Los Serrano - 1x12 - Benny, Tonny y Marky - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Marcos busca trabajo para poder acompañar a Eva durante sus vacaciones. Santiago le coloca como guitarrista en el grupo del club, aunque Marcos no está nada contento al verse tocar junto a tres jubilados. Además, su misión consiste en sacar a bailar a las asistentes al club. A Fiti lo han tentado con un apartamento en la playa gracias a Santiago y Diego, y éste lo ha comprado. Sin embargo, debe pagar una señal y Candela no sabe nada. Santiago y Diego se sienten culpables por haber manipulado así a su amigo.

Transcript

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00:00:30It's bound to get complicated in the end.

00:00:31Especially since Tete has learned to make his own jokes

00:00:38And it must be acknowledged that he has learned very quickly and very well.

00:00:41The latest idea they've come up with is to put our viewers two hours earlier

00:00:46It was very good as a joke, but it wasn't very funny either.

00:00:50But no, seriously! Mark all the teachers! Ha! Ha!

00:00:53Guille! What's wrong? Guille, no!

00:00:56Nothing!

00:00:563, 2, 1, 0

00:01:00That's the thing about jokes.

00:01:02Once you start them, you don't know when they might end.

00:01:05Nor how

00:01:061, 0

00:01:08I knew that joke was mean.

00:01:11And if Tete wasn't going to be amused at all, my father was going to be even less so.

00:01:16Hey, Guille! Very good, very funny

00:01:21You'll find out, come on, go upstairs and take a cold shower

00:01:24I thought jokes were just for kids.

00:01:27But apparently, adults play mean pranks on each other too.

00:01:31Maybe it's that adults are just like children at heart.

00:01:35And in any case, we are punished by our elders.

00:01:38Are you stupid? What, girl? I'll take

00:01:40But who punishes the elderly?

00:01:44On a station platform, under the blazing sun

00:01:48You were talking about a skyscraper in the sky of New York

00:01:52Come soon to see the sea and send a postcard

00:01:55I already knew that day was the end

00:01:58Now I have much more

00:02:02Red, black, odd stop

00:02:05Finally, luck brings an ace and a crystal to look through.

00:02:08And a wall to hang it on.

00:02:10Seven smiling faces in one ID photo

00:02:14My stories weren't about tales made by chance.

00:02:19Nobody told me that fate would give me this opportunity.

00:02:26One plus one equals seven

00:02:30Who would have thought?

00:02:35It was so easy to be happy.

00:02:49Hello, who's here?

00:03:09It's a shame I don't feel like moving to let you pass.

00:03:12No, leave it, don't move

00:03:13Safe through another door

00:03:14What are you saying, Mote?

00:03:16Do you think they'll give us anything for this backpack?

00:03:18No, not this backpack.

00:03:20It's a rename from my mother

00:03:21That died

00:03:22Let's see what the foot has

00:03:23Give it to me!

00:03:30Morillo, let go

00:03:31Morillo, leave the money, right now, it's not yours.

00:03:34And what does it not say?

00:03:37Me? Is there a problem?

00:03:39No no

00:03:39Well, let this be the last time you mess with any of my students

00:03:42Otherwise, I'll open a case against you and I've given you three days, is that clear?

00:03:45Is that clear?

00:03:45Yes, yes, yes

00:03:48Are you OK?

00:04:11Yeah

00:04:11Sure?

00:04:12Ana Matías, I'll take you

00:04:15Your mother will be worried

00:04:17Allow me

00:04:18Are you sure you're okay?

00:04:32Yeah

00:04:33You saved my life

00:04:35You're such a drama queen!

00:04:37Come on, let's go

00:04:40Good morning

00:04:58Hello

00:04:58What's that?

00:05:00Rasgullas

00:05:00Hey?

00:05:01How rude of you!

00:05:04It's an Indian dish; they are cheese balls flavored with rosewater.

00:05:06But you can eat that, no, you can't eat that

00:05:08Try them?

00:05:08To play tennis

00:05:09Marcos!

00:05:11Tennis oath

00:05:12Well, it's so bad, huh?

00:05:14Of course not

00:05:14What do you think you are?

00:05:15Take you away from the ham and Santa Justa and you'll get dizzy.

00:05:17I'm just practicing, you know?

00:05:20Because I'm going to India

00:05:21Ah

00:05:24I'm going away for the whole summer

00:05:25800 euros, but my father pays.

00:05:28Come on, take advantage

00:05:30Tell me, daddy's girl

00:05:30It must be, Raúl

00:05:34That?

00:05:35Shall we go to the pool?

00:05:35Are you coming?

00:05:36No, no, I have to work.

00:05:37Ah

00:05:38Hey, who are you going to India with?

00:05:40Alone

00:05:40Alone?

00:05:41Oh, no, I mean, there are a lot of Indians there.

00:05:44Well, for now I'm going alone, and if someone else joins me, I won't be going alone anymore.

00:05:46Can you pick this up for me?

00:05:48I don't have time, please

00:05:49Yeah

00:05:49Bye

00:05:51Health

00:05:53Good morning, son

00:05:57Good morning

00:05:57Hey, Dad, I'm thinking that if, if, if

00:05:59I could work afternoons at the tavern too, couldn't I?

00:06:03Yeah, man, mornings at the tavern, afternoons at the tavern

00:06:05Then, if you want, I'll give you the night shift

00:06:07And about studying

00:06:09But we'll leave studying for the weekend.

00:06:10In any case, on Sunday, if that's the case, right?

00:06:12Yes, on weekends, sometimes

00:06:14Yeah

00:06:14But no, Marcos, no

00:06:16Less time in the tavern and more time focusing on what you do best, which is studying.

00:06:19Let's see

00:06:20I mean, I need money, and with what you give me in the mornings, I don't earn much.

00:06:23And what do you want money for?

00:06:24If you're going to be out of the neighborhood this summer, you're not going to leave, are you?

00:06:26That's why, to go out, I don't know

00:06:28Well, maybe take a trip, I don't know, to India or somewhere else, I don't know

00:06:31To India, to India

00:06:32But, Marcos, let's see

00:06:34You know where India is

00:06:35So, India, I mean, India is

00:06:36In other words, what...

00:06:39Come on, come on, but look, you don't need to see yourself so far away to be the Indian

00:06:43No, no, but we need to work hard because September is just around the corner.

00:06:46And I'm going to make the bands for the larger one, that's it.

00:06:49Well, I'm thinking of looking for an afternoon job, so I'm saying to myself, okay?

00:06:52Marcos, I'm telling you that you're not going to get yourself into trouble.

00:06:53In other words, to the tavern in the mornings

00:06:55And then in the afternoons I come home to study

00:06:57So, forget about trips and guitars and all that nonsense, and go study, okay?

00:07:01And that's it, we have training.

00:07:03Ah, it's pouring, man, 40 degrees in the shade

00:07:09And without a league, without a champion

00:07:12The European Championship doesn't start until next year.

00:07:15Let's see what we can do now to kill time.

00:07:18Pussy!

00:07:21There you have it, Enrique Iglesias

00:07:23Enrique Iglesias, Enrique, Enrique Iglesias

00:07:25If it's my fault for scheduling the training sessions in the morning, then kid

00:07:28I've had an insolation

00:07:30I'm dizzy, man.

00:07:31We're not up for those kinds of joys anymore.

00:07:33That warms up our toast

00:07:35I'm going to take a moment, I'm going to turn on a radio there

00:07:36Because, guys, I'm feeling awful, aren't I?

00:07:38I'm thinking of a brilliant joke, man.

00:07:50No, no

00:07:53Look how he snores

00:07:55There's no rush, man.

00:08:03Order it yourself

00:08:04There, there, there

00:08:05Give me the needle, the needle

00:08:07Stop it now, there, I, stop it now, stop it now

00:08:08Goodbye!

00:08:19There, now, what a mess

00:08:21What's happening?

00:08:22Ah, I'm coming, I'm coming

00:08:23That?

00:08:31What's wrong? What are you looking at?

00:08:33No, no, nothing.

00:08:36It's just that I think I can tell you're...

00:08:39Like swollen, like that, like...

00:08:41Like with a big head

00:08:42I don't know, I don't know

00:08:44Yes, yes

00:08:45You look kind of grumpy, don't you?

00:08:47You're like...

00:08:48Like a bloated man

00:08:49With the forehead

00:08:50Or at least that's how it seems to me

00:08:51Okay, stop...

00:08:52Santiago, stop...

00:08:53Pussy

00:08:53Wow, what a huge head you've grown in just a moment, huh?

00:08:57Is something wrong?

00:08:58Shut up, you're an idiot, what's wrong with you?

00:09:00No, well...

00:09:01Well, not my uncle, you see.

00:09:03Something happened to him...

00:09:06Something like that, right?

00:09:07That...

00:09:07What do they call it?

00:09:09His head swelled up too, didn't it?

00:09:11They called it megacephaly or something like that

00:09:14Like that Elephant Man movie.

00:09:16And what happened to your uncle?

00:09:19Well, she died

00:09:20No way!

00:09:21Yeah, seriously, look, I was...

00:09:23The uncle...

00:09:24It was normal, wasn't it?

00:09:25It's just that it had been...

00:09:26He had just finished harvesting.

00:09:26And he got such a severe case of sunstroke

00:09:30And in half an hour, man.

00:09:32In half an hour that...

00:09:33Well, look, get to the hospital in time.

00:09:34He left us

00:09:36He didn't even have time to say goodbye to his family

00:09:38Nothing.

00:09:39I mean, a hell of a meltdown.

00:09:43What a plan, huh?

00:09:44Yeah

00:09:44It was at least 40 degrees.

00:09:45Sorry

00:09:46Hey, Santi, sorry

00:09:47I'm going to the lab for a moment.

00:09:48Because I'm feeling a little dizzy

00:09:50And I'm going to get checked out to see if I...

00:09:51Well, it can't be that bad.

00:09:52No, but for...

00:09:54For...

00:09:54Okay, okay

00:09:55Hey

00:09:56Well, that's why my uncle went.

00:09:58For not going on time

00:09:59Come on

00:09:59Otherwise, he'd be here among us.

00:10:01Nothing, nothing, no

00:10:06No no

00:10:06See you later

00:10:07And then

00:10:08The Viru!

00:10:13Putting on his cap

00:10:15He wouldn't let it happen.

00:10:16On top of these, they come to summer classes

00:10:19How silly they are

00:10:20Good morning!

00:10:21Your aunt's rag!

00:10:23Very good

00:10:23I already feel at home, huh?

00:10:25Look

00:10:26That's fine by me

00:10:27Because my mother forgets me

00:10:28But baby

00:10:28What you did was a crime.

00:10:29It's not just about me.

00:10:31Valdano

00:10:31And he hasn't even come.

00:10:33It's just that women are very stupid.

00:10:35Watch it again

00:10:37Should I return it?

00:10:38May I come in?

00:10:38Sure, yes, it happens

00:10:39Wow!

00:10:41Wow!

00:10:42What, Valdano?

00:10:43Did you spend your paycheck on a doula?

00:10:45No, what's happened is that he's gotten handsome.

00:10:47To come and see Yoli in her name

00:10:48He looks so handsome

00:10:50Hey

00:10:51Have you seen how beautiful she's become for you?

00:10:54Yeah

00:10:55She's even let her hair down

00:10:57And she's put on a skirt

00:10:59It's the strangest thing ever.

00:11:29I feel like I've been in a coma for the last 11 years

00:11:51And I was waking up now

00:11:54Spectacular

00:12:05Matías

00:12:09Matías

00:12:12Where's your head?

00:12:13Because certainly not here in the classroom

00:12:15Come on

00:12:16And taking out the notebooks and doing the exercises

00:12:18When I see you in the mornings

00:12:30Radiant as the sun

00:12:31A tremendous happiness fills my heart.

