01You've got it made.
00:13:02By?
00:13:02No, no, it's because it belongs to Lucía, Sergi.
00:13:06Instead of being inhabited in the head,
00:13:07The guy's busy throwing costume parties, look.
00:13:10Venetian Carnival.
00:13:11Yeah.
00:13:12So what's this, dressed up as a gondolier?
00:13:14But, Fiti, you're such a hick, aren't you?
00:13:16In other words, Venetian carnival is carnival.
00:13:18So, carnival is about costumes, right?
00:13:20In other words, carnival costume.
00:13:21It doesn't matter if he's Venetian, from Cadiz, or from wherever.
00:13:23And is it being organized by the American embassy?
00:13:25Yes, yes.
00:13:25Hey man, we could all leave, right?
00:13:28Well, well, man, you'd be doing me that favor by coming with me,
00:13:31Because these places are best enjoyed with company.
00:13:33Well, yes, it has to be there, I'm not going anywhere.
00:13:35Yes, Santi, damn it, we dressed up as American superheroes.
00:13:39And since it's the American embassy, let's make it look great.
00:13:41No, no, look, I mean, no, no, no, it's not bad, huh?
00:13:58I mean, it's not bad as a superhero movie, but no, no, I don't see it that way, I mean, no, I don't see it that way, no, it's not perfect.
00:14:03Okay, okay, I'll continue, I'll continue, okay?
00:14:05So, have you ever had fantasies about other men?
00:14:08Some.
00:14:09Some?
00:14:10Ah, tell me, tell me.
00:14:11Yes, really, Mom, you've been quite the gossip since I got back, even though you wouldn't believe it.
00:14:15Hey, but don't say no.
00:14:16Ah, I believe it.
00:14:16And did you say yes?
00:14:18Have you ever faked an orgasm?
00:14:21Some.
00:14:22Man, pretend, pretend, pretend, no, but give him a little encouragement to help him grow.
00:14:25Not you?
00:14:26No, not me, but you write that down, sweetheart.
00:14:29Your relationship has just begun and is going very well.
00:14:33You've got a long marriage ahead of you.
00:14:34Oh, really, look, if Cosmopolitan says so, I feel much more at ease, Mom.
00:14:38And what do you mean by that?
00:14:39So, what's wrong with you?
00:14:4144.
00:14:4144 points.
00:14:43Your relationship is in a phase of apathy.
00:14:45I don't feel it.
00:14:47Passion has faded, and habit is the only driving force of the marriage.
00:14:50Yes, yes, motor.
00:14:51Well, I don't have an engine anymore with the Fit, or anything.
00:14:53But it says so here.
00:14:55Five minutes of recess.
00:14:57Let's go.
00:14:57Let's go, let's go.
00:14:57Let's go, let's go.
00:14:58Let's go, let's go.
00:14:59Let's go.
00:14:59Let's go.
00:15:01See you later.
00:15:02See you later.
00:15:03See you later.
00:15:04See you later.
00:15:04See you later.
00:15:04See you later.
00:15:04See you later.
00:15:26I have to admit that I didn't think you would discover your path in life so soon.
00:15:36Come on, enough talk, let's get down to business.
00:15:38So, first of all, if you want to be a hooligan you'll have to develop a perverse mind
00:15:42Do you have a perverse mind?
00:15:45Oh, I don't think I have any of that, huh?
00:15:47Okay, well then, we'll just have to give you the gamberrini test
00:15:49And what is that?
00:15:51Well, it's basically a test to find out what level you have
00:15:53If I have to give you a lesson, I'll need to know what level you're at, right?
00:15:56Ah, like in English.
00:15:57And even if he passes that test
00:15:59Okay, you have to tell me the first mischievous thing that comes to mind.
00:16:03But the first
00:16:04Ah, well, that's great!
00:16:05Answer now
00:16:10Put pepper on chewing gum to make it sting someone
00:16:12I thought or had thought of such a brilliant idea
00:16:17Very well, Maritere, welcome to level zero
00:16:20And what does that mean?
00:16:23Well, we'll have to start from the beginning.
00:16:24Let's see
00:16:26The great thing about level zero pranks is that they're really easy to pull off.
00:16:29And besides, you don't have to take any risks.
00:16:31With just a few things, like a marker and a piece of paper.
00:16:34That's enough.
00:16:35Okay, pay attention and take notes
00:16:38What's up, 10?
00:16:53What a great time, huh?
00:16:57Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes
00:16:59Wait for me a little bit
00:17:00Okay, 10, dude
00:17:02If you ask me like that
00:17:04What are you doing?
00:17:06Internet
00:17:07hotel
00:17:07Please, I should have seen his face when I got in the shower, that's when I realized.
00:17:18I want to die, I want to die, I want to die, I want to die, I'm going crazy.
00:17:22Dude, I'm going crazy, I just don't know how I can listen to you.
00:17:25I do nothing but make a fool of myself, over and over again, and it's all your fault.
00:17:28What's more, you're making her hysterical!
00:17:31For!
00:17:32Not ridiculous at all.
00:17:34Huh? All we have to do here is find an explanation, Eva, that explains why you got into his shower naked.
00:17:44Africa, the only explanation is the only explanation.
00:17:50But you have so little creativity, daughter.
00:17:54I would apply the "fart in the elevator" theory here.
00:17:58Auntie, that's disgusting, what is that?
00:18:00Blame the person next to you.
00:18:01There is no better defense than a good offense.
00:18:04Look, you go there, very confident, very naturally, and you blame him, huh?
00:18:10What are you saying, Auntie? How am I supposed to do that?
00:18:12Excuse me, can I talk to you for a moment?
00:18:21Dude, that's a real embarrassment.
00:18:24Raul.
00:18:25Yeah?
00:18:25Please.
00:18:26No, wait, I'll be right with you, I'm here talking to...
00:18:28What's happening?
00:18:29Dude, you really cut me short this morning, didn't you?
00:18:32Well, no, I'm the one who cut myself short, Eva.
00:18:33Well, I did it to save time, man, there were fewer rooms, there was only one shower, it wasn't much...
00:18:40Goes?
00:18:41That?
00:18:42Did you go in naked, auntie?
00:18:44Okay, so how do you want me to shower? With a coat on?
00:18:47I mean, sorry, I didn't know you had such a problem with nudity, you're a bit old-fashioned, aren't you?
00:18:53Well, I mean, normal, Eva, I mean... well, not normal either...
00:18:57What's normal for you, what's normal for me is being naked.
00:19:03That?
00:19:04Well, that's it...
00:19:06Look, I'm a naturist, okay? Always have been.
00:19:10Not a naturalist?
00:19:11Tenudista? I mean, someone who goes around mostly naked, right?
00:19:15That.
00:19:16Yeah?
00:19:17For me, being naked or dressed is the same thing, you know?
00:19:23That's a joke...
00:19:24No, no, no, no way, no way, no way, no way.
00:19:27Uh, I'm thinking about these phrases, like it's an American thing.
00:19:32Well, it occurred to me that these scoundrels who have a group called Billy's People.
00:19:38Billy's People, yes.
00:19:50No, no, no, I don't see it.
00:19:52Okay, it's well thought out, but I don't see it, I mean, I just don't quite get it.
00:19:55Us dressed like that, no, I don't see it.
00:19:57No no.
00:19:58And what's that idiot doing? Painting a portrait of the tavern or...?
00:20:01Don't know.
00:20:03What's wrong, Finti? What's wrong?
00:20:05The test.
00:20:06Which test?
00:20:07The test, the test answer.
00:20:09Then, my wife has fantasies about other men.
00:20:13Sexual fantasies.
00:20:15Look, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:20:18What quality would you like your partner to have?
00:20:21The conversation?
00:20:21No, no, no, no, no, no.
00:20:22Go to the juicy ones, with them.
00:20:24The 8, the 8.
00:20:26Have you ever faked an orgasm?
00:20:28Hey...
00:20:30The 8th...
00:20:32No never.
00:20:34And Candela, Candela.
00:20:368...
00:20:38See? What's the B?
00:20:40Yes, once.
00:20:42Fiti...
00:20:44Hey, wait, wait, what did the rope put on?
00:20:46The rope hasn't been put on, the rope hasn't been put on.
00:20:48I'm not going to be Fiti bad.
00:20:50Fiti, Fiti, let's go.
00:20:52Fiti, Fiti, I shit on my monkeys.
00:20:54That my wife notices me.
00:20:56Let me focus on pleasure.
00:20:58I'll check the weather.
00:21:00No, man, don't look at me.
00:21:02And I'll find out if he's faking it or not, and I'll tell you.
00:21:04All those little squeals and gasps...
00:21:06What was it? That's a farce, man.
00:21:08It was a little theater.
00:21:10Scream, scream, scream a lot.
00:21:12Shout, shout, shout, come on.
00:21:14But come on, I could recite poetry, apparently.
00:21:16Fiti, Fiti, don't get obsessed.
00:21:18I want us to get to know each other, Ralf.
00:21:20And it's probably nothing.
00:21:22An explanation, an explanation.
00:21:24How would you feel if she were your wife?
00:21:26And what's worse, that's not even the worst part.
00:21:28The worst part is the fantasies, damn it.
00:21:30It turns out we're in bed and he's not with me.
00:21:32She's with other men, Diego.
00:21:34Do you realize that?
