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  • hace 16 horas
Guille ha suspendido casi todas las asignaturas mientras que Teté ha obtenido unos resultados excelentes. Los dos tienen que asistir a las clases de refuerzo durante el verano, el primero para recuperar y la segunda para ocupar tanto tiempo libre como tiene. En el colegio empiezan a ocurrir una serie de fenómenos extraños que nadie puede explicar, pero empiezan a sospechar que pueden estar relacionados con Sebastián, un niño que murió en el colegio años atrás. Las notas de Marcos no son mejores que las de Guille y las de Eva no tienen nada que envidiar a las de su hermana, pero los dos reciben instrucciones de sus padres de buscar un trabajo para el verano. Marcos intenta parecer volcado en la búsqueda de un empleo, pero lo cierto es que no tiene ninguna intención de encontrarlo. Diego toma las riendas del asunto y los pone a los dos a trabajar en la taberna. Raúl, por su parte, tendrá que trabajar en el taller de su padre. Lucía y Candela se quejan de que sus maridos siempre quieren hacer lo mismo y sus matrimonios están presididos por la monotonía. Diego sufre un cólico de riñón que le hace replantearse su vida y tomar la decisión de aprovechar al máximo el tiempo que le queda. Una fiesta con su mujer y todos sus amigos es el primer paso, aunque la celebración se le termina escapando de las manos.

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00:00:00Summer has finally arrived and we've been given our holidays.
00:00:13In the homes of the mountain people, that means two things.
00:00:16One bad one and one good one.
00:00:18The bad news is that the grades are coming in.
00:00:21My turn!
00:00:22Let's see, curve, let's see.
00:00:25Good, good, good, very good.
00:00:27Be careful, eh.
00:00:28It says here that we need to improve.
00:00:30Reading and spelling.
00:00:31So you know what to do, start reading.
00:00:32Huh? No, no.
00:00:33Curva, my son, you are the last hope of the mountain people.
00:00:36My last hope.
00:00:37Let's listen to Lucia.
00:00:38Very good, son, very good.
00:00:40And where is Marcos Lleva?
00:00:42They're gone.
00:00:43About the end-of-year party.
00:00:44To the end-of-year party...?
00:00:45And what about the grades?
00:00:46The grades tomorrow, Diego?
00:00:47The grades tomorrow, Lucia, really.
00:00:49The notes are closer to what we have tomorrow, Guille.
00:00:50It's your turn, Guille.
00:00:52And I remind you that you've gotten very good grades.
00:00:54Not just good, but magnificent notes.
00:00:55Diego, every child is a child.
00:00:57Don't compare.
00:00:57No, I know, I know.
00:00:58The notes.
00:00:59Look, Dad, don't read them.
00:01:01I'm not going to eat the toilet brush by myself, then go to bed without dinner.
00:01:05And you're grounded all summer from going to the pool, right?
00:01:09The notes, Guille.
00:01:10The notes, the notes.
00:01:13Oh, God.
00:01:14Oh, God.
00:01:14Oh.
00:01:15Oh.
00:01:16Oh.
00:01:22Guille, my son.
00:01:24He disappears from my sight immediately.
00:01:27A miracle had just occurred in the home of the mountain people.
00:01:30For the first time in history, my father hadn't started yelling at my brother for failing even gym class.
00:01:35And that was because we had a new family.
00:01:37I'll know if I've tried it before, right?
00:01:38And I broke a little bit going home, but oh well.
00:01:44Let's get the barbecue ready.
00:01:46The good thing about summer at our house is that it's the start of my dad's barbecue season.
00:01:52That means Friti Candela and my uncle Santiago are coming too.
00:01:58And now with my new family it seemed like the fun was finally going to begin.
00:02:03But having fun isn't the same for everyone.
00:02:06For example, for me it's going to the water park.
00:02:09For my father, it's about being at home with friends, eating chops and talking about manly things.
00:02:13And for Lucía and her friends, I have no idea.
00:02:16But it's something else, for sure.
00:02:18Well, another lovely barbecue at the mountain folk's house.
00:02:22And that's why, to do new things and live life to the fullest, as Marcos says,
00:02:28So my father ended up getting into a real mess and becoming very ill from going to bed.
00:02:32On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:02:47Come soon to see the sea and send a postcard.
00:02:51I already knew that day was the end.
00:02:53Now I have much more.
00:02:58Red, black, odd stop.
00:03:00Finally, luck brings an ace and a crystal to look through.
00:03:04And a wall to hang it on.
00:03:06Seven smiling faces in a passport photo.
00:03:10My stories were not about tales made by chance.
00:03:14Nobody told me that destiny was giving me this opportunity.
00:03:23One plus one equals seven.
00:03:26Who would have thought?
00:03:30It was so easy to be happy.
00:03:44Olé!
00:03:51Summer has arrived in Santa Justa.
00:03:54The Maronillos, their barbecues, their air taps, their typical barbecue arguments.
00:04:00Oh, God.
00:04:01Excuse me for getting emotional, but it brings back so many memories, daughter.
00:04:06Jambia, well I love them.
00:04:07I enjoy it.
00:04:08The weather is nice, too.
00:04:09Hey, you say that because you've spent twenty years summering in Sirtis.
00:04:12But for me, it's been twenty years of bacon, of pork chops...
00:04:16Honey, here in the neighborhood, since you left it feels like only two days have passed.
00:04:21Everything remains the same.
00:04:23We're a little dramatic, aren't we?
00:04:25Exaggerated?
00:04:26Well.
00:04:28Now the great debate about black pudding begins.
00:04:30But wait, Fiti, what, have you bought rice blood sausage again?
00:04:33I told you I feel great, man, for God's sake.
00:04:35What do I know, what do I know.
00:04:37If they're all black, just remove the rice with a fork and that's it.
00:04:40Then there's the onion.
00:04:42The great debate about the state of the onion.
00:04:46Now, once, again.
00:04:49Man, again?
00:04:50Did I care about the salad with onions again?
00:04:53Yes, I can't sleep at night, man, because it repeats itself.
00:04:55So, Santiago, we're going to see, I mean, a way to make a salad without onions?
00:04:58Well, you're not a salad, you understand?
00:05:00Of course, in my opinion it's even lacking in some areas.
00:05:02Besides, onions are great.
00:05:04Yeah.
00:05:04It's really good, why?
00:05:08Yes, they are more predictable than the Azores' antipiclón.
00:05:12Go on, here, now it's our turn to address this issue.
00:05:14Hey, let me, give me a hand with the TV.
00:05:16Hey girls, you take care of the barbecue, we're going to get the TV, okay?
00:05:19Come on, let's go, let's go.
00:05:20The TV?
00:05:21Yeah.
00:05:22But why the TV?
00:05:24If the football season is already over.
00:05:26Yes, yes, the football one, yes.
00:05:27But now the cycling season begins, the motorsport season, the motorcycling season...
00:05:31Come on, everything that ends in -same.
00:05:33That's what sexism is like.
00:05:35Mother, stop drinking sangria already, otherwise you'll say silly things and the family will loosen up.
00:05:39She's really good.
00:05:40Look, I'm delighted, I don't know what you're missing.
00:05:42It's just that you, since you just got married, see everything through rose-colored glasses.
00:05:47But then, with time, it ends.
00:05:51Excitement, passion, and then comes boredom.
00:05:55That's life.
00:05:56No, no, no, Carmen, life isn't like that.
00:05:58It's just that these guys get complacent, bored, and a real pain in the ass when they're 35.
00:06:03I was happy to go out dancing every now and then.
00:06:06What do you want?
00:06:07Dance?
00:06:09Come on, guys, let's dance.
00:06:10We're like we're at a party.
00:06:12Equal?
00:06:12Yeah.
00:06:13Come on, I say to myself.
00:06:14Hey?
00:06:14I?
00:06:15No, I don't.
00:06:16Yes, you dance, it makes me laugh.
00:06:18Watch out, eh.
00:06:20There, there.
00:06:21Dale.
00:06:21Watch out, eh.
00:06:22Look, you, please, one finger.
00:06:24Yes, now.
00:06:26Come on.
00:06:26What is this?
00:06:28Come on, hook.
00:06:29This is where things are going to get messy.
00:06:31Come on, bring the TV inside.
00:06:32The TV goes inside.
00:06:33No way, man, no way.
00:06:35Come on, I'll unplug the cables.
00:06:37Goes.
00:06:37Come on.
00:06:38I'm going to look for videos of the best tours in Indulay.
00:06:41Come on, come on, come on, come on.
00:06:43Okay, okay, okay.
00:06:43Okay, sweetie.
00:06:46Okay.
00:06:49Hey?
00:06:50It got away from you.
00:06:51Go on, come on, yes, just you.
00:06:53The youth dance.
00:06:53Chunda, chunda, chunda, chunda.
00:06:55She is young and beautiful.
00:06:56Marchón.
00:06:59The guys don't get it.
00:07:00The guys don't get it.
00:07:03The guys don't get it.
00:07:05Since my father doesn't ask, it doesn't happen to me.
00:07:07Hey?
00:07:08I don't care, eh.
00:07:09Let's get something to eat.
00:07:10I'm dehydrated.
00:07:15Look.
00:07:18Heads one and San Jacobo!
00:07:20Saint James!
00:07:21Yeah.
00:07:21Saint James?
00:07:23Saint James, right?
00:07:24Yes, Saint James.
00:07:25What are you saying?
00:07:25Go on, go on, go on.
00:07:26What happened?
00:07:34What happened?
00:07:38Damn, I'm soaked, huh.
00:07:39Not us?
00:07:41Damn, the trial is over.
00:07:44Out with the wet clothes!
00:07:45Get out, or I'll give you a hard time!
00:07:46Out, yes!
00:07:47No!
00:07:47Get out of the way!
00:07:48No way!
00:07:49No way!
00:07:49No way!
00:07:50No way!
00:07:52No way!
00:07:52No way!
00:07:52I had, no!
00:07:53Can't you see she's drunk?
00:07:54That little girl is going to grow fungus down here!
00:07:56Marcos, you first!
00:07:58Mark first?
00:07:59Yeah.
00:07:59And then you?
00:08:01Don't write it down for me!
00:08:02Marcos, my friend, obviously.
00:08:05Take off your shirt, you'll catch pneumonia.
00:08:08I'm staying like this, kid.
00:08:10Marcos, are you going to take it off or should I rip it off?
00:08:12Miss!
00:08:20Come on!
00:08:21Come on!
00:08:22Come on!
00:08:30Already!
00:08:31Already!
00:08:33Already!
00:08:35Already!
00:08:37Already!
00:08:39Already!
00:08:40Already!
00:08:41Already!
00:08:42Already!
00:08:43Pants!
00:08:44Fuck it!
00:08:45The pants!
00:08:46Come on!
00:08:47Mark this!
00:08:48Yeah!
00:08:49Yeah!
00:08:50Come on!
00:08:51Come on!
00:08:52Come here!
00:08:53Come here!
00:08:54Because he's scared!
00:08:55Come on!
00:08:56Come on!
00:08:57Come here!