00:12:34Okay, Marco

00:12:40Pour these gentlemen another glass of wine, they're parched.

00:12:43And wake up

00:12:44You're a bit dazed today

00:12:45I don't know what's wrong with you?

00:12:47Man!

00:12:48The Elephant Man is here

00:12:50That?

00:12:51Did surgery have to be done in the end or not?

00:12:53And they were able to save the cap

00:12:55Very funny, Fiti

00:12:56Very funny

00:12:57So, I spent all morning doing tests because of your little joke.

00:12:58Damn, man, they've left you in the same boat.

00:13:00You could have taken advantage of having a little touch-up done like that

00:13:03Fiti, listen to me

00:13:04I'm done with you, okay?

00:13:05I'm done with you.

00:13:06No, no, no

00:13:07Not here

00:13:07No wedding dresses are given away here.

00:13:10Not even half of God's Father

00:13:11No, ma'am

00:13:12Did he make a mistake?

00:13:13Well, I'm telling you, he's made a mistake.

00:13:14That's it

00:13:15They've been like this all morning, huh?

00:13:17Nothing, nothing, Santi

00:13:18They must have made a mistake

00:13:19Our Figuero

00:13:22Where are we going to study during the holidays?

00:13:24Wherever you want, darling.

00:13:25Wherever you want

00:13:26Is there no camping in Spain?

00:13:28But hey, this year we could stretch ourselves a little and

00:13:30Well, I don't know.

00:13:31Rent a bungalow

00:13:32God, surprise me, okay?

00:13:35Now we're going

00:13:35Look

00:13:36To Greece

00:13:37Or to Prague

00:13:38Prague is

00:13:39Yeah, yeah, yeah

00:13:40Yes, yes, yes

00:13:41Yes, it must be.

00:13:41It must be beautiful.

00:13:42But

00:13:43Well

00:13:44No, because

00:13:45Holidays are for resting

00:13:46And let's see if

00:13:47I must come back even more stressed than I already am

00:13:49I have enough to deal with already.

00:13:50There, around the fifth

00:13:51No, no, no

00:13:52No, you've made a mistake

00:13:53No

00:13:54Not here, no

00:13:56No, no, no

00:13:57I've never had a girlfriend here in my life

00:13:59How am I going to have it in a suit?

00:14:01No, ma'am

00:14:01Well, that's what I'm telling you

00:14:03Come on

00:14:05Come on

00:14:05Frame

00:14:06What's up with those streets, man?

00:14:07Give yourself a hint!

00:14:08Well, because of you

00:14:09Fuck!

00:14:09Can you tell me what's wrong with you, man?

00:14:16What's wrong with you, huh?

00:14:17What's wrong with you?

00:14:19Sorry

00:14:19Sorry?

00:14:21Yeah

00:14:21That my...

00:14:24I've asked my father to let me work here in the afternoons.

00:14:26And he told me there isn't one.

00:14:27Okay, so you already work mornings?

00:14:29Yes, but I need the money.

00:14:31Because I might take a trip

00:14:32A trip?

00:14:33Yeah

00:14:33But with what you earn here, you have enough for the trip and for whatever else you need.

00:14:37No, it doesn't give me any.

00:14:38What is India?

00:14:40To India?

00:14:42And what business do you have with the Indians?

00:14:44Those are the ones who don't eat beef, right?

00:14:46Why don't you go to Benidorm?

00:14:47How is everyone leaving?

00:14:49The thing is...

00:14:50Well, it's just that...

00:14:51Why not?

00:14:51Can't

00:14:52You can't

00:14:53Look, I...

00:14:56If your father says it can't be

00:14:57It just can't be

00:14:58I can't do anything

00:15:00Damn my father

00:15:01Well, I'll have to find an afternoon job without him finding out.

00:15:05So, it's 800 euros

00:15:07And if my own family doesn't help me on top of that, well...

00:15:11Yeah

00:15:14Just a moment, just a moment

00:15:15Go out

00:15:18Let's see

00:15:19Of course not

00:15:23There are no suits here, ma'am.

00:15:25Not even as a girlfriend

00:15:26Not even as a bachelor

00:15:27Not even married

00:15:28Not a chance

00:15:29Not at all

00:15:29No, ma'am

00:15:31Well, I'm interested in what's happening here.

00:15:34I wonder if this has anything to do with this announcement.

00:15:37Wedding dress is being given away

00:15:39Asked by Santiago Serrano

00:15:40How funny, man!

00:15:44I'm cracking up

00:15:45Tomorrow morning with the phone busy

00:15:47She's waiting for me to call.

00:15:48The one with the cheese, the one with the ham

00:15:49That is without arrival

00:15:50The one you lose

00:15:51No, you guys who never grow up, huh?

00:15:53It's very funny, Pito

00:15:55What's wrong? Are you bored?

00:15:56Well, go to work and keep yourself entertained.

00:15:57Because that's already a lot of thanks.

00:15:58You've been at it all morning

00:15:59So, let's see if we're going to get it, huh?

00:16:05What's up, guys?

00:16:06Hasn't Berlana gotten involved?

00:16:08Hi, but I was just there a moment ago.

00:16:09This guy is acting really weird.

00:16:11It's like it's been transported

00:16:12Hey?

00:16:12Yeah

00:16:13Hey!

00:16:14Hold it right there, kid!

00:16:15Stop that!

00:16:16Long!

00:16:17Look, here it is

00:16:18I knew it

00:16:19Look, how disgusting, isn't it?

00:16:23No, no, no, no!

00:16:24Yes, yes, yes, I'm going, I'm going, I'm going

00:16:25When I see you in the mornings

00:16:27Radiant as the sun

00:16:28A tremendous happiness

00:16:30It invades my heart

00:16:31Dude, what a fire!

00:16:33This is truly enchanting, isn't it?

00:16:35Yeah

00:16:35What's that?

00:16:41Okay, what is this?

00:16:41It would be so nice to dream.

00:16:46That perhaps one day

00:16:47I would be your other half

00:16:48And this one with what's written, right?

00:16:52That's how it is

00:16:53And it's for you

00:16:54The thing is

00:16:55He asked us to give it to you.

00:16:57Because he

00:16:57He was a little embarrassed

00:16:59Yeah

00:16:59This isn't a joke, is it?

00:17:01Oh, I'm crying, really.

00:17:02Trust us

00:17:03If your great poet says so

00:17:05He wants to be your soulmate

00:17:06What do you think?

00:17:08He's going to have an Argentinian brother-in-law

00:17:09See, idiot

00:17:10We're going to find your Argentinian

00:17:12Let's go find him!

00:17:12I can be at peace!

00:17:14I can be at peace!

00:17:15I can be at peace!

00:17:16I can be at peace!

00:17:18It's the nicest thing anyone has ever said to me.

00:17:20I want to be close to you night and day

00:17:24Me too, Valdano

00:17:27Okay, so what do I do now?

00:17:30Well, I don't know.

00:17:31Call him or arrange to meet him

00:17:33Invite her out

00:17:33Okay

00:17:36Luck!

00:17:40That's right, Santiago.

00:17:45That's right, Santiago.

00:17:46Look, there it comes

00:17:46Hello

00:17:47Paco

00:17:49Good afternoon, how are you?

00:17:50You were telling me you wanted to work in the afternoon?

00:17:52Yes, yes

00:17:52Look, let me introduce you to Robert

00:17:54Hi how are things?

00:17:56How are you, Chema?

00:17:57Okay, okay

00:17:57Get out of the way, get out of the way

00:17:58Hey, Chema, you know how to play the guitar

00:18:00Your uncle couldn't have tricked me.

00:18:01Yes, yes, well, yes

00:18:03You'll see, you'll see

00:18:04I have a high-level local.

00:18:06I get clients from all over the world.

00:18:08I have an orchestra

00:18:10But we're missing a musician, a guitarist.

00:18:13The orchestra is wonderful.

00:18:15Oh, who?

00:18:17Well yes

00:18:18What style of music do they play?

00:18:20Yes, style

00:18:20They play everything

00:18:21They play everything

00:18:22They might even delight you with a traditional Spanish dish, "España Cañí."

00:18:24That delight you with a La Cucaracha

00:18:26That delight you with a Los Pajaritos

00:18:27Without a chord, although it's much more difficult

00:18:29Well, they're monsters.

00:18:31They are monstrous

00:18:32And the experience you're going to have

00:18:34To be a musician, one must be well-versed in classical music.

00:18:39And these guys are going to toughen you up.

00:18:40But well-seasoned

00:18:41Hey, what about you and the tray issue?

00:18:42Do you have it under control, kid?

00:18:44Didn't you want a musician?

00:18:46Wow, but between passes

00:18:47Are you going to be playing the guitar all day?

00:18:49No, no, not either.

00:18:50Life is about learning from everything.

00:18:52May you never end up where one ends up

00:18:53Sure, sure

00:18:54Yes, yes, yes

00:18:55And how was your dancing?

00:18:57The dance?

00:18:57Or you'll have to take them out dancing

00:18:58The, the, here, here

00:19:03Well, who else is he going to do it for?

00:19:04To the customers who come, to the kiri

00:19:05Not to the foreigner, no, eh

00:19:08And on top of that, you're going to eat like a king.

00:19:11Four pasodobles, four, cha, cha, cha

00:19:15Nor do you have to be the famous black guy

00:19:17And I'll tell you more, kid

00:19:19That's where you can really rake in the tips.

00:19:21Yeah, yeah, yeah, yeah, yeah

00:19:27How much, right?

00:19:28Butter

00:19:29Let's see

00:19:30I offer you, kid

00:19:33Eighty euros per night

00:19:34Eighty euros

00:19:36Eighty euros

00:19:38How does that make you feel?

00:19:43Well, well, oh well

00:19:44Ninety, ninety

00:19:46Well, I don't know about the little mountain boy anymore, eh

00:19:48Azuti has come out

00:19:48Well, and that

00:19:50Without cutting the tips, right?

00:19:52That's all there is to it.

00:19:52This deal is signed

00:19:54Deal.

00:19:55Crash there

00:19:56Look, here's the address

00:19:58You start this afternoon, right?

00:20:00Come by at seven

00:20:01To try on the uniform

00:20:03There you go, my old lady

00:20:04Have you seen the letter I received?

00:20:07Look

00:20:07Says

00:20:08After a rigorous draw

00:20:09Notary Public

00:20:09You, Fructuoso Martínez Condény and dadadá

00:20:12He has been awarded a panoramic television

00:20:14What is this?

00:20:15Is this a scam or what kind of thing is this?

00:20:17Santi

00:20:17Hey?

00:20:18This is our chance to give it back to her.

00:20:20Are you going?

00:20:21Hey, hey

00:20:22They're the kind of things that...

00:20:24Like the ones they sell at a cyclopedia.

00:20:25That's why we messed up the TV

00:20:27Give him at least a couple of hours' talk

00:20:28Come on, let's go there

00:20:29Come on

00:20:29Wow!

00:20:33Let's see, let's see

00:20:33Right, Santi?

00:20:35Let's see?

00:20:35This?

00:20:37Is this like what happened with Armando?

00:20:38Yeah

00:20:38What name?

00:20:39Do you know what this is?

00:20:41Tell him, Santi

00:20:41Tell him/her

00:20:42Well, it's one of those promotions

00:20:43That for promoting one thing

00:20:45They give you another one.

00:20:46Hey

00:20:47Are you sure this is for you?

00:20:48Yeah, man, look

00:20:49Ructuoso Martín

00:20:50There's the panoramic television

00:20:51Holy shit

00:20:52But this is a lie, man

00:20:53This is misleading advertising from that company.

00:20:55Hey?

00:20:56But, but, but

00:20:56Okay, but

00:20:56But people are distrustful

00:20:58I was just telling my brother about it.