00:21:36She's with other men, damn it.
00:21:38This is surely an innocent thing.
00:21:40An innocent thing made of candle.
00:21:42And there's definitely an explanation.
00:21:44He has the explanation.
00:21:46What explanation will he have?
00:21:48It turns out I don't know who I'm sleeping with.
00:21:50Because that's the number of people that are there in her memory while we're making love.
00:21:56There might be a black person.
00:21:58Either two, or two.
00:22:00Or the whole tribe, the ancient men.
00:22:02Diego, Diego.
00:22:04This is very serious.
00:22:06This is very serious.
00:22:08Let's see.
00:22:09He needs to draw on his fantasies.
00:22:10And today I'm superfluous.
00:22:11What am I doing here?
00:22:12There.
00:22:13I'm out of there.
00:22:14Please listen to me.
00:22:15And don't be dramatic.
00:22:16These are things that happen in marriages.
00:22:17I mean, these things happen...
00:22:18There are always crises.
00:22:19No.
00:22:20There are crises in marriages.
00:22:21There is a crisis.
00:22:22He's lying to me.
00:22:23He's cheating on me.
00:22:24He's cheating on me.
00:22:25Fuck.
00:22:26I am a...
00:22:27I'm a cuckold...
00:22:29virtual.
00:22:30Virtual?
00:22:31As well as electric.
00:22:33What's up, dude?
00:22:37Hey, I've been thinking about it a lot, man.
00:22:39Let's see, Marcos.
00:22:40Are you going to get your veins swollen or are you a bit of a fool?
00:22:42You see, man.
00:22:43Will you leave me alone, now?
00:22:44How, how, how?
00:22:45They got in the shower naked, dude.
00:22:47That...
00:22:48How, how, how does she have them?
00:22:49Because I've imagined them a lot of times,
00:22:50But I'm missing some data.
00:22:51No...
00:22:52Don't know.
00:22:53Don't look at me too closely.
00:22:54Let's see, they are...
00:22:55Are they alopera or are they...
00:22:56Like a banana.
00:22:57Know?
00:22:58In other words, they are...
00:22:59The nipples...
00:23:00What is a nipple?
00:23:01Where is it...?
00:23:02Do you think that...?
00:23:03Do you think that...
00:23:04Do you think I should call Raquel or wait a while longer?
00:23:06No, you could call her, but...
00:23:07I've been sleeping terribly lately, man.
00:23:09Have...
00:23:10There's a recurring nightmare, you know?
00:23:11I'm on the road, aren't I?
00:23:13And me...
00:23:14We were in the car and he left me stranded, you know?
00:23:16And he leaves and...
00:23:17And I stay there and...
00:23:18Marcos.
00:23:19Marcos.
00:23:20Marcos.
00:23:21Marcos.
00:23:22That?
00:23:23This...
00:23:24This hurts me.
00:23:25Okay, but...
00:23:26I have to tell you...
00:23:27It wasn't a nightmare.
00:23:28I'm going to leave you hanging.
00:23:29Yeah.
00:23:30Yeah.
00:23:31Know?
00:23:32And let me tell you something.
00:23:33Look, Marcos.
00:23:34A woman...
00:23:35Well, he doesn't abandon the guy he loves, you know?
00:23:38It's quite the opposite.
00:23:39Yes, but what...
00:23:40Something must have happened suddenly, I don't know, Raúl.
00:23:41So, I...
00:23:42Or that I would do something, say something...
00:23:43Something...
00:23:44Marcos.
00:23:45Marcos.
00:23:46Marcos.
00:23:47That...
00:23:48It doesn't matter.
00:23:49You can't squeeze any more juice out of it.
00:23:50That...
00:23:51You have to...
00:23:52Know?
00:23:53You seem a bit soft, man.
00:23:54That...
00:23:55You have to...
00:23:56Know?
00:23:57You're a dude.
00:23:58And you are one of them.
00:23:59You have to be a little bit...
00:24:00There, you know?
00:24:01Say it.
00:24:02I'm a guy.
00:24:03I'm a guy.
00:24:04I'm a guy.
00:24:05A guy.
00:24:06What does a guy do now?
00:24:07What does a guy do?
00:24:08A guy goes out there and starts poaching the next prey, huh?
00:24:09Because there are more women than pens here, okay?
00:24:10I'm an uncle.
00:24:11I'm going to call.
00:24:12I'm going to call.
00:24:13Sure, but like a guy.
00:24:14I'm going to call.
00:24:15Fuck off.
00:24:16Mark, Mark, Mark, Mark.
00:24:17Hey...
00:24:18Okay, okay.
00:24:19I'm staying at your house tonight, okay?
00:24:21That...
00:24:22I'm not interested in anyone from the tourist area.
00:24:24If we have to go naked, then we'll go naked.
00:24:27We have those, right?
00:24:28Balls.
00:24:30No, no, well, yes.
00:24:32I just want to know why you've developed this urge to be a troublemaker, right?
00:24:35Do you want to be a troublemaker?
00:24:36So, simply put, what do you need to know to do everything in this life?
00:24:40Well, my father is going to be very upset.
00:24:43Yeah, well, and it's not because you want to get back with Richie, is it?
00:24:48I?
00:24:49No, why?
00:24:50No, nothing, just out of curiosity.
00:24:51Okay, let's get down to business.
00:24:53Already.
00:24:54Very good.
00:24:55Okay, Maritere, you're going to move on to level 2.
00:24:58The perfect place to practice second-level pranks is the kitchen.
00:25:02Can you think of any kitchen pranks?
00:25:04Ah, wait, wait.
00:25:05Don't answer now.
00:25:06Answer now.
00:25:07Turn off the gas.
00:25:08Fantastic, I mean, wonderful.
00:25:09I'm cracking up!
00:25:10I'm cracking up!
00:25:11I'm cracking up!
00:25:12Did you come up with it yourself or did you see it in the cartoons?
00:25:13Oh, well, I find that funny.
00:25:14Oh, yes, look, his jaw is dislocated.
00:25:15Please, Maritere, pay attention, okay?
00:25:16Let's see.
00:25:17Let's practice the San Jacobo prank.
00:25:18Okay.
00:25:19Yeah.
00:25:20The following ingredients are needed for this prank.
00:25:22A sharp knife, breaded ham and cheese, and toothpaste.
00:25:26Of course, a lot, a lot of skill.
00:25:28After slicing the San Jacobo, we carefully remove the cheese and insert the pasta in its place.
00:25:33There.
00:25:34Once this operation is completed, we replace the sectioned part and tighten it with
00:25:38we press it with our fingers and freeze it again so that it becomes compact.
00:25:43Saint James!
00:25:44Saint James!
00:25:45The joke is ready, and the joke is ready.
00:25:46Saint James!
00:25:47The joke is ready.
00:25:48Now, the following ingredients are needed.
00:25:49A sharp knife, breaded ham and cheese, and toothpaste.
00:25:52Of course, a lot, a lot of skill.
00:25:53After slicing the San Jacobo, we carefully remove the cheese and insert the pasta in its place.
00:25:58There!
00:25:59Once this operation is completed, we replace the sectioned part.
00:26:02The joke is now ready to be enjoyed.
00:26:04Today for lunch, San Jacobos.
00:26:06Oh no, no, no!
00:26:08Mom, my stomach's a little upset, isn't it?
00:26:11Yes, well, I prefer sausages.
00:26:13Oh, really!
00:26:14Let's see if we don't end up eating anything.
00:26:15A San Jacobo that, well, maybe isn't very appetizing, but it's great for cavities.
00:26:19of Saint Bauch.
00:26:20Good.
00:26:21At this level 2, the jokes are characterized by risk.
00:26:24The risk of getting a really bad ponytail.
00:26:30Is something wrong?
00:26:31No, nothing, yes, my San Jacobo is very good.
00:26:34It's very good.
00:26:35Mmm, but they taste like mint.
00:26:37Hmm.
00:26:38San Jacobos don't taste like mint.
00:26:40Oh, no?
00:26:41You're eating sausages, aren't you, Guillem?
00:26:43I'm going to shit on everything I am.
00:26:44I'm going to shit on everything I am.
00:26:45I'm going to shit on everything I am.
00:26:46I'm going to shit on everything I am.
00:26:47That!
00:26:48Go to the bathroom and put the blanket on for me, I'll go now!
00:26:50What are you going to wear, Mom?
00:26:51Yeah.
00:26:52Diego, the gas has been turned off.
00:26:53Will you give it to him, please?
00:26:54Yes, yes, yes.
00:26:55Guillem!
00:26:56Cover yourself up.
00:26:57Eve.
00:26:58Hey, I want to tell you something, Lucia.
00:27:00I need a specialist, because I can't get rid of this dirty look in my eyes.
00:27:03In other words, I can't get rid of that dirty look, because my gaze wanders and I can't get rid of it.
00:27:09Yes, I think it's great that you trust him, Diego.
00:27:11The thing is, being the school psychologist and telling him these things, well, it makes me feel uneasy.
00:27:15Because in the end you end up being my co-worker.
00:27:17But, Lucia, what can I tell you?
00:27:18I have great faith in this man.
00:27:19In other words, while you were in Houston, this man and I were, well, inseparable.
00:27:22In other words, he's an expert in his field, Fermín.
00:27:24He is an eminent figure.