00:08:58Come here!
00:08:59Here it goes!
00:09:00What the hell is going on here?
00:09:11Mom, this isn't what it looks like.
00:09:13I hope so.
00:09:14What do you mean it's not what it seems?
00:09:16And you're even giggling, but you're all drunk.
00:09:18At five thirty in the morning you're drunk and rolling around naked like scorpions.
00:09:22No, no, no, no.
00:09:23Okay, okay, okay.
00:09:25We've gotten wet.
00:09:27We've gotten wet.
00:09:28It wasn't the people who were falling, mister.
00:09:29Look, look, look, the thing is going to fall on top of us.
00:09:31Raul, you come on, go home now.
00:09:33Already.
00:09:34Like this, like this, like this.
00:09:35You go home like that.
00:09:35Come on, get out.
00:09:36Long.
00:09:38Good night.
00:09:39Coward.
00:09:39And you, come on, get up.
00:09:40Above.
00:09:41We'll talk tomorrow.
00:09:43Marcos, with the notes in his hand, huh?
00:09:45With the notes in hand.
00:09:48I'm being too lenient, Lucia.
00:09:53I'm being too soft.
00:09:53I'm being too soft.
00:09:54Very soft.
00:09:56Damn, milk.
00:09:59Do you want to save?
00:10:15Come on, let's go.
00:10:16Produce.
00:10:17Come on.
00:10:21Diego, Diego, Diego, Diego, Diego, stop.
00:10:24God, truly.
00:10:25Ah, good morning, little worker, my love.
00:10:27Wow, what a maraca you have.
00:10:29Hello good.
00:10:32Come on, come on!
00:10:36Okay, okay, okay, okay, Dad.
00:10:38Aren't you going to buy a boat horn?
00:10:40A ship's horn, a ship's horn.
00:10:42Do you know what all this is about, Marcos?
00:10:44Because I'm eager to see your grades.
00:10:46Because if you went out partying yesterday, you had something to celebrate, right?
00:10:49Let's see, I want to see those wonders.
00:10:50Why haven't you lowered my temperature?
00:10:51What grades have you dropped?
00:10:52Look, Marcos, don't mess with me.
00:10:54The notes, let's go.
00:10:55I don't know where I left them.
00:10:56The grades!
00:11:03And you, Eva?
00:11:13Okay, Eva.
00:11:18Outstanding, outstanding, outstanding, outstanding.
00:11:20Did you see that, Marcos?
00:11:21Outstanding grades exist and they look beautiful here.
00:11:23One after the other, outstanding, outstanding, outstanding.
00:11:26They look wonderful.
00:11:27Very good, Eva, daughter.
00:11:28There, very good.
00:11:30Well, look at that, Marcos.
00:11:31I'd be happy if your grades were half as good as Eva's.
00:11:35What do I mean, half?
00:11:36A quarter.
00:11:37I'd be happy with a quarter.
00:11:40Oh!
00:11:42Okay.
00:11:43Suspense, suspense, suspense.
00:11:44Up to five.
00:11:44That is, five failures like five suns.
00:11:46Like five suns.
00:11:46But there are three approved ones, right?
00:11:48Yes, but barely.
00:11:48And one of them is from gymnastics, but he's no good at gymnastics.
00:11:50So, that...
00:11:51But hey, with these notes you're going out partying all night?
00:11:54It was the end-of-year party.
00:11:55The party of...?
00:11:56Even if it's the dove's verbena.
00:11:58But you...
00:11:58But where do you think he lives, Marcos?
00:12:00Really?
00:12:00In a hotel?
00:12:01No, no, no.
00:12:01You live here, in this house, at a table and with a tablecloth.
00:12:03And what about me?
00:12:04Me while cutting hams.
00:12:05Cutting hams.
00:12:06No.
00:12:07Well, this is over, Marcos.
00:12:08It's over.
00:12:09This summer, it's time to work.
00:12:10Did you understand?
00:12:17A lazy bum!
00:12:17Do you understand?
00:12:18Okay, okay, dude.
00:12:19Okay, that's it.
00:12:20Take.
00:12:23I may be lazy, but you...
00:12:25You should enjoy life a little.
00:12:27You're bitter.
00:12:29Oh, what she said.
00:12:30Did you go as he said?
00:12:31You've been.
00:12:32Diego.
00:12:36Okay, T.T. Guille, come on.
00:12:39Get ready, we're going to school.
00:12:41T.T.?
00:12:41What do you mean T.T.?
00:12:42Doesn't T. have to go to the summer course?
00:12:44T.T. has to go to the summer course because you're not going to be alone.
00:12:46You're not going to keep the house, okay?
00:12:48But, Mom.
00:12:48But don't worry.
00:12:50In a relaxed way, Guille.
00:12:51Less than just a joke, huh?
00:12:52It's not fair.
00:12:53And you squeeze.
00:12:55That tomorrow.
00:12:58Eve.
00:13:00Maybe you'll have to find a little job for this summer.
00:13:04Because, well, we're not like Barcelona, you know...
00:13:07We don't have money to spare.
00:13:11You don't understand, do you, fatty?
00:13:14Hey, and congratulations, you're not using cups anymore.
00:13:17Take care of your head.
00:13:23Was that what that kid said?
00:13:24In other words, I don't enjoy it, I don't have fun, I don't have fun.
00:13:27I had a great time at yesterday's barbecue.
00:13:29What a party, huh?
00:13:30Yes, yes, yes, no.
00:13:31Party, party, it was a party.
00:13:32The thing is, I would call it more of a meeting of friends who watched the cycling.
00:13:35Okay, but did we have a good time or not?
00:13:36Well, the only thing was that blood sausage that the idiot Fiti brought me, which made this whole area hurt like this.
00:13:42Yes, well, but it hurts, it hurts because I...
00:13:44Well, well, we either had a good time or we didn't.
00:13:48Big time, darling.
00:13:49We had a great time, yes sir.
00:13:50What are these nerds doing in remedial class when they don't have anything to remediate?
00:13:56What a calamity!
00:13:57Thank you!
00:13:58Your aunt's patatas bravas!
00:14:01Let's try to be a little more original, shall we?
00:14:03This is a real pain.
00:14:03Yes, it's a pain, yes.
00:14:06What do you say?
00:14:07Let's see, hairy one and company.
00:14:09Here, near me.
00:14:11The girls stand here.
00:14:13Come on, now.
00:14:14What did you nerds do?
00:14:15If you catch something, my son.
00:14:17Yes, well, let's see if it rubs off on the girls.
00:14:18Well, as you know, this is my first summer in the support classes.
00:14:23I would like to solidify concepts and prevent you from getting stuck.
00:14:27I'm going to talk about not going to the pickup in a hurry.
00:14:30Okay, take out your science book.
00:14:33Page 16, God of Spain.
00:14:38What's happening?
00:14:40Miss, there's something written on the board.
00:14:46Who wrote this?
00:14:48I'm only going to ask one more time.
00:14:52Who wrote this?
00:14:53But if the classroom was closed, who was going to write it?
00:14:56Very well, this is how we start the remedial classes.
00:14:59They take out the language book.
00:15:01Analysis of the rhyme scheme of Lorca's poem.
00:15:03Lorca, the murderous Marinera.
00:15:06Bellido, the analysis scores for September.
00:15:08So with that.
00:15:08I'll keep that in mind, okay?
00:15:09Very good.
00:15:09Miss, it's blood, isn't it?
00:15:15Yes, yes, yes.
00:15:15Hey, look, guys, that's enough.
00:15:17Hey?
00:15:18Come on.
00:15:19Matías.
00:15:19What rhyme scheme does this poem have?
00:15:22Come on?
00:15:24One note, one note, one note.
00:15:29If you want to stay alive, come to the bathroom at lunchtime.
00:15:32That.
00:15:33What is it?
00:15:34Tell me, miss.
00:15:35Hey, miss, the euro is cursed.
00:15:38I also saw it in a movie that is set in a cemetery.
00:15:41Yes, it's best if we go to another class.
00:15:42Hey, enough of this nonsense.
00:15:44Would you like to sit down, please?
00:15:48A real man.
00:15:51How are you doing with a joke?
00:15:54So, I kill him.
00:15:55I, Manny, will kill him.
00:15:58Let it jump!
00:15:59Please, what should I jump, Mom?
00:16:05Santi, look!
00:16:08Another one that's slept, and it's not the sofa.
00:16:11What's up, Fiti?
00:16:12We had a row with Candela yesterday, huh?
00:16:14Nah.
00:16:16I don't know what got her, man.
00:16:18The one who started saying...
00:16:20That I'm a predictable and boring guy.
00:16:23I, Fructuoso, the king of the parties.
00:16:26Don't mess with me.
00:16:26Of course, I defended myself, I called Sergeant and we had her, but a big one.
00:16:30Okay, I'm going to check the refrigerator.
00:16:33I don't trust the guy who paid me yesterday.
00:16:36Come on, have a nice beer, come on.
00:16:37I tell him that it has minerals and antioxidants.
00:16:39Let's see if I can get rid of this knot in my neck.
00:16:41Well, you know, Fiti?
00:16:42But Lucia hinted at that to me yesterday too.
00:16:44Because, well, no...
00:16:45Well, we had to have more fun, right?
00:16:47And the truth is, I'm not a saint of what.
00:16:49Yes, what do you mean he's not a saint of what?
00:16:51Your women are absolutely right.
00:16:53Where do you take her to have fun?
00:16:56Hey?
00:16:57Where?
00:16:59No, no, no.
00:17:01You guys are glued to the TV, I am.
00:17:02In winter it's football, in summer it's cycling.
00:17:04No, or no.
00:17:05So what happens?
00:17:06What's happening?
00:17:07Fuck.
00:17:08We're all working now.
00:17:09Will you have to have a hobby?
00:17:10Something?
00:17:11Okay, okay, okay, Fiti.
00:17:13But guys these days aren't like that.
00:17:15Women need to be pleased, amused, and entertained.
00:17:17There, a whim, a little something.
00:17:19Otherwise, they'll be ready faster than you can say "cock-a-doodle-doo," huh?
00:17:22Monotony is the downfall of all couples.
00:17:25We have to entertain her.
00:17:27My mom helps me.
00:17:28What do you know about the fun I give Candela?
00:17:30I do know, man, I do know.
00:17:32So, Saturdays to the Chinese restaurant, right?
00:17:34And then in August, camping.
00:17:36There's the guy, there's the guy.
00:17:37Just a moment, just a moment.
00:17:39We're going all out this year.
00:17:42At least I see the world, man.
00:17:43Not like you, damn it.
00:17:46Because the kids keep trying to get you to go to the village.
00:17:47Otherwise, we'd be there on the porch every night.
00:17:49Pim, pam, pim, pam, with his beard hanging.
00:17:52And what about you?
00:17:53You always do the same thing.
00:17:54That is, half a kilo of bacon, half a kilo of chorizo.
00:17:56Then the morphine has been given rice.
00:17:57I don't know where you buy it.
00:17:58I feel like a shot, guys.
00:18:00Here it is, here it is.