00:21:00That Armando, the uncle from the Central Market

00:21:01Hey, that guy with this story

00:21:02He took a DVD

00:21:03No

00:21:04They take you there to sell you something.

00:21:06But if you don't buy

00:21:06Well, neither gifts nor milk.

00:21:08It's true

00:21:08It's true that they take you there.

00:21:09And they take you there

00:21:10And they give you a lecture and all that.

00:21:11And you get the gift, guys

00:21:12This is called new marketing

00:21:13The new marketing

00:21:14New marketing

00:21:14Sure, I passed it on to Armando

00:21:16He was there

00:21:17And he endured an hour of being yelled at.

00:21:18Pim, pam, pim, pam, pim, pam

00:21:20And he brought his DVD.

00:21:21You'll have to wait another hour.

00:21:22Before the charade

00:21:23And you bring a TV

00:21:25Well, but the thing is

00:21:26He gave me a lecture

00:21:27This is from a craving

00:21:28Cooler

00:21:28Go over there

00:21:29To the Grim Reaper

00:21:30He's stupid, he's stupid

00:21:32Okay, I'll go then.

00:21:33I'll go

00:21:34Hold there for 10 minutes

00:21:35I'm going to the charade

00:21:36And I'm bringing my TV

00:21:37How are you doing?

00:21:37Up to this point?

00:21:38No, no, no

00:21:39Just a moment, just a moment

00:21:40No, because in the end

00:21:41I am Fructuoso

00:21:42This is what the notary's office is for, man.

00:21:44And he doesn't find out.

00:21:46No, no, damn it

00:21:46No, I'll go.

00:21:47And this seems to be okay.

00:21:48I don't think there are any tricks.

00:21:49It looks like we just read it.

00:21:50Damn, it was a raffle!

00:21:51Notary Public

00:21:51So you really got lucky.

00:21:52What needs to be done

00:21:53It's about running away quickly

00:21:55And to pick up the TV

00:21:56And that's it.

00:21:56As?

00:21:57That run out

00:21:58Well, they run out, of course.

00:21:58That run out

00:21:59It's like the assists

00:22:00Assistance is running out

00:22:01Well, then

00:22:01Okay then

00:22:02Where are you going?

00:22:04Yes, yes

00:22:04Come on, go to the garage and get it changed

00:22:06We'll be with you

00:22:07Come on, come on

00:22:08We'll wait here

00:22:09Hurry up!

00:22:13They can give me all the lecture they want.

00:22:15But the widescreen TV is coming to my house.

00:22:17How difficult?

00:22:17How many 10 minutes?

00:22:18How many 10 minutes?

00:22:20How many 10 minutes?

00:22:22Where are the TVs here?

00:22:24Hello, good afternoon

00:22:26How are you?

00:22:26Hello

00:22:26Nice to meet you

00:22:27How are you?

00:22:27Delighted

00:22:27How are you?

00:22:28Nice to meet you

00:22:28Look, we came here because I was sent this

00:22:31I am Fructuoso Martínez.

00:22:33Apparently, I've been awarded a widescreen TV.

00:22:35Yes, a widescreen television

00:22:37Completely free

00:22:38As stated here in the letter

00:22:39But first I'd like to tell you about some promotions

00:22:42If you have a few minutes

00:22:43Whatever it takes, whatever is necessary

00:22:45Whatever promotions are needed, right?

00:22:46Perfect

00:22:47Well, come this way

00:22:48Well, I was just meeting with some gentlemen.

00:22:50I was telling you about some apartments in Torremar.

00:22:53Great apartments

00:22:54Are you familiar with Torremar?

00:22:55No

00:22:55No? Well, it's on the coast of Murcia.

00:22:57I'm not a man's stylopedia

00:22:58Zero apartments

00:22:59There will be zero, please.

00:23:00There will be four

00:23:01Come in, come in

00:23:02Yes of course

00:23:03Well, it's less than 80 kilometers from Cabo de Palos.

00:23:07It's a paradise landscape

00:23:09Come on, it's practically a tropical place.

00:23:12Yeah

00:23:12And we must not forget that it is one of the areas with the greatest tourist potential

00:23:16And current urban planning projection

00:23:18Any questions?

00:23:20No, no, no

00:23:20You talk, talk, talk about everything you have to talk about.

00:23:22Murcia has said

00:23:23Yeah

00:23:24Anyway, Torremar

00:23:25Torremar, Torremar

00:23:26It's the best!

00:23:27I know him very well, Torremar

00:23:28And they are miles of beaches

00:23:31And lots of crab

00:23:32Perfect

00:23:33Well, if you want to come by here

00:23:34I'm going to show you a model

00:23:35Damn, what a mess

00:23:37Well, that...

00:23:38Another thing

00:23:39The panoramic assistance will not have ended

00:23:41We just sold an apartment

00:23:46Well, these are the qualities of the house

00:24:00Find out, find out properly

00:24:01But if you don't come

00:24:02Man, I wish we could leave

00:24:03But we have to go to the tavern

00:24:04You understand

00:24:05You, you, you, find out for sure

00:24:06Find out for sure

00:24:06Then you take note of it and don't tell anyone.

00:24:08Now

00:24:08We're leaving

00:24:09Bye

00:24:10Goodbye, miss

00:24:10Well, these are the qualities of the house

00:24:14It's marble.

00:24:16Specially imported from Italy

00:24:17Look, Julie

00:24:19It's just that I...

00:24:21I want to be close to you night and day

00:24:23You are all my joy

00:24:25I've memorized it.

00:24:27And she's so beautiful.

00:24:29When I see you in the mornings

00:24:32Radiant as the sun

00:24:33Look, Julie

00:24:34That letter wasn't for you.

00:24:35It just wasn't for me

00:24:38It would be wonderful if that letter had been for you.

00:24:40Everything will be much easier.

00:24:42But my heart belongs to another.

00:24:45And I can't fight my feelings.

00:24:47You have to understand that

00:24:49It's because you don't think I'm pretty, right?

00:24:54What are you saying?

00:24:55I think you're a really cute girl.

00:24:56One of the best girls I know

00:24:59And I will feel very lucky to have you as a friend.

00:25:02But love cannot be controlled

00:25:05Well, if I can't be your girlfriend

00:25:08I'll settle for being your friend

00:25:09But who is she?

00:25:12It's an impossible love.

00:25:13I will never be able to be mine

00:25:15But why? Who is it?

00:25:18It's Tete, right?

00:25:20It's Tete

00:25:20Tete?

00:25:22No

00:25:22It's Lucia

00:25:26The teacher

00:25:29Well, I don't know, tell me something

00:25:32Do you think I have anything to do with Lucia?

00:25:36I will help you, Contreras

00:25:37You'll see

00:25:39Well, that's it, they weren't encyclopedias.

00:25:42That they were an apartment

00:25:43Well, and some apartments.

00:25:45Where Christ lost his lighter

00:25:46In the middle of the desert, Quillo

00:25:47We left it there

00:25:50Looking at marble qualities and Italians

00:25:52Built-in furniture

00:25:53Oh, I think this one didn't even last half an hour

00:25:56I'm saying it.

00:25:57Okay, be careful.

00:25:57Pussy

00:25:59It won't even fit through the door

00:26:00Look at him, there he is, man

00:26:01Piece of a gift

00:26:03Make room, there, make room

00:26:04There we are

00:26:05Fiti, and that TV?

00:26:08So, you've held out

00:26:09What do you mean, that TV?

00:26:10No, I'm not going to put up with it.

00:26:11It took me three hours of sheet metal work.

00:26:12But here it is

00:26:13Here it is

00:26:14And the best part of all

00:26:15The best thing about it

00:26:16I've already got a place to put it, man.

00:26:17I brought

00:26:18The TV

00:26:19And the apartment

00:26:23Hey?

00:26:24Okay, Fiti

00:26:25Come on, don't tell me

00:26:25You're buying an apartment in Torremar

00:26:27How could I not buy it?

00:26:29Look, look

00:26:29How could I not buy it?

00:26:30Look, furnished kitchen

00:26:31The tile is already in place

00:26:35National

00:26:35And two bedrooms

00:26:36And the sea

00:26:38And the sea, of course, is just a stone's throw away.

00:26:39That the sea is practically visible

00:26:41From the upstairs room

00:26:43You can see the sea

00:26:44When I tell Candela

00:26:47That campsites are finished for good.

00:26:49He's going to be blown away

00:26:50He's going to be blown away

00:26:51And the best part of all

00:26:51The best thing about it

00:26:52It has cost me

00:26:53A bargain

00:26:5430,000 euros

00:26:5530,000 euros

00:26:56Let's go

00:26:57What is

00:26:57Three million pesetas, the old kind.

00:26:5930,000

00:27:0030,000 is 5 million of the old ones

00:27:02That?

00:27:035, 5, 5, 5 million

00:27:06That

00:27:06What a bargain, man!

00:27:07A bargain

00:27:07Fiti

00:27:07That's not 30,000 euros

00:27:09That's 30,000 euros now

00:27:1030,000 euros within a year

00:27:12And 30,000 euros upon delivery of the keys

00:27:14In pesetas

00:27:22We're talking

00:27:22We're talking about 15 million

00:27:24Fiti

00:27:24How about just throwing in a 15 million expense like that?

00:27:26Are you stupid?

00:27:27What's the matter?

00:27:27I just left without looking back

00:27:28But what do I know?

00:27:29I haven't seen this

00:27:30I haven't seen it.

00:27:31I see it now

00:27:32Now I see it

00:27:32But they've confused me there.

00:27:34Whether with

00:27:35The people who were there

00:27:36Everyone's buying

00:27:36And TV

00:27:37The fucking TV

00:27:39How should I know?

00:27:40But the beaches are miles long

00:27:42Did you tell me?

00:27:42Fiti, but what miles of beaches!

00:27:44And what about kilometer-long beaches?

00:27:44I haven't been to Torremar

00:27:45In my fucking life

00:27:46Come on, I haven't even been to Murcia

00:27:47Yes, I

00:27:48It was a steal, man.

00:27:49It was a bargain.

00:27:49They had none left.

00:27:51That it was the last one already

00:27:52But if they have

00:27:53But just to do me a favor

00:27:54They've given me half an hour

00:27:55To go to the bank

00:27:56They put up with me there

00:27:57That's just how it's always been, man.

00:27:58But I, Fiti

00:27:59One thing

00:28:00Have you already paid some money?

00:28:03No

00:28:04To pay

00:28:05No, from

00:28:05Damn, the

00:28:07What is the entrance

00:28:08Which is to say

00:28:09The signal

00:28:10How much?

00:28:1210,000 euros

00:28:13Fuck

00:28:14It doesn't happen

00:28:17What the hell

00:28:17Okay, okay, okay

00:28:18That's it

00:28:19I back out

00:28:20The change is done and that's it

00:28:21What he tells me

00:28:22Everyone was there buying

00:28:23But if they were

00:28:24They were toasting with champagne

00:28:25And all that crap

00:28:26But that's just a show.

00:28:27That's a show

00:28:28What do they do with actors?

00:28:30Fiti

00:28:30And that can't hold you back

00:28:31It says so there

00:28:32It can't hold you back

00:28:32In other words, if you back out

00:28:33You lose the bail.

00:28:34In other words, you lose the bail.

00:28:35What are the 10,000 euros?

00:28:36Do you understand?

00:28:37You lose the 10,000 euros

00:28:3810,000?

00:28:40Yeah

00:28:41Holy shit, dude

00:28:44Don't worry

00:28:46No, no, don't worry.

00:28:48No, no, don't worry.

00:28:49Is there anything that can be done?

00:28:50Calm down, man

00:28:51Yeah, I don't know.

00:28:51No

00:28:53If it's not the money, damn it

00:28:56The thing is

00:28:56That?

00:28:58How do I tell Candela now?