00:27:25Fermín, look, for God's sake, tell him whatever you want.
00:27:28But his name is Fernando, Diego.
00:27:29Fernando.
00:27:30Okay?
00:27:31Fernando.
00:27:32Yes, yes, yes.
00:27:33And pass, pass.
00:27:34Hello.
00:27:35Hello good.
00:27:36Hello, Lucia.
00:27:37Well, here we are again.
00:27:38How are you, Merez?
00:27:39How are you?
00:27:40Well, then...
00:27:41You guys will say, huh?
00:27:43Yes, it really is a problem I have, you see.
00:27:46The problem I have is that...
00:27:49I have a dirty look.
00:27:54Well, you know, Diego.
00:27:55Yeah.
00:27:56If your eyes offend you, pluck them out.
00:27:58That?
00:28:00It's a quote from the Bible.
00:28:01It's a key appointment, how does he eat?
00:28:03It's a quote that Fernando made.
00:28:06Look, what I mean, Diego, is that...
00:28:11Do you have a problem with the naked body?
00:28:13What do you mean you don't see it as natural?
00:28:14With none.
00:28:15In other words, I don't see it as natural at all.
00:28:16I mean, I see...
00:28:17No.
00:28:18In other words, I don't see the naked body as natural at all.
00:28:19I see naked people around me, and like, for example, platoons and stuff.
00:28:22And I think the worst.
00:28:23What are you laughing at?
00:28:24Did I say something strange?
00:28:25No, no, no, no.
00:28:26That?
00:28:27No, look, I'm laughing.
00:28:28Because I was just like you.
00:28:29Come on.
00:28:30He had a horse-like repression.
00:28:31Like our entire generation, of course.
00:28:32Clear.
00:28:33What do you say?
00:28:34Well, I've always thought you're a modern guy, since you're educated.
00:28:37Well, that has nothing to do with it, right?
00:28:39Look, we learn to be repressed at home, when we're little.
00:28:43And my father was in the military, so...
00:28:45Look, that's what I'm saying.
00:28:46The point is, you don't have to be so twisted, you have to be much more natural.
00:28:49Which is good for our children's education.
00:28:51Well, absolutely.
00:28:52It's been proven.
00:28:53It has been shown that children who grow up in an environment where the naked body is visible
00:28:55They naturally have higher self-esteem.
00:28:58And improved sexual relations in adulthood.
00:29:00Ah, well, look, that's it...
00:29:01Yeah.
00:29:02So, what do you think?
00:29:03This problem I have, this dirty look and all that.
00:29:06Is there a cure, Fermín?
00:29:07What's incurable is that you keep calling me Fermín.
00:29:09Forgive me, forgive me, please forgive me, Fernando.
00:29:11Excuse me, Fernando.
00:29:12I don't know what's wrong with me, it just comes out, right?
00:29:14It just comes out...
00:29:15Forgive me, forgive me, forgive me.
00:29:16No, nothing.
00:29:17Look, look.
00:29:18I'll tell you what I did.
00:29:20Yeah.
00:29:21I took a summer.
00:29:22And I went to a nudist beach.
00:29:23There, in Almería.
00:29:24Hey?
00:29:25And I stripped down immediately.
00:29:27Shock therapy, now, maestro.
00:29:28Exactly.
00:29:29Well.
00:29:30And I have continued practicing nudism ever since.
00:29:31Now with the whole family.
00:29:32Well.
00:29:33What do you think?
00:29:34Well, you know, you know.
00:29:35Diego, this is Fermín's advice.
00:29:38Yeah.
00:29:39The family that goes wild together, stays together.
00:29:42Piti.
00:29:43Nothing.
00:29:44Fuck off.
00:29:45Yeah.
00:29:46My marriage.
00:29:47He's gone to hell.
00:29:48What happened?
00:29:49What happened?
00:29:50Well, I just had a little nap after lunch.
00:29:51Candela has come on.
00:29:52And sometimes, well, we'd have a... a quickie in the middle of the afternoon.
00:29:55The... the siesta kiki?
00:29:56The siesta man?
00:29:57Yeah.
00:29:58Well, Diego wasn't there.
00:29:59That what was there was not there.
00:30:00Ah.
00:30:01What was there was not there.
00:30:02What was there was not there.
00:30:03And I've already started to get warmed up, I've started to get warmed up.
00:30:04And I've already started with the little screams and gasps, you know?
00:30:06And I couldn't take it anymore.
00:30:07And I told him...
00:30:08That?
00:30:09That?
00:30:10Less shouting, more miracles.
00:30:11And I came straight here.
00:30:12Make me a coffee.
00:30:13Yeah.
00:30:14And me, Ana, get yourself a coffee, dude.
00:30:15I already told you.
00:30:16That they were going to fix me.
00:30:17And I've noticed, haven't I?
00:30:18And I've seen it clearly, Diego.
00:30:20I saw it clearly.
00:30:21My wife is faking it.
00:30:22My candle is faking it, damn it.
00:30:23And that's it.
00:30:24And I had already resigned myself to the fact that he was going to pay me.
00:30:26And I had already resigned myself to the idea that he was going to pay me.
00:30:28That?
00:30:29That?
00:30:30That?
00:30:31That?
00:30:32That?
00:30:33That?
00:30:34That?
00:30:35That?
00:30:36That?
00:30:37And I had already resigned myself to the idea that I was going to spend my whole life with her.
00:30:40Look, 19 years old, it's over now.
00:30:41It's over.
00:30:42No, no.
00:30:43Fiti, I'll listen for a moment, but it's not over.
00:30:44Let's see.
00:30:45No no.
00:30:46Nothing is over here.
00:30:47First and foremost, stay calm.
00:30:48Tranquillity.
00:30:49The thing is, you don't...
00:30:50I mean, the candle, you don't anymore...
00:30:51To put it...
00:30:52You don't stimulate her.
00:30:53You don't stimulate her.
00:30:54I mean...
00:30:55You are like those who eat lentils every day.
00:30:57Every day.
00:30:58He wants to spend money on top-shelf quality.
00:31:00I'm not bored, Santi.
00:31:01I don't get bored.
00:31:02The problem is that Candela has you there.
00:31:03It has you there.
00:31:04So, to them, you're kind of like a bowl of lentils.
00:31:06And I'm going to tell you this with love, Fiti.
00:31:08With love.
00:31:09You've become a civil servant of love.
00:31:11In a civil servant.
00:31:12Every day.
00:31:13No no.
00:31:14That's not what they want.
00:31:15A certainty.
00:31:16A husband who is there every day.
00:31:17No no.
00:31:18That's what they say they want.
00:31:19But they don't want that.
00:31:20What do they really want?
00:31:21What do they want?
00:31:22Surprises.
00:31:23Every day.
00:31:24To all the days that want surprises.
00:31:25What are fantasies, Fiti?
00:31:26I don't know, dirty stuff, right?
00:31:27What filth?
00:31:28We're already looking dirty.
00:31:29No no.
00:31:30No, fantasies are desires.
00:31:31Wishes, my friend.
00:31:32Wishes.
00:31:33And what is the most desired thing?
00:31:34What one does not have.
00:31:35And you, frankly, well, Candela has you there for the rest of your life.
00:31:40Don't you want Candela to only have fantasies about you?
00:31:43Mainly.
00:31:44So what you have to do is make her think she doesn't have you.
00:31:47There, there, there.
00:31:48What I do?
00:31:49What I do?
00:31:50Should I go to Logroño and stay at my sister's house?
00:31:51For example, for example.
00:31:52No, no, no, no.
00:31:53For example, no.
00:31:54For example, no.
00:31:55To Logroño?
00:31:56Aren't you going to Logroño?
00:31:57No, no, no.
00:31:58No, he's not going to Logroño.
00:31:59That's it.
00:32:00What you have to do is convince Candela that you're not there.
00:32:02That you're no longer there.
00:32:03That she's not so sure.
00:32:04That you could lose.
00:32:05You're back on the market, Fiti.
00:32:07There.
00:32:08How is that achieved?
00:32:09Well, by adding a little bit of mystery to life.
00:32:11Because, frankly, you're less mysterious than a chair.
00:32:13Fiti.
00:32:14I see it, I see it, I see it.
00:32:17Mystery, isn't it?
00:32:18Yeah.
00:32:19Lord, let Fiti be a free man.
00:32:22A mysterious, free, and sought-after being.
00:32:25Sir, I see you.
00:32:27Mystery, I'm going to the garage because I have an oil change.
00:32:30Okay.
00:32:34The bathroom is the perfect place to practice third-level pranks.
00:32:37Okay.
00:32:38Come on, take notes, Maritere.
00:32:39Ah, yes.
00:32:40Know?
00:32:41I still think you want to be a troublemaker because you like Richi.
00:32:46No.
00:32:47Come on, don't lie to the teacher.
00:32:49Is it that you don't like Richi as a brother-in-law or what?
00:32:51So that thing about Richi is a wedge.
00:32:54Jesus has taken it.
00:32:56Well, look, yes.
00:32:57I'd like to try again with him.
00:33:01I like it a lot.
00:33:02Well, a lot.
00:33:04And what about you? Don't you like any of them or what?
00:33:08Come on, tell me about it.
00:33:10Yes, ye.
00:33:11Well, what I was saying about third-level jokes is that the good thing about them is that they have
00:33:19It's that while you're doing them, they break you.