00:18:01I'm having a picarborate attack.
00:18:02The truth is, no...
00:18:03I don't understand them.
00:18:05I don't know, do I?
00:18:06Look, when I started dating Candela, right?
00:18:10Well, we were out all night, as usual.
00:18:12Arriving at six in the morning.
00:18:13And whether he was a scoundrel, whether he was a speedy thief, whether...
00:18:15Damn, that's it, boom.
00:18:17I'm getting married.
00:18:18And I put my shoes on, right?
00:18:20The slippers.
00:18:22And there I am, tied up.
00:18:23And tightly tied.
00:18:23Okay, so what the hell does he want now?
00:18:25What the hell does he want?
00:18:26They're throwing me out on the street again at the bars.
00:18:27There.
00:18:28That's it, Fiti.
00:18:30Your wife doesn't know what she wants.
00:18:32But?
00:18:33But you be careful, you just got married.
00:18:34But one day, out of the blue, I end up sleeping on the sofa too.
00:18:37If not, time.
00:18:39Pussy.
00:18:44Oh!
00:18:45Can't you move me a little later?
00:18:52No.
00:18:52The note said, come to the bathroom at lunchtime.
00:18:55Yeah.
00:18:56I'm hungry, I'll pass.
00:18:57You're not leaving!
00:19:00And nobody's leaving here.
00:19:01We must remain united, no matter what.
00:19:04Repeat.
00:19:05Stay united, no matter what.
00:19:07What are you doing here, vineyards?
00:19:19Well, there you have it.
00:19:22Okay, come on, bowling, you go in first.
00:19:24I?
00:19:25Why me?
00:19:26Because those are bigger.
00:19:27And you're the ugliest.
00:19:28Come in, you might scare him.
00:19:29Come on in.
00:19:31You come in.
00:19:32Damn it.
00:19:33Damn it.
00:19:35Look, I'm going in.
00:19:37What's going on there?
00:19:40What's going on there, huh?
00:19:41I'm going to shit on everything.
00:19:45See, man?
00:19:46No problem.
00:19:48Come in, you're scaring me.
00:19:49Come on.
00:19:57Can you hear anything?
00:20:00Excellent?
00:20:02Look, you can't hear anything, huh.
00:20:03I'm leaving.
00:20:03No?
00:20:04Wait.
00:20:06The egg comes from there.
00:20:12Tete, a cistern.
00:20:17Shall we go?
00:20:18Yes, I'm not leaving.
00:20:19Wait.
00:20:21I am Sebastian.
00:20:23Who said that?
00:20:24And you will die like God.
00:20:32Damn, these storms.
00:20:38Is the cloud coming again?
00:20:41Well.
00:20:41What are you doing, you idiot?
00:20:50No, it's just that I was watching you, you had the red mules, well, the floor capo is
00:20:54We just use a strainer and don't take care of it at all...
00:20:57No, look at that, how generous.
00:20:59Well, since you have the day, why don't you go and get the newspaper?
00:21:01You and I both need to find jobs.
00:21:03Sure, like every year, but he's a loser.
00:21:07Now, this year he's finally getting the hang of it.
00:21:08Shut up, Marcos!
00:21:14June 2001?
00:21:17What matters to my father is that we work hard, you know?
00:21:19In other words, let's put some effort into the search.
00:21:22I don't know if I'm making myself clear.
00:21:23Do you understand?
00:21:24Yes, like an open book.
00:21:25If you have a gift for words, so what?
00:21:27The method, Marcos.
00:21:29Let me explain.
00:21:30The newspaper to one side.
00:21:31Newspaper.
00:21:31The phone is on the other side.
00:21:33And you circle all the dead-end jobs you see.
00:21:36But of course, since the little circles are already made, the pen is useless.
00:21:40And for the two or three days that my father's outburst lasts, we put on a show.
00:21:44Because the manager is a man of the world.
00:21:46And do you know what it was like to look for a job?
00:21:47It's wrong.
00:21:48The thing is, Spain isn't doing as well as they say.
00:21:50No.
00:21:51You don't say.
00:21:52Look, you can do whatever you want, but if they tell me to earn my money, I'll earn it, period.
00:22:01There's nothing there, is there?
00:22:01And for a girl, not for a girl either.
00:22:07Nothing, then...
00:22:08Nothing, thank you very much.
00:22:11That?
00:22:12How's the job search going?
00:22:14Nothing, Dad.
00:22:14There's nothing there.
00:22:15Is my streak not working?
00:22:17No, Dad.
00:22:17What are you doing to me?
00:22:18Wait.
00:22:18Supermarket stocker, chicken sexer, kitchen assistant...
00:22:25Well, then...
00:22:26Well, it's okay.
00:22:27We're going early tomorrow, and you can try it.
00:22:30Hey?
00:22:30And if not, then yes.
00:22:32But oh well, maybe next year.
00:22:33Yeah.
00:22:33And this?
00:22:37Be quiet.
00:22:38What the hell is this?
00:22:40June 2001?
00:22:42But well, but...
00:22:43What do you want, to hit me?
00:22:45I've been cutting ham all day and you're all sitting here on your sun loungers goofing off and making a big deal about you looking for work, but...
00:22:49But anyway, that's the end of the story.
00:22:51Marcos and Eva, this afternoon to the tavern to work, okay?
00:22:53Hey?
00:22:53No, off to the tavern to work.
00:22:55And here, Raúl, your giggling is going to stop.
00:22:57You're going to run out.
00:22:58I'm going to talk to your father right now.
00:22:59You should talk to her mother.
00:23:00Much better with his mother.
00:23:02Thank you very much, Marcos.
00:23:02With her mother.
00:23:03Well, I'm going to take a break for a while because...
00:23:04Because of you I have an ulcer that...
00:23:07What ulcer?
00:23:07I have a sinkhole.
00:23:09Mother, what...
00:23:10And what are we going to do in the tavern now?
00:23:14Very well, you're going to take charge of the office.
00:23:16Search receipts and invoices by alphametric order
00:23:18and years of registration.
00:23:20Come on, stay with your homeland.
00:23:21Santiago doesn't dare approach the girl.
00:23:22that there are more papers inside than in the tax office.
00:23:24You shut up and change the barrel.
00:23:25And you, Marcos, are going to take care of everything that needs to be done.
00:23:28First, go to the store for a ham.
00:23:30Next, you'll serve the bar and the tables.
00:23:33Put the soft drinks in the coolers.
00:23:35And clean.
00:23:36Well then you can change the barrel too, boss.
00:23:38Me too.
00:23:38That's within your jurisdiction.
00:23:39Just shut up.
00:23:41Any questions?
00:23:43Why me, sir?
00:23:44What did Eva say?
00:23:45Nothing.
00:23:46Okay, everyone to your place.
00:23:48Goes!
00:23:48Luck.
00:23:51Little girl.
00:23:52Since he arrived at the tavern, the sun has been shining this brightly.
00:23:56Yeah?
00:23:56Well, for you it's as if there were a total balance that big, handsome.
00:24:01Oh, what a character she has for her age!
00:24:04That's outrageous!
00:24:06Frame, frame, frame!
00:24:07What's happening?
00:24:07Are you in two Marianos?
00:24:09Add a cane and a slice of gherkin.
00:24:11No, man, no.
00:24:17Not like that.
00:24:19Learn from the master.
00:24:20Look.
00:24:22At his height, to the wind.
00:24:24Santiago.
00:24:25Santiago, let's see.
00:24:27Here are a bunch of receipts.
00:24:28Of the light, of the water, of the telephone.
00:24:29But the invoice is missing.
00:24:31That's the point, to find them.
00:24:33Come on, the pickle lid.
00:24:35Come on.
00:24:35Hey, Raúl, son.
00:24:45Would you like some peach juice?
00:24:47Give him a drink, kid, he's becoming a man.
00:24:49He's done three oil changes in four hours.
00:24:51Nothing, I've just put him in the workshop so he can learn the trade.
00:24:54What are they left with? Seven, damn it?
00:24:56These kids think bringing an envelope home is easy.
00:24:58That?
00:24:59Have you stopped giggling yet?
00:25:01I'm telling you, your father's a bastard, man.
00:25:03I mean, my mother's temper, you know?
00:25:05Let's see, let's see, that's yours.
00:25:06Look, it's still, do you want me to show you something else?
00:25:14Where is this?
00:25:19And, Doña Carmen, did you know Sebastián?
00:25:23Sebastian?
00:25:24No, I didn't know him.
00:25:26He was in a higher grade than Lucia.
00:25:29Oh, poor child.
00:25:31It was a tremendous story.
00:25:34When are you going to Grandma's?
00:25:36Come on, sit down.
00:25:40Well, it all happened in the summer of 1974.
00:25:45Sebastián, Montalvo, Sigüenza, were more or less your age.
00:25:50And well, Sebastian was a mischievous, lazy, and bad student.
00:25:55So Sebastián went to Doña Visitación Magarzo's classes alone.
00:26:01And one day, while in class, he asked permission to go to the bathroom, but he never came back.
00:26:05And what happened to Grandma?
00:26:08That was never known.
00:26:10But the teacher would go looking for him, wouldn't she?
00:26:13Yeah.
00:26:14When Sebastián saw that he didn't return, Doña Visitación went to the bathroom, but the door was closed.
00:26:20Doña Visitación knocked on the door several times, but no one answered.
00:26:25And suddenly, a cold breeze swept down the entire hallway until it reached the bathroom.
00:26:29And then the door opened by itself.
00:26:33And there was Sebastian, on the ground, dead.
00:26:37In a pool of blood.
00:26:41Why was there light?
00:26:42The light!
00:26:45Relax.
00:26:47Relax.
00:26:48It was a lightning bolt.
00:26:51Sebastian is the one who appears behind Lucia.
00:26:55How crazy.
00:26:59And what did she die of, Doña Carmen?
00:27:04Bleeding.
00:27:06They had severed his duct.
00:27:09His throat had been slit.
00:27:11Slaughtered?
00:27:15But there was nobody in the bathroom.
00:27:18So it was said that he had been killed, but what really happened was never known.
00:27:23And it is said that Sebastian's spirit remained trapped in the school.
00:27:28And that every year, on July 1st, he goes out in search of revenge.
00:27:35Sebastian returns on July 1st when everyone else leaves.
00:27:42I am July 1st, Carmen.
00:27:44Sebastian returns when everyone else leaves.
00:27:52The!
00:27:54This is just a legend.
00:27:56Like any other.
00:27:57There's no reason to believe her.
00:27:59Come on, let's have dinner.
00:28:01I've lost interest, Mr. Carmen.
00:28:03No, no, no.
00:28:04There's no reason to believe her.
00:28:34Fiti's black pudding.
00:28:35Yes, woman, it is Fiti's black pudding.
00:28:36It's like a girl's blood sausage that makes me feel terrible, absolutely terrible.
00:28:39And he did nothing, he, R, who said that I have done it to him sometimes.
00:28:41Well, that's it.
00:28:42You really are creatures of habit.
00:28:46If there's always black pudding, then black pudding is always there when you see it.