00:29:00Man

00:29:07How are you?

00:29:08Is this your first night at the venue?

00:29:09Look, speak little

00:29:10Where have you put me, for God's sake?

00:29:12Huh?

00:29:12What's happening?

00:29:14I had to play the lambada

00:29:16In uniform

00:29:17With Tony, Benny

00:29:18And so

00:29:19They have at least given the duodynamic alternative

00:29:22Do you want it?

00:29:23Did you dance with them?

00:29:24Yes, with the ones that allowed her to get up from the wheelchair.

00:29:26I, who also

00:29:28I don't know

00:29:29I don't know how to handle it

00:29:29With the pasodoble

00:29:30Me, look

00:29:31I'll give you some conga lessons this afternoon

00:29:33From cha-cha-cha

00:29:34And of pasodoble

00:29:35And tonight you'll rake in the tips.

00:29:37Do you know how to dance?

00:29:39But kid

00:29:40You are speaking with the Fretaster of Santa Justa

00:29:42I like

00:29:42Two classes of dictation

00:29:44And I'll bring you up to date.

00:29:44Let's see

00:29:46You just have to point

00:29:48The subject

00:29:48The verb

00:29:49And the predicate

00:29:50The thing is

00:29:52I can't tell which is which.

00:29:54What have we been half-throwing away with this?

00:29:58Heart

00:29:58No, no, no

00:30:00You don't know

00:30:01I'm only missing this little thing

00:30:03Wait one more minute

00:30:04Let's see

00:30:04What's wrong with him is that he's in love, sir.

00:30:06Oops!

00:30:08Iye

00:30:08Everything of yours

00:30:09Okay, so what?

00:30:11So what?

00:30:12Was there a kiss with Valdano yesterday or not?

00:30:16We're just friends.

00:30:17And I don't want to talk about my private life.

00:30:19Well, I have a better idea

00:30:21Let's correct it on the board

00:30:22Hey, Valdano

00:30:24That you still haven't told us

00:30:26How well does your girlfriend kiss?

00:30:28There was that

00:30:28Magreillo, huh?

00:30:30What magreillo or what nonsense?

00:30:31What a little magreillo?

00:30:32Hey, you, don't even think about kissing her with your tongue.

00:30:33You get it, huh?

00:30:34Oh, please

00:30:34That he is so captivated by the same thing

00:30:36There are more important things.

00:30:38Come on, he hasn't kissed her.

00:30:39Better

00:30:40Okay, Matías, to the board.

00:30:42What are you waiting for?

00:30:52It's just not worth it

00:30:54Not worth it in what way?

00:30:57I don't know if it's worth it

00:30:58Trying to learn by running

00:31:00The thing is

00:31:01I won't have time

00:31:03And besides, I'm going to Argentina in two days.

00:31:05In two days?

00:31:07But seriously, what do you mean in two days?

00:31:08Well

00:31:08The best thing is to take work to do

00:31:10And that's what happens to him.

00:31:12That's a very good idea, Yoli

00:31:16Very good

00:31:17And the thing is that

00:31:17I need to prepare the work first.

00:31:19Well, if you want

00:31:22Later, or this afternoon

00:31:23I can come by your house

00:31:24OK

00:31:25Come on, give me a little bit of time

00:31:26And you go too far

00:31:27Okay?

00:31:28Well

00:31:28Are there any others in the class?

00:31:30That he wants me to prepare work for him

00:31:31For home?

00:31:32This summer?

00:31:33No

00:31:34All at once

00:31:35No, huh?

00:31:35We'll be in in ten minutes

00:31:37Who's pressing my button?

00:31:52Who will ever look at you again?

00:31:53Who's pressing the handles?

00:31:55By chance

00:31:57A caress from yesterday

00:31:58Some unsigned postcards

00:32:00And that Barney album

00:32:02These are not things to keep.

00:32:03Today I smile when I remember.

00:32:05You will dream of flying

00:32:07From the banks of Madrid

00:32:08You can't see the sea

00:32:10My stories weren't about tales.

00:32:13Made by chance

00:32:16Nobody told me that destiny

00:32:20I was giving this opportunity

00:32:22One plus one equals seven

00:32:25Who would have thought?

00:32:29Awesome

00:32:30Awesome

00:32:32Didn't you know how to relate them too?

00:32:35You see, that's all it's good for.

00:32:36Okay, okay, okay

00:32:39What are you doing?

00:32:42No, let's see

00:32:42We're going to learn to dance, aren't we?

00:32:47Hey?

00:32:48I'm waiting for you guys to come out.

00:32:49Okay, what is it?

00:32:50Come on, wait a minute, wait a minute

00:32:51You dance and I watch you

00:32:53Come on, come on, get up, get up

00:32:54Come on!

00:32:56I am the woman

00:32:57And you are the man

00:32:58Come on, come on, come on

00:32:59One, two

00:33:01One, two

00:33:03Feel the music

00:33:04Feel it

00:33:04I try.

00:33:05I try to feel her

00:33:07The Serranos

00:33:08We have the double step in our blood.

00:33:10Yes, well, I must have had a transfusion.

00:33:13When I was born

00:33:13Come on, come on, come on

00:33:15What did you leave behind, man?

00:33:17Those hips!

00:33:18Those hips!

00:33:19I didn't know, Santiago, I'm not a judoka.

00:33:23What judo, ma'am?

00:33:25I'm teaching the kid how to dance a Spanish paso doble

00:33:28Was that a paso doble?

00:33:30And why do you want to learn it?

00:33:31Isn't it for dancing with girls your own age?

00:33:33No, because I work as a waiter in a bar and I have to, well, dance with the customers.

00:33:36Ah, but what kind of place is that?

00:33:39It's a high-class establishment, ma'am.

00:33:41Ah

00:33:42And from a friend of mine, too.

00:33:44Ah, okay.

00:33:45Oh, and the double-step thing.

00:33:47It's not about hips, it's about feet

00:33:49Why don't you dance and I'll watch?

00:33:51No

00:33:51No, no, I'm not with this one

00:33:53What's happening?

00:33:54That's what I'm saying, what's going on?

00:33:56Don't you dare mess with me?

00:33:57You end up looking ridiculous, don't you?

00:33:59I?

00:33:59Maybe you're the one who's afraid.

00:34:01I?

00:34:02Let's see it, let's see it

00:34:04Okay, fine, yes

00:34:05Come on

00:34:06And let's see where you put your little hands, I know you.

00:34:08The desire, the desire that you have

00:34:10Yes, yes, especially with you

00:34:11Look, addict

00:34:14Addicted

00:34:15Addicted

00:34:17What's happening?

00:34:25There's a dance contest for senior citizens in the neighborhood

00:34:27Look, how cute!

00:34:28I have to admit that for his advanced age, he's...

00:34:31He doesn't do badly

00:34:32What excess?

00:34:34Me neither

00:34:35For that jar-like body you have

00:34:37No no

00:34:38Marcos, we're going to the pool, are you coming?

00:34:40No, I've stayed

00:34:41What's wrong with him?

00:34:45He stood us up yesterday too, has he got a girlfriend?

00:34:46No, no, not at all, no

00:34:47The poor guy probably has to go dancing at that place where he works.

00:34:51Which place?

00:34:53Job?

00:34:53What's happening?

00:34:53That?

00:34:55Don't tell me it was a secret

00:34:56No, well, that should be announced.

00:34:58How should I know?

00:34:59Fiti, Fiti, come on

00:35:07Take the TV away, I need the space to gather the hams.

00:35:11Come on

00:35:11Hey, Diego, that...

00:35:13Look, uh...

00:35:16Keep it there...

00:35:18I still haven't decided where to put it, man.

00:35:20Yeah, you haven't decided yet.

00:35:21No

00:35:21So, you haven't told Candela about the apartment.

00:35:24Well...

00:35:27Mainly...

00:35:28No

00:35:28Wait, Fiti

00:35:30The later the worse, huh?

00:35:32And even more so with Candela

00:35:33He's going to make such a racket that it'll scare the crap out of you, huh?

00:35:34Fiti, you have to go to the real estate agency

00:35:36And fix the apartment before Candela finds out

00:35:39And if you lose the signal, well, you lose it.

00:35:40That's one and a half million.

00:35:41But a million and a half

00:35:42No way, man, no way

00:35:42Look, you know what I'm saying?

00:35:44I'm going to tell him.

00:35:45With a pair

00:35:45What's happening?

00:35:46There it is, man

00:35:46And there's Candela

00:35:48Good job, maestro

00:35:49Hello darling

00:35:51Hello

00:35:52How are you?

00:35:52Good

00:35:53How's everything? Good?

00:35:55Yeah

00:35:55Which school is everything?

00:35:56Oh, how affectionate!

00:35:57We look beautiful

00:35:58Yeah, yeah, yeah

00:35:59You bet!

00:35:59I have some good, good, good news, eh

00:36:02Oh, really?

00:36:02But good

00:36:03Look

00:36:03Panoramic television

00:36:05Panorama

00:36:07Our

00:36:08That?

00:36:10What do you mean, "ours"?

00:36:11Have you bought it?

00:36:12No, what is he going to buy?

00:36:13What are you going to buy?

00:36:13Free

00:36:14Free, totally free, look

00:36:15Antenna draw

00:36:18Gustoso Martínez

00:36:19Morera Street

00:36:20D&I such, such, such

00:36:21Free

00:36:24Candela, yes

00:36:25What is it, what is it?

00:36:25It's free

00:36:26In other words, it's like going into the store

00:36:27This is a type

00:36:27And it's free.

00:36:28And panoramic

00:36:29I mean, like

00:36:29Yeah

00:36:29I don't believe you

00:36:31Okay

00:36:31This is just another one of your little whims.

00:36:33I understand.

00:36:34He has a sweet tooth.

00:36:34But we don't even have room to put it.

00:36:36Not even money to pay for it

00:36:37So now that we still have time

00:36:38Give it back, okay?

00:36:39We still have time

00:36:40Yeah

00:36:40Clear

00:36:41Clear

00:36:41Of course, you just went to buy it

00:36:42They're not going to punish you.

00:36:43Yeah, sure.

00:36:44What's happening?

00:36:53What's happening?

00:36:53It wasn't the right time.

00:36:54Damn, it wasn't the right time

00:36:55Well

00:36:55But come on, I know

00:36:56Be positive

00:36:58He's going to take it very well

00:36:59I know her, man.

00:37:00Well, a poem

00:37:10Some kid in class must have slipped it into my bag without me noticing.

00:37:14Well

00:37:15Let's see

00:37:16When I see you in the mornings, radiant like the sun, an enormous happiness fills my heart.

00:37:22Oh, how salty!

00:37:24Yeah

00:37:25Who could it have been?

00:37:26Do you know anything?

00:37:26No, no, no

00:37:27No no

00:37:28Look, no.

00:37:28No, uh

00:37:29They must be the oldest because not

00:37:31Okay, I'm not coming, alright?

00:37:33Come on

00:37:33That is close to you

00:37:35How are you?

00:37:40Very good

00:37:41Yeah

00:37:42This?

00:37:44When I see you in the mornings, radiant like the sun, an enormous happiness fills my heart.

00:37:48Did you give me this as a gift?

00:37:52Yes, I've already given it away.

00:37:53Oh, and the little flower too, right?

00:37:54That's what I ask him.

00:37:55Who gave it to you?

00:37:56I don't know

00:37:56I can't imagine who

00:37:58Who?

00:37:59Who?

00:37:59Well, I'll tell you.

00:38:00Who?

00:38:00Another pig?

00:38:01Another pig?

00:38:03Yeah

00:38:03No, no, no

00:38:04Look

00:38:04Or worse

00:38:05Andresito, that windbag, has been just as bad.

00:38:08Buah

00:38:08Lucia, this guy is going all out, huh?

00:38:10But do you think so?