00:33:21Okay, so what about the toilet brush?
00:33:23Well, no, no, don't believe it.
00:33:24No?
00:33:25Well, the first thing we need is a bottle of shampoo.
00:33:27Shampoo?
00:33:29Shampoo, brother-in-law!
00:33:31Let's take a moment.
00:33:33It's one thing for you to help me, and another for you to suck up to me.
00:33:35So come on, be quiet.
00:33:37We proceed to empty more than half of the container down the drain.
00:33:40And then we'll fill it with an ingredient that will sweeten the family's life.
00:33:46Honey.
00:33:47Honey?
00:33:50Well, what do you think, Maritere?
00:33:52Well, it might have its charm, but this is going to be a real mess, isn't it?
00:33:56Exact.
00:33:57Once we have the sticky honey inside the jar, we simply have to wait until the next morning.
00:34:02And now, for real.
00:34:03Damn!
00:34:04Damn!
00:34:05Damn!
00:34:06This is the wrong size!
00:34:10Well, like I was saying, for example, if it's bad...
00:34:13Come on, in the military we all showered naked.
00:34:16And well, nothing was happening, it was just a normal thing.
00:34:19I'll open it.
00:34:20I mean, I've always been a bit of a, well, nudist at heart.
00:34:23Oh, really, you're really giving me a hard time with the whole crime thing.
00:34:27Candle.
00:34:29Lucia, we've forgotten about the evaluation.
00:34:31The evaluation?
00:34:34Ah, the evaluation!
00:34:35Yes, yes, yes.
00:34:36Can you give us ten minutes to talk alone?
00:34:38Yes, yes.
00:34:39One thing, Lucia, about the costume, I've almost decided on it.
00:34:41I mean, I'm...
00:34:42I'm missing a movie...
00:34:43Between the two of us, I've almost made up my mind.
00:34:45Oh, really?
00:34:46Sure?
00:34:48Lucia.
00:34:49That?
00:34:50That?
00:34:51That?
00:34:56My relationship, which has run out of motorcycles.
00:34:58God, bring me down!
00:34:59And when was that?
00:35:00Don't joke around, Lucia.
00:35:02I have no explanation for what happened, aunt.
00:35:05What happened?
00:35:07I've always told you, Delfiti, that it's pure testosterone, right?
00:35:11Yeah.
00:35:12That...
00:35:13It's so tiresome how often I want to do it, I can't get rid of it even with hot water, isn't it?
00:35:16Yeah.
00:35:17Well, no.
00:35:18No.
00:35:19Not anymore.
00:35:20No.
00:35:21There is no longer any concentration or excitement.
00:35:22Well, there's not even any education.
00:35:24What do you think he said to me when he left me lying in bed?
00:35:27Less shouting, more miracles.
00:35:29No.
00:35:30Yeah.
00:35:31Yeah.
00:35:32No.
00:35:33What do you think?
00:35:34Well...
00:35:35I don't know, maybe you overreacted a little.
00:35:37No, no, no, no, no.
00:35:38The guy was there looking at me like I was a little owl, man.
00:35:41He was going to transfer me, it was like Big Brother, how distressing.
00:35:43Well, well, well, it could be a bad day, my daughter.
00:35:45Don't give it too much importance.
00:35:46What is it?
00:35:47No, Lucia, you're not understanding.
00:35:48Let's see, for Fiti there are two sacred things in this world.
00:35:50One is football, and the other is sex.
00:35:52Can you imagine Fiti getting up from the sofa when his team is about to call a penalty?
00:35:58No.
00:35:59The truth is, no.
00:36:00But hey, there must be an explanation.
00:36:01If it's even a day, man.
00:36:02What's wrong with her is that there's no passion anymore, that I don't quote her, that I don't post anything for her, that...
00:36:06And besides, as the test clearly stated, this happens to millions of couples.
00:36:09In other words, there's nothing special about it, but...
00:36:11What I am sure of is that when sex has ended in a relationship, everything has ended, Lucia.
00:36:14And in my relationship, it's over.
00:36:15It's over...
00:36:16It's over.
00:36:17Adela.
00:36:18Raul.
00:36:19Hello.
00:36:20Hello.
00:36:21What are you doing here?
00:36:22No, I'm going to sleep.
00:36:23Know?
00:36:24For what studying is supposed to be, right?
00:36:25We have the evaluation and all that and...
00:36:27AND...
00:36:28Well, that's a good night, huh?
00:36:29Forward.
00:36:30Forward.
00:36:31Raúl, if that's the case...
00:36:32You can stay home, okay?
00:36:33Oh, thank you.
00:36:34See you later.
00:36:37Just wait until Fiti starts looking for someone else.
00:36:39Hey, Candela, no.
00:36:40That's not right, is it?
00:36:41Oh, Candela, really.
00:36:42No.
00:36:52Damn, Raúl, I dreamt about Raquel again, man.
00:36:54And I'm with Eva, dude.
00:36:55And I'm with Eva, dude.
00:36:56And I was with Eva all night, dreaming about Eva and...
00:36:57AND...
00:36:58And imagining her in...
00:36:59Naked, dude, showering together, you know?
00:37:01No.
00:37:02Phew.
00:37:03Shhh.
00:37:04Hush, hush, hush.
00:37:05No, no, be quiet, be quiet, be quiet.
00:37:15He has entered.
00:37:16He's in, he's in, he's in, he's in.
00:37:18Hey, here.
00:37:19Okay, okay.
00:37:20Well, no, the man is like clockwork.
00:37:22Okay, now go inside.
00:37:23He is looking at himself in the mirror.
00:37:24Tum, bam, bam.
00:37:25I don't know what.
00:37:26A grain of sand.
00:37:31And now she takes off her nightgown.
00:37:32Plop.
00:37:33Into the air.
00:37:34Clutches, dude.
00:37:35Clutches.
00:37:36It's definitely a thong.
00:37:37And down with the thong, down with the thong.
00:37:39Outside.
00:37:40And now the bathtub is leaving, like that.
00:37:41From a little fish.
00:37:42Ouch, it burns, doesn't it?
00:37:43Well, it burns.
00:37:44Well, the water's nice and warm, you know?
00:37:45And inside, already inside, already inside.
00:37:48And the show begins.
00:37:49Let the show begin, kid.
00:37:50Yes sir.
00:37:51Long live male Luddism.
00:37:54Sorry, sorry.
00:37:58What a mess, what a mess, what a mess, what a mess.
00:38:00There's been a miscalculation, man.
00:38:01There he was, peeing, pooping, or whatever he was doing, dude.
00:38:06But we forgot to calculate the morning glance, you know?
00:38:07It'll be ready, it'll be ready, right?
00:38:08It can be done now.
00:38:09No?
00:38:10No.
00:38:11No?
00:38:12Okay, okay, okay.
00:38:13Okay, fine, okay.
00:38:14Okay.
00:38:15I'm going to calculate my morning glance, you know?
00:38:17It'll be ready, it'll be ready, right?
00:38:18It can be done now.
00:38:19Okay, fine, okay, a wenn, dude.
00:38:20Yes, I'm going.
00:38:23Come on, come on, come on, come on, come on, come on Marco.
00:38:26and
00:38:46Well
00:38:49What's going on with the water, huh?
00:38:51But what are you doing here, why don't you leave?
00:38:53Give me shampoo, come on! Pass me shampoo!
00:38:54What shampoo, girl, you're not stupid!
00:38:55There are four of us, darling! We need to hurry!
00:38:57We can't reach him!
00:38:58It doesn't matter! Get out!
00:39:00Let's... there! Don't get like that!
00:39:02Are you listening to me, Raúl? Go away! Don't rub me!
00:39:04Oh, this is kind of stuck, isn't it?
00:39:06Disgusting! Raúl, get out!
00:39:07It smells like addictive honey!
00:39:08I don't care! Get out!
00:39:09Oh, okay, okay! Eve! Aaah!
00:39:11Eva, aunt! How violent!
00:39:14What a mess! How disgusting! What the hell is this!
00:39:17Eva, how violent! Okay, let me in!
00:39:19Eva, I'm here! Eva, auntie! What the hell!
00:39:21I want to tell you now!
00:39:22Eva, let me in!
00:39:23Mister! Mister! Hello!
00:39:25What happened to you?
00:39:26Let me explain, let me explain, you know?
00:39:28No, no, no! Are you finished?
00:39:30Yes, yes, yes!
00:39:30Son, come out, come on! It's my turn!
00:39:33Very good, son, very good! Okay, see you later!
00:39:41Knock, knock!
00:39:44Diego.
00:39:45Yeah?
00:39:46That?
00:39:47No, no, no, don't worry, Eva.
00:39:49It affects me for a split second and I'll be right out, okay?
00:39:52Don't worry. I'll finish right now.
00:39:53Uh, uh...
00:39:54Peaceful.
00:39:54So, I'm here...
00:39:56No, it's okay, don't worry.
00:39:57It's a natural thing, isn't it?
00:39:59Wait, I'll give you the list correctly.
00:40:03No, no, no, no!
00:40:05Why are you still doing that?
00:40:06Come on, come on, come in immediately.
00:40:07Come on!
00:40:08It doesn't matter, I have to take a shower anyway.
00:40:09Come on, what did I say, Guille, work!