00:28:49What do you mean by customs?
00:28:50In other words, he's also eaten your coconut and candle.
00:28:53I mean, isn't it enough for another woman to ruin poor Fiti's neck by making her sleep on the sofa?
00:28:58And it's a matter of...
00:28:58Oh!
00:29:01Are you OK?
00:29:02Yes, yes.
00:29:03Damn, I just got a sharp pain like you wouldn't believe.
00:29:05That's awful.
00:29:06Okay, come on, let's go to bed.
00:29:07Wait, I'm going to take the baking soda.
00:29:09Let's see if...
00:29:10Hey, hey, Lucia.
00:29:11One thing.
00:29:13No.
00:29:13You think?
00:29:16Do you think I'm like Fiti?
00:29:18In other words, you get bored with me.
00:29:21But I mean, we've only been together for three months.
00:29:24Ah, I see.
00:29:25Well, we've only had it for three months.
00:29:26In other words, if we take more time, you might get bored.
00:29:28You're such a pain in the neck, a real pain in the neck.
00:29:30I'm not bored.
00:29:30And if I tell you I'm not bored, it's because I'm not bored.
00:29:33Well, we could do something different from time to time, that's for sure.
00:29:36Little things?
00:29:36Different things?
00:29:37What, what, what different things?
00:29:40Well, what do I know?
00:29:40Going out for dinner, for a drink, to sharpen a knife.
00:29:43Ah, that.
00:29:44Okay, we'll do that sometime soon.
00:29:46Come on, don't worry about that.
00:29:47I'm going to tell you something, Lucia.
00:29:49Life is long.
00:29:50In other words, life is as long as a sausage.
00:29:53Long.
00:29:53You understand?
00:29:54Clear.
00:29:55Well, here are the workers.
00:29:58That?
00:29:59Marcos, your deodorant is failing you a little, son.
00:30:02What do you want?
00:30:03If I haven't loaded 20 barrels, I haven't loaded any, Dad.
00:30:05No, Chucky, no way, I'm not going out, okay?
00:30:15Marcos, who is Chucky, they're going out, are you leaving?
00:30:17Already?
00:30:17No, not that either.
00:30:21Thanks, man.
00:30:24They're going to peace.
00:30:26It's okay, kids.
00:30:28You are very young.
00:30:30And well, you'll have plenty of time to enjoy life.
00:30:32You have to work, because then you enjoy life.
00:30:33And I'm going to tell you something.
00:30:35Lucia knows it.
00:30:36What's life like, Lucia?
00:30:38Long.
00:30:38Here we go.
00:30:39Hey?
00:31:09Curro, curro, what's up?
00:31:19There in the bathroom.
00:31:20Sebastian is in the bathroom.
00:31:22Curro, don't talk nonsense.
00:31:23What's happening?
00:31:24Sebastian!
00:31:25No, be quiet, you're sleeping.
00:31:27Sebastian is in the bathroom.
00:31:29Curro, who is Sebastian?
00:31:31The boy who died at school.
00:31:33Beheaded.
00:31:34He wrote something on the mirror.
00:31:36Go on, go on, go on.
00:31:37Come on, this will do the trick, won't it?
00:31:39What is that, Lucia?
00:31:41What's that?
00:31:42Come on?
00:31:43Come on?
00:31:43Come on?
00:31:43What a little house, huh?
00:32:10We're not missing any details, it's ghostly.
00:32:11Guillem, can you explain what this is?
00:32:15Marcos, I swear I didn't do this, but what desire do I have to do...?
00:32:18Shut up, shut up!
00:32:19They are sleeping
00:32:20Can you hear something?
00:32:27It's the storm, okay?
00:32:29Why not? Can you hear something?
00:32:33It's Sebastian
00:32:34So, what is Sebastian and what dead child, huh?
00:32:38Marcos!
00:32:39What's happening? What is Sebastian?
00:32:41Sebastian doesn't exist, you know?
00:32:42So, Sebastian, love, what do I mean?
00:32:44What's going on here?
00:32:45Hey, listen!
00:32:46Guys, for God's sake, really?
00:32:47What are you all doing here at this hour?
00:32:49Nothing, nothing, don't worry, we just woke up to a noise
00:32:53Yes, everyone, everyone, like that
00:32:54Well, the three of them
00:32:55Okay, guys, listen to me, let's see
00:32:57Diego is having a bad night
00:32:59So I'm going to take him to the hospital to see what they say, okay?
00:33:04But I don't think it's anything, don't worry.
00:33:06Okay, let's go to bed.
00:33:07Can I be with you?
00:33:09Be quiet!
00:33:11Come on, let's go to bed, please.
00:33:12Can you imagine what the pain is like all night?
00:33:15But is it serious or not?
00:33:19They don't excite him, they don't excite me!
00:33:21Can I be in your place?
00:33:22Marcos, son, welcome
00:33:23Son, if I were to die...
00:33:25Dad, dad, please, nothing's going to happen, okay?
00:33:27But if something happens, take care of us.
00:33:30Now you are the head of the family
00:33:32And forgive me for the times I've been really rude to you.
00:33:35No, Dad, Dad, please don't say you're not coming, okay?
00:33:37God
00:33:38Eva, are you there?
00:33:40I'm here, Diego
00:33:40Do you know that I have loved you like a daughter?
00:33:43You know it
00:33:44No, no, don't let go of my hand
00:33:46Lucia, don't let go of my hand until the end
00:33:48Now that I'm happy again
00:33:50With the woman I have loved the most
00:33:53Tell Curro, Guille, and Tete
00:33:56I love you all very much.
00:33:57And to my brother Santiago too.
00:33:58And to Citi
00:33:58Fuck!
00:34:00Don't let go of me, Lucia
00:34:01Don't let go of me, until the end
00:34:02Mother
00:34:12What happened, doctor?
00:34:27A stone
00:34:28It is made of calcium oxalate, which is the most common type.
00:34:30Damn, with the little pebble
00:34:32Well, look, doctor, I mean, it hurt so much that I've been wishing for death and everything.
00:34:36Well, kidney stones are very painful.
00:34:38But you have been very lucky, as you have easily dislodged the stone.
00:34:42Well, with a lot, says a lot, well, not really
00:34:44Well, and from now on a strict regime, right?
00:34:46No salt, little meat, nothing...
00:34:47No, no, no, but without exaggerating
00:34:49That we have to live.
00:34:49It's more important to add life to years than years to life.
00:34:52There, there, doctor
00:34:54Thank you so much, really
00:34:55By the way, do you like ham?
00:34:57No, I'm not saying it because I'm going to send him a part, something like that.
00:34:59Oh, thanks.
00:34:59But come on, it's my job.
00:35:01Anything else, doctor?
00:35:02Thank you so much
00:35:03Goodbye to you all.
00:35:04Give me a hug, give me a hug
00:35:07Come on, I haven't made him suffer or anything.
00:35:08You're doing well, Maria
00:35:09Fuck
00:35:10I'm telling you, Dad, I already saw you in a little box of pine trees.
00:35:13No, no, no, Marcos, seriously
00:35:14I have seen death face to face
00:35:17So, I've seen the light, that thing they talk about.
00:35:18So, what I was seeing was the light up here.
00:35:20And I feel really weird, I really do.
00:35:22But?
00:35:23Clear
00:35:24You're not going to do dragleting, are you?
00:35:27It was you
00:35:28What's wrong with seeing you?
00:35:29I mean, and I got this
00:35:30So, this is what I got.
00:35:32Yes, Guille
00:35:38Come here
00:35:39Dad
00:35:41He has done nothing
00:35:42Guille
00:35:43Give me a hug, son
00:35:46Come on, come here
00:35:48A hug
00:35:50And you, Tete, too
00:35:53Already?
00:35:54Please
00:35:55Tete
00:35:56Curro, son
00:36:00Come, hug me
00:36:02Here, all together
00:36:03Press on, my children, press on
00:36:05Squeeze
00:36:06Lucia, darling
00:36:08Hug us, Lucia
00:36:10Hold me
00:36:11This, this is my family
00:36:16This is my family
00:36:17Where are Marcos and Eva?
00:36:18Well, Marcos has gone shopping with Santiago.
00:36:21And Eva is coming to the tavern
00:36:22Oh, very good.
00:36:23What great kids
00:36:24Really
00:36:25Dad
00:36:25That?
00:36:26What's the matter?
00:36:27You're acting a little strange, aren't you?
00:36:29Maybe, son
00:36:30That may be, but I'll explain.
00:36:31Do you see this?
00:36:33It's a stone
00:36:34Well, this stone
00:36:35It has opened my eyes
00:36:36It woke me up
00:36:37Last night I was on the verge of death
00:36:39I mean, I saw death up close.
00:36:40Until I threw it
00:36:41The stone, I mean
00:36:42Hey?
00:36:43And which way?
00:36:44Well, where else would it be, Guille?
00:36:45Well, that's about it.
00:36:46Because of the puncture?
00:36:47Through the prick
00:36:48The donkey, because of the spike
00:36:48Yes, but that's not what I wanted to tell you
00:36:49What I wanted to tell you is that
00:36:51I almost lost you
00:36:53Well, I've realized
00:36:55Of the important things
00:36:55That's it
00:36:56Hello
00:36:57Mother-in-law?
00:36:59Yeah
00:36:59Mother-in-law?
00:37:00That?
00:37:00In a little while, mother-in-law
00:37:01Yeah
00:37:02You know how much I love you, right?
00:37:05Oh, that's awful.
00:37:06Yes, yes
00:37:06Well, I wanted to tell you that
00:37:08In short, although
00:37:09Although you and I
00:37:10We've had our ups and downs
00:37:11Because we had our ups and downs.
00:37:12But
00:37:13You are like a mother to me.
00:37:14And here come these impulses
00:37:16I don't know
00:37:16Oh, daughter
00:37:19What a change
00:37:19I wish they would give it to him
00:37:20An occasional colic
00:37:22How witty!
00:37:24Your mother
00:37:24Well, that's what I wanted to tell you.
00:37:27I love you all very much, family
00:37:28And
00:37:29What life without you would be like.
00:37:30But it doesn't make sense.
00:37:31And I'm very proud of everyone.
00:37:33Of all of them, right?
00:37:34You take it away, you guide me
00:37:35And I, I
00:37:37Man, I'll take a lot of weed from you.
00:37:38Hey, come on, get in the shower
00:37:40We're going to be late
00:37:41And you should also start preparing.
00:37:42Then we had breakfast
00:37:43I wanted to say one thing, Lucia
00:37:46That
00:37:46Yesterday I was telling you that life
00:37:48Life is long
00:37:48Well no
00:37:49Look, life isn't long.
00:37:50In other words, life is short
00:37:51Life is short
00:37:52Very short
00:37:52Life is very short
00:37:52And you're right, Candeli.
00:37:53And when you told me
00:37:54That it had to be enjoyed
00:37:55That we had to take advantage of it
00:37:56So, they're over now.
00:37:57Boredom
00:37:58And the routines
00:37:59In other words, it's over.