00:38:11Yeah

00:38:11Come on, Diego, please

00:38:13She's too old to be putting poems and roses in her purse.

00:38:16But, Lucia, you're so innocent, really.

00:38:18I mean, you have no idea what this guy is capable of doing to get laid.

00:38:21Pay attention to what I'm telling you.

00:38:22Yeah?

00:38:23Well, a 12-year-old boy wrote it to me.

00:38:25Oh, the poem?

00:38:28Yeah

00:38:28Have you ever been written to by a 12-year-old boy?

00:38:29Well, I've said

00:38:30Have you ever been written to by a 12-year-old boy?

00:38:31Not bad for a 12-year-old

00:38:32In other words, the poem isn't bad for a child.

00:38:33For a 12-year-old child

00:38:34What are you doing here?

00:38:53What a great atmosphere!

00:38:55Hey, young man, could you bring us some daikini to beat the heat, please?

00:38:57Hey, don't go overboard, I'm taking a risk, okay?

00:39:00Hey, but we're in our element here, man.

00:39:02With all the kids, man

00:39:03It's very nice

00:39:04Hey, nice uniform

00:39:06When the ship sets sail

00:39:07So this is what's been keeping you so busy, isn't it?

00:39:21Why haven't you told us anything?

00:39:23Well, I haven't told anyone.

00:39:25Almost

00:39:26I started yesterday, I mean

00:39:28Hey, what did you need the money for?

00:39:31Nothing special

00:39:32In other words, to have it...

00:39:35Well, kid, if you keep saving you're going to have more money than an assistant

00:39:38Hey kid, wake up, a show's about to start, man

00:39:41Yes, no, I'm here

00:39:43Your friends Benny and Tony will be there.

00:39:45Okay, finish attending to the gentlemen.

00:39:47Sorry, huh?

00:39:48Sorry

00:39:48Go on, change your clothes and grab the guitar

00:39:51Strong

00:39:52Beni and Tony?

00:39:58Who are you?

00:39:59The cousins of the wedge!

00:40:02Hey, I see you're taking your music career very seriously

00:40:04Here it comes!

00:40:06Marcos

00:40:07Marcos, huh?

00:40:08Marcos

00:40:09Marcos, are you kidding me?

00:40:15So you're not going to tell me anything about what happened yesterday with Valdano?

00:40:18I've already told you that I don't talk about my private life.

00:40:20Seriously, how much does that lady make people watch pink sauce, huh?

00:40:23Look, I have to ask you a question, and it's very serious.

00:40:26But I need you to be honest.

00:40:28I know where you're going with this.

00:40:29Don't ask me anything, please.

00:40:31I promised

00:40:32But I'm your best friend!

00:40:34I promised Valdano that.

00:40:37I'm my own best friend, but he's my love and that matters more.

00:40:40So you're not going to tell me anything, are you?

00:40:43Very good

00:40:44There is no water

00:40:49What are you doing?

00:40:52I smell really bad

00:40:53I've given myself over to Serrano, for real.

00:40:54It's a shame I have to do this

00:40:55But you leave me no other choice

00:40:57Okay, come on, sing

00:40:58Is Valdano in love with my mother, yes or no?

00:41:00Yes, okay, yes

00:41:01He's into her

00:41:02The letter he gave me

00:41:04It was for your mother

00:41:05He's head over heels in love.

00:41:08I don't know what

00:41:09Tete, I certainly don't recognize you.

00:41:12Neither I, daughter, nor I

00:41:13I don't want to take off my jacket

00:41:15Uncle

00:41:23Uncle

00:41:23Valdano is for your mother

00:41:25Okay, fine.

00:41:26Well, Lucia

00:41:27So, what's wrong with your sister?

00:41:29I'm thinking of a brilliant joke

00:41:31Imagine

00:41:32What would happen?

00:41:33If Valdano were to receive a letter from Lucia

00:41:35Yeah?

00:41:38Good afternoon, ladies and gentlemen

00:41:40Madame, Messie, Lady and Gentleman

00:41:42Here's a top-notch show for you.

00:41:45A duo

00:41:46Now transformed into Tereseto

00:41:48That has elevated Spanish popular music

00:41:51At the height of Guazaca

00:41:52Another year

00:41:54Good luck, it's not a joke

00:41:55You wouldn't take the saint

00:41:56That

00:41:57It wasn't difficult for us to get to the exams

00:42:00At the Tugurio place

00:42:01That we had to play

00:42:02Until we make our name

00:42:03TRUE?

00:42:04I hope you remember

00:42:05Ladies and gentlemen

00:42:06With all due respect to you.

00:42:07Mery

00:42:09Tony

00:42:10And Mark

00:42:11And a big round of applause for them!

00:42:15A big round of applause for Marky!

00:42:21My name is Marcos

00:42:33No Marky

00:42:34Let the party begin!

00:42:35My name is not Marcos

00:42:38My name is not Marcos

00:42:40Narcos

00:42:41Come on!

00:43:11It is played with more joy

00:43:12With more force

00:43:13That which is used comes from the veins

00:43:15Come on!

00:43:26What's up, kid?

00:43:27Take her out dancing!

00:43:29Let him sweat, let him owe!

00:43:31We need to cheer this group up!

00:43:32You have to consume!

00:43:34But I

00:43:34Why doesn't she bring Benny out?

00:43:36Benedict!

00:43:37Oh, Benito!

00:43:38Benito ever since he broke his hip

00:43:39Working on the stage

00:43:40He hasn't done the same thing again.

00:43:42Come on!

00:43:47Marquín!

00:43:48What's wrong with you, man?

00:43:49Hey!

00:43:52No!

00:43:53No!

00:43:54No!

00:43:55No!

00:43:57No!

00:44:01You've stepped out in front of the camera!

00:44:03No!

00:44:03What a load of crap!

00:44:06Child

00:44:06Get the TV out

00:44:08Candela is coming this way

00:44:09Now I'm going to make things perfectly clear.

00:44:11There it is

00:44:11Do you want me to take off your head protector too?

00:44:14No, man, no

00:44:15Hey, we're on neutral ground.

00:44:17Things aren't going to get out of hand.

00:44:18Besides

00:44:19I know exactly what I'm going to say to him.

00:44:21But very clearly, here

00:44:22Already

00:44:23Well, if you're clear on it...

00:44:24Let's practice a little bit

00:44:25So that everything turns out perfectly.

00:44:27Because what I don't want is for the tavern to appear in the pages of his story.

00:44:29Okay, okay, okay

00:44:30Okay, let's go

00:44:30We rehearsed

00:44:31Come on

00:44:31We rehearsed

00:44:31Come on

00:44:32Look, Churri

00:44:35We call each other Churri

00:44:36Already

00:44:36Honey, I've been thinking

00:44:39And I think that's the best thing.

00:44:40Let's just keep the TV

00:44:42Let's see

00:44:44Look, fruitful

00:44:46Dear

00:44:47We've already talked about it.

00:44:49Don't insist

00:44:50Don't insist

00:44:50Because right now it doesn't suit us.

00:44:52And we also have TV

00:44:53In the kitchen

00:44:54In the bathroom

00:44:55In the living room

00:44:56In the dining room

00:44:56Already

00:44:57Churri

00:44:57Yeah, yeah

00:44:58Yes, darling.

00:44:58But the thing is

00:44:59I've thought about that too.

00:45:01I've also thought

00:45:02Where are we going to put the TV?

00:45:03Yeah?

00:45:04And do you know where?

00:45:05No

00:45:05In our new apartment

00:45:08A privileged location

00:45:10From the coasts of Murcia

00:45:11A practically paradise-like place

00:45:13With pristine, miles-long beaches

00:45:15Come on

00:45:15The new Torrevieja

00:45:16The new Torrevieja

00:45:18Yes, look

00:45:19I'm already at this point.

00:45:20And you're right.

00:45:21Enough with all the camping already!

00:45:22It already smells

00:45:23Us

00:45:23We deserve it now.

00:45:25A small apartment

00:45:26For the whole summer?

00:45:27Well, for the whole summer

00:45:27And for the weekends we want

00:45:29There's no league on a Sunday?

00:45:31We're definitely leaving.

00:45:32Are you trying to tell me

00:45:33That you've bought an apartment

00:45:34In a month without consulting me?

00:45:36Candela, Candela

00:45:36No, that

00:45:37In other words, on the plan

00:45:38The apartment then

00:45:39It looks really good.

00:45:41The mussel, right?

00:45:41Which has things like

00:45:42Marble and finishes

00:45:43Okay, I'll leave you now.

00:45:46That I have

00:45:46I'm leaving

00:45:47Nothing, nothing

00:45:4810,000 euros

00:45:49The first payment

00:45:50A bargain

00:45:51How much is that house going to cost us?

00:45:53What a bargain, darling!

00:45:53I'm telling you, it's a steal.

00:45:54Besides, it was the last one

00:45:55They were taking it right out of my hands.

00:45:56A little song, Candela?

00:45:58How much?

00:46:00Well, look, let me tell you

00:46:01That's 90,000 euros

00:46:0315,000,000 eyebrows

00:46:05From the old days

00:46:06Come on

00:46:07Think about the investment, Candela

00:46:08You?

00:46:09Have you gotten involved?

00:46:11Have you gotten involved?

00:46:11In a $15 million mess

00:46:12Without consulting me?

00:46:14Citi, you must have given me money, right?

00:46:15No, well

00:46:16Let me tell you

00:46:17Which

00:46:18Which is to say

00:46:19The entrance

00:46:19Come on

00:46:20What is

00:46:20The signal

00:46:2110,000 euros

00:46:23If you go

00:46:25And you get involved

00:46:25Let's see

00:46:27Go and get your ticket back.

00:46:29Okay?

00:46:29Already

00:46:29You'll see

00:46:31No

00:46:31Let me tell you

00:46:32No

00:46:33It seems to be

00:46:34They don't return it.

00:46:35You know how these are.

00:46:37Promotions

00:46:38But think about the investment

00:46:39Dear

00:46:39Think about vacation

00:46:40You've been scammed, Fiti

00:46:41You've been scammed again

00:46:43You've gone for a free TV

00:46:44And you have reunited

00:46:45With an apartment

00:46:46In the middle of the desert

00:46:46That's worth 15 million

00:46:48But let's see

00:46:48It's a good buy

00:46:50Fuck

00:46:50It's a good buy

00:46:51Besides, I did it thinking of you.

00:46:52You didn't want me to surprise you.

00:46:54Pussy

00:46:54In me

00:46:55This is all I needed.

00:46:56This is all I needed.

00:46:57Do you know what's going on?

00:46:58The thing is, you're a little rascal.

00:46:59Fiti

00:46:59Hey?

00:47:00Hey?

00:47:00That happens

00:47:00You're so funny

00:47:02They put a TV in front of you.

00:47:03And you go and give them a kidney

00:47:04Whatever

00:47:05It happens that you let yourself be deceived

00:47:07You're a fool

00:47:08Fiti

00:47:08If you're a fool

00:47:09The perfect buyer of nothing

00:47:10They tell you three things and you fall for it.

00:47:11Uncle

00:47:11What world do you live in?

00:47:13Fuck

00:47:13That's the last thing I needed.

00:47:14So I'll pass

00:47:15My whole fucking life working

00:47:17And I won't be able to give myself

00:47:18Not a single whim

00:47:18What whim?

00:47:19What whim?

00:47:19It's a 15 million apartment

00:47:21Fiti

00:47:22Well

00:47:22And my opinion?

00:47:23Hey?

00:47:24You weren't planning on asking me for it.

00:47:24You don't care either.

00:47:25You're a fool.

00:47:26Look, look, look

00:47:27One moment

00:47:28One moment

00:47:28Hey?

00:47:29One moment

00:47:29Don't treat me like an idiot

00:47:30That it makes me feel terrible

00:47:31Hey?