00:40:11What did I say?
00:40:11Come on in.
00:40:12Come on, let's take a shower.
00:40:13Come on?
00:40:14Come on?
00:40:14What's happening?
00:40:15Come on, get naked.
00:40:16But what, what, what, Dad?
00:40:17What? Are you crazy?
00:40:17How am I going to undress here in front of you?
00:40:19Because when you finish...
00:40:20But it's okay, Guille, it's okay because we'll give you the nudes.
00:40:22No, being naked is a natural thing.
00:40:24Okay, fine, I'll wake up first and then you guys, okay?
00:40:26Come on.
00:40:27Let's see.
00:40:28Very good.
00:40:29You know, a family that wakes up together stays together...
00:40:32What are you doing, Dad?
00:40:33What are you doing, Dad?
00:40:33You're staying up all night, how disgusting!
00:40:34Nothing's wrong.
00:40:35Let's see, let's see, Guille.
00:40:37Curro, give me luck.
00:40:39But it's also nothing, but you're crazy, this is awful, right?
00:40:42Disgusting?
00:40:42Look, I'm going to tell you something, son.
00:40:44You're the one with the dirty look.
00:40:46Being naked is natural.
00:40:47There's no reason to be ashamed of that.
00:40:52Well, like I was saying, son, since you're a bit twisted, you look dirty.
00:40:56You look dirty, son.
00:40:57You look dirty, look dirty.
00:40:59In other words, take off your pajamas.
00:40:59Are you looking at your pajamas or what...?
00:41:01I'll rip it off you, take off your pajamas.
00:41:03Come on, pajamas off right now.
00:41:05Diego.
00:41:07Yes, yes.
00:41:08Let's see.
00:41:10Already.
00:41:10No, summer, the beach...
00:41:12Things shouldn't be blown out of proportion, not on one side.
00:41:16Nor by any other means.
00:41:16Good.
00:41:17What did he throw at me, man?
00:41:19What did he throw at me?
00:41:19What did he throw at me?
00:41:20Know?
00:41:20Your sister isn't a nudist or anything like that.
00:41:25And your father is so weird, you know?
00:41:27It has...
00:41:28I've seen him...
00:41:29Look at me, man, look at me.
00:41:31We should change our shampoo or something in this house, man.
00:41:34Because this honey-faced Timothy, well, he'll be very sexual and all that.
00:41:36And it's very pretty, but look what it does to you, you know?
00:41:38That's not how you get anywhere.
00:41:39Now I'm going to get there and the aunts...
00:41:41You don't like being in costume, huh?
00:41:51As a costume.
00:41:51If the wife is joking around with Rogelio, I'm not saying no, eh?
00:41:54Me, me.
00:41:55Well, this is funny, man.
00:41:56Let's see...
00:41:57Ah, uh-huh, uh-huh...
00:42:01Yeah?
00:42:02Yeah?
00:42:02Silly.
00:42:03I can't talk now.
00:42:05Yeah.
00:42:05Yes, well, okay...
00:42:07You hang up now, okay?
00:42:08Clear.
00:42:08See you later.
00:42:09Yeah.
00:42:10Yeah.
00:42:13What's up, Churri?
00:42:13Time for breakfast, shall we?
00:42:16Yeah.
00:42:17Santi, you've cut it, please.
00:42:18Yes, that's it.
00:42:21Look, I've been thinking about it and I'm not going to the party.
00:42:25Oh, no?
00:42:26And so?
00:42:27Well, because I have a meeting with you this afternoon, I'm tired and...
00:42:31But hey, if you want to go, you can.
00:42:32Oh, well, yes.
00:42:38Is that what I was telling you?
00:42:39The fact that?
00:42:40Fiti?
00:42:41He was like that all night, sending text messages, he didn't even watch the football.
00:42:47Dude, this guy's in a mess.
00:42:48Seriously, Candela, don't talk nonsense, man.
00:42:50How could he have a problem?
00:42:51Are you stupid?
00:42:52A virtual mess, man.
00:42:54I've been texting myself all night.
00:42:57I mean, come on, Candela is absolutely furious.
00:43:00But Fiti, but Fiti, he shouldn't get annoyed, he should get excited, that is, he should desire you, he should desire you.
00:43:06And you're acting like a 13-year-old kid.
00:43:08But hey, it wasn't about being mysterious, about her seeing that I'm out on the market.
00:43:11Yes, Fiti, yes, yes, but, but, Candela isn't stupid, she's noticing everything.
00:43:15And you're acting like a fool, you idiot.
00:43:17He's doing some very suspicious things.
00:43:18Lucia, I'm very worried, really, very worried.
00:43:21Well, look, what you have to do is talk to him.
00:43:23Tonight you'll get the better of him.
00:43:25And do you speak it?
00:43:25Tonight Fiti is going to be the king of the carnival, huh?
00:43:30I'm telling you, I'm even going to take pictures of it.
00:43:31You'll see if he finds out, I'm not on the market.
00:43:33Fiti, calm down, calm down, calm down, calm down, we don't even have the costume yet, calm down.
00:43:38We don't have it, we don't have it.
00:43:39Well, the costume thing won't be that complicated, damn it, the Americans aren't organizing it.
00:43:43Yes, kid, we're going as the Statue of Liberty.
00:43:47Sausage.
00:43:48Americans really like sausages.
00:43:50Yes, yes, yes, yes, we'll make some red and yellow skirts and that's it, just the ketchup and mustard.
00:43:53Alright.
00:44:05I don't see it, I don't see it, I don't see it as a sausage.
00:44:07Okay, well I don't see it, I don't see it.
00:44:08The hamburger, with its cheese and lettuce.
00:44:10But, Beto, how are we going to say "hamburger"?
00:44:12This is a fine and elegant place, because political ambassadors go there.
00:44:15You've seen me dressed as an ambassador on a hamburger.
00:44:17Once the room!
00:44:17From Quincón!
00:44:18From Quincón?
00:44:19Look, don't mess with me, don't mess with me.
00:44:22I'm not going dressed in a mono-door style, I mean, we're going to go, no, I'm going to say it and how we're going to go.
00:44:25Like everyone else, he's one of the classics.
00:44:26See you later, goodbye.
00:44:27See you later.
00:44:28See you later.
00:44:28See you later.
00:44:34Honey, how about we go out for dinner tonight?
00:44:38Hey?
00:44:39Ah, tonight.
00:44:41Yeah.
00:44:42No, look, I'm telling you that I have a party, a party there with some people, some friends and stuff.
00:44:49So, well, a big party, a costume party, a carnival and all that.
00:44:53So...
00:44:53Attentive.
00:44:54I'm going to be a little late, come on, the guy who gets up won't wait for me, okay?
00:44:57Come on.
00:44:58Okay.
00:45:05Very good, Maritena, now you have to pay close attention because you're going to move up to the master level, okay?
00:45:08Okay.
00:45:09We're going to do the gamber master, what we usually call the master gamberrada.
00:45:16Okay.
00:45:17I'll be right back, okay?
00:45:26Hello, nun.
00:45:28Little nun, I think you're making a bit of a mistake about me, aren't you?
00:45:31Yeah?
00:45:32You don't say.
00:45:33Well, look, yes, and I'm going to prove it to you.
00:45:35I'm going to pull off the ultimate prank.
00:45:37What are you going to do?
00:45:39You're going to release a fly in class.
00:45:41That's intense, auntie.
00:45:42Have you seen him on Sesame Street?
00:45:43Well, you'll see.
00:45:47Oh, Maritena, Maritena, you're appropriating my pranks.
00:45:51Okay, come on, Guille, we don't have all day.
00:45:52Let's see.
00:45:53Well, to be a gamber master you have to choose your victim very carefully.
00:45:57So they don't blow up your face later.
00:46:00Can you think of anyone?
00:46:00Ah, yes.
00:46:02Wait!
00:46:03Answer, Sara.
00:46:04Reply.
00:46:07Already!
00:46:08The days.
00:46:09Correct.
00:46:10The gamber master is the chain hooligan.
00:46:12To carry it out, you only need
00:46:14some sheets of paper,
00:46:15a new testament,
00:46:17a tube of contact cement,
00:46:19a firecracker
00:46:20and a lot of cunning.
00:46:28Good morning, guys!
00:46:30Good morning, guys!
00:46:31Good morning, guys!
00:46:33Today we're going to talk
00:46:34from one of the Christian maxims,
00:46:36Something that should be practiced much more in this world.
00:46:39Forgiveness.
00:46:40Forgiveness is something he knows...
00:46:41At the Amber Master
00:46:42Every detail must be taken care of meticulously.
00:46:45The teacher, as always,
00:46:48She will give us her presentation.
00:46:48and it will give us five minutes to write.
00:46:51Now I want you to write on a small piece of paper
00:46:52What does forgiveness mean to you?
00:46:53and why it's so important.
00:46:55Just a short paragraph, you have five minutes.
00:46:56At that moment he will sit down
00:47:01and will correct some work.
00:47:03You have to wait four minutes
00:47:04until the glue takes effect.
00:47:05And then,
00:47:06We move on to phase two,
00:47:08the firecracker.
00:47:08Good morning, guys!
00:47:38When it explodes,
00:47:39Nurdita will jump out of her seat
00:47:41casually forgetting about the skirt
00:47:43and quickly looking for something to cover it with.