00:37:59Diego, please
00:38:01We don't live in routines either.
00:38:02Lucia, Lucia, for God's sake
00:38:03No beating around the bush
00:38:04There was a routine.
00:38:05There was a routine.
00:38:05There was routine in this house.
00:38:06And since there was a routine
00:38:07Well, the routine is over.
00:38:08And from now on you're going to know
00:38:09To a new Diego
00:38:11I promise you
00:38:13Oh no, the pants
00:38:43And you're going to die
00:38:50Ah, ah, ah, ah, ah, ah
00:38:52But what's wrong, dude?
00:38:53Sebastian is here
00:38:54And he doesn't want to kill.
00:38:55Oh, Sebastian
00:38:57And you're going to die
00:38:58Wait, wait, work
00:38:59Where does that voice come from?
00:39:01Well, where else would it be from?
00:39:02From beyond
00:39:02Wait
00:39:04No, no, don't go
00:39:05Don't go
00:39:05Oh, he's going to die
00:39:08Well, here we have Sebastian
00:39:13Guille's backpack has been put in there!
00:39:20Well, don't worry
00:39:21It happens to me that often.
00:39:22When I'm scared
00:39:23Look, work
00:39:24That Sebastian doesn't exist
00:39:25It was a joke by Guille
00:39:26Look, it's a recording
00:39:28But don't worry
00:39:31It's his distorted voice
00:39:33Look, this is a vial of blood.
00:39:34From the joke shop on the corner
00:39:35The class keys
00:39:37That idiot has been laughing
00:39:40From us, Curro
00:39:41Look, you peed yourself out of fear, didn't you?
00:39:43Well, this guy's going to be in deep trouble.
00:39:44Hello
00:39:50What's up, dude?
00:39:56I had to get up at 6 in the morning
00:39:58To go to the market with my uncle
00:39:59Damn, my back is killing me
00:40:01Do you think I, with this dream
00:40:03Will I be able to hook up in the summer?
00:40:04Those are mussels, aren't they?
00:40:06They were cheap
00:40:07That's on sale over there
00:40:07I have the solution
00:40:09For your problems
00:40:10A solvent?
00:40:11No
00:40:11Look, an easy job
00:40:12Clean
00:40:13Good fights
00:40:14And without any of these annoying bosses.
00:40:16Like those odd jobs your old man had
00:40:18And what kind of chullos is that?
00:40:21Bogos
00:40:21It's the opening of the Mogambo
00:40:24And well, I'm there in relationships.
00:40:26150 bonis for wiggling your ass a little
00:40:28Know?
00:40:29Bogos
00:40:29All night long enduring the chunta, chunta, chunta
00:40:32And to the drunks
00:40:32Okay, okay
00:40:33That the job is only for one person
00:40:34But you'd have to bring a girl with you.
00:40:36Hey, what if I were interested in...?
00:40:39I'm not saying I'm interested.
00:40:41But if any of those interested me
00:40:43What needs to be done?
00:40:44Well, look, you'd have to bring along a really hot girl, right?
00:40:47There with his pears
00:40:48Very forceful
00:40:50Her little bottom
00:40:51So, we'd coat it a little in oil.
00:40:52And I'm coming quickly to ask
00:40:56Salas, aren't you feeling it?
00:40:58You start
00:40:59Let's see
00:41:00The avant-garde
00:41:01Let's see...
00:41:04Well...
00:41:04Which aunt were you planning to tell?
00:41:08Let's see, I mean, I was thinking about your brother
00:41:11Let's see if...
00:41:11So you understand
00:41:12I'm going to give you a...
00:41:12I don't know her very well.
00:41:14I would be the vanguard, wouldn't I?
00:41:15What courage would that have?
00:41:16You are the vanguard
00:41:16Very well, Salas, you get a zero
00:41:18Sit down
00:41:20Come
00:41:21The avant-garde
00:41:23Chucky
00:41:24Hey, what happened to me?
00:41:26Sure?
00:41:27Okay?
00:41:27Sure?
00:41:28Yeah
00:41:28Are you sure you don't want to invent it?
00:41:31And I miss you a lot, Efe
00:41:35Because fat
00:41:36This one was fat
00:41:37I'm telling you, throw that away.
00:41:39Hey, that's what a birth is like.
00:41:40No, no, no
00:41:41A birth, a birth
00:41:42Also, look
00:41:42You have the same rock-like face as you
00:41:44No, no, no
00:41:46You don't know what to do with the siblings
00:41:47Buy a couple of filing cabinets
00:41:48That's your job.
00:41:50Santi, Santi, man
00:41:51Give the girl a little more leeway
00:41:53You take all the tremendous
00:41:54Look, that's a different story.
00:41:56If you had seen death face to face
00:41:58Is death good or bad?
00:42:00And the tunnel?
00:42:01Because you would see the tunnel, right?
00:42:02With Saint Peter at the end
00:42:03Waiting for you with the keys
00:42:04Saint Peter was with your mother
00:42:05In quiet mothers
00:42:06Okay, okay
00:42:07No, but I'm telling you that
00:42:08Let's talk about this seriously
00:42:09That this is one thing
00:42:09Well, frankly, it would be
00:42:10So, I was there
00:42:11I mean, I had death right in front of me.
00:42:13No, no, nobody, man
00:42:15But it was just a fling with the geek
00:42:17Only?
00:42:18I'm going to tell you something, Santiago
00:42:19Hey, hey
00:42:20It's as if I were reborn.
00:42:21In other words, it's the first day of my new life
00:42:22And I have it all perfectly clear.
00:42:24Now I know what's important
00:42:25And what is not important
00:42:27And what is important?
00:42:28Okay, ready.
00:42:28Well, make sure the numbers add up.
00:42:30At the end of the month, for example
00:42:31That?
00:42:32Eva, does it fit or not?
00:42:33Okay, Santiago
00:42:34You've made a mistake
00:42:35That's not the important thing.
00:42:36What's important is love
00:42:37The important thing is
00:42:38The friends
00:42:39The family
00:42:40For example, the work
00:42:41Well, that's secondary.
00:42:42Football
00:42:43Man, football
00:42:45Football, no
00:42:46Football, football, football
00:42:47It is also secondary
00:42:48Because they tell you
00:42:48You'll die tomorrow
00:42:49And that you spend the afternoon
00:42:50The day before
00:42:50Watching the Teresa Herrera
00:42:51A summer football tone
00:42:52No no
00:42:53It's really weird, man.
00:42:55No, no, no
00:42:57I'm not acting very strange.
00:42:58Well, I'm going to tell you something
00:42:59What is life?
00:43:00Life is very short
00:43:01And you have to enjoy it.
00:43:01We have to take advantage of it
00:43:02Look, look
00:43:03Okay, everyone's here
00:43:04Invited for a round
00:43:05Turn off the house
00:43:06And this afternoon
00:43:07We're closing the tavern this afternoon.
00:43:09And we have a party
00:43:10In Pekicomite
00:43:11Where?
00:43:11Here, here, here
00:43:13Here, here
00:43:14It's very strange, Diego.
00:43:15But that's very strange.
00:43:16Macarena's face
00:43:22Empress's Eye
00:43:23What are you saying?
00:43:24The egg ticket seller
00:43:25Diego
00:43:26Let's see
00:43:27This doesn't add up.
00:43:28I have nothing.
00:43:29Sorry, Eva
00:43:29You're going
00:43:30You're going
00:43:32I can't go, eh
00:43:35I can't stand this place
00:43:37I can't stand it
00:43:37I have a job for you
00:43:39For tonight
00:43:39Incredible
00:43:40Listen, listen
00:43:41Easy
00:43:42Funny, huh?
00:43:43Look at me
00:43:43150 euros, aunt
00:43:45You earn it in one night
00:43:46What in a week
00:43:47In this house
00:43:47I accept
00:43:48No, no, no
00:43:48That's about showing off your skills
00:43:50That sexist nonsense
00:43:50That you hate singing
00:43:51So no
00:43:51I don't care
00:43:52It can't get any worse than that.
00:43:53Eve
00:43:53Well, no
00:43:55No, it's Eva.
00:43:55What is a...
00:43:56Eve
00:43:57Dude, you really know your stuff.
00:43:58To your sister
00:43:58Time to work
00:44:00Eve
00:44:01Dad!
00:44:13Hurry up, man
00:44:14Come on, run, run
00:44:15Hey, we said all together, right?
00:44:31So when one goes to look
00:44:32The others are watching.
00:44:33Okay, okay
00:44:34Okay
00:44:34Come on
00:44:36Come on
00:44:37Come on
00:44:38Come on
00:44:39It's him, isn't it?
00:45:02What's happening?
00:45:03Water!
00:45:03Blood!
00:45:05My God!
00:45:05We're hurt at school!
00:45:07We're going to die!
00:45:08No!
00:45:08No!
00:45:13No!
00:45:13No!
00:45:17But what's going on?
00:45:18I didn't even hit you
00:45:19That the school is possessed
00:45:20It's not in the tap!
00:45:20Yeah
00:45:21Wait, wait, wait
00:45:21Wait, wait
00:45:22Hang on a minute
00:45:22I have a solution
00:45:23I've been reading things
00:45:24Of spiritualism
00:45:25And well
00:45:26The spirit of Sebastian
00:45:27He is trapped between life and death
00:45:28At school
00:45:29Oh well
00:45:31The only thing we can do
00:45:32It's about helping him get out of here
00:45:33Okay, so how would you like us to help?
00:45:36With a séance
00:45:37A hollow one tonight at my house, what are you saying tonight?
00:45:43until tonight
00:45:48It's tonight
00:45:49What suckers, they've handed it to us on a silver platter
00:45:55They're going to shit themselves
00:45:57How funny you think that is, they're going to shit themselves
00:46:02Hey man, and on top of that, more piss.
00:46:06Auntie, lock the door, why?
00:46:16I'm getting ready
00:46:17I'm fine?
00:46:25Is this what you're going to wear, auntie?
00:46:28Well, I don't understand you.
00:46:29After all the effort you put into being a cheerleader, now you're going to go out there practically naked.
00:46:34Yeah, man, but I'm going to earn more in one night than I do in a week at the Serrano tavern.
00:46:39you won't understand
00:46:40If it's about easy money, then there are no more problems, right?
00:46:43Hey, take it easy, okay? I'm just going to dance.
00:46:46And do you prefer?
00:46:50I'd rather have a bunch of creeps stare at my ass than work with my family
00:46:53Look, to begin with, your uncle Santiago doesn't talk, he barks
00:46:57Paquillo follows me around all day drooling
00:47:00And then I have to... look, never mind, I don't have to explain anything to you.
00:47:02Of course, you're Eva Cap de Vila
00:47:04the smartest in the world
00:47:05She acts like she knows everything, but she doesn't have a clue about anything.
00:47:08Hey, what's wrong with you? That's enough, right? You sound like a jealous boyfriend.
00:47:10Eve!
00:47:12Yeah!
00:47:13Eve!
00:47:15Yeah?
00:47:17Marcos
00:47:17hello
00:47:18Hey, I just spoke to you and you told me you've left the tavern
00:47:21Has something happened?