00:47:32And don't tell me what to do

00:47:33Pussy

00:47:33Because it's my money

00:47:35Okay?

00:47:35It's my money

00:47:35And I spend it

00:47:36Wherever I please

00:47:37Okay?

00:47:38And you're not my mother.

00:47:39And I am not your son

00:47:40Now it turns out it's your money

00:47:41I remember you Fiti

00:47:42I work too.

00:47:42Away from home

00:47:43And I earn my money

00:47:43Hey?

00:47:44And that saves

00:47:45Working from home

00:47:46Something you don't do

00:47:46Any day you want

00:47:47We did the math

00:47:47Whenever you want

00:47:48We did the math

00:47:48Hey?

00:47:49And you pocket the money

00:47:49Wherever you want

00:47:50I don't have to explain anything to you.

00:47:51I don't need to tell you anything.

00:47:52I won't even tell you anything.

00:47:53Okay?

00:47:54So, how is it my money?

00:47:55I do with him what I feel like doing.

00:47:55From the eggs

00:47:56And I pick up the TV

00:47:57And I put it in my apartment

00:47:59Okay?

00:48:08Hello good

00:48:08Let's see

00:48:10Take out all your notebooks

00:48:11What are we going to do, guest?

00:48:12Hey?

00:48:13Okay

00:48:13Very good

00:48:14You already have to deal with everything.

00:48:16Molis

00:48:17Very good

00:48:19Let's see

00:48:21Let's see

00:48:23Where are you going?

00:48:40In the background

00:48:41If you don't mind

00:48:42No, of course not

00:48:44Come on

00:48:50Let's begin

00:48:51Let's see

00:48:53She took his arm herself.

00:48:54Spot

00:48:55I'm confused too.

00:48:58And I don't know

00:48:58If what I feel is love

00:49:00Or what is

00:49:01But it's something very beautiful.

00:49:02And wonderful

00:49:03And we should clarify that.

00:49:04If you feel the same way about me

00:49:06Give me a sign

00:49:08Please

00:49:09Take a step forward

00:49:10Matías

00:49:12What have we already brought?

00:49:14Three sentences?

00:49:15Nothing, sorry.

00:49:16Oh, hey

00:49:19This afternoon

00:49:19We can't stay

00:49:20But if that's okay with you

00:49:23We'll meet tomorrow to measure

00:49:24Yeah

00:49:25Yes, yes

00:49:25We continue

00:49:26It gave off something like an effluvium

00:49:30Of free pride

00:49:31Coma

00:49:31Please

00:49:32Take a step forward

00:49:34Hey, Marcos

00:49:43When you guys started with the cockroach

00:49:46I feared the worst, you know?

00:49:47But then, starting with the little birds

00:49:49It all began

00:49:50Want?

00:49:51Okay

00:49:51And well

00:49:54And the little dance with

00:49:54The little dance with the foreign girl

00:49:57Fantastic, huh?

00:49:59And how I rubbed your ass

00:50:01That's included in your salary too.

00:50:02Just kidding

00:50:04What a lack of sense of humor, please.

00:50:07That's it

00:50:08This place is disgusting.

00:50:08I'll leave it to me

00:50:09I'm fed up, already?

00:50:10It turns out my uncle tricked me.

00:50:11Because they told me they needed a musician.

00:50:12And that the place was fine.

00:50:14But I don't understand it

00:50:15Let's see

00:50:16Working with your father

00:50:18Okay, because you have no other choice.

00:50:19But why do you want two jobs?

00:50:23Well, to earn my money

00:50:24Well, I think I'll have some plans this summer, I don't know.

00:50:26What's happening?

00:50:27You're going to India

00:50:28Well, if I want to do something

00:50:30I have a plan, I don't know.

00:50:31But...

00:50:32Yourself?

00:50:33Well, even if I go to work

00:50:35Look at the jobs I've found.

00:50:37Hey, what?

00:50:42How's your trip to India going?

00:50:44Brilliant

00:50:46I have everything ready.

00:50:47I've made a route

00:50:48I've bought more clothes

00:50:50I've prepared myself...

00:50:52Yes, but...

00:50:53Why do you want to go to India?

00:50:54That's a long way off.

00:50:54In other words, to Morocco

00:50:57For example, it's right there next door.

00:50:58It's close, it's separate

00:51:00It's cool

00:51:00I've been told it's cool

00:51:01Super cool

00:51:02But I've already been.

00:51:03Come on, let's go

00:51:05Okay, you have to get up early tomorrow.

00:51:06No, I'm going to stay for a while

00:51:08Okay, fine.

00:51:09Hey

00:51:10Fully furnished

00:51:17And with all those details

00:51:19What differentiates...

00:51:20Say

00:51:20It's very late

00:51:21That...

00:51:22The letter was from a child.

00:51:25There's no going back.

00:51:26The letter that...

00:51:28Oh, no, no

00:51:30About the letter...

00:51:30No, no, no

00:51:31I wasn't thinking about that

00:51:31No, it's just that...

00:51:32I'm worried

00:51:33I'm worried because...

00:51:34Because Fiti and Candela

00:51:36They had a hell of a fight

00:51:38Oh, really?

00:51:39And why?

00:51:41Because Fiti came up with it

00:51:42Buy an apartment

00:51:43Without saying a word to Candela

00:51:44In Murcia, in Torremar

00:51:45Murcia?

00:51:46Yeah

00:51:47I just keep turning it over in my mind

00:51:49To see what I can do

00:51:50Because...

00:51:50But hey, that's their business.

00:51:52What do you have to do with their decisions?

00:51:54He's your best friend

00:51:54But what...

00:51:55Let them decide.

00:51:56But what...

00:51:57What better friend, Lucia?

00:51:57What better friend?

00:51:58I'm not his best friend

00:51:59Am...

00:51:59I am the former friend

00:52:00You understand?

00:52:01The ante-friend

00:52:01In other words, I am his greatest enemy.

00:52:03It was all a joke.

00:52:05And we took him to Fiti

00:52:06To one of these promotional sites

00:52:07They say it will make you a TV

00:52:08But were you with him?

00:52:10Yes, Santiago and I

00:52:10Well, no, no

00:52:11We were not with him

00:52:12In other words, we accompanied her.

00:52:12We accompanied her to him

00:52:13Hey?

00:52:14But...

00:52:15But...

00:52:15One moment

00:52:16Because I'm not understanding anything.

00:52:18So, you see that they're selling him a house

00:52:19And you don't warn him

00:52:20Well, but we

00:52:21Let's see

00:52:22We weren't there at that time.

00:52:23We had to go to the tavern

00:52:24Come on

00:52:24When he bought the house

00:52:25We were not in front

00:52:26And it's my fault

00:52:27Because I already know Fiti.

00:52:28And if I leave him alone

00:52:28Well, I left him there

00:52:30The idea was to play a little joke on him.

00:52:31So that they could give him a talk.

00:52:33Well, to teach him a lesson

00:52:34Because Fiti was also very annoying.

00:52:35Well, damn it

00:52:36Lucia bought the apartment.

00:52:37The uncle bought the apartment

00:52:38Damn, Diego

00:52:40What a joke, huh?

00:52:41Already

00:52:42Although Fiti is quite a bit older

00:52:44To find out what it does

00:52:45Yeah

00:52:47Come on, man

00:52:50Everything has a solution.

00:52:51And Fiti and Candela

00:52:53I'm sure they'll work out.

00:52:54Well, I can already imagine them.

00:52:56They're probably making up now.

00:52:57Of all of them there

00:52:58Who will it be?

00:53:01Wait

00:53:01Fuck

00:53:04Yeah?

00:53:07Ah, look

00:53:07It was worse when I got home

00:53:09Because

00:53:11Clear

00:53:12He started telling me

00:53:13That he needed time to think and that

00:53:16Typical, right?

00:53:18Nothing

00:53:18What a hot fire!

00:53:19You know how it is

00:53:21Wait

00:53:22That I this

00:53:22I'll arrive tomorrow

00:53:23And here I am calmer

00:53:25We talked about it and solved it

00:53:27Don't worry

00:53:27And the same thing happened with

00:53:30With the Ruló

00:53:32It's the same

00:53:33Nonsense

00:53:34The apartment is rubbish.

00:53:35Of course!

00:53:36Fiti

00:53:36Clear

00:53:37You'll see how everything works out.

00:53:38Well

00:53:39I'm leaving, okay?

00:53:40Okay, see you tomorrow

00:53:40Okay, I rested

00:53:41Fuck

00:53:42Fuck

00:53:42This is great, man.

00:53:44It's because of the park

00:53:45I had forgotten to have dinner

00:53:47I'm hungrier than the lions

00:53:48From Christ's aje, male

00:53:49How are you?

00:53:52Yeah

00:53:52I'm not going to...

00:53:53Wait, let me cover you up.

00:53:54It takes me away, damn it.

00:53:55No, okay, okay

00:53:56That is

00:53:56That's for real

00:53:58I think we've gone too far

00:53:59It was a stupid little joke.

00:54:00And I'm so sorry.

00:54:02That it's gotten out of hand

00:54:03And that you have discussed

00:54:04No, you don't know how I feel.

00:54:05Fiti, really

00:54:06What are you saying, man?

00:54:07Who do you think you are?

00:54:08Didn't I catch on?

00:54:09From the beginning, you bastards?

00:54:11Come on, don't worry

00:54:12Because I

00:54:12This whole thing about buying the apartment

00:54:14It was an idea that I already had.

00:54:15It was on my mind

00:54:17A while ago

00:54:17Clear

00:54:18And by candle

00:54:18Don't worry, okay?

00:54:20I know my sweetheart

00:54:21Okay, fine.

00:54:22Me tomorrow

00:54:23I have her eating out of my hand

00:54:24So,

00:54:25Absolute tranquility

00:54:27Okay

00:54:28Well, that's it, nothing more.

00:54:29Good night

00:54:30I'm already turning off the quedula

00:54:31Turn it off, come on

00:54:32Damn, man

00:54:37Cushions of the cojonados

00:54:41Hey, Dad

00:54:48Let's see if they see strips from the living room

00:54:49It smells like chito

00:54:50What are you throwing away?

00:54:51Okay, okay

00:54:51I've forgotten

00:54:52Open the window

00:54:52Well, well

00:54:53Family of marquesses, male

00:54:55Tea

00:54:58Hey, why not

00:54:59You do it too

00:55:00A little toast for Uncle Fiti?

00:55:02Okay

00:55:03And an orange juice

00:55:04From three oranges

00:55:07And remove the pulp

00:55:08It gives him the creeps a little

00:55:09Are you going to swim with fire?

00:55:13Yeah

00:55:14Well

00:55:15Right now

00:55:16I take a shower

00:55:16And I'm going for...

00:55:17Hello, everyone

00:55:18Good night

00:55:19How are you?

00:55:20How did you sleep?

00:55:21Okay, okay

00:55:22Like a log

00:55:23Well

00:55:23Well, until six or so

00:55:25Then with those cushions you have

00:55:27Well

00:55:27There are some really good down ones.

00:55:29What you have to buy

00:55:30Already

00:55:31And this morning I was really sad

00:55:33I think he is very sorry.

00:55:35Hey, well, let it show.

00:55:36Because I don't know anymore if he just doesn't realize it.

00:55:39Or does it happen?

00:55:40Because then it's like nothing ever happened, Lucia

00:55:42She sits down in front of the TV

00:55:44With the little glass

00:55:45And it disappears

00:55:46There it is

00:55:48I'll leave you two alone, okay?

00:55:53Hello

00:55:53No

00:55:54Hello

00:55:56That?

00:56:00Let's see

00:56:01Hey...

00:56:03I think that...

00:56:05Two minutes

00:56:06From the moment you enter the classroom

00:56:08Okay?