00:47:45You haven't gone too far!
00:47:46He will probably choose some sheets of paper and a folder.
00:47:49You haven't gone too far!
00:47:49With which we will have achieved
00:47:51a great show.
00:47:52You haven't gone too far!
00:47:53The performance of the fly woman.
00:47:54You guys haven't gone too far!
00:47:55Good afternoon.
00:48:13Come on, sit down, sit down, silence, come on, please, today we continue with romance
00:48:25And to warm up, let's read a poem by José de Estronceda, Raúl Martínez, salt, page 18
00:48:33I like to see the sky with black clouds, dark clouds, dark clouds, dark clouds and hear the north winds
00:48:44This Raúl guy is a total slowpoke, isn't he?
00:48:47Yes, when it suits him, which is when he's really clever.
00:48:51What, did something get into my shower this morning?
00:48:54Naked
00:48:55Well, I'm telling you.
00:48:56Of course, as I told him yesterday that I was a nudist.
00:48:58Are you sleeping, Raúl, son?
00:49:02Take care of yourself now, come on, yes, sit down
00:49:04Handsome
00:49:05Marco Serrano, take it easy, okay? Have a good day
00:49:09I am glad to see the bomb fall gently from the sky and remain motionless on the ground
00:49:17But how am I going to get it out of my head? You can see it.
00:49:19Yeah
00:49:20How handsome
00:49:21Don't pull, he's spying
00:49:24What had we talked about, Eva?
00:49:26If you want to get it out of your head, you're going to have to hate it.
00:49:29But I'm going to hate you, aunt
00:49:31If I see him lying there on the sofa every night and all I want is for him to hug me
00:49:35I feel terrible.
00:49:36Yeah
00:49:37I think what's happening to you is that you've idealized him.
00:49:41You only see the good things about him, and we've already talked about this.
00:49:44Come on, you see him as if he were an angel or something, right?
00:49:48Well no
00:49:48You have to drive out the demon inside him
00:49:52Yes, damn it.
00:49:53Prick it
00:49:54Provoke him until he explodes
00:49:57And when he brings out the beast within him
00:49:58You'll see how you've stopped liking it
00:50:00And I would like to light up the pile of dead bodies.
00:50:03Well, turn it on now, please, and leave the poem alone.
00:50:06Rooms
00:50:07If I weren't so tired, I would punish you.
00:50:11But I can't
00:50:12Sit down
00:50:13Marcos, thank you
00:50:14Let's see
00:50:16The bronzer is a pain, yeah, okay
00:50:18No, daughter
00:50:27It's obvious you're a mess.
00:50:29Oh, but I hope you're wearing a cute face.
00:50:31What's the matter?
00:50:32That my marriage is going to shit
00:50:34What do you think?
00:50:34Hey, look, don't get all apocalyptic, okay?
00:50:36No, not apocalyptic or anything like that, Lucia
00:50:38The fitillan doesn't even bother to pretend.
00:50:40She's going to a carnival party tonight.
00:50:42And she hasn't even sent me one because she's going to the other one.
00:50:44The one with the text messages
00:50:45But, but, what other option do you have?
00:50:46If that party goes with Diego and Santi
00:50:48We've been invited to the American ranch by my ex.
00:50:51Yeah?
00:50:52Clear
00:50:52That certainly is a guarantee.
00:50:55If you are not all the same
00:50:57No, no, no
00:50:57Are you talking nonsense?
00:50:58I'm not talking nonsense, okay?
00:51:00I'm sure Diego and Santi would cover for him in that case.
00:51:02Of course
00:51:03Sure, sure
00:51:03And I'll tell you something else, which is that I also imagine him with others
00:51:05If I pick something up from one side
00:51:06But it's true
00:51:07So don't just imagine it, okay?
00:51:09No
00:51:10But we have to take it by the horns.
00:51:12Horns
00:51:12Yeah
00:51:13You were good there, Mom
00:51:14Look, just leave it, absolutely nothing's wrong.
00:51:16Well, it's okay.
00:51:17And if it happens, so what, Lucia?
00:51:19Should I just stand idly by while Fiti leaves, or what?
00:51:20No, no, of course not
00:51:21What you have to do is defend it like a lioness.
00:51:24Like an accident
00:51:25Mom, mom
00:51:25Yes, because otherwise men go too far.
00:51:27Mom, okay
00:51:28Let's see, Lucia
00:51:30I want to go to that party to see this slut with my own eyes
00:51:32That
00:51:32To get him a fragrant
00:51:33Don't let him come to you later with stories or nonsense.
00:51:36Okay, fine, no
00:51:36Okay, okay, okay, okay, okay, okay, okay
00:51:38Okay, part two
00:51:39We're going to the party
00:51:40So you can see that Fiti doesn't go with anyone
00:51:42And get rid of your paranoia
00:51:44Okay?
00:51:46Well, come
00:51:47Now let me tell you something, okay?
00:51:49As soon as I see her, my aunt snaps her head off with one swipe of her paw.
00:51:51That's how it's done
00:51:52And what do you say we have to dress up as?
00:51:56Well...
00:51:57Of masks
00:51:57Venetian Carnival
00:51:58What's happening?
00:52:11If I have any, they're all dressed up as you, right?
00:52:13What faith?
00:52:13No, no, no
00:52:14Are you sure these costumes are classics?
00:52:16Well, we're more into classics.
00:52:17And Little Red Riding Hood, the clown, and the prisoner
00:52:19Well, there isn't one.
00:52:20That's my own choice, as a prisoner.
00:52:22You're annoying.
00:52:23They didn't have your size.
00:52:24I already told you.
00:52:24They didn't have your size.
00:52:25There was no diaper of mine
00:52:26Thanks, huh?
00:52:30Hello
00:52:30Look, Mrs. Busca
00:52:32Look, look, look
00:52:33He's made a fool of himself again.
00:52:48Fiti, Fiti
00:52:50Fiti, come on, let's go so we can be
00:52:50What are you saying, man?
00:52:52What did we come here for? To have fun?
00:52:53What's with them dressing up?
00:52:54Fiti, we're making a fool of ourselves.
00:52:56Come on, let's go, come on
00:52:57Let's go, come on
00:52:58I don't care, what do I care?
00:52:59Look, look, look at their color, man
00:53:01I'm going to buy top-quality whiting
00:53:03What am I on the market for?
00:53:04Yes or no?
00:53:04Okay then, go ahead
00:53:05Fiti, Fiti
00:53:06How should I know where the toilet is?
00:53:10Hold on, man
00:53:10Hold on
00:53:11Wait, let's get to this
00:53:12Pull, pull
00:53:12Okay, okay, okay
00:53:16Look at the carnival trio that just made an appearance
00:53:18This is going to be more fun than I imagined.
00:53:22Oh my God
00:53:24I thought Diego knew what a Venetian carnival was.
00:53:26Well no
00:53:27Have I already been to Fiti?
00:53:29Like a clown
00:53:29But yes, only
00:53:30Candle
00:53:31Maybe the other one has gone to powder her nose.
00:53:33But, oh my goodness!
00:53:38What is your brother-in-law wearing?
00:53:41Well, yes
00:53:42Fiti has come alone
00:53:43I am looking for Lucia
00:53:45I'm looking for
00:53:45I'll prove it to you.
00:53:47He is looking
00:54:03Eve
00:54:05Come
00:54:06Come here for a moment
00:54:08Let's see what you think.
00:54:12I've composed a new song for Raquel
00:54:14Let me know what you think, okay?
00:54:14I hear that plane passing by, the one that takes you to the planet of oblivion.
00:54:38I know it's difficult, I know it's difficult for me to find you again, for our paths to cross.
00:54:46I'm going to think about you, only you.
00:54:54That's all I need to survive
00:55:16Do you have a long way to go?
00:55:41Okay, well, I've got another verse that's a...
00:55:45What's wrong? Don't you like it?
00:55:50Well no
00:55:50It's shit
00:55:52Is it that bad?
00:55:56I know it's unlikely our paths will cross.
00:55:59And it is indeed difficult, Marcos
00:56:00Because Raquel has gone on longer
00:56:02Do you understand?
00:56:03It has been lengthened
00:56:03That?
00:56:08You fall in love with the teacher
00:56:09You get in the trunk of his car
00:56:11And you run away from home
00:56:12You've left us all in a mess
00:56:14How old are you?
00:56:14Twelve?
00:56:16No no
00:56:17Never mind, don't say anything
00:56:18Stay there, I'll hit you with my little guitar
00:56:20Raquel isn't coming back, you know?
00:56:23Because he doesn't love you
00:56:24Let's see if you understand.
00:56:26What are you going to do?
00:56:27Are you going to stay there writing songs for her?
00:56:30Are you going to keep bothering the rest of us?
00:56:33Don't take it the wrong way
00:56:37But I think you need to wake up a bit
00:56:40Aren't you saying anything?
00:56:46Okay
00:56:47Police are looking
00:56:53I'll prove it to you.
00:56:54Hey man, what's up?
00:56:57Are we bored or what?
00:56:59You're so annoying, Fiti
00:57:00You're so annoying.
00:57:01Dance a little
00:57:02Fuck
00:57:02Let's get some water
00:57:04Okay, something bad.
00:57:05Come on, yes, the air fails
00:57:06Sad, you are all sad.