00:47:22No, it had overwhelmed me a little, so I stopped.
00:47:24But because I have something better
00:47:26that I'm going to earn my money
00:47:27painted like a door at this hour
00:47:30Won't it be a night job?
00:47:32Mommy
00:47:32You trust me as always, right?
00:47:36That's the bad part.
00:47:37I trust you
00:47:37Hey, Peque
00:47:39We're going out partying tonight, I say, okay?
00:47:42very good
00:47:43Don't be late
00:47:43No, don't be late.
00:47:45even the good
00:47:45Okay
00:47:45bye
00:47:46out
00:47:52You're kidding me.
00:47:57I caught you like my father did
00:48:00dancing in the mogambo and on top of a platform
00:48:02It kills you
00:48:02And then he kills me for leaving you.
00:48:04Okay
00:48:05Okay
00:48:05Hey, everything is delicious!
00:48:09Who prepared the patents?
00:48:10Listen up, we're going to have a Rioja from '82 now.
00:48:12awesome
00:48:13Don't go there, you might use up the whole box.
00:48:16that's for special occasions
00:48:18But brother, Santiago, I want this to be a special occasion.
00:48:21But you don't realize it
00:48:22I have been reborn, Santiago, I have been reborn
00:48:24Well, now that you're here all alone
00:48:26Okay, let's get baptized.
00:48:27Well, but you've been doing me a lot.
00:48:28that has been reborn in him
00:48:29or that he has won the lottery
00:48:30How has it been?
00:48:31attentive
00:48:32I want to make a toast
00:48:33Oh, yes, look
00:48:34I'd also like to make a toast.
00:48:35I raise a toast to Diego.
00:48:37a quarry will grow in his kidney
00:48:39Oh, oh, oh
00:48:40Please, he really liked the Pulsadra, man.
00:48:43which seemed like the birth of the mountain
00:48:44But I want to toast first with
00:48:46with my brother
00:48:48with Santiago
00:48:49that you are to me
00:48:49You are my father
00:48:51my spiritual father and I admire you
00:48:52I admire you and I love you, Santi
00:48:54because I've always been there
00:48:56And I wanted to tell you.
00:48:57a hug
00:48:58a hug
00:49:00You, Fiti
00:49:03Fiti, you, you, you for me
00:49:06You are like a brother to me.
00:49:09a soul brother
00:49:10And I want to tell you that I'm very proud.
00:49:11that you consider me your friend
00:49:12Because you're the greatest uncle.
00:49:14the greatest guy I've ever met
00:49:16the biggest already
00:49:17Now is when Fiti
00:49:18the mass decreases
00:49:19and Mike in London gets on top
00:49:20You'll see.
00:49:21bigger than yes
00:49:22Take it away, take it away
00:49:25let's see
00:49:26He killed him
00:49:28And you, Candela, who are you?
00:49:33Yeah
00:49:33You are that loyal friend
00:49:36who always has a kind word
00:49:37gentle
00:49:39Yes, he is indeed harmed.
00:49:41Hey, I heard you, okay?
00:49:43Let's see if...
00:49:44Let's see, let's see, let's see
00:49:45Lucia
00:49:46You, Lucia, are the love of my life
00:49:49my light
00:49:51and the one that gives meaning to everything I do
00:49:54Household chores are done at home
00:49:58Okay, okay, okay, that's it.
00:49:59eh, eh, eh
00:50:01This looks like a flat.
00:50:02Okay, okay, okay, okay, okay, come on
00:50:04everybody dance
00:50:05Let's dance, let's go!
00:50:06to dance
00:50:06Did you complain throughout the entire routine?
00:50:08Hey, did I tell you to dance?
00:50:08to dance, I heard it perfectly
00:50:09dance
00:50:10Hey, this thing about the stone
00:50:11It's been like the French Revolution
00:50:13More manly, huh?
00:50:13How could I provoke Fiti into doing something like that?
00:50:16How about that cassette?
00:50:17Here, Fiti, take this
00:50:18Let's go there
00:50:19Okay, okay
00:50:19Okay, okay
00:50:20let's go here
00:50:21There we go, let's go
00:50:21I've done it
00:50:22Sebastian
00:50:27are you there?
00:50:28if you're there
00:50:33manifest yourself
00:50:34The question is, how?
00:50:44manifest yourself through one of us
00:50:46Who's calling me?
00:50:52Sebastian
00:50:58it's you?
00:51:00Yeah
00:51:01what do you want?
00:51:08We want to help you
00:51:09because?
00:51:11Who's calling me?
00:51:15Dude, what did you say?
00:51:17I don't know, I haven't been there.
00:51:18Who's calling me?
00:51:26Who's calling me?
00:51:29Okay, dude, come on.
00:51:30What was that?
00:51:33say something
00:51:34Hey, hey, hey, hey
00:51:45Lufiá
00:51:45I've already told you how beautiful you look tonight
00:51:4810 or 12 times
00:51:5010? Like this?
00:51:51But I love it
00:51:52Hey, why don't we put on some race walking?
00:51:56because everyone is putting us to sleep.
00:51:57let's see
00:51:58that has done to me
00:51:59Santiago!
00:52:00Santiago!
00:52:01come on, come on, come on
00:52:02A little bit, shall we do animation?
00:52:03No, man.
00:52:03Play other music
00:52:04that this is already a little bit
00:52:04Hey?
00:52:05Yes, yes
00:52:05Come on, let's have a lively one!
00:52:07Come on, let's go
00:52:07give it
00:52:07Come on, yes
00:52:08let's see
00:52:08guys
00:52:10let's see
00:52:11let's see
00:52:11Hey, hey, hey, hey!
00:52:13This is something else entirely!
00:52:14There, there, there, there!
00:52:14There, there, there, there!
00:52:15that city, that city
00:52:16very good
00:52:17Watch out, watch out, watch out, watch out!
00:52:18I take care, I take care, I take care, I take care
00:52:18great, go for it
00:52:19Let's see what it's like.
00:52:20That step is very beautiful.
00:52:21It's very pretty.
00:52:22Hey, wait a minute!
00:52:24stop, stop, stop, stop
00:52:25Why don't we go to a real nightclub?
00:52:27Damn, just like before.
00:52:28like always
00:52:29the whole gang
00:52:30be quiet, be quiet
00:52:31male
00:52:31that they are reopening the Mogambo today
00:52:33that?
00:52:33The Mogambo, which opens today
00:52:34that?
00:52:35The mogambo, fuck
00:52:36where we were going to hook up
00:52:37to everyone in the neighborhood
00:52:38male, man
00:52:38Why don't we all go?
00:52:40Just like the old days
00:52:41burn the dance floor
00:52:42there the mogambo
00:52:42that?
00:52:47if you don't mind
00:52:47But, but, Candela
00:52:48that life is very short
00:52:50It's very short.
00:52:51We have to enjoy it
00:52:52enjoy
00:52:53No, certainly not.
00:52:53I didn't want to go out
00:52:54Well, let's go out
00:52:55Let's go to Mojambo
00:52:55Okay, fine.
00:52:56But we mustn't burn our bridges.
00:52:56in one day, son
00:52:57You have to pace yourself
00:52:58to enjoy
00:52:59It says so in the manual
00:53:00The Handbook of the Perfect Scoundrel
00:53:02page 38
00:53:03the 38
00:53:04to enjoy
00:53:05It needs to be dosed
00:53:06the fun
00:53:07exact
00:53:08which then gets used to it
00:53:09the body and bad
00:53:10And besides, I work.
00:53:11early tomorrow
00:53:11Oh, I don't remember.
00:53:12Thank God
00:53:13me too
00:53:13I'm dead
00:53:14And with everything that's going on
00:53:15the boy
00:53:16hey
00:53:16because we don't have it
00:53:17Yeah?
00:53:18Ah, well
00:53:19come
00:53:19go out and have fun
00:53:20Come on, man
00:53:21Yes, let's go, guys.
00:53:22I to my brother from Olva
00:53:24I'm not going to leave him alone
00:53:25Pussy
00:53:25who has just been born
00:53:26again
00:53:27if he feels like partying
00:53:28Well, let's go
00:53:29and if we have to crawl
00:53:30along the track
00:53:30because we crawl
00:53:31there
00:53:31It won't be any less
00:53:33the spiritual father
00:53:34the spiritual father
00:53:35Come on, come on
00:53:35Come on, come on
00:53:37Come on, let's go
00:53:37Then don't make too much noise
00:53:39that you wake me up
00:53:39Okay?
00:53:40No, don't worry.
00:53:41chat and if I wake you up
00:53:43It won't be because of the noise
00:53:44Come on, let's go
00:53:46What's happening now
00:53:48Come on, look at the downpour!
00:53:48Come on, look at the downpour!
00:53:49come on
00:53:49Let's see
00:53:52those photos of Isabel
00:53:53with the mayor of Marvilla
00:53:54Let's see
00:53:55But look
00:53:55if the problem
00:53:56It's not that Pantoja
00:53:56pull so much
00:53:57like the restaurant in Marvilla
00:53:58This gentleman
00:53:59He is the mayor
00:54:00man
00:54:00and must behave
00:54:00as such
00:54:01Marcos
00:54:02Marcos' son
00:54:04Why don't you go upstairs to sleep?
00:54:05Look at these photos!
00:54:06Don't you see it?
00:54:07We have to see, son.
00:54:12What a joy!
00:54:12to be able to fall asleep like that
00:54:14either way
00:54:15No, from Gogo
00:54:20by Gogo
00:54:22No
00:54:22gogo?
00:54:29Gogo, don't go out
00:54:30Who is Gogo, darling?
00:54:38I
00:54:38that I've been dreaming
00:54:41with a girl
00:54:42And that girl is Gogo.
00:54:44Well, a dancer, right?
00:54:45No, she's not a dancer.
00:54:46grandmother
00:54:46Well
00:54:47whoever is a dancer
00:54:49It doesn't mean anything.
00:54:51look
00:54:52your father
00:54:53and my daughter
00:54:53The important thing is that it is
00:54:56good girl
00:54:57because she's a good girl
00:54:58TRUE?
00:54:59Yeah
00:54:59Okay, then
00:55:00Just relax
00:55:01You'll see.
00:55:02Have you kissed him yet?
00:55:06no no
00:55:06Well, no.
00:55:07oh ok
00:55:08Very good, very good
00:55:09slowly
00:55:10We girls like
00:55:12that they go slowly
00:55:13And what's its name?
00:55:18is called
00:55:19hello
00:55:20Baby, you're back
00:55:22How are you back?
00:55:23I agree with the dimora
00:55:24Why are you getting me wet?
00:55:28Yes, with those storms
00:55:30And where is your husband?
00:55:31Well, if I tell you that
00:55:32since he had the stone
00:55:33He has tremendous energy.
00:55:34He's gone out with his friends
00:55:36to the reopening of Mogambo
00:55:37disco
00:55:38Mogambo?
00:55:40In other words, the Mogambo
00:55:41The Mogambo nightclub?