00:56:09That's it, I think this is important

00:56:11And it's worth fixing this as soon as possible.

00:56:14Yeah

00:56:14Okay?

00:56:15I agree

00:56:16We don't have to argue over silly things.

00:56:21I, for my part, have forgotten

00:56:25That?

00:56:29That's what I think...

00:56:30What we need to do is turn the page.

00:56:32Hey?

00:56:32Because, okay, we got carried away and all that

00:56:34But we must enjoy what we have.

00:56:36Because...

00:56:38Damn, we have an apartment

00:56:39Well, that's it

00:56:40We took advantage of it

00:56:41And we're leaving.

00:56:41We'll take a little trip out

00:56:43Or maybe

00:56:43But...

00:56:44But we have to see the glass half full.

00:56:46Candle

00:56:46And that's it?

00:56:52This is...

00:56:53This is all you have to tell me

00:56:55Yeah

00:56:59You haven't understood anything.

00:57:05I...

00:57:09I need time to think.

00:57:12Okay, okay, you...

00:57:18I'll see you after class, yes

00:57:20Tonight

00:57:22Damn, honey, I won't make that much money either.

00:57:29It's not about the money, Vicky

00:57:32Keep it from your head

00:57:34It's not about the money.

00:57:35Okay?

00:57:38There are many things that need to change

00:57:40And now excuse me, I have class

00:57:43I have been arrested

00:57:55But it's poor Valdano, huh?

00:58:00Imagine falling in love with my mother

00:58:01She's going to have a terrible time

00:58:02That's what love is all about.

00:58:04That there is a lot of suffering.

00:58:06Hello

00:58:08Hello

00:58:09Is Lucia there?

00:58:14Yeah

00:58:14I'm going to call her

00:58:15I read

00:58:21That...

00:58:23Well

00:58:23I wanted to thank you because

00:58:26You treated me very well.

00:58:28AND...

00:58:29And so

00:58:30That you're a friend

00:58:31Nothing

00:58:32And you don't know the best part

00:58:34That Lucia reciprocates my feelings.

00:58:37Oh really?

00:58:38Yeah

00:58:38He sent me a letter saying that it's my turn

00:58:41And now I have to step forward

00:58:42And what are you going to do?

00:58:45I'm going to take the plunge

00:58:46I have to try, right?

00:58:48Take a step forward

00:58:49Do you believe it?

00:58:51Valdanos

00:58:52Wow, you look so handsome, boy

00:58:54Come on

00:58:54Poor

00:59:01Clear!

00:59:05Oops!

00:59:05So few!

00:59:07Oh, there are so few more...

00:59:09Wow, how handsome!

00:59:10And a detail from Juan Boludo

00:59:12She is in class with Lucia.

00:59:14Oh, with his sweetheart!

00:59:19Very good

00:59:20And the predicate has a direct object and an indirect object.

00:59:23Is it like when you want to do something and you do it brilliantly?

00:59:25Hey?

00:59:26Thank you

00:59:26It's great!

00:59:27Okay, let's do another one

00:59:28Let's see

00:59:29Luck favors the bold

00:59:33Luck favors the bold

00:59:36Matías Harkovich

00:59:41I can tell you louder, but not clearer.

00:59:44Again, he's telling you that it's the first step.

00:59:46And how do you know that my mother likes Valdano?

00:59:56Because I don't think he told you.

00:59:57Let's just say nothing escapes our control

00:59:59Hey

01:00:01Perhaps it belongs to your mother

01:00:04Is that silly, my friend?

01:00:06How will he reciprocate?

01:00:08Oh, really, Maritere

01:00:09You're so close-minded!

01:00:11Love has no age

01:00:13Clear

01:00:14Imagine

01:00:15That Lucia

01:00:16He has written her a letter

01:00:17To tell him

01:00:18That she

01:00:18He likes it too

01:00:19Tete

01:00:20I think they've played a joke on him

01:00:22They have written him a letter

01:00:25And Valdano thinks he's your mother

01:00:27And what does the letter say?

01:00:30Bah, that's normal in these cases.

01:00:31Attack, coward!

01:00:33Fuck!

01:00:35But Valdano told me that it wouldn't happen later than today.

01:00:36That it was going to be launched

01:00:37Oh, what a coward!

01:00:38We must prevent it at all costs.

01:00:40Okay, hurry up, you're going to be late!

01:00:42Wow, what a bunch of Argentinians!

01:00:43Come on

01:00:44This is the moment, Matías

01:00:47You'll never have it this close.

01:00:49Come on

01:00:50Now

01:00:51But what are you doing?

01:00:58Pringa!

01:00:59Brother-in-law, how stupid you are!

01:01:05Can someone tell me what's going on here?

01:01:07Valdano is on your side!

01:01:10Hey, Guille, I'm not going to repeat myself.

01:01:12What's going on?

01:01:13I haven't done anything

01:01:14Me too!

01:01:15Guille!

01:01:16You're coming!

01:01:19Okay, okay, to Fiti

01:01:20Let him back down

01:01:21Because this one manages

01:01:22Worse still than just looking for his house

01:01:24Knowing what it's like

01:01:25We shouldn't have imagined it

01:01:27Remember when he bought

01:01:29The 200 yogurts

01:01:30Because of that promotion

01:01:31From the jet ski

01:01:32We've screwed up, Santi.

01:01:34We screwed up

01:01:34And well screwed up

01:01:35We've ruined his life

01:01:36Yeah

01:01:37And where will he be now?

01:01:38The poor man of grace?

01:01:39Good afternoon, parish!

01:01:41How are people here?

01:01:43Come on!

01:01:44Olé!

01:01:44Let's go!

01:01:45What a joy!

01:01:45Come on!

01:01:46Put some straws on.

01:01:47And a little bit of ham

01:01:48But the good kind, okay?

01:01:49So, you're okay.

01:01:51Come on, Fiti

01:01:51Am I okay?

01:01:52I'm like a kid again

01:01:53I'm better than ever.

01:01:54I'm so excited!

01:01:55Come on

01:01:55And let's get to the crustacean

01:01:56That you've gone to a heart

01:01:57And so

01:01:58Every day

01:01:59From now on

01:01:59I mean

01:02:00You finally sorted things out with Candela

01:02:02No way, no way

01:02:03This is a special celebration

01:02:05By...

01:02:06For my new house

01:02:07My house

01:02:09I've rented it

01:02:12A small apartment for Andrés

01:02:13That he had

01:02:14And well, that's it

01:02:15That's great!

01:02:16Very smart

01:02:16With their little things

01:02:17Their bars

01:02:18Her little pieces of furniture

01:02:18But let's see, Fiti

01:02:20I mean

01:02:20That you have spoken with Candela

01:02:22And you told him you were sorry.

01:02:23And that you are sorry

01:02:23No, no, no

01:02:24Come on, no.

01:02:25And also

01:02:25I don't even plan to do it.

01:02:26The time has come to emancipate oneself

01:02:28So stop talking about Nécora

01:02:29Come here

01:02:30Come here

01:02:30What are you doing?

01:02:31Are you telling yourself that?

01:02:33You're really okay

01:02:34But don't you see you're messing things up?

01:02:36Let's see

01:02:37Listen to me

01:02:37You're going to talk to Candela right now.

01:02:39And you tell him

01:02:39This can be fixed

01:02:41No, Diego

01:02:41No, fuck

01:02:42I want to enjoy myself now.

01:02:43My single life

01:02:44At once

01:02:45Okay?

01:02:46And we're going to start tonight

01:02:47Tonight

01:02:48Come to my house

01:02:49And we see

01:02:50Tour summary

01:02:52The NBA

01:02:53Teleshopping

01:02:54Whatever they throw at us

01:02:55Whatever it takes

01:02:55Come on

01:02:56And you take a little bit of ham with you.

01:02:57A little bit of chorizo

01:02:58The beers

01:02:59And so

01:02:59And put it on my account.

01:03:01And these reeds too

01:03:02Thank you!

01:03:03Thank you!

01:03:04Thank you!

01:03:05Thank you!

01:03:06Thank you!

01:03:07Thank you!

01:03:08Thank you!

01:03:09Thank you!

01:03:10Thank you!

01:03:11Thank you!

01:03:12Thank you!

01:03:13Thank you!

01:03:14Thank you!

01:03:15Thank you!

01:03:16Thank you!

01:03:17Thank you!

01:03:18Thank you!

01:03:19Thank you!

01:03:20Thank you!

01:03:21Thank you!

01:03:22Thank you!

01:03:23Thank you!

01:03:24Thank you!

01:03:25Thank you!

01:03:26Thank you!

01:03:27Thank you!

01:03:28Thank you!

01:03:29Thank you!

01:03:30Thank you!

01:03:31Thank you!

01:03:32Thank you!

01:03:33Thank you!

01:03:34Thank you!

01:03:35Thank you!

01:03:36Thank you!

01:03:37Thank you!

01:03:38Thank you!

01:03:39Thank you!

01:03:40Thank you!

01:03:41Thank you!

01:03:42Thank you!

01:03:43Thank you!

01:03:44Thank you!

01:03:45Thank you!

01:03:46Thank you!

01:03:47Thank you!

01:03:48Thank you!

01:03:49Thank you!

01:03:50Thank you!

01:03:51Thank you!

01:03:52Thank you!

01:03:53Thank you!

01:03:54Thank you!

01:03:55Thank you!

01:03:56Thank you!

01:03:57Thank you!

01:03:58Thank you!

01:03:59Thank you!

01:04:00Thank you!

01:04:01And... do you have your ticket yet?

01:04:05Yes, since this morning. Why?

01:04:07No, it's nothing, I've just been thinking about your trip and I wanted to tell you...

01:04:15What is it?

01:04:16Well, Shaky, let's get through this rain, after this we'll go with God's grace.

01:04:20Put on the guitar.

01:04:21Well, then...

01:04:23Hey, God's grace is pretty great, huh?

01:04:25Of all the graces, God's is the best, right?

01:04:31One little thing, you...

01:04:42You're very good friends with the owner, aren't you?

01:04:46And... why don't you tell him that...

01:04:50Let Marcos play one of his songs?

01:04:53It's very good.

01:04:55Tell him...

01:04:56Tell him he looks like Bisbal, or something like that.

01:04:59Come on.

01:04:59He's a cool guy.

01:05:03Yeah?

01:05:05Man!

01:05:06Come in, Robert!

01:05:07Well, sure, how are we doing, huh?

01:05:09What's happening?

01:05:11That?

01:05:11Nephew, a monster, huh?

01:05:13Well, monster, monster, as much of a monster as that, but oh well, the kid's leaving...

01:05:16The kid doesn't have a good ear; the kid is into boleros.

01:05:19Boleros...

01:05:20Well, that's not his thing.

01:05:21You know that they compose their own features.

01:05:24Well, and he's recording an album, they're going to release it soon.

01:05:27I started the record label.

01:05:28He's the new Bisbal.

01:05:30Pussy?

01:05:31Sure, Bisbal has sung in worse places than this.

01:05:34And with a really shoddy orchestra, huh?

01:05:36Not like this one with Benny and Tony.

01:05:38Clear.

01:05:39Imagine that, huh?

01:05:40When he becomes famous, publicity can even give him his race.

01:05:43Of course.

01:05:44Hey, and if I tell Benny and Tony to prepare a little song to sing, have your nephew sing it.

01:05:49Ladies and gentlemen, one moment please.

01:05:54This afternoon we have a scoop for all of you.

01:05:57This afternoon we have a cyclone, an earthquake.

01:06:00The new David Bisbal, who will delight us with a song composed by himself.

01:06:07Ladies and gentlemen, the earthquake, the new Bisbal.

01:06:10Marco Ferreros!

01:06:12A round of applause for him!

01:06:14Bye bye!

01:06:16It's an earthquake.

01:06:17Tete told me what happened.