00:57:08Look, what a cutie
00:57:11Beautiful water
00:57:11Hey, let's see
00:57:12I'm free, gorgeous
00:57:13I'm not surprised, clown.
00:57:15Clown, clown
00:57:17What you want
00:57:18Let's make a little space here
00:57:20Let's dance, shall we?
00:57:21Would you like something to drink?
00:57:25Well, I'm already taking it
00:57:27I've got it
00:57:30That old cart has come into my possession.
00:57:31Yes?
00:57:33But you see that I am a man
00:57:34Of course she sees that you're a man
00:57:35But you'll put it on for me, right?
00:57:37Yeah
00:57:37What is your name?
00:57:53Ninotska
00:57:53Ninotska?
00:57:55Yeah
00:57:56So you're not from Vallecas, are you?
00:57:58No, I'm Russian.
00:58:00Like potato salad
00:58:01From Russia itself, or how?
00:58:06Yes, from Russia itself.
00:58:07Ah, José
00:58:09Come on, you didn't come far to party or anything.
00:58:12Good evening, can I have a drink?
00:58:15Oh, sorry.
00:58:16Earth, is the grandmother who...
00:58:18Unless she's used to it and dressed
00:58:19Look, I don't want to seem rude
00:58:21But I'm married.
00:58:22Oh, never mind, I'm not felos
00:58:25Yes, no, it seems fine to me.
00:58:27What I don't like is that I don't go around buying drinks.
00:58:29Since I'm married, you see
00:58:29Yeah, yeah, yeah
00:58:31What did you call me?
00:58:34My love
00:58:35It's very noisy here.
00:58:40Shall we go outside?
00:58:43Well
00:58:43Okay
00:58:45Let's go now
00:59:05So, what then?
00:59:08Were you looking for a pretty girl?
00:59:10Yes, it was good for getting married tomorrow.
00:59:12No, not at all.
00:59:14Well, what do I know, to find out
00:59:15To meet a girl or something
00:59:18You never know
00:59:18Silly
00:59:20Oh my God
00:59:23My God
00:59:24Wait, wait, wait
00:59:26Follow my clown
00:59:29Follow my clown
00:59:31Wait, wait
00:59:35No, no, no, no, no, no, no, no, no, no
00:59:36What's happening?
00:59:38No, that...
00:59:39What am I going to...
00:59:43Let's get some jintonis
00:59:46Okay?
00:59:47My mouth is dry
00:59:48And we've already started the little party, huh?
00:59:52Let the Russian go
00:59:53Hey?
00:59:55Eh, eh, eh, eh
00:59:56Eh, eh, eh
00:59:59And he gave me a right telling-off, kid.
01:00:28What did he tell you?
01:00:30Well, what you all tell me.
01:00:31That...
01:00:32I'm a fool.
01:00:33Falling in love
01:00:34From my teacher
01:00:36And composing little songs for her
01:00:39And, well, and running away with her
01:00:41In other words, in your trunk
01:00:42And what did you say to him?
01:00:44Nothing, aunt
01:00:45He said nothing
01:00:46But I kept provoking him
01:00:48And she stayed there, half-dazed
01:00:49How poor
01:00:50No, not poor thing
01:00:52Dull
01:00:52You can't have so little blood
01:00:54Well
01:00:55But it worked, didn't it?
01:00:58Well yes
01:00:58I was so stupid
01:01:00I even thought it was ugly
01:01:01Gorgeous, dude
01:01:03I mean, even Borde looks good, right?
01:01:05Arcos, dude, you're a bit of a masochist.
01:01:07No way, dude.
01:01:08That put me in my place.
01:01:08And he told me all those truths
01:01:11Because I matter to him.
01:01:11In other words, he got a border because
01:01:13Because it hurts
01:01:14Because he feels something for me
01:01:15I...
01:01:18I don't know, I'm...
01:01:18The truth is that I'm a bit confused.
01:01:19Because...
01:01:21So, Raquel is leaving.
01:01:21Me too...
01:01:22And I don't...
01:01:23Equal...
01:01:25So, maybe I haven't completely forgotten about Eva.
01:01:26I think I'm going to manage to forget about him, huh?
01:01:30Yes, aunt, because...
01:01:31I thought I was in love, but...
01:01:33But it's a lie.
01:01:34I must have made it all up, you know?
01:01:37Besides, the thing is...
01:01:38He's just acting tough, girl.
01:01:39But then he's a softie
01:01:40And a cowardly
01:01:41Well...
01:01:42Very good
01:01:43So what are you going to do now?
01:01:45Well...
01:01:46Treat it like what it is
01:01:47My brother
01:01:48But what is your sister, man?
01:01:50No, she's not my sister.
01:01:51Careful
01:01:51Careful
01:01:52And since she's not my sister, you know what I'm going to do?
01:01:56Well, anything goes, dude
01:01:57Because of what you're giving me
01:01:58I'll start from the beginning, Raúl
01:02:01Man!
01:02:06The scoundrel from Santa Justa has arrived
01:02:08So that?
01:02:10How was yesterday?
01:02:11Did you take the one with the little cleavage to the Moro field?
01:02:14Well, we were there.
01:02:15How were we there?
01:02:17What are you saying?
01:02:18Look, don't mess with me, okay?
01:02:19How can you do that to Candela?
01:02:20Because it takes real nerve.
01:02:22You've got some nerve, Fiti
01:02:23You've got a lot of nerve.
01:02:24No, no, no
01:02:25Fuck
01:02:25That I couldn't
01:02:26That in the end
01:02:27There, over there, fucking
01:02:28Like a loser
01:02:29Wait, wait
01:02:30Because I saw how you were taken into the darkness.
01:02:31Yes, yes
01:02:32He took me away
01:02:33Did he take you?
01:02:33Did you see it?
01:02:34Did he take you?
01:02:34Did he take you?
01:02:34I had it in the jar
01:02:36Yeah
01:02:36The one is there
01:02:37I couldn't
01:02:39I couldn't, man.
01:02:40I got out of it
01:02:41I couldn't
01:02:41You know what I'm saying?
01:02:43Well done, Fiti
01:02:43Well done, well done
01:02:44Look, Diego
01:02:45Really
01:02:45I mean, maybe I
01:02:46I lose my wife
01:02:47Because I have no mystery
01:02:49Maybe he'll marry me
01:02:50But I'm going to keep being
01:02:52A plate of lentils
01:02:53Okay?
01:02:53Because I can't do it
01:02:54To be mysterious
01:02:55Damn, and much less unfaithful
01:02:56Fuck
01:02:57Even if I lose
01:02:58What I love most about my wife
01:02:59But, Fiti, man
01:02:59What do you have to lose?
01:03:01Fiti, what do you have to lose?
01:03:01You have nothing to lose.
01:03:02Yes, yes, yes
01:03:03Do you know what happened yesterday?
01:03:04When will I get home?
01:03:05Hey?
01:03:06That Candela wasn't there
01:03:06Come on
01:03:07That already
01:03:08It's not that I have fantasies
01:03:10It's because he has someone
01:03:11Really
01:03:12Someone of flesh and blood has been thrown in.
01:03:13I'm going crazy
01:03:15Pussy
01:03:15Uh, uh
01:03:16Let's see if it's going to be Tomasino
01:03:17The fishmonger
01:03:17That has always been looked at
01:03:19With the eyes of a fish
01:03:19To your lady
01:03:20But not Tomasino
01:03:21Not even Tomasino
01:03:22Don't talk nonsense
01:03:22Anti, that is
01:03:23The route
01:03:23Let's see
01:03:24Let's see
01:03:24This needs to have an explanation.
01:03:26And at the moment there is no proof of anything
01:03:27You are welcome
01:03:28No no
01:03:28No no
01:03:29This is going to be a marital crisis.
01:03:31But it happens, Fiti
01:03:32Come on, we've been out a lot.
01:03:35You and I are like this, huh?
01:03:36Well, that's true.
01:03:36Well, that's it, that's it
01:03:37We've already left
01:03:38Well, we're going to give Tomasín a fright.
01:03:40That always works.
01:03:41A what?
01:03:42A what?
01:03:43A scare
01:03:44No, no, no
01:03:46Not a scare
01:03:47No, before seeing
01:03:47Come, I'll give you a beautiful one
01:03:48Well, I've heard
01:03:49That the gallows is done
01:03:50On an obelisk
01:03:51With yesterday's joke on Lurditas
01:03:52Yes, I've heard it too.
01:03:53And they say they're going to expel
01:03:55To whomever it may be
01:03:55Poor Tete
01:03:56For once in her life
01:03:57His hair is going to fall out
01:03:58Already
01:03:59And you think you
01:04:00What will he dare to say?
01:04:01What has she been?
01:04:02It's a pinch
01:04:02Come on guys
01:04:03Everyone to their place, please
01:04:04We have a lot of work today.
01:04:06Language free
01:04:08Please, I'll take a look at it.
01:04:09So?
01:04:11Please, Tete
01:04:11He does whatever happens
01:04:12You had nothing to do with it
01:04:14With Lurditas' joke
01:04:15Okay?
01:04:16Yeah
01:04:17Lucia
01:04:18Wait a moment
01:04:19That...
01:04:20Okay guys
01:04:23Let's see
01:04:23An incident occurred yesterday
01:04:25Very serious
01:04:26During religion class
01:04:27Something that seems to me
01:04:28A lack of respect
01:04:29Unforgivable
01:04:29You know what I mean
01:04:31No?