00:55:43Mogambo, yes
00:55:43where the gang used to go
00:55:44when we were young
00:55:44a march that has
00:55:47I'm going to change, okay?
00:55:48to the disco
00:55:49With my buddies, huh?
00:55:51Oh, son
00:55:51Which question begins?
00:55:53Chucky
00:55:56Yeah?
00:55:57Chucky
00:55:57Chucky
00:55:58We're marching!
00:55:59what's happening?
00:56:00What's up, what's up, man?
00:56:02I, whose father is in Mogambo
00:56:03No way, dude
00:56:05What a drag
00:56:05now that there's an amazing atmosphere
00:56:07Yes, how amazing!
00:56:08He can't stand my sister, you hick.
00:56:10that castrates me
00:56:11It castrates you, it castrates the whole neighborhood
00:56:12well, fuck
00:56:13What violence, man.
00:56:15Well, what do you want me to do?
00:56:15because I am here
00:56:17I'll get dressed and I'm going there, okay?
00:56:20But please, don't let my sister see, okay?
00:56:23I get it, I get it, perfectly, but what I don't know is what you want me to do, hey.
00:56:26I'm putting you on, please.
00:56:31And in a couple of minutes, a two-person show, all in all, but you're not dancing.
00:56:48What is this chunda, chunda?
00:56:51Casi lo deis y dici.
00:56:52And he's got status, man.
00:56:55Mania, buddy, the music is so loud.
00:56:59We'll have a drink and then we'll go, okay?
00:57:02Hey, Kiti.
00:57:05What crimes have I reserved?
00:57:07There you go, man, it's true.
00:57:08Damn, but they don't force medals on us there with fire, man.
00:57:12Hey, what are those platforms for?
00:57:18Pussy!
00:57:18Dude, that's a lot of people, isn't it?
00:57:25What's up, Raulito?
00:57:27Are you going to get stage fright or what?
00:57:29Come on.
00:57:30Today is an opening.
00:57:38Modomo!
00:57:40Introduce your two!
00:57:41You've come to participate in the full-blown refrain of their topics!
00:57:43Getting Europe out!
00:58:00Above!
00:58:01Modomo!
00:58:02Thanks for watching the video!
00:58:32Thanks for watching the video!
00:59:02Thanks for watching the video!
00:59:32Thanks for watching the video!
00:59:34Thanks for watching the video!
00:59:36Thanks for watching the video!
01:00:06Thanks for watching the video!
01:00:08Thanks for watching the video!
01:00:10Thanks for watching the video!
01:00:12Thanks for watching the video!
01:00:14Thanks for watching the video!
01:00:16Thanks for watching the video!
01:00:18Thanks for watching the video!
01:00:20Thanks for watching the video!
01:00:22Thanks for watching the video!
01:00:24Thanks for watching the video!
01:00:28Thanks for watching the video!
01:00:30Thanks for watching the video!
01:00:32Thanks for watching the video!
01:00:34Thanks for watching the video!
01:00:36Thanks for watching the video!
01:00:38Thanks for watching the video!
01:00:40Thanks for watching the video!
01:00:42Thanks for watching the video!
01:00:44I don't want to die, I don't want to die, I don't want to die.
01:00:48Guille, that's me, I work.
01:00:50Ah, Sebastian!
01:00:52If you can find out what's going on here.
01:00:54It's me, and Grandma.
01:00:56Guille, so it's not a joke.
01:00:57Come on, what are you doing? I'm not going to repeat myself, okay?
01:00:59We were playing ball for real, right, Guille?
01:01:02He doesn't come back, Sebastian, when everything is gone.
01:01:19Come on, each mop makes the sound.
01:01:20Come on, come on, come on!
01:01:23Come on, come on, come on!
01:01:27Above!
01:01:32Wow, your brother, what energy!
01:01:40He says the drink has agreed with him as well as it has with me.
01:01:43Come on, Diego, finish it and let's go!
01:01:46Be scared, here I come!
01:01:47I don't know, Marto, I think he's too forward!
01:01:49Come on, face him!
01:01:52God, we'll be waiting!
01:01:52Come on, let's go!
01:01:57Come on!
01:02:02Damn, who wouldn't want to wear a thong?
01:02:04Your father!
01:02:05Your father, Raúl!
01:02:06Your father, Raúl!
01:02:07Your father, Raúl!
01:02:07Your father, Raúl!
01:02:07Your father, Raúl!
01:02:14Wow, what an ass!
01:02:15To kick balls!
01:02:17Yours, yours, yours!
01:02:19Now, for the champion!
01:02:21Sign!
01:02:23Here, Diego!
01:02:24Careful!
01:02:25Careful!
01:02:27Careful!
01:02:28Watch out, Raúl!
01:02:29Watch out, Raúl!
01:02:30Watch out, watch out!
01:02:32Here it goes!
01:02:32Eve!
01:02:33You look beautiful, Eva!
01:02:34She dances so well!
01:02:35Eve!
01:02:36Eve!
01:02:36Eve!
01:02:38Eve!
01:02:40Here it goes!
01:02:42Raul!
01:02:43Raúl, but...
01:02:43What have you disguised yourself as, you wretch?
01:02:46Dad, I'm...
01:02:47What am I working on?
01:02:48Working!
01:02:49Get down from there, man!
01:02:51I'm going to work on your face!
01:02:52Get down from there!
01:02:53I can't, Dad!
01:02:54You can't!
01:02:55Come on, get down!
01:02:56Dad, what is this!
01:02:59Hey, what have you been up to, faggot?
01:03:00What have you been up to?
01:03:01The multi-grade valley!
01:03:02Come on, get down from there, man!
01:03:04Get down from there!
01:03:05You too!
01:03:06Come on, get out!
01:03:07Get out of here!
01:03:22Tito, Tito!
01:03:23Tito, and my father!
01:03:25My father!
01:03:25My father!
01:03:31My father!
01:03:43My father!
01:03:44Bravo!
01:03:44No, no, no! It's just that no, it's just no! Mogambo! Mogambo!
01:04:02Dad, Dad! What's "muta"? What? Three? Three? Three? Four thirty? From the time we have to leave until whenever it's time?
01:04:08No, no, no, no, no! To the camera, I have no signal! Mogambo! Mogambo! Mogambo! Mogambo!
01:04:11Mogambo! Mogambo!
01:04:14Shh! Okay, what's up?
01:04:18Diaz. Diaz. Diaz, beautiful. Will you live with me in Mogambo? Mogambo!
01:04:26Mogambo! Shh!
01:04:30Can I imagine what this man has been through?
01:04:32I don't know, Mom, maybe it's the kidney medication, I just don't know.
01:04:38And what are you doing like that? I can do it for you tomorrow.
01:04:41Villa! Villa!
01:04:42Really?
01:04:45But has he gone for the ball?
01:04:58Hello!
01:04:59Hello.
01:05:00Hello.
01:05:01What's up, Ben?
01:05:07Are you still freaked out about yesterday?
01:05:08No, it's just that I'm going to look uglier than usual.
01:05:11I'm sorry for what we did to you yesterday.
01:05:13Yesterday?
01:05:14What happened yesterday?
01:05:15Nothing happened yesterday.
01:05:17I just saw the film.
01:05:19Already.
01:05:21How was Diego's little game?
01:05:23He probably arrived after having a few too many drinks.
01:05:26Mom, please, I'm drunk, what are you saying?
01:05:30Hello.
01:05:30Hello.
01:05:31Hello darling.
01:05:32Would you like me to make you some juice?
01:05:33No.
01:05:47Happy nights, sad mornings.
01:05:50Now, if someone isn't fit to be a rooster, let them castrate him.
01:05:53Marcos, call, I'm not going to the tavern.
01:06:10Honey, would you like me to come with you?
01:06:12No.
01:06:12Hey, Eva, I want to talk to you.
01:06:25Look, honey, you're telling me to trust you.
01:06:28But he doesn't give me any reasons.
01:06:30Dancing is a job like any other, but you're 17 years old.
01:06:33And walking around shaking your booty in a nightclub, girl, well, the truth is, no.
01:06:37It can be easy money.
01:06:38But what's easy isn't always best.
01:06:40Look.
01:06:42I'm sorry.
01:06:44What I do?
01:06:46Should I go back to the tavern or...?
01:06:49Yes, darling.
01:06:51Baking soda!
01:06:54Like if you stay, give me the bicarbonate of soda.
01:06:56I'll wait for you.
01:06:58With a little flame?
01:07:00Yeah.
01:07:04Your father?
01:07:06The bed?
01:07:08It doesn't surprise me, man.
01:07:10I've known him for years, but he's a pain in the ass.
01:07:12Like he just got caught yesterday in life, but in real life, man.
01:07:16What's happening?
01:07:17The boss got angry, didn't he?
01:07:19And what about you?
01:07:20You've set your sights low, man, you've ruined it.
01:07:21Nothing, nothing.
01:07:23Nothing.
01:07:24And Santiago?
01:07:25What happened to you?
01:07:26He hasn't come or called.
01:07:27Santiago, I'm healing it for you like his brother did in bed.
01:07:33What did you give to my father?
01:07:35Clear.
01:07:36Ah, but that's the thing, we had two drinks.
01:07:39But I don't know if they're just giving you cheap, swill there and...
01:07:42Or maybe you just don't metabolize anymore, damn it.
01:07:44A bad twenty.
01:07:45Fuck.
01:07:45That's all.
01:07:46Hey, Chucky.
01:07:51No, let's see if you can explain it to me step by step.
01:07:54I told you to distract my father so he wouldn't see Eva, didn't I?
01:07:56But how...?
01:07:57What did you do?
01:07:58What, what?
01:07:59Look, I, I...
01:08:00I mean, I saw them, right?
01:08:02I located them.
01:08:04And I distracted them.
01:08:07As?
01:08:07Look, there wasn't much of an alternative.
01:08:12But he was hitting him hard.
01:08:14EITHER...
01:08:14Or what?
01:08:17Or he'd slip a pill into his drink.
01:08:19The thing is, with the colored lights, the noise, and so on,
01:08:22Well, instead of a nupi, I ended up with a birla de...
01:08:24Well, one, two or three, whatever.
01:08:25And I farted on you, kid.
01:08:27The thing is...
01:08:27But you are...
01:08:28How is this possible?
01:08:29How is this possible?
01:08:33Damn, you've seen it yourself, man.
01:08:34Besides, it wasn't that big of a deal, was it?
01:08:35Damn, the quality of the filth in this house.
01:08:37Take care of yourself.
01:08:39Chucky, Chucky, dude, we haven't gotten paid at the club.
01:08:41Well, me neither, mate.
01:08:41If I'm talking for five minutes.
01:08:43I didn't get my commission because of you, you know?
01:08:44In other words, I'm not involved in the movement.
01:08:45But, dude.
01:08:55What are you doing here, you stupid lava-faced idiot?
01:08:57You have a car stuck there in the mud.
01:08:59Look, head for the moat.
01:09:00Pull for the pit.
01:09:01Go on.
01:09:01Go on.
01:09:02Come on!