01:06:28And earlier you left me quite puzzled.

01:06:35What has happened is truly beautiful.

01:06:37I feel very flattered.

01:06:40I know you're at a difficult age, that you're going through a lot internally.

01:06:45And it's normal to fall in love with your teacher.

01:06:51It happens a lot with those guarantees.

01:06:52Although few are as bold as you.

01:06:56But you told me in the letter.

01:06:59Which letter?

01:07:00The one you wrote to me.

01:07:02Take a step forward.

01:07:06It doesn't matter that I don't care about you, I'm in.

01:07:15Look, I know that what we have is impossible and that I'm too young for you.

01:07:21But if you wait another four years, I'll be 16 and I'll have grown up.

01:07:26There will be no obstacles between us and...

01:07:29We will be able to be together here or anywhere in the world.

01:07:32For now, why not focus on those your own age?

01:07:41What do I think, are you going to be a conqueror?

01:07:44Oh, mother!

01:07:45Great care.

01:07:46Go on.

01:07:46Great care!

01:07:47The sun has passed.

01:07:49You were talking about other cascielos in the sky of New York.

01:07:53Come soon to see the sea and send a messenger.

01:07:57I already knew that day was the end.

01:08:01Now I have much more.

01:08:04Red, black, stop and even.

01:08:06Finally, luck brings an ace.

01:08:08And a glass to look through.

01:08:09And a wall to hang it on.

01:08:11Seven smiling faces in a photo of meat.

01:08:14Your stories were not about events made by chance.

01:08:22Nobody told me that destiny was giving me this opportunity.

01:08:28One plus one without seven.

01:08:32Who would have thought?

01:08:36That it was so easy to be happy.

01:08:41How many years have I been here?

01:08:43How many can I keep?

01:08:45Which one is precious?

01:08:46Dude, where were you?

01:08:48I've been here waiting for you for two hours.

01:08:51Your parents are separating.

01:08:53That?

01:08:55Your parents.

01:08:56Your parents?

01:08:59Let's go to the pool, okay?

01:09:01These are not things to keep.

01:09:03Today I smile when I remember that you dreamed of flying.

01:09:06You can't see the sea from the banks in Madrid.

01:09:10My stories were not about tales made by chance.

01:09:17Nobody told me that destiny was giving me this opportunity.

01:09:21One plus one without seven.

01:09:24Ta-da!

01:09:26My bachelor buddy.

01:09:27Okay.

01:09:29Much better said.

01:09:30It's really tall and tiny.

01:09:33And you don't know where to lay the egg.

01:09:34Yes, be careful.

01:09:35I'll put the egg here.

01:09:37Hey?

01:09:38Come on, damn it, sit down, won't you?

01:09:40Right here, come on.

01:09:41Oh, come on, yes, yes.

01:09:42I'll pass.

01:09:43I had forgotten what it is like to be free.

01:09:46But well, the truth is I've never been alone.

01:09:49Well, I got married by penalty kick at 18.

01:09:51Imagine.

01:09:52I thought marriage was awesome.

01:09:55But hey, not at all, man.

01:09:57Marriage leaves you feeling like a fool and it's the death of you.

01:10:01They've been seen arguing a thousand times.

01:10:04But how is she so tough?

01:10:07Already.

01:10:08I experienced something similar with my parents, Raúl.

01:10:11But I don't know, give them time.

01:10:14They might fix it, man.

01:10:15I don't know.

01:10:16Dude, I don't think this can be fixed anymore.

01:10:20I don't know what to do.

01:10:21Can't.

01:10:24I swear, if I could, I would love to make it longer.

01:10:28Why don't you come with me to India?

01:10:31I'm leaving in two weeks.

01:10:36I'd love to.

01:10:39No, but I don't have a penny.

01:10:44Would you really go on vacation with me?

01:10:45Sure, why not?

01:10:50You are the most amazing girl I have ever met.

01:10:52Come on, you idiot.

01:10:53What are you saying?

01:10:54What are you saying?

01:11:03What are you saying?

01:11:08Friends, okay?

01:11:10But...

01:11:11But they are friends.

01:11:12Okay.

01:11:14Okay.

01:11:14Look at this.

01:11:33I'm going to try something.

01:11:34Marcos

01:11:40I need you to do me the biggest favor of my life, man.

01:11:43Sure, tell me

01:11:45Well, Eva wants me to go with her to India

01:11:49I don't know what the hell is there, but I need you to lend me some money, man.

01:11:55Yes you can

01:11:57Sure, sure, I'll let you have it.

01:12:02I don't know how much it might cost.

01:12:04690 euros, including taxes

01:12:06It's all I have, so...

01:12:10I'll give it to you on Friday when I get paid, okay?

01:12:13Thank you

01:12:13Friend

01:12:15Thank you

01:12:21Well, then, let's celebrate!

01:12:25I'm going to get our houses

01:12:27That?

01:12:30He's already given you the news

01:12:33Poor Raúl

01:12:36Well, what were you going to say to me before, when we were dancing?

01:12:42Nothing

01:12:42Nothing?

01:12:43Nonsense

01:12:44Okay, let's have a drink.

01:12:49For today, okay?

01:12:51Don't be late

01:12:51Alright, see you guys

01:12:56Hey, and on Saturday, Saturday, Saturday, don't let me down, we have to watch the game

01:12:59And then we ordered Chinese food with chopsticks and all the trimmings.

01:13:02Yes, yes, yes, but we like to party.

01:13:04I'll bring the wine

01:13:06Come on, and Dieguito, bring the beers, but make them nice and cold, okay?

01:13:09Okay, come on, I'll bring the beers.

01:13:11Say yes

01:13:11Come on, come on

01:13:12Come on, come on

01:13:13Have you left your keys?

01:13:14You get it in your head, you get it in your head

01:13:16Are you OK?

01:13:18Yes, damn it, yes

01:13:20But it's heavy, man.

01:13:21But sure

01:13:22Yes, fuck, I'm fine, fuck

01:13:23I'm not okay, I'm happy, happy, Diego, damn it

01:13:26Okay, thank you very much

01:13:27Come on, a hug

01:13:28Yeah, you get it, yeah, go for it

01:13:31Come on

01:13:32Well, nothing much.

01:13:32Enjoy!

01:13:34Come on

01:13:36Gulf, as we say, Gulf

01:13:38Shut yourself up, shut yourself off from the inside

01:13:39Shut up there

01:13:40Shut up there

01:13:42That looked like the niche of the evil brothers

01:13:47Which niche?

01:13:48The cabin, the cabin

01:13:49The cabin

01:13:50But it's really bad, Santiago

01:13:51But I've never seen worse in my life.

01:13:52That he is in the euphoric phase

01:13:54He doesn't know what he's doing

01:13:56God

01:13:57What a shame, what a shame

01:13:58What a shame, what a shame

01:13:59Lucia

01:14:22That's good that I said it.

01:14:23That this is already done

01:14:24It's not that anything

01:14:25Because I've painted it ten times

01:14:26No, that's fine by me.

01:14:27You're painting the storage room tomorrow, okay?

01:14:30Maybe that will put you off.

01:14:31From playing mean pranks on your friends

01:14:33Hey?

01:14:34And then pick that up.

01:14:35And clean

01:14:37You're acting like a pig.

01:14:38What's up, Lucia?

01:14:43How are you?

01:14:45What do you have there?

01:14:47Where?

01:14:48I don't know

01:14:48What do you have there?

01:14:49What do you have there?

01:14:49You didn't tell me that I could occasionally do something nice for you.

01:14:59Well, here's the thing, isn't it?

01:15:01Pretty.

01:15:07Dream me yours as I dream you, Mia, and in this dreaming of each other night and day,

01:15:12I love you, Lucia, Rosa Alba, my life.

01:15:16Hey?

01:15:18Diego, this poem is not yours, you copied it.

01:15:21That?

01:15:22This poem is not yours.

01:15:24Yes, woman, it's mine, of course it's mine, can't you see it's my handwriting, but it's mine.

01:15:28Diego.

01:15:30Well, no, you see, it might sound familiar because it's inspired by another one.

01:15:34I mean, I was inspired by another one that belongs to a certain... What's the name of this man's bridge?

01:15:37He's a guy...

01:15:40Come on, I want to tell you that it's kind of like a tribute to someone else,

01:15:43From what I read in that poetry anthology we have there in the living room, right?

01:15:46But, come on, he went to read it.

01:15:48It's impressive, isn't it?

01:15:49I mean, I read it and immediately felt it.

01:15:52Already.

01:15:54Well, excuse me, do you really think that idiot Andresito...

01:15:56He didn't copy that corny poem from

01:15:58Lucia is my joy during the day.

01:16:00Diego, that poem wasn't written by Andrés.

01:16:03Valdano wrote it.

01:16:05Which Valdano?

01:16:06Guille's friend?

01:16:09Or... or the other one.

01:16:10Or the real one.

01:16:11No, no, let's see, let's see.

01:16:12Good night, my love.

01:16:16Hey, Lucia, why is that boy writing poems to you?

01:16:18So, why has it been so long since I started writing you poems?

01:16:20Well, I don't understand it, frankly.

01:16:22Lucia, answer me.

01:16:23Lucia, answer.

01:16:25Lucia.

01:16:27We have to deal with the kids now.

01:16:28No, no, no, no, no.

01:16:58No, no, no, no, no, no.

01:17:28Thank you.

01:17:58Thank you.

01:18:28Thank you.

01:18:58Thank you.

01:18:59Thank you.

01:19:00What do you have there?

01:19:01Where?

01:19:02I don't know what you wish for.

01:19:03What do you have there?

01:19:04What do you have there?

01:19:05I'm not going to explain myself.

01:19:06You are, get out, get out.

01:19:07I'll show you, I'll show you, I'll show you.

01:19:09No, didn't you tell me that I could have a little something from time to time?

01:19:13Well, here's the thing, isn't it?

01:19:15Nothing.

01:19:16Pretty.

01:19:17Come, come, come.

01:19:19Let's see.

01:19:20Dream me as yours, as I dream you, mine, and in this dreaming of each other night and day.

01:19:27I love you, Lucia, Rosa Alba, my life.

01:19:30Hey?

01:19:33Diego, this poem is not yours, you copied it.

01:19:35That?

01:19:36This poem is not yours.

01:19:38Yes, woman, it's mine, of course it's mine.

01:19:41Don't you see it's my handwriting, but it's mine.

01:19:43Diego...

01:19:44Okay, well, no, you'll see.

01:19:46It might sound familiar because it's inspired by another one.

01:19:49I was inspired by another one that's by a certain...

01:19:51What's the name of this bridge?

01:19:52Man, he's a guy...

01:19:54Come on, I want to tell you that it's kind of like a tribute to someone else,

01:19:58that I read in that poetry anthology we have there in the living room, right?

01:20:01But, come on, just reading it, it's amazing, isn't it?

01:20:04In other words, I read it and submitted it immediately.

01:20:06Already.

01:20:08Well, excuse me, do you really think that idiot Andresito...

01:20:11He didn't copy that corny poem from

01:20:13Lucia is my joy during the day.

01:20:15Diego, that poem wasn't written by Andrés, it was written by Valdano.

01:20:18Which Valdano?

01:20:20Which Valdano?

01:20:21This?

01:20:22Guille's friend?

01:20:24Or the other one?

01:20:25Or the real one?

01:20:26No, no, let's see, let's see.

01:20:27Good night, my love.

01:20:31Hey, Lucia, why is that boy writing poems to you?

01:20:33So, what's the point of me writing you poems?

01:20:35Well, I don't understand it, frankly.

01:20:36Lucia, answer me.

01:20:37Lucia!

01:20:38Answer!

01:20:39Lucia!

01:20:42We have to deal with the kids now.

Los Serrano - 1x12 - Benny, Tonny y Marky - HD 1080

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