01:04:34Who was it?
01:04:36I asked a question
01:04:37And I await a response.
01:04:38And so you know
01:04:40What if the culprit doesn't know?
01:04:41You're all going to pay for this
01:04:42Hey?
01:04:43Who was it?
01:04:47No Tete
01:04:48Now is not the time
01:04:48Asking questions
01:04:49No, Candela
01:04:50It's not a question.
01:04:51It was me
01:04:53Are you sure?
01:04:56Tete, that's a foul
01:04:59Very serious
01:04:59This expulsion
01:05:00No, Candela
01:05:02It's a lie.
01:05:03It was me
01:05:04No, it was me.
01:05:06No, it was me.
01:05:07No, it was me.
01:05:11Lie
01:05:11It was me
01:05:12No, it was me.
01:05:12That's right, it was me.
01:05:13These have been viewed 200 times
01:05:15Dead Poets Society
01:05:16Come on
01:05:17Sit down
01:05:18Very good
01:05:20Bunch of idiots
01:05:20If you are determined
01:05:22Everyone has to pay.
01:05:22You're all going to pay
01:05:23And it's going to be the same Lurditas
01:05:24Whoever imposes the punishment on you
01:05:26I?
01:05:27Yeah
01:05:27Well
01:05:28I don't know
01:05:29Okay, let's go
01:05:31What you did
01:05:31It was very bad
01:05:32Because also
01:05:32That skirt
01:05:33It was my favorite skirt
01:05:34AND
01:05:35But come on
01:05:36That
01:05:36That?
01:05:39That the class
01:05:40It was about the value of forgiveness
01:05:41And I believe I must preach
01:05:42By example
01:05:42So
01:05:43I forgive you, guys
01:05:45Come!
01:05:50Come!
01:05:50Come!
01:05:53Well
01:05:54Wow, that's something!
01:05:55Let him go
01:05:55If they start telling you
01:05:57The other cheek thing
01:05:57They disfigure you, huh?
01:06:01Long live Lurdita!
01:06:02Long live Lurdita!
01:06:07Water, water, water
01:06:08The shower
01:06:08Host
01:06:09Hello good morning
01:06:12Hello, Fiti
01:06:14Hi, Candela
01:06:15How was the party last night?
01:06:18Nothing, a
01:06:19A pain in the ass
01:06:20One drink and then home
01:06:21Nothing interesting
01:06:23That you can tell me
01:06:24Interesting?
01:06:26About what?
01:06:27No
01:06:27Well, I don't know.
01:06:28For example
01:06:29A crawl
01:06:31With a Russian woman
01:06:31In a hallway
01:06:32Which Russian?
01:06:36Neither
01:06:36Which Russian?
01:06:37I don't know what he's talking about.
01:06:37I don't know what you're talking about
01:06:39My name is Ninochka
01:06:41And I'm Russian.
01:06:42Hey?
01:06:42That I was the Russian one, Fiti
01:06:45But
01:06:46Are you going to be Russian?
01:06:49Fiti
01:06:49That I was the Russian one
01:06:51And you were trying to deceive me
01:06:52Look
01:06:57Look, don't mess with me.
01:06:59You're the only one deceiving people here.
01:07:00Yes, yes
01:07:01Yes, you're in bed
01:07:02AND
01:07:03AND
01:07:03And you start pretending
01:07:05To pretend, yes
01:07:07To pretend the
01:07:07He
01:07:08The climate
01:07:08Yes, you stand there with the little screams.
01:07:10And it's all a lie.
01:07:11All lies
01:07:12You said it very clearly in the test
01:07:13Which test?
01:07:15The test
01:07:15The test
01:07:16I mean
01:07:16All this nonsense you're doing
01:07:18And the least of it, little miracle screams
01:07:19And all that now for the test
01:07:20Yes, yes
01:07:20And look, just so you know, I don't care.
01:07:22Give yourself two thumbs up there
01:07:23Not like you
01:07:24Me
01:07:25What pisses me off
01:07:25It's about being there in the marital bed
01:07:27AND
01:07:28And you draw on fantasies
01:07:29There
01:07:29How should I know?
01:07:30How many
01:07:31That's already
01:07:32Yes indeed
01:07:33Now that's infidelity.
01:07:34Of thought
01:07:35That's not for me.
01:07:36Hey?
01:07:36Whether he's with the Fiti
01:07:37He's with the Fiti
01:07:38But hey, Fiti
01:07:39Who told you that fantasies are
01:07:40While I'm with you in bed?
01:07:42And then the other thing
01:07:42The fact that you set the
01:07:44The pleasures
01:07:47Hey?
01:07:48So what?
01:07:49So what?
01:07:49That?
01:07:50Let's see
01:07:50Fiti, for God's sake
01:07:52That I might have been in bed with you on some occasion
01:07:54It's already a little bit jelly-like
01:07:55For, for, for, for making us happy
01:07:56How should I know?
01:07:57Because that's what all aunts do.
01:07:58No no
01:07:59All of them, all of them
01:07:59Fiti
01:08:00Because Diego's doesn't.
01:08:01For example
01:08:02That?
01:08:07Well
01:08:08We're all in on it.
01:08:09Very good
01:08:11Let's see
01:08:12Fiti
01:08:12Fiti
01:08:13Fiti
01:08:14That?
01:08:16I don't know what you've been thinking
01:08:18Nor what all these people have told you
01:08:19Hey?
01:08:20But I want you to know one thing
01:08:21Look at my face
01:08:21Look at my face
01:08:22You are the only man I want in my life
01:08:26And I highly doubt there's another one above the earth
01:08:29That can make me as happy as you do
01:08:30No, yes, already
01:08:38I was already wondering about it.
01:08:41That
01:08:41I always feel like he tells me
01:08:43We're going
01:08:44That I am a machine
01:08:45Yes, wait
01:08:46Hey
01:08:52I was thinking that
01:08:53What does Galvana do?
01:08:55It's like a slumber
01:08:56If we
01:08:56We took a little nap
01:08:58A nap
01:08:59Mainly
01:09:00The Lamb's Siesta
01:09:02It's about time
01:09:03Come on
01:09:08Yeah
01:09:08See you later
01:09:14See you later, couple
01:09:15Bye
01:09:16And one more thing, Santi
01:09:18If Candela was the Russian
01:09:20Who was the French woman?
01:09:22Ah
01:09:23Pussy
01:09:24Lucia
01:09:25My Jovia
01:09:27Who is the caloso?
01:09:30Who is the caloso?
01:09:32Hey!
01:09:33Who is the caloso?
01:09:34Who is the caloso?
01:09:46Good morning
01:09:46Who is the caloso?
01:09:47God
01:09:47Marcos
01:09:48That?
01:09:48Which are weeks quarters
01:09:49We arrived late
01:09:50I've done
01:09:50I've become a Luddite
01:09:51Yes, I've become a Luddite
01:09:52The family
01:09:52That it peeled
01:09:53It still remains united
01:09:54Marcos, go away
01:09:55Marcos, go away
01:09:56I don't like it!
01:09:57Viva!
01:09:58Viva!
01:09:59Viva!
01:09:59Viva!
01:10:00No, no, no, man
01:10:01It will be very erotic
01:10:02But it's a real mess.
01:10:03Leave
01:10:03No, no, no!
01:10:04But what have I done?
01:10:05What the hell are you doing?
01:10:10Taking a shower?
01:10:10Oh, yes, you're taking a shower
01:10:11In the buff
01:10:12No, no, Lucia
01:10:13This has an explanation.
01:10:13It's a bit complicated
01:10:14But there's an explanation.
01:10:15What does it smell like in here?
01:10:16That?
01:10:17Does it smell like jam?
01:10:18It's not...
01:10:19Honey
01:10:19So, you're taking a shower
01:10:20The three of them stark naked
01:10:21With honey
01:10:21Clear
01:10:22We've respected you at your age, eh
01:10:24Degenerates
01:10:24You are degenerates
01:10:25In the end, he's right, Diego.
01:10:26You're all degenerates
01:10:28I'm going to tell your father
01:10:28Not your father, no
01:10:29To your mother
01:10:30No, no, please
01:10:30Mother!
01:10:31Neither mom nor anything else
01:10:33I'll shit on you with my mother
01:10:34He was absent for four days here.
01:10:35And look how you all react
01:10:36Yeah, yeah, yeah, dude
01:10:38But what's there to laugh about, kid?
01:10:39Diego!
01:10:40Tuts!
01:10:41Your father
01:10:41Your father
01:10:42He's going to kill
01:10:42Die here!
01:10:43Already!
01:10:45What are you doing, dude?
01:10:45Dawn surprised me
01:10:51Counting the lines of light
01:10:55What your blinds leave behind
01:10:57I can't stop looking
01:11:02Your sun-streaked back
01:11:05And to know that you're light years away.
01:11:08Being the girl next door
01:11:11Meanwhile, the two
01:11:16We have glances for breakfast every morning
01:11:21Meanwhile, the two
01:11:27We are lost reflections
01:11:30In your window
01:11:32You're the girl next door
01:11:35Just the girl next door
01:11:41From the next room
Sé la primera persona en añadir un comentario
Añade tu comentario

Recomendada