01:09:05You may not have a fucking clue about life, dude.
01:09:07I'm telling you.
01:09:10You, the lid.
01:09:14Oh, Sebastian!
01:09:17Ha ha, what an idiot!
01:09:19Mustafa, dude, Sebastian is a really nice guy.
01:09:21If he just wants to lend you a hand.
01:09:22Hahaha!
01:09:25Thank you!
01:09:26That's it!
01:09:27Take.
01:09:28No, my mouths don't burn.
01:09:29Oh my God.
01:09:31That's all, man.
01:09:32Wow, it seems you're not afraid to come to the bathroom by yourself.
01:09:44Okay, we have to admit it.
01:09:47The joke wasn't bad at all.
01:09:49What did you say?
01:09:50So, you want a good mountain woman.
01:09:53Wow, the truth is that when you cry you look like a human being.
01:09:56Without acting like a little girl, just shed a couple of tears.
01:09:59What do you see there?
01:10:01Nothing, it was nothing, right?
01:10:03The pipes, for sure.
01:10:05Yes, the pipes. This school is very old.
01:10:24Has this not happened?
01:10:25What happened?
01:10:28It's mine.
01:10:30Hey, you hugged me.
01:10:34I?
01:10:36What are you saying, man?
01:10:37It must have been a dead child.
01:10:50Marcos, come here.
01:10:51Why not? I didn't want to wake you up.
01:10:53No, no, no, no. You woke me up. I just can't fall asleep.
01:10:56Come here, son, I have something to tell you.
01:10:57Come.
01:11:00Never go to Mogambo.
01:11:03They'll put you in, Garrafón.
01:11:04What happened yesterday wasn't just cheap wine. They slipped pills into your drink.
01:11:19Come on, you were drugged.
01:11:22That?
01:11:23What did they drug me with?
01:11:26With drugs?
01:11:26Well, let's see, I was able to tell you.
01:11:35I'm about to die two nights in a row.
01:11:38Yeah.
01:11:39First it was a kidney stone, and then it was the drug.
01:11:45Yes, yes.
01:11:47I can tell you now.
01:11:48And I have to tell you that drugs are very bad.
01:11:50In other words, you take the drug and it seems like everything is going great, that you're having a wonderful time, but it's not.
01:11:55Look at me.
01:11:55No.
01:11:56Man, Dad.
01:11:57The truth is, you're pathetic.
01:11:58Yeah.
01:11:59That's right, son.
01:12:00It's true.
01:12:00I'll tell you something else, Guille.
01:12:01Under normal circumstances, i.e., without drugs, I would have given you a slap, but since I've made you a pile of beans, well, nothing.
01:12:06And I want to tell you that drugs change you.
01:12:08And drugs kill.
01:12:10So, everyone, take good note.
01:12:11I'm going to say no to drugs.
01:12:13Very good, son.
01:12:14Very good.
01:12:14You and everyone else.
01:12:15Because drugs destroy you.
01:12:17In other words, it completely destroys you.
01:12:19So, you forget things, for example, I mean, you don't know that.
01:12:22And that we don't have to go to Mogambo anymore.
01:12:23Hey?
01:12:24Did you hear yourselves?
01:12:24Especially Eva and Marcos.
01:12:26Yes, I can go and yes.
01:12:29Thank you, thank you.
01:12:32Don't miss it.
01:12:33I've become a drug expert now.
01:12:38You've convinced him, haven't you?
01:12:41But you, you, but well, you, but what are you laughing at?
01:12:43If I may ask, what are you laughing at?
01:12:44Let's see.
01:12:45Excuse me, I'm just remembering the night they brought you home from the club.
01:12:49You had a moment.
01:12:50But, but, but, Lucia, don't talk nonsense.
01:12:52He had it perfectly under control.
01:12:54Very light.
01:12:55Mumbo!
01:12:57Lucia, let's go to Mogambo.
01:12:59Well, yes, yes.
01:13:01Listen, man, that's what drugs do, they change your personality, and they changed mine too.
01:13:06And by the way, didn't you say we've been getting a bit routine lately?
01:13:10Yes, yes.
01:13:11But come on, routine is one thing and amphetamine is another.
01:13:15Yes, Lucia, yes, they drugged me.
01:13:18I was drugged.
01:13:19What do you want me to do if I was drugged?
01:13:20I was drugged.
01:13:21Oh, what a shame to miss the show, really.
01:13:23Your brother, Fiti, you.
01:13:24What I would have given to see Rumba 3 in action.
01:13:27What, what, what, what a shame that my brother saw me in this state.
01:13:30By the way, what was he?
01:13:34Well, I don't know, maybe he's feeling unwell after last night's wild party.
01:13:37Already.
01:13:41Come on!
01:13:41Yes, yes, four.
01:13:47Okay, at eleven?
01:13:49Thank you.
01:13:51Okay, thank you, thank you.
01:13:53That at eleven o'clock, that you have to be there, is an Argentinian.
01:13:57The paca paca.
01:13:58I think they might like it, don't you?
01:13:59This aunt.
01:13:59Yes, look, he's going to like it.
01:14:00Of course, he likes anything that involves getting out of the neighborhood.
01:14:02Hey, by the way, what...
01:14:04How's your daughter, man?
01:14:07Well, I just left her right now.
01:14:08He was wrapping balls with his ass.
01:14:11Fuck.
01:14:12But I apologize to you, customer.
01:14:13Come on, man, nothing's wrong, okay?
01:14:14I don't know what happened to me, man.
01:14:16I have nothing more.
01:14:17What do you do with that?
01:14:18Muscles, what do you think?
01:14:20Surrique, we're leaving.
01:14:21We're going to have an Argentinian restaurant for dinner.
01:14:23And then I'll end up in Vienna, huh?
01:14:24The young night.
01:14:25And to top it all off, San Ginés.
01:14:27Chocolate and churros, wow.
01:14:28And in the early hours of the morning, he went to the emergency room at San Camilo.
01:14:31Look, we thought there was no need.
01:14:33We're very happy here with our TV,
01:14:35our basil and our things.
01:14:36Right, my old lady?
01:14:37What was I telling you?
01:14:38They want us tied up and tightly bound.
01:14:40Come on, come on, leave the cables to the professional.
01:14:42Come on!
01:14:43Oh, my old lady.
01:14:45So what?
01:14:46Hey, what we meant to say is that
01:14:48There is time for everything in life.
01:14:49Know?
01:14:50Because life isn't short.
01:14:51Life is long.
01:14:53Life is long.
01:14:56And that you surprise us from time to time.
01:14:58So now you light the barbecue
01:15:00And let's see if you surprise us by lighting the barbecue.
01:15:01No, no, no.
01:15:02Yes, that's great by me.
01:15:03I'm all for the Argentinian, to be honest.
01:15:04But you two are fucking awful.
01:15:06Well, for dessert, Alfonso's best races.
01:15:11Whose?
01:15:12From Alfonso.
01:15:14No, Alonso.
01:15:16Alonso!
01:15:17That!
01:15:18Alonso!
01:15:18Yes, yes, yes, yes!
01:15:18They've given me all the babies there, honey!
01:15:21Okay, come on, let's leave you with the TV and lend a hand.
01:15:24Look, come on.
01:15:24Look.
01:15:26Okay, ask there.
01:15:27Look, Alonso.
01:15:27Why am I messing with you, huh?
01:15:29In their natural habitat.
01:15:30And what reigns over us, huh?
01:15:31Hey Santiago, by the way, you haven't told him.
01:15:36Damn, my brother, is it true?
01:15:37Hey, I haven't heard anything since then, okay?
01:15:39Well, he's not answering his phone, huh?
01:15:40Come on, he's missing in action.
01:15:42Hey, hey, hey, are you dead or what?
01:15:52Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, hey.
01:15:58What is this?
01:16:00What is this?
01:16:01The Mogambo nightclub, sir.
01:16:03Mogambo.
01:16:08Mogambo.
01:16:11Fuck.
01:16:15What time is it?
01:16:17Eight thirty.
01:16:18They open in a couple of hours.
01:16:20But what are you doing here, man?
01:16:21Hey, give me a little nap, ma'am.
01:16:27A little nap.
01:16:29What a drunk he is.
01:16:31What's getting drunk, what's getting drunk?
01:16:32Carrafón that they put here.
01:16:35My shoe?
01:16:36Where are my shoes?
01:16:37In this calm, where are the shoes?
01:16:39On top of that, chorizo.
01:16:40Carrafón, chorizo.
01:16:41What is this?
01:16:43A garage with lights.
01:16:45To play the Serrano theme song on your mobile phone, send "Tono Serrano" followed by your mobile phone brand to 5555, the Telecinco number.
01:16:52Hey, hey, hey, are you dead or what?
01:17:09What is this?
01:17:17What is this?
01:17:18The Mogambo nightclub, sir.
01:17:21Mogambo?
01:17:26Mogambo.
01:17:28Fuck.
01:17:28Which is it?
01:17:34Eight thirty.
01:17:36They open in a couple of hours.
01:17:38But what are you doing here, man?
01:17:40Oh, well, give me a little nap, ma'am.
01:17:44A little nap.
01:17:46What a drunk he is.
01:17:48What's getting drunk, what's getting drunk?
01:17:50Carrafón that they put here.
01:17:52My shoe?
01:17:53Where are my shoes?
01:17:54Where are the shoes?
01:17:56On top of that, chorizo.
01:17:57Carrafón, chorizo.
01:17:59What is this?
01:18:00A garage with lights.
01:18:29Whose?
01:18:30From Alfonso.
01:18:32No, Alonso.
01:18:34Alonso!
01:18:35That!
01:18:36Alonso!
01:18:37They give me all the babies there, honey.
01:18:40Let me watch TV and we'll lend a hand.
01:18:42Compete, leave me alone, go ahead.
01:18:42Okay, throw it there.
01:18:45Look at them.
01:18:45Careful.
01:18:46A bit of a mess, huh?
01:18:47It has its habitat.
01:18:48And what reigns over us, huh?
01:18:50Hey Santiago, by the way, you haven't told him.
01:18:54Damn, my brother, it's true, I haven't heard anything since then, huh?
01:18:57Well, he's not answering his phone, huh?
01:18:58Come on, man, he's missing in action.
01:19:01And what do you do with this man?
01:19:06Hey, listen, are you dead or what?
01:19:13What is this?
01:19:18What is this?
01:19:19The Mogambo nightclub, sir.
01:19:21Mogambo?
01:19:22Mogambo.
01:19:29Fuck.
01:19:33Which is it?
01:19:35Eight thirty.
01:19:36They open in a couple of hours.
01:19:38But what are you doing here, man?
01:19:42Give me a little nap, ma'am.
01:19:45A little nap.
01:19:47What a drunk he is.
01:19:49What's getting drunk, what's getting drunk?
01:19:50Carrafón that they put here.
01:19:53My shoe?
01:19:54Where are my shoes?
01:19:55Where are my shoes?
01:19:57On top of that, the chorizo.
01:19:58Carrafón, chorizo.
01:20:00What is this?
01:20:01A garage with a smooth surface.